WEBVTT - #379 - 41 (Kyle Richh, Jenn Carter, TaTa)

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<v Speaker 1>It was tracking. Man, it's show him but a little Rob.

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<v Speaker 1>Make sure you come check me out on Bootleg keV

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<v Speaker 1>podcast or I let you there.

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<v Speaker 2>Man, all right, yo man, Bootleg CAV Podcast, Bootleg keV

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<v Speaker 2>Show Special guests here a legend, Low Rob is here.

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<v Speaker 1>Well, thank you, big dog, Thank you man. N it's chilling.

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<v Speaker 1>What's going on, man, Just working on some new music.

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<v Speaker 1>Man got new album coming out November third Man at

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<v Speaker 1>the Window, So it just started to come out here

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<v Speaker 1>and hang out with you man and talk about it. Man.

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<v Speaker 2>Yes, it's crazy because, like you we were just talking

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<v Speaker 2>a little bit, you guys, Like you know, I talked

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<v Speaker 2>to Bash a lot, and He's like, I'm busier now

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<v Speaker 2>than I've been my whole career. Like you guys. I

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<v Speaker 2>feel like every weekend I see you guys doing like

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<v Speaker 2>three or four shows together.

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<v Speaker 1>And I feel that too, man, even me, I'm more

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<v Speaker 1>busy this time than I ever was before too. And

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<v Speaker 1>it's just different this time, and I appreciate it more so,

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<v Speaker 1>like going out there and making the people happy and everything.

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<v Speaker 1>So it's been a really good giant man. So yeah, me,

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<v Speaker 1>Bash and Magic been doing these shows for the past

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<v Speaker 1>like four years, and uh, and just rocking them. Man,

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<v Speaker 1>you know what I mean, what.

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<v Speaker 2>Do you what do you attribute to that? Do you

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<v Speaker 2>think it's like people? Because I think like music has

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<v Speaker 2>kind of been a weird place where, like, you know,

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<v Speaker 2>we don't have a perfect example, Like a lot of

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<v Speaker 2>tours this past summer got canceled, but the ones that

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<v Speaker 2>didn't get canceled were like fifty Cents Tour and with

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<v Speaker 2>Khalifa and Snoops Tour. I feel like, for whatever reason,

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<v Speaker 2>like if you're coming from a certain era, like the fans,

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<v Speaker 2>I kind of missed that ship. Because the current music

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<v Speaker 2>is it's a little it's a little microwaveable if you will.

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<v Speaker 1>I mean, I like a little bit of everything. Man.

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<v Speaker 1>But I know who would have thought that back in

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<v Speaker 1>the days we would write that kind of music that

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<v Speaker 1>would last, you know, as long as it has man,

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<v Speaker 1>and hopefully it lasts forever, you know what I mean.

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<v Speaker 1>But to be a part of that is really really dope.

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<v Speaker 1>And and the fact that me and Fingers wrote a

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<v Speaker 1>song called Summer Nice to kind of blew the hell

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<v Speaker 1>up and and uh, yeah, that's what I've been surviving

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<v Speaker 1>off for a long time. Dog has been good.

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<v Speaker 2>That's crazy. Yeah, yo, when you wrote the line right

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<v Speaker 2>next to the Pacific to be specific, one of the

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<v Speaker 2>hardest lines ever. Yeah, it's a quick to SENI a

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<v Speaker 2>little rob like, yeah.

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<v Speaker 1>Yeah, you know, I've heard people make fun of it sometimes, man, like,

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<v Speaker 1>oh you put those rhymes together out each all the time.

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<v Speaker 1>But hey, man, you know I ue to live right

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<v Speaker 1>there by the by the Spacific to be specific. So

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<v Speaker 1>that's why, man, everything was written and not not kitchen

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<v Speaker 1>right there in my town, sof on the beach.

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<v Speaker 2>I was gonna say you kind of like when I

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<v Speaker 2>think of San Diego, I mean, obviously recently there's been

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<v Speaker 2>some dope dudes out of San Diego, but I think

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<v Speaker 2>of you. I think Jail felt me. I kind of

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<v Speaker 2>think you guys are kind of like the yeah, the

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<v Speaker 2>San Diego guys for you, Like you've been carrying that

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<v Speaker 2>San Diego flag for so long, Like why do you

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<v Speaker 2>think like San Diego still hasn't really popped yet in

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<v Speaker 2>terms of like mainstream hip hop.

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<v Speaker 1>I mean I don't really I don't really pay attention

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<v Speaker 1>to like what's really going on or why why you

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<v Speaker 1>don't hit? I mean, I guess if you just have

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<v Speaker 1>a hit record, then it's just gonna It's just gonna happen,

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<v Speaker 1>you know what I mean, Like even me, like Summer Nights,

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<v Speaker 1>I couldn't even stop it. I didn't try to write

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<v Speaker 1>a hit record, but it just kind of happened that way.

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<v Speaker 1>And I think that, you know, whatever the people are

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<v Speaker 1>digging at the time, I guess you know a lot

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<v Speaker 1>of luck. I guess too, you know everything.

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<v Speaker 2>Yeah, there's a lot of luck involved.

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<v Speaker 1>With right place, right people and all that. You know.

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<v Speaker 2>Yeah, for sure, I was gonna ask you for you

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<v Speaker 2>like seeing kind of when you guys first came out,

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<v Speaker 2>I feel like there was like the low Rider circuit

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<v Speaker 2>obviously radio supported you guys, there was kind of like

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<v Speaker 2>this like very small collective of like Latin art or

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<v Speaker 2>Mexican artists doing hip hop. Now I feel like it's

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<v Speaker 2>gotten so big to where, like, you know, I never

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<v Speaker 2>ever thought that I would like see like a guy

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<v Speaker 2>like Paesel Pluma doing like the VMA's right, or a

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<v Speaker 2>guy like are you a hip to that Mexican ot

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<v Speaker 2>super dope?

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<v Speaker 1>Like like I feel like too many of the jams

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<v Speaker 1>or nothing like that. But when I have come across

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<v Speaker 1>from here way dope.

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<v Speaker 2>Yeah, it just feels like the the like Mexican space

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<v Speaker 2>and hip hop. And obviously I don't want to call

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<v Speaker 2>paycal Plum hip hop because you're not. But the Mexican

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<v Speaker 2>space and hip hop has grown to be like so

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<v Speaker 2>so big, Like there's so many like independent artists, artists

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<v Speaker 2>getting signed the major labels like and you guys are

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<v Speaker 2>kind of like the forefathers of a lot of that ship,

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<v Speaker 2>you know what I'm saying.

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<v Speaker 1>I'm pretty sure people were rapping everywhere, you know what

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<v Speaker 1>I mean, like in San Diego, in LA and you know.

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<v Speaker 2>I just be like in terms of like there being

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<v Speaker 2>like a real like recognition of like guys.

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<v Speaker 1>Are able to see it with the social media and everything,

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<v Speaker 1>you know, because back when I came up, it was uh,

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<v Speaker 1>you know proper those Yeah, you know what I mean.

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<v Speaker 1>There was an empower hip brown as the tribe uh

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<v Speaker 1>Spanish fly from the Harbor area that I would bomb.

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<v Speaker 2>And then there was like shows like Pocos Pedals locals

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<v Speaker 2>who would like you know a little bit later, yeah right,

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<v Speaker 2>you would have to like listen like Sunday Nights in

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<v Speaker 2>Phoenix and be able to kind of discover all these artists.

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<v Speaker 2>But I just feel like now it's like it's like

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<v Speaker 2>so big, like you know what I'm saying, Like in

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<v Speaker 2>terms of just it feels like there's a real movement

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<v Speaker 2>like for you, do you like, are you somebody who's

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<v Speaker 2>gotten to the point in your career where you're looking

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<v Speaker 2>to like sign any artists. Are you just kind of

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<v Speaker 2>working on your own ship traveling.

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<v Speaker 1>Kind of know who I was when I signed with

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<v Speaker 1>the label, you know, and what kind of a headache

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<v Speaker 1>I was to them, you know, but not showing up

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<v Speaker 1>the shows and doing you know, they would set up

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<v Speaker 1>shows and everything and I would have to, you know, go,

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<v Speaker 1>but sometimes I wouldn't even show up for just one

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<v Speaker 1>go or call them that same morning and say I'm

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<v Speaker 1>not gonna make it after there's been promotion going on

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<v Speaker 1>for that show and everything, you know what I mean.

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<v Speaker 2>Too much partying, uh nah, just not.

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<v Speaker 1>Really wanting to get get on the road. Man. It

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<v Speaker 1>wasn't really like a thing to me, you know what

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<v Speaker 1>I mean? Right, A lot of bullshit have to pad

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<v Speaker 1>too and stuff like that, you know what I mean.

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<v Speaker 1>So I just wouldn't end up going and really enjoying everything. Man.

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<v Speaker 1>So but nowadays it's very different.

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<v Speaker 2>Is that why you said you appreciate it more this time.

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<v Speaker 1>I appreciate it a lot more now, you know what

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<v Speaker 1>I mean. And it's not for the money, it's not

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<v Speaker 1>for the likes, it's not for anything like that. Like

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<v Speaker 1>this new album. Man, it's coming back for the fuck over,

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<v Speaker 1>you know what I mean. Because I've been doing shows

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<v Speaker 1>for a long time with Magic and Bash and we've

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<v Speaker 1>been selling the mouth man so that they're to check

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<v Speaker 1>us out, man, and they be asking me when it's

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<v Speaker 1>a new music coming, and I never have an answer

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<v Speaker 1>for him.

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<v Speaker 2>So but now, no, I do not any features on

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<v Speaker 2>the new album.

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<v Speaker 1>No, I just saw me.

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<v Speaker 2>Man, that's dope. I'm working with Fingers again.

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<v Speaker 1>Because yeah, yeah you haven't songs with Fingers. We have

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<v Speaker 1>one jam on there might not make it. Man, it's

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<v Speaker 1>fun partly my favorite one on the jam, but on

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<v Speaker 1>the thing, but trying to clear the sample man and

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<v Speaker 1>getting back at us. So we've got to clear that sample. Man.

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<v Speaker 2>Yeah, that's tough.

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<v Speaker 1>Yeah, you know what I mean.

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<v Speaker 2>Yeah, so your favorite song on the album might not

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<v Speaker 2>make it because of sample.

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<v Speaker 1>One of my favorites. It is really like you know,

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<v Speaker 1>like repping and you know what, you.

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<v Speaker 2>Know, what can you tell tell us what sample it is?

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<v Speaker 1>You know what, man, I can't even think off hand

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<v Speaker 1>with it. It's hard to fight and oldie.

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<v Speaker 2>Yeah, oh they're hitting you for sure, they get in

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<v Speaker 2>your pocket.

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<v Speaker 1>It's hard to find one. I am getting back at us.

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<v Speaker 2>I said, oh, they're not even getting back at you.

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<v Speaker 1>Now. We're waiting. We're waiting for I.

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<v Speaker 2>Said, you just let a flo you know what I mean.

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<v Speaker 2>Sometimes you got to just let the sample fly.

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<v Speaker 1>Yeah, let's see what happened.

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<v Speaker 2>You know, there's a guy named There's a dude I

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<v Speaker 2>know named Static Selector who's a big hip hop producer

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<v Speaker 2>and he puts out albums and I always ask him

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<v Speaker 2>because he's independent and all his beats are sampled. Oh

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<v Speaker 2>yeah yeah, And I'm like, dude, you must have a

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<v Speaker 2>hard time and he's like, no, well that's like that's

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<v Speaker 2>like me too.

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<v Speaker 1>With everyone's saying their favorite album is Crazy Life and

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<v Speaker 1>we were sampling everything and get my hands with break

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<v Speaker 1>beats and.

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<v Speaker 2>Right now, that's why he's like, dude, we just drop

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<v Speaker 2>it and like if we hear about it, it means

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<v Speaker 2>music's doing well.

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<v Speaker 1>Yeah, yeah for sure.

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<v Speaker 2>Yeah, so you clear it later. Yeah, yeah, you know

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<v Speaker 2>what I mean. Yeah, talk about for you, man? How dope.

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<v Speaker 2>Has it kind of been to like when? Because I

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<v Speaker 2>feel like when you and I got into radio in

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<v Speaker 2>two thousand and five, and I think the first time

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<v Speaker 2>I might have saw you live is maybe like six

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<v Speaker 2>or seven. But I was like working at a radio

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<v Speaker 2>station in Phoenix when Neighborhood Music like popped off, Like

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<v Speaker 2>that ship was like a real wave. It was like

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<v Speaker 2>that you had the song Neighborhood Music. Yeah, yeah, you

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<v Speaker 2>had to bring out the freaking you. Trying to think

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<v Speaker 2>of all your radio singles that we played, those are

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<v Speaker 2>the ones that come to my mind better getting by

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<v Speaker 2>the God on the radio, barely getting by It was

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<v Speaker 2>dope for sure, for sure, And then obviously summer nights

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<v Speaker 2>and summer nights. But at that same time Magic had

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<v Speaker 2>Sexy Lady, and obviously and be Righters had what they

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<v Speaker 2>were doing. Is it dope to kind of be able

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<v Speaker 2>to like like be side by side with a guy

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<v Speaker 2>like Magic and be like, look how far we've come?

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<v Speaker 2>Like you know what I'm saying, Oh.

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<v Speaker 1>Yeah, yeah, we go way back too. Man, We've been

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<v Speaker 1>in San Diego because I believe he wanted to sign

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<v Speaker 1>me at one point or something like that. He wanted

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<v Speaker 1>to sign you yeah, I think so. Yeah, yeah, I

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<v Speaker 1>think so, and didn't work together and stuff, and I

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<v Speaker 1>ended up working with the same label and we ended

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<v Speaker 1>up Upstairs Things out yea Upstairs Records, Yeah yeah.

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<v Speaker 2>Yeah, yeah, I mean Upstairs Records had everybody.

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<v Speaker 1>So then we uh, you know, I would go out

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<v Speaker 1>to uh. I went to Phoenix to work with with

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<v Speaker 1>the Magic and we did California and City everyone knows.

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<v Speaker 1>So yeah, we worked together from the get go.

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<v Speaker 2>And then obviously even like a guy like Baby Bash

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<v Speaker 2>who's kind of turned into everyone's favorite, like high uncle.

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<v Speaker 1>Yeah, yeah, yeah, yeah. I was just saying, man, I

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<v Speaker 1>was on the way here, I was running a little

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<v Speaker 1>bit late, and I was dressing out a little bit,

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<v Speaker 1>so I started puffing on the joint that the Bash's

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<v Speaker 1>team gave me, so that cherry waves. So yeah, shout

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<v Speaker 1>out to Weed.

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<v Speaker 2>You gotta you just gotta make sure, you know.

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<v Speaker 1>Oh yeah, yeah, I don't smoke like that.

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<v Speaker 2>You got a few, You got a few hours to yourself.

0:09:02.480 --> 0:09:04.360
<v Speaker 1>You know, yeah, yeah, for sure, for sure.

0:09:04.400 --> 0:09:05.360
<v Speaker 2>So you're high right now.

0:09:05.840 --> 0:09:07.880
<v Speaker 1>That's a little a little bit good. A couple of

0:09:07.880 --> 0:09:08.600
<v Speaker 1>buffs and that's it.

0:09:08.679 --> 0:09:10.640
<v Speaker 2>What's your biggest market these days? Like what do you

0:09:10.640 --> 0:09:12.200
<v Speaker 2>know is like that one market like no matter what

0:09:12.240 --> 0:09:13.400
<v Speaker 2>they're showing out for you.

0:09:13.200 --> 0:09:15.160
<v Speaker 1>Well, I say, I would say Los Angelest man. And

0:09:15.160 --> 0:09:16.600
<v Speaker 1>it's so big too where you got you could do

0:09:16.600 --> 0:09:18.199
<v Speaker 1>a show over here and over here and over there,

0:09:18.240 --> 0:09:19.640
<v Speaker 1>and yeah, you like still rock.

0:09:19.679 --> 0:09:21.080
<v Speaker 2>There's so many little areas in l A.

0:09:21.280 --> 0:09:23.480
<v Speaker 1>Yeah, yeah, for sure market for me, man. So even

0:09:23.520 --> 0:09:25.280
<v Speaker 1>not with you know, hooking up with the Steve on

0:09:25.400 --> 0:09:28.040
<v Speaker 1>for this video and everything almost like shone love to

0:09:28.040 --> 0:09:29.040
<v Speaker 1>to La too, you.

0:09:29.000 --> 0:09:31.520
<v Speaker 2>Know, yeah, of course he's a legend.

0:09:31.600 --> 0:09:33.880
<v Speaker 1>Yeah, yeah, for sure, man. And uh you know talking

0:09:33.920 --> 0:09:37.080
<v Speaker 1>about getting stuck like like like it's a Friday, you know,

0:09:37.360 --> 0:09:38.920
<v Speaker 1>in traffic in l A. You know what I mean?

0:09:39.400 --> 0:09:41.439
<v Speaker 1>And you don't want to get stuck in life.

0:09:41.600 --> 0:09:42.760
<v Speaker 2>He directed did a new video.

0:09:43.200 --> 0:09:44.760
<v Speaker 1>Oh yeah, he directed the new video. Yeah.

0:09:44.840 --> 0:09:46.920
<v Speaker 2>Did you watch his Netflix documentary that?

0:09:47.080 --> 0:09:47.280
<v Speaker 1>Yeah?

0:09:47.559 --> 0:09:48.800
<v Speaker 2>Him a cartoon that was sick.

0:09:48.840 --> 0:09:51.520
<v Speaker 1>Yeah that cartoon? Did these for me? Man?

0:09:51.640 --> 0:09:52.800
<v Speaker 2>Twelve did the twelve eighteen?

0:09:53.080 --> 0:09:53.320
<v Speaker 1>Yeah?

0:09:54.200 --> 0:09:56.520
<v Speaker 2>That's how much was that? What did he did? He

0:09:56.600 --> 0:09:59.200
<v Speaker 2>hit you like peak, mister cartoon prices for those?

0:09:59.440 --> 0:10:01.480
<v Speaker 1>Uh, I don't remember, math. I think we were just

0:10:01.760 --> 0:10:04.280
<v Speaker 1>chilling and listening to some oldies and having a couple

0:10:04.280 --> 0:10:04.560
<v Speaker 1>of beers.

0:10:04.559 --> 0:10:06.480
<v Speaker 2>I feel like back then mister cartoon could have charged

0:10:06.559 --> 0:10:08.920
<v Speaker 2>anything for attaching rappers would have been like.

0:10:09.760 --> 0:10:11.400
<v Speaker 1>Yeah, no, I think I think it hooked me up

0:10:11.400 --> 0:10:13.400
<v Speaker 1>pretty nicely. Man. It was dope. Thank you for shout

0:10:13.440 --> 0:10:14.000
<v Speaker 1>out to cartoon.

0:10:14.240 --> 0:10:15.280
<v Speaker 2>Shout to mister cartoon.

0:10:15.400 --> 0:10:18.839
<v Speaker 1>Yeah yeah, been a minute, Been a minute for sure. Step.

0:10:18.840 --> 0:10:21.240
<v Speaker 1>I shot the cover for Neighborhood Music.

0:10:21.920 --> 0:10:22.800
<v Speaker 2>Damn, that's crazy.

0:10:22.920 --> 0:10:25.400
<v Speaker 1>I shot that. So that's back in two thousand and four. Man. Wow,

0:10:25.520 --> 0:10:26.959
<v Speaker 1>so we go way back to, you know.

0:10:27.200 --> 0:10:29.680
<v Speaker 2>Way back. Are you aware that like people kind of

0:10:29.679 --> 0:10:31.960
<v Speaker 2>look at you as like kind of like the the

0:10:32.080 --> 0:10:35.000
<v Speaker 2>j Z of Chicano rap. Do you like understand that

0:10:35.120 --> 0:10:37.720
<v Speaker 2>like that's because whenever we think about Chikino rap, like

0:10:37.760 --> 0:10:38.760
<v Speaker 2>you were the god of it.

0:10:38.800 --> 0:10:41.000
<v Speaker 1>Man. Yeah, no, I mean I hear it, man, But

0:10:41.120 --> 0:10:44.199
<v Speaker 1>you know, just always just like going to the studio

0:10:44.240 --> 0:10:46.640
<v Speaker 1>and doing my thing. Man. So that part doesn't really

0:10:47.440 --> 0:10:48.080
<v Speaker 1>doesn't really.

0:10:48.080 --> 0:10:50.240
<v Speaker 2>The noise and all the like extra shit doesn't really

0:10:50.320 --> 0:10:51.600
<v Speaker 2>come across your radar.

0:10:51.440 --> 0:10:53.240
<v Speaker 1>Not really, man. I mean it does, it comes across

0:10:53.280 --> 0:10:55.559
<v Speaker 1>my radar, but I don't really like it's kind of

0:10:55.559 --> 0:10:58.080
<v Speaker 1>like deflected kind of like a little bit because it

0:10:58.120 --> 0:11:00.920
<v Speaker 1>doesn't make it doesn't do me. Oh no, I've got

0:11:00.960 --> 0:11:04.360
<v Speaker 1>no opinion on it. You know. Yeah, that's a trip though,

0:11:04.360 --> 0:11:05.800
<v Speaker 1>But I don't look at myself like that, and I

0:11:05.880 --> 0:11:08.040
<v Speaker 1>just kind of like and I think maybe that's why

0:11:08.080 --> 0:11:10.319
<v Speaker 1>the people dig what I'm doing. I don't know, this

0:11:10.480 --> 0:11:10.839
<v Speaker 1>kind of.

0:11:10.760 --> 0:11:13.760
<v Speaker 2>Works, right, I always wonder coming from San Diego, there's

0:11:13.840 --> 0:11:16.040
<v Speaker 2>kind of like a weird like rivalry between San Diego

0:11:16.080 --> 0:11:16.480
<v Speaker 2>and La.

0:11:16.840 --> 0:11:17.319
<v Speaker 1>Uh huh.

0:11:17.360 --> 0:11:19.800
<v Speaker 2>But and same thing with Phoenix, Like Phoenix in LA

0:11:19.880 --> 0:11:21.920
<v Speaker 2>has this big rivalry, especially when it comes to sports,

0:11:21.960 --> 0:11:26.600
<v Speaker 2>but like La is always embraced you, always embraced magic

0:11:26.640 --> 0:11:29.600
<v Speaker 2>in such a crazy way for you, Like, was it

0:11:29.640 --> 0:11:31.160
<v Speaker 2>a little harder for you to be a guy from

0:11:31.200 --> 0:11:34.840
<v Speaker 2>San Diego and break like up top in La or

0:11:34.920 --> 0:11:36.640
<v Speaker 2>was it like pretty easy just because of what you

0:11:36.679 --> 0:11:37.040
<v Speaker 2>were doing?

0:11:37.200 --> 0:11:38.720
<v Speaker 1>Yeah? I think it was pretty easy just because of

0:11:38.760 --> 0:11:41.120
<v Speaker 1>what I was doing, you know. Yeah, But a big

0:11:41.160 --> 0:11:43.360
<v Speaker 1>part of me when I first started was a big

0:11:43.360 --> 0:11:45.599
<v Speaker 1>shout out to Spanish Flight from the Harbor area. I

0:11:45.600 --> 0:11:48.720
<v Speaker 1>would listen to them, man and always doug what they

0:11:48.760 --> 0:11:52.640
<v Speaker 1>were doing with the oldie samples and everything. So I

0:11:52.640 --> 0:11:54.240
<v Speaker 1>mean that's kind of like where I started. As so

0:11:54.840 --> 0:11:56.280
<v Speaker 1>you know, big shout out to La. I was just

0:11:56.320 --> 0:11:59.079
<v Speaker 1>in La music already too, you know. Yeah, but this

0:11:59.200 --> 0:12:02.840
<v Speaker 1>is way back in them like ninety ninety, at like

0:12:02.920 --> 0:12:03.760
<v Speaker 1>ninety or something like.

0:12:03.720 --> 0:12:06.800
<v Speaker 2>That, when the Chargers moved to LA Are you still

0:12:06.840 --> 0:12:07.600
<v Speaker 2>like a Charger fan?

0:12:07.800 --> 0:12:10.199
<v Speaker 1>Now? I pretty much stop watching football, man. You were

0:12:10.240 --> 0:12:12.360
<v Speaker 1>just like it when it was San Diego Chargers. That

0:12:12.440 --> 0:12:15.560
<v Speaker 1>was one thing, you know, Chargers, then you got you know,

0:12:15.600 --> 0:12:17.079
<v Speaker 1>you got other teams that live at Los Angeles.

0:12:17.120 --> 0:12:19.400
<v Speaker 2>I don't can just be so heartbroken. I couldn't imagine

0:12:19.440 --> 0:12:22.080
<v Speaker 2>like my football team leaving to like a different city.

0:12:22.160 --> 0:12:24.120
<v Speaker 1>Yeah. Well luckily I wasn't into it that much to

0:12:24.160 --> 0:12:26.800
<v Speaker 1>be like heartbroken, right right, right, Okay, that's fairss like whatever.

0:12:26.880 --> 0:12:29.520
<v Speaker 1>So now now I just yeah, I don't.

0:12:28.960 --> 0:12:30.400
<v Speaker 2>Padres Much's there?

0:12:30.720 --> 0:12:31.720
<v Speaker 1>The Padres man.

0:12:32.440 --> 0:12:34.840
<v Speaker 2>Who has the best Mexican food San Diego or La.

0:12:35.040 --> 0:12:35.240
<v Speaker 1>Yah.

0:12:35.280 --> 0:12:36.599
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<v Speaker 1>I don't know, but I'm like a taco shop type

0:15:10.800 --> 0:15:12.640
<v Speaker 1>of dude, like the San Diego taco shops, you know.

0:15:12.760 --> 0:15:17.200
<v Speaker 2>Yeah, I always tell everybody the best Mexican food. I

0:15:17.200 --> 0:15:19.960
<v Speaker 2>always look at proximity to the border. San Diego's got

0:15:20.000 --> 0:15:22.480
<v Speaker 2>the best Mexican food in my opinion. I don't think

0:15:22.520 --> 0:15:27.400
<v Speaker 2>it's close and then it's La and not the place. Yeah,

0:15:28.560 --> 0:15:30.080
<v Speaker 2>I always say San Diego is number one.

0:15:30.120 --> 0:15:31.840
<v Speaker 1>Though yeah I would say that too, But like I said,

0:15:32.080 --> 0:15:33.680
<v Speaker 1>I never I never ate it everywhere, you know what

0:15:33.720 --> 0:15:35.320
<v Speaker 1>I mean. So I don't know, you know, if I

0:15:35.320 --> 0:15:36.920
<v Speaker 1>didn't hit the right place in that later or something

0:15:36.960 --> 0:15:39.400
<v Speaker 1>like that, you know, yeah, I just like blame all

0:15:39.440 --> 0:15:40.440
<v Speaker 1>that later or something, you know.

0:15:40.720 --> 0:15:43.120
<v Speaker 2>And the best food I've ever eaten is in Tijuana.

0:15:43.400 --> 0:15:46.400
<v Speaker 2>Tijuana has the best fucking seafood I've ever had in

0:15:46.440 --> 0:15:48.600
<v Speaker 2>my life. Yet, Man, do you ever like, do you

0:15:48.600 --> 0:15:49.560
<v Speaker 2>make it over there to get like that?

0:15:49.640 --> 0:15:51.440
<v Speaker 1>I haven't been over there for a long time. Yeah.

0:15:51.480 --> 0:15:53.320
<v Speaker 1>I used to go to TJ when I was like sixteen.

0:15:54.080 --> 0:15:55.960
<v Speaker 2>Yeah, I got I don't have health insurance. I go

0:15:56.000 --> 0:15:57.760
<v Speaker 2>over there and get like you know, oh yeah, see

0:15:57.800 --> 0:15:58.240
<v Speaker 2>the dentist.

0:15:58.320 --> 0:15:59.800
<v Speaker 1>I used to go down there, man, when my first

0:16:00.120 --> 0:16:01.800
<v Speaker 1>record came out, Over the Night and the six one

0:16:01.880 --> 0:16:04.320
<v Speaker 1>nine and in Mexican Gangsters. That was in ninety two,

0:16:04.360 --> 0:16:08.120
<v Speaker 1>and I was out there outside of and you know,

0:16:08.160 --> 0:16:10.040
<v Speaker 1>passing on my records back then.

0:16:10.360 --> 0:16:13.840
<v Speaker 2>Yeah, sixteen years old and TJ passed your CD.

0:16:14.080 --> 0:16:15.920
<v Speaker 1>Yeah, my brother and then went up. I went up

0:16:15.920 --> 0:16:18.440
<v Speaker 1>into the show because there was I don't know, I

0:16:18.960 --> 0:16:21.040
<v Speaker 1>was performing that night, and it was Kid Froust and

0:16:21.920 --> 0:16:23.160
<v Speaker 1>I don't know, I don't know who it was, but

0:16:23.200 --> 0:16:24.880
<v Speaker 1>they all went in. But I was too young that

0:16:24.960 --> 0:16:27.280
<v Speaker 1>one of that name. But that's not my albums.

0:16:26.880 --> 0:16:29.680
<v Speaker 2>Man, damn. So your first album was ninety two.

0:16:30.080 --> 0:16:34.320
<v Speaker 1>My first it's a single, but just first songs. Yeah,

0:16:34.440 --> 0:16:37.440
<v Speaker 1>so first time you actually released any music anything.

0:16:37.840 --> 0:16:40.960
<v Speaker 2>Ninety two, Man, that's crazy to set tape in the

0:16:41.040 --> 0:16:43.080
<v Speaker 2>record longevity. Man.

0:16:43.360 --> 0:16:45.160
<v Speaker 1>Yeah, that's what I'm saying, man, And you can't I mean,

0:16:45.160 --> 0:16:47.080
<v Speaker 1>I couldn't plan for it. It's kind of happened that way,

0:16:47.200 --> 0:16:49.520
<v Speaker 1>you know. Yeah, but I appreciate it and everything.

0:16:49.560 --> 0:16:52.200
<v Speaker 2>Man, So what would be like and everything you said

0:16:52.200 --> 0:16:53.800
<v Speaker 2>earlier that you know, you kind of went through your

0:16:53.840 --> 0:16:56.320
<v Speaker 2>spouts with the not showing up the shows and maybe

0:16:56.360 --> 0:16:57.760
<v Speaker 2>taking advantage of this shit a little bit.

0:16:57.840 --> 0:16:59.200
<v Speaker 1>Yeah, yeah, yeah, exactly.

0:16:58.840 --> 0:17:02.160
<v Speaker 2>For Anny Young up and coming artists for you know,

0:17:02.200 --> 0:17:05.440
<v Speaker 2>you've obviously kind of made mistakes that you know, maybe

0:17:05.440 --> 0:17:06.960
<v Speaker 2>they can learn from. What would be some things you

0:17:06.960 --> 0:17:08.240
<v Speaker 2>would you would advise them?

0:17:08.359 --> 0:17:10.800
<v Speaker 1>Yeah, I made mistakes that I could learn from or

0:17:10.840 --> 0:17:13.280
<v Speaker 1>that I learned from, and other people's made mistakes towards

0:17:13.320 --> 0:17:15.760
<v Speaker 1>me that that I've learned from, you know what I mean.

0:17:15.840 --> 0:17:18.040
<v Speaker 1>So it's you know, never step on nobody's toes. I

0:17:18.080 --> 0:17:22.040
<v Speaker 1>don't burn no bridges because you never know. Man, be humble,

0:17:22.119 --> 0:17:24.680
<v Speaker 1>but either you are humble that you're not, you know

0:17:24.720 --> 0:17:26.359
<v Speaker 1>what I mean. So you can't act like you're humble.

0:17:26.920 --> 0:17:30.440
<v Speaker 1>You know, it's either you are or not. So and

0:17:30.840 --> 0:17:33.680
<v Speaker 1>just never never burned nobody, man, because you just never know, man, you.

0:17:33.640 --> 0:17:36.840
<v Speaker 2>Know, yeah, yeah, never burn a bridge and very.

0:17:37.080 --> 0:17:38.960
<v Speaker 1>Keep the word and everything. Man, I always keep the word,

0:17:39.560 --> 0:17:39.800
<v Speaker 1>you know.

0:17:40.240 --> 0:17:42.679
<v Speaker 2>And you're you were You came early today and I

0:17:42.720 --> 0:17:45.600
<v Speaker 2>was late, so you know, you know, and we're doing

0:17:45.640 --> 0:17:46.200
<v Speaker 2>this in the morning.

0:17:46.200 --> 0:17:47.200
<v Speaker 1>Oh yeah, yeah not office.

0:17:47.200 --> 0:17:49.119
<v Speaker 2>Sure, it was not very farm last night till too

0:17:49.160 --> 0:17:49.639
<v Speaker 2>in the morning.

0:17:49.680 --> 0:17:51.920
<v Speaker 1>So yeah, I just feeling from Vegas last night. Yeah,

0:17:52.119 --> 0:17:53.560
<v Speaker 1>and then went to go eat over here mama.

0:17:55.160 --> 0:17:57.360
<v Speaker 2>How Vegas is always a movie?

0:17:57.640 --> 0:17:59.359
<v Speaker 1>Yeah? That was dope at the House of Blues.

0:18:00.520 --> 0:18:03.240
<v Speaker 2>Was it you Magic Bash with someone else?

0:18:03.600 --> 0:18:04.359
<v Speaker 1>Magic Bash?

0:18:04.720 --> 0:18:07.720
<v Speaker 2>Jay Rocks tried to Jay Rocks. She's got a beautiful voice.

0:18:07.800 --> 0:18:12.240
<v Speaker 1>Yeah, I forget a couple of others, but yeah, what's

0:18:12.280 --> 0:18:13.120
<v Speaker 1>the film Ofrie?

0:18:13.160 --> 0:18:15.439
<v Speaker 2>You guys are doing so many shows together. Have you

0:18:15.480 --> 0:18:18.199
<v Speaker 2>ever considered doing like a best of both worlds or

0:18:18.320 --> 0:18:22.480
<v Speaker 2>like a West Side Connection type of album where it's

0:18:22.520 --> 0:18:25.200
<v Speaker 2>like you Bash and Magic and maybe it's like ten songs.

0:18:25.240 --> 0:18:27.640
<v Speaker 1>We're talking about doing some jazz, you know, that would

0:18:27.640 --> 0:18:29.240
<v Speaker 1>be crazy. We did a couple of games already, me

0:18:29.280 --> 0:18:31.639
<v Speaker 1>and Me and Magic, and uh, we have one that's

0:18:31.680 --> 0:18:33.760
<v Speaker 1>coming out on a Magic's album.

0:18:33.800 --> 0:18:35.320
<v Speaker 2>I guess well, you guys that did a record like

0:18:35.359 --> 0:18:37.480
<v Speaker 2>three or four years ago with that what's that his

0:18:37.600 --> 0:18:40.960
<v Speaker 2>name Cucko? I was gonna say Coco Ship, but that

0:18:41.080 --> 0:18:42.120
<v Speaker 2>song was fucking raw.

0:18:42.320 --> 0:18:43.240
<v Speaker 1>That went pretty big, man.

0:18:43.280 --> 0:18:46.000
<v Speaker 2>So that song was that was a beautiful song. Yeah, man,

0:18:46.080 --> 0:18:46.800
<v Speaker 2>that dude's sick.

0:18:47.280 --> 0:18:47.480
<v Speaker 1>Yeah.

0:18:47.760 --> 0:18:49.120
<v Speaker 2>Yeah, he's got a beautiful voice.

0:18:49.200 --> 0:18:51.240
<v Speaker 1>And that's the thing too, man. I was doing this

0:18:51.280 --> 0:18:53.960
<v Speaker 1>soth for Jay Rocks, did something for Spanish Fly I

0:18:54.000 --> 0:18:59.080
<v Speaker 1>stick tribe a little leaf from San Diego. Welse uh

0:19:00.240 --> 0:19:05.000
<v Speaker 1>uh I throw prestigio they want for them to check

0:19:05.040 --> 0:19:06.720
<v Speaker 1>it out. That's a good one man to a banda

0:19:06.880 --> 0:19:08.720
<v Speaker 1>you know, So shout out to you guys too, man.

0:19:10.320 --> 0:19:12.400
<v Speaker 2>But uh, I just got hit to a new dude

0:19:12.440 --> 0:19:13.800
<v Speaker 2>from San Diego. Have you heard of him? I think

0:19:13.800 --> 0:19:16.000
<v Speaker 2>his name is a little weirdo. Have you heard of him?

0:19:16.240 --> 0:19:17.880
<v Speaker 2>I got heard of him. Yeah, he's pretty dope.

0:19:17.920 --> 0:19:18.760
<v Speaker 1>That's good. It's good.

0:19:19.200 --> 0:19:22.240
<v Speaker 2>And then there's a god damn it, I can't think

0:19:22.240 --> 0:19:24.520
<v Speaker 2>of the kid's name. What's the kid's name from Ocean

0:19:24.560 --> 0:19:25.440
<v Speaker 2>Side that's doing.

0:19:25.240 --> 0:19:29.800
<v Speaker 1>The old school hollow great guy, yeah, very cool man.

0:19:29.880 --> 0:19:31.719
<v Speaker 1>So I liked what he was doing, so hit him up.

0:19:31.760 --> 0:19:34.040
<v Speaker 1>But I've done so many features lately where I thought

0:19:34.080 --> 0:19:35.560
<v Speaker 1>maybe it was just time to do my own, you

0:19:35.560 --> 0:19:36.000
<v Speaker 1>know what I mean.

0:19:36.119 --> 0:19:38.200
<v Speaker 2>Yeah, he's dope, man. I like how he's kind of

0:19:38.200 --> 0:19:42.359
<v Speaker 2>bringing back that like g funk and he's younger, like

0:19:42.400 --> 0:19:44.840
<v Speaker 2>he's like he's just like paying homage and he's doing

0:19:44.880 --> 0:19:47.800
<v Speaker 2>it in like a great way and super dope for sure.

0:19:47.840 --> 0:19:49.000
<v Speaker 2>Shot to ocean Side, man.

0:19:49.119 --> 0:19:50.560
<v Speaker 1>For sure. Seven six zero in the house.

0:19:50.680 --> 0:19:52.439
<v Speaker 2>Ocean Side is like a place you drive through on

0:19:52.440 --> 0:19:54.000
<v Speaker 2>your way to San Diego, but you don't realize if

0:19:54.000 --> 0:19:55.800
<v Speaker 2>you just get off the freeway, it's fucking gorgeous.

0:19:55.880 --> 0:19:57.000
<v Speaker 1>I'll be driving through tomorrow.

0:19:57.200 --> 0:19:59.120
<v Speaker 2>What is your chemistry like these days with a guy

0:19:59.160 --> 0:20:01.040
<v Speaker 2>like Fingers because finger for people who don't know he

0:20:01.119 --> 0:20:04.000
<v Speaker 2>had a run like Fingers, Really everyone.

0:20:03.800 --> 0:20:05.439
<v Speaker 1>That goes the Fingers man got to good get some

0:20:05.480 --> 0:20:07.080
<v Speaker 1>good jams man. So I already knew that he was

0:20:07.080 --> 0:20:09.240
<v Speaker 1>the person that I needed to go see.

0:20:09.400 --> 0:20:11.680
<v Speaker 2>So he's mainly handling Is it all the production or

0:20:11.680 --> 0:20:12.719
<v Speaker 2>a lot of the production on this?

0:20:13.119 --> 0:20:13.520
<v Speaker 1>All of it?

0:20:13.720 --> 0:20:15.640
<v Speaker 2>All of it, all of it? Man, that's dope. That's

0:20:15.800 --> 0:20:17.639
<v Speaker 2>I like that too, Like in hip hop or people

0:20:17.680 --> 0:20:20.720
<v Speaker 2>like lock in with one producer, because I feel like

0:20:20.760 --> 0:20:22.000
<v Speaker 2>it always makes the albums better.

0:20:22.119 --> 0:20:24.280
<v Speaker 1>It needs clean and he helps we write the hooks

0:20:24.320 --> 0:20:26.680
<v Speaker 1>and everything. Man, and I go whenever we knock it

0:20:26.720 --> 0:20:28.760
<v Speaker 1>out real quick, and then it will add his flavor

0:20:28.880 --> 0:20:30.520
<v Speaker 1>to it, and it's it's all to the good, you know.

0:20:30.880 --> 0:20:33.560
<v Speaker 2>Yeah, are you guys gonna are you going to put

0:20:33.560 --> 0:20:35.280
<v Speaker 2>it out and just see how the fans react? Are

0:20:35.280 --> 0:20:36.679
<v Speaker 2>you going to go to radio with this? Or like,

0:20:36.720 --> 0:20:37.359
<v Speaker 2>what's what's kind of.

0:20:37.320 --> 0:20:39.480
<v Speaker 1>The We got a plan going on, man, which you know,

0:20:39.480 --> 0:20:41.200
<v Speaker 1>I wasn't really ready for either, man, because at first

0:20:41.240 --> 0:20:42.960
<v Speaker 1>I was gonna throw it out just for the people,

0:20:43.000 --> 0:20:45.280
<v Speaker 1>you know. So now we're here doing you know, the

0:20:45.280 --> 0:20:47.440
<v Speaker 1>podcast thing and just doing little interviews here and there

0:20:47.480 --> 0:20:50.120
<v Speaker 1>and just doing it because this is what we do,

0:20:50.160 --> 0:20:53.000
<v Speaker 1>you know what I mean. And so yeah, we're gonna

0:20:53.000 --> 0:20:54.880
<v Speaker 1>put it out hopefully that the people love it. Man, spumping,

0:20:55.119 --> 0:20:57.919
<v Speaker 1>that's one of my favorite favorite things I put together

0:20:58.480 --> 0:20:59.160
<v Speaker 1>in a long time.

0:20:59.240 --> 0:21:00.560
<v Speaker 2>How long did it take get to record?

0:21:01.840 --> 0:21:01.959
<v Speaker 3>Uh?

0:21:02.280 --> 0:21:04.520
<v Speaker 1>Just three sessions? We did three sessions. They did eleven

0:21:04.560 --> 0:21:05.920
<v Speaker 1>songs real quick, man, you know.

0:21:05.960 --> 0:21:06.920
<v Speaker 2>Ship y'all work quick.

0:21:07.119 --> 0:21:08.919
<v Speaker 1>Yeah. Well, I get my stuff already ready in my

0:21:08.960 --> 0:21:10.880
<v Speaker 1>head and everything. So when I go to the studio.

0:21:10.520 --> 0:21:12.000
<v Speaker 2>And you already have to be. You know, it's crazy

0:21:12.040 --> 0:21:13.720
<v Speaker 2>because the new rappers don't do that no more. They

0:21:13.720 --> 0:21:15.600
<v Speaker 2>just show to the studio. They play like ten beats

0:21:15.640 --> 0:21:16.560
<v Speaker 2>and then they start humming.

0:21:17.359 --> 0:21:19.960
<v Speaker 1>Yeah both and I could do that too, but.

0:21:19.960 --> 0:21:22.320
<v Speaker 2>So you like to get the beats, have everything ready

0:21:22.320 --> 0:21:24.440
<v Speaker 2>so when you get in we're on business. I'm ready

0:21:24.440 --> 0:21:25.520
<v Speaker 2>to record. I already got.

0:21:25.440 --> 0:21:27.560
<v Speaker 1>Going and everything's ready to go, and I put thought

0:21:27.600 --> 0:21:29.760
<v Speaker 1>into my rhymes and you know, make sure they put

0:21:29.800 --> 0:21:32.560
<v Speaker 1>together when I'm spinning them right and all that have you.

0:21:33.560 --> 0:21:35.840
<v Speaker 2>How many people have little rob tattoos in the world

0:21:35.880 --> 0:21:38.040
<v Speaker 2>right now, I don't know, but I've seen a couple. Yea,

0:21:38.080 --> 0:21:40.560
<v Speaker 2>I've seen some. Yeah, yeah, that's got to be.

0:21:41.000 --> 0:21:44.000
<v Speaker 1>My autograph on the on their skin or whatever, or

0:21:44.080 --> 0:21:44.800
<v Speaker 1>just portraits too.

0:21:45.240 --> 0:21:46.760
<v Speaker 2>I was gonna say, if someone has a portrait of

0:21:46.800 --> 0:21:48.199
<v Speaker 2>your face on them and they come up to you,

0:21:48.280 --> 0:21:51.960
<v Speaker 2>that's got to be cool but also a little startling.

0:21:52.200 --> 0:21:55.800
<v Speaker 1>Yeah that's cool. Well, one chick wanted me to right

0:21:55.880 --> 0:21:57.399
<v Speaker 1>on their face, you know what I mean. But I

0:21:57.400 --> 0:21:58.000
<v Speaker 1>don't want to do that.

0:21:58.040 --> 0:22:00.800
<v Speaker 2>I would have been like this, don't you don't listen?

0:22:00.920 --> 0:22:02.919
<v Speaker 1>Thank you? Yeah, yeah, thank you, thank you.

0:22:03.520 --> 0:22:06.240
<v Speaker 2>But nah, you don't you don't want to ruin your life? Yeah, yeah, sure,

0:22:06.440 --> 0:22:10.640
<v Speaker 2>that's crazy. It's crazy just walking around with a little

0:22:10.680 --> 0:22:13.000
<v Speaker 2>rop tattoo on your face going to job interviews and

0:22:13.040 --> 0:22:13.920
<v Speaker 2>Ship explained it.

0:22:14.080 --> 0:22:15.640
<v Speaker 1>I don't understand, but that's cool.

0:22:16.160 --> 0:22:18.280
<v Speaker 2>Yeah, like you guys don't know a little rob this

0:22:18.359 --> 0:22:21.679
<v Speaker 2>is yeah what what where's the like? Like the portrait.

0:22:21.720 --> 0:22:23.679
<v Speaker 2>Ship's got to be pretty gnarly though, Like do you

0:22:23.720 --> 0:22:26.440
<v Speaker 2>like take their information and say, hey, I'm going to

0:22:26.760 --> 0:22:29.080
<v Speaker 2>like get you into the show or are you just

0:22:29.119 --> 0:22:30.520
<v Speaker 2>like hey, thank you? Uh?

0:22:30.720 --> 0:22:33.960
<v Speaker 1>That kind of reposted on my story and so yeah,

0:22:33.200 --> 0:22:35.880
<v Speaker 1>so I never really thought about I do a show,

0:22:35.920 --> 0:22:37.320
<v Speaker 1>but maybe that's a good idea. You know.

0:22:37.359 --> 0:22:39.560
<v Speaker 2>I feel like if someone gets there your face tattooed

0:22:39.560 --> 0:22:40.800
<v Speaker 2>on them, they should get into the show.

0:22:40.880 --> 0:22:41.440
<v Speaker 1>Yeah for sure.

0:22:43.000 --> 0:22:44.520
<v Speaker 2>Yo, what up, guys, we got to stop the interview

0:22:44.520 --> 0:22:46.520
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0:26:22.400 --> 0:26:24.119
<v Speaker 2>the interview. That's pretty gnarly.

0:26:24.160 --> 0:26:25.800
<v Speaker 1>We'll start that for next year, just do it.

0:26:25.960 --> 0:26:29.640
<v Speaker 2>Yeah, would you say the name of the new album.

0:26:29.480 --> 0:26:31.640
<v Speaker 1>Was also the wind On, because no matter what, it's

0:26:31.640 --> 0:26:34.520
<v Speaker 1>all to the wind On. I like that. Yeah, coming

0:26:34.560 --> 0:26:36.280
<v Speaker 1>out when November third?

0:26:36.480 --> 0:26:38.760
<v Speaker 2>November third November. Are you gonna do any like hard

0:26:38.760 --> 0:26:40.480
<v Speaker 2>copies so you can sell them on the road that

0:26:40.640 --> 0:26:42.920
<v Speaker 2>do the merch and all that you got the merchant together.

0:26:42.720 --> 0:26:44.720
<v Speaker 1>Yeah for sure. Yeah.

0:26:44.720 --> 0:26:46.960
<v Speaker 2>That's dope man. Well's dope to see you back making

0:26:47.000 --> 0:26:47.480
<v Speaker 2>new music.

0:26:47.640 --> 0:26:49.080
<v Speaker 1>Yeah, it's gonna be fun because you've been.

0:26:48.960 --> 0:26:50.960
<v Speaker 2>On the road just murdering it. How many shows a

0:26:51.040 --> 0:26:51.840
<v Speaker 2>year are we at right now?

0:26:51.920 --> 0:26:52.919
<v Speaker 1>I don't even pay attention.

0:26:52.960 --> 0:26:54.639
<v Speaker 2>If you have a guess, I mean, is it like

0:26:54.680 --> 0:26:55.640
<v Speaker 2>one hundred shows a year?

0:26:56.359 --> 0:26:57.920
<v Speaker 1>I'll just take that. Yeah, it's a lot.

0:26:58.040 --> 0:27:01.080
<v Speaker 2>It's a lot, dude. It's great man, you're here.

0:27:01.240 --> 0:27:02.880
<v Speaker 1>I mean a lot of West Coast, but then also

0:27:02.920 --> 0:27:07.520
<v Speaker 1>to New York and Uh, and well we had New

0:27:07.600 --> 0:27:11.159
<v Speaker 1>York and Atlanta and what is? What is?

0:27:11.600 --> 0:27:13.760
<v Speaker 2>I was gonna say, that is interesting because like you

0:27:13.760 --> 0:27:17.040
<v Speaker 2>wouldn't think like a New York show would be big

0:27:17.080 --> 0:27:19.320
<v Speaker 2>for a little rob. What are like like the fans

0:27:19.359 --> 0:27:20.760
<v Speaker 2>like in New York? You know what I mean? Like

0:27:20.800 --> 0:27:21.320
<v Speaker 2>that's different.

0:27:21.520 --> 0:27:23.000
<v Speaker 1>That was a good show too. When we parted the

0:27:23.040 --> 0:27:26.399
<v Speaker 1>house and in the Queens and Queens, that's that was

0:27:26.400 --> 0:27:28.240
<v Speaker 1>showing the queens. It was it was bumping.

0:27:28.640 --> 0:27:32.600
<v Speaker 2>I'm curious, do you are you hip? Like there's like

0:27:32.640 --> 0:27:36.760
<v Speaker 2>this whole Chicago subculture in Japan? Yeah, have they ever

0:27:36.760 --> 0:27:37.760
<v Speaker 2>booked you guys out there?

0:27:37.840 --> 0:27:40.080
<v Speaker 1>I went out there like a two thousand and five

0:27:40.400 --> 0:27:42.080
<v Speaker 1>I think with the Man for probably one of six

0:27:43.119 --> 0:27:46.000
<v Speaker 1>shout out to man, and we did a five city

0:27:46.040 --> 0:27:49.640
<v Speaker 1>tour in uh in Japan. I went to Uh.

0:27:49.840 --> 0:27:52.720
<v Speaker 2>They got low riders and ship out there. Yeah.

0:27:52.800 --> 0:27:55.800
<v Speaker 1>Yeah, some dude, Japanese dude put a pull up his

0:27:55.800 --> 0:27:59.040
<v Speaker 1>shirt on me for that Chicano on his on the stomach.

0:27:59.080 --> 0:27:59.960
<v Speaker 1>I was pretty crazy.

0:28:00.119 --> 0:28:00.720
<v Speaker 2>That is kind of.

0:28:02.320 --> 0:28:06.000
<v Speaker 1>Japan. Yeah, gangster too, man, you know.

0:28:07.760 --> 0:28:12.560
<v Speaker 2>Yeah, Oh ship shout out to uh Yeah, shouts of

0:28:12.600 --> 0:28:14.880
<v Speaker 2>that guy. Man, he's committed yeah, you know.

0:28:14.920 --> 0:28:15.520
<v Speaker 1>That for sure.

0:28:16.240 --> 0:28:20.000
<v Speaker 2>Hey, I miss some. You know, there's still like some

0:28:20.000 --> 0:28:22.000
<v Speaker 2>some car shows that are pretty big out there, the

0:28:22.040 --> 0:28:24.400
<v Speaker 2>Arizona Super Shows, big shots, my guy Kenny who does

0:28:24.400 --> 0:28:28.600
<v Speaker 2>it every year. But like the peak Lowrider Tour was

0:28:28.680 --> 0:28:31.879
<v Speaker 2>so crazy. Every year every rapper had their own like

0:28:32.200 --> 0:28:36.000
<v Speaker 2>booth set up. There was like half naked chicks everywhere.

0:28:36.560 --> 0:28:38.480
<v Speaker 2>There was the car show girls every I mean it

0:28:38.560 --> 0:28:42.240
<v Speaker 2>was wild. What is like the craziest Lowrider show story

0:28:42.280 --> 0:28:44.960
<v Speaker 2>you got? Because those things got pretty gnarly and like

0:28:45.040 --> 0:28:46.800
<v Speaker 2>I mean it in a really good way, but it

0:28:46.960 --> 0:28:48.000
<v Speaker 2>was it was great.

0:28:48.400 --> 0:28:50.920
<v Speaker 1>Yeah, well I guess, uh, I guess low leather show

0:28:50.960 --> 0:28:55.240
<v Speaker 1>that I had done. I guess something San Francisco. Yeah,

0:28:55.400 --> 0:28:59.200
<v Speaker 1>the cops moving for the bulletproof vest On, wow, because

0:28:59.200 --> 0:29:01.800
<v Speaker 1>it was that's going on. And uh but I had

0:29:01.800 --> 0:29:04.800
<v Speaker 1>the Neighborhood Music a summer Nights and so I went

0:29:04.880 --> 0:29:07.520
<v Speaker 1>up there to go perform that for them. And then uh, you.

0:29:07.480 --> 0:29:10.720
<v Speaker 2>Had was the threats just to the Southern California Northern California.

0:29:10.760 --> 0:29:13.960
<v Speaker 1>Yea, yeah, I got no problem within it. And I'm

0:29:13.960 --> 0:29:15.560
<v Speaker 1>not to show everybody a good time, man. You know,

0:29:16.000 --> 0:29:17.560
<v Speaker 1>when I when I'm on the stage of Rocky Brown

0:29:17.600 --> 0:29:20.640
<v Speaker 1>bandana represent Brown Pride, and and that means you know.

0:29:20.840 --> 0:29:21.560
<v Speaker 2>That means everybody.

0:29:21.560 --> 0:29:23.720
<v Speaker 1>Everybody, man, no matter where you're from, trip and you

0:29:23.720 --> 0:29:27.480
<v Speaker 1>know what I mean, I ain't doing that stuff. So

0:29:27.480 --> 0:29:29.280
<v Speaker 1>so yeah, I just bottles being thrown at me and

0:29:29.320 --> 0:29:30.719
<v Speaker 1>stuff at that. It was kind of crazy, man.

0:29:30.760 --> 0:29:31.520
<v Speaker 2>I threw bottles.

0:29:31.760 --> 0:29:34.040
<v Speaker 1>There's some soda on me to a couple of soda

0:29:34.080 --> 0:29:37.520
<v Speaker 1>on my half. My brim was dripping. Oh man, whatever.

0:29:37.560 --> 0:29:39.440
<v Speaker 1>But you know it's not everybody, man, it's a few

0:29:39.440 --> 0:29:42.000
<v Speaker 1>people that they might act that way. Man.

0:29:42.080 --> 0:29:43.920
<v Speaker 2>So I gotta I gotta show you this video real

0:29:44.000 --> 0:29:46.560
<v Speaker 2>quick because this is uh. This was in two thousand

0:29:46.560 --> 0:29:48.640
<v Speaker 2>and nine and Boise I was at Wild one on

0:29:48.760 --> 0:29:52.320
<v Speaker 2>one and this was me and you chugging a beer

0:29:53.080 --> 0:29:57.560
<v Speaker 2>stage at the Knitting Factory. And I looked like a

0:29:57.600 --> 0:29:59.520
<v Speaker 2>twelve year old because I was a twelve year old

0:30:00.080 --> 0:30:02.040
<v Speaker 2>twenty one maybe twenty.

0:30:02.840 --> 0:30:13.600
<v Speaker 3>This is has okay, dann get it done.

0:30:16.520 --> 0:30:20.200
<v Speaker 1>Oh wow, okay, ship That's what I waved back a

0:30:20.320 --> 0:30:24.480
<v Speaker 1>long time ago. Yeah, damn dude.

0:30:25.760 --> 0:30:29.520
<v Speaker 2>The Latin Lockdown Tour was that little Uno was the

0:30:29.560 --> 0:30:30.320
<v Speaker 2>Latin Lockdown Tour.

0:30:30.360 --> 0:30:31.760
<v Speaker 1>I think that was good one of them, man.

0:30:31.880 --> 0:30:33.800
<v Speaker 2>Yeah, I think that was Like I'm trying to think

0:30:33.840 --> 0:30:36.200
<v Speaker 2>who else was on that show. I want to say, uh,

0:30:37.400 --> 0:30:41.239
<v Speaker 2>the Superman guy. Brown Boy was shout to brown Boy Man,

0:30:41.280 --> 0:30:42.080
<v Speaker 2>I just ran into him.

0:30:42.160 --> 0:30:43.600
<v Speaker 1>Yeah yeah, don't sit in a minute.

0:30:43.680 --> 0:30:45.520
<v Speaker 2>Yeah yeah, look man, you're killing it. I'm glad to

0:30:45.520 --> 0:30:47.280
<v Speaker 2>see you guys on this on the on the road,

0:30:47.400 --> 0:30:52.040
<v Speaker 2>just showing artists like it's not all about just streaming,

0:30:52.280 --> 0:30:54.000
<v Speaker 2>you know what I mean. If you make real connections

0:30:54.040 --> 0:30:55.320
<v Speaker 2>with your fans, you can eat forever.

0:30:55.840 --> 0:30:57.680
<v Speaker 1>Yeah. Well, I'm just saying, like, like I said, I'm

0:30:57.720 --> 0:30:59.040
<v Speaker 1>just out having fun, you know what I mean, and

0:30:59.160 --> 0:31:01.720
<v Speaker 1>just probably or even wanting to see me still, you

0:31:01.760 --> 0:31:02.160
<v Speaker 1>know what I mean.

0:31:02.200 --> 0:31:04.960
<v Speaker 2>Yeah, making timeless music is important because you can you

0:31:04.960 --> 0:31:07.360
<v Speaker 2>can turn that into like long real longevity. Yeah, yeah,

0:31:07.400 --> 0:31:10.040
<v Speaker 2>for sure, because a lot of people can't do how

0:31:10.080 --> 0:31:12.120
<v Speaker 2>many however many shows a year you guys are doing.

0:31:12.120 --> 0:31:12.640
<v Speaker 2>It's crazy.

0:31:12.720 --> 0:31:14.880
<v Speaker 1>Yeah for a minute. For a minute, honestly, Ben, I was,

0:31:14.920 --> 0:31:16.920
<v Speaker 1>I didn't know what I was doing. Magic. I hit

0:31:17.000 --> 0:31:18.680
<v Speaker 1>us up for just if we want to go do

0:31:18.720 --> 0:31:20.800
<v Speaker 1>these shows and everything. Man, So I said, okay, cool,

0:31:20.880 --> 0:31:23.280
<v Speaker 1>let's do it. And then that's just kind of when

0:31:23.320 --> 0:31:25.440
<v Speaker 1>it started. But before that, like five years whatever. I

0:31:25.480 --> 0:31:26.520
<v Speaker 1>wasn't really doing too much.

0:31:26.720 --> 0:31:30.400
<v Speaker 2>Yeah, no, shout out to Magic. Magic's visionary. He's got

0:31:30.400 --> 0:31:32.520
<v Speaker 2>that for people who don't know. If you go to

0:31:33.600 --> 0:31:37.600
<v Speaker 2>any EMC Magic show even uh, I want to say,

0:31:37.640 --> 0:31:40.360
<v Speaker 2>even when you were performing, he's standing on the side

0:31:40.360 --> 0:31:42.920
<v Speaker 2>of the stage running the show with his son. Oh

0:31:43.040 --> 0:31:46.280
<v Speaker 2>yeah yeah yeah, Like Magic's just standing there. There's the

0:31:46.320 --> 0:31:49.840
<v Speaker 2>graphics and like him and his kid are like handling everything.

0:31:50.040 --> 0:31:52.720
<v Speaker 1>Yeah, it's crazy. After sure, I got the whole family.

0:31:52.880 --> 0:31:55.000
<v Speaker 1>That's a family affair thing going on, man. And uh,

0:31:55.360 --> 0:31:57.080
<v Speaker 1>you know, I mean lately I've been taking my son too,

0:31:57.080 --> 0:32:00.320
<v Speaker 1>he's four years old. Even Rocket summer. Nice. Oh that's dope, man, man, Yeah,

0:32:00.320 --> 0:32:01.440
<v Speaker 1>have you be taking my family with me?

0:32:01.760 --> 0:32:02.000
<v Speaker 2>Four?

0:32:02.120 --> 0:32:02.760
<v Speaker 1>You know when I can?

0:32:02.840 --> 0:32:06.000
<v Speaker 2>Yeah, they say, I think that's you know when people

0:32:06.000 --> 0:32:08.240
<v Speaker 2>say terrible twos, I really think it's terrible force. Yeah,

0:32:08.760 --> 0:32:10.280
<v Speaker 2>because they think they're like a little grown up.

0:32:10.320 --> 0:32:11.840
<v Speaker 1>Yeah, thanks to me.

0:32:12.000 --> 0:32:14.160
<v Speaker 2>Yeah, when someone's for they like they the kids start

0:32:14.200 --> 0:32:15.720
<v Speaker 2>to think they're like, you know somebody.

0:32:15.840 --> 0:32:17.400
<v Speaker 1>I took them out on the stage with me at

0:32:17.400 --> 0:32:20.640
<v Speaker 1>the uh at the Long B Show, Bobby D Show,

0:32:21.000 --> 0:32:23.320
<v Speaker 1>Bobby D. Yeah, and it was uh so I took

0:32:23.360 --> 0:32:24.600
<v Speaker 1>him out there and I had them in my arms.

0:32:24.600 --> 0:32:25.800
<v Speaker 1>He was three years old, and I put him on

0:32:25.800 --> 0:32:27.600
<v Speaker 1>my arms and just just carrying them out. I did

0:32:27.640 --> 0:32:29.280
<v Speaker 1>summer nights and everything, and then I put them down.

0:32:29.280 --> 0:32:31.480
<v Speaker 1>He started rocking the MC by himself and go, okay,

0:32:31.680 --> 0:32:34.200
<v Speaker 1>so that's that's way cool.

0:32:34.280 --> 0:32:35.240
<v Speaker 2>It's a real little rob.

0:32:35.560 --> 0:32:37.320
<v Speaker 1>Yeah. Yeah, they're a bit rob. Yeah for sure.

0:32:37.400 --> 0:32:40.920
<v Speaker 2>No, yeah, all right. The album's coming out November.

0:32:40.720 --> 0:32:43.600
<v Speaker 1>November, November third, yeah, yeah, all to the all to

0:32:43.680 --> 0:32:45.560
<v Speaker 1>the go check it out. I got a single out.

0:32:45.560 --> 0:32:48.480
<v Speaker 1>It's called too Much right now a bottles they be

0:32:48.560 --> 0:32:51.480
<v Speaker 1>talking too much. And then, uh, in that moment in time,

0:32:51.560 --> 0:32:52.120
<v Speaker 1>right now.

0:32:52.280 --> 0:32:55.480
<v Speaker 2>And right now, tons of shows you can probably whatever

0:32:55.560 --> 0:32:58.080
<v Speaker 2>city you're in, especially if you're anywhere near the West Coast.

0:32:58.120 --> 0:32:59.200
<v Speaker 2>I'm sure you're gonna be coming soon.

0:32:59.280 --> 0:33:01.520
<v Speaker 1>Oh yeah, yeah, sure. I'll be back at Pomona in

0:33:01.720 --> 0:33:05.600
<v Speaker 1>Los Angeles, I think in November, I think, and then

0:33:06.160 --> 0:33:08.560
<v Speaker 1>but uh yeah, I'll be in saulx City this weekend

0:33:08.560 --> 0:33:09.200
<v Speaker 1>and on Saturday.

0:33:09.280 --> 0:33:11.120
<v Speaker 2>Shout out to the Mormons, man, Yeah for sure, man,

0:33:11.240 --> 0:33:13.840
<v Speaker 2>choose the right. Yeah, I appreciate you, brat you man,

0:33:13.880 --> 0:33:16.280
<v Speaker 2>thank you man. All right, but dot thank you what's

0:33:16.320 --> 0:33:17.719
<v Speaker 2>going on, man. I want to shout out to our

0:33:17.720 --> 0:33:20.960
<v Speaker 2>family a hard Dean for presenting to you another interview.

0:33:21.360 --> 0:33:23.560
<v Speaker 2>All right, there's another interview coming tomorrow and the next

0:33:23.640 --> 0:33:25.520
<v Speaker 2>day and the next day. Shout out to Hardeen though.

0:33:25.480 --> 0:33:27.800
<v Speaker 2>If you're in Las Vegas, man, the number one dispensary

0:33:27.800 --> 0:33:30.080
<v Speaker 2>in the world. They are our family. There are brothers,

0:33:30.240 --> 0:33:32.000
<v Speaker 2>there are fucking dogs over there, man.

0:33:32.040 --> 0:33:32.479
<v Speaker 1>We love them.

0:33:32.480 --> 0:33:33.959
<v Speaker 2>They always are taking care of us, and they'll take

0:33:33.960 --> 0:33:35.560
<v Speaker 2>care of you if you go to Hardean in Vegas.

0:33:35.680 --> 0:33:37.800
<v Speaker 2>Let's say you're landing in Vegas. You're gonna go watch

0:33:37.800 --> 0:33:39.960
<v Speaker 2>the Raiders. You're gonna go watch a Vegas show. Whatever.

0:33:40.160 --> 0:33:42.880
<v Speaker 2>Getting that TAXI tell them straight up, take me to Hardean.

0:33:42.920 --> 0:33:44.440
<v Speaker 2>When you get to Hardean, they will get you hooked

0:33:44.480 --> 0:33:47.880
<v Speaker 2>up with the craziest uh just variety and selection of

0:33:47.920 --> 0:33:50.360
<v Speaker 2>premium cannabis on the planet. And if you tell them

0:33:50.400 --> 0:33:52.520
<v Speaker 2>you heard about us on the on the Bootleg cap show,

0:33:52.520 --> 0:33:54.320
<v Speaker 2>you say, hey, Hardean, I heard about y'all on the

0:33:54.320 --> 0:33:56.960
<v Speaker 2>Bootleg Cab podcast. They're gonna take care of y'all. All right,

0:33:57.040 --> 0:33:59.800
<v Speaker 2>So go follow them hard Dean Underscore Las Vegas on

0:33:59.800 --> 0:34:02.520
<v Speaker 2>all social media and check them out. Hardean Las Vegas

0:34:02.760 --> 0:34:04.479
<v Speaker 2>dot com. What's up Hardean