WEBVTT - Ep. 8 Safe Space

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<v Speaker 1>Well, thank you again for you know, fighting us and

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<v Speaker 1>being here with us showing us. Now I know where

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<v Speaker 1>the tree is. That's about a week away from the

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<v Speaker 1>sixteenth anniversary of Emory's death. I go to visit her

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<v Speaker 1>grave for the first time. It's about a twenty minute

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<v Speaker 1>drive east from where she used to live in City Terrace,

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<v Speaker 1>the sloping green lawns of Resurrection Catholic Cemetery. It's a

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<v Speaker 1>peaceful place, a pocket of pine trees and chirping ravens.

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<v Speaker 1>At the cemetery, we meet Crystal, Emory's little sister. She

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<v Speaker 1>tells us to meet her by the short but slanted

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<v Speaker 1>tree shaped like a lightning bolt. That's how to find

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<v Speaker 1>her sister's grave. Directions are really clear. It used to

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<v Speaker 1>be more like in a pine tree, and then they

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<v Speaker 1>cut it down and then it grew back like that.

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<v Speaker 1>It's her me, two producers from our team, and Brian Garcia,

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<v Speaker 1>also known as Pooky, Emory's former boyfriend. Pookie asked to

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<v Speaker 1>be reconnected with Crystal months ago when we interviewed him,

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<v Speaker 1>when you reached out and whatnot, and I had to ask,

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<v Speaker 1>you know, I had to ask, I was I was

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<v Speaker 1>excited that somebody you know was actually talking about Emory.

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<v Speaker 1>Like I had literally been looking for Crystal for years.

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<v Speaker 1>You're looking at me. I don't know if I was

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<v Speaker 1>afraid or whatnot, maybe that she wouldn't remember, you know,

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<v Speaker 1>who I was, or whatnot. We're in a somber place,

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<v Speaker 1>but this is a joyful meeting. The last time they

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<v Speaker 1>saw each other was at Emory's funeral when Pooky was

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<v Speaker 1>a teenager and Crystal was a little kid. I was

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<v Speaker 1>your first time seeing each other since like, yeah, she

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<v Speaker 1>was very young. Oh my god, is he exactly? Like

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<v Speaker 1>can you remember now? You're like odd, fifteen years exactly

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<v Speaker 1>at years that town. It's wild to see them connect

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<v Speaker 1>like this after so many years. They're kind of like

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<v Speaker 1>long lost siblings. Over the years, Pookie has come to

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<v Speaker 1>Emory's grave a lot. I find myself coming here as

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<v Speaker 1>well when I guess when I just need to get away,

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<v Speaker 1>you know, kinda just come out and vent, you know,

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<v Speaker 1>Canada find clarity, you know, answers signs. I don't know.

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<v Speaker 1>Her tombstone is a slab of granite on the ground

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<v Speaker 1>with an angel end an engraving of La There's an

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<v Speaker 1>oval picture of Emory above the world words in loving

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<v Speaker 1>memory of our little girl. Is she wearing a hat

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<v Speaker 1>and yeah, she had just got it for Christmas, knitted

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<v Speaker 1>hat and then it had like the little like the brim.

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<v Speaker 1>It was a little brim, but it was like knitted over. Yeah,

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<v Speaker 1>it was a cute little hot It's one of those

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<v Speaker 1>rare grade days in Los Angeles and as we talk,

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<v Speaker 1>it starts to drizzle. I'm just getting comfortable, I'm going

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<v Speaker 1>to cover the The rain reminds me of a story

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<v Speaker 1>Pooky told me on the phone the first time we talked.

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<v Speaker 1>Over the years, whenever he felt like he needed to

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<v Speaker 1>focus or things in his life weren't going right, he

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<v Speaker 1>would visit Emory's grave. One day, he was upset crying

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<v Speaker 1>at Emory's tombstone, and he asked her for a sign

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<v Speaker 1>that she heard him. The sun was out that day,

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<v Speaker 1>but as he was talking to her, the sky got

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<v Speaker 1>cloudy and then it started to drizzle. If you remember,

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<v Speaker 1>Emory's nickname was tears, So Brian took the sky crying

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<v Speaker 1>tears to mean that Emory was there watching out for

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<v Speaker 1>him like today. Yeah, this is the signs that I

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<v Speaker 1>talk about every time I'm here. Every time i'm here, Yeah,

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<v Speaker 1>I feel like I'm a big believer and you know

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<v Speaker 1>little things. Crystal, four year old daughter shows up. They're

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<v Speaker 1>going to get some food after this, this is Brooklyn.

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<v Speaker 1>They say, why she shy? Just like after her and

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<v Speaker 1>makeup alternat Right before we go, I was wondering, like,

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<v Speaker 1>you know, I know it's been sixteen years since Emory's staff,

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<v Speaker 1>and I was wondering, like, how does it feel too

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<v Speaker 1>like just be here after so much time has passed.

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<v Speaker 1>It feels weird because I expected us to grow up together,

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<v Speaker 1>like physically together, not viitually separate. I know Brian said

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<v Speaker 1>that he like this is a safe space and stuff,

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<v Speaker 1>But my safe space with her is like always in

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<v Speaker 1>my car all the time, or like in any enclosed

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<v Speaker 1>space where I have like a rosary and a picture

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<v Speaker 1>of her. I just feel like I can talk to her,

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<v Speaker 1>just like ask her for guidance and for signs, and

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<v Speaker 1>oddly enough I always get the signs that I ask

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<v Speaker 1>of her. A safe space can be so many things.

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<v Speaker 1>It can be standing in front of the tombstone of

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<v Speaker 1>a loved one, or that time you get a loan,

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<v Speaker 1>driving in your car, or even stepping out onto a

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<v Speaker 1>concrete dance floor with your best Friends for My Heart,

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<v Speaker 1>Fice and Elias Studios. This is Party Cruz, the Untold Story,

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<v Speaker 1>So I'm Janis Amalka. In our final episode, the Legacy

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<v Speaker 1>of Emory Story, the importance of safe Space, and what

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<v Speaker 1>it all means. Almost two decades later, Emory's case remains

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<v Speaker 1>unsolved to this day. Like we've mentioned before, it's part

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<v Speaker 1>of the Central Bureau's Cold Case Unit, which for an

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<v Speaker 1>area of about nine hundred thousand people, is a unit

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<v Speaker 1>of only two detectives. When we reach out to ask

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<v Speaker 1>LAPD for an update, they told us that the biggest

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<v Speaker 1>obstacle in her case it's a lack of witnesses and

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<v Speaker 1>that there still wasn't any match for the DNA evidence

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<v Speaker 1>in CODUS, the national DNA database, but they were still

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<v Speaker 1>hoping to get one. But after the family met with

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<v Speaker 1>the cold case detectives, it did seem like things were

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<v Speaker 1>moving a bit. We heard from various friends and family

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<v Speaker 1>of Emory that the Cold Case Unit had been knocking

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<v Speaker 1>on doors and searching for people they may have interviewed

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<v Speaker 1>in the original investigation, and in July of twenty twenty two,

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<v Speaker 1>the La City Council ended up reissuing a reward for

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<v Speaker 1>fifty thousand dollars for any information in her case. It

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<v Speaker 1>expired six months later, in January of twenty twenty three. Today,

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<v Speaker 1>Emory would have been in her early thirties. She might

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<v Speaker 1>have been a nurse, just like her aunt Becky told

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<v Speaker 1>me she wanted to be. She might have had kids,

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<v Speaker 1>but instead she is frozen in time. Her death is tragic,

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<v Speaker 1>and it's also a loss that is ambiguous without closure.

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<v Speaker 1>Besides that tremendous loss, what I see an Emory story

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<v Speaker 1>is the struggle of a young girl to come of

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<v Speaker 1>age in a world that wasn't made for her, A

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<v Speaker 1>struggle to come of age safely as a woman of

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<v Speaker 1>color in this country. Thanks for coming out Sunday Sundays

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<v Speaker 1>like my Monday. Have worked on Sundays. Oh yeah, so

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<v Speaker 1>Sunday's technically my Monday. I remember the first conversation I

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<v Speaker 1>had with Crystal, Emory's sister, who was now in her twenties.

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<v Speaker 1>I asked her what she knew of her older sister

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<v Speaker 1>and party crews. She was only six then. I remember,

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<v Speaker 1>actually when I was little, finding like the flyers and

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<v Speaker 1>my sister's stuff. But I remember just had like cartoons

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<v Speaker 1>on it, like it had like Tweetye or Betty Boob

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<v Speaker 1>or something like that. I was just like, Oh, like,

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<v Speaker 1>it's a picture we know with the cartoons on it.

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<v Speaker 1>I didn't think there was much more than than that.

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<v Speaker 1>She didn't really know about the party crew scene beyond

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<v Speaker 1>that one flyer, But as we chatted, I realized she

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<v Speaker 1>had her own version of a crew. I grew up

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<v Speaker 1>in the Sangabala Valley and Roland Heights. Um, it's off

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<v Speaker 1>to sixty. Yeah, that's why I like speeds on the mets.

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<v Speaker 1>Over there there's carts over and UM and Diamond Bar Plaza. Yeah.

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<v Speaker 1>Just like party crews. Car clubs in LA are tight

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<v Speaker 1>knit groups get together on the weekends or whenever there's

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<v Speaker 1>a car meet. Historically, they've had their own run ins

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<v Speaker 1>with the cops over car modifications or racing, but that's

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<v Speaker 1>only a fraction of what the car clubs are. More

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<v Speaker 1>than anything, they're a community. Your car club do you

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<v Speaker 1>have a name? Uh? Yeah, so we're so called sexism.

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<v Speaker 1>I had a TSX before I had my evil. I

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<v Speaker 1>got into a really bad accident back in February. Um,

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<v Speaker 1>but normally, you know you've crash your car, you get

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<v Speaker 1>kicked out of you know, the group or whatever. Crash

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<v Speaker 1>your car, you get kicked off. Well yeah, oh no,

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<v Speaker 1>oh no, But I mean like it's a it's a

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<v Speaker 1>it's a group with only one type of car. But yeah,

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<v Speaker 1>but these people, um, you know, I we became family

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<v Speaker 1>over time, over time, like I met them, so I

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<v Speaker 1>don't know, we're during the pandemic and we just we

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<v Speaker 1>got really really close. And so when I got in

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<v Speaker 1>my accident, one of my biggest fears was like, oh

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<v Speaker 1>my god, like they're gonna kick me out, you know,

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<v Speaker 1>like my friends. I'm not gonna have my friends anymore.

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<v Speaker 1>And they were like, no, dude, like you're a part

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<v Speaker 1>of us, you know. But when I heard Crystal talk

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<v Speaker 1>about our car club, to me, it sounded like its

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<v Speaker 1>own version of a party crew. Honestly, we became so close,

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<v Speaker 1>you know, with time, and we're not just car friends,

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<v Speaker 1>you know, we became like the biggest family ever. It's

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<v Speaker 1>more than just we're here for the cars. We're here

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<v Speaker 1>for each other, you know, Like half to Tug I said,

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<v Speaker 1>at the time we hang out, we forget that the

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<v Speaker 1>cars are even there, and we're just enjoying each other's company.

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<v Speaker 1>So I think that it ties in with my sister

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<v Speaker 1>because she had, you know, her group of people that

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<v Speaker 1>she felt like she could fall back on. I understand

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<v Speaker 1>what it's like to have a family outside your family.

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<v Speaker 1>While reporting this series, I've been thinking a lot about

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<v Speaker 1>how coming of age is all about finding who you

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<v Speaker 1>are outside of your family, expanding your sense of what

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<v Speaker 1>family and community even is. We all need those experiences,

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<v Speaker 1>especially as teams, that space away from parents and supervision,

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<v Speaker 1>to let loose, fuck up up, make mistakes, and learn

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<v Speaker 1>from them. It's how we grow into independent adults. But

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<v Speaker 1>what I'm also realizing is that as Latin X kids

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<v Speaker 1>growing up in LA, our options were always limited. They

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<v Speaker 1>are an all female party grew called Unpredictable Ladies or

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<v Speaker 1>upl and they're on their way to a Saturday night

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<v Speaker 1>party right now. This is a clip from an undercover

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<v Speaker 1>news special from nineteen ninety six, so a decade before

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<v Speaker 1>my time, but I feel like it captures my experience too.

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<v Speaker 1>Chris Blatchford, a TV news reporter at Fox eleven, the

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<v Speaker 1>local LA Fox news station, went to parties, captured footage

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<v Speaker 1>and interviewed teens in the scene. They walked down the

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<v Speaker 1>street like they own it. Life for sure. The camera

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<v Speaker 1>follows a group of girls and nineties outfits, little miniskirts

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<v Speaker 1>and crop tops, complete with that iconic shade of reddish

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<v Speaker 1>brown lipstick, and in a way they do admires, stop

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<v Speaker 1>to watch and move it but becomes predictable weight He's

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<v Speaker 1>just keep on going. They have a party to get.

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<v Speaker 1>Something else I want to point out is that the

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<v Speaker 1>vibe of these news clips is also very much like

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<v Speaker 1>look at these girls gone wild. The dancing is often provocative,

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<v Speaker 1>and these girls, the youngest fifteen say they don't worry

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<v Speaker 1>about what mom might think. She loves how we danced

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<v Speaker 1>and not how we like to get down and dirty,

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<v Speaker 1>how we danced, but she can't do nothing about it.

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<v Speaker 1>It's the same vibe I saw on the coverage of

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<v Speaker 1>party crews in the two thousands, like who is letting

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<v Speaker 1>these girls be out here like that? On the dance floor.

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<v Speaker 1>My friends and I were discovering how others responded to us.

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<v Speaker 1>We wanted to be lusted after and desired. We thought,

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<v Speaker 1>isn't that what it meant to be a woman? You

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<v Speaker 1>can look you, you can feel whatever, but you can

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<v Speaker 1>At the same time, we were learning that society saw

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<v Speaker 1>our bodies as dangerous, that being too free with them

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<v Speaker 1>made us bad. I think the fact that this is

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<v Speaker 1>how society saw us, how they saw the party crew

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<v Speaker 1>scene and Latin X teens who participated in it, as

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<v Speaker 1>part of why some people automatically assume that Emory's death

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<v Speaker 1>was connected to the scene and this part of the

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<v Speaker 1>news clip, the crowd at a party is channing take

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<v Speaker 1>it off as a party crew called Cutie's dances on stage.

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<v Speaker 1>The cuties eventually make it back on stage, eliciting shout

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<v Speaker 1>so take it off from the ground. They don't we

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<v Speaker 1>be pleasers. We get a reputation so rather teas that please.

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<v Speaker 1>But when I look back at this clip as an adult,

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<v Speaker 1>I don't see anyone doing anything surprising or wrong. What

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<v Speaker 1>I see is a group of young teens trying to

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<v Speaker 1>figure out an impossible balance. And I'm not the only

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<v Speaker 1>one who felt that tension. I feel like we were

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<v Speaker 1>just trying to explore. Like we were like, oh, what

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<v Speaker 1>does it like to be a sexy woman? We were

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<v Speaker 1>like kids, you know, I wouldn't like to get out

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<v Speaker 1>of guy's attention and walk into to a party with

0:15:21.760 --> 0:15:24.440
<v Speaker 1>a group of girls and everyone's looking at us, and

0:15:25.120 --> 0:15:28.240
<v Speaker 1>it was fun though it made me feel like I'm

0:15:28.280 --> 0:15:32.040
<v Speaker 1>a part of this world and I could be open

0:15:32.120 --> 0:15:35.160
<v Speaker 1>and free and noyone's gonna judge me here. I could

0:15:35.160 --> 0:15:36.960
<v Speaker 1>go kiss a girl right now and it's I'm not

0:15:36.960 --> 0:15:40.360
<v Speaker 1>gonna get in trouble. It was fun, but I don't know,

0:15:40.400 --> 0:15:43.000
<v Speaker 1>I just feel like maybe guys, like, looking back at

0:15:43.040 --> 0:15:47.320
<v Speaker 1>it now, guys probably just didn't respect us as much.

0:15:47.480 --> 0:15:50.040
<v Speaker 1>Girls would go and be dancing, and guys would go

0:15:50.120 --> 0:15:52.600
<v Speaker 1>and grab their butt, or they didn't look at you

0:15:52.680 --> 0:15:57.160
<v Speaker 1>like his candy and just be there. Like a few

0:15:57.240 --> 0:16:00.640
<v Speaker 1>years back, while traveling solo in Cuba, I met a

0:16:00.640 --> 0:16:03.200
<v Speaker 1>white girl from the East Coast who told me about

0:16:03.200 --> 0:16:06.200
<v Speaker 1>her time away from home at summer camps. She had

0:16:06.200 --> 0:16:10.440
<v Speaker 1>her first kiss, her first boyfriend, lots of firsts. But

0:16:10.600 --> 0:16:15.760
<v Speaker 1>from what I understood, there was supervision, mostly young adult counselors,

0:16:15.960 --> 0:16:18.280
<v Speaker 1>but it still felt like a world built for kids.

0:16:20.840 --> 0:16:23.160
<v Speaker 1>A lot of the teens and the crews were kids

0:16:23.160 --> 0:16:27.880
<v Speaker 1>of immigrants or kids from working class families, communities dealing

0:16:27.880 --> 0:16:35.000
<v Speaker 1>with poverty, domestic abuse, language barriers, immigration, families with packed homes,

0:16:35.000 --> 0:16:37.800
<v Speaker 1>no room to breathe or have a moment for yourself,

0:16:39.000 --> 0:16:41.040
<v Speaker 1>And when you don't have a place like summer camp

0:16:41.160 --> 0:16:44.680
<v Speaker 1>to go to the scene and its freedom just feel

0:16:44.760 --> 0:16:49.480
<v Speaker 1>more worth it. The reality was that we desensitize ourselves

0:16:49.480 --> 0:16:52.800
<v Speaker 1>to the violence happening around us, whether it was from

0:16:52.840 --> 0:16:56.560
<v Speaker 1>within the crew, scene, gang related, or police raiding parties.

0:16:58.400 --> 0:17:01.720
<v Speaker 1>Looking back, I feel guilt for potentially putting myself in

0:17:01.800 --> 0:17:05.639
<v Speaker 1>danger while my parents were just trying to keep us alive,

0:17:06.640 --> 0:17:10.080
<v Speaker 1>specifically my mom, which is a big part of why

0:17:10.119 --> 0:17:14.200
<v Speaker 1>I buried this time in my life deep down. But

0:17:14.359 --> 0:17:18.040
<v Speaker 1>as I've been reporting the series, I'm starting to understand

0:17:18.119 --> 0:17:21.080
<v Speaker 1>that maybe I want to bring this time and these

0:17:21.160 --> 0:17:27.120
<v Speaker 1>questions out in the open with my mom. That's after

0:17:27.160 --> 0:17:59.640
<v Speaker 1>the break, this is my mom, or just casually sitting

0:17:59.680 --> 0:18:02.520
<v Speaker 1>at the table with a couple of microphones in front

0:18:02.520 --> 0:18:05.879
<v Speaker 1>of us. My mom and I seem like total opposites,

0:18:06.720 --> 0:18:09.240
<v Speaker 1>but at the same time, we have a lot in common.

0:18:09.880 --> 0:18:12.080
<v Speaker 1>We have the same beauty mark on the right side

0:18:12.080 --> 0:18:16.040
<v Speaker 1>of our nose. People tell me I look exactly like her,

0:18:16.920 --> 0:18:20.600
<v Speaker 1>and one Christmas we were complete cry babies when we

0:18:20.640 --> 0:18:24.360
<v Speaker 1>watched Marley and Me at the movie theater. My mom

0:18:24.400 --> 0:18:27.879
<v Speaker 1>and I also have similar humor. We both like to

0:18:27.920 --> 0:18:30.320
<v Speaker 1>make fun of each other and we try not to

0:18:30.359 --> 0:18:44.359
<v Speaker 1>take ourselves too seriously, okay, just welcome to my precious daughter.

0:18:48.640 --> 0:18:51.679
<v Speaker 1>As I said before, my mom was born and raised

0:18:51.720 --> 0:18:55.040
<v Speaker 1>in Lima. She came to this country and settled in

0:18:55.200 --> 0:18:57.520
<v Speaker 1>La County when she was twenty one years old in

0:18:57.560 --> 0:19:01.040
<v Speaker 1>the mid eighties. I was born a few years later.

0:19:02.480 --> 0:19:05.040
<v Speaker 1>We both grew up in different places from our parents.

0:19:05.440 --> 0:19:08.520
<v Speaker 1>My grandparents are from rural towns and the Andes, and

0:19:08.600 --> 0:19:12.040
<v Speaker 1>they both spoke get One as the first language. They

0:19:12.119 --> 0:19:15.359
<v Speaker 1>later moved from their pueblos to produce capital in search

0:19:15.359 --> 0:19:19.120
<v Speaker 1>of a better future. And she was the oldest daughter,

0:19:20.080 --> 0:19:42.520
<v Speaker 1>just like me, and so when as the oldest she

0:19:42.640 --> 0:19:59.720
<v Speaker 1>took care of her two sisters Manda, she helped the

0:19:59.720 --> 0:20:02.960
<v Speaker 1>family only do all kinds of tasks. At ten years old,

0:20:03.040 --> 0:20:06.200
<v Speaker 1>she was running errands taking cash deposits to the bank.

0:20:07.119 --> 0:20:09.960
<v Speaker 1>She says that as a team, her parents weren't strict

0:20:10.000 --> 0:20:12.840
<v Speaker 1>with her because they didn't have to be. She didn't

0:20:12.840 --> 0:20:24.080
<v Speaker 1>stay out late, so Alitas weren't strict and if she

0:20:24.119 --> 0:20:26.720
<v Speaker 1>were to act up, her parents would have first sure

0:20:26.880 --> 0:20:31.120
<v Speaker 1>said something, but I'm not buying it, so you will

0:20:31.160 --> 0:20:37.280
<v Speaker 1>see perfect, not perfect at all, I wish at all.

0:20:37.359 --> 0:20:47.200
<v Speaker 1>It's m She says she navigated life as a team,

0:20:47.640 --> 0:20:50.679
<v Speaker 1>thinking about her parents so that they would never have

0:20:50.720 --> 0:20:55.320
<v Speaker 1>to worry about her. I know the feeling her parents

0:20:55.359 --> 0:20:58.320
<v Speaker 1>worked hard to keep us afloat and to provide us

0:20:58.320 --> 0:21:01.920
<v Speaker 1>with the opportunities they never had. The least you could

0:21:01.920 --> 0:21:05.440
<v Speaker 1>do as a kid was be good and stay out

0:21:05.440 --> 0:21:09.320
<v Speaker 1>of the way. I asked her when she felt the

0:21:09.320 --> 0:21:19.480
<v Speaker 1>most free as a teen. H She says it was

0:21:19.480 --> 0:21:22.119
<v Speaker 1>with her friends from church, who she laughed and joked

0:21:22.160 --> 0:21:40.840
<v Speaker 1>around with. I'm not surprised. My mom has always been

0:21:40.880 --> 0:21:44.680
<v Speaker 1>a prankster. Here she's telling me that as a teen,

0:21:45.160 --> 0:21:48.240
<v Speaker 1>she's stuff little firecrackers into the shoelaces of her guy

0:21:48.280 --> 0:21:51.560
<v Speaker 1>friend's shoes, and sometimes it would at the bottom of

0:21:51.560 --> 0:22:05.400
<v Speaker 1>their pants on fire. Yes, of course that's funny. Oh yeah,

0:22:09.480 --> 0:22:17.320
<v Speaker 1>like an adult, she still loves pranking people. I wanted

0:22:17.359 --> 0:22:19.600
<v Speaker 1>to share with my mom how it was for me

0:22:19.680 --> 0:22:22.800
<v Speaker 1>as a teen, so I started by asking her, do

0:22:22.880 --> 0:22:44.760
<v Speaker 1>you remember how I was dressed back then? Oh yeah,

0:22:44.920 --> 0:22:58.480
<v Speaker 1>come on, Cortos. Of course, she remembers. It was the

0:22:58.560 --> 0:23:03.000
<v Speaker 1>era of low rider gene and crop tops. I was sixteen,

0:23:03.480 --> 0:23:06.440
<v Speaker 1>and she tells me she remembers teasing me about it,

0:23:07.040 --> 0:23:09.560
<v Speaker 1>telling me I'm going to get sick because my stomach

0:23:09.600 --> 0:23:12.960
<v Speaker 1>was exposed, or pointing out that I forgot my pants

0:23:13.320 --> 0:23:19.160
<v Speaker 1>when I wore short skirts. But there's also so much

0:23:19.200 --> 0:23:33.000
<v Speaker 1>of that time that she didn't see. Yo Um. I

0:23:33.080 --> 0:23:36.680
<v Speaker 1>told her I had my first drink at fourteen. It

0:23:36.720 --> 0:23:40.359
<v Speaker 1>was what all the rebels drink, a bottle of Smirnoff ice,

0:23:41.080 --> 0:23:52.360
<v Speaker 1>and that I used to sneak out of the house. Clara,

0:23:52.760 --> 0:24:07.720
<v Speaker 1>my mom tells me she caught me once we see.

0:24:09.920 --> 0:24:13.159
<v Speaker 1>I point to the door behind us that leads the backyard.

0:24:13.960 --> 0:24:18.840
<v Speaker 1>I tell my mom, I sneak out the back WI see,

0:24:19.600 --> 0:24:37.960
<v Speaker 1>keep doing there? Yeah? Yeah, I tell her. At least

0:24:37.960 --> 0:24:43.440
<v Speaker 1>I got back in time for church. She's surprised, not mad,

0:24:44.480 --> 0:24:50.880
<v Speaker 1>maybe more so a little impressed. So that's why you'd

0:24:50.920 --> 0:24:54.399
<v Speaker 1>always fall asleep at church, she tells me, with a smirk.

0:24:55.880 --> 0:24:59.080
<v Speaker 1>When I'm nervous, I don't fully think in one language.

0:24:59.640 --> 0:25:03.360
<v Speaker 1>My would start weaving in and out of English and Spanish,

0:25:03.440 --> 0:25:22.560
<v Speaker 1>you know, like hurt anyone, you know, hoven Um, I

0:25:22.680 --> 0:25:26.360
<v Speaker 1>tell her that I was looking for a little freedom.

0:25:26.520 --> 0:25:29.560
<v Speaker 1>My mom sat across from me at the table, calmly.

0:25:30.600 --> 0:25:34.080
<v Speaker 1>She was nodding and listening. I was worried she wouldn't

0:25:34.119 --> 0:25:37.960
<v Speaker 1>understand my nervous Spanish. I was kind of expecting my

0:25:38.040 --> 0:25:41.520
<v Speaker 1>mom to blow up at me or cry or something

0:25:45.960 --> 0:25:57.679
<v Speaker 1>umsciento like normal and like scary. Was so scared. I

0:25:57.720 --> 0:26:06.240
<v Speaker 1>was like, oh my god, Mama, I know, it doesn't

0:26:06.280 --> 0:26:10.120
<v Speaker 1>seem like a big deal. Now, the weight of potentially

0:26:10.160 --> 0:26:15.639
<v Speaker 1>disappointing my parents weighs so heavy on me even today.

0:26:16.800 --> 0:26:19.600
<v Speaker 1>I tell her how scared I was to let her down.

0:26:20.640 --> 0:26:23.800
<v Speaker 1>She tells me, these are things that happened in the past.

0:26:24.160 --> 0:26:31.439
<v Speaker 1>What could I do now? I mean, I don't know.

0:26:31.520 --> 0:26:34.080
<v Speaker 1>I thought, you guys, oh my god, I'm gonna let

0:26:34.080 --> 0:26:43.760
<v Speaker 1>her down, you know, Like, is the pressure pressure instead,

0:26:46.040 --> 0:27:01.919
<v Speaker 1>like like Santo pressure. No. I tell her that I

0:27:01.960 --> 0:27:06.679
<v Speaker 1>feel this immense pressure from being the oldest daughter and

0:27:06.840 --> 0:27:10.600
<v Speaker 1>being the first born in this country. That pressure is

0:27:10.600 --> 0:27:16.879
<v Speaker 1>still with me today. When I was in my early twenties,

0:27:17.160 --> 0:27:19.600
<v Speaker 1>I was in a bad car accident coming home from

0:27:19.600 --> 0:27:23.399
<v Speaker 1>being out late at a bar. I broke my back

0:27:23.400 --> 0:27:27.159
<v Speaker 1>and other important bones. I was in the hospital for months.

0:27:27.920 --> 0:27:31.960
<v Speaker 1>I couldn't walk or sit up on my own. Then

0:27:32.320 --> 0:27:36.159
<v Speaker 1>I spent several months recovering at home. I had to

0:27:36.200 --> 0:27:39.000
<v Speaker 1>go to physical therapy to relearn how to do basic

0:27:39.040 --> 0:27:41.560
<v Speaker 1>shit like hold a water bottle with my left hand.

0:27:42.520 --> 0:27:46.639
<v Speaker 1>I even had to relearn how to walk. I'm not

0:27:46.680 --> 0:27:49.000
<v Speaker 1>a person that likes to ask for help, but I

0:27:49.080 --> 0:27:52.359
<v Speaker 1>had no choice, and my family helped me every step

0:27:52.400 --> 0:27:58.920
<v Speaker 1>of the way. I'm eternally grateful for them, but it's

0:27:58.920 --> 0:28:02.560
<v Speaker 1>still hard for me to talk about that time with them.

0:28:02.600 --> 0:28:05.240
<v Speaker 1>I sometimes feel like if I had been that proper daughter,

0:28:05.680 --> 0:28:11.280
<v Speaker 1>you know, maybe it wouldn't have happened to me in

0:28:11.320 --> 0:28:17.040
<v Speaker 1>the first place. Back then, it felt like I wasn't

0:28:17.080 --> 0:28:27.119
<v Speaker 1>allowed to make mistakes. Yeah, I thought, I think, no, sa,

0:28:27.400 --> 0:28:46.240
<v Speaker 1>I think like pressure, No, the pressure. My mom sounded surprised.

0:28:47.240 --> 0:28:50.280
<v Speaker 1>I tell her I've learned to deal with the pressures

0:28:50.360 --> 0:28:54.160
<v Speaker 1>as an adult, but growing up, I didn't have the

0:28:54.200 --> 0:29:00.600
<v Speaker 1>tools I have now, and I wanted to escape grades

0:29:00.720 --> 0:29:04.760
<v Speaker 1>best college. But to make you guys happy. All I

0:29:04.800 --> 0:29:08.160
<v Speaker 1>wanted to do was make them happy. So there's a

0:29:08.160 --> 0:29:13.680
<v Speaker 1>lot of pressure, I think, But I mean, come on.

0:29:14.800 --> 0:29:19.440
<v Speaker 1>So my mom tries to be comforting. She tells me

0:29:19.480 --> 0:29:22.480
<v Speaker 1>that both her and my dad are happy with the

0:29:22.520 --> 0:29:35.480
<v Speaker 1>way their kids have turned out, that even though there

0:29:35.480 --> 0:29:40.320
<v Speaker 1>have been hard times, we have gotten through it. I

0:29:40.400 --> 0:29:50.360
<v Speaker 1>just never wanted to hurt them. I mean, I'm saying.

0:29:56.920 --> 0:30:00.160
<v Speaker 1>My mom tells me she wished I had I had

0:30:00.200 --> 0:30:03.560
<v Speaker 1>opened up to her, that it could have trusted her

0:30:03.680 --> 0:30:19.240
<v Speaker 1>to listen. She says, as a parent, she never wanted

0:30:19.280 --> 0:30:22.760
<v Speaker 1>to see me suffer and would have loved to make

0:30:22.800 --> 0:30:27.560
<v Speaker 1>life easy for me. But kids, they don't always let

0:30:27.600 --> 0:30:53.880
<v Speaker 1>themselves be helped. Thank you, You're welcome, You're like. Before

0:30:53.920 --> 0:30:56.640
<v Speaker 1>I sat down with my mom, I also thought a

0:30:56.640 --> 0:31:00.560
<v Speaker 1>lot about Emery and her mom. How lucky I was

0:31:00.600 --> 0:31:03.160
<v Speaker 1>to have this moment, to have the chance to make

0:31:03.200 --> 0:31:09.480
<v Speaker 1>mistakes and grow and evolve our relationship. Someone took that

0:31:09.520 --> 0:31:14.480
<v Speaker 1>opportunity away from Emory and left her family without answers.

0:31:15.640 --> 0:31:17.960
<v Speaker 1>There isn't a class to teach you what adulthood is,

0:31:18.840 --> 0:31:21.520
<v Speaker 1>even if they wanted to. I don't think the insult

0:31:21.560 --> 0:31:25.080
<v Speaker 1>in your life can fully do that for you. So

0:31:25.120 --> 0:31:29.200
<v Speaker 1>we learned by following our feelings, our bodies, our instincts,

0:31:30.000 --> 0:31:32.680
<v Speaker 1>and for some of us, that space was the party

0:31:32.680 --> 0:31:42.720
<v Speaker 1>crew scene. When I close my eyes, I can still

0:31:42.760 --> 0:31:44.880
<v Speaker 1>feel the dew from the fog machine on my skin

0:31:45.960 --> 0:31:49.560
<v Speaker 1>and the heavy vibrations from the shady floor speaker. Standing

0:31:49.640 --> 0:31:54.040
<v Speaker 1>too close to teenage bodies. I can see groups of

0:31:54.080 --> 0:31:57.240
<v Speaker 1>girls and matching peak tops and hear them chanting their

0:31:57.280 --> 0:32:01.000
<v Speaker 1>crew names at the top of their lungs, the lights

0:32:01.000 --> 0:32:04.440
<v Speaker 1>bouncing off the laminated crew badges hanging around their necks.

0:32:05.920 --> 0:32:10.240
<v Speaker 1>We turned a muddy backyard into a magical playground, and

0:32:10.480 --> 0:32:13.040
<v Speaker 1>we imagined a future beyond what we could see at

0:32:13.080 --> 0:32:19.280
<v Speaker 1>home and in our neighborhoods. We built a world, at

0:32:19.360 --> 0:32:36.760
<v Speaker 1>least for one night. This episode was written, reported, and

0:32:36.840 --> 0:32:40.800
<v Speaker 1>hosted by me Janas Yamoka. Our show is produced and

0:32:40.840 --> 0:32:45.560
<v Speaker 1>reported by Sofia Polissa car, Victoria Lejandro, and Kyle Chang,

0:32:46.280 --> 0:32:51.680
<v Speaker 1>and edited by Antonio Seihido. Additional editing by any Ables,

0:32:53.000 --> 0:32:56.720
<v Speaker 1>back checking by Nidia about these Steps. Sound design and

0:32:56.800 --> 0:33:02.120
<v Speaker 1>original music composition by Kyle Murdoch. Our supervising producer is

0:33:02.200 --> 0:33:08.200
<v Speaker 1>Janet Lee. Art by Julie Ruiz and Victoikion. Our executive

0:33:08.240 --> 0:33:12.440
<v Speaker 1>producer from Vice Audio is Kate Osborne. Our executive producers

0:33:12.440 --> 0:33:17.400
<v Speaker 1>from Elias Studios are Antonia Shido and leog Our Vice

0:33:17.480 --> 0:33:23.080
<v Speaker 1>President of Podcasts from Elias Studios is Shana Naomi Krocmam.

0:33:23.280 --> 0:33:27.120
<v Speaker 1>Special thanks to the UCLA Department of Communication Archive for

0:33:27.280 --> 0:33:31.440
<v Speaker 1>access to their news collection. In special thanks to therapist

0:33:31.680 --> 0:33:34.840
<v Speaker 1>and my good friend Joanna Flores for all her sport.

0:33:35.800 --> 0:33:39.000
<v Speaker 1>Extra special thanks to all the party crew people who

0:33:39.040 --> 0:33:43.480
<v Speaker 1>spoke to us. Pops from Infamous Ladies, Caramel Diva from

0:33:43.560 --> 0:33:48.680
<v Speaker 1>Lustful Ladies, Nssa from Clover Ladies, Wonders from the Dope Squad,

0:33:49.560 --> 0:33:54.920
<v Speaker 1>Armando from Losapos, Triple X from Huggy's Production, MiGs from

0:33:55.000 --> 0:33:59.680
<v Speaker 1>me hinthe Miss Sick from Lady Devotion, Chris from the

0:33:59.760 --> 0:34:05.160
<v Speaker 1>Hen Some Devils, Partygoer, Max from Alhambra, and Springles from

0:34:05.200 --> 0:34:10.920
<v Speaker 1>Code Read. Thank you for lending us your voice and hey,

0:34:11.000 --> 0:34:14.160
<v Speaker 1>were you and a party crew Senator, party flyers or photos?

0:34:14.520 --> 0:34:17.319
<v Speaker 1>I'd love to see them, even a voice message about

0:34:17.320 --> 0:34:19.920
<v Speaker 1>your memories anything. You can set up a message or

0:34:19.960 --> 0:34:24.200
<v Speaker 1>a picture at party Cruse at Elias Studios dot Com

0:34:24.400 --> 0:34:27.040
<v Speaker 1>Party Cruise. The Untold Story is a production of Elias

0:34:27.040 --> 0:34:31.640
<v Speaker 1>Studios and Vice Audio in partnership with Ihearts Michael Flura

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<v Speaker 1>Elias dot Com is designed by Andy Tieflood and the

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<v Speaker 1>Digital and marketing teams at Elias Studios. Thanks to the

0:34:48.160 --> 0:34:54.120
<v Speaker 1>teams at Elias Studios, including Kristin Muller, Taylor Kaufman, Saber Brara,

0:34:54.800 --> 0:35:00.480
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0:35:00.480 --> 0:35:04.920
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0:35:04.960 --> 0:35:08.040
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0:35:08.120 --> 0:35:11.439
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0:35:12.800 --> 0:35:16.200
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0:35:16.320 --> 0:35:21.600
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