WEBVTT - Thurs Pre-Post Show (10-3-24)

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<v Speaker 1>Eggs and baky timed awakey, it's the Bobby Bones pre show.

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<v Speaker 1>You should leave in the part where you go, am

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<v Speaker 1>I doing the intro?

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<v Speaker 2>Is that recorded? No?

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<v Speaker 3>Oh, that's like Kobe Kellyan's everybody. We haven't started the

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<v Speaker 3>show yet with thought, we give you a fifteen twenty minutes.

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<v Speaker 3>By the way, this is a bit self serving for

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<v Speaker 3>me as well, because I can actually warm up a

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<v Speaker 3>little bit, because yeah.

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<v Speaker 1>It's much like a pro athlete. People don't think that

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<v Speaker 1>you gotta stretch. Yeah, I gotta get loose like even brain.

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<v Speaker 2>Yeah you feel that Yeah, yeah, yeah, stretch that brain.

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<v Speaker 1>I mean I we're just like doing commercials and countdown

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<v Speaker 1>and it's a both of us thing, so it's not

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<v Speaker 1>just an amy thing, and maybe more one of us

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<v Speaker 1>than the other. I know.

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<v Speaker 4>Yeah, times I would say this week it's strong me

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<v Speaker 4>and I don't know why I even I'm aware of it.

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<v Speaker 2>Yeah.

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<v Speaker 1>We have trouble reading early in the morning because things

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<v Speaker 1>aren't firing.

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<v Speaker 5>We're thinking, we're talking.

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<v Speaker 1>There are times if I don't sleep, like I feel

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<v Speaker 1>it in my gut that I can't say words back

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<v Speaker 1>to back even in the middle of a cent. Let's

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<v Speaker 1>say I'm gonna say the dog walk down the street.

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<v Speaker 1>Like if I got no sleep and you think you

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<v Speaker 1>just come and do the job, I'd be easy. You're

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<v Speaker 1>just talking. But it's there are mornings where you just

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<v Speaker 1>don't feel as good. And we try not to talk

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<v Speaker 1>about that because I wouldn't care if I were listening

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<v Speaker 1>to somebody the didn't feel as good. Just shut up

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<v Speaker 1>and do your show. Yeah, but there are mornings where

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<v Speaker 1>it happens, and I'll come in and like the dog

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<v Speaker 1>walk down the street, or I just can't connect them

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<v Speaker 1>because they didn't get sleep.

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<v Speaker 2>You guys had some hard ones though, like More and

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<v Speaker 2>Morland or who's.

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<v Speaker 1>No Tucker wet Moore more and we're doing countdown, it's

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<v Speaker 1>like Tucker web.

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<v Speaker 2>More and more more. That's hard, not more so.

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<v Speaker 1>Yeah, Rascal flats on Today's show, which you're gonna hear

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<v Speaker 1>in the podcast if you didn't hear it on the

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<v Speaker 1>live show. And I did not know two things about that.

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<v Speaker 1>I did not know they hadn't all been in the

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<v Speaker 1>same room together until this room here.

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<v Speaker 2>Yeah, pretty crazy, mind blown.

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<v Speaker 4>I think right after they said it, I go today

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<v Speaker 4>Yeah wild.

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<v Speaker 1>Yeah, I didn't know that, and I have a I

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<v Speaker 1>would say very close relationship with Gary where we'll we'll

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<v Speaker 1>just text as friends, not very closer than like a

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<v Speaker 1>buddy see and you're like, good to see you again,

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<v Speaker 1>Like Gary and I will text his friends. I know

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<v Speaker 1>Jay a little bit, Joe don not as much. I

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<v Speaker 1>didn't know. I wish Gary would give me the heads up.

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<v Speaker 1>Maybe I don't though, because maybe I'll have treated it differently.

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<v Speaker 1>But when they said that in the interview, they were like,

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<v Speaker 1>this is the first time I'd been in the same

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<v Speaker 1>room in five years.

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<v Speaker 2>I was like, shocking, what.

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<v Speaker 1>And I had a text from I'll just go full disclosure.

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<v Speaker 1>My PR person is their PR person, and so she

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<v Speaker 1>was like, they're really nervous, and I was like, that's awesome.

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<v Speaker 1>That means it matters to them.

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<v Speaker 2>But you didn't know that they hadn't seen each other

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<v Speaker 2>in five years.

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<v Speaker 1>Oh I didn't. I wasn't including on that at all.

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<v Speaker 2>So it makes wouse that they were nervous. I'd be nervous.

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<v Speaker 6>Too, how I mean, my question is how do you

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<v Speaker 6>come up with this idea to get back together if

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<v Speaker 6>you've never been in the same room.

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<v Speaker 1>I don't think I know it's because it's we talked

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<v Speaker 1>to them, right now ask them the questions. They answer

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<v Speaker 1>the questions, I'll give you my opinion based on their

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<v Speaker 1>answer and probably how I think it happened, which is

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<v Speaker 1>mostly what they say. It was one of those rare

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<v Speaker 1>situations that after the interview too, I left my desk,

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<v Speaker 1>I went to the room where all the crew was.

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<v Speaker 1>I never do that, not that I don't care about folks.

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<v Speaker 1>As soon as they leave, we're on or I'm on

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<v Speaker 1>to the next thing, because I got a stack of

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<v Speaker 1>stuff to do.

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<v Speaker 2>I feel like.

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<v Speaker 1>Anytime that we're here, we need to get the most

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<v Speaker 1>out of it, so then you guys can go home

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<v Speaker 1>and not worry about it. But I don't go and

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<v Speaker 1>walk because then you have to do I don't like

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<v Speaker 1>small talk for people I don't know, but I love

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<v Speaker 1>their manager. He has been there for me early on

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<v Speaker 1>in my career whenever things were going to crap. He's

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<v Speaker 1>also Reba's Manager's name's Clarence Spaulding.

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<v Speaker 2>He was in the hallway lunch bus. We walked gray

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<v Speaker 2>hair guy.

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<v Speaker 1>That will like punch in the face, give me a hug. Yeah,

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<v Speaker 1>so Clarence is also Brooks and done. Oh yeah, yeah, yeah,

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<v Speaker 1>I'm not talking to you specifically, Claire, but I think

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<v Speaker 1>you know Darius for a while, maybe still Darius. So

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<v Speaker 1>but Clarence and I used to go to dinner together,

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<v Speaker 1>and again, I don't do that with anybody under the

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<v Speaker 1>you guys, so let's him. So I wanted to go

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<v Speaker 1>say hi to Clarence and the crew. And since I

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<v Speaker 1>know Clarence and I know the Flats guys, I imagine

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<v Speaker 1>if they would have split up and all three of

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<v Speaker 1>them would have thrived in their individual efforts. This probably

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<v Speaker 1>would have happened, but not so quick. And I think

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<v Speaker 1>they were all starting to rebuild their efforts. And I

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<v Speaker 1>think when you're so famous and so successful, you just think, Okay,

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<v Speaker 1>if I go do something myself, it's going to be

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<v Speaker 1>just famous and successful, without realizing it's the group dynamic,

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<v Speaker 1>that it's a big part of it, right, And so

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<v Speaker 1>you have and we'll start with Gary Lavox as the

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<v Speaker 1>lead singer.

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<v Speaker 2>He's doing club shows.

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<v Speaker 1>He had to kind of start over and be Gary

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<v Speaker 1>Lavaux of Rascal Flats and instead of playing to fifteen

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<v Speaker 1>thousand people, it's a thousand and a club because he

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<v Speaker 1>wants to sing and.

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<v Speaker 2>He's putting out some new songs and.

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<v Speaker 1>It still wasn't Rascal Flats, so he's starting over slowly

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<v Speaker 1>building it, but not from scratch, but slowly building it.

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<v Speaker 1>Jada Marcus Lunchbox, who was sitting on the left side.

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<v Speaker 6>Yeah, I know who they are.

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<v Speaker 2>Okay you do? Yeah, good because you rarely do. That's

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<v Speaker 2>cool you do.

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<v Speaker 1>Yeah.

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<v Speaker 6>I wouldn't have known Jay's name util you said it

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<v Speaker 6>during the interview.

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<v Speaker 1>Okay, but when I say that, though, you're so. Jay

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<v Speaker 1>plays bass but is super utility, can play anything, produces.

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<v Speaker 1>He started a record label, and I think I'm sure

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<v Speaker 1>I knew a hard that was going to be.

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<v Speaker 2>But that's really hard having a record labels. You have

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<v Speaker 2>to have somebody.

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<v Speaker 1>You have to have somebody just get super lucky and

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<v Speaker 1>be able to finance the label or just your paying

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<v Speaker 1>out of your butt forever. For example, like Morgan Wallen's label,

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<v Speaker 1>and obviously Morgan's really good, but that hit so hard

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<v Speaker 1>that funded their whole label for a long time to

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<v Speaker 1>give them a shot to launch other artists like Lightning

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<v Speaker 1>in a Bottle. Lighting in a Bottle that had happened

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<v Speaker 1>quick with Morgan, but that's a rare independent label that

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<v Speaker 1>blew up quickly, but they needed that to happen or

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<v Speaker 1>it would have taken forever. So he started I think

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<v Speaker 1>a risk called Red Street Records. Yeah, and it's artists

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<v Speaker 1>Christian artists, and that they're starting to actually do a

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<v Speaker 1>thing now. But it's taken five years to even have

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<v Speaker 1>a shot. And then Joe Don's been going through a

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<v Speaker 1>lot of his issues with alcoholism. You know, he's been

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<v Speaker 1>sober now a while, so he's been dealing with that

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<v Speaker 1>and he's clean now, which we talked about. And I

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<v Speaker 1>think if they wouldn't have had the struggles, they could

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<v Speaker 1>have probably I got like together for another few years.

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<v Speaker 1>But I think they missed it. I think when that's

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<v Speaker 1>your identity, when you're want of Rascal Flats and you

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<v Speaker 1>love to play these and these shows are twenty thousand

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<v Speaker 1>people and that was our life forever. Yeah, and they're

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<v Speaker 1>every time they go anywhere as Rascal Flats, they are

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<v Speaker 1>celebrated like crazy.

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<v Speaker 2>Individually they're like, oh, look at that.

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<v Speaker 1>That's one of the Rascal Flats. It's pretty cool.

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<v Speaker 2>And think about the other two.

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<v Speaker 1>Their own lead singer probably even less because it's like

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<v Speaker 1>you can't even sing the songs. All I do want

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<v Speaker 1>to hear the singer sing this song so and then

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<v Speaker 1>the money. And it's not that they need the money,

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<v Speaker 1>but if you can have money coming in, then you

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<v Speaker 1>don't feel a weird about spending money.

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<v Speaker 4>We wondered about that, but then I googled they're not worse,

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<v Speaker 4>and not that that's accurate, but.

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<v Speaker 2>I would say I would say.

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<v Speaker 1>That's so, it's just not that accurate. There's a bit

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<v Speaker 1>of bait. It some gives you an idea.

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<v Speaker 2>H oh, no, they're rich, they're rich. But here's the thing.

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<v Speaker 1>No one gets rich that wants to get rich and goes, well,

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<v Speaker 1>I'm rich, I'm good. That's not a thing. It's like

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<v Speaker 1>I won one super Bowl. You know what, I'm not

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<v Speaker 1>gonna play fooball anymore. I'm going to try less. No,

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<v Speaker 1>you're driven to create, and you start to have hits,

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<v Speaker 1>you want more hits. You're making a lot of money.

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<v Speaker 1>You want to make more money, whatever it's for to

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<v Speaker 1>buy stuff or to help people or whatever the case is.

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<v Speaker 1>So I think it was a bit of all of that,

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<v Speaker 1>and they probably all individually were kind of itching, but

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<v Speaker 1>nobody wanted to make their call. And Clarence, I'm assuming,

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<v Speaker 1>was like, I'm this part up because I know Claren said, Hey,

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<v Speaker 1>mother efforts, jo Don's healthy, Gary wants to sing.

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<v Speaker 2>Jay, what are you doing? You running a label? But

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<v Speaker 2>you can go tour.

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<v Speaker 1>You're doing it. Jay was doing like a radio a

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<v Speaker 1>band of like a bunch of people from other bands.

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<v Speaker 2>Supergroup.

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<v Speaker 1>Yeah, but it was called Sounds like the Radio or

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<v Speaker 1>something like that. I don't know what the group was.

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<v Speaker 1>But he would sing like the Rascal flat songs that

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<v Speaker 1>didn't count.

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<v Speaker 2>He wouldn't sing.

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<v Speaker 1>He's not a singer, right, And so I think it

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<v Speaker 1>was a mixture of all that. And then it's kind

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<v Speaker 1>of like, if you want to do it, you gotta

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<v Speaker 1>be uncomfortable and whatever it is, it's keeping you guys apart.

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<v Speaker 1>You got to get over it. You don't have to

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<v Speaker 1>be friends forever. You have to be friends on this tour.

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<v Speaker 1>And I'm not saying they're not because I don't know

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<v Speaker 1>what their dynamic is right this second or what it's

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<v Speaker 1>going to be. But you don't have to be friends.

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<v Speaker 1>Just work together. But go make people happy, Go perform together.

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<v Speaker 1>Muscle memory he has done a million times, right, go

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<v Speaker 1>make your money. It's called the I thought it was

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<v Speaker 1>called like Sounds Like the Radio or something.

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<v Speaker 2>Huh. The Rise above.

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<v Speaker 1>When you look at I think maybe he did another

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<v Speaker 1>band too. It doesn't even matter. Sounds familiar, no, it's

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<v Speaker 1>it's not familiar no, because they don't have any songs

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<v Speaker 1>or anything.

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<v Speaker 2>So who are the guys?

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<v Speaker 1>Jay somebody from Journey?

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<v Speaker 2>Oh?

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<v Speaker 1>Oh, the guy who's talking about what Mike some from

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<v Speaker 1>But if you go to his instagram, Generation Radio that's

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<v Speaker 1>what it is.

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<v Speaker 5>Jener.

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<v Speaker 2>Yeah.

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<v Speaker 1>I think maybe they change the name Generation Radio because

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<v Speaker 1>all those people who had songs when on the radio

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<v Speaker 1>and like people would be.

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<v Speaker 2>Like, okay, I wait to listen to the radio. Got it.

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<v Speaker 1>So I'm very excited they're touring again because I do

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<v Speaker 1>like them all, and I think their tour will sell

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<v Speaker 1>really well.

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<v Speaker 2>Even though it's only been.

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<v Speaker 1>Five years, they've been a legacy group for like fifteen.

0:09:47.559 --> 0:09:49.160
<v Speaker 1>Do you think they were offended when I said, guys,

0:09:49.160 --> 0:09:50.240
<v Speaker 1>I said this on the radio, so I want to

0:09:50.240 --> 0:09:51.720
<v Speaker 1>say it in front of you don't put out new music.

0:09:52.480 --> 0:09:53.840
<v Speaker 2>No, No, I don't think so.

0:09:53.920 --> 0:09:55.880
<v Speaker 6>I think they've knew that was the thing.

0:09:55.920 --> 0:09:57.360
<v Speaker 2>They know what's up? I hope.

0:09:57.400 --> 0:09:59.800
<v Speaker 4>So what if they were like, actually, we just did

0:09:59.800 --> 0:10:00.480
<v Speaker 4>it well.

0:10:00.880 --> 0:10:03.720
<v Speaker 1>And if they would have I would have been like, okay, okay, cool,

0:10:03.800 --> 0:10:05.000
<v Speaker 1>good luck, I got it now.

0:10:05.040 --> 0:10:06.640
<v Speaker 7>I feel like they were on the same page. I

0:10:06.640 --> 0:10:08.880
<v Speaker 7>feel like they were like, yeah, I agree with that.

0:10:09.840 --> 0:10:11.040
<v Speaker 1>But they have been putting out and they've had a

0:10:11.080 --> 0:10:13.160
<v Speaker 1>couple of number ones in their last couple of years

0:10:13.200 --> 0:10:16.000
<v Speaker 1>ago they had a couple number ones. I forget which ones,

0:10:16.440 --> 0:10:17.400
<v Speaker 1>but they had a couple numbers.

0:10:17.440 --> 0:10:19.160
<v Speaker 7>Is it a rule, because it does seem like it's

0:10:19.200 --> 0:10:20.679
<v Speaker 7>a rule. We're like, all right, you're hitting the road,

0:10:20.679 --> 0:10:21.679
<v Speaker 7>you got to have new music.

0:10:21.760 --> 0:10:24.120
<v Speaker 1>If you're someone who creates new music, unless you're touring

0:10:24.320 --> 0:10:26.920
<v Speaker 1>just on nostalgia like Brooks and Done don't put out

0:10:26.960 --> 0:10:29.280
<v Speaker 1>new songs. Yeah, they're tourn like Crazy Ronnie does. But

0:10:29.360 --> 0:10:32.280
<v Speaker 1>Ronnie's songs are never Hey, I want to put this

0:10:32.320 --> 0:10:35.280
<v Speaker 1>out and I hope it's a massive radio success. It's

0:10:35.320 --> 0:10:38.640
<v Speaker 1>crazy to say this, Like Ronnie's a friend of mine,

0:10:39.040 --> 0:10:41.560
<v Speaker 1>like a real life friend. Crazy, and so when he

0:10:41.559 --> 0:10:43.800
<v Speaker 1>has a new song, he never asked me to play anything,

0:10:44.000 --> 0:10:45.640
<v Speaker 1>but he's like, we made this, we cut it. I

0:10:45.679 --> 0:10:46.960
<v Speaker 1>think he had a song with Garth Brooks, but it

0:10:46.960 --> 0:10:49.040
<v Speaker 1>was a Garth Brooks song that he was just on

0:10:49.720 --> 0:10:51.400
<v Speaker 1>because remember we were at dinner once with Ronnie and

0:10:51.440 --> 0:10:52.800
<v Speaker 1>he was like Garth just called me and said, well,

0:10:52.800 --> 0:10:54.800
<v Speaker 1>you come write the song with me, and I was

0:10:54.840 --> 0:10:57.719
<v Speaker 1>like okay, And so they went and wrote. And even

0:10:57.800 --> 0:10:59.880
<v Speaker 1>Ronnie saying that about Garth, he looks up to Garth.

0:11:00.080 --> 0:11:04.080
<v Speaker 1>Ronnie and Kicks are as big as it gets. I'm

0:11:04.160 --> 0:11:06.120
<v Speaker 1>very happy for Rascal Flats. I would like to see

0:11:06.120 --> 0:11:08.760
<v Speaker 1>that tour they have there. It's a very fun catalog

0:11:08.840 --> 0:11:10.839
<v Speaker 1>of songs, even though a lot of them are slow,

0:11:11.320 --> 0:11:14.520
<v Speaker 1>it's very fun catalog of songs. Yeah. Yeah, it's called

0:11:14.559 --> 0:11:17.840
<v Speaker 1>Rodeo Man. The duet with Ronnie Done. I wish surprised

0:11:17.840 --> 0:11:19.400
<v Speaker 1>it was our first show or the first time together

0:11:19.440 --> 0:11:19.960
<v Speaker 1>in five years.

0:11:20.000 --> 0:11:20.640
<v Speaker 6>Yeah, that's what I mean.

0:11:21.520 --> 0:11:23.040
<v Speaker 1>Even for me to know, I didn't know that.

0:11:23.040 --> 0:11:26.080
<v Speaker 6>When I grab coffee before. Nope, come on.

0:11:26.480 --> 0:11:28.679
<v Speaker 1>They just wanted to like rip the band aid off,

0:11:28.679 --> 0:11:32.600
<v Speaker 1>and they felt comfortable doing it here with us, which

0:11:32.640 --> 0:11:39.920
<v Speaker 1>is a compliment. But also, and I'll say this, it's

0:11:39.960 --> 0:11:42.400
<v Speaker 1>harder for me to interview people that I know. Well,

0:11:44.000 --> 0:11:47.160
<v Speaker 1>it's harder like when Ronnie comes in. It's a mess.

0:11:47.559 --> 0:11:49.520
<v Speaker 1>You guys know this, it's just sit back and see

0:11:49.520 --> 0:11:50.160
<v Speaker 1>what happens.

0:11:50.679 --> 0:11:51.400
<v Speaker 2>It's a mess.

0:11:51.440 --> 0:11:54.560
<v Speaker 1>Because it's not that Ronnie doesn't take it seriously, but

0:11:54.559 --> 0:11:57.760
<v Speaker 1>it's like he's sitting next to his friend, relaxed and

0:11:57.400 --> 0:11:59.960
<v Speaker 1>just barely like the microphone.

0:12:00.000 --> 0:12:01.400
<v Speaker 2>It's not even nearest. It's a great point.

0:12:01.559 --> 0:12:01.719
<v Speaker 4>Now.

0:12:01.880 --> 0:12:05.000
<v Speaker 1>I was like, yeah, move the mic towards your mouth,

0:12:05.720 --> 0:12:06.320
<v Speaker 1>and he's just.

0:12:06.240 --> 0:12:08.200
<v Speaker 2>Like why he feels like he's on the couch.

0:12:08.280 --> 0:12:13.080
<v Speaker 1>Yeah, yeah, And it's equally awesome but like hurting cats

0:12:13.120 --> 0:12:16.000
<v Speaker 1>at the same time. But that's what he's like in person.

0:12:16.679 --> 0:12:18.360
<v Speaker 1>And I like it that you can be comfortable saying

0:12:18.400 --> 0:12:20.160
<v Speaker 1>with you like I know them and like I know

0:12:20.240 --> 0:12:23.720
<v Speaker 1>some of the dynamic. But I know so much that

0:12:23.760 --> 0:12:25.560
<v Speaker 1>I'm not going to use what I know on my

0:12:25.720 --> 0:12:28.800
<v Speaker 1>private life to be like, hey, so I know this happened.

0:12:29.679 --> 0:12:32.240
<v Speaker 1>Is that why you're not together? I can't There are

0:12:32.240 --> 0:12:34.200
<v Speaker 1>things I know I can't say where if I didn't know,

0:12:34.240 --> 0:12:38.400
<v Speaker 1>I could ask about it because I wouldn't have the

0:12:38.520 --> 0:12:40.600
<v Speaker 1>understanding of what really happened, which is kind of a

0:12:40.760 --> 0:12:43.000
<v Speaker 1>cheat when you know it's something that's not good. Or

0:12:43.000 --> 0:12:44.400
<v Speaker 1>if I didn't know and I'm asking, it's just from

0:12:44.400 --> 0:12:46.440
<v Speaker 1>a heart being curious, but.

0:12:46.360 --> 0:12:49.160
<v Speaker 7>Could it also be a thing where you know, like

0:12:49.320 --> 0:12:51.520
<v Speaker 7>it's a business right, like we were talking, it's a

0:12:51.559 --> 0:12:54.960
<v Speaker 7>business so if any business was getting together, they're all

0:12:55.000 --> 0:12:56.360
<v Speaker 7>not all going to get in a room before they

0:12:56.360 --> 0:12:56.840
<v Speaker 7>go somewhere.

0:12:56.880 --> 0:12:58.880
<v Speaker 1>They're just gonna say yeah. But they've been friends forever,

0:12:59.000 --> 0:13:02.160
<v Speaker 1>Like there thing is friendship. They've been friends for twenty years.

0:13:02.200 --> 0:13:04.240
<v Speaker 1>They write songs together, they've been touring part of their

0:13:04.520 --> 0:13:07.000
<v Speaker 1>Even if you're not getting along, you're still it's like

0:13:07.880 --> 0:13:10.319
<v Speaker 1>kind of like us, we mostly get we don't We

0:13:10.360 --> 0:13:12.400
<v Speaker 1>don't travel al together because that would probably be a beast.

0:13:12.480 --> 0:13:14.160
<v Speaker 7>Yeah, Mike tells us where to be and we're like,

0:13:14.160 --> 0:13:16.560
<v Speaker 7>oh yeah, Like you don't call everyone individually and be like, hey,

0:13:16.600 --> 0:13:18.240
<v Speaker 7>let's get into a room before we go do this.

0:13:18.400 --> 0:13:21.240
<v Speaker 1>No, But my point is there are times because just

0:13:21.280 --> 0:13:23.920
<v Speaker 1>our group dynamic, we've been together twenty years and we've

0:13:23.960 --> 0:13:25.800
<v Speaker 1>all been different levels of friends, and we've had different

0:13:25.800 --> 0:13:28.000
<v Speaker 1>seasons where we've all been better levels of friends with

0:13:28.080 --> 0:13:29.480
<v Speaker 1>each other, depending on what's happening in life. I mean,

0:13:29.559 --> 0:13:31.000
<v Speaker 1>Lunchbox and I used to go to Vegas ever two

0:13:31.040 --> 0:13:32.959
<v Speaker 1>times a month together. We just hold hands in flight

0:13:32.960 --> 0:13:38.040
<v Speaker 1>to Vegas and that's cute. Life happens. And we definitely

0:13:38.040 --> 0:13:41.520
<v Speaker 1>don't go to Vegas anymore. You know, we don't really

0:13:41.520 --> 0:13:45.679
<v Speaker 1>as a group hang out anymore because again, families and different,

0:13:45.800 --> 0:13:48.920
<v Speaker 1>the different dynamics happen and you start to have different interests.

0:13:50.160 --> 0:13:51.600
<v Speaker 2>So like Amy hangs out.

0:13:51.520 --> 0:13:53.560
<v Speaker 1>More than my with my wife, way more than me

0:13:53.600 --> 0:13:55.280
<v Speaker 1>at this point, which kind of feel like she's like

0:13:55.320 --> 0:13:59.599
<v Speaker 1>a conduit, a surrogate like her, like your friendship my

0:13:59.640 --> 0:14:01.640
<v Speaker 1>wife is your friendship with me. I feel like like

0:14:01.640 --> 0:14:05.360
<v Speaker 1>you spent time with her that counts for me, and

0:14:05.400 --> 0:14:07.359
<v Speaker 1>I would spend not she don't.

0:14:07.840 --> 0:14:10.840
<v Speaker 2>Yeah, in this tense, in this whatever, it's an area.

0:14:10.760 --> 0:14:13.120
<v Speaker 1>Not for that purpose, because she likes to spend time

0:14:13.120 --> 0:14:14.839
<v Speaker 1>with Amy. But I would say, my wife will go

0:14:14.840 --> 0:14:17.160
<v Speaker 1>to Amy's house and I'll just look, we have find

0:14:17.160 --> 0:14:18.360
<v Speaker 1>mine on the apps, and I'm like, oh, she's at

0:14:18.360 --> 0:14:21.840
<v Speaker 1>Amy's house. I feel like, yeah, I feel like that

0:14:21.920 --> 0:14:25.880
<v Speaker 1>counts for me. But dynamics change, and you hang out

0:14:25.920 --> 0:14:28.000
<v Speaker 1>with people more, with people less. There are times that

0:14:28.400 --> 0:14:30.920
<v Speaker 1>we get along more when we fight, but you're just

0:14:30.920 --> 0:14:34.640
<v Speaker 1>together that long. That crap happens, and it's how you

0:14:34.720 --> 0:14:37.080
<v Speaker 1>kind of work through it. I think Amy and I

0:14:37.080 --> 0:14:39.400
<v Speaker 1>worked through DISA game is really well at this point,

0:14:39.400 --> 0:14:42.640
<v Speaker 1>don't you. You don't have many now because I think

0:14:42.680 --> 0:14:43.200
<v Speaker 1>we've kind.

0:14:43.040 --> 0:14:44.040
<v Speaker 5>Of No, I mean that.

0:14:44.240 --> 0:14:46.160
<v Speaker 4>I mean, never know when one might pop up, but

0:14:46.240 --> 0:14:51.680
<v Speaker 4>I think, yeah, I'm.

0:14:50.240 --> 0:14:51.480
<v Speaker 5>Trying to think of the last one.

0:14:51.560 --> 0:14:53.440
<v Speaker 4>I mean there's one that I know of where I

0:14:53.480 --> 0:14:55.880
<v Speaker 4>had to be like you were going to just leave,

0:14:55.920 --> 0:14:56.560
<v Speaker 4>and I was like.

0:14:59.360 --> 0:15:03.000
<v Speaker 6>That was when you tell that bad morning corny.

0:15:03.160 --> 0:15:06.480
<v Speaker 4>No, I think that that it's been a minute. I

0:15:06.520 --> 0:15:07.600
<v Speaker 4>can't think of one in a while.

0:15:07.680 --> 0:15:10.280
<v Speaker 1>But but I think that also shows that. And you're

0:15:10.320 --> 0:15:12.080
<v Speaker 1>like we can kind of avoid them as well, like

0:15:12.120 --> 0:15:14.320
<v Speaker 1>we know if they're coming, we can kind of you know,

0:15:14.360 --> 0:15:15.000
<v Speaker 1>pop the pimple.

0:15:15.120 --> 0:15:16.880
<v Speaker 5>Yeah, but also, yeah, I wasn't only just go to

0:15:16.920 --> 0:15:18.360
<v Speaker 5>your car, Like we're talking about this.

0:15:18.840 --> 0:15:20.200
<v Speaker 1>I don't even know what it was. But don't mind

0:15:20.480 --> 0:15:22.520
<v Speaker 1>get repissed off, you know that?

0:15:22.680 --> 0:15:23.120
<v Speaker 2>Yeah?

0:15:24.120 --> 0:15:27.520
<v Speaker 1>No, I know, like sometimes don't bring that negative you

0:15:27.520 --> 0:15:29.200
<v Speaker 1>guys remind me of people. I'm having a few with

0:15:29.200 --> 0:15:32.720
<v Speaker 1>it and I'll be like, oh, yeah, it's I don't know,

0:15:33.000 --> 0:15:35.480
<v Speaker 1>it wasn't it was normal, I know, But I'm just

0:15:35.520 --> 0:15:38.120
<v Speaker 1>saying sometimes I forget and I'm reminded that I'm angry again.

0:15:38.160 --> 0:15:41.960
<v Speaker 4>Okay, No, I was always sharing that's gross because I think.

0:15:41.920 --> 0:15:45.840
<v Speaker 7>A million times trying to make so happy.

0:15:46.520 --> 0:15:48.000
<v Speaker 5>I think young to me, would to let you just

0:15:48.000 --> 0:15:48.560
<v Speaker 5>go to the car?

0:15:50.000 --> 0:15:51.520
<v Speaker 2>It was that bad, they're going to take it. No,

0:15:51.680 --> 0:15:55.120
<v Speaker 2>it's not that bad against his will. No, I was kidnapped.

0:15:55.200 --> 0:15:58.360
<v Speaker 6>Oh no, it's not good. Are incriminating yourself?

0:15:58.520 --> 0:16:01.080
<v Speaker 1>So I hope you guys let's into that on the podcast.

0:16:01.200 --> 0:16:03.280
<v Speaker 1>You may have you already here. We're about to do

0:16:03.320 --> 0:16:09.720
<v Speaker 1>today's show. And I like it that they came here first,

0:16:09.840 --> 0:16:12.480
<v Speaker 1>made we're purposeful about that. That makes me feel good.

0:16:13.040 --> 0:16:16.160
<v Speaker 1>And I hope you go see their tour. I'll probably

0:16:16.160 --> 0:16:18.040
<v Speaker 1>go see their tour. I don't know if they're doing

0:16:18.080 --> 0:16:19.880
<v Speaker 1>one here are they? So I probably won't go see

0:16:19.880 --> 0:16:22.480
<v Speaker 1>their tour, but if it's close, there's a chance I

0:16:22.480 --> 0:16:24.240
<v Speaker 1>would actually consider because I think that'd be a really

0:16:24.280 --> 0:16:27.600
<v Speaker 1>fun show. And they have not they don't they don't talk.

0:16:27.640 --> 0:16:30.840
<v Speaker 1>They haven't talked until today. Pretty crazy, pretty crazy. I

0:16:30.880 --> 0:16:32.120
<v Speaker 1>can't wait till we don't talk for a long time

0:16:32.120 --> 0:16:33.840
<v Speaker 1>they get back together. Yeah, yeah, yeah, yea, yeah, that's

0:16:33.840 --> 0:16:36.040
<v Speaker 1>gonna be fun. Okay, we got to go get on

0:16:36.080 --> 0:16:37.920
<v Speaker 1>the show. Thank you guys, and we'll do the post

0:16:38.000 --> 0:16:41.040
<v Speaker 1>show in just a little bit. It's time for the

0:16:41.120 --> 0:16:48.320
<v Speaker 1>Bobby Bones Post Show. Here's your host, Bobby Bones.

0:16:47.800 --> 0:16:48.160
<v Speaker 2>Thank you.

0:16:50.160 --> 0:16:53.640
<v Speaker 1>We're all live on YouTube because Facebook's broken or Facebook.

0:16:54.480 --> 0:16:57.960
<v Speaker 2>We on both. Yep, we go on BOTHO Rockin' dude.

0:16:58.000 --> 0:16:59.680
<v Speaker 1>I do want to start with Luke Bryan talking about

0:16:59.720 --> 0:17:02.600
<v Speaker 1>Beyonce CMA snub. He said a very similar thing that

0:17:02.600 --> 0:17:04.280
<v Speaker 1>I said a couple of weeks ago, where it's like,

0:17:04.520 --> 0:17:05.800
<v Speaker 1>if you're not in town, it's hard for you to

0:17:06.760 --> 0:17:09.400
<v Speaker 1>you know, have have friends. Basically what it is, it's

0:17:09.440 --> 0:17:12.480
<v Speaker 1>very it's political, and uh, you gotta get to have

0:17:12.520 --> 0:17:15.439
<v Speaker 1>your friends vote for you. That's what it boils down to.

0:17:16.720 --> 0:17:18.240
<v Speaker 1>So I'll read you what he said. Luke Bryan was

0:17:18.280 --> 0:17:20.199
<v Speaker 1>asked why I thinks Beyonce didn't get nominated for a

0:17:20.200 --> 0:17:20.879
<v Speaker 1>CMA Award.

0:17:21.520 --> 0:17:22.560
<v Speaker 2>He said, everybody loves it.

0:17:22.600 --> 0:17:24.600
<v Speaker 1>She made a country album, but maybe she hasn't stepped

0:17:24.640 --> 0:17:26.399
<v Speaker 1>to the community enough. Quote coming to our world and

0:17:26.440 --> 0:17:28.199
<v Speaker 1>be country with us a little bit now. When I

0:17:28.240 --> 0:17:29.960
<v Speaker 1>was talking about this a few weeks ago, because I

0:17:30.000 --> 0:17:33.520
<v Speaker 1>would get asked questions like why post Malone, why not Beyonce?

0:17:34.040 --> 0:17:36.160
<v Speaker 1>Is it a race thing? Is it because he's white

0:17:36.200 --> 0:17:39.800
<v Speaker 1>and she's black? And my answer was no, at least

0:17:39.880 --> 0:17:42.320
<v Speaker 1>not with us. We actually played Beyonce's music before we

0:17:42.359 --> 0:17:46.280
<v Speaker 1>played post Malones in accordance to when it was released.

0:17:46.600 --> 0:17:48.840
<v Speaker 1>Like when post Malone stuff started, we waited a bit.

0:17:48.880 --> 0:17:50.239
<v Speaker 1>As soon as Beyonce's came out, I was like, man,

0:17:50.240 --> 0:17:51.080
<v Speaker 1>it's really different.

0:17:51.080 --> 0:17:51.240
<v Speaker 2>Good.

0:17:51.240 --> 0:17:53.160
<v Speaker 1>We played it like the next day after the super Bowl,

0:17:53.560 --> 0:17:56.919
<v Speaker 1>so that definitely wasn't a race thing. And what I

0:17:57.080 --> 0:18:03.160
<v Speaker 1>said was, this town is very incestual, good and bad,

0:18:04.440 --> 0:18:06.520
<v Speaker 1>and those awards are actually not given.

0:18:06.240 --> 0:18:06.919
<v Speaker 2>To the best.

0:18:07.000 --> 0:18:10.640
<v Speaker 1>It's to the most voted, and sometimes those are the same,

0:18:10.760 --> 0:18:15.120
<v Speaker 1>sometimes they're not. And that anyone doesn't Beyonce, it could

0:18:15.119 --> 0:18:19.840
<v Speaker 1>be anybody that's not in town cultivating relationships, working with writers.

0:18:19.880 --> 0:18:21.920
<v Speaker 1>It's hard for them to get ahead in this industry

0:18:21.920 --> 0:18:26.160
<v Speaker 1>with the industry based awards. So that's what he's saying. Basically,

0:18:26.320 --> 0:18:27.919
<v Speaker 1>he's like, man, if she came and just like invested

0:18:27.920 --> 0:18:30.000
<v Speaker 1>a little bit of time into where it was created,

0:18:30.160 --> 0:18:31.840
<v Speaker 1>some of the people that are here that are creating,

0:18:31.840 --> 0:18:34.560
<v Speaker 1>that are also voting on these would obviously vote for her.

0:18:34.840 --> 0:18:37.640
<v Speaker 1>That's what post Malone did. Post Malone basically moved here.

0:18:37.680 --> 0:18:40.560
<v Speaker 1>He's here, he's here all he tried to rent my house.

0:18:41.080 --> 0:18:43.440
<v Speaker 1>I said that on this right, I think so so.

0:18:43.600 --> 0:18:44.000
<v Speaker 2>And that was.

0:18:44.200 --> 0:18:48.840
<v Speaker 1>Forever ago, and he's been here. He did My and

0:18:49.000 --> 0:18:51.679
<v Speaker 1>Eddie's charity show at the Ryeman. He's doing even when

0:18:51.680 --> 0:18:55.080
<v Speaker 1>he does stage coach, he's got Nashville people with him. Yeah,

0:18:55.119 --> 0:18:57.280
<v Speaker 1>And I think that's the difference, Not even that one's

0:18:57.359 --> 0:19:00.240
<v Speaker 1>better than the other, but I think this town would

0:19:00.240 --> 0:19:02.879
<v Speaker 1>have done the same thing to post Malone had he

0:19:02.960 --> 0:19:05.520
<v Speaker 1>not invested into this town and been here a bunch.

0:19:05.560 --> 0:19:08.120
<v Speaker 1>I'm not even saying that's right. I'm not saying that's wrong.

0:19:08.160 --> 0:19:11.000
<v Speaker 1>I'm just saying that's how that system works. I've had

0:19:11.040 --> 0:19:16.280
<v Speaker 1>my beefs with the system. Nobody cares. But there was

0:19:16.320 --> 0:19:18.159
<v Speaker 1>a thing with Beyonce too recently that were like Beyonce

0:19:18.960 --> 0:19:22.000
<v Speaker 1>was nominated for seventeen People's Choice Awards and didn't win one,

0:19:22.040 --> 0:19:23.399
<v Speaker 1>And I'm like, Okay, you guys are just trying to

0:19:23.400 --> 0:19:25.879
<v Speaker 1>create a story. Those People's Choice Awards aren't real. It's like,

0:19:25.880 --> 0:19:27.240
<v Speaker 1>if you come to the TV show, they give you

0:19:27.240 --> 0:19:29.359
<v Speaker 1>an award, and she didn't come.

0:19:29.280 --> 0:19:31.080
<v Speaker 2>To the TV show. That's the recent one that's in

0:19:31.119 --> 0:19:31.639
<v Speaker 2>a real award.

0:19:31.640 --> 0:19:33.880
<v Speaker 1>I mean it's an award. I don't know what data, Mike,

0:19:33.920 --> 0:19:35.919
<v Speaker 1>we look into a data they use for that. I

0:19:35.960 --> 0:19:38.800
<v Speaker 1>think it's just people giving an award on their choice.

0:19:38.840 --> 0:19:40.240
<v Speaker 2>Who are the people. I don't know.

0:19:41.119 --> 0:19:42.359
<v Speaker 5>That's not the people to vote.

0:19:42.680 --> 0:19:44.040
<v Speaker 2>I don't know other people. I don't know what.

0:19:44.359 --> 0:19:46.479
<v Speaker 1>I don't know what the process people. But if it

0:19:46.520 --> 0:19:48.160
<v Speaker 1>was just the people and you opened it wide open,

0:19:48.119 --> 0:19:49.919
<v Speaker 1>Beyonce the probably win some of the awards. Yeah, but

0:19:50.000 --> 0:19:52.520
<v Speaker 1>I saw them trying to make that a thing where

0:19:52.520 --> 0:19:56.600
<v Speaker 1>it's like Beyonce can't even win a people's choice award,

0:19:57.480 --> 0:20:00.480
<v Speaker 1>Like is that a race thing? And I'm like, that's

0:20:00.520 --> 0:20:02.159
<v Speaker 1>not a real award. That's like people getting on the

0:20:02.160 --> 0:20:06.040
<v Speaker 1>internet and just voting, and that's open to everybody. It's

0:20:06.080 --> 0:20:10.080
<v Speaker 1>not an internal thing. And then also they probably have

0:20:10.160 --> 0:20:13.400
<v Speaker 1>the right to not give an award if people aren't

0:20:13.440 --> 0:20:15.200
<v Speaker 1>there for the TV show, because it's mostly a TV

0:20:15.320 --> 0:20:17.520
<v Speaker 1>show that they build an award so they can have

0:20:17.560 --> 0:20:21.040
<v Speaker 1>a TV show. But Beyonce. I liked Beyonce's Country. We

0:20:21.080 --> 0:20:23.280
<v Speaker 1>played it, We played multiple songs from it. I mean,

0:20:23.320 --> 0:20:26.359
<v Speaker 1>I got people were all my nuts about it, like

0:20:26.400 --> 0:20:28.800
<v Speaker 1>why are you playing this? There's a space, you only

0:20:28.800 --> 0:20:30.240
<v Speaker 1>have a certain amount of spaces and you're using on

0:20:30.280 --> 0:20:34.120
<v Speaker 1>a Beyonce song. So but I do I'm glad Luke

0:20:34.160 --> 0:20:36.639
<v Speaker 1>said that because I say stuff for hours a day,

0:20:36.680 --> 0:20:39.119
<v Speaker 1>every day, and it just gets intertwined with all the

0:20:39.160 --> 0:20:41.920
<v Speaker 1>other stuff I say. When Luke says that, it matters when

0:20:41.960 --> 0:20:43.960
<v Speaker 1>I say it, it's like, Okay, Bobby's talking nonsense again.

0:20:44.359 --> 0:20:45.800
<v Speaker 2>But I do feel like that's.

0:20:45.600 --> 0:20:49.160
<v Speaker 1>Why I don't think there was any we're really gonna

0:20:49.160 --> 0:20:52.439
<v Speaker 1>hold Beyonce back. We'll show her. I think it was

0:20:52.520 --> 0:20:55.080
<v Speaker 1>the opposite. They didn't really think about her in these situations.

0:20:55.080 --> 0:20:58.439
<v Speaker 1>People to vote on these because she's not here. But

0:20:58.520 --> 0:21:02.440
<v Speaker 1>trust me, I've had my issues with these award shows.

0:21:02.840 --> 0:21:05.040
<v Speaker 1>But now I understand it. I don't have to agree

0:21:05.040 --> 0:21:07.440
<v Speaker 1>with it, but I understand it. And if you don't

0:21:07.440 --> 0:21:08.920
<v Speaker 1>want to play the game, it's hard to win the game.

0:21:09.240 --> 0:21:10.760
<v Speaker 1>And there are times I don't play the game so

0:21:10.760 --> 0:21:12.880
<v Speaker 1>I can't get back when I don't win the game.

0:21:13.400 --> 0:21:15.240
<v Speaker 1>There are times that we don't win the CMA Award

0:21:15.880 --> 0:21:19.080
<v Speaker 1>and I'm like, are you guys crazy?

0:21:19.520 --> 0:21:21.080
<v Speaker 2>No, this is just me talking.

0:21:21.200 --> 0:21:23.320
<v Speaker 1>This is me, and I have to if I'm super

0:21:23.359 --> 0:21:25.960
<v Speaker 1>confident about us and what we do and what we

0:21:26.000 --> 0:21:29.560
<v Speaker 1>do in every way, if it's philanthropy, if it's content,

0:21:29.560 --> 0:21:32.480
<v Speaker 1>if it's interviews, like no, but there isn't a show

0:21:32.520 --> 0:21:35.920
<v Speaker 1>that does as much as we do in all areas

0:21:36.400 --> 0:21:39.960
<v Speaker 1>human raising money. It doesn't matter. I could keep going,

0:21:39.960 --> 0:21:42.200
<v Speaker 1>but there isn't. And in my mind, this is my mind,

0:21:42.280 --> 0:21:43.960
<v Speaker 1>we should never not win the award.

0:21:44.359 --> 0:21:46.080
<v Speaker 2>No, you can only win every other year.

0:21:46.240 --> 0:21:50.680
<v Speaker 1>Yeah, and I think, in my confident, slash cocky way,

0:21:51.160 --> 0:21:54.320
<v Speaker 1>there are times we don't win because we get Bill

0:21:54.359 --> 0:21:57.880
<v Speaker 1>belichicked or Angelina and Joe lead Belichick won the Coach

0:21:57.880 --> 0:21:59.080
<v Speaker 1>of the Year every year they were like, Okay, he's

0:21:59.080 --> 0:22:01.280
<v Speaker 1>won too much, no more, Angela, jolly, he's the hottest

0:22:01.280 --> 0:22:03.360
<v Speaker 1>person on the earth eight years in a row. No more.

0:22:05.560 --> 0:22:08.160
<v Speaker 1>Or there are times I'm not known as the warmest

0:22:08.160 --> 0:22:15.160
<v Speaker 1>person to the the business, the system.

0:22:15.280 --> 0:22:16.200
<v Speaker 2>I think I would be.

0:22:18.640 --> 0:22:21.080
<v Speaker 1>Regarded as someone who is annoying to deal with by

0:22:21.160 --> 0:22:24.240
<v Speaker 1>people in the industry that are like recordless, not humans,

0:22:24.280 --> 0:22:27.359
<v Speaker 1>the humans. It's like Texas Longhorn that I hate the

0:22:27.359 --> 0:22:31.040
<v Speaker 1>Texas Longhorns, but I like Texas Longhorned fans individually because

0:22:31.080 --> 0:22:32.159
<v Speaker 1>usually they're just good people.

0:22:32.240 --> 0:22:32.560
<v Speaker 2>I like it.

0:22:32.640 --> 0:22:34.000
<v Speaker 1>It isn't if you're a long horn fan, that's great,

0:22:34.000 --> 0:22:35.239
<v Speaker 1>I love you, But if you're the all the long

0:22:35.240 --> 0:22:37.359
<v Speaker 1>horned fans, you guys can hugger root. So I'm a

0:22:37.440 --> 0:22:40.159
<v Speaker 1>Razorback fan, like in general, and so you guys annoy me.

0:22:41.240 --> 0:22:44.560
<v Speaker 1>Tennessee fans, you annoy me. It's mostly because we're jealous

0:22:44.600 --> 0:22:45.760
<v Speaker 1>of the program Arkansas.

0:22:45.760 --> 0:22:47.600
<v Speaker 2>We're little brother. We get beat up by big brother.

0:22:48.320 --> 0:22:51.800
<v Speaker 1>But it's like Longhorn fans, I have no use for you. However,

0:22:51.880 --> 0:22:54.399
<v Speaker 1>the individual Longhorn fans, I know a ton of them.

0:22:54.400 --> 0:22:57.920
<v Speaker 1>I'm great friends with Longhorn fans. Same thing with the industry.

0:22:58.440 --> 0:23:01.080
<v Speaker 1>I have no use for it. I'm no use for

0:23:01.119 --> 0:23:03.080
<v Speaker 1>the machine. When we rebuilt our studio, I made it

0:23:03.080 --> 0:23:04.479
<v Speaker 1>so record people could not come in the studio.

0:23:04.680 --> 0:23:06.080
<v Speaker 2>That was one of the big things.

0:23:06.119 --> 0:23:07.359
<v Speaker 1>I was like, I want to build it where there

0:23:07.359 --> 0:23:11.040
<v Speaker 1>are no seats, where there no manager, record label published,

0:23:11.040 --> 0:23:12.880
<v Speaker 1>that they cannot come in because they used to remember

0:23:12.920 --> 0:23:13.919
<v Speaker 1>that hit a thing.

0:23:13.960 --> 0:23:16.879
<v Speaker 2>And that was because that was what this job was

0:23:16.920 --> 0:23:17.439
<v Speaker 2>supposed to.

0:23:17.480 --> 0:23:20.240
<v Speaker 1>Allow, was anybody can come in and just sit with

0:23:20.280 --> 0:23:22.879
<v Speaker 1>your artists and they'd be like, look like, don't have that. Okay,

0:23:23.000 --> 0:23:24.359
<v Speaker 1>you know what we're gonna do. You're gonna be in

0:23:24.359 --> 0:23:26.040
<v Speaker 1>a room over there. So I can actually feel like

0:23:26.080 --> 0:23:28.800
<v Speaker 1>I can connect with the artists. Was not warmly welcomed.

0:23:29.760 --> 0:23:37.920
<v Speaker 1>So I'm basically Beyonce I said it. I understand why

0:23:37.960 --> 0:23:40.320
<v Speaker 1>people would feel that way because I felt that way.

0:23:40.600 --> 0:23:43.400
<v Speaker 1>But it's definitely not a personal thing towards her, because

0:23:43.400 --> 0:23:44.800
<v Speaker 1>I think a lot of people did like the record.

0:23:44.960 --> 0:23:47.800
<v Speaker 1>It's mostly there wasn't an investment into that community. Also

0:23:47.800 --> 0:23:49.840
<v Speaker 1>by me, there's not an investment into the community sometimes

0:23:49.880 --> 0:23:51.760
<v Speaker 1>in that way, like the industry part of it. I

0:23:51.760 --> 0:23:54.639
<v Speaker 1>don't go to industry stuff mostly, I just I'm like,

0:23:54.640 --> 0:23:58.280
<v Speaker 1>it's seven pm under the be in bed and then

0:23:58.320 --> 0:24:01.200
<v Speaker 1>it says like, oh fake, I hate small talk. You

0:24:01.240 --> 0:24:02.720
<v Speaker 1>know it's good at small talk, Eddie. You know who's

0:24:02.720 --> 0:24:03.520
<v Speaker 1>bad as small talk? Me?

0:24:03.920 --> 0:24:05.760
<v Speaker 2>I don't mind small talk. Yeah, I mean like you,

0:24:05.920 --> 0:24:07.760
<v Speaker 2>you're good at it. I'd rather do small talk than

0:24:07.800 --> 0:24:09.399
<v Speaker 2>the real Like, let's get.

0:24:09.240 --> 0:24:10.720
<v Speaker 1>Serious, see me, I'll meet to me the first time,

0:24:10.720 --> 0:24:12.080
<v Speaker 1>I'm like, give me cancer your family.

0:24:12.560 --> 0:24:14.399
<v Speaker 2>It's like it goes way too quick, you know, like

0:24:14.480 --> 0:24:15.480
<v Speaker 2>I go, It's.

0:24:15.160 --> 0:24:19.040
<v Speaker 6>Like if not, like why are we even talking like it?

0:24:19.080 --> 0:24:20.959
<v Speaker 2>Let's rather be like the time, this is a good

0:24:21.000 --> 0:24:22.280
<v Speaker 2>win last week and I'd be like.

0:24:22.240 --> 0:24:24.080
<v Speaker 1>So mental illness and abortion, how do you have about

0:24:24.080 --> 0:24:24.760
<v Speaker 1>those two things?

0:24:25.000 --> 0:24:26.000
<v Speaker 2>Like it was right off.

0:24:27.280 --> 0:24:30.520
<v Speaker 1>So I agree with what Luke said, but I also

0:24:30.560 --> 0:24:37.560
<v Speaker 1>agree that the system creates its victors, and if you

0:24:37.680 --> 0:24:40.000
<v Speaker 1>don't cooperate with the system, you will not be a victor.

0:24:40.040 --> 0:24:41.960
<v Speaker 1>And I've had to accept that about myself and us

0:24:42.000 --> 0:24:44.119
<v Speaker 1>as well, because there are times we're not the victors.

0:24:44.280 --> 0:24:46.359
<v Speaker 1>But there are times it's my fault because I don't

0:24:46.600 --> 0:24:50.200
<v Speaker 1>cooperate with the system, even though we're setting records and

0:24:50.240 --> 0:24:52.960
<v Speaker 1>all these things, even though Beyonce's record gets smashed and

0:24:53.000 --> 0:24:55.359
<v Speaker 1>crushed and everything. But the people short thing made me

0:24:55.440 --> 0:24:56.960
<v Speaker 1>laugh because I don't know that they gave any award

0:24:56.960 --> 0:25:02.120
<v Speaker 1>anybody that wasn't there. And also I didn't watch Machine Gun.

0:25:02.240 --> 0:25:04.200
<v Speaker 2>Kelly was here. He was there. Yes, I saw that

0:25:04.600 --> 0:25:05.560
<v Speaker 2>on socials, which.

0:25:05.440 --> 0:25:09.199
<v Speaker 1>Is another thing that I will say about me in

0:25:09.320 --> 0:25:11.879
<v Speaker 1>this format. And I have always been the guy that

0:25:11.960 --> 0:25:15.960
<v Speaker 1>gets into I don't really fight with people anymore about it,

0:25:16.000 --> 0:25:18.080
<v Speaker 1>but I would be the one that goes. You know,

0:25:18.080 --> 0:25:21.040
<v Speaker 1>if you're making something that's country and I believe like

0:25:21.080 --> 0:25:23.040
<v Speaker 1>you kind of care, I'll give it a shot. It

0:25:23.040 --> 0:25:25.600
<v Speaker 1>doesn't matter if you're Beyonce, it doesn't matter if you're

0:25:26.680 --> 0:25:29.240
<v Speaker 1>Brett Michaels. It doesn't matter if you're coming from out

0:25:29.280 --> 0:25:32.679
<v Speaker 1>of the format. Steven Tyler, Steven Tyler, Nelly like for

0:25:32.720 --> 0:25:34.520
<v Speaker 1>all for I don't think he just made a country song.

0:25:34.840 --> 0:25:36.520
<v Speaker 6>Yeah, over and over again and.

0:25:38.359 --> 0:25:41.800
<v Speaker 1>Country of those and that was like the reman but

0:25:42.119 --> 0:25:44.680
<v Speaker 1>they play. But yeah, I'm saying, when we're here, he's right.

0:25:45.280 --> 0:25:49.480
<v Speaker 1>So I'm willing to give anybody a chance to see

0:25:49.520 --> 0:25:53.000
<v Speaker 1>if it's what I feel like is authentic. What I

0:25:53.040 --> 0:25:55.160
<v Speaker 1>like to have post Malone is he didn't go I'm

0:25:55.200 --> 0:25:56.399
<v Speaker 1>now a country artist. He was like all of the

0:25:56.400 --> 0:25:58.639
<v Speaker 1>country music I'm to a project or two. But he

0:25:58.680 --> 0:26:00.720
<v Speaker 1>had also been showing for the past ten years that

0:26:00.760 --> 0:26:02.640
<v Speaker 1>he was a fan of country country music.

0:26:02.680 --> 0:26:03.960
<v Speaker 2>Yeah, so there was no doubt to me.

0:26:04.000 --> 0:26:06.800
<v Speaker 1>But he also he'd do Brad Paisley stuff, but he'd

0:26:06.880 --> 0:26:08.800
<v Speaker 1>do Nirvana stuff, and he'd do hip hop stuff.

0:26:08.800 --> 0:26:10.720
<v Speaker 2>He did a Hank Williams song on our show.

0:26:11.320 --> 0:26:14.520
<v Speaker 1>So but then he was committed a country at that point. Yeah,

0:26:14.600 --> 0:26:16.159
<v Speaker 1>I'm saying, even before we knew he was doing a

0:26:16.160 --> 0:26:20.760
<v Speaker 1>country record. And so when people like Jelly Roll come

0:26:20.800 --> 0:26:24.199
<v Speaker 1>in and I'm like, this is interesting, I wonder how

0:26:24.240 --> 0:26:29.879
<v Speaker 1>I feel about him saying he's a country artist, and

0:26:29.920 --> 0:26:31.679
<v Speaker 1>it had him in and you spend time with Jelly Roll,

0:26:31.720 --> 0:26:36.800
<v Speaker 1>and he's easy to love, extremely vulnerable. You're just like, man,

0:26:36.920 --> 0:26:39.800
<v Speaker 1>that's the nicest guy ever. And then he started writing

0:26:39.840 --> 0:26:41.240
<v Speaker 1>with a lot of artists in town. And then you

0:26:41.280 --> 0:26:44.800
<v Speaker 1>would people that you trusted would say, yeah, he's like

0:26:44.880 --> 0:26:46.359
<v Speaker 1>in it, like he's committed.

0:26:46.840 --> 0:26:47.160
<v Speaker 2>And so.

0:26:48.600 --> 0:26:50.639
<v Speaker 1>I was like, Okay, people I trust to give me

0:26:50.720 --> 0:26:54.520
<v Speaker 1>advice about this, I'm gonna truy and you can tell

0:26:54.520 --> 0:26:57.040
<v Speaker 1>he's committed. He also still does hip hop stuff and

0:26:57.080 --> 0:26:58.800
<v Speaker 1>he still does rock stuff. But Jelly Roll, to me,

0:27:00.160 --> 0:27:03.600
<v Speaker 1>didn't need to prove to me anything. But like I

0:27:03.600 --> 0:27:06.199
<v Speaker 1>think he's proven to me and us and everyone just

0:27:07.080 --> 0:27:10.560
<v Speaker 1>through the last couple of years. Like he's a country artist. Yeah,

0:27:10.640 --> 0:27:14.240
<v Speaker 1>he tells stories, he's vulnerable, but he still at times

0:27:14.359 --> 0:27:16.160
<v Speaker 1>is not He does other things, but we accept him.

0:27:16.160 --> 0:27:19.000
<v Speaker 1>Is that There was another recent one that I was

0:27:19.040 --> 0:27:21.879
<v Speaker 1>thinking about. I have a post malone obviously, but my

0:27:21.920 --> 0:27:24.000
<v Speaker 1>point was with the machine gun Kelly thing. The format

0:27:24.000 --> 0:27:25.480
<v Speaker 1>has gotten so big now that I think people just

0:27:25.480 --> 0:27:28.080
<v Speaker 1>see it as easy money. Now, there was a way,

0:27:28.440 --> 0:27:31.280
<v Speaker 1>there was a path that I would not be a

0:27:31.320 --> 0:27:32.959
<v Speaker 1>part of the path where it was somebody who they

0:27:32.960 --> 0:27:34.680
<v Speaker 1>were super successful in other format and they were on

0:27:34.720 --> 0:27:37.320
<v Speaker 1>the way down. They treated this format as they're dancing

0:27:37.320 --> 0:27:39.080
<v Speaker 1>with the stars, and they were like, oh, I can

0:27:39.119 --> 0:27:41.840
<v Speaker 1>get one final something and I can just go and

0:27:41.880 --> 0:27:43.440
<v Speaker 1>act like I'm a country artist and make some money

0:27:43.440 --> 0:27:45.879
<v Speaker 1>because I'm not working out a pop I like that.

0:27:46.480 --> 0:27:50.359
<v Speaker 1>I didn't do that like I was on pop radio.

0:27:50.840 --> 0:27:51.280
<v Speaker 2>We all were.

0:27:51.280 --> 0:27:53.960
<v Speaker 1>I built my own s inducation company. I was on

0:27:55.280 --> 0:27:59.439
<v Speaker 1>a trajectory moon high because I owned massive part of

0:27:59.440 --> 0:28:03.240
<v Speaker 1>the show we had, and you know, I started by myself.

0:28:03.280 --> 0:28:06.040
<v Speaker 1>Then it was a wee thing and I came here

0:28:06.280 --> 0:28:10.760
<v Speaker 1>as I was on the way up, like I chose this.

0:28:11.000 --> 0:28:13.960
<v Speaker 1>Like I feel like like Jelly Roll could have kept

0:28:14.000 --> 0:28:17.560
<v Speaker 1>going in the hip hop space but chose this. But

0:28:17.640 --> 0:28:21.160
<v Speaker 1>when artists are like, you know, I'm gonna go do country,

0:28:21.200 --> 0:28:24.800
<v Speaker 1>but it's because they're failing in another format, I feel

0:28:24.840 --> 0:28:28.280
<v Speaker 1>like I don't really react warmly to that. Anybody can

0:28:28.320 --> 0:28:30.760
<v Speaker 1>come over and say what up. But if I feel

0:28:30.800 --> 0:28:32.639
<v Speaker 1>like you're doing it because it's like a last resort,

0:28:32.640 --> 0:28:36.320
<v Speaker 1>I feel like that's not true. And sincere now with

0:28:36.359 --> 0:28:38.360
<v Speaker 1>like a Machine on Kelly, I feel like the format's

0:28:38.360 --> 0:28:39.960
<v Speaker 1>just gotten so big. There's a bunch of easy money,

0:28:40.000 --> 0:28:42.040
<v Speaker 1>and he's just like, I'm just gonna do some stuff

0:28:42.080 --> 0:28:44.160
<v Speaker 1>and say country because I remember wh the first time

0:28:44.160 --> 0:28:46.080
<v Speaker 1>I played Dixie Chicks song, I was like, that's interesting.

0:28:46.120 --> 0:28:48.000
<v Speaker 1>But I know he's gonna do He's gonna come try

0:28:48.040 --> 0:28:49.360
<v Speaker 1>to do some country stuff and try to make some

0:28:49.360 --> 0:28:50.600
<v Speaker 1>money and spread his audience.

0:28:50.840 --> 0:28:52.080
<v Speaker 2>Here trying to do an album. What's he doing, I

0:28:52.120 --> 0:28:53.440
<v Speaker 2>don't know. I don't really know.

0:28:53.600 --> 0:28:54.920
<v Speaker 1>I know he's a song with Jelly Roll. I don't

0:28:54.920 --> 0:28:56.440
<v Speaker 1>know if they push in a country or not, you know, Mike,

0:28:57.880 --> 0:28:59.400
<v Speaker 1>but he was at the People Shows Country Awards, so

0:28:59.400 --> 0:29:02.160
<v Speaker 1>they're trying to do a concerted effort to make him

0:29:02.240 --> 0:29:07.040
<v Speaker 1>be a little That to me is not believable. However,

0:29:07.800 --> 0:29:12.480
<v Speaker 1>he's not on the way down pop punk, yeah, but

0:29:12.520 --> 0:29:15.160
<v Speaker 1>that's a different format pop punk and country is different.

0:29:15.520 --> 0:29:21.400
<v Speaker 1>For pop punk is like there's not a group of

0:29:21.440 --> 0:29:26.080
<v Speaker 1>people that have been in pop punk for one hundred years.

0:29:26.120 --> 0:29:28.080
<v Speaker 1>There's not a city dedicated to pop punk, there's not

0:29:28.120 --> 0:29:34.160
<v Speaker 1>an industry, there's not a billion dollar so not the same,

0:29:34.200 --> 0:29:35.680
<v Speaker 1>but I understand. But it's also not going down. So

0:29:35.720 --> 0:29:37.200
<v Speaker 1>I'm not gonna be hypocritical and say he's an artist

0:29:37.240 --> 0:29:39.600
<v Speaker 1>doing that, But I just don't. I don't believe that

0:29:39.640 --> 0:29:42.440
<v Speaker 1>he's somebody who loved country music and is like, I'm

0:29:42.440 --> 0:29:44.320
<v Speaker 1>really intrigued, I'm gonna try to do this. I think

0:29:44.320 --> 0:29:45.960
<v Speaker 1>it's probably somebody's like man, I could probably spread an

0:29:45.960 --> 0:29:46.959
<v Speaker 1>audience and make some money.

0:29:47.600 --> 0:29:49.240
<v Speaker 6>Oh, he seemed pretty genuine when I hung out with

0:29:49.520 --> 0:29:50.640
<v Speaker 6>cmafest and.

0:29:50.560 --> 0:29:51.880
<v Speaker 2>By you hanging out with him, it's like you hanging

0:29:51.880 --> 0:29:55.160
<v Speaker 2>out with Diddy got him.

0:29:55.680 --> 0:29:57.080
<v Speaker 6>Yeah, he was over my shoulder and I like a

0:29:57.160 --> 0:29:59.320
<v Speaker 6>video of him, and his security guard told me to stop.

0:29:59.600 --> 0:30:01.080
<v Speaker 1>I don't even know that he's I don't anything about it.

0:30:01.080 --> 0:30:02.120
<v Speaker 1>I don't know if he's not a nice stud or not.

0:30:02.200 --> 0:30:03.640
<v Speaker 1>But do you look at that and go like, well,

0:30:03.640 --> 0:30:04.320
<v Speaker 1>that's legitimate.

0:30:04.400 --> 0:30:06.880
<v Speaker 5>I felt like the Chicks thing was legit. Like I

0:30:06.920 --> 0:30:09.480
<v Speaker 5>was like, oh that. I felt like it.

0:30:09.400 --> 0:30:11.960
<v Speaker 1>Was a nostalgia song.

0:30:11.880 --> 0:30:15.520
<v Speaker 4>For him, and he genuinely knew it and he liked

0:30:15.560 --> 0:30:19.480
<v Speaker 4>it in country. That that one song had me thinking

0:30:19.680 --> 0:30:20.480
<v Speaker 4>all those things.

0:30:21.440 --> 0:30:23.920
<v Speaker 2>What does he sing like? What are some of his songs?

0:30:25.080 --> 0:30:26.320
<v Speaker 1>He had a couple of like rock songs that were

0:30:26.320 --> 0:30:30.880
<v Speaker 1>really good, like pop punk songs. Yeah, the pop punk stuff.

0:30:30.640 --> 0:30:31.960
<v Speaker 2>Is really good.

0:30:32.320 --> 0:30:35.120
<v Speaker 1>Even I don't know his his hip hop stuff.

0:30:35.120 --> 0:30:35.360
<v Speaker 2>I don't.

0:30:35.560 --> 0:30:37.840
<v Speaker 1>I would watch him. He's pretty good. He's know him

0:30:37.840 --> 0:30:41.120
<v Speaker 1>from member one. Eminem annihilated him. That's what I know

0:30:41.280 --> 0:30:44.920
<v Speaker 1>from that is when he switched, he went after Eminem

0:30:44.960 --> 0:30:48.280
<v Speaker 1>once Eminem in the song he did back, not only

0:30:48.920 --> 0:30:51.640
<v Speaker 1>did Eminem but then wrapped in his cadence and like

0:30:51.680 --> 0:30:54.760
<v Speaker 1>annihilated it. Well, that's the guy you don't go after.

0:30:56.520 --> 0:30:58.400
<v Speaker 1>And again, nobody has to a dang thing to me.

0:30:59.040 --> 0:31:02.840
<v Speaker 1>But my feelings are like that doesn't feel legitimate that

0:31:02.920 --> 0:31:04.560
<v Speaker 1>it's somebody like doing it for the sake of just

0:31:04.640 --> 0:31:05.640
<v Speaker 1>loving country music.

0:31:06.080 --> 0:31:07.200
<v Speaker 2>It's doing it.

0:31:07.240 --> 0:31:09.479
<v Speaker 1>Oh kill Shot was a song Oh my God that

0:31:09.920 --> 0:31:11.080
<v Speaker 1>so yeah, you just don't mess with them. And MM

0:31:11.280 --> 0:31:12.440
<v Speaker 1>has a lot of those oh my gods when somebody

0:31:12.480 --> 0:31:13.560
<v Speaker 1>goes in him and I'm like, what are you thinking?

0:31:13.560 --> 0:31:15.520
<v Speaker 1>He could be seventy years old, and I'm like, don't

0:31:15.520 --> 0:31:20.560
<v Speaker 1>do it. So yeah, I'm I guess I'm just I'm

0:31:20.600 --> 0:31:25.440
<v Speaker 1>holding my thoughts on it. On the machine Gun Kelly stuff,

0:31:25.440 --> 0:31:28.600
<v Speaker 1>because it doesn't feel if you were really honest, it

0:31:28.640 --> 0:31:30.360
<v Speaker 1>came out and said, yeah, I just I don't want

0:31:30.360 --> 0:31:31.920
<v Speaker 1>to current country music, but I want to do a

0:31:31.960 --> 0:31:33.200
<v Speaker 1>few songs. I think it would be fun because I

0:31:33.240 --> 0:31:34.960
<v Speaker 1>really like, I've really started to get into it and

0:31:35.000 --> 0:31:36.920
<v Speaker 1>think it would be fun. Like I think that honesty

0:31:36.960 --> 0:31:39.680
<v Speaker 1>would be cool and refreshing, and I think I would

0:31:39.720 --> 0:31:43.040
<v Speaker 1>be into having him in and seeing what's up. Doesn't

0:31:43.040 --> 0:31:45.080
<v Speaker 1>even need to come here, doesn't affect his car at all,

0:31:45.080 --> 0:31:48.080
<v Speaker 1>doesn't defect mine. But it's when I feel like there

0:31:48.120 --> 0:31:49.440
<v Speaker 1>are a lot of people now trying that because they

0:31:49.520 --> 0:31:52.440
<v Speaker 1>know the format has never been bigger than right now,

0:31:52.920 --> 0:31:56.720
<v Speaker 1>and that is mostly on the shoulders of Wallin Comb's

0:31:57.000 --> 0:32:05.520
<v Speaker 1>Zach Bryan selling out football stadiums, young audience, those guys

0:32:05.520 --> 0:32:09.200
<v Speaker 1>crossing over. So yeah, there just feel.

0:32:08.960 --> 0:32:10.840
<v Speaker 2>Those guys back in the day Bob Dylan did that.

0:32:11.360 --> 0:32:13.800
<v Speaker 7>He moved to Nashville and then Johnny Cash tried to

0:32:13.800 --> 0:32:16.640
<v Speaker 7>help him, and like you know, these are introduced into people.

0:32:16.440 --> 0:32:19.000
<v Speaker 2>Like Bob Dylan was was always a country artist though yeah,

0:32:19.040 --> 0:32:20.160
<v Speaker 2>I mean he was a folk artist.

0:32:20.200 --> 0:32:23.320
<v Speaker 1>He's from right, but like Americana to me is country music.

0:32:24.320 --> 0:32:26.720
<v Speaker 1>I agree with that Americana is more country than country.

0:32:27.000 --> 0:32:28.440
<v Speaker 1>They just had to change the name because country had

0:32:28.440 --> 0:32:31.720
<v Speaker 1>moved to a different place. But the machine guns, Kelly

0:32:31.720 --> 0:32:36.400
<v Speaker 1>stuff's interesting. I'm keeping an eye on it. I don't

0:32:36.440 --> 0:32:38.800
<v Speaker 1>believe it that. It's like I'm a lifelong country fan.

0:32:38.840 --> 0:32:40.200
<v Speaker 1>But if he's like, you know what, I just got

0:32:40.240 --> 0:32:43.160
<v Speaker 1>into it like four months ago and it's good. I'm

0:32:43.160 --> 0:32:44.760
<v Speaker 1>gonna do a little bit of this guy, I would

0:32:44.760 --> 0:32:49.280
<v Speaker 1>be like, Okay, I'm anxious to hear your story. I

0:32:49.320 --> 0:32:51.280
<v Speaker 1>did like his pop punk stuff, though, better than his

0:32:51.360 --> 0:32:52.880
<v Speaker 1>hip hop stuff. And I even like this hip hop stuff.

0:32:52.880 --> 0:32:54.640
<v Speaker 1>It was very aggressive though, and he always had a

0:32:54.680 --> 0:32:56.600
<v Speaker 1>shirt off, and I was jealous because he could like

0:32:56.640 --> 0:32:58.720
<v Speaker 1>pull off tattoos all over his chest. Tatoo, Yeah, it's

0:32:58.720 --> 0:32:59.080
<v Speaker 1>a I like that.

0:33:00.360 --> 0:33:01.480
<v Speaker 2>Is he still Megan Fox?

0:33:02.280 --> 0:33:02.520
<v Speaker 6>Yeah?

0:33:03.240 --> 0:33:05.120
<v Speaker 2>Yeah? For me, no, I can pull it off. But

0:33:05.120 --> 0:33:06.240
<v Speaker 2>I wish I could pull it off.

0:33:06.400 --> 0:33:08.440
<v Speaker 5>Oh I didn't know you were in tattoos on the chest.

0:33:08.720 --> 0:33:09.000
<v Speaker 2>I'm not.

0:33:09.080 --> 0:33:11.080
<v Speaker 1>But for me, tattoos on the chest, no, no, no.

0:33:11.240 --> 0:33:12.440
<v Speaker 1>But he pulled it off, and I was like, dang,

0:33:12.480 --> 0:33:14.320
<v Speaker 1>that's awesome. He has a good story too, because I

0:33:14.320 --> 0:33:16.960
<v Speaker 1>think he was working to like a fast food restaurant Ohio.

0:33:17.040 --> 0:33:19.400
<v Speaker 1>That's cool, and like took a bunch of money he

0:33:19.400 --> 0:33:21.520
<v Speaker 1>didn't have and like went to some sort of like

0:33:21.840 --> 0:33:24.960
<v Speaker 1>uh seminar and met somebody and was like.

0:33:24.880 --> 0:33:26.120
<v Speaker 2>I'm trying to be at ma like.

0:33:26.960 --> 0:33:29.800
<v Speaker 1>His story is actually pretty good that I know, but

0:33:30.000 --> 0:33:31.760
<v Speaker 1>I'm just using him as an example because he's famous.

0:33:31.760 --> 0:33:33.480
<v Speaker 1>Of people now they're trying to come over and just

0:33:33.800 --> 0:33:35.200
<v Speaker 1>hopefully not make a quick buck.

0:33:36.360 --> 0:33:37.120
<v Speaker 2>But I do.

0:33:37.280 --> 0:33:39.239
<v Speaker 1>I do, Like I never met him. Lunchbox has kind

0:33:39.280 --> 0:33:39.840
<v Speaker 1>of guys out.

0:33:40.640 --> 0:33:42.960
<v Speaker 6>He was really nice. It was pretty chill, relax.

0:33:43.080 --> 0:33:44.320
<v Speaker 2>What do he said? What do you guys talk about?

0:33:44.760 --> 0:33:47.280
<v Speaker 6>Uh? Just talking about the night and how the crowd

0:33:47.360 --> 0:33:47.800
<v Speaker 6>looked good.

0:33:47.920 --> 0:33:48.680
<v Speaker 1>Did you talk at all?

0:33:48.720 --> 0:33:50.040
<v Speaker 2>Actually no, I.

0:33:50.000 --> 0:33:51.800
<v Speaker 6>Said, Oh, there's machine Gun.

0:33:51.720 --> 0:33:53.520
<v Speaker 2>Kelly, missus Jean. He's like, I'm not miss Geen.

0:33:53.600 --> 0:33:55.520
<v Speaker 6>No, And I think I got a high five or

0:33:55.520 --> 0:33:55.960
<v Speaker 6>a DAP.

0:33:56.640 --> 0:33:56.840
<v Speaker 3>Yeah.

0:33:56.920 --> 0:33:58.640
<v Speaker 2>So you made up the whole thing of talking about

0:33:58.640 --> 0:33:59.360
<v Speaker 2>the crowd and everything.

0:33:59.600 --> 0:34:00.200
<v Speaker 6>Yeah.

0:34:00.280 --> 0:34:04.080
<v Speaker 1>Yeah, so Mitchell shot so pretty Yeah.

0:34:04.120 --> 0:34:05.600
<v Speaker 2>No, are you listening to over do the podcast?

0:34:06.320 --> 0:34:08.120
<v Speaker 6>I'm reading the lyrics because I mean, I don't know

0:34:08.160 --> 0:34:09.520
<v Speaker 6>anything about machine Gun Kelly.

0:34:09.880 --> 0:34:11.839
<v Speaker 1>But the crazy part is when everyone does it again,

0:34:11.880 --> 0:34:13.319
<v Speaker 1>he does it in his own style, and then he

0:34:13.320 --> 0:34:15.120
<v Speaker 1>goes into machine Gun Kelly's cadence and does it in

0:34:15.120 --> 0:34:17.480
<v Speaker 1>that cadence too, And you're like, man, that's the dude.

0:34:17.520 --> 0:34:19.719
<v Speaker 1>You don't mess with Like, if you're going to go

0:34:19.760 --> 0:34:21.719
<v Speaker 1>after the king, you better cut off his head. And

0:34:21.760 --> 0:34:24.319
<v Speaker 1>he didn't cut off his head, so the king came back.

0:34:25.160 --> 0:34:27.920
<v Speaker 1>That's a long time ago too. And also I made

0:34:28.000 --> 0:34:29.160
<v Speaker 1>machine Gun Kelly more famous.

0:34:29.160 --> 0:34:30.760
<v Speaker 2>So in the end, did he lose?

0:34:33.160 --> 0:34:35.920
<v Speaker 1>Yeah, it does not how you look at it. Brooks

0:34:35.920 --> 0:34:37.799
<v Speaker 1>and Done said, everybody in country music hates each other.

0:34:38.280 --> 0:34:40.120
<v Speaker 1>This is funny. I like talking about this for a second.

0:34:40.600 --> 0:34:46.080
<v Speaker 1>So Brooks and Done, Kicks and Ronnie were on Theobond's podcast,

0:34:46.120 --> 0:34:48.440
<v Speaker 1>which I think it's awesome. Theoband has country music artists

0:34:48.440 --> 0:34:51.760
<v Speaker 1>on and so this is a clip from Theobond's podcast.

0:34:52.120 --> 0:34:54.040
<v Speaker 1>As friendly as they say that that, you know, the

0:34:54.040 --> 0:34:56.799
<v Speaker 1>world of country music is, it's it's so codarn competitive.

0:34:56.880 --> 0:34:59.120
<v Speaker 6>You know, everybody hates one or brother. They act like

0:34:59.120 --> 0:34:59.960
<v Speaker 6>they don't on TV.

0:35:01.280 --> 0:35:02.799
<v Speaker 2>Do you think people are really competitive though?

0:35:02.920 --> 0:35:07.520
<v Speaker 1>Oh, big time competitive. I stand by it too, Yeah,

0:35:07.760 --> 0:35:11.120
<v Speaker 1>super competitive. I don't think I think he's a little

0:35:11.160 --> 0:35:13.760
<v Speaker 1>hyperbole with everyone hates everyone, But a lot of people

0:35:13.760 --> 0:35:17.160
<v Speaker 1>hate a lot of people, and sometimes and sometimes not

0:35:17.239 --> 0:35:21.279
<v Speaker 1>even for reasons other than they're taking up part of

0:35:21.320 --> 0:35:23.040
<v Speaker 1>the space and using some of the oxygen.

0:35:23.080 --> 0:35:24.320
<v Speaker 2>They'd like to use in their career.

0:35:24.920 --> 0:35:27.120
<v Speaker 1>There are artists, though, major artists that act like they

0:35:27.160 --> 0:35:29.120
<v Speaker 1>like each other, like on TV and stuff, that freaking

0:35:29.120 --> 0:35:32.480
<v Speaker 1>hate each other's guts. That's what's hilarious to me. Hate

0:35:32.600 --> 0:35:34.680
<v Speaker 1>each other like almost have benefitst fights.

0:35:35.520 --> 0:35:36.800
<v Speaker 2>It's amazing.

0:35:37.160 --> 0:35:39.480
<v Speaker 7>There are cliques too, like there are clicks of like

0:35:39.680 --> 0:35:41.920
<v Speaker 7>certain country artists that hang out with each other that

0:35:41.960 --> 0:35:42.759
<v Speaker 7>don't like other ones.

0:35:42.840 --> 0:35:44.480
<v Speaker 1>Yeah, and most of them though it's now kind of

0:35:44.480 --> 0:35:49.399
<v Speaker 1>turned political, Yes it's. Yeah, it's now been a bit

0:35:49.440 --> 0:35:52.799
<v Speaker 1>of political clique. But yes, it's it's a it's a

0:35:52.840 --> 0:35:56.040
<v Speaker 1>clique town. It's not a big city to have a

0:35:56.080 --> 0:36:00.280
<v Speaker 1>massive industry, so it's gonna be clique like a high school.

0:36:01.440 --> 0:36:01.960
<v Speaker 2>It feels like.

0:36:01.920 --> 0:36:05.000
<v Speaker 1>High school a bit sometimes.

0:36:05.800 --> 0:36:06.200
<v Speaker 2>Yeah.

0:36:06.600 --> 0:36:11.640
<v Speaker 1>I was almost I was almost at I was at

0:36:11.680 --> 0:36:13.120
<v Speaker 1>the place, but they almost fistfight and there were two

0:36:13.120 --> 0:36:15.600
<v Speaker 1>major stars and I want to pull my phone out.

0:36:16.160 --> 0:36:17.520
<v Speaker 1>I just couldn't know because I was like part of

0:36:17.560 --> 0:36:18.000
<v Speaker 1>the group.

0:36:18.440 --> 0:36:19.280
<v Speaker 2>I don't know this story.

0:36:20.800 --> 0:36:24.120
<v Speaker 5>I telled you afterward, like a more private event or

0:36:24.560 --> 0:36:25.799
<v Speaker 5>public event, public.

0:36:25.480 --> 0:36:29.160
<v Speaker 8>Event, but they were on a private part. That's crazy,

0:36:29.200 --> 0:36:32.400
<v Speaker 8>and they almost fought with each other and I just

0:36:32.480 --> 0:36:35.040
<v Speaker 8>kind of sat back I'm close with one of them

0:36:35.320 --> 0:36:37.480
<v Speaker 8>medium with another, so I didn't want them to fight.

0:36:37.560 --> 0:36:39.840
<v Speaker 8>But also I was like, man, if this happens, I'm pulling,

0:36:40.080 --> 0:36:43.959
<v Speaker 8>I have to pull my phone out. It's like somebody

0:36:44.040 --> 0:36:45.560
<v Speaker 8>going crazy on a plane, Like you can go stop

0:36:45.600 --> 0:36:46.799
<v Speaker 8>on or you can just pull your phone out and

0:36:46.840 --> 0:36:47.880
<v Speaker 8>hopefully somebody el stops them.

0:36:47.920 --> 0:36:50.439
<v Speaker 1>That's how I felt there. But yeah, there's a lot

0:36:50.480 --> 0:36:56.600
<v Speaker 1>of jealousy insecurity that manifests itself with people not liking

0:36:56.640 --> 0:36:59.000
<v Speaker 1>each other. But it's funny. Ronnie kicks it and they

0:36:59.000 --> 0:37:01.279
<v Speaker 1>hate each other for a while. Yeah, and they were

0:37:01.320 --> 0:37:03.799
<v Speaker 1>a group, they broke up. They want to kill each other.

0:37:04.480 --> 0:37:05.359
<v Speaker 2>That's any, that's any.

0:37:07.120 --> 0:37:10.800
<v Speaker 6>Yeah, man, how does it go so wrong?

0:37:11.280 --> 0:37:13.120
<v Speaker 2>It's you're just spending too much time with each other,

0:37:13.120 --> 0:37:13.960
<v Speaker 2>a lot of time together.

0:37:14.320 --> 0:37:17.680
<v Speaker 1>You're getting older, you're growing as people. You have new interests,

0:37:17.719 --> 0:37:20.880
<v Speaker 1>different interests, different ideas about where the career should go,

0:37:20.920 --> 0:37:22.799
<v Speaker 1>different ideas about what you can do your set.

0:37:22.920 --> 0:37:23.440
<v Speaker 2>There's a lot of it.

0:37:23.520 --> 0:37:25.440
<v Speaker 1>It's just a dynamic and human dynamic. It's like I

0:37:25.480 --> 0:37:28.360
<v Speaker 1>would just cre to a marriage. How does it go wrong? Well,

0:37:29.080 --> 0:37:31.480
<v Speaker 1>the two people grow in different ways, and if you

0:37:31.520 --> 0:37:36.000
<v Speaker 1>don't work on finding the what can keep you together

0:37:36.040 --> 0:37:37.960
<v Speaker 1>and things you have in common and why that's important.

0:37:38.000 --> 0:37:41.160
<v Speaker 1>Then it can quickly that can dissipate and it just

0:37:41.400 --> 0:37:41.960
<v Speaker 1>doesn't exist.

0:37:42.200 --> 0:37:45.080
<v Speaker 6>Yeah, but if I'm kicksing running and I'm printing a hundred.

0:37:44.800 --> 0:37:47.360
<v Speaker 1>Dollars need money. Another big reason is they were so

0:37:47.480 --> 0:37:50.640
<v Speaker 1>rich it didn't matter. So it's not like they needed

0:37:50.640 --> 0:37:53.400
<v Speaker 1>to keep going because they had to pay their mortgage.

0:37:53.560 --> 0:37:55.239
<v Speaker 2>They had. They had a ton of money and that

0:37:55.360 --> 0:37:58.080
<v Speaker 2>was that was their FU money. Is that the same

0:37:58.080 --> 0:37:58.560
<v Speaker 2>with fgo?

0:37:59.160 --> 0:38:00.520
<v Speaker 1>Yeah, lot of money.

0:38:00.800 --> 0:38:02.319
<v Speaker 6>Yeah, they made a lot of money.

0:38:02.760 --> 0:38:05.720
<v Speaker 1>Well, yeah, a lot of money, so they don't.

0:38:05.520 --> 0:38:06.200
<v Speaker 6>Really need it either.

0:38:06.280 --> 0:38:08.400
<v Speaker 2>But I remember one of them living in a treehouse.

0:38:09.320 --> 0:38:12.080
<v Speaker 5>No, it was they had a treehouse on their property.

0:38:12.239 --> 0:38:14.359
<v Speaker 2>Oh, I thought like times were tough. He living at

0:38:14.280 --> 0:38:14.880
<v Speaker 2>a treehouse.

0:38:16.239 --> 0:38:19.600
<v Speaker 5>No, think it was a beautiful house. Beautiful.

0:38:20.120 --> 0:38:22.440
<v Speaker 2>I too, thought like dang, Jake's had hard. Jake just

0:38:22.480 --> 0:38:24.120
<v Speaker 2>lived in tiny house for a while because they was building.

0:38:24.920 --> 0:38:28.000
<v Speaker 2>I remember that it was tiny. It was hilarious.

0:38:28.520 --> 0:38:30.239
<v Speaker 1>Okay, So those two country stories I want to mention.

0:38:31.320 --> 0:38:33.800
<v Speaker 2>M M. I have a lot of notes.

0:38:34.719 --> 0:38:37.360
<v Speaker 1>Look at my scripts for this. I got lots of scripts.

0:38:37.600 --> 0:38:43.399
<v Speaker 6>Oh scuba, scuba, Oh, oh, Scuba, still a liar.

0:38:43.520 --> 0:38:46.719
<v Speaker 2>You come to the microphone, you idiot, a big idiot here?

0:38:46.760 --> 0:38:47.120
<v Speaker 2>What's up?

0:38:47.560 --> 0:38:51.120
<v Speaker 1>So yesterday, by idiot, I don't mean that really Scuba.

0:38:52.160 --> 0:38:53.080
<v Speaker 2>His thought was.

0:38:55.200 --> 0:38:58.520
<v Speaker 1>The engineers that aren't here that Scuba was complaining to

0:38:58.560 --> 0:39:00.799
<v Speaker 1>about some technical things, they think he's in it. I

0:39:00.840 --> 0:39:02.600
<v Speaker 1>tried to describe and explain to him that I don't

0:39:02.600 --> 0:39:04.840
<v Speaker 1>think he's an idiot. They probably are just pressured and whatever.

0:39:05.600 --> 0:39:09.720
<v Speaker 1>So we said yesterday on the podcast, if our station

0:39:10.640 --> 0:39:15.439
<v Speaker 1>the radio goes off wherever you are and there's dead air,

0:39:16.000 --> 0:39:19.799
<v Speaker 1>there's this music that plays, something's not right, please let

0:39:19.880 --> 0:39:22.480
<v Speaker 1>us know, because we don't know if you don't let

0:39:22.560 --> 0:39:25.160
<v Speaker 1>us know. And we have technical issues all the time.

0:39:25.520 --> 0:39:27.319
<v Speaker 1>Sometimes it's the program we're running, the Scoop is an

0:39:27.360 --> 0:39:30.000
<v Speaker 1>idiot about not really an idiot, but that was what

0:39:30.040 --> 0:39:34.080
<v Speaker 1>was yesterday's podcast. Sometimes it's there aren't people to run

0:39:34.120 --> 0:39:38.600
<v Speaker 1>the board or market in individual markets. If we go there,

0:39:38.680 --> 0:39:41.479
<v Speaker 1>no one's going to save us. Every once in a while,

0:39:41.520 --> 0:39:43.200
<v Speaker 1>something happens here. We have the power go out. One

0:39:43.280 --> 0:39:45.840
<v Speaker 1>day in the building, our power went out and we

0:39:45.840 --> 0:39:47.239
<v Speaker 1>have a backup generator, and I'm like, hey, what can

0:39:47.280 --> 0:39:48.359
<v Speaker 1>we do in scoop like, I don't know. We don't

0:39:48.360 --> 0:39:51.120
<v Speaker 1>have an engineer, so there are a lot of ways

0:39:51.160 --> 0:39:53.400
<v Speaker 1>things can go wrong. But we ask people, if it

0:39:53.440 --> 0:39:56.560
<v Speaker 1>happens where you are on your local affiliate, please message

0:39:56.640 --> 0:39:58.920
<v Speaker 1>us and let us know what time you were listening,

0:39:59.160 --> 0:40:01.160
<v Speaker 1>what city you're listening, if you can, what station if

0:40:01.200 --> 0:40:04.279
<v Speaker 1>you know. And so they started coming in here, lots

0:40:04.320 --> 0:40:07.600
<v Speaker 1>of them. Well, it just I go over to my

0:40:09.040 --> 0:40:11.200
<v Speaker 1>what's that box called it? Anybody can send to a

0:40:11.280 --> 0:40:17.800
<v Speaker 1>dm Q box, not DMS, but no requested requested messages.

0:40:17.920 --> 0:40:20.920
<v Speaker 1>Have your regular there's my regulars, there's the people that

0:40:21.000 --> 0:40:22.719
<v Speaker 1>have already gotten through, and there's the thing that you

0:40:22.800 --> 0:40:25.600
<v Speaker 1>go to click and it's like message requests, and so

0:40:25.640 --> 0:40:27.520
<v Speaker 1>I go to that, and that's always there's always like

0:40:27.560 --> 0:40:29.319
<v Speaker 1>two thousand of those, so I can't always see all them.

0:40:29.320 --> 0:40:30.560
<v Speaker 1>I try to look at a lot of them. But

0:40:30.600 --> 0:40:33.440
<v Speaker 1>I just clicked like ten yesterday and I get one.

0:40:33.960 --> 0:40:38.239
<v Speaker 1>Just finished listening to today's podcast. We're in Fresno, but

0:40:38.280 --> 0:40:41.240
<v Speaker 1>we were listening on the radio about eight fifty am,

0:40:41.280 --> 0:40:44.480
<v Speaker 1>and I kid you not parentheses. I'm not sure what

0:40:44.480 --> 0:40:46.680
<v Speaker 1>the music is called. The intro music was playing for

0:40:46.719 --> 0:40:48.520
<v Speaker 1>a good five minutes. Before you guys came back on

0:40:48.560 --> 0:40:50.680
<v Speaker 1>the air five minutes. That was.

0:40:52.200 --> 0:40:53.520
<v Speaker 9>That was the moment you saw to throw up my

0:40:53.560 --> 0:40:55.239
<v Speaker 9>phone down because I heard that in the hallway. I'm like,

0:40:55.239 --> 0:40:56.239
<v Speaker 9>are you efing kidding me?

0:40:56.560 --> 0:41:00.000
<v Speaker 1>That was the deal that that's the thirty minute.

0:41:00.040 --> 0:41:01.480
<v Speaker 2>It's after we did the podcast.

0:41:01.840 --> 0:41:03.440
<v Speaker 1>I just started and I was like, I need to

0:41:03.440 --> 0:41:07.040
<v Speaker 1>not go ont my messages today, So I've just started

0:41:07.040 --> 0:41:08.799
<v Speaker 1>to collect these in a folder. Now they're talking about

0:41:08.800 --> 0:41:12.040
<v Speaker 1>the yeah yeah, which we play it for us.

0:41:12.080 --> 0:41:16.000
<v Speaker 2>Here's the hit, our greatest hit. Yes, that's our greatest

0:41:16.160 --> 0:41:18.600
<v Speaker 2>five minutes of it and nothing. You're just listening to,

0:41:18.600 --> 0:41:19.560
<v Speaker 2>going what's happening here?

0:41:19.640 --> 0:41:20.279
<v Speaker 6>Yeah?

0:41:20.400 --> 0:41:21.799
<v Speaker 9>And as long as supposed to be there in case

0:41:21.840 --> 0:41:23.640
<v Speaker 9>like because it does happen where it'll clip off in

0:41:23.640 --> 0:41:25.480
<v Speaker 9>the front of the back for maybe one or two seconds.

0:41:25.640 --> 0:41:27.759
<v Speaker 9>They rather that than dead air, but they didn't go

0:41:27.800 --> 0:41:30.799
<v Speaker 9>to commercials, so across the nation, you know, all those

0:41:30.800 --> 0:41:31.600
<v Speaker 9>spots didn't.

0:41:31.360 --> 0:41:33.000
<v Speaker 1>Play yeah oh yeah.

0:41:33.120 --> 0:41:36.320
<v Speaker 2>But the delay was fixed though I heard that today

0:41:36.920 --> 0:41:37.640
<v Speaker 2>it's not as bad.

0:41:37.760 --> 0:41:40.920
<v Speaker 1>Please let us know if anything happens, because we can

0:41:40.960 --> 0:41:44.360
<v Speaker 1>actually hopefully make it better by knowing, and if we

0:41:44.360 --> 0:41:46.920
<v Speaker 1>don't know, we can't make it better something else that

0:41:46.960 --> 0:41:49.520
<v Speaker 1>you may hear a little bit like we're lucky enough

0:41:49.560 --> 0:41:52.480
<v Speaker 1>that our sponsors want to be a part of segments sometimes,

0:41:52.480 --> 0:41:56.000
<v Speaker 1>like we do scam Alert and a big LifeLock user

0:41:56.120 --> 0:41:57.719
<v Speaker 1>was before they came on the show and they're like, hey,

0:41:57.880 --> 0:41:59.720
<v Speaker 1>we want to sponsor scam Alert. I'm like, that's awesome

0:41:59.719 --> 0:42:07.560
<v Speaker 1>because it makes sense. We at times like we don't

0:42:07.960 --> 0:42:10.359
<v Speaker 1>control how long if you listen to the podcast, how

0:42:10.360 --> 0:42:12.360
<v Speaker 1>long the commercial breaks are, but what we're able to

0:42:12.360 --> 0:42:15.000
<v Speaker 1>do now hopefully the goal is to include some of

0:42:15.040 --> 0:42:17.280
<v Speaker 1>these in breaks that make sense so that the commercial

0:42:17.320 --> 0:42:20.920
<v Speaker 1>breaks aren't long. Like that's our goal, and that's what

0:42:21.120 --> 0:42:23.200
<v Speaker 1>Scuba and I've been working on, and that's why you'll

0:42:23.239 --> 0:42:25.200
<v Speaker 1>hear that, like we're doing the bit. It's about we

0:42:25.239 --> 0:42:26.920
<v Speaker 1>didn't create the bit for the commercial, but if it

0:42:26.920 --> 0:42:28.400
<v Speaker 1>makes sense, we can kind of put it in it

0:42:28.440 --> 0:42:29.360
<v Speaker 1>for twenty five seconds.

0:42:29.400 --> 0:42:30.000
<v Speaker 2>Yeah, that's cool.

0:42:30.520 --> 0:42:34.880
<v Speaker 1>And if we can slow, slowly not have these extremely

0:42:35.000 --> 0:42:41.400
<v Speaker 1>long spot blocks, that helps everybody, including the advertiser, and

0:42:41.400 --> 0:42:43.160
<v Speaker 1>that's who we want to really benefit because we get

0:42:43.160 --> 0:42:44.040
<v Speaker 1>to stay on the air that way.

0:42:45.080 --> 0:42:46.560
<v Speaker 2>So we're working on that.

0:42:46.719 --> 0:42:49.480
<v Speaker 1>So if you hear that occasionally, just know that that

0:42:49.640 --> 0:42:56.040
<v Speaker 1>is purposeful and the overall amount hopefully. Oh you know,

0:42:56.080 --> 0:42:57.640
<v Speaker 1>it's weird. Two people messing me. We're like, I just

0:42:57.680 --> 0:42:59.040
<v Speaker 1>heard a vaping commercial.

0:42:59.400 --> 0:43:02.880
<v Speaker 2>No, and I'm like, what do you mean? Who did that? Well, no,

0:43:02.960 --> 0:43:03.440
<v Speaker 2>it's not that.

0:43:03.480 --> 0:43:05.840
<v Speaker 1>It's like depending on where you are, and vaping is

0:43:05.880 --> 0:43:08.680
<v Speaker 1>not even a they're going to jail for anything. But

0:43:08.760 --> 0:43:11.040
<v Speaker 1>like political ads, I don't want them on the show,

0:43:11.800 --> 0:43:14.120
<v Speaker 1>right because I don't want anyone to think that we

0:43:14.920 --> 0:43:17.239
<v Speaker 1>even though we may have our feelings and they may

0:43:17.280 --> 0:43:19.239
<v Speaker 1>be very different and very the same, I don't want

0:43:19.239 --> 0:43:21.320
<v Speaker 1>people thinking that our show has any sort of agenda

0:43:21.400 --> 0:43:23.520
<v Speaker 1>in that world because nobody comes to us for that.

0:43:23.800 --> 0:43:25.279
<v Speaker 1>And so when there's a political ad on our show,

0:43:25.280 --> 0:43:26.719
<v Speaker 1>people will be like, oh I just heard this ad

0:43:27.200 --> 0:43:30.440
<v Speaker 1>and you suck, regardless of what it is. And so,

0:43:30.560 --> 0:43:32.360
<v Speaker 1>but what happens is not on our show. It's in

0:43:32.440 --> 0:43:37.640
<v Speaker 1>the local either the local station or where you are.

0:43:37.880 --> 0:43:42.200
<v Speaker 1>The digital will just grab vaping or political and target

0:43:42.239 --> 0:43:44.120
<v Speaker 1>it to that area when we had nothing to do

0:43:44.200 --> 0:43:45.919
<v Speaker 1>with it. One of them was like Dildo's or something

0:43:45.960 --> 0:43:46.279
<v Speaker 1>over that.

0:43:47.200 --> 0:43:49.759
<v Speaker 2>I don't think it was like lunchbox voice, then hey

0:43:51.480 --> 0:43:52.840
<v Speaker 2>if something it wasn't that.

0:43:52.920 --> 0:43:55.480
<v Speaker 1>But it's like a like a ex like an adult

0:43:55.520 --> 0:43:58.320
<v Speaker 1>store or something. Yeah, it was.

0:43:58.920 --> 0:44:00.719
<v Speaker 2>It was like, how many do you guys?

0:44:00.960 --> 0:44:02.480
<v Speaker 1>Oh my god, I'm lunchbox.

0:44:03.520 --> 0:44:08.840
<v Speaker 6>You are right, hey, price right exactly exactly.

0:44:08.600 --> 0:44:09.480
<v Speaker 5>Lunch is for sale?

0:44:10.320 --> 0:44:11.280
<v Speaker 6>So are we all.

0:44:13.040 --> 0:44:13.719
<v Speaker 5>For everything?

0:44:14.360 --> 0:44:15.279
<v Speaker 2>Yeah, I'm not gonna do those.

0:44:15.840 --> 0:44:18.279
<v Speaker 6>Well, you guys are an exploratory.

0:44:18.640 --> 0:44:21.480
<v Speaker 2>We I guess not, I guess in more ways.

0:44:21.640 --> 0:44:24.480
<v Speaker 1>You are more ways than one exploratory.

0:44:26.080 --> 0:44:27.799
<v Speaker 7>I thought the political stuff though, don't you have to

0:44:27.840 --> 0:44:30.279
<v Speaker 7>do like one Yeah, like one side, you do the

0:44:30.320 --> 0:44:30.640
<v Speaker 7>other one.

0:44:31.040 --> 0:44:33.040
<v Speaker 1>Not if it's bought, No, because that would mean all

0:44:33.080 --> 0:44:35.440
<v Speaker 1>the money.

0:44:33.440 --> 0:44:38.200
<v Speaker 2>If it's in regular time, there are different rules.

0:44:38.520 --> 0:44:42.040
<v Speaker 1>But oh, if it's not politicians by commercials, because it

0:44:42.320 --> 0:44:44.680
<v Speaker 1>might not make sense if somebody has forty million, somebody

0:44:44.719 --> 0:44:46.960
<v Speaker 1>has ten. But if they buy forty million commercials, like

0:44:47.000 --> 0:44:48.799
<v Speaker 1>we got to give them extra thirty million, they didn't

0:44:48.840 --> 0:44:49.759
<v Speaker 1>raise the money.

0:44:49.400 --> 0:44:52.120
<v Speaker 6>Okay, Andy's crazy, how much money we waste on running

0:44:52.120 --> 0:44:52.680
<v Speaker 6>for office.

0:44:52.920 --> 0:44:54.200
<v Speaker 1>Yeah, there should be a salary.

0:44:54.480 --> 0:44:55.640
<v Speaker 6>It's so stupid.

0:44:55.320 --> 0:44:57.440
<v Speaker 1>There should be a political salary cap. And you do

0:44:57.480 --> 0:44:58.880
<v Speaker 1>the most you can do. You can sign DAK for

0:44:58.920 --> 0:45:02.759
<v Speaker 1>eight hundred million dollars and so you get really good

0:45:02.840 --> 0:45:05.880
<v Speaker 1>commercial cap that's going to get you, like near to

0:45:05.880 --> 0:45:07.719
<v Speaker 1>win the election, but it's it probably going to crap

0:45:07.719 --> 0:45:08.880
<v Speaker 1>out right on election day.

0:45:09.000 --> 0:45:10.560
<v Speaker 5>A lot of the problems they want to solve they

0:45:10.560 --> 0:45:11.480
<v Speaker 5>could use some money.

0:45:11.600 --> 0:45:12.919
<v Speaker 6>Yeah, that's crazy.

0:45:13.920 --> 0:45:16.560
<v Speaker 1>Yeah, I think that's it.

0:45:16.600 --> 0:45:19.680
<v Speaker 5>Is it? What is that rule though? Now I'm trying

0:45:19.680 --> 0:45:20.120
<v Speaker 5>to think of it.

0:45:20.160 --> 0:45:23.200
<v Speaker 4>Is it if you have if you interview one, you

0:45:23.320 --> 0:45:24.319
<v Speaker 4>have to have the other one on?

0:45:24.600 --> 0:45:26.600
<v Speaker 1>Yes, okay, but that rule is not you know, for

0:45:26.760 --> 0:45:27.880
<v Speaker 1>there are ways to get around that.

0:45:27.960 --> 0:45:29.319
<v Speaker 6>Yeah, we don't have to have you have to give

0:45:29.400 --> 0:45:31.160
<v Speaker 6>them opportunity.

0:45:32.000 --> 0:45:32.919
<v Speaker 5>Because they can say no.

0:45:33.200 --> 0:45:35.000
<v Speaker 2>Yeah, I remember talking about that in school.

0:45:35.040 --> 0:45:36.960
<v Speaker 1>Yes, but it's not still it's not the same anymore.

0:45:37.280 --> 0:45:39.040
<v Speaker 6>Even talking about it in the school evolved.

0:45:39.120 --> 0:45:41.000
<v Speaker 2>I guess it's like if you go on.

0:45:42.920 --> 0:45:45.680
<v Speaker 1>Pick a show that's partisan for sure, like a Fox

0:45:45.760 --> 0:45:48.319
<v Speaker 1>you go on, well they have Democrats on. But if

0:45:48.320 --> 0:45:51.120
<v Speaker 1>you go on like Klay Travis's show and he has

0:45:51.160 --> 0:45:55.719
<v Speaker 1>Trump on, You're not getting here Kamala over there. They're

0:45:55.719 --> 0:45:57.799
<v Speaker 1>not going to reach out to Kamala, so they don't

0:45:57.800 --> 0:45:59.360
<v Speaker 1>have to reach out. And I don't know if Kamala

0:45:59.360 --> 0:46:01.160
<v Speaker 1>reaches out and goes I'd like to be on if

0:46:01.200 --> 0:46:02.440
<v Speaker 1>they have to say yes, but they're not going to

0:46:02.520 --> 0:46:04.719
<v Speaker 1>reach out and go well, due to fairness doctrine, we

0:46:04.840 --> 0:46:09.080
<v Speaker 1>also want that's not gonna happen, but it's also it's private.

0:46:09.719 --> 0:46:13.360
<v Speaker 2>I don't know by three deal does get one free?

0:46:14.120 --> 0:46:20.480
<v Speaker 2>I'm lunch bar. Okay, I think we're just a.

0:46:20.440 --> 0:46:21.240
<v Speaker 5>Really bad thought.

0:46:21.480 --> 0:46:25.160
<v Speaker 1>Everybody has a price it.

0:46:25.800 --> 0:46:28.720
<v Speaker 6>What do you think about over there.

0:46:28.040 --> 0:46:32.360
<v Speaker 5>Lunch bars? You're thinking about lunch bars endorsing something.

0:46:33.600 --> 0:46:35.360
<v Speaker 2>I can't say it got a whole comedy going that.

0:46:35.400 --> 0:46:37.640
<v Speaker 2>She's also laughing at the we cannot experience.

0:46:38.040 --> 0:46:39.640
<v Speaker 5>I mean, because I guess it is supposed show. I

0:46:39.640 --> 0:46:43.640
<v Speaker 5>probably could say it. Let's just say it involves.

0:46:44.080 --> 0:46:48.760
<v Speaker 1>Oh boy, Well, I just we're gonna chase this one.

0:46:49.080 --> 0:46:53.160
<v Speaker 1>Thank you, guys, We'll see tomorrow. On tomorrow's regular show,

0:46:53.360 --> 0:46:55.239
<v Speaker 1>Luke Bryant is on all Right, bye Ready