Speaker 1: Well, thank you again for you know, fighting us and
Speaker 1: being here with us showing us. Now I know where
Speaker 1: the tree is. That's about a week away from the
Speaker 1: sixteenth anniversary of Emory's death. I go to visit her
Speaker 1: grave for the first time. It's about a twenty minute
Speaker 1: drive east from where she used to live in City Terrace,
Speaker 1: the sloping green lawns of Resurrection Catholic Cemetery. It's a
Speaker 1: peaceful place, a pocket of pine trees and chirping ravens.
Speaker 1: At the cemetery, we meet Crystal, Emory's little sister. She
Speaker 1: tells us to meet her by the short but slanted
Speaker 1: tree shaped like a lightning bolt. That's how to find
Speaker 1: her sister's grave. Directions are really clear. It used to
Speaker 1: be more like in a pine tree, and then they
Speaker 1: cut it down and then it grew back like that.
Speaker 1: It's her me, two producers from our team, and Brian Garcia,
Speaker 1: also known as Pooky, Emory's former boyfriend. Pookie asked to
Speaker 1: be reconnected with Crystal months ago when we interviewed him,
Speaker 1: when you reached out and whatnot, and I had to ask,
Speaker 1: you know, I had to ask, I was I was
Speaker 1: excited that somebody you know was actually talking about Emory.
Speaker 1: Like I had literally been looking for Crystal for years.
Speaker 1: You're looking at me. I don't know if I was
Speaker 1: afraid or whatnot, maybe that she wouldn't remember, you know,
Speaker 1: who I was, or whatnot. We're in a somber place,
Speaker 1: but this is a joyful meeting. The last time they
Speaker 1: saw each other was at Emory's funeral when Pooky was
Speaker 1: a teenager and Crystal was a little kid. I was
Speaker 1: your first time seeing each other since like, yeah, she
Speaker 1: was very young. Oh my god, is he exactly? Like
Speaker 1: can you remember now? You're like odd, fifteen years exactly
Speaker 1: at years that town. It's wild to see them connect
Speaker 1: like this after so many years. They're kind of like
Speaker 1: long lost siblings. Over the years, Pookie has come to
Speaker 1: Emory's grave a lot. I find myself coming here as
Speaker 1: well when I guess when I just need to get away,
Speaker 1: you know, kinda just come out and vent, you know,
Speaker 1: Canada find clarity, you know, answers signs. I don't know.
Speaker 1: Her tombstone is a slab of granite on the ground
Speaker 1: with an angel end an engraving of La There's an
Speaker 1: oval picture of Emory above the world words in loving
Speaker 1: memory of our little girl. Is she wearing a hat
Speaker 1: and yeah, she had just got it for Christmas, knitted
Speaker 1: hat and then it had like the little like the brim.
Speaker 1: It was a little brim, but it was like knitted over. Yeah,
Speaker 1: it was a cute little hot It's one of those
Speaker 1: rare grade days in Los Angeles and as we talk,
Speaker 1: it starts to drizzle. I'm just getting comfortable, I'm going
Speaker 1: to cover the The rain reminds me of a story
Speaker 1: Pooky told me on the phone the first time we talked.
Speaker 1: Over the years, whenever he felt like he needed to
Speaker 1: focus or things in his life weren't going right, he
Speaker 1: would visit Emory's grave. One day, he was upset crying
Speaker 1: at Emory's tombstone, and he asked her for a sign
Speaker 1: that she heard him. The sun was out that day,
Speaker 1: but as he was talking to her, the sky got
Speaker 1: cloudy and then it started to drizzle. If you remember,
Speaker 1: Emory's nickname was tears, So Brian took the sky crying
Speaker 1: tears to mean that Emory was there watching out for
Speaker 1: him like today. Yeah, this is the signs that I
Speaker 1: talk about every time I'm here. Every time i'm here, Yeah,
Speaker 1: I feel like I'm a big believer and you know
Speaker 1: little things. Crystal, four year old daughter shows up. They're
Speaker 1: going to get some food after this, this is Brooklyn.
Speaker 1: They say, why she shy? Just like after her and
Speaker 1: makeup alternat Right before we go, I was wondering, like,
Speaker 1: you know, I know it's been sixteen years since Emory's staff,
Speaker 1: and I was wondering, like, how does it feel too
Speaker 1: like just be here after so much time has passed.
Speaker 1: It feels weird because I expected us to grow up together,
Speaker 1: like physically together, not viitually separate. I know Brian said
Speaker 1: that he like this is a safe space and stuff,
Speaker 1: But my safe space with her is like always in
Speaker 1: my car all the time, or like in any enclosed
Speaker 1: space where I have like a rosary and a picture
Speaker 1: of her. I just feel like I can talk to her,
Speaker 1: just like ask her for guidance and for signs, and
Speaker 1: oddly enough I always get the signs that I ask
Speaker 1: of her. A safe space can be so many things.
Speaker 1: It can be standing in front of the tombstone of
Speaker 1: a loved one, or that time you get a loan,
Speaker 1: driving in your car, or even stepping out onto a
Speaker 1: concrete dance floor with your best Friends for My Heart,
Speaker 1: Fice and Elias Studios. This is Party Cruz, the Untold Story,
Speaker 1: So I'm Janis Amalka. In our final episode, the Legacy
Speaker 1: of Emory Story, the importance of safe Space, and what
Speaker 1: it all means. Almost two decades later, Emory's case remains
Speaker 1: unsolved to this day. Like we've mentioned before, it's part
Speaker 1: of the Central Bureau's Cold Case Unit, which for an
Speaker 1: area of about nine hundred thousand people, is a unit
Speaker 1: of only two detectives. When we reach out to ask
Speaker 1: LAPD for an update, they told us that the biggest
Speaker 1: obstacle in her case it's a lack of witnesses and
Speaker 1: that there still wasn't any match for the DNA evidence
Speaker 1: in CODUS, the national DNA database, but they were still
Speaker 1: hoping to get one. But after the family met with
Speaker 1: the cold case detectives, it did seem like things were
Speaker 1: moving a bit. We heard from various friends and family
Speaker 1: of Emory that the Cold Case Unit had been knocking
Speaker 1: on doors and searching for people they may have interviewed
Speaker 1: in the original investigation, and in July of twenty twenty two,
Speaker 1: the La City Council ended up reissuing a reward for
Speaker 1: fifty thousand dollars for any information in her case. It
Speaker 1: expired six months later, in January of twenty twenty three. Today,
Speaker 1: Emory would have been in her early thirties. She might
Speaker 1: have been a nurse, just like her aunt Becky told
Speaker 1: me she wanted to be. She might have had kids,
Speaker 1: but instead she is frozen in time. Her death is tragic,
Speaker 1: and it's also a loss that is ambiguous without closure.
Speaker 1: Besides that tremendous loss, what I see an Emory story
Speaker 1: is the struggle of a young girl to come of
Speaker 1: age in a world that wasn't made for her, A
Speaker 1: struggle to come of age safely as a woman of
Speaker 1: color in this country. Thanks for coming out Sunday Sundays
Speaker 1: like my Monday. Have worked on Sundays. Oh yeah, so
Speaker 1: Sunday's technically my Monday. I remember the first conversation I
Speaker 1: had with Crystal, Emory's sister, who was now in her twenties.
Speaker 1: I asked her what she knew of her older sister
Speaker 1: and party crews. She was only six then. I remember,
Speaker 1: actually when I was little, finding like the flyers and
Speaker 1: my sister's stuff. But I remember just had like cartoons
Speaker 1: on it, like it had like Tweetye or Betty Boob
Speaker 1: or something like that. I was just like, Oh, like,
Speaker 1: it's a picture we know with the cartoons on it.
Speaker 1: I didn't think there was much more than than that.
Speaker 1: She didn't really know about the party crew scene beyond
Speaker 1: that one flyer, But as we chatted, I realized she
Speaker 1: had her own version of a crew. I grew up
Speaker 1: in the Sangabala Valley and Roland Heights. Um, it's off
Speaker 1: to sixty. Yeah, that's why I like speeds on the mets.
Speaker 1: Over there there's carts over and UM and Diamond Bar Plaza. Yeah.
Speaker 1: Just like party crews. Car clubs in LA are tight
Speaker 1: knit groups get together on the weekends or whenever there's
Speaker 1: a car meet. Historically, they've had their own run ins
Speaker 1: with the cops over car modifications or racing, but that's
Speaker 1: only a fraction of what the car clubs are. More
Speaker 1: than anything, they're a community. Your car club do you
Speaker 1: have a name? Uh? Yeah, so we're so called sexism.
Speaker 1: I had a TSX before I had my evil. I
Speaker 1: got into a really bad accident back in February. Um,
Speaker 1: but normally, you know you've crash your car, you get
Speaker 1: kicked out of you know, the group or whatever. Crash
Speaker 1: your car, you get kicked off. Well yeah, oh no,
Speaker 1: oh no, But I mean like it's a it's a
Speaker 1: it's a group with only one type of car. But yeah,
Speaker 1: but these people, um, you know, I we became family
Speaker 1: over time, over time, like I met them, so I
Speaker 1: don't know, we're during the pandemic and we just we
Speaker 1: got really really close. And so when I got in
Speaker 1: my accident, one of my biggest fears was like, oh
Speaker 1: my god, like they're gonna kick me out, you know,
Speaker 1: like my friends. I'm not gonna have my friends anymore.
Speaker 1: And they were like, no, dude, like you're a part
Speaker 1: of us, you know. But when I heard Crystal talk
Speaker 1: about our car club, to me, it sounded like its
Speaker 1: own version of a party crew. Honestly, we became so close,
Speaker 1: you know, with time, and we're not just car friends,
Speaker 1: you know, we became like the biggest family ever. It's
Speaker 1: more than just we're here for the cars. We're here
Speaker 1: for each other, you know, Like half to Tug I said,
Speaker 1: at the time we hang out, we forget that the
Speaker 1: cars are even there, and we're just enjoying each other's company.
Speaker 1: So I think that it ties in with my sister
Speaker 1: because she had, you know, her group of people that
Speaker 1: she felt like she could fall back on. I understand
Speaker 1: what it's like to have a family outside your family.
Speaker 1: While reporting this series, I've been thinking a lot about
Speaker 1: how coming of age is all about finding who you
Speaker 1: are outside of your family, expanding your sense of what
Speaker 1: family and community even is. We all need those experiences,
Speaker 1: especially as teams, that space away from parents and supervision,
Speaker 1: to let loose, fuck up up, make mistakes, and learn
Speaker 1: from them. It's how we grow into independent adults. But
Speaker 1: what I'm also realizing is that as Latin X kids
Speaker 1: growing up in LA, our options were always limited. They
Speaker 1: are an all female party grew called Unpredictable Ladies or
Speaker 1: upl and they're on their way to a Saturday night
Speaker 1: party right now. This is a clip from an undercover
Speaker 1: news special from nineteen ninety six, so a decade before
Speaker 1: my time, but I feel like it captures my experience too.
Speaker 1: Chris Blatchford, a TV news reporter at Fox eleven, the
Speaker 1: local LA Fox news station, went to parties, captured footage
Speaker 1: and interviewed teens in the scene. They walked down the
Speaker 1: street like they own it. Life for sure. The camera
Speaker 1: follows a group of girls and nineties outfits, little miniskirts
Speaker 1: and crop tops, complete with that iconic shade of reddish
Speaker 1: brown lipstick, and in a way they do admires, stop
Speaker 1: to watch and move it but becomes predictable weight He's
Speaker 1: just keep on going. They have a party to get.
Speaker 1: Something else I want to point out is that the
Speaker 1: vibe of these news clips is also very much like
Speaker 1: look at these girls gone wild. The dancing is often provocative,
Speaker 1: and these girls, the youngest fifteen say they don't worry
Speaker 1: about what mom might think. She loves how we danced
Speaker 1: and not how we like to get down and dirty,
Speaker 1: how we danced, but she can't do nothing about it.
Speaker 1: It's the same vibe I saw on the coverage of
Speaker 1: party crews in the two thousands, like who is letting
Speaker 1: these girls be out here like that? On the dance floor.
Speaker 1: My friends and I were discovering how others responded to us.
Speaker 1: We wanted to be lusted after and desired. We thought,
Speaker 1: isn't that what it meant to be a woman? You
Speaker 1: can look you, you can feel whatever, but you can
Speaker 1: At the same time, we were learning that society saw
Speaker 1: our bodies as dangerous, that being too free with them
Speaker 1: made us bad. I think the fact that this is
Speaker 1: how society saw us, how they saw the party crew
Speaker 1: scene and Latin X teens who participated in it, as
Speaker 1: part of why some people automatically assume that Emory's death
Speaker 1: was connected to the scene and this part of the
Speaker 1: news clip, the crowd at a party is channing take
Speaker 1: it off as a party crew called Cutie's dances on stage.
Speaker 1: The cuties eventually make it back on stage, eliciting shout
Speaker 1: so take it off from the ground. They don't we
Speaker 1: be pleasers. We get a reputation so rather teas that please.
Speaker 1: But when I look back at this clip as an adult,
Speaker 1: I don't see anyone doing anything surprising or wrong. What
Speaker 1: I see is a group of young teens trying to
Speaker 1: figure out an impossible balance. And I'm not the only
Speaker 1: one who felt that tension. I feel like we were
Speaker 1: just trying to explore. Like we were like, oh, what
Speaker 1: does it like to be a sexy woman? We were
Speaker 1: like kids, you know, I wouldn't like to get out
Speaker 1: of guy's attention and walk into to a party with
Speaker 1: a group of girls and everyone's looking at us, and
Speaker 1: it was fun though it made me feel like I'm
Speaker 1: a part of this world and I could be open
Speaker 1: and free and noyone's gonna judge me here. I could
Speaker 1: go kiss a girl right now and it's I'm not
Speaker 1: gonna get in trouble. It was fun, but I don't know,
Speaker 1: I just feel like maybe guys, like, looking back at
Speaker 1: it now, guys probably just didn't respect us as much.
Speaker 1: Girls would go and be dancing, and guys would go
Speaker 1: and grab their butt, or they didn't look at you
Speaker 1: like his candy and just be there. Like a few
Speaker 1: years back, while traveling solo in Cuba, I met a
Speaker 1: white girl from the East Coast who told me about
Speaker 1: her time away from home at summer camps. She had
Speaker 1: her first kiss, her first boyfriend, lots of firsts. But
Speaker 1: from what I understood, there was supervision, mostly young adult counselors,
Speaker 1: but it still felt like a world built for kids.
Speaker 1: A lot of the teens and the crews were kids
Speaker 1: of immigrants or kids from working class families, communities dealing
Speaker 1: with poverty, domestic abuse, language barriers, immigration, families with packed homes,
Speaker 1: no room to breathe or have a moment for yourself,
Speaker 1: And when you don't have a place like summer camp
Speaker 1: to go to the scene and its freedom just feel
Speaker 1: more worth it. The reality was that we desensitize ourselves
Speaker 1: to the violence happening around us, whether it was from
Speaker 1: within the crew, scene, gang related, or police raiding parties.
Speaker 1: Looking back, I feel guilt for potentially putting myself in
Speaker 1: danger while my parents were just trying to keep us alive,
Speaker 1: specifically my mom, which is a big part of why
Speaker 1: I buried this time in my life deep down. But
Speaker 1: as I've been reporting the series, I'm starting to understand
Speaker 1: that maybe I want to bring this time and these
Speaker 1: questions out in the open with my mom. That's after
Speaker 1: the break, this is my mom, or just casually sitting
Speaker 1: at the table with a couple of microphones in front
Speaker 1: of us. My mom and I seem like total opposites,
Speaker 1: but at the same time, we have a lot in common.
Speaker 1: We have the same beauty mark on the right side
Speaker 1: of our nose. People tell me I look exactly like her,
Speaker 1: and one Christmas we were complete cry babies when we
Speaker 1: watched Marley and Me at the movie theater. My mom
Speaker 1: and I also have similar humor. We both like to
Speaker 1: make fun of each other and we try not to
Speaker 1: take ourselves too seriously, okay, just welcome to my precious daughter.
Speaker 1: As I said before, my mom was born and raised
Speaker 1: in Lima. She came to this country and settled in
Speaker 1: La County when she was twenty one years old in
Speaker 1: the mid eighties. I was born a few years later.
Speaker 1: We both grew up in different places from our parents.
Speaker 1: My grandparents are from rural towns and the Andes, and
Speaker 1: they both spoke get One as the first language. They
Speaker 1: later moved from their pueblos to produce capital in search
Speaker 1: of a better future. And she was the oldest daughter,
Speaker 1: just like me, and so when as the oldest she
Speaker 1: took care of her two sisters Manda, she helped the
Speaker 1: family only do all kinds of tasks. At ten years old,
Speaker 1: she was running errands taking cash deposits to the bank.
Speaker 1: She says that as a team, her parents weren't strict
Speaker 1: with her because they didn't have to be. She didn't
Speaker 1: stay out late, so Alitas weren't strict and if she
Speaker 1: were to act up, her parents would have first sure
Speaker 1: said something, but I'm not buying it, so you will
Speaker 1: see perfect, not perfect at all, I wish at all.
Speaker 1: It's m She says she navigated life as a team,
Speaker 1: thinking about her parents so that they would never have
Speaker 1: to worry about her. I know the feeling her parents
Speaker 1: worked hard to keep us afloat and to provide us
Speaker 1: with the opportunities they never had. The least you could
Speaker 1: do as a kid was be good and stay out
Speaker 1: of the way. I asked her when she felt the
Speaker 1: most free as a teen. H She says it was
Speaker 1: with her friends from church, who she laughed and joked
Speaker 1: around with. I'm not surprised. My mom has always been
Speaker 1: a prankster. Here she's telling me that as a teen,
Speaker 1: she's stuff little firecrackers into the shoelaces of her guy
Speaker 1: friend's shoes, and sometimes it would at the bottom of
Speaker 1: their pants on fire. Yes, of course that's funny. Oh yeah,
Speaker 1: like an adult, she still loves pranking people. I wanted
Speaker 1: to share with my mom how it was for me
Speaker 1: as a teen, so I started by asking her, do
Speaker 1: you remember how I was dressed back then? Oh yeah,
Speaker 1: come on, Cortos. Of course, she remembers. It was the
Speaker 1: era of low rider gene and crop tops. I was sixteen,
Speaker 1: and she tells me she remembers teasing me about it,
Speaker 1: telling me I'm going to get sick because my stomach
Speaker 1: was exposed, or pointing out that I forgot my pants
Speaker 1: when I wore short skirts. But there's also so much
Speaker 1: of that time that she didn't see. Yo Um. I
Speaker 1: told her I had my first drink at fourteen. It
Speaker 1: was what all the rebels drink, a bottle of Smirnoff ice,
Speaker 1: and that I used to sneak out of the house. Clara,
Speaker 1: my mom tells me she caught me once we see.
Speaker 1: I point to the door behind us that leads the backyard.
Speaker 1: I tell my mom, I sneak out the back WI see,
Speaker 1: keep doing there? Yeah? Yeah, I tell her. At least
Speaker 1: I got back in time for church. She's surprised, not mad,
Speaker 1: maybe more so a little impressed. So that's why you'd
Speaker 1: always fall asleep at church, she tells me, with a smirk.
Speaker 1: When I'm nervous, I don't fully think in one language.
Speaker 1: My would start weaving in and out of English and Spanish,
Speaker 1: you know, like hurt anyone, you know, hoven Um, I
Speaker 1: tell her that I was looking for a little freedom.
Speaker 1: My mom sat across from me at the table, calmly.
Speaker 1: She was nodding and listening. I was worried she wouldn't
Speaker 1: understand my nervous Spanish. I was kind of expecting my
Speaker 1: mom to blow up at me or cry or something
Speaker 1: umsciento like normal and like scary. Was so scared. I
Speaker 1: was like, oh my god, Mama, I know, it doesn't
Speaker 1: seem like a big deal. Now, the weight of potentially
Speaker 1: disappointing my parents weighs so heavy on me even today.
Speaker 1: I tell her how scared I was to let her down.
Speaker 1: She tells me, these are things that happened in the past.
Speaker 1: What could I do now? I mean, I don't know.
Speaker 1: I thought, you guys, oh my god, I'm gonna let
Speaker 1: her down, you know, Like, is the pressure pressure instead,
Speaker 1: like like Santo pressure. No. I tell her that I
Speaker 1: feel this immense pressure from being the oldest daughter and
Speaker 1: being the first born in this country. That pressure is
Speaker 1: still with me today. When I was in my early twenties,
Speaker 1: I was in a bad car accident coming home from
Speaker 1: being out late at a bar. I broke my back
Speaker 1: and other important bones. I was in the hospital for months.
Speaker 1: I couldn't walk or sit up on my own. Then
Speaker 1: I spent several months recovering at home. I had to
Speaker 1: go to physical therapy to relearn how to do basic
Speaker 1: shit like hold a water bottle with my left hand.
Speaker 1: I even had to relearn how to walk. I'm not
Speaker 1: a person that likes to ask for help, but I
Speaker 1: had no choice, and my family helped me every step
Speaker 1: of the way. I'm eternally grateful for them, but it's
Speaker 1: still hard for me to talk about that time with them.
Speaker 1: I sometimes feel like if I had been that proper daughter,
Speaker 1: you know, maybe it wouldn't have happened to me in
Speaker 1: the first place. Back then, it felt like I wasn't
Speaker 1: allowed to make mistakes. Yeah, I thought, I think, no, sa,
Speaker 1: I think like pressure, No, the pressure. My mom sounded surprised.
Speaker 1: I tell her I've learned to deal with the pressures
Speaker 1: as an adult, but growing up, I didn't have the
Speaker 1: tools I have now, and I wanted to escape grades
Speaker 1: best college. But to make you guys happy. All I
Speaker 1: wanted to do was make them happy. So there's a
Speaker 1: lot of pressure, I think, But I mean, come on.
Speaker 1: So my mom tries to be comforting. She tells me
Speaker 1: that both her and my dad are happy with the
Speaker 1: way their kids have turned out, that even though there
Speaker 1: have been hard times, we have gotten through it. I
Speaker 1: just never wanted to hurt them. I mean, I'm saying.
Speaker 1: My mom tells me she wished I had I had
Speaker 1: opened up to her, that it could have trusted her
Speaker 1: to listen. She says, as a parent, she never wanted
Speaker 1: to see me suffer and would have loved to make
Speaker 1: life easy for me. But kids, they don't always let
Speaker 1: themselves be helped. Thank you, You're welcome, You're like. Before
Speaker 1: I sat down with my mom, I also thought a
Speaker 1: lot about Emery and her mom. How lucky I was
Speaker 1: to have this moment, to have the chance to make
Speaker 1: mistakes and grow and evolve our relationship. Someone took that
Speaker 1: opportunity away from Emory and left her family without answers.
Speaker 1: There isn't a class to teach you what adulthood is,
Speaker 1: even if they wanted to. I don't think the insult
Speaker 1: in your life can fully do that for you. So
Speaker 1: we learned by following our feelings, our bodies, our instincts,
Speaker 1: and for some of us, that space was the party
Speaker 1: crew scene. When I close my eyes, I can still
Speaker 1: feel the dew from the fog machine on my skin
Speaker 1: and the heavy vibrations from the shady floor speaker. Standing
Speaker 1: too close to teenage bodies. I can see groups of
Speaker 1: girls and matching peak tops and hear them chanting their
Speaker 1: crew names at the top of their lungs, the lights
Speaker 1: bouncing off the laminated crew badges hanging around their necks.
Speaker 1: We turned a muddy backyard into a magical playground, and
Speaker 1: we imagined a future beyond what we could see at
Speaker 1: home and in our neighborhoods. We built a world, at
Speaker 1: least for one night. This episode was written, reported, and
Speaker 1: hosted by me Janas Yamoka. Our show is produced and
Speaker 1: reported by Sofia Polissa car, Victoria Lejandro, and Kyle Chang,
Speaker 1: and edited by Antonio Seihido. Additional editing by any Ables,
Speaker 1: back checking by Nidia about these Steps. Sound design and
Speaker 1: original music composition by Kyle Murdoch. Our supervising producer is
Speaker 1: Janet Lee. Art by Julie Ruiz and Victoikion. Our executive
Speaker 1: producer from Vice Audio is Kate Osborne. Our executive producers
Speaker 1: from Elias Studios are Antonia Shido and leog Our Vice
Speaker 1: President of Podcasts from Elias Studios is Shana Naomi Krocmam.
Speaker 1: Special thanks to the UCLA Department of Communication Archive for
Speaker 1: access to their news collection. In special thanks to therapist
Speaker 1: and my good friend Joanna Flores for all her sport.
Speaker 1: Extra special thanks to all the party crew people who
Speaker 1: spoke to us. Pops from Infamous Ladies, Caramel Diva from
Speaker 1: Lustful Ladies, Nssa from Clover Ladies, Wonders from the Dope Squad,
Speaker 1: Armando from Losapos, Triple X from Huggy's Production, MiGs from
Speaker 1: me hinthe Miss Sick from Lady Devotion, Chris from the
Speaker 1: Hen Some Devils, Partygoer, Max from Alhambra, and Springles from
Speaker 1: Code Read. Thank you for lending us your voice and hey,
Speaker 1: were you and a party crew Senator, party flyers or photos?
Speaker 1: I'd love to see them, even a voice message about
Speaker 1: your memories anything. You can set up a message or
Speaker 1: a picture at party Cruse at Elias Studios dot Com
Speaker 1: Party Cruise. The Untold Story is a production of Elias
Speaker 1: Studios and Vice Audio in partnership with Ihearts Michael Flura
Speaker 1: podcast Networks. For more podcasts, listen to the iHeartRadio app,
Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows.
Speaker 1: Elias dot Com is designed by Andy Tieflood and the
Speaker 1: Digital and marketing teams at Elias Studios. Thanks to the
Speaker 1: teams at Elias Studios, including Kristin Muller, Taylor Kaufman, Saber Brara,
Speaker 1: Kristin hayferd Andio Rosco, Michael Costantino, and the Elias Marketing
Speaker 1: team who created our branding. Support for this podcast is
Speaker 1: made possible by Gordon and Donna Crawford, who believe that
Speaker 1: quality journalism makes Los Angeles a better place to live.
Speaker 1: This program is made possible in part by the Corporation
Speaker 1: for Public Broadcasting, a private corporation funded by the American people.