1 00:00:00,520 --> 00:00:04,040 Speaker 1: Ridiculous Crime is a production of My Heart Radio. Ar. 2 00:00:04,600 --> 00:00:06,560 Speaker 1: What how you doing, girl? I'm good. How are you 3 00:00:06,559 --> 00:00:09,840 Speaker 1: doing today? All right? I like to hear that. You 4 00:00:09,880 --> 00:00:14,400 Speaker 1: know what's ridiculous. I've been waiting to see you. I do. Okay. 5 00:00:14,640 --> 00:00:17,720 Speaker 1: You know the actress Lucy Lou, Yeah, not personally, but 6 00:00:17,800 --> 00:00:20,160 Speaker 1: I know of who you know of her? Yes, well, 7 00:00:21,520 --> 00:00:24,560 Speaker 1: when she was like hyping Charlie's Angels in the movie 8 00:00:24,600 --> 00:00:27,720 Speaker 1: she was in with Drew Barrymore and so forth, Kevin 9 00:00:27,800 --> 00:00:30,639 Speaker 1: ds there you go. I knew you'd know a TV show, 10 00:00:30,640 --> 00:00:33,320 Speaker 1: so I figured you might know it. So Lucy Lou 11 00:00:33,440 --> 00:00:36,479 Speaker 1: told us Weekly that she once made love to a ghost. 12 00:00:37,320 --> 00:00:40,559 Speaker 1: Oh yeah, okay, yeah, she said, She said, and I quote, 13 00:00:41,040 --> 00:00:43,960 Speaker 1: some sort of spirit came down from God knows where 14 00:00:44,080 --> 00:00:47,440 Speaker 1: and made love to me. It was sheer bliss. I 15 00:00:47,560 --> 00:00:52,800 Speaker 1: felt everything. I climaxed, and then he floated away. It 16 00:00:52,880 --> 00:00:55,360 Speaker 1: was almost like what might have happened to Mary. That's 17 00:00:55,360 --> 00:00:58,000 Speaker 1: how it felt. Something came down and touched me, and 18 00:00:58,040 --> 00:01:01,280 Speaker 1: now it watches over me. It's like what happened. She 19 00:01:01,360 --> 00:01:04,319 Speaker 1: compared herself to Jesus's mom having sex with a ghost, 20 00:01:04,520 --> 00:01:07,200 Speaker 1: which I think is just amazing. And then On top 21 00:01:07,280 --> 00:01:09,360 Speaker 1: of that, her ghost is like a f boy who 22 00:01:09,360 --> 00:01:11,480 Speaker 1: floats away, and she's like, now he still watches over me? 23 00:01:11,720 --> 00:01:13,880 Speaker 1: Sure he does point him out? Where is he? Lucy, 24 00:01:14,200 --> 00:01:18,199 Speaker 1: Lucy lou my girl, Drew, what is happening? I thought 25 00:01:18,200 --> 00:01:21,160 Speaker 1: you'd like that? Thank you? I too like it? Ridiculous 26 00:01:21,240 --> 00:01:24,880 Speaker 1: that that is calculus. Oh, by the way, dan Ackroyd, 27 00:01:25,040 --> 00:01:28,920 Speaker 1: he used to cuddle with a ghost. Yeah, he would 28 00:01:28,959 --> 00:01:30,880 Speaker 1: lie in buddle and have like a little like cuddle 29 00:01:30,920 --> 00:01:33,280 Speaker 1: puddle party with him a ghost who was a male 30 00:01:33,360 --> 00:01:36,080 Speaker 1: ghost that I guess I had like a fatherly avuncular 31 00:01:36,160 --> 00:01:40,720 Speaker 1: spirit ghosts. Yeah, that's part of what inspired Ghostbusters. Him 32 00:01:40,720 --> 00:01:47,720 Speaker 1: cuddling as with a ghost as a child. That is ridiculous. 33 00:01:48,160 --> 00:01:50,280 Speaker 1: You want to know what else is? I'm here for it. 34 00:01:50,440 --> 00:02:15,640 Speaker 1: Stealing the icon of Hollywood's biggest night. This is Ridiculous Crime, 35 00:02:15,760 --> 00:02:20,120 Speaker 1: a podcast about absurd and outrageous capers. Heiss and cons. 36 00:02:20,560 --> 00:02:28,239 Speaker 1: It's always murder free and one ridiculous. Yes, Elizabeth Um, 37 00:02:28,280 --> 00:02:31,200 Speaker 1: we have our own critically acclaimed awards show here on 38 00:02:31,320 --> 00:02:36,440 Speaker 1: Ridiculous exactly the purpise. It's an unhinged affair. Yeah, there's 39 00:02:36,440 --> 00:02:39,520 Speaker 1: no cure for the purpose. It's very loose. It's star studded. 40 00:02:40,400 --> 00:02:45,720 Speaker 1: It is a studded, star studded event. Um. It doesn't 41 00:02:45,720 --> 00:02:49,079 Speaker 1: hold a candle though to what's deemed Hollywood's biggest night, 42 00:02:49,960 --> 00:02:54,560 Speaker 1: the Academy Award y a k a. The Oscar the Oscars. 43 00:02:54,600 --> 00:02:58,720 Speaker 1: So the Oscars, aside from being Hollywood's biggest night, um, 44 00:02:58,760 --> 00:03:01,360 Speaker 1: they're the awards that are scented by the Academy of 45 00:03:01,440 --> 00:03:05,840 Speaker 1: Motion Pictures and Sciences Arts and Sciences UM. Members of 46 00:03:05,840 --> 00:03:09,120 Speaker 1: the Academy vote on the winners each year. Now, folks 47 00:03:09,160 --> 00:03:12,280 Speaker 1: in the movie business, they long to one day make 48 00:03:12,320 --> 00:03:15,120 Speaker 1: their way to the stage and their designer duds give 49 00:03:15,160 --> 00:03:18,840 Speaker 1: a heartfelt acceptance speech and then hoist that Oscar silhouette 50 00:03:18,840 --> 00:03:21,639 Speaker 1: into the air, gold statue that proves they are somebody 51 00:03:21,680 --> 00:03:25,080 Speaker 1: exactly now. The statuette is actually called the Academy Award 52 00:03:25,200 --> 00:03:29,520 Speaker 1: of Merit, and it's you have like six, right, Uh 53 00:03:29,600 --> 00:03:32,000 Speaker 1: not anymore? I got five. I sold one. So it's 54 00:03:32,080 --> 00:03:37,800 Speaker 1: gold plated metal. It's thirteen and a half inches tall. Um. 55 00:03:37,840 --> 00:03:40,120 Speaker 1: It's a figure of a naked guy holding a sword, 56 00:03:41,280 --> 00:03:44,360 Speaker 1: and it's rendered in like Art Deco fashion. The figure 57 00:03:44,560 --> 00:03:50,080 Speaker 1: stands on a reel of film with five spokes, and um, 58 00:03:50,120 --> 00:03:52,720 Speaker 1: I'm giving you this description. I'm just looking at my 59 00:03:52,800 --> 00:03:56,240 Speaker 1: own Oscar for best Supporting Actress and Cannonball run. Yes, 60 00:03:56,440 --> 00:03:59,440 Speaker 1: I'm just, you know, describing it some of your finest work. 61 00:03:59,480 --> 00:04:02,280 Speaker 1: I'm gladly Alady was willing to acknowledge it, I know. 62 00:04:02,880 --> 00:04:05,440 Speaker 1: So the five spokes represent Dom Delowiz is not easy 63 00:04:05,440 --> 00:04:08,040 Speaker 1: to work with, and you may look like a comedy legend. 64 00:04:08,080 --> 00:04:11,400 Speaker 1: God did I I know he owes me. Um, you're 65 00:04:11,480 --> 00:04:14,200 Speaker 1: unrecognizable as the doctor well and his son Peter owes 66 00:04:14,240 --> 00:04:17,360 Speaker 1: Me as well. So the five spokes represent the five 67 00:04:17,400 --> 00:04:22,560 Speaker 1: original branches of the Academy actors, writers, directors, producers, and technicians. 68 00:04:23,400 --> 00:04:25,920 Speaker 1: Do you know why they call it Oscar? Actually I 69 00:04:25,920 --> 00:04:28,040 Speaker 1: do not. I was just sitting here wondering about it. Well, 70 00:04:28,040 --> 00:04:30,320 Speaker 1: a lot of people think that it has something to 71 00:04:30,320 --> 00:04:33,279 Speaker 1: do with Betty Davis's uncle's name, like there's this whole, long, 72 00:04:33,320 --> 00:04:37,839 Speaker 1: involved story. No, it's named after Oscar the Grouch. You 73 00:04:37,960 --> 00:04:42,359 Speaker 1: heard it here first, so any and Oscar Meyer it was. 74 00:04:44,200 --> 00:04:47,120 Speaker 1: So there's a sculptor. His name was George Stanley. He 75 00:04:47,240 --> 00:04:50,720 Speaker 1: was the artist behind the figure. Um, there, did you 76 00:04:50,720 --> 00:04:53,400 Speaker 1: know that due to a metal shortage during World War Two, 77 00:04:53,560 --> 00:04:56,839 Speaker 1: the oscars were made of painted plaster for three years. No, 78 00:04:57,160 --> 00:05:00,440 Speaker 1: I never heard. Now, you know after the war winners 79 00:05:00,480 --> 00:05:02,800 Speaker 1: for those years they let them come back and trade 80 00:05:02,800 --> 00:05:07,039 Speaker 1: in their plaster ones for gold plated metal ones. I 81 00:05:07,160 --> 00:05:09,320 Speaker 1: know that I'm full of fun facts here, but the 82 00:05:09,360 --> 00:05:11,839 Speaker 1: next set of facts are really important to the story 83 00:05:11,880 --> 00:05:15,040 Speaker 1: I'm gonna tell you today. So, the original oscar mold 84 00:05:15,120 --> 00:05:18,480 Speaker 1: was cast in ninety eight at the C. W. Shumway 85 00:05:18,600 --> 00:05:22,520 Speaker 1: and Sons Foundry in Batavia, Illinois. Shumway and Sons one 86 00:05:22,560 --> 00:05:26,080 Speaker 1: of the finest. They well, they cast the mold for 87 00:05:26,120 --> 00:05:32,080 Speaker 1: the Vince Lombardi Trophy football boys. They also did the 88 00:05:32,080 --> 00:05:37,880 Speaker 1: Emmys from three to two thousand and fifteen. UM about 89 00:05:38,320 --> 00:05:42,320 Speaker 1: fifty oscars in a tin alloy with gold plating. They 90 00:05:42,320 --> 00:05:45,680 Speaker 1: were made every year in Chicago by R. S Owens 91 00:05:45,680 --> 00:05:50,800 Speaker 1: and Company. No, they lost their They lost their contract 92 00:05:50,800 --> 00:05:52,520 Speaker 1: in eighty three. I don't know what happened. You know, 93 00:05:52,600 --> 00:05:55,920 Speaker 1: Alf his last name, the alien life form, the creature. 94 00:05:56,320 --> 00:05:58,960 Speaker 1: His last name was Schemway. Well, I wonder if he's related, 95 00:05:59,279 --> 00:06:02,880 Speaker 1: he's of the I'm just saying it's important when you 96 00:06:02,880 --> 00:06:06,400 Speaker 1: get these facts at so. R. S own Owens from 97 00:06:07,960 --> 00:06:09,719 Speaker 1: fifteen they're making them. It takes them like three to 98 00:06:09,760 --> 00:06:12,640 Speaker 1: four weeks to make to make the set yea to 99 00:06:13,040 --> 00:06:16,960 Speaker 1: them to make the fifty fifty odd numbers that they need. 100 00:06:17,640 --> 00:06:20,760 Speaker 1: In sixteen they went back to using bronze as the 101 00:06:20,800 --> 00:06:24,040 Speaker 1: core metal, and then they switched manufacturing again to apolosh 102 00:06:24,160 --> 00:06:28,640 Speaker 1: Talis Fine Art Foundry in Walden, New York. N ME 103 00:06:28,760 --> 00:06:33,600 Speaker 1: neither um. So the the statues cost about five bucks 104 00:06:33,640 --> 00:06:38,880 Speaker 1: apiece to make. Um. And you can't have a real 105 00:06:38,920 --> 00:06:42,400 Speaker 1: awards show without the awards without the statues. Right for 106 00:06:42,440 --> 00:06:46,000 Speaker 1: the Purpies, we had those what seven thousand figurines that 107 00:06:46,040 --> 00:06:50,200 Speaker 1: were created in a joint operation between Hasbro and Gillette pancrafted. Yeah, 108 00:06:50,240 --> 00:06:53,000 Speaker 1: they're gorgeous. I can't even begin to describe them. So 109 00:06:53,040 --> 00:06:55,240 Speaker 1: I'm not going to because no one needs to know. 110 00:06:56,240 --> 00:06:59,159 Speaker 1: Everyone knows what an oscar looks like that if you 111 00:06:59,200 --> 00:07:02,760 Speaker 1: don't try google, Like I said, all the Hollywood types, 112 00:07:03,240 --> 00:07:08,479 Speaker 1: Brenner and gold little buttocks, um, all the Hollywood types, 113 00:07:08,520 --> 00:07:10,680 Speaker 1: they'd love to have one on their shelf or like 114 00:07:10,880 --> 00:07:13,240 Speaker 1: you know how they pose for the camera with like 115 00:07:13,280 --> 00:07:15,640 Speaker 1: an armful of them when they win a bunch. I've 116 00:07:15,680 --> 00:07:17,720 Speaker 1: been in meetings with people have the Oscar behind them. 117 00:07:18,320 --> 00:07:21,520 Speaker 1: It's very distracting. Yeah, I would imagine, but the Oscars 118 00:07:21,520 --> 00:07:24,559 Speaker 1: aren't the Oscars without the Oscars is what I'm trying 119 00:07:24,560 --> 00:07:27,240 Speaker 1: to stay here. And in two thousand, the Oscars had 120 00:07:27,280 --> 00:07:32,559 Speaker 1: an honest horribulus. Now, the first thing to go wrong 121 00:07:33,040 --> 00:07:36,080 Speaker 1: was it more than four thousand Oscar ballots that were 122 00:07:36,080 --> 00:07:38,960 Speaker 1: sent to Academy members in California got lost in the mail. 123 00:07:40,360 --> 00:07:42,600 Speaker 1: And they figured out how to recover from that. But 124 00:07:42,640 --> 00:07:45,040 Speaker 1: it was dicey for a while there that you wouldn't 125 00:07:45,080 --> 00:07:48,000 Speaker 1: even have the ballots. Apparently, like there were news outlets 126 00:07:48,000 --> 00:07:51,000 Speaker 1: that were trying to like scoop they were contacting all 127 00:07:51,040 --> 00:07:53,080 Speaker 1: the academy members like so how did you vote, and 128 00:07:53,120 --> 00:07:56,760 Speaker 1: then like they wanted to tally it themselves anyway. March second, 129 00:07:56,800 --> 00:08:00,520 Speaker 1: two thousand, in Chicago, RS. Owens and Company, they load 130 00:08:00,640 --> 00:08:05,640 Speaker 1: up a palette onto a Roadway Express truck. Ten packing 131 00:08:05,720 --> 00:08:10,920 Speaker 1: cases in this palette. In those cases fifty five Oscar statuettes. 132 00:08:11,800 --> 00:08:15,560 Speaker 1: They're getting ready to ship them out. The truck started, 133 00:08:16,200 --> 00:08:19,160 Speaker 1: you know, it's journey west. Eventually it got to the 134 00:08:19,280 --> 00:08:22,840 Speaker 1: Roadway Express terminal in bell California. So this is starting 135 00:08:22,840 --> 00:08:25,920 Speaker 1: in Chicago. Because that's we're in the second uh yeah, 136 00:08:28,800 --> 00:08:32,440 Speaker 1: right from Chicago, they can make it all the way 137 00:08:32,440 --> 00:08:35,160 Speaker 1: out to Bell, California, Bell, California, and that gets their 138 00:08:35,200 --> 00:08:38,960 Speaker 1: March eight. So it should be noted that ten years 139 00:08:39,040 --> 00:08:43,920 Speaker 1: later Bell gets embroiled in a wild controversy. City official, 140 00:08:44,400 --> 00:08:47,360 Speaker 1: we're making like way too much money for the size 141 00:08:47,400 --> 00:08:49,680 Speaker 1: of the town. There's thirty six thousand people in Bell, 142 00:08:50,040 --> 00:08:53,960 Speaker 1: which is part of like l A. Yeah, the city 143 00:08:53,960 --> 00:08:56,640 Speaker 1: manager was making almost eight hundred thousand dollars a year. 144 00:08:57,240 --> 00:09:00,360 Speaker 1: His assistant made three seventy six thousand dollars a year. 145 00:09:00,800 --> 00:09:03,800 Speaker 1: The police chief made four hundred and fifty seven thousand 146 00:09:03,880 --> 00:09:06,480 Speaker 1: dollars a year, which was thirty three more than the 147 00:09:06,600 --> 00:09:10,520 Speaker 1: chief of the L A. P D. And this is 148 00:09:10,520 --> 00:09:13,920 Speaker 1: my favorite part time city council members like, if they 149 00:09:13,960 --> 00:09:16,400 Speaker 1: were in a town of that size anywhere else, they'd 150 00:09:16,440 --> 00:09:19,520 Speaker 1: average about forty eight hundred dollars a year. Not in Bell, 151 00:09:19,640 --> 00:09:22,160 Speaker 1: they were making a hundred thousand dollars a year for 152 00:09:22,280 --> 00:09:26,120 Speaker 1: part time work. Get it calculated. Do the math. That's 153 00:09:26,160 --> 00:09:33,240 Speaker 1: too much. As too much. Someone had to blow the whistle. Okay, 154 00:09:33,360 --> 00:09:37,280 Speaker 1: so Bell is already a little corrupt. When the truck 155 00:09:37,320 --> 00:09:42,160 Speaker 1: full of Oscars pulls into the warehouse. Um deliveries that 156 00:09:42,200 --> 00:09:45,720 Speaker 1: were headed for Beverly Hills got put into a specific space, 157 00:09:46,400 --> 00:09:49,880 Speaker 1: and that's where the palette from Chicago went um. At 158 00:09:49,960 --> 00:09:52,720 Speaker 1: some point, someone like is walking by and they see 159 00:09:52,960 --> 00:09:56,040 Speaker 1: Academy of Motion Pictures, Art and Science on the side. 160 00:09:56,080 --> 00:09:59,080 Speaker 1: They're like, oh, that looks cool, right. So like these 161 00:09:59,120 --> 00:10:01,360 Speaker 1: three guys they gat they're around and they're kind of hey, 162 00:10:01,400 --> 00:10:04,199 Speaker 1: you try opening No, no, you open it. So one 163 00:10:04,240 --> 00:10:05,959 Speaker 1: of the guys like, screw it, I'm opening it. He 164 00:10:06,080 --> 00:10:09,120 Speaker 1: like opens up the palette, you know, takes the plastic off, 165 00:10:09,280 --> 00:10:11,559 Speaker 1: opens up a box, pulls it out. There's all these 166 00:10:11,600 --> 00:10:15,199 Speaker 1: styrofoam cases. He pulls one out and opens it. There 167 00:10:15,240 --> 00:10:18,880 Speaker 1: it is naked as a J bird dipped in gold oscar. 168 00:10:19,679 --> 00:10:22,640 Speaker 1: Now I have another fun fact for you. Do you 169 00:10:22,640 --> 00:10:24,960 Speaker 1: know where the phrase naked as a J bird comes from? 170 00:10:25,600 --> 00:10:28,360 Speaker 1: I do not. Well. I looked it up because I 171 00:10:28,400 --> 00:10:30,240 Speaker 1: was I used it and then I started to worry 172 00:10:30,240 --> 00:10:32,960 Speaker 1: that it was like an old racist origin or something. 173 00:10:33,960 --> 00:10:36,439 Speaker 1: But this is interesting. This is what grammarous had to 174 00:10:36,480 --> 00:10:40,600 Speaker 1: say grammars dot com. Naked as a J Bird is 175 00:10:40,600 --> 00:10:44,520 Speaker 1: an idiom that simply describes someone who is completely nude, naked, 176 00:10:44,640 --> 00:10:47,800 Speaker 1: or unclothed. The expression naked as a j bird was 177 00:10:47,840 --> 00:10:50,199 Speaker 1: coined in the United States as early as the mid 178 00:10:50,240 --> 00:10:54,680 Speaker 1: eighteen hundreds, though it's popularity rose from the nineteen twenties onward. 179 00:10:55,120 --> 00:10:58,960 Speaker 1: The early iteration, usually seen in the mid eighteen hundreds 180 00:10:59,080 --> 00:11:03,040 Speaker 1: is naked as a fledgling jay bird. In the eighteen hundreds, 181 00:11:03,080 --> 00:11:06,800 Speaker 1: the terms uh naked as a fledgling robin, and naked 182 00:11:06,880 --> 00:11:10,400 Speaker 1: as a fledgling were popular. At some point the word 183 00:11:10,400 --> 00:11:13,640 Speaker 1: fledgling was dropped from the idiom. The term naked as 184 00:11:13,679 --> 00:11:16,640 Speaker 1: a j bird sword in popularity in the United States 185 00:11:16,679 --> 00:11:19,560 Speaker 1: over the latter two thirds of the twentieth century, and 186 00:11:19,600 --> 00:11:22,760 Speaker 1: it may be because the slang term j bird j 187 00:11:23,000 --> 00:11:28,600 Speaker 1: hyphenbird came into use. JA hyphenbird is an abbreviation of 188 00:11:28,640 --> 00:11:32,440 Speaker 1: the word jailbird, meaning someone who's an inmate in jail. 189 00:11:32,880 --> 00:11:36,000 Speaker 1: When new inmates are processed in jails, they're stripped, naked 190 00:11:36,120 --> 00:11:40,000 Speaker 1: and disinfected before they received new prisoner uniforms. Whether the 191 00:11:40,000 --> 00:11:42,520 Speaker 1: idiom naked as a j bird comes from the original 192 00:11:42,559 --> 00:11:46,120 Speaker 1: idiom naked as a fledgling or the alternative source naked 193 00:11:46,240 --> 00:11:49,920 Speaker 1: is a jailbird or a combination of both is unknown. Interesting. 194 00:11:50,240 --> 00:11:53,199 Speaker 1: I always historically my family use naked as a j leno, 195 00:11:53,760 --> 00:11:59,679 Speaker 1: so it's totally different. I just I don't know. I mean, widioms, 196 00:11:59,720 --> 00:12:01,520 Speaker 1: what gonna do? Well? You know what? I thought this 197 00:12:01,600 --> 00:12:07,679 Speaker 1: was appropriate to mention because crime. Yeah, yeah, so I 198 00:12:07,760 --> 00:12:12,320 Speaker 1: love a research side quest. Um. So we've got these 199 00:12:12,320 --> 00:12:16,080 Speaker 1: three night shift roadway Express dudes. They're cutting up posing 200 00:12:16,160 --> 00:12:22,240 Speaker 1: for pictures with the oscars evidence of a crime, and 201 00:12:22,240 --> 00:12:25,079 Speaker 1: they should be out for delivery right now, but instead 202 00:12:25,440 --> 00:12:27,960 Speaker 1: so they put the oscars back, they go about their business. 203 00:12:28,080 --> 00:12:32,640 Speaker 1: But the oscars didn't make it to Beverly Hills. Instead, 204 00:12:32,800 --> 00:12:38,840 Speaker 1: they were loaded onto a truck bound for glamorous Hawthorne, California. 205 00:12:39,440 --> 00:12:42,720 Speaker 1: It's less than twenty miles away for Bell, but it'll 206 00:12:42,720 --> 00:12:45,680 Speaker 1: take you like an hour to get there. A traffic 207 00:12:46,600 --> 00:12:48,120 Speaker 1: did you take the tan or the five? Did you 208 00:12:48,160 --> 00:12:52,560 Speaker 1: take the one time across? I used to the Beverly 209 00:12:52,640 --> 00:12:55,720 Speaker 1: Hills is only twenty miles away from Bell everything, but 210 00:12:55,760 --> 00:12:57,599 Speaker 1: that'll take you an hour and a half l a 211 00:12:57,720 --> 00:13:02,920 Speaker 1: traffic am I right? So the awards they're headed for Hawthorne, 212 00:13:03,160 --> 00:13:07,960 Speaker 1: and the Roadway Express tracking system showed them as non existent. 213 00:13:08,559 --> 00:13:13,960 Speaker 1: They just vanished. People start freaking out. Roadway Express officials. 214 00:13:14,200 --> 00:13:17,960 Speaker 1: They're checking every single truck and every single loading dock 215 00:13:18,040 --> 00:13:21,720 Speaker 1: in the Western United States. They're just everything freezes. So 216 00:13:21,800 --> 00:13:25,439 Speaker 1: every fleet manager this is exactly they're They're just fine 217 00:13:25,440 --> 00:13:30,720 Speaker 1: toothcomb nothing. They're not finding them. So Roadway Express will say, well, 218 00:13:30,760 --> 00:13:33,280 Speaker 1: the shipment must have been stolen. That's the only thing 219 00:13:33,320 --> 00:13:37,880 Speaker 1: we can conclusion. So they call or RS Owens Foundry 220 00:13:38,640 --> 00:13:43,200 Speaker 1: and they let them know like people stolen. So the 221 00:13:43,240 --> 00:13:46,720 Speaker 1: foundry is like, oh damn. So they call the Academy 222 00:13:46,880 --> 00:13:52,400 Speaker 1: executive director Bruce Davis. Bruce so like, hey, Bruce, we 223 00:13:52,480 --> 00:13:57,320 Speaker 1: got a problem. We have no idea where these statues are. 224 00:13:57,640 --> 00:13:59,760 Speaker 1: Where could they be? Well, the last time we saw 225 00:13:59,760 --> 00:14:04,720 Speaker 1: them is in Bell. He's like Bell. So it turns 226 00:14:04,720 --> 00:14:08,319 Speaker 1: out that some of the missing Oscar ballots that um 227 00:14:08,520 --> 00:14:11,520 Speaker 1: when you know, they found them in Bell at the 228 00:14:11,640 --> 00:14:15,120 Speaker 1: post office at the big sorting center there. I was like, 229 00:14:15,160 --> 00:14:17,320 Speaker 1: why is Bell at the center of all this? But yeah, 230 00:14:17,320 --> 00:14:19,400 Speaker 1: it is a great distristation point. There's all these huge 231 00:14:19,400 --> 00:14:24,800 Speaker 1: warehouses in that vernon Bell exactly. So Bruce Davis starts 232 00:14:24,840 --> 00:14:28,400 Speaker 1: calling Bell, quote the Bermuda Triangle for Oscar things, but 233 00:14:28,720 --> 00:14:32,120 Speaker 1: everything just vanishes in bell. The ceremony is less than 234 00:14:32,160 --> 00:14:36,880 Speaker 1: two weeks away. At this point. It's Hollywood's biggest night, Saren. Yes, 235 00:14:37,600 --> 00:14:39,560 Speaker 1: and it's two thousands, so this is gonna be the Titanic, 236 00:14:39,600 --> 00:14:41,880 Speaker 1: ye right, yeah, this is like we've survived y two 237 00:14:41,960 --> 00:14:44,800 Speaker 1: k Yeah, like, hello, pretty sure this is your Titanic 238 00:14:44,840 --> 00:14:50,560 Speaker 1: sweeps everything, sure, I have no idea, I don't know. Sure, whatever, whatever. 239 00:14:50,960 --> 00:14:54,720 Speaker 1: Everybody wins on Hollywood's biggest night. So the officials at 240 00:14:54,760 --> 00:14:58,160 Speaker 1: the Academy are freaking out. They don't have spare oscars 241 00:14:58,240 --> 00:15:02,840 Speaker 1: lying around they do after this, Yeah they have, Yeah, 242 00:15:02,880 --> 00:15:07,200 Speaker 1: they keep that thing on them. Um, they're like, okay, 243 00:15:07,320 --> 00:15:10,320 Speaker 1: usually takes three to four weeks to get here. Ceremonies 244 00:15:10,520 --> 00:15:13,960 Speaker 1: in less than two weeks. There's no way they can 245 00:15:14,000 --> 00:15:16,520 Speaker 1: make another batch in time. But the baby Waba weep 246 00:15:16,560 --> 00:15:19,160 Speaker 1: they call it. Hey rswes, just roll it. Do it 247 00:15:19,160 --> 00:15:22,400 Speaker 1: again to start, In the words of Orsen, well do 248 00:15:22,520 --> 00:15:28,720 Speaker 1: it again. Where where in the world could they be 249 00:15:29,360 --> 00:15:32,240 Speaker 1: when we come back. I'm going to tell you where 250 00:15:32,240 --> 00:15:57,280 Speaker 1: in the world they could be. All right, we're back, Saron, 251 00:15:57,800 --> 00:16:00,400 Speaker 1: how are you doing? I'm doing it than it was 252 00:16:00,440 --> 00:16:03,040 Speaker 1: when we started to hear that thank you, thank you, No, 253 00:16:03,160 --> 00:16:08,720 Speaker 1: thank you, thank you. The Academy can't find their oscars statuettes. 254 00:16:09,280 --> 00:16:13,240 Speaker 1: They're not a full statue. It's a statuette because it's portable. 255 00:16:14,080 --> 00:16:17,600 Speaker 1: I remember, you're thinking I'm learning stuff and you're always 256 00:16:17,640 --> 00:16:21,360 Speaker 1: learning from me. Yeah, I don't know. Um. So, more precisely, 257 00:16:21,440 --> 00:16:27,560 Speaker 1: it's Roadway Express that can't find the Academy Awards Oscars statuettes. 258 00:16:28,160 --> 00:16:33,120 Speaker 1: Um Bruce Davis, remember him, my man Bruce, Academy executive director. 259 00:16:33,280 --> 00:16:37,120 Speaker 1: He didn't trust Roadway Expressed to bring his naked gold 260 00:16:37,120 --> 00:16:40,800 Speaker 1: babies back, so he sets up a twenty for our 261 00:16:40,840 --> 00:16:44,640 Speaker 1: tip line. If you know anything about missing oscars, like 262 00:16:44,680 --> 00:16:47,200 Speaker 1: put them on milk. You see my missing gold babies. 263 00:16:47,480 --> 00:16:51,120 Speaker 1: Davis also calls the cops. More precisely, he calls the 264 00:16:51,200 --> 00:16:54,400 Speaker 1: chief of the l A p D. Bernard Parks at 265 00:16:54,440 --> 00:16:57,080 Speaker 1: the time. Yeah, Bernard Parks, he'd come over from Philly. 266 00:16:57,240 --> 00:17:02,640 Speaker 1: Yeah sure, he was a big deal learning. Oh yeah, 267 00:17:03,000 --> 00:17:06,560 Speaker 1: so I'm the one learning now, Okay, March l ap 268 00:17:06,680 --> 00:17:10,120 Speaker 1: D detectives they go to Bell They've also got the 269 00:17:10,200 --> 00:17:14,040 Speaker 1: FBI with them. They're like, you know, posse up, let's 270 00:17:14,040 --> 00:17:15,880 Speaker 1: do this. I just rolled down will They're like, when 271 00:17:15,880 --> 00:17:18,000 Speaker 1: are we doing it? They like pulled up to the 272 00:17:18,080 --> 00:17:20,920 Speaker 1: FBI building and honk, and then the guys they came 273 00:17:20,960 --> 00:17:26,320 Speaker 1: like jogging out. Okay, hey, Steve, jump in the back. Um. 274 00:17:26,760 --> 00:17:30,800 Speaker 1: Roadway Express has a director of security, obviously. Um. He 275 00:17:30,920 --> 00:17:33,680 Speaker 1: calls a meeting with all the workers in Bell gathers 276 00:17:33,720 --> 00:17:37,040 Speaker 1: them all. Um. He says, look, one of you guys 277 00:17:37,080 --> 00:17:40,639 Speaker 1: knows something. It's on you to come forward. And by 278 00:17:40,640 --> 00:17:42,320 Speaker 1: the way, if you lie to the FBI, it's a felony. 279 00:17:42,400 --> 00:17:45,920 Speaker 1: So no one says anything. Good answer now, So they 280 00:17:46,000 --> 00:17:48,320 Speaker 1: closed the facility again the next day and they're like, 281 00:17:48,320 --> 00:17:51,160 Speaker 1: all right, look, you know we're not getting any work done. 282 00:17:52,080 --> 00:17:55,720 Speaker 1: Someone's got to know something. We'll give you twenty dollars 283 00:17:56,320 --> 00:17:59,080 Speaker 1: if you if you give us the information as to 284 00:17:59,119 --> 00:18:02,679 Speaker 1: where these are. Surely one of these teamsters is going 285 00:18:02,760 --> 00:18:06,600 Speaker 1: to rat come on now. But no, it's the teamsters, 286 00:18:06,600 --> 00:18:10,840 Speaker 1: saren So they're not going to say anything. The next day, 287 00:18:10,880 --> 00:18:14,359 Speaker 1: the reward gets set to fifty dollars, so they're just 288 00:18:14,440 --> 00:18:19,480 Speaker 1: upping at please. An attorney comes forward. He says, I'm 289 00:18:19,520 --> 00:18:22,720 Speaker 1: the middleman. I have this anonymous client and I'm going 290 00:18:22,760 --> 00:18:25,720 Speaker 1: to be the middleman in this in this deal, Um, 291 00:18:25,800 --> 00:18:29,119 Speaker 1: you cut me a cashier's check in my name and 292 00:18:29,160 --> 00:18:32,359 Speaker 1: then I'll get you the oscars, easy peasy. How is 293 00:18:32,400 --> 00:18:36,080 Speaker 1: that legal? I don't know. I was just wondering who 294 00:18:36,119 --> 00:18:40,000 Speaker 1: was this mysterious lawyer. That's the better questions. Okay, Elizabeth, 295 00:18:40,000 --> 00:18:41,720 Speaker 1: who is this mysterious Well let me tell you. So 296 00:18:41,760 --> 00:18:43,640 Speaker 1: the l a p D and the FBI they look 297 00:18:43,640 --> 00:18:47,760 Speaker 1: into that, come to find out he's the brother in 298 00:18:47,840 --> 00:18:52,119 Speaker 1: law of a man named Anthony Hart. Anthony Hart works 299 00:18:52,160 --> 00:18:55,560 Speaker 1: at Roadway Express in bell So this man gets his 300 00:18:55,640 --> 00:18:59,280 Speaker 1: brother in law. You go forward, go ahead, at different 301 00:18:59,320 --> 00:19:01,440 Speaker 1: last names. Let's take a look at all. Anthony Hart. 302 00:19:02,160 --> 00:19:05,439 Speaker 1: He worked at Roadway Express for five years. His friends 303 00:19:05,520 --> 00:19:09,639 Speaker 1: called him the whiz Whiz. I don't know why, but 304 00:19:09,760 --> 00:19:12,320 Speaker 1: I like to imagine because he like peed outside the building. 305 00:19:14,200 --> 00:19:16,600 Speaker 1: I was thinking's because he loved to be just the 306 00:19:16,640 --> 00:19:18,800 Speaker 1: black Wizard of Oz the Wi. But he would say, 307 00:19:18,840 --> 00:19:21,160 Speaker 1: like move on down the road while he's outside. Pan, 308 00:19:22,359 --> 00:19:25,440 Speaker 1: it all comes together. He the Golden Road. He drove 309 00:19:25,480 --> 00:19:30,520 Speaker 1: a farklift. He was Forkliff certified saron Um. He always 310 00:19:30,520 --> 00:19:34,199 Speaker 1: wore super clean white sneakers. He was a real jacks teller. 311 00:19:35,440 --> 00:19:39,919 Speaker 1: So someone else who worked at Roadway expressing Bell was 312 00:19:40,040 --> 00:19:44,000 Speaker 1: named Lawrence Edward La Dent Leadent, Leadent. I don't know 313 00:19:44,200 --> 00:19:48,280 Speaker 1: L E. D E N Dent. Let's look at Mr Lddent. 314 00:19:48,440 --> 00:19:54,280 Speaker 1: Right before he worked at Roadway Express, he delivered toilets. 315 00:19:54,280 --> 00:19:56,199 Speaker 1: Someone's got to do it, got to show up. He 316 00:19:56,320 --> 00:19:59,240 Speaker 1: was a big dude, and he wanted to play NFL football. 317 00:20:00,359 --> 00:20:04,399 Speaker 1: Part of the reason it didn't happen. He had like 318 00:20:04,520 --> 00:20:09,080 Speaker 1: brittle bones and they were just shattering left and right, 319 00:20:09,840 --> 00:20:13,240 Speaker 1: little sponge sugar infrastructure on like a truck of a man. 320 00:20:13,680 --> 00:20:18,359 Speaker 1: Poor thing. So Ladent and Bell, they'd only worked together 321 00:20:18,400 --> 00:20:20,399 Speaker 1: for a couple of months, but they were fast friends. 322 00:20:21,080 --> 00:20:25,720 Speaker 1: And the wiz in L. Dent, it's like the worst 323 00:20:25,760 --> 00:20:28,600 Speaker 1: eighties movie La Dent. He said later in that time 324 00:20:28,640 --> 00:20:30,960 Speaker 1: period that some stuff may or may not have like 325 00:20:31,040 --> 00:20:34,479 Speaker 1: fallen off the truck sometimes as they say, and like 326 00:20:34,760 --> 00:20:37,440 Speaker 1: in the biz, and made its way into their possession, 327 00:20:37,640 --> 00:20:44,520 Speaker 1: stuff like blue jeans, you know, ball cap sneakers. Yeah. 328 00:20:44,760 --> 00:20:47,800 Speaker 1: So with this intel, the police they descend on Heart 329 00:20:47,800 --> 00:20:50,199 Speaker 1: and La Dent now that they know that the lawyer 330 00:20:50,440 --> 00:20:54,920 Speaker 1: is Heart's brother in law. Apparently on March eighth, two thousand, 331 00:20:54,960 --> 00:20:58,040 Speaker 1: when the shipment arrived, Heart said to La Dent, I 332 00:20:58,160 --> 00:21:01,959 Speaker 1: got something on your truck. That's not unusual, okay, whatever. 333 00:21:02,440 --> 00:21:05,600 Speaker 1: But Ladette said that meant that he was quote putting 334 00:21:05,640 --> 00:21:07,919 Speaker 1: something or had put something in my truck that he 335 00:21:08,000 --> 00:21:10,920 Speaker 1: was stealing. Yeah. So instead of like, oh, I went 336 00:21:10,920 --> 00:21:13,040 Speaker 1: ahead and loaded your truck for you with my cool 337 00:21:13,080 --> 00:21:17,520 Speaker 1: fork lift, it means like stealing. So Ladent he looks 338 00:21:17,560 --> 00:21:21,760 Speaker 1: inside and he sees the oscars. He starts freaking out. 339 00:21:22,080 --> 00:21:26,280 Speaker 1: This is He's so shiny. He's like, I have a 340 00:21:26,359 --> 00:21:29,000 Speaker 1: huge target on me. Now, this came from a supernova. 341 00:21:29,119 --> 00:21:34,560 Speaker 1: This is so cool. He sees the oscars, He's like, 342 00:21:34,720 --> 00:21:36,840 Speaker 1: He told the police, quote, I just assumed I had 343 00:21:36,840 --> 00:21:39,920 Speaker 1: to get rid of them. Yeah. So the first story 344 00:21:39,920 --> 00:21:42,480 Speaker 1: he told the cops was that he had put them 345 00:21:42,520 --> 00:21:44,760 Speaker 1: beside a dumpster in an alley, and he gave him 346 00:21:44,760 --> 00:21:48,000 Speaker 1: where that was. The cops go, there's there, they're not 347 00:21:48,080 --> 00:21:51,520 Speaker 1: they're no oscars. Okay, okay, he says, fine, I actually 348 00:21:51,600 --> 00:21:53,560 Speaker 1: dumped them at a place in south central l A. 349 00:21:53,840 --> 00:21:56,040 Speaker 1: Oh Yeah, there you go. Let's blame it on roll 350 00:21:56,080 --> 00:21:58,920 Speaker 1: out there. Nothing okay, okay, okay, okay, let me tell 351 00:21:58,920 --> 00:22:06,359 Speaker 1: you what really happened, Zarin? Close your eyes, O, yes, 352 00:22:06,600 --> 00:22:09,159 Speaker 1: I want you to picture it. You're in front of 353 00:22:09,200 --> 00:22:12,080 Speaker 1: your home in South Los Angeles. I don't know which 354 00:22:12,119 --> 00:22:16,320 Speaker 1: specific neighborhood, but you keep an immaculate lawn. It's manicured 355 00:22:16,359 --> 00:22:19,119 Speaker 1: within an inch of its lifets. Okay, we'll see you 356 00:22:19,119 --> 00:22:23,200 Speaker 1: live in Watts You're outside, posing down the decorative gravel 357 00:22:23,200 --> 00:22:25,280 Speaker 1: on the side of your driveway. When do you see 358 00:22:25,359 --> 00:22:29,520 Speaker 1: your neighbor, John Willie Harris pull up to his house 359 00:22:29,520 --> 00:22:32,320 Speaker 1: across the street. He's a garbage man. He's a good 360 00:22:32,320 --> 00:22:34,200 Speaker 1: guy as far as you know. He wanted to be 361 00:22:34,320 --> 00:22:36,560 Speaker 1: an actor at one time, and he you think he 362 00:22:36,600 --> 00:22:39,280 Speaker 1: told you that once. He's been he's been driving a 363 00:22:39,320 --> 00:22:41,639 Speaker 1: garbage truck for like twenty years. That's another thing that 364 00:22:41,640 --> 00:22:43,560 Speaker 1: he kind of mentioned in passing. You don't know him 365 00:22:43,560 --> 00:22:46,320 Speaker 1: all that well though. He gets out of his car 366 00:22:46,840 --> 00:22:49,119 Speaker 1: and he looks at this huge stack of boxes, like 367 00:22:49,240 --> 00:22:51,720 Speaker 1: ten boxes lined up against the side of his house. 368 00:22:52,400 --> 00:22:55,080 Speaker 1: Just as he's standing there scratching his head staring at 369 00:22:55,119 --> 00:22:58,760 Speaker 1: the boxes, a big shipping truck pulls up. A very 370 00:22:58,840 --> 00:23:01,399 Speaker 1: large man jumps out of the cab and walks over 371 00:23:01,480 --> 00:23:04,679 Speaker 1: to Harris. Hey, I got something to show you. The 372 00:23:04,720 --> 00:23:07,240 Speaker 1: big man walks over, tears the tape off of one 373 00:23:07,240 --> 00:23:09,679 Speaker 1: of the boxes. You're intrigued, but you don't want to 374 00:23:09,680 --> 00:23:11,760 Speaker 1: look like you're snooping. You just keep watering your rock 375 00:23:12,000 --> 00:23:14,600 Speaker 1: water in the rocks. So which can I remind you, 376 00:23:14,760 --> 00:23:19,200 Speaker 1: Zarin that we're in a drought. It's southern California. We 377 00:23:19,320 --> 00:23:23,959 Speaker 1: can please conserve water. Don't be a water waster. So 378 00:23:24,000 --> 00:23:26,520 Speaker 1: the big guy he reaches into one of the boxes 379 00:23:26,520 --> 00:23:29,040 Speaker 1: and he pulls out a golden figure. You're strained to 380 00:23:29,040 --> 00:23:31,119 Speaker 1: see it, like you're looking over but you can't believe 381 00:23:31,119 --> 00:23:34,919 Speaker 1: your eyes. It's an Oscar Wila. The big guy yells 382 00:23:35,560 --> 00:23:42,600 Speaker 1: maybe he said voila. We'll say viola fla, frank viola. 383 00:23:42,800 --> 00:23:45,440 Speaker 1: So your your neighbor is like freaking out right now. 384 00:23:45,520 --> 00:23:47,480 Speaker 1: You hear him yell man, you're gonna have to get 385 00:23:47,480 --> 00:23:49,560 Speaker 1: this out of here. This looks like some serious stuff. 386 00:23:50,400 --> 00:23:52,880 Speaker 1: You're thinking, oh boy, the two men walk in the house. 387 00:23:52,920 --> 00:23:56,320 Speaker 1: You're left out there holding your hose. You're like, alright, 388 00:23:56,400 --> 00:24:02,560 Speaker 1: games all upset exactly. So inside your neighbor Harris tells 389 00:24:02,560 --> 00:24:04,920 Speaker 1: the big man La Dent that if he wants to 390 00:24:05,000 --> 00:24:07,560 Speaker 1: keep those boxes there. It's going to cost him, of course, 391 00:24:07,960 --> 00:24:11,280 Speaker 1: a grand maybe two, let's say La Dent. He leaves, 392 00:24:11,080 --> 00:24:13,720 Speaker 1: He's irritated. He leaves in a huff. The next day, 393 00:24:13,840 --> 00:24:16,120 Speaker 1: La Dent takes a friend over to Harris's house. While 394 00:24:16,160 --> 00:24:19,440 Speaker 1: Harris is out at work and you're watering the rocks 395 00:24:19,480 --> 00:24:23,480 Speaker 1: again and you just won't stop. Ladent shows this friend 396 00:24:23,520 --> 00:24:25,720 Speaker 1: the oscars. The guy yells, oh my God, take him back, 397 00:24:26,040 --> 00:24:29,359 Speaker 1: like everyone wants nothing to do with these things. So 398 00:24:29,480 --> 00:24:32,120 Speaker 1: Harris gets home from work again. The boxes are gone, 399 00:24:32,760 --> 00:24:35,800 Speaker 1: all right. So the next day at work, Heart hands 400 00:24:35,840 --> 00:24:39,160 Speaker 1: La Dent a slip of paper. It's an address in Altadina, 401 00:24:40,000 --> 00:24:43,120 Speaker 1: and that's where Hart wanted La Dent to take the oscars. 402 00:24:43,640 --> 00:24:46,080 Speaker 1: Ladent is not so sure about that. Heart's like, all right, fine, 403 00:24:46,440 --> 00:24:49,040 Speaker 1: can you take two of the oscars to quote a 404 00:24:49,080 --> 00:24:51,840 Speaker 1: guy at a jack in the box for me? I 405 00:24:51,880 --> 00:24:53,480 Speaker 1: don't know where, but at a jack in the box 406 00:24:53,520 --> 00:24:57,000 Speaker 1: that'sadena and it's it's rough, And so Ladents like, yeah, 407 00:24:57,000 --> 00:24:58,560 Speaker 1: I can do that. I can drop off two at 408 00:24:58,560 --> 00:25:00,639 Speaker 1: a Jack in the box for you. And then Ladent 409 00:25:00,840 --> 00:25:04,680 Speaker 1: later said that he also sold one of the statuettes 410 00:25:04,720 --> 00:25:07,679 Speaker 1: to quote a Mexican dude for a hundred bucks who 411 00:25:07,760 --> 00:25:11,240 Speaker 1: wanted his money back when he found out it was hot. Now, 412 00:25:11,320 --> 00:25:13,760 Speaker 1: I'm sorry, but how in the world would you have 413 00:25:13,840 --> 00:25:18,080 Speaker 1: an oscar that wasn't hot if you're selling it. They 414 00:25:18,119 --> 00:25:19,920 Speaker 1: have all those like ones they make for tourists. You 415 00:25:19,920 --> 00:25:24,320 Speaker 1: got up the Hollywood Boulevard ducks. Well, that's the thing 416 00:25:24,359 --> 00:25:27,320 Speaker 1: doesn't make sense is that those things are basically and 417 00:25:27,320 --> 00:25:29,440 Speaker 1: everybody in l A knows that that they're like twenty bucks. 418 00:25:29,440 --> 00:25:31,040 Speaker 1: And he's like, you're not gonna be like, I'll take 419 00:25:31,080 --> 00:25:32,359 Speaker 1: that one for a hund because I don't want to 420 00:25:32,400 --> 00:25:35,199 Speaker 1: drive all the way up to Hollywood Boulevard exactly. It 421 00:25:35,240 --> 00:25:38,240 Speaker 1: doesn't make sense. So March eighteenth, so this is what 422 00:25:38,400 --> 00:25:42,120 Speaker 1: ten days on from when they arrived in bell Um, 423 00:25:42,240 --> 00:25:47,280 Speaker 1: Larry Ladent Anthony Hart arrested. They get pinched. The detectives 424 00:25:47,280 --> 00:25:49,480 Speaker 1: are talking to Ladent at the station and one of 425 00:25:49,520 --> 00:25:54,240 Speaker 1: them said that Heart had already confessed. Um. He said, 426 00:25:54,280 --> 00:25:57,159 Speaker 1: you know, Heart said that you kept three of the oscars, 427 00:25:57,800 --> 00:26:01,200 Speaker 1: and that's not true. But Ladent be lieve them that 428 00:26:01,280 --> 00:26:05,000 Speaker 1: this confession had happened, and so he confesses you never 429 00:26:05,040 --> 00:26:12,640 Speaker 1: believe anything. He eventually pleads no contest to grand theft charges. Um. 430 00:26:12,640 --> 00:26:15,920 Speaker 1: He gets sentenced to six months in jail, five years probation, 431 00:26:16,280 --> 00:26:20,280 Speaker 1: and fifty one thousand dollars in restitutions. Damn. Other than 432 00:26:20,280 --> 00:26:23,760 Speaker 1: the restitution, that's not bad. But where are the awards? Oh? 433 00:26:23,920 --> 00:26:26,520 Speaker 1: Good question, right, So the cops they go to that 434 00:26:26,600 --> 00:26:31,679 Speaker 1: Altadina address. So then they ring up the attorney Heart's 435 00:26:31,720 --> 00:26:33,880 Speaker 1: brother in law. Do you have him? No, I have 436 00:26:33,920 --> 00:26:37,280 Speaker 1: no idea. I just take checks. Where in the world 437 00:26:37,400 --> 00:26:43,240 Speaker 1: were the oscars? Hollywood's biggest night is hanging in the balance. 438 00:26:43,280 --> 00:26:46,960 Speaker 1: It's coming up March eighteenth at this point. Yeah, when 439 00:26:47,000 --> 00:26:49,280 Speaker 1: we get back from this, I'm going to let you 440 00:26:49,320 --> 00:27:13,920 Speaker 1: know where those little golden nudes surface. He's Aaron, Yes, 441 00:27:14,960 --> 00:27:17,879 Speaker 1: Elizabeth Tutton, what are you doing here? I'm here to 442 00:27:17,960 --> 00:27:21,040 Speaker 1: finish my story. I came back excellent. I was hoping. 443 00:27:21,040 --> 00:27:23,120 Speaker 1: I'm over here wondering what's happening to these golden new 444 00:27:23,280 --> 00:27:27,520 Speaker 1: men imagination. When we left off laden in Heart, they 445 00:27:27,560 --> 00:27:30,200 Speaker 1: had been arrested for the theft of the Oscar statuettes. 446 00:27:30,320 --> 00:27:34,040 Speaker 1: Police they can't recover that. They have no idea. Enter 447 00:27:34,600 --> 00:27:39,240 Speaker 1: Willie Fulger. Willie Willie Fulger was having a rough time 448 00:27:39,280 --> 00:27:43,600 Speaker 1: of things. He's flat broke. He had been evicted from 449 00:27:43,600 --> 00:27:46,480 Speaker 1: his house and was living in this really gross studio apartment. 450 00:27:46,560 --> 00:27:50,920 Speaker 1: Not bad Billy Folger. Well, he was originally from Jackson, Mississippi, 451 00:27:51,680 --> 00:27:55,600 Speaker 1: and he had moved from Jackson to Chicago, and then 452 00:27:55,600 --> 00:27:57,520 Speaker 1: he made his way out to Los Angeles in the 453 00:27:57,520 --> 00:28:00,080 Speaker 1: early sixties. So he basically did the northern migration and 454 00:28:00,119 --> 00:28:02,760 Speaker 1: then went to west exactly. And that was actually the time. 455 00:28:02,800 --> 00:28:06,520 Speaker 1: And so in the in the early sixties, he rolls 456 00:28:06,560 --> 00:28:08,760 Speaker 1: into the Golden State in the big old Cadillac. He's 457 00:28:08,760 --> 00:28:10,920 Speaker 1: got a pretty blonde with him, and then his two 458 00:28:10,920 --> 00:28:15,840 Speaker 1: half brothers, John and Ray there with him too. He 459 00:28:15,880 --> 00:28:17,760 Speaker 1: wanted to be a star. He wanted to be a singer. 460 00:28:18,440 --> 00:28:21,560 Speaker 1: And just like thousands and thousands of people who had 461 00:28:21,560 --> 00:28:24,760 Speaker 1: to Los Angeles to chase their dreams, those dreams dissolved 462 00:28:24,760 --> 00:28:27,600 Speaker 1: in the smoggy air of the south Land. Yes, like 463 00:28:27,640 --> 00:28:29,960 Speaker 1: a sugar cube in the rain. He did not become 464 00:28:30,040 --> 00:28:32,480 Speaker 1: a star. Um. He made a go of it with 465 00:28:32,520 --> 00:28:34,600 Speaker 1: a bunch of different things. He owned a nightclub for 466 00:28:34,640 --> 00:28:39,000 Speaker 1: a while. Um, he dabbled in real estate. Every venture 467 00:28:39,040 --> 00:28:41,240 Speaker 1: that he had took him further and further down the 468 00:28:41,320 --> 00:28:44,880 Speaker 1: ladder instead of up until he finally found himself working 469 00:28:44,920 --> 00:28:49,320 Speaker 1: as a scavenger junk man. Yeah, so in two thousand 470 00:28:49,440 --> 00:28:51,600 Speaker 1: he was still driving the Cadillac, this time in eighty 471 00:28:51,680 --> 00:28:55,440 Speaker 1: nine Coupe Deville. Old dreams die hard. In that March 472 00:28:55,480 --> 00:28:58,440 Speaker 1: of two thousands, he was dumpster diving behind the Food 473 00:28:58,480 --> 00:29:01,280 Speaker 1: for Less at the corner of West Venice and Southwestern 474 00:29:01,360 --> 00:29:05,480 Speaker 1: near Koreatown. Yeah, I figured that's why I dropped that 475 00:29:05,520 --> 00:29:08,360 Speaker 1: in there for you. Um. So he pulled some stuff 476 00:29:08,360 --> 00:29:10,000 Speaker 1: out of the way in this dumpster to see if 477 00:29:10,040 --> 00:29:12,960 Speaker 1: there was anything good at the bottom. He saw something gold. 478 00:29:13,240 --> 00:29:17,080 Speaker 1: It's like jackpot um. He digs deeper, he looks closer. 479 00:29:17,120 --> 00:29:20,240 Speaker 1: He sees that it's a bunch of gold figurines. Quote. 480 00:29:20,400 --> 00:29:23,080 Speaker 1: I thought they were toys, he told Mark Seal of 481 00:29:23,160 --> 00:29:26,720 Speaker 1: Vanity Fair brass, And I can sell brass by the pound. 482 00:29:27,240 --> 00:29:32,360 Speaker 1: So he's just looking at So he starts moving the 483 00:29:32,360 --> 00:29:35,320 Speaker 1: boxes of oscars from the dumpster to his Coupe Deville. 484 00:29:36,160 --> 00:29:39,040 Speaker 1: He headed home, showed his son what he found. His 485 00:29:39,080 --> 00:29:41,600 Speaker 1: son starts like looking online to see, you know, how 486 00:29:41,680 --> 00:29:43,280 Speaker 1: much is this going to be worth? And then he 487 00:29:43,320 --> 00:29:47,240 Speaker 1: finds the whole story about the missing statuettes, and then 488 00:29:47,240 --> 00:29:50,680 Speaker 1: he found out that Roadway Express had a fifty dollar 489 00:29:50,800 --> 00:29:54,480 Speaker 1: reward come up. Yeah, so Willie got on the phone. 490 00:29:54,800 --> 00:29:57,000 Speaker 1: The first thing he did was called a local news 491 00:29:57,040 --> 00:30:00,160 Speaker 1: stations and tell him that he had the missing oscars. 492 00:30:00,440 --> 00:30:03,320 Speaker 1: Then he called the cops. And so when Vanity Fair 493 00:30:03,360 --> 00:30:06,280 Speaker 1: asked him why he called the news station first, he said, quote, 494 00:30:06,560 --> 00:30:09,360 Speaker 1: a black man with that kind of stuff is automatically guilty. 495 00:30:09,480 --> 00:30:11,200 Speaker 1: I was just about to say, you know, not to 496 00:30:11,240 --> 00:30:12,959 Speaker 1: call the l a p D. First, You call the 497 00:30:12,960 --> 00:30:15,200 Speaker 1: news cameras, you get them there, and then you call it. 498 00:30:15,520 --> 00:30:17,840 Speaker 1: In fact, so the cops roll up and he's standing 499 00:30:17,840 --> 00:30:20,479 Speaker 1: outside holding one of the oscars to like signal them 500 00:30:20,520 --> 00:30:23,080 Speaker 1: as to where he was. They drew their weapons on 501 00:30:25,520 --> 00:30:27,719 Speaker 1: had a gun, and then the news crew showed up 502 00:30:27,720 --> 00:30:31,240 Speaker 1: and everyone cooled out. Yeah, everyone cooled out because because 503 00:30:31,240 --> 00:30:34,000 Speaker 1: all those gold guns, people are always flashing. It's it's 504 00:30:34,040 --> 00:30:37,360 Speaker 1: a it's a tough world. So, um, Willie tells the 505 00:30:37,360 --> 00:30:40,440 Speaker 1: police officers where he found the boxes of oscars and 506 00:30:40,480 --> 00:30:42,280 Speaker 1: they said, all right, we need to take them all 507 00:30:42,320 --> 00:30:46,320 Speaker 1: back there and put them institute, and they helped him. 508 00:30:46,400 --> 00:30:49,080 Speaker 1: I don't know, are they trying to recreate I guess. 509 00:30:49,440 --> 00:30:51,880 Speaker 1: So then they move them back. Then they take him 510 00:30:51,920 --> 00:30:56,120 Speaker 1: down to the station for interrogation, and um, he's like 511 00:30:56,200 --> 00:30:59,120 Speaker 1: interrogated for hours and hours and hours. Um. At the 512 00:30:59,200 --> 00:31:00,920 Speaker 1: end of it, they did, like they took him back 513 00:31:00,960 --> 00:31:02,560 Speaker 1: to the dumpster and then he had to like pose 514 00:31:02,600 --> 00:31:04,920 Speaker 1: for pictures next to the pile and the news crew 515 00:31:05,000 --> 00:31:07,560 Speaker 1: still there and they're filming him. He was like getting 516 00:31:07,600 --> 00:31:11,560 Speaker 1: his star turn after all these year. So this is 517 00:31:11,600 --> 00:31:14,880 Speaker 1: what Bruce Davis from the Academy said, quote, we were 518 00:31:14,960 --> 00:31:17,440 Speaker 1: under enormous pressure to wrap this up with a nice 519 00:31:17,480 --> 00:31:20,440 Speaker 1: pink bow and say, okay, Willie, here's the fifty thousand 520 00:31:20,480 --> 00:31:22,560 Speaker 1: from Roadway and here are the tickets to the show. 521 00:31:22,600 --> 00:31:26,400 Speaker 1: But the police were saying his story doesn't quite make sense. Oh, 522 00:31:27,440 --> 00:31:30,040 Speaker 1: like I said, he's interviewed for hours. He takes a 523 00:31:30,120 --> 00:31:34,120 Speaker 1: lie detector. Um. Willie told Vanity Fair quote, I haven't 524 00:31:34,120 --> 00:31:37,120 Speaker 1: been in trouble since the nineteen five Watts riots and 525 00:31:37,160 --> 00:31:40,480 Speaker 1: I didn't do anything then except pick up a camera. Yeah, 526 00:31:40,600 --> 00:31:43,040 Speaker 1: I mean this guy like he he hasn't he hasn't 527 00:31:43,080 --> 00:31:47,080 Speaker 1: done anything like so Roadway Express and the Academy there's 528 00:31:47,120 --> 00:31:50,959 Speaker 1: still not convinced that he wasn't involved. Somehow. So this 529 00:31:51,040 --> 00:31:53,200 Speaker 1: is what Karen there was a columnist in the l 530 00:31:53,200 --> 00:31:56,520 Speaker 1: A Times, Karen Griggsby Bates. This is what she said. Quote, 531 00:31:57,080 --> 00:31:59,959 Speaker 1: the retrieved oscars were still warm from the TVs crew 532 00:32:00,000 --> 00:32:02,600 Speaker 1: whose lights at the press conference where they'd been displayed 533 00:32:02,640 --> 00:32:05,920 Speaker 1: when the jokes began, all a variation on the same thing. 534 00:32:06,680 --> 00:32:08,560 Speaker 1: That's about the only way a brother is going to 535 00:32:08,640 --> 00:32:14,840 Speaker 1: get an oscar in Hollywood. She she puts that in 536 00:32:14,880 --> 00:32:17,480 Speaker 1: the paper, and then all these other people are starting 537 00:32:17,520 --> 00:32:19,920 Speaker 1: to pressure Roadway Expressed to pay up. They're like, this 538 00:32:20,000 --> 00:32:22,240 Speaker 1: is this is messed up. They got to give Willie 539 00:32:22,240 --> 00:32:24,920 Speaker 1: the fifty grand, and you got to invite him to 540 00:32:24,960 --> 00:32:29,760 Speaker 1: the ceremony. All this public pressure, Roadway Express finally gives 541 00:32:29,800 --> 00:32:33,320 Speaker 1: Willie the fifty grand. The Academy gave Willie two front 542 00:32:33,360 --> 00:32:37,240 Speaker 1: row seats, a tux and yeah, he gets a tuxedo 543 00:32:37,360 --> 00:32:39,040 Speaker 1: that fitted out. He said he wanted a top hat. 544 00:32:39,040 --> 00:32:44,840 Speaker 1: They're like fine, and he gets taken in a limo, 545 00:32:44,920 --> 00:32:46,960 Speaker 1: the whole thing. He takes his son with him to 546 00:32:47,040 --> 00:32:51,000 Speaker 1: the Oscars. It was Hollywood's biggest night there. It's amazing, Elizabeth, 547 00:32:51,000 --> 00:32:55,840 Speaker 1: the stars, it was just so executives. They start coming 548 00:32:55,880 --> 00:32:59,040 Speaker 1: up to him. I'm talking about movie deals. You know, 549 00:32:59,080 --> 00:33:02,520 Speaker 1: maybe you could write a bo he got. He got 550 00:33:02,560 --> 00:33:05,360 Speaker 1: to see them hand out the statuettes that he rescued, 551 00:33:05,880 --> 00:33:08,760 Speaker 1: but actually not because the Academy didn't want to hand 552 00:33:08,760 --> 00:33:12,040 Speaker 1: out stolen goods. They were tainted. So what did they do? 553 00:33:12,280 --> 00:33:14,880 Speaker 1: They the duplicates got there in time. I thought they 554 00:33:14,920 --> 00:33:18,880 Speaker 1: went down to Hollywood, just in time. The duplicates arrived 555 00:33:18,920 --> 00:33:22,360 Speaker 1: and the Dumpster Awards were eventually destroyed, I guess because 556 00:33:22,360 --> 00:33:27,200 Speaker 1: they were filthy, right, except, of course the three that 557 00:33:27,240 --> 00:33:29,280 Speaker 1: got split off from the rest. Remember the two Jack 558 00:33:29,360 --> 00:33:33,040 Speaker 1: in the box and then the Mexican fellow. So one 559 00:33:33,080 --> 00:33:36,320 Speaker 1: of those was actually recovered in a Florida drug bust 560 00:33:36,320 --> 00:33:38,880 Speaker 1: in two thousand three, like the other two are still 561 00:33:38,920 --> 00:33:41,400 Speaker 1: in the wind Florida drus. This is like how like 562 00:33:41,440 --> 00:33:46,560 Speaker 1: cocaine bear moved across country. Yes, stolen oscars. Okay, so anyway, 563 00:33:46,600 --> 00:33:49,200 Speaker 1: Willie he gets fitted out, he goes to the Oscars. 564 00:33:49,280 --> 00:33:52,480 Speaker 1: It's such a great storybook ending like something right out 565 00:33:52,480 --> 00:33:54,200 Speaker 1: of Hollywood. I love the top. I hope he has 566 00:33:54,240 --> 00:33:56,959 Speaker 1: like a white tux. But then there's a twist like 567 00:33:57,080 --> 00:34:00,440 Speaker 1: something right out of Hollywood. Okay, remember Anthon Heart with 568 00:34:00,480 --> 00:34:04,600 Speaker 1: the clean sneakers. He gets released for lack of the 569 00:34:04,640 --> 00:34:09,120 Speaker 1: whizz um he gets he gets out of jail for 570 00:34:09,440 --> 00:34:11,399 Speaker 1: lack of evidence. Right, they just tossed the whole thing. 571 00:34:12,080 --> 00:34:16,080 Speaker 1: And then he hires a federal civil rights attorney named 572 00:34:16,160 --> 00:34:20,760 Speaker 1: Stephen Yagman. His attorney fills a twenty million dollar wrongful 573 00:34:20,880 --> 00:34:26,000 Speaker 1: arrest lawsuit and then it's against the Academy l ap 574 00:34:26,160 --> 00:34:31,640 Speaker 1: D Roadway Express. Yeah so um and then heart Like 575 00:34:31,760 --> 00:34:34,200 Speaker 1: and Yagman, they decide, we're going to tell you exactly 576 00:34:34,200 --> 00:34:35,920 Speaker 1: what happened. We're going to get to the bottom of this. 577 00:34:36,080 --> 00:34:40,440 Speaker 1: You can't solve it. We're going to So what about Willie, Like, 578 00:34:40,520 --> 00:34:42,479 Speaker 1: did he get an agent? Did he make it big 579 00:34:42,480 --> 00:34:45,560 Speaker 1: in the biz? He spent seventeen thousand dollars of his 580 00:34:45,640 --> 00:34:50,080 Speaker 1: reward money on Alexis, And did he want Alexis or justice? 581 00:34:50,520 --> 00:34:54,520 Speaker 1: He wanted Alexis. So the remainder of the money he 582 00:34:54,680 --> 00:34:59,120 Speaker 1: kept in a safe at the remainder of the money 583 00:34:59,120 --> 00:35:01,279 Speaker 1: he keeps in a safe at his house. And he 584 00:35:01,360 --> 00:35:05,759 Speaker 1: figured that happy exactly. Uh. He figures He's going to 585 00:35:05,840 --> 00:35:08,760 Speaker 1: go back to Mississippi, where the money would go further, 586 00:35:09,480 --> 00:35:12,400 Speaker 1: and get himself a nice home of his own, build 587 00:35:12,440 --> 00:35:16,160 Speaker 1: his own right. So he goes to Mississippi for a 588 00:35:16,200 --> 00:35:18,879 Speaker 1: month to scout things out. When he gets back, things 589 00:35:18,920 --> 00:35:24,040 Speaker 1: are bad. His house is trashed and the safe is gone. Yeah, 590 00:35:24,080 --> 00:35:26,600 Speaker 1: the only thing left was the giant novelty check from 591 00:35:26,600 --> 00:35:31,760 Speaker 1: the press conference. Right, So the development seemed awfully hinky 592 00:35:31,840 --> 00:35:35,200 Speaker 1: to the academy, to the cops, to Roadway Express, They're like, 593 00:35:35,320 --> 00:35:38,359 Speaker 1: did it really get stolen? Why would he make this up? 594 00:35:39,040 --> 00:35:42,239 Speaker 1: Then it gets worse for Willie because during discovery for 595 00:35:42,280 --> 00:35:46,360 Speaker 1: Anthony Hart's trial, his civil rights trial, his lawyer found 596 00:35:46,360 --> 00:35:48,680 Speaker 1: a police report and the name on the report was 597 00:35:48,719 --> 00:35:51,239 Speaker 1: that of Willie's half brother, John, the one who had 598 00:35:51,320 --> 00:35:55,480 Speaker 1: driven out with him from Chicago. John's full name, John 599 00:35:55,640 --> 00:36:00,840 Speaker 1: Willie Harris. The garbage that's his, the garbage man is 600 00:36:00,880 --> 00:36:04,759 Speaker 1: his half brother. So John Willie Harris gets arrested for 601 00:36:04,800 --> 00:36:08,239 Speaker 1: receiving stolen property and accessory after the fact, and now 602 00:36:08,280 --> 00:36:11,200 Speaker 1: Willie's getting looked at differently. Everyone's looking at him ling. 603 00:36:11,680 --> 00:36:15,000 Speaker 1: I mean, the coincidences can only stretch. John swore he 604 00:36:15,040 --> 00:36:17,440 Speaker 1: hadn't talked to Willie in a couple of years, and 605 00:36:17,440 --> 00:36:20,200 Speaker 1: that they didn't even have each other's phone numbers. Right, 606 00:36:20,800 --> 00:36:23,960 Speaker 1: So Harris he gets three years probation for his part 607 00:36:24,000 --> 00:36:26,880 Speaker 1: in the heist, but no charges were ever filed against 608 00:36:26,960 --> 00:36:33,680 Speaker 1: Willie Richard. Millard, Anthony's defense attorney was sure that there 609 00:36:33,760 --> 00:36:36,440 Speaker 1: was some connection between John and Willie. Yeah, I think 610 00:36:37,080 --> 00:36:40,040 Speaker 1: he said, quote if you believe he just coincidentally found 611 00:36:40,040 --> 00:36:41,880 Speaker 1: the oscars in an alley. I've got a piece of 612 00:36:41,880 --> 00:36:44,160 Speaker 1: the Brooklyn Bridge I'd like to sell you. Let me 613 00:36:44,200 --> 00:36:48,080 Speaker 1: find my wall, right, So hearts civil rights lawsuit that 614 00:36:48,160 --> 00:36:50,359 Speaker 1: was dismissed in two thousands six, By the way, they 615 00:36:50,400 --> 00:36:54,719 Speaker 1: found So. I don't know whatever happened to Willie. I've 616 00:36:54,719 --> 00:36:59,720 Speaker 1: tried to track it down, not successful, but yeah, probably 617 00:36:59,719 --> 00:37:07,279 Speaker 1: I hope. So Zaren, what's your ridiculous takeaway? Oh man, 618 00:37:07,480 --> 00:37:10,920 Speaker 1: this story? Uh, I think everything could have been saved 619 00:37:10,960 --> 00:37:12,840 Speaker 1: if they would have done what I keep saying, which is, 620 00:37:12,880 --> 00:37:15,520 Speaker 1: go down to Hollywood Boulevards by yourself, a couple of 621 00:37:15,520 --> 00:37:18,160 Speaker 1: those statuettes that are in the window. Nobody would know 622 00:37:18,200 --> 00:37:20,160 Speaker 1: the difference, hand them out, and then go get the 623 00:37:20,200 --> 00:37:22,400 Speaker 1: real ones that give them to them later on. I 624 00:37:22,440 --> 00:37:24,719 Speaker 1: don't see the big deal. But one again, I'm not 625 00:37:24,800 --> 00:37:26,960 Speaker 1: really one who would be like I didn't understand why 626 00:37:26,960 --> 00:37:29,040 Speaker 1: they wanted to melt them down when they have been tainted. 627 00:37:29,080 --> 00:37:32,239 Speaker 1: I don't understand the taint of being stolen gold. It's 628 00:37:32,239 --> 00:37:34,760 Speaker 1: still the statue. What's the wouldn't it be like, cool, 629 00:37:34,960 --> 00:37:43,000 Speaker 1: lord this Titanicut. The awards ceremony saw the Titanic ones 630 00:37:43,040 --> 00:37:45,200 Speaker 1: were the ones that had been stolen. If I were 631 00:37:45,320 --> 00:37:47,560 Speaker 1: winning an Oscar, I'd be like, that's cool, I got 632 00:37:47,560 --> 00:37:49,560 Speaker 1: one of the stolen ones. I'm with you on that. 633 00:37:49,600 --> 00:37:53,160 Speaker 1: Actual artists, some of them would be into that. There's 634 00:37:53,160 --> 00:37:57,000 Speaker 1: a story behind now with the new I think they 635 00:37:57,120 --> 00:37:59,200 Speaker 1: put this in right after, like the next year. But 636 00:37:59,280 --> 00:38:03,080 Speaker 1: when they shipped the air tagged with Apple, well there, 637 00:38:03,120 --> 00:38:06,160 Speaker 1: now they go with armed guards via plane. They don't 638 00:38:06,160 --> 00:38:09,440 Speaker 1: go on the on the road. Yeah, exactly, everything armed 639 00:38:09,480 --> 00:38:11,520 Speaker 1: guard now. Yeah, so that was you know, I think 640 00:38:11,520 --> 00:38:14,600 Speaker 1: the whole thing was pretty ridiculous. Oh, it's hell ridiculous. Also, 641 00:38:14,719 --> 00:38:18,520 Speaker 1: the group of amateur criminals. I just love how everyone's 642 00:38:18,560 --> 00:38:21,120 Speaker 1: like as soon as we see it, I don't want 643 00:38:22,600 --> 00:38:25,680 Speaker 1: wants to wash their hands immediately. Well that's it. That's 644 00:38:25,680 --> 00:38:27,640 Speaker 1: all I have for you today, Elizabeth. What would your 645 00:38:27,719 --> 00:38:30,600 Speaker 1: ridiculous take away? I don't have one nice good answer. 646 00:38:32,160 --> 00:38:34,680 Speaker 1: You can find us online at Ridiculous Crime on both 647 00:38:34,680 --> 00:38:38,080 Speaker 1: Twitter for the talking and Instagram for the gawkin. Email 648 00:38:38,160 --> 00:38:40,800 Speaker 1: us if you want it. Ridiculous Crime at gmail dot com. 649 00:38:40,840 --> 00:38:43,080 Speaker 1: That's for the squawking, that's for the squawk a ruse. 650 00:38:43,640 --> 00:38:47,879 Speaker 1: You can also download the I Heart app and leave 651 00:38:47,960 --> 00:38:51,560 Speaker 1: us a talk back like a thirty second voicemail and 652 00:38:51,600 --> 00:38:53,720 Speaker 1: we listen to this. We do listen to them over 653 00:38:54,160 --> 00:38:57,000 Speaker 1: and over untimes. We take long drive and that's all 654 00:38:57,040 --> 00:39:00,520 Speaker 1: we do. So yeah, leave a talk back. It's fun. 655 00:39:00,600 --> 00:39:09,120 Speaker 1: That's fun for us. Tune in next time. Ridiculous Crime 656 00:39:09,200 --> 00:39:12,200 Speaker 1: is hosted by Elizabeth Dutton and Zarin Burnett, produced and 657 00:39:12,320 --> 00:39:16,239 Speaker 1: edited by director of Armageddon Dave Kusten. Research is by 658 00:39:16,280 --> 00:39:20,279 Speaker 1: costumer on the Box Office Smash Cats Marissa Brown and 659 00:39:20,440 --> 00:39:24,480 Speaker 1: VFX supervisor for Michael Bay's forthcoming reboot of Sophie's Choice 660 00:39:24,719 --> 00:39:28,279 Speaker 1: Andrea song sharpened here. The theme song is by Jumanji 661 00:39:28,400 --> 00:39:32,160 Speaker 1: screenwriter Thomas Lee and lead set designer for Amazing Grace 662 00:39:32,200 --> 00:39:37,040 Speaker 1: and Chuck Travis Dutton. Executive producers are Roadway Express, Loss 663 00:39:37,040 --> 00:39:45,440 Speaker 1: Prevention manager Ben Bolan and Forklift certified Noel Brown. We 664 00:39:48,520 --> 00:39:53,640 Speaker 1: say It one more time. Ridiculous Crime is a production 665 00:39:53,640 --> 00:39:56,280 Speaker 1: of iHeart Radio. Four more podcasts to my heart Radio, 666 00:39:56,440 --> 00:39:59,279 Speaker 1: visit the iHeart Radio app, Apple podcasts, or wherever you 667 00:39:59,280 --> 00:40:00,560 Speaker 1: listen to your face rituals