1 00:00:05,080 --> 00:00:08,240 Speaker 1: Welcome to get it to Dutch. A screenwriter's journey. I'm marked, 2 00:00:08,320 --> 00:00:12,520 Speaker 1: that's Greg, that's Brendan, for a team of Hollywood screenwriters 3 00:00:12,640 --> 00:00:15,240 Speaker 1: who meet every week to read from original screenplay that 4 00:00:15,320 --> 00:00:17,640 Speaker 1: one of us has written. We give notes, we rank 5 00:00:17,720 --> 00:00:19,120 Speaker 1: the scripts, and at the end of the season, we're 6 00:00:19,120 --> 00:00:22,040 Speaker 1: going to pitch the best script to big time Hollywood 7 00:00:22,079 --> 00:00:26,000 Speaker 1: producer Dutch Huxley, who is dead, so instead we're pitching 8 00:00:26,040 --> 00:00:28,600 Speaker 1: to his son, Duck, who's rumored to be taking over 9 00:00:28,640 --> 00:00:33,040 Speaker 1: his dad's empire at Victory Pictures. WHOA, I have feeling 10 00:00:33,200 --> 00:00:36,479 Speaker 1: great today. Wow, let's get into it. This is my script. 11 00:00:36,520 --> 00:00:37,320 Speaker 2: I cannot wait. 12 00:00:37,479 --> 00:00:40,400 Speaker 3: What is going on? This is a new Mark. 13 00:00:40,560 --> 00:00:42,600 Speaker 4: I'm Brendan. I have to say that or I can't 14 00:00:42,680 --> 00:00:43,040 Speaker 4: do it. 15 00:00:43,120 --> 00:00:44,240 Speaker 2: Here's the deal, guys. 16 00:00:44,360 --> 00:00:49,199 Speaker 1: I have started a new process, a new philosophy, a 17 00:00:49,280 --> 00:00:51,360 Speaker 1: new life journey. 18 00:00:51,000 --> 00:00:53,440 Speaker 3: Oh, a new screenwriting, A new screenwriting process. 19 00:00:53,560 --> 00:00:58,120 Speaker 1: I have not ejaculated in one hundred and forty four hours. WHOA, 20 00:00:58,160 --> 00:01:01,960 Speaker 1: I'm on a semen retention plan and I feel unstoppable. 21 00:01:02,240 --> 00:01:04,959 Speaker 2: Okay, my mind has never been so clear, and that. 22 00:01:04,920 --> 00:01:06,240 Speaker 3: Why the apartment is so clean. 23 00:01:06,480 --> 00:01:07,360 Speaker 2: Well, I was. 24 00:01:07,319 --> 00:01:09,760 Speaker 1: Awake at three point thirty in the morning. I cleaned 25 00:01:09,800 --> 00:01:13,600 Speaker 1: everything up and I sort of fang schwayed it in 26 00:01:13,640 --> 00:01:15,399 Speaker 1: a way. And it's not even something that I read 27 00:01:15,440 --> 00:01:18,480 Speaker 1: in a book. I just felt the energy of the room. 28 00:01:18,520 --> 00:01:20,240 Speaker 4: Buddy. I feel like I'm in a whole new place. 29 00:01:20,800 --> 00:01:21,920 Speaker 2: Doesn't it feel good? 30 00:01:22,000 --> 00:01:24,800 Speaker 4: Curtains are open, there's light in here, the windows are open, 31 00:01:24,840 --> 00:01:27,399 Speaker 4: it's not boiling hot. I'm not sitting on a waste bench. 32 00:01:27,440 --> 00:01:31,160 Speaker 4: I'm sitting on the very nicely new reupholstered chair here. 33 00:01:31,160 --> 00:01:34,080 Speaker 1: I tore down all the posters and I painted what 34 00:01:34,280 --> 00:01:35,600 Speaker 1: I feel inside. 35 00:01:35,840 --> 00:01:38,319 Speaker 2: Look at that. That could be in a museum. 36 00:01:37,959 --> 00:01:39,440 Speaker 4: Buddy, This is unreal. 37 00:01:39,600 --> 00:01:40,920 Speaker 2: That could be in a museum. 38 00:01:41,040 --> 00:01:42,080 Speaker 4: Yeah, I think it could. 39 00:01:43,160 --> 00:01:44,920 Speaker 2: God damn it. I feel good. 40 00:01:45,040 --> 00:01:47,080 Speaker 3: Was that you up on the roof last night? Because 41 00:01:47,160 --> 00:01:50,040 Speaker 3: the landlord, mister Hartunian, came by and he asked if 42 00:01:50,040 --> 00:01:52,280 Speaker 3: you were running around on the roof and I said, 43 00:01:52,320 --> 00:01:52,880 Speaker 3: I didn't know. 44 00:01:53,040 --> 00:01:57,440 Speaker 1: I'm teaching myself, Parkour. Here's the thing, semen retention. Have 45 00:01:57,520 --> 00:01:58,360 Speaker 1: you ever done it before? 46 00:01:58,520 --> 00:01:58,720 Speaker 4: Oh? 47 00:01:58,840 --> 00:02:01,880 Speaker 1: No, it's proven by science. Joe Rogan had a scientist 48 00:02:01,920 --> 00:02:04,000 Speaker 1: on his show. He explained it better than I. 49 00:02:04,280 --> 00:02:06,880 Speaker 2: Rogan scientists, but he he'll tell you. 50 00:02:07,040 --> 00:02:09,160 Speaker 1: I don't want to get into the The proof is 51 00:02:09,160 --> 00:02:09,640 Speaker 1: in the pudding. 52 00:02:09,680 --> 00:02:11,520 Speaker 3: You don't want to get into the science, So there isn't. 53 00:02:11,720 --> 00:02:13,440 Speaker 2: I mean, I could get into the science of it, but. 54 00:02:13,639 --> 00:02:17,000 Speaker 4: You're actually putting. Their proof is in you not making pudding. 55 00:02:17,320 --> 00:02:20,320 Speaker 2: I don't have to putting. The proof is in the putt. 56 00:02:20,440 --> 00:02:24,560 Speaker 3: You're covered in a kind of a gleam listener, he's shining. 57 00:02:24,880 --> 00:02:26,960 Speaker 4: He hasn't. I haven't seen him blink yet. 58 00:02:27,200 --> 00:02:30,079 Speaker 2: My sweat smells sweet. Have you noticed that? 59 00:02:30,160 --> 00:02:30,960 Speaker 3: What's that in the corner? 60 00:02:31,000 --> 00:02:31,840 Speaker 2: It's like, uava. 61 00:02:32,600 --> 00:02:33,160 Speaker 4: Are you trying? 62 00:02:33,960 --> 00:02:36,359 Speaker 2: I don't know. I don't know. I don't know. You're good. 63 00:02:36,560 --> 00:02:39,200 Speaker 4: You're like crying pre comb or something. It's sticky. 64 00:02:39,760 --> 00:02:42,760 Speaker 1: Get get your fingers out of my eyes, man, get 65 00:02:42,800 --> 00:02:45,240 Speaker 1: your fingers out of my eyes. I can I know 66 00:02:45,280 --> 00:02:46,200 Speaker 1: how to break fingers. 67 00:02:46,280 --> 00:02:47,799 Speaker 3: I know. I'm just going to ask that you talk 68 00:02:47,960 --> 00:02:49,000 Speaker 3: a little bit quieter. 69 00:02:49,400 --> 00:02:51,800 Speaker 2: Has anybody seen so the weight pench is gone? 70 00:02:52,000 --> 00:02:52,280 Speaker 5: Yeah? 71 00:02:52,440 --> 00:02:53,560 Speaker 4: This chair is amazing. 72 00:02:53,560 --> 00:02:55,000 Speaker 2: I don't I found that in the alley and re 73 00:02:55,160 --> 00:02:55,760 Speaker 2: upholstered it. 74 00:02:55,880 --> 00:02:57,240 Speaker 3: I don't know how I'm gonna work out now. 75 00:02:57,400 --> 00:02:59,400 Speaker 4: It's very comfortable, but I'm very itchy. 76 00:02:59,600 --> 00:03:02,120 Speaker 2: Let's get in a new business. I am. I'm done 77 00:03:02,120 --> 00:03:04,720 Speaker 2: with the intro new business. Brendan got well. 78 00:03:05,600 --> 00:03:07,679 Speaker 4: First off, I want to thank everybody who reached out 79 00:03:07,720 --> 00:03:10,360 Speaker 4: to me last week when I was down about not 80 00:03:10,440 --> 00:03:12,959 Speaker 4: hearing about my callback. I know we haven't released the 81 00:03:13,000 --> 00:03:15,400 Speaker 4: episode yet, but I'm just pre thanking people who are 82 00:03:15,400 --> 00:03:16,919 Speaker 4: probably going to reach out. You're sort of. 83 00:03:17,040 --> 00:03:20,120 Speaker 3: Pre pre coming, you're pre coming of thanks. 84 00:03:20,440 --> 00:03:23,799 Speaker 4: But everything is turned around. Apparently in this town. When 85 00:03:23,840 --> 00:03:26,920 Speaker 4: somebody says they're a big fan, they're a big fan. 86 00:03:27,040 --> 00:03:28,919 Speaker 2: Baby, right, what happened? 87 00:03:29,120 --> 00:03:36,360 Speaker 4: Because I will be network testing hey on Big Wonders. 88 00:03:38,480 --> 00:03:41,720 Speaker 2: Everything is working out. That's great. So you don't hate 89 00:03:41,720 --> 00:03:42,120 Speaker 2: the show. 90 00:03:42,280 --> 00:03:44,400 Speaker 4: No, you know what, I never did. Thought it was 91 00:03:44,440 --> 00:03:47,640 Speaker 4: a brilliant idea. I think going back to what we 92 00:03:47,720 --> 00:03:50,880 Speaker 4: loved as youth is an amazing thing to do. I 93 00:03:50,880 --> 00:03:52,760 Speaker 4: think Small Wonder was a great show. I think Big 94 00:03:52,800 --> 00:03:55,320 Speaker 4: Wonder is going to be an even better show. What 95 00:03:55,400 --> 00:03:58,040 Speaker 4: a great turn of events. Congrats me, Thank you. I 96 00:03:58,520 --> 00:04:00,960 Speaker 4: really can't believe it, and I feel. 97 00:04:00,680 --> 00:04:03,760 Speaker 1: Like I feel like not to steal your thunder. But 98 00:04:03,880 --> 00:04:08,160 Speaker 1: when someone is so positive and emitting such positive vibes, 99 00:04:08,360 --> 00:04:11,000 Speaker 1: that extends out to people in their surroundings, and I 100 00:04:11,040 --> 00:04:12,440 Speaker 1: feel like that's what I'm doing. 101 00:04:12,600 --> 00:04:14,240 Speaker 2: Oh great, go ahead. 102 00:04:14,240 --> 00:04:17,680 Speaker 3: Okay, Al, you don't have to grab my arm so hard. 103 00:04:17,720 --> 00:04:20,279 Speaker 3: So here we go. New business for me. I've been 104 00:04:20,320 --> 00:04:23,840 Speaker 3: hanging out a lot with Ducks, so I'm feeling like 105 00:04:23,920 --> 00:04:26,120 Speaker 3: I'm going to approach him pretty soon about bringing him 106 00:04:26,120 --> 00:04:26,800 Speaker 3: some ideas. 107 00:04:26,880 --> 00:04:29,920 Speaker 2: But haven't haven't sent, haven't pitched him anything yet. 108 00:04:29,960 --> 00:04:31,400 Speaker 3: No, no, no, no, I don't want to cross the 109 00:04:31,480 --> 00:04:33,640 Speaker 3: I don't want to cross the rubicon quite yet. But 110 00:04:33,839 --> 00:04:36,080 Speaker 3: my face, are you about to come? 111 00:04:36,279 --> 00:04:40,040 Speaker 1: No, I'm wincing because I feel like time is at hand. 112 00:04:40,080 --> 00:04:41,400 Speaker 1: We want to get him something. 113 00:04:41,480 --> 00:04:44,000 Speaker 3: Let's just play this cool. We were out on the 114 00:04:44,040 --> 00:04:47,000 Speaker 3: duck boat this weekend, so that was fun. 115 00:04:47,560 --> 00:04:48,160 Speaker 2: His yacht. 116 00:04:48,360 --> 00:04:51,080 Speaker 3: No, he actually has a duck boat that he bought 117 00:04:51,080 --> 00:04:52,760 Speaker 3: when he was on one of those tours in Boston, 118 00:04:52,800 --> 00:04:54,520 Speaker 3: the ones that go on the land and the sea, 119 00:04:54,560 --> 00:04:57,120 Speaker 3: and he just had it repurposed and now it's kind 120 00:04:57,120 --> 00:04:59,080 Speaker 3: of his private party duck boat. You know, we'll be 121 00:04:59,120 --> 00:05:01,000 Speaker 3: out on the water that we up to a restaurant 122 00:05:01,080 --> 00:05:02,080 Speaker 3: and that's ducks. 123 00:05:02,200 --> 00:05:04,159 Speaker 4: I swear to god, I saw that out in front 124 00:05:04,160 --> 00:05:04,640 Speaker 4: of Spago. 125 00:05:04,800 --> 00:05:06,400 Speaker 3: Yeah, A couple weeks ago. He likes to park it 126 00:05:06,440 --> 00:05:07,960 Speaker 3: on the retention pond behind Spago. 127 00:05:08,279 --> 00:05:09,640 Speaker 4: Wow, that's duck. 128 00:05:09,760 --> 00:05:10,320 Speaker 3: That's duck. 129 00:05:10,480 --> 00:05:13,880 Speaker 1: Speaking of retention, I want to talk more about semen retention. 130 00:05:14,839 --> 00:05:17,200 Speaker 1: And here's what I did this morning. I cranked out 131 00:05:17,240 --> 00:05:17,560 Speaker 1: a new. 132 00:05:17,520 --> 00:05:19,320 Speaker 3: Script and this morning. 133 00:05:19,360 --> 00:05:22,279 Speaker 1: This morning, so I'm on the Marky Mark schedule and 134 00:05:22,440 --> 00:05:24,800 Speaker 1: the Dwayne the Rock diet Johnson diet. 135 00:05:24,800 --> 00:05:26,520 Speaker 3: I think he goes by Mark Wahlberg now. 136 00:05:26,400 --> 00:05:29,080 Speaker 1: Mark Wahlberg, Yeah, And I think the Rock's just he's 137 00:05:29,120 --> 00:05:31,640 Speaker 1: the Rock. So I'm on the Wallberg the Rock, you know, 138 00:05:31,800 --> 00:05:34,200 Speaker 1: schedule diet. I wake up at three point thirty. I 139 00:05:34,279 --> 00:05:36,360 Speaker 1: work out, Okay. 140 00:05:36,120 --> 00:05:37,800 Speaker 3: Yeah, could you keep that down? Honestly? 141 00:05:39,040 --> 00:05:41,320 Speaker 1: I will, so I looked. I lift weights for two hours. 142 00:05:41,400 --> 00:05:43,960 Speaker 1: I eat six hard boiled eggs and a can of sardines. 143 00:05:44,160 --> 00:05:44,520 Speaker 5: Wow. 144 00:05:44,640 --> 00:05:46,240 Speaker 1: I jump right into an hour and a half of 145 00:05:46,279 --> 00:05:49,640 Speaker 1: cardio and core. Okay, eat a farmer's breakfast, then run 146 00:05:49,720 --> 00:05:53,039 Speaker 1: six miles, meditate for an hour. Cool down with third breakfast, 147 00:05:53,080 --> 00:05:56,120 Speaker 1: which is usually tuna fish wrapped in a hamsteak. 148 00:05:56,279 --> 00:05:58,320 Speaker 4: Third breakfast, You're like a jacked up hobbit. 149 00:05:58,480 --> 00:06:00,599 Speaker 2: And then I start writing and I shit out this 150 00:06:00,680 --> 00:06:02,279 Speaker 2: bad dog. Between nine and ten am. 151 00:06:02,440 --> 00:06:05,120 Speaker 4: Oh my god, it's a full script for Yeah. 152 00:06:05,160 --> 00:06:06,920 Speaker 2: Wow, fucking crushed it. 153 00:06:07,000 --> 00:06:08,839 Speaker 3: Holy moly, Well congrats Mark. 154 00:06:08,920 --> 00:06:09,440 Speaker 2: This is great. 155 00:06:09,640 --> 00:06:11,320 Speaker 3: But I thought this week you were gonna I thought 156 00:06:11,400 --> 00:06:13,599 Speaker 3: you were working on my big fat Greek yogurt script 157 00:06:13,640 --> 00:06:15,160 Speaker 3: about the guy who started Chobani. 158 00:06:15,279 --> 00:06:18,520 Speaker 1: Yeah, that's back burner for now, maybe forever. I need 159 00:06:18,560 --> 00:06:20,920 Speaker 1: to write my own stories, is what I realized. And 160 00:06:21,240 --> 00:06:24,120 Speaker 1: this one's an erotic thriller. And like I said, I 161 00:06:24,160 --> 00:06:26,680 Speaker 1: cranked it out in under an hour before very down. 162 00:06:26,800 --> 00:06:28,760 Speaker 3: We haven't seen an erotic thriller in a while. They 163 00:06:29,080 --> 00:06:31,679 Speaker 3: feel like they what was the last great erotic thriller? 164 00:06:32,200 --> 00:06:37,760 Speaker 4: Oh? The Avatar? Hmm hmmm, right, would you? You wouldn't 165 00:06:37,760 --> 00:06:39,280 Speaker 4: classify that erotic. 166 00:06:38,920 --> 00:06:40,479 Speaker 5: Thriller, wouldn't call it a thriller. 167 00:06:40,920 --> 00:06:41,920 Speaker 4: You call it erotic though? 168 00:06:41,960 --> 00:06:42,520 Speaker 5: Turned me on. 169 00:06:42,800 --> 00:06:43,480 Speaker 4: God dang. 170 00:06:43,600 --> 00:06:45,840 Speaker 3: The point is it's been a while since there's been 171 00:06:45,839 --> 00:06:48,040 Speaker 3: an erotic thriller. I guess that's the point I was making. 172 00:06:48,200 --> 00:06:51,159 Speaker 1: Ye, Yeah, I think it's due time. So this one 173 00:06:51,240 --> 00:06:54,400 Speaker 1: is called Edge of Desire. It's about a detective with 174 00:06:54,480 --> 00:06:57,760 Speaker 1: a dark past and some very dark secrets who gets 175 00:06:57,800 --> 00:07:00,880 Speaker 1: pulled into an erotic world of thrills. 176 00:07:01,160 --> 00:07:02,800 Speaker 2: Oh, thrills. 177 00:07:02,800 --> 00:07:05,760 Speaker 1: It's a thriller. So let's jump in at page one. 178 00:07:05,920 --> 00:07:07,920 Speaker 1: I don't want to miss a thing. Your parts are 179 00:07:07,960 --> 00:07:09,360 Speaker 1: Mark Brendan, you're on stage. 180 00:07:09,400 --> 00:07:13,560 Speaker 3: Dresser does I don't want to and let's get into it. 181 00:07:13,720 --> 00:07:15,119 Speaker 4: Okay? Is everybody ready? 182 00:07:15,200 --> 00:07:16,720 Speaker 2: Ready? Been ready? 183 00:07:16,720 --> 00:07:17,040 Speaker 5: All right? 184 00:07:17,480 --> 00:07:20,960 Speaker 4: Exterior Houseboat night, sound of a couple in the throes 185 00:07:21,000 --> 00:07:25,000 Speaker 4: of ecstasy echo across the Placid Harbor. Cut two. Interior 186 00:07:25,080 --> 00:07:28,880 Speaker 4: Houseboat continuous from the back, we see Detective Jack long 187 00:07:28,920 --> 00:07:32,800 Speaker 4: finger forties, cool as a polar bears toe now but 188 00:07:33,040 --> 00:07:35,520 Speaker 4: the years are beginning of the show. He sits on 189 00:07:35,560 --> 00:07:41,240 Speaker 4: a folding chair, naked, painfully pleasury on the TV. An 190 00:07:41,240 --> 00:07:44,480 Speaker 4: Italian woman gets pounded from behind by a chubby tweedledee 191 00:07:44,960 --> 00:07:48,360 Speaker 4: as a horse watches. Jack whispers to himself. 192 00:07:48,600 --> 00:07:51,920 Speaker 2: First base bucker, second base, Spirit. 193 00:07:51,800 --> 00:07:54,640 Speaker 4: Around the room, liquor bottles, dirty clothes, A red Sox 194 00:07:54,680 --> 00:07:57,679 Speaker 4: pennant hangs limply over a murphy bed on the fridge. 195 00:07:57,720 --> 00:08:00,600 Speaker 4: A curling photograph of a smiling family and a gorgeous 196 00:08:00,600 --> 00:08:03,080 Speaker 4: blonde woman who holds a baby next to a golden 197 00:08:03,120 --> 00:08:06,280 Speaker 4: retriever and a clean cut man. Could that be Jack 198 00:08:06,560 --> 00:08:07,160 Speaker 4: from the TV? 199 00:08:07,320 --> 00:08:11,720 Speaker 3: The Italian woman mons Benee Bennie Bennee. 200 00:08:12,160 --> 00:08:14,360 Speaker 4: Jack's drenched in sweat. He's getting close. 201 00:08:14,480 --> 00:08:17,280 Speaker 1: Third base bogs short stop. 202 00:08:17,760 --> 00:08:19,960 Speaker 2: I can't, I can't. 203 00:08:22,320 --> 00:08:24,880 Speaker 4: Cut two. Outside the boat, the TV and VCR smashed 204 00:08:24,920 --> 00:08:27,240 Speaker 4: through the porthole and splash into the bay. As the 205 00:08:27,320 --> 00:08:30,600 Speaker 4: VCR sinks into the dark, swirling water, Wei crosses all 206 00:08:30,640 --> 00:08:34,439 Speaker 4: too Interior Police Department, next day, a swirling cup of coffee. 207 00:08:34,760 --> 00:08:37,920 Speaker 4: Jack is at his desk, a cold compress against his head. 208 00:08:38,240 --> 00:08:40,480 Speaker 4: He's clean, but not neat, in a suit and tie. 209 00:08:40,800 --> 00:08:43,160 Speaker 4: He rifles through a drawer and comes up with some aspirin, 210 00:08:43,480 --> 00:08:46,160 Speaker 4: chews violently and chases it with a pull from a flask. 211 00:08:46,600 --> 00:08:49,400 Speaker 4: From off screen, we hear you look like shit, Jack. 212 00:08:49,640 --> 00:08:54,520 Speaker 4: A beautiful secretary Diane. She leans in seductively, cleavage on 213 00:08:54,600 --> 00:08:55,280 Speaker 4: full display. 214 00:08:55,520 --> 00:08:57,160 Speaker 5: Yeah, well, I feel even worse. 215 00:08:57,559 --> 00:08:59,400 Speaker 3: Chief wants to see you cut two. 216 00:08:59,440 --> 00:09:03,240 Speaker 4: Interior Chief's Office, Chief Ron beefeed Er slides a crime 217 00:09:03,280 --> 00:09:06,040 Speaker 4: scene photo of a mutilated naked man's corpse and a 218 00:09:06,160 --> 00:09:07,839 Speaker 4: pool of blood across his desk. 219 00:09:08,360 --> 00:09:11,720 Speaker 3: Billionaire Gerard DeMont. We thought it was a classic stab 220 00:09:11,760 --> 00:09:14,240 Speaker 3: and grab, but nothing was stolen, and when we turned 221 00:09:14,320 --> 00:09:15,760 Speaker 3: him over we found this. 222 00:09:16,000 --> 00:09:18,720 Speaker 4: He points to another photo taps a small metal cage 223 00:09:18,760 --> 00:09:20,520 Speaker 4: strapped to the corpse's genitalia. 224 00:09:20,720 --> 00:09:25,320 Speaker 2: Ah Prince Eddie Trapp, classic Sado massacist. Device keeps your 225 00:09:25,320 --> 00:09:27,640 Speaker 2: cock locked in a little cage so you can't experience 226 00:09:27,720 --> 00:09:31,640 Speaker 2: pleasure unless that's your thing. Looks like this guy had 227 00:09:31,679 --> 00:09:33,240 Speaker 2: more kinks than a garden hose. 228 00:09:33,440 --> 00:09:36,000 Speaker 4: A woman's voice behind Jack, he was a man of 229 00:09:36,080 --> 00:09:39,559 Speaker 4: large appetites. Yes, as the years passed, I wasn't always 230 00:09:39,600 --> 00:09:41,880 Speaker 4: the dish he wanted, but we had a good marriage 231 00:09:42,440 --> 00:09:47,400 Speaker 4: unseen until now. Evelyn Dumont thirty, soft spoken angelic. I 232 00:09:47,440 --> 00:09:49,839 Speaker 4: can't bear the thought that whoever did this is still 233 00:09:49,840 --> 00:09:50,320 Speaker 4: out there. 234 00:09:50,720 --> 00:09:52,840 Speaker 3: I need a good detective on this, and you know 235 00:09:52,920 --> 00:09:53,880 Speaker 3: this world, Jack. 236 00:09:54,040 --> 00:09:55,040 Speaker 5: Not anymore, Chief. 237 00:09:55,280 --> 00:09:57,680 Speaker 2: Besides, I got two weeks until retirement. 238 00:09:58,000 --> 00:10:04,199 Speaker 4: Please. Detective touches his hand tenderly. Jack groans hand away. 239 00:10:04,800 --> 00:10:06,120 Speaker 4: Is everything all right, mister longthing? 240 00:10:06,240 --> 00:10:08,760 Speaker 2: Your hands they're like peaches in a basket. 241 00:10:09,120 --> 00:10:11,320 Speaker 3: We're just asking you to blend in play the part. 242 00:10:11,600 --> 00:10:14,199 Speaker 3: Find out who killed this rich pervert, no offense man, 243 00:10:14,800 --> 00:10:17,560 Speaker 3: find out who did the old fuck in No offense man, 244 00:10:17,960 --> 00:10:20,080 Speaker 3: One last case before you're dick deep down in the 245 00:10:20,120 --> 00:10:22,120 Speaker 3: sand and key largo, no offense, ma'am. 246 00:10:22,240 --> 00:10:27,280 Speaker 4: Evelyn looks at Jack with desperation. Please Jack, I need justice. 247 00:10:30,360 --> 00:10:34,920 Speaker 3: Okay, yeah, wow, Yeah, I can't believe you wrote this 248 00:10:34,960 --> 00:10:35,360 Speaker 3: so fast. 249 00:10:35,480 --> 00:10:36,360 Speaker 4: This is amazing. 250 00:10:36,400 --> 00:10:37,439 Speaker 2: Yeah, it's great. 251 00:10:37,559 --> 00:10:39,000 Speaker 3: This might be the best thing you've ever written. 252 00:10:39,120 --> 00:10:40,840 Speaker 4: Yeah, really great characters. 253 00:10:41,120 --> 00:10:52,600 Speaker 3: I mean wow, So what's the program you're on? You 254 00:10:52,640 --> 00:10:53,719 Speaker 3: don't jerk off at all? 255 00:10:54,320 --> 00:10:57,760 Speaker 2: No, you masturbate all the time. You just don't ejaculate. 256 00:10:57,840 --> 00:11:01,200 Speaker 2: I'm constantly waming it. I just I stop right at 257 00:11:01,240 --> 00:11:03,720 Speaker 2: the tippy top and don't blow. 258 00:11:03,400 --> 00:11:04,920 Speaker 4: It, Tash, How do you do that? 259 00:11:06,160 --> 00:11:09,600 Speaker 1: There's some tricks. Sometimes you have to punch yourself. Sometimes 260 00:11:09,600 --> 00:11:12,760 Speaker 1: you just fucking tense up and you know, grind your teeth. 261 00:11:12,880 --> 00:11:14,920 Speaker 3: Oh that's why I keep hearing you in the showery 262 00:11:14,920 --> 00:11:17,559 Speaker 3: whispering the whole starting lineup of the two thousand and 263 00:11:17,600 --> 00:11:18,240 Speaker 3: one capitals. 264 00:11:18,400 --> 00:11:21,160 Speaker 1: Yeah that's right. You can also take those little stoppers 265 00:11:21,200 --> 00:11:22,680 Speaker 1: from Starbucks and put them in there. 266 00:11:22,800 --> 00:11:25,400 Speaker 4: Oh wow. Okay. Well, I don't know if this is true, 267 00:11:25,400 --> 00:11:27,600 Speaker 4: but I said it to many a lady in my life. 268 00:11:28,080 --> 00:11:30,600 Speaker 4: I've said, if I don't do it, I'm gonna die. 269 00:11:30,960 --> 00:11:31,839 Speaker 4: Is that a real thing? 270 00:11:32,080 --> 00:11:32,880 Speaker 2: It's harassment? 271 00:11:33,280 --> 00:11:35,040 Speaker 4: Oh, not that part about me talking to the girls. 272 00:11:35,080 --> 00:11:37,400 Speaker 4: I'm talking about if if you will die? 273 00:11:37,480 --> 00:11:40,400 Speaker 1: No, I mean, oh my god, you feel more alive 274 00:11:40,720 --> 00:11:43,480 Speaker 1: than you've ever felt. I feel like I'm seeing through 275 00:11:43,559 --> 00:11:46,800 Speaker 1: the sheen of life, another dimension. 276 00:11:47,160 --> 00:11:49,439 Speaker 3: I remember I was. I had a stomach bug one 277 00:11:49,480 --> 00:11:51,199 Speaker 3: week and I didn't do it and I almost went 278 00:11:51,240 --> 00:11:51,800 Speaker 3: white blind. 279 00:11:52,080 --> 00:11:54,320 Speaker 4: Oh man, I can't sleep if I don't take a 280 00:11:54,320 --> 00:11:56,440 Speaker 4: whack on my baby crack. 281 00:11:56,559 --> 00:11:57,560 Speaker 2: Why do you need to sleep? 282 00:11:57,840 --> 00:11:58,320 Speaker 3: Oh? Yeah, good? 283 00:11:58,320 --> 00:11:59,960 Speaker 2: Why do you need to well? 284 00:12:00,080 --> 00:12:01,240 Speaker 4: Because I get tired a lot. 285 00:12:01,840 --> 00:12:04,200 Speaker 2: I'm asleep at one thirty, awake at three thirty. 286 00:12:04,559 --> 00:12:04,760 Speaker 4: Oh. 287 00:12:05,080 --> 00:12:07,079 Speaker 1: I feel like I'm on the limitless drug. Have you 288 00:12:07,120 --> 00:12:08,760 Speaker 1: ever had an out of body experience? 289 00:12:09,200 --> 00:12:11,800 Speaker 3: Yeah? But just once on the duck boat last weekend? 290 00:12:12,120 --> 00:12:14,640 Speaker 2: Is that his main means of transportation these days? 291 00:12:14,640 --> 00:12:18,079 Speaker 4: It is huh for the listeners. Mark is doing full 292 00:12:18,280 --> 00:12:20,479 Speaker 4: squats right now. It's pretty impressive. 293 00:12:23,400 --> 00:12:27,680 Speaker 1: Wow, all right, just head. It just kind of snap 294 00:12:27,760 --> 00:12:30,040 Speaker 1: my spine a little. I don't need to go to 295 00:12:30,040 --> 00:12:31,880 Speaker 1: the chiropractor anymore. I can do it myself. 296 00:12:32,440 --> 00:12:33,200 Speaker 3: Did you go before? 297 00:12:33,360 --> 00:12:35,559 Speaker 2: I used to go all the time back was all 298 00:12:35,640 --> 00:12:38,480 Speaker 2: jacked up. Actually, this is science. 299 00:12:38,720 --> 00:12:42,079 Speaker 1: Semen is sort of fluid for your spine, so if 300 00:12:42,080 --> 00:12:43,880 Speaker 1: you get rid of it too much, it'll hurt your back. 301 00:12:44,000 --> 00:12:45,960 Speaker 4: Oh is that why my posture is so bad? 302 00:12:46,240 --> 00:12:50,040 Speaker 3: Yeah, you keep saying science, What is the science the science. 303 00:12:49,720 --> 00:12:53,000 Speaker 2: Of what of semen? Retention? Look it up, man, don't 304 00:12:53,040 --> 00:12:55,040 Speaker 2: take my word for it. Look it up. I'm not 305 00:12:55,120 --> 00:12:56,200 Speaker 2: doing your research for you. 306 00:12:56,240 --> 00:12:58,800 Speaker 4: But it's on a lot of websites, but retention spelled 307 00:12:58,840 --> 00:12:59,800 Speaker 4: wrong on all of them. 308 00:12:59,800 --> 00:13:02,480 Speaker 1: Here here's a little advice for you. Do it yourself. 309 00:13:02,840 --> 00:13:05,520 Speaker 1: Don't take my word for it. Be your own leader. 310 00:13:05,800 --> 00:13:09,679 Speaker 2: Okay, let's go out next scene. Fuck all right? 311 00:13:09,760 --> 00:13:13,199 Speaker 1: So here it is. Evelyn is asking Jack for justice. 312 00:13:13,240 --> 00:13:15,880 Speaker 1: She's calling on him to be his best self. I 313 00:13:15,920 --> 00:13:18,760 Speaker 1: know what that feels like in Jack's learning. But to 314 00:13:18,800 --> 00:13:21,280 Speaker 1: get there, he has to journey into the city's dark 315 00:13:21,440 --> 00:13:25,839 Speaker 1: sexual underground and risk getting lost in his own dangerous 316 00:13:25,880 --> 00:13:29,640 Speaker 1: sexual desires. And so the prime suspect in the murder 317 00:13:29,679 --> 00:13:33,160 Speaker 1: of Evelyn's husband is Sarah Fina Heartgrave. She's the madam 318 00:13:33,520 --> 00:13:36,760 Speaker 1: at the city's most notorious underground sex club, and she 319 00:13:36,880 --> 00:13:40,640 Speaker 1: is hot. She is just everything that Jack wants but 320 00:13:40,760 --> 00:13:44,120 Speaker 1: shouldn't have. And as Jack is investigating, he's getting pulled 321 00:13:44,160 --> 00:13:46,840 Speaker 1: further and further back into his old life of risky 322 00:13:46,920 --> 00:13:51,480 Speaker 1: and risk a sexual deviance. Everyone is telling Jack, you know, 323 00:13:51,559 --> 00:13:55,040 Speaker 1: slow down, be careful, don't get too close. So that's 324 00:13:55,040 --> 00:13:55,560 Speaker 1: that's kind of. 325 00:13:55,520 --> 00:13:56,360 Speaker 2: Where we are right now. 326 00:13:56,400 --> 00:13:57,840 Speaker 1: So I want to jump to the scene where Sarah 327 00:13:57,880 --> 00:14:02,200 Speaker 1: Fina shows up unexpected on Jack's houseboat and for the 328 00:14:02,280 --> 00:14:04,559 Speaker 1: first time, takes Jack right to the edge. 329 00:14:04,640 --> 00:14:07,240 Speaker 2: And this this is on page forty five. 330 00:14:07,320 --> 00:14:10,400 Speaker 4: All right, I got it. Okay, Here we are interior 331 00:14:10,600 --> 00:14:11,600 Speaker 4: Jack's house boat. 332 00:14:11,679 --> 00:14:11,839 Speaker 5: Night. 333 00:14:12,520 --> 00:14:14,960 Speaker 4: Jack is shirtless and sweaty, and he works a speed 334 00:14:14,960 --> 00:14:18,560 Speaker 4: bag with focused intensity. He jumps rope faster and faster 335 00:14:18,640 --> 00:14:21,200 Speaker 4: and faster. He's going as hard as he can. He's 336 00:14:21,240 --> 00:14:24,000 Speaker 4: on a row machine, working himself into a lather, a 337 00:14:24,080 --> 00:14:27,360 Speaker 4: man running from himself. He's doing those push ups where 338 00:14:27,400 --> 00:14:29,840 Speaker 4: you jump with your hands and clap when you're at 339 00:14:29,880 --> 00:14:30,200 Speaker 4: the top. 340 00:14:30,640 --> 00:14:31,840 Speaker 5: Then there's a knock at the door. 341 00:14:32,360 --> 00:14:35,800 Speaker 2: One second, I sit one, God damn. 342 00:14:36,240 --> 00:14:39,040 Speaker 4: He opens the door. Saraphina's standing there in a trench coat. 343 00:14:39,400 --> 00:14:42,920 Speaker 4: She looks him up and down, a heaving, pulsing we man. 344 00:14:43,200 --> 00:14:46,080 Speaker 4: He's chiseled from stone. Her tongue touches the front of 345 00:14:46,080 --> 00:14:46,440 Speaker 4: her teeth. 346 00:14:46,520 --> 00:14:49,240 Speaker 1: Yeah, hold on, hold on, hold on, we're uh, we're 347 00:14:49,440 --> 00:14:53,240 Speaker 1: heading into rough seas here, all right, so let me better. 348 00:14:53,320 --> 00:14:56,880 Speaker 1: Let Papa take the wheel here, Brenda, okay, all right, okay, Papa, 349 00:14:57,040 --> 00:14:58,440 Speaker 1: all right, I'll take the stage direction. 350 00:14:58,720 --> 00:15:01,080 Speaker 2: It needs a little goose. 351 00:15:01,240 --> 00:15:01,560 Speaker 5: Okay. 352 00:15:02,400 --> 00:15:05,440 Speaker 2: He opens the door. Sarah finis standing near with a 353 00:15:05,560 --> 00:15:09,160 Speaker 2: trench coat. She looks him up and down, a heaving, 354 00:15:09,520 --> 00:15:15,200 Speaker 2: pulsing wet man chiseled from stone. Her tongue touches her 355 00:15:15,280 --> 00:15:15,880 Speaker 2: front teeth. 356 00:15:16,000 --> 00:15:19,160 Speaker 3: Oh mind, if I come inside? 357 00:15:19,800 --> 00:15:23,160 Speaker 2: She brushes past him. He looks into the darkness to 358 00:15:23,200 --> 00:15:26,880 Speaker 2: make sure they're all alone, then shuts the door. She 359 00:15:26,960 --> 00:15:30,920 Speaker 2: takes off her shoes, then pours herself a drink. She 360 00:15:31,040 --> 00:15:33,320 Speaker 2: looks at the picture of his family on the fridge, 361 00:15:33,360 --> 00:15:36,400 Speaker 2: then peels it off and drops it into the roaring fire. 362 00:15:37,960 --> 00:15:39,000 Speaker 2: What are you doing here? 363 00:15:39,560 --> 00:15:42,480 Speaker 3: I found something the phone records you were looking for. 364 00:15:43,120 --> 00:15:46,240 Speaker 3: Figured i'd bring it to you myself. You can't trust 365 00:15:46,400 --> 00:15:47,520 Speaker 3: anyone these days. 366 00:15:47,600 --> 00:15:50,720 Speaker 2: The eyes are closely I'll have the guys run it tomorrow. 367 00:15:50,880 --> 00:15:51,760 Speaker 2: You shouldn't be here. 368 00:15:51,880 --> 00:15:54,200 Speaker 3: It's too risky, risky for who Jack. 369 00:15:54,520 --> 00:15:57,440 Speaker 2: She draws a line down his chest with her finger. 370 00:15:58,240 --> 00:16:03,120 Speaker 2: He inhales her scent for both of us. She presses 371 00:16:03,160 --> 00:16:06,320 Speaker 2: herself closer to him, drawing her lips near his. 372 00:16:06,960 --> 00:16:08,160 Speaker 3: Don't you want me to stay? 373 00:16:08,520 --> 00:16:12,840 Speaker 2: That's the problem. She slowly pulls the draw string on 374 00:16:12,880 --> 00:16:16,640 Speaker 2: her trench coat until it falls open, revealing that she's 375 00:16:16,760 --> 00:16:20,360 Speaker 2: completely naked underneath. She puts her arms around him and 376 00:16:20,400 --> 00:16:23,880 Speaker 2: gets closer while he stays rigidly still. She opens her 377 00:16:23,920 --> 00:16:27,240 Speaker 2: lips and reaches for his mouth, gently biting his lower lip. 378 00:16:27,480 --> 00:16:28,280 Speaker 5: He pulls away. 379 00:16:29,120 --> 00:16:32,000 Speaker 2: I can't If I go too far, I would kill 380 00:16:32,080 --> 00:16:32,560 Speaker 2: us both. 381 00:16:33,400 --> 00:16:34,760 Speaker 3: That sounds like a good time to me. 382 00:16:35,280 --> 00:16:40,520 Speaker 2: You don't understand. I have explosives in my balls. 383 00:16:41,400 --> 00:16:42,720 Speaker 3: Then let's light the match. 384 00:16:42,840 --> 00:16:43,640 Speaker 2: You don't get it. 385 00:16:43,840 --> 00:16:46,960 Speaker 1: There's enough actual C four implanted in my hangars to 386 00:16:47,000 --> 00:16:49,160 Speaker 1: blow this boat out of the water if I ever 387 00:16:49,200 --> 00:16:51,040 Speaker 1: finish cboo. 388 00:16:51,480 --> 00:16:52,320 Speaker 2: She takes this in. 389 00:16:52,800 --> 00:16:55,360 Speaker 3: Then I'm not looking to die, jack, but I do 390 00:16:55,520 --> 00:16:56,120 Speaker 3: like to play. 391 00:16:56,600 --> 00:16:59,320 Speaker 2: She steps closer to him, then lets her trench coat 392 00:16:59,400 --> 00:17:02,960 Speaker 2: fall to the on the edge. She wraps her arms 393 00:17:03,000 --> 00:17:05,159 Speaker 2: around him. He can't take it any longer. 394 00:17:05,560 --> 00:17:07,960 Speaker 1: He grabs her and lifts her onto him, then turns 395 00:17:07,960 --> 00:17:11,000 Speaker 1: and presses her back against the wall. He grinds against 396 00:17:11,040 --> 00:17:12,960 Speaker 1: her as she exposes her throat to. 397 00:17:13,000 --> 00:17:15,920 Speaker 2: His hungry lips. He takes her neck in his mouth, 398 00:17:15,960 --> 00:17:19,320 Speaker 2: and she lets out a moan of deep and lustful surrender. 399 00:17:20,160 --> 00:17:22,560 Speaker 2: She hooks his jim shorts with her toes and drops 400 00:17:22,560 --> 00:17:25,000 Speaker 2: them to the floor, then wraps her legs around his 401 00:17:25,080 --> 00:17:28,480 Speaker 2: waist and pulls him inside of her. He grunts from 402 00:17:28,520 --> 00:17:33,159 Speaker 2: somewhere deep, primal animal drive surging to the surface. A 403 00:17:33,240 --> 00:17:37,320 Speaker 2: wolfish gleam flashes across his eyes. He throws her on 404 00:17:37,359 --> 00:17:40,439 Speaker 2: the bed and enters her again. She digs her long, 405 00:17:40,640 --> 00:17:43,560 Speaker 2: sharp nails deep into his back, drawing blood. 406 00:17:44,000 --> 00:17:48,360 Speaker 6: He growls like a dog and drives harder, harder, harder, 407 00:17:48,760 --> 00:17:52,040 Speaker 6: until she's the one wailing with sinful delight. 408 00:17:52,680 --> 00:17:56,720 Speaker 1: Outside the houseboat rocks steadily, causing the adjacent boats to 409 00:17:56,880 --> 00:18:00,800 Speaker 1: sway in its wake. He's standing behind her, now, pressing 410 00:18:00,880 --> 00:18:04,040 Speaker 1: her flat against the wall. She lets him take control. 411 00:18:04,760 --> 00:18:07,600 Speaker 2: His hand wraps around her throat, and her eyes roll 412 00:18:07,760 --> 00:18:10,320 Speaker 2: back in her head. He lets her go as she 413 00:18:10,520 --> 00:18:15,080 Speaker 2: gasps her breath exhilarated, He falls onto the bed and 414 00:18:15,160 --> 00:18:19,520 Speaker 2: she straddles him, sliding onto him, then pounding him with 415 00:18:19,600 --> 00:18:20,960 Speaker 2: her full body weight. 416 00:18:21,359 --> 00:18:25,959 Speaker 7: She goes faster, and faster and faster still until go slow, 417 00:18:26,640 --> 00:18:30,879 Speaker 7: go slow. She goes faster and coaxes him, demanding the 418 00:18:31,119 --> 00:18:33,200 Speaker 7: ultimate finality. 419 00:18:32,720 --> 00:18:35,119 Speaker 3: To it, Jack, don't fight it anymore. 420 00:18:35,440 --> 00:18:37,080 Speaker 5: You know how bad you want it. 421 00:18:39,600 --> 00:18:41,600 Speaker 2: Jack pushes her off and onto the floor. 422 00:18:41,640 --> 00:18:44,520 Speaker 6: He leaps to his feet, clenches his whole body, and 423 00:18:44,600 --> 00:18:48,639 Speaker 6: lets out a guttural scream. He spins and rips his 424 00:18:48,720 --> 00:18:52,320 Speaker 6: brand new TV VCR combo from the wall and smashes 425 00:18:52,359 --> 00:18:53,119 Speaker 6: it to the floor. 426 00:18:53,760 --> 00:18:57,320 Speaker 2: Are you crazy? Do you want me to die? 427 00:18:57,400 --> 00:18:58,120 Speaker 5: She smiles. 428 00:18:58,240 --> 00:19:01,400 Speaker 2: Riley then collects herself, pulling on her trench. 429 00:19:01,040 --> 00:19:06,240 Speaker 3: Coat and shoes right to the edge. That was incredible. 430 00:19:11,080 --> 00:19:11,679 Speaker 2: Good out. 431 00:19:13,119 --> 00:19:15,400 Speaker 3: You know where to find me, detective. 432 00:19:15,800 --> 00:19:19,680 Speaker 2: She opens the door and disappears into the night. Jack 433 00:19:19,800 --> 00:19:24,120 Speaker 2: drops to his knees, naked and panting, a pounding, gnawing 434 00:19:24,280 --> 00:19:28,879 Speaker 2: frustration aching to explode out of him. Jack screams, and 435 00:19:28,920 --> 00:19:31,440 Speaker 2: it echoes across the silent harbor. 436 00:19:38,400 --> 00:19:43,399 Speaker 3: Yeah, thank god Brendan didn't read that. Oh hell yeah, god, wow, 437 00:19:43,560 --> 00:19:44,280 Speaker 3: belly hurts. 438 00:19:45,040 --> 00:19:46,160 Speaker 2: Wow, this is. 439 00:19:46,840 --> 00:19:53,159 Speaker 3: Really yeah right, the tents. You should write eratic fiction. 440 00:19:53,320 --> 00:19:55,800 Speaker 2: That was just just fucking did man? 441 00:19:56,200 --> 00:19:58,520 Speaker 4: Hell yeah, I think I might be dang should we 442 00:19:58,520 --> 00:20:01,560 Speaker 4: take a break, Yeah I can. I'm gonna need whoa, 443 00:20:01,680 --> 00:20:02,360 Speaker 4: let's take ten. 444 00:20:03,000 --> 00:20:04,120 Speaker 2: You guys need some waters? 445 00:20:04,280 --> 00:20:06,159 Speaker 3: Yeah yeah, but could you guys get out of my 446 00:20:06,200 --> 00:20:06,879 Speaker 3: room for a second. 447 00:20:06,960 --> 00:20:08,160 Speaker 2: I'm gonna do some push ups. 448 00:20:08,160 --> 00:20:11,000 Speaker 4: He's gonna kind of hunk over and slowly walk out 449 00:20:11,000 --> 00:20:13,400 Speaker 4: of here. I'm bent over because my back hurt's. 450 00:20:13,240 --> 00:20:14,479 Speaker 2: Anybody want a arm wrestle? 451 00:20:14,760 --> 00:20:29,440 Speaker 3: No, So he has C four in his balls? Hell yeah, okay, 452 00:20:30,160 --> 00:20:30,920 Speaker 3: how'd that happen? 453 00:20:30,960 --> 00:20:31,960 Speaker 2: And that fucking cool? 454 00:20:32,240 --> 00:20:33,280 Speaker 3: But how that happened? 455 00:20:33,320 --> 00:20:34,360 Speaker 2: Fucking cool? Is that? 456 00:20:34,800 --> 00:20:39,000 Speaker 1: So if he comes to fucking explode everything for a 457 00:20:39,080 --> 00:20:40,280 Speaker 1: block radius. 458 00:20:39,920 --> 00:20:40,640 Speaker 4: Hey guys, I'm back. 459 00:20:40,680 --> 00:20:43,600 Speaker 1: I'm sorry, it is pretty fucking cool. So here's the 460 00:20:43,640 --> 00:20:45,000 Speaker 1: backstory on how that asks? 461 00:20:45,080 --> 00:20:46,240 Speaker 2: Right, right, very tired. 462 00:20:46,560 --> 00:20:48,960 Speaker 1: So he fucked over the wrong guys at one of 463 00:20:49,000 --> 00:20:51,320 Speaker 1: these sex clubs, and again it's it's a place where 464 00:20:51,359 --> 00:20:55,600 Speaker 1: like all the power brokers are entangled by mayors, senators. 465 00:20:55,680 --> 00:20:56,679 Speaker 3: Judges, got it. 466 00:20:56,720 --> 00:20:58,840 Speaker 1: So Jack gets caught up and they drag him into 467 00:20:58,920 --> 00:21:02,399 Speaker 1: a basement like a sort of dingy dungeon that's in 468 00:21:02,440 --> 00:21:05,200 Speaker 1: the bottom of one of these clubs. Okay, they strap 469 00:21:05,280 --> 00:21:08,480 Speaker 1: him down to what looks like some old medieval torture 470 00:21:08,760 --> 00:21:13,120 Speaker 1: table and they surgically implant explosives into his nuts and 471 00:21:13,280 --> 00:21:15,639 Speaker 1: that was the last time he ever ejaculated, which is 472 00:21:15,680 --> 00:21:17,680 Speaker 1: the best thing that ever happened to him. 473 00:21:18,320 --> 00:21:21,360 Speaker 4: Wow, unbelievable. This yeah pretty amazing. 474 00:21:21,720 --> 00:21:24,240 Speaker 3: Fuck yeah, it is seems like it's really working for you. 475 00:21:24,680 --> 00:21:26,760 Speaker 4: Yeah, Hey, Mark, if I write some stuff down and 476 00:21:26,760 --> 00:21:28,480 Speaker 4: have you kind of like talk in that voice, you 477 00:21:28,560 --> 00:21:29,880 Speaker 4: think you could record something. 478 00:21:29,640 --> 00:21:31,280 Speaker 1: For me while we move on to the next scene 479 00:21:31,280 --> 00:21:34,280 Speaker 1: and we can talk about you know, semen retention at 480 00:21:34,280 --> 00:21:34,640 Speaker 1: the end. 481 00:21:35,160 --> 00:21:36,520 Speaker 3: Okay, okay, great. 482 00:21:36,359 --> 00:21:38,240 Speaker 1: I'm happy to talk about it. I just feel like, 483 00:21:38,400 --> 00:21:39,800 Speaker 1: let's keep this ball rolling. 484 00:21:39,920 --> 00:21:42,399 Speaker 2: God, I have a headache because this this train is 485 00:21:42,760 --> 00:21:44,000 Speaker 2: running full steam. 486 00:21:45,400 --> 00:21:47,760 Speaker 4: Uh, your toilet might be backed up a little bit. 487 00:21:48,040 --> 00:21:49,280 Speaker 2: Pick up where we left off. 488 00:21:49,680 --> 00:21:51,880 Speaker 4: Looks like the Raiders of the Lost Dark, all those 489 00:21:51,920 --> 00:21:56,520 Speaker 4: ghosts swirling around in there. Too much toilet paper. All right, 490 00:21:56,600 --> 00:21:57,040 Speaker 4: let's see. 491 00:21:57,680 --> 00:21:59,320 Speaker 3: Yeah, let's get yeah, let's get right right. 492 00:21:59,280 --> 00:22:01,480 Speaker 4: Andnot wait to get into this thing. Let's do it, 493 00:22:01,520 --> 00:22:04,600 Speaker 4: I mean of that. Okay, Uh, what is next? Let's see? 494 00:22:05,080 --> 00:22:08,320 Speaker 4: Oh this is a montage great in tiar houseboat dawn 495 00:22:08,840 --> 00:22:11,560 Speaker 4: Jack wakes up before the sun stripped naked and dies 496 00:22:11,600 --> 00:22:14,040 Speaker 4: off the roof of his houseboat into the harbor. Time 497 00:22:14,119 --> 00:22:16,640 Speaker 4: laps we see him swim the harbor for an hour 498 00:22:16,720 --> 00:22:19,240 Speaker 4: before pulling himself onto the bow of his boat and 499 00:22:19,280 --> 00:22:23,440 Speaker 4: then immediately crushing fifty burpies, no questions asked. Cut too 500 00:22:23,600 --> 00:22:27,199 Speaker 4: exterior street day, busy streets of Los Angeles, but not 501 00:22:27,320 --> 00:22:31,080 Speaker 4: for a long finger which squinted unblinking eyes. He shifts 502 00:22:31,080 --> 00:22:33,800 Speaker 4: sufficiently up and down and up and down and up, 503 00:22:33,840 --> 00:22:36,840 Speaker 4: weaving in and out of traffic like a Formula one racer, 504 00:22:37,400 --> 00:22:40,520 Speaker 4: cold and precise, never missing a chance to jump ahead 505 00:22:40,520 --> 00:22:45,480 Speaker 4: of the dawdling cars. Cut two exterior skyscraper drone footage. 506 00:22:45,680 --> 00:22:50,040 Speaker 4: Night Jack is free climbing a massive building, breathing evenly, 507 00:22:50,280 --> 00:22:54,240 Speaker 4: eyes focus methodically alternating arm and leg all the way 508 00:22:54,240 --> 00:22:57,200 Speaker 4: off the building until he reaches the summit and immediately 509 00:22:57,280 --> 00:23:01,280 Speaker 4: crushes fifty burpies, barely breaking a swim. He surveys the 510 00:23:01,280 --> 00:23:04,400 Speaker 4: city below him, clenches his entire body, and lets add 511 00:23:04,400 --> 00:23:05,520 Speaker 4: a primal screen. 512 00:23:06,280 --> 00:23:08,720 Speaker 3: Okay, so what the fuck is happening now? I feel 513 00:23:08,760 --> 00:23:11,359 Speaker 3: like we really departed from all the fun, Like. 514 00:23:11,400 --> 00:23:13,800 Speaker 4: Cool, where's the part where he's bonking girls? 515 00:23:14,240 --> 00:23:15,639 Speaker 2: Yeah? I mean you can't do that the whole. I mean, 516 00:23:15,640 --> 00:23:17,200 Speaker 2: this is just the part of him. 517 00:23:17,800 --> 00:23:21,080 Speaker 1: I'm trying to show that he's he's unstoppable, like he's. 518 00:23:20,800 --> 00:23:23,200 Speaker 3: But from a genre perspective, I was kind of expecting 519 00:23:23,200 --> 00:23:26,040 Speaker 3: to seem like, you know, fall apart, and then he 520 00:23:26,119 --> 00:23:29,920 Speaker 3: falls deeper into the old addictions and habits and more 521 00:23:29,960 --> 00:23:32,520 Speaker 3: sex scenes. Yeah, this is like reading like a superhero movie. 522 00:23:32,560 --> 00:23:35,040 Speaker 1: Well, I mean that's because that's how you feel like 523 00:23:35,320 --> 00:23:38,200 Speaker 1: I did. I tell you I can kick the ceiling, 524 00:23:38,920 --> 00:23:41,000 Speaker 1: like I can. I can plant the bottom of my 525 00:23:41,040 --> 00:23:42,800 Speaker 1: foot directly on the ceiling. 526 00:23:42,920 --> 00:23:44,760 Speaker 2: I doubt that that's true. 527 00:23:44,840 --> 00:23:45,200 Speaker 3: Let's see. 528 00:23:45,560 --> 00:23:49,040 Speaker 2: I will show you, honestly. Listen. I know how to 529 00:23:49,080 --> 00:23:52,200 Speaker 2: listen to this. I know how to reset a dislocated shoulder. 530 00:23:52,320 --> 00:23:52,919 Speaker 3: Do the ceiling. 531 00:23:52,960 --> 00:23:54,560 Speaker 2: Let me let me dislok at your shoulder and I'll 532 00:23:54,560 --> 00:23:55,400 Speaker 2: show you how to put it back. 533 00:23:56,160 --> 00:23:58,080 Speaker 3: I want to see the ceiling barely hurts. 534 00:23:58,160 --> 00:23:58,680 Speaker 2: Just do it. 535 00:23:58,840 --> 00:24:00,439 Speaker 3: You can't say it's something like I can kick the 536 00:24:00,440 --> 00:24:01,760 Speaker 3: ceiling and then not do it. 537 00:24:01,880 --> 00:24:03,399 Speaker 2: Okay, you want to see it? 538 00:24:03,520 --> 00:24:07,879 Speaker 3: Yeah, all right, not even close. 539 00:24:08,760 --> 00:24:10,320 Speaker 2: Well I'm not. I'm not gonna I don't want to 540 00:24:10,359 --> 00:24:11,200 Speaker 2: mark the ceiling. 541 00:24:11,280 --> 00:24:14,119 Speaker 1: But I mean I can get up. I basically backflip 542 00:24:14,200 --> 00:24:15,320 Speaker 1: and run on the ceiling. 543 00:24:15,840 --> 00:24:17,040 Speaker 2: Did it? I did it last night. 544 00:24:17,440 --> 00:24:17,960 Speaker 4: Let me try. 545 00:24:19,160 --> 00:24:22,560 Speaker 2: No, dude, you do not want to do it. I 546 00:24:22,600 --> 00:24:23,600 Speaker 2: can lift the fridge. 547 00:24:24,000 --> 00:24:27,320 Speaker 1: Oh, I'm doing my own dental work. I can speed 548 00:24:27,359 --> 00:24:30,199 Speaker 1: read now. I went to the library yesterday and sped 549 00:24:30,560 --> 00:24:33,800 Speaker 1: red every single Edcyclopedia speed red. 550 00:24:34,000 --> 00:24:35,840 Speaker 3: It's like blow dry. You don't say blue dried. 551 00:24:36,440 --> 00:24:39,600 Speaker 2: Say whatever you want. The truth is in there. 552 00:24:39,600 --> 00:24:43,960 Speaker 1: I'm I'm like downloading gobs of information like I'm the Matrix. 553 00:24:44,000 --> 00:24:45,240 Speaker 2: I'm basically the Internet. 554 00:24:45,280 --> 00:24:46,920 Speaker 4: Okay, we believe you can. 555 00:24:46,960 --> 00:24:50,200 Speaker 3: We just get to the parts, like the fun cool parts. 556 00:24:50,240 --> 00:24:51,679 Speaker 2: These are fun cool parts. 557 00:24:51,880 --> 00:24:53,360 Speaker 3: They're just what do you want? 558 00:24:53,359 --> 00:24:54,840 Speaker 2: What more do you want? 559 00:24:55,560 --> 00:24:55,760 Speaker 1: Yeah? 560 00:24:55,800 --> 00:24:59,679 Speaker 3: The erotic thriller. I'm getting a little you know, titchy, 561 00:25:00,160 --> 00:25:01,399 Speaker 3: because that's why you read a. 562 00:25:01,400 --> 00:25:06,720 Speaker 1: Script, learn to harness that discomfort. That's that's where you 563 00:25:06,800 --> 00:25:09,400 Speaker 1: change your life. But that's fine, that's fine. We'll calm 564 00:25:09,440 --> 00:25:11,360 Speaker 1: it down. We'll go to the end because I think 565 00:25:11,359 --> 00:25:13,639 Speaker 1: you'll see that it wraps up in a very tidy 566 00:25:13,680 --> 00:25:15,000 Speaker 1: and satisfying way. 567 00:25:15,040 --> 00:25:16,520 Speaker 3: If you keep up with this program, you're going to 568 00:25:16,560 --> 00:25:18,320 Speaker 3: be dragging your balls like Dick Van Dyke. 569 00:25:18,359 --> 00:25:20,879 Speaker 2: The hell I am will hell no, all right, So 570 00:25:20,920 --> 00:25:21,400 Speaker 2: here we go. 571 00:25:21,840 --> 00:25:25,280 Speaker 1: Jack is in relationship with Sarah Fina and he's also 572 00:25:25,400 --> 00:25:27,160 Speaker 1: started a relationship with Evelyn. 573 00:25:27,240 --> 00:25:27,720 Speaker 2: You'll like that. 574 00:25:27,840 --> 00:25:28,320 Speaker 5: Oh yeah. 575 00:25:28,400 --> 00:25:32,480 Speaker 1: So there's this secret love triangle happening. And in the end, 576 00:25:32,560 --> 00:25:34,960 Speaker 1: he and Evelyn decide they're going to take the husband's 577 00:25:34,960 --> 00:25:37,280 Speaker 1: money and they're going to escape together. So we pick 578 00:25:37,280 --> 00:25:40,280 Speaker 1: it up on the cliff's edge at the meetup spot 579 00:25:40,720 --> 00:25:42,160 Speaker 1: page one oh four. 580 00:25:43,000 --> 00:25:44,320 Speaker 4: Please stop staring at me like that. 581 00:25:45,000 --> 00:25:46,080 Speaker 2: I know how to fix you, bro. 582 00:25:46,440 --> 00:25:48,919 Speaker 3: Oh man, you haven't blinked since we started this. 583 00:25:49,359 --> 00:25:51,240 Speaker 2: Don't need to anymore, all right. 584 00:25:51,400 --> 00:25:55,200 Speaker 4: Exterior Malibu Cliff sunset. Jack stands on the edge of 585 00:25:55,200 --> 00:25:58,200 Speaker 4: a cliff, staring out into the ocean. The seed crashes 586 00:25:58,240 --> 00:26:01,159 Speaker 4: against rocks below. Jack wonders if he has time to 587 00:26:01,240 --> 00:26:05,719 Speaker 4: let out a primal scream. When Jack he startles, almost 588 00:26:05,760 --> 00:26:09,000 Speaker 4: losing his balance. Evelyn is standing there, looking more beautiful 589 00:26:09,040 --> 00:26:11,639 Speaker 4: and helpless than we've ever seen her. She needs someone 590 00:26:11,640 --> 00:26:14,040 Speaker 4: to save her, and Jack hopes the hell he's. 591 00:26:13,840 --> 00:26:15,200 Speaker 2: Got what it takes to do it. 592 00:26:15,359 --> 00:26:17,160 Speaker 5: You're laid it, you have it. 593 00:26:17,560 --> 00:26:20,119 Speaker 4: He hands her a mini DV taped smudge with blood. 594 00:26:20,560 --> 00:26:23,000 Speaker 4: She looks at it, then throws it over the cliff's edge. 595 00:26:23,200 --> 00:26:25,160 Speaker 4: It clatters on the rocks below. 596 00:26:25,119 --> 00:26:26,680 Speaker 5: The money in my account. 597 00:26:26,920 --> 00:26:28,840 Speaker 4: He moves to kiss her, but she pulls away. 598 00:26:29,320 --> 00:26:29,919 Speaker 5: What's wrong? 599 00:26:30,400 --> 00:26:32,000 Speaker 4: You killed my husband, Jack? 600 00:26:32,560 --> 00:26:33,760 Speaker 5: What are you talking about? 601 00:26:33,800 --> 00:26:35,200 Speaker 4: And that's what the police think? 602 00:26:35,440 --> 00:26:36,200 Speaker 5: Bullshit? 603 00:26:36,880 --> 00:26:39,840 Speaker 4: You killed him because he put explosives in your balls. 604 00:26:40,119 --> 00:26:41,560 Speaker 4: It's the perfect revenge story. 605 00:26:41,960 --> 00:26:42,919 Speaker 5: And you're in love with me. 606 00:26:43,240 --> 00:26:44,800 Speaker 4: So you did it for the money too. 607 00:26:44,760 --> 00:26:46,480 Speaker 5: You snake. You sold me out. 608 00:26:46,920 --> 00:26:47,600 Speaker 3: We had to. 609 00:26:48,080 --> 00:26:50,720 Speaker 4: Sarafina steps out from the shadows and puts her arms 610 00:26:50,720 --> 00:26:53,160 Speaker 4: around Evelyn. They kiss deeply. 611 00:26:53,760 --> 00:26:56,199 Speaker 3: I ought to kill you both, I don't think so. 612 00:26:56,720 --> 00:26:58,639 Speaker 4: Sarafina takes a gun from her coat and points it 613 00:26:58,680 --> 00:27:02,280 Speaker 4: at him. The air with noise, wind whips up as 614 00:27:02,280 --> 00:27:05,359 Speaker 4: a helicopter rises above the cliff and lands next to them. 615 00:27:05,640 --> 00:27:09,440 Speaker 4: Evelyn and Saraphina back towards a gun still pointed at Jack. 616 00:27:09,840 --> 00:27:12,920 Speaker 4: Evelyn breaks away and runs to Jack before I go, 617 00:27:13,480 --> 00:27:17,159 Speaker 4: there's something you should know. You don't have explosives in 618 00:27:17,200 --> 00:27:17,800 Speaker 4: your balls. 619 00:27:18,280 --> 00:27:20,359 Speaker 2: What the hell are you talking about? 620 00:27:20,520 --> 00:27:24,040 Speaker 4: I was there in the dungeon. We're back in the dungeon. 621 00:27:24,359 --> 00:27:27,080 Speaker 4: Jack's on a stone table, writhing as a mask man 622 00:27:27,200 --> 00:27:30,640 Speaker 4: looms over him with the knife. Evelyn in the corner, masked, 623 00:27:30,720 --> 00:27:31,560 Speaker 4: watching the scene. 624 00:27:31,960 --> 00:27:33,879 Speaker 5: I know what happened. They cut me open. 625 00:27:34,080 --> 00:27:37,479 Speaker 4: You were hypnotized, what you felt was in your mind 626 00:27:37,880 --> 00:27:40,280 Speaker 4: or in a crummy stock room. Jack's on a cot. 627 00:27:40,560 --> 00:27:43,280 Speaker 4: A balding therapist waves a pocket watch in front of 628 00:27:43,280 --> 00:27:46,639 Speaker 4: his face as Jack screams. Evelyn watches from the corner. 629 00:27:47,119 --> 00:27:48,240 Speaker 4: We're back on the cliff. 630 00:27:48,640 --> 00:27:51,760 Speaker 5: I had a family, and you live. 631 00:27:51,640 --> 00:27:52,080 Speaker 8: On the edge. 632 00:27:52,200 --> 00:27:52,440 Speaker 2: Jack. 633 00:27:53,000 --> 00:27:55,840 Speaker 4: People are bound to fall off. See He licks his 634 00:27:55,920 --> 00:27:58,399 Speaker 4: cheek and then turns and runs to the helicopter. It 635 00:27:58,480 --> 00:28:02,080 Speaker 4: lifts off. Jack watch them disappear into the sunset. The 636 00:28:02,119 --> 00:28:06,000 Speaker 4: breeze from the Pacific rustles his hair. He turns and sprints. 637 00:28:06,640 --> 00:28:11,320 Speaker 4: Exterior Jack's houseboat night a full moon. The houseboat bobs 638 00:28:11,320 --> 00:28:14,399 Speaker 4: in the tranquil waters on the horizon. A fleet of 639 00:28:14,480 --> 00:28:18,000 Speaker 4: police boats sprint over the waves, and the lead boat, Beefeater, 640 00:28:18,080 --> 00:28:20,320 Speaker 4: swints against the salt water spray. 641 00:28:20,080 --> 00:28:22,120 Speaker 3: Two minutes to contact guns out. 642 00:28:22,200 --> 00:28:26,720 Speaker 4: Safety is off Exterior Jack's houseboat. From inside, we hear moans. 643 00:28:27,160 --> 00:28:30,280 Speaker 4: The Italian woman from the movie in the beginning ries out. 644 00:28:30,680 --> 00:28:33,120 Speaker 3: Then a mannee mane. 645 00:28:33,560 --> 00:28:37,560 Speaker 4: From above, we see the speedboats closing in circling the houseboat. 646 00:28:37,720 --> 00:28:44,640 Speaker 4: Then ariva, the houseboat explodes. A geyser of water shoots 647 00:28:44,680 --> 00:28:47,680 Speaker 4: into the air, an endless plume of smoke and debris, 648 00:28:48,040 --> 00:28:52,600 Speaker 4: a terrifying coda on one man's violent symphony. As the 649 00:28:52,640 --> 00:28:55,600 Speaker 4: boat parks continue to rain down on the harbor, you 650 00:28:55,680 --> 00:28:59,600 Speaker 4: see the words and loving memory of Detective Jack long 651 00:28:59,600 --> 00:29:02,760 Speaker 4: Finger fade out the end. 652 00:29:04,720 --> 00:29:07,920 Speaker 8: Okay, so hold on, hold on, hold on, just just 653 00:29:08,480 --> 00:29:16,680 Speaker 8: feel it for a minute. Yeah, yeah, oh yeah, fucking great. 654 00:29:17,040 --> 00:29:20,520 Speaker 2: Yeah yeah, yeah, great. 655 00:29:21,240 --> 00:29:22,960 Speaker 3: This was based on a true. 656 00:29:22,720 --> 00:29:24,600 Speaker 4: Story, loving memory of Jack long Fingers. 657 00:29:24,680 --> 00:29:28,320 Speaker 2: No, No, I mean that's just I got attached to 658 00:29:28,440 --> 00:29:31,600 Speaker 2: the character and wanted to trying to give him a 659 00:29:31,760 --> 00:29:32,720 Speaker 2: proper send off. 660 00:29:32,880 --> 00:29:35,320 Speaker 3: So he finally jerked off, did he? 661 00:29:35,800 --> 00:29:35,920 Speaker 2: Well? 662 00:29:36,000 --> 00:29:41,720 Speaker 4: Yeah, the exploded he was watching the Yeah. 663 00:29:40,480 --> 00:29:42,120 Speaker 2: Well not necessarily. 664 00:29:42,480 --> 00:29:43,600 Speaker 3: Well what blew up the boat? 665 00:29:44,040 --> 00:29:44,720 Speaker 2: Explosives? 666 00:29:44,760 --> 00:29:49,240 Speaker 3: Probably so his balls didn't have explosives, but the boat 667 00:29:49,320 --> 00:29:50,360 Speaker 3: does blow up at the end. 668 00:29:51,040 --> 00:29:54,560 Speaker 1: Is that your interpretation. I'm not going to tell you 669 00:29:54,640 --> 00:29:58,719 Speaker 1: how to interpret art. The thing is, he's he exploded. 670 00:29:59,080 --> 00:30:01,760 Speaker 4: We know that he was watching the movie from the beginning, 671 00:30:01,880 --> 00:30:05,480 Speaker 4: and you right, what was there something else at play 672 00:30:05,520 --> 00:30:06,320 Speaker 4: here that I'm missing. 673 00:30:07,160 --> 00:30:10,080 Speaker 1: I mean, maybe it's part of a wider conspiracy. It's 674 00:30:10,160 --> 00:30:13,240 Speaker 1: up to the viewer, right, Maybe the levers of power 675 00:30:13,480 --> 00:30:15,680 Speaker 1: were tracking him this whole time and new to the 676 00:30:15,840 --> 00:30:19,720 Speaker 1: if if he was allowed to continue in this way, 677 00:30:19,840 --> 00:30:22,440 Speaker 1: that that he'd blow the thing wide open. 678 00:30:23,080 --> 00:30:24,080 Speaker 2: Mark, Maybe he would. 679 00:30:24,160 --> 00:30:27,440 Speaker 1: He he'd expose everybody that was wrapped up in this thing. 680 00:30:27,560 --> 00:30:31,840 Speaker 1: And it's a metaphor for absolute power. Have we given 681 00:30:31,880 --> 00:30:34,600 Speaker 1: away too much power? If we don't take it for ourselves, 682 00:30:34,640 --> 00:30:37,480 Speaker 1: then we're just lemmings. We're conditioned right from the start. 683 00:30:37,520 --> 00:30:39,200 Speaker 1: Anybody can come along and tell us what to do. 684 00:30:39,280 --> 00:30:42,600 Speaker 4: Okay, sit down, Well this is important. 685 00:30:42,640 --> 00:30:44,320 Speaker 2: Are you you should? You should listen to this? 686 00:30:44,400 --> 00:30:47,360 Speaker 4: Yeah, I'm listening. Don't pull my ear. I can hear. 687 00:30:48,040 --> 00:30:49,360 Speaker 2: Listen to what I'm saying. 688 00:30:49,440 --> 00:30:49,920 Speaker 4: I hear it. 689 00:30:50,320 --> 00:30:51,800 Speaker 2: This is a very clear thought. 690 00:30:51,920 --> 00:30:56,200 Speaker 1: It's a very uh accurate depiction of what happens in 691 00:30:56,240 --> 00:30:58,200 Speaker 1: everyday life with the levers of power. 692 00:30:58,320 --> 00:30:59,120 Speaker 2: Are you listening? 693 00:30:59,240 --> 00:31:01,560 Speaker 3: Don't point your so close to my face? 694 00:31:01,600 --> 00:31:03,200 Speaker 2: All right? Don't you know what to tell with it? 695 00:31:03,320 --> 00:31:03,920 Speaker 2: Fuck it all? 696 00:31:04,000 --> 00:31:04,800 Speaker 3: Fuck it all? 697 00:31:05,440 --> 00:31:09,240 Speaker 2: You see? Do you see what I'm does? Any of this? 698 00:31:10,000 --> 00:31:13,960 Speaker 2: Am I too far out over my skis on this one. 699 00:31:14,200 --> 00:31:17,200 Speaker 4: I don't what Mark. I think it's time you go 700 00:31:18,440 --> 00:31:19,320 Speaker 4: and you walk. 701 00:31:19,080 --> 00:31:23,200 Speaker 3: The dog, take the old dolphin on a jog. 702 00:31:24,280 --> 00:31:26,080 Speaker 4: Let the queen out on the balcony so she can 703 00:31:26,120 --> 00:31:27,080 Speaker 4: meet the people. 704 00:31:27,480 --> 00:31:31,160 Speaker 3: Raise the flag and bring it back down again, Fold 705 00:31:31,200 --> 00:31:33,239 Speaker 3: it up in a nice little box, put it on 706 00:31:33,240 --> 00:31:33,640 Speaker 3: a grave. 707 00:31:33,800 --> 00:31:39,880 Speaker 2: Yeah, man, okay, okay, I'll go nobody, nobody eat my crackers. 708 00:31:41,240 --> 00:31:44,040 Speaker 3: There he goes to Jim jan the slum. 709 00:31:44,120 --> 00:31:46,000 Speaker 5: Jim, hand me those crackers. 710 00:31:47,120 --> 00:31:50,560 Speaker 3: Shower on. Yeah, classic mid afternoon shower. 711 00:31:51,000 --> 00:31:55,240 Speaker 4: Oh man, well it looks like finally a little Greg 712 00:31:55,240 --> 00:31:55,960 Speaker 4: and Brendan time. 713 00:31:56,200 --> 00:31:57,520 Speaker 3: Yeah, this is fun. 714 00:31:58,360 --> 00:32:00,000 Speaker 4: Do you want to rate the screw? 715 00:32:00,480 --> 00:32:02,400 Speaker 3: We hear a primal scream coming from there. I think 716 00:32:02,400 --> 00:32:03,560 Speaker 3: we'll know exactly. 717 00:32:05,920 --> 00:32:06,160 Speaker 2: It is. 718 00:32:06,800 --> 00:32:08,800 Speaker 4: I don't think that drink can handle what's coming down 719 00:32:08,880 --> 00:32:10,840 Speaker 4: in Ah. 720 00:32:10,840 --> 00:32:13,120 Speaker 3: Well, I don't want to call the landlord about that. 721 00:32:13,640 --> 00:32:15,640 Speaker 3: I guess I was already mad that Mark was running 722 00:32:15,680 --> 00:32:16,400 Speaker 3: around on the roof. 723 00:32:16,720 --> 00:32:18,880 Speaker 5: Yeah, god, dang man, Well. 724 00:32:18,760 --> 00:32:20,800 Speaker 3: Why don't you take us out, Brendan before Mark comes 725 00:32:20,800 --> 00:32:22,040 Speaker 3: back and says something insane. 726 00:32:22,280 --> 00:32:23,400 Speaker 2: All right, it's done. 727 00:32:23,720 --> 00:32:25,840 Speaker 3: Oh god, did you fall down in there? 728 00:32:26,840 --> 00:32:26,920 Speaker 8: No? 729 00:32:27,320 --> 00:32:29,520 Speaker 2: Well, yeah, I slipped out of the bath and I 730 00:32:29,600 --> 00:32:31,040 Speaker 2: chip my tooth on the sink. 731 00:32:31,000 --> 00:32:32,520 Speaker 3: Unless you could do your dental work now. 732 00:32:32,760 --> 00:32:34,640 Speaker 5: Ah, not right now. 733 00:32:34,440 --> 00:32:38,120 Speaker 4: Oh no, we forgot that part. The Queen has met 734 00:32:38,120 --> 00:32:39,720 Speaker 4: the people, he is out. 735 00:32:41,720 --> 00:32:42,800 Speaker 3: Can you put a towel over that? 736 00:32:43,080 --> 00:32:44,480 Speaker 5: Yeah? 737 00:32:44,480 --> 00:32:47,880 Speaker 4: Okay, lights, camera action, but for writing. See you next week.