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Speaker 1: Yes, okay I started. Okay, podcast starts now. Hello and

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Speaker 1: welcome to Stradio Lab. The podcast meant to inspire you

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Speaker 1: to dream. Wow. Well, mission accomplished. Okay, I guess we

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Speaker 1: can wrap. I'm already dreaming. Have you been having crazy

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Speaker 1: dreams in um in the last six months? Um, not

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Speaker 1: crazier than normal, but like you know why, because of

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Speaker 1: just since the pandemic started, I've been having in stads.

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Speaker 1: I've heard, Oh my god, Sam, you have to start

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Speaker 1: reading the paper. No, so poring. Okay, you're right. Um.

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Speaker 1: The other day I had a very graphic sex dream

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Speaker 1: about the straight boyfriend of a friend of ours. I know,

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Speaker 1: I had a graphic sex stream about, um, someone that

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Speaker 1: we've talked about on this podcast who is also straight before.

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Speaker 1: And UM it was weird because I saw him the

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Speaker 1: next day and I don't see him that often, so

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Speaker 1: it was like whoa, you know. I felt bad after it. Wow,

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Speaker 1: I can't wait for us to tell one another who

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Speaker 1: the people are. It is always uncomfortable when you see

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Speaker 1: someone you've had a sex stream about. Also, sex streams,

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Speaker 1: it's like you think you grow out of them and

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Speaker 1: then you don't have them for a while and then

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Speaker 1: suddenly it's like, well, I'm twenty nine and having a

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Speaker 1: sex dream. Oh, it's embarrassing for sure. It's is this gross?

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Speaker 1: Can we like be gross? No, it's just a sextra.

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Speaker 1: I didn't say it was a wet dream. I mean,

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Speaker 1: if we can be if we're talking about you know,

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Speaker 1: I will say it's happened to be like when I

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Speaker 1: was like thirty. You know, like that's crazy, right, Yeah, okay,

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Speaker 1: we'll delete. We're it's deleting as we're recording. That's great. Um,

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Speaker 1: maybe when I turned thirty, I'll have one. That's what

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Speaker 1: I'll finally have one. Um, No, I mean I have,

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Speaker 1: but not recently. This is some gross. So you're back

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Speaker 1: from Greece, Yes, back from Greece. Um, did you and

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Speaker 1: your mom reconcile or yeah, we're reconciled many times over. Um,

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Speaker 1: I'm trying to think what else happened that was fun

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Speaker 1: and funky? Oh my god, did I my mom saw this?

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Speaker 1: Is since I've gotten back. My mom saw Tenant in

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Speaker 1: an outdoor movie theater and said it was the worst

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Speaker 1: movie she's ever seen. That's huge. I know, you know,

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Speaker 1: love and her hand. It's still an obsession. Yeah, I

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Speaker 1: do like the idea that it is the worst movie

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Speaker 1: she's ever seen, this movie that people are dying to

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Speaker 1: get in theaters so everyone can get COVID, like literally dying. Um,

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Speaker 1: that's cool. I'm I mean I hate Christopher Nolan really yeah,

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Speaker 1: what's interesting? I can't say our podcast is very Nolan esque?

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Speaker 1: How so? I mean, you know, we talked about the

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Speaker 1: podcast as we're making it. Um, it's it's about one thing,

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Speaker 1: but really about something else. Many of our guests are

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Speaker 1: Academy Award winning actors. Um. It is often longer than

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Speaker 1: it needs to be, poorly edited, really masculine, right, both

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Speaker 1: commercially and critically successful. I don't know what more do

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Speaker 1: you want? We both have an episode called Interstellar, that's right. Um, okay,

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Speaker 1: I will say Interstellar is one of those movies that

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Speaker 1: I think we talked about this with Mary Beth Brown.

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Speaker 1: Maybe not, maybe we did. Okay, Yeah it's bad. I

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Speaker 1: love though it's like, no, yeah, it's a great. The

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Speaker 1: thing with his movies that I've only seen each of

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Speaker 1: them once and I don't care about like going back

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Speaker 1: and being like, what are the clues? You're no one's

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Speaker 1: ever going to make me care. But I did. I

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Speaker 1: liked all of them when I saw them once. I

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Speaker 1: do not understand why the Batman movies were supposed to

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Speaker 1: be like better than any other Batman movie. Yeah, they're fine. Also,

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Speaker 1: I Inception is absolutely the worst movie I've ever seen, Like,

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Speaker 1: no disrespect to tenant in your mother's experience. Wait is

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Speaker 1: that true? Oh? I remember being like, oh, it's fun,

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Speaker 1: they're dreaming. I hated it so much like it it

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Speaker 1: made me so piste off. It's literally like like the

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Speaker 1: rules are like unclear and like hinting at being smart

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Speaker 1: and so much just like damn, that must be really

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Speaker 1: thought out. And it's like, what are you talking about?

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Speaker 1: Oh yeah, yeah, like and then everything. But that's how

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Speaker 1: I feel about Interstellar. Yeah, but Interstellar takes place in space.

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Speaker 1: Wait is it cooler to be in space or to

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Speaker 1: be inside a dream? I would kind of argue dream. No, no, no,

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Speaker 1: I would argue space. I would also argue they're like

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Speaker 1: the definition of a dream was like the least imaginative possible.

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Speaker 1: It's like, get this, in the dream world, You're in

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Speaker 1: a city, like and that city has office buildings and

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Speaker 1: even restaurants, and it's like, Okay, you're dreaming like literally

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Speaker 1: anything can happen, and it just doesn't. This city literally

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Speaker 1: like fold in on itself. That's literally all it did.

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Speaker 1: Though It's like it wasn't like, oh, this person is

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Speaker 1: like having sex with me and now they're a tiger

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Speaker 1: and now we're underwater and now I'm seeing like my mom.

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Speaker 1: It's just like it's just like the city. The gravity

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Speaker 1: is weird in this city, and it's like, Babe, if

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Speaker 1: you want to make Interstellar, go make Interstellar. Don't bring

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Speaker 1: that interstellar energy into inception. Wait, it's true. He've made

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Speaker 1: Inception and he said in my dreams there's no gravity.

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Speaker 1: And then it's like, we'll make a space like that

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Speaker 1: exists that the movie. Space is out there if you

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Speaker 1: want it. Chrissie Christie, do you think dreams are based

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Speaker 1: on space? No, but I think space is based on dreams,

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Speaker 1: now that I agree with. Everything is either dreams or space.

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Speaker 1: You know, this spot is always trying to essentialize what

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Speaker 1: everything you know, what you hit the nail on the head.

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Speaker 1: I do think our main goal with this podcast is

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Speaker 1: to essentialize things, which I think weirdly and kind of

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Speaker 1: like a in an abstract ray is like what straight

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Speaker 1: culture is all about so in fact, by not by

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Speaker 1: completely abandoning the original goal of the podcast, which is

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Speaker 1: talking about straight culture, and then arriving at the goal

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Speaker 1: of escentralizing things. It's the straightest possible thing we can do. Wow,

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Speaker 1: we're obsessed with saying things are A or B. We

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Speaker 1: are obsessed to saying things are A or B and

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Speaker 1: and every once in OHI l C. Yeah no, see,

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Speaker 1: it's like it's still fighting for rights. Yeah, they have

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Speaker 1: the rights, the classics. And then she is like, but

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Speaker 1: also it's like it's like, you're not in the you know,

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Speaker 1: d NC agenda yet because it would be alienating. But

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Speaker 1: maybe in a few decades. Yeah. C is definitely like

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Speaker 1: having marches. Yeah, no, c's having marches. They're not getting covered. Um.

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Speaker 1: It's being used as a wedge issue by Republicans. People

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Speaker 1: on Twitter like why is no one talking about ce?

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Speaker 1: Half the people are like why isn't we talking about see?

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Speaker 1: And then the other half are like why is everyone

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Speaker 1: talking about see? Like people are dying. It's like people,

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Speaker 1: you can't God, politics is so complicated. Oh my god,

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Speaker 1: I got like kind of um, I got normal, mad,

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Speaker 1: I got normal mad at Like someone like I'm so normal.

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Speaker 1: I think, I think I know what you're talking about.

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Speaker 1: I got mad at someone posting like, you know, Republican

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Speaker 1: stuff on Facebook. Oh my god, that's so humiliating. Like

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Speaker 1: it was literally like a statistic. It was like a graph,

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Speaker 1: and it was like, why aren't we reporting COVID like this,

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Speaker 1: only like one hundred thousand people died. That's like point

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Speaker 1: one percent of Americans, Like nine percent Americans lived, and

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Speaker 1: it's like we know that the majority of people are alive.

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Speaker 1: Like that's so insane. I've never seen anything like it.

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Speaker 1: And the person posted it like, see, it's a graph

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Speaker 1: and that makes sense, and it was like I almost

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Speaker 1: photoshop like a nine eleven graph of like only this

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Speaker 1: many people died when people lived. Why are you talking?

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Speaker 1: Why do you care about nine eleven? And it was

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Speaker 1: just like Sam, it's you're laying in bed literally don't.

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Speaker 1: But I'm trying to explain to that person why see

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Speaker 1: deserves rights. They would be like I have to pay

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Speaker 1: high taxes on my waterfront home. We can't be talking

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Speaker 1: about se right now. Oh. It made me furious. This

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Speaker 1: is what I am these days. I'm just a normal

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Speaker 1: person getting mad at people on Facebook. Yeah, I mean

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Speaker 1: it's I do think I have, like for the first

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Speaker 1: time in a while, decided to and I'm like I

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Speaker 1: would say I pride myself and being relatively informed and

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Speaker 1: have your reading the news is like part of my

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Speaker 1: morning routine lately for the past month. It's like I

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Speaker 1: I didn't watch a second of either convention. No, no,

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Speaker 1: you gotta check out. I mean, I'm sorry, but like

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Speaker 1: I don't think I have to. I pretty much get it,

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Speaker 1: like not to be conceded. No, Like there's literally like

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Speaker 1: it actually doesn't make me more informed to watch either

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Speaker 1: of them. It's also like I get it, like the

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Speaker 1: whole thing of like you need to know the facts,

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Speaker 1: you know who to vote for. It's like I know

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Speaker 1: who I'm voting for, and I know I hate it,

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Speaker 1: Like I don't need to know anymore. Like if there

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Speaker 1: was like four options or seven options, I'd be like, Okay, wait,

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Speaker 1: I do need to like look up these people, but

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Speaker 1: like there's two options, like they've been running for fucking

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Speaker 1: ever and yeah there's A and B. But then also,

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Speaker 1: do you think Jill Stein maybe Jill Stein is the C. No,

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Speaker 1: Jill Stein is not the see Okay, you're right, she

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Speaker 1: doesn't deserve rights. Jill Stein is like people like Jill.

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Speaker 1: It's like there's the there are the real seas, like

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Speaker 1: people that are being shut out, and then there are

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Speaker 1: people who opportunistically are like I'm the c Yes, yes,

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Speaker 1: I feel like that what I just said describes all

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Speaker 1: of American politics. I think people who are interested in

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Speaker 1: kind of getting started in politics or definely listen to

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Speaker 1: this intro. Yeah, well, all you have to do is

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Speaker 1: all politics is various people that are definitely A and

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Speaker 1: B pretending their seed to get ahead by creating a

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Speaker 1: narrative for themselves in which they're seen, but in fact

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Speaker 1: they are clearly A or B. Wow, that's actually pretty smart.

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Speaker 1: I think we're maybe ready to here's the thing, and

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Speaker 1: I'll come out and say it. We're recording this intro

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Speaker 1: after we've already recorded with our guest, but I think

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Speaker 1: now is the time. Now is a good time to

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Speaker 1: start the already recorded part where we talked to our guests.

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Speaker 1: What do you think? You know? The guests today came

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Speaker 1: in hot, she said, she said, listen up, you gaze,

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Speaker 1: she did, I've got I've got one hour and you

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Speaker 1: just wasted five my minutes. So you've now got fifty

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Speaker 1: five minutes and we said, whoa, whoa, anything anything you

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Speaker 1: need and anything at all and um, we said, we'll

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Speaker 1: even skip our intro, something we never do unless we're unfunny,

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Speaker 1: and we'll rerecord it later. And um she said, okay,

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Speaker 1: if that's what you have to do, and we said, yes, yes,

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Speaker 1: of course anything. So it created sort of you can

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Speaker 1: so curious as to where this is going. So I

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Speaker 1: think in this this episode, you'll just the listeners listen

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Speaker 1: for the tone of fear. Oh yeah, I think where

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Speaker 1: I would say. I was shaking throughout. I was so

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Speaker 1: afraid to misspeak because it just really felt. This person

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Speaker 1: is someone who has a reputation for being um, you

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Speaker 1: know she she she has this very nice exterior and

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Speaker 1: then anyone who interacts with her behind the scenes, it's

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Speaker 1: like physically throwing things, um, slapping people across the face, um,

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Speaker 1: someone you know. She'll be on a lineup with people

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Speaker 1: and then the person that goes before her will come

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Speaker 1: out and she'll be like, no one goes before me,

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Speaker 1: and then hit them. Yeah, and then the show and

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Speaker 1: she'll be like, heay, if I'm on the show, I'm

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Speaker 1: also closing the show. Yeah. Well, She always says I

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Speaker 1: have to be the opener and the closer and um

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Speaker 1: and also in between. And then people are all right, fine,

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Speaker 1: do you want to do your own show? And then

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Speaker 1: she's like, you don't get it, you stupid bitch. Yeah.

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Speaker 1: You know a lot of times people claim Ellen is

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Speaker 1: cruel to her employees. Well, Ellen is based on based

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Speaker 1: on Joe and Ellen, you know a lot of times

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Speaker 1: she actually justified her behavior by being like, well, it's

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Speaker 1: not about as Joe. That's so true. That was that

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Speaker 1: was like an open secret. That was in the same

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Speaker 1: way that like the Republicans and Democrats have talking points,

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Speaker 1: Ellen's uh team of a various kind of immoral thugs

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Speaker 1: uh came up with the talking point she's not as

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Speaker 1: bad as Joe, which universally everyone everyone agreed and and

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Speaker 1: and said, well, that's actually true. We can't really argue

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Speaker 1: with that because we know the reputation that Joe has

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Speaker 1: and yeah, well it's very much like Biden being like, well,

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Speaker 1: what who are you gonna vote for Trump? I'm not

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Speaker 1: as bad as that. Yeah, I mean, Joe is in

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Speaker 1: many ways like Trump, and there is no reason to

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Speaker 1: expand upon that. I mean, now I think we're ready

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Speaker 1: to bring her in. I think we should bring her in.

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Speaker 1: And now, presenting our hit podcast, I will say, like

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Speaker 1: like a lot of things, we're living in the New

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Speaker 1: Normal and we need to bring in our guests literally

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Speaker 1: right now, because that's the whole point, not to an intro. Yeah,

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Speaker 1: this is remember Ryan Murphy's The New Normal starring Nini Leaks. Yes,

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Speaker 1: I do. Well, honey, it's back and it's guess who

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Speaker 1: we have today, The one only Joe Firestone. I'm sorry,

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Speaker 1: I'm sorry I'm doing this. Joe. You sprang this on

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Speaker 1: ut and I listen, I pretended I was okay with it. Yeah,

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Speaker 1: we're we're furious underneath. Listen, I got a really good

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Speaker 1: I got it. I have a really good thing. I

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Speaker 1: think you guys are going to really like to talk about. Okay,

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Speaker 1: we are so excited, we we to. I don't want

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Speaker 1: to jump into our first segment immediately. What do you think, Sam,

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Speaker 1: what the weird thing is like with the way that

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Speaker 1: this podcast is currently going. Let's let's do it. Okay,

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Speaker 1: you know what, Let's just let's just do it. I

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Speaker 1: don't really immediately, We've never done this before. We're trying,

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Speaker 1: we're gonna overcompensate it, and Joe has a heart out

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Speaker 1: and get let's say forty five minutes, we're gonna have

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Speaker 1: rout in ten couldn't be done. We're gonna do it, Okay, Joe.

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Speaker 1: Our first segment is called straight Shooters, and it's where

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Speaker 1: we gauge your familiarity with and complicity and straight culture

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Speaker 1: by asking you a series of rapid fire A or

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Speaker 1: B questions and you just have to We're gonna give

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Speaker 1: you two things and you have to choose one of them,

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Speaker 1: and you cannot ask any follow up questions or any clarifications.

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Speaker 1: And you also can't ask any questions about the rules

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Speaker 1: except for what I just said. Wow, you guys are

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Speaker 1: to us. Let's get it, okay, Joe. First question, my

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Speaker 1: best friend's wedding. One of my worst enemies bought Mitz

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Speaker 1: fin be okay, Joe. Picture catcher or ball ball? Let

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Speaker 1: the meat take or let people enjoy things. Let people

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Speaker 1: enjoy things? Okay, Joe. Let's say you are the fourth

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Speaker 1: time sister. What's your vibe? Scary? Oh? Good Sam. That

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Speaker 1: really broke the rules of how this game works. Joe.

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Speaker 1: Women in Comedy, women in stem, women in law, women

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Speaker 1: in music, or women be shopping, be shopping? Okay, Joe, Um,

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Speaker 1: the PS five or PS I Love You, The Seven

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Speaker 1: Films starring Gerard Butler and Hillary Swank. Gerard Butler because

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Speaker 1: he introduced me. I met met him and he said, hey,

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Speaker 1: my name's Jerry. Oh. I don't like that answer. And

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Speaker 1: his girlfriend had big Earringsist said, canton him that I

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Speaker 1: like more talk about women in comedy. The final question

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Speaker 1: for me constantly couching everything you say in ironic detachment,

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Speaker 1: or speaking earnestly but having nothing of substance to say,

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Speaker 1: I'm going with me. That's my style. Thank you? Okay, Joe. Um,

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Speaker 1: this is my last one, and it seems I didn't

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Speaker 1: quite finish thinking of it. Um doing a Jack Sparrow impression. Yeah, yeah, awesome. Okay,

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Speaker 1: Now Joe, we have to rank you your performance on

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Speaker 1: a scale of one to one thousand dubs, Sam take

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Speaker 1: it away. Um, wow, Joe, that was incredible. I think

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Speaker 1: this is a I'm like, what's our podcast called a

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Speaker 1: stradio lab. First you got one, you got one thousand dubs? Wow? Okay,

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Speaker 1: so Joe, that was incredible. How how are you doing?

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Speaker 1: What am I going to do with all these doves.

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Speaker 1: They will be sent to your apartment using Amazon Prime

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Speaker 1: because we don't care about morals. We don't care, we

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Speaker 1: don't care. It's more convenient. Well, we'll have the doves,

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Speaker 1: you know that, we'll have Jeff Bezos delivered them himself. Wow,

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Speaker 1: I want to Jeff Bezos apartment on. You know, meeting

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Speaker 1: famous people, anyone you haven't met, think about it. Nope. Um,

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Speaker 1: it's so difficult to have a conversation with Joe because

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Speaker 1: you mentioned someone and then she immediately goes, I met

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Speaker 1: them at a party. Yeah. And then suddenly it's like, okay,

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Speaker 1: we're telling this story now. Yeah, it's name drop Central Central.

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Speaker 1: I don't know, I don't know another person that's such

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Speaker 1: a social climber. Yeah, well, Danny get to Heaven. That

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Speaker 1: is true. So when when you met Jerry Butler, Yeah,

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Speaker 1: you know, I you know who else does that? Emma Stone?

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Speaker 1: She's like it's Emily. Oh really yeah, She's like is

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Speaker 1: her name Emily? Yeah? You're making and literally, why what

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Speaker 1: would I gain from making up a story about Emily Stone?

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Speaker 1: You can't Emma is a different name than Emily. You

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Speaker 1: can't just shorten Emily to Emma that's like Laurie Metcalf

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Speaker 1: saying call me Lauren exactly. No, your name is Laurie. Look,

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Speaker 1: I think people can say what they want their name

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Speaker 1: to be. It's not for us to decide what Emily's

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Speaker 1: name is. M No. I think we know, we know.

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Speaker 1: I bet her last name isn't even Stone. It's probably

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Speaker 1: Emily Harris. Yeah, like the singer. Is that a singer?

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Speaker 1: Mm hmm um, Emmy Lou Harris once again, another name

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Speaker 1: that is different than both and Emily. Wow, Joe, Yeah,

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Speaker 1: call me Jessica. Yeah, all your friends call you Jessica.

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Speaker 1: Of course we knew that. Oh my god, Sam, you're

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Speaker 1: drinking such a luscious iced coffee. Thank you. It's kind

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Speaker 1: of the perfect color. Maybe a little lighter than I

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Speaker 1: would like, Yeah, but it's still very strong. I guarantee it.

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Speaker 1: We made the whip, made the whip, yet the whip,

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Speaker 1: the coffee whip. We made the coffee whip. Oh, the

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Speaker 1: one that was popular on like TikTok No. But here's

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Speaker 1: the thing. There's a Greek version of that that I

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Speaker 1: really like, and I learned how to make. And it's

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Speaker 1: called a freddo cappuccino. And it might be the same thing. Okay,

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Speaker 1: cultural appropriational or Greece is appropriating TikTok culture. What is

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Speaker 1: the whip? Hm? You whip? Think you have to have

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Speaker 1: a mixer. You can't just do it by hand because

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Speaker 1: it will take four whips. But you whip together instant

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Speaker 1: coffee and sugar and then it creates a frothy mixture

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Speaker 1: that looks creamy, and then you dollop on top of

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Speaker 1: a cup of cold milk and ice. Oh my gosh. Interesting.

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Speaker 1: I do have to say that sounds also similar to

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Speaker 1: a different Greek coffee drink called a frappe, which is

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Speaker 1: instant coffee that you shake. Yeah, it does seem like

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Speaker 1: Greece has really taken a lot from TikTok these days.

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Speaker 1: Very interesting, Joe. Obviously, Greece is on my mind because

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Speaker 1: I did just get back from visiting my family there.

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Speaker 1: As everyone knows what m hm, that was just crazy.

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Speaker 1: I'm so pretty much shutlacked. I can't believe it, I know.

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Speaker 1: In Yeah, I was just in Greece. I went to

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Speaker 1: the beach, I got my back lazard Um, I saw

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Speaker 1: my family. What do you let's just go back? What

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Speaker 1: do you mean it's a place where you can sort

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Speaker 1: of lay out swim. Um. Yeah, it's like salt water

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Speaker 1: because it's the ocean. It's fun. I think you actually

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Speaker 1: would like it, Joe, you would like the beach according

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Speaker 1: to how much sand I eat. I don't think so.

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Speaker 1: You like sand just as a snack. You don't like

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Speaker 1: being a where you don't like seeing how the sausage

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Speaker 1: is made. It's kind of like how people who are

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Speaker 1: you know, vegan, you know, like we're radicalized when they

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Speaker 1: when they saw how meat, how animals are treated. You

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Speaker 1: said you went to a beach and you said people

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Speaker 1: are stepping all over the sand. That's but I will

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Speaker 1: say I did watch your video on how sausage was made,

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Speaker 1: and it was awesome. Wow, okay, and that's what no

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Speaker 1: one talks about because that you shouldn't see how the

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Speaker 1: sausage is made because it's really cool and people I

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Speaker 1: always say, you know, I'm a vegan except for sausage.

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Speaker 1: I think sausage is always normally ethical and clean because

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Speaker 1: how it's made, it's like nice, it's like fun to

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Speaker 1: watch itah, soothing you see that it makes little phallic sausages. Yeah,

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Speaker 1: it's like seeing instant directions. Yeah, exactly. And and Sam

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Speaker 1: and I are Sam and I are both kind of like, um,

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Speaker 1: you know, like Mario Cantone and Sexness Data were just

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Speaker 1: like a cock give it to me, Like that's kind

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Speaker 1: of you know what I mean. It's just like there's

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Speaker 1: no other I can only process things in terms of

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Speaker 1: whether they look like cox or not. Yeah. Yeah, same

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Speaker 1: with all all gay men. Yeah me too, me too,

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Speaker 1: Yeah yeah, me. My personality is sex first, smell second. Yes.

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Speaker 1: And you've always said, Joe and your classic comedy routine,

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Speaker 1: I'm you say I'm a gay man trapped in a

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Speaker 1: woman's body, and everyone laughs and laughs. Yeah that's my

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Speaker 1: closer and my opener, Joe. I do have to say

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Speaker 1: your first album, Um Dick, Yes Please, was so influential

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Speaker 1: to me. Like I just thought that was like so

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Speaker 1: funny and raw. It's weird to like, gosh like that.

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Speaker 1: But I really don't that. No, it's true. I mean,

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Speaker 1: you just didn't see um in comedy. You didn't see

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Speaker 1: women acting like gay men talking about Dick. It really

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Speaker 1: was you and Charlsea Handler for a second, there was

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Speaker 1: And I had to write so many books about sleepovers

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Speaker 1: before I got to that point. Yeah, yeah, that is

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Speaker 1: so true. Yeah. No, they wouldn't let you really shine.

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Speaker 1: Yeah until yeah, until I became you know, until you

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Speaker 1: became Dick Joe. Yeah, like uh oh no, no. Lampanelli,

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Speaker 1: you know, she was the queen of mean and you know,

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Speaker 1: Joe Firestone, you're kind of known as the queen of

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Speaker 1: cream your jeans. Yeah, well, what did you I don't

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Speaker 1: mean to beg for compliments, but what did you think

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Speaker 1: about my second album? It's all about the balls? I mean,

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Speaker 1: it was nuts to go from a decade of only

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Speaker 1: talking about Dick. I mean, for all we know, you

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Speaker 1: had never really considered the balls. It was a pivot,

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Speaker 1: and it was really really risky. But you know, this

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Speaker 1: business really rewards risk, and I really think it was

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Speaker 1: so cool for you to challenge your own reputation in

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Speaker 1: that way when I found interesting Joe, if I if

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Speaker 1: I can be so bold, as you know, we have

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Speaker 1: a friend Jack Lnovac, who did a whole show about

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Speaker 1: blow jobs, and she kind of took the male genitalia

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Speaker 1: as a starting point to to kind of talk about

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Speaker 1: more philosophical issues, whereas you really only described just what

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Speaker 1: balls are and and refused to take a more bird's

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Speaker 1: eye view. I mean, It really was just like, here

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Speaker 1: is a list of things I like about balls. Well,

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Speaker 1: Jacquelin and I met and we decided to kind of

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Speaker 1: split up the material, and yeah, that's what it makes.

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Speaker 1: That what made that's what made sense at the Companion pieces.

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Speaker 1: You know, you see Jacqueline show and you say, well,

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Speaker 1: you know, I get that you're talking about things like

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Speaker 1: power dynamics and and uh you know, uh, you know,

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Speaker 1: kind of empowerment and and and being sexually empowered and

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Speaker 1: and things like that. But then you say, what are balls? Yeah, yeah,

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Speaker 1: that's when you go right. And then Spotify says, if

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Speaker 1: you like this, you might like this. I do think

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Speaker 1: it's so important. Like art is like really all about context.

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Speaker 1: Like you can't just like look at individual artists. You

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Speaker 1: have to look at the scenes and like you and

418
00:26:32,840 --> 00:26:35,040
Speaker 1: Jacqueline and there's like so many other people in our

419
00:26:35,080 --> 00:26:39,840
Speaker 1: scene that we're just doing like genital based comedy like

420
00:26:40,160 --> 00:26:43,680
Speaker 1: that is like, I don't know, it's it's a movement. Honestly. Well,

421
00:26:44,200 --> 00:26:47,280
Speaker 1: Jacqueline and I we met and uh and she was like,

422
00:26:47,320 --> 00:26:51,159
Speaker 1: I'm going to do more of an intellectual, thoughtful approach. Um,

423
00:26:51,200 --> 00:26:54,040
Speaker 1: it's gonna it's gonna get critical acclaim and it's gonna

424
00:26:54,040 --> 00:26:57,480
Speaker 1: be deserved. And and I bought the sweatshirt and I

425
00:26:57,720 --> 00:27:01,040
Speaker 1: and I said, okay, that's fair as long as I

426
00:27:01,119 --> 00:27:04,320
Speaker 1: get the nasty and then and she said, you got it.

427
00:27:04,359 --> 00:27:06,840
Speaker 1: And so then we kind of split. We split off

428
00:27:07,440 --> 00:27:16,400
Speaker 1: and we traded necklaces, and it's kind of been yeah, wow, yeah, yeah, yeah,

429
00:27:16,440 --> 00:27:18,719
Speaker 1: you have to split up. You have to split up

430
00:27:18,760 --> 00:27:21,000
Speaker 1: with your peers. Every time I think of a new joke,

431
00:27:21,080 --> 00:27:25,760
Speaker 1: I say, I have to split it up. Yeah. Yeah,

432
00:27:25,760 --> 00:27:27,439
Speaker 1: it's the first role of comedy is you have to

433
00:27:27,440 --> 00:27:30,840
Speaker 1: split it up, because every joke is a train, and

434
00:27:30,920 --> 00:27:35,720
Speaker 1: you need the engine in the caboose. It's not one car. Oh,

435
00:27:36,400 --> 00:27:39,800
Speaker 1: and every train is run by two people, yes, the

436
00:27:39,880 --> 00:27:44,919
Speaker 1: intellectual and the sex freak. Yeah, and the passengers first

437
00:27:44,920 --> 00:27:56,199
Speaker 1: class and peons and what oh yes, peons there really

438
00:27:56,240 --> 00:27:59,040
Speaker 1: going to listen to this and learn a lot. But

439
00:27:59,200 --> 00:28:01,200
Speaker 1: I have to say, Joe, and I don't mean to

440
00:28:01,240 --> 00:28:04,120
Speaker 1: be offensive, but you know I loved the Dick era.

441
00:28:04,240 --> 00:28:07,520
Speaker 1: I loved the ball era. I mean, when you got

442
00:28:07,560 --> 00:28:14,600
Speaker 1: into the rectum, that to me felt forest well, I

443
00:28:14,640 --> 00:28:16,760
Speaker 1: was trying to do a thing. You know. The album

444
00:28:16,840 --> 00:28:19,560
Speaker 1: was called It's All Behind Me. And it was kind

445
00:28:19,560 --> 00:28:22,159
Speaker 1: of this cute kind of thing about how I was

446
00:28:22,200 --> 00:28:24,800
Speaker 1: done with sex stuff because after that I became a Christian,

447
00:28:25,320 --> 00:28:27,760
Speaker 1: and so this was kind of the way of me

448
00:28:27,920 --> 00:28:31,760
Speaker 1: kind of saying goodbye. Right well, I think that's what

449
00:28:31,800 --> 00:28:34,720
Speaker 1: it was. It was putting it behind me. Already you're

450
00:28:34,720 --> 00:28:37,760
Speaker 1: trying to intellectualize it with a pun, and that's not

451
00:28:37,800 --> 00:28:43,360
Speaker 1: really what we're here for. Three tracks was just me

452
00:28:43,480 --> 00:28:48,120
Speaker 1: taking taken out, getting dumping a turret on the stage. Yeah, yeah,

453
00:28:48,200 --> 00:28:51,600
Speaker 1: and and that the interesting Those were bonus tracks for

454
00:28:51,640 --> 00:28:55,080
Speaker 1: the real fans, but I thought how cowardly to hide

455
00:28:55,080 --> 00:28:58,920
Speaker 1: them rather than lead with that. I mean, for me

456
00:28:59,040 --> 00:29:02,840
Speaker 1: to to to start listening to your album about um

457
00:29:02,880 --> 00:29:06,320
Speaker 1: about anus is and then not immediately hear the sound

458
00:29:06,360 --> 00:29:12,080
Speaker 1: of you taking a dump, it's dishonest. And that's what

459
00:29:12,200 --> 00:29:20,800
Speaker 1: I have to say. I mean, I gotta ask what's next?

460
00:29:21,320 --> 00:29:23,240
Speaker 1: I mean, this is what happens. Guests come on your

461
00:29:23,280 --> 00:29:26,160
Speaker 1: show and get busted for their third album. You started

462
00:29:26,160 --> 00:29:28,280
Speaker 1: off with praise and then you bust them for the

463
00:29:28,360 --> 00:29:33,240
Speaker 1: third album. We break people down and then we build

464
00:29:33,280 --> 00:29:37,520
Speaker 1: them back up. Right now, what's going to happen you next? Joe?

465
00:29:37,640 --> 00:29:41,840
Speaker 1: Have you not ever been in psychoanalysis, Yeah I have,

466
00:29:42,160 --> 00:29:45,240
Speaker 1: and good We're doing it all in forty minutes. Buckle up.

467
00:29:48,520 --> 00:29:52,719
Speaker 1: Um okay, Well, Joe, I can't help but bring up

468
00:29:53,320 --> 00:29:56,080
Speaker 1: before we hopped on this pod, you mentioned that you

469
00:29:56,120 --> 00:29:58,880
Speaker 1: had not one, but two topics, and we actually do

470
00:29:58,920 --> 00:30:01,560
Speaker 1: not know what they are yet should we? I don't

471
00:30:01,560 --> 00:30:06,240
Speaker 1: know hop into them in this some topics in seven minutes.

472
00:30:11,240 --> 00:30:15,840
Speaker 1: Thank you. It's Jessica. Okay, so now listen. Um okay.

473
00:30:15,840 --> 00:30:19,479
Speaker 1: The first topic is a doozy. Okay. I want to

474
00:30:19,520 --> 00:30:29,239
Speaker 1: discuss the series finale of Entourage. Wow. Okay. First of all,

475
00:30:29,280 --> 00:30:32,280
Speaker 1: it was really not for some reason. I thought you

476
00:30:32,280 --> 00:30:34,640
Speaker 1: were going to say the o C. I don't know why.

477
00:30:34,920 --> 00:30:41,400
Speaker 1: I well, Entourage is an incredible show. That is that

478
00:30:41,560 --> 00:30:47,600
Speaker 1: is well, it's bad. But wait, so Joe, just for context,

479
00:30:47,640 --> 00:30:49,760
Speaker 1: did you watch the whole series if you got some

480
00:30:50,080 --> 00:30:52,800
Speaker 1: series finale in the last month. I've watched the entire

481
00:30:52,920 --> 00:31:01,360
Speaker 1: series of Entourage, Joe? Why why? I couldn't tell you.

482
00:31:02,480 --> 00:31:04,600
Speaker 1: I guess I kind of was inspired by the pre

483
00:31:04,760 --> 00:31:09,080
Speaker 1: me too movement that kind of was exhibited in every episode.

484
00:31:09,840 --> 00:31:12,760
Speaker 1: The pre me too it's when people who were born

485
00:31:12,800 --> 00:31:21,120
Speaker 1: prematurely have united and said pre me too. Oh my god. Yeah,

486
00:31:21,200 --> 00:31:26,040
Speaker 1: and nick U's all over the world little babies. It's all.

487
00:31:26,120 --> 00:31:29,040
Speaker 1: It's an all baby movement. But anyway, okay, So so

488
00:31:31,360 --> 00:31:34,320
Speaker 1: it's interesting. So I think so you wanted to watch

489
00:31:34,360 --> 00:31:36,680
Speaker 1: it sociologically because you wanted to see kind of like,

490
00:31:37,200 --> 00:31:40,040
Speaker 1: what did this specific era of masculinity look like and

491
00:31:40,080 --> 00:31:42,120
Speaker 1: what effect has it had on our culture? Yeah, and

492
00:31:42,120 --> 00:31:45,760
Speaker 1: then I got really into Turtle mm hmm yeah in

493
00:31:45,840 --> 00:31:56,000
Speaker 1: what sense? Well, of course you think that Sam No,

494
00:31:56,200 --> 00:31:59,280
Speaker 1: Turtle is hot. Two out of three agree. I have

495
00:31:59,360 --> 00:32:01,959
Speaker 1: to say, isn't the main character is Adrian Grenier? Right?

496
00:32:02,760 --> 00:32:06,560
Speaker 1: It's an ensemble pie for sure. Yeah. Well, I just

497
00:32:06,600 --> 00:32:09,920
Speaker 1: want to say our friend Tyler Coates texted me just

498
00:32:10,040 --> 00:32:12,200
Speaker 1: less than twenty four hours ago and said he just

499
00:32:12,200 --> 00:32:16,480
Speaker 1: watched a movie where Adrian Grenier does a terrible performance

500
00:32:16,520 --> 00:32:19,000
Speaker 1: as a gay man, and he said that the performance

501
00:32:19,000 --> 00:32:23,360
Speaker 1: gave him George Severis vibes, and it made me think,

502
00:32:23,480 --> 00:32:29,800
Speaker 1: is my aura that I'm Adrian Grenier playing game? I

503
00:32:29,840 --> 00:32:33,560
Speaker 1: don't just wanted to mention that, yeah, we meet. I'm

504
00:32:33,560 --> 00:32:35,840
Speaker 1: not to be like the guy that's like, stay on topic,

505
00:32:35,880 --> 00:32:39,720
Speaker 1: but Joe, I must know why the series finale specifically.

506
00:32:39,800 --> 00:32:42,760
Speaker 1: I just wanted to know what you guys thought of it. Well,

507
00:32:44,440 --> 00:32:48,280
Speaker 1: I did not as much as you did tell us

508
00:32:48,280 --> 00:32:50,000
Speaker 1: that you were going to bring up a topic right

509
00:32:50,080 --> 00:32:52,560
Speaker 1: before UM and said that you would actually tell us

510
00:32:52,640 --> 00:32:55,840
Speaker 1: what it is during recording, which normally would actually give

511
00:32:55,960 --> 00:32:59,400
Speaker 1: us enough time to to watch a full I want

512
00:32:59,400 --> 00:33:02,680
Speaker 1: to say, eight season series. Neither of us, neither of

513
00:33:02,760 --> 00:33:06,960
Speaker 1: us actually um happened to watch it. Now. I here's

514
00:33:06,960 --> 00:33:09,800
Speaker 1: the thing. We recently did an episode where the topic

515
00:33:09,880 --> 00:33:12,680
Speaker 1: was the Sopranos, and I hadn't watched it, but I

516
00:33:12,680 --> 00:33:14,120
Speaker 1: think I did a very good job of kind of

517
00:33:14,120 --> 00:33:17,280
Speaker 1: analyzing its cultural significance. So I think I can do it.

518
00:33:17,600 --> 00:33:19,480
Speaker 1: And and let me. I'm gonna go out on a

519
00:33:19,480 --> 00:33:25,040
Speaker 1: limb and say, Entourage is a less complex show, so

520
00:33:25,120 --> 00:33:28,360
Speaker 1: I think we can. We can participate in the conversation

521
00:33:28,360 --> 00:33:32,280
Speaker 1: around it without knowing anything Like Turtle already, it's like, well,

522
00:33:32,400 --> 00:33:36,040
Speaker 1: perfect character name, because that's exactly the vibe. Well, can

523
00:33:36,080 --> 00:33:39,160
Speaker 1: I tell you perfect casting? Sorry, can I tell you

524
00:33:39,200 --> 00:33:43,000
Speaker 1: what happens in the season? For now? You can kind

525
00:33:43,000 --> 00:33:44,680
Speaker 1: of explain what happens because I don't know if I

526
00:33:44,720 --> 00:33:49,200
Speaker 1: got it. Okay, Okay, So we find out that Ari's

527
00:33:49,280 --> 00:33:52,360
Speaker 1: wife name is Melissa. After eight seasons we hear her

528
00:33:52,440 --> 00:33:56,120
Speaker 1: name for the first time, and um, Melissa and Ari

529
00:33:56,440 --> 00:33:59,360
Speaker 1: have been about to get a nasty divorce, but then

530
00:33:59,400 --> 00:34:03,520
Speaker 1: they end up getting back together after a teen opera

531
00:34:03,720 --> 00:34:09,960
Speaker 1: choir sings to them in Italian and then they joined Vince.

532
00:34:10,080 --> 00:34:13,319
Speaker 1: Vince decides to get married overnight and he goes on.

533
00:34:14,040 --> 00:34:16,640
Speaker 1: He decides to get married to a British blonde woman

534
00:34:16,680 --> 00:34:20,120
Speaker 1: that interviews in Vanity Fair. Now he decides to get married,

535
00:34:20,280 --> 00:34:24,480
Speaker 1: but Sloane is pregnant and she won't talk to E. Okay,

536
00:34:24,520 --> 00:34:30,040
Speaker 1: and E is feuding with Sloane's father, Terrence, and Terrence

537
00:34:30,560 --> 00:34:35,120
Speaker 1: was really upset because he took the business from Murray.

538
00:34:35,200 --> 00:34:38,600
Speaker 1: And meanwhile Scott is just there and he's kind of

539
00:34:38,640 --> 00:34:42,040
Speaker 1: hanging out and saying, do your thing. Meanwhile, Turtle starting

540
00:34:42,080 --> 00:34:47,399
Speaker 1: a baked clam restaurant, and also a drama is trying

541
00:34:47,440 --> 00:34:50,359
Speaker 1: to get a TV movie off the ground about a

542
00:34:50,360 --> 00:34:53,480
Speaker 1: guy who's trying to get people out of a mind

543
00:34:53,640 --> 00:34:59,319
Speaker 1: using a laborator retriever. Alright, Also, I just want to

544
00:34:59,320 --> 00:35:04,560
Speaker 1: say that, um that uh, I guess what happens is

545
00:35:04,600 --> 00:35:06,399
Speaker 1: that that well, the house is burned down and they're

546
00:35:06,400 --> 00:35:08,080
Speaker 1: staying in a hotel, but they end up going in

547
00:35:08,239 --> 00:35:15,600
Speaker 1: two different planes to Paris, and that's how it ends. Well,

548
00:35:15,640 --> 00:35:25,520
Speaker 1: it's clearly a searing takedown of Hollywood. Um period the

549
00:35:25,800 --> 00:35:28,759
Speaker 1: end of sentence, I would agree. I mean, for me,

550
00:35:28,880 --> 00:35:33,680
Speaker 1: I got searing and I got um Hollywood. Well, and

551
00:35:33,680 --> 00:35:35,640
Speaker 1: it's you know, in in a lot of media in

552
00:35:35,680 --> 00:35:39,160
Speaker 1: that day, it's extremely pro Paris. Which yeah, no, it's

553
00:35:39,200 --> 00:35:41,320
Speaker 1: I was, That's exactly what I was thinking. Sex in

554
00:35:41,360 --> 00:35:46,000
Speaker 1: the City also ends with um, sort of a Parisian getaway. Yeah, well,

555
00:35:46,040 --> 00:35:49,040
Speaker 1: but does she then come back to New York? Oh

556
00:35:49,080 --> 00:35:54,960
Speaker 1: my god? She It can be interpreted both ways. That's

557
00:35:55,000 --> 00:35:58,719
Speaker 1: what's so beautiful about is that crazy? I just think, well,

558
00:35:58,760 --> 00:36:01,600
Speaker 1: first of all things spoiler alert, both movies are set

559
00:36:01,640 --> 00:36:03,359
Speaker 1: in New York, So there's no way she ends up

560
00:36:03,360 --> 00:36:05,600
Speaker 1: in Paris long term, Like I mean, it ends taking

561
00:36:05,600 --> 00:36:10,160
Speaker 1: place in Paris, like it's like big shows up there, right, Yeah.

562
00:36:10,400 --> 00:36:12,440
Speaker 1: I do remember there was a scene where she puts

563
00:36:12,600 --> 00:36:15,680
Speaker 1: pokes her head out the window and then turns and

564
00:36:15,719 --> 00:36:19,520
Speaker 1: then acts. I wish this was a more visual medium,

565
00:36:19,520 --> 00:36:21,960
Speaker 1: but she basically kind of like is taken aback and

566
00:36:22,040 --> 00:36:25,360
Speaker 1: acts extremely surprised at what she sees and then starts smiling,

567
00:36:25,440 --> 00:36:27,080
Speaker 1: and then it pans and you see that what she

568
00:36:27,120 --> 00:36:30,319
Speaker 1: has seen as in fact the Eiffel Tower, meaning she

569
00:36:30,520 --> 00:36:34,239
Speaker 1: had no idea where she was in in reference to

570
00:36:34,280 --> 00:36:36,719
Speaker 1: the Eiffel Tower when she booked the hotel she was

571
00:36:36,719 --> 00:36:44,319
Speaker 1: staying at and literally looked out the window and said, so, yeah,

572
00:36:44,440 --> 00:36:48,600
Speaker 1: it kind of feels like that, Joe, Yeah, so it

573
00:36:48,719 --> 00:36:52,759
Speaker 1: pro paris for sure. I think you mentioned so many

574
00:36:52,840 --> 00:36:57,120
Speaker 1: toxic sounding names like Murray and Scott. I forgot like nickname.

575
00:36:57,400 --> 00:37:01,760
Speaker 1: The nicknames are like so pain full, Like being named

576
00:37:01,840 --> 00:37:05,759
Speaker 1: E is like is he because like he does ecstasy?

577
00:37:05,880 --> 00:37:10,319
Speaker 1: His name is Eric. You know, it's a sort of

578
00:37:10,360 --> 00:37:13,279
Speaker 1: a really difficult name for most Americans to pronounce. So

579
00:37:13,960 --> 00:37:16,839
Speaker 1: he just shortened it to E, which is, you know,

580
00:37:17,120 --> 00:37:22,560
Speaker 1: very anti England. I want to say it was. It

581
00:37:22,600 --> 00:37:30,280
Speaker 1: was a very um internationalist message. Um okay, Well, turtle

582
00:37:30,400 --> 00:37:35,480
Speaker 1: opening a clam restaurant is funny. Like he's named turtle,

583
00:37:35,960 --> 00:37:38,560
Speaker 1: like like a stea animal and he opens up sort

584
00:37:38,560 --> 00:37:44,840
Speaker 1: of a restaurant that serves turtle clams and he loves shells.

585
00:37:45,840 --> 00:37:48,640
Speaker 1: Oh and we need to really unpack that. That's such

586
00:37:49,000 --> 00:37:53,160
Speaker 1: interesting symbolism. Do you think the show is about how

587
00:37:53,200 --> 00:38:00,360
Speaker 1: we have to shed our shells? Oh? My gosh, he

588
00:38:00,440 --> 00:38:02,880
Speaker 1: could be. No, let me tell you something. People in

589
00:38:03,000 --> 00:38:08,080
Speaker 1: America they have shells. People in Paris, they don't. They've

590
00:38:08,120 --> 00:38:13,080
Speaker 1: shed their shells. They shed their shells. They've shed their shells.

591
00:38:14,440 --> 00:38:20,520
Speaker 1: Is interesting? Here's okay, wait, so it's there's a character

592
00:38:20,600 --> 00:38:26,400
Speaker 1: named Drama. What's he all about? Oh, Johnny Drama and

593
00:38:26,440 --> 00:38:28,319
Speaker 1: he just had a season from He just had his

594
00:38:28,320 --> 00:38:31,279
Speaker 1: own TV show called Johnny's Bananas and he did it

595
00:38:31,320 --> 00:38:35,680
Speaker 1: with Andrew dice Clay and in the show. In the show, okay,

596
00:38:36,040 --> 00:38:41,040
Speaker 1: sometimes hard for me to seek a lot of times

597
00:38:41,080 --> 00:38:43,600
Speaker 1: I think the characters are real. Oh, and Lloyd takes

598
00:38:43,640 --> 00:38:52,359
Speaker 1: over the TV Department of what what? Let's hold on,

599
00:38:53,320 --> 00:38:55,040
Speaker 1: Let's I want to back up a little bit. In

600
00:38:55,080 --> 00:38:58,280
Speaker 1: this show, Adrian Grena is an actor based on Mark Walberg. Correct,

601
00:38:59,800 --> 00:39:03,680
Speaker 1: and the rest of the people are his entourage. Fine, Like,

602
00:39:04,120 --> 00:39:09,359
Speaker 1: where is the TV Department Dana Gordon? Who Okay, that's

603
00:39:09,400 --> 00:39:16,880
Speaker 1: just a person. Yeah, okay, Department of what? Alright? Alright,

604
00:39:16,920 --> 00:39:21,360
Speaker 1: gold is the biggest agent in the world. Agents don't

605
00:39:21,440 --> 00:39:24,440
Speaker 1: have TV. Oh at the TV Department of the agency.

606
00:39:25,760 --> 00:39:28,560
Speaker 1: Oh I thought you meant like of a production company.

607
00:39:28,680 --> 00:39:31,920
Speaker 1: Oh my gosh. Honestly, sometimes I think you guys have

608
00:39:32,000 --> 00:39:36,080
Speaker 1: never watched this show. No, don't say that. Here is

609
00:39:36,120 --> 00:39:38,799
Speaker 1: one thing I will say. I watched the first four

610
00:39:38,880 --> 00:39:42,959
Speaker 1: episodes of this show because I, as a joke, went

611
00:39:43,040 --> 00:39:48,040
Speaker 1: to the View when Adrian Grenier was um a guest

612
00:39:48,160 --> 00:39:51,240
Speaker 1: for promoting the Entourage movie. Oh my god, I'm so jealous.

613
00:39:51,239 --> 00:39:52,480
Speaker 1: When I went to the View as a joke, the

614
00:39:52,480 --> 00:39:57,319
Speaker 1: guest was Newt Gingrich. For real, Yeah, I want to

615
00:39:57,320 --> 00:40:02,040
Speaker 1: go to the Oh it's actually quite fun, Joe. If

616
00:40:02,080 --> 00:40:04,200
Speaker 1: you're really a gay man trapping to women's body, you'll

617
00:40:04,239 --> 00:40:07,759
Speaker 1: go to the View as a joke. Wait, can I

618
00:40:07,800 --> 00:40:09,839
Speaker 1: tell Okay, when I learned from the View as a joke,

619
00:40:10,440 --> 00:40:15,120
Speaker 1: they like did this whole thing where they were like

620
00:40:15,719 --> 00:40:19,520
Speaker 1: discussing like it was I want to say, I don't

621
00:40:19,520 --> 00:40:22,399
Speaker 1: know the midst of me too, sort of like uh,

622
00:40:22,719 --> 00:40:27,160
Speaker 1: consent and right and like getting into like college culture

623
00:40:27,239 --> 00:40:30,719
Speaker 1: and what that all is. And they like, you know,

624
00:40:30,920 --> 00:40:35,000
Speaker 1: they're busting through topics, not unlike Stradio Lab the famous Yeah,

625
00:40:35,000 --> 00:40:38,279
Speaker 1: well we're modeled after the Views gone. Uh, and so

626
00:40:38,360 --> 00:40:42,120
Speaker 1: they get into this very serious discussion for about three minutes,

627
00:40:42,400 --> 00:40:46,160
Speaker 1: and then they hard pivot too, and you know what

628
00:40:46,280 --> 00:40:53,320
Speaker 1: else is a terror? God Zilla just turned seventy today,

629
00:40:55,040 --> 00:40:59,120
Speaker 1: and I my jaw hit the floor. I couldn't believe

630
00:40:59,160 --> 00:41:01,279
Speaker 1: the pivot and O one care. They were all like,

631
00:41:02,080 --> 00:41:08,759
Speaker 1: we love Gonzila. I just I'm wondering. It's occurring to

632
00:41:08,800 --> 00:41:11,080
Speaker 1: me that the guests were having after this also went

633
00:41:11,080 --> 00:41:15,560
Speaker 1: to the View as a joke, famously at Matt Rogers,

634
00:41:17,200 --> 00:41:19,399
Speaker 1: and I'm like, should our topic for Matt be the view?

635
00:41:19,480 --> 00:41:21,520
Speaker 1: And then we each go around telling our view stories.

636
00:41:23,040 --> 00:41:25,120
Speaker 1: But also, you know that actually sounds more like an

637
00:41:25,120 --> 00:41:31,399
Speaker 1: episode of our sister podcast, GAYEO Lab. That's true gay culture. Yeah,

638
00:41:31,440 --> 00:41:35,839
Speaker 1: it's really unpopular. I kind of thought, and I know

639
00:41:35,960 --> 00:41:37,600
Speaker 1: this is wrong, but I kind of thought it was

640
00:41:37,600 --> 00:41:42,480
Speaker 1: pronounced ratio lab. You know what, Joe, you are not

641
00:41:42,560 --> 00:41:46,000
Speaker 1: the first person to mispronounce it. And in our mind

642
00:41:46,040 --> 00:41:48,279
Speaker 1: it's so clear because it's a play on radio lab.

643
00:41:48,640 --> 00:41:52,000
Speaker 1: And and I have to say, for the first truly

644
00:41:52,040 --> 00:41:54,759
Speaker 1: like seven episodes of the podcast, the first segment was

645
00:41:54,840 --> 00:41:57,960
Speaker 1: what is it called? And we um were working with

646
00:41:58,040 --> 00:42:00,160
Speaker 1: various things. One of them was straighter things of the

647
00:42:00,200 --> 00:42:06,040
Speaker 1: most Radio Lab, Stradiology, Barrel straight and barrel and and

648
00:42:06,040 --> 00:42:08,000
Speaker 1: and we decided on Trailier because we thought it was

649
00:42:08,040 --> 00:42:11,720
Speaker 1: so funny and like, truly, no one understands it. Maybe

650
00:42:11,719 --> 00:42:15,480
Speaker 1: you have to spell it with the D. I mean,

651
00:42:15,560 --> 00:42:18,720
Speaker 1: I guess. But wait, now that you know how it's pronounced,

652
00:42:18,840 --> 00:42:20,759
Speaker 1: you get I get it. I get it. Have you

653
00:42:20,760 --> 00:42:23,239
Speaker 1: guys heard that Radio Lab where the woman sleeps with

654
00:42:23,320 --> 00:42:27,160
Speaker 1: her dog naked and then she can't eat meat? Oh?

655
00:42:27,360 --> 00:42:39,480
Speaker 1: Talking about straight culture? No, I'm not listened to that episode. Interesting,

656
00:42:39,560 --> 00:42:49,040
Speaker 1: interesting at all, very interesting. So she's not like me.

657
00:42:49,800 --> 00:42:52,120
Speaker 1: She slept with her dog naked and now she's not

658
00:42:52,160 --> 00:42:56,360
Speaker 1: allowed to eat sam What do you not get? It?

659
00:42:56,400 --> 00:42:58,160
Speaker 1: Seems pretty self expensive to me, to be honest, I

660
00:42:58,200 --> 00:42:59,800
Speaker 1: don't know why there need to be a whole podcast

661
00:43:00,160 --> 00:43:03,399
Speaker 1: about it. That's just kind of a sentence. It's like, yeah,

662
00:43:03,400 --> 00:43:05,880
Speaker 1: have you heard the podcast about how I, you know,

663
00:43:06,239 --> 00:43:08,520
Speaker 1: put on my belt and my pants fit? Yeah? I

664
00:43:08,560 --> 00:43:14,600
Speaker 1: get it. Oh my god. Um wait, Joe, I do

665
00:43:14,680 --> 00:43:17,160
Speaker 1: have one question. We can go back to entrage whenever

666
00:43:17,200 --> 00:43:18,560
Speaker 1: we want, but I do want to know what your

667
00:43:18,560 --> 00:43:22,839
Speaker 1: second topic. This is one is big okay okay? And

668
00:43:23,040 --> 00:43:25,880
Speaker 1: I never was into this before. Okay, but for the

669
00:43:25,920 --> 00:43:29,239
Speaker 1: first time in seventeen years, I thought it's time to

670
00:43:29,280 --> 00:43:32,640
Speaker 1: get back into flip flops and I put them on

671
00:43:33,239 --> 00:43:37,520
Speaker 1: an old boy. Are they great? You can go outside immediately,

672
00:43:38,040 --> 00:43:40,600
Speaker 1: Your toes are so free and you make a little

673
00:43:40,600 --> 00:43:45,799
Speaker 1: flip flop noise when you walk like this. Huh. First

674
00:43:45,840 --> 00:43:49,120
Speaker 1: of all, um, for the listeners, yes, Joe is seventeen

675
00:43:49,200 --> 00:43:53,560
Speaker 1: years old. Yeah, Joe, happy birthday. Happy birthday. By the way,

676
00:43:53,600 --> 00:43:57,600
Speaker 1: that's huge. Um. The second of all, flip flops are

677
00:43:57,719 --> 00:44:01,040
Speaker 1: extremely straight. They are actually can mean, but I find

678
00:44:01,080 --> 00:44:05,359
Speaker 1: the experience to be quite uncomfortable. No, I need your

679
00:44:05,400 --> 00:44:09,839
Speaker 1: foot's wrong. That's wrong with your foot? Okay, do not

680
00:44:10,000 --> 00:44:13,520
Speaker 1: foot shame me not. On my own podcast that rhymes

681
00:44:13,520 --> 00:44:17,400
Speaker 1: with radio lab, everybody says, nobody wants to see my feet.

682
00:44:17,520 --> 00:44:22,400
Speaker 1: I shouldn't wear foot pops. Actually, nobody's even looking down there.

683
00:44:22,440 --> 00:44:25,680
Speaker 1: They're looking at your genitals and you're you know, your

684
00:44:25,760 --> 00:44:30,120
Speaker 1: neck and top your wet wet, So don't even worry

685
00:44:30,120 --> 00:44:33,400
Speaker 1: about it. They're awesome and I love the look of them.

686
00:44:33,440 --> 00:44:36,279
Speaker 1: If you're worried about people looking at your feet, I

687
00:44:36,320 --> 00:44:40,719
Speaker 1: have a solution. Expose your genitals and then people will

688
00:44:40,760 --> 00:44:44,399
Speaker 1: look at those instead of your feet. If someone's out

689
00:44:44,560 --> 00:44:47,280
Speaker 1: and their genitals are exposed, no one's like his feet

690
00:44:47,280 --> 00:44:52,319
Speaker 1: are gross. Yeah, exactly. You know. I do think as

691
00:44:52,320 --> 00:44:55,000
Speaker 1: a culture we need to we need to work on

692
00:44:55,000 --> 00:44:58,680
Speaker 1: our sandals shaming. I think it's insane that we're like

693
00:44:59,120 --> 00:45:04,200
Speaker 1: people feel wearing sandals in New York City. It's like, yes,

694
00:45:04,360 --> 00:45:08,400
Speaker 1: I mean, we've already made such great strides. Now two

695
00:45:08,440 --> 00:45:11,520
Speaker 1: people that wear sandals can't get married strides in flip farms.

696
00:45:12,400 --> 00:45:17,160
Speaker 1: But I like, when I first invested in Tiva's, I

697
00:45:17,200 --> 00:45:20,920
Speaker 1: want to say, four years ago, I some of my

698
00:45:20,960 --> 00:45:24,680
Speaker 1: most progressive friends said to me, you you're gonna wear

699
00:45:24,719 --> 00:45:27,319
Speaker 1: sandals in New York City. I swear to God I

700
00:45:27,320 --> 00:45:33,120
Speaker 1: can name them, but I won't. It's like that's neoliberalism,

701
00:45:33,280 --> 00:45:38,839
Speaker 1: you know. Stride Right the brand, well, I thought it

702
00:45:38,880 --> 00:45:40,920
Speaker 1: was like a cool retro brand, and I so I

703
00:45:40,960 --> 00:45:43,239
Speaker 1: bought some shoes online and it turned out that they

704
00:45:43,239 --> 00:45:48,680
Speaker 1: were baby shoes. Um, I could see that working for you.

705
00:45:49,080 --> 00:45:51,920
Speaker 1: So you bought baby shoes? Do they come in your side?

706
00:45:52,000 --> 00:45:54,319
Speaker 1: Ordered them in my size number wise, But it turns

707
00:45:54,360 --> 00:45:57,680
Speaker 1: out it was for babies, you know, so there are

708
00:45:57,719 --> 00:46:01,160
Speaker 1: different So you got baby like a baby be seven,

709
00:46:02,520 --> 00:46:05,680
Speaker 1: like a regular shoes, okay, because it would have been

710
00:46:05,680 --> 00:46:08,239
Speaker 1: weird if they were baby shoes. But they also came

711
00:46:08,800 --> 00:46:10,719
Speaker 1: like they came in sizes up to a four team,

712
00:46:10,719 --> 00:46:14,000
Speaker 1: but they were four babies that maybe had fourteen sized feet.

713
00:46:15,280 --> 00:46:19,320
Speaker 1: You know that um old thing that's like for sale

714
00:46:19,400 --> 00:46:23,480
Speaker 1: baby shoes never worn. People think that it's because Joe

715
00:46:23,520 --> 00:46:29,200
Speaker 1: Firestone bought them. Yeah, that's actually really nice version of that.

716
00:46:29,200 --> 00:46:32,840
Speaker 1: That's actually what that is. Um So, Joe, you're wearing

717
00:46:32,840 --> 00:46:37,840
Speaker 1: flip flops. I mean, do you have limitations of like

718
00:46:37,960 --> 00:46:40,840
Speaker 1: where you won't wear them? Like? Is it an absolute

719
00:46:40,840 --> 00:46:43,759
Speaker 1: free fro all? And you just wearing flip flops in

720
00:46:43,800 --> 00:46:46,719
Speaker 1: any situation? What a leading question? Already trying to shame.

721
00:46:47,040 --> 00:46:51,520
Speaker 1: Then I don't feel any shame. I actually feel curiosity. Yeah, Joe,

722
00:46:51,560 --> 00:46:54,840
Speaker 1: do you have the correct boundaries? Let's Sam be the judge.

723
00:46:55,040 --> 00:46:57,319
Speaker 1: The thing about flip flops is there there is no boundaries.

724
00:46:57,440 --> 00:47:02,800
Speaker 1: You're fucking go anywhere. Most have walls, these shoes have air.

725
00:47:04,360 --> 00:47:08,279
Speaker 1: H That's the America I want to live in. That's

726
00:47:08,600 --> 00:47:10,640
Speaker 1: actually that goes back to entourage. It's about taking off

727
00:47:10,640 --> 00:47:15,000
Speaker 1: your shell. Oh wow, that's so true. Wow, how many

728
00:47:15,040 --> 00:47:16,880
Speaker 1: of our listeners do you think have their shell on

729
00:47:17,080 --> 00:47:26,359
Speaker 1: versus Okay, which one? What I said on versus off?

730
00:47:26,400 --> 00:47:36,439
Speaker 1: And you said hundreds of them either have their shell

731
00:47:36,520 --> 00:47:39,840
Speaker 1: on or off? Okay that checks out to me. Okay,

732
00:47:39,880 --> 00:47:43,800
Speaker 1: well good, I'm glad. I asked, do you think we

733
00:47:43,800 --> 00:47:48,200
Speaker 1: should start a new segment called is your shell? Joe?

734
00:47:48,280 --> 00:47:50,880
Speaker 1: Is your show on or off? And it's never coming on?

735
00:47:50,920 --> 00:47:55,719
Speaker 1: Because I lost it? Wow? Oh that's IMpower. I have

736
00:47:55,840 --> 00:47:59,880
Speaker 1: to say. Lately, I've felt like my I think I

737
00:48:00,080 --> 00:48:04,000
Speaker 1: felt like my show is on. Lately, I think my show. Yeah,

738
00:48:04,000 --> 00:48:06,120
Speaker 1: I could tell both you are both because of both

739
00:48:06,120 --> 00:48:08,480
Speaker 1: that you are not on the flip clap train. Put

740
00:48:08,480 --> 00:48:10,840
Speaker 1: on the flip flaps and you'll see, you'll go, You'll

741
00:48:10,840 --> 00:48:12,840
Speaker 1: reach around your back and you say that feels a

742
00:48:12,880 --> 00:48:19,440
Speaker 1: little soft. I mean, listen, I have had that experience.

743
00:48:19,560 --> 00:48:24,080
Speaker 1: Let's just say that. Okay, he's being bad, George, Oh

744
00:48:24,120 --> 00:48:29,080
Speaker 1: my god, Okay, put a PG. Thirteen reading on this one.

745
00:48:29,480 --> 00:48:32,960
Speaker 1: I have a suggestion for a new a new UM

746
00:48:33,040 --> 00:48:39,000
Speaker 1: what do you call him? Section segment? A new chapter

747
00:48:39,080 --> 00:48:41,759
Speaker 1: of your podcast. UM, I think that you should do

748
00:48:41,800 --> 00:48:47,400
Speaker 1: it a chapter called um nice nice shame? Are you

749
00:48:47,960 --> 00:48:50,520
Speaker 1: what would you compliment the first two things of somebody

750
00:48:50,680 --> 00:48:57,239
Speaker 1: that you shaved him? Wait? I do like that. That's

751
00:48:57,320 --> 00:48:59,239
Speaker 1: very us I think we should do the plan on

752
00:48:59,320 --> 00:49:04,719
Speaker 1: death job. Yep, definitely so true. Everyone's gonna get that.

753
00:49:06,600 --> 00:49:08,200
Speaker 1: The fact that you even thought you had to explain

754
00:49:08,200 --> 00:49:13,319
Speaker 1: It's like, do you think we're stupid? Okay, well that's

755
00:49:13,400 --> 00:49:15,520
Speaker 1: very interesting. Wait, I am weary of the time, and

756
00:49:15,560 --> 00:49:17,880
Speaker 1: we do have a final segment that we need to do. Wait,

757
00:49:17,880 --> 00:49:20,800
Speaker 1: but we have like thirteen minutes. Okay, fine, let's start.

758
00:49:20,880 --> 00:49:27,600
Speaker 1: The final segment had like five minutes. Oh my god. Okay.

759
00:49:27,920 --> 00:49:30,080
Speaker 1: Two of us were ducks and one of us was goose.

760
00:49:30,160 --> 00:49:32,840
Speaker 1: Who do you think it'd be? Oh my god, that

761
00:49:32,920 --> 00:49:35,360
Speaker 1: is the perfect straighter lab question. You have no idea

762
00:49:35,400 --> 00:49:39,240
Speaker 1: how into I'm not even kidding you, literally, um okay,

763
00:49:39,239 --> 00:49:42,760
Speaker 1: So who here's the duck and who here's a goose? Okay,

764
00:49:42,920 --> 00:49:45,200
Speaker 1: I know off the top of my head. I hate

765
00:49:45,200 --> 00:49:47,279
Speaker 1: to say this, but because Sam and I are like

766
00:49:47,360 --> 00:49:49,520
Speaker 1: a unit and that we're the hosts and you're the guest,

767
00:49:50,239 --> 00:49:52,680
Speaker 1: what immediately comes to mind the most obvious answer is

768
00:49:52,719 --> 00:49:54,560
Speaker 1: that we are the ducks and you are the goose.

769
00:49:55,239 --> 00:49:58,880
Speaker 1: That seems too obviously too obvious. And I know this

770
00:49:58,920 --> 00:50:01,319
Speaker 1: sounds really conceded, and I'm working on that, but I

771
00:50:01,360 --> 00:50:05,359
Speaker 1: can't help but feel that I'm the goose. I feel

772
00:50:05,360 --> 00:50:07,960
Speaker 1: like that's such a goose thing to say, right, which

773
00:50:07,960 --> 00:50:10,800
Speaker 1: I think what kind of feeds into it, you know? Yeah, No,

774
00:50:10,960 --> 00:50:14,080
Speaker 1: a goose is very much like uh, it's very like

775
00:50:14,120 --> 00:50:17,120
Speaker 1: self deprecating about being a narcissist. But then it's like, okay, well,

776
00:50:17,120 --> 00:50:19,600
Speaker 1: if you get it, then why don't you change? It's like,

777
00:50:19,719 --> 00:50:21,640
Speaker 1: oh my god, it's classic me. But um, I have

778
00:50:21,680 --> 00:50:25,520
Speaker 1: a speech like this isn't your wedding? Why Duck doesn't

779
00:50:25,560 --> 00:50:29,640
Speaker 1: have to use duke exactly? And can you imagine it?

780
00:50:29,680 --> 00:50:32,560
Speaker 1: That would be chaos if Doug had to use us,

781
00:50:32,640 --> 00:50:34,440
Speaker 1: it would be a different word. And we duke, are

782
00:50:34,480 --> 00:50:44,160
Speaker 1: you kidding me? Goose? We in an in an unrecorded

783
00:50:44,200 --> 00:50:47,799
Speaker 1: in an unreleased episode, we uh talked about how gay

784
00:50:47,800 --> 00:50:52,319
Speaker 1: men are either what was it, Sam Jim clothes or

785
00:50:52,520 --> 00:50:55,839
Speaker 1: singing gym clothes are singing, but actually, more accurately, they're

786
00:50:55,880 --> 00:51:02,640
Speaker 1: either duck or goose. Yeah, every every it's important to

787
00:51:02,640 --> 00:51:07,120
Speaker 1: streamline goose. Oh that's true, Okay, in your reasonship, who's

788
00:51:07,120 --> 00:51:12,480
Speaker 1: the duck and ducks the goose. Really. Wow, that's amazing.

789
00:51:13,920 --> 00:51:21,440
Speaker 1: Interesting Joe is your partner in the creative artists and interesting,

790
00:51:21,840 --> 00:51:24,920
Speaker 1: and so you still are able to balance? Um, do

791
00:51:24,960 --> 00:51:28,040
Speaker 1: you guys ever switch who's the duck and who's the goose? No,

792
00:51:28,200 --> 00:51:30,040
Speaker 1: I know I'm the duck and he's the boose because

793
00:51:30,080 --> 00:51:34,560
Speaker 1: I really am into him and he thinks I'm fine.

794
00:51:35,280 --> 00:51:38,319
Speaker 1: That's interesting. That's kind of cool though. That's kind of

795
00:51:38,360 --> 00:51:40,880
Speaker 1: like the that's the type of relationship I want to

796
00:51:40,880 --> 00:51:44,920
Speaker 1: be in, you know, like that's that's It's not you're right,

797
00:51:44,920 --> 00:51:48,480
Speaker 1: I want to be adored, But Joe something tells me

798
00:51:48,560 --> 00:51:52,279
Speaker 1: he adores you and cherishes you. Nothing's telling you that

799
00:51:52,440 --> 00:51:55,560
Speaker 1: because I'm telling you that, you know, I was, I know.

800
00:51:56,880 --> 00:52:00,760
Speaker 1: Maybe believe women. Know we can't can't believe women, first

801
00:52:00,760 --> 00:52:09,319
Speaker 1: of all. Secondly, it's yeah, I hate it when i'm

802
00:52:09,360 --> 00:52:11,520
Speaker 1: I try to, you know, a woman says something self

803
00:52:11,520 --> 00:52:14,840
Speaker 1: deprecating and then I say, oh, no, you're good, and

804
00:52:14,880 --> 00:52:17,719
Speaker 1: then the woman yells at me. Believe women. That's like

805
00:52:17,760 --> 00:52:20,640
Speaker 1: when that's like when you get cut and you're bleeding

806
00:52:20,760 --> 00:52:23,319
Speaker 1: and then someone comes over and says he's a band aid,

807
00:52:23,360 --> 00:52:30,200
Speaker 1: and you say, actually, I'm trying to air it out. Yeah,

808
00:52:30,239 --> 00:52:32,319
Speaker 1: I hate it when I'm trying to air out an

809
00:52:32,320 --> 00:52:36,279
Speaker 1: intense deep cut and doctors keep coming, and I'm in

810
00:52:36,320 --> 00:52:39,280
Speaker 1: a hospital. Doctors keep coming. They keep saying you need surgery,

811
00:52:39,280 --> 00:52:43,399
Speaker 1: and I say, I don't believe in that. They don't

812
00:52:43,440 --> 00:52:46,960
Speaker 1: listen to you. They don't listen. Oh God, and these

813
00:52:47,040 --> 00:52:52,440
Speaker 1: times they just don't listen. So Joe, in your estimation

814
00:52:52,480 --> 00:53:00,160
Speaker 1: of things, a duck is more um desperate for we're

815
00:53:00,239 --> 00:53:03,400
Speaker 1: kind of passionate about what. The duck is a flip

816
00:53:03,440 --> 00:53:09,560
Speaker 1: flop and the goose is a tiva. Oh so, in

817
00:53:09,560 --> 00:53:15,800
Speaker 1: a way, the duck is more honest, a little more open,

818
00:53:16,120 --> 00:53:21,160
Speaker 1: a little a little more vulnerable. Splendor. Here's the thing.

819
00:53:21,320 --> 00:53:23,839
Speaker 1: And I'm about to go this is a visual thing.

820
00:53:23,920 --> 00:53:26,880
Speaker 1: But I'm showing you what what shoes I have been

821
00:53:26,920 --> 00:53:31,480
Speaker 1: wearing this entire time, and they are rubber birkin stocks,

822
00:53:32,320 --> 00:53:36,640
Speaker 1: which I would say between flip flop and tiva, and

823
00:53:36,680 --> 00:53:40,960
Speaker 1: thus the verse of duck and goose. Well, well, wow,

824
00:53:41,120 --> 00:53:47,080
Speaker 1: it looks like we now have a crow. I am

825
00:53:47,120 --> 00:53:51,120
Speaker 1: a crow. You're right, okay, I love the game Duck

826
00:53:51,320 --> 00:53:57,200
Speaker 1: goose crow. Maybe you could have some cocca cola, what

827
00:54:00,640 --> 00:54:02,560
Speaker 1: are you? This is sort of the New Joe era,

828
00:54:02,800 --> 00:54:05,840
Speaker 1: the cock cock Okay, back to the see Joe, I

829
00:54:05,880 --> 00:54:11,680
Speaker 1: always told you you your butt material needs work. Oh

830
00:54:11,800 --> 00:54:15,880
Speaker 1: there you go, there you go back to the h

831
00:54:16,239 --> 00:54:23,840
Speaker 1: huh oh yeah yeah. Are you guys gonna I just

832
00:54:23,880 --> 00:54:25,759
Speaker 1: have a quick question. Are you guys can edit out

833
00:54:25,840 --> 00:54:28,280
Speaker 1: that last thing that I said about all the different

834
00:54:28,320 --> 00:54:34,120
Speaker 1: sodas pronouncing them wrong unfortunately, So we're gonna lead. We're

835
00:54:34,120 --> 00:54:35,839
Speaker 1: gonna edit it so that it leads with that, and

836
00:54:35,880 --> 00:54:39,080
Speaker 1: then we go into the main part. We're gonna every

837
00:54:39,080 --> 00:54:40,880
Speaker 1: time like there's like a pause, we're gonna put that

838
00:54:40,960 --> 00:54:44,600
Speaker 1: in again. Yeah, And we always release kind of a

839
00:54:44,719 --> 00:54:47,560
Speaker 1: very overproduced trailer for each episode, and for this one,

840
00:54:47,600 --> 00:54:57,359
Speaker 1: it's going to be you saying co cock cola. Okay, okay, cool, okay. Yeah. Yeah.

841
00:54:57,480 --> 00:55:01,360
Speaker 1: We're actually really well known for our overproduced trailers. Everyone's

842
00:55:01,400 --> 00:55:07,520
Speaker 1: obsessed with them. Podcast trailers are so popular in today's

843
00:55:07,560 --> 00:55:11,840
Speaker 1: culture and listen, I wasn't gonna say that, but we

844
00:55:11,960 --> 00:55:14,080
Speaker 1: know people that ever related podcast trailers. Let me tell

845
00:55:14,080 --> 00:55:22,000
Speaker 1: you something. It's a pass for me. What if we

846
00:55:22,040 --> 00:55:24,359
Speaker 1: had released the trailer that was like I'm George and

847
00:55:24,400 --> 00:55:27,919
Speaker 1: I'm Sam and we're gay and every week we bring

848
00:55:27,960 --> 00:55:31,160
Speaker 1: you the hottest straight stuff and get to the bottom

849
00:55:31,200 --> 00:55:34,279
Speaker 1: of what the heck is up with that, featuring some

850
00:55:34,360 --> 00:55:41,400
Speaker 1: of our most insane friends such as and then we

851
00:55:41,440 --> 00:55:46,600
Speaker 1: would edit you saying Coca cola, um, that is so funny,

852
00:55:46,680 --> 00:55:49,520
Speaker 1: And then we'd say, what's like a you know when

853
00:55:49,560 --> 00:55:52,040
Speaker 1: people are self deprecating, but it's like it's not enough.

854
00:55:52,080 --> 00:55:54,680
Speaker 1: You don't understand. I went on the View as a joke.

855
00:55:55,440 --> 00:55:59,399
Speaker 1: That's when you definitely say, that's literally what I just said. Yeah,

856
00:55:59,480 --> 00:56:04,680
Speaker 1: you know that is actually self aware. So that's so

857
00:56:04,800 --> 00:56:07,120
Speaker 1: mean for you to say that that's like what I

858
00:56:07,239 --> 00:56:09,279
Speaker 1: just said. We literally did go to the View as

859
00:56:09,280 --> 00:56:14,040
Speaker 1: a joke, like and that's all right, that's all right,

860
00:56:14,160 --> 00:56:19,800
Speaker 1: Like that's like, that's that's that's like gingrich, only to

861
00:56:19,840 --> 00:56:21,799
Speaker 1: then be made fun of for going as a joke.

862
00:56:24,200 --> 00:56:28,600
Speaker 1: I can't believe you saw new on the I truly

863
00:56:28,640 --> 00:56:30,279
Speaker 1: I want to talk about it so much, but I'm like,

864
00:56:30,719 --> 00:56:34,560
Speaker 1: this needs to be okay, But I have to say

865
00:56:34,560 --> 00:56:37,120
Speaker 1: that we have five minutes New York City that could

866
00:56:37,160 --> 00:56:43,319
Speaker 1: be a good episode title. Yeah, after you're talking about

867
00:56:43,320 --> 00:56:45,839
Speaker 1: flip flops and entourage, we should make the title New

868
00:56:46,000 --> 00:56:53,040
Speaker 1: New York City. Okay, Joe. Our final segment is called Shoutouts,

869
00:56:53,160 --> 00:56:56,520
Speaker 1: and it is a segment where we um. It's kind

870
00:56:56,520 --> 00:57:00,160
Speaker 1: of modeled after radio shoutouts or t r L shoutouts are,

871
00:57:00,600 --> 00:57:04,320
Speaker 1: which are a very foundational aspect of straight culture, and

872
00:57:04,360 --> 00:57:07,440
Speaker 1: everyone just shouts out something that they are vibing with

873
00:57:07,600 --> 00:57:10,640
Speaker 1: that week. Now, you think I'd have something prepared, but

874
00:57:11,320 --> 00:57:14,600
Speaker 1: ultimately you'd be wrong, you know. Weirdly I do, and

875
00:57:14,640 --> 00:57:19,960
Speaker 1: so I can um go first, Okay, what's up, listeners?

876
00:57:20,240 --> 00:57:23,760
Speaker 1: I am Sam Taggert, seventeen from Akron, Ohio, and I

877
00:57:23,800 --> 00:57:25,840
Speaker 1: just want to give a quick shout out to the

878
00:57:25,920 --> 00:57:31,280
Speaker 1: Instagram meme account page Funny Gaga Videos. We are in dark,

879
00:57:31,560 --> 00:57:36,160
Speaker 1: dark times and I log onto Funny Gaga Videos Instagram

880
00:57:36,240 --> 00:57:40,360
Speaker 1: meme page and I am laughing, laughing, laughing, ha. I

881
00:57:40,400 --> 00:57:44,160
Speaker 1: cannot get enough of these funny Gaga videos. I don't

882
00:57:44,400 --> 00:57:47,440
Speaker 1: know why, but it is funny and it's Gaga and

883
00:57:47,440 --> 00:57:50,320
Speaker 1: its videos. Literally, what else do you want? I'm just

884
00:57:50,400 --> 00:57:53,200
Speaker 1: trying to have a blast on the Internet and this

885
00:57:53,320 --> 00:57:55,200
Speaker 1: is a place for it. I hope you become the

886
00:57:55,200 --> 00:57:59,080
Speaker 1: biggest meme account on planet Earth. Honey, you earned it.

887
00:57:59,120 --> 00:58:03,240
Speaker 1: I love you could not who what's up, listeners, It's

888
00:58:03,360 --> 00:58:07,240
Speaker 1: George calling from inside the house. I want to give it.

889
00:58:08,160 --> 00:58:10,040
Speaker 1: I want to give a quick shout out to the

890
00:58:10,200 --> 00:58:15,160
Speaker 1: polycule of roaches that has infested my apartment. The other day,

891
00:58:15,240 --> 00:58:18,040
Speaker 1: I got back from a twelve hour international trip in

892
00:58:18,040 --> 00:58:20,080
Speaker 1: which I were the same mass the entire time. I

893
00:58:20,120 --> 00:58:24,200
Speaker 1: felt disgusting, I felt tired, I felt exhausted. Walk into

894
00:58:24,240 --> 00:58:27,040
Speaker 1: my one room studio apartment without a kitchen, I said,

895
00:58:27,120 --> 00:58:30,320
Speaker 1: time to relax. I took a shower, light in bed.

896
00:58:30,720 --> 00:58:32,800
Speaker 1: Suddenly I see something moving. I say, what's that. It's

897
00:58:32,800 --> 00:58:35,080
Speaker 1: a roach. And then I started looking around. I find

898
00:58:35,160 --> 00:58:38,600
Speaker 1: one dead roach in my bathtub, two dead roaches under

899
00:58:38,600 --> 00:58:42,120
Speaker 1: my bed, and another dead roach by the fridge. I

900
00:58:42,240 --> 00:58:43,920
Speaker 1: killed a new dead roach, and I say, you know what,

901
00:58:44,800 --> 00:58:47,600
Speaker 1: time to move on. I've already killed the roaches. I

902
00:58:47,680 --> 00:58:50,280
Speaker 1: keep walking around my apartment. What do I see more roaches?

903
00:58:50,440 --> 00:58:53,840
Speaker 1: I tell my super I say, listen, last time the

904
00:58:53,840 --> 00:58:57,600
Speaker 1: exterminator came. Uh that he did his thing, but then

905
00:58:57,600 --> 00:58:59,400
Speaker 1: it only made the problem worse. He says, it's fine,

906
00:58:59,440 --> 00:59:00,880
Speaker 1: he'll come again, and I say, but if he does

907
00:59:00,920 --> 00:59:02,680
Speaker 1: the same thing, then in fact, that will make a difference.

908
00:59:02,680 --> 00:59:04,360
Speaker 1: He says, no, that's how it work. Gets to come

909
00:59:04,400 --> 00:59:06,840
Speaker 1: many times. They say, well, maybe that means he should

910
00:59:06,840 --> 00:59:09,240
Speaker 1: come more than once every two months. He said, I'm

911
00:59:09,360 --> 00:59:14,040
Speaker 1: leaving you on read sweet so big shout out to

912
00:59:14,080 --> 00:59:20,720
Speaker 1: my roaches. Oh my gosh, okay is it my turn? Okay,

913
00:59:21,080 --> 00:59:23,880
Speaker 1: I want to be um. I want to give a

914
00:59:23,920 --> 00:59:29,480
Speaker 1: big shout out. Having to ice trades, you use one

915
00:59:29,520 --> 00:59:31,920
Speaker 1: of them. I think you have one of the backup.

916
00:59:32,400 --> 00:59:35,440
Speaker 1: If you're waiting for water to sai and dies, you

917
00:59:35,480 --> 00:59:38,520
Speaker 1: can always use the other one. If you're already done,

918
00:59:38,520 --> 00:59:41,640
Speaker 1: when it's freezing the water, you can use the whole thing.

919
00:59:42,120 --> 00:59:43,680
Speaker 1: All you have to do to get the ice off

920
00:59:43,760 --> 00:59:46,360
Speaker 1: is crack and pass it, and the ice teams come

921
00:59:46,360 --> 00:59:52,920
Speaker 1: out looking like big u um. I want to give

922
00:59:52,920 --> 00:59:55,800
Speaker 1: it an addendum to your shout out, Joe. I think

923
00:59:56,760 --> 01:00:01,640
Speaker 1: the real game changer to ice treys. But then you

924
01:00:01,680 --> 01:00:05,400
Speaker 1: get like a container to put the ice chicken, all

925
01:00:05,440 --> 01:00:07,440
Speaker 1: the ice in the container and then fill the two

926
01:00:07,520 --> 01:00:11,600
Speaker 1: ice treys again. You're always going to be having ice, Joe.

927
01:00:11,880 --> 01:00:15,920
Speaker 1: You will never believe this, but my shout out literally

928
01:00:15,960 --> 01:00:21,320
Speaker 1: a week ago was ice. Are you serious? I'm dead serious.

929
01:00:21,680 --> 01:00:27,280
Speaker 1: Oh my gosh, because are you Are you accusing me?

930
01:00:28,480 --> 01:00:35,320
Speaker 1: Are you you know saying I'm just saying it's interesting.

931
01:00:37,400 --> 01:00:39,000
Speaker 1: Can you edit that out? I want to do a

932
01:00:39,000 --> 01:00:43,200
Speaker 1: different one. Are you going to edit it out? Okay?

933
01:00:43,200 --> 01:00:53,520
Speaker 1: Go okay, okay. Topics. Uh, I'm gonna give a shot.

934
01:00:53,640 --> 01:01:03,200
Speaker 1: I want to give a shout out to Puffs with Lotion. Okay, okay, okay,

935
01:01:03,200 --> 01:01:06,880
Speaker 1: bring friends for today. Thank you so much, Joe Firestone,

936
01:01:06,920 --> 01:01:10,439
Speaker 1: what a firecracker ending on such a high energy note.

937
01:01:10,760 --> 01:01:12,560
Speaker 1: You know, I cannot wait to see what you do next.

938
01:01:12,640 --> 01:01:14,080
Speaker 1: Everything you do is an inspiration.