1 00:00:01,760 --> 00:00:05,320 Speaker 1: Eggs and baky timed awakey, it's the Bobby Bones pre show. 2 00:00:06,280 --> 00:00:07,480 Speaker 1: You should leave in the part where you go, am 3 00:00:07,520 --> 00:00:08,119 Speaker 1: I doing the intro? 4 00:00:08,920 --> 00:00:10,000 Speaker 2: Is that recorded? No? 5 00:00:10,240 --> 00:00:15,120 Speaker 3: Oh, that's like Kobe Kellyan's everybody. We haven't started the 6 00:00:15,120 --> 00:00:16,880 Speaker 3: show yet with thought, we give you a fifteen twenty minutes. 7 00:00:17,239 --> 00:00:19,040 Speaker 3: By the way, this is a bit self serving for 8 00:00:19,079 --> 00:00:20,800 Speaker 3: me as well, because I can actually warm up a 9 00:00:20,800 --> 00:00:22,640 Speaker 3: little bit, because yeah. 10 00:00:22,320 --> 00:00:25,280 Speaker 1: It's much like a pro athlete. People don't think that 11 00:00:25,360 --> 00:00:28,720 Speaker 1: you gotta stretch. Yeah, I gotta get loose like even brain. 12 00:00:30,400 --> 00:00:33,160 Speaker 2: Yeah you feel that Yeah, yeah, yeah, stretch that brain. 13 00:00:33,240 --> 00:00:36,519 Speaker 1: I mean I we're just like doing commercials and countdown 14 00:00:37,000 --> 00:00:38,720 Speaker 1: and it's a both of us thing, so it's not 15 00:00:38,880 --> 00:00:41,280 Speaker 1: just an amy thing, and maybe more one of us 16 00:00:41,320 --> 00:00:42,080 Speaker 1: than the other. I know. 17 00:00:42,200 --> 00:00:44,880 Speaker 4: Yeah, times I would say this week it's strong me 18 00:00:45,080 --> 00:00:47,440 Speaker 4: and I don't know why I even I'm aware of it. 19 00:00:48,040 --> 00:00:48,240 Speaker 2: Yeah. 20 00:00:48,320 --> 00:00:50,720 Speaker 1: We have trouble reading early in the morning because things 21 00:00:50,720 --> 00:00:51,400 Speaker 1: aren't firing. 22 00:00:51,479 --> 00:00:52,640 Speaker 5: We're thinking, we're talking. 23 00:00:52,720 --> 00:00:54,600 Speaker 1: There are times if I don't sleep, like I feel 24 00:00:54,600 --> 00:00:57,480 Speaker 1: it in my gut that I can't say words back 25 00:00:57,520 --> 00:01:00,319 Speaker 1: to back even in the middle of a cent. Let's 26 00:01:00,320 --> 00:01:01,880 Speaker 1: say I'm gonna say the dog walk down the street. 27 00:01:02,120 --> 00:01:03,880 Speaker 1: Like if I got no sleep and you think you 28 00:01:04,000 --> 00:01:05,319 Speaker 1: just come and do the job, I'd be easy. You're 29 00:01:05,360 --> 00:01:07,720 Speaker 1: just talking. But it's there are mornings where you just 30 00:01:07,720 --> 00:01:10,039 Speaker 1: don't feel as good. And we try not to talk 31 00:01:10,040 --> 00:01:12,920 Speaker 1: about that because I wouldn't care if I were listening 32 00:01:12,880 --> 00:01:14,399 Speaker 1: to somebody the didn't feel as good. Just shut up 33 00:01:14,440 --> 00:01:16,160 Speaker 1: and do your show. Yeah, but there are mornings where 34 00:01:16,120 --> 00:01:18,000 Speaker 1: it happens, and I'll come in and like the dog 35 00:01:18,840 --> 00:01:21,520 Speaker 1: walk down the street, or I just can't connect them 36 00:01:21,640 --> 00:01:22,880 Speaker 1: because they didn't get sleep. 37 00:01:23,120 --> 00:01:24,800 Speaker 2: You guys had some hard ones though, like More and 38 00:01:24,880 --> 00:01:26,360 Speaker 2: Morland or who's. 39 00:01:26,120 --> 00:01:29,000 Speaker 1: No Tucker wet Moore more and we're doing countdown, it's 40 00:01:29,040 --> 00:01:30,120 Speaker 1: like Tucker web. 41 00:01:30,000 --> 00:01:33,920 Speaker 2: More and more more. That's hard, not more so. 42 00:01:34,080 --> 00:01:36,560 Speaker 1: Yeah, Rascal flats on Today's show, which you're gonna hear 43 00:01:36,600 --> 00:01:38,360 Speaker 1: in the podcast if you didn't hear it on the 44 00:01:38,400 --> 00:01:42,280 Speaker 1: live show. And I did not know two things about that. 45 00:01:42,480 --> 00:01:44,320 Speaker 1: I did not know they hadn't all been in the 46 00:01:44,360 --> 00:01:46,000 Speaker 1: same room together until this room here. 47 00:01:46,080 --> 00:01:48,200 Speaker 2: Yeah, pretty crazy, mind blown. 48 00:01:48,480 --> 00:01:50,280 Speaker 4: I think right after they said it, I go today 49 00:01:50,760 --> 00:01:51,360 Speaker 4: Yeah wild. 50 00:01:51,600 --> 00:01:54,520 Speaker 1: Yeah, I didn't know that, and I have a I 51 00:01:54,560 --> 00:01:58,960 Speaker 1: would say very close relationship with Gary where we'll we'll 52 00:01:59,000 --> 00:02:01,680 Speaker 1: just text as friends, not very closer than like a 53 00:02:01,720 --> 00:02:03,240 Speaker 1: buddy see and you're like, good to see you again, 54 00:02:03,280 --> 00:02:05,320 Speaker 1: Like Gary and I will text his friends. I know 55 00:02:05,440 --> 00:02:09,800 Speaker 1: Jay a little bit, Joe don not as much. I 56 00:02:09,800 --> 00:02:12,079 Speaker 1: didn't know. I wish Gary would give me the heads up. 57 00:02:12,760 --> 00:02:15,160 Speaker 1: Maybe I don't though, because maybe I'll have treated it differently. 58 00:02:15,320 --> 00:02:16,679 Speaker 1: But when they said that in the interview, they were like, 59 00:02:16,720 --> 00:02:17,639 Speaker 1: this is the first time I'd been in the same 60 00:02:17,680 --> 00:02:18,320 Speaker 1: room in five years. 61 00:02:18,320 --> 00:02:19,720 Speaker 2: I was like, shocking, what. 62 00:02:21,040 --> 00:02:24,160 Speaker 1: And I had a text from I'll just go full disclosure. 63 00:02:24,840 --> 00:02:30,320 Speaker 1: My PR person is their PR person, and so she 64 00:02:30,440 --> 00:02:33,519 Speaker 1: was like, they're really nervous, and I was like, that's awesome. 65 00:02:33,520 --> 00:02:34,519 Speaker 1: That means it matters to them. 66 00:02:34,840 --> 00:02:36,440 Speaker 2: But you didn't know that they hadn't seen each other 67 00:02:36,440 --> 00:02:36,960 Speaker 2: in five years. 68 00:02:36,960 --> 00:02:38,920 Speaker 1: Oh I didn't. I wasn't including on that at all. 69 00:02:39,360 --> 00:02:42,600 Speaker 2: So it makes wouse that they were nervous. I'd be nervous. 70 00:02:42,360 --> 00:02:44,840 Speaker 6: Too, how I mean, my question is how do you 71 00:02:44,880 --> 00:02:46,680 Speaker 6: come up with this idea to get back together if 72 00:02:46,680 --> 00:02:47,880 Speaker 6: you've never been in the same room. 73 00:02:48,440 --> 00:02:52,600 Speaker 1: I don't think I know it's because it's we talked 74 00:02:52,600 --> 00:02:54,040 Speaker 1: to them, right now ask them the questions. They answer 75 00:02:54,080 --> 00:02:55,800 Speaker 1: the questions, I'll give you my opinion based on their 76 00:02:55,840 --> 00:02:58,400 Speaker 1: answer and probably how I think it happened, which is 77 00:02:58,400 --> 00:03:01,320 Speaker 1: mostly what they say. It was one of those rare 78 00:03:01,360 --> 00:03:03,520 Speaker 1: situations that after the interview too, I left my desk, 79 00:03:03,560 --> 00:03:05,200 Speaker 1: I went to the room where all the crew was. 80 00:03:06,360 --> 00:03:10,200 Speaker 1: I never do that, not that I don't care about folks. 81 00:03:10,560 --> 00:03:12,440 Speaker 1: As soon as they leave, we're on or I'm on 82 00:03:12,480 --> 00:03:13,880 Speaker 1: to the next thing, because I got a stack of 83 00:03:13,919 --> 00:03:14,440 Speaker 1: stuff to do. 84 00:03:15,280 --> 00:03:15,840 Speaker 2: I feel like. 85 00:03:15,800 --> 00:03:17,720 Speaker 1: Anytime that we're here, we need to get the most 86 00:03:17,760 --> 00:03:20,120 Speaker 1: out of it, so then you guys can go home 87 00:03:20,120 --> 00:03:22,680 Speaker 1: and not worry about it. But I don't go and 88 00:03:22,720 --> 00:03:24,200 Speaker 1: walk because then you have to do I don't like 89 00:03:24,240 --> 00:03:29,240 Speaker 1: small talk for people I don't know, but I love 90 00:03:29,560 --> 00:03:32,840 Speaker 1: their manager. He has been there for me early on 91 00:03:33,320 --> 00:03:37,240 Speaker 1: in my career whenever things were going to crap. He's 92 00:03:37,280 --> 00:03:39,200 Speaker 1: also Reba's Manager's name's Clarence Spaulding. 93 00:03:39,960 --> 00:03:42,480 Speaker 2: He was in the hallway lunch bus. We walked gray 94 00:03:42,480 --> 00:03:43,120 Speaker 2: hair guy. 95 00:03:42,920 --> 00:03:45,520 Speaker 1: That will like punch in the face, give me a hug. Yeah, 96 00:03:45,640 --> 00:03:50,120 Speaker 1: so Clarence is also Brooks and done. Oh yeah, yeah, yeah, 97 00:03:50,400 --> 00:03:55,680 Speaker 1: I'm not talking to you specifically, Claire, but I think 98 00:03:55,760 --> 00:03:59,480 Speaker 1: you know Darius for a while, maybe still Darius. So 99 00:04:00,040 --> 00:04:01,720 Speaker 1: but Clarence and I used to go to dinner together, 100 00:04:01,800 --> 00:04:03,800 Speaker 1: and again, I don't do that with anybody under the 101 00:04:03,800 --> 00:04:06,280 Speaker 1: you guys, so let's him. So I wanted to go 102 00:04:06,320 --> 00:04:09,080 Speaker 1: say hi to Clarence and the crew. And since I 103 00:04:09,120 --> 00:04:13,680 Speaker 1: know Clarence and I know the Flats guys, I imagine 104 00:04:15,640 --> 00:04:17,840 Speaker 1: if they would have split up and all three of 105 00:04:17,880 --> 00:04:24,080 Speaker 1: them would have thrived in their individual efforts. This probably 106 00:04:24,080 --> 00:04:26,320 Speaker 1: would have happened, but not so quick. And I think 107 00:04:27,200 --> 00:04:29,760 Speaker 1: they were all starting to rebuild their efforts. And I 108 00:04:29,760 --> 00:04:33,360 Speaker 1: think when you're so famous and so successful, you just think, Okay, 109 00:04:33,360 --> 00:04:34,680 Speaker 1: if I go do something myself, it's going to be 110 00:04:34,720 --> 00:04:38,400 Speaker 1: just famous and successful, without realizing it's the group dynamic, 111 00:04:38,600 --> 00:04:40,560 Speaker 1: that it's a big part of it, right, And so 112 00:04:40,680 --> 00:04:42,960 Speaker 1: you have and we'll start with Gary Lavox as the 113 00:04:43,000 --> 00:04:43,520 Speaker 1: lead singer. 114 00:04:44,080 --> 00:04:44,960 Speaker 2: He's doing club shows. 115 00:04:44,960 --> 00:04:46,839 Speaker 1: He had to kind of start over and be Gary 116 00:04:46,920 --> 00:04:50,479 Speaker 1: Lavaux of Rascal Flats and instead of playing to fifteen 117 00:04:50,520 --> 00:04:54,159 Speaker 1: thousand people, it's a thousand and a club because he 118 00:04:54,200 --> 00:04:55,320 Speaker 1: wants to sing and. 119 00:04:55,279 --> 00:04:57,000 Speaker 2: He's putting out some new songs and. 120 00:04:58,760 --> 00:05:04,360 Speaker 1: It still wasn't Rascal Flats, so he's starting over slowly 121 00:05:04,400 --> 00:05:06,800 Speaker 1: building it, but not from scratch, but slowly building it. 122 00:05:08,320 --> 00:05:10,680 Speaker 1: Jada Marcus Lunchbox, who was sitting on the left side. 123 00:05:10,600 --> 00:05:11,320 Speaker 6: Yeah, I know who they are. 124 00:05:11,320 --> 00:05:14,680 Speaker 2: Okay you do? Yeah, good because you rarely do. That's 125 00:05:14,760 --> 00:05:15,200 Speaker 2: cool you do. 126 00:05:15,480 --> 00:05:15,680 Speaker 1: Yeah. 127 00:05:15,680 --> 00:05:17,200 Speaker 6: I wouldn't have known Jay's name util you said it 128 00:05:17,240 --> 00:05:17,880 Speaker 6: during the interview. 129 00:05:19,200 --> 00:05:21,960 Speaker 1: Okay, but when I say that, though, you're so. Jay 130 00:05:23,160 --> 00:05:29,320 Speaker 1: plays bass but is super utility, can play anything, produces. 131 00:05:30,040 --> 00:05:34,080 Speaker 1: He started a record label, and I think I'm sure 132 00:05:34,080 --> 00:05:35,200 Speaker 1: I knew a hard that was going to be. 133 00:05:35,240 --> 00:05:37,520 Speaker 2: But that's really hard having a record labels. You have 134 00:05:37,600 --> 00:05:38,400 Speaker 2: to have somebody. 135 00:05:38,440 --> 00:05:41,840 Speaker 1: You have to have somebody just get super lucky and 136 00:05:41,920 --> 00:05:44,839 Speaker 1: be able to finance the label or just your paying 137 00:05:44,839 --> 00:05:48,039 Speaker 1: out of your butt forever. For example, like Morgan Wallen's label, 138 00:05:50,320 --> 00:05:53,720 Speaker 1: and obviously Morgan's really good, but that hit so hard 139 00:05:53,839 --> 00:05:56,960 Speaker 1: that funded their whole label for a long time to 140 00:05:56,960 --> 00:05:59,239 Speaker 1: give them a shot to launch other artists like Lightning 141 00:05:59,240 --> 00:06:01,560 Speaker 1: in a Bottle. Lighting in a Bottle that had happened 142 00:06:01,800 --> 00:06:05,800 Speaker 1: quick with Morgan, but that's a rare independent label that 143 00:06:05,800 --> 00:06:08,240 Speaker 1: blew up quickly, but they needed that to happen or 144 00:06:08,240 --> 00:06:10,040 Speaker 1: it would have taken forever. So he started I think 145 00:06:10,000 --> 00:06:12,839 Speaker 1: a risk called Red Street Records. Yeah, and it's artists 146 00:06:12,960 --> 00:06:15,200 Speaker 1: Christian artists, and that they're starting to actually do a 147 00:06:15,240 --> 00:06:17,640 Speaker 1: thing now. But it's taken five years to even have 148 00:06:17,760 --> 00:06:20,360 Speaker 1: a shot. And then Joe Don's been going through a 149 00:06:20,400 --> 00:06:24,240 Speaker 1: lot of his issues with alcoholism. You know, he's been 150 00:06:24,240 --> 00:06:27,160 Speaker 1: sober now a while, so he's been dealing with that 151 00:06:27,360 --> 00:06:31,040 Speaker 1: and he's clean now, which we talked about. And I 152 00:06:31,080 --> 00:06:35,760 Speaker 1: think if they wouldn't have had the struggles, they could 153 00:06:35,760 --> 00:06:38,400 Speaker 1: have probably I got like together for another few years. 154 00:06:38,600 --> 00:06:40,480 Speaker 1: But I think they missed it. I think when that's 155 00:06:40,480 --> 00:06:43,159 Speaker 1: your identity, when you're want of Rascal Flats and you 156 00:06:43,200 --> 00:06:45,040 Speaker 1: love to play these and these shows are twenty thousand 157 00:06:45,040 --> 00:06:48,560 Speaker 1: people and that was our life forever. Yeah, and they're 158 00:06:49,240 --> 00:06:52,000 Speaker 1: every time they go anywhere as Rascal Flats, they are 159 00:06:52,040 --> 00:06:53,440 Speaker 1: celebrated like crazy. 160 00:06:54,160 --> 00:06:55,520 Speaker 2: Individually they're like, oh, look at that. 161 00:06:55,520 --> 00:06:57,000 Speaker 1: That's one of the Rascal Flats. It's pretty cool. 162 00:06:58,320 --> 00:06:59,680 Speaker 2: And think about the other two. 163 00:06:59,680 --> 00:07:02,280 Speaker 1: Their own lead singer probably even less because it's like 164 00:07:02,320 --> 00:07:03,680 Speaker 1: you can't even sing the songs. All I do want 165 00:07:03,680 --> 00:07:07,080 Speaker 1: to hear the singer sing this song so and then 166 00:07:08,000 --> 00:07:09,840 Speaker 1: the money. And it's not that they need the money, 167 00:07:10,240 --> 00:07:12,040 Speaker 1: but if you can have money coming in, then you 168 00:07:12,080 --> 00:07:13,559 Speaker 1: don't feel a weird about spending money. 169 00:07:13,600 --> 00:07:15,720 Speaker 4: We wondered about that, but then I googled they're not worse, 170 00:07:15,840 --> 00:07:17,160 Speaker 4: and not that that's accurate, but. 171 00:07:17,560 --> 00:07:18,960 Speaker 2: I would say I would say. 172 00:07:20,400 --> 00:07:24,280 Speaker 1: That's so, it's just not that accurate. There's a bit 173 00:07:24,320 --> 00:07:26,240 Speaker 1: of bait. It some gives you an idea. 174 00:07:26,400 --> 00:07:32,400 Speaker 2: H oh, no, they're rich, they're rich. But here's the thing. 175 00:07:32,440 --> 00:07:34,400 Speaker 1: No one gets rich that wants to get rich and goes, well, 176 00:07:34,440 --> 00:07:36,480 Speaker 1: I'm rich, I'm good. That's not a thing. It's like 177 00:07:36,520 --> 00:07:37,720 Speaker 1: I won one super Bowl. You know what, I'm not 178 00:07:37,760 --> 00:07:39,920 Speaker 1: gonna play fooball anymore. I'm going to try less. No, 179 00:07:40,000 --> 00:07:42,640 Speaker 1: you're driven to create, and you start to have hits, 180 00:07:42,680 --> 00:07:44,160 Speaker 1: you want more hits. You're making a lot of money. 181 00:07:44,160 --> 00:07:45,400 Speaker 1: You want to make more money, whatever it's for to 182 00:07:45,400 --> 00:07:47,280 Speaker 1: buy stuff or to help people or whatever the case is. 183 00:07:48,400 --> 00:07:50,600 Speaker 1: So I think it was a bit of all of that, 184 00:07:52,240 --> 00:07:54,880 Speaker 1: and they probably all individually were kind of itching, but 185 00:07:54,880 --> 00:07:58,480 Speaker 1: nobody wanted to make their call. And Clarence, I'm assuming, 186 00:07:58,640 --> 00:08:01,920 Speaker 1: was like, I'm this part up because I know Claren said, Hey, 187 00:08:02,760 --> 00:08:07,440 Speaker 1: mother efforts, jo Don's healthy, Gary wants to sing. 188 00:08:09,440 --> 00:08:10,920 Speaker 2: Jay, what are you doing? You running a label? But 189 00:08:11,000 --> 00:08:11,520 Speaker 2: you can go tour. 190 00:08:11,840 --> 00:08:14,320 Speaker 1: You're doing it. Jay was doing like a radio a 191 00:08:14,320 --> 00:08:16,560 Speaker 1: band of like a bunch of people from other bands. 192 00:08:16,680 --> 00:08:17,440 Speaker 2: Supergroup. 193 00:08:17,720 --> 00:08:19,880 Speaker 1: Yeah, but it was called Sounds like the Radio or 194 00:08:19,880 --> 00:08:21,280 Speaker 1: something like that. I don't know what the group was. 195 00:08:22,320 --> 00:08:24,640 Speaker 1: But he would sing like the Rascal flat songs that 196 00:08:24,680 --> 00:08:25,239 Speaker 1: didn't count. 197 00:08:26,120 --> 00:08:26,640 Speaker 2: He wouldn't sing. 198 00:08:26,800 --> 00:08:29,440 Speaker 1: He's not a singer, right, And so I think it 199 00:08:29,480 --> 00:08:31,120 Speaker 1: was a mixture of all that. And then it's kind 200 00:08:31,120 --> 00:08:33,240 Speaker 1: of like, if you want to do it, you gotta 201 00:08:33,280 --> 00:08:36,559 Speaker 1: be uncomfortable and whatever it is, it's keeping you guys apart. 202 00:08:36,840 --> 00:08:38,040 Speaker 1: You got to get over it. You don't have to 203 00:08:38,080 --> 00:08:39,880 Speaker 1: be friends forever. You have to be friends on this tour. 204 00:08:40,040 --> 00:08:41,439 Speaker 1: And I'm not saying they're not because I don't know 205 00:08:41,440 --> 00:08:43,080 Speaker 1: what their dynamic is right this second or what it's 206 00:08:43,120 --> 00:08:44,400 Speaker 1: going to be. But you don't have to be friends. 207 00:08:44,559 --> 00:08:47,800 Speaker 1: Just work together. But go make people happy, Go perform together. 208 00:08:47,960 --> 00:08:50,080 Speaker 1: Muscle memory he has done a million times, right, go 209 00:08:50,160 --> 00:08:53,880 Speaker 1: make your money. It's called the I thought it was 210 00:08:53,880 --> 00:08:55,520 Speaker 1: called like Sounds Like the Radio or something. 211 00:08:56,600 --> 00:08:58,480 Speaker 2: Huh. The Rise above. 212 00:08:58,720 --> 00:09:00,920 Speaker 1: When you look at I think maybe he did another 213 00:09:00,920 --> 00:09:04,160 Speaker 1: band too. It doesn't even matter. Sounds familiar, no, it's 214 00:09:04,240 --> 00:09:06,480 Speaker 1: it's not familiar no, because they don't have any songs 215 00:09:06,559 --> 00:09:06,800 Speaker 1: or anything. 216 00:09:07,120 --> 00:09:08,200 Speaker 2: So who are the guys? 217 00:09:08,679 --> 00:09:11,079 Speaker 1: Jay somebody from Journey? 218 00:09:12,080 --> 00:09:12,880 Speaker 2: Oh? 219 00:09:13,000 --> 00:09:16,560 Speaker 1: Oh, the guy who's talking about what Mike some from 220 00:09:17,880 --> 00:09:20,079 Speaker 1: But if you go to his instagram, Generation Radio that's 221 00:09:20,080 --> 00:09:20,480 Speaker 1: what it is. 222 00:09:21,600 --> 00:09:22,000 Speaker 5: Jener. 223 00:09:22,640 --> 00:09:22,880 Speaker 2: Yeah. 224 00:09:23,440 --> 00:09:25,360 Speaker 1: I think maybe they change the name Generation Radio because 225 00:09:25,360 --> 00:09:27,360 Speaker 1: all those people who had songs when on the radio 226 00:09:27,400 --> 00:09:28,080 Speaker 1: and like people would be. 227 00:09:28,080 --> 00:09:29,679 Speaker 2: Like, okay, I wait to listen to the radio. Got it. 228 00:09:30,720 --> 00:09:33,559 Speaker 1: So I'm very excited they're touring again because I do 229 00:09:33,720 --> 00:09:36,360 Speaker 1: like them all, and I think their tour will sell 230 00:09:36,440 --> 00:09:36,960 Speaker 1: really well. 231 00:09:37,320 --> 00:09:38,680 Speaker 2: Even though it's only been. 232 00:09:38,520 --> 00:09:45,520 Speaker 1: Five years, they've been a legacy group for like fifteen. 233 00:09:47,559 --> 00:09:49,160 Speaker 1: Do you think they were offended when I said, guys, 234 00:09:49,160 --> 00:09:50,240 Speaker 1: I said this on the radio, so I want to 235 00:09:50,240 --> 00:09:51,720 Speaker 1: say it in front of you don't put out new music. 236 00:09:52,480 --> 00:09:53,840 Speaker 2: No, No, I don't think so. 237 00:09:53,920 --> 00:09:55,880 Speaker 6: I think they've knew that was the thing. 238 00:09:55,920 --> 00:09:57,360 Speaker 2: They know what's up? I hope. 239 00:09:57,400 --> 00:09:59,800 Speaker 4: So what if they were like, actually, we just did 240 00:09:59,800 --> 00:10:00,480 Speaker 4: it well. 241 00:10:00,880 --> 00:10:03,720 Speaker 1: And if they would have I would have been like, okay, okay, cool, 242 00:10:03,800 --> 00:10:05,000 Speaker 1: good luck, I got it now. 243 00:10:05,040 --> 00:10:06,640 Speaker 7: I feel like they were on the same page. I 244 00:10:06,640 --> 00:10:08,880 Speaker 7: feel like they were like, yeah, I agree with that. 245 00:10:09,840 --> 00:10:11,040 Speaker 1: But they have been putting out and they've had a 246 00:10:11,080 --> 00:10:13,160 Speaker 1: couple of number ones in their last couple of years 247 00:10:13,200 --> 00:10:16,000 Speaker 1: ago they had a couple number ones. I forget which ones, 248 00:10:16,440 --> 00:10:17,400 Speaker 1: but they had a couple numbers. 249 00:10:17,440 --> 00:10:19,160 Speaker 7: Is it a rule, because it does seem like it's 250 00:10:19,200 --> 00:10:20,679 Speaker 7: a rule. We're like, all right, you're hitting the road, 251 00:10:20,679 --> 00:10:21,679 Speaker 7: you got to have new music. 252 00:10:21,760 --> 00:10:24,120 Speaker 1: If you're someone who creates new music, unless you're touring 253 00:10:24,320 --> 00:10:26,920 Speaker 1: just on nostalgia like Brooks and Done don't put out 254 00:10:26,960 --> 00:10:29,280 Speaker 1: new songs. Yeah, they're tourn like Crazy Ronnie does. But 255 00:10:29,360 --> 00:10:32,280 Speaker 1: Ronnie's songs are never Hey, I want to put this 256 00:10:32,320 --> 00:10:35,280 Speaker 1: out and I hope it's a massive radio success. It's 257 00:10:35,320 --> 00:10:38,640 Speaker 1: crazy to say this, Like Ronnie's a friend of mine, 258 00:10:39,040 --> 00:10:41,560 Speaker 1: like a real life friend. Crazy, and so when he 259 00:10:41,559 --> 00:10:43,800 Speaker 1: has a new song, he never asked me to play anything, 260 00:10:44,000 --> 00:10:45,640 Speaker 1: but he's like, we made this, we cut it. I 261 00:10:45,679 --> 00:10:46,960 Speaker 1: think he had a song with Garth Brooks, but it 262 00:10:46,960 --> 00:10:49,040 Speaker 1: was a Garth Brooks song that he was just on 263 00:10:49,720 --> 00:10:51,400 Speaker 1: because remember we were at dinner once with Ronnie and 264 00:10:51,440 --> 00:10:52,800 Speaker 1: he was like Garth just called me and said, well, 265 00:10:52,800 --> 00:10:54,800 Speaker 1: you come write the song with me, and I was 266 00:10:54,840 --> 00:10:57,719 Speaker 1: like okay, And so they went and wrote. And even 267 00:10:57,800 --> 00:10:59,880 Speaker 1: Ronnie saying that about Garth, he looks up to Garth. 268 00:11:00,080 --> 00:11:04,080 Speaker 1: Ronnie and Kicks are as big as it gets. I'm 269 00:11:04,160 --> 00:11:06,120 Speaker 1: very happy for Rascal Flats. I would like to see 270 00:11:06,120 --> 00:11:08,760 Speaker 1: that tour they have there. It's a very fun catalog 271 00:11:08,840 --> 00:11:10,839 Speaker 1: of songs, even though a lot of them are slow, 272 00:11:11,320 --> 00:11:14,520 Speaker 1: it's very fun catalog of songs. Yeah. Yeah, it's called 273 00:11:14,559 --> 00:11:17,840 Speaker 1: Rodeo Man. The duet with Ronnie Done. I wish surprised 274 00:11:17,840 --> 00:11:19,400 Speaker 1: it was our first show or the first time together 275 00:11:19,440 --> 00:11:19,960 Speaker 1: in five years. 276 00:11:20,000 --> 00:11:20,640 Speaker 6: Yeah, that's what I mean. 277 00:11:21,520 --> 00:11:23,040 Speaker 1: Even for me to know, I didn't know that. 278 00:11:23,040 --> 00:11:26,080 Speaker 6: When I grab coffee before. Nope, come on. 279 00:11:26,480 --> 00:11:28,679 Speaker 1: They just wanted to like rip the band aid off, 280 00:11:28,679 --> 00:11:32,600 Speaker 1: and they felt comfortable doing it here with us, which 281 00:11:32,640 --> 00:11:39,920 Speaker 1: is a compliment. But also, and I'll say this, it's 282 00:11:39,960 --> 00:11:42,400 Speaker 1: harder for me to interview people that I know. Well, 283 00:11:44,000 --> 00:11:47,160 Speaker 1: it's harder like when Ronnie comes in. It's a mess. 284 00:11:47,559 --> 00:11:49,520 Speaker 1: You guys know this, it's just sit back and see 285 00:11:49,520 --> 00:11:50,160 Speaker 1: what happens. 286 00:11:50,679 --> 00:11:51,400 Speaker 2: It's a mess. 287 00:11:51,440 --> 00:11:54,560 Speaker 1: Because it's not that Ronnie doesn't take it seriously, but 288 00:11:54,559 --> 00:11:57,760 Speaker 1: it's like he's sitting next to his friend, relaxed and 289 00:11:57,400 --> 00:11:59,960 Speaker 1: just barely like the microphone. 290 00:12:00,000 --> 00:12:01,400 Speaker 2: It's not even nearest. It's a great point. 291 00:12:01,559 --> 00:12:01,719 Speaker 4: Now. 292 00:12:01,880 --> 00:12:05,000 Speaker 1: I was like, yeah, move the mic towards your mouth, 293 00:12:05,720 --> 00:12:06,320 Speaker 1: and he's just. 294 00:12:06,240 --> 00:12:08,200 Speaker 2: Like why he feels like he's on the couch. 295 00:12:08,280 --> 00:12:13,080 Speaker 1: Yeah, yeah, And it's equally awesome but like hurting cats 296 00:12:13,120 --> 00:12:16,000 Speaker 1: at the same time. But that's what he's like in person. 297 00:12:16,679 --> 00:12:18,360 Speaker 1: And I like it that you can be comfortable saying 298 00:12:18,400 --> 00:12:20,160 Speaker 1: with you like I know them and like I know 299 00:12:20,240 --> 00:12:23,720 Speaker 1: some of the dynamic. But I know so much that 300 00:12:23,760 --> 00:12:25,560 Speaker 1: I'm not going to use what I know on my 301 00:12:25,720 --> 00:12:28,800 Speaker 1: private life to be like, hey, so I know this happened. 302 00:12:29,679 --> 00:12:32,240 Speaker 1: Is that why you're not together? I can't There are 303 00:12:32,240 --> 00:12:34,200 Speaker 1: things I know I can't say where if I didn't know, 304 00:12:34,240 --> 00:12:38,400 Speaker 1: I could ask about it because I wouldn't have the 305 00:12:38,520 --> 00:12:40,600 Speaker 1: understanding of what really happened, which is kind of a 306 00:12:40,760 --> 00:12:43,000 Speaker 1: cheat when you know it's something that's not good. Or 307 00:12:43,000 --> 00:12:44,400 Speaker 1: if I didn't know and I'm asking, it's just from 308 00:12:44,400 --> 00:12:46,440 Speaker 1: a heart being curious, but. 309 00:12:46,360 --> 00:12:49,160 Speaker 7: Could it also be a thing where you know, like 310 00:12:49,320 --> 00:12:51,520 Speaker 7: it's a business right, like we were talking, it's a 311 00:12:51,559 --> 00:12:54,960 Speaker 7: business so if any business was getting together, they're all 312 00:12:55,000 --> 00:12:56,360 Speaker 7: not all going to get in a room before they 313 00:12:56,360 --> 00:12:56,840 Speaker 7: go somewhere. 314 00:12:56,880 --> 00:12:58,880 Speaker 1: They're just gonna say yeah. But they've been friends forever, 315 00:12:59,000 --> 00:13:02,160 Speaker 1: Like there thing is friendship. They've been friends for twenty years. 316 00:13:02,200 --> 00:13:04,240 Speaker 1: They write songs together, they've been touring part of their 317 00:13:04,520 --> 00:13:07,000 Speaker 1: Even if you're not getting along, you're still it's like 318 00:13:07,880 --> 00:13:10,319 Speaker 1: kind of like us, we mostly get we don't We 319 00:13:10,360 --> 00:13:12,400 Speaker 1: don't travel al together because that would probably be a beast. 320 00:13:12,480 --> 00:13:14,160 Speaker 7: Yeah, Mike tells us where to be and we're like, 321 00:13:14,160 --> 00:13:16,560 Speaker 7: oh yeah, Like you don't call everyone individually and be like, hey, 322 00:13:16,600 --> 00:13:18,240 Speaker 7: let's get into a room before we go do this. 323 00:13:18,400 --> 00:13:21,240 Speaker 1: No, But my point is there are times because just 324 00:13:21,280 --> 00:13:23,920 Speaker 1: our group dynamic, we've been together twenty years and we've 325 00:13:23,960 --> 00:13:25,800 Speaker 1: all been different levels of friends, and we've had different 326 00:13:25,800 --> 00:13:28,000 Speaker 1: seasons where we've all been better levels of friends with 327 00:13:28,080 --> 00:13:29,480 Speaker 1: each other, depending on what's happening in life. I mean, 328 00:13:29,559 --> 00:13:31,000 Speaker 1: Lunchbox and I used to go to Vegas ever two 329 00:13:31,040 --> 00:13:32,959 Speaker 1: times a month together. We just hold hands in flight 330 00:13:32,960 --> 00:13:38,040 Speaker 1: to Vegas and that's cute. Life happens. And we definitely 331 00:13:38,040 --> 00:13:41,520 Speaker 1: don't go to Vegas anymore. You know, we don't really 332 00:13:41,520 --> 00:13:45,679 Speaker 1: as a group hang out anymore because again, families and different, 333 00:13:45,800 --> 00:13:48,920 Speaker 1: the different dynamics happen and you start to have different interests. 334 00:13:50,160 --> 00:13:51,600 Speaker 2: So like Amy hangs out. 335 00:13:51,520 --> 00:13:53,560 Speaker 1: More than my with my wife, way more than me 336 00:13:53,600 --> 00:13:55,280 Speaker 1: at this point, which kind of feel like she's like 337 00:13:55,320 --> 00:13:59,599 Speaker 1: a conduit, a surrogate like her, like your friendship my 338 00:13:59,640 --> 00:14:01,640 Speaker 1: wife is your friendship with me. I feel like like 339 00:14:01,640 --> 00:14:05,360 Speaker 1: you spent time with her that counts for me, and 340 00:14:05,400 --> 00:14:07,359 Speaker 1: I would spend not she don't. 341 00:14:07,840 --> 00:14:10,840 Speaker 2: Yeah, in this tense, in this whatever, it's an area. 342 00:14:10,760 --> 00:14:13,120 Speaker 1: Not for that purpose, because she likes to spend time 343 00:14:13,120 --> 00:14:14,839 Speaker 1: with Amy. But I would say, my wife will go 344 00:14:14,840 --> 00:14:17,160 Speaker 1: to Amy's house and I'll just look, we have find 345 00:14:17,160 --> 00:14:18,360 Speaker 1: mine on the apps, and I'm like, oh, she's at 346 00:14:18,360 --> 00:14:21,840 Speaker 1: Amy's house. I feel like, yeah, I feel like that 347 00:14:21,920 --> 00:14:25,880 Speaker 1: counts for me. But dynamics change, and you hang out 348 00:14:25,920 --> 00:14:28,000 Speaker 1: with people more, with people less. There are times that 349 00:14:28,400 --> 00:14:30,920 Speaker 1: we get along more when we fight, but you're just 350 00:14:30,920 --> 00:14:34,640 Speaker 1: together that long. That crap happens, and it's how you 351 00:14:34,720 --> 00:14:37,080 Speaker 1: kind of work through it. I think Amy and I 352 00:14:37,080 --> 00:14:39,400 Speaker 1: worked through DISA game is really well at this point, 353 00:14:39,400 --> 00:14:42,640 Speaker 1: don't you. You don't have many now because I think 354 00:14:42,680 --> 00:14:43,200 Speaker 1: we've kind. 355 00:14:43,040 --> 00:14:44,040 Speaker 5: Of No, I mean that. 356 00:14:44,240 --> 00:14:46,160 Speaker 4: I mean, never know when one might pop up, but 357 00:14:46,240 --> 00:14:51,680 Speaker 4: I think, yeah, I'm. 358 00:14:50,240 --> 00:14:51,480 Speaker 5: Trying to think of the last one. 359 00:14:51,560 --> 00:14:53,440 Speaker 4: I mean there's one that I know of where I 360 00:14:53,480 --> 00:14:55,880 Speaker 4: had to be like you were going to just leave, 361 00:14:55,920 --> 00:14:56,560 Speaker 4: and I was like. 362 00:14:59,360 --> 00:15:03,000 Speaker 6: That was when you tell that bad morning corny. 363 00:15:03,160 --> 00:15:06,480 Speaker 4: No, I think that that it's been a minute. I 364 00:15:06,520 --> 00:15:07,600 Speaker 4: can't think of one in a while. 365 00:15:07,680 --> 00:15:10,280 Speaker 1: But but I think that also shows that. And you're 366 00:15:10,320 --> 00:15:12,080 Speaker 1: like we can kind of avoid them as well, like 367 00:15:12,120 --> 00:15:14,320 Speaker 1: we know if they're coming, we can kind of you know, 368 00:15:14,360 --> 00:15:15,000 Speaker 1: pop the pimple. 369 00:15:15,120 --> 00:15:16,880 Speaker 5: Yeah, but also, yeah, I wasn't only just go to 370 00:15:16,920 --> 00:15:18,360 Speaker 5: your car, Like we're talking about this. 371 00:15:18,840 --> 00:15:20,200 Speaker 1: I don't even know what it was. But don't mind 372 00:15:20,480 --> 00:15:22,520 Speaker 1: get repissed off, you know that? 373 00:15:22,680 --> 00:15:23,120 Speaker 2: Yeah? 374 00:15:24,120 --> 00:15:27,520 Speaker 1: No, I know, like sometimes don't bring that negative you 375 00:15:27,520 --> 00:15:29,200 Speaker 1: guys remind me of people. I'm having a few with 376 00:15:29,200 --> 00:15:32,720 Speaker 1: it and I'll be like, oh, yeah, it's I don't know, 377 00:15:33,000 --> 00:15:35,480 Speaker 1: it wasn't it was normal, I know, But I'm just 378 00:15:35,520 --> 00:15:38,120 Speaker 1: saying sometimes I forget and I'm reminded that I'm angry again. 379 00:15:38,160 --> 00:15:41,960 Speaker 4: Okay, No, I was always sharing that's gross because I think. 380 00:15:41,920 --> 00:15:45,840 Speaker 7: A million times trying to make so happy. 381 00:15:46,520 --> 00:15:48,000 Speaker 5: I think young to me, would to let you just 382 00:15:48,000 --> 00:15:48,560 Speaker 5: go to the car? 383 00:15:50,000 --> 00:15:51,520 Speaker 2: It was that bad, they're going to take it. No, 384 00:15:51,680 --> 00:15:55,120 Speaker 2: it's not that bad against his will. No, I was kidnapped. 385 00:15:55,200 --> 00:15:58,360 Speaker 6: Oh no, it's not good. Are incriminating yourself? 386 00:15:58,520 --> 00:16:01,080 Speaker 1: So I hope you guys let's into that on the podcast. 387 00:16:01,200 --> 00:16:03,280 Speaker 1: You may have you already here. We're about to do 388 00:16:03,320 --> 00:16:09,720 Speaker 1: today's show. And I like it that they came here first, 389 00:16:09,840 --> 00:16:12,480 Speaker 1: made we're purposeful about that. That makes me feel good. 390 00:16:13,040 --> 00:16:16,160 Speaker 1: And I hope you go see their tour. I'll probably 391 00:16:16,160 --> 00:16:18,040 Speaker 1: go see their tour. I don't know if they're doing 392 00:16:18,080 --> 00:16:19,880 Speaker 1: one here are they? So I probably won't go see 393 00:16:19,880 --> 00:16:22,480 Speaker 1: their tour, but if it's close, there's a chance I 394 00:16:22,480 --> 00:16:24,240 Speaker 1: would actually consider because I think that'd be a really 395 00:16:24,280 --> 00:16:27,600 Speaker 1: fun show. And they have not they don't they don't talk. 396 00:16:27,640 --> 00:16:30,840 Speaker 1: They haven't talked until today. Pretty crazy, pretty crazy. I 397 00:16:30,880 --> 00:16:32,120 Speaker 1: can't wait till we don't talk for a long time 398 00:16:32,120 --> 00:16:33,840 Speaker 1: they get back together. Yeah, yeah, yeah, yea, yeah, that's 399 00:16:33,840 --> 00:16:36,040 Speaker 1: gonna be fun. Okay, we got to go get on 400 00:16:36,080 --> 00:16:37,920 Speaker 1: the show. Thank you guys, and we'll do the post 401 00:16:38,000 --> 00:16:41,040 Speaker 1: show in just a little bit. It's time for the 402 00:16:41,120 --> 00:16:48,320 Speaker 1: Bobby Bones Post Show. Here's your host, Bobby Bones. 403 00:16:47,800 --> 00:16:48,160 Speaker 2: Thank you. 404 00:16:50,160 --> 00:16:53,640 Speaker 1: We're all live on YouTube because Facebook's broken or Facebook. 405 00:16:54,480 --> 00:16:57,960 Speaker 2: We on both. Yep, we go on BOTHO Rockin' dude. 406 00:16:58,000 --> 00:16:59,680 Speaker 1: I do want to start with Luke Bryan talking about 407 00:16:59,720 --> 00:17:02,600 Speaker 1: Beyonce CMA snub. He said a very similar thing that 408 00:17:02,600 --> 00:17:04,280 Speaker 1: I said a couple of weeks ago, where it's like, 409 00:17:04,520 --> 00:17:05,800 Speaker 1: if you're not in town, it's hard for you to 410 00:17:06,760 --> 00:17:09,400 Speaker 1: you know, have have friends. Basically what it is, it's 411 00:17:09,440 --> 00:17:12,480 Speaker 1: very it's political, and uh, you gotta get to have 412 00:17:12,520 --> 00:17:15,439 Speaker 1: your friends vote for you. That's what it boils down to. 413 00:17:16,720 --> 00:17:18,240 Speaker 1: So I'll read you what he said. Luke Bryan was 414 00:17:18,280 --> 00:17:20,199 Speaker 1: asked why I thinks Beyonce didn't get nominated for a 415 00:17:20,200 --> 00:17:20,879 Speaker 1: CMA Award. 416 00:17:21,520 --> 00:17:22,560 Speaker 2: He said, everybody loves it. 417 00:17:22,600 --> 00:17:24,600 Speaker 1: She made a country album, but maybe she hasn't stepped 418 00:17:24,640 --> 00:17:26,399 Speaker 1: to the community enough. Quote coming to our world and 419 00:17:26,440 --> 00:17:28,199 Speaker 1: be country with us a little bit now. When I 420 00:17:28,240 --> 00:17:29,960 Speaker 1: was talking about this a few weeks ago, because I 421 00:17:30,000 --> 00:17:33,520 Speaker 1: would get asked questions like why post Malone, why not Beyonce? 422 00:17:34,040 --> 00:17:36,160 Speaker 1: Is it a race thing? Is it because he's white 423 00:17:36,200 --> 00:17:39,800 Speaker 1: and she's black? And my answer was no, at least 424 00:17:39,880 --> 00:17:42,320 Speaker 1: not with us. We actually played Beyonce's music before we 425 00:17:42,359 --> 00:17:46,280 Speaker 1: played post Malones in accordance to when it was released. 426 00:17:46,600 --> 00:17:48,840 Speaker 1: Like when post Malone stuff started, we waited a bit. 427 00:17:48,880 --> 00:17:50,239 Speaker 1: As soon as Beyonce's came out, I was like, man, 428 00:17:50,240 --> 00:17:51,080 Speaker 1: it's really different. 429 00:17:51,080 --> 00:17:51,240 Speaker 2: Good. 430 00:17:51,240 --> 00:17:53,160 Speaker 1: We played it like the next day after the super Bowl, 431 00:17:53,560 --> 00:17:56,919 Speaker 1: so that definitely wasn't a race thing. And what I 432 00:17:57,080 --> 00:18:03,160 Speaker 1: said was, this town is very incestual, good and bad, 433 00:18:04,440 --> 00:18:06,520 Speaker 1: and those awards are actually not given. 434 00:18:06,240 --> 00:18:06,919 Speaker 2: To the best. 435 00:18:07,000 --> 00:18:10,640 Speaker 1: It's to the most voted, and sometimes those are the same, 436 00:18:10,760 --> 00:18:15,120 Speaker 1: sometimes they're not. And that anyone doesn't Beyonce, it could 437 00:18:15,119 --> 00:18:19,840 Speaker 1: be anybody that's not in town cultivating relationships, working with writers. 438 00:18:19,880 --> 00:18:21,920 Speaker 1: It's hard for them to get ahead in this industry 439 00:18:21,920 --> 00:18:26,160 Speaker 1: with the industry based awards. So that's what he's saying. Basically, 440 00:18:26,320 --> 00:18:27,919 Speaker 1: he's like, man, if she came and just like invested 441 00:18:27,920 --> 00:18:30,000 Speaker 1: a little bit of time into where it was created, 442 00:18:30,160 --> 00:18:31,840 Speaker 1: some of the people that are here that are creating, 443 00:18:31,840 --> 00:18:34,560 Speaker 1: that are also voting on these would obviously vote for her. 444 00:18:34,840 --> 00:18:37,640 Speaker 1: That's what post Malone did. Post Malone basically moved here. 445 00:18:37,680 --> 00:18:40,560 Speaker 1: He's here, he's here all he tried to rent my house. 446 00:18:41,080 --> 00:18:43,440 Speaker 1: I said that on this right, I think so so. 447 00:18:43,600 --> 00:18:44,000 Speaker 2: And that was. 448 00:18:44,200 --> 00:18:48,840 Speaker 1: Forever ago, and he's been here. He did My and 449 00:18:49,000 --> 00:18:51,679 Speaker 1: Eddie's charity show at the Ryeman. He's doing even when 450 00:18:51,680 --> 00:18:55,080 Speaker 1: he does stage coach, he's got Nashville people with him. Yeah, 451 00:18:55,119 --> 00:18:57,280 Speaker 1: And I think that's the difference, Not even that one's 452 00:18:57,359 --> 00:19:00,240 Speaker 1: better than the other, but I think this town would 453 00:19:00,240 --> 00:19:02,879 Speaker 1: have done the same thing to post Malone had he 454 00:19:02,960 --> 00:19:05,520 Speaker 1: not invested into this town and been here a bunch. 455 00:19:05,560 --> 00:19:08,120 Speaker 1: I'm not even saying that's right. I'm not saying that's wrong. 456 00:19:08,160 --> 00:19:11,000 Speaker 1: I'm just saying that's how that system works. I've had 457 00:19:11,040 --> 00:19:16,280 Speaker 1: my beefs with the system. Nobody cares. But there was 458 00:19:16,320 --> 00:19:18,159 Speaker 1: a thing with Beyonce too recently that were like Beyonce 459 00:19:18,960 --> 00:19:22,000 Speaker 1: was nominated for seventeen People's Choice Awards and didn't win one, 460 00:19:22,040 --> 00:19:23,399 Speaker 1: And I'm like, Okay, you guys are just trying to 461 00:19:23,400 --> 00:19:25,879 Speaker 1: create a story. Those People's Choice Awards aren't real. It's like, 462 00:19:25,880 --> 00:19:27,240 Speaker 1: if you come to the TV show, they give you 463 00:19:27,240 --> 00:19:29,359 Speaker 1: an award, and she didn't come. 464 00:19:29,280 --> 00:19:31,080 Speaker 2: To the TV show. That's the recent one that's in 465 00:19:31,119 --> 00:19:31,639 Speaker 2: a real award. 466 00:19:31,640 --> 00:19:33,880 Speaker 1: I mean it's an award. I don't know what data, Mike, 467 00:19:33,920 --> 00:19:35,919 Speaker 1: we look into a data they use for that. I 468 00:19:35,960 --> 00:19:38,800 Speaker 1: think it's just people giving an award on their choice. 469 00:19:38,840 --> 00:19:40,240 Speaker 2: Who are the people. I don't know. 470 00:19:41,119 --> 00:19:42,359 Speaker 5: That's not the people to vote. 471 00:19:42,680 --> 00:19:44,040 Speaker 2: I don't know other people. I don't know what. 472 00:19:44,359 --> 00:19:46,479 Speaker 1: I don't know what the process people. But if it 473 00:19:46,520 --> 00:19:48,160 Speaker 1: was just the people and you opened it wide open, 474 00:19:48,119 --> 00:19:49,919 Speaker 1: Beyonce the probably win some of the awards. Yeah, but 475 00:19:50,000 --> 00:19:52,520 Speaker 1: I saw them trying to make that a thing where 476 00:19:52,520 --> 00:19:56,600 Speaker 1: it's like Beyonce can't even win a people's choice award, 477 00:19:57,480 --> 00:20:00,480 Speaker 1: Like is that a race thing? And I'm like, that's 478 00:20:00,520 --> 00:20:02,159 Speaker 1: not a real award. That's like people getting on the 479 00:20:02,160 --> 00:20:06,040 Speaker 1: internet and just voting, and that's open to everybody. It's 480 00:20:06,080 --> 00:20:10,080 Speaker 1: not an internal thing. And then also they probably have 481 00:20:10,160 --> 00:20:13,400 Speaker 1: the right to not give an award if people aren't 482 00:20:13,440 --> 00:20:15,200 Speaker 1: there for the TV show, because it's mostly a TV 483 00:20:15,320 --> 00:20:17,520 Speaker 1: show that they build an award so they can have 484 00:20:17,560 --> 00:20:21,040 Speaker 1: a TV show. But Beyonce. I liked Beyonce's Country. We 485 00:20:21,080 --> 00:20:23,280 Speaker 1: played it, We played multiple songs from it. I mean, 486 00:20:23,320 --> 00:20:26,359 Speaker 1: I got people were all my nuts about it, like 487 00:20:26,400 --> 00:20:28,800 Speaker 1: why are you playing this? There's a space, you only 488 00:20:28,800 --> 00:20:30,240 Speaker 1: have a certain amount of spaces and you're using on 489 00:20:30,280 --> 00:20:34,120 Speaker 1: a Beyonce song. So but I do I'm glad Luke 490 00:20:34,160 --> 00:20:36,639 Speaker 1: said that because I say stuff for hours a day, 491 00:20:36,680 --> 00:20:39,119 Speaker 1: every day, and it just gets intertwined with all the 492 00:20:39,160 --> 00:20:41,920 Speaker 1: other stuff I say. When Luke says that, it matters when 493 00:20:41,960 --> 00:20:43,960 Speaker 1: I say it, it's like, Okay, Bobby's talking nonsense again. 494 00:20:44,359 --> 00:20:45,800 Speaker 2: But I do feel like that's. 495 00:20:45,600 --> 00:20:49,160 Speaker 1: Why I don't think there was any we're really gonna 496 00:20:49,160 --> 00:20:52,439 Speaker 1: hold Beyonce back. We'll show her. I think it was 497 00:20:52,520 --> 00:20:55,080 Speaker 1: the opposite. They didn't really think about her in these situations. 498 00:20:55,080 --> 00:20:58,439 Speaker 1: People to vote on these because she's not here. But 499 00:20:58,520 --> 00:21:02,440 Speaker 1: trust me, I've had my issues with these award shows. 500 00:21:02,840 --> 00:21:05,040 Speaker 1: But now I understand it. I don't have to agree 501 00:21:05,040 --> 00:21:07,440 Speaker 1: with it, but I understand it. And if you don't 502 00:21:07,440 --> 00:21:08,920 Speaker 1: want to play the game, it's hard to win the game. 503 00:21:09,240 --> 00:21:10,760 Speaker 1: And there are times I don't play the game so 504 00:21:10,760 --> 00:21:12,880 Speaker 1: I can't get back when I don't win the game. 505 00:21:13,400 --> 00:21:15,240 Speaker 1: There are times that we don't win the CMA Award 506 00:21:15,880 --> 00:21:19,080 Speaker 1: and I'm like, are you guys crazy? 507 00:21:19,520 --> 00:21:21,080 Speaker 2: No, this is just me talking. 508 00:21:21,200 --> 00:21:23,320 Speaker 1: This is me, and I have to if I'm super 509 00:21:23,359 --> 00:21:25,960 Speaker 1: confident about us and what we do and what we 510 00:21:26,000 --> 00:21:29,560 Speaker 1: do in every way, if it's philanthropy, if it's content, 511 00:21:29,560 --> 00:21:32,480 Speaker 1: if it's interviews, like no, but there isn't a show 512 00:21:32,520 --> 00:21:35,920 Speaker 1: that does as much as we do in all areas 513 00:21:36,400 --> 00:21:39,960 Speaker 1: human raising money. It doesn't matter. I could keep going, 514 00:21:39,960 --> 00:21:42,200 Speaker 1: but there isn't. And in my mind, this is my mind, 515 00:21:42,280 --> 00:21:43,960 Speaker 1: we should never not win the award. 516 00:21:44,359 --> 00:21:46,080 Speaker 2: No, you can only win every other year. 517 00:21:46,240 --> 00:21:50,680 Speaker 1: Yeah, and I think, in my confident, slash cocky way, 518 00:21:51,160 --> 00:21:54,320 Speaker 1: there are times we don't win because we get Bill 519 00:21:54,359 --> 00:21:57,880 Speaker 1: belichicked or Angelina and Joe lead Belichick won the Coach 520 00:21:57,880 --> 00:21:59,080 Speaker 1: of the Year every year they were like, Okay, he's 521 00:21:59,080 --> 00:22:01,280 Speaker 1: won too much, no more, Angela, jolly, he's the hottest 522 00:22:01,280 --> 00:22:03,360 Speaker 1: person on the earth eight years in a row. No more. 523 00:22:05,560 --> 00:22:08,160 Speaker 1: Or there are times I'm not known as the warmest 524 00:22:08,160 --> 00:22:15,160 Speaker 1: person to the the business, the system. 525 00:22:15,280 --> 00:22:16,200 Speaker 2: I think I would be. 526 00:22:18,640 --> 00:22:21,080 Speaker 1: Regarded as someone who is annoying to deal with by 527 00:22:21,160 --> 00:22:24,240 Speaker 1: people in the industry that are like recordless, not humans, 528 00:22:24,280 --> 00:22:27,359 Speaker 1: the humans. It's like Texas Longhorn that I hate the 529 00:22:27,359 --> 00:22:31,040 Speaker 1: Texas Longhorns, but I like Texas Longhorned fans individually because 530 00:22:31,080 --> 00:22:32,159 Speaker 1: usually they're just good people. 531 00:22:32,240 --> 00:22:32,560 Speaker 2: I like it. 532 00:22:32,640 --> 00:22:34,000 Speaker 1: It isn't if you're a long horn fan, that's great, 533 00:22:34,000 --> 00:22:35,239 Speaker 1: I love you, But if you're the all the long 534 00:22:35,240 --> 00:22:37,359 Speaker 1: horned fans, you guys can hugger root. So I'm a 535 00:22:37,440 --> 00:22:40,159 Speaker 1: Razorback fan, like in general, and so you guys annoy me. 536 00:22:41,240 --> 00:22:44,560 Speaker 1: Tennessee fans, you annoy me. It's mostly because we're jealous 537 00:22:44,600 --> 00:22:45,760 Speaker 1: of the program Arkansas. 538 00:22:45,760 --> 00:22:47,600 Speaker 2: We're little brother. We get beat up by big brother. 539 00:22:48,320 --> 00:22:51,800 Speaker 1: But it's like Longhorn fans, I have no use for you. However, 540 00:22:51,880 --> 00:22:54,399 Speaker 1: the individual Longhorn fans, I know a ton of them. 541 00:22:54,400 --> 00:22:57,920 Speaker 1: I'm great friends with Longhorn fans. Same thing with the industry. 542 00:22:58,440 --> 00:23:01,080 Speaker 1: I have no use for it. I'm no use for 543 00:23:01,119 --> 00:23:03,080 Speaker 1: the machine. When we rebuilt our studio, I made it 544 00:23:03,080 --> 00:23:04,479 Speaker 1: so record people could not come in the studio. 545 00:23:04,680 --> 00:23:06,080 Speaker 2: That was one of the big things. 546 00:23:06,119 --> 00:23:07,359 Speaker 1: I was like, I want to build it where there 547 00:23:07,359 --> 00:23:11,040 Speaker 1: are no seats, where there no manager, record label published, 548 00:23:11,040 --> 00:23:12,880 Speaker 1: that they cannot come in because they used to remember 549 00:23:12,920 --> 00:23:13,919 Speaker 1: that hit a thing. 550 00:23:13,960 --> 00:23:16,879 Speaker 2: And that was because that was what this job was 551 00:23:16,920 --> 00:23:17,439 Speaker 2: supposed to. 552 00:23:17,480 --> 00:23:20,240 Speaker 1: Allow, was anybody can come in and just sit with 553 00:23:20,280 --> 00:23:22,879 Speaker 1: your artists and they'd be like, look like, don't have that. Okay, 554 00:23:23,000 --> 00:23:24,359 Speaker 1: you know what we're gonna do. You're gonna be in 555 00:23:24,359 --> 00:23:26,040 Speaker 1: a room over there. So I can actually feel like 556 00:23:26,080 --> 00:23:28,800 Speaker 1: I can connect with the artists. Was not warmly welcomed. 557 00:23:29,760 --> 00:23:37,920 Speaker 1: So I'm basically Beyonce I said it. I understand why 558 00:23:37,960 --> 00:23:40,320 Speaker 1: people would feel that way because I felt that way. 559 00:23:40,600 --> 00:23:43,400 Speaker 1: But it's definitely not a personal thing towards her, because 560 00:23:43,400 --> 00:23:44,800 Speaker 1: I think a lot of people did like the record. 561 00:23:44,960 --> 00:23:47,800 Speaker 1: It's mostly there wasn't an investment into that community. Also 562 00:23:47,800 --> 00:23:49,840 Speaker 1: by me, there's not an investment into the community sometimes 563 00:23:49,880 --> 00:23:51,760 Speaker 1: in that way, like the industry part of it. I 564 00:23:51,760 --> 00:23:54,639 Speaker 1: don't go to industry stuff mostly, I just I'm like, 565 00:23:54,640 --> 00:23:58,280 Speaker 1: it's seven pm under the be in bed and then 566 00:23:58,320 --> 00:24:01,200 Speaker 1: it says like, oh fake, I hate small talk. You 567 00:24:01,240 --> 00:24:02,720 Speaker 1: know it's good at small talk, Eddie. You know who's 568 00:24:02,720 --> 00:24:03,520 Speaker 1: bad as small talk? Me? 569 00:24:03,920 --> 00:24:05,760 Speaker 2: I don't mind small talk. Yeah, I mean like you, 570 00:24:05,920 --> 00:24:07,760 Speaker 2: you're good at it. I'd rather do small talk than 571 00:24:07,800 --> 00:24:09,399 Speaker 2: the real Like, let's get. 572 00:24:09,240 --> 00:24:10,720 Speaker 1: Serious, see me, I'll meet to me the first time, 573 00:24:10,720 --> 00:24:12,080 Speaker 1: I'm like, give me cancer your family. 574 00:24:12,560 --> 00:24:14,399 Speaker 2: It's like it goes way too quick, you know, like 575 00:24:14,480 --> 00:24:15,480 Speaker 2: I go, It's. 576 00:24:15,160 --> 00:24:19,040 Speaker 6: Like if not, like why are we even talking like it? 577 00:24:19,080 --> 00:24:20,959 Speaker 2: Let's rather be like the time, this is a good 578 00:24:21,000 --> 00:24:22,280 Speaker 2: win last week and I'd be like. 579 00:24:22,240 --> 00:24:24,080 Speaker 1: So mental illness and abortion, how do you have about 580 00:24:24,080 --> 00:24:24,760 Speaker 1: those two things? 581 00:24:25,000 --> 00:24:26,000 Speaker 2: Like it was right off. 582 00:24:27,280 --> 00:24:30,520 Speaker 1: So I agree with what Luke said, but I also 583 00:24:30,560 --> 00:24:37,560 Speaker 1: agree that the system creates its victors, and if you 584 00:24:37,680 --> 00:24:40,000 Speaker 1: don't cooperate with the system, you will not be a victor. 585 00:24:40,040 --> 00:24:41,960 Speaker 1: And I've had to accept that about myself and us 586 00:24:42,000 --> 00:24:44,119 Speaker 1: as well, because there are times we're not the victors. 587 00:24:44,280 --> 00:24:46,359 Speaker 1: But there are times it's my fault because I don't 588 00:24:46,600 --> 00:24:50,200 Speaker 1: cooperate with the system, even though we're setting records and 589 00:24:50,240 --> 00:24:52,960 Speaker 1: all these things, even though Beyonce's record gets smashed and 590 00:24:53,000 --> 00:24:55,359 Speaker 1: crushed and everything. But the people short thing made me 591 00:24:55,440 --> 00:24:56,960 Speaker 1: laugh because I don't know that they gave any award 592 00:24:56,960 --> 00:25:02,120 Speaker 1: anybody that wasn't there. And also I didn't watch Machine Gun. 593 00:25:02,240 --> 00:25:04,200 Speaker 2: Kelly was here. He was there. Yes, I saw that 594 00:25:04,600 --> 00:25:05,560 Speaker 2: on socials, which. 595 00:25:05,440 --> 00:25:09,199 Speaker 1: Is another thing that I will say about me in 596 00:25:09,320 --> 00:25:11,879 Speaker 1: this format. And I have always been the guy that 597 00:25:11,960 --> 00:25:15,960 Speaker 1: gets into I don't really fight with people anymore about it, 598 00:25:16,000 --> 00:25:18,080 Speaker 1: but I would be the one that goes. You know, 599 00:25:18,080 --> 00:25:21,040 Speaker 1: if you're making something that's country and I believe like 600 00:25:21,080 --> 00:25:23,040 Speaker 1: you kind of care, I'll give it a shot. It 601 00:25:23,040 --> 00:25:25,600 Speaker 1: doesn't matter if you're Beyonce, it doesn't matter if you're 602 00:25:26,680 --> 00:25:29,240 Speaker 1: Brett Michaels. It doesn't matter if you're coming from out 603 00:25:29,280 --> 00:25:32,679 Speaker 1: of the format. Steven Tyler, Steven Tyler, Nelly like for 604 00:25:32,720 --> 00:25:34,520 Speaker 1: all for I don't think he just made a country song. 605 00:25:34,840 --> 00:25:36,520 Speaker 6: Yeah, over and over again and. 606 00:25:38,359 --> 00:25:41,800 Speaker 1: Country of those and that was like the reman but 607 00:25:42,119 --> 00:25:44,680 Speaker 1: they play. But yeah, I'm saying, when we're here, he's right. 608 00:25:45,280 --> 00:25:49,480 Speaker 1: So I'm willing to give anybody a chance to see 609 00:25:49,520 --> 00:25:53,000 Speaker 1: if it's what I feel like is authentic. What I 610 00:25:53,040 --> 00:25:55,160 Speaker 1: like to have post Malone is he didn't go I'm 611 00:25:55,200 --> 00:25:56,399 Speaker 1: now a country artist. He was like all of the 612 00:25:56,400 --> 00:25:58,639 Speaker 1: country music I'm to a project or two. But he 613 00:25:58,680 --> 00:26:00,720 Speaker 1: had also been showing for the past ten years that 614 00:26:00,760 --> 00:26:02,640 Speaker 1: he was a fan of country country music. 615 00:26:02,680 --> 00:26:03,960 Speaker 2: Yeah, so there was no doubt to me. 616 00:26:04,000 --> 00:26:06,800 Speaker 1: But he also he'd do Brad Paisley stuff, but he'd 617 00:26:06,880 --> 00:26:08,800 Speaker 1: do Nirvana stuff, and he'd do hip hop stuff. 618 00:26:08,800 --> 00:26:10,720 Speaker 2: He did a Hank Williams song on our show. 619 00:26:11,320 --> 00:26:14,520 Speaker 1: So but then he was committed a country at that point. Yeah, 620 00:26:14,600 --> 00:26:16,159 Speaker 1: I'm saying, even before we knew he was doing a 621 00:26:16,160 --> 00:26:20,760 Speaker 1: country record. And so when people like Jelly Roll come 622 00:26:20,800 --> 00:26:24,199 Speaker 1: in and I'm like, this is interesting, I wonder how 623 00:26:24,240 --> 00:26:29,879 Speaker 1: I feel about him saying he's a country artist, and 624 00:26:29,920 --> 00:26:31,679 Speaker 1: it had him in and you spend time with Jelly Roll, 625 00:26:31,720 --> 00:26:36,800 Speaker 1: and he's easy to love, extremely vulnerable. You're just like, man, 626 00:26:36,920 --> 00:26:39,800 Speaker 1: that's the nicest guy ever. And then he started writing 627 00:26:39,840 --> 00:26:41,240 Speaker 1: with a lot of artists in town. And then you 628 00:26:41,280 --> 00:26:44,800 Speaker 1: would people that you trusted would say, yeah, he's like 629 00:26:44,880 --> 00:26:46,359 Speaker 1: in it, like he's committed. 630 00:26:46,840 --> 00:26:47,160 Speaker 2: And so. 631 00:26:48,600 --> 00:26:50,639 Speaker 1: I was like, Okay, people I trust to give me 632 00:26:50,720 --> 00:26:54,520 Speaker 1: advice about this, I'm gonna truy and you can tell 633 00:26:54,520 --> 00:26:57,040 Speaker 1: he's committed. He also still does hip hop stuff and 634 00:26:57,080 --> 00:26:58,800 Speaker 1: he still does rock stuff. But Jelly Roll, to me, 635 00:27:00,160 --> 00:27:03,600 Speaker 1: didn't need to prove to me anything. But like I 636 00:27:03,600 --> 00:27:06,199 Speaker 1: think he's proven to me and us and everyone just 637 00:27:07,080 --> 00:27:10,560 Speaker 1: through the last couple of years. Like he's a country artist. Yeah, 638 00:27:10,640 --> 00:27:14,240 Speaker 1: he tells stories, he's vulnerable, but he still at times 639 00:27:14,359 --> 00:27:16,160 Speaker 1: is not He does other things, but we accept him. 640 00:27:16,160 --> 00:27:19,000 Speaker 1: Is that There was another recent one that I was 641 00:27:19,040 --> 00:27:21,879 Speaker 1: thinking about. I have a post malone obviously, but my 642 00:27:21,920 --> 00:27:24,000 Speaker 1: point was with the machine gun Kelly thing. The format 643 00:27:24,000 --> 00:27:25,480 Speaker 1: has gotten so big now that I think people just 644 00:27:25,480 --> 00:27:28,080 Speaker 1: see it as easy money. Now, there was a way, 645 00:27:28,440 --> 00:27:31,280 Speaker 1: there was a path that I would not be a 646 00:27:31,320 --> 00:27:32,959 Speaker 1: part of the path where it was somebody who they 647 00:27:32,960 --> 00:27:34,680 Speaker 1: were super successful in other format and they were on 648 00:27:34,720 --> 00:27:37,320 Speaker 1: the way down. They treated this format as they're dancing 649 00:27:37,320 --> 00:27:39,080 Speaker 1: with the stars, and they were like, oh, I can 650 00:27:39,119 --> 00:27:41,840 Speaker 1: get one final something and I can just go and 651 00:27:41,880 --> 00:27:43,440 Speaker 1: act like I'm a country artist and make some money 652 00:27:43,440 --> 00:27:45,879 Speaker 1: because I'm not working out a pop I like that. 653 00:27:46,480 --> 00:27:50,359 Speaker 1: I didn't do that like I was on pop radio. 654 00:27:50,840 --> 00:27:51,280 Speaker 2: We all were. 655 00:27:51,280 --> 00:27:53,960 Speaker 1: I built my own s inducation company. I was on 656 00:27:55,280 --> 00:27:59,439 Speaker 1: a trajectory moon high because I owned massive part of 657 00:27:59,440 --> 00:28:03,240 Speaker 1: the show we had, and you know, I started by myself. 658 00:28:03,280 --> 00:28:06,040 Speaker 1: Then it was a wee thing and I came here 659 00:28:06,280 --> 00:28:10,760 Speaker 1: as I was on the way up, like I chose this. 660 00:28:11,000 --> 00:28:13,960 Speaker 1: Like I feel like like Jelly Roll could have kept 661 00:28:14,000 --> 00:28:17,560 Speaker 1: going in the hip hop space but chose this. But 662 00:28:17,640 --> 00:28:21,160 Speaker 1: when artists are like, you know, I'm gonna go do country, 663 00:28:21,200 --> 00:28:24,800 Speaker 1: but it's because they're failing in another format, I feel 664 00:28:24,840 --> 00:28:28,280 Speaker 1: like I don't really react warmly to that. Anybody can 665 00:28:28,320 --> 00:28:30,760 Speaker 1: come over and say what up. But if I feel 666 00:28:30,800 --> 00:28:32,639 Speaker 1: like you're doing it because it's like a last resort, 667 00:28:32,640 --> 00:28:36,320 Speaker 1: I feel like that's not true. And sincere now with 668 00:28:36,359 --> 00:28:38,360 Speaker 1: like a Machine on Kelly, I feel like the format's 669 00:28:38,360 --> 00:28:39,960 Speaker 1: just gotten so big. There's a bunch of easy money, 670 00:28:40,000 --> 00:28:42,040 Speaker 1: and he's just like, I'm just gonna do some stuff 671 00:28:42,080 --> 00:28:44,160 Speaker 1: and say country because I remember wh the first time 672 00:28:44,160 --> 00:28:46,080 Speaker 1: I played Dixie Chicks song, I was like, that's interesting. 673 00:28:46,120 --> 00:28:48,000 Speaker 1: But I know he's gonna do He's gonna come try 674 00:28:48,040 --> 00:28:49,360 Speaker 1: to do some country stuff and try to make some 675 00:28:49,360 --> 00:28:50,600 Speaker 1: money and spread his audience. 676 00:28:50,840 --> 00:28:52,080 Speaker 2: Here trying to do an album. What's he doing, I 677 00:28:52,120 --> 00:28:53,440 Speaker 2: don't know. I don't really know. 678 00:28:53,600 --> 00:28:54,920 Speaker 1: I know he's a song with Jelly Roll. I don't 679 00:28:54,920 --> 00:28:56,440 Speaker 1: know if they push in a country or not, you know, Mike, 680 00:28:57,880 --> 00:28:59,400 Speaker 1: but he was at the People Shows Country Awards, so 681 00:28:59,400 --> 00:29:02,160 Speaker 1: they're trying to do a concerted effort to make him 682 00:29:02,240 --> 00:29:07,040 Speaker 1: be a little That to me is not believable. However, 683 00:29:07,800 --> 00:29:12,480 Speaker 1: he's not on the way down pop punk, yeah, but 684 00:29:12,520 --> 00:29:15,160 Speaker 1: that's a different format pop punk and country is different. 685 00:29:15,520 --> 00:29:21,400 Speaker 1: For pop punk is like there's not a group of 686 00:29:21,440 --> 00:29:26,080 Speaker 1: people that have been in pop punk for one hundred years. 687 00:29:26,120 --> 00:29:28,080 Speaker 1: There's not a city dedicated to pop punk, there's not 688 00:29:28,120 --> 00:29:34,160 Speaker 1: an industry, there's not a billion dollar so not the same, 689 00:29:34,200 --> 00:29:35,680 Speaker 1: but I understand. But it's also not going down. So 690 00:29:35,720 --> 00:29:37,200 Speaker 1: I'm not gonna be hypocritical and say he's an artist 691 00:29:37,240 --> 00:29:39,600 Speaker 1: doing that, But I just don't. I don't believe that 692 00:29:39,640 --> 00:29:42,440 Speaker 1: he's somebody who loved country music and is like, I'm 693 00:29:42,440 --> 00:29:44,320 Speaker 1: really intrigued, I'm gonna try to do this. I think 694 00:29:44,320 --> 00:29:45,960 Speaker 1: it's probably somebody's like man, I could probably spread an 695 00:29:45,960 --> 00:29:46,959 Speaker 1: audience and make some money. 696 00:29:47,600 --> 00:29:49,240 Speaker 6: Oh, he seemed pretty genuine when I hung out with 697 00:29:49,520 --> 00:29:50,640 Speaker 6: cmafest and. 698 00:29:50,560 --> 00:29:51,880 Speaker 2: By you hanging out with him, it's like you hanging 699 00:29:51,880 --> 00:29:55,160 Speaker 2: out with Diddy got him. 700 00:29:55,680 --> 00:29:57,080 Speaker 6: Yeah, he was over my shoulder and I like a 701 00:29:57,160 --> 00:29:59,320 Speaker 6: video of him, and his security guard told me to stop. 702 00:29:59,600 --> 00:30:01,080 Speaker 1: I don't even know that he's I don't anything about it. 703 00:30:01,080 --> 00:30:02,120 Speaker 1: I don't know if he's not a nice stud or not. 704 00:30:02,200 --> 00:30:03,640 Speaker 1: But do you look at that and go like, well, 705 00:30:03,640 --> 00:30:04,320 Speaker 1: that's legitimate. 706 00:30:04,400 --> 00:30:06,880 Speaker 5: I felt like the Chicks thing was legit. Like I 707 00:30:06,920 --> 00:30:09,480 Speaker 5: was like, oh that. I felt like it. 708 00:30:09,400 --> 00:30:11,960 Speaker 1: Was a nostalgia song. 709 00:30:11,880 --> 00:30:15,520 Speaker 4: For him, and he genuinely knew it and he liked 710 00:30:15,560 --> 00:30:19,480 Speaker 4: it in country. That that one song had me thinking 711 00:30:19,680 --> 00:30:20,480 Speaker 4: all those things. 712 00:30:21,440 --> 00:30:23,920 Speaker 2: What does he sing like? What are some of his songs? 713 00:30:25,080 --> 00:30:26,320 Speaker 1: He had a couple of like rock songs that were 714 00:30:26,320 --> 00:30:30,880 Speaker 1: really good, like pop punk songs. Yeah, the pop punk stuff. 715 00:30:30,640 --> 00:30:31,960 Speaker 2: Is really good. 716 00:30:32,320 --> 00:30:35,120 Speaker 1: Even I don't know his his hip hop stuff. 717 00:30:35,120 --> 00:30:35,360 Speaker 2: I don't. 718 00:30:35,560 --> 00:30:37,840 Speaker 1: I would watch him. He's pretty good. He's know him 719 00:30:37,840 --> 00:30:41,120 Speaker 1: from member one. Eminem annihilated him. That's what I know 720 00:30:41,280 --> 00:30:44,920 Speaker 1: from that is when he switched, he went after Eminem 721 00:30:44,960 --> 00:30:48,280 Speaker 1: once Eminem in the song he did back, not only 722 00:30:48,920 --> 00:30:51,640 Speaker 1: did Eminem but then wrapped in his cadence and like 723 00:30:51,680 --> 00:30:54,760 Speaker 1: annihilated it. Well, that's the guy you don't go after. 724 00:30:56,520 --> 00:30:58,400 Speaker 1: And again, nobody has to a dang thing to me. 725 00:30:59,040 --> 00:31:02,840 Speaker 1: But my feelings are like that doesn't feel legitimate that 726 00:31:02,920 --> 00:31:04,560 Speaker 1: it's somebody like doing it for the sake of just 727 00:31:04,640 --> 00:31:05,640 Speaker 1: loving country music. 728 00:31:06,080 --> 00:31:07,200 Speaker 2: It's doing it. 729 00:31:07,240 --> 00:31:09,479 Speaker 1: Oh kill Shot was a song Oh my God that 730 00:31:09,920 --> 00:31:11,080 Speaker 1: so yeah, you just don't mess with them. And MM 731 00:31:11,280 --> 00:31:12,440 Speaker 1: has a lot of those oh my gods when somebody 732 00:31:12,480 --> 00:31:13,560 Speaker 1: goes in him and I'm like, what are you thinking? 733 00:31:13,560 --> 00:31:15,520 Speaker 1: He could be seventy years old, and I'm like, don't 734 00:31:15,520 --> 00:31:20,560 Speaker 1: do it. So yeah, I'm I guess I'm just I'm 735 00:31:20,600 --> 00:31:25,440 Speaker 1: holding my thoughts on it. On the machine Gun Kelly stuff, 736 00:31:25,440 --> 00:31:28,600 Speaker 1: because it doesn't feel if you were really honest, it 737 00:31:28,640 --> 00:31:30,360 Speaker 1: came out and said, yeah, I just I don't want 738 00:31:30,360 --> 00:31:31,920 Speaker 1: to current country music, but I want to do a 739 00:31:31,960 --> 00:31:33,200 Speaker 1: few songs. I think it would be fun because I 740 00:31:33,240 --> 00:31:34,960 Speaker 1: really like, I've really started to get into it and 741 00:31:35,000 --> 00:31:36,920 Speaker 1: think it would be fun. Like I think that honesty 742 00:31:36,960 --> 00:31:39,680 Speaker 1: would be cool and refreshing, and I think I would 743 00:31:39,720 --> 00:31:43,040 Speaker 1: be into having him in and seeing what's up. Doesn't 744 00:31:43,040 --> 00:31:45,080 Speaker 1: even need to come here, doesn't affect his car at all, 745 00:31:45,080 --> 00:31:48,080 Speaker 1: doesn't defect mine. But it's when I feel like there 746 00:31:48,120 --> 00:31:49,440 Speaker 1: are a lot of people now trying that because they 747 00:31:49,520 --> 00:31:52,440 Speaker 1: know the format has never been bigger than right now, 748 00:31:52,920 --> 00:31:56,720 Speaker 1: and that is mostly on the shoulders of Wallin Comb's 749 00:31:57,000 --> 00:32:05,520 Speaker 1: Zach Bryan selling out football stadiums, young audience, those guys 750 00:32:05,520 --> 00:32:09,200 Speaker 1: crossing over. So yeah, there just feel. 751 00:32:08,960 --> 00:32:10,840 Speaker 2: Those guys back in the day Bob Dylan did that. 752 00:32:11,360 --> 00:32:13,800 Speaker 7: He moved to Nashville and then Johnny Cash tried to 753 00:32:13,800 --> 00:32:16,640 Speaker 7: help him, and like you know, these are introduced into people. 754 00:32:16,440 --> 00:32:19,000 Speaker 2: Like Bob Dylan was was always a country artist though yeah, 755 00:32:19,040 --> 00:32:20,160 Speaker 2: I mean he was a folk artist. 756 00:32:20,200 --> 00:32:23,320 Speaker 1: He's from right, but like Americana to me is country music. 757 00:32:24,320 --> 00:32:26,720 Speaker 1: I agree with that Americana is more country than country. 758 00:32:27,000 --> 00:32:28,440 Speaker 1: They just had to change the name because country had 759 00:32:28,440 --> 00:32:31,720 Speaker 1: moved to a different place. But the machine guns, Kelly 760 00:32:31,720 --> 00:32:36,400 Speaker 1: stuff's interesting. I'm keeping an eye on it. I don't 761 00:32:36,440 --> 00:32:38,800 Speaker 1: believe it that. It's like I'm a lifelong country fan. 762 00:32:38,840 --> 00:32:40,200 Speaker 1: But if he's like, you know what, I just got 763 00:32:40,240 --> 00:32:43,160 Speaker 1: into it like four months ago and it's good. I'm 764 00:32:43,160 --> 00:32:44,760 Speaker 1: gonna do a little bit of this guy, I would 765 00:32:44,760 --> 00:32:49,280 Speaker 1: be like, Okay, I'm anxious to hear your story. I 766 00:32:49,320 --> 00:32:51,280 Speaker 1: did like his pop punk stuff, though, better than his 767 00:32:51,360 --> 00:32:52,880 Speaker 1: hip hop stuff. And I even like this hip hop stuff. 768 00:32:52,880 --> 00:32:54,640 Speaker 1: It was very aggressive though, and he always had a 769 00:32:54,680 --> 00:32:56,600 Speaker 1: shirt off, and I was jealous because he could like 770 00:32:56,640 --> 00:32:58,720 Speaker 1: pull off tattoos all over his chest. Tatoo, Yeah, it's 771 00:32:58,720 --> 00:32:59,080 Speaker 1: a I like that. 772 00:33:00,360 --> 00:33:01,480 Speaker 2: Is he still Megan Fox? 773 00:33:02,280 --> 00:33:02,520 Speaker 6: Yeah? 774 00:33:03,240 --> 00:33:05,120 Speaker 2: Yeah? For me, no, I can pull it off. But 775 00:33:05,120 --> 00:33:06,240 Speaker 2: I wish I could pull it off. 776 00:33:06,400 --> 00:33:08,440 Speaker 5: Oh I didn't know you were in tattoos on the chest. 777 00:33:08,720 --> 00:33:09,000 Speaker 2: I'm not. 778 00:33:09,080 --> 00:33:11,080 Speaker 1: But for me, tattoos on the chest, no, no, no. 779 00:33:11,240 --> 00:33:12,440 Speaker 1: But he pulled it off, and I was like, dang, 780 00:33:12,480 --> 00:33:14,320 Speaker 1: that's awesome. He has a good story too, because I 781 00:33:14,320 --> 00:33:16,960 Speaker 1: think he was working to like a fast food restaurant Ohio. 782 00:33:17,040 --> 00:33:19,400 Speaker 1: That's cool, and like took a bunch of money he 783 00:33:19,400 --> 00:33:21,520 Speaker 1: didn't have and like went to some sort of like 784 00:33:21,840 --> 00:33:24,960 Speaker 1: uh seminar and met somebody and was like. 785 00:33:24,880 --> 00:33:26,120 Speaker 2: I'm trying to be at ma like. 786 00:33:26,960 --> 00:33:29,800 Speaker 1: His story is actually pretty good that I know, but 787 00:33:30,000 --> 00:33:31,760 Speaker 1: I'm just using him as an example because he's famous. 788 00:33:31,760 --> 00:33:33,480 Speaker 1: Of people now they're trying to come over and just 789 00:33:33,800 --> 00:33:35,200 Speaker 1: hopefully not make a quick buck. 790 00:33:36,360 --> 00:33:37,120 Speaker 2: But I do. 791 00:33:37,280 --> 00:33:39,239 Speaker 1: I do, Like I never met him. Lunchbox has kind 792 00:33:39,280 --> 00:33:39,840 Speaker 1: of guys out. 793 00:33:40,640 --> 00:33:42,960 Speaker 6: He was really nice. It was pretty chill, relax. 794 00:33:43,080 --> 00:33:44,320 Speaker 2: What do he said? What do you guys talk about? 795 00:33:44,760 --> 00:33:47,280 Speaker 6: Uh? Just talking about the night and how the crowd 796 00:33:47,360 --> 00:33:47,800 Speaker 6: looked good. 797 00:33:47,920 --> 00:33:48,680 Speaker 1: Did you talk at all? 798 00:33:48,720 --> 00:33:50,040 Speaker 2: Actually no, I. 799 00:33:50,000 --> 00:33:51,800 Speaker 6: Said, Oh, there's machine Gun. 800 00:33:51,720 --> 00:33:53,520 Speaker 2: Kelly, missus Jean. He's like, I'm not miss Geen. 801 00:33:53,600 --> 00:33:55,520 Speaker 6: No, And I think I got a high five or 802 00:33:55,520 --> 00:33:55,960 Speaker 6: a DAP. 803 00:33:56,640 --> 00:33:56,840 Speaker 3: Yeah. 804 00:33:56,920 --> 00:33:58,640 Speaker 2: So you made up the whole thing of talking about 805 00:33:58,640 --> 00:33:59,360 Speaker 2: the crowd and everything. 806 00:33:59,600 --> 00:34:00,200 Speaker 6: Yeah. 807 00:34:00,280 --> 00:34:04,080 Speaker 1: Yeah, so Mitchell shot so pretty Yeah. 808 00:34:04,120 --> 00:34:05,600 Speaker 2: No, are you listening to over do the podcast? 809 00:34:06,320 --> 00:34:08,120 Speaker 6: I'm reading the lyrics because I mean, I don't know 810 00:34:08,160 --> 00:34:09,520 Speaker 6: anything about machine Gun Kelly. 811 00:34:09,880 --> 00:34:11,839 Speaker 1: But the crazy part is when everyone does it again, 812 00:34:11,880 --> 00:34:13,319 Speaker 1: he does it in his own style, and then he 813 00:34:13,320 --> 00:34:15,120 Speaker 1: goes into machine Gun Kelly's cadence and does it in 814 00:34:15,120 --> 00:34:17,480 Speaker 1: that cadence too, And you're like, man, that's the dude. 815 00:34:17,520 --> 00:34:19,719 Speaker 1: You don't mess with Like, if you're going to go 816 00:34:19,760 --> 00:34:21,719 Speaker 1: after the king, you better cut off his head. And 817 00:34:21,760 --> 00:34:24,319 Speaker 1: he didn't cut off his head, so the king came back. 818 00:34:25,160 --> 00:34:27,920 Speaker 1: That's a long time ago too. And also I made 819 00:34:28,000 --> 00:34:29,160 Speaker 1: machine Gun Kelly more famous. 820 00:34:29,160 --> 00:34:30,760 Speaker 2: So in the end, did he lose? 821 00:34:33,160 --> 00:34:35,920 Speaker 1: Yeah, it does not how you look at it. Brooks 822 00:34:35,920 --> 00:34:37,799 Speaker 1: and Done said, everybody in country music hates each other. 823 00:34:38,280 --> 00:34:40,120 Speaker 1: This is funny. I like talking about this for a second. 824 00:34:40,600 --> 00:34:46,080 Speaker 1: So Brooks and Done, Kicks and Ronnie were on Theobond's podcast, 825 00:34:46,120 --> 00:34:48,440 Speaker 1: which I think it's awesome. Theoband has country music artists 826 00:34:48,440 --> 00:34:51,760 Speaker 1: on and so this is a clip from Theobond's podcast. 827 00:34:52,120 --> 00:34:54,040 Speaker 1: As friendly as they say that that, you know, the 828 00:34:54,040 --> 00:34:56,799 Speaker 1: world of country music is, it's it's so codarn competitive. 829 00:34:56,880 --> 00:34:59,120 Speaker 6: You know, everybody hates one or brother. They act like 830 00:34:59,120 --> 00:34:59,960 Speaker 6: they don't on TV. 831 00:35:01,280 --> 00:35:02,799 Speaker 2: Do you think people are really competitive though? 832 00:35:02,920 --> 00:35:07,520 Speaker 1: Oh, big time competitive. I stand by it too, Yeah, 833 00:35:07,760 --> 00:35:11,120 Speaker 1: super competitive. I don't think I think he's a little 834 00:35:11,160 --> 00:35:13,760 Speaker 1: hyperbole with everyone hates everyone, But a lot of people 835 00:35:13,760 --> 00:35:17,160 Speaker 1: hate a lot of people, and sometimes and sometimes not 836 00:35:17,239 --> 00:35:21,279 Speaker 1: even for reasons other than they're taking up part of 837 00:35:21,320 --> 00:35:23,040 Speaker 1: the space and using some of the oxygen. 838 00:35:23,080 --> 00:35:24,320 Speaker 2: They'd like to use in their career. 839 00:35:24,920 --> 00:35:27,120 Speaker 1: There are artists, though, major artists that act like they 840 00:35:27,160 --> 00:35:29,120 Speaker 1: like each other, like on TV and stuff, that freaking 841 00:35:29,120 --> 00:35:32,480 Speaker 1: hate each other's guts. That's what's hilarious to me. Hate 842 00:35:32,600 --> 00:35:34,680 Speaker 1: each other like almost have benefitst fights. 843 00:35:35,520 --> 00:35:36,800 Speaker 2: It's amazing. 844 00:35:37,160 --> 00:35:39,480 Speaker 7: There are cliques too, like there are clicks of like 845 00:35:39,680 --> 00:35:41,920 Speaker 7: certain country artists that hang out with each other that 846 00:35:41,960 --> 00:35:42,759 Speaker 7: don't like other ones. 847 00:35:42,840 --> 00:35:44,480 Speaker 1: Yeah, and most of them though it's now kind of 848 00:35:44,480 --> 00:35:49,399 Speaker 1: turned political, Yes it's. Yeah, it's now been a bit 849 00:35:49,440 --> 00:35:52,799 Speaker 1: of political clique. But yes, it's it's a it's a 850 00:35:52,840 --> 00:35:56,040 Speaker 1: clique town. It's not a big city to have a 851 00:35:56,080 --> 00:36:00,280 Speaker 1: massive industry, so it's gonna be clique like a high school. 852 00:36:01,440 --> 00:36:01,960 Speaker 2: It feels like. 853 00:36:01,920 --> 00:36:05,000 Speaker 1: High school a bit sometimes. 854 00:36:05,800 --> 00:36:06,200 Speaker 2: Yeah. 855 00:36:06,600 --> 00:36:11,640 Speaker 1: I was almost I was almost at I was at 856 00:36:11,680 --> 00:36:13,120 Speaker 1: the place, but they almost fistfight and there were two 857 00:36:13,120 --> 00:36:15,600 Speaker 1: major stars and I want to pull my phone out. 858 00:36:16,160 --> 00:36:17,520 Speaker 1: I just couldn't know because I was like part of 859 00:36:17,560 --> 00:36:18,000 Speaker 1: the group. 860 00:36:18,440 --> 00:36:19,280 Speaker 2: I don't know this story. 861 00:36:20,800 --> 00:36:24,120 Speaker 5: I telled you afterward, like a more private event or 862 00:36:24,560 --> 00:36:25,799 Speaker 5: public event, public. 863 00:36:25,480 --> 00:36:29,160 Speaker 8: Event, but they were on a private part. That's crazy, 864 00:36:29,200 --> 00:36:32,400 Speaker 8: and they almost fought with each other and I just 865 00:36:32,480 --> 00:36:35,040 Speaker 8: kind of sat back I'm close with one of them 866 00:36:35,320 --> 00:36:37,480 Speaker 8: medium with another, so I didn't want them to fight. 867 00:36:37,560 --> 00:36:39,840 Speaker 8: But also I was like, man, if this happens, I'm pulling, 868 00:36:40,080 --> 00:36:43,959 Speaker 8: I have to pull my phone out. It's like somebody 869 00:36:44,040 --> 00:36:45,560 Speaker 8: going crazy on a plane, Like you can go stop 870 00:36:45,600 --> 00:36:46,799 Speaker 8: on or you can just pull your phone out and 871 00:36:46,840 --> 00:36:47,880 Speaker 8: hopefully somebody el stops them. 872 00:36:47,920 --> 00:36:50,439 Speaker 1: That's how I felt there. But yeah, there's a lot 873 00:36:50,480 --> 00:36:56,600 Speaker 1: of jealousy insecurity that manifests itself with people not liking 874 00:36:56,640 --> 00:36:59,000 Speaker 1: each other. But it's funny. Ronnie kicks it and they 875 00:36:59,000 --> 00:37:01,279 Speaker 1: hate each other for a while. Yeah, and they were 876 00:37:01,320 --> 00:37:03,799 Speaker 1: a group, they broke up. They want to kill each other. 877 00:37:04,480 --> 00:37:05,359 Speaker 2: That's any, that's any. 878 00:37:07,120 --> 00:37:10,800 Speaker 6: Yeah, man, how does it go so wrong? 879 00:37:11,280 --> 00:37:13,120 Speaker 2: It's you're just spending too much time with each other, 880 00:37:13,120 --> 00:37:13,960 Speaker 2: a lot of time together. 881 00:37:14,320 --> 00:37:17,680 Speaker 1: You're getting older, you're growing as people. You have new interests, 882 00:37:17,719 --> 00:37:20,880 Speaker 1: different interests, different ideas about where the career should go, 883 00:37:20,920 --> 00:37:22,799 Speaker 1: different ideas about what you can do your set. 884 00:37:22,920 --> 00:37:23,440 Speaker 2: There's a lot of it. 885 00:37:23,520 --> 00:37:25,440 Speaker 1: It's just a dynamic and human dynamic. It's like I 886 00:37:25,480 --> 00:37:28,360 Speaker 1: would just cre to a marriage. How does it go wrong? Well, 887 00:37:29,080 --> 00:37:31,480 Speaker 1: the two people grow in different ways, and if you 888 00:37:31,520 --> 00:37:36,000 Speaker 1: don't work on finding the what can keep you together 889 00:37:36,040 --> 00:37:37,960 Speaker 1: and things you have in common and why that's important. 890 00:37:38,000 --> 00:37:41,160 Speaker 1: Then it can quickly that can dissipate and it just 891 00:37:41,400 --> 00:37:41,960 Speaker 1: doesn't exist. 892 00:37:42,200 --> 00:37:45,080 Speaker 6: Yeah, but if I'm kicksing running and I'm printing a hundred. 893 00:37:44,800 --> 00:37:47,360 Speaker 1: Dollars need money. Another big reason is they were so 894 00:37:47,480 --> 00:37:50,640 Speaker 1: rich it didn't matter. So it's not like they needed 895 00:37:50,640 --> 00:37:53,400 Speaker 1: to keep going because they had to pay their mortgage. 896 00:37:53,560 --> 00:37:55,239 Speaker 2: They had. They had a ton of money and that 897 00:37:55,360 --> 00:37:58,080 Speaker 2: was that was their FU money. Is that the same 898 00:37:58,080 --> 00:37:58,560 Speaker 2: with fgo? 899 00:37:59,160 --> 00:38:00,520 Speaker 1: Yeah, lot of money. 900 00:38:00,800 --> 00:38:02,319 Speaker 6: Yeah, they made a lot of money. 901 00:38:02,760 --> 00:38:05,720 Speaker 1: Well, yeah, a lot of money, so they don't. 902 00:38:05,520 --> 00:38:06,200 Speaker 6: Really need it either. 903 00:38:06,280 --> 00:38:08,400 Speaker 2: But I remember one of them living in a treehouse. 904 00:38:09,320 --> 00:38:12,080 Speaker 5: No, it was they had a treehouse on their property. 905 00:38:12,239 --> 00:38:14,359 Speaker 2: Oh, I thought like times were tough. He living at 906 00:38:14,280 --> 00:38:14,880 Speaker 2: a treehouse. 907 00:38:16,239 --> 00:38:19,600 Speaker 5: No, think it was a beautiful house. Beautiful. 908 00:38:20,120 --> 00:38:22,440 Speaker 2: I too, thought like dang, Jake's had hard. Jake just 909 00:38:22,480 --> 00:38:24,120 Speaker 2: lived in tiny house for a while because they was building. 910 00:38:24,920 --> 00:38:28,000 Speaker 2: I remember that it was tiny. It was hilarious. 911 00:38:28,520 --> 00:38:30,239 Speaker 1: Okay, So those two country stories I want to mention. 912 00:38:31,320 --> 00:38:33,800 Speaker 2: M M. I have a lot of notes. 913 00:38:34,719 --> 00:38:37,360 Speaker 1: Look at my scripts for this. I got lots of scripts. 914 00:38:37,600 --> 00:38:43,399 Speaker 6: Oh scuba, scuba, Oh, oh, Scuba, still a liar. 915 00:38:43,520 --> 00:38:46,719 Speaker 2: You come to the microphone, you idiot, a big idiot here? 916 00:38:46,760 --> 00:38:47,120 Speaker 2: What's up? 917 00:38:47,560 --> 00:38:51,120 Speaker 1: So yesterday, by idiot, I don't mean that really Scuba. 918 00:38:52,160 --> 00:38:53,080 Speaker 2: His thought was. 919 00:38:55,200 --> 00:38:58,520 Speaker 1: The engineers that aren't here that Scuba was complaining to 920 00:38:58,560 --> 00:39:00,799 Speaker 1: about some technical things, they think he's in it. I 921 00:39:00,840 --> 00:39:02,600 Speaker 1: tried to describe and explain to him that I don't 922 00:39:02,600 --> 00:39:04,840 Speaker 1: think he's an idiot. They probably are just pressured and whatever. 923 00:39:05,600 --> 00:39:09,720 Speaker 1: So we said yesterday on the podcast, if our station 924 00:39:10,640 --> 00:39:15,439 Speaker 1: the radio goes off wherever you are and there's dead air, 925 00:39:16,000 --> 00:39:19,799 Speaker 1: there's this music that plays, something's not right, please let 926 00:39:19,880 --> 00:39:22,480 Speaker 1: us know, because we don't know if you don't let 927 00:39:22,560 --> 00:39:25,160 Speaker 1: us know. And we have technical issues all the time. 928 00:39:25,520 --> 00:39:27,319 Speaker 1: Sometimes it's the program we're running, the Scoop is an 929 00:39:27,360 --> 00:39:30,000 Speaker 1: idiot about not really an idiot, but that was what 930 00:39:30,040 --> 00:39:34,080 Speaker 1: was yesterday's podcast. Sometimes it's there aren't people to run 931 00:39:34,120 --> 00:39:38,600 Speaker 1: the board or market in individual markets. If we go there, 932 00:39:38,680 --> 00:39:41,479 Speaker 1: no one's going to save us. Every once in a while, 933 00:39:41,520 --> 00:39:43,200 Speaker 1: something happens here. We have the power go out. One 934 00:39:43,280 --> 00:39:45,840 Speaker 1: day in the building, our power went out and we 935 00:39:45,840 --> 00:39:47,239 Speaker 1: have a backup generator, and I'm like, hey, what can 936 00:39:47,280 --> 00:39:48,359 Speaker 1: we do in scoop like, I don't know. We don't 937 00:39:48,360 --> 00:39:51,120 Speaker 1: have an engineer, so there are a lot of ways 938 00:39:51,160 --> 00:39:53,400 Speaker 1: things can go wrong. But we ask people, if it 939 00:39:53,440 --> 00:39:56,560 Speaker 1: happens where you are on your local affiliate, please message 940 00:39:56,640 --> 00:39:58,920 Speaker 1: us and let us know what time you were listening, 941 00:39:59,160 --> 00:40:01,160 Speaker 1: what city you're listening, if you can, what station if 942 00:40:01,200 --> 00:40:04,279 Speaker 1: you know. And so they started coming in here, lots 943 00:40:04,320 --> 00:40:07,600 Speaker 1: of them. Well, it just I go over to my 944 00:40:09,040 --> 00:40:11,200 Speaker 1: what's that box called it? Anybody can send to a 945 00:40:11,280 --> 00:40:17,800 Speaker 1: dm Q box, not DMS, but no requested requested messages. 946 00:40:17,920 --> 00:40:20,920 Speaker 1: Have your regular there's my regulars, there's the people that 947 00:40:21,000 --> 00:40:22,719 Speaker 1: have already gotten through, and there's the thing that you 948 00:40:22,800 --> 00:40:25,600 Speaker 1: go to click and it's like message requests, and so 949 00:40:25,640 --> 00:40:27,520 Speaker 1: I go to that, and that's always there's always like 950 00:40:27,560 --> 00:40:29,319 Speaker 1: two thousand of those, so I can't always see all them. 951 00:40:29,320 --> 00:40:30,560 Speaker 1: I try to look at a lot of them. But 952 00:40:30,600 --> 00:40:33,440 Speaker 1: I just clicked like ten yesterday and I get one. 953 00:40:33,960 --> 00:40:38,239 Speaker 1: Just finished listening to today's podcast. We're in Fresno, but 954 00:40:38,280 --> 00:40:41,240 Speaker 1: we were listening on the radio about eight fifty am, 955 00:40:41,280 --> 00:40:44,480 Speaker 1: and I kid you not parentheses. I'm not sure what 956 00:40:44,480 --> 00:40:46,680 Speaker 1: the music is called. The intro music was playing for 957 00:40:46,719 --> 00:40:48,520 Speaker 1: a good five minutes. Before you guys came back on 958 00:40:48,560 --> 00:40:50,680 Speaker 1: the air five minutes. That was. 959 00:40:52,200 --> 00:40:53,520 Speaker 9: That was the moment you saw to throw up my 960 00:40:53,560 --> 00:40:55,239 Speaker 9: phone down because I heard that in the hallway. I'm like, 961 00:40:55,239 --> 00:40:56,239 Speaker 9: are you efing kidding me? 962 00:40:56,560 --> 00:41:00,000 Speaker 1: That was the deal that that's the thirty minute. 963 00:41:00,040 --> 00:41:01,480 Speaker 2: It's after we did the podcast. 964 00:41:01,840 --> 00:41:03,440 Speaker 1: I just started and I was like, I need to 965 00:41:03,440 --> 00:41:07,040 Speaker 1: not go ont my messages today, So I've just started 966 00:41:07,040 --> 00:41:08,799 Speaker 1: to collect these in a folder. Now they're talking about 967 00:41:08,800 --> 00:41:12,040 Speaker 1: the yeah yeah, which we play it for us. 968 00:41:12,080 --> 00:41:16,000 Speaker 2: Here's the hit, our greatest hit. Yes, that's our greatest 969 00:41:16,160 --> 00:41:18,600 Speaker 2: five minutes of it and nothing. You're just listening to, 970 00:41:18,600 --> 00:41:19,560 Speaker 2: going what's happening here? 971 00:41:19,640 --> 00:41:20,279 Speaker 6: Yeah? 972 00:41:20,400 --> 00:41:21,799 Speaker 9: And as long as supposed to be there in case 973 00:41:21,840 --> 00:41:23,640 Speaker 9: like because it does happen where it'll clip off in 974 00:41:23,640 --> 00:41:25,480 Speaker 9: the front of the back for maybe one or two seconds. 975 00:41:25,640 --> 00:41:27,759 Speaker 9: They rather that than dead air, but they didn't go 976 00:41:27,800 --> 00:41:30,799 Speaker 9: to commercials, so across the nation, you know, all those 977 00:41:30,800 --> 00:41:31,600 Speaker 9: spots didn't. 978 00:41:31,360 --> 00:41:33,000 Speaker 1: Play yeah oh yeah. 979 00:41:33,120 --> 00:41:36,320 Speaker 2: But the delay was fixed though I heard that today 980 00:41:36,920 --> 00:41:37,640 Speaker 2: it's not as bad. 981 00:41:37,760 --> 00:41:40,920 Speaker 1: Please let us know if anything happens, because we can 982 00:41:40,960 --> 00:41:44,360 Speaker 1: actually hopefully make it better by knowing, and if we 983 00:41:44,360 --> 00:41:46,920 Speaker 1: don't know, we can't make it better something else that 984 00:41:46,960 --> 00:41:49,520 Speaker 1: you may hear a little bit like we're lucky enough 985 00:41:49,560 --> 00:41:52,480 Speaker 1: that our sponsors want to be a part of segments sometimes, 986 00:41:52,480 --> 00:41:56,000 Speaker 1: like we do scam Alert and a big LifeLock user 987 00:41:56,120 --> 00:41:57,719 Speaker 1: was before they came on the show and they're like, hey, 988 00:41:57,880 --> 00:41:59,720 Speaker 1: we want to sponsor scam Alert. I'm like, that's awesome 989 00:41:59,719 --> 00:42:07,560 Speaker 1: because it makes sense. We at times like we don't 990 00:42:07,960 --> 00:42:10,359 Speaker 1: control how long if you listen to the podcast, how 991 00:42:10,360 --> 00:42:12,360 Speaker 1: long the commercial breaks are, but what we're able to 992 00:42:12,360 --> 00:42:15,000 Speaker 1: do now hopefully the goal is to include some of 993 00:42:15,040 --> 00:42:17,280 Speaker 1: these in breaks that make sense so that the commercial 994 00:42:17,320 --> 00:42:20,920 Speaker 1: breaks aren't long. Like that's our goal, and that's what 995 00:42:21,120 --> 00:42:23,200 Speaker 1: Scuba and I've been working on, and that's why you'll 996 00:42:23,239 --> 00:42:25,200 Speaker 1: hear that, like we're doing the bit. It's about we 997 00:42:25,239 --> 00:42:26,920 Speaker 1: didn't create the bit for the commercial, but if it 998 00:42:26,920 --> 00:42:28,400 Speaker 1: makes sense, we can kind of put it in it 999 00:42:28,440 --> 00:42:29,360 Speaker 1: for twenty five seconds. 1000 00:42:29,400 --> 00:42:30,000 Speaker 2: Yeah, that's cool. 1001 00:42:30,520 --> 00:42:34,880 Speaker 1: And if we can slow, slowly not have these extremely 1002 00:42:35,000 --> 00:42:41,400 Speaker 1: long spot blocks, that helps everybody, including the advertiser, and 1003 00:42:41,400 --> 00:42:43,160 Speaker 1: that's who we want to really benefit because we get 1004 00:42:43,160 --> 00:42:44,040 Speaker 1: to stay on the air that way. 1005 00:42:45,080 --> 00:42:46,560 Speaker 2: So we're working on that. 1006 00:42:46,719 --> 00:42:49,480 Speaker 1: So if you hear that occasionally, just know that that 1007 00:42:49,640 --> 00:42:56,040 Speaker 1: is purposeful and the overall amount hopefully. Oh you know, 1008 00:42:56,080 --> 00:42:57,640 Speaker 1: it's weird. Two people messing me. We're like, I just 1009 00:42:57,680 --> 00:42:59,040 Speaker 1: heard a vaping commercial. 1010 00:42:59,400 --> 00:43:02,880 Speaker 2: No, and I'm like, what do you mean? Who did that? Well, no, 1011 00:43:02,960 --> 00:43:03,440 Speaker 2: it's not that. 1012 00:43:03,480 --> 00:43:05,840 Speaker 1: It's like depending on where you are, and vaping is 1013 00:43:05,880 --> 00:43:08,680 Speaker 1: not even a they're going to jail for anything. But 1014 00:43:08,760 --> 00:43:11,040 Speaker 1: like political ads, I don't want them on the show, 1015 00:43:11,800 --> 00:43:14,120 Speaker 1: right because I don't want anyone to think that we 1016 00:43:14,920 --> 00:43:17,239 Speaker 1: even though we may have our feelings and they may 1017 00:43:17,280 --> 00:43:19,239 Speaker 1: be very different and very the same, I don't want 1018 00:43:19,239 --> 00:43:21,320 Speaker 1: people thinking that our show has any sort of agenda 1019 00:43:21,400 --> 00:43:23,520 Speaker 1: in that world because nobody comes to us for that. 1020 00:43:23,800 --> 00:43:25,279 Speaker 1: And so when there's a political ad on our show, 1021 00:43:25,280 --> 00:43:26,719 Speaker 1: people will be like, oh I just heard this ad 1022 00:43:27,200 --> 00:43:30,440 Speaker 1: and you suck, regardless of what it is. And so, 1023 00:43:30,560 --> 00:43:32,360 Speaker 1: but what happens is not on our show. It's in 1024 00:43:32,440 --> 00:43:37,640 Speaker 1: the local either the local station or where you are. 1025 00:43:37,880 --> 00:43:42,200 Speaker 1: The digital will just grab vaping or political and target 1026 00:43:42,239 --> 00:43:44,120 Speaker 1: it to that area when we had nothing to do 1027 00:43:44,200 --> 00:43:45,919 Speaker 1: with it. One of them was like Dildo's or something 1028 00:43:45,960 --> 00:43:46,279 Speaker 1: over that. 1029 00:43:47,200 --> 00:43:49,759 Speaker 2: I don't think it was like lunchbox voice, then hey 1030 00:43:51,480 --> 00:43:52,840 Speaker 2: if something it wasn't that. 1031 00:43:52,920 --> 00:43:55,480 Speaker 1: But it's like a like a ex like an adult 1032 00:43:55,520 --> 00:43:58,320 Speaker 1: store or something. Yeah, it was. 1033 00:43:58,920 --> 00:44:00,719 Speaker 2: It was like, how many do you guys? 1034 00:44:00,960 --> 00:44:02,480 Speaker 1: Oh my god, I'm lunchbox. 1035 00:44:03,520 --> 00:44:08,840 Speaker 6: You are right, hey, price right exactly exactly. 1036 00:44:08,600 --> 00:44:09,480 Speaker 5: Lunch is for sale? 1037 00:44:10,320 --> 00:44:11,280 Speaker 6: So are we all. 1038 00:44:13,040 --> 00:44:13,719 Speaker 5: For everything? 1039 00:44:14,360 --> 00:44:15,279 Speaker 2: Yeah, I'm not gonna do those. 1040 00:44:15,840 --> 00:44:18,279 Speaker 6: Well, you guys are an exploratory. 1041 00:44:18,640 --> 00:44:21,480 Speaker 2: We I guess not, I guess in more ways. 1042 00:44:21,640 --> 00:44:24,480 Speaker 1: You are more ways than one exploratory. 1043 00:44:26,080 --> 00:44:27,799 Speaker 7: I thought the political stuff though, don't you have to 1044 00:44:27,840 --> 00:44:30,279 Speaker 7: do like one Yeah, like one side, you do the 1045 00:44:30,320 --> 00:44:30,640 Speaker 7: other one. 1046 00:44:31,040 --> 00:44:33,040 Speaker 1: Not if it's bought, No, because that would mean all 1047 00:44:33,080 --> 00:44:35,440 Speaker 1: the money. 1048 00:44:33,440 --> 00:44:38,200 Speaker 2: If it's in regular time, there are different rules. 1049 00:44:38,520 --> 00:44:42,040 Speaker 1: But oh, if it's not politicians by commercials, because it 1050 00:44:42,320 --> 00:44:44,680 Speaker 1: might not make sense if somebody has forty million, somebody 1051 00:44:44,719 --> 00:44:46,960 Speaker 1: has ten. But if they buy forty million commercials, like 1052 00:44:47,000 --> 00:44:48,799 Speaker 1: we got to give them extra thirty million, they didn't 1053 00:44:48,840 --> 00:44:49,759 Speaker 1: raise the money. 1054 00:44:49,400 --> 00:44:52,120 Speaker 6: Okay, Andy's crazy, how much money we waste on running 1055 00:44:52,120 --> 00:44:52,680 Speaker 6: for office. 1056 00:44:52,920 --> 00:44:54,200 Speaker 1: Yeah, there should be a salary. 1057 00:44:54,480 --> 00:44:55,640 Speaker 6: It's so stupid. 1058 00:44:55,320 --> 00:44:57,440 Speaker 1: There should be a political salary cap. And you do 1059 00:44:57,480 --> 00:44:58,880 Speaker 1: the most you can do. You can sign DAK for 1060 00:44:58,920 --> 00:45:02,759 Speaker 1: eight hundred million dollars and so you get really good 1061 00:45:02,840 --> 00:45:05,880 Speaker 1: commercial cap that's going to get you, like near to 1062 00:45:05,880 --> 00:45:07,719 Speaker 1: win the election, but it's it probably going to crap 1063 00:45:07,719 --> 00:45:08,880 Speaker 1: out right on election day. 1064 00:45:09,000 --> 00:45:10,560 Speaker 5: A lot of the problems they want to solve they 1065 00:45:10,560 --> 00:45:11,480 Speaker 5: could use some money. 1066 00:45:11,600 --> 00:45:12,919 Speaker 6: Yeah, that's crazy. 1067 00:45:13,920 --> 00:45:16,560 Speaker 1: Yeah, I think that's it. 1068 00:45:16,600 --> 00:45:19,680 Speaker 5: Is it? What is that rule though? Now I'm trying 1069 00:45:19,680 --> 00:45:20,120 Speaker 5: to think of it. 1070 00:45:20,160 --> 00:45:23,200 Speaker 4: Is it if you have if you interview one, you 1071 00:45:23,320 --> 00:45:24,319 Speaker 4: have to have the other one on? 1072 00:45:24,600 --> 00:45:26,600 Speaker 1: Yes, okay, but that rule is not you know, for 1073 00:45:26,760 --> 00:45:27,880 Speaker 1: there are ways to get around that. 1074 00:45:27,960 --> 00:45:29,319 Speaker 6: Yeah, we don't have to have you have to give 1075 00:45:29,400 --> 00:45:31,160 Speaker 6: them opportunity. 1076 00:45:32,000 --> 00:45:32,919 Speaker 5: Because they can say no. 1077 00:45:33,200 --> 00:45:35,000 Speaker 2: Yeah, I remember talking about that in school. 1078 00:45:35,040 --> 00:45:36,960 Speaker 1: Yes, but it's not still it's not the same anymore. 1079 00:45:37,280 --> 00:45:39,040 Speaker 6: Even talking about it in the school evolved. 1080 00:45:39,120 --> 00:45:41,000 Speaker 2: I guess it's like if you go on. 1081 00:45:42,920 --> 00:45:45,680 Speaker 1: Pick a show that's partisan for sure, like a Fox 1082 00:45:45,760 --> 00:45:48,319 Speaker 1: you go on, well they have Democrats on. But if 1083 00:45:48,320 --> 00:45:51,120 Speaker 1: you go on like Klay Travis's show and he has 1084 00:45:51,160 --> 00:45:55,719 Speaker 1: Trump on, You're not getting here Kamala over there. They're 1085 00:45:55,719 --> 00:45:57,799 Speaker 1: not going to reach out to Kamala, so they don't 1086 00:45:57,800 --> 00:45:59,360 Speaker 1: have to reach out. And I don't know if Kamala 1087 00:45:59,360 --> 00:46:01,160 Speaker 1: reaches out and goes I'd like to be on if 1088 00:46:01,200 --> 00:46:02,440 Speaker 1: they have to say yes, but they're not going to 1089 00:46:02,520 --> 00:46:04,719 Speaker 1: reach out and go well, due to fairness doctrine, we 1090 00:46:04,840 --> 00:46:09,080 Speaker 1: also want that's not gonna happen, but it's also it's private. 1091 00:46:09,719 --> 00:46:13,360 Speaker 2: I don't know by three deal does get one free? 1092 00:46:14,120 --> 00:46:20,480 Speaker 2: I'm lunch bar. Okay, I think we're just a. 1093 00:46:20,440 --> 00:46:21,240 Speaker 5: Really bad thought. 1094 00:46:21,480 --> 00:46:25,160 Speaker 1: Everybody has a price it. 1095 00:46:25,800 --> 00:46:28,720 Speaker 6: What do you think about over there. 1096 00:46:28,040 --> 00:46:32,360 Speaker 5: Lunch bars? You're thinking about lunch bars endorsing something. 1097 00:46:33,600 --> 00:46:35,360 Speaker 2: I can't say it got a whole comedy going that. 1098 00:46:35,400 --> 00:46:37,640 Speaker 2: She's also laughing at the we cannot experience. 1099 00:46:38,040 --> 00:46:39,640 Speaker 5: I mean, because I guess it is supposed show. I 1100 00:46:39,640 --> 00:46:43,640 Speaker 5: probably could say it. Let's just say it involves. 1101 00:46:44,080 --> 00:46:48,760 Speaker 1: Oh boy, Well, I just we're gonna chase this one. 1102 00:46:49,080 --> 00:46:53,160 Speaker 1: Thank you, guys, We'll see tomorrow. On tomorrow's regular show, 1103 00:46:53,360 --> 00:46:55,239 Speaker 1: Luke Bryant is on all Right, bye Ready