WEBVTT - I Failed Him (S3 E21 "Here Comes the Son”)

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<v Speaker 1>I am all in that Kissed You, I am all

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<v Speaker 1>in with Scott Patterson and I heart radio podcast. Everybody. Hi, Hi,

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<v Speaker 1>what did you think? I'll just get right into it.

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<v Speaker 1>I liked it. I really thought it was a great episode.

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<v Speaker 1>But it stressed me out because it was so drama rama.

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<v Speaker 1>It was so much drama rama going on. It was

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<v Speaker 1>heavy stuff, right, and I mean the Jess arc and

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<v Speaker 1>you know, Emily not wanting Laurela around. It was stressful.

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<v Speaker 1>It was just it was just it wasn't light and

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<v Speaker 1>as fun as I you know, I like these episodes

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<v Speaker 1>to be. But again, Amy tends to have a different

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<v Speaker 1>writing style than her husband, and so when Amy is

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<v Speaker 1>writing directing, she's controlling everything, and you know you're gonna

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<v Speaker 1>get one of these really heavy episodes. And it was

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<v Speaker 1>filled with great lines and humor and all that stuff,

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<v Speaker 1>but the but the you know, but the but the

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<v Speaker 1>narratives and the themes, which it was just very I

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<v Speaker 1>was exhausted after watching this episode. And she obviously wrote

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<v Speaker 1>it because it was intended to be the launching pad

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<v Speaker 1>for a Jess rob ST's Sherylyn Fenn spinoff, right, And

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<v Speaker 1>that's when I thought was kind of peculiar about it,

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<v Speaker 1>because what am I doing in Venice, California with rob

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<v Speaker 1>estis Milo and Cheryl and Fenn. Not that that isn't

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<v Speaker 1>a great triple right there. Okay, all all great, but

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<v Speaker 1>it just it just felt foreign. It just felt like,

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<v Speaker 1>you know, and then we go back to stars Hollow

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<v Speaker 1>and a door opening in Emily's house and it's like,

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<v Speaker 1>what what's happening? You know? So so yeah, it was

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<v Speaker 1>a little for me, although I enjoyed the California stuff,

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<v Speaker 1>but um, anyway, that's my initial impression. I loved the episode.

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<v Speaker 1>I was fully engaged, actually, but it was a little

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<v Speaker 1>it was a little stressful for me. Yeah. I've only

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<v Speaker 1>seen this episode twice. I saw it when it ran

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<v Speaker 1>the first time, you know, on television. I watched it

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<v Speaker 1>once on the DVDs, and I've never watched it again

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<v Speaker 1>because I remember not being into it, almost like this

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<v Speaker 1>never became a thing. I don't need to rewatch this one,

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<v Speaker 1>because this just didn't become a thing. This third time, though,

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<v Speaker 1>I liked it the best of all the three times

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<v Speaker 1>I've ever watched it. I tried to watch it like

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<v Speaker 1>in a different way, and I liked it much more.

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<v Speaker 1>I didn't like it when I watched it originally because

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<v Speaker 1>it felt like a different show, Like, why am I

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<v Speaker 1>watching this right now? And you know what, I'm being

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<v Speaker 1>insufferably rude, and I apologize. I failed to introduce everybody.

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<v Speaker 1>What the heck is wrong with me? Daniel Romo Welcome, Hello, Hello,

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<v Speaker 1>Amy Sugarman, Hello, And we're joined also by the one

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<v Speaker 1>and only Traveling Parasus who who shows up? When I

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<v Speaker 1>mean it's just traveling you guys. I have like four

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<v Speaker 1>weeks in a row. I think I'm going to be

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<v Speaker 1>out of town coming up for Yeah, but was the

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<v Speaker 1>time with Matt Zukri the best? I mean Matt and Yeah,

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<v Speaker 1>we're still like glowing from the Mad Sure experience. I mean,

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<v Speaker 1>it's like the guy you know, I want to interview

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<v Speaker 1>him every week. Forgot I'm not gonna lie to you.

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<v Speaker 1>I went back and watched like a couple episodes. Well, no,

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<v Speaker 1>I think I mentioned it last week. But I went

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<v Speaker 1>back and watched the revival just because I want to

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<v Speaker 1>see him in it. Oh my god, I did the

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<v Speaker 1>same thing. I didn't want to doable, but I snuck ahead.

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<v Speaker 1>I cheated, and I went to I wanted to see

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<v Speaker 1>Matt's first appearance. Oh my god, wait, Amy, I went

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<v Speaker 1>to see that clip and really, funny enough, my friend's

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<v Speaker 1>husband is in the background of that episode and he's

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<v Speaker 1>currently on a c W show, so I need to

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<v Speaker 1>like text her save that when we get there. Save.

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<v Speaker 1>That's that's that's called being zuk read. That means you

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<v Speaker 1>break the rules. You've been zok red, You've been you.

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<v Speaker 1>It's not being Gilmoard anymore. It's being zook read. He

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<v Speaker 1>forces you to break the rules and cheat and go

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<v Speaker 1>ahead and watch the episodes when you're not. Must make

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<v Speaker 1>that a thing. You've been zook read, which just means

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<v Speaker 1>you have gotten hard eyes hard Uh. Anyway, I am

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<v Speaker 1>all in podcast one eleven Productions. iHeart Radio and here

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<v Speaker 1>we are kick off. What is this episode twenty one

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<v Speaker 1>twenty one Here Comes the Sun? Go ahead? Daniel takes away. Alright, So,

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<v Speaker 1>as Scott just said, Season three, episode twenty one, Here

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<v Speaker 1>Comes the Sun air date May fifteen, two thousand three,

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<v Speaker 1>and the synopsis is Rory is busy with finals, and

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<v Speaker 1>she has an insanely busy schedule of things to get

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<v Speaker 1>done before a graduation, and we find out through her

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<v Speaker 1>yearbook signatures that she is the valedictorian of her class.

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<v Speaker 1>Laura and Emily have another fight fight. When Laura Lae

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<v Speaker 1>picks up Rory from her house, we get to meet

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<v Speaker 1>Miss Selene, who is dressing Emily and Richard for Rory's graduation.

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<v Speaker 1>Paris was accepted to three colleges, Yale, Princeton, and Columbia,

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<v Speaker 1>and Laura La bonded with her at the very end

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<v Speaker 1>of the year. Meanwhile, three thousand miles away, just visits

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<v Speaker 1>his dad Jimmy, in Venice, California and asked to stay

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<v Speaker 1>for a while because he has nothing left in Stars Hollow.

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<v Speaker 1>So thank you, Danielle. You know, I just read off

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<v Speaker 1>the top and then we'll take it from the beginning,

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<v Speaker 1>but I just want to get this in um and

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<v Speaker 1>just just a comment on what you were saying, Amy, Yeah,

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<v Speaker 1>it felt like another show when we went to California,

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<v Speaker 1>with people trying to talk like they were in Gilmore Girls. Yeah,

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<v Speaker 1>and it didn't feel like Gilmore. It had gilmore Esque

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<v Speaker 1>qualities like Masal does, like Bunheads did, but it did

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<v Speaker 1>feel like you're like watching a different show. Also, note

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<v Speaker 1>it's here comes the Sun, but for people listening that

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<v Speaker 1>can't read it, it's s o n get it. Here

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<v Speaker 1>comes the Sun. Yeah, just for those listening and not

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<v Speaker 1>so anyway, Amy, take us takes from the top of

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<v Speaker 1>this and we'll we'll do chronological and in my memory

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<v Speaker 1>because I hadn't seen it in you know, fifteen years,

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<v Speaker 1>maybe eighteen years whenever the DVDs for this season came out.

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<v Speaker 1>In my memory, I wasn't sure that Lorra Lye and

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<v Speaker 1>Rory were in it at all. I was like, is

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<v Speaker 1>this just a full like Jess robsd Sherlyn Fenn it

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<v Speaker 1>should have been in my opinion, I feel like going

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<v Speaker 1>back stars hollow kind of threw me off. M But

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<v Speaker 1>you know, Lorela I was light in this episode, and

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<v Speaker 1>I really liked her in this episode because she wasn't

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<v Speaker 1>so manic and she wasn't so stressed out all the

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<v Speaker 1>time stuff for that one scene in in her parents

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<v Speaker 1>house and Emily and Richard's house, which and she was

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<v Speaker 1>justifiably kind of offended. Yeah, but I really liked her

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<v Speaker 1>in this because she was a little calmer um and

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<v Speaker 1>I just sort of celebrating her daughter and feeling great

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<v Speaker 1>about that in every scene pretty much. So that was

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<v Speaker 1>a nice, nice touch. Anyway, take us all right, So

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<v Speaker 1>we stay in Weston's, which I thought was interesting. Why

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<v Speaker 1>weren't we at the diner? But we were at Weston's.

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<v Speaker 1>It's so funny because when they started at Weston's, I

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<v Speaker 1>was like, are Luke and Lorela in the fight? Because

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<v Speaker 1>why are they at Westons? Like? I had no idea

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<v Speaker 1>why they weren't at Luke's. I could only come up

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<v Speaker 1>with to honor fran because like and passed away, but

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<v Speaker 1>Weston's is still open. I don't know. So they're talking

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<v Speaker 1>about the trip to Europe, so that's important. Uh. Lorrel

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<v Speaker 1>has curly hair and is wearing the piece shirt, which

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<v Speaker 1>I liked. And then basically Lane comes in to talk

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<v Speaker 1>about her brochure she's got for college, and that's sort

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<v Speaker 1>of the gist of where we're at. There's two parks,

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<v Speaker 1>one for guys, one for girls. Yeah, Roryes are like

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<v Speaker 1>two parks, one for boys. My big question there was

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<v Speaker 1>why Weston's. Um, Yeah, let's hopefully then it was. But

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<v Speaker 1>it was a good scene. It was definitely good. It

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<v Speaker 1>was a good opening scene. So then the credits roll

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<v Speaker 1>and we realize, okay, special guest starre rob Esties, so

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<v Speaker 1>we know, okay, he's back, and I think we even

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<v Speaker 1>see Sherilyn Fenn's name in the credits, so we then

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<v Speaker 1>still are at Lower Lies or so, so we're still

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<v Speaker 1>with Lower Lys, so we're still in Stars Hollows. But

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<v Speaker 1>we see Laura Lee in the leopard dress with the

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<v Speaker 1>cute sweater. She's trying to be very quiet making the coffee,

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<v Speaker 1>which I was like, why is she trying to be

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<v Speaker 1>so quiet? And then Rory is studying and just she's

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<v Speaker 1>got so much to do before graduation. So that's sort

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<v Speaker 1>of the gist. So we learned. One other tidbit is

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<v Speaker 1>that she's going to see Emily, her grandma, to talk

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<v Speaker 1>about what Emily is going to wear the graduation. And

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<v Speaker 1>then we see Luke in the doorway and I actually

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<v Speaker 1>was startled by that. It was like, no, what's he

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<v Speaker 1>doing there? So that's sort of the setup. And then

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<v Speaker 1>she goes out and realizes because Luke tells her just

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<v Speaker 1>as gone, Yeah, I like that scene. I like that

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<v Speaker 1>scene a lot. I liked it. And he actually carried

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<v Speaker 1>her over to the other side of the house, but

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<v Speaker 1>he got visit, you know, he actually touched her, and

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<v Speaker 1>it was also a new angle of the porch. We

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<v Speaker 1>haven't seen that much right, right, right. But I like

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<v Speaker 1>that scene. I like that it was great and it

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<v Speaker 1>was and it showed his his um, you know, him

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<v Speaker 1>feeling really like a big failure and he acknowledge that.

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<v Speaker 1>I thought that was a very poignant moment in this

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<v Speaker 1>yes so not yes. So. Not only has he come

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<v Speaker 1>to tell Laura Lie because he's worried about Rory, he

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<v Speaker 1>then really kind of says, you know, I failed him,

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<v Speaker 1>and I do know what you're talking about. I even

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<v Speaker 1>wrote a note the arm touch, but it was more

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<v Speaker 1>it was more like significant. He moved her and she

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<v Speaker 1>didn't mind it. You know, it was like he moved

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<v Speaker 1>her whole body over around there because he was so

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<v Speaker 1>concerned that Rory didn't you know, he's protecting Rory. He

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<v Speaker 1>didn't want her to hear this. So so so far,

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<v Speaker 1>what do you think of the episode? Just put these

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<v Speaker 1>two scenes before we go to Santa Monica, Venice. I

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<v Speaker 1>think there's a big void there without Jess and I'm

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<v Speaker 1>you know, I'm wondering what's happening, And you know, without

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<v Speaker 1>Jess there, that really does take away a lot from

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<v Speaker 1>from the proceedings. So I was very curious about what

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<v Speaker 1>was gonna unfold. And pretty pretty quickly we get to

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<v Speaker 1>him getting off the bus, right right, is that the

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<v Speaker 1>next little portion there exactly, that's exactly right. So Danielle,

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<v Speaker 1>did you immediately know he's in California? Um, like once

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<v Speaker 1>he got off the bus. Absolutely, but like, yeah, the

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<v Speaker 1>Beach Boys music gave it away. No, it was literally like, hello,

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<v Speaker 1>that's Venice beach right, just growing up here, like you

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<v Speaker 1>know that's Venice. Within a second, coming soon, there's a

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<v Speaker 1>very significant shot scene on scene shot on the Santa

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<v Speaker 1>Monica Pierre. So he gets off, he's in Venice. Uh,

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<v Speaker 1>Santa Monica area. The Beach Boys must have cost a

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<v Speaker 1>pretty penny to get that good Yeah, and uh, he's

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<v Speaker 1>it's very iconic with him and his Jess. Look the

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<v Speaker 1>leather jacket jacket on the beach with the girls cart wheeling,

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<v Speaker 1>and you're immediately like fish out of water. Yeah, like

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<v Speaker 1>like take the jacket off. You've got to be sweating

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<v Speaker 1>under their and a leather jacket standing on the beach

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<v Speaker 1>in Venice. I mean, for that's sake, it's already nine

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<v Speaker 1>myself right now, just so hot. Okay, he's that cool? Right,

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<v Speaker 1>So then we quickly go back again. So there's a

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<v Speaker 1>lot of that throughout this episode of like California Stars,

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<v Speaker 1>Hollow California Stars, also back and forth. Can I make

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<v Speaker 1>one note that I noticed right off the bat? And

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<v Speaker 1>then it pays off even a little bit later, like

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<v Speaker 1>right when Jess gets off the bus, there's just dogs

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<v Speaker 1>and I'm like, oh, I don't think we've seen dogs

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<v Speaker 1>on set yet, at least not for a while. And

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<v Speaker 1>I was like interesting. And then fast forward to the scene,

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<v Speaker 1>which we'll talk about a little bit, I was like,

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<v Speaker 1>why are there so many dogs in California? I make

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<v Speaker 1>sure they're all over the US. So we go back

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<v Speaker 1>to the Gilmore's and we the significant thing is we

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<v Speaker 1>learned she grabs the letter out of the mailbox, and

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<v Speaker 1>we learned that Rory has been denied i'd financial aid

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<v Speaker 1>because of the seventy dollars. So that's sort of that piece.

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<v Speaker 1>And then we're immediately back in Venice and we see

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<v Speaker 1>Jess going to four to two whatever mystery street and

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<v Speaker 1>this house. How he knew where to go, I'm not

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<v Speaker 1>totally sure. Do you think, um I was actually thinking

0:13:21.400 --> 0:13:23.680
<v Speaker 1>about this? Do you think that he actually looked at

0:13:23.840 --> 0:13:28.520
<v Speaker 1>his license? Because remember he left his wallet right I

0:13:28.640 --> 0:13:31.280
<v Speaker 1>don't because the last episode, But why would he have

0:13:31.360 --> 0:13:33.959
<v Speaker 1>not freaked out? He just gives the wallet. If he

0:13:34.040 --> 0:13:36.440
<v Speaker 1>saw the name, if he looked at it enough to

0:13:36.440 --> 0:13:40.720
<v Speaker 1>see the address and knew that was his dad, He's

0:13:40.720 --> 0:13:43.199
<v Speaker 1>not going to say something immediately. That's why I was like,

0:13:43.240 --> 0:13:46.480
<v Speaker 1>how do you know the address? These are? This is

0:13:47.160 --> 0:13:50.520
<v Speaker 1>also it could be you know, does he know did

0:13:50.520 --> 0:13:52.760
<v Speaker 1>he know his dad's name? Like, I don't know. Back then,

0:13:53.080 --> 0:13:55.079
<v Speaker 1>there was like yellow books, you know what I mean,

0:13:55.080 --> 0:13:57.640
<v Speaker 1>you can just like go through people, you know, find

0:13:57.720 --> 0:14:04.080
<v Speaker 1>Jimmy Mariano. Alright, I live true the Yellow Pages. It

0:14:04.080 --> 0:14:06.640
<v Speaker 1>wouldn't be in the Yellow Pages because that was where

0:14:06.640 --> 0:14:10.800
<v Speaker 1>businesses were. It would have been in the White Pages. Yeah,

0:14:11.040 --> 0:14:14.880
<v Speaker 1>it probably could have been listed. So you know, I

0:14:14.880 --> 0:14:20.840
<v Speaker 1>I found all of these scenes particularly heartbreaking. Yeah, it

0:14:20.880 --> 0:14:25.120
<v Speaker 1>was difficult for me to watch it personally. Uh uh no,

0:14:25.240 --> 0:14:28.000
<v Speaker 1>I don't want you and you know all of that.

0:14:28.080 --> 0:14:31.000
<v Speaker 1>So I thought Sherylyn Fenn was great. She really was.

0:14:31.120 --> 0:14:33.680
<v Speaker 1>She was. She's just great. I mean she played the

0:14:33.680 --> 0:14:35.480
<v Speaker 1>heck out of that part. Man. I agree, And did

0:14:35.480 --> 0:14:39.080
<v Speaker 1>you not see a little of Oh it kind of

0:14:39.120 --> 0:14:41.920
<v Speaker 1>does make sense why she was considered to be lower

0:14:42.000 --> 0:14:46.800
<v Speaker 1>Lie oh, without questions, You're like, oh, I get it. Yeah, yeah,

0:14:47.560 --> 0:14:52.680
<v Speaker 1>she's sort of okay, Yeah, you're apparently was first choice.

0:14:52.760 --> 0:14:56.280
<v Speaker 1>She was first choice, I believe you. Now. I know

0:14:56.320 --> 0:14:58.040
<v Speaker 1>people are going to murder me because I want to

0:14:58.080 --> 0:15:05.360
<v Speaker 1>say a spoiler, but obviously Amy Sherman Palladino loves Sherylyn

0:15:05.400 --> 0:15:08.240
<v Speaker 1>Fenn because this is not the only role Sherylyn Fenn

0:15:08.240 --> 0:15:16.120
<v Speaker 1>plays on Gilmore Girls. Really really, Yes, she played my ex? Yeah? Yeah?

0:15:17.400 --> 0:15:21.600
<v Speaker 1>Or was that Mason Amick? No, I'm pretty sure she is.

0:15:22.280 --> 0:15:26.120
<v Speaker 1>You know, I may be mistaken. I think Mason Amock

0:15:26.520 --> 0:15:30.480
<v Speaker 1>may have been the first choice for the role of Loyal.

0:15:31.040 --> 0:15:32.960
<v Speaker 1>Oh why I always thought it was Sherlyn Fenn. We

0:15:33.000 --> 0:15:35.160
<v Speaker 1>need to fact check that. Yeah, let's fact check it

0:15:35.200 --> 0:15:38.880
<v Speaker 1>because because Marylyn comes back, so we won't ruin it.

0:15:38.960 --> 0:15:44.680
<v Speaker 1>But I'm sure SHERYLN. Fenn comes back and plays another character, Daniel,

0:15:44.680 --> 0:15:47.440
<v Speaker 1>just turn your mute for a second, the mother of

0:15:48.680 --> 0:15:52.760
<v Speaker 1>all Right, I mean, I love for someone to check,

0:15:52.800 --> 0:15:57.080
<v Speaker 1>but sure she plays Sasha in one. She does, and

0:15:57.120 --> 0:16:00.480
<v Speaker 1>then she plays you know who? Correct? Yes, I just

0:16:00.520 --> 0:16:04.520
<v Speaker 1>looked it, so and I'm pretty sure she was a

0:16:04.520 --> 0:16:07.120
<v Speaker 1>front runner to You're good Daniels. Sorry, poor daniel is

0:16:07.120 --> 0:16:12.800
<v Speaker 1>giving thank you. I feel like I'm in family feud

0:16:12.840 --> 0:16:14.800
<v Speaker 1>where they say to answers like and I mean like

0:16:14.840 --> 0:16:25.960
<v Speaker 1>a sound like welcome back to the So what did

0:16:26.000 --> 0:16:29.760
<v Speaker 1>you think immediately, Danielle to of Sherylyn Fentn What were

0:16:29.840 --> 0:16:35.560
<v Speaker 1>your initial Sasha? I think she's cool. I like her

0:16:35.640 --> 0:16:40.240
<v Speaker 1>character a lot. Um. I thought the whole storyline is

0:16:40.280 --> 0:16:44.600
<v Speaker 1>interesting because she has the daughter, and yet Jimmy didn't

0:16:44.600 --> 0:16:48.320
<v Speaker 1>really say much about Jess, you know, like and she

0:16:48.480 --> 0:16:51.520
<v Speaker 1>confronts him about it and she's like angry. Um, she

0:16:51.680 --> 0:16:54.040
<v Speaker 1>obviously wants to be married because she kind of like

0:16:55.160 --> 0:16:58.440
<v Speaker 1>did that little dig at him, you know. Um. I

0:16:58.480 --> 0:17:02.120
<v Speaker 1>think she's cool. I think she's super like strong, independent,

0:17:02.680 --> 0:17:09.159
<v Speaker 1>cool person. That was my thoughts. Yeah, Scott, Yeah, a

0:17:09.240 --> 0:17:12.040
<v Speaker 1>great character. I wish they had her come back more

0:17:12.080 --> 0:17:14.639
<v Speaker 1>and more and more as that character. Maybe she visited

0:17:14.800 --> 0:17:19.200
<v Speaker 1>just they got Jimmy and Jess back to stars Hollow

0:17:19.280 --> 0:17:21.520
<v Speaker 1>so that she could come back with her daughter, you know,

0:17:21.880 --> 0:17:25.200
<v Speaker 1>because she's so great, you know, and they're also great,

0:17:26.040 --> 0:17:28.399
<v Speaker 1>like get it out of Venice, and I know, I

0:17:28.440 --> 0:17:30.680
<v Speaker 1>know they were setting up the pilot and the spinoff

0:17:30.720 --> 0:17:34.280
<v Speaker 1>and all that stuff, But why not bring her back? Yeah?

0:17:34.320 --> 0:17:38.159
<v Speaker 1>Did anybody else think Sherylyn Fenn is so good that

0:17:38.359 --> 0:17:43.959
<v Speaker 1>almost rob Estes became secondary? I agree, Like he was

0:17:44.040 --> 0:17:47.360
<v Speaker 1>so good in the previous episode and he's so important here,

0:17:47.480 --> 0:17:49.960
<v Speaker 1>but she really stood out to me, and she was

0:17:50.080 --> 0:17:53.000
<v Speaker 1>very Gilmore. Yeah, it's because she wore the pants and

0:17:53.160 --> 0:17:56.520
<v Speaker 1>that's the great way to describe it, Like she definitely,

0:17:57.040 --> 0:17:59.720
<v Speaker 1>she definitely wore the pants in that relationship, right right, right,

0:18:00.119 --> 0:18:04.000
<v Speaker 1>is why I thought the characterization of of the Rob

0:18:04.080 --> 0:18:06.920
<v Speaker 1>the Rob best Is character the Jimmy, I don't know

0:18:06.960 --> 0:18:09.199
<v Speaker 1>if that was I don't know if it could have

0:18:09.200 --> 0:18:12.000
<v Speaker 1>been better. That's right, because it doesn't work as well

0:18:12.359 --> 0:18:16.000
<v Speaker 1>in this But so why not write him as a

0:18:16.040 --> 0:18:20.480
<v Speaker 1>guy who's super laid back and chill and and just like,

0:18:20.720 --> 0:18:23.960
<v Speaker 1>you know, just a lover and a peace nick and

0:18:24.000 --> 0:18:30.399
<v Speaker 1>the whole thing, not this you know, agitated sort of. Yeah, yeah, yeah, yeah,

0:18:30.880 --> 0:18:35.359
<v Speaker 1>Rob Bestis is to me much better in the episode

0:18:35.400 --> 0:18:41.360
<v Speaker 1>before this one. This one is really Sherilyn Fens episode. Yeah, yeah, yeah,

0:18:42.080 --> 0:18:47.359
<v Speaker 1>And everything was Gilmurray, her her mannerisms, her way, the

0:18:47.440 --> 0:18:53.680
<v Speaker 1>house is Gilmurray. The colors are bright, the clowns of

0:18:53.720 --> 0:18:57.600
<v Speaker 1>the clown the literal clown dolls. I wanted to mention

0:18:57.640 --> 0:19:00.080
<v Speaker 1>that there were so many, and I'm like, there is

0:19:00.119 --> 0:19:02.720
<v Speaker 1>a shrine of clown dolls. I'm like, that puts the

0:19:02.760 --> 0:19:08.720
<v Speaker 1>pillow to shame totally. The quirkiness of the daughter being

0:19:08.760 --> 0:19:11.359
<v Speaker 1>in the cupboard or the other you know, she's always

0:19:11.480 --> 0:19:14.720
<v Speaker 1>hidden reading her books, which I thought very rory. And

0:19:15.040 --> 0:19:19.520
<v Speaker 1>then we the dogs and the cats and all the

0:19:19.600 --> 0:19:24.159
<v Speaker 1>books in Jimmy's room, the books and the records, and

0:19:24.200 --> 0:19:27.680
<v Speaker 1>You're just like, Okay, there's a lot to unpack here.

0:19:27.920 --> 0:19:30.679
<v Speaker 1>What do you think was wrong with Jimmy? Like that

0:19:30.800 --> 0:19:33.560
<v Speaker 1>he just got his act together five years ago and

0:19:33.600 --> 0:19:37.359
<v Speaker 1>he's still kind of nervous and agitated and and schmucky.

0:19:37.520 --> 0:19:39.199
<v Speaker 1>And I mean, how do you talk that way to

0:19:39.240 --> 0:19:41.080
<v Speaker 1>your son? No, I don't want you here. I don't

0:19:41.080 --> 0:19:43.040
<v Speaker 1>want to be a father. That's why I went I

0:19:43.080 --> 0:19:45.360
<v Speaker 1>went away seventeen. I mean, this is just like you're

0:19:45.400 --> 0:19:48.240
<v Speaker 1>sticking a knife in your in your kid's heart again

0:19:48.400 --> 0:19:51.320
<v Speaker 1>and again and again. And I just thought, man, this

0:19:51.359 --> 0:19:54.520
<v Speaker 1>is this is hard to hear, and it's hard to want.

0:19:54.560 --> 0:19:56.840
<v Speaker 1>No prize from what we know of Liz up till

0:19:56.880 --> 0:20:00.400
<v Speaker 1>now too, So um, I don't know. I was so

0:20:00.520 --> 0:20:05.280
<v Speaker 1>thrown off by how the character of Jimmy was written,

0:20:06.280 --> 0:20:09.679
<v Speaker 1>and I just kept rewriting him in my head every

0:20:09.720 --> 0:20:12.440
<v Speaker 1>time he came on screen and said, he's got to

0:20:12.520 --> 0:20:14.800
<v Speaker 1>be a different guy because he's got it's got to

0:20:14.840 --> 0:20:17.320
<v Speaker 1>be the opposite of what this is. It can't be close,

0:20:17.600 --> 0:20:20.200
<v Speaker 1>you know, you know what I'm saying. Make him completely

0:20:20.280 --> 0:20:23.520
<v Speaker 1>different so that those lines come out easier. You're not wrong,

0:20:24.160 --> 0:20:26.320
<v Speaker 1>because we all can talk about the elephant in the room.

0:20:26.480 --> 0:20:29.280
<v Speaker 1>This did not become a show, which we'll talk about

0:20:29.280 --> 0:20:31.480
<v Speaker 1>at the end, but this does not become a show,

0:20:31.800 --> 0:20:35.040
<v Speaker 1>and so obviously there were things that did not work.

0:20:35.520 --> 0:20:39.720
<v Speaker 1>Either the network didn't think they worked or somebody didn't

0:20:39.760 --> 0:20:42.000
<v Speaker 1>think they worked, because this did not become a spinoff.

0:20:42.440 --> 0:20:45.119
<v Speaker 1>So anyway, we Danielle, you you go, you look like

0:20:45.200 --> 0:20:50.359
<v Speaker 1>you're yeah. I had like a very interesting um like

0:20:50.359 --> 0:20:53.840
<v Speaker 1>I found a very interesting parallel in this episode. I

0:20:53.880 --> 0:20:58.000
<v Speaker 1>feel like there's a lot of similarities between Jimmy and

0:20:58.119 --> 0:21:02.240
<v Speaker 1>Luke in the sense that they have their own um

0:21:02.720 --> 0:21:06.920
<v Speaker 1>restaurant type thing that they're in charge of. However, they're

0:21:06.960 --> 0:21:10.600
<v Speaker 1>showing that they're very similar in their work and what

0:21:10.680 --> 0:21:12.960
<v Speaker 1>they do and their work ethic, because when we saw

0:21:13.080 --> 0:21:17.720
<v Speaker 1>Jimmy at um Dante's Inferno, like he was like literally

0:21:17.760 --> 0:21:20.560
<v Speaker 1>like very invested in his work, different than the kind

0:21:20.560 --> 0:21:23.480
<v Speaker 1>of guy we usually see. But then outside of work

0:21:23.560 --> 0:21:27.240
<v Speaker 1>you see the massive difference between Luke and Jimmy. But

0:21:27.280 --> 0:21:29.080
<v Speaker 1>I feel like they almost did that on purpose, Like

0:21:29.119 --> 0:21:32.560
<v Speaker 1>they're very similar people but very very different. And I

0:21:32.560 --> 0:21:35.840
<v Speaker 1>thought that was like a really interesting kind of parallel

0:21:35.960 --> 0:21:38.720
<v Speaker 1>between the two characters. Did to Scott, did you did

0:21:38.760 --> 0:21:45.119
<v Speaker 1>you notice that? Um? Gosh, yeah, I don't know that.

0:21:45.160 --> 0:21:50.160
<v Speaker 1>I saw a lot of similarities there, um just from

0:21:50.160 --> 0:21:52.919
<v Speaker 1>a work perspective, like they you know, I mean, but

0:21:53.000 --> 0:21:55.639
<v Speaker 1>how but we haven't We just saw him in that

0:21:55.680 --> 0:21:58.639
<v Speaker 1>one quick scene with a pickle jar. But don't you

0:21:58.640 --> 0:22:03.080
<v Speaker 1>think it's a conscious choice spiced by people writers, amy whoever?

0:22:03.720 --> 0:22:07.600
<v Speaker 1>That Jimmy also has a restaurant. I felt like that

0:22:07.720 --> 0:22:15.440
<v Speaker 1>had to be a choice that was made intentionally, very intentionally. Maybe.

0:22:15.960 --> 0:22:19.040
<v Speaker 1>I mean, I don't know. I can't get inside their head. Man,

0:22:19.160 --> 0:22:27.200
<v Speaker 1>they're blowing them man to sit here and drink my wine. See,

0:22:27.280 --> 0:22:29.320
<v Speaker 1>that's the kind of character I wanted Jimmy to do

0:22:29.840 --> 0:22:32.760
<v Speaker 1>to be. Do you like Jimmy from what you know

0:22:32.880 --> 0:22:35.520
<v Speaker 1>from this, I do not. I wouldn't. I don't want

0:22:35.520 --> 0:22:39.520
<v Speaker 1>to spend time with him. He's unhinged. He's he's he's

0:22:39.600 --> 0:22:43.360
<v Speaker 1>shaking in his in his inside of his body. He's

0:22:43.400 --> 0:22:47.280
<v Speaker 1>just quaking all the time. What about Sasha, It's like

0:22:47.359 --> 0:22:50.080
<v Speaker 1>he's in withdrawal all the time. So maybe he is.

0:22:50.160 --> 0:22:54.080
<v Speaker 1>Maybe that's the character. I don't know, But uh, Sasha,

0:22:54.119 --> 0:22:57.399
<v Speaker 1>who Sasha. That's Oh, she's brilliant. I mean, it was

0:22:57.400 --> 0:23:01.359
<v Speaker 1>a brilliant character. Brilliant. I wanted I just wanted Jimmy

0:23:01.400 --> 0:23:03.199
<v Speaker 1>to be a hippie. I just wanted to be like

0:23:03.240 --> 0:23:07.240
<v Speaker 1>a real, like a throwback hippie. Not I didn't want

0:23:07.240 --> 0:23:09.760
<v Speaker 1>to hate him. I'm kind of I'm kind of tired

0:23:09.760 --> 0:23:12.280
<v Speaker 1>of hating people on the show. You know. It's like

0:23:13.000 --> 0:23:16.800
<v Speaker 1>I like, reserve that for Emily or sometimes Richard and

0:23:16.880 --> 0:23:19.560
<v Speaker 1>sometimes Tricky. I mean, that's part of the family takes

0:23:19.600 --> 0:23:25.719
<v Speaker 1>care of, you know. And but the thing is, I

0:23:25.760 --> 0:23:31.240
<v Speaker 1>think it's probably ingenious because it makes Jess seems so

0:23:31.359 --> 0:23:35.800
<v Speaker 1>much more like right that he's got this total schmuck

0:23:35.920 --> 0:23:39.800
<v Speaker 1>of a father, I mean, what a schmuck. And and

0:23:39.800 --> 0:23:42.439
<v Speaker 1>and now Jess is looking now we're rooting for him

0:23:42.480 --> 0:23:44.879
<v Speaker 1>and now we're behind him a d. So it is

0:23:45.400 --> 0:23:48.160
<v Speaker 1>probably you have to assume if this was to be

0:23:48.960 --> 0:23:52.119
<v Speaker 1>launching pad for a show, it can't just be Jimmy

0:23:52.160 --> 0:23:54.680
<v Speaker 1>like I love you, I'm sorry I left you seventeen

0:23:54.760 --> 0:23:57.359
<v Speaker 1>years eighteen years ago. Come on in, let's all be

0:23:57.440 --> 0:24:00.240
<v Speaker 1>the Brady Bunch. There has to be like, as if

0:24:00.320 --> 0:24:03.000
<v Speaker 1>this was going to be a show, obviously the conflict

0:24:03.080 --> 0:24:07.720
<v Speaker 1>between Jimmy and Jess would have been major. Yeah, and Amy,

0:24:07.800 --> 0:24:09.880
<v Speaker 1>you were saying, like what happened within the last five

0:24:09.960 --> 0:24:12.720
<v Speaker 1>years to make Jimmy kind of shift a little bit?

0:24:13.160 --> 0:24:16.280
<v Speaker 1>Maybe it is Sasha. Maybe Sasha came into his life

0:24:16.320 --> 0:24:20.000
<v Speaker 1>and was like I think Scott posed that good question. Yeah, Scott, sorry,

0:24:20.160 --> 0:24:22.800
<v Speaker 1>but but like one thing I found interesting is that

0:24:22.880 --> 0:24:25.399
<v Speaker 1>I or I think we would have gotten the Jimmy

0:24:25.480 --> 0:24:31.520
<v Speaker 1>that you're talking about, Luke Luke, Scott that was bound

0:24:31.600 --> 0:24:39.080
<v Speaker 1>to happen once. I mean, there's three seasons, twenty one episodes, Scott,

0:24:41.080 --> 0:24:44.639
<v Speaker 1>I feel like that was great. Um, I feel like

0:24:44.640 --> 0:24:45.919
<v Speaker 1>what you were saying that you wanted him to be

0:24:46.040 --> 0:24:48.320
<v Speaker 1>this like laid back. Oh sorry, dude, Like I can't

0:24:48.320 --> 0:24:51.160
<v Speaker 1>do this. I think he would have had that if

0:24:51.200 --> 0:24:54.239
<v Speaker 1>Sasha wasn't like, you need to talk to Jess and

0:24:54.280 --> 0:24:57.239
<v Speaker 1>you need to do this now, Like I'm pissed, you know,

0:24:57.359 --> 0:25:00.560
<v Speaker 1>Like I feel like if he didn't have that external motivator,

0:25:00.600 --> 0:25:04.040
<v Speaker 1>he wouldn't have done that, and he would have been like, sorry, dude,

0:25:04.119 --> 0:25:06.680
<v Speaker 1>like we don't have room. Can I throw something out

0:25:06.680 --> 0:25:10.680
<v Speaker 1>to you, Scott and see what you think? Amy Sherman Palladino.

0:25:11.000 --> 0:25:17.880
<v Speaker 1>Obviously it's undeniable. She writes strong women, right, I mean,

0:25:18.480 --> 0:25:22.040
<v Speaker 1>Laura lie that even on bun Heads, those are strong women,

0:25:22.440 --> 0:25:25.760
<v Speaker 1>masal strong women. She always writes strong women. I wonder

0:25:25.800 --> 0:25:31.359
<v Speaker 1>if the problem for this spinoff was that Sherilyn Fenn

0:25:31.440 --> 0:25:35.240
<v Speaker 1>she's writing perfectly, and she also can write Jess. We

0:25:35.280 --> 0:25:38.800
<v Speaker 1>know that, but maybe it's Jimmy that just didn't seem

0:25:38.920 --> 0:25:45.600
<v Speaker 1>to be enough for a whole show, because maybe she

0:25:45.720 --> 0:25:49.320
<v Speaker 1>just wasn't like because really, like we all said, she's

0:25:49.520 --> 0:25:53.640
<v Speaker 1>the episode of Cherylyn Fenn, So maybe the network was like,

0:25:54.000 --> 0:25:58.960
<v Speaker 1>there's no Jimmy Jess. So we're at Senior Palooza and

0:25:59.359 --> 0:26:02.480
<v Speaker 1>there's cute always carrying boxes and Rory's on the phone

0:26:02.520 --> 0:26:05.919
<v Speaker 1>with Grandma, and I think this is where lore La

0:26:06.200 --> 0:26:10.400
<v Speaker 1>is trying to sell the tickets to the yacht party.

0:26:11.480 --> 0:26:13.879
<v Speaker 1>So let's talk about that and then we'll go back

0:26:13.960 --> 0:26:16.080
<v Speaker 1>and we'll learn more about what we can figure out

0:26:16.119 --> 0:26:20.280
<v Speaker 1>on the my load slash Jess Pilot. So what did

0:26:20.280 --> 0:26:23.600
<v Speaker 1>you think back at the school, you know, the Paris

0:26:23.600 --> 0:26:29.280
<v Speaker 1>scene with lower La, essentially the hug, remember that. I

0:26:29.280 --> 0:26:32.399
<v Speaker 1>thought it was funny, you know it was it was

0:26:32.600 --> 0:26:36.320
<v Speaker 1>straight up comedy, and uh, you know, Paris needed it,

0:26:36.359 --> 0:26:38.560
<v Speaker 1>and Paris was being Paris and lorel I was just

0:26:38.600 --> 0:26:40.960
<v Speaker 1>so happy. She didn't care about getting rejected. She's like,

0:26:41.119 --> 0:26:43.240
<v Speaker 1>come on, you know, she was in such a good

0:26:43.280 --> 0:26:46.359
<v Speaker 1>mood because her daughter was accepted in val Victorian hold

0:26:47.160 --> 0:26:49.400
<v Speaker 1>and and I just wanted to give her a little

0:26:49.440 --> 0:26:51.199
<v Speaker 1>mom love because she needs it. And it was a

0:26:51.200 --> 0:26:53.280
<v Speaker 1>good scene. She doesn't have that, like the hug. I

0:26:53.280 --> 0:26:56.120
<v Speaker 1>don't think she ever gets a hug like that, right,

0:26:57.520 --> 0:26:59.920
<v Speaker 1>And my favorite is when I was like, you can

0:27:00.200 --> 0:27:05.119
<v Speaker 1>release your fists. It was good advice Loria gave her

0:27:05.119 --> 0:27:09.560
<v Speaker 1>about college, saying you pick where you want to go. Yeah,

0:27:10.720 --> 0:27:12.840
<v Speaker 1>she was She's a great she's a great mom. I mean,

0:27:13.680 --> 0:27:17.359
<v Speaker 1>she really displayed her she was enjoying the fruits of

0:27:17.400 --> 0:27:20.639
<v Speaker 1>her labor. In this episode, and she she proved to

0:27:20.640 --> 0:27:24.439
<v Speaker 1>be just a spectacular mother. So it was yeah, and

0:27:24.480 --> 0:27:27.879
<v Speaker 1>then we just see that there's still a little is

0:27:27.880 --> 0:27:32.080
<v Speaker 1>when you watch people celebrate her building towards a little

0:27:32.119 --> 0:27:34.560
<v Speaker 1>drama with Emily, because we can see Rory on the

0:27:34.560 --> 0:27:36.480
<v Speaker 1>phone with her trying to figure out this outfit and

0:27:36.560 --> 0:27:39.240
<v Speaker 1>kind of saying, I gotta go over there. So we're

0:27:39.240 --> 0:27:42.560
<v Speaker 1>setting up that and that there's prominent use of cell

0:27:42.560 --> 0:27:46.679
<v Speaker 1>phones now. Oh yeah, and also Rory has makeup on

0:27:46.720 --> 0:27:49.359
<v Speaker 1>in this episode. I like specifically put that down. She

0:27:49.440 --> 0:27:53.440
<v Speaker 1>looks way more um mature, like she was wearing lipstick,

0:27:53.600 --> 0:27:56.040
<v Speaker 1>she had some blush on. I was like, oh, I

0:27:56.080 --> 0:28:01.000
<v Speaker 1>haven't seen Rory with makeup on like this. I don't know,

0:28:01.160 --> 0:28:07.960
<v Speaker 1>I wrote it down. I noticed that. Yeah, okay, so

0:28:07.960 --> 0:28:10.159
<v Speaker 1>we're gonna go back to l A, to the Santa

0:28:10.200 --> 0:28:12.600
<v Speaker 1>Monica Pire. And interestingly, I just realized we haven't even

0:28:12.680 --> 0:28:15.679
<v Speaker 1>seen Jimmy yet. We're this far into the episode and

0:28:15.720 --> 0:28:19.560
<v Speaker 1>we've only seen Cherylyn Fenn. So the more I think

0:28:19.600 --> 0:28:21.480
<v Speaker 1>about it, the more I feel like this would have

0:28:21.520 --> 0:28:25.000
<v Speaker 1>been the Sherylyn Fenn Show. But anyway, so we go back.

0:28:25.000 --> 0:28:28.240
<v Speaker 1>Clearly we're on the Santa Monica Pire looked amazing. She's

0:28:28.400 --> 0:28:31.800
<v Speaker 1>there doing the walk and talk and she knows everybody

0:28:31.800 --> 0:28:34.320
<v Speaker 1>in town. We kind of learned that right away. It

0:28:34.480 --> 0:28:38.560
<v Speaker 1>felt very Gilmoury. And then we get to Dante's Inferno

0:28:39.360 --> 0:28:43.960
<v Speaker 1>and the pickle situation. Yeah, they were in a real pickle.

0:28:46.240 --> 0:28:48.920
<v Speaker 1>Didn't really understand what they were talking about. But you know,

0:28:49.080 --> 0:28:51.120
<v Speaker 1>I guess the label was a little off and the

0:28:51.240 --> 0:28:53.440
<v Speaker 1>letters where the font was a little off. It just

0:28:53.440 --> 0:28:55.120
<v Speaker 1>stood out to me. Here this is where I really

0:28:55.280 --> 0:28:59.200
<v Speaker 1>noticed what Danielle said. He's got this diner I called it,

0:29:00.760 --> 0:29:04.440
<v Speaker 1>and I thought, God, that's got to be on purpose. Yeah. God,

0:29:04.480 --> 0:29:06.680
<v Speaker 1>it just didn't fit in with gil Moore Girls at all,

0:29:06.720 --> 0:29:09.360
<v Speaker 1>did it? It was? Oh? I mean that was my

0:29:09.440 --> 0:29:12.080
<v Speaker 1>problem with it the first two times I'd seen it.

0:29:12.080 --> 0:29:14.800
<v Speaker 1>It was better for me this time. On the third watch.

0:29:15.320 --> 0:29:18.640
<v Speaker 1>It was less jarring. But I remember being like, I'm

0:29:18.640 --> 0:29:21.160
<v Speaker 1>not watching Gilmore Girls, but I think it's some of

0:29:21.240 --> 0:29:25.320
<v Speaker 1>Milo's best work. I really really pulled me in. He

0:29:25.440 --> 0:29:27.880
<v Speaker 1>really really really pulled me in with this because he

0:29:27.960 --> 0:29:30.640
<v Speaker 1>was so hurt and he was so lost, and he

0:29:30.720 --> 0:29:34.760
<v Speaker 1>was so confused, and I just loved him in this episode.

0:29:34.800 --> 0:29:36.520
<v Speaker 1>I I just fell in love with him again in

0:29:36.520 --> 0:29:39.240
<v Speaker 1>this episode. So I'm like, you know, I'm I'm all

0:29:39.280 --> 0:29:42.800
<v Speaker 1>there for for just now hoping that he God, I

0:29:42.840 --> 0:29:45.320
<v Speaker 1>mean just I mean getting thrown out by his father.

0:29:45.480 --> 0:29:47.800
<v Speaker 1>He didn't even show him, he just shows up and

0:29:47.920 --> 0:29:50.320
<v Speaker 1>his father's rejecting him again. I mean, the poor kid.

0:29:51.120 --> 0:29:54.560
<v Speaker 1>You know, he's he's he's in a tough spot. You know,

0:29:55.280 --> 0:29:59.400
<v Speaker 1>my natural protective instincts, you know, just me, Scott was

0:29:59.680 --> 0:30:03.480
<v Speaker 1>really just man. Why I was just fired up? Are you,

0:30:03.560 --> 0:30:10.560
<v Speaker 1>Scott regretting Luke? Not that you can regret it, but

0:30:10.840 --> 0:30:12.840
<v Speaker 1>how are you feeling about the fact that Luke had

0:30:12.920 --> 0:30:14.600
<v Speaker 1>to tell him if you got to go? Then if

0:30:14.600 --> 0:30:17.880
<v Speaker 1>you're not. He did fail him. He did fail him,

0:30:17.920 --> 0:30:20.760
<v Speaker 1>and I and I do feel bad. And I know

0:30:20.840 --> 0:30:23.200
<v Speaker 1>that Luke feels bad and he should feel bad. He

0:30:23.280 --> 0:30:29.680
<v Speaker 1>did fail him because he he's with a young kid.

0:30:30.480 --> 0:30:32.680
<v Speaker 1>It's you know, you've got to pick your moments to

0:30:32.720 --> 0:30:36.760
<v Speaker 1>be that rigid and that stern. You know that, Like

0:30:36.800 --> 0:30:39.200
<v Speaker 1>I said in the last podcast, why isn't there a

0:30:39.240 --> 0:30:42.680
<v Speaker 1>world where where you can sit somebody down and really

0:30:42.720 --> 0:30:45.160
<v Speaker 1>talk to them and really support them and really love

0:30:45.240 --> 0:30:47.480
<v Speaker 1>them instead of all of this this has got to

0:30:47.520 --> 0:30:49.840
<v Speaker 1>be my way garbage, and you know, and all this

0:30:50.040 --> 0:30:53.000
<v Speaker 1>and and and and my god, I just I don't

0:30:53.000 --> 0:30:57.680
<v Speaker 1>know how anybody, especially a kid that vulnerable, that's smart,

0:30:57.800 --> 0:31:00.959
<v Speaker 1>that's sensitive and that troubled, how is he's not going

0:31:01.000 --> 0:31:03.760
<v Speaker 1>to respond well to that? You know you, I mean,

0:31:03.760 --> 0:31:06.680
<v Speaker 1>they're gonna make mistake after mistake after mistake after mistake,

0:31:06.720 --> 0:31:11.080
<v Speaker 1>the only and I and I agreed with Sasha, right,

0:31:11.120 --> 0:31:13.080
<v Speaker 1>it's like, you gotta love these people. Man, you gotta

0:31:13.120 --> 0:31:15.320
<v Speaker 1>love him, and you gotta hug him, and you gotta

0:31:15.480 --> 0:31:17.360
<v Speaker 1>be patient with him, and they're gonna screw up, and

0:31:17.400 --> 0:31:19.800
<v Speaker 1>you've got to just factor that into the equation and

0:31:19.840 --> 0:31:24.479
<v Speaker 1>alter your behavior. But Luke again, like Luke is not

0:31:24.600 --> 0:31:28.080
<v Speaker 1>the guy to raise or to be there for this kid, don't.

0:31:28.120 --> 0:31:30.080
<v Speaker 1>I won't go as far to say Luke failed him,

0:31:30.160 --> 0:31:32.840
<v Speaker 1>But I'm not sure Luke made the right call. I

0:31:32.840 --> 0:31:36.120
<v Speaker 1>don't know, Daniel, what we're gonna say. I know you're gonna, yeah,

0:31:36.280 --> 0:31:39.120
<v Speaker 1>I agree with you. I think I don't think he

0:31:39.160 --> 0:31:41.880
<v Speaker 1>failed him. And I actually do think Luke is what

0:31:42.040 --> 0:31:44.600
<v Speaker 1>Jess needed. Like I do think that he needs somebody

0:31:44.600 --> 0:31:46.960
<v Speaker 1>that's not going to enable him. And also he needs

0:31:46.960 --> 0:31:49.960
<v Speaker 1>somebody that's gonna put him in this place a little bit.

0:31:50.040 --> 0:31:52.040
<v Speaker 1>And that's what Luke was doing. And so I do

0:31:52.160 --> 0:31:54.840
<v Speaker 1>think he needed that guidance and he needed that discipline.

0:31:55.440 --> 0:31:59.360
<v Speaker 1>I just feel like at that point, Jess wasn't willing

0:31:59.480 --> 0:32:02.960
<v Speaker 1>to see that, And that's not necessarily a dig on Luke,

0:32:03.520 --> 0:32:10.560
<v Speaker 1>just I think not um uh. Emotionally and from like

0:32:10.560 --> 0:32:13.320
<v Speaker 1>a maturity standpoint, Jess wasn't able to He didn't want

0:32:13.360 --> 0:32:17.080
<v Speaker 1>it enough on his own. But why couldn't Luke show

0:32:17.120 --> 0:32:21.120
<v Speaker 1>him his heart? Why couldn't Luke show Jess he did

0:32:21.280 --> 0:32:24.160
<v Speaker 1>by letting him stay with him. I understand that and

0:32:24.240 --> 0:32:26.680
<v Speaker 1>trying to like he's more doing it like it's his duty,

0:32:26.800 --> 0:32:30.440
<v Speaker 1>it's his job as the uncle, as opposed to I

0:32:30.480 --> 0:32:32.840
<v Speaker 1>think what's Scott's saying, like from his heart? You know

0:32:32.880 --> 0:32:38.640
<v Speaker 1>what we're getting. We're getting at um A lot of

0:32:38.680 --> 0:32:41.680
<v Speaker 1>men's inability to open up their hearts and let their

0:32:41.680 --> 0:32:45.040
<v Speaker 1>heart pour out. They they think that that is weakness

0:32:45.720 --> 0:32:49.600
<v Speaker 1>as opposed to what it really is real strength and trust. Right,

0:32:50.280 --> 0:32:53.840
<v Speaker 1>So why can't why can't he sit down? Why can't

0:32:53.920 --> 0:32:57.760
<v Speaker 1>Luke be emotional with Jess? Is he afraid Jess will

0:32:57.880 --> 0:33:00.560
<v Speaker 1>perceive that his weakness. No, I think it. Luke has

0:33:00.560 --> 0:33:02.600
<v Speaker 1>a real hard time with that. No, I know why

0:33:02.680 --> 0:33:05.160
<v Speaker 1>Luke can't do it, but it's like, this gets to

0:33:05.240 --> 0:33:09.200
<v Speaker 1>the issue of why men can't communicate as well as

0:33:09.200 --> 0:33:14.040
<v Speaker 1>women can, and why there's maybe I mean, I don't

0:33:14.080 --> 0:33:15.760
<v Speaker 1>want to go off on a tangent here, but I

0:33:15.840 --> 0:33:19.040
<v Speaker 1>wanted to see a softer Luke. I wanted to see

0:33:19.080 --> 0:33:23.120
<v Speaker 1>a Luke that it was more supportive and gentle with

0:33:23.160 --> 0:33:26.240
<v Speaker 1>that boy and and loving and open up his heart,

0:33:26.280 --> 0:33:29.280
<v Speaker 1>Because wouldn't that have been powerful instead of all this

0:33:29.520 --> 0:33:32.240
<v Speaker 1>like hey, I'm the boss and and um and what

0:33:32.320 --> 0:33:34.640
<v Speaker 1>I say goes and you went against it and you're gone.

0:33:34.840 --> 0:33:38.280
<v Speaker 1>You broke my rules and you're gone. Yeah. Okay, So

0:33:38.320 --> 0:33:42.560
<v Speaker 1>that's that's a predictable character. That's a predictable character trait.

0:33:42.840 --> 0:33:45.200
<v Speaker 1>We all knew that was coming. We all saw it

0:33:45.240 --> 0:33:47.640
<v Speaker 1>coming a mile away, and you know Jess was gonna

0:33:47.640 --> 0:33:49.400
<v Speaker 1>screw up and Luke was going to toss him out.

0:33:49.400 --> 0:33:53.400
<v Speaker 1>But wouldn't the most moving scene would have been Luke

0:33:53.440 --> 0:33:55.640
<v Speaker 1>opening up his heart to that kid and showing him

0:33:55.640 --> 0:33:59.520
<v Speaker 1>how it affected him. Like imagine Luke in tears. Yeah,

0:33:59.560 --> 0:34:03.160
<v Speaker 1>I agree, you like shattered? Yeah, Like I'm a kid.

0:34:03.160 --> 0:34:07.880
<v Speaker 1>I'm dying for you here, man, and I think would right,

0:34:07.960 --> 0:34:10.680
<v Speaker 1>I think that's gonna be more effective going forward. I

0:34:10.719 --> 0:34:14.600
<v Speaker 1>support that, you know, And don't you feel for Jess.

0:34:14.719 --> 0:34:19.040
<v Speaker 1>He's been rejected by his mom, taken in by his uncle,

0:34:19.239 --> 0:34:23.279
<v Speaker 1>but send my sort of I don't know, I don't

0:34:23.400 --> 0:34:26.879
<v Speaker 1>use the order rejected, but like firm hand and then

0:34:27.280 --> 0:34:30.000
<v Speaker 1>it blew up. And now he's being rejected by his

0:34:30.120 --> 0:34:34.359
<v Speaker 1>dad a second time. His dad left him and now

0:34:34.480 --> 0:34:37.640
<v Speaker 1>essentially his dad and this element sort of would have

0:34:37.680 --> 0:34:42.239
<v Speaker 1>been an interesting show trying to sort of navigate all that,

0:34:42.760 --> 0:34:46.440
<v Speaker 1>But yeah, I don't know. I think it's an amazing

0:34:46.640 --> 0:34:49.040
<v Speaker 1>isn't amazing how Jess has just sort of taken over

0:34:49.080 --> 0:34:53.719
<v Speaker 1>the narrative. That's that's where our hearts are now, right,

0:34:54.080 --> 0:34:57.680
<v Speaker 1>Not so much with Rory. Rory is going to be successful.

0:34:57.719 --> 0:34:59.920
<v Speaker 1>We're like, yeah, she's put the hard work. We're not

0:35:00.080 --> 0:35:03.760
<v Speaker 1>so much with anybody else. We're engaged with this Jess dilemma.

0:35:04.239 --> 0:35:07.640
<v Speaker 1>What's going to happen to Jess? Jess, Jess? And And

0:35:08.760 --> 0:35:11.040
<v Speaker 1>you know, I think I think it just shows you

0:35:11.200 --> 0:35:13.840
<v Speaker 1>why Milo is such a star. Yeah, you know, he

0:35:14.120 --> 0:35:17.040
<v Speaker 1>he commands that kind of attention right because of his

0:35:17.080 --> 0:35:19.919
<v Speaker 1>skill set. So yeah, you're right. He was so good

0:35:19.920 --> 0:35:22.000
<v Speaker 1>in this episode. And I think it's significant that he

0:35:22.080 --> 0:35:24.600
<v Speaker 1>said I didn't come here to bust your balls. He's

0:35:24.640 --> 0:35:28.799
<v Speaker 1>throwing it out there right away that he's like, that's

0:35:28.800 --> 0:35:31.360
<v Speaker 1>not what this is about. To relive the seventeen years

0:35:31.360 --> 0:35:34.719
<v Speaker 1>you were gone, and he's basically we haven't gotten there yet,

0:35:34.719 --> 0:35:36.680
<v Speaker 1>but he says like I have nowhere else to go.

0:35:37.239 --> 0:35:41.400
<v Speaker 1>M m. Yeah. That was the hard part because Jimmy

0:35:41.560 --> 0:35:43.239
<v Speaker 1>was talking about how much of his screw up he

0:35:43.400 --> 0:35:44.960
<v Speaker 1>is and like you don't want to be near me,

0:35:45.440 --> 0:35:48.720
<v Speaker 1>and Jess was like, no, I'm the one that doesn't

0:35:48.760 --> 0:35:53.440
<v Speaker 1>have anything, and that's when that's when it like he's

0:35:53.520 --> 0:35:56.640
<v Speaker 1>been like playing cool guy. I know what I'm doing,

0:35:56.920 --> 0:36:01.319
<v Speaker 1>like you know, the whole time. And apple doesn't fall

0:36:01.480 --> 0:36:05.719
<v Speaker 1>far from the tree. Was really yeah, interesting, and I'm

0:36:05.760 --> 0:36:09.400
<v Speaker 1>glad Luke was hard on Jimmy. That's the guy that

0:36:09.480 --> 0:36:12.319
<v Speaker 1>deserves it, that's right, that's the guy that's like, get

0:36:12.360 --> 0:36:14.799
<v Speaker 1>your act together. You're in your forties for God's sake,

0:36:15.120 --> 0:36:17.600
<v Speaker 1>you know what I mean. I agree with you, But

0:36:17.760 --> 0:36:21.800
<v Speaker 1>Jess was the one that needed soft heart. He needed

0:36:21.840 --> 0:36:26.279
<v Speaker 1>a heart. Yeah, because that's what he hasn't had. And

0:36:25.719 --> 0:36:30.120
<v Speaker 1>there's there's there's a great quote going around now, um

0:36:30.480 --> 0:36:32.239
<v Speaker 1>well it's been going around for a long time, but

0:36:32.640 --> 0:36:34.640
<v Speaker 1>there was a quote says, you want to save the world,

0:36:34.680 --> 0:36:38.440
<v Speaker 1>go home and love your family and mother. It's a

0:36:38.440 --> 0:36:40.680
<v Speaker 1>attributed to mother choices. So I just I just wanted

0:36:40.680 --> 0:36:43.560
<v Speaker 1>to put that out there for the podcast audience because

0:36:43.600 --> 0:36:45.759
<v Speaker 1>I know you'll appreciate it, and I think Luke could

0:36:45.760 --> 0:36:50.120
<v Speaker 1>benefit from that. That would have been an interesting way

0:36:50.120 --> 0:36:53.000
<v Speaker 1>to tell the story that if Luke, even if he'd

0:36:53.040 --> 0:36:55.720
<v Speaker 1>been that way up till now that gruff sort of rules,

0:36:56.640 --> 0:37:00.680
<v Speaker 1>if he would have just totally changed and realized, like, hey,

0:37:00.680 --> 0:37:05.200
<v Speaker 1>we're in a mess. Here, let's take a breath, let's hug,

0:37:05.320 --> 0:37:10.759
<v Speaker 1>let's solve this. So here's maybe a theory, Okay, just

0:37:10.800 --> 0:37:16.880
<v Speaker 1>popped into my little head. Uh maybe this pilot idea

0:37:17.000 --> 0:37:22.520
<v Speaker 1>spinoff was doomed from the get go because here we are, uh,

0:37:22.840 --> 0:37:27.720
<v Speaker 1>loving a show that is deeply entrenched in family values.

0:37:27.760 --> 0:37:31.440
<v Speaker 1>It's all about family values or the lack they're not

0:37:31.480 --> 0:37:33.879
<v Speaker 1>really the lack of Arah, but families trying to come

0:37:33.920 --> 0:37:37.960
<v Speaker 1>together and work it out. And here we have this

0:37:37.960 --> 0:37:41.759
<v Speaker 1>this seminal scene in this episode and a show when

0:37:41.760 --> 0:37:45.040
<v Speaker 1>the audience is all about family values and they love

0:37:45.080 --> 0:37:47.200
<v Speaker 1>watching the show and repeat every single day of their

0:37:47.239 --> 0:37:51.800
<v Speaker 1>lives because they agree that family values matter the most.

0:37:53.040 --> 0:37:55.640
<v Speaker 1>And here we have a father who's going to be

0:37:55.719 --> 0:37:58.600
<v Speaker 1>a lead and a pilot who's telling his son, you

0:37:58.640 --> 0:38:00.799
<v Speaker 1>don't want to be near me. I don't want to

0:38:00.800 --> 0:38:02.800
<v Speaker 1>be near you. I mean, it's just like the worst

0:38:02.840 --> 0:38:06.200
<v Speaker 1>thing you could say in a scene to a young

0:38:06.320 --> 0:38:08.759
<v Speaker 1>It's very different than the conflict that lore Line and

0:38:08.800 --> 0:38:12.520
<v Speaker 1>Emily have. Absolutely yeah, I mean, it was just it

0:38:12.600 --> 0:38:18.600
<v Speaker 1>was just depraved almost well. And I also don't understand

0:38:20.640 --> 0:38:23.600
<v Speaker 1>obviously Sasha is a great mom to that little girl

0:38:23.800 --> 0:38:28.080
<v Speaker 1>in the cupboard, and you get the vibe that Jimmy

0:38:28.200 --> 0:38:31.919
<v Speaker 1>is a good yeah bake stepfather because they're not married.

0:38:31.960 --> 0:38:35.000
<v Speaker 1>So but but but I'm sorry interrupt, but I want

0:38:35.280 --> 0:38:37.080
<v Speaker 1>I wanted to finish my point. It's like, how are

0:38:37.120 --> 0:38:39.760
<v Speaker 1>you trying to hook the Gilmore audience with a character

0:38:39.840 --> 0:38:41.960
<v Speaker 1>like that that that doesn't want to be around his

0:38:42.000 --> 0:38:45.560
<v Speaker 1>own son when your whole audience is about family families

0:38:45.719 --> 0:38:49.279
<v Speaker 1>you want them to migrate over this pilot. But I

0:38:49.280 --> 0:38:51.480
<v Speaker 1>think it's because of Jess, like you've seen him through

0:38:51.520 --> 0:38:53.239
<v Speaker 1>all of this, and and you know, a lot of

0:38:53.280 --> 0:38:55.360
<v Speaker 1>people are a team Jess. For I think this reason.

0:38:56.080 --> 0:38:58.520
<v Speaker 1>It's that you feel for him. You want him to succeed,

0:38:58.560 --> 0:39:01.080
<v Speaker 1>and he just he keeps failing, and you want to

0:39:01.120 --> 0:39:04.200
<v Speaker 1>just keep rooting for him. And I think it's more following,

0:39:04.320 --> 0:39:06.879
<v Speaker 1>Jess than I understand what you're saying, But I think

0:39:06.920 --> 0:39:10.399
<v Speaker 1>it's more following just than like the family dynamic. Oh,

0:39:10.480 --> 0:39:12.440
<v Speaker 1>I see. But I think Scott's point is, and I

0:39:12.480 --> 0:39:14.600
<v Speaker 1>don't want to speak for Scott, you say, he's saying

0:39:14.640 --> 0:39:20.600
<v Speaker 1>that wasn't enough for these Gilmore or even like whoever

0:39:20.760 --> 0:39:24.520
<v Speaker 1>makes these decisions, that's not enough, that this was too

0:39:24.600 --> 0:39:30.319
<v Speaker 1>much of a pivot essentially from what we know and love. Yeah,

0:39:31.120 --> 0:39:34.520
<v Speaker 1>and we don't know Sherilyn Fenn's character enough yet to

0:39:34.640 --> 0:39:36.600
<v Speaker 1>give her a shot, you know what I mean. We

0:39:37.640 --> 0:39:40.759
<v Speaker 1>like her, but we don't know anything yet. Yeah. I mean,

0:39:41.400 --> 0:39:43.520
<v Speaker 1>did you ever see anything like that in Gilmore Girls

0:39:44.680 --> 0:39:48.120
<v Speaker 1>exception with you know, Emily and Richard, Yeah, yeah, right,

0:39:48.239 --> 0:39:53.800
<v Speaker 1>right right, but they never it's different. It's different. Yeah, Well, okay,

0:39:53.840 --> 0:39:56.359
<v Speaker 1>speaking of So we go back now to the Gilmore's

0:39:56.880 --> 0:39:59.279
<v Speaker 1>and we're this is where we meet miss Selene and

0:39:59.320 --> 0:40:02.560
<v Speaker 1>obviously that Alex Borstein. So they brought her back, you know,

0:40:02.680 --> 0:40:06.279
<v Speaker 1>the harp player, So they brought her back for this role.

0:40:06.320 --> 0:40:08.920
<v Speaker 1>She must have got a break from a family guy,

0:40:09.280 --> 0:40:11.280
<v Speaker 1>which I thought she was a bit over the top,

0:40:11.320 --> 0:40:14.920
<v Speaker 1>but I still laughed at the scenes. So Richard and Emily,

0:40:14.920 --> 0:40:18.520
<v Speaker 1>everyone's trying on close and Emily looked so pretty in

0:40:18.560 --> 0:40:22.880
<v Speaker 1>this scene. I was like, she didn't. Yeah, I was like,

0:40:22.920 --> 0:40:30.719
<v Speaker 1>oh my gosh, she is. That's no grandma. So we're

0:40:30.760 --> 0:40:32.440
<v Speaker 1>sort of going back and forth. So we're sort of

0:40:32.440 --> 0:40:34.880
<v Speaker 1>getting to that, and then we're going back to Chilton

0:40:35.200 --> 0:40:37.800
<v Speaker 1>and the girls are handing out the yearbooks and tearing

0:40:37.800 --> 0:40:40.480
<v Speaker 1>out the page that they don't like their photo in,

0:40:41.480 --> 0:40:43.879
<v Speaker 1>you know. So we've kind of got that going on.

0:40:44.120 --> 0:40:47.759
<v Speaker 1>And then this is where the natually was. This is

0:40:47.760 --> 0:40:49.959
<v Speaker 1>where the hug is poor Brad, and that's his only

0:40:50.000 --> 0:40:53.120
<v Speaker 1>photo in the years book. Then they just cut off

0:40:53.120 --> 0:40:56.600
<v Speaker 1>his little he wasn't at school for like half the years,

0:40:56.600 --> 0:41:02.920
<v Speaker 1>so we got one photo. Guy. So lord, okay, So

0:41:02.960 --> 0:41:06.280
<v Speaker 1>we're jumping around. So then we go back to Jimmy

0:41:06.360 --> 0:41:11.120
<v Speaker 1>and Sasha's and this is where Jimmy's brought Jess home.

0:41:11.920 --> 0:41:13.880
<v Speaker 1>And he sort of has to go into the kitchen

0:41:13.920 --> 0:41:17.719
<v Speaker 1>to talk to Sasha, and this is where we find out, like,

0:41:17.840 --> 0:41:20.120
<v Speaker 1>so Sasha is like sitting on the counter drinking a beer.

0:41:20.960 --> 0:41:23.279
<v Speaker 1>And this is really where Sasha says, like, I guess

0:41:23.280 --> 0:41:28.000
<v Speaker 1>we're just roomies because Jimmy didn't tell her that he

0:41:28.000 --> 0:41:31.799
<v Speaker 1>had gone to Stars Hollow to talk to jess a. Right,

0:41:31.880 --> 0:41:35.600
<v Speaker 1>the same deceptive behavior that we see now has landed

0:41:35.640 --> 0:41:38.760
<v Speaker 1>him in this position in his life at this late stage.

0:41:38.920 --> 0:41:43.040
<v Speaker 1>Right and also plot hole, Jimmy obviously talked to Liz,

0:41:43.520 --> 0:41:46.120
<v Speaker 1>because how would Jimmy know if he has not been

0:41:46.160 --> 0:41:50.240
<v Speaker 1>communicating with them that Jess is in stars Hollow with you, Luke.

0:41:53.239 --> 0:41:56.600
<v Speaker 1>He obviously hadn't find that out from Liz. Maybe how

0:41:56.600 --> 0:41:58.840
<v Speaker 1>many did? He's not just gonna show up where the

0:41:58.920 --> 0:42:05.279
<v Speaker 1>uncle lives, right, But I can deal with it, m hm.

0:42:06.040 --> 0:42:11.160
<v Speaker 1>So I don't know Sherylyn Fenn there, I get it.

0:42:11.560 --> 0:42:13.040
<v Speaker 1>But it was a little harsh and it was a

0:42:13.080 --> 0:42:16.319
<v Speaker 1>little awkward with just there all this, It was a

0:42:16.320 --> 0:42:18.920
<v Speaker 1>lot of awkward for me. I would have liked to

0:42:18.920 --> 0:42:22.160
<v Speaker 1>have seen that pilot spin off with Cherylyn Fenn and

0:42:22.239 --> 0:42:28.040
<v Speaker 1>Milo and just get he just fired Robert no, if

0:42:28.080 --> 0:42:32.040
<v Speaker 1>he's going to be that extremely out of it and

0:42:32.160 --> 0:42:36.719
<v Speaker 1>so um incapable, I mean, I don't know that we

0:42:36.760 --> 0:42:38.839
<v Speaker 1>want to watch a man that age who was so

0:42:39.719 --> 0:42:46.400
<v Speaker 1>um challenge challenged by uh day to day life, you know,

0:42:46.760 --> 0:42:50.800
<v Speaker 1>um five years prior he finally got his act together,

0:42:50.880 --> 0:42:54.080
<v Speaker 1>So that means drugs and alcohol and and you know,

0:42:54.200 --> 0:42:56.879
<v Speaker 1>just kind of wacky behavior and partying and all. Maybe

0:42:56.880 --> 0:43:01.799
<v Speaker 1>they didn't likable enough, but put him in the in

0:43:01.840 --> 0:43:05.840
<v Speaker 1>the background as a recurring or something, you know, and

0:43:05.920 --> 0:43:08.360
<v Speaker 1>we're gonna go visit your dad and he's in jail,

0:43:08.880 --> 0:43:11.640
<v Speaker 1>you know, or you know, he's you know what I mean,

0:43:13.680 --> 0:43:16.520
<v Speaker 1>he's doing five to ten on a on a And

0:43:17.360 --> 0:43:18.640
<v Speaker 1>like I said, and I don't mean to be a

0:43:18.640 --> 0:43:23.000
<v Speaker 1>broken record, it didn't go to series, so something was

0:43:24.440 --> 0:43:27.920
<v Speaker 1>not working, you know. So okay, so then we go

0:43:28.000 --> 0:43:30.880
<v Speaker 1>back and we'll just real quick amy and like I

0:43:30.920 --> 0:43:33.160
<v Speaker 1>was looking up like why, and a lot of it

0:43:33.200 --> 0:43:35.360
<v Speaker 1>is also because the location would have been too expensive.

0:43:37.120 --> 0:43:40.279
<v Speaker 1>That's an excuse. That's just an excuse. But I do

0:43:40.360 --> 0:43:42.080
<v Speaker 1>remember reading that, well, yeah, I mean, you have to

0:43:42.080 --> 0:43:45.680
<v Speaker 1>be crazy not to give Milo his own show. I mean,

0:43:45.719 --> 0:43:47.680
<v Speaker 1>he was so popular in Gilmore and that's that's a

0:43:47.680 --> 0:43:49.799
<v Speaker 1>big audience. You know, give him his own give him

0:43:49.800 --> 0:43:53.440
<v Speaker 1>the right vehicle, the timeline for Heroes because he starts

0:43:53.480 --> 0:43:58.759
<v Speaker 1>Heroes in two thousand six, I believe, and Gilmore goes

0:43:58.800 --> 0:44:02.160
<v Speaker 1>through two thousand seven, so he essentially does get his

0:44:02.200 --> 0:44:06.200
<v Speaker 1>own show. Just took a minute. Well, you know, the

0:44:06.239 --> 0:44:08.040
<v Speaker 1>move to give him his own show was to get

0:44:08.080 --> 0:44:10.239
<v Speaker 1>him into new Haven, and he was He's hanging with

0:44:10.360 --> 0:44:13.880
<v Speaker 1>Rory Yale and then we're we're all eliminated. It's just

0:44:13.920 --> 0:44:17.600
<v Speaker 1>those two. That's interesting. Then we're all recurring, you know

0:44:17.640 --> 0:44:21.080
<v Speaker 1>what I mean? I mean, I guess that's series. I

0:44:21.080 --> 0:44:22.600
<v Speaker 1>guess this is a good time to talk about it.

0:44:22.680 --> 0:44:25.399
<v Speaker 1>So are we all aligned? We still got a little

0:44:25.400 --> 0:44:27.319
<v Speaker 1>more to cover. But are we all aligned in that

0:44:27.640 --> 0:44:31.960
<v Speaker 1>this wouldn't have made a good enough show? I don't

0:44:32.000 --> 0:44:35.600
<v Speaker 1>think so. Personally, I don't know. I think if it's

0:44:35.640 --> 0:44:40.320
<v Speaker 1>Milo and Rylyn Fenn, yes and Rob Est this is

0:44:40.360 --> 0:44:43.440
<v Speaker 1>a little removed and then he's rehabilitated as a character

0:44:43.480 --> 0:44:46.600
<v Speaker 1>and he comes back as a more likable person or

0:44:46.640 --> 0:44:48.600
<v Speaker 1>what would you have liked it if they wrote him

0:44:48.640 --> 0:44:53.040
<v Speaker 1>more likable in this? So I gave you that. It's like,

0:44:53.080 --> 0:44:56.160
<v Speaker 1>hey man, how you doing. You're cool? Everything cool? Well,

0:44:56.160 --> 0:44:59.359
<v Speaker 1>would you have liked it if Robstes came stoner? Just

0:44:59.400 --> 0:45:01.919
<v Speaker 1>like some st owner guy? So maybe we keep last

0:45:01.920 --> 0:45:05.680
<v Speaker 1>week's as last week's right because he was we didn't

0:45:05.760 --> 0:45:09.000
<v Speaker 1>learn enough, like you know, Luke came at him. That's fine.

0:45:09.080 --> 0:45:11.799
<v Speaker 1>He goes to see Jess and runs off. Okay, fine,

0:45:12.200 --> 0:45:14.359
<v Speaker 1>so we keep that as is. Would you have liked

0:45:14.400 --> 0:45:17.120
<v Speaker 1>it better in this if? Immediately as soon as Jess

0:45:17.120 --> 0:45:20.160
<v Speaker 1>comes to see Jimmy, Jimmy is like, I'm so sorry.

0:45:20.800 --> 0:45:25.720
<v Speaker 1>I blew it like more no no, no, no, no,

0:45:25.719 --> 0:45:31.280
<v Speaker 1>no more melodrama please, I think listen. If it's a if,

0:45:31.600 --> 0:45:37.240
<v Speaker 1>Jimmy is a character, not unlike the dude in uh

0:45:37.280 --> 0:45:40.560
<v Speaker 1>that Jeff bridges on this, but I'll give it hang

0:45:40.640 --> 0:45:42.960
<v Speaker 1>on and Jess has to and and he's just so

0:45:43.040 --> 0:45:46.040
<v Speaker 1>laid back and cool and funny and doesn't give it

0:45:46.120 --> 0:45:50.080
<v Speaker 1>a crap about anything, and and Jess pretty much has

0:45:50.120 --> 0:45:54.799
<v Speaker 1>to raise him. So it forces Jess to grow up. Now,

0:45:54.800 --> 0:45:57.959
<v Speaker 1>I'm taking care of my dad. My dad can't really

0:45:58.280 --> 0:46:01.200
<v Speaker 1>hack it, but he's he's not stressed about it. He's

0:46:01.239 --> 0:46:03.920
<v Speaker 1>just so let it all go. And then they can

0:46:04.280 --> 0:46:06.760
<v Speaker 1>I don't know, if I've ever seen that before. Maybe

0:46:06.760 --> 0:46:09.959
<v Speaker 1>I have. Maybe it's it's it's already been filmed somewhere else.

0:46:10.000 --> 0:46:13.040
<v Speaker 1>But but make that a laid back guy who really

0:46:13.120 --> 0:46:15.960
<v Speaker 1>needs Jess more than Jess needs him, and then in

0:46:16.080 --> 0:46:20.319
<v Speaker 1>that they find each other eventually. So, Tara Danielle, do

0:46:20.360 --> 0:46:23.399
<v Speaker 1>you think you would have Is there anything that could

0:46:23.400 --> 0:46:26.520
<v Speaker 1>have happened with Jimmy for you to like the idea

0:46:26.520 --> 0:46:31.440
<v Speaker 1>of this show more? I mean, I think I think

0:46:31.480 --> 0:46:33.880
<v Speaker 1>I would have been interested in this show in the

0:46:34.040 --> 0:46:36.840
<v Speaker 1>spin off. I didn't need it, but I would have

0:46:36.880 --> 0:46:43.839
<v Speaker 1>been interested to watch it. I think. Um. I do

0:46:44.000 --> 0:46:47.279
<v Speaker 1>like that thought of Jess having to help raise his

0:46:47.440 --> 0:46:50.479
<v Speaker 1>dad and then growing up together. I do like that.

0:46:50.840 --> 0:46:54.440
<v Speaker 1>I think that it could be really really cool. I

0:46:54.480 --> 0:46:56.359
<v Speaker 1>like it too. All Right, so let's go with that,

0:46:56.920 --> 0:47:01.080
<v Speaker 1>let's write it. We'll get it getting the way back machine,

0:47:01.120 --> 0:47:04.520
<v Speaker 1>will do it all over way Okay, So now we'll

0:47:04.520 --> 0:47:07.239
<v Speaker 1>go back to the drama. So we've got Laura Lae

0:47:07.360 --> 0:47:11.680
<v Speaker 1>sort of running out of the Gilmore. She's just done

0:47:11.800 --> 0:47:14.879
<v Speaker 1>chases after her. Go ahead. I feel like this episode

0:47:15.160 --> 0:47:17.840
<v Speaker 1>has like you almost need to like do the Jess

0:47:18.200 --> 0:47:21.840
<v Speaker 1>the Jess storyline and then recap like the Gilmore storyline,

0:47:21.880 --> 0:47:24.480
<v Speaker 1>because we also haven't talked about the very very beginning

0:47:24.480 --> 0:47:28.680
<v Speaker 1>when Luke tells Laura Lae that Jess is gone, as

0:47:28.760 --> 0:47:31.520
<v Speaker 1>we did. That's what. Yes, we threw my headphones off.

0:47:35.160 --> 0:47:37.560
<v Speaker 1>I haven't as not having talked because I delete as

0:47:37.560 --> 0:47:39.440
<v Speaker 1>I go. Well, we definitely talked about it, because we

0:47:39.480 --> 0:47:42.759
<v Speaker 1>talked for everybody listening, Sorry to be boring. We talked

0:47:42.800 --> 0:47:44.800
<v Speaker 1>about how we saw a new side of the porch

0:47:45.200 --> 0:47:49.000
<v Speaker 1>because Luke moved her over. We more talked about the movie,

0:47:50.280 --> 0:47:53.920
<v Speaker 1>not like actually actually him saying and Laura holding the

0:47:54.000 --> 0:47:56.840
<v Speaker 1>secret from right. No, we have not talked about that. Okay,

0:47:56.840 --> 0:48:01.160
<v Speaker 1>talk about that. Yeah, So obviously in that scene, Luke

0:48:01.280 --> 0:48:03.279
<v Speaker 1>is like trying to get the attention, you know, from

0:48:03.280 --> 0:48:06.440
<v Speaker 1>outside the kitchen window and lord La goes outside and

0:48:06.520 --> 0:48:09.440
<v Speaker 1>Luke tells her Jess is gone. And that's when we

0:48:09.600 --> 0:48:11.680
<v Speaker 1>did talk about this a little bit, how Luke says

0:48:11.719 --> 0:48:15.319
<v Speaker 1>he failed him, which already discussed. But I did find

0:48:15.320 --> 0:48:18.560
<v Speaker 1>it interesting that Loria made a conscious decision to not

0:48:18.680 --> 0:48:22.880
<v Speaker 1>tell Rory right then and there. I thought that was gnarly. Yeah,

0:48:23.280 --> 0:48:26.120
<v Speaker 1>I did do I get it. I get why she

0:48:26.200 --> 0:48:29.440
<v Speaker 1>didn't because Rory so wrapped up in her studies and

0:48:29.600 --> 0:48:31.960
<v Speaker 1>this might derail her. But also at the same time,

0:48:32.080 --> 0:48:36.280
<v Speaker 1>like I also don't see Rory being like, where's Jezz.

0:48:36.400 --> 0:48:38.680
<v Speaker 1>I haven't heard from Jezz and my boyfriend that they

0:48:38.719 --> 0:48:43.399
<v Speaker 1>don't talk to you from dates exactly. Like I feel

0:48:43.440 --> 0:48:45.680
<v Speaker 1>like with the ending of how it left off with

0:48:45.760 --> 0:48:48.560
<v Speaker 1>like he left, he couldn't go to the problem, like

0:48:48.640 --> 0:48:50.520
<v Speaker 1>it would be a couple of days. They probably didn't

0:48:50.520 --> 0:48:54.600
<v Speaker 1>want to chat. That's why in a fight basically, like,

0:48:54.840 --> 0:48:57.680
<v Speaker 1>just give us that good scene, right, I mean, I

0:48:57.680 --> 0:48:59.600
<v Speaker 1>don't know, Scott, what do you think, should lord I

0:48:59.719 --> 0:49:04.200
<v Speaker 1>have hold Rory right away? No? No, I like that

0:49:04.239 --> 0:49:07.279
<v Speaker 1>scene in the foyer when Laura Lee Rory comes out

0:49:07.320 --> 0:49:10.680
<v Speaker 1>and says something buster and you know, it was kind

0:49:10.680 --> 0:49:13.279
<v Speaker 1>of it was really funny. Definitely not that she says

0:49:13.320 --> 0:49:15.600
<v Speaker 1>to herself. Definitely not the time to right right right

0:49:15.640 --> 0:49:23.280
<v Speaker 1>right right? Okay, Yeah, that was good. That was good. Yeah.

0:49:23.480 --> 0:49:27.520
<v Speaker 1>So fast forward. Where we do learn is that Rory

0:49:27.640 --> 0:49:30.000
<v Speaker 1>leaves with Lorea Lee to go home from the sort

0:49:30.000 --> 0:49:32.480
<v Speaker 1>of incident back at the Gilmore's and I think apparently

0:49:32.480 --> 0:49:35.200
<v Speaker 1>they went to suit plantation. They get to the light

0:49:35.239 --> 0:49:37.040
<v Speaker 1>and we see, wait a minute, water, let's go back

0:49:37.040 --> 0:49:41.839
<v Speaker 1>and dissect that scene, because that was a big scene, right,

0:49:42.440 --> 0:49:45.600
<v Speaker 1>you know, Emily lying to Laura Lee about the dinner

0:49:45.600 --> 0:49:50.560
<v Speaker 1>time and but but wasn't she somewhat just I mean,

0:49:50.920 --> 0:49:55.680
<v Speaker 1>Emily is very hurt that Friday night dinners are over, right,

0:49:55.760 --> 0:49:58.560
<v Speaker 1>and they're trying to move on and they don't want

0:49:58.600 --> 0:50:04.760
<v Speaker 1>to include orally anymore. If Laura La is so um

0:50:04.800 --> 0:50:08.520
<v Speaker 1>cold about cutting them off after they've been doing Friday

0:50:08.560 --> 0:50:12.200
<v Speaker 1>night dinners for how long? Two years? She and chilled, right,

0:50:12.280 --> 0:50:15.279
<v Speaker 1>So it's just like, oh, we're not obligating anymore. I

0:50:16.520 --> 0:50:20.279
<v Speaker 1>didn't gain any more of a family feeling from uh

0:50:20.560 --> 0:50:23.440
<v Speaker 1>you Emily and you Richard, and I don't want to

0:50:23.480 --> 0:50:26.080
<v Speaker 1>waste my time with you even once a week now

0:50:26.120 --> 0:50:28.480
<v Speaker 1>that we're all successful and we've come I mean, she

0:50:28.600 --> 0:50:32.280
<v Speaker 1>probably feels incredibly used. I mean, think about how used

0:50:32.400 --> 0:50:36.120
<v Speaker 1>Emily feels for her money and she's doling out these

0:50:36.160 --> 0:50:38.840
<v Speaker 1>wonderful dinners and trying to bond with her granddaughter and

0:50:39.280 --> 0:50:44.600
<v Speaker 1>even trying to bond with with Laurela. I see both

0:50:44.640 --> 0:50:48.640
<v Speaker 1>sides say, yeah, I also am not like thrilled, like

0:50:48.680 --> 0:50:51.759
<v Speaker 1>I get like wanting to spend time with your granddaughter,

0:50:51.840 --> 0:50:54.560
<v Speaker 1>but like I'm also not thrilled that she like yearns

0:50:54.640 --> 0:50:57.080
<v Speaker 1>for the control to do the to have to do

0:50:57.160 --> 0:50:59.360
<v Speaker 1>the Friday night dinners, and like now that that's she

0:50:59.400 --> 0:51:03.200
<v Speaker 1>doesn't have to, kind she doesn't feel she doesn't believe

0:51:03.320 --> 0:51:07.400
<v Speaker 1>that they will come if she doesn't have the control. Yeah,

0:51:07.480 --> 0:51:08.879
<v Speaker 1>and also like she's not going to go to star

0:51:08.960 --> 0:51:11.400
<v Speaker 1>as hollow because larea Line never really wants her around,

0:51:11.560 --> 0:51:13.440
<v Speaker 1>and you know, I think it's always going to have

0:51:13.480 --> 0:51:17.960
<v Speaker 1>to be on Emily's turf. It's a hardness, that's yeah,

0:51:18.239 --> 0:51:21.520
<v Speaker 1>but provided a great scene. Yeah, And I agree with

0:51:21.560 --> 0:51:26.200
<v Speaker 1>you completely Scott that I I see both both sides.

0:51:26.239 --> 0:51:28.480
<v Speaker 1>I see all three sides. I see all four sides.

0:51:28.520 --> 0:51:32.840
<v Speaker 1>I see Richard's perspective, Emily's perspective, Rory's perspective. Because I

0:51:32.880 --> 0:51:35.960
<v Speaker 1>also agree Rory is doing the right thing for herself

0:51:36.040 --> 0:51:40.400
<v Speaker 1>and her family essentially by continuing to spend time with them.

0:51:40.440 --> 0:51:43.600
<v Speaker 1>I don't fold her for that for one second. Desperately

0:51:43.640 --> 0:51:46.200
<v Speaker 1>wanting Rory to come over and help with the swatch

0:51:46.200 --> 0:51:48.200
<v Speaker 1>and help pick out there, yea, she just wants to

0:51:48.239 --> 0:51:52.839
<v Speaker 1>see her granddaughter. She's granddaughter. Yeah, And I get why

0:51:53.440 --> 0:51:57.120
<v Speaker 1>Lorealize Piste, and I get why Richard's like everyone's stafer

0:51:57.160 --> 0:52:02.880
<v Speaker 1>dinner plans to night. I think I would have enjoyed

0:52:02.920 --> 0:52:05.399
<v Speaker 1>the dinner, and I actually think Lorel I would have too.

0:52:05.480 --> 0:52:08.680
<v Speaker 1>I don't really get why Emily was so b I

0:52:08.800 --> 0:52:14.640
<v Speaker 1>t h to not invite her daughter to dinner like that, because,

0:52:14.680 --> 0:52:17.759
<v Speaker 1>as I said, she cut them off of Friday night

0:52:17.760 --> 0:52:20.759
<v Speaker 1>dinner obligation. Lauralized the one that brought it up. We

0:52:20.800 --> 0:52:24.440
<v Speaker 1>don't have to go now, right, but after Look, I

0:52:24.480 --> 0:52:27.360
<v Speaker 1>don't care, but I don't care how bad a relationship

0:52:27.440 --> 0:52:31.120
<v Speaker 1>you have with your family. If you're going every Friday

0:52:31.200 --> 0:52:35.040
<v Speaker 1>night for two years and you're sharing all of that stuff,

0:52:35.080 --> 0:52:38.719
<v Speaker 1>you're bound maybe come together a little, you know, and

0:52:39.120 --> 0:52:43.080
<v Speaker 1>like if wounds can't heal after you know, a hundred

0:52:43.120 --> 0:52:47.920
<v Speaker 1>and four Friday night dinners plus plus plus right, all

0:52:47.960 --> 0:52:50.000
<v Speaker 1>the other appearances they made and all the effort they

0:52:50.000 --> 0:52:53.839
<v Speaker 1>made to show up and support Rory and somewhat support laurealized, Well,

0:52:53.880 --> 0:52:57.440
<v Speaker 1>I mean, where's the evolution of this show. Where's the

0:52:57.440 --> 0:53:00.000
<v Speaker 1>evolution of the characters, Where's the evolution of that narrow

0:53:00.520 --> 0:53:04.200
<v Speaker 1>Now we're back in you know, Crapville with the hard

0:53:04.239 --> 0:53:08.680
<v Speaker 1>feelings and resentment and let's ignore each other, let's abuse

0:53:08.719 --> 0:53:11.359
<v Speaker 1>each other and like, what have we invested so much

0:53:11.400 --> 0:53:14.319
<v Speaker 1>time into witness. On the same note, though, Emily could

0:53:14.320 --> 0:53:17.240
<v Speaker 1>have just said, oh, okay, yeah, let's all have dinner.

0:53:17.560 --> 0:53:22.400
<v Speaker 1>When when the you know, a woman comes out, housekeeper, chef,

0:53:22.440 --> 0:53:27.920
<v Speaker 1>whatever she is called, Lupe says dinner's ready. Emily should

0:53:28.000 --> 0:53:30.920
<v Speaker 1>have said, Laura Lee, do you want to stay for dinner?

0:53:30.920 --> 0:53:34.440
<v Speaker 1>She did? I know, but that's my beef with Emily

0:53:34.719 --> 0:53:37.440
<v Speaker 1>and that Emily, you get a lot. What's the saying

0:53:37.480 --> 0:53:40.560
<v Speaker 1>you get more bees with it's honey than you do.

0:53:41.360 --> 0:53:43.880
<v Speaker 1>So Emily could have said to Lora like, we'd love

0:53:43.920 --> 0:53:46.319
<v Speaker 1>for you to stay. Let's all stay and then they

0:53:46.320 --> 0:53:48.040
<v Speaker 1>have Let's say it goes great and they have a

0:53:48.080 --> 0:53:51.880
<v Speaker 1>great dinner. Then you're on the road to recovery. Essentially,

0:53:51.960 --> 0:53:54.120
<v Speaker 1>Let's say the dinner went great. So then she says,

0:53:54.120 --> 0:53:56.480
<v Speaker 1>you know what, mom, like, let's have dinner every other

0:53:56.480 --> 0:53:59.480
<v Speaker 1>week on a Friday or Saturday. We'll play it by ear.

0:54:00.600 --> 0:54:07.200
<v Speaker 1>I thought actly being so mean really caused a worse problem. Yeah,

0:54:07.239 --> 0:54:11.600
<v Speaker 1>And I feel like what really put like really sealed

0:54:11.600 --> 0:54:14.080
<v Speaker 1>the deal was when Rory told Emily, I think you're

0:54:14.080 --> 0:54:16.880
<v Speaker 1>being stupid and I think Emily is going to have

0:54:17.080 --> 0:54:21.160
<v Speaker 1>a real hard time with the fact that her granddaughter

0:54:21.200 --> 0:54:26.640
<v Speaker 1>told her that. That's such an important note that line,

0:54:26.760 --> 0:54:31.080
<v Speaker 1>because like, like I also know Rory one doesn't talk

0:54:31.120 --> 0:54:34.040
<v Speaker 1>like that and definitely doesn't talk like that to Richard

0:54:34.040 --> 0:54:38.799
<v Speaker 1>and Emily. Right, Yeah, that was a knife right in

0:54:38.840 --> 0:54:42.040
<v Speaker 1>the heart there. Well, and then we get another knife.

0:54:42.080 --> 0:54:44.040
<v Speaker 1>So this was the scene sort of started talk about.

0:54:44.080 --> 0:54:47.600
<v Speaker 1>So then they get to the stop light and Luke

0:54:47.719 --> 0:54:53.400
<v Speaker 1>is sweeping and Luke, what was going What was Luke doing?

0:54:54.200 --> 0:54:58.920
<v Speaker 1>But his head was talking aggressive sweeping was it was

0:54:58.960 --> 0:55:01.480
<v Speaker 1>like his head was bounced and up and when he

0:55:01.520 --> 0:55:03.200
<v Speaker 1>looked up, I mean, what the heck was going on

0:55:03.280 --> 0:55:06.239
<v Speaker 1>with him? And looked like he saw it goes But

0:55:06.360 --> 0:55:10.120
<v Speaker 1>I mean it was just very aggressive. What is he like? Crazy?

0:55:10.200 --> 0:55:15.799
<v Speaker 1>Luke like talking to himself and like I rewound that

0:55:15.840 --> 0:55:19.480
<v Speaker 1>about four times, just laughed. It was some serious sweeping.

0:55:19.600 --> 0:55:23.400
<v Speaker 1>And then Roy says, why did he do that? And

0:55:23.400 --> 0:55:28.359
<v Speaker 1>then this is the moment says, Jess is gone. They

0:55:28.400 --> 0:55:32.759
<v Speaker 1>don't know where and uh she says he doesn't think

0:55:32.760 --> 0:55:36.839
<v Speaker 1>he's coming back, and she says, neither do I. This

0:55:36.920 --> 0:55:41.480
<v Speaker 1>is another example. This is another example of how you

0:55:41.520 --> 0:55:45.640
<v Speaker 1>know naturally great Alexis is because she just you could

0:55:45.680 --> 0:55:50.200
<v Speaker 1>just see her and feel her absorb these these this

0:55:50.440 --> 0:55:53.600
<v Speaker 1>horrible news right and how she processed it. Just you

0:55:53.640 --> 0:55:56.440
<v Speaker 1>could see everything happening in her eyes and her and

0:55:56.480 --> 0:55:58.880
<v Speaker 1>her body. I mean, it's just wonderful acting. I was

0:55:58.960 --> 0:56:03.640
<v Speaker 1>really it was just like she's so vulnerable, such a

0:56:03.680 --> 0:56:06.759
<v Speaker 1>great way to approach the craft. You know, she's so open.

0:56:06.840 --> 0:56:12.560
<v Speaker 1>It's wonderful to watch. Yeah, big scene scene and then

0:56:12.719 --> 0:56:18.799
<v Speaker 1>Laura like gets the red the ticket. I will say

0:56:18.800 --> 0:56:22.440
<v Speaker 1>the one thing just real quick. This episode had so

0:56:22.480 --> 0:56:27.640
<v Speaker 1>many big moments back at Stars Hollow and Emily and

0:56:27.719 --> 0:56:30.879
<v Speaker 1>Richards that I think that the crossover unfortunately just took

0:56:30.880 --> 0:56:34.400
<v Speaker 1>away from it because I completely forgot about that scene

0:56:35.080 --> 0:56:37.600
<v Speaker 1>in the car until I rewatched. I was like, oh yeah,

0:56:37.640 --> 0:56:39.600
<v Speaker 1>like that's how she found out. I forgot about the

0:56:39.680 --> 0:56:42.560
<v Speaker 1>valedictorian thing in this episode. I think it's like, you're right,

0:56:42.600 --> 0:56:44.239
<v Speaker 1>it was a lot of back and forth that we

0:56:44.320 --> 0:56:47.120
<v Speaker 1>I don't think we needed for such an important scene

0:56:47.120 --> 0:56:50.399
<v Speaker 1>back at Stars Hollow. It was hard to keep up like, Okay,

0:56:50.440 --> 0:56:52.880
<v Speaker 1>we're in Venice, California right now. Okay, we're in Stars

0:56:52.920 --> 0:56:54.719
<v Speaker 1>Hollow where Emily's house like it was a lot of

0:56:54.719 --> 0:56:57.400
<v Speaker 1>like ping pong, which normally I really liked, but it

0:56:57.520 --> 0:57:01.960
<v Speaker 1>was just felt like two different storylines, two different right.

0:57:01.960 --> 0:57:04.920
<v Speaker 1>It's like it's it's like, I guess Milo was a

0:57:05.000 --> 0:57:11.000
<v Speaker 1>series regular on the show at that point, right, Um, yeah,

0:57:11.040 --> 0:57:13.040
<v Speaker 1>I don't know. It just felt yeah, just yeah, it

0:57:13.120 --> 0:57:17.040
<v Speaker 1>was right. You're right, Tara. It was just so you

0:57:17.120 --> 0:57:20.680
<v Speaker 1>forget about these little moments, right exactly. And that's what

0:57:20.760 --> 0:57:24.880
<v Speaker 1>the show is that it's at its best, That's what

0:57:24.960 --> 0:57:27.520
<v Speaker 1>the show is. It's peppered with these little, little humorous

0:57:27.600 --> 0:57:30.720
<v Speaker 1>moments and then these big emotional beats and all that.

0:57:30.880 --> 0:57:33.680
<v Speaker 1>I Daniel kind of suggested this, do you think you

0:57:33.680 --> 0:57:36.080
<v Speaker 1>would have liked this episode better, Scott if there was

0:57:36.120 --> 0:57:40.600
<v Speaker 1>a thirty minutes of all Gilmore girl you know, the

0:57:40.640 --> 0:57:46.280
<v Speaker 1>Gilmore Girls stuff like Emily, you everybody over here, and

0:57:46.320 --> 0:57:49.480
<v Speaker 1>we watched that for thirty minutes and then the second

0:57:49.520 --> 0:57:53.920
<v Speaker 1>half of the episode was everything in l a instead

0:57:53.960 --> 0:57:56.880
<v Speaker 1>of this boom boom boom boom boom. Should it have

0:57:57.000 --> 0:58:00.520
<v Speaker 1>done that? And then and then because the ace, the

0:58:00.520 --> 0:58:04.760
<v Speaker 1>audience would have clicked off, I don't. I think I

0:58:04.800 --> 0:58:08.960
<v Speaker 1>think curiosity even, I think they would have been confused. Yeah,

0:58:10.280 --> 0:58:12.640
<v Speaker 1>you don't think they know Jess well enough now that

0:58:12.680 --> 0:58:17.200
<v Speaker 1>they would have followed him for thirty minutes. I think

0:58:17.200 --> 0:58:20.840
<v Speaker 1>it would been confusing. Respectfully, disagree everybody, because I mean,

0:58:21.200 --> 0:58:23.080
<v Speaker 1>you know, we were watching those scenes for a couple

0:58:23.080 --> 0:58:25.800
<v Speaker 1>of minutes and we wanted to go back to Stars, right. No,

0:58:26.080 --> 0:58:29.440
<v Speaker 1>I didn't necessarily want to go back. I just wasn't

0:58:29.520 --> 0:58:33.600
<v Speaker 1>sold on what I was seeing there. Yeah. I actually

0:58:33.640 --> 0:58:37.680
<v Speaker 1>liked the whole all the scenes in in California, I

0:58:38.200 --> 0:58:43.440
<v Speaker 1>liked them. Yeah, I agree, I just felt disjointed. Yeah,

0:58:43.680 --> 0:58:45.840
<v Speaker 1>like bigger picture, I could have taken that part of

0:58:45.880 --> 0:58:48.040
<v Speaker 1>it out in place that somewhere else. You know what

0:58:48.080 --> 0:58:50.240
<v Speaker 1>I would have liked, amy is if we did the

0:58:50.240 --> 0:58:52.280
<v Speaker 1>Gimba girl scene and then you have that scene where

0:58:53.040 --> 0:58:56.360
<v Speaker 1>h Jess, I mean Rory says I don't think he

0:58:56.480 --> 0:59:00.760
<v Speaker 1>is either, and then we had to California the bus there.

0:59:02.960 --> 0:59:05.760
<v Speaker 1>What I want is somebody I don't know this is

0:59:05.800 --> 0:59:07.920
<v Speaker 1>an experiment, somebody I don't know even know how you

0:59:07.960 --> 0:59:09.080
<v Speaker 1>do this, because I don't know how to do this.

0:59:09.600 --> 0:59:15.560
<v Speaker 1>Re edits the episode, We watch it again, best, like

0:59:15.680 --> 0:59:18.160
<v Speaker 1>Danielle saying, so we watch all the stuff and it

0:59:18.280 --> 0:59:21.800
<v Speaker 1>ends with I don't either, and then we can still

0:59:21.800 --> 0:59:23.560
<v Speaker 1>have the funny bit they pulled through the light and

0:59:23.600 --> 0:59:27.200
<v Speaker 1>the police pull them over, and then slow fade we

0:59:27.360 --> 0:59:29.720
<v Speaker 1>see Jess coming off the bus and then we watch

0:59:29.840 --> 0:59:34.720
<v Speaker 1>all those Yeah, how do we do that? Let's let

0:59:36.880 --> 0:59:41.840
<v Speaker 1>let's do that. So can we get to pop culture police? Wait?

0:59:41.880 --> 0:59:44.480
<v Speaker 1>First you have to give best lines, but I don't

0:59:44.560 --> 0:59:48.200
<v Speaker 1>have any. We didn't get the last scene. Oh we

0:59:48.240 --> 0:59:50.800
<v Speaker 1>sort of touched on it, okay, So then we go

0:59:50.880 --> 0:59:53.600
<v Speaker 1>to this last scene that Scott you sort of talked about.

0:59:53.880 --> 0:59:57.600
<v Speaker 1>We're in the bookstore, and weirdly, Jimmy comes in like

0:59:57.640 --> 0:59:59.480
<v Speaker 1>a father, being like, if you're going to go to

0:59:59.520 --> 1:00:01.200
<v Speaker 1>a bookstore, you've got to tell me where you're going.

1:00:01.240 --> 1:00:04.400
<v Speaker 1>I've been in ten bookstores, and then proceeds to acknowledge

1:00:04.400 --> 1:00:07.960
<v Speaker 1>the Bowie song, which I thought Scott was important because

1:00:08.000 --> 1:00:10.720
<v Speaker 1>you it stood out to you too, So obviously it

1:00:10.800 --> 1:00:13.080
<v Speaker 1>was a very conscious choice because they bring it up

1:00:13.120 --> 1:00:16.080
<v Speaker 1>in this and it's kind of the why are you here?

1:00:16.600 --> 1:00:18.479
<v Speaker 1>And he's like, you come in, you didn't even talk

1:00:18.480 --> 1:00:19.880
<v Speaker 1>to me, and he's like, I did want to talk

1:00:19.920 --> 1:00:22.880
<v Speaker 1>to you, and then you're right. It was a very weird,

1:00:24.160 --> 1:00:29.800
<v Speaker 1>sudden turn you can't stay here, and Jimmy says, I'm

1:00:29.800 --> 1:00:33.200
<v Speaker 1>a screw up, and Jess says, I have nothing, and

1:00:33.240 --> 1:00:35.800
<v Speaker 1>then it's let me talk to Sasha, and it was

1:00:35.840 --> 1:00:37.840
<v Speaker 1>just a very It seemed like that should have been

1:00:37.840 --> 1:00:39.560
<v Speaker 1>an hour long scene. That was I think they got

1:00:39.640 --> 1:00:42.760
<v Speaker 1>some very bad feedback on those scenes with father and

1:00:42.800 --> 1:00:44.760
<v Speaker 1>son and that's why they decided not to go with it.

1:00:44.880 --> 1:00:47.320
<v Speaker 1>It was more of the same. It didn't feel right,

1:00:48.000 --> 1:00:53.120
<v Speaker 1>and you know, polling said, don't do this anyway. Um, yeah,

1:00:53.200 --> 1:00:56.400
<v Speaker 1>I think we've beaten that horse. And I just have

1:00:56.520 --> 1:00:59.320
<v Speaker 1>to say the very very last scene where it announces

1:00:59.360 --> 1:01:02.920
<v Speaker 1>that she's a very Victorian, leads up to next week,

1:01:03.000 --> 1:01:07.160
<v Speaker 1>which is my favorite episode of the whole series. All right, okay,

1:01:07.160 --> 1:01:09.040
<v Speaker 1>but this, let's talk about this thing. This was a

1:01:09.160 --> 1:01:13.880
<v Speaker 1>very nice scene for Laureli. She's really right exactly, and

1:01:13.960 --> 1:01:18.200
<v Speaker 1>she gets to really beam with pride and love and

1:01:18.320 --> 1:01:21.520
<v Speaker 1>jeorlan to her daughter and they have that really great

1:01:21.600 --> 1:01:24.400
<v Speaker 1>moment in the kitchen and Rory acknowledges that, you know,

1:01:25.160 --> 1:01:27.680
<v Speaker 1>what an amazing thing she has done, and she's so

1:01:27.760 --> 1:01:31.200
<v Speaker 1>humble about it, and that played very genuine to me,

1:01:31.480 --> 1:01:33.840
<v Speaker 1>like she didn't not tell for any reason other than

1:01:34.080 --> 1:01:37.400
<v Speaker 1>she doesn't want to be a bragger basically. Yeah, yeah,

1:01:37.400 --> 1:01:40.440
<v Speaker 1>And I think I think that's really the difference between

1:01:41.400 --> 1:01:43.760
<v Speaker 1>let's revive the horse again to beat it some more.

1:01:43.840 --> 1:01:47.200
<v Speaker 1>But that's that's the difference, because we get these quality

1:01:47.320 --> 1:01:50.480
<v Speaker 1>characters in Gilmore, right, and they may have messy lives

1:01:50.480 --> 1:01:54.040
<v Speaker 1>and all that, but they're striving and they're doing well

1:01:54.080 --> 1:01:56.120
<v Speaker 1>and they're making progress. And then we go back to

1:01:56.160 --> 1:01:57.880
<v Speaker 1>the beach and it's all like, I don't want you

1:01:57.920 --> 1:01:59.680
<v Speaker 1>as my kid. Get out of it. It's like it's

1:01:59.720 --> 1:02:03.080
<v Speaker 1>just a different world. It's a whole different world that

1:02:03.160 --> 1:02:05.400
<v Speaker 1>I think the audience just said no, thank you, and

1:02:05.440 --> 1:02:12.440
<v Speaker 1>I think we're saying the same thing. Yeah, okay, you

1:02:12.480 --> 1:02:15.360
<v Speaker 1>guys get ready. Uh look strap in because we've got

1:02:15.400 --> 1:02:18.560
<v Speaker 1>some intel coming in live. It's coming in through my

1:02:18.600 --> 1:02:20.760
<v Speaker 1>page here. It's coming across the wire. Yeah, I still

1:02:20.800 --> 1:02:23.880
<v Speaker 1>have a page here. It's coming across the wire. It's

1:02:23.960 --> 1:02:27.520
<v Speaker 1>it's it's like it's like Morris code coming through and

1:02:27.760 --> 1:02:31.000
<v Speaker 1>I can I can read Morse code. Um. It's all

1:02:31.040 --> 1:02:34.560
<v Speaker 1>coming through on the teletype machines. They're going crazy in here.

1:02:34.600 --> 1:02:37.920
<v Speaker 1>Can you hear the racket? Um? But we've got some intel.

1:02:37.960 --> 1:02:40.400
<v Speaker 1>We've got some you know, we've got a little uh,

1:02:40.880 --> 1:02:43.720
<v Speaker 1>you know, side notes and stuff that my crack team

1:02:43.720 --> 1:02:46.440
<v Speaker 1>and I hearts cracked team noticed. The cool kids call

1:02:46.520 --> 1:02:51.840
<v Speaker 1>it btsts behind the scene. One day we will be

1:02:51.920 --> 1:02:54.760
<v Speaker 1>cool kids. We will be able to just say bts

1:02:54.840 --> 1:02:57.880
<v Speaker 1>without having to be reminded to say it. That's that's

1:02:57.920 --> 1:02:59.880
<v Speaker 1>it anyway, So let's let's get into this. Huh. You know,

1:03:00.080 --> 1:03:02.760
<v Speaker 1>this episode was indeed, and I know we're discussing there's

1:03:02.760 --> 1:03:05.560
<v Speaker 1>a little bit of confusion about it, but this was

1:03:05.640 --> 1:03:09.240
<v Speaker 1>the back door pilot for the j spinoff called Windward

1:03:09.560 --> 1:03:17.160
<v Speaker 1>Circle windword Circle, My God, God, bless your windword Circle,

1:03:17.480 --> 1:03:21.120
<v Speaker 1>which is like not getting that at all. Windword Circle

1:03:21.240 --> 1:03:23.480
<v Speaker 1>could be you know, it could be mskins. You know

1:03:23.560 --> 1:03:26.840
<v Speaker 1>that that's an easy title to butcher. You know, I

1:03:26.840 --> 1:03:31.680
<v Speaker 1>don't even understand what Windward ho Windward rectangle, wind whoa

1:03:32.200 --> 1:03:37.560
<v Speaker 1>juicy But the project was abandoned due to the high

1:03:37.560 --> 1:03:43.400
<v Speaker 1>cost of shooting at Venice Beach. Wink wink, Yeah, alright.

1:03:43.440 --> 1:03:47.880
<v Speaker 1>The opening kitchen scene lauralized making coffee, and she remember

1:03:47.880 --> 1:03:50.560
<v Speaker 1>when she's sneaking around not wanting to wake up Rory,

1:03:50.840 --> 1:03:54.080
<v Speaker 1>thinking that Rory was asleep okay. So, so she she

1:03:54.200 --> 1:03:56.520
<v Speaker 1>fills the pot with water and adds the coffee to

1:03:56.560 --> 1:03:59.560
<v Speaker 1>the machine, but she never pours the water in. She

1:03:59.680 --> 1:04:02.920
<v Speaker 1>just sets the pot full of clean water on the

1:04:02.960 --> 1:04:08.240
<v Speaker 1>burner of the coffee maker and leaves it. Yes, shocked,

1:04:08.280 --> 1:04:12.600
<v Speaker 1>are you as as I am? Shocked? It's shocked hole

1:04:16.240 --> 1:04:18.600
<v Speaker 1>all right? When Laura La or Rory are in the

1:04:18.680 --> 1:04:22.440
<v Speaker 1>kitchen the beginning, and Luke's outside the back door waving

1:04:22.440 --> 1:04:24.480
<v Speaker 1>at Laura like keeps popping his head in three or

1:04:24.520 --> 1:04:27.160
<v Speaker 1>four times, which is kind of common, when she also

1:04:27.200 --> 1:04:31.280
<v Speaker 1>startled me. Right, It's just I think it's supposed to you,

1:04:31.400 --> 1:04:34.200
<v Speaker 1>the audience. You, the audience are supposed to be part

1:04:34.200 --> 1:04:36.600
<v Speaker 1>of the scene. Well, and what I noticed is, and

1:04:36.640 --> 1:04:38.640
<v Speaker 1>I could be wrong, but I noticed that normally there's

1:04:38.680 --> 1:04:42.160
<v Speaker 1>curtains there, and they were opened or gone so that

1:04:42.200 --> 1:04:45.560
<v Speaker 1>we could see Luke be bopped in. That's a good

1:04:45.600 --> 1:04:51.280
<v Speaker 1>piece of intel. So anyway, So so lucas outside the

1:04:51.280 --> 1:04:53.160
<v Speaker 1>back door waving at Laurea La, and when she goes

1:04:53.160 --> 1:05:01.720
<v Speaker 1>out windwards circle, certainly, isn't it sounds like a soap

1:05:01.760 --> 1:05:08.320
<v Speaker 1>opera does, like the sands through it's windwards? Is the

1:05:08.440 --> 1:05:14.000
<v Speaker 1>windward circle like like wind through the windmills. It's windbrew Circle.

1:05:14.640 --> 1:05:24.520
<v Speaker 1>Oh my god, the name. Yeah, we we apologize. Um, well,

1:05:24.800 --> 1:05:28.000
<v Speaker 1>we'll be going to a group and and being reprogrammed

1:05:28.040 --> 1:05:31.600
<v Speaker 1>after this. Uh. So he's outsod with outdoors, waving at

1:05:31.640 --> 1:05:33.840
<v Speaker 1>Laurela a couple of times, and when she finally goes outside,

1:05:33.840 --> 1:05:38.160
<v Speaker 1>she's actually walking out through the side door of the

1:05:38.200 --> 1:05:40.280
<v Speaker 1>living room. This is because the kitchen was built on

1:05:40.320 --> 1:05:44.040
<v Speaker 1>a sound stage, of course, and the kitchen door doesn't

1:05:44.080 --> 1:05:48.800
<v Speaker 1>actually lead outside. It doesn't. So we went from a

1:05:48.840 --> 1:05:53.040
<v Speaker 1>sound stage where that door leads to like concrete and

1:05:53.480 --> 1:05:59.320
<v Speaker 1>you know, massive sidewall there, to cutting to filming that

1:05:59.360 --> 1:06:03.360
<v Speaker 1>scene at the actual house that Laurela uses for all

1:06:03.400 --> 1:06:06.120
<v Speaker 1>the exteriors. We used that house for all the exteriors,

1:06:06.120 --> 1:06:08.840
<v Speaker 1>the hoope and stuff walking up, the car pulling up

1:06:09.160 --> 1:06:13.720
<v Speaker 1>did not even get an inkling of that. Isn't that great?

1:06:13.800 --> 1:06:16.760
<v Speaker 1>How how smooth that was? Yeah, how smooth the filming

1:06:16.760 --> 1:06:19.479
<v Speaker 1>of that was and all that. So the kitchen door

1:06:19.720 --> 1:06:23.040
<v Speaker 1>actually does it doesn't actually lead outside. That makes it

1:06:23.080 --> 1:06:25.439
<v Speaker 1>look like she was stepping outside. They had to use

1:06:25.480 --> 1:06:28.920
<v Speaker 1>the living room side door as a stand in for

1:06:29.040 --> 1:06:33.040
<v Speaker 1>the back door on the other side of it as

1:06:33.080 --> 1:06:36.200
<v Speaker 1>They're said. The cameras are set up at Laurelized actual

1:06:36.320 --> 1:06:40.320
<v Speaker 1>exterior house, you know, way across the lot of Warner Brothers,

1:06:40.640 --> 1:06:42.439
<v Speaker 1>And so we could be out there on the porch. Yeah.

1:06:44.360 --> 1:06:47.440
<v Speaker 1>The magic of of of of TV, the magic of

1:06:47.560 --> 1:06:51.920
<v Speaker 1>making TV okay great scoop. At the seven thirty point,

1:06:51.920 --> 1:06:54.400
<v Speaker 1>when Laurelai walks in front of the window, you can

1:06:54.600 --> 1:06:59.200
<v Speaker 1>see and this is still I think on the porch right. Uh,

1:06:59.400 --> 1:07:01.840
<v Speaker 1>you can still see that. You can see the reflection

1:07:02.080 --> 1:07:04.919
<v Speaker 1>of the camera and a person looking at a piece

1:07:04.960 --> 1:07:09.000
<v Speaker 1>of paper. Maybe that was script e whoa. Can we

1:07:09.000 --> 1:07:11.840
<v Speaker 1>try and zoom in on that Instagram? Yeah, well I

1:07:12.360 --> 1:07:14.480
<v Speaker 1>think we can. We can. I think we can staff

1:07:14.520 --> 1:07:18.000
<v Speaker 1>that there's a crack staff working in collaboration with my

1:07:18.200 --> 1:07:23.960
<v Speaker 1>crack staff at one eleven. Uh, I think you guys

1:07:23.960 --> 1:07:26.360
<v Speaker 1>are a floor below mine. We got so many people,

1:07:27.600 --> 1:07:34.360
<v Speaker 1>one person between all of us. One. At the eight point,

1:07:34.760 --> 1:07:40.200
<v Speaker 1>the sparklet's water cooler get this ready, Yeah, it's missing

1:07:40.760 --> 1:07:42.920
<v Speaker 1>the bottle of water. It was just empty, like they

1:07:43.000 --> 1:07:45.520
<v Speaker 1>ran out waiting for the guy. The bottle is not

1:07:45.560 --> 1:07:49.560
<v Speaker 1>even there. Yeah. Well they have no water. They have

1:07:49.640 --> 1:07:54.200
<v Speaker 1>no water. Maybe that's why the coffee pot never go

1:07:55.720 --> 1:08:01.080
<v Speaker 1>what's happening? They're they're they're, they're dehydrated. I'm worried now

1:08:01.680 --> 1:08:10.960
<v Speaker 1>some pop tarts out on the table. Fault. I don't know,

1:08:11.320 --> 1:08:15.000
<v Speaker 1>you know it? I think that is well, maybe it

1:08:15.120 --> 1:08:18.840
<v Speaker 1>didn't need to match because from a prior take or

1:08:18.840 --> 1:08:21.120
<v Speaker 1>a prior set up in the scene. So if it

1:08:21.240 --> 1:08:23.240
<v Speaker 1>wasn't there and one, it can't be there in any other.

1:08:23.439 --> 1:08:26.400
<v Speaker 1>I was thinking about Scripty the other day for some reason.

1:08:26.479 --> 1:08:28.720
<v Speaker 1>Why was I doing that? And I actually mentioned it

1:08:28.720 --> 1:08:31.040
<v Speaker 1>to Daniel on a phone call. I was like, well,

1:08:31.040 --> 1:08:36.040
<v Speaker 1>what about script Why did I say that we need

1:08:36.040 --> 1:08:39.880
<v Speaker 1>to meet Scripty? But anyway, keep going, Yeah, I'll tell

1:08:39.920 --> 1:08:42.080
<v Speaker 1>you we haven't. We have a new Scripty up here

1:08:42.080 --> 1:08:45.840
<v Speaker 1>on Sullivan's crossing, and you can't mess with her. She's tough.

1:08:47.280 --> 1:08:49.439
<v Speaker 1>There's a lot of turnover in this no what but

1:08:49.479 --> 1:08:52.360
<v Speaker 1>what but but but I'll tell you, I'll tell you

1:08:52.439 --> 1:08:54.519
<v Speaker 1>she's she's like, you don't want to mess with her? Right?

1:08:54.680 --> 1:08:57.720
<v Speaker 1>What would be the next job? If you're scripty? What

1:08:57.840 --> 1:09:00.920
<v Speaker 1>would be the next Like when you get promote, what

1:09:01.040 --> 1:09:03.640
<v Speaker 1>do you go to? I don't know that you go

1:09:03.720 --> 1:09:07.040
<v Speaker 1>to anything. Script Supervisor doesn't really lead to anything because

1:09:07.040 --> 1:09:10.719
<v Speaker 1>that's sort of the top thing. Well, I don't, I don't.

1:09:10.920 --> 1:09:15.320
<v Speaker 1>I don't think there's a I mean, you don't graduate

1:09:15.400 --> 1:09:18.920
<v Speaker 1>to script supervisor once you're I think you just start

1:09:19.040 --> 1:09:21.040
<v Speaker 1>doing that. You can either you're either a person that

1:09:21.120 --> 1:09:24.680
<v Speaker 1>has great detail and great focus and can keep a

1:09:24.680 --> 1:09:26.280
<v Speaker 1>lot of balls in the air at the same time

1:09:26.360 --> 1:09:30.200
<v Speaker 1>for an extended period, every single day for fourteen hours. Yeah,

1:09:30.200 --> 1:09:32.719
<v Speaker 1>that takes a very special persons. I would suddenly be texting.

1:09:32.800 --> 1:09:38.559
<v Speaker 1>I'd be like, and just exactly, I didn't miss the thing.

1:09:39.439 --> 1:09:41.920
<v Speaker 1>You know, the dinosaur wouldn't appear when you know, the

1:09:41.960 --> 1:09:44.080
<v Speaker 1>t rex actually shows up because you were It's like,

1:09:44.439 --> 1:09:48.639
<v Speaker 1>sorry miss that. Sorry, I am so sorry. Mr Spield,

1:09:49.040 --> 1:09:52.840
<v Speaker 1>I am so sorry. Mr Goldblum. I was texting. I

1:09:52.840 --> 1:09:56.479
<v Speaker 1>didn't know anyway. They're like, there was a great TikTok

1:09:56.560 --> 1:10:02.479
<v Speaker 1>that I just had to see. Uh listen, you're you're

1:10:02.479 --> 1:10:05.720
<v Speaker 1>in the right job. Yeah, you've you've found the right job.

1:10:05.800 --> 1:10:07.519
<v Speaker 1>I don't have a lot of attention to detail there.

1:10:09.960 --> 1:10:15.639
<v Speaker 1>Um uh okay. At eighteen mark, when Jesse's bus pulls

1:10:15.720 --> 1:10:21.000
<v Speaker 1>up to the curb at Venice Beach, lit Sky Studio

1:10:21.120 --> 1:10:24.839
<v Speaker 1>Rentals is clearly visible on the side of the bus.

1:10:26.040 --> 1:10:29.040
<v Speaker 1>Then as Jess crosses the street, you can see a

1:10:29.080 --> 1:10:40.320
<v Speaker 1>tourist taking pictures of the camera crew. Oh my god. Yeah, um,

1:10:40.360 --> 1:10:44.439
<v Speaker 1>all right, and then at ten thirty six, clown pillow

1:10:44.600 --> 1:10:48.320
<v Speaker 1>makes an appearance. Really, so we had double clown action.

1:10:48.600 --> 1:10:51.000
<v Speaker 1>There was a clown pillow and then there was the

1:10:51.200 --> 1:10:55.559
<v Speaker 1>wall of clowns at Sasha, right. I don't know if

1:10:55.560 --> 1:10:58.360
<v Speaker 1>it's this one and the same, there's no my crack

1:10:58.439 --> 1:11:01.479
<v Speaker 1>staff has not provided that d tail if you if

1:11:01.520 --> 1:11:04.760
<v Speaker 1>we ever get to see Amy and damn, I need

1:11:04.840 --> 1:11:06.639
<v Speaker 1>to know what is going on with the clown thing

1:11:06.680 --> 1:11:10.040
<v Speaker 1>because they've definitely got a clown thing. Yeah, there's no question,

1:11:11.840 --> 1:11:15.400
<v Speaker 1>There's no question about it. I mean to I mean

1:11:15.400 --> 1:11:19.840
<v Speaker 1>it was all the detail that they provide everyone on

1:11:19.880 --> 1:11:23.240
<v Speaker 1>all levels, and then to sort of make sure that

1:11:23.240 --> 1:11:26.320
<v Speaker 1>they have the discussion that the clown pillow will appear

1:11:26.920 --> 1:11:34.080
<v Speaker 1>in just about every episode, right, I am not. I

1:11:34.080 --> 1:11:36.760
<v Speaker 1>think it was Poulter guys, did me in have you

1:11:36.840 --> 1:11:40.200
<v Speaker 1>seen the original Poulter guys like the Craig T. Nelson Poulter. Course,

1:11:40.280 --> 1:11:47.120
<v Speaker 1>of course that clown who attacked clowns though, yeah, who

1:11:47.240 --> 1:11:51.679
<v Speaker 1>is there really isn't a fan of It's a much.

1:11:51.880 --> 1:11:55.599
<v Speaker 1>It's a much maligned profession, isn't it because of all

1:11:55.680 --> 1:11:58.240
<v Speaker 1>the horror films that involve clowns. And I think it

1:11:58.360 --> 1:12:03.200
<v Speaker 1>was like, you know, very very successful. It's right. I

1:12:03.240 --> 1:12:07.800
<v Speaker 1>was thinking, yeah, it they're giving clowns like Jaws gave

1:12:07.880 --> 1:12:11.880
<v Speaker 1>sharks a bad name. It is get Jaws and it

1:12:12.320 --> 1:12:16.479
<v Speaker 1>sharks and clowns. I didn't actually think it was all

1:12:16.479 --> 1:12:20.719
<v Speaker 1>that scary, but I did give you the creeps over

1:12:20.760 --> 1:12:26.519
<v Speaker 1>the clown because you probably saw too much clown too soon, right.

1:12:27.760 --> 1:12:29.519
<v Speaker 1>I think I was just older when I saw it,

1:12:29.640 --> 1:12:32.760
<v Speaker 1>and I was so prepared for it to like ruin

1:12:32.880 --> 1:12:37.439
<v Speaker 1>my life with fear that I went in aggressively being ready,

1:12:37.640 --> 1:12:40.000
<v Speaker 1>and I think it worked because I was like, that

1:12:39.760 --> 1:12:42.240
<v Speaker 1>wasn't There's there's certain things that don't age well and

1:12:42.240 --> 1:12:44.479
<v Speaker 1>they'll scary. You know. The other night there was a

1:12:44.600 --> 1:12:47.640
<v Speaker 1>there was a carry grant uh uh, what do you

1:12:47.720 --> 1:12:52.800
<v Speaker 1>call it? Extravaganza on right, and they no, there was

1:12:52.800 --> 1:12:54.960
<v Speaker 1>a Marilyn Monroe. So I watched some like it Hot

1:12:55.040 --> 1:12:57.120
<v Speaker 1>and I thought it was pretty funny. But the guy

1:12:57.240 --> 1:12:59.760
<v Speaker 1>was talking to himself a lot, you know, there was

1:12:59.760 --> 1:13:02.160
<v Speaker 1>a lot a monologue. Yeah, and he's great he's a

1:13:02.160 --> 1:13:05.000
<v Speaker 1>great actor. He's really funny, and to pair of those

1:13:05.040 --> 1:13:07.400
<v Speaker 1>two was kind of genius. But I mean after about

1:13:07.439 --> 1:13:09.120
<v Speaker 1>forty five minutes and I I was like, you know, I'm

1:13:09.360 --> 1:13:10.880
<v Speaker 1>kind of tired of this guy talking to himself and

1:13:10.920 --> 1:13:13.320
<v Speaker 1>I get the joke and it's like he's a he's

1:13:13.320 --> 1:13:15.519
<v Speaker 1>a fish out of water with this bombshell and she's

1:13:15.560 --> 1:13:17.280
<v Speaker 1>so sweet and all this stuff. It's like, all right,

1:13:17.280 --> 1:13:18.640
<v Speaker 1>So I just turned it off. And then there was

1:13:18.720 --> 1:13:23.480
<v Speaker 1>Carrie Grant with with Sophia Lauren in Houseboat in Houseboat

1:13:23.840 --> 1:13:26.280
<v Speaker 1>and it was a family friendly, sort of a funny thing,

1:13:26.320 --> 1:13:28.040
<v Speaker 1>and it's just like after a half hour, I got

1:13:28.200 --> 1:13:29.880
<v Speaker 1>all right, that's a that's a well, it's funny you

1:13:29.880 --> 1:13:32.800
<v Speaker 1>say that because this for me growing up, Friday the

1:13:32.840 --> 1:13:36.559
<v Speaker 1>thirteenth the original and Nightmare on Elm Street and poultr

1:13:36.640 --> 1:13:40.919
<v Speaker 1>guys were just terrifying. And now, especially Friday the thirteenth,

1:13:41.000 --> 1:13:43.679
<v Speaker 1>it's almost campy. You're like, why was I so freaked

1:13:43.680 --> 1:13:46.280
<v Speaker 1>out by this? Although the end I can't watch life.

1:13:46.960 --> 1:13:49.160
<v Speaker 1>Life toughens up, doesn't it, And these films are like

1:13:49.200 --> 1:13:54.480
<v Speaker 1>are you kidding me? Yeah, it's like right, like The Exorcist.

1:13:54.479 --> 1:13:57.519
<v Speaker 1>If I was alone you know. I saw that when

1:13:57.520 --> 1:13:59.920
<v Speaker 1>it first came out with my friends and we all

1:14:00.000 --> 1:14:02.320
<v Speaker 1>turned green and we stayed at my friend's house that

1:14:02.400 --> 1:14:04.600
<v Speaker 1>night because he was Catholic. You know, he was going

1:14:04.640 --> 1:14:07.519
<v Speaker 1>to protect us the whole thing, you know what I mean.

1:14:08.400 --> 1:14:11.360
<v Speaker 1>And it's like, now, it would probably scare me if

1:14:11.360 --> 1:14:13.920
<v Speaker 1>I was watching it in in a house I just

1:14:13.960 --> 1:14:16.280
<v Speaker 1>bought that was completely empty in the middle of the night,

1:14:16.360 --> 1:14:18.120
<v Speaker 1>in the middle of the night, and I'm sitting there like,

1:14:18.200 --> 1:14:20.040
<v Speaker 1>I don't want to watch the two in the afternoon,

1:14:20.080 --> 1:14:23.120
<v Speaker 1>You're like, I can take this. Yeah, not a big deal, right,

1:14:23.680 --> 1:14:26.840
<v Speaker 1>but freaked out by Children of the Corn that one

1:14:26.920 --> 1:14:32.200
<v Speaker 1>still never never saw that children. I like the Children

1:14:32.200 --> 1:14:35.880
<v Speaker 1>of the Corn is an intriguing title. Yeah, it's like

1:14:36.320 --> 1:14:39.599
<v Speaker 1>Children of the Wheat, Children of the Barley? Did they did?

1:14:39.600 --> 1:14:43.519
<v Speaker 1>They follow up with sequels of different types of think

1:14:43.600 --> 1:14:47.080
<v Speaker 1>so for some reason, remember Children of the Corn. It

1:14:47.320 --> 1:14:51.519
<v Speaker 1>was scary. It wasn't really so there was no Children

1:14:51.520 --> 1:14:56.599
<v Speaker 1>of the Wheat, right right, Children of the Asparagus. What's

1:14:56.640 --> 1:14:59.839
<v Speaker 1>that new age one that everyone Children of the Peppers,

1:15:00.520 --> 1:15:11.880
<v Speaker 1>children's thing that people eat children that age? You know what?

1:15:12.200 --> 1:15:14.599
<v Speaker 1>You know what? You know what movie did hold up

1:15:14.880 --> 1:15:20.799
<v Speaker 1>North by Northwest, Alfred Hitchcock, Carry Grant and Eva Marie

1:15:20.960 --> 1:15:27.759
<v Speaker 1>sat Oh god, oh man, what a film? And James Mason.

1:15:27.960 --> 1:15:32.080
<v Speaker 1>James Mason, but do you got anything else? We get

1:15:32.120 --> 1:15:34.600
<v Speaker 1>some tracked. Sorry, they don't care. They don't care for

1:15:34.640 --> 1:15:42.600
<v Speaker 1>that so much. The hot Dogs Stand, Yeah, used Dan Jason. No,

1:15:42.760 --> 1:15:46.040
<v Speaker 1>I mean, let's talk about something really great enough enough

1:15:46.080 --> 1:15:51.599
<v Speaker 1>of that, you know, Alfred Hitchcock classic. Yeah, the hot

1:15:51.640 --> 1:15:58.240
<v Speaker 1>Dog Stand used as as Dante's Inferno. Uh, it's actually

1:15:58.280 --> 1:16:02.320
<v Speaker 1>the original location of Dog on a Stick. No, I

1:16:02.360 --> 1:16:06.400
<v Speaker 1>love hot Dog on a Stick. True story. It's true,

1:16:06.439 --> 1:16:10.640
<v Speaker 1>as my son would say, it's true. You got some

1:16:10.920 --> 1:16:14.640
<v Speaker 1>solid intel? Yeah, yeah, and that's I'm gonna bring that

1:16:14.680 --> 1:16:16.479
<v Speaker 1>to a close because my last pit of intel we've

1:16:16.479 --> 1:16:19.920
<v Speaker 1>already noticed. And I'm gonna give you a win on

1:16:20.040 --> 1:16:27.000
<v Speaker 1>that win word circle when I don't want to be

1:16:27.080 --> 1:16:32.320
<v Speaker 1>associated with that circle. Yeah, it could have been something, right,

1:16:32.680 --> 1:16:36.400
<v Speaker 1>it could have been what could have been? But isn't

1:16:36.400 --> 1:16:39.360
<v Speaker 1>that you know they treat the I guess think if

1:16:39.439 --> 1:16:43.040
<v Speaker 1>that was the pilot episode, that was within an episode,

1:16:43.200 --> 1:16:47.880
<v Speaker 1>a pilot within in an episode, I'm an established backdoor pilot?

1:16:48.120 --> 1:16:49.840
<v Speaker 1>Is that what they call a backdoor pilot. You think

1:16:49.880 --> 1:16:52.920
<v Speaker 1>that's the terminology. Um, we've feeling pretty sure about that.

1:16:52.920 --> 1:16:56.200
<v Speaker 1>They must have gotten some horrific feedback not to move

1:16:56.240 --> 1:16:58.680
<v Speaker 1>forward because you've got this what I'm thinking. You know,

1:16:58.720 --> 1:17:04.080
<v Speaker 1>they've got this love it character, this this charismatic Milo,

1:17:04.720 --> 1:17:07.920
<v Speaker 1>right vent Amelia, and they don't move forward with it.

1:17:08.080 --> 1:17:10.960
<v Speaker 1>And then you know, and they were handing out shows

1:17:10.960 --> 1:17:12.960
<v Speaker 1>to the guys on Gilmore girls like they were like

1:17:14.920 --> 1:17:19.240
<v Speaker 1>Carolyn Finn. So I'm trying. I hope call us robstis

1:17:19.280 --> 1:17:24.640
<v Speaker 1>because I want to know what happened. We'll see. I

1:17:24.680 --> 1:17:27.400
<v Speaker 1>don't know. I don't know. I think you know what

1:17:27.520 --> 1:17:30.599
<v Speaker 1>I think it is. I don't think it's the actors.

1:17:30.120 --> 1:17:33.200
<v Speaker 1>I think it's the concept of the storyline. Right. I

1:17:33.200 --> 1:17:36.240
<v Speaker 1>think it's the concept because you sure the money played

1:17:36.280 --> 1:17:40.400
<v Speaker 1>into it. I'm sure that that's no. I mean, if

1:17:40.439 --> 1:17:43.320
<v Speaker 1>you have a concept like let's say Supernatural, where you

1:17:43.360 --> 1:17:45.800
<v Speaker 1>put two guys together, and you know what I mean,

1:17:45.920 --> 1:17:49.639
<v Speaker 1>that's the concept. So I'm not saying I'm not taking

1:17:49.640 --> 1:17:52.680
<v Speaker 1>anyway from the two leads. It helps when those two

1:17:52.760 --> 1:17:54.960
<v Speaker 1>guys are Jared and Jensen, right, it does, But I

1:17:55.000 --> 1:17:56.760
<v Speaker 1>mean there's other two guys you could have put in

1:17:56.760 --> 1:17:58.880
<v Speaker 1>there and maybe it works too because the concept is

1:17:58.880 --> 1:18:01.439
<v Speaker 1>so strong. But they just wanted to you know, the

1:18:01.479 --> 1:18:05.080
<v Speaker 1>most popular guys of the day at that time, you

1:18:05.120 --> 1:18:06.840
<v Speaker 1>know what I mean, So of course it was going

1:18:06.880 --> 1:18:11.479
<v Speaker 1>to work. Um so yeah, and uh did they have did?

1:18:11.560 --> 1:18:14.920
<v Speaker 1>Did did Matt zukri ever get a w B spinoff

1:18:14.920 --> 1:18:19.000
<v Speaker 1>show Girl to the Good to the Good Wife? He

1:18:19.160 --> 1:18:23.080
<v Speaker 1>literally went to a humongous show on CBS and he

1:18:23.280 --> 1:18:27.400
<v Speaker 1>was amazing and then he was a secondary still much

1:18:27.439 --> 1:18:30.040
<v Speaker 1>more elevated than he was on Gilmore Girls, but still

1:18:30.080 --> 1:18:32.519
<v Speaker 1>it was not it was Julianna Margatalie's the show and

1:18:32.560 --> 1:18:35.760
<v Speaker 1>the resident though is a is Matt Zuker? No, it's

1:18:35.840 --> 1:18:40.720
<v Speaker 1>his show. Sure is his show, and it is such

1:18:40.760 --> 1:18:44.640
<v Speaker 1>a good show and he is awesome on it. The

1:18:44.720 --> 1:18:50.440
<v Speaker 1>c W let him get away, Yeah didn't. The Foxes

1:18:50.640 --> 1:18:58.920
<v Speaker 1>stoked on that boxes like thank you anyway. So that's

1:18:58.960 --> 1:19:00.679
<v Speaker 1>all I got. That's what I got. You did great?

1:19:01.560 --> 1:19:04.920
<v Speaker 1>I love that, alright, So let's do favorite lines. Actually

1:19:04.960 --> 1:19:06.840
<v Speaker 1>just said mine look has become a social I thought

1:19:06.880 --> 1:19:09.240
<v Speaker 1>that was very funny. Okay, I agree. I think that's

1:19:09.240 --> 1:19:12.200
<v Speaker 1>a great line. Danielle, go ahead, go alright. My favorite

1:19:12.240 --> 1:19:14.599
<v Speaker 1>line is is just to the dogs when he says,

1:19:14.640 --> 1:19:17.960
<v Speaker 1>I swear I will bite you back. That's great. How

1:19:17.960 --> 1:19:22.200
<v Speaker 1>many jars of pickles? Scott Oh, the episode? The episode episode?

1:19:22.800 --> 1:19:28.240
<v Speaker 1>I think that, you know, man, I think um strong.

1:19:29.000 --> 1:19:31.400
<v Speaker 1>I think it's for me. It's between a seven point

1:19:31.439 --> 1:19:35.680
<v Speaker 1>five and eight point two. Okay, okay, now do the

1:19:35.840 --> 1:19:38.160
<v Speaker 1>venice thing took a lot away from it. You could

1:19:38.200 --> 1:19:41.360
<v Speaker 1>give it as separate pickle jars like I'm kind of giving.

1:19:41.400 --> 1:19:45.000
<v Speaker 1>I'm gonna give the overall of six pickle jars. Yeah,

1:19:45.120 --> 1:19:48.559
<v Speaker 1>I'm gonna give the Gilmore stuff, the stars hollow stuff.

1:19:48.560 --> 1:19:52.920
<v Speaker 1>I'm gonna give that a strong nine and a half. Okay, okay, yeah,

1:19:52.960 --> 1:19:56.920
<v Speaker 1>and I yeah, I think the pickle jars, Sir Danielle

1:19:57.240 --> 1:20:01.479
<v Speaker 1>the less for the venice stuff, seven pickle jars. I

1:20:01.560 --> 1:20:06.000
<v Speaker 1>was gonna give it a six. All right, light everybody,

1:20:06.040 --> 1:20:11.479
<v Speaker 1>that's gonna be thank you, ladies. Uh tar, sued daniel Rome.

1:20:20.280 --> 1:20:24.519
<v Speaker 1>I feel like I feel like we're ending on a

1:20:25.720 --> 1:20:29.280
<v Speaker 1>we're befuddled sort of feel like, and I feel like

1:20:29.400 --> 1:20:33.840
<v Speaker 1>Scott the network probably felt the same way. Again, I

1:20:33.880 --> 1:20:37.040
<v Speaker 1>agree with you. We do not have any more episodes

1:20:37.240 --> 1:20:41.840
<v Speaker 1>of the my logos or Jess goes to Venice show

1:20:41.920 --> 1:20:45.080
<v Speaker 1>that that was their shot. What would you have called it?

1:20:45.240 --> 1:20:47.080
<v Speaker 1>Oh my god, what would you have named that show?

1:20:47.840 --> 1:20:50.680
<v Speaker 1>You stay off the beach, Um, don't don't go to

1:20:50.720 --> 1:20:58.080
<v Speaker 1>the beach. Venice really stinks in the summer. Next episode,

1:20:58.080 --> 1:21:02.160
<v Speaker 1>Season three, episode twenty two. This season three finale, there

1:21:02.200 --> 1:21:06.320
<v Speaker 1>are strings of Pinocchio. We will see you next time. Everyone,

1:21:06.439 --> 1:21:09.120
<v Speaker 1>love you, miss you. Keep the cards and letters come,

1:21:09.160 --> 1:21:12.599
<v Speaker 1>and keep those emails coming. We appreciate you so much.

1:21:13.160 --> 1:21:46.120
<v Speaker 1>Thank you, ladies. Stay sacked, hey, everybody, and don't forget

1:21:46.200 --> 1:21:50.280
<v Speaker 1>Follow us on Instagram at I Am all In podcast

1:21:50.360 --> 1:21:55.280
<v Speaker 1>and email us at Gilmore at I heart radio dot com.

1:21:55.280 --> 1:21:56.840
<v Speaker 1>Oh you gil More fans. If you're looking for the

1:21:56.880 --> 1:21:58.880
<v Speaker 1>best cup of coffee in the world, go to my

1:21:59.400 --> 1:22:02.560
<v Speaker 1>website from my company scott EP dot com, s C

1:22:02.680 --> 1:22:05.160
<v Speaker 1>O T. T y P dot com, scott ep dot

1:22:05.160 --> 1:22:15.479
<v Speaker 1>com Grade one Specialty Coffee. Yeah.