WEBVTT - Heavyweight: Live from New York

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<v Speaker 1>Pushkin. In October, the Heavyweight Gang gathered in New York

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<v Speaker 1>City for a live event at Caveat on the Lower

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<v Speaker 1>East Side. If I may be so bold as to

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<v Speaker 1>speak on behalf of the crowd, the Weight staff, and

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<v Speaker 1>Pushkin Industries as a whole. A lovely time was had

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<v Speaker 1>by all. There was a wall to write down your

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<v Speaker 1>regrets and a meet and greet where you could take

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<v Speaker 1>a picture with yours.

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<v Speaker 2>Truly, thank you. I feel like I'm smiling.

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<v Speaker 1>At all these pictures.

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<v Speaker 3>Not quite a smile.

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<v Speaker 2>It feels like you're my soul animal, So good luck

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<v Speaker 2>to your soul Heavyweight.

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<v Speaker 1>The first episode came out when I was twelve, for

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<v Speaker 1>twenty two next week.

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<v Speaker 2>Now, I feel like I practically raised you. If you

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<v Speaker 2>weren't able to attend, fear not.

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<v Speaker 1>We've recorded the event so that you can still expel

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<v Speaker 1>experience it at home, half undressed and drinking less expensive

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<v Speaker 1>beverages through the miracle of audio.

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<v Speaker 4>Hi, everybody, thank you so much for coming to this

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<v Speaker 4>live event celebrating the launch of the new season of Heavyweights.

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<v Speaker 4>We're so glad you're here. My name is Greta Cohen.

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<v Speaker 4>I'm the CEO of Puchkin Industries. We are the audio

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<v Speaker 4>network that is the home to Heavyweight, and we are

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<v Speaker 4>so thrilled that they are part of our network. The

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<v Speaker 4>new season's wonderful. I'm sure you've all been listening to it,

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<v Speaker 4>and today you're in for a real treat. Later on,

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<v Speaker 4>the producers of the show, Stevie Lane and Khalila Holt,

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<v Speaker 4>will be coming on stage and they're going to answer,

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<v Speaker 4>along with Jonathan, some of your questions that you've submitted.

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<v Speaker 4>But first Jonathan will be joining us to do a

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<v Speaker 4>live reading. He has asked me to read an introduction

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<v Speaker 4>to this reading. Okay, Jonathan asked me to read this

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<v Speaker 4>introduction to his reading of the Old Testament of canaan

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<v Speaker 4>able for those of you Heathens who have never cracked

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<v Speaker 4>open a Bible or unscrolled to Torah. Cain and Abel

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<v Speaker 4>were the sons of Adam and Eve. Adam and Eve

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<v Speaker 4>lived in a beautiful garden called Eden, where they frolicked

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<v Speaker 4>in the nude all day. But relax, Back then, nudity

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<v Speaker 4>was less a rio de janio hbo after dark thing

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<v Speaker 4>and more a Nordic healthspot thing filled with good.

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<v Speaker 3>Clean living and fruit platters.

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<v Speaker 4>Also, everyone in Eden got to live forever and not

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<v Speaker 4>have to go through painful childbirth or.

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<v Speaker 3>Work for a living.

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<v Speaker 4>It was a pretty groovy trip until the whole Tree

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<v Speaker 4>of Knowledge thing went down and Adam and Eve were expelled.

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<v Speaker 4>Jonathan has here chosen to retell the story of Adam

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<v Speaker 4>and Eve's kids, Cana and Abel, who were born after

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<v Speaker 4>the expulsion, as an illustration of the very first Heavyweight,

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<v Speaker 4>A Heavyweight in which two beefing brothers are reconciled by

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<v Speaker 4>the Lord. On Heavyweight, the role of the Lord is

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<v Speaker 4>played by Jonathan Goldstein. Ladies and Gentlemen Jonathan Goldstein.

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<v Speaker 1>Back in those first days, things changed very quickly. A

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<v Speaker 1>new person being born meant there was a giant spike

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<v Speaker 1>in the population. For Cain, his younger brother Abel's birth

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<v Speaker 1>made the planet feel lopsided. He watched Eve bounce able

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<v Speaker 1>in her lap and felt the Earth's gravity tilt in

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<v Speaker 1>their direction. It pulled at the insides of his stomach

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<v Speaker 1>and made him seasick. Years later, Adam and Eve would

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<v Speaker 1>have many more children, but just then there was only

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<v Speaker 1>Cain and Abel. Because there was nobody else, the brothers

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<v Speaker 1>grew close. They played each other's stomachs like snare drums,

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<v Speaker 1>cracked each other's knuckles as though they were cracking their

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<v Speaker 1>They were different though. Abel was a thinker. He thought

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<v Speaker 1>about things. If he bit off his own pinky toe,

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<v Speaker 1>would it grow back. Cain, on the other hand, was

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<v Speaker 1>a doer. He'd reel back his fist and break a

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<v Speaker 1>donkey's nose for the sheer thrill of it all. One day,

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<v Speaker 1>when Adam and Eve thought the children were old enough,

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<v Speaker 1>they sat them down and told them about the screw up.

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<v Speaker 1>What does it mean to die, asked Cain. We're not

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<v Speaker 1>exactly sure, said Eve, but basically, one day, and this

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<v Speaker 1>is not any day soon, we will no longer be.

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<v Speaker 1>There was silence. Then Abel spoke up. If we won't be,

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<v Speaker 1>he said, then we won't even know that we're not being.

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<v Speaker 1>There will be no we to see that we can

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<v Speaker 1>no longer be. Yes, I guess that's true, said their mother.

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<v Speaker 1>Well put, Abel smiled and went back to mashing a

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<v Speaker 1>mutton liver into patay. Cain, on the other hand, felt

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<v Speaker 1>like a sharp Plumpit had been forcefully lodged down his throat.

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<v Speaker 1>All his life, he had felt like himself, that his

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<v Speaker 1>face and fingers, that his thoughts were his own. Now

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<v Speaker 1>he felt like they were someone else's, someone who could

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<v Speaker 1>yank them away at any chosen moment. Until then, it

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<v Speaker 1>had never crossed his mind that such a thing could

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<v Speaker 1>even be possible. The brothers continued to live their lives,

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<v Speaker 1>but all the while Kine felt a new sadness. It

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<v Speaker 1>ate with him, worked with him, and in the morning

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<v Speaker 1>it raised from his bed with him dying. It just

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<v Speaker 1>didn't make any sense. He knew this deep in his heart.

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<v Speaker 1>He thought nothing was more important than making God change

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<v Speaker 1>his mind. He began to take his sacrifices more seriously.

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<v Speaker 1>They became elaborate and garish. They involved richly choreographed interpretive dances,

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<v Speaker 1>colorful oblong facial masks, and the very best of his legomes.

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<v Speaker 1>But God never answered. Cain started to change. When he

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<v Speaker 1>got a splinter, he cursed the heavy, all out of proportion.

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<v Speaker 1>Back in the garden of Eden, there were no splinters.

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<v Speaker 1>He even started to resent his parents. He spoke of

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<v Speaker 1>them as though they had gambled away his inheritance. If

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<v Speaker 1>it hadn't been for dumb dumb number one, tempting dumb

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<v Speaker 1>dumb number two, we'd be living in luxury. Kane tried

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<v Speaker 1>to get Abel all worked up about the whole thing too.

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<v Speaker 1>But Abel had an easy come, easy go, we all

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<v Speaker 1>have to die someday attitude that drove his brother nuts.

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<v Speaker 1>Cain invented a game he called it get the hell

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<v Speaker 1>out of Eden. He always insisted on playing. God, get

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<v Speaker 1>your naked asses out of here, yelled God, What but

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<v Speaker 1>we just got here? Yelled at him and Eve. Maybe

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<v Speaker 1>there's some kind of mistake. The Lord does not make mistakes.

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<v Speaker 1>God would then kick his brother, who would fall to

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<v Speaker 1>the ground.

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<v Speaker 2>Please please have mercy on me.

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<v Speaker 1>His brother would cry, Let's play something else, but God

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<v Speaker 1>would only laugh. Abel also made sacrifices to God. Every week,

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<v Speaker 1>he would choose the fattest sheep as an offering. Everything

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<v Speaker 1>Abel did in life was for a reason. He ate

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<v Speaker 1>so that he would not be hungry. He made clothes

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<v Speaker 1>so that he would not be cooled. But making sacrifices

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<v Speaker 1>to God, he did it for reasons he could never know.

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<v Speaker 1>He did it simply because.

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<v Speaker 2>He was told to. There was something about that that

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<v Speaker 2>made him feel clean and deep.

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<v Speaker 1>Adam and Eve made their sacrifices, had a fear of

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<v Speaker 1>being further punished, and Cain was pleading for answers and changes,

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<v Speaker 1>but able fulfilled his obligation and walked away, expecting nothing

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<v Speaker 1>from God. He was glad with the way things were,

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<v Speaker 1>and God could not have helped.

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<v Speaker 2>Liking that. Meanwhile, Cain decided to test out a.

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<v Speaker 1>New approach with the Lord. He believed that God would

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<v Speaker 1>have greater respect for him if he did not kowtow

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<v Speaker 1>He's going to kill us, he thought. He wanted God

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<v Speaker 1>to understand that he couldn't walk all over people and

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<v Speaker 1>then still have them come crawling back with their arms

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<v Speaker 1>loaded with gifts. Woh, they had to get tough. So

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<v Speaker 1>Cain's sacrifices grew lackadaisical. He didn't even bother to check

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<v Speaker 1>of his gifts were being received. That would look like

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<v Speaker 1>he was caving. Then one day, while Cain was lying

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<v Speaker 1>in a field, Abel came running over. God spoke to me,

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<v Speaker 1>cried Abel. Cain sat up and looked at his brother.

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<v Speaker 1>What did he say? He said, he was a great

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<v Speaker 1>fan of my lamb chops. He told me to keep

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<v Speaker 1>up the good work. Was my name mentioned, asked Cain.

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<v Speaker 1>It didn't come up.

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<v Speaker 2>What was it like to hear his voice? Ask Cain.

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<v Speaker 1>Look at me, said Abel, I'm still shaking. There was

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<v Speaker 1>a certain pang that Cain started to feel. It was

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<v Speaker 1>in his stomach. He felt the pang grow sharpest when

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<v Speaker 1>he looked upon his brother. He could hardly speak with

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<v Speaker 1>him without having to hunch over in pain. Since the

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<v Speaker 1>world was still new and no one had yet felt

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<v Speaker 1>this way, Cain did not know that it was jealousy

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<v Speaker 1>he was feeling. Instead, he decided that his stomach no

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<v Speaker 1>longer wanted to be his stomach. It wanted to escape

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<v Speaker 1>his rib cage. It wanted to be Able's stomach. This

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<v Speaker 1>was because he wanted to be able. There was no

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<v Speaker 1>shame in this. Being able meant being happy. Being Cain

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<v Speaker 1>meant being wretched. He had a plan. He approached Able

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<v Speaker 1>with it. He decided to just spring it on him.

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<v Speaker 1>I am no longer Cain, he said, I am now able.

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<v Speaker 1>We are both able, all right, said Abel. The two

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<v Speaker 1>Ables performed routines for the amusement of their brothers and sisters.

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<v Speaker 1>How's that, Apple, Able? It's fine Able. But then one

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<v Speaker 1>day Kine asked, if I am able, am I just

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<v Speaker 1>as much able as you yourself are able? I suppose

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<v Speaker 1>that's true, said Abel. Then before God, are we both

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<v Speaker 1>not able?

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<v Speaker 2>Asked Cain. Well in the case of being before God.

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<v Speaker 1>I think at that time I would be able and

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<v Speaker 1>you would go back to being Cain. Cain's eyes lingered

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<v Speaker 1>on his breath. He looked at this other able as

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<v Speaker 1>standing in the way of who he was. He was able.

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<v Speaker 1>He knew this in his heart. He simply wanted it more.

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<v Speaker 1>Abel was among his flock when Cain neared him. Slowly,

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<v Speaker 1>Kane pulled out his rock, and slowly he lifted it

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<v Speaker 1>into the air. This way God will have to show himself.

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<v Speaker 1>This way, God will have to stop playing possum and

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<v Speaker 1>get directly involved. These were Cain's thoughts. Still, though there

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<v Speaker 1>was no sign of God. He looked at the back

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<v Speaker 1>of Abel's head. Then he looked into the sky, just

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<v Speaker 1>in case God was reading his mind. He thought to himself,

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<v Speaker 1>I'm really really going to do it. He brought his

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<v Speaker 1>rock down onto his brother's head. He could hear no

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<v Speaker 1>sound at all. Abel just toppled over. He toppled over

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<v Speaker 1>the way he did everything with an easy going acceptance.

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<v Speaker 1>He sank to the earth, as though thinking I must fall,

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<v Speaker 1>so I will fall.

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<v Speaker 2>I am falling. I have fallen.

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<v Speaker 5>Here.

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<v Speaker 1>It was death. Cain couldn't believe it. He'd been sure

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<v Speaker 1>that at the last moment, God would step in. He'd

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<v Speaker 1>have thought only God could take a person's life, But

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<v Speaker 1>it was as simple as killing a sheep. Abel his

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<v Speaker 1>eyes wide and unblinking, stared directly into the mystery of

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<v Speaker 1>life and death, and he was not saying a word

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<v Speaker 1>about any of it. The sheep continued to graze, and

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<v Speaker 1>the sun continued to shine. There were no bolts of lightning,

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<v Speaker 1>no booming voice from behind the clouds. Life went on.

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<v Speaker 1>That night, God appeared before Cain in a dream. Where

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<v Speaker 1>is your brother? Asked God. It's always about my brother,

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<v Speaker 1>said Cain. You ever ask where I am? No that

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<v Speaker 1>you don't think of.

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<v Speaker 2>What have you done?

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<v Speaker 1>Asked God? Am I my brother's keeper, asked Cain. God

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<v Speaker 1>did not answer, He just gave him a look. It

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<v Speaker 1>made Cain feel naked and small. He then felt the

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<v Speaker 1>finger of God upon his forehead. It sank through his

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<v Speaker 1>head and into his brain, where it spoke. The earth

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<v Speaker 1>shall scorn you, said the voice from the finger. I

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<v Speaker 1>shall scorn you. You will wander the earth and death

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<v Speaker 1>will not come. There will be no escape. All will

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<v Speaker 1>look upon you, and none will dare kill you, for

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<v Speaker 1>they will know you by your mark. God withdrew his finger,

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<v Speaker 1>leaving behind a fingerprint on Cain's forehead. It was shaped

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<v Speaker 1>like a teardrop. At first, he tried to convince himself

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<v Speaker 1>that the mark was to protect him, that he had

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<v Speaker 1>a secret pact with God, that they understood each other.

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<v Speaker 2>For a while, he would wake.

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<v Speaker 1>Up in the morning and pretend to be immortal and famous,

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<v Speaker 1>but he was not very good at pretending. As the

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<v Speaker 1>centuries passed, Cain abandoned farming and roam the earth. He

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<v Speaker 1>walked with a sense of purpose, just in case anyone

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<v Speaker 1>was watching, but in his heart he knew he had

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<v Speaker 1>nowhere to go. He became so lonely and full of

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<v Speaker 1>regret that instead of fearing death, he became yearnful of it.

0:13:03.170 --> 0:13:06.050
<v Speaker 1>He would chase after bears, and they would scamper away.

0:13:06.730 --> 0:13:10.370
<v Speaker 1>They haven't the guts, He'd say, run cowards, He'd call

0:13:10.450 --> 0:13:13.210
<v Speaker 1>after the tigers, look at me, He'd cry into the

0:13:13.250 --> 0:13:15.530
<v Speaker 1>face of an alligator as he tried in vain to

0:13:15.570 --> 0:13:20.770
<v Speaker 1>pry open its jaws. More centuries passed, and Cain's desire

0:13:20.850 --> 0:13:24.250
<v Speaker 1>for death became nearly constant. He would think about able

0:13:24.370 --> 0:13:27.170
<v Speaker 1>up in heaven, paling around with God flying through the

0:13:27.170 --> 0:13:30.450
<v Speaker 1>clouds on God's shoulders, while he was left to putts

0:13:30.450 --> 0:13:33.650
<v Speaker 1>around for hundreds of years, begging his own children to

0:13:33.730 --> 0:13:37.770
<v Speaker 1>drive sharpened branches through his heart. In life, Cain had

0:13:37.810 --> 0:13:40.170
<v Speaker 1>been jealous of his brother, but it was in death

0:13:40.210 --> 0:13:42.650
<v Speaker 1>that he became more jealous than he ever thought possible.

0:13:44.010 --> 0:13:47.050
<v Speaker 1>Over time, Cain could no longer remember very much at all.

0:13:47.530 --> 0:13:49.810
<v Speaker 1>Twenty years after the death of his brother, it seemed

0:13:49.850 --> 0:13:52.770
<v Speaker 1>like it was only yesterday, But after two hundred years

0:13:52.770 --> 0:13:55.730
<v Speaker 1>it felt like something that might have happened in a dream.

0:13:55.890 --> 0:13:59.410
<v Speaker 1>There were details he remembered that now seemed improbable, like

0:13:59.450 --> 0:14:01.730
<v Speaker 1>the way he saw his brother's soul leave his body,

0:14:02.050 --> 0:14:06.250
<v Speaker 1>and the way he'd waved goodbye to him and winked.

0:14:06.930 --> 0:14:09.370
<v Speaker 1>After three hundred and four hundred years at all felt

0:14:09.370 --> 0:14:11.690
<v Speaker 1>so long ago that who he was back then felt

0:14:11.690 --> 0:14:14.570
<v Speaker 1>like someone else. When people he met asked him questions

0:14:14.570 --> 0:14:16.570
<v Speaker 1>about the old days, he just made stuff up.

0:14:17.050 --> 0:14:18.290
<v Speaker 2>We had wings, he said.

0:14:19.930 --> 0:14:23.170
<v Speaker 1>After five hundred years, his story was repeated so often

0:14:23.450 --> 0:14:26.650
<v Speaker 1>that he only remembered the repeating, not the events themselves.

0:14:27.410 --> 0:14:30.090
<v Speaker 1>It sounded like a fable, something that might have just

0:14:30.130 --> 0:14:32.690
<v Speaker 1>as easily happened to a fox and a rabbit. As

0:14:32.690 --> 0:14:36.090
<v Speaker 1>to himself and his brother, he began to doubt everything.

0:14:36.770 --> 0:14:39.650
<v Speaker 1>He even began to wonder whether he had actually ever

0:14:39.690 --> 0:14:42.610
<v Speaker 1>heard God's voice, whether the mark on his forehead was

0:14:42.650 --> 0:14:45.850
<v Speaker 1>the mark of God and not just another liver spot.

0:14:46.770 --> 0:14:49.170
<v Speaker 1>Was this a part of the punishment? He wondered to

0:14:49.210 --> 0:14:52.330
<v Speaker 1>be left so uncertain of whether God really was or

0:14:52.330 --> 0:14:56.610
<v Speaker 1>whether God was only something inside his own head. After

0:14:56.650 --> 0:14:59.050
<v Speaker 1>seven hundred years, when he told the story to himself

0:14:59.170 --> 0:15:02.130
<v Speaker 1>or heard it told by others, he felt nothing. He

0:15:02.170 --> 0:15:05.530
<v Speaker 1>was too old to feel guilt or remorse or anything.

0:15:06.050 --> 0:15:09.210
<v Speaker 1>He didn't even miss his brother anymore. He wanted nothing

0:15:09.250 --> 0:15:12.730
<v Speaker 1>from God. He wanted nothing from the world. The world

0:15:12.970 --> 0:15:15.730
<v Speaker 1>was what it was. He didn't need it to change.

0:15:16.330 --> 0:15:19.410
<v Speaker 1>And in this way he finally got his wish to

0:15:19.450 --> 0:15:24.410
<v Speaker 1>be just like Abel. And then God let him die.

0:15:24.850 --> 0:15:25.210
<v Speaker 2>Thank you.

0:15:29.770 --> 0:15:33.130
<v Speaker 1>After the break a Q and A with Stevie, Khalila

0:15:33.490 --> 0:15:37.170
<v Speaker 1>and Me, But first our producer Phoebe headed to the

0:15:37.170 --> 0:15:40.290
<v Speaker 1>Wall of Regrets to see what regrets were trending.

0:15:40.730 --> 0:15:42.690
<v Speaker 6>Can I ask you about you regret?

0:15:42.890 --> 0:15:46.450
<v Speaker 3>I just really regret not going to see the catacombs

0:15:46.450 --> 0:15:49.650
<v Speaker 3>when I was in Paris. I really like skulls. I

0:15:49.730 --> 0:15:50.690
<v Speaker 3>wish i'd called me.

0:15:51.250 --> 0:15:53.610
<v Speaker 7>I regret that I didn't pay enough in contact with

0:15:53.690 --> 0:15:55.810
<v Speaker 7>certain friends of mine who are like religious and are

0:15:55.810 --> 0:15:58.370
<v Speaker 7>now getting married. So I'm not getting invited to the weddings,

0:15:58.850 --> 0:16:01.170
<v Speaker 7>and god do I want to be at the weddings

0:16:01.210 --> 0:16:02.690
<v Speaker 7>just because I really like wedding.

0:16:02.970 --> 0:16:05.330
<v Speaker 5>Do you guys mind just reading these aloud for me,

0:16:05.450 --> 0:16:07.010
<v Speaker 5>like some of the ones that you're looking at.

0:16:07.290 --> 0:16:12.930
<v Speaker 1>Yeah, No, find a therapist, staying night for reason, not being.

0:16:12.730 --> 0:16:16.370
<v Speaker 3>More patient with my mother's cognitive decline, lacking patience with

0:16:16.450 --> 0:16:19.690
<v Speaker 3>my brother's behavior than he died. How I said goodbye

0:16:19.730 --> 0:16:21.210
<v Speaker 3>to my best friend before he died.

0:16:22.490 --> 0:16:23.690
<v Speaker 1>I wish I joined the band.

0:16:44.650 --> 0:16:48.610
<v Speaker 4>So now we are going to move into the Q

0:16:48.730 --> 0:16:51.690
<v Speaker 4>and A portion of our event today, and I'd like

0:16:51.730 --> 0:16:54.370
<v Speaker 4>to welcome to the stage, Khalila Holt and Stevie Lane,

0:16:54.410 --> 0:16:55.450
<v Speaker 4>the producers of the show.

0:17:04.649 --> 0:17:09.410
<v Speaker 3>Hi, Hello, Hi everybody, Hello, Hi bye all.

0:17:09.609 --> 0:17:15.530
<v Speaker 4>So we asked you questions that you wanted to hear

0:17:16.409 --> 0:17:19.850
<v Speaker 4>the Heavyweight team answer about the show, and we got

0:17:19.929 --> 0:17:22.369
<v Speaker 4>so many. I think we are also going to have

0:17:22.369 --> 0:17:24.090
<v Speaker 4>a little bit of time today to do some audience

0:17:24.169 --> 0:17:27.010
<v Speaker 4>Q and A. Kicking things off with our Q and A. Here,

0:17:27.449 --> 0:17:31.129
<v Speaker 4>what does Jonathan and Jackie's off show relationship really.

0:17:30.770 --> 0:17:31.250
<v Speaker 6>Look like.

0:17:33.369 --> 0:17:34.369
<v Speaker 1>Should I take this one?

0:17:34.810 --> 0:17:35.810
<v Speaker 3>It's about you?

0:17:35.970 --> 0:17:39.369
<v Speaker 1>So yeah, but you might have a more objective window.

0:17:41.010 --> 0:17:41.409
<v Speaker 2>I don't know.

0:17:41.449 --> 0:17:45.649
<v Speaker 1>I think it's a pretty accurate glimpse into our dynamic.

0:17:46.530 --> 0:17:51.650
<v Speaker 1>We've been friends since childhood. She likes to laugh at

0:17:51.649 --> 0:17:54.330
<v Speaker 1>me and hang up and I don't know.

0:17:54.490 --> 0:17:56.689
<v Speaker 3>I mean, I mean the first time I met Jackie,

0:17:56.689 --> 0:17:59.609
<v Speaker 3>I remember, we really bonded because over like she was like,

0:17:59.730 --> 0:18:02.850
<v Speaker 3>isn't he annoying? And I was like, yeah, I feel

0:18:02.850 --> 0:18:03.850
<v Speaker 3>like that made her like me.

0:18:05.889 --> 0:18:08.090
<v Speaker 6>The first time I met Jackie, I was like, I

0:18:08.169 --> 0:18:11.970
<v Speaker 6>want to be you and I grow up. She's very powerful.

0:18:12.090 --> 0:18:13.369
<v Speaker 6>It's a very powerful person.

0:18:14.050 --> 0:18:16.050
<v Speaker 1>Yeah, and she's a really nice person too. I mean,

0:18:16.050 --> 0:18:17.769
<v Speaker 1>I don't I just bring out the worst in her.

0:18:19.090 --> 0:18:22.090
<v Speaker 1>It's not her fault. I don't think she's like, yeah,

0:18:22.090 --> 0:18:26.449
<v Speaker 1>she's a doctor, she helps people, she does good works. Uh,

0:18:26.490 --> 0:18:31.050
<v Speaker 1>and I just bother her, you know. So I hope

0:18:31.090 --> 0:18:33.289
<v Speaker 1>it's bringing some levity to her life. But truly, I

0:18:33.330 --> 0:18:33.689
<v Speaker 1>don't know.

0:18:34.010 --> 0:18:35.729
<v Speaker 3>But she was For the people who don't know, the

0:18:35.770 --> 0:18:38.689
<v Speaker 3>backstory is well, just that you went to school together

0:18:38.689 --> 0:18:39.850
<v Speaker 3>and she was like a popular girl.

0:18:39.929 --> 0:18:40.970
<v Speaker 2>She was very popular.

0:18:41.490 --> 0:18:44.810
<v Speaker 1>Yeah, if you really want to go deep on the backstory,

0:18:44.810 --> 0:18:47.489
<v Speaker 1>I did a I did a story about a relationship

0:18:47.530 --> 0:18:50.889
<v Speaker 1>on This American Life called The Allure of the Mean Friend,

0:18:51.290 --> 0:18:54.969
<v Speaker 1>and I just talked to people about what Jackie Cohen

0:18:55.090 --> 0:18:59.409
<v Speaker 1>meant in grade school and in junior high, and she

0:18:59.530 --> 0:19:00.090
<v Speaker 1>meant a lot.

0:19:02.490 --> 0:19:06.649
<v Speaker 4>Yeah, what was the hardest episode to record?

0:19:06.730 --> 0:19:10.289
<v Speaker 3>And why slash? Which call has you the most nervous

0:19:10.290 --> 0:19:15.090
<v Speaker 3>to dial? I was the most nervous calling sorority girls

0:19:15.129 --> 0:19:19.770
<v Speaker 3>for Rose, they were very I remember there was like

0:19:19.810 --> 0:19:22.409
<v Speaker 3>a Facebook thread where they were like a sketchy sounding

0:19:22.449 --> 0:19:25.570
<v Speaker 3>woman left us a message and I was like, I

0:19:25.609 --> 0:19:27.490
<v Speaker 3>thought I sounded really nice and normal.

0:19:29.409 --> 0:19:32.530
<v Speaker 8>I think for me, it was very early and when

0:19:32.570 --> 0:19:34.810
<v Speaker 8>I just joined the show and you guys were working

0:19:34.850 --> 0:19:37.010
<v Speaker 8>on a story at the time, and you were trying

0:19:37.050 --> 0:19:40.850
<v Speaker 8>to find this two or three fingered man who had

0:19:40.929 --> 0:19:43.009
<v Speaker 8>hung up on you many times, and I was just

0:19:43.050 --> 0:19:45.490
<v Speaker 8>like new and bright eyed, and I was like, what

0:19:45.530 --> 0:19:47.850
<v Speaker 8>can I do to help? And John then was like,

0:19:48.290 --> 0:19:51.250
<v Speaker 8>you could try calling this guy. And I called him

0:19:51.449 --> 0:19:54.770
<v Speaker 8>and he told me he would find out where I lived.

0:19:54.609 --> 0:19:55.129
<v Speaker 6>And killed me.

0:19:56.850 --> 0:19:59.530
<v Speaker 1>Yeah, it was like a rite of passage, Like everybody

0:19:59.530 --> 0:20:02.170
<v Speaker 1>who's new on the show had to call. His name

0:20:02.250 --> 0:20:06.650
<v Speaker 1>is Carl, But yeah, that would have been a good

0:20:06.649 --> 0:20:07.210
<v Speaker 1>story too.

0:20:07.369 --> 0:20:09.969
<v Speaker 6>Yeah, the one where he finds me and murders me.

0:20:10.090 --> 0:20:12.850
<v Speaker 2>He threatened to kill me. All it's just that's Karl, and.

0:20:12.770 --> 0:20:16.570
<v Speaker 3>You've got a true crime serious, you know, Yeah, it's true.

0:20:16.810 --> 0:20:19.689
<v Speaker 1>My hardest call was there was an episode where I

0:20:19.730 --> 0:20:22.449
<v Speaker 1>was trying to find out about my psychiatrist that I

0:20:22.490 --> 0:20:24.330
<v Speaker 1>had when I was a teenager and find out if

0:20:24.570 --> 0:20:27.770
<v Speaker 1>she was a really good psychiatrist or you just don't

0:20:27.770 --> 0:20:31.369
<v Speaker 1>know with a psychiatrist because it's so it's so sealed off,

0:20:31.609 --> 0:20:33.970
<v Speaker 1>you know, you don't get or do you get great

0:20:34.090 --> 0:20:36.369
<v Speaker 1>yelp ratings? Maybe now you do, back then you didn't.

0:20:37.609 --> 0:20:40.570
<v Speaker 1>And I remembered someone that used to be in the

0:20:40.570 --> 0:20:42.649
<v Speaker 1>waiting room when I would leave. He was a professor

0:20:42.730 --> 0:20:44.729
<v Speaker 1>I once had when I was in college, and I

0:20:44.810 --> 0:20:48.130
<v Speaker 1>thought maybe I can ask him, and so I had

0:20:48.169 --> 0:20:50.330
<v Speaker 1>to call him and say, hey, I used to see

0:20:50.330 --> 0:20:53.210
<v Speaker 1>you in the waiting room of my psychiatrist thirty odd

0:20:53.250 --> 0:20:56.570
<v Speaker 1>years ago. That was very weird. That was even for me,

0:20:56.649 --> 0:20:58.529
<v Speaker 1>that felt very weird. He was he had retired, he

0:20:58.570 --> 0:21:03.370
<v Speaker 1>was living in Jamaica. That was a weird one who.

0:21:03.209 --> 0:21:06.049
<v Speaker 4>Is a dream celebrity whose problem you'd want to solve.

0:21:06.889 --> 0:21:13.889
<v Speaker 8>Oh so, Sarah Jessica Parker is a fan of the show,

0:21:15.090 --> 0:21:19.369
<v Speaker 8>and all that I want is to reunite her with

0:21:19.449 --> 0:21:25.970
<v Speaker 8>Kim Katrol And I email her agent every year when

0:21:25.970 --> 0:21:29.329
<v Speaker 8>we're looking for stories, and I'm like just checking in,

0:21:29.570 --> 0:21:34.450
<v Speaker 8>like wondering if Sarah has anybody.

0:21:34.050 --> 0:21:37.290
<v Speaker 6>She maybe like needs to reconcile with. I should given

0:21:37.290 --> 0:21:42.689
<v Speaker 6>it any thought. So far, she's been too busy. But

0:21:42.810 --> 0:21:44.850
<v Speaker 6>now that in just like that is over, I feel

0:21:44.889 --> 0:21:46.330
<v Speaker 6>like she might have more time.

0:21:46.090 --> 0:21:48.609
<v Speaker 4>Perfect time, anybody else.

0:21:49.929 --> 0:21:53.170
<v Speaker 1>I don't know. Celebrities don't have problems, do they.

0:21:54.409 --> 0:21:55.290
<v Speaker 9>Aggie has one?

0:21:55.649 --> 0:21:57.730
<v Speaker 3>Oh Augie, do you yeah?

0:21:57.730 --> 0:21:58.530
<v Speaker 6>Who did you just say?

0:21:58.609 --> 0:22:00.409
<v Speaker 5>Oh yeah, Kenya Klamar and Drake.

0:22:01.929 --> 0:22:05.970
<v Speaker 1>Aggie is my son and he's a very big rap fan.

0:22:06.369 --> 0:22:08.249
<v Speaker 1>He wants to see me reconcile the.

0:22:08.250 --> 0:22:10.410
<v Speaker 3>Whole huge numbers for us.

0:22:11.929 --> 0:22:15.009
<v Speaker 6>That's a idea, perfect for audio.

0:22:15.770 --> 0:22:16.570
<v Speaker 3>So a good idea.

0:22:16.649 --> 0:22:21.010
<v Speaker 1>Actually, I know, like why can't you Fellas just because

0:22:21.010 --> 0:22:23.210
<v Speaker 1>that whole super Bowl thing was really out of hand.

0:22:23.250 --> 0:22:25.169
<v Speaker 1>I mean, that was that was rough.

0:22:25.970 --> 0:22:28.649
<v Speaker 4>We maybe have an opening for a new assistant producer,

0:22:29.369 --> 0:22:31.129
<v Speaker 4>Aki lock In.

0:22:31.369 --> 0:22:32.810
<v Speaker 1>Yeah, he's going to be nine.

0:22:34.689 --> 0:22:37.249
<v Speaker 3>Part time. He can balance it with school.

0:22:38.570 --> 0:22:41.690
<v Speaker 4>Okay, Sometimes it seems like there's no progress or revelation

0:22:41.850 --> 0:22:44.850
<v Speaker 4>to someone's journey until weeks or months later. How does

0:22:44.889 --> 0:22:48.770
<v Speaker 4>the team maintain the morale to not be discouraged and years.

0:22:48.970 --> 0:22:52.689
<v Speaker 3>I mean, I think I am discouraged most of the time.

0:22:53.570 --> 0:22:56.770
<v Speaker 3>I think I don't maintain the morale, would be my answer.

0:22:57.050 --> 0:23:00.129
<v Speaker 8>Yeah, I sort of feel like I think I have

0:23:00.209 --> 0:23:02.689
<v Speaker 8>the attitude that just like I just believe it actually

0:23:02.730 --> 0:23:05.929
<v Speaker 8>will always work out, because I think we've there have

0:23:05.929 --> 0:23:07.889
<v Speaker 8>been a lot of stories that we've thought were dead

0:23:08.010 --> 0:23:11.690
<v Speaker 8>and then like years later or something changes, we get

0:23:11.730 --> 0:23:13.969
<v Speaker 8>back in touch, whatever, and then they end up happening.

0:23:14.010 --> 0:23:16.730
<v Speaker 6>So I just I think, I just it's blind optimism.

0:23:17.090 --> 0:23:19.609
<v Speaker 3>I was gonna say, I think Stevie brings up something

0:23:19.730 --> 0:23:20.410
<v Speaker 3>for all of us.

0:23:21.330 --> 0:23:24.689
<v Speaker 1>Yeah, and you have your work cut out. Yeah, it's

0:23:24.810 --> 0:23:28.330
<v Speaker 1>I For me, it's desperation. It's always that. That's what

0:23:28.449 --> 0:23:30.729
<v Speaker 1>passes for hope, I think is the desperation.

0:23:32.330 --> 0:23:35.370
<v Speaker 4>If you could expand any episode into a season long series,

0:23:35.409 --> 0:23:38.050
<v Speaker 4>which one would you revisit and what avenues would you

0:23:38.090 --> 0:23:41.249
<v Speaker 4>take to further explore within that story?

0:23:41.850 --> 0:23:44.449
<v Speaker 3>Well, do you remember when we did that like two

0:23:44.530 --> 0:23:47.729
<v Speaker 3>day Descent into Madness where we laid out that whole whiteboard.

0:23:48.810 --> 0:23:52.330
<v Speaker 1>Oh yeah, yeah, well that yeah again desperation. I mean

0:23:52.330 --> 0:23:55.129
<v Speaker 1>it came about the shorthand that we were using. We

0:23:55.449 --> 0:23:56.769
<v Speaker 1>were gonna s town it.

0:23:56.889 --> 0:23:58.730
<v Speaker 3>Yeah, we were like, this is gonna be our town,

0:23:58.810 --> 0:24:00.929
<v Speaker 3>this is gonna be our sun.

0:24:00.810 --> 0:24:02.850
<v Speaker 8>Just became a verb that it was like, we're gonna

0:24:02.970 --> 0:24:04.170
<v Speaker 8>sk town this season.

0:24:04.369 --> 0:24:06.210
<v Speaker 1>Yeah. It just felt like none of our stories were

0:24:06.250 --> 0:24:09.730
<v Speaker 1>working out. But we thought that like you're too young

0:24:09.770 --> 0:24:11.889
<v Speaker 1>to get the reference to the love boat, but like

0:24:11.929 --> 0:24:16.090
<v Speaker 1>where you're visiting different characters, thank you, you know, like

0:24:16.570 --> 0:24:19.170
<v Speaker 1>we couldn't solve the story, but like maybe from week

0:24:19.169 --> 0:24:21.649
<v Speaker 1>to week we can drift from character to character and

0:24:21.689 --> 0:24:23.970
<v Speaker 1>like keep working on them and like tangle them all

0:24:24.050 --> 0:24:25.009
<v Speaker 1>up together.

0:24:24.929 --> 0:24:27.369
<v Speaker 6>And then nobody would notice that none of them happened.

0:24:29.730 --> 0:24:31.970
<v Speaker 3>But truly, we spent like I think two whole days

0:24:32.010 --> 0:24:34.689
<v Speaker 3>laying out like what the structure would look like, and

0:24:34.689 --> 0:24:36.130
<v Speaker 3>then at the end of the two days, we were

0:24:36.129 --> 0:24:38.169
<v Speaker 3>like this is insane, and we just erased the wayboard.

0:24:38.250 --> 0:24:40.090
<v Speaker 1>I think it might have been more than two days. Really,

0:24:40.369 --> 0:24:44.810
<v Speaker 1>it felt like a sizable chunk of time. Yeah, I

0:24:44.810 --> 0:24:47.930
<v Speaker 1>don't know. There's like my friends, I don't know where

0:24:47.929 --> 0:24:50.889
<v Speaker 1>they are. The air Licks are here, Gregor.

0:24:51.050 --> 0:24:53.810
<v Speaker 2>And is, Yeah, you're right to gasp and.

0:24:53.810 --> 0:24:57.529
<v Speaker 1>His brother Dimitri And I mean, I feel like we

0:24:57.530 --> 0:25:00.729
<v Speaker 1>could do a season of just like called the air Licks,

0:25:01.050 --> 0:25:03.049
<v Speaker 1>where there would be so many good stories, you know.

0:25:07.449 --> 0:25:12.330
<v Speaker 4>Yeah, when people are increasingly concerned about privacy, how do

0:25:12.369 --> 0:25:14.450
<v Speaker 4>you get people to speak to you and spill their

0:25:14.449 --> 0:25:15.730
<v Speaker 4>hearts out on tape?

0:25:16.209 --> 0:25:18.369
<v Speaker 3>Well, I have noticed a lot more people do the

0:25:18.609 --> 0:25:21.369
<v Speaker 3>I thought it was a scam, so I didn't answer you.

0:25:22.050 --> 0:25:24.529
<v Speaker 3>And I don't know if people actually think we're running

0:25:24.530 --> 0:25:27.169
<v Speaker 3>some elaborate, confusing scam or if that's kind of just

0:25:27.169 --> 0:25:29.890
<v Speaker 3>like a shorthand for like I didn't want to respond

0:25:29.929 --> 0:25:30.369
<v Speaker 3>to this.

0:25:30.330 --> 0:25:32.250
<v Speaker 1>Yeah, because what kind of scam would it be? Really?

0:25:33.129 --> 0:25:37.609
<v Speaker 1>Not a very good one, like a real long con Yeah.

0:25:37.689 --> 0:25:41.010
<v Speaker 3>Yeah. And also people don't answer the phone anyway. People

0:25:41.050 --> 0:25:43.489
<v Speaker 3>will answern on no number. I feel like that's changed

0:25:43.530 --> 0:25:45.090
<v Speaker 3>even just in the time we've been doing the show,

0:25:45.129 --> 0:25:46.730
<v Speaker 3>Like people used to pick up a lot more.

0:25:47.169 --> 0:25:50.609
<v Speaker 8>Yeah, how do we convince them to talk once they

0:25:50.649 --> 0:25:51.969
<v Speaker 8>once they do pick up the phone.

0:25:53.290 --> 0:25:55.689
<v Speaker 3>My feeling is like people are either inclined to do

0:25:55.770 --> 0:25:57.649
<v Speaker 3>it or not, and it doesn't matter that much what

0:25:57.730 --> 0:25:59.570
<v Speaker 3>you say, like they kind of have already made up

0:25:59.609 --> 0:26:00.010
<v Speaker 3>their mind.

0:26:00.169 --> 0:26:03.769
<v Speaker 1>But that's true. Yeah, have you ever actually convinced anybody

0:26:04.169 --> 0:26:04.770
<v Speaker 1>like where they.

0:26:04.649 --> 0:26:06.730
<v Speaker 3>Didn't not like a hard no to a yes. I've

0:26:06.730 --> 0:26:08.489
<v Speaker 3>had people who are on the fence like then they

0:26:08.490 --> 0:26:10.090
<v Speaker 3>think about it, agree, but.

0:26:10.609 --> 0:26:13.049
<v Speaker 2>You the most was maybe.

0:26:13.449 --> 0:26:15.889
<v Speaker 1>I don't know if you guys remember the Sky the

0:26:15.929 --> 0:26:20.289
<v Speaker 1>story about Sky who had her best friends they wrote

0:26:20.490 --> 0:26:24.129
<v Speaker 1>the F word on her garage door. I'm saying the

0:26:24.250 --> 0:26:26.129
<v Speaker 1>F word because my son's here and it would excite

0:26:26.169 --> 0:26:31.609
<v Speaker 1>him too much. And one of the girls who were

0:26:31.810 --> 0:26:34.170
<v Speaker 1>a part of it, she didn't want to talk, and

0:26:34.209 --> 0:26:38.530
<v Speaker 1>we spoke a lot. We had many conversations over several days,

0:26:38.530 --> 0:26:41.250
<v Speaker 1>and eventually she agreed to do it. And she agreed

0:26:41.290 --> 0:26:42.810
<v Speaker 1>to do it for a really nice reason, like she

0:26:42.889 --> 0:26:46.209
<v Speaker 1>wanted to show her daughter that it's okay, like you

0:26:46.250 --> 0:26:48.969
<v Speaker 1>could comp to something that you did that you're not

0:26:49.010 --> 0:26:50.609
<v Speaker 1>proud of, you know, And that was really sweet.

0:26:51.409 --> 0:26:55.090
<v Speaker 6>I also there was also Chris in the Barbara episode.

0:26:55.530 --> 0:26:59.290
<v Speaker 8>Yeah right, that was real that We did a two

0:26:59.330 --> 0:27:04.889
<v Speaker 8>parter about Jonathan's mother in law's childhood friend and in

0:27:04.970 --> 0:27:07.570
<v Speaker 8>trying to find her, we ended up on the phone

0:27:07.609 --> 0:27:10.689
<v Speaker 8>with someone she'd been briefly engaged to when she was younger,

0:27:11.250 --> 0:27:14.009
<v Speaker 8>and at first like he didn't want to talk to

0:27:14.050 --> 0:27:16.090
<v Speaker 8>the I mean, he was like threatening legal action.

0:27:16.209 --> 0:27:18.369
<v Speaker 6>He was like, my daughter's a lawyer, like I'm gonna

0:27:18.369 --> 0:27:18.770
<v Speaker 6>come after you.

0:27:18.770 --> 0:27:19.570
<v Speaker 1>I don't want them any.

0:27:19.449 --> 0:27:21.929
<v Speaker 8>Party like it was, and it was very I was

0:27:21.929 --> 0:27:25.009
<v Speaker 8>producing Jonathan on the call, and it was like I

0:27:25.050 --> 0:27:28.010
<v Speaker 8>found it very scary, having flashbacks to the three fingered

0:27:28.010 --> 0:27:33.170
<v Speaker 8>man kind of and you just kind of kept him

0:27:33.209 --> 0:27:35.409
<v Speaker 8>talking like that was the You just kind of kept

0:27:35.649 --> 0:27:38.210
<v Speaker 8>him talking. And I remember we got off the phone.

0:27:38.209 --> 0:27:39.689
<v Speaker 8>I was like, what made you do that? And you

0:27:39.730 --> 0:27:41.489
<v Speaker 8>were like, I just have the feeling that he actually

0:27:41.570 --> 0:27:42.650
<v Speaker 8>wants to talk about this.

0:27:43.250 --> 0:27:45.130
<v Speaker 1>Yeah, and yeah.

0:27:45.090 --> 0:27:47.290
<v Speaker 6>He called back and was like, yeah, I do want.

0:27:47.129 --> 0:27:49.769
<v Speaker 1>To talk about this. So it was like, I don't know,

0:27:49.770 --> 0:27:51.650
<v Speaker 1>it was like just I felt like it was kind

0:27:51.649 --> 0:27:53.530
<v Speaker 1>of like the phone call that he'd been waiting for

0:27:53.530 --> 0:27:55.609
<v Speaker 1>for for like thirty odd years or more.

0:27:55.730 --> 0:27:55.969
<v Speaker 5>You know.

0:27:56.129 --> 0:27:57.809
<v Speaker 1>It just I don't know, it just had that kind

0:27:57.850 --> 0:27:58.570
<v Speaker 1>of feeling to it.

0:28:00.649 --> 0:28:03.090
<v Speaker 4>So I'm I've been very excited to ask you guys

0:28:03.090 --> 0:28:03.570
<v Speaker 4>this question.

0:28:04.050 --> 0:28:04.769
<v Speaker 3>Who would play you?

0:28:04.810 --> 0:28:07.850
<v Speaker 4>And have do you eat the movie?

0:28:08.369 --> 0:28:13.050
<v Speaker 3>I do have an answers which is just my stock answer,

0:28:13.090 --> 0:28:15.169
<v Speaker 3>who would play me in a movie? Which is Aubrey Palaza.

0:28:16.090 --> 0:28:17.369
<v Speaker 6>Oh that's so good.

0:28:19.290 --> 0:28:22.330
<v Speaker 1>I mean I think you know, in my mind, I'm

0:28:22.409 --> 0:28:26.249
<v Speaker 1>like a very lanky, tall, sort of like Johnny Knoxville type,

0:28:26.770 --> 0:28:28.369
<v Speaker 1>but I know that it would end up being like

0:28:28.449 --> 0:28:33.289
<v Speaker 1>Walla Sean. Who you know? Maybe it Paul Giametti. I

0:28:33.290 --> 0:28:33.810
<v Speaker 1>don't know you.

0:28:37.770 --> 0:28:41.130
<v Speaker 8>Uh, I really don't know how.

0:28:41.090 --> 0:28:42.610
<v Speaker 6>You might have to come back on this one.

0:28:44.570 --> 0:28:45.690
<v Speaker 4>Okay, we'll come back to you on that.

0:28:46.610 --> 0:28:48.810
<v Speaker 6>Hey everyone, it's me Stevie.

0:28:49.330 --> 0:28:53.050
<v Speaker 8>So this question continued to haunt me for weeks until

0:28:53.050 --> 0:28:55.650
<v Speaker 8>I finally decided till this Winton.

0:28:56.450 --> 0:28:59.370
<v Speaker 6>There's more Q and A coming up right after the break.

0:29:06.610 --> 0:29:10.250
<v Speaker 1>Our live event also featured a telephone, but unlike all

0:29:10.290 --> 0:29:15.090
<v Speaker 1>those boring ordinary telephones that only let you reach businesses, institutions,

0:29:15.130 --> 0:29:19.289
<v Speaker 1>and private residences, this telephone only allowed you to reach me,

0:29:19.930 --> 0:29:24.250
<v Speaker 1>Jonathan Goldstein, and not even me really, but my answering machine.

0:29:24.650 --> 0:29:27.130
<v Speaker 1>When you picked up the receiver, you heard a message

0:29:27.130 --> 0:29:30.850
<v Speaker 1>prompting you to record your own heavyweight story. And you

0:29:31.010 --> 0:29:34.250
<v Speaker 1>sure showed me, because record those stories you did.

0:29:35.610 --> 0:29:39.250
<v Speaker 10>Hi, you've reached Jonathan Goldstein. I'm not at home right

0:29:39.290 --> 0:29:41.890
<v Speaker 10>now because I'm in the middle of the live performance

0:29:41.930 --> 0:29:45.210
<v Speaker 10>of a lifetime. But in the meantime, leave a message

0:29:45.250 --> 0:29:49.249
<v Speaker 10>with your story. Don't overthink it. Just do the job.

0:29:49.730 --> 0:29:53.050
<v Speaker 10>Do the job, Do the job. Don't say no, say yes.

0:29:54.290 --> 0:29:57.489
<v Speaker 1>I was ghosted by every single male member of my

0:29:57.530 --> 0:29:59.810
<v Speaker 1>high school class, and I don't know if I did

0:29:59.850 --> 0:30:02.529
<v Speaker 1>something I thought all these people like me, I certainly

0:30:02.570 --> 0:30:02.930
<v Speaker 1>like them.

0:30:03.130 --> 0:30:06.890
<v Speaker 11>Found out that my dad was married beforehand. That was

0:30:07.209 --> 0:30:10.450
<v Speaker 11>an arranged marriage. So I'm an Indian and it's very

0:30:10.530 --> 0:30:14.570
<v Speaker 11>unique or very rare to get divorced during an arranged marriage.

0:30:14.850 --> 0:30:19.130
<v Speaker 11>Definitely cause risks between my dad and the community.

0:30:19.410 --> 0:30:22.209
<v Speaker 5>I would say that I'm not a very imaginative person.

0:30:23.209 --> 0:30:25.610
<v Speaker 5>I enjoy logic. And I went to bed one night

0:30:25.650 --> 0:30:27.690
<v Speaker 5>and I had a dream that my grandmother had died.

0:30:27.770 --> 0:30:31.050
<v Speaker 5>Randomly told my friends at breakfast, and they were like

0:30:31.130 --> 0:30:32.529
<v Speaker 5>just trying to do the forty and thing of like

0:30:32.530 --> 0:30:34.529
<v Speaker 5>what could that mean, and me sort of just blowing

0:30:34.530 --> 0:30:37.049
<v Speaker 5>them off, being like dreams don't mean anything. And then

0:30:37.050 --> 0:30:39.050
<v Speaker 5>about four hours later, I received a call from my

0:30:39.090 --> 0:30:41.850
<v Speaker 5>sister saying, hey, like sorry to tell you, but grandma died.

0:30:42.010 --> 0:30:42.170
<v Speaker 6>Hi.

0:30:42.290 --> 0:30:43.809
<v Speaker 1>My name is Dmitri Rlik.

0:30:44.570 --> 0:30:48.130
<v Speaker 12>My story is once I was invited out to a

0:30:48.170 --> 0:30:50.930
<v Speaker 12>bachelor party and we went out in Lawera Manhattan to

0:30:51.010 --> 0:30:55.570
<v Speaker 12>Chinatown to a Chinese massage parlor and we had wonderful

0:30:55.610 --> 0:30:59.770
<v Speaker 12>foot massages, and you, Jonathan, were doing an incredible job

0:30:59.850 --> 0:31:02.330
<v Speaker 12>of pretending that it was painful because it felt great

0:31:02.370 --> 0:31:04.730
<v Speaker 12>in every way. So my question is, have you ever

0:31:04.810 --> 0:31:08.810
<v Speaker 12>considered doing any theatrical acting, either in film or television

0:31:08.890 --> 0:31:12.729
<v Speaker 12>or on stages, because you're obviously quite a gifted Espian.

0:31:13.010 --> 0:31:13.370
<v Speaker 1>Thank you.

0:31:13.370 --> 0:31:14.810
<v Speaker 12>Oh i'm mc gregor's brother, by.

0:31:14.730 --> 0:31:18.209
<v Speaker 2>The way, And now back to the Q and A.

0:31:18.410 --> 0:31:20.290
<v Speaker 1>Q and A stands for questions and answers.

0:31:21.490 --> 0:31:24.130
<v Speaker 4>If Jonathan and Gregor could only listen to one movie

0:31:24.170 --> 0:31:27.050
<v Speaker 4>song on repeat during a road trip, which one would

0:31:27.050 --> 0:31:27.249
<v Speaker 4>it be?

0:31:28.130 --> 0:31:31.209
<v Speaker 1>Well, Gregor, should we turn the house lights up? What

0:31:31.250 --> 0:31:31.970
<v Speaker 1>would be the song?

0:31:32.010 --> 0:31:32.370
<v Speaker 2>Gregor?

0:31:34.930 --> 0:31:35.249
<v Speaker 1>Please?

0:31:35.330 --> 0:31:37.090
<v Speaker 2>Could would you stand up so people can?

0:31:40.570 --> 0:31:41.569
<v Speaker 1>I don't know where we're going on.

0:31:42.250 --> 0:31:43.690
<v Speaker 2>You have to figure out why we're on a road

0:31:43.690 --> 0:31:44.249
<v Speaker 2>trip together.

0:31:45.250 --> 0:31:48.130
<v Speaker 1>I don't know. Let's say we were gonna go to

0:31:49.250 --> 0:31:52.170
<v Speaker 1>Frontier Town together. I don't know, like something fun.

0:31:53.010 --> 0:31:53.410
<v Speaker 2>I don't know.

0:31:53.690 --> 0:31:56.249
<v Speaker 1>I can imagine fighting with you about the radio on

0:31:56.290 --> 0:31:57.969
<v Speaker 1>a road trip. How about that for an answer, like

0:31:58.010 --> 0:32:00.370
<v Speaker 1>fighting over which Mobie song we would listen to? Exactly

0:32:00.370 --> 0:32:03.570
<v Speaker 1>all the movie's greatest hits movies play Moby movie mob

0:32:03.690 --> 0:32:05.729
<v Speaker 1>but you do you do listen to mobi songs?

0:32:05.730 --> 0:32:06.810
<v Speaker 11>Now? Imten repeat?

0:32:06.810 --> 0:32:07.969
<v Speaker 2>All I listened to is movie.

0:32:08.130 --> 0:32:09.890
<v Speaker 1>Actually I have a question for you, because you gid

0:32:09.930 --> 0:32:13.210
<v Speaker 1>said you're going to take Q and A from the audience. Well,

0:32:13.930 --> 0:32:15.930
<v Speaker 1>was that all spontaneous stuff that you guys were really

0:32:16.010 --> 0:32:17.730
<v Speaker 1>just wing it? Or did you already have your prefab

0:32:17.850 --> 0:32:21.010
<v Speaker 1>like no, messed off the cuff like jazz?

0:32:21.370 --> 0:32:26.290
<v Speaker 2>Yeah, nice singers, Thank you? Is it was that your question?

0:32:26.490 --> 0:32:29.210
<v Speaker 2>Or yeah? I was curious, more like Ivy Stanley Tucci.

0:32:29.490 --> 0:32:32.330
<v Speaker 2>You know, Okay, all right, thank you, Yeah, that's very nice.

0:32:32.330 --> 0:32:35.690
<v Speaker 2>Thank you. I'd like the sounds you're making of support.

0:32:35.770 --> 0:32:36.130
<v Speaker 1>Thank you.

0:32:41.530 --> 0:32:41.770
<v Speaker 13>Well.

0:32:41.810 --> 0:32:45.090
<v Speaker 4>Gregor is correct. We are shifting into audience Q and

0:32:45.130 --> 0:32:47.890
<v Speaker 4>A portion, So there are a couple of mics around.

0:32:50.209 --> 0:32:50.410
<v Speaker 1>Hi.

0:32:51.050 --> 0:32:55.610
<v Speaker 14>I think I'm the biggest fan. Now, So Jonathan, you

0:32:55.690 --> 0:32:59.489
<v Speaker 14>recently had that episode about stopping drinking, and then, because

0:32:59.490 --> 0:33:02.690
<v Speaker 14>I'm your biggest fan of Heavyweight, you had that live

0:33:02.730 --> 0:33:05.610
<v Speaker 14>event episode where they alluded to how you needed a

0:33:05.730 --> 0:33:08.650
<v Speaker 14>drink before you spoke, how it would help you. So

0:33:08.690 --> 0:33:11.650
<v Speaker 14>I was just wondering tonight. Yeah, yeah, what's going on

0:33:11.730 --> 0:33:12.410
<v Speaker 14>and how it is.

0:33:12.890 --> 0:33:20.490
<v Speaker 1>I'm I'm lit, I'm I'm tanked. No, I uh yeah,

0:33:20.530 --> 0:33:23.249
<v Speaker 1>this might be the first time I'm doing this.

0:33:23.290 --> 0:33:23.450
<v Speaker 5>Guy.

0:33:23.730 --> 0:33:25.489
<v Speaker 1>Yeah, it makes me a little nervous, but yeah, I

0:33:25.490 --> 0:33:28.490
<v Speaker 1>haven't had anything to drink. And I Emma, by the way,

0:33:28.690 --> 0:33:31.729
<v Speaker 1>I are you guys friends? Oh, you're just sitting beside

0:33:31.730 --> 0:33:35.610
<v Speaker 1>each other. Emma mixes our episodes. She's the sound engineer

0:33:35.650 --> 0:33:36.810
<v Speaker 1>and composes music.

0:33:37.130 --> 0:33:38.050
<v Speaker 2>Emma munder.

0:33:42.890 --> 0:33:44.810
<v Speaker 1>Yeah, it's uh yeah.

0:33:45.050 --> 0:33:47.810
<v Speaker 2>It was definitely in my thoughts because I used to, like,

0:33:47.930 --> 0:33:49.090
<v Speaker 2>I used to really like to do that.

0:33:49.170 --> 0:33:53.050
<v Speaker 1>I have a drinker two or three before talking and

0:33:53.650 --> 0:33:57.450
<v Speaker 1>a couple afterwards. So yeah, I'm just I'm free balling it.

0:33:57.530 --> 0:33:57.969
<v Speaker 1>I don't know.

0:33:58.130 --> 0:34:03.330
<v Speaker 14>Yeah, yeah, And it was definitely a nuanced view of

0:34:03.410 --> 0:34:05.410
<v Speaker 14>stopping drinking, like is it better?

0:34:06.810 --> 0:34:07.930
<v Speaker 2>Yeah it is.

0:34:09.970 --> 0:34:14.130
<v Speaker 1>Some days. I was saying last night to my friend Alex, Uh,

0:34:15.090 --> 0:34:17.170
<v Speaker 1>I was saying, I miss that feeling of like that

0:34:17.370 --> 0:34:20.970
<v Speaker 1>everything is all right, Everything's going to be okay, you

0:34:21.010 --> 0:34:22.810
<v Speaker 1>know what I mean, which is like a little like,

0:34:22.850 --> 0:34:24.250
<v Speaker 1>but you got to figure it, like, you have to

0:34:24.290 --> 0:34:26.170
<v Speaker 1>manifest that. You have to figure out how to get

0:34:26.170 --> 0:34:29.410
<v Speaker 1>that feeling on your own. You know, it's not real.

0:34:31.090 --> 0:34:32.610
<v Speaker 1>So yeah, I'm still working.

0:34:32.370 --> 0:34:34.610
<v Speaker 6>On that and it is going to be all right.

0:34:34.770 --> 0:34:36.170
<v Speaker 2>Well, thank you, thank you for saying that.

0:34:36.810 --> 0:34:37.009
<v Speaker 3>Hi.

0:34:37.050 --> 0:34:39.530
<v Speaker 9>Everyone, I'm just going to reflect based off of that

0:34:39.770 --> 0:34:43.690
<v Speaker 9>episode as well. I just recently lost your friend alcoholism

0:34:43.930 --> 0:34:47.970
<v Speaker 9>and sorry. Your episode was really touching because it was

0:34:48.770 --> 0:34:51.610
<v Speaker 9>a way to externalize and even open up those conversations.

0:34:51.850 --> 0:34:53.530
<v Speaker 9>And I sent it to our friends group and it

0:34:53.570 --> 0:34:55.250
<v Speaker 9>helped us a lot too. So thank you for being

0:34:55.250 --> 0:34:56.569
<v Speaker 9>honest and open.

0:34:56.850 --> 0:34:57.210
<v Speaker 5>Thank you.

0:34:57.250 --> 0:35:00.890
<v Speaker 1>Thank you for saying that. That's really that's encouraging to hear.

0:35:00.930 --> 0:35:01.210
<v Speaker 1>Thank you.

0:35:01.450 --> 0:35:05.810
<v Speaker 9>Yeah. My question is, I'm sure there's stories that are

0:35:05.890 --> 0:35:09.370
<v Speaker 9>just in the vault, still being worked on year after

0:35:09.370 --> 0:35:12.010
<v Speaker 9>a year. Can you share a little bit of what's

0:35:12.130 --> 0:35:15.730
<v Speaker 9>currently still being in development or if there's a story

0:35:15.770 --> 0:35:17.970
<v Speaker 9>that you really wish can have see the light of

0:35:18.010 --> 0:35:18.730
<v Speaker 9>data at some point.

0:35:19.330 --> 0:35:21.570
<v Speaker 1>It's a good question. I don't know anything come to mind.

0:35:21.970 --> 0:35:24.050
<v Speaker 3>I'm like scared to talk about any of them because

0:35:24.050 --> 0:35:26.210
<v Speaker 3>I'm afraid I'm going to like doom them to never happen.

0:35:26.770 --> 0:35:28.690
<v Speaker 3>But there are ones that I really.

0:35:29.970 --> 0:35:32.250
<v Speaker 1>You're hopeful of that.

0:35:31.530 --> 0:35:34.090
<v Speaker 3>That I would like love. Yeah, I've came back to life.

0:35:34.770 --> 0:35:38.130
<v Speaker 1>Yeah yeah. Sometimes you have like all the elements and

0:35:38.330 --> 0:35:40.930
<v Speaker 1>you're it's very exciting, and then this one person doesn't

0:35:40.970 --> 0:35:44.250
<v Speaker 1>want to talk and yeah, you know, so it's it's

0:35:44.370 --> 0:35:47.650
<v Speaker 1>weird model to be basing things on that.

0:35:47.650 --> 0:35:49.690
<v Speaker 3>That's how I felt about why I'm like hedging a

0:35:49.690 --> 0:35:51.490
<v Speaker 3>little bit, is that's how I felt about The Messenger,

0:35:51.490 --> 0:35:53.370
<v Speaker 3>which is when we just did this season, like when

0:35:53.410 --> 0:35:55.570
<v Speaker 3>we got laid off from Spotify, I did not forward

0:35:55.570 --> 0:35:57.810
<v Speaker 3>the emails to myself because I was like, this story

0:35:57.850 --> 0:35:59.810
<v Speaker 3>is dead, so I don't need these. And then it

0:35:59.850 --> 0:36:00.610
<v Speaker 3>came back to life.

0:36:00.650 --> 0:36:03.250
<v Speaker 1>So we never thought we'd get to talk to If

0:36:03.250 --> 0:36:05.450
<v Speaker 1>you listen to the episode, Pat Crochy who we needed

0:36:05.490 --> 0:36:07.250
<v Speaker 1>to talk to, and it just seemed like he wasn't

0:36:07.290 --> 0:36:07.810
<v Speaker 1>going to do it.

0:36:07.850 --> 0:36:12.650
<v Speaker 3>And then and Quinces, you had told us to no, right, yeah.

0:36:11.650 --> 0:36:13.049
<v Speaker 1>And then it was like a friend of a friend

0:36:13.090 --> 0:36:16.330
<v Speaker 1>over dinner, and you know it was this true serendipity.

0:36:16.410 --> 0:36:17.330
<v Speaker 1>We got really lucky.

0:36:17.570 --> 0:36:22.170
<v Speaker 15>Yeah, when you all are listening to recordings of yourselves

0:36:22.210 --> 0:36:25.450
<v Speaker 15>doing interviews or having conversations with people. Have you learned

0:36:25.490 --> 0:36:28.490
<v Speaker 15>that you have certain conversational habits that you've tried to

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<v Speaker 15>alter or emphasize.

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<v Speaker 3>That's a good question. I noticed that I laugh when

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<v Speaker 3>I'm nervous in the middle of things that are not funny,

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<v Speaker 3>and that's like something I've tried to stop, especially when

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<v Speaker 3>I'm interviewing someone on like a serious topic. You know,

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<v Speaker 3>sometimes you like ask you a question and then you

0:36:44.010 --> 0:36:45.610
<v Speaker 3>kind of laugh when you're uncomfortable, and then when I'm

0:36:45.610 --> 0:36:47.970
<v Speaker 3>cutting it, I'm like, what am I doing? Yeah, so

0:36:48.010 --> 0:36:49.010
<v Speaker 3>I've tried to stop doing that.

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<v Speaker 1>I'll just say I have the exact opposite problem. I

0:36:52.890 --> 0:36:56.690
<v Speaker 1>can't laugh like I I wish I did laugh more easily,

0:36:56.770 --> 0:36:58.569
<v Speaker 1>and I wish I had a free and easy laugh

0:36:58.610 --> 0:37:01.290
<v Speaker 1>that told people like it's funny, that's great, keep coming,

0:37:01.330 --> 0:37:03.410
<v Speaker 1>you know. So I wish I had a little.

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<v Speaker 5>Bit of that.

0:37:05.090 --> 0:37:05.970
<v Speaker 6>I will.

0:37:07.330 --> 0:37:10.690
<v Speaker 8>Pitch my voice up, especially i'm calling people to interview them,

0:37:11.650 --> 0:37:12.890
<v Speaker 8>and I hate it.

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<v Speaker 6>I hate it so much. And when I listen back,

0:37:14.890 --> 0:37:19.210
<v Speaker 6>it's like, Hi, I'm Stevie, I'm calling from the podcast.

0:37:18.770 --> 0:37:21.490
<v Speaker 8>Heavyweight, and like it's like it's very and then like

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<v Speaker 8>the tape doesn't even sound like me, Like the difference

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<v Speaker 8>between the that I'm really trying to work on not doing.

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<v Speaker 3>But I do think it's encouraging in something I learned

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<v Speaker 3>from you, Jonathan is whenever I do something really stupid

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<v Speaker 3>and embarrassing and tape, rather than cutting it out and

0:37:38.570 --> 0:37:40.250
<v Speaker 3>trying to hide it, I'm like, well, that's going to

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<v Speaker 3>be a front and center in the story.

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<v Speaker 1>You're embarrassing yourself for work, for a higher purpose.

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<v Speaker 2>That's wonderful.

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<v Speaker 1>Most people go through their lives, you know, just embarrassing

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<v Speaker 1>themselves willy nilly for nothing.

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<v Speaker 3>I don't know, but for me, it's for art.

0:37:56.730 --> 0:37:59.170
<v Speaker 13>My question is, I've noticed a lot of the episodes

0:37:59.730 --> 0:38:06.090
<v Speaker 13>feature like interpersonal friendship relationships, focusing on like really deep

0:38:06.090 --> 0:38:10.969
<v Speaker 13>platonic relationships over years. So how and Gregor and then

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<v Speaker 13>when you went to pilates with your friend or like

0:38:13.530 --> 0:38:16.650
<v Speaker 13>things like that, And I just love that. And what's

0:38:16.690 --> 0:38:20.330
<v Speaker 13>your like advice for friendship longevity?

0:38:23.210 --> 0:38:25.370
<v Speaker 1>You guys haven't lived long enough to answer that question.

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<v Speaker 6>Yeah, I don't have any friends, so.

0:38:30.490 --> 0:38:33.370
<v Speaker 1>I think it helps to be amused. And like I

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<v Speaker 1>was saying, I'm not an easy laugh but I do.

0:38:35.450 --> 0:38:38.930
<v Speaker 1>Gregor really makes me laugh when he's busting my chops.

0:38:39.650 --> 0:38:41.610
<v Speaker 1>If you get a kick out of that, then then

0:38:41.650 --> 0:38:44.050
<v Speaker 1>you're unstoppable. I mean, what's gonna you know, what's going

0:38:44.130 --> 0:38:45.250
<v Speaker 1>to destroy you?

0:38:45.330 --> 0:38:45.650
<v Speaker 2>Nothing?

0:38:45.730 --> 0:38:48.610
<v Speaker 3>I say, I don't know that I have an answer.

0:38:48.610 --> 0:38:51.050
<v Speaker 3>I mean, I'm very I do have some long friendships,

0:38:51.250 --> 0:38:53.930
<v Speaker 3>including my friend I went to Polaateius with, But I'm like,

0:38:53.970 --> 0:38:55.770
<v Speaker 3>I don't know why. I don't know why they're still

0:38:55.810 --> 0:38:57.370
<v Speaker 3>my friends, but I'm grateful for it.

0:38:58.290 --> 0:38:59.529
<v Speaker 1>You're a good person, is why.

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<v Speaker 3>Oh thanks, Jeng.

0:39:01.170 --> 0:39:05.570
<v Speaker 2>Sure I didn't mean to, you know, bring the place down, and.

0:39:08.570 --> 0:39:11.210
<v Speaker 1>I haven't had contemporary side.

0:39:11.450 --> 0:39:15.049
<v Speaker 4>Well, grab a drink, say hello and thank you again

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<v Speaker 4>for coming.

0:39:20.410 --> 0:39:24.970
<v Speaker 1>And thank you for coming virtually, and thanks to everyone

0:39:25.050 --> 0:39:29.410
<v Speaker 1>who made the show possible. That includes Phoebe Flanagan, Kira Posey,

0:39:29.490 --> 0:39:34.130
<v Speaker 1>Tara Machado, Amy Hagadorn, Jordan McMillan, Eric Sandler, Sarah Bruguer,

0:39:34.570 --> 0:39:38.770
<v Speaker 1>and especially Morgan Ratner. Live sound mixing from the staff

0:39:38.850 --> 0:39:42.410
<v Speaker 1>of Caveat and mixing for this broadcast version by Emma Monger.

0:39:42.970 --> 0:39:46.010
<v Speaker 1>We'll be back next week with a brand new episode,

0:39:46.530 --> 0:39:49.770
<v Speaker 1>an unlive episode the regular Old Kind