1
00:00:02,279 --> 00:00:04,720
Speaker 1: I'm a homegrowl that knows a little bit about everything

2
00:00:04,800 --> 00:00:05,640
Speaker 1: and everybody.

3
00:00:06,559 --> 00:00:10,440
Speaker 2: You know, if you don't lie about that? Right, Hey, y'all,

4
00:00:10,440 --> 00:00:10,880
Speaker 2: what's up.

5
00:00:10,920 --> 00:00:14,760
Speaker 1: It's Lauren de Rosa and this is another episode of

6
00:00:14,800 --> 00:00:18,360
Speaker 1: the Latest Lauren Rosa. This is your dely day on

7
00:00:18,480 --> 00:00:22,000
Speaker 1: all things pop culture, entertainment, news and all of the

8
00:00:22,040 --> 00:00:26,279
Speaker 1: conversations that shake the room. Oh my god, all in

9
00:00:26,280 --> 00:00:27,640
Speaker 1: the conversations that shake the room.

10
00:00:27,720 --> 00:00:29,960
Speaker 2: Baby I forgot how I forget the baby?

11
00:00:30,040 --> 00:00:30,320
Speaker 1: Y'all?

12
00:00:31,920 --> 00:00:35,040
Speaker 2: Okay, so let's start off with checking.

13
00:00:34,720 --> 00:00:41,160
Speaker 1: In behind the scenes of the Grind. Yeah, today has

14
00:00:41,200 --> 00:00:42,800
Speaker 1: just been one of those days that has just been

15
00:00:42,840 --> 00:00:44,360
Speaker 1: like NonStop ongoing.

16
00:00:45,080 --> 00:00:45,800
Speaker 2: I think it's just.

17
00:00:45,760 --> 00:00:48,320
Speaker 1: The end of the week hitting the end of the week,

18
00:00:48,400 --> 00:00:50,920
Speaker 1: you know how everything like compiles all in one day.

19
00:00:51,479 --> 00:00:55,760
Speaker 2: But it's been a good day. Nonetheless, I've been spending a.

20
00:00:55,680 --> 00:01:01,320
Speaker 1: Lot more time getting and shipping and figuring out all

21
00:01:01,360 --> 00:01:03,840
Speaker 1: of your orders. So thank you to everybody who has

22
00:01:04,000 --> 00:01:10,040
Speaker 1: ordered from brongirgrinding dot com, which is the so brongar

23
00:01:10,080 --> 00:01:15,000
Speaker 1: Grinding is the production company, so you know they play

24
00:01:15,040 --> 00:01:16,720
Speaker 1: a hand in that day. We play a hand in

25
00:01:16,800 --> 00:01:19,360
Speaker 1: producing the podcast that you guys are listening to. The

26
00:01:19,400 --> 00:01:23,200
Speaker 1: content that I do with brands, just so many different

27
00:01:23,280 --> 00:01:26,760
Speaker 1: things and everything is housed under Brown Girl Grinding and

28
00:01:26,840 --> 00:01:30,480
Speaker 1: we have merch on the website broncogrinding dot com, and

29
00:01:31,959 --> 00:01:34,360
Speaker 1: y'all have been like really supported and I really really

30
00:01:34,440 --> 00:01:38,200
Speaker 1: appreciated to the point where it's like all hands on deck.

31
00:01:38,240 --> 00:01:40,640
Speaker 1: We have multiple people sending out orders, making sure everybody

32
00:01:40,640 --> 00:01:44,280
Speaker 1: gets everything that they need, everything that they ordered, and

33
00:01:44,400 --> 00:01:47,480
Speaker 1: just staying on top of things. So last night I

34
00:01:47,640 --> 00:01:51,040
Speaker 1: was up until like two a m. Making sure that

35
00:01:51,240 --> 00:01:54,480
Speaker 1: I packed orders right and I just had everything together

36
00:01:54,560 --> 00:01:56,600
Speaker 1: for this morning, to the point where I missed my

37
00:01:56,680 --> 00:02:00,200
Speaker 1: taste this morning on the Breakfast Club because like I

38
00:02:00,240 --> 00:02:02,520
Speaker 1: was just up until like late. I was in and

39
00:02:02,520 --> 00:02:06,000
Speaker 1: out asleep to be honest, though, like I had fallen asleep,

40
00:02:07,000 --> 00:02:09,240
Speaker 1: got up, was like all right, let me, you know,

41
00:02:09,400 --> 00:02:12,320
Speaker 1: put this stuff to the side, fell back to sleep,

42
00:02:12,639 --> 00:02:14,520
Speaker 1: and then when I woke up, I'm like, oh my god,

43
00:02:14,560 --> 00:02:17,600
Speaker 1: I'm runn late. But I appreciate you guys though a lot.

44
00:02:17,680 --> 00:02:20,640
Speaker 1: And I was thinking about it as I was, you know,

45
00:02:20,680 --> 00:02:25,480
Speaker 1: making sure that everything got shipped out today that I've

46
00:02:25,560 --> 00:02:28,720
Speaker 1: always said that I wanted, like bron girgrinded as a

47
00:02:28,760 --> 00:02:32,160
Speaker 1: production company to be so oh my god, it's snowing.

48
00:02:32,440 --> 00:02:34,239
Speaker 1: I'm looking at the window right now in New York

49
00:02:34,240 --> 00:02:36,760
Speaker 1: and it's snowing and it's been like seventy eighty degrees here.

50
00:02:36,800 --> 00:02:37,480
Speaker 2: That're so crazy.

51
00:02:38,480 --> 00:02:40,360
Speaker 1: But I've always said that I wanted to Bronco grind

52
00:02:40,400 --> 00:02:42,360
Speaker 1: It as a production company and all of the content

53
00:02:42,400 --> 00:02:44,799
Speaker 1: that we put out, all of the stories that we tell,

54
00:02:44,919 --> 00:02:46,360
Speaker 1: to be done at.

55
00:02:46,280 --> 00:02:47,160
Speaker 2: A very high level.

56
00:02:47,200 --> 00:02:49,760
Speaker 1: Like I've always wanted people to look at us and

57
00:02:49,800 --> 00:02:53,600
Speaker 1: be like, Okay, this is the Nike of what they

58
00:02:53,639 --> 00:02:56,640
Speaker 1: do of content of storytelling, and you could tell stories

59
00:02:56,639 --> 00:02:59,320
Speaker 1: in so many different ways. Fashion has always been away

60
00:02:59,360 --> 00:03:02,079
Speaker 1: from me and designing and figuring out all of that,

61
00:03:02,560 --> 00:03:05,760
Speaker 1: and that space has always been a passion area for me.

62
00:03:06,440 --> 00:03:09,840
Speaker 1: So to see people like purchasing the the you know,

63
00:03:09,919 --> 00:03:13,440
Speaker 1: the gear and wearing it and tagging it. Somebody texted

64
00:03:13,440 --> 00:03:16,960
Speaker 1: me the other day and was like they were just

65
00:03:17,000 --> 00:03:18,640
Speaker 1: so excited that they placed the order and that the

66
00:03:18,760 --> 00:03:21,120
Speaker 1: order was out for delivery, and they sent me a

67
00:03:21,120 --> 00:03:22,880
Speaker 1: screen shot of the delivery and they were like, yo,

68
00:03:22,960 --> 00:03:25,480
Speaker 1: I'm a part of the movement, like and I was like, yes,

69
00:03:26,160 --> 00:03:29,600
Speaker 1: that's the energy, the energy is, this is a movement,

70
00:03:29,720 --> 00:03:31,400
Speaker 1: get with it or get lost. But it's so good

71
00:03:31,400 --> 00:03:33,840
Speaker 1: to see people actually being receptive to that. So make

72
00:03:33,880 --> 00:03:37,600
Speaker 1: sure you guys go and check out broncoorgrinding dot com

73
00:03:38,000 --> 00:03:40,440
Speaker 1: to get everything going that you need. When it comes

74
00:03:40,480 --> 00:03:44,120
Speaker 1: to the merch, the Black Effect Podcast festival tickets are

75
00:03:44,160 --> 00:03:46,280
Speaker 1: on sale. You give visit black Effect dot com, black

76
00:03:46,520 --> 00:03:50,360
Speaker 1: back black Effect dot com for all that information, and

77
00:03:50,440 --> 00:03:52,880
Speaker 1: I will be at the festival. We will have merch

78
00:03:52,960 --> 00:03:56,560
Speaker 1: on sale at the festival. So I'm really excited. But

79
00:03:56,600 --> 00:03:59,680
Speaker 1: it's just a good feeling to, you know, be packing

80
00:03:59,720 --> 00:04:01,800
Speaker 1: all these orders and have all these things to do

81
00:04:01,840 --> 00:04:06,480
Speaker 1: because people are buying and they like it, and yeah,

82
00:04:06,520 --> 00:04:09,800
Speaker 1: I just man, I love y'all the lowriders like you

83
00:04:09,880 --> 00:04:13,960
Speaker 1: guys hold us down so much. So as I was

84
00:04:14,000 --> 00:04:17,520
Speaker 1: packing orders as tired as I was, baby, I was like, oh,

85
00:04:17,880 --> 00:04:19,520
Speaker 1: this is such a great feeling. You put things out

86
00:04:19,520 --> 00:04:21,000
Speaker 1: into the world, you don't know how they're going to

87
00:04:21,200 --> 00:04:23,919
Speaker 1: be received, but when they're received, well, it's such a

88
00:04:23,920 --> 00:04:26,839
Speaker 1: great feeling. So thank you guys for the orders. Everything

89
00:04:26,920 --> 00:04:30,760
Speaker 1: is on its way. We're all caught up at this point.

90
00:04:30,800 --> 00:04:32,680
Speaker 1: But it depends on what time you listen to this

91
00:04:32,760 --> 00:04:35,760
Speaker 1: because there may be like a thousand more. Okay, make

92
00:04:35,760 --> 00:04:39,760
Speaker 1: sure you guys visit Broncogrianda dot com again to shop

93
00:04:40,200 --> 00:04:43,440
Speaker 1: the March on the website. This is your exclusive invite

94
00:04:43,520 --> 00:04:46,240
Speaker 1: right here from the Latest with Lona Roads of the podcast.

95
00:04:46,680 --> 00:04:48,760
Speaker 2: Now let's get on into the latest.

96
00:04:49,880 --> 00:04:53,960
Speaker 1: Speaking of putting things out into the world and not

97
00:04:54,080 --> 00:04:57,039
Speaker 1: knowing how people are going to receive them, man, Drake,

98
00:04:58,360 --> 00:05:00,560
Speaker 1: that is the line right there, men, Drake.

99
00:05:00,680 --> 00:05:03,960
Speaker 2: Okay, So Drake has a new project coming.

100
00:05:05,600 --> 00:05:10,640
Speaker 1: The project is called Iceman, and Drake has been releasing

101
00:05:11,960 --> 00:05:19,919
Speaker 1: like visuals like these, like many films, just to like

102
00:05:20,800 --> 00:05:23,040
Speaker 1: support the fact that this new project is coming. Now,

103
00:05:23,080 --> 00:05:26,680
Speaker 1: it was supposed to come in early twenty twenty six,

104
00:05:26,960 --> 00:05:29,919
Speaker 1: but I feel like now that we're leaving March early

105
00:05:29,960 --> 00:05:31,680
Speaker 1: twenty twenty six is kind of over.

106
00:05:32,360 --> 00:05:33,400
Speaker 2: But that is all that we know.

107
00:05:34,240 --> 00:05:37,800
Speaker 1: And I think every single time that fans anticipate Iceman

108
00:05:37,920 --> 00:05:40,440
Speaker 1: is about to drop, like a few weeks ago.

109
00:05:41,320 --> 00:05:42,320
Speaker 2: Maybe even a month ago.

110
00:05:42,400 --> 00:05:46,839
Speaker 1: Now, I remember people being like almost definitely for sure

111
00:05:47,000 --> 00:05:49,880
Speaker 1: that they knew that Drake was dropping signals and that

112
00:05:49,920 --> 00:05:52,960
Speaker 1: Iceman was going to drop on a specific Friday, and

113
00:05:53,000 --> 00:05:56,480
Speaker 1: that friday came and went and nothing dropped, but we

114
00:05:56,520 --> 00:06:00,440
Speaker 1: are back here again. Drake is doing it again to us. Okay,

115
00:06:00,440 --> 00:06:02,120
Speaker 1: he has us all rupped up and ready to hear

116
00:06:02,160 --> 00:06:06,360
Speaker 1: the music. So Drake changed the abby on his Instagram

117
00:06:06,400 --> 00:06:10,040
Speaker 1: to a two thousands photo of Lil Wayne back when

118
00:06:10,080 --> 00:06:13,080
Speaker 1: Lil Wayne was on Jenny Jones Show. And every single

119
00:06:13,120 --> 00:06:15,599
Speaker 1: time Drake is getting ready to release new music, he

120
00:06:15,920 --> 00:06:17,920
Speaker 1: is like changing abbas on Instagram and all.

121
00:06:17,800 --> 00:06:18,880
Speaker 2: Of the things. Now.

122
00:06:18,880 --> 00:06:21,480
Speaker 1: You also posted to his Instagram and inst the story

123
00:06:22,240 --> 00:06:24,400
Speaker 1: that said that the comeback is is this one is

124
00:06:24,440 --> 00:06:28,039
Speaker 1: personal for him and that has been the conversation now Drake.

125
00:06:28,279 --> 00:06:30,840
Speaker 1: Don't get me wrong, Drake has been breaking records across

126
00:06:30,839 --> 00:06:36,280
Speaker 1: streaming platforms over the last few months that I feel

127
00:06:36,279 --> 00:06:39,000
Speaker 1: like a lot of people don't talk about, and I

128
00:06:39,000 --> 00:06:41,040
Speaker 1: think that it's a double edged short. I think number one,

129
00:06:41,040 --> 00:06:43,960
Speaker 1: people don't talk about it because the narrative after not

130
00:06:44,160 --> 00:06:47,039
Speaker 1: like us is that Drake is this you know, woe

131
00:06:47,120 --> 00:06:49,760
Speaker 1: is me artist, and Drake is still Drake at the

132
00:06:49,839 --> 00:06:50,280
Speaker 1: end of the day.

133
00:06:50,320 --> 00:06:52,560
Speaker 2: So I don't believe that, but I think that's what's

134
00:06:52,560 --> 00:06:53,320
Speaker 2: out there, right.

135
00:06:54,120 --> 00:06:56,919
Speaker 1: And then everything happened with the lawsuit in him suing

136
00:06:57,040 --> 00:07:01,520
Speaker 1: Universal Music Group them asking for the lawsuit.

137
00:07:01,080 --> 00:07:03,040
Speaker 2: To be dismissed a judge.

138
00:07:03,120 --> 00:07:05,760
Speaker 1: You know, just all of the things that have happened

139
00:07:05,760 --> 00:07:09,440
Speaker 1: since then, and and and just how it has made

140
00:07:09,680 --> 00:07:13,480
Speaker 1: Drake look as an artist basically like a sore loser,

141
00:07:13,640 --> 00:07:17,160
Speaker 1: like basically like someone who can't accept the fact that

142
00:07:17,520 --> 00:07:19,520
Speaker 1: he is still at the top, but he might not

143
00:07:19,560 --> 00:07:20,480
Speaker 1: be everybody's favorite.

144
00:07:20,520 --> 00:07:25,120
Speaker 2: Right now, on the other end of that sword, you.

145
00:07:25,240 --> 00:07:29,440
Speaker 1: Have the fact that there's because of not like us.

146
00:07:29,680 --> 00:07:34,000
Speaker 1: There's been this bot conversation about you know, alleging that

147
00:07:34,160 --> 00:07:37,440
Speaker 1: Drake and his streams and you know, all the numbers

148
00:07:37,480 --> 00:07:40,440
Speaker 1: and you know, all the streaming records that we're breaking,

149
00:07:40,640 --> 00:07:43,880
Speaker 1: or that you know, his music is breaking doesn't really

150
00:07:43,920 --> 00:07:46,960
Speaker 1: belong to him because it's not real.

151
00:07:47,360 --> 00:07:48,440
Speaker 2: Everything is inflated.

152
00:07:48,920 --> 00:07:54,040
Speaker 1: And I think there are people who you know, even

153
00:07:54,080 --> 00:08:00,280
Speaker 1: though things are you know, just said in conversation or

154
00:08:00,680 --> 00:08:02,880
Speaker 1: alleged because I know Drake alleged that you know, Kendrick

155
00:08:02,960 --> 00:08:06,960
Speaker 1: Lamar and Universal Music Group inflated numbers and push things.

156
00:08:06,680 --> 00:08:09,720
Speaker 2: In a way that they shouldn't have. And there's been conversation.

157
00:08:09,320 --> 00:08:12,880
Speaker 1: About Drake and embodying and him using money from stake

158
00:08:12,920 --> 00:08:15,560
Speaker 1: to do so, like everything is just so murky right now,

159
00:08:15,560 --> 00:08:18,160
Speaker 1: I feel like people don't know what to believe. But

160
00:08:18,240 --> 00:08:19,760
Speaker 1: to be honest with you, I think that this is

161
00:08:19,800 --> 00:08:22,040
Speaker 1: the best time for Drake to come through with some

162
00:08:22,080 --> 00:08:24,880
Speaker 1: good music because I think if nothing else, I think

163
00:08:24,920 --> 00:08:28,120
Speaker 1: about it, if nothing else, good music is going to

164
00:08:28,200 --> 00:08:31,720
Speaker 1: stand and it could change the narrative. But your messaging

165
00:08:31,760 --> 00:08:36,000
Speaker 1: in that music has to be so strong. When Drake

166
00:08:36,280 --> 00:08:40,520
Speaker 1: dropped his last project, right No Kia was on the project,

167
00:08:40,840 --> 00:08:44,200
Speaker 1: I remember saying on the Breakfast Club, Nokia.

168
00:08:43,920 --> 00:08:44,320
Speaker 2: Is the one.

169
00:08:44,360 --> 00:08:46,319
Speaker 1: This song is fire and they were like, what, you

170
00:08:46,320 --> 00:08:47,599
Speaker 1: didn't even get a chance to listen to it, And

171
00:08:47,640 --> 00:08:50,960
Speaker 1: I'm like, no, you can listen to a project and

172
00:08:51,120 --> 00:08:54,520
Speaker 1: identify which song is going to resonate the best, especially

173
00:08:54,520 --> 00:08:57,840
Speaker 1: for that time period, like people wanting to be outside,

174
00:08:57,880 --> 00:08:59,400
Speaker 1: people wanting to have some of the dance.

175
00:08:59,240 --> 00:09:02,080
Speaker 2: Too, people wanting so think a beat, and just wanting

176
00:09:02,160 --> 00:09:03,080
Speaker 2: like some feel good.

177
00:09:02,960 --> 00:09:06,280
Speaker 1: Music from Drake because at that point it's like we

178
00:09:06,280 --> 00:09:08,719
Speaker 1: don't even really know what to expect because you want

179
00:09:08,720 --> 00:09:10,200
Speaker 1: to feel like, oh my god, he's been through so much.

180
00:09:10,280 --> 00:09:12,000
Speaker 1: But it was just it was just a little rap

181
00:09:12,040 --> 00:09:15,880
Speaker 1: battle which he participated in. But No Kia went crazy.

182
00:09:16,200 --> 00:09:18,400
Speaker 1: It Broke Records. It was all over the streaming charts.

183
00:09:18,440 --> 00:09:21,680
Speaker 1: I mean it was topping charts, right, But the narrative

184
00:09:21,679 --> 00:09:26,480
Speaker 1: still stands up. Drake Kendrick not like us winner, sore loser,

185
00:09:27,240 --> 00:09:30,240
Speaker 1: that whole thing. The best thing Drake can do right

186
00:09:30,240 --> 00:09:33,040
Speaker 1: now is drop some music that is so undeniably good

187
00:09:33,160 --> 00:09:38,239
Speaker 1: and the narrative is so undeniaably good and causes conversation.

188
00:09:39,800 --> 00:09:42,000
Speaker 1: I don't think people will forget to not like us moment,

189
00:09:42,040 --> 00:09:44,480
Speaker 1: but I do think that it will help. And when

190
00:09:44,559 --> 00:09:47,040
Speaker 1: Drake dropped a lot of the music that he dropped,

191
00:09:47,080 --> 00:09:49,600
Speaker 1: I talked about it hearing the podcast in our previous episode,

192
00:09:49,600 --> 00:09:52,880
Speaker 1: and I said, like, you know, I don't want to

193
00:09:52,880 --> 00:09:55,880
Speaker 1: hear Drake address all of the beef and you know,

194
00:09:55,960 --> 00:09:57,800
Speaker 1: all those things. I think there's so much more he

195
00:09:57,840 --> 00:10:01,920
Speaker 1: can talk about. It. It was when he dropped with

196
00:10:01,920 --> 00:10:04,800
Speaker 1: it I missed and I was like, there's so much

197
00:10:04,840 --> 00:10:08,360
Speaker 1: more that Drake could talk about and have a conversation about.

198
00:10:08,800 --> 00:10:10,679
Speaker 1: And I was very honest in my opinion, and I

199
00:10:10,760 --> 00:10:11,600
Speaker 1: still feel that way.

200
00:10:11,640 --> 00:10:13,200
Speaker 2: I do think that there.

201
00:10:13,080 --> 00:10:15,800
Speaker 1: Are certain things that we do want to hear him address,

202
00:10:15,840 --> 00:10:17,360
Speaker 1: Like I want to hear him talk about why he

203
00:10:17,400 --> 00:10:19,040
Speaker 1: decided to find a lawsuit.

204
00:10:19,240 --> 00:10:22,920
Speaker 2: Knowing you know, the things that we know.

205
00:10:23,520 --> 00:10:26,800
Speaker 1: The record label feels about the lawsuit, and you know,

206
00:10:26,960 --> 00:10:31,000
Speaker 1: just like everybody stands on it, I want to know why. Like,

207
00:10:31,040 --> 00:10:32,560
Speaker 1: there are some things I do think I want to

208
00:10:32,559 --> 00:10:36,440
Speaker 1: hear him address, but there are some things where I'm like, listen, you.

209
00:10:36,400 --> 00:10:38,440
Speaker 2: Can't, Like, we just got to move on.

210
00:10:38,679 --> 00:10:41,920
Speaker 1: Because even if right, like, even if you're saying you're

211
00:10:41,920 --> 00:10:43,960
Speaker 1: not a sore loser, even if you're saying you didn't cry,

212
00:10:44,080 --> 00:10:48,000
Speaker 1: this didn't phase you. The music that happened since then

213
00:10:48,360 --> 00:10:52,760
Speaker 1: doesn't feel like that. And speaking of music, you know,

214
00:10:53,040 --> 00:10:55,520
Speaker 1: there were these snippets that were released online and I'll

215
00:10:55,520 --> 00:10:57,680
Speaker 1: play them for you just for context so you guys

216
00:10:57,720 --> 00:10:58,000
Speaker 1: can hear.

217
00:10:58,080 --> 00:10:59,120
Speaker 2: So let's take a listen to this.

218
00:10:59,080 --> 00:11:02,680
Speaker 1: One where dre uh you know, is dissing but we

219
00:11:02,679 --> 00:11:05,120
Speaker 1: can't really fully hear. But Drake is somewhat from what

220
00:11:05,120 --> 00:11:07,559
Speaker 1: of it scenes like this is Serena Williams would also

221
00:11:07,880 --> 00:11:09,600
Speaker 1: take a little shot at Kendrick lam Market.

222
00:11:09,679 --> 00:11:14,280
Speaker 2: Serena, I meant hanging around these niggas, I might hit

223
00:11:14,320 --> 00:11:17,240
Speaker 2: the school boy. And then there's a second track that

224
00:11:17,360 --> 00:11:18,360
Speaker 2: dropped as well.

225
00:11:18,400 --> 00:11:20,040
Speaker 1: I mean it didn't drop, but that was leaked a

226
00:11:20,040 --> 00:11:22,080
Speaker 1: snippet of it as well, and this was a this

227
00:11:22,240 --> 00:11:24,760
Speaker 1: was a three part thing, but the third song was

228
00:11:24,800 --> 00:11:27,640
Speaker 1: actually old. Fans believe that this is real and this

229
00:11:27,679 --> 00:11:30,080
Speaker 1: is something that could really be on Iceman because the

230
00:11:30,160 --> 00:11:32,360
Speaker 1: same way that this music was released was the same

231
00:11:32,400 --> 00:11:36,120
Speaker 1: way that a few songs for that A few songs

232
00:11:36,160 --> 00:11:39,320
Speaker 1: from some sexy songs for you were also released as

233
00:11:39,400 --> 00:11:43,000
Speaker 1: well prior to were leaked to prior to. But I

234
00:11:43,000 --> 00:11:46,360
Speaker 1: have no official confirmation on if these songs will actually

235
00:11:46,360 --> 00:11:48,679
Speaker 1: be on Drake's new Iceman project that is supposed to

236
00:11:48,720 --> 00:11:50,040
Speaker 1: be released soon.

237
00:11:50,520 --> 00:11:51,720
Speaker 2: But but here's the thing.

238
00:11:54,840 --> 00:11:57,080
Speaker 1: Charlamagne made a comment today on the Breakfast Club that

239
00:11:57,120 --> 00:11:59,920
Speaker 1: has the people in a frenzy like if we know

240
00:12:00,280 --> 00:12:04,920
Speaker 1: nothing else, we know that people right now since these

241
00:12:04,920 --> 00:12:08,920
Speaker 1: snippets are having a conversation about whether Drake and Future

242
00:12:09,720 --> 00:12:13,480
Speaker 1: have put aside all their differences, right, and we have

243
00:12:13,520 --> 00:12:15,800
Speaker 1: a time one up their beef put aside all their

244
00:12:15,800 --> 00:12:19,840
Speaker 1: differences because Kendrick Lamar and everything that started though not

245
00:12:20,040 --> 00:12:31,400
Speaker 1: like us, conversation happen on Future's album and Future and Drake,

246
00:12:32,840 --> 00:12:35,240
Speaker 1: we don't trust you, right, and Future and Drake are

247
00:12:35,360 --> 00:12:38,880
Speaker 1: very well known collaborators and Kendrick Laurer comes on the

248
00:12:38,920 --> 00:12:42,000
Speaker 1: record and it says there's no Big three, It's just

249
00:12:42,200 --> 00:12:47,800
Speaker 1: Big me, right, So from everything that we know, you know,

250
00:12:48,320 --> 00:12:50,160
Speaker 1: we even had Young up tweet and trying to get

251
00:12:50,160 --> 00:12:52,959
Speaker 1: Future and Drake back together with a metro boom and

252
00:12:53,000 --> 00:12:53,880
Speaker 1: who produced the record.

253
00:12:53,960 --> 00:12:57,160
Speaker 2: Right, from everything we know that camp has not been

254
00:12:57,200 --> 00:12:59,640
Speaker 2: the same since. I do know that.

255
00:12:59,679 --> 00:13:02,840
Speaker 1: A few months back, Elliott Wilson said on his show

256
00:13:02,880 --> 00:13:06,080
Speaker 1: That Does with DJ Head that he had heard that

257
00:13:06,240 --> 00:13:08,840
Speaker 1: Future and Drake had had a conversation and squashed the

258
00:13:08,840 --> 00:13:12,480
Speaker 1: beef and it moved on. But people were saying that

259
00:13:12,600 --> 00:13:15,719
Speaker 1: Elliott Wilson was crazy, but Charlemagne said that he had

260
00:13:15,760 --> 00:13:19,240
Speaker 1: heard the song or I'm sorry. Charlamayne said that he

261
00:13:19,320 --> 00:13:23,280
Speaker 1: had talked to someone who had heard Iceman and that

262
00:13:23,400 --> 00:13:26,280
Speaker 1: Future and Drake were on the project together.

263
00:13:27,320 --> 00:13:30,880
Speaker 2: Now I'm going to go in.

264
00:13:30,840 --> 00:13:34,520
Speaker 1: And dig a bit more following this episode because I

265
00:13:34,559 --> 00:13:37,719
Speaker 1: think timeline matters. And in the moment when Charlie Mane

266
00:13:37,760 --> 00:13:40,120
Speaker 1: said this, we did not get a gist of the timeline.

267
00:13:40,120 --> 00:13:42,960
Speaker 1: But timeline does matter, right because if this is a

268
00:13:43,080 --> 00:13:46,920
Speaker 1: very old project or very old feature that Drake in

269
00:13:47,040 --> 00:13:51,520
Speaker 1: Future did, it's a little different than saying they buried

270
00:13:51,520 --> 00:13:53,840
Speaker 1: the hatch and they recorded new music. But at the

271
00:13:53,880 --> 00:13:56,679
Speaker 1: same time, does it really matter though, because even if

272
00:13:56,679 --> 00:13:59,959
Speaker 1: it's old music, the fact that Drake would even put

273
00:14:00,080 --> 00:14:03,520
Speaker 1: that on a project as sensitive as it seemed like

274
00:14:03,559 --> 00:14:06,360
Speaker 1: Drake has been throughout this whole Kendrick Lamar thing, and

275
00:14:06,760 --> 00:14:08,720
Speaker 1: you know, he got so upset at Lebron for being

276
00:14:08,720 --> 00:14:10,600
Speaker 1: at the pop out and dancing at the PopOut that

277
00:14:10,640 --> 00:14:14,160
Speaker 1: he removed Lebron's tattoo and he threw shots at Lebron

278
00:14:14,200 --> 00:14:16,440
Speaker 1: and with did I miss you know what I mean? Like,

279
00:14:16,480 --> 00:14:19,720
Speaker 1: after all of that, if Drake ain't fooling with you,

280
00:14:19,880 --> 00:14:22,560
Speaker 1: he ain't fooling with you. If Future look Future said,

281
00:14:22,560 --> 00:14:24,600
Speaker 1: if Young Metro don't trust you, I'm gonna shoot you.

282
00:14:24,760 --> 00:14:26,480
Speaker 2: It's very much like that on both sides.

283
00:14:26,560 --> 00:14:28,880
Speaker 1: So the fact that Future is even on this project

284
00:14:28,880 --> 00:14:34,280
Speaker 1: allegedly even if an old verse, I don't think Drake

285
00:14:34,280 --> 00:14:37,600
Speaker 1: would do that if there wasn't some sort of hatch

286
00:14:37,720 --> 00:14:41,840
Speaker 1: buried conversation had. Now let's take you through a real

287
00:14:41,920 --> 00:14:46,000
Speaker 1: quick timeline of Drake and Futures like, because it's like

288
00:14:46,080 --> 00:14:49,440
Speaker 1: their relationship has always been. Like their collaborators, they supposed

289
00:14:49,440 --> 00:14:50,000
Speaker 1: to be brothers.

290
00:14:50,000 --> 00:14:50,680
Speaker 2: They make good music.

291
00:14:50,680 --> 00:14:53,760
Speaker 1: They make hell of good music together, right, some of

292
00:14:53,760 --> 00:14:56,200
Speaker 1: the timeless music together.

293
00:14:56,280 --> 00:14:56,480
Speaker 2: Right.

294
00:14:57,080 --> 00:15:01,520
Speaker 1: But from a fans perspective, right, I'm I'm fans of them.

295
00:15:01,560 --> 00:15:03,400
Speaker 1: I'm a fan of the music that they make together.

296
00:15:03,720 --> 00:15:06,840
Speaker 1: And I also follow the timeline of their relationship, and

297
00:15:06,840 --> 00:15:10,440
Speaker 1: from everything I know, there's always been this weird subliminal

298
00:15:10,560 --> 00:15:14,720
Speaker 1: like competition or jealousy or something between the two of

299
00:15:14,720 --> 00:15:19,200
Speaker 1: them that has always made it where we always.

300
00:15:19,120 --> 00:15:22,080
Speaker 2: Can can inquire.

301
00:15:21,200 --> 00:15:25,200
Speaker 1: Or infer that there are subliminally thrown shots at each other.

302
00:15:25,360 --> 00:15:25,520
Speaker 3: Right.

303
00:15:26,680 --> 00:15:31,840
Speaker 1: So back in twenty eleven, Future, you know, was making

304
00:15:31,840 --> 00:15:34,320
Speaker 1: his way as some artists, and he was arbuing like

305
00:15:34,360 --> 00:15:37,880
Speaker 1: his first big song. He had had, you know, some

306
00:15:37,960 --> 00:15:40,360
Speaker 1: successful for that, but this was like this is the one,

307
00:15:40,440 --> 00:15:42,680
Speaker 1: this was commercial, this is what he was betting all

308
00:15:42,720 --> 00:15:43,880
Speaker 1: on Tony Montana.

309
00:15:44,520 --> 00:15:46,440
Speaker 2: He did the song, Drake.

310
00:15:46,320 --> 00:15:49,520
Speaker 1: Was featured on the song, and then Drake did not

311
00:15:49,680 --> 00:15:55,360
Speaker 1: show up to do the video, and Future talked at

312
00:15:55,360 --> 00:15:57,440
Speaker 1: that time to the source about how it was a

313
00:15:57,440 --> 00:15:58,240
Speaker 1: slap in the face.

314
00:15:58,640 --> 00:16:03,800
Speaker 2: Let's take a listen. And then separately in another interview.

315
00:16:04,040 --> 00:16:06,880
Speaker 1: Future and I look and I didn't have to look

316
00:16:06,920 --> 00:16:09,240
Speaker 1: forward to compile all these receipts, like people just put

317
00:16:09,240 --> 00:16:12,000
Speaker 1: this together because it's always been a known thing of

318
00:16:12,080 --> 00:16:13,960
Speaker 1: us trying to figure out are they beating or do

319
00:16:14,000 --> 00:16:14,720
Speaker 1: they are they brosy?

320
00:16:14,720 --> 00:16:16,720
Speaker 2: They love each other like that has always been a thing.

321
00:16:17,320 --> 00:16:21,120
Speaker 1: So following that Drake did Started from the Bottom, which

322
00:16:21,120 --> 00:16:27,520
Speaker 1: we know classic period right, Future talked about in another

323
00:16:27,600 --> 00:16:29,640
Speaker 1: interview when he was doing if you make it from

324
00:16:29,680 --> 00:16:33,120
Speaker 1: the Bottom, you the chosen one, write that song, and

325
00:16:33,240 --> 00:16:36,600
Speaker 1: Drake was in the studio and he in the Future

326
00:16:36,680 --> 00:16:40,280
Speaker 1: says that started from the Bottom was inspired by the

327
00:16:40,320 --> 00:16:42,440
Speaker 1: making of his song Let's take a listen.

328
00:16:42,800 --> 00:16:44,960
Speaker 2: Started from the Bottom would have been a track that

329
00:16:44,960 --> 00:16:45,800
Speaker 2: you would have liked to have been on.

330
00:16:46,000 --> 00:16:47,720
Speaker 3: Yeah, because when I was in the studio when we

331
00:16:47,800 --> 00:16:51,680
Speaker 3: was making the record, when he made the record, he

332
00:16:51,720 --> 00:16:53,160
Speaker 3: was in the studio session with me. That's when I

333
00:16:53,200 --> 00:16:55,640
Speaker 3: had the chosen one, and I was like, when you

334
00:16:55,720 --> 00:16:58,440
Speaker 3: make it from the bottom, you the chosen one. So

335
00:16:58,480 --> 00:17:00,400
Speaker 3: when we were at the studio, Drake came by studio

336
00:17:00,440 --> 00:17:02,960
Speaker 3: and I always tell my engine this started from the bottom.

337
00:17:03,240 --> 00:17:05,200
Speaker 3: So when I put the beat song, I was like, man,

338
00:17:05,480 --> 00:17:07,640
Speaker 3: put the beats in. So I always started from the bottom.

339
00:17:07,840 --> 00:17:09,400
Speaker 3: So when I say, started from the bottom. He thought

340
00:17:09,400 --> 00:17:11,720
Speaker 3: I was talking about a song. So when I played

341
00:17:11,800 --> 00:17:13,439
Speaker 3: Chosen when he loved the Chosen One, but he was

342
00:17:13,440 --> 00:17:15,640
Speaker 3: waiting for me and this and chosen one to say

343
00:17:15,680 --> 00:17:17,800
Speaker 3: started from the bottom, so he said. Instantly he telling

344
00:17:17,800 --> 00:17:19,800
Speaker 3: me this story. He bought me a bottle Louis the

345
00:17:19,840 --> 00:17:23,120
Speaker 3: thirteenth that I never opened up Wow, because of this story.

346
00:17:23,119 --> 00:17:27,760
Speaker 3: And I'm like, man, I won't bother any publishing. You

347
00:17:27,800 --> 00:17:30,080
Speaker 3: know what I'm saying. But with Drake, that's the home.

348
00:17:30,200 --> 00:17:33,199
Speaker 3: And he was like, man, started from the bottom, and

349
00:17:33,240 --> 00:17:35,480
Speaker 3: it stayed on my mind. I instantly got in the video.

350
00:17:35,520 --> 00:17:38,280
Speaker 3: I got in, got in with the driver and told

351
00:17:38,359 --> 00:17:40,000
Speaker 3: him put the city in. I already had the beat,

352
00:17:40,160 --> 00:17:42,159
Speaker 3: and I just started saying, started from the bottom. Then

353
00:17:42,160 --> 00:17:44,200
Speaker 3: we're here crazy. But I was like, man, why ain't

354
00:17:44,760 --> 00:17:45,240
Speaker 3: And I can.

355
00:17:45,160 --> 00:17:47,359
Speaker 2: Understand future one publishing. I'm not even gonna hold you.

356
00:17:47,440 --> 00:17:50,040
Speaker 1: It's like, even if I didn't write, even if my

357
00:17:50,160 --> 00:17:53,679
Speaker 1: voice isn't on it, the concept that came from me,

358
00:17:54,040 --> 00:17:55,880
Speaker 1: I don't. I mean, I don't know, maybe not enough.

359
00:17:57,160 --> 00:17:59,199
Speaker 1: I wouldn't say maybe not enough for publishing, but I

360
00:17:59,240 --> 00:18:05,720
Speaker 1: do think that's like having a reference track and acting

361
00:18:05,840 --> 00:18:08,879
Speaker 1: like the reference track never happened, like where things are

362
00:18:08,920 --> 00:18:10,720
Speaker 1: sung a certain way, or like what even if it

363
00:18:10,840 --> 00:18:16,199
Speaker 1: inspire inspires another song, like you know where that came from.

364
00:18:16,440 --> 00:18:17,919
Speaker 2: And you guys heard Future, it be like, well, why

365
00:18:17,920 --> 00:18:20,680
Speaker 2: ain't get up publishing? Why you ain't just say that then?

366
00:18:22,320 --> 00:18:24,520
Speaker 1: And then there was the whole thing in twenty ten

367
00:18:24,600 --> 00:18:27,920
Speaker 1: where Future was supposed to go on tour with Drake

368
00:18:28,320 --> 00:18:31,199
Speaker 1: and he had made some comments to Billboard. Now, the

369
00:18:31,240 --> 00:18:33,119
Speaker 1: crazy thing is is when you go look up this

370
00:18:33,160 --> 00:18:35,520
Speaker 1: Billboard article, these comments are not in the article.

371
00:18:35,560 --> 00:18:37,280
Speaker 2: But Future had had, you know.

372
00:18:37,640 --> 00:18:42,320
Speaker 1: Made these alleged comments to Billboard about Drake, and basically

373
00:18:42,400 --> 00:18:45,919
Speaker 1: he was talking about how Drake's music just didn't move you,

374
00:18:46,840 --> 00:18:49,240
Speaker 1: Like Drake puts out music, but it just.

375
00:18:49,200 --> 00:18:51,240
Speaker 2: Doesn't move you like a Future record.

376
00:18:51,280 --> 00:18:53,680
Speaker 1: Right, those were the alleged comments, and there were a

377
00:18:53,720 --> 00:18:54,480
Speaker 1: few other things.

378
00:18:54,920 --> 00:18:55,240
Speaker 2: Now.

379
00:18:55,680 --> 00:18:58,840
Speaker 1: The journalist, her name is Erica Ramirez. She was working

380
00:18:58,880 --> 00:19:03,359
Speaker 1: for Billboard at the time she did the story. She

381
00:19:03,480 --> 00:19:08,040
Speaker 1: also tweeted the comments, like tweeted the quotes in order

382
00:19:08,080 --> 00:19:13,760
Speaker 1: to push the story. And then Futures managers reached out

383
00:19:13,880 --> 00:19:16,280
Speaker 1: and they allegedly and they were freaking out and wanted

384
00:19:16,320 --> 00:19:20,120
Speaker 1: their quotes removed. So everything was removed from that Billboard article,

385
00:19:20,160 --> 00:19:23,440
Speaker 1: and during this time Future was still promoting his album

386
00:19:23,480 --> 00:19:24,439
Speaker 1: Honest and Nothing.

387
00:19:24,520 --> 00:19:24,920
Speaker 2: Drake had.

388
00:19:24,960 --> 00:19:27,520
Speaker 1: Nothing was the same that was out so what so

389
00:19:27,600 --> 00:19:31,119
Speaker 1: what were the original quotes that allegedly were in that

390
00:19:31,200 --> 00:19:33,520
Speaker 1: were in the article were asked to be removed, but

391
00:19:33,560 --> 00:19:35,960
Speaker 1: were still left on Twitter because the journalists she never

392
00:19:36,000 --> 00:19:38,880
Speaker 1: removed them from her Twitter. The comments were, Drake made

393
00:19:38,880 --> 00:19:41,040
Speaker 1: an album that is fully hits, but it doesn't grab you,

394
00:19:42,040 --> 00:19:44,680
Speaker 1: and he was comparing Nothing was the same to Honest, right.

395
00:19:45,000 --> 00:19:48,560
Speaker 1: So then Future allegedly went on to say, they're not possessive,

396
00:19:48,600 --> 00:19:50,119
Speaker 1: they don't make you feel the way I do.

397
00:19:50,200 --> 00:19:52,840
Speaker 2: I want you to fall in love now again.

398
00:19:53,119 --> 00:19:55,480
Speaker 1: These quotes will later be removed from that Billboard article

399
00:19:55,520 --> 00:19:59,320
Speaker 1: at the request allegedly a Futures manager who said that

400
00:19:59,359 --> 00:20:04,040
Speaker 1: Future was quoted like he was taking out of context.

401
00:20:04,600 --> 00:20:06,480
Speaker 2: Future went on x himself.

402
00:20:06,520 --> 00:20:08,600
Speaker 1: At that time, it was on Twitter, but Future went

403
00:20:08,640 --> 00:20:12,679
Speaker 1: on ex himself and he posted respect to Billboard, disappointed

404
00:20:12,680 --> 00:20:15,840
Speaker 1: on being misquoted. Always loved for my fan Drizzy Drake,

405
00:20:17,000 --> 00:20:22,600
Speaker 1: but the tour with them never happened. Now moving forward,

406
00:20:22,640 --> 00:20:24,640
Speaker 1: it's so crazy. There's always been like, that's what I'm saying.

407
00:20:24,640 --> 00:20:26,560
Speaker 1: There's always been like this, like back and forth with them.

408
00:20:27,640 --> 00:20:30,320
Speaker 1: I remember Noiega came on The Breakfast Club in twenty

409
00:20:30,359 --> 00:20:34,040
Speaker 1: twenty three, and I remember this clip because I remember

410
00:20:35,080 --> 00:20:38,320
Speaker 1: he was so like vague about how he knew the information,

411
00:20:38,400 --> 00:20:40,959
Speaker 1: but he was so specific about what he knew that

412
00:20:41,000 --> 00:20:45,280
Speaker 1: people believed to him. So fast forward twenty twenty three,

413
00:20:45,320 --> 00:20:47,280
Speaker 1: Noriyiega comes on The Breakfast Club and he says that

414
00:20:47,359 --> 00:20:53,240
Speaker 1: Drake and Future were beefing because well, in the midst

415
00:20:53,240 --> 00:20:56,160
Speaker 1: of all this, there's always been conversation about things being

416
00:20:56,200 --> 00:20:58,520
Speaker 1: about a girl. And I know, even with everybody turning

417
00:20:58,600 --> 00:21:01,640
Speaker 1: her back on Drake recently, there's been a conversation about

418
00:21:01,680 --> 00:21:05,480
Speaker 1: Drake and different girls that he's dealt with and or

419
00:21:05,640 --> 00:21:08,679
Speaker 1: lack thereof, and who they belonged to first, and that

420
00:21:08,760 --> 00:21:11,000
Speaker 1: whole thing. And there was some issue that people alleged

421
00:21:11,040 --> 00:21:13,600
Speaker 1: was happening between Future and Drake about a woman a

422
00:21:13,720 --> 00:21:15,320
Speaker 1: metro booming. I remember he had to come out on

423
00:21:15,480 --> 00:21:18,200
Speaker 1: X and be like, y'all don't even know what y'all

424
00:21:18,240 --> 00:21:18,760
Speaker 1: talking about.

425
00:21:18,760 --> 00:21:21,440
Speaker 2: Men just enjoying music. Ain't no shots being gone to nobody.

426
00:21:22,200 --> 00:21:24,000
Speaker 1: But nor came on the Breakfast Club and he said

427
00:21:24,040 --> 00:21:26,560
Speaker 1: that he had heard that Drake in Future had an

428
00:21:26,560 --> 00:21:30,000
Speaker 1: issue because Drake did a joint project with twenty one Savage,

429
00:21:30,040 --> 00:21:32,840
Speaker 1: calling her loss. And the reason why Future was upset

430
00:21:32,880 --> 00:21:35,800
Speaker 1: was because Future and Drake, I mean, they're just known

431
00:21:35,880 --> 00:21:40,360
Speaker 1: to be like historical collaborators, like when they make music together.

432
00:21:40,160 --> 00:21:45,080
Speaker 2: Baby like, it's just a good time for her.

433
00:21:45,160 --> 00:21:47,760
Speaker 1: Loss with twenty one Savage and Drake was also just

434
00:21:47,800 --> 00:21:49,399
Speaker 1: like it was fire.

435
00:21:50,080 --> 00:21:52,240
Speaker 2: Like I still listen to that to this day and

436
00:21:52,280 --> 00:21:54,280
Speaker 2: the music is just it's good.

437
00:21:55,400 --> 00:21:57,920
Speaker 1: So Nory came on Breakfast Club and was basically saying

438
00:21:57,960 --> 00:22:01,480
Speaker 1: that Future was upset about Drake because of this joint project,

439
00:22:02,480 --> 00:22:05,760
Speaker 1: you know, because it basically took the shine away from

440
00:22:05,800 --> 00:22:07,960
Speaker 1: a joint mixtape that Future and Drake had the what

441
00:22:08,040 --> 00:22:08,639
Speaker 1: it's time to be a loot.

442
00:22:08,720 --> 00:22:11,320
Speaker 2: Let's take a listen to annoy. Oh that's what I heard.

443
00:22:11,400 --> 00:22:11,680
Speaker 3: I heard.

444
00:22:11,720 --> 00:22:14,280
Speaker 2: That's a big rumor that Future.

445
00:22:15,480 --> 00:22:19,920
Speaker 4: Is not too happy this Drake and twenty one Savage album.

446
00:22:20,280 --> 00:22:22,520
Speaker 4: And it's the Future and Drake did an album before,

447
00:22:22,640 --> 00:22:26,920
Speaker 4: and it makes Drake and Future album not as important,

448
00:22:27,040 --> 00:22:30,280
Speaker 4: I would say, And that's I mean, this is allegedly

449
00:22:30,280 --> 00:22:32,400
Speaker 4: this is all rumors. I've never heard it from Future's mouth,

450
00:22:32,480 --> 00:22:34,640
Speaker 4: never heard from Drake, never heard it from twenty one.

451
00:22:34,880 --> 00:22:36,760
Speaker 2: But it's an alleged big.

452
00:22:36,640 --> 00:22:38,119
Speaker 4: Rumor that that's going on right now.

453
00:22:38,119 --> 00:22:38,760
Speaker 3: Where did you hear that?

454
00:22:38,760 --> 00:22:41,919
Speaker 2: At you in the streets, in the streets with a

455
00:22:42,000 --> 00:22:43,760
Speaker 2: K in Miami, in Miami.

456
00:22:44,160 --> 00:22:47,720
Speaker 4: In Miami. Yes, I'm a Miami And yeah, so you

457
00:22:47,840 --> 00:22:50,760
Speaker 4: heard that Future is upset with Drake and Drake did

458
00:22:50,760 --> 00:22:53,560
Speaker 4: the album with twenty one savage because it makes their

459
00:22:53,600 --> 00:22:54,360
Speaker 4: project down.

460
00:22:54,280 --> 00:22:56,040
Speaker 2: Seemed less important, I would think.

461
00:22:56,080 --> 00:22:58,320
Speaker 4: So, you know what I mean, We've never seen jay

462
00:22:58,400 --> 00:23:00,440
Speaker 4: Z do another best of both worlds, you know what

463
00:23:00,480 --> 00:23:01,480
Speaker 4: I'm saying, We've seen.

464
00:23:02,119 --> 00:23:04,479
Speaker 1: Even with all this, right, even with all this background

465
00:23:04,480 --> 00:23:07,960
Speaker 1: I'm giving y'all, people still chalk up their differences and

466
00:23:08,160 --> 00:23:10,480
Speaker 1: or like they're up to it being about a woman,

467
00:23:11,600 --> 00:23:14,640
Speaker 1: like literally all and there's been like small little like

468
00:23:15,119 --> 00:23:18,160
Speaker 1: you know, shots that people think that Drake has thrown

469
00:23:18,800 --> 00:23:21,359
Speaker 1: at Future, like I know, like on her loss. People

470
00:23:21,400 --> 00:23:23,879
Speaker 1: thought when he was talking about like what would Pluto do?

471
00:23:24,560 --> 00:23:26,840
Speaker 1: People thought he was being like a little sarcastic and

472
00:23:26,880 --> 00:23:29,520
Speaker 1: being a little funny and not really bigging his friend

473
00:23:29,600 --> 00:23:31,080
Speaker 1: up and being like Okay, I really think it. You know,

474
00:23:31,200 --> 00:23:34,520
Speaker 1: you'd be like, what would Beyonce do? Like, Okay, you're

475
00:23:34,560 --> 00:23:37,520
Speaker 1: not really caring about what he would really do in

476
00:23:37,520 --> 00:23:39,680
Speaker 1: this situation. You're just making a comparison of like, Okay,

477
00:23:39,680 --> 00:23:41,320
Speaker 1: if he could do it, then I then I could.

478
00:23:41,119 --> 00:23:42,800
Speaker 2: Do it to it. It's cool way they do it.

479
00:23:42,800 --> 00:23:44,119
Speaker 2: It's a problem when I do it.

480
00:23:44,119 --> 00:23:46,439
Speaker 1: You know, like people felt like it was coming from

481
00:23:46,480 --> 00:23:49,880
Speaker 1: that type of energy. And then of course the biggest

482
00:23:49,880 --> 00:23:53,359
Speaker 1: thing of them all that shattered everything was Kendrick Lamar

483
00:23:53,480 --> 00:23:58,320
Speaker 1: dissing Drake on like that, which was on Futures Project

484
00:24:00,040 --> 00:24:02,560
Speaker 1: we don't trust you, And I mean, if I'm Drake,

485
00:24:02,840 --> 00:24:03,679
Speaker 1: all the other stuff I.

486
00:24:03,680 --> 00:24:06,400
Speaker 2: Set up until this point, up until we don't.

487
00:24:06,200 --> 00:24:09,560
Speaker 1: Trust you and like that, that's ancillary stuff. Like even

488
00:24:09,600 --> 00:24:12,320
Speaker 1: if that was a real issue, it's cute it played

489
00:24:12,320 --> 00:24:14,800
Speaker 1: out in public. Not really, y'all can get over that.

490
00:24:15,280 --> 00:24:18,040
Speaker 1: But letting Kendrick come on there and little boy me

491
00:24:19,920 --> 00:24:20,720
Speaker 1: ain't no big three.

492
00:24:20,760 --> 00:24:21,600
Speaker 2: It's just big me.

493
00:24:23,119 --> 00:24:25,240
Speaker 1: And knowing that the people are already think we don't

494
00:24:25,240 --> 00:24:28,000
Speaker 1: fool with each other. I'm not not at Drake for

495
00:24:28,040 --> 00:24:30,720
Speaker 1: having an issue about that, but that's why if what

496
00:24:30,960 --> 00:24:35,159
Speaker 1: Charlamagne is saying about someone telling him that they heard Iceman.

497
00:24:35,160 --> 00:24:38,840
Speaker 1: And mind you, it's not just Charlamagne again, Elliott Wilson again,

498
00:24:39,320 --> 00:24:42,240
Speaker 1: DJ Head. These are all people who are saying and

499
00:24:42,400 --> 00:24:44,159
Speaker 1: have been saying for some time now. This is not

500
00:24:44,240 --> 00:24:47,439
Speaker 1: new that their beef is over behind the scenes. I

501
00:24:47,440 --> 00:24:50,080
Speaker 1: don't know, y'all, I might, but listen, I was looking

502
00:24:50,119 --> 00:24:55,520
Speaker 1: forward to Iceman anyway, but I definitely am looking forward

503
00:24:55,560 --> 00:24:55,960
Speaker 1: to it now.

504
00:24:57,359 --> 00:24:59,360
Speaker 2: Well, I tell you, guys, every single episode that.

505
00:24:59,359 --> 00:25:01,840
Speaker 1: You could be in, where was any old body talking

506
00:25:01,840 --> 00:25:03,360
Speaker 1: about all of these things?

507
00:25:03,840 --> 00:25:05,320
Speaker 2: But you choose to be right here with me?

508
00:25:05,480 --> 00:25:07,919
Speaker 1: On another episode of the Latest with Lorna Rosa the

509
00:25:08,000 --> 00:25:10,160
Speaker 1: podcast My Lowriders.

510
00:25:10,200 --> 00:25:14,840
Speaker 2: I appreciate you, guys, and I brought you like I

511
00:25:14,880 --> 00:25:16,200
Speaker 2: appreciate you in real life too.

512
00:25:16,400 --> 00:25:18,680
Speaker 1: Like you know, I talked about it at the top

513
00:25:18,720 --> 00:25:22,520
Speaker 1: of this episode, but the purchasing the merch. A lot

514
00:25:22,560 --> 00:25:24,920
Speaker 1: of y'all have been dming me and tweeting me telling

515
00:25:24,960 --> 00:25:26,480
Speaker 1: me that you guys are coming to the Black Effect

516
00:25:26,520 --> 00:25:29,439
Speaker 1: Podcast Festival that I'll be hosting with DJ Mby and

517
00:25:29,560 --> 00:25:32,160
Speaker 1: Charlomagne and y'all.

518
00:25:32,960 --> 00:25:35,439
Speaker 2: I just love y'all. I'll see you, guys, in my

519
00:25:35,480 --> 00:25:36,240
Speaker 2: next episode,