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Speaker 1: Welcome back.

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Speaker 2: So we had part two of the Big U indictment

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Speaker 2: that also involves a couple of hosts from No Jumper,

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Speaker 2: and we're just going to kind of continue to go

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Speaker 2: down the road of trying to understand how we got

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Speaker 2: to where we are now. I do want to say this,

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Speaker 2: there's so many layers in this there's no way I

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Speaker 2: can go over it in this podcast.

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Speaker 1: I would probably have to do a documentary really.

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Speaker 2: Sitting down with someone and come up with some actual

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Speaker 2: talking points and professionally put it together. But for the

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Speaker 2: sake of the podcast, we want to kind of just

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Speaker 2: deal with the hot topics of what's going on, hopefully

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Speaker 2: leave some game next to some of this shit. But

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Speaker 2: as we were speaking about Whack one hundred and brick

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Speaker 2: Baby found themselves several times having public discord about private matters.

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Speaker 2: And so I like to tell young people who get money,

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Speaker 2: who hustle us entrepreneurs who may have been weak and

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Speaker 2: emotionally triggered and rage baited at different points in their life,

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Speaker 2: that you can no longer do that. When you get

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Speaker 2: in position that you've been asking God to bless you for,

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Speaker 2: you can no longer respond like you used to. I

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Speaker 2: tell people you don't get the same version of me

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Speaker 2: if God has blessed me on this level, so you're

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Speaker 2: not gonna be able to give people the same version

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Speaker 2: of you. I would have smacked you for that, But

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Speaker 2: now I'm gonna pray for you. I'm gonna pray for

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Speaker 2: you as long as you don't harm me and hurt

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Speaker 2: nobody I love. But outside of that, I'm gonna stay

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Speaker 2: away from you and pray for you. My energy is hiding,

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Speaker 2: my frequency is high, and I'm trying to get some money,

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Speaker 2: so I don't want nobody drawing me into this back

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Speaker 2: and forth bulld shit like I would think that even

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Speaker 2: if I've done this for a month, two months, there's

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Speaker 2: no way you're gonna have me going back and forth

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Speaker 2: with you for three years straight. That's not gonna happen.

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Speaker 2: We gonna crash or something. We're gonna see each other

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Speaker 2: like three years straight and you just keep get to

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Speaker 2: do that. Ain't gonna be able to do it like that.

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Speaker 2: We ain't gonna be able to do it like that.

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Speaker 2: I also know if you in big U situation, it

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Speaker 2: come with a lot of power. Like see, some of

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Speaker 2: y'all don't know what it's like to control the ugly

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Speaker 2: coner like that shit come with some power. A lot

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Speaker 2: of them big homing nigs be abusing that shit. And

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Speaker 2: I'm not saying big you dumb, but a lot of

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Speaker 2: be abusing the little homits. They big overcharging them for shit,

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Speaker 2: like they just kind of be rough on them because

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Speaker 2: they know they look at them a certain way and

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Speaker 2: they need them and validation exists on their stem and

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Speaker 2: so they utilize that as a tool. Now, I don't

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Speaker 2: want to completely push back on making it check in

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Speaker 2: and texting. For shooting videos in the neighborhood, you gotta

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Speaker 2: go get a permit from the state to shoot the video,

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Speaker 2: and they don't. They don't got nothing to do with

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Speaker 2: the video, but they make some money. If I'm coming

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Speaker 2: to shoot the video in this area, tell me why

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Speaker 2: that is. We'll get to that later. I also think

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Speaker 2: it's interesting if we really want to drill it down

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Speaker 2: and say, Yo, what really does gang intervention look like?

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Speaker 2: Big U has been arrested and the allegations are that,

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Speaker 2: you know, he was extorting people and basically it was

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Speaker 2: under the guys that Yo, if something happened to you,

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Speaker 2: I'll get your money back and you don't got to

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Speaker 2: pay me no more? Well, what is gang intervention? What

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Speaker 2: happens when someone takes something from you and I can

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Speaker 2: go get it. Am I supposed to do that for free?

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Speaker 2: And I'm supposed to go put me and my family

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Speaker 2: homes way for free? They done took seventy thousand from

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Speaker 2: this nigga, and I'm finna send a couple.

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Speaker 1: Of niggas that'll make that right? Is that supposed to

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Speaker 1: be for free?

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Speaker 3: Now?

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Speaker 2: When they saying that he would set people up, that's

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Speaker 2: a totally different thing. But we're just talking about what

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Speaker 2: does gang intervention look like when we deal with some

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Speaker 2: of the more violent neighborhoods in America? Like, what does

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Speaker 2: it really look like? I think we have to have

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Speaker 2: a real conversation, right, you have to have people who

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Speaker 2: had walked that path to even have the respect to

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Speaker 2: have their words honored in a way that the need

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Speaker 2: to be for them to even be effective.

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Speaker 1: That's number one.

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Speaker 2: Then number two, you have to also deal with what

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Speaker 2: does it look like like practical, not in the boardroom,

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Speaker 2: not on the paperwork, Like, what does it look like

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Speaker 2: when something has just happened Little Ronnie just shot little

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Speaker 2: Tony and now somebody got a step involved. Unfortunately, for

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Speaker 2: black people, you gotta rule with an iron fist, and

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Speaker 2: that's unfortunate. But you gotta be hard on black folks.

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Speaker 2: They gotta know violence is on the table at all time.

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Speaker 2: If they don't know that, they don't move right. You

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Speaker 2: will see a niggack a certain way to the police

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Speaker 2: show up because he knowed violence and jail is on

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Speaker 2: the table. I'm still amazed that Big You turned yourself in.

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Speaker 2: That still is like, that still has me flabbergas that

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Speaker 2: I'm floored at the fact that he went and turned

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Speaker 2: hisself in. I mean again, that speaks volumes. Big You

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Speaker 2: had his seat belt on in the video while he

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Speaker 2: was a fugitive. Come on, now, Big you had a

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Speaker 2: seat belt on in the video when he was a fugitive.

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Speaker 2: They calling him a fugitive. He talking on the thing

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Speaker 2: with a seat belt on. Man, listen, turning itself in,

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Speaker 2: you know, I mean, I guess that's the right thing

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Speaker 2: to do if someone in the neighborhood had this platform.

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Speaker 2: Because we're about to look at no jumper as they

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Speaker 2: speak about the Big U indictment involving brick Baby. I

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Speaker 2: haven't put a name on it yet. But that's a

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Speaker 2: feeling associated with how no Jumper and Adam I think

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Speaker 2: how he responds to these kind of events. That's something

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Speaker 2: that that feels sticky. It just it doesn't feel the best.

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Speaker 2: Let's take a look at a discussion that Academics was

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Speaker 2: having with Whack one hundred, because Academics is kind of

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Speaker 2: saying the same thing I'm seeing where it's like, Yo,

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Speaker 2: you drilled this narrative into the ground for three years

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Speaker 2: going at be you.

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Speaker 1: Let's pay attention to what academic.

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Speaker 4: Said created crush groove. We created that. I had contracts

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Speaker 4: with Nick Masters, the Live Nation. I would cut big

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Speaker 4: U in so broke it eat because we were showing

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Speaker 4: him how to hustle in the industry.

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Speaker 5: Or he left. He wasn't in the industry.

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Speaker 4: It was key to rock from six to oh it

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Speaker 4: was it was SMAC from six sold the industry.

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Speaker 5: Guys right, there was no big U.

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Speaker 4: So when he came home, we embraced him, set him

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Speaker 4: at the table, and we plugged him everywhere. This is

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Speaker 4: why when I stepped away from him, all the industry

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Speaker 4: went away from him.

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Speaker 6: You really feel like that that's a fact. Everybody go

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Speaker 6: to twenty twenty one. I feel like a lot of

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Speaker 6: people think it was the inverse of that. I know

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Speaker 6: a lot of people stopped going with you.

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Speaker 5: Oh me, our plugs ain't stopped. You know.

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Speaker 6: That definitely felt like you became a lot more controversial

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Speaker 6: in the industry.

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Speaker 2: Yeah, but see Adam right here is you're confusing it.

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Speaker 2: You're confusing the business with the popularity. His popularity went down,

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Speaker 2: but his infrastrutuction, his business, it's probably stayed in tech.

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Speaker 2: And that's kind of what I've been speaking on. When

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Speaker 2: I say Whack one hundred lost seventy percent of itself by.

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Speaker 1: Effectively getting Big U.

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Speaker 2: Out the paint, I'm not necessarily speaking about his business.

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Speaker 2: I'm speaking about his popularity, his respect, the avenues that

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Speaker 2: were available for him to do business. And it wasn't

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Speaker 2: just Big You. It was this whole power up that

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Speaker 2: he had to do to face Big You. He had

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Speaker 2: the power up, but he ruined a lot of relationships

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Speaker 2: along the way, changing his whole business structure and his

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Speaker 2: approach in the market. Like we talk about twenty one Savage,

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Speaker 2: we talk about like you can name fifteen different that clubhouse.

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Speaker 2: Whack one hundred got him on Clubhouse they had some

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Speaker 2: kind of relationship prior to that, and it blew up

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Speaker 2: on clubhouse and it's just that on that and so

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Speaker 2: Whack one hundred had to reinvent himself in a way

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Speaker 2: to be able to have this public discourse against Big U.

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Speaker 1: And it was effective. Pay attention because of what?

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Speaker 3: Because of you?

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Speaker 7: I'm gonna take it as.

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Speaker 5: I was always bro.

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Speaker 4: He had no contracts, right, it's only artist that gotta

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Speaker 4: deal me in Game got him the deal.

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Speaker 5: He screwed it up, right.

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Speaker 4: You got a dude to struggling to try to keep

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Speaker 4: his home from getting tooken and all this other crazy stuff.

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Speaker 5: Wat was af DJK Schlake. That's me.

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Speaker 4: We put him with t I Smac Plug on my

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Speaker 4: artists on my side. When he needed scooty bikes for

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Speaker 4: the kids giveaway? Who supplied?

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Speaker 5: Yo?

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Speaker 4: Could you get game to promote my football league? Who

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Speaker 4: got that done?

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Speaker 5: Right? Yo? Could you help me get nip go on

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Speaker 5: towards Who got that done?

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Speaker 4: Let's talk about it like bro, he has no real

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Speaker 4: connects in the industry.

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Speaker 1: I think here's a good question for Whack one hundred.

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Speaker 2: If we're gonna believe all of the paperwork and some

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Speaker 2: of the tactics that they say Big U utilizes on people.

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Speaker 1: Because if we're taking the fears at.

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Speaker 2: Their word, no donation is genuine, no move that's being

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Speaker 2: made on behalf of Big U is genuine. There's a

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Speaker 2: lot of extortion going on. There's a lot of bullying

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Speaker 2: going on. So my question to Whack is, when you

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Speaker 2: list off a lot of these things that you've done

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Speaker 2: for Big.

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Speaker 7: You, what.

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Speaker 2: Was it ever a feeling of extortion? The Big You

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Speaker 2: ever hit you with the yeah, make it happen. You

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Speaker 2: see what I'm saying, because you you name off a

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Speaker 2: lot of shit.

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Speaker 1: You've done for him.

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Speaker 2: You know, you bought the kids this, you send money there,

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Speaker 2: you got the even to perform here. I send it like,

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Speaker 2: that's a lot of work being done. And if we're

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Speaker 2: taking the fears at what they say, Big You making

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Speaker 2: it do work. So I guess that's a question I

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Speaker 2: leave out to the internet. Let's pay attention to some more.

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Speaker 6: Zero And You've always kind of been resentful of the

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Speaker 6: fact that people treat him as if he's kind of

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Speaker 6: on your line.

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Speaker 4: I'm not resentful that he ain't got more money than me.

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Speaker 4: He ain't got no play, he has no plaques, he

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Speaker 4: don't have no resources.

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Speaker 5: He has no Stamford. What he was talking about.

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Speaker 8: Different like, I mean, it ain't my level with no

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Speaker 8: damnit music industry. White's like one of the most.

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Speaker 6: I mean, Big You hasn't had successes in the entertainment world.

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Speaker 6: People act like he does, but put it around it.

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Speaker 6: He just like one documentary style show that was my show.

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Speaker 5: I gave it to him. They begged me for eighteen months.

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Speaker 4: That's the homie from Compy Paul Rugs show, Jim Bob.

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Speaker 4: Jim Bob came to me for eighteen months, him and

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Speaker 4: the run of the writers for Power begging me to

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Speaker 4: do it. I didn't want to do it, no disrespect

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Speaker 4: because I didn't want the segment to end with music

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Speaker 4: with me always told myself, when I do that type

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Speaker 4: of style thing, I want to have my other thing

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Speaker 4: going on right, which like now I can do it

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Speaker 4: because it's going on right.

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Speaker 5: But I said, Jim, but I no disrespect. That's a cheat, homie.

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Speaker 5: But I said, go have Big You do it. He

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Speaker 5: eat it up. He's looking for the life.

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Speaker 8: But wait, let me ask you a couple questions because

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Speaker 8: I gonna lie. It was reading through the entire indictment.

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Speaker 8: I was fucking flabbergast of just how accurate. And I'm

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Speaker 8: not gonna lie. You said these things. And all these

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Speaker 8: guys that you're in They're like, what are you talking about?

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Speaker 9: What?

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Speaker 7: Akks? What this nig I'm reading through this shit. I'm like,

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Speaker 7: this wack is on the money.

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Speaker 5: June twenty, twenty twenty three, he got how do you

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Speaker 5: find out about that?

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Speaker 10: Though?

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Speaker 4: Okay, I'm gonna keep it one honey, Could I tell

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Speaker 4: how I found out about it?

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Speaker 3: Whatever you want to say.

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Speaker 4: Okay, a certain person's wife is intimate with a par root.

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Speaker 5: You know what? The truth par root dead homies when

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Speaker 5: I come off with our facetoped.

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Speaker 7: But that's how you really found out.

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Speaker 5: When he went to jail, she called her significant others.

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Speaker 3: I think it was like an ex boyfriend.

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Speaker 4: Ain't no, no, no, ain't no ex boyfriend, because I

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Speaker 4: know my homeboy and I know his situation.

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Speaker 5: Right.

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Speaker 4: It's Little John's Hodie. Little John know I'm talking about.

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Speaker 4: He's a very well known dude. He's tied to a

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Speaker 4: bunch of people, right. So when he went I get

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Speaker 4: the call, he said, hey, you know that boy called up?

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Speaker 5: Said who that?

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Speaker 7: Whoop?

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Speaker 4: I said, how you know, he said, you know, I said, oh, okay,

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Speaker 4: you said, he said, I'm an send you this info.

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Speaker 4: They come in, they catch him with a K. She

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Speaker 4: gonna know because she at home. They catch him with

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Speaker 4: a k. This is how I knew. This is why

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Speaker 4: when Brick was saying in one of these rooms having

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Speaker 4: a tantrum, I don't know how cos be knowing he

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Speaker 4: don't support these shit. That's because you got a leak

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Speaker 4: in your water bed. I don't wake up and say

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Speaker 4: I the danky while he was still in there umb

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Speaker 4: old club.

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Speaker 5: House saying it.

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Speaker 3: Gonna lie.

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Speaker 11: Man.

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Speaker 5: I called the date. I called the date the year.

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Speaker 5: I told you what caliber.

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Speaker 7: It makes it?

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Speaker 3: You know?

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Speaker 7: Actually I got a question for Adam on.

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Speaker 8: Because, like even reading the whole thing, and this is

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Speaker 8: what they call the Big U Enterprise, And even when

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Speaker 8: brick Baby comes up here to work, even certain conversations

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Speaker 8: being allowed on this platform do here pull you to aside,

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Speaker 8: Like again not saying that it would be the cause

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Speaker 8: of it, but it's exascerbating it, right, So adding context,

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Speaker 8: like all the time y'all are come in here, and

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Speaker 8: y'all a literally y'all expect I mean, there's a part

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Speaker 8: where they're like, hey, we knew this, but then on

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Speaker 8: the note Jumper podcast they corroborated it, and I'm.

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Speaker 6: Like, no, definitely, And just because I have it pulled up,

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Speaker 6: I really want to just play this one clip that

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Speaker 6: has been going kind of viral that's like generally.

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Speaker 2: See even this, right, Adam, I'm coming up there, but

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Speaker 2: even this, this nasty behavior. It's a room full of

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Speaker 2: it that don't know this is nasty behavior. Now granted

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00:14:15,200 --> 00:14:18,800
Speaker 2: it's already out, He's gonna proceed the play a clip

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Speaker 2: of Loose Cannon basically incriminating Big U on this platform.

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Speaker 2: Even academics is saying, bro, you're still doing this right,

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Speaker 2: So we gonna get to the business behind all of this,

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Speaker 2: because I think people really have this distance between people

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Speaker 2: understanding exactly why things happen and what's happening. So it

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Speaker 2: can get blurry because so many people are profiting off

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Speaker 2: this shit. You got so many different narratives coming out

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Speaker 2: to defend it.

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Speaker 1: But the truth is the truth.

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Speaker 2: When you get these gang bangers talking like this on

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Speaker 2: these platforms, there's inevitable consequence. What happens is a lot

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Speaker 2: of these individuals like Adam academics whack and they know

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Speaker 2: these dudes do not understand delayed consequence. They don't get it,

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Speaker 2: and so they play real close to the sideline, real

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Speaker 2: close to the sideline. They're flying real close to the sun, right,

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Speaker 2: And so we're gonna continue to watch Adam twenty two.

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Speaker 1: Pay attention.

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Speaker 6: It considered to be like the most federal clip that

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Speaker 6: anybody on the podcast has ever had. This is Louis Cannon.

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Speaker 12: Basically, it's like cuz he'll be like here, he's talking

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Speaker 12: about things like we're going into something, and it's saying

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Speaker 12: that we do it too.

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Speaker 13: Show up to the house like ten minutes later when

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Speaker 13: we trying to you know, counting.

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Speaker 9: Everything right, and we were like, how.

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Speaker 13: Just give him like forty thousand dollars back and stuff

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Speaker 13: like that.

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Speaker 9: But Cousins actually putting us in.

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Speaker 13: Paperwork, right and like doing like real police shit. I've

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Speaker 13: seen it get like twenty guns. And when he got

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Speaker 13: twenty guns, he's selling them to the hommies. But he

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Speaker 13: I'm like, why are you writing down the serial numbers?

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Speaker 9: So it's like he was doing like.

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Speaker 2: You see whacking Adam. You see whacking academics laughing. They

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Speaker 2: know they got in the trick bag, look at him.

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Speaker 2: They know they got in the trick bag, watched it.

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Speaker 9: I'm like, why are you writing down to serial numbers?

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Speaker 13: So it's like he was doing like shit like that

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Speaker 13: and I didn't catch on. So it was like, I'm

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Speaker 13: waking up.

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Speaker 3: Man.

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Speaker 11: You get what I'm saying.

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Speaker 1: Because I'm his.

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Speaker 11: Right hand man.

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Speaker 9: You get what I'm saying.

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Speaker 13: So when it came down to like dirt and stuff

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Speaker 13: like that, I'm gonna get it.

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Speaker 5: Do you get what I'm saying?

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Speaker 6: And then like people are pretty sad because almost that

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Speaker 6: exact thing is listed and don't.

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Speaker 7: Let me go back to what you actually conversation.

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Speaker 4: Yeah, this is why when Louce Cannon was calling me

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00:16:51,160 --> 00:16:54,520
Speaker 4: about with six hundred was doing, I'm looking at the

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00:16:54,520 --> 00:16:57,080
Speaker 4: phone like you can't be serious.

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Speaker 5: Six hundred then made a video with him saying.

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Speaker 4: What he was saying two seconds later and put that,

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00:17:07,480 --> 00:17:10,479
Speaker 4: so you're called me about what six hundred saying, Brody,

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00:17:10,520 --> 00:17:12,240
Speaker 4: how you forgot the things you're saying?

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Speaker 7: So basically, though they both was a man that they

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00:17:14,520 --> 00:17:15,680
Speaker 7: were saying police shit.

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Speaker 5: Six hundred wasn't saying police shit because.

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Speaker 3: He was trying to contradict you.

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Speaker 5: Was trying to say six hundred was reporting what was

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Speaker 5: on internet. That was on the internet.

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Speaker 3: That's his own person on that story that he lived.

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Speaker 4: I know how to protect my team. How did you

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00:17:29,400 --> 00:17:31,919
Speaker 4: get to the internet. I made sure it went to

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00:17:31,960 --> 00:17:34,720
Speaker 4: the proper stages of getting into internet. I ran a

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00:17:34,760 --> 00:17:37,960
Speaker 4: club house room, I played snippets, hap, I media team,

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Speaker 4: tape it, take a clip it, send it to YouTube,

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00:17:41,200 --> 00:17:42,879
Speaker 4: and I sent you six hundred.

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Speaker 5: Now you can talk about it. It's on the internet.

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00:17:45,080 --> 00:17:46,520
Speaker 7: So wack when you hear a story, there's a loose

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00:17:46,560 --> 00:17:47,280
Speaker 7: saying shit like that.

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Speaker 5: So you didn't have that ain't my business?

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00:17:48,880 --> 00:17:50,680
Speaker 8: No, But you didn't have any clue that he could

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00:17:50,680 --> 00:17:52,760
Speaker 8: be caught up in his reco or anything that was

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Speaker 8: going on.

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Speaker 5: Would I have? I had no idea.

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00:17:55,680 --> 00:17:57,880
Speaker 7: I think Lewis thought I.

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Speaker 6: Had thinks it was two three years ago, like like,

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00:18:01,840 --> 00:18:05,000
Speaker 6: oh he got twenty guns. It's like it just sounds

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00:18:05,000 --> 00:18:06,800
Speaker 6: like he's talking bullshit. But when the Feds are actually

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00:18:06,840 --> 00:18:08,840
Speaker 6: able to put the case together and show that this

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00:18:08,880 --> 00:18:10,399
Speaker 6: is the type of thing they're actually doing, all of

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00:18:10,440 --> 00:18:12,800
Speaker 6: a sudden, these podcast very important.

375
00:18:12,800 --> 00:18:17,440
Speaker 4: You know what they're in that when he says, really's

376
00:18:17,480 --> 00:18:22,760
Speaker 4: thing big you said on his turning Little Videos was

377
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Speaker 4: Lou's cannon.

378
00:18:24,720 --> 00:18:26,720
Speaker 5: Brick Baby or not brick Baby, He.

379
00:18:26,720 --> 00:18:31,119
Speaker 14: Says, I don't really break baby. I don't really brig baby.

380
00:18:31,280 --> 00:18:36,600
Speaker 14: He said he did for brick baby a brig baby. Yes,

381
00:18:36,920 --> 00:18:43,120
Speaker 14: that's a fact, ye buddy, but lose he don't.

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Speaker 8: I mean, but it is allege that, And that's why

383
00:18:45,359 --> 00:18:47,879
Speaker 8: I'm so surprised that if I'm brick Baby and I

384
00:18:47,880 --> 00:18:50,000
Speaker 8: feel like him and you have a close person relationship,

385
00:18:50,720 --> 00:18:53,520
Speaker 8: I'm either quitting or I'm telling you no more conversation

386
00:18:53,560 --> 00:18:53,800
Speaker 8: about it.

387
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Speaker 3: Definitely needs to be careful.

388
00:18:56,000 --> 00:19:00,639
Speaker 8: It's alleged that he would rob somebody and then have

389
00:19:00,760 --> 00:19:02,840
Speaker 8: these conversations, And first of all, they were typing, been

390
00:19:02,920 --> 00:19:05,760
Speaker 8: used phone. Hey, how you get down with him? Which

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00:19:05,840 --> 00:19:07,200
Speaker 8: is pretty much kind of like extortion.

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Speaker 3: I don't think of that stuff. He was working here.

393
00:19:11,840 --> 00:19:12,479
Speaker 5: In the past.

394
00:19:12,720 --> 00:19:15,159
Speaker 7: Why would you ever talk about that man's crimes if you.

395
00:19:16,119 --> 00:19:18,400
Speaker 3: Feel like if they get away with him week.

396
00:19:19,400 --> 00:19:21,520
Speaker 5: Britt never wanted to talk about it.

397
00:19:21,600 --> 00:19:24,199
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Speaker 6: I think doing any of that stuff while he was

419
00:20:36,320 --> 00:20:39,119
Speaker 6: working here, I'll be with you in the past.

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00:20:39,400 --> 00:20:41,480
Speaker 7: Why would you ever talk about that man's crimes.

421
00:20:41,520 --> 00:20:43,919
Speaker 6: If your close feel like if they get away with

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00:20:44,000 --> 00:20:45,840
Speaker 6: it week, they're safe.

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00:20:46,080 --> 00:20:47,840
Speaker 5: Brick never wanted to talk about it.

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00:20:48,440 --> 00:20:50,919
Speaker 2: This is one of the rare times academics is actually

425
00:20:50,960 --> 00:20:54,359
Speaker 2: holding these guys accountable and having a real conversation. He's saying, listen,

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00:20:54,680 --> 00:20:57,720
Speaker 2: if brick Baby is a part of your platform, and

427
00:20:57,760 --> 00:21:00,480
Speaker 2: he is in the extension of big U and they're

428
00:21:00,520 --> 00:21:04,280
Speaker 2: under the same umbrella, why are you allowing Whack one

429
00:21:04,359 --> 00:21:10,119
Speaker 2: hundred to continue to have conversations that is coroborating crimes

430
00:21:10,160 --> 00:21:14,639
Speaker 2: and criminal activity that's actually happening outside of content world.

431
00:21:14,960 --> 00:21:18,160
Speaker 2: And how did this shit even end up in content?

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00:21:19,160 --> 00:21:22,560
Speaker 2: So even academics knows this. I think that's a tidbit

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00:21:22,640 --> 00:21:25,560
Speaker 2: of information for people to hold on to when when

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00:21:25,560 --> 00:21:30,000
Speaker 2: he plays like he's obtuse when this topic comes up again.

435
00:21:30,119 --> 00:21:32,760
Speaker 2: So he definitely understands how to create a narrative and

436
00:21:32,800 --> 00:21:33,960
Speaker 2: how to push a narrative and.

437
00:21:34,560 --> 00:21:35,520
Speaker 1: All of these different things.

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00:21:35,600 --> 00:21:38,119
Speaker 2: He's even telling Adam, look, man, for the sake of

439
00:21:38,160 --> 00:21:40,080
Speaker 2: brick Baby, why you ain't stop this shit?

440
00:21:41,480 --> 00:21:43,000
Speaker 1: Adam can't even understand it.

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00:21:43,080 --> 00:21:46,000
Speaker 2: He's basically responding to a question that Academics is not

442
00:21:46,080 --> 00:21:48,879
Speaker 2: even asking. He's saying that Brick didn't do any of

443
00:21:48,960 --> 00:21:51,000
Speaker 2: that stuff when he was working here. He definitely needs

444
00:21:51,040 --> 00:21:52,520
Speaker 2: to be careful. That's not what.

445
00:21:52,480 --> 00:21:53,240
Speaker 1: Act was saying.

446
00:21:55,800 --> 00:21:58,200
Speaker 2: He's saying, why are you even creating a space where

447
00:21:58,200 --> 00:22:00,840
Speaker 2: these kind of things can be discussed.

448
00:22:01,280 --> 00:22:02,119
Speaker 1: I want to be cleared.

449
00:22:02,160 --> 00:22:06,800
Speaker 2: The platforms are part of our culture, rather large platforms

450
00:22:07,880 --> 00:22:10,880
Speaker 2: that have a thirst for violence, thirst for clickbait. They

451
00:22:10,920 --> 00:22:17,080
Speaker 2: claim to give artists, entrepreneurs and businessmen, comedians otherwise a

452
00:22:17,160 --> 00:22:23,840
Speaker 2: safe spaces, but on the contrary, they create a structure

453
00:22:23,840 --> 00:22:26,600
Speaker 2: with saying the wildest things and the most reckless things

454
00:22:26,680 --> 00:22:29,080
Speaker 2: get you rewarded. And this is the loophole that brick

455
00:22:29,119 --> 00:22:32,879
Speaker 2: Baby get caught in. Right, if he just so happened

456
00:22:32,880 --> 00:22:35,560
Speaker 2: to God signed the Black Effect, that wouldn't happen. He

457
00:22:35,760 --> 00:22:38,080
Speaker 2: just so happened to have been on Joe Budden podcast.

458
00:22:38,160 --> 00:22:41,200
Speaker 2: It's up the podcast any other show but out there

459
00:22:41,200 --> 00:22:44,200
Speaker 2: in the West Coast on No Jumper because the environment

460
00:22:44,320 --> 00:22:47,840
Speaker 2: is way too toxic and so there's no way to

461
00:22:48,040 --> 00:22:52,240
Speaker 2: duck the inevitable consequences. The platform that hands you the

462
00:22:52,280 --> 00:22:57,600
Speaker 2: microphone to self incriminate yourself a lot of times will

463
00:22:57,640 --> 00:22:58,440
Speaker 2: play in us.

464
00:22:58,840 --> 00:23:00,880
Speaker 1: They'll say, well, we don't tell people what to say.

465
00:23:00,960 --> 00:23:01,160
Speaker 9: Lon.

466
00:23:01,240 --> 00:23:03,480
Speaker 2: That's we're not in control of what people say, and

467
00:23:04,080 --> 00:23:07,960
Speaker 2: I do think that that that's the truth. I second that,

468
00:23:11,000 --> 00:23:13,600
Speaker 2: But I do want to speak to the subconscious element,

469
00:23:15,960 --> 00:23:19,959
Speaker 2: because there's a subconscious element to creating content, especially in

470
00:23:20,000 --> 00:23:24,520
Speaker 2: particular in certain environments, and there's an incentive to crash

471
00:23:24,560 --> 00:23:33,199
Speaker 2: out by way of algorithm shares, endorsements, and rebookings. So

472
00:23:33,440 --> 00:23:36,159
Speaker 2: the incentive to crash out. Now, it's not announced, but

473
00:23:36,200 --> 00:23:39,360
Speaker 2: it's implied. And I think when we have these conversations

474
00:23:39,359 --> 00:23:41,840
Speaker 2: in the culture, far too many times we try to

475
00:23:41,880 --> 00:23:49,720
Speaker 2: ignore what's implied by you big ass needs. Yeah, y'all

476
00:23:49,760 --> 00:23:51,960
Speaker 2: ain't gonna y'all ain't got us to say what y'all

477
00:23:52,000 --> 00:23:54,640
Speaker 2: opposed to say to nobody faced. Y'all gonna just do

478
00:23:54,760 --> 00:23:58,920
Speaker 2: sucker shit and sucker shit imply certain things, and so

479
00:23:58,960 --> 00:24:01,880
Speaker 2: it's on the real pick up sucker shit you're doing. Ah,

480
00:24:01,960 --> 00:24:06,480
Speaker 2: he gonna turn to a sucker. So it's not announced,

481
00:24:06,480 --> 00:24:11,560
Speaker 2: but it's implied. It's very interesting. The platform will roll

482
00:24:11,640 --> 00:24:14,119
Speaker 2: out the red carpet and it'll go right into a

483
00:24:14,160 --> 00:24:14,680
Speaker 2: court room.

484
00:24:18,160 --> 00:24:19,879
Speaker 1: And I want to be clear with all of y'all.

485
00:24:20,040 --> 00:24:24,240
Speaker 2: Anybody that speaks crazy on these interviews about cases.

486
00:24:24,280 --> 00:24:25,240
Speaker 1: They don't beat their case.

487
00:24:26,040 --> 00:24:29,080
Speaker 2: Young Doug got lucky, but he never had any real

488
00:24:29,160 --> 00:24:32,160
Speaker 2: interviews talking about criminal activity. He may have said something

489
00:24:32,160 --> 00:24:35,119
Speaker 2: in songs, no interviews that get on here and speak

490
00:24:35,119 --> 00:24:38,360
Speaker 2: out of your mouth that's outside of the guy's in entertainment.

491
00:24:38,840 --> 00:24:42,520
Speaker 2: And younna start using allegedly And I'm gonna get to

492
00:24:42,600 --> 00:24:46,560
Speaker 2: allegedly who cursed our culture with allegedly? I'm gonna tell

493
00:24:46,640 --> 00:24:49,160
Speaker 2: you later on because you people don't even know where

494
00:24:49,160 --> 00:24:51,440
Speaker 2: you got shipped from. You just adopt it and use

495
00:24:51,520 --> 00:24:54,240
Speaker 2: it and think that you shield yourself. But we'll get

496
00:24:54,280 --> 00:24:58,080
Speaker 2: to that in a minute. This is a very perverse

497
00:24:58,200 --> 00:25:03,040
Speaker 2: incentive and sis them that they create. Now, I don't

498
00:25:03,040 --> 00:25:05,440
Speaker 2: think that a black man can do this. I think

499
00:25:05,480 --> 00:25:08,440
Speaker 2: if a black man had this platform, they would already

500
00:25:08,480 --> 00:25:12,720
Speaker 2: be in there shooting at him, holding him hostage, kidnapping

501
00:25:12,800 --> 00:25:15,840
Speaker 2: him like unliving him. Like if this was a black

502
00:25:15,880 --> 00:25:19,680
Speaker 2: man with these platforms, in particular dealing with gang bangers,

503
00:25:19,720 --> 00:25:22,440
Speaker 2: because what Adam twenty two is doing with gang bangers

504
00:25:22,480 --> 00:25:26,560
Speaker 2: is what academics deal with rappers. You can argue that

505
00:25:26,640 --> 00:25:29,520
Speaker 2: some of them Chicago knows gang bangers. They were into

506
00:25:29,680 --> 00:25:34,560
Speaker 2: beef and certain things. But what Adam twenty two is

507
00:25:34,640 --> 00:25:38,439
Speaker 2: doing when no jumper is gang banger on gang banger,

508
00:25:40,000 --> 00:25:42,480
Speaker 2: that is gonna spill over in the streets every single time.

509
00:25:43,000 --> 00:25:44,520
Speaker 1: But it's so close to reality.

510
00:25:44,880 --> 00:25:49,200
Speaker 2: His audience has a thirst for you know, for me, man,

511
00:25:49,400 --> 00:25:50,720
Speaker 2: I look at these things and.

512
00:25:52,240 --> 00:25:53,080
Speaker 1: It frightens me.

513
00:25:53,440 --> 00:25:57,119
Speaker 2: That people are this comfortable sitting across from a white

514
00:25:57,200 --> 00:25:59,040
Speaker 2: guy saying some of these things.

515
00:25:59,119 --> 00:26:00,240
Speaker 1: Let's listen to a little on.

516
00:26:01,840 --> 00:26:01,919
Speaker 12: Me.

517
00:26:01,920 --> 00:26:04,040
Speaker 7: And used to rob stores back in the day.

518
00:26:04,320 --> 00:26:06,560
Speaker 8: And then now I'm on a podcast and people want

519
00:26:06,560 --> 00:26:09,120
Speaker 8: to talk about your robbin history. Maybe we're talking talking

520
00:26:09,119 --> 00:26:11,320
Speaker 8: about you Robin stores in over there, and I never

521
00:26:11,359 --> 00:26:13,160
Speaker 8: robbed stores to do I don't want to talk about

522
00:26:13,160 --> 00:26:13,919
Speaker 8: you Robin stores.

523
00:26:14,280 --> 00:26:16,640
Speaker 7: If we used to do something of the sort, that's.

524
00:26:16,440 --> 00:26:19,040
Speaker 8: Something I'm so surprised that I thought Brick like maybe

525
00:26:19,280 --> 00:26:22,560
Speaker 8: didn't have anything to do with it. I mean, again,

526
00:26:22,560 --> 00:26:24,800
Speaker 8: obviously these are allegations, but kind of reading, I'm like,

527
00:26:25,840 --> 00:26:28,240
Speaker 8: I don't know what, Brick, it can't be that good.

528
00:26:28,240 --> 00:26:30,560
Speaker 5: I want to ask you the ak case he said

529
00:26:30,560 --> 00:26:33,919
Speaker 5: what it was dismissed and comped in court? That what

530
00:26:34,000 --> 00:26:34,280
Speaker 5: he saying?

531
00:26:34,280 --> 00:26:36,240
Speaker 4: I said, what's up with that ak case you called

532
00:26:36,280 --> 00:26:38,600
Speaker 4: you twenty third twenty it would dispersed the d a

533
00:26:38,800 --> 00:26:41,879
Speaker 4: reject nor it ain't Brick. The fans got it along

534
00:26:41,920 --> 00:26:44,560
Speaker 4: with the cell phone. So now you gotta ask yourself

535
00:26:44,680 --> 00:26:47,080
Speaker 4: if I got caught with that, right, I'm gonna be like, yo, bro,

536
00:26:47,160 --> 00:26:48,720
Speaker 4: I got caught. I ain't gave me a cord date.

537
00:26:48,920 --> 00:26:51,640
Speaker 4: But I'm not gonna hide. That's the reason why you hide.

538
00:26:52,160 --> 00:26:55,359
Speaker 8: People think that you the confident, but in reality, no,

539
00:26:55,400 --> 00:26:57,320
Speaker 8: in reality, that's just being smart. It's the same thing

540
00:26:57,320 --> 00:26:59,520
Speaker 8: with Zail Simon when he got caught with the switch

541
00:26:59,600 --> 00:27:02,919
Speaker 8: in the and New York picked it up and dropped it,

542
00:27:02,960 --> 00:27:04,720
Speaker 8: and he's like, I remember.

543
00:27:04,520 --> 00:27:04,879
Speaker 7: He dissed me.

544
00:27:04,920 --> 00:27:07,000
Speaker 8: He was like, yo, I told you they ain't had

545
00:27:07,040 --> 00:27:08,439
Speaker 8: nothing on me. And then the fans came right like,

546
00:27:08,480 --> 00:27:10,000
Speaker 8: come on, that's a hug Nelson.

547
00:27:10,080 --> 00:27:13,200
Speaker 4: What I'm saying. Cop and Court never had it. The

548
00:27:13,200 --> 00:27:16,320
Speaker 4: fans has always had it day one.

549
00:27:17,280 --> 00:27:20,520
Speaker 5: He knew that. But why did you lie?

550
00:27:20,760 --> 00:27:24,600
Speaker 4: Because you know you got that sealed foul over there

551
00:27:25,000 --> 00:27:27,440
Speaker 4: about Sue surfing them in Jersey.

552
00:27:28,119 --> 00:27:29,800
Speaker 6: That's what if Brick ever has to do with them.

553
00:27:29,880 --> 00:27:31,600
Speaker 6: You think Brick is in some way.

554
00:27:31,680 --> 00:27:36,720
Speaker 4: Big you too, you got a seal foul the exposers.

555
00:27:36,800 --> 00:27:40,480
Speaker 4: Prince Lavish pulled it up. We tracked the case number

556
00:27:40,880 --> 00:27:43,199
Speaker 4: back to Sue surf theim first we thought it was

557
00:27:43,240 --> 00:27:45,320
Speaker 4: some dirt shit. It's not dirt shit. He got a

558
00:27:45,400 --> 00:27:48,560
Speaker 4: seal foul dope case New Jersey. It's the same shit

559
00:27:48,960 --> 00:27:51,800
Speaker 4: indictment and seue surfing them. I know it is this

560
00:27:51,960 --> 00:27:54,960
Speaker 4: weird exposers. Bro, that's a clubhouse. Ta let's straighten that

561
00:27:55,040 --> 00:27:59,480
Speaker 4: out too. The exposures come from clubhouse under side of the clubhouse. Right,

562
00:27:59,560 --> 00:28:03,119
Speaker 4: it was six. I let big you, I mean, I

563
00:28:03,240 --> 00:28:06,040
Speaker 4: let loose? Can he really bangs clubhouse?

564
00:28:06,080 --> 00:28:06,119
Speaker 7: Like?

565
00:28:06,200 --> 00:28:07,480
Speaker 3: Is his name?

566
00:28:08,240 --> 00:28:10,480
Speaker 7: Whoever clubhouse he got?

567
00:28:11,400 --> 00:28:11,760
Speaker 5: He got?

568
00:28:11,800 --> 00:28:14,760
Speaker 8: And listen, they're gonna pay her because I looked up

569
00:28:14,800 --> 00:28:17,240
Speaker 8: the same thing, and I was like, I see Jersey,

570
00:28:17,240 --> 00:28:19,480
Speaker 8: but I'm not putting together what you're saying, Like why

571
00:28:19,920 --> 00:28:20,680
Speaker 8: is a Jersey thing?

572
00:28:20,720 --> 00:28:21,360
Speaker 3: Reference to brick?

573
00:28:21,400 --> 00:28:21,640
Speaker 11: Baby?

574
00:28:22,760 --> 00:28:24,800
Speaker 5: You a little nervous being in l A no.

575
00:28:26,480 --> 00:28:30,840
Speaker 8: No being here like here here, I'm like, yo is

576
00:28:30,880 --> 00:28:31,320
Speaker 8: locked up?

577
00:28:31,800 --> 00:28:34,960
Speaker 3: Huh, loose is locked up? So pet your head from jail.

578
00:28:35,119 --> 00:28:37,640
Speaker 3: He called it before you he's coming home.

579
00:28:37,960 --> 00:28:40,520
Speaker 7: He called me before I thought him last night he

580
00:28:40,520 --> 00:28:41,400
Speaker 7: thinks you lined him up.

581
00:28:41,400 --> 00:28:42,720
Speaker 5: I say too much.

582
00:28:42,720 --> 00:28:45,640
Speaker 7: He thinks him last night I told him last night

583
00:28:45,640 --> 00:28:46,160
Speaker 7: to better.

584
00:28:47,040 --> 00:28:49,240
Speaker 6: First question, he asked me how last night's episode dude,

585
00:28:50,200 --> 00:28:51,480
Speaker 6: counting view behind the wall?

586
00:28:51,520 --> 00:28:54,200
Speaker 8: First, the first thing he said to me crazy that

587
00:28:54,320 --> 00:28:56,480
Speaker 8: The first he said to me, you the only person

588
00:28:56,520 --> 00:28:59,000
Speaker 8: who I could trust to put out a statement for me.

589
00:28:59,280 --> 00:29:01,080
Speaker 3: He's a snake, he trust me.

590
00:29:01,520 --> 00:29:03,320
Speaker 7: Hell no, I'm gonna be honest with you.

591
00:29:03,320 --> 00:29:04,760
Speaker 8: And you tell me, you know, I think we all

592
00:29:04,760 --> 00:29:06,960
Speaker 8: have or whatever, and but but but there's respect all around.

593
00:29:08,240 --> 00:29:10,040
Speaker 7: After seeing this indictment.

594
00:29:11,640 --> 00:29:17,160
Speaker 8: Again, I would if you continue to lean into certain conversations,

595
00:29:17,480 --> 00:29:20,400
Speaker 8: it's like you're saying, Yo, these guys don't have the IQ.

596
00:29:20,600 --> 00:29:23,000
Speaker 8: Like even what let me tell you this, I read

597
00:29:23,240 --> 00:29:25,960
Speaker 8: the entire indictment a lot of what loose can and

598
00:29:26,040 --> 00:29:26,720
Speaker 8: corroborated with.

599
00:29:26,760 --> 00:29:27,600
Speaker 7: They already had proof.

600
00:29:28,080 --> 00:29:31,000
Speaker 8: You're sitting there with him, and you're you're doing the

601
00:29:31,040 --> 00:29:32,720
Speaker 8: same thing you do a lot of times. So you're

602
00:29:32,800 --> 00:29:36,680
Speaker 8: telling me that big you did this, and he called

603
00:29:36,720 --> 00:29:40,959
Speaker 8: him back and he gave him the money. Again, Louise

604
00:29:41,280 --> 00:29:47,680
Speaker 8: doesn't Louise doesn't know he's.

605
00:29:49,280 --> 00:29:49,680
Speaker 7: Everything.

606
00:29:50,160 --> 00:29:51,760
Speaker 5: Let me tell you a few things. You ain't gonna

607
00:29:51,760 --> 00:29:53,680
Speaker 5: do you can't.

608
00:29:53,560 --> 00:29:58,080
Speaker 2: Tell Again, I said that what Adam twenty two is

609
00:29:58,120 --> 00:30:02,680
Speaker 2: doing with gang bangers at could deemics did with rappers.

610
00:30:02,720 --> 00:30:06,280
Speaker 2: So academics started with drill culture in Chicago, breaking it

611
00:30:06,320 --> 00:30:10,680
Speaker 2: down in a way that made people that committed violent acts.

612
00:30:11,600 --> 00:30:14,280
Speaker 2: He almost made it look like a scoreboard. And so

613
00:30:14,400 --> 00:30:17,320
Speaker 2: you have several layers to the media. You have the mainstream,

614
00:30:17,400 --> 00:30:20,680
Speaker 2: you have podcasts, you have reaction channels, you have documentaries,

615
00:30:20,720 --> 00:30:23,720
Speaker 2: you have a clickbait you have it's just so many

616
00:30:23,720 --> 00:30:30,000
Speaker 2: different layers to media. But what happens is academics, adams,

617
00:30:30,040 --> 00:30:32,640
Speaker 2: some of those bigger platforms, they gotta feed the messy

618
00:30:32,720 --> 00:30:36,640
Speaker 2: shit because if they don't validate it, then the rest

619
00:30:36,680 --> 00:30:37,360
Speaker 2: of that shit.

620
00:30:37,200 --> 00:30:39,440
Speaker 1: Don't really mean nothing and it won't get any traction.

621
00:30:40,320 --> 00:30:43,040
Speaker 7: You are aware of a lot of other things that.

622
00:30:44,440 --> 00:30:46,840
Speaker 8: You're not You're not gonna say, but like, all right,

623
00:30:47,160 --> 00:30:49,520
Speaker 8: I'll use a brick baby thing I use as an example,

624
00:30:49,560 --> 00:30:55,640
Speaker 8: give on sing. So, yes, brick baby has some situations. Respectfully,

625
00:30:56,240 --> 00:30:59,000
Speaker 8: I'm gonna be honest with you. I would have said

626
00:30:59,000 --> 00:31:02,440
Speaker 8: to Adam, yo, if you're my friend and I'm your

627
00:31:02,480 --> 00:31:06,400
Speaker 8: employee and you value me, and I think the story

628
00:31:06,440 --> 00:31:08,200
Speaker 8: is that you bailed him out of some stuff, right,

629
00:31:08,360 --> 00:31:09,960
Speaker 8: So I'm pretty sure you knew a little bit more.

630
00:31:10,120 --> 00:31:14,600
Speaker 8: I would say, yo conversations regarding the case, that I

631
00:31:14,640 --> 00:31:17,800
Speaker 8: should only have a lawyer's speak for me. Only have

632
00:31:17,800 --> 00:31:19,560
Speaker 8: a lawyer speak for me. What are you talking about

633
00:31:20,840 --> 00:31:22,280
Speaker 8: the case, about the weapon or whatever?

634
00:31:22,280 --> 00:31:26,840
Speaker 5: The Okay, so here you'll go squarre Ville. Okay, here

635
00:31:26,880 --> 00:31:27,720
Speaker 5: we go square Ville.

636
00:31:29,080 --> 00:31:29,760
Speaker 9: Dag. He didn't.

637
00:31:29,840 --> 00:31:32,440
Speaker 4: It's not that he didn't want to talk about the

638
00:31:32,560 --> 00:31:36,120
Speaker 4: case because it may get him in trouble. It's that

639
00:31:36,800 --> 00:31:40,360
Speaker 4: it's stipulations and what he was doing and possibly doing

640
00:31:40,760 --> 00:31:43,600
Speaker 4: and not going to court for that case. It's gonna

641
00:31:43,640 --> 00:31:45,600
Speaker 4: have the streets looking at you like, what.

642
00:31:45,480 --> 00:31:46,200
Speaker 5: Are you doing.

643
00:31:46,680 --> 00:31:49,320
Speaker 4: You don't catch an a K forty seven case and

644
00:31:49,360 --> 00:31:52,640
Speaker 4: go eighteen months, damn near two years without a court date.

645
00:31:52,840 --> 00:31:55,920
Speaker 5: You don't do it unless you got something else going on.

646
00:31:57,120 --> 00:31:59,240
Speaker 4: So he can't stop that with me the long as

647
00:31:59,240 --> 00:32:01,360
Speaker 4: Breck is, you know what Bridg's done at Let me

648
00:32:01,360 --> 00:32:05,000
Speaker 4: ask you something. If you knew how I was, would

649
00:32:05,000 --> 00:32:10,400
Speaker 4: you be popping my name, antagonizing me, knowing my capabilities

650
00:32:10,440 --> 00:32:12,240
Speaker 4: if I go to digging into you, or would you

651
00:32:12,280 --> 00:32:12,920
Speaker 4: leave me alone?

652
00:32:13,200 --> 00:32:13,400
Speaker 7: Yeah?

653
00:32:13,400 --> 00:32:15,760
Speaker 5: But that's to know which one would you do?

654
00:32:16,000 --> 00:32:18,960
Speaker 8: You know you got He talked about this on the

655
00:32:18,960 --> 00:32:20,960
Speaker 8: phone privately, and I think it's okay if I said,

656
00:32:22,120 --> 00:32:25,320
Speaker 8: you said to me act there's a few dudes who

657
00:32:25,360 --> 00:32:27,640
Speaker 8: I know it'd be a long day going at him

658
00:32:27,680 --> 00:32:30,800
Speaker 8: if they cerebral, they talked that shit, they're gonna get

659
00:32:30,800 --> 00:32:31,640
Speaker 8: that extra stuff.

660
00:32:32,000 --> 00:32:33,160
Speaker 7: And it's like, yo, me and.

661
00:32:33,080 --> 00:32:35,440
Speaker 8: You, I'm glad we're in that boat, and I'll put

662
00:32:35,480 --> 00:32:37,480
Speaker 8: even some other people in there. Like also, why I

663
00:32:37,520 --> 00:32:40,160
Speaker 8: think he's even pretty decent? Not everybody's of the elk

664
00:32:40,600 --> 00:32:43,160
Speaker 8: when you are going at it with a lot of

665
00:32:43,160 --> 00:32:43,720
Speaker 8: other people.

666
00:32:44,360 --> 00:32:45,760
Speaker 7: It's not even what I asked you.

667
00:32:45,800 --> 00:32:47,680
Speaker 8: And the only thing I'm saying is that do you

668
00:32:47,760 --> 00:32:50,360
Speaker 8: think those type of streets, like I get it, that's

669
00:32:50,360 --> 00:32:52,320
Speaker 8: the street would square, You're right, that's the street s

670
00:32:52,600 --> 00:32:55,760
Speaker 8: Do you think that should be politics on a podcast

671
00:32:55,760 --> 00:32:59,520
Speaker 8: where a lot of those things I've seen happen, like

672
00:32:59,560 --> 00:33:02,960
Speaker 8: the fans looked at Again, not that the podcast was

673
00:33:02,960 --> 00:33:05,800
Speaker 8: trying to encourage some shit, but there was fallout from

674
00:33:05,880 --> 00:33:07,920
Speaker 8: conversations happening that led to.

675
00:33:07,920 --> 00:33:13,640
Speaker 2: Firm Now we got academics basically saying that street dudes

676
00:33:13,640 --> 00:33:16,080
Speaker 2: are dumb when he's talking to Whack one hundred number one.

677
00:33:16,160 --> 00:33:20,160
Speaker 2: The premises misplaced because in the same sentence he praises

678
00:33:20,240 --> 00:33:22,800
Speaker 2: Whack one hundreds intellect and Whack one hunter says he's

679
00:33:22,800 --> 00:33:25,600
Speaker 2: a street man. So that just makes it nulling void.

680
00:33:25,640 --> 00:33:28,720
Speaker 2: But let's entertain the conversation that he's having. He's basically

681
00:33:28,760 --> 00:33:32,880
Speaker 2: saying that, Yo, what iny of these street dudes out here,

682
00:33:33,320 --> 00:33:36,080
Speaker 2: they need to not engage with you in public because

683
00:33:36,080 --> 00:33:38,280
Speaker 2: they can't out talk you. I kind of agree with

684
00:33:38,360 --> 00:33:41,400
Speaker 2: that so far. The people that he has been up against.

685
00:33:41,400 --> 00:33:44,640
Speaker 2: What I do believe is is that Whack one hundred

686
00:33:44,680 --> 00:33:48,640
Speaker 2: is an innocent guy. He's a clean guy, and if

687
00:33:48,680 --> 00:33:51,360
Speaker 2: you are dirty, you cannot be out on this internet

688
00:33:51,400 --> 00:33:54,080
Speaker 2: playing the same games that these dudes on the internet play.

689
00:33:54,120 --> 00:33:56,120
Speaker 2: And so I think that's the advantage that he has

690
00:33:56,240 --> 00:33:58,959
Speaker 2: is that he can bring things that is meant for

691
00:33:59,000 --> 00:34:04,720
Speaker 2: the shadows out in to the light. Now, Whack one

692
00:34:04,800 --> 00:34:10,360
Speaker 2: hundred lost seventy percent of hisself by taking down Big

693
00:34:10,480 --> 00:34:15,040
Speaker 2: U in his culture cashad. So when I hear academics

694
00:34:15,040 --> 00:34:18,239
Speaker 2: giving him so much praise and saying, Yo, these dudes

695
00:34:18,239 --> 00:34:22,560
Speaker 2: shouldn't talk to you online that like you're just whooping

696
00:34:22,600 --> 00:34:25,240
Speaker 2: all of them. Listen, Whack climb the mountain and lost

697
00:34:25,280 --> 00:34:29,400
Speaker 2: half his gear. So yeah, he's climbing the mountain, but

698
00:34:29,480 --> 00:34:31,600
Speaker 2: he lost half his gear getting up there, and now

699
00:34:31,640 --> 00:34:33,799
Speaker 2: Big U is gone, So that's something he can't talk

700
00:34:33,840 --> 00:34:38,719
Speaker 2: about or that doesn't hold any weight anymore. A lot

701
00:34:38,800 --> 00:34:41,759
Speaker 2: of the relationships he's ruined along the way via club house,

702
00:34:41,840 --> 00:34:44,560
Speaker 2: just getting into it with people. Again, that's if, in

703
00:34:44,600 --> 00:34:47,400
Speaker 2: my opinion, that's him powering up to get in position

704
00:34:47,800 --> 00:34:51,560
Speaker 2: to fight against a big opponent. Right, you got twenty

705
00:34:51,600 --> 00:34:54,359
Speaker 2: one savages and dough boys and all these dudes that are.

706
00:34:54,320 --> 00:34:57,640
Speaker 1: Just casualties of war, futures. All these shit is just

707
00:34:57,760 --> 00:34:58,759
Speaker 1: casualties of war.

708
00:34:58,800 --> 00:35:01,439
Speaker 2: As he's trying to boat go up to be able

709
00:35:01,480 --> 00:35:05,160
Speaker 2: to take Big U down and spread enough narrative to

710
00:35:05,760 --> 00:35:10,320
Speaker 2: change perception on Big U by beating him by communication,

711
00:35:10,520 --> 00:35:15,480
Speaker 2: our confrontation. It's a trick bag. He had you, nigga.

712
00:35:16,280 --> 00:35:20,120
Speaker 2: But academics, let me tell you this. These street dudes.

713
00:35:19,920 --> 00:35:20,560
Speaker 1: Are not dumb.

714
00:35:21,120 --> 00:35:25,279
Speaker 2: The brick babies and all these guys who involved with you,

715
00:35:25,360 --> 00:35:27,920
Speaker 2: the NBA young boys, this is what is interesting to me.

716
00:35:28,280 --> 00:35:31,800
Speaker 2: You'll have literally the NBA Young Boys, the little dirks,

717
00:35:31,880 --> 00:35:35,440
Speaker 2: all of these individuals will be fiending Playboy cardis and

718
00:35:35,480 --> 00:35:37,960
Speaker 2: shit feeding to reach out to act and then he'll

719
00:35:38,000 --> 00:35:42,359
Speaker 2: literally be on the platform saying Street stupid, and some

720
00:35:42,400 --> 00:35:45,440
Speaker 2: of them act like Street. I'm a scholar, so they

721
00:35:45,480 --> 00:35:48,840
Speaker 2: can't affect me either way. But y'all parading around like

722
00:35:48,920 --> 00:35:52,600
Speaker 2: streeting and get up there and say, yo, Street is stupid.

723
00:35:52,600 --> 00:35:58,680
Speaker 2: They IQ is low, these dummies, and you'll have young

724
00:35:58,760 --> 00:36:02,040
Speaker 2: boy getting out the feed and then you have academics

725
00:36:02,080 --> 00:36:04,719
Speaker 2: acting like he was ready to embrace young boy. You

726
00:36:04,760 --> 00:36:08,440
Speaker 2: see what I'm saying, Or you will have brick Baby

727
00:36:08,480 --> 00:36:12,600
Speaker 2: go to jail, and then Adam twenty two will act

728
00:36:12,719 --> 00:36:15,799
Speaker 2: like four extra, I'm waiting on you. It's like, yo, bro,

729
00:36:17,640 --> 00:36:20,640
Speaker 2: this shit is getting slippery, like shit is all over

730
00:36:20,680 --> 00:36:24,319
Speaker 2: the place. It's just a it's a complete mess. Let's

731
00:36:24,320 --> 00:36:25,879
Speaker 2: take a look at a little bit more.

732
00:36:26,000 --> 00:36:26,080
Speaker 9: Now.

733
00:36:26,200 --> 00:36:29,520
Speaker 8: Now they're listening to wire taps, so now people are like, yo, man,

734
00:36:29,600 --> 00:36:33,800
Speaker 8: stick buck, they're actually detailing them.

735
00:36:34,440 --> 00:36:36,560
Speaker 4: That's on your dumb ass, stay off the phone. But

736
00:36:36,640 --> 00:36:38,920
Speaker 4: while you're smarting, change this south homie.

737
00:36:39,239 --> 00:36:43,080
Speaker 2: This shouldn't have been politics online, but all this fan

738
00:36:43,239 --> 00:36:46,759
Speaker 2: love and war and he was at war with big

739
00:36:46,880 --> 00:36:50,759
Speaker 2: U I still can't co sign the behavior.

740
00:36:51,520 --> 00:36:52,759
Speaker 1: It's a little too much for me.

741
00:36:54,640 --> 00:36:58,520
Speaker 2: But I will say this, the entire time they was

742
00:36:58,560 --> 00:37:02,160
Speaker 2: having those conversations on the jumper, all of me and

743
00:37:02,200 --> 00:37:06,600
Speaker 2: my comrades and the people that I know from the

744
00:37:06,600 --> 00:37:09,680
Speaker 2: Inner City, it was almost like the entire Inner City

745
00:37:10,120 --> 00:37:13,040
Speaker 2: was sitting back waiting. It's almost like when you hit

746
00:37:13,080 --> 00:37:17,520
Speaker 2: sir and you're just waiting on the boom when they

747
00:37:17,560 --> 00:37:20,600
Speaker 2: start talking about all of this shit. We're waiting on

748
00:37:20,640 --> 00:37:23,000
Speaker 2: a certain kind of response. We're thinking, it's no way

749
00:37:24,200 --> 00:37:28,200
Speaker 2: that this is gonna go on address for three years.

750
00:37:28,760 --> 00:37:31,880
Speaker 2: There's no way that nobody is gonna come up to

751
00:37:31,960 --> 00:37:35,799
Speaker 2: that building or press Adam. That's why Adam has this

752
00:37:37,480 --> 00:37:40,560
Speaker 2: nonchalant attitude towards it. He don't give a damn. He

753
00:37:40,560 --> 00:37:43,640
Speaker 2: ain't really pressed about that shit. He know I ain't involved.

754
00:37:43,640 --> 00:37:46,360
Speaker 2: That's y'all shit, even though it's on my platform in

755
00:37:46,440 --> 00:37:49,160
Speaker 2: my building. You got nilly me mad, no jumper, nigga.

756
00:37:49,320 --> 00:37:53,640
Speaker 2: We gotta get out. You got all this going on,

757
00:37:53,719 --> 00:37:55,640
Speaker 2: and Adam is just like, yo, this none of this

758
00:37:55,680 --> 00:37:58,840
Speaker 2: shit is my problem. But it's almost like everyone was

759
00:37:58,840 --> 00:38:02,080
Speaker 2: waiting on the car crash at the hearing the tie screech,

760
00:38:03,600 --> 00:38:08,640
Speaker 2: we're waiting on some action because that action usually takes place.

761
00:38:09,239 --> 00:38:09,759
Speaker 5: But I was.

762
00:38:09,719 --> 00:38:12,319
Speaker 2: Thinking about it, and it's not a street issue at

763
00:38:12,320 --> 00:38:13,400
Speaker 2: this point.

764
00:38:14,320 --> 00:38:15,840
Speaker 1: It's an opportunity issue.

765
00:38:17,560 --> 00:38:20,240
Speaker 2: If this was some street shit, Whack was too close

766
00:38:20,280 --> 00:38:25,520
Speaker 2: to people who would have, in other circumstances tried to

767
00:38:25,560 --> 00:38:27,960
Speaker 2: suppress him from being able to speak in the way

768
00:38:27,960 --> 00:38:31,239
Speaker 2: that he was speaking. But because people don't want to

769
00:38:31,239 --> 00:38:34,080
Speaker 2: mess up that opportunity, they don't cross the line. So

770
00:38:34,320 --> 00:38:37,320
Speaker 2: now let's address what academics is saying to Whack one hundred,

771
00:38:37,360 --> 00:38:40,480
Speaker 2: which I pushed back on. Yo, Whack, you're smarter than

772
00:38:40,520 --> 00:38:43,480
Speaker 2: all these street nick You're smarter than all of them.

773
00:38:43,520 --> 00:38:45,720
Speaker 2: They don't know what's going on when you start talking.

774
00:38:45,760 --> 00:38:47,839
Speaker 2: What are you telling me this? You mean to tell

775
00:38:47,880 --> 00:38:50,080
Speaker 2: me this? You know how we see Shannon shap do

776
00:38:52,040 --> 00:38:54,080
Speaker 2: when you know you got a line of researchers and

777
00:38:54,120 --> 00:38:57,239
Speaker 2: people like you know how the media is like this, right,

778
00:38:57,280 --> 00:38:59,799
Speaker 2: because we're actually speaking for the fans. So people try

779
00:38:59,800 --> 00:39:09,560
Speaker 2: to mask that behavior as fan driven questions.

780
00:39:07,200 --> 00:39:07,560
Speaker 1: And so.

781
00:39:09,000 --> 00:39:11,400
Speaker 2: You bag them into a position where they don't react

782
00:39:11,400 --> 00:39:15,879
Speaker 2: how they normally react, out of hope for an opportunity

783
00:39:16,320 --> 00:39:19,480
Speaker 2: to stay on No Jumper to try to get out

784
00:39:19,560 --> 00:39:21,520
Speaker 2: of the streets. Hopefully I can escape all of that.

785
00:39:21,640 --> 00:39:23,439
Speaker 2: I'm on this side of it, so I ain't gonna

786
00:39:23,440 --> 00:39:26,080
Speaker 2: push the issue. Now come up on me. It could

787
00:39:26,080 --> 00:39:28,440
Speaker 2: be some, but I ain't gonna really try to just

788
00:39:28,520 --> 00:39:31,160
Speaker 2: get it. But if somebody in the neighborhood would have

789
00:39:31,160 --> 00:39:34,440
Speaker 2: been doing this, if this would have been a black

790
00:39:34,560 --> 00:39:37,360
Speaker 2: dude doing this, my man, he would have been addressed

791
00:39:37,400 --> 00:39:42,160
Speaker 2: totally different. Because if someone in the neighborhood just says

792
00:39:42,200 --> 00:39:45,440
Speaker 2: the wrong name in the case, retaliation comes fast. But

793
00:39:45,520 --> 00:39:49,200
Speaker 2: if it's a big podcast or a blogger like Academics,

794
00:39:49,239 --> 00:39:55,080
Speaker 2: no Jumper, Vlad, people hesitate. I've even watched Academics change

795
00:39:55,120 --> 00:39:59,400
Speaker 2: his behavior only certain rappers. He's seduced now because he

796
00:39:59,520 --> 00:40:03,080
Speaker 2: sees that these other rappers are buy down. And so

797
00:40:03,239 --> 00:40:05,640
Speaker 2: even when I went on Brilliant Idiots two years ago

798
00:40:05,719 --> 00:40:08,240
Speaker 2: and I tried to explain, yo, the meta verses affecting

799
00:40:08,280 --> 00:40:08,920
Speaker 2: the universe.

800
00:40:09,040 --> 00:40:11,600
Speaker 1: Y'all they starting files.

801
00:40:11,600 --> 00:40:14,080
Speaker 2: But I go visit the burn sites, I talk to

802
00:40:14,120 --> 00:40:16,400
Speaker 2: the people that have to beary children.

803
00:40:17,560 --> 00:40:18,799
Speaker 1: Casualties of the war.

804
00:40:21,400 --> 00:40:26,080
Speaker 2: And so I try to explain to academics, Vlad, Adam

805
00:40:26,520 --> 00:40:29,320
Speaker 2: and whoever would listen within the sound of my voice,

806
00:40:30,560 --> 00:40:33,960
Speaker 2: that the audience is always entertained, but the consequences are real.

807
00:40:34,760 --> 00:40:38,560
Speaker 2: There's a delayed consequence to speaking on certain things in

808
00:40:38,640 --> 00:40:44,000
Speaker 2: particularly if you'reself incriminating on these podcasts. And here's the thing,

809
00:40:44,080 --> 00:40:46,319
Speaker 2: it doesn't hurt me at all. And so I get

810
00:40:46,360 --> 00:40:49,239
Speaker 2: caught up in trying to think me don't understand and

811
00:40:49,280 --> 00:40:52,239
Speaker 2: explain it when whole time, the entire game understands it.

812
00:40:52,719 --> 00:40:55,080
Speaker 2: Nobody's gonna pull me to the side, like Loom, We

813
00:40:55,200 --> 00:40:57,960
Speaker 2: really understand that were ignoring the rules, like we're here

814
00:40:58,000 --> 00:41:01,279
Speaker 2: for the money for them, nigga, You the only one

815
00:41:01,280 --> 00:41:03,520
Speaker 2: that's trying to be like Now, we can have conversations

816
00:41:03,560 --> 00:41:06,560
Speaker 2: without that, y'all. We can talk about business. We can

817
00:41:06,560 --> 00:41:10,080
Speaker 2: talk about journey. We can talk about mindset. We can

818
00:41:10,080 --> 00:41:20,960
Speaker 2: talk about goals, motivations, relationships, parenthood, fatherhood, you dig past, present, future, right,

819
00:41:21,040 --> 00:41:23,120
Speaker 2: we can talk about things other than that.

820
00:41:23,160 --> 00:41:25,840
Speaker 1: We don't gotta talk about that. Let's deal with the products.

821
00:41:26,320 --> 00:41:26,800
Speaker 1: Put this in.

822
00:41:26,920 --> 00:41:29,600
Speaker 2: The audience is entertained and it's making a lot of money.

823
00:41:29,800 --> 00:41:33,520
Speaker 2: If you ask me, all of this is just the

824
00:41:33,600 --> 00:41:39,520
Speaker 2: tough Rapper evolved. The tough Rapper and his entourage evolved,

825
00:41:41,239 --> 00:41:44,640
Speaker 2: and so now you got actual street guys that grab

826
00:41:44,719 --> 00:41:49,160
Speaker 2: these mics and that jocking for position. We live in

827
00:41:49,200 --> 00:41:52,400
Speaker 2: an interesting time now what street status and social status

828
00:41:52,400 --> 00:41:55,280
Speaker 2: now sit at the same table. And to be honest,

829
00:41:55,280 --> 00:41:57,680
Speaker 2: I still have an issue with understanding how they're using

830
00:41:57,800 --> 00:41:59,200
Speaker 2: lyrics interviews iny of that.

831
00:41:59,760 --> 00:42:00,000
Speaker 1: Now.

832
00:42:00,000 --> 00:42:02,400
Speaker 2: I understand that that that basically are gonna say that

833
00:42:02,560 --> 00:42:05,840
Speaker 2: when you're on a podcast or an interview, that's a

834
00:42:05,920 --> 00:42:09,320
Speaker 2: mission of guilt, Like if you lay out of crime,

835
00:42:09,400 --> 00:42:11,680
Speaker 2: they're gonna basically say that's an omission of guilt.

836
00:42:11,719 --> 00:42:13,000
Speaker 1: That's a little different than rap.

837
00:42:13,719 --> 00:42:17,360
Speaker 2: But I believe it's a profound contradiction and selective hearing,

838
00:42:18,000 --> 00:42:20,359
Speaker 2: because let's be real, You'll have guys in the same

839
00:42:20,400 --> 00:42:23,359
Speaker 2: interviews that to say I'm just playing or nothing I'm

840
00:42:23,400 --> 00:42:27,120
Speaker 2: saying here is real, and afairs ignore that, the state

841
00:42:27,280 --> 00:42:32,120
Speaker 2: ignore that. I believe that's unfair. I believe if saying

842
00:42:32,160 --> 00:42:34,279
Speaker 2: I did that on the interview is case closed, then

843
00:42:34,360 --> 00:42:37,680
Speaker 2: saying I didn't do that shouldn't in case dismissed if.

844
00:42:37,560 --> 00:42:39,960
Speaker 1: We're using that logic. But it just doesn't work like that.

845
00:42:40,880 --> 00:42:45,120
Speaker 2: Interviews with certain people, streams with certain people, interactions with

846
00:42:45,280 --> 00:42:50,960
Speaker 2: certain people, have become court rooms with comments sections, and

847
00:42:51,000 --> 00:42:56,320
Speaker 2: we've also lost our foot because we have misused allegedly

848
00:42:56,400 --> 00:42:57,000
Speaker 2: for so long.

849
00:42:58,640 --> 00:43:00,720
Speaker 1: There's an issue with allegedly in this culture.

850
00:43:00,760 --> 00:43:00,920
Speaker 3: Right.

851
00:43:00,960 --> 00:43:03,880
Speaker 2: What we're doing is we think that allegedly puts distance

852
00:43:03,960 --> 00:43:07,680
Speaker 2: between us and prosecution, when it really doesn't. The issue

853
00:43:07,680 --> 00:43:12,600
Speaker 2: with allegedly is for defamation, it does not protect you.

854
00:43:12,719 --> 00:43:13,279
Speaker 1: It's for a.

855
00:43:13,200 --> 00:43:17,080
Speaker 2: Civil matter, not criminal matter. So we've been misusing allegedly

856
00:43:17,120 --> 00:43:21,399
Speaker 2: for so long that these dudes are confessed to a

857
00:43:21,400 --> 00:43:24,399
Speaker 2: crime and then say allegedly and think that that's some

858
00:43:24,520 --> 00:43:28,880
Speaker 2: kind of shield, some kind of absolute legal protection. And

859
00:43:28,920 --> 00:43:30,839
Speaker 2: so for all my players out there that think they

860
00:43:30,880 --> 00:43:33,120
Speaker 2: gonna get on these interviews and run behind these dudes

861
00:43:33,160 --> 00:43:35,799
Speaker 2: and they gonna talk about something other than any other

862
00:43:35,880 --> 00:43:38,080
Speaker 2: than the mess, then you're wrong because the audience don't

863
00:43:38,080 --> 00:43:40,200
Speaker 2: want to hear that. They've trained the audience in a

864
00:43:40,239 --> 00:43:41,200
Speaker 2: way where they want to hear.

865
00:43:41,080 --> 00:43:41,800
Speaker 1: About the murders.

866
00:43:41,840 --> 00:43:45,480
Speaker 2: They want to hear about the killings, their hed You

867
00:43:45,640 --> 00:43:48,040
Speaker 2: so lost out here. You will say I'm pushing peace,

868
00:43:48,440 --> 00:43:50,399
Speaker 2: but then be showing them where you shot a nick

869
00:43:50,640 --> 00:43:53,319
Speaker 2: on the video. Yeah nah, shot right here. Yeah you

870
00:43:53,360 --> 00:43:56,520
Speaker 2: know what I hate, got shot at but you pushing peace.

871
00:43:56,840 --> 00:44:00,880
Speaker 2: See I watch honorable men. I got honorable men around me,

872
00:44:01,880 --> 00:44:04,560
Speaker 2: honorable guys in my town. I know what pushing peace

873
00:44:04,640 --> 00:44:08,319
Speaker 2: look like. I know what pushing the real agenda for

874
00:44:08,360 --> 00:44:10,520
Speaker 2: black folks look like. That's why I don't play with

875
00:44:10,560 --> 00:44:12,680
Speaker 2: it and try to use my platform to act like

876
00:44:12,719 --> 00:44:16,200
Speaker 2: I'm doing something that I ain't doing. I can play

877
00:44:16,239 --> 00:44:19,080
Speaker 2: with it like everybody else and pull a cameraund and

878
00:44:19,120 --> 00:44:21,440
Speaker 2: show up once a monthy and act like I'm involved.

879
00:44:21,680 --> 00:44:23,680
Speaker 2: That ay, how I get down When I'm involved. I'm

880
00:44:23,680 --> 00:44:27,680
Speaker 2: really involved. I got a representative on location on assignment.

881
00:44:29,320 --> 00:44:33,120
Speaker 2: But you gotta be careful in this game. It'll make

882
00:44:33,160 --> 00:44:35,840
Speaker 2: you change the way you see things, the way you

883
00:44:35,960 --> 00:44:37,960
Speaker 2: view things, and the way you do things.

884
00:44:38,600 --> 00:44:39,400
Speaker 1: We can't use.

885
00:44:39,280 --> 00:44:43,640
Speaker 2: Allegedly like it's, you know, shielding us from prosecution. Listen,

886
00:44:44,239 --> 00:44:49,680
Speaker 2: all of y'all is inadvertently self incriminating on these podcasts.

887
00:44:50,160 --> 00:44:52,480
Speaker 2: You gotta watch who you sit with and watch who

888
00:44:53,200 --> 00:44:57,120
Speaker 2: conducts your interviews. Some people are there to make sure

889
00:44:57,480 --> 00:45:00,000
Speaker 2: that they get the selation's head. Like, listen, that's yourself.

890
00:45:00,160 --> 00:45:03,160
Speaker 2: This one question I would have for Adam twenty two

891
00:45:03,200 --> 00:45:06,839
Speaker 2: will be simple. There's only a few people that will

892
00:45:06,840 --> 00:45:08,480
Speaker 2: get you out of your bed, to make you get

893
00:45:08,520 --> 00:45:11,920
Speaker 2: on the airplane and go get the interview. What is

894
00:45:11,960 --> 00:45:16,360
Speaker 2: the criteria? You've seen Adam twenty two move maybe what

895
00:45:16,520 --> 00:45:21,680
Speaker 2: three four times? What was the criteria in the last

896
00:45:21,719 --> 00:45:23,840
Speaker 2: two years when he moved in and went to do

897
00:45:23,920 --> 00:45:31,560
Speaker 2: an interview? What was the criteria? These are real questions.

898
00:45:32,040 --> 00:45:34,200
Speaker 2: We'll talk about this more at some point. I'm gonna

899
00:45:34,200 --> 00:45:36,560
Speaker 2: speak a little bit about the jets Hilarious and Breakfast

900
00:45:36,600 --> 00:45:38,399
Speaker 2: Club thing, and then we're gonna get out of here.

901
00:45:38,920 --> 00:45:42,759
Speaker 2: Appreciate y'all rocking with us, all right, So let's talk

902
00:45:42,760 --> 00:45:46,239
Speaker 2: about the jets Hilarious and Breakfast Club situation that I'm

903
00:45:46,239 --> 00:45:49,000
Speaker 2: sure you've seen. I want to address the business side

904
00:45:49,080 --> 00:45:51,960
Speaker 2: of it. Of course, you know, the iHeart family is

905
00:45:52,000 --> 00:45:55,160
Speaker 2: my family. That's part of my umbrella. I sent a

906
00:45:55,200 --> 00:45:57,799
Speaker 2: salute to everyone that's hustling under our heeart. Salute to

907
00:45:57,800 --> 00:46:01,439
Speaker 2: the iHeart Family. It is a that is rolling now.

908
00:46:02,719 --> 00:46:06,000
Speaker 2: Jess Hilarious was brought onto The Breakfast Club after Angela

909
00:46:06,080 --> 00:46:09,520
Speaker 2: Yee's departure, stepping in as a guest co host while

910
00:46:09,560 --> 00:46:12,520
Speaker 2: they figure out their new lineup. I did a couple

911
00:46:12,560 --> 00:46:16,680
Speaker 2: of dates they did this rotating guest thing as they

912
00:46:16,719 --> 00:46:21,120
Speaker 2: were searching for another co host for the Breakfast Club

913
00:46:21,200 --> 00:46:25,520
Speaker 2: and while she was pregnant, and upon her return, I

914
00:46:25,560 --> 00:46:29,759
Speaker 2: believe Jess felt the transition and how the show was

915
00:46:29,800 --> 00:46:32,839
Speaker 2: being handled, and she started to fill a shift. Now,

916
00:46:33,000 --> 00:46:36,520
Speaker 2: Jess eventually reached a breaking point and took the Instagram

917
00:46:36,560 --> 00:46:38,280
Speaker 2: Live to call out the Breakfast Club.

918
00:46:39,239 --> 00:46:40,520
Speaker 1: And that's where we're gonna start.

919
00:46:40,560 --> 00:46:43,520
Speaker 2: First, we're gonna be looking at what Jess said to

920
00:46:43,600 --> 00:46:46,000
Speaker 2: them in real time. Then we're gonna go to the

921
00:46:46,040 --> 00:46:49,200
Speaker 2: Breakfast Club interview with Charlemagne Envy and Lord La Rossen

922
00:46:49,280 --> 00:46:52,880
Speaker 2: actually spoke to each other. But first I want to

923
00:46:53,080 --> 00:46:56,040
Speaker 2: I want to look at Jess hilarious, reaching her breaking

924
00:46:56,120 --> 00:47:00,000
Speaker 2: point and speaking to her Instagram live about how she feels.

925
00:47:00,000 --> 00:47:02,760
Speaker 2: It was about a current role at our heart Breakfast Club.

926
00:47:03,000 --> 00:47:04,080
Speaker 2: That's road at first.

927
00:47:03,840 --> 00:47:07,919
Speaker 10: Clip looking flowers and we'll always because what does she do?

928
00:47:08,360 --> 00:47:12,399
Speaker 9: She does this shit? Okay, she she shows up.

929
00:47:12,880 --> 00:47:15,440
Speaker 10: I was hired to carry that that third seat and

930
00:47:15,520 --> 00:47:17,520
Speaker 10: I was doing that just great.

931
00:47:17,760 --> 00:47:20,360
Speaker 15: But then I got pregnant by my fiance.

932
00:47:20,840 --> 00:47:21,319
Speaker 9: Yeah I did.

933
00:47:22,080 --> 00:47:23,439
Speaker 15: Wouldn't regret it, never would.

934
00:47:24,160 --> 00:47:26,719
Speaker 10: I'm going to have another one. Stopped playing with me, okay,

935
00:47:27,000 --> 00:47:31,160
Speaker 10: so I picked her?

936
00:47:31,840 --> 00:47:34,440
Speaker 9: All right, cool. It's proof of that too.

937
00:47:35,480 --> 00:47:39,880
Speaker 15: When I got back, she never left. I constantly was

938
00:47:39,960 --> 00:47:42,520
Speaker 15: asking about and when I.

939
00:47:42,400 --> 00:47:46,160
Speaker 10: Say, I called Charlamagine, I called our program director, I

940
00:47:46,200 --> 00:47:48,759
Speaker 10: called the boss, I called it. I'm asking, all right,

941
00:47:48,760 --> 00:47:50,640
Speaker 10: what's going on? Why where's she gonna Why? Why is

942
00:47:50,680 --> 00:47:51,239
Speaker 10: she not leaving?

943
00:47:51,239 --> 00:47:51,560
Speaker 15: What's up?

944
00:47:51,560 --> 00:47:52,440
Speaker 9: Why she's still on air?

945
00:47:54,200 --> 00:47:56,080
Speaker 10: I was told that she was gonna be the producer,

946
00:47:56,200 --> 00:47:59,960
Speaker 10: she was gonna be hired as a producer. Okay, producers

947
00:48:00,080 --> 00:48:02,719
Speaker 10: aren't on air, though, so what's going on? Because we

948
00:48:02,800 --> 00:48:05,600
Speaker 10: have a lot of producers up there already, they're they're

949
00:48:05,600 --> 00:48:06,160
Speaker 10: not on air.

950
00:48:07,320 --> 00:48:08,200
Speaker 9: What's what's going on?

951
00:48:08,920 --> 00:48:13,120
Speaker 10: I've called and I've asked many times. That's what I

952
00:48:13,160 --> 00:48:17,399
Speaker 10: got told she's the producer. Okay, cool. So I ain't

953
00:48:17,400 --> 00:48:22,360
Speaker 10: asked no more. She's only on my segment. So I'm like,

954
00:48:22,440 --> 00:48:27,080
Speaker 10: all right, I'm putting shit together because that's what I do.

955
00:48:27,320 --> 00:48:28,480
Speaker 9: I put ship together.

956
00:48:29,280 --> 00:48:30,239
Speaker 15: All right, here we go.

957
00:48:31,120 --> 00:48:33,439
Speaker 9: So Shorty was about to be on the show.

958
00:48:33,840 --> 00:48:37,960
Speaker 10: That's exactly what I put in my head before anybody

959
00:48:38,120 --> 00:48:40,319
Speaker 10: decided to come and tell me again. So I did

960
00:48:40,360 --> 00:48:44,200
Speaker 10: another round of asking, all right, what are we doing

961
00:48:45,719 --> 00:48:49,359
Speaker 10: all right, Well, we've always this, this is this is

962
00:48:49,560 --> 00:48:54,360
Speaker 10: the boss. We've always considered having a fourth seat.

963
00:48:54,719 --> 00:48:56,200
Speaker 9: When the fuck was y'all gonna tell me that?

964
00:48:56,880 --> 00:48:57,120
Speaker 5: When?

965
00:48:57,200 --> 00:48:57,439
Speaker 9: When?

966
00:48:57,680 --> 00:49:00,160
Speaker 10: When was your and then this is months at after

967
00:49:00,239 --> 00:49:02,279
Speaker 10: I came back. This was like two months after I

968
00:49:02,320 --> 00:49:04,520
Speaker 10: came back from a time if you leave, We've always,

969
00:49:04,760 --> 00:49:06,920
Speaker 10: you know, ever since Angela Ye left, we said that

970
00:49:06,960 --> 00:49:13,319
Speaker 10: we would consider having four seats. So why why when

971
00:49:13,320 --> 00:49:15,920
Speaker 10: me and Claudia Jordan did the guest co hosting of

972
00:49:16,080 --> 00:49:18,640
Speaker 10: me and Kendrad g did the guest co hosting, then

973
00:49:18,680 --> 00:49:20,560
Speaker 10: everybody say, oh, it ain't gonna work with four people?

974
00:49:20,960 --> 00:49:24,680
Speaker 9: Why? Right? Why was that ever even said?

975
00:49:24,880 --> 00:49:27,919
Speaker 10: Why wasn't that something that was presented at the jump

976
00:49:28,000 --> 00:49:30,479
Speaker 10: like from jump at the top of the shit. That's

977
00:49:30,520 --> 00:49:32,840
Speaker 10: that's what I want to know, right, But I'm still playing.

978
00:49:32,840 --> 00:49:35,640
Speaker 10: I'm still here, mind you, I'm not playing the game.

979
00:49:35,680 --> 00:49:37,960
Speaker 10: I'm just still here with it because I'm in this

980
00:49:37,800 --> 00:49:41,520
Speaker 10: and this is a fun contract. This ain't no part

981
00:49:41,600 --> 00:49:44,319
Speaker 10: time little shit that that I got. I got a

982
00:49:44,320 --> 00:49:47,520
Speaker 10: contract that I negotiated and I got it. So I'm like,

983
00:49:47,520 --> 00:49:53,239
Speaker 10: all right, cool, I'm on air. She overtalks, she's over

984
00:49:53,320 --> 00:49:53,799
Speaker 10: talking me.

985
00:49:54,200 --> 00:49:55,399
Speaker 15: Lauren knows she does this shit.

986
00:49:55,520 --> 00:49:55,759
Speaker 9: Whatever.

987
00:49:55,800 --> 00:49:57,800
Speaker 10: I've told about the ship many of times, you know,

988
00:49:57,920 --> 00:50:03,720
Speaker 10: she's she overtalks me. I'm like, YO, shut up, all right,

989
00:50:03,960 --> 00:50:07,359
Speaker 10: or the hush be quiet? Yeah that clicked that, y'all saw, Yes,

990
00:50:07,480 --> 00:50:09,040
Speaker 10: I shut up, I be quiet.

991
00:50:10,800 --> 00:50:12,280
Speaker 15: Yeah, I've said that.

992
00:50:12,719 --> 00:50:16,000
Speaker 10: And I've met that, you know what I mean. That's

993
00:50:16,040 --> 00:50:18,040
Speaker 10: the only way to get it a hush. So I'm like,

994
00:50:18,040 --> 00:50:22,359
Speaker 10: all right, Cool. One day I told her, I mean,

995
00:50:22,360 --> 00:50:23,799
Speaker 10: because I went in the comments, I'm like, all right,

996
00:50:23,800 --> 00:50:25,840
Speaker 10: people don't like that, all right, whatever. You know, I'm

997
00:50:25,880 --> 00:50:28,120
Speaker 10: not her mother, she's another grown woman.

998
00:50:28,400 --> 00:50:30,439
Speaker 9: I have to respect this lady. But she's not gonna

999
00:50:30,480 --> 00:50:31,200
Speaker 9: keep talking over me.

1000
00:50:31,280 --> 00:50:33,520
Speaker 10: Y'a Already I'm already confusing on why the fuck she's

1001
00:50:33,560 --> 00:50:35,680
Speaker 10: still here, you know what I mean, like on air,

1002
00:50:35,880 --> 00:50:38,719
Speaker 10: not in the building on air, right, So I'm like,

1003
00:50:38,760 --> 00:50:42,960
Speaker 10: all right, I told her be quiet. The next day,

1004
00:50:44,920 --> 00:50:49,600
Speaker 10: Charlamagne texts me and he says, YO, don't tell her.

1005
00:50:49,480 --> 00:50:53,280
Speaker 15: Be quiet, you.

1006
00:50:52,360 --> 00:50:53,239
Speaker 9: Tell us shut up.

1007
00:50:54,000 --> 00:50:56,120
Speaker 10: Play into that narrative of y'all beef and y'all and

1008
00:50:56,160 --> 00:50:56,920
Speaker 10: not liking each other.

1009
00:50:57,000 --> 00:50:59,000
Speaker 7: Why the fuck? What will you do that?

1010
00:50:59,680 --> 00:51:03,200
Speaker 9: But like, you know what, all right? Cool? She cool

1011
00:51:03,239 --> 00:51:03,400
Speaker 9: with it.

1012
00:51:03,440 --> 00:51:04,960
Speaker 10: I'm cool with it because I'm not a be quiet

1013
00:51:04,960 --> 00:51:06,560
Speaker 10: type of bit anyway. I am a shut up type

1014
00:51:06,600 --> 00:51:09,759
Speaker 10: of bitch. Asks my kids, right, even a step a

1015
00:51:09,800 --> 00:51:11,400
Speaker 10: month old will ask them.

1016
00:51:11,440 --> 00:51:16,640
Speaker 9: So then I asked again.

1017
00:51:16,719 --> 00:51:19,080
Speaker 15: I'm like, all right, so she's gonna be the fourth host.

1018
00:51:19,520 --> 00:51:20,239
Speaker 15: That's what it is.

1019
00:51:21,200 --> 00:51:23,799
Speaker 10: Whenever we do find that, you know what I'm saying,

1020
00:51:23,800 --> 00:51:25,680
Speaker 10: it's just a bunch of beating around the bush y'all.

1021
00:51:25,800 --> 00:51:28,040
Speaker 10: So luck she started doing the news. I'm like, all right,

1022
00:51:28,040 --> 00:51:30,719
Speaker 10: look that's her segment. Take me off that shit, y'all

1023
00:51:30,719 --> 00:51:33,840
Speaker 10: give her that shit. Take me off that shit did

1024
00:51:33,960 --> 00:51:37,000
Speaker 10: this is her segment. Now, this is no longer just

1025
00:51:37,080 --> 00:51:44,600
Speaker 10: with the mess you know got dark Fats is the mother, Okay, So.

1026
00:51:46,960 --> 00:51:49,680
Speaker 9: I said, take me off that shit. This is not that.

1027
00:51:49,800 --> 00:51:52,120
Speaker 15: It is no longer my segment. I said it.

1028
00:51:52,480 --> 00:51:55,600
Speaker 10: I said it, Take me off of that, give it,

1029
00:51:55,760 --> 00:51:57,480
Speaker 10: give it to it, give it to Charlotte Mae Sai, Nah,

1030
00:51:57,480 --> 00:51:59,959
Speaker 10: I want it to be her segment. It damn nish

1031
00:52:00,080 --> 00:52:04,600
Speaker 10: sure is already like it. It's her segment. She's she's

1032
00:52:04,640 --> 00:52:05,680
Speaker 10: reading it and.

1033
00:52:05,640 --> 00:52:07,520
Speaker 9: She's doing it to the best of her ability.

1034
00:52:07,600 --> 00:52:12,479
Speaker 10: Shorty is like that, Yeah, that's why I picked her

1035
00:52:13,320 --> 00:52:15,040
Speaker 10: to fill in for me for maternity leave.

1036
00:52:17,640 --> 00:52:21,080
Speaker 9: That's why I picked her. Do I need to understand something.

1037
00:52:21,120 --> 00:52:23,000
Speaker 10: I'm never hating on Shorty. I already told her. I'll

1038
00:52:23,000 --> 00:52:25,040
Speaker 10: tell her every day. I tell her she's pretty every day.

1039
00:52:25,280 --> 00:52:27,600
Speaker 10: I tell her every day. I pick up this woman

1040
00:52:27,640 --> 00:52:31,520
Speaker 10: every day every day.

1041
00:52:32,320 --> 00:52:34,280
Speaker 9: I don't have no reason to hate on that girl.

1042
00:52:34,760 --> 00:52:35,240
Speaker 9: I don't.

1043
00:52:36,080 --> 00:52:36,160
Speaker 12: No.

1044
00:52:36,480 --> 00:52:38,279
Speaker 10: I didn't like her when I came back because I'm like,

1045
00:52:38,280 --> 00:52:39,040
Speaker 10: all right, what's going on?

1046
00:52:40,080 --> 00:52:40,799
Speaker 9: What's going on?

1047
00:52:41,560 --> 00:52:46,800
Speaker 10: She knew it. We had a conversation because the anger

1048
00:52:46,840 --> 00:52:47,520
Speaker 10: was misplaced.

1049
00:52:47,560 --> 00:52:49,279
Speaker 15: Not even you that I don't like.

1050
00:52:49,320 --> 00:52:52,320
Speaker 10: I'm realizing it's the way he's just doing shit up here.

1051
00:52:52,520 --> 00:52:53,239
Speaker 7: That I don't like.

1052
00:52:53,480 --> 00:53:04,240
Speaker 15: Okay, got it. Now it's her segment.

1053
00:53:04,719 --> 00:53:07,840
Speaker 10: I went to the to the person who does the intros,

1054
00:53:07,880 --> 00:53:09,880
Speaker 10: the sounds and shit. I went to Taylor, Yo, Taylor

1055
00:53:10,200 --> 00:53:12,279
Speaker 10: make laurin her intro, take Jess with the mess all

1056
00:53:12,320 --> 00:53:12,640
Speaker 10: that shit.

1057
00:53:13,320 --> 00:53:15,400
Speaker 9: She says, Ah, things can't just change like that?

1058
00:53:15,520 --> 00:53:16,040
Speaker 7: Why the fun?

1059
00:53:16,920 --> 00:53:20,520
Speaker 10: Why not are y'all changing everything else? And then I'm

1060
00:53:20,520 --> 00:53:22,879
Speaker 10: the only one that don't know my goofy yass don't

1061
00:53:22,880 --> 00:53:26,360
Speaker 10: know nothing. I'm just coming to work every day, just

1062
00:53:26,440 --> 00:53:29,000
Speaker 10: zippity do gea. You know what I'm saying, like, nah,

1063
00:53:29,280 --> 00:53:32,239
Speaker 10: take my name out. That shit just with the mess

1064
00:53:32,400 --> 00:53:35,399
Speaker 10: is not at breakfast club. I'm just hilarious up here.

1065
00:53:36,000 --> 00:53:39,680
Speaker 10: I'm Jessic Khmore up here. Just what the mess is

1066
00:53:39,719 --> 00:53:44,040
Speaker 10: not being done? Laura la Rosa is doing the shit,

1067
00:53:44,480 --> 00:53:44,799
Speaker 10: So that.

1068
00:53:44,800 --> 00:53:45,800
Speaker 9: Need to be her segment.

1069
00:53:46,160 --> 00:53:48,960
Speaker 10: I fought further. I fought for that segment.

1070
00:53:49,080 --> 00:53:52,400
Speaker 9: What are we talking about? What we talking about.

1071
00:53:52,760 --> 00:53:56,400
Speaker 10: While her fans and her people is in the breakfast

1072
00:53:56,400 --> 00:53:59,600
Speaker 10: club people and uh, you know the people want to

1073
00:53:59,640 --> 00:54:01,239
Speaker 10: calm and asks. Man, I'm not ready to sit up

1074
00:54:01,280 --> 00:54:03,080
Speaker 10: here and act like I don't see that shit.

1075
00:54:03,080 --> 00:54:03,800
Speaker 9: They all crazy.

1076
00:54:03,880 --> 00:54:05,680
Speaker 10: One thing I ain't never try to do is act

1077
00:54:05,760 --> 00:54:07,640
Speaker 10: unbothered unless shit never bothered me.

1078
00:54:07,719 --> 00:54:09,799
Speaker 9: Man, what you.

1079
00:54:09,880 --> 00:54:13,400
Speaker 10: Try coming back to work. You try to come and

1080
00:54:13,680 --> 00:54:16,760
Speaker 10: you try to come back to work, and the moment

1081
00:54:17,080 --> 00:54:19,799
Speaker 10: is right there at your desk and you it ain't

1082
00:54:19,840 --> 00:54:22,960
Speaker 10: nobody telling you shit, mind you, nobody telling you nothing,

1083
00:54:23,600 --> 00:54:27,440
Speaker 10: mind you. Before you know it, everybody thinking you just

1084
00:54:27,560 --> 00:54:31,680
Speaker 10: you're the villain, Like I'm the villain because I didn't

1085
00:54:31,719 --> 00:54:35,960
Speaker 10: know shit. I'm sick of that. I'm very very sick

1086
00:54:36,000 --> 00:54:36,279
Speaker 10: of that.

1087
00:54:38,719 --> 00:54:40,360
Speaker 9: I'm sick of the shit. It's weird.

1088
00:54:40,760 --> 00:54:41,280
Speaker 7: It's weird.

1089
00:54:42,719 --> 00:54:45,560
Speaker 10: I don't fuck with it. Just be quiet up there.

1090
00:54:45,560 --> 00:54:47,840
Speaker 10: I'm not fighting over on Mike's space. I'm not fighting

1091
00:54:47,840 --> 00:54:50,400
Speaker 10: over on Mike. That's why I went from shut up

1092
00:54:50,400 --> 00:54:52,320
Speaker 10: and hushed to not saying nothing.

1093
00:54:53,040 --> 00:54:54,759
Speaker 15: I'm nah, no, no, no, no no.

1094
00:54:55,200 --> 00:54:59,279
Speaker 10: I'm not gonna compete where I already already won this competition.

1095
00:54:59,640 --> 00:55:01,759
Speaker 9: I didn't it was supposed to be four. If this

1096
00:55:02,000 --> 00:55:08,600
Speaker 9: was if this was presented to me, you.

1097
00:55:08,560 --> 00:55:12,040
Speaker 10: Know, prior to higher, then i'd have been then I

1098
00:55:12,040 --> 00:55:14,399
Speaker 10: wouldn't have been so shocked, like oh shit, all right, cool,

1099
00:55:14,440 --> 00:55:16,840
Speaker 10: So we'll be bringing in the fourth person ship.

1100
00:55:17,080 --> 00:55:17,680
Speaker 9: That's what's up.

1101
00:55:17,800 --> 00:55:18,080
Speaker 5: Cool?

1102
00:55:18,600 --> 00:55:18,960
Speaker 3: All right?

1103
00:55:19,040 --> 00:55:22,480
Speaker 2: Let me let me try to give some perspective and

1104
00:55:22,520 --> 00:55:27,560
Speaker 2: give my take on this number one salute to just

1105
00:55:27,680 --> 00:55:32,040
Speaker 2: salute the Laura l Rossa. I like both of them.

1106
00:55:32,400 --> 00:55:34,520
Speaker 2: What I speak about today is going to be based

1107
00:55:34,560 --> 00:55:35,280
Speaker 2: on information.

1108
00:55:35,480 --> 00:55:35,680
Speaker 1: You know.

1109
00:55:35,719 --> 00:55:38,440
Speaker 2: I'm not like these other guys that just want to

1110
00:55:38,440 --> 00:55:42,480
Speaker 2: give some salacious takes about women in this space. Shout

1111
00:55:42,520 --> 00:55:46,040
Speaker 2: out to Charlemagne, shout out the envy, I heart and

1112
00:55:46,120 --> 00:55:48,919
Speaker 2: black Effect. I wanted to play the video and hold,

1113
00:55:48,960 --> 00:55:52,759
Speaker 2: but I think there's opportunity for us to speak already,

1114
00:55:52,960 --> 00:55:56,759
Speaker 2: you know, and and from this standpoint, you just heard

1115
00:55:56,760 --> 00:56:00,640
Speaker 2: her speak about going from basically fighting over the mic

1116
00:56:00,680 --> 00:56:05,959
Speaker 2: to being quiet. You heard us speak about returning from

1117
00:56:06,200 --> 00:56:10,400
Speaker 2: being pregnant and someone being in a chair, her not

1118
00:56:10,480 --> 00:56:13,200
Speaker 2: being informed. Listen, Just to wrap all of that up,

1119
00:56:13,239 --> 00:56:15,400
Speaker 2: a lot of this is just corporate games. This is

1120
00:56:15,440 --> 00:56:18,600
Speaker 2: the games that corporate plays, in particular when you are

1121
00:56:18,640 --> 00:56:21,680
Speaker 2: operating with a show that it's been running for that long.

1122
00:56:21,800 --> 00:56:23,880
Speaker 2: So this is a well ORed machine and you are

1123
00:56:23,920 --> 00:56:27,160
Speaker 2: a new car getting the system. Now, had they been Charlemagne,

1124
00:56:27,239 --> 00:56:30,239
Speaker 2: he can disappear for six months, I bet you won't

1125
00:56:30,280 --> 00:56:33,480
Speaker 2: nobody being there. Chad to day he come back, and

1126
00:56:33,560 --> 00:56:36,879
Speaker 2: I think that's what just feels. But you know, that's

1127
00:56:37,000 --> 00:56:41,200
Speaker 2: levels to everything. Before we get into any other business

1128
00:56:42,000 --> 00:56:45,960
Speaker 2: matter of fact, let's talk about corporate maneuvering anytime that

1129
00:56:46,360 --> 00:56:47,720
Speaker 2: you're working for a company.

1130
00:56:47,760 --> 00:56:49,120
Speaker 1: This is just how they play the game.

1131
00:56:49,120 --> 00:56:51,560
Speaker 2: When you're working for a company, they're smiling your face,

1132
00:56:51,600 --> 00:56:54,480
Speaker 2: Oh we love you so much, But behind closed doors,

1133
00:56:54,520 --> 00:56:58,360
Speaker 2: they're making decisions that don't align with that sentiment. Just

1134
00:56:58,440 --> 00:57:01,040
Speaker 2: made a critical mistake, and this this is in my opinion,

1135
00:57:01,239 --> 00:57:02,560
Speaker 2: when she assumed they cared.

1136
00:57:03,719 --> 00:57:06,520
Speaker 1: Now the universe is just so powerful.

1137
00:57:06,600 --> 00:57:06,920
Speaker 5: Dog.

1138
00:57:08,360 --> 00:57:10,800
Speaker 1: Angela Yee did.

1139
00:57:10,600 --> 00:57:13,800
Speaker 2: That job for thirteen years, and I'm not sure everyone

1140
00:57:13,920 --> 00:57:17,840
Speaker 2: really understands how much easier it was when she got there.

1141
00:57:17,920 --> 00:57:20,960
Speaker 2: Number One, they softened the audience with the eighteen months,

1142
00:57:21,480 --> 00:57:25,040
Speaker 2: almost two years of rotating guests. They're softening the audience

1143
00:57:25,080 --> 00:57:28,280
Speaker 2: because if you go from Angela Yee to another woman

1144
00:57:28,400 --> 00:57:31,320
Speaker 2: that next day, like say she quits on a Friday

1145
00:57:31,320 --> 00:57:35,560
Speaker 2: and on Monday, her replacement is there. Nine times out

1146
00:57:35,600 --> 00:57:38,120
Speaker 2: of ten, the fans are gonna be critical. You don't

1147
00:57:38,160 --> 00:57:40,800
Speaker 2: know how the chemistry is gonna work. There's so many

1148
00:57:40,800 --> 00:57:43,840
Speaker 2: different variables that you have to take account for, and

1149
00:57:43,880 --> 00:57:47,080
Speaker 2: so I think the rotating guest thing was brilliant for

1150
00:57:47,120 --> 00:57:50,920
Speaker 2: a number of reasons. But when they do the rotating guests,

1151
00:57:51,520 --> 00:57:55,440
Speaker 2: they end up choosing just hilarious. We saw Charlemagne go

1152
00:57:55,480 --> 00:57:59,200
Speaker 2: to back for just and try to get that deal

1153
00:57:59,280 --> 00:58:01,720
Speaker 2: done and say, yo, let's make a decision. We saw

1154
00:58:01,760 --> 00:58:04,160
Speaker 2: him going TMZ and we'll get to that in a minute.

1155
00:58:04,800 --> 00:58:07,480
Speaker 2: They hired just not only for her own a personality,

1156
00:58:07,520 --> 00:58:08,960
Speaker 2: but she had a social presence.

1157
00:58:09,760 --> 00:58:11,040
Speaker 1: She was a comedian, so.

1158
00:58:12,520 --> 00:58:15,240
Speaker 2: We have a certain respect for a comedian's ability to

1159
00:58:15,280 --> 00:58:18,240
Speaker 2: have these conversations on many different topics, and so she

1160
00:58:18,400 --> 00:58:21,040
Speaker 2: was hired. She kind of checked off a lot of boxes,

1161
00:58:21,120 --> 00:58:24,800
Speaker 2: talented young woman, and so she was hired put in position.

1162
00:58:25,400 --> 00:58:29,240
Speaker 2: But the universe would have it that while she still

1163
00:58:29,360 --> 00:58:33,800
Speaker 2: knew in her position, she gets pregnant and just can

1164
00:58:33,800 --> 00:58:36,360
Speaker 2: feel hurt by this because the universe are lying in

1165
00:58:36,400 --> 00:58:40,440
Speaker 2: a way where it feels like I worked so hard

1166
00:58:40,480 --> 00:58:43,640
Speaker 2: to get this position and it felt like it was

1167
00:58:43,680 --> 00:58:46,240
Speaker 2: so easy for me to lose it. And so what

1168
00:58:46,400 --> 00:58:49,480
Speaker 2: happened was Jess gets pregnant and in her word, she

1169
00:58:49,600 --> 00:58:52,400
Speaker 2: chooses Lord La Rossa. Now here's where things get slippery.

1170
00:58:53,400 --> 00:58:55,840
Speaker 2: Lord l Rosa comes in and she has a background.

1171
00:58:56,560 --> 00:59:00,440
Speaker 2: Her background is from TMZ. That background all though at

1172
00:59:00,440 --> 00:59:05,520
Speaker 2: this time undervalued, understated. Ah, whatever it is, what it is,

1173
00:59:05,920 --> 00:59:08,440
Speaker 2: it will be extremely valuable in the climate that we

1174
00:59:08,440 --> 00:59:11,560
Speaker 2: were in at that time. Now again, Angela Yee did

1175
00:59:11,600 --> 00:59:15,120
Speaker 2: this gig for thirteen years. What made it even.

1176
00:59:15,040 --> 00:59:18,240
Speaker 1: More easier for Lord l Rossa is.

1177
00:59:19,760 --> 00:59:22,720
Speaker 2: Just took most of the initial blow as it pertains

1178
00:59:22,760 --> 00:59:25,080
Speaker 2: to people not liking the change at the show or

1179
00:59:25,080 --> 00:59:27,520
Speaker 2: a new cohost. So she kind of took the initial blow,

1180
00:59:27,560 --> 00:59:30,800
Speaker 2: then handed it off and the person she gave it to.

1181
00:59:30,880 --> 00:59:33,360
Speaker 2: In the climate we was in with Diddy being arrested,

1182
00:59:33,840 --> 00:59:39,160
Speaker 2: with lawsuit after lawsuit, with tabloid after tabloid, all these

1183
00:59:39,240 --> 00:59:41,520
Speaker 2: hot topics at a high level, and these were some

1184
00:59:41,600 --> 00:59:42,800
Speaker 2: high priority cases.

1185
00:59:42,800 --> 00:59:44,040
Speaker 1: You got young Thug.

1186
00:59:43,840 --> 00:59:46,760
Speaker 2: Going to jail, Dirt going to jail, did He being arrested,

1187
00:59:46,800 --> 00:59:51,760
Speaker 2: tapes being released, and that TMZ background became useful and

1188
00:59:51,800 --> 00:59:55,160
Speaker 2: all of this is happening. Why Jess is on paternity lead,

1189
00:59:56,720 --> 00:59:59,640
Speaker 2: She's trying to get better. Now she comes back and

1190
01:00:00,120 --> 01:00:02,520
Speaker 2: someone's in a seat and she gets in her feelings

1191
01:00:02,600 --> 01:00:05,280
Speaker 2: because what happens is just feels in her mind. It's

1192
01:00:05,320 --> 01:00:07,520
Speaker 2: like being traded to a run heavy team as a

1193
01:00:07,520 --> 01:00:10,959
Speaker 2: star running back, and then mid season you come back

1194
01:00:12,360 --> 01:00:14,360
Speaker 2: and man, it's a whole lot of shotgun in it's

1195
01:00:14,400 --> 01:00:17,040
Speaker 2: playbook now And now you sitting there like, yo, y'all

1196
01:00:17,120 --> 01:00:19,160
Speaker 2: brought me in because I'm a beast at the run game.

1197
01:00:19,400 --> 01:00:23,280
Speaker 2: But the whole office is shifted to passing. But in

1198
01:00:23,400 --> 01:00:27,000
Speaker 2: corporate guess how they get you when it's time for negotiations,

1199
01:00:27,000 --> 01:00:30,560
Speaker 2: guess what they say, Well, you wasn't as effective as

1200
01:00:30,600 --> 01:00:35,000
Speaker 2: you was last year. Yeah, you changed the game plan,

1201
01:00:35,080 --> 01:00:38,600
Speaker 2: you changed the playbook, you went away from running, So yeah,

1202
01:00:38,600 --> 01:00:40,560
Speaker 2: I didn't have as many carriages, so I don't have

1203
01:00:40,640 --> 01:00:46,160
Speaker 2: as many yards. Jess Hilarious was brought on to lean

1204
01:00:46,240 --> 01:00:47,080
Speaker 2: in the comedy.

1205
01:00:47,720 --> 01:00:48,959
Speaker 1: Lord La Rosa.

1206
01:00:48,680 --> 01:00:52,680
Speaker 2: Came in and the pivoted towards journalism. Just is in

1207
01:00:52,720 --> 01:00:56,120
Speaker 2: a position where her strongest skill set is working against us.

1208
01:00:56,120 --> 01:01:02,240
Speaker 2: She's a comedian. She wants to have commentary, but you're

1209
01:01:02,240 --> 01:01:05,400
Speaker 2: in a scenario where we kind of like how she

1210
01:01:05,480 --> 01:01:08,240
Speaker 2: gave us that information about Diddy. These topics are so

1211
01:01:08,320 --> 01:01:12,320
Speaker 2: serious that they want information. They don't really want commentary

1212
01:01:12,440 --> 01:01:13,520
Speaker 2: right now, they won't.

1213
01:01:13,560 --> 01:01:15,600
Speaker 1: What happened with Diddy? And what are they saying? And

1214
01:01:15,680 --> 01:01:19,520
Speaker 1: it's his lawyer talking about bond and what about the tape?

1215
01:01:19,640 --> 01:01:20,320
Speaker 1: Is that real?

1216
01:01:20,440 --> 01:01:25,760
Speaker 2: And where is Diddy? And that's a sealed indictment and

1217
01:01:25,800 --> 01:01:30,320
Speaker 2: that's grand jury and they've been speaking to who you

1218
01:01:30,360 --> 01:01:33,160
Speaker 2: see what I mean? And so what happens is her strength,

1219
01:01:33,200 --> 01:01:37,760
Speaker 2: shine Bright. What's unfortunately it is is that because just

1220
01:01:38,000 --> 01:01:41,160
Speaker 2: wasn't there, they were forced to adjust. The team literally

1221
01:01:41,320 --> 01:01:43,360
Speaker 2: was forced to adjust. And the person that we have

1222
01:01:43,520 --> 01:01:46,840
Speaker 2: here just so happens to Shine Bright. We have to

1223
01:01:46,920 --> 01:01:50,840
Speaker 2: change the format to fit her strengths, and what started

1224
01:01:50,920 --> 01:01:54,080
Speaker 2: as a move to accommodate the situation turned into a

1225
01:01:54,120 --> 01:01:57,880
Speaker 2: full pivot and they shifted away from the comedic standpoints

1226
01:01:57,920 --> 01:02:01,920
Speaker 2: and comedic content and they lean into journalistic approach.

1227
01:02:02,560 --> 01:02:05,280
Speaker 1: Just wasn't finished there. Let's look at more only.

1228
01:02:05,120 --> 01:02:08,720
Speaker 9: Time for that segment. You know what I'm saying.

1229
01:02:08,720 --> 01:02:11,640
Speaker 10: We had a meeting today to to to restructure to

1230
01:02:11,680 --> 01:02:12,880
Speaker 10: show and ship like that.

1231
01:02:20,280 --> 01:02:23,040
Speaker 9: Out of here, go out of here?

1232
01:02:24,360 --> 01:02:32,760
Speaker 10: That went crazy too. Listen, It's a lot of shit.

1233
01:02:33,200 --> 01:02:36,120
Speaker 10: It's a lot of things that I that I deal with.

1234
01:02:36,320 --> 01:02:39,280
Speaker 10: I ain't expecting, not one moment. But feel sorry for

1235
01:02:39,320 --> 01:02:40,720
Speaker 10: me because that's not what I'm looking for.

1236
01:02:41,040 --> 01:02:42,120
Speaker 9: I don't care that.

1237
01:02:42,800 --> 01:02:46,480
Speaker 10: And I haven't said a mothering thing at all.

1238
01:02:48,200 --> 01:02:51,880
Speaker 9: At all. I haven't.

1239
01:02:52,000 --> 01:02:55,680
Speaker 10: I haven't said anything. Just a crazy thing, y'all. I'm

1240
01:02:55,680 --> 01:03:00,880
Speaker 10: gonna let y'all. I'm gonna let y'all know this. The

1241
01:03:00,920 --> 01:03:05,600
Speaker 10: craziest shit is right. I wanted Breakfast Club so bad.

1242
01:03:06,640 --> 01:03:07,160
Speaker 9: I wanted it.

1243
01:03:07,560 --> 01:03:10,439
Speaker 15: I grew up on the show the fuck like, what

1244
01:03:11,080 --> 01:03:11,959
Speaker 15: Hall of Fame show?

1245
01:03:12,000 --> 01:03:13,680
Speaker 9: What are we talking about? Syndicated?

1246
01:03:14,400 --> 01:03:16,120
Speaker 10: This ain't my first time doing radio, But I'm just

1247
01:03:16,120 --> 01:03:19,680
Speaker 10: saying like this is the biggest fucking show culturally.

1248
01:03:20,720 --> 01:03:21,480
Speaker 9: You know what I'm saying.

1249
01:03:22,240 --> 01:03:24,040
Speaker 15: I was eating that shit up the whole year.

1250
01:03:24,120 --> 01:03:26,880
Speaker 9: I co hosted eating that shit up until I had

1251
01:03:26,880 --> 01:03:27,280
Speaker 9: to leave.

1252
01:03:27,400 --> 01:03:30,360
Speaker 10: You know what I'm saying, Like, I had a baby

1253
01:03:31,560 --> 01:03:33,760
Speaker 10: in this industry and what I'm doing ain't no right

1254
01:03:33,800 --> 01:03:34,680
Speaker 10: time to have a baby.

1255
01:03:34,680 --> 01:03:37,040
Speaker 9: So you have them when you have them.

1256
01:03:37,200 --> 01:03:39,040
Speaker 10: I don't regret when I got pregnant.

1257
01:03:39,440 --> 01:03:39,880
Speaker 9: I don't.

1258
01:03:40,520 --> 01:03:43,760
Speaker 10: I got pregnant on fuck purpose. That's what I wanted,

1259
01:03:43,800 --> 01:03:45,000
Speaker 10: a baby, and that's what I got.

1260
01:03:45,680 --> 01:03:46,400
Speaker 9: You know what I'm saying.

1261
01:03:46,800 --> 01:03:51,920
Speaker 15: But I wanted breakfast club.

1262
01:03:52,360 --> 01:03:55,840
Speaker 9: You feel me. I'm and I'm gonna say this.

1263
01:03:58,400 --> 01:04:03,160
Speaker 10: I don't fucking need to be there. I wanted to

1264
01:04:03,200 --> 01:04:05,360
Speaker 10: be there. I loved being there.

1265
01:04:09,160 --> 01:04:10,080
Speaker 9: That was my shit.

1266
01:04:10,720 --> 01:04:12,800
Speaker 10: You get what I'm saying, Like that was my shit.

1267
01:04:12,960 --> 01:04:15,440
Speaker 10: I used to be happy as a mother on the radio.

1268
01:04:16,880 --> 01:04:20,520
Speaker 9: Yeah, yeah, definitely, I'm not.

1269
01:04:21,080 --> 01:04:21,600
Speaker 15: I'm listen.

1270
01:04:21,680 --> 01:04:24,840
Speaker 10: I'm not intimidated by no woman walking on this earth.

1271
01:04:26,360 --> 01:04:29,919
Speaker 10: I give a crown to that girl. If you listen

1272
01:04:30,000 --> 01:04:33,520
Speaker 10: to the show, you know you're talking about she tried

1273
01:04:33,560 --> 01:04:37,800
Speaker 10: to be my friend. Excuse me. Ain't nobody trying to

1274
01:04:37,800 --> 01:04:40,280
Speaker 10: be no mother friends, What are we talking about?

1275
01:04:42,120 --> 01:04:43,760
Speaker 9: We just naturally.

1276
01:04:44,880 --> 01:04:49,960
Speaker 10: Organically became cool once I realized what the fuck was

1277
01:04:50,000 --> 01:04:52,120
Speaker 10: going on. Like I said, my anger was misplaced. No,

1278
01:04:52,200 --> 01:04:53,960
Speaker 10: I did not like her when I first came back.

1279
01:04:54,120 --> 01:04:56,720
Speaker 10: I didn't even down to how I was supposed to return,

1280
01:04:57,160 --> 01:04:58,920
Speaker 10: Like we had a whole plan on how I was

1281
01:04:58,920 --> 01:04:59,800
Speaker 10: supposed to come back.

1282
01:05:00,720 --> 01:05:01,520
Speaker 9: When I walk in.

1283
01:05:01,440 --> 01:05:05,760
Speaker 10: The room, she never left. First thing she said is

1284
01:05:05,840 --> 01:05:09,000
Speaker 10: not how your baby doing. No, that was envy cause

1285
01:05:09,000 --> 01:05:12,520
Speaker 10: he's the family man, right, how does maternity leave?

1286
01:05:12,640 --> 01:05:13,840
Speaker 9: No? No, no, that's not the first.

1287
01:05:13,840 --> 01:05:15,760
Speaker 10: The first thing that she talks about is the shit

1288
01:05:15,840 --> 01:05:20,400
Speaker 10: that was in the comments. What the fake would make

1289
01:05:20,760 --> 01:05:22,400
Speaker 10: me want to talk about.

1290
01:05:23,680 --> 01:05:24,640
Speaker 9: The comments?

1291
01:05:24,680 --> 01:05:27,400
Speaker 10: First, I got a beautiful baby at home. Why you

1292
01:05:27,480 --> 01:05:29,160
Speaker 10: know what I'm saying. So, No, I did not like

1293
01:05:29,200 --> 01:05:30,320
Speaker 10: her when I first came back.

1294
01:05:30,480 --> 01:05:31,600
Speaker 9: I had to.

1295
01:05:32,160 --> 01:05:38,280
Speaker 10: Learn that Lauren was not a spiteful person. Like I'm like,

1296
01:05:38,320 --> 01:05:40,680
Speaker 10: I don't like the way you're moving. I don't like nah,

1297
01:05:40,720 --> 01:05:43,080
Speaker 10: I I ain't feeling this shit. We had a whole

1298
01:05:43,200 --> 01:05:43,680
Speaker 10: nother plan.

1299
01:05:43,760 --> 01:05:46,160
Speaker 9: I don't know what the fuck that what that wasn't then?

1300
01:05:46,320 --> 01:05:50,439
Speaker 9: But that shit wasn't it. I ain't like that. We've

1301
01:05:50,480 --> 01:05:50,959
Speaker 9: made cool.

1302
01:05:51,040 --> 01:05:57,320
Speaker 10: Since then, that's it, right, A compliment this girl every day,

1303
01:05:58,600 --> 01:06:01,720
Speaker 10: every day and it ain't forced.

1304
01:06:01,800 --> 01:06:03,720
Speaker 9: She's a beautiful girl. She knows her shit and she

1305
01:06:03,880 --> 01:06:04,480
Speaker 9: own her shit.

1306
01:06:05,440 --> 01:06:08,600
Speaker 10: And that segment came from me, Like let's let's not

1307
01:06:08,680 --> 01:06:11,680
Speaker 10: even sit here and fuck play around with it like

1308
01:06:13,240 --> 01:06:15,800
Speaker 10: it's a crazy thing. This, this is another crazy thing.

1309
01:06:16,680 --> 01:06:18,760
Speaker 10: We supposed to be a team up that bit. Not

1310
01:06:18,880 --> 01:06:23,320
Speaker 10: one person, not one person comes to my defense at all,

1311
01:06:23,520 --> 01:06:30,000
Speaker 10: Like when I'm t like, not one mother ever with

1312
01:06:30,040 --> 01:06:34,720
Speaker 10: this online shit, Like why the fucking ship we have

1313
01:06:34,840 --> 01:06:39,600
Speaker 10: to keep playing it? Man, listen, I know one thing, Angelie,

1314
01:06:39,640 --> 01:06:43,160
Speaker 10: You ain't that much crazy, not not as crazy as

1315
01:06:43,200 --> 01:06:46,040
Speaker 10: it is try to make out to be Nae the

1316
01:06:46,080 --> 01:06:47,160
Speaker 10: reason that lady wanted to.

1317
01:06:47,200 --> 01:06:47,760
Speaker 15: Lead that show.

1318
01:06:48,080 --> 01:06:49,880
Speaker 9: I don't know how she did that shit.

1319
01:06:49,680 --> 01:06:54,080
Speaker 10: For thirteen years, my nigga, I'm telling you, I don't

1320
01:06:54,080 --> 01:06:58,200
Speaker 10: give a fuck. Y'all already know what's up with me.

1321
01:07:00,200 --> 01:07:01,120
Speaker 9: I feel played with.

1322
01:07:01,960 --> 01:07:05,080
Speaker 10: I'm gonna play with it like that's just like, come on,

1323
01:07:05,160 --> 01:07:06,720
Speaker 10: I've been quiet a lot.

1324
01:07:07,720 --> 01:07:10,360
Speaker 9: If Jess Hilarious is quiet, it's a mother reason.

1325
01:07:10,960 --> 01:07:15,680
Speaker 10: I always got my mouth open all the time, whether

1326
01:07:15,680 --> 01:07:17,800
Speaker 10: it's something y'all want to hear, or it's something that

1327
01:07:17,880 --> 01:07:22,400
Speaker 10: y'all ain't gonna want to hear. I ain't got time,

1328
01:07:24,000 --> 01:07:24,800
Speaker 10: I ain't got time.

1329
01:07:26,000 --> 01:07:30,320
Speaker 2: Just hilarious is speaking to breakfast club, not having a back.

1330
01:07:33,400 --> 01:07:34,840
Speaker 1: And being quiet on set.

1331
01:07:35,760 --> 01:07:39,480
Speaker 2: But man, this is just how the universe work. Literally,

1332
01:07:39,640 --> 01:07:42,400
Speaker 2: this is how the universe works. Things aligned in ways

1333
01:07:42,400 --> 01:07:45,480
Speaker 2: you can't control. And so right when just went on

1334
01:07:45,560 --> 01:07:49,320
Speaker 2: maternity leave, Diddy gets arrested and who steps in Lroosso

1335
01:07:49,560 --> 01:07:52,160
Speaker 2: and guess what. This is exactly the type of cycle

1336
01:07:52,200 --> 01:07:55,400
Speaker 2: that she thrives in. It's just the years of TMZ

1337
01:07:55,560 --> 01:07:58,680
Speaker 2: gave her the resources, the context, and the instincts to

1338
01:07:58,800 --> 01:08:00,560
Speaker 2: navigate these kinds of stories.

1339
01:08:00,840 --> 01:08:03,200
Speaker 1: And it didn't take any effort from the girl.

1340
01:08:04,480 --> 01:08:08,680
Speaker 2: And so while you're on maternity leave, the headlines fall

1341
01:08:08,760 --> 01:08:12,960
Speaker 2: right into her lane and she takes advantage. And so

1342
01:08:13,120 --> 01:08:16,800
Speaker 2: while you're out, Lourosa is on air handling the business

1343
01:08:17,120 --> 01:08:20,360
Speaker 2: some of the biggest headlines in culture. And let's be real,

1344
01:08:21,040 --> 01:08:23,880
Speaker 2: it ain't really been comedic. Shit that was going on.

1345
01:08:24,920 --> 01:08:28,120
Speaker 2: Hasn't been a lot of space for comedy in the

1346
01:08:28,200 --> 01:08:31,679
Speaker 2: last year and half two years. These topics have been serious, deep.

1347
01:08:32,280 --> 01:08:34,439
Speaker 2: You need to be resourceful. It's been a lot of

1348
01:08:34,560 --> 01:08:38,440
Speaker 2: major legal issues, and you got to have a journalist's mindset,

1349
01:08:38,760 --> 01:08:41,840
Speaker 2: the right facts and the ability to break things down,

1350
01:08:42,560 --> 01:08:45,639
Speaker 2: and all of that play the role in how things unfold.

1351
01:08:45,680 --> 01:08:46,519
Speaker 1: I want to be clear.

1352
01:08:47,520 --> 01:08:49,960
Speaker 2: If you go and work for TMZ, of course you

1353
01:08:50,000 --> 01:08:54,400
Speaker 2: got van that left TMZ. If you leave TMZ, I

1354
01:08:54,439 --> 01:08:56,760
Speaker 2: want you to understand something. Even if you don't leave

1355
01:08:56,800 --> 01:08:59,640
Speaker 2: with a big check or real resume or list of

1356
01:08:59,680 --> 01:09:06,440
Speaker 2: a com publishments under your banner, you still leave with technique.

1357
01:09:07,400 --> 01:09:09,599
Speaker 2: You learn how to get information, You learn how to

1358
01:09:09,640 --> 01:09:14,720
Speaker 2: title information, you learn how to digest information. You learn

1359
01:09:14,800 --> 01:09:17,599
Speaker 2: how people view and take in information. You learn how

1360
01:09:17,600 --> 01:09:20,280
Speaker 2: to reach out, you learn how to track down people.

1361
01:09:21,120 --> 01:09:24,920
Speaker 2: You get real intel. So when Lrosa leaves TMZ, what

1362
01:09:25,000 --> 01:09:29,360
Speaker 2: do you think she took with her contacts, connections, techniques.

1363
01:09:30,680 --> 01:09:33,120
Speaker 2: She showed up on the Breakfast Club and wasn't shining

1364
01:09:33,200 --> 01:09:40,759
Speaker 2: light and unfortunately just wasn't there to defend the comedic space. Wow,

1365
01:09:42,040 --> 01:09:44,720
Speaker 2: Lo Rosa was there. I want to speak to her

1366
01:09:44,840 --> 01:09:47,040
Speaker 2: kind of saying that no one held her down. I

1367
01:09:47,080 --> 01:09:49,680
Speaker 2: remember when Breakfast Club was doing a rotating guess and

1368
01:09:49,720 --> 01:09:54,519
Speaker 2: you had a scenario where Charlamagne went out and used

1369
01:09:54,560 --> 01:09:58,320
Speaker 2: his leverage to say, yo, get just signed. I won't

1370
01:09:58,479 --> 01:10:01,200
Speaker 2: just signed. She had an announced it that kind of

1371
01:10:01,240 --> 01:10:04,519
Speaker 2: came out and so she wouldn't fall flat on her face.

1372
01:10:05,040 --> 01:10:06,960
Speaker 2: He kind of stepped in behind her, like, I ain't

1373
01:10:06,960 --> 01:10:08,600
Speaker 2: gonna let him, do you like that? Because they was

1374
01:10:08,680 --> 01:10:10,679
Speaker 2: kind of acting like they was on the fence a little.

1375
01:10:11,360 --> 01:10:14,559
Speaker 2: Ihart wasn't pulling the trigger, and so Charlemagne came out.

1376
01:10:14,600 --> 01:10:17,599
Speaker 2: I remember a TMZ interaction in which he said, listen,

1377
01:10:17,640 --> 01:10:19,960
Speaker 2: we did the rotating co hosts. I'm not interested in

1378
01:10:20,040 --> 01:10:22,439
Speaker 2: doing that again. With not doing that again, it'll just

1379
01:10:22,520 --> 01:10:24,519
Speaker 2: be two people if they want to do that, And

1380
01:10:24,600 --> 01:10:27,800
Speaker 2: so he kind of positioned it like, make the decision

1381
01:10:27,960 --> 01:10:30,120
Speaker 2: that'll make all of us happy, so we can get

1382
01:10:30,160 --> 01:10:33,160
Speaker 2: back to making great content. They ended up pulling the

1383
01:10:33,200 --> 01:10:37,240
Speaker 2: trigger on Jess. They dropped a they dropped the trailer,

1384
01:10:37,320 --> 01:10:40,880
Speaker 2: announced her coming on, and then she started the gig.

1385
01:10:41,280 --> 01:10:44,320
Speaker 2: But Charlemagne went out on a limb. So I can

1386
01:10:44,400 --> 01:10:47,400
Speaker 2: only imagine because I'm a counsel and I'm only speculating

1387
01:10:47,400 --> 01:10:49,519
Speaker 2: because I hadn't spoke to him about this, but I

1388
01:10:49,520 --> 01:10:53,120
Speaker 2: can imagine he feels like ah, and so when she

1389
01:10:53,160 --> 01:10:55,519
Speaker 2: gets upset and I know that probably had him thinking

1390
01:10:55,560 --> 01:10:59,240
Speaker 2: like man, after all that this is how it gets handled,

1391
01:11:00,240 --> 01:11:01,639
Speaker 2: like I stick my neck out.

1392
01:11:01,880 --> 01:11:03,920
Speaker 1: Now. I know Jess was in the emotions and.

1393
01:11:03,800 --> 01:11:07,880
Speaker 2: Felt played with And you know, I don't think there's

1394
01:11:07,920 --> 01:11:09,479
Speaker 2: the right way to do the wrong thing.

1395
01:11:12,080 --> 01:11:14,880
Speaker 1: But I understand how corporate can rage bait you. I

1396
01:11:14,960 --> 01:11:15,320
Speaker 1: get it.

1397
01:11:15,720 --> 01:11:17,880
Speaker 2: They can play a certain kind of game that will

1398
01:11:17,920 --> 01:11:21,200
Speaker 2: make you address them in a way that makes you

1399
01:11:21,240 --> 01:11:25,160
Speaker 2: look unstable. But in the back of my mind, I'm like, yo,

1400
01:11:25,840 --> 01:11:27,960
Speaker 2: maybe Charlot Mane said, all right, I can't stick up

1401
01:11:28,000 --> 01:11:30,360
Speaker 2: for Jess again because look what he got me, and

1402
01:11:30,400 --> 01:11:32,960
Speaker 2: see the thing about a cancer will continue to laugh

1403
01:11:33,000 --> 01:11:35,360
Speaker 2: and SMI he but in the back of my mind

1404
01:11:35,400 --> 01:11:39,840
Speaker 2: will be knowing I remember that you did, and I'll

1405
01:11:39,880 --> 01:11:41,360
Speaker 2: never go out on their limb again.

1406
01:11:41,479 --> 01:11:42,240
Speaker 1: Now we ain't.

1407
01:11:42,320 --> 01:11:47,280
Speaker 2: Our relationship don't end, but I'm vulnerable when I'm out

1408
01:11:47,280 --> 01:11:50,160
Speaker 2: there with someone for them to throw me under the

1409
01:11:50,200 --> 01:11:52,040
Speaker 2: bus the first chance they get, and that's what it

1410
01:11:52,120 --> 01:11:55,360
Speaker 2: can feel like. But she probably feels like she's through

1411
01:11:55,439 --> 01:11:58,679
Speaker 2: under the bus. I know, as a cancer you take

1412
01:11:58,720 --> 01:12:04,080
Speaker 2: that in now. Maybe Charlemagne has some mental health training

1413
01:12:04,600 --> 01:12:07,839
Speaker 2: that I don't have that he digests that and shakes

1414
01:12:07,880 --> 01:12:10,479
Speaker 2: it off different so there's more live, but we're gonna

1415
01:12:10,479 --> 01:12:13,559
Speaker 2: skip that. She actually went back to work the next day,

1416
01:12:13,600 --> 01:12:15,679
Speaker 2: so after she came out, blew up on the Breakfast

1417
01:12:15,680 --> 01:12:18,560
Speaker 2: Club called him out basically said, Yo, y'all are not

1418
01:12:18,640 --> 01:12:19,160
Speaker 2: supporting me.

1419
01:12:19,240 --> 01:12:21,280
Speaker 1: Y'all let me get through under the bus.

1420
01:12:20,920 --> 01:12:21,080
Speaker 9: And.

1421
01:12:23,400 --> 01:12:26,160
Speaker 2: Y'all are pulling a move that I can see y'all pulling.

1422
01:12:28,240 --> 01:12:30,599
Speaker 2: Y'all changing the format of the show in the middle

1423
01:12:30,640 --> 01:12:34,560
Speaker 2: of the game, and then when it's time for renegotiations,

1424
01:12:34,600 --> 01:12:36,679
Speaker 2: you're gonna save my lack of f for playing into

1425
01:12:36,800 --> 01:12:40,160
Speaker 2: my number being Lord, this is the corporate game. Now,

1426
01:12:40,400 --> 01:12:43,519
Speaker 2: let's pay attention to Jess Hilarious returning back to work

1427
01:12:43,560 --> 01:12:47,639
Speaker 2: the next day, and Charlemagne, Lord La Rossa and DJ

1428
01:12:47,880 --> 01:12:51,040
Speaker 2: Envy had a conversation with her about how she's been

1429
01:12:51,080 --> 01:12:54,320
Speaker 2: feeling in that Instagram live roads tape.

1430
01:12:55,560 --> 01:12:58,920
Speaker 16: Morning everybody, it's DJ n V, Jesse Hilarious, Charlamage to God.

1431
01:12:59,000 --> 01:13:00,320
Speaker 1: We are the Breakfast Club.

1432
01:13:00,439 --> 01:13:02,080
Speaker 7: Good morning, what's happening.

1433
01:13:02,120 --> 01:13:03,200
Speaker 11: How everybody feeling out there?

1434
01:13:04,080 --> 01:13:04,479
Speaker 3: I'm great?

1435
01:13:04,600 --> 01:13:05,040
Speaker 5: How you feel?

1436
01:13:05,160 --> 01:13:07,200
Speaker 11: I feel? Blessed? Black and Holly favorite Jesslarius is here.

1437
01:13:07,240 --> 01:13:08,760
Speaker 11: I'm cool, Okay, just as my job.

1438
01:13:08,800 --> 01:13:09,400
Speaker 9: I came into work.

1439
01:13:09,439 --> 01:13:09,760
Speaker 5: What's up?

1440
01:13:09,800 --> 01:13:12,000
Speaker 16: She's been trending all day? Yeah, I think she's number

1441
01:13:12,040 --> 01:13:12,639
Speaker 16: nine right now?

1442
01:13:12,720 --> 01:13:14,800
Speaker 17: Okay, because I was sitting there at home last night

1443
01:13:14,800 --> 01:13:16,519
Speaker 17: trying to watch magazine Dreams, and I kept getting a

1444
01:13:16,520 --> 01:13:18,559
Speaker 17: bunch of phone calls and text messages and people's like,

1445
01:13:18,800 --> 01:13:20,360
Speaker 17: just Larrus is going off on live.

1446
01:13:20,320 --> 01:13:20,920
Speaker 11: Or we have audio.

1447
01:13:21,040 --> 01:13:23,920
Speaker 9: Okay, we're supposed to be a team up there.

1448
01:13:23,960 --> 01:13:27,200
Speaker 10: Not one person, not one person comes to my defense

1449
01:13:27,280 --> 01:13:31,160
Speaker 10: at all, Like when I'm like, not one month ever

1450
01:13:31,880 --> 01:13:32,679
Speaker 10: with this online?

1451
01:13:33,120 --> 01:13:34,160
Speaker 15: Come on, I've been quiet.

1452
01:13:34,400 --> 01:13:34,840
Speaker 5: I lost.

1453
01:13:35,560 --> 01:13:38,200
Speaker 10: If jess Larius is quiet, it's a mony reason. I

1454
01:13:38,280 --> 01:13:41,000
Speaker 10: always got my mouth open all the time.

1455
01:13:41,240 --> 01:13:43,639
Speaker 9: It ran like a high school. It is fair east

1456
01:13:43,640 --> 01:13:47,240
Speaker 9: Side High. I agree with them, Fair east Side mister club.

1457
01:13:47,280 --> 01:13:49,880
Speaker 10: Though every day they always talk about you ain't at work,

1458
01:13:49,920 --> 01:13:52,639
Speaker 10: You ain't at work yet shall started picking up more shows.

1459
01:13:52,720 --> 01:13:55,920
Speaker 9: Hell no, that's how I'm getting Hell no, hell no.

1460
01:13:56,400 --> 01:13:58,400
Speaker 15: I have more fun outside of the studio than I

1461
01:13:58,439 --> 01:13:58,840
Speaker 15: have in there.

1462
01:13:58,880 --> 01:14:00,479
Speaker 9: Now, is you crazy? No?

1463
01:14:00,640 --> 01:14:03,800
Speaker 10: Act like now, Act like act like that's not for real,

1464
01:14:03,960 --> 01:14:04,920
Speaker 10: Act like nobody knew that.

1465
01:14:04,920 --> 01:14:09,759
Speaker 9: Stop acting like y like meant don't okay?

1466
01:14:09,840 --> 01:14:11,519
Speaker 10: All right, so the narrative, like I said, with the

1467
01:14:11,600 --> 01:14:14,280
Speaker 10: online ish, That's what I said, ya ain't ain't nobody

1468
01:14:14,280 --> 01:14:17,519
Speaker 10: trying to clear up no narrative about nothing? Ever, since

1469
01:14:17,560 --> 01:14:20,000
Speaker 10: I came back, it was weird, Yes, it was weird.

1470
01:14:20,320 --> 01:14:22,439
Speaker 10: Yeah I at first, No, I did not. I wasn't

1471
01:14:22,479 --> 01:14:24,760
Speaker 10: too fond of Lorne. No, I wasn't too fond of

1472
01:14:24,760 --> 01:14:26,479
Speaker 10: her when I came back, because we had a whole

1473
01:14:26,479 --> 01:14:28,040
Speaker 10: plan even how when I when I came back, how

1474
01:14:28,040 --> 01:14:29,400
Speaker 10: I picked her to fill.

1475
01:14:29,160 --> 01:14:29,519
Speaker 11: In for me?

1476
01:14:29,600 --> 01:14:32,599
Speaker 10: Right I come back. She ain't ever leave? Then, all right,

1477
01:14:32,800 --> 01:14:36,200
Speaker 10: cool to shann't leave? But she's on only during my segment.

1478
01:14:36,400 --> 01:14:38,160
Speaker 10: If if she was meant to be a full post

1479
01:14:38,479 --> 01:14:40,240
Speaker 10: move her in another way? Why she got to be

1480
01:14:40,320 --> 01:14:40,720
Speaker 10: moved then on?

1481
01:14:40,800 --> 01:14:42,400
Speaker 9: Because nobody had a problem with just with the mess

1482
01:14:42,479 --> 01:14:44,040
Speaker 9: until she started reading, right, you know, I mean till

1483
01:14:44,080 --> 01:14:47,280
Speaker 9: she started. Till she started, I wasn't hired as a reporter.

1484
01:14:47,560 --> 01:14:49,439
Speaker 5: I was hired just with the mess.

1485
01:14:49,600 --> 01:14:51,960
Speaker 10: So she started reading and delivering details and all that stuff.

1486
01:14:52,120 --> 01:14:54,639
Speaker 10: Then that's when just with the Mess wasn't good enough

1487
01:14:54,640 --> 01:14:55,920
Speaker 10: no more. That's how it was presented.

1488
01:14:55,960 --> 01:14:59,280
Speaker 9: So I'm like, all right, cool, I feel said, what

1489
01:14:59,280 --> 01:15:00,720
Speaker 9: are we talking about Oh no, no, no, no, no, no, no,

1490
01:15:01,160 --> 01:15:01,519
Speaker 9: this is.

1491
01:15:01,479 --> 01:15:03,240
Speaker 10: This is every this is our listeners, this is this

1492
01:15:03,280 --> 01:15:06,639
Speaker 10: is yeah. Why can't why can't we worry about the comments?

1493
01:15:06,640 --> 01:15:08,080
Speaker 10: And these are people that enjoyed the show and watch

1494
01:15:08,120 --> 01:15:10,720
Speaker 10: the show. It's not all about Instagram, it's YouTube. It's like,

1495
01:15:10,760 --> 01:15:12,439
Speaker 10: we have people that have been watching the show. Yes,

1496
01:15:12,479 --> 01:15:13,920
Speaker 10: she's great at what she did, That's why I picked her.

1497
01:15:13,920 --> 01:15:16,200
Speaker 10: A feeling for me. But when I came back, it

1498
01:15:16,240 --> 01:15:18,280
Speaker 10: was it was it's kind of it's like, what's going

1499
01:15:18,280 --> 01:15:19,599
Speaker 10: on If she's gonna be a fourth voice?

1500
01:15:19,600 --> 01:15:20,920
Speaker 9: Why she only got to be a full voice?

1501
01:15:20,920 --> 01:15:22,960
Speaker 1: Okay for my segment, She wasn't a fourth voice. She

1502
01:15:23,000 --> 01:15:23,439
Speaker 1: was a producer.

1503
01:15:23,479 --> 01:15:25,120
Speaker 16: She was hired as a news producer to help with

1504
01:15:25,160 --> 01:15:27,560
Speaker 16: getting all news and doing it, and she wasn't on

1505
01:15:27,600 --> 01:15:28,960
Speaker 16: there when you came back, Lauren was not on it.

1506
01:15:29,120 --> 01:15:31,639
Speaker 16: She was in the back doing questions, sending interview questions,

1507
01:15:31,920 --> 01:15:32,599
Speaker 16: reporting the news.

1508
01:15:32,600 --> 01:15:35,320
Speaker 9: In my line, I thought, hey, as she was on air,

1509
01:15:35,439 --> 01:15:36,679
Speaker 9: they told her on step in this room.

1510
01:15:36,760 --> 01:15:38,439
Speaker 11: Yes, but I thought you was using her on purpose?

1511
01:15:39,560 --> 01:15:43,559
Speaker 9: What you thought I was using Lauren on purpose? No?

1512
01:15:43,760 --> 01:15:44,880
Speaker 9: What are we talking about? No?

1513
01:15:44,880 --> 01:15:47,040
Speaker 10: No, no, she didn't leave when I came back the

1514
01:15:47,080 --> 01:15:49,360
Speaker 10: first day. The first day, we had a whole situation

1515
01:15:49,439 --> 01:15:52,240
Speaker 10: like all right, look, this's gonna happen, and when it's

1516
01:15:52,280 --> 01:15:55,479
Speaker 10: time for us to roll that it changed. No, the

1517
01:15:55,520 --> 01:15:57,160
Speaker 10: first question was about the only person who asked me

1518
01:15:57,160 --> 01:15:58,920
Speaker 10: about my baby maternity leave was Indy.

1519
01:15:59,400 --> 01:15:59,680
Speaker 5: All right.

1520
01:16:00,120 --> 01:16:03,360
Speaker 10: Then she addressed the hate and the comments. That was

1521
01:16:03,400 --> 01:16:05,400
Speaker 10: the first thing she addressed. When I came back, I'm like,

1522
01:16:05,439 --> 01:16:06,080
Speaker 10: what the hell.

1523
01:16:06,680 --> 01:16:07,360
Speaker 11: I want to talk about?

1524
01:16:07,920 --> 01:16:10,200
Speaker 9: So yeah, yeah, we started talking off air. We started

1525
01:16:12,000 --> 01:16:13,880
Speaker 9: so so then I felt uncomfortable that first day. So

1526
01:16:13,880 --> 01:16:16,360
Speaker 9: I'm like, all right, look. They was like, all right, right,

1527
01:16:16,360 --> 01:16:17,800
Speaker 9: well, we'll just take her off air. She was back the

1528
01:16:17,840 --> 01:16:18,160
Speaker 9: next week.

1529
01:16:18,200 --> 01:16:20,080
Speaker 10: All right, cool, because there was a voice they y'all

1530
01:16:20,080 --> 01:16:22,160
Speaker 10: wanted her on air. There was a voice they you know,

1531
01:16:22,240 --> 01:16:24,760
Speaker 10: they wanted her there. They wanted her here. There's there's

1532
01:16:24,760 --> 01:16:26,280
Speaker 10: a place for Lauren in the show. All right, cool,

1533
01:16:28,600 --> 01:16:29,479
Speaker 10: do it another way?

1534
01:16:29,560 --> 01:16:31,599
Speaker 17: Yeah, because you said you wanted to change your segment

1535
01:16:31,600 --> 01:16:33,080
Speaker 17: from just with the message to the Lauren.

1536
01:16:32,960 --> 01:16:35,600
Speaker 10: That was eventually eventually even when it even when it

1537
01:16:35,640 --> 01:16:36,080
Speaker 10: came down.

1538
01:16:36,200 --> 01:16:39,519
Speaker 2: See, this is what I need just to understand, right,

1539
01:16:39,920 --> 01:16:43,360
Speaker 2: is that and this is a profound lesson for all

1540
01:16:43,439 --> 01:16:46,320
Speaker 2: people that is in the entertainment industry and dealing with

1541
01:16:46,360 --> 01:16:50,120
Speaker 2: corporate America. You have to understand that you cannot be

1542
01:16:50,400 --> 01:16:56,080
Speaker 2: emotional and you cannot be reactive because they'll use that

1543
01:16:56,160 --> 01:17:00,240
Speaker 2: against you. Your emotional instability will be used again you

1544
01:17:00,880 --> 01:17:04,200
Speaker 2: when you are dealing with the high level business. So

1545
01:17:05,520 --> 01:17:08,479
Speaker 2: I think just made a couple of mistakes, and I'm

1546
01:17:08,479 --> 01:17:10,640
Speaker 2: gonna speak to him really quick, and just you know,

1547
01:17:10,720 --> 01:17:11,519
Speaker 2: I got love for you.

1548
01:17:11,560 --> 01:17:14,559
Speaker 1: I'm just dealing with the business. Number one.

1549
01:17:14,640 --> 01:17:18,320
Speaker 2: This isn't just first time thinking about this. She's probably

1550
01:17:18,360 --> 01:17:21,160
Speaker 2: thought about this a million times. The comments is getting

1551
01:17:21,200 --> 01:17:25,320
Speaker 2: towards She's starting to be affected by people saying this

1552
01:17:25,760 --> 01:17:30,960
Speaker 2: and it presenting itself in her algorithm. And I tell

1553
01:17:31,000 --> 01:17:33,599
Speaker 2: people all the time, you can't escape yourself. You cannot

1554
01:17:33,760 --> 01:17:36,000
Speaker 2: escape your own mind. Bro, That's what I be saying.

1555
01:17:36,040 --> 01:17:39,600
Speaker 2: Don't let no one shake your confidence or control your mindset,

1556
01:17:39,600 --> 01:17:42,479
Speaker 2: because once I make you believe you're less, then I

1557
01:17:42,520 --> 01:17:45,920
Speaker 2: don't even have to be around anymore. You're still thinking unworthy.

1558
01:17:46,840 --> 01:17:50,599
Speaker 2: It's like the people drill negativity into you over and over.

1559
01:17:50,600 --> 01:17:53,280
Speaker 2: It's like, I remember when we come up.

1560
01:17:53,400 --> 01:17:54,280
Speaker 1: Dudes used to do that.

1561
01:17:54,360 --> 01:17:58,000
Speaker 2: The girls It's like, girl, you got six kids, Ain't

1562
01:17:58,000 --> 01:18:01,200
Speaker 2: nobody gonna want you, Nobody gonna take care of nobody else?

1563
01:18:01,280 --> 01:18:03,880
Speaker 2: Baby whole time, Ain't no man gonna step in and

1564
01:18:03,920 --> 01:18:04,920
Speaker 2: do the due out lay.

1565
01:18:04,960 --> 01:18:06,439
Speaker 1: You better hold on what you got.

1566
01:18:06,479 --> 01:18:09,759
Speaker 2: You know, that kind of talk drilled into somebody's head,

1567
01:18:10,680 --> 01:18:13,400
Speaker 2: have a woman thinking like, damn, maybe I really can't

1568
01:18:13,439 --> 01:18:16,840
Speaker 2: do better, Maybe nobody else will step up, and so

1569
01:18:16,920 --> 01:18:19,599
Speaker 2: you'll be stuck in your own mind, battling your own thoughts.

1570
01:18:19,680 --> 01:18:22,759
Speaker 2: I think just has been battling her own thoughts dealing

1571
01:18:22,800 --> 01:18:24,680
Speaker 2: with this, knowing that Yo, they just feel like they

1572
01:18:24,760 --> 01:18:28,800
Speaker 2: sneaking and doing something. It feel like they move and

1573
01:18:28,840 --> 01:18:31,599
Speaker 2: shit around and I don't know they ain't they ain't.

1574
01:18:31,720 --> 01:18:35,680
Speaker 2: Ain't nobody speak what going? The other mistake she made, though,

1575
01:18:35,760 --> 01:18:38,920
Speaker 2: is being rebellious, right, what happens in corporate can't happen

1576
01:18:38,960 --> 01:18:41,400
Speaker 2: with your emotions. It gotta happen with the stroke of

1577
01:18:41,439 --> 01:18:45,200
Speaker 2: a pen or move. You gotta move in corporate. You

1578
01:18:45,280 --> 01:18:48,920
Speaker 2: can't be emotional screaming and hollering. They don't even react

1579
01:18:49,000 --> 01:18:55,040
Speaker 2: to that. It's paperwork. It's paperwork. And so her being rebellious,

1580
01:18:55,200 --> 01:18:58,200
Speaker 2: stepping more into the comedy lane worked against her if

1581
01:18:58,200 --> 01:19:00,559
Speaker 2: you're asking me, so, if you heard it, she started

1582
01:19:00,560 --> 01:19:03,120
Speaker 2: booking more dates because she felt like, Yo, y'all treating

1583
01:19:03,160 --> 01:19:04,840
Speaker 2: me this kind of way, and y'all got this other

1584
01:19:04,880 --> 01:19:08,000
Speaker 2: girl online, y'all got this other girl on ELL, and

1585
01:19:08,040 --> 01:19:10,200
Speaker 2: she in my seat. And I'm telling y'all, I wanna

1586
01:19:10,200 --> 01:19:12,400
Speaker 2: hear y'all bring it back next week. Man, I'm picking

1587
01:19:12,439 --> 01:19:15,000
Speaker 2: up more comedy shows and I'm finna be quiet. She

1588
01:19:15,120 --> 01:19:17,680
Speaker 2: thinks this is her being rebellious, that they're gonna say,

1589
01:19:17,760 --> 01:19:20,080
Speaker 2: jes we're paying you too much to be quiet.

1590
01:19:20,120 --> 01:19:22,599
Speaker 1: You need to speak up. They don't care about the money.

1591
01:19:23,040 --> 01:19:25,920
Speaker 2: What they're gonna do is use your productivity against you

1592
01:19:25,960 --> 01:19:29,560
Speaker 2: when it's time to re up, and your emotional instability

1593
01:19:29,600 --> 01:19:32,120
Speaker 2: against you. So when you pick up more dates and

1594
01:19:32,160 --> 01:19:34,760
Speaker 2: you're doing this quote unquote zoom now on, you give

1595
01:19:34,840 --> 01:19:37,920
Speaker 2: us a reason to have the woman on set. You

1596
01:19:38,000 --> 01:19:41,599
Speaker 2: give us a legitimate reason. And then when you try

1597
01:19:41,640 --> 01:19:44,200
Speaker 2: to be rebellious and say, yo, give her the set

1598
01:19:44,280 --> 01:19:47,120
Speaker 2: on some hoping people gonna say, no, we're not doing that.

1599
01:19:47,320 --> 01:19:49,519
Speaker 2: Just let us make it right. I don't know, we'll

1600
01:19:49,520 --> 01:19:51,519
Speaker 2: give her the set. Then now we'll use it again.

1601
01:19:51,600 --> 01:19:53,800
Speaker 2: You know, you know, then you say give her, you

1602
01:19:53,840 --> 01:19:54,559
Speaker 2: say give her a.

1603
01:19:54,520 --> 01:19:57,160
Speaker 1: Set, right, That's that's how that works.

1604
01:19:57,200 --> 01:19:57,920
Speaker 5: We are you.

1605
01:19:58,160 --> 01:20:01,040
Speaker 2: You said it, you fought for the big We's heard

1606
01:20:01,080 --> 01:20:02,800
Speaker 2: you fight for it, and they gave it to her.

1607
01:20:03,800 --> 01:20:06,280
Speaker 2: But you're thinking that they pay you so much, why

1608
01:20:06,280 --> 01:20:10,360
Speaker 2: would they give your segment away? You make too much

1609
01:20:10,400 --> 01:20:13,439
Speaker 2: money not to be productive on the show. That ain't

1610
01:20:13,479 --> 01:20:15,960
Speaker 2: how corporate work in particular, iHeart, they've been in the

1611
01:20:16,040 --> 01:20:19,559
Speaker 2: green for ten years, eight years. They've been in the

1612
01:20:19,600 --> 01:20:21,639
Speaker 2: green for a long time, so they got some money

1613
01:20:21,640 --> 01:20:24,280
Speaker 2: to play with. And so while you pick up more

1614
01:20:24,280 --> 01:20:27,280
Speaker 2: and more comedy dates and do your zoom call ins

1615
01:20:27,320 --> 01:20:31,160
Speaker 2: to the breakfast club, she's getting more and more ad time.

1616
01:20:31,400 --> 01:20:35,280
Speaker 2: The audience is getting used to it. And that's corporate strategy.

1617
01:20:35,680 --> 01:20:38,440
Speaker 2: They always make sure that if you get too emotionally

1618
01:20:38,479 --> 01:20:41,640
Speaker 2: involved and you decide to step away, they already have

1619
01:20:41,680 --> 01:20:44,800
Speaker 2: a bagup in place. Because let's be real, Jess was

1620
01:20:44,840 --> 01:20:48,760
Speaker 2: already emotionally text She had a lot going on, a pregnancy,

1621
01:20:48,840 --> 01:20:51,639
Speaker 2: the shifts at work happening, and now this new girl's

1622
01:20:51,680 --> 01:20:55,200
Speaker 2: getting some shine people in the comments. Corey hopem is

1623
01:20:55,240 --> 01:20:57,960
Speaker 2: doing too much, and so while she's moving off that

1624
01:20:58,040 --> 01:21:01,760
Speaker 2: emotion corporate is moving off operation, and I feel like

1625
01:21:02,200 --> 01:21:03,639
Speaker 2: that's the play they made.

1626
01:21:03,680 --> 01:21:04,080
Speaker 1: Shuret it.

1627
01:21:04,120 --> 01:21:07,280
Speaker 2: No matter what they were dependent they were not dependent

1628
01:21:07,320 --> 01:21:10,559
Speaker 2: on just and once the audience gets used to someone else,

1629
01:21:11,000 --> 01:21:14,120
Speaker 2: the transition is more easier than you thought. The money

1630
01:21:14,200 --> 01:21:18,960
Speaker 2: is not even considered at all. The money is not

1631
01:21:19,080 --> 01:21:20,599
Speaker 2: considered and it's still.

1632
01:21:20,400 --> 01:21:22,080
Speaker 10: Being called just with the mess. And then I'm introducing

1633
01:21:22,080 --> 01:21:24,400
Speaker 10: her to introduce stories. That was pointless and it was stupid.

1634
01:21:24,479 --> 01:21:26,120
Speaker 10: It's not just with the mess. Just make it brown

1635
01:21:26,160 --> 01:21:28,519
Speaker 10: girl grinding, or or Lauren with the latest, or the

1636
01:21:28,640 --> 01:21:31,120
Speaker 10: legal Lauren's legal corner. I'm giving ideas. I'm like, yo,

1637
01:21:31,720 --> 01:21:33,600
Speaker 10: even with the tailor, Yo, change change that, take that

1638
01:21:33,680 --> 01:21:34,720
Speaker 10: just with the mess off it. I feel like I'm

1639
01:21:34,720 --> 01:21:36,439
Speaker 10: getting credit for something I'm not doing, and it's stupid

1640
01:21:36,439 --> 01:21:38,599
Speaker 10: because that's this is not what she does is not just.

1641
01:21:38,479 --> 01:21:38,960
Speaker 11: With the mess.

1642
01:21:39,080 --> 01:21:41,000
Speaker 10: I read headlines and I give commented, I say what

1643
01:21:41,040 --> 01:21:42,800
Speaker 10: people think it You know what I'm saying.

1644
01:21:42,840 --> 01:21:44,639
Speaker 9: Yes, she's more of a reporter, she's journalist.

1645
01:21:44,720 --> 01:21:46,759
Speaker 11: The question why didn't you way to do RAG this morning?

1646
01:21:47,040 --> 01:21:48,439
Speaker 9: Because so much?

1647
01:21:48,439 --> 01:21:50,400
Speaker 11: Man, you mean, it's.

1648
01:21:54,880 --> 01:21:57,639
Speaker 9: A joke, but it's a serious issue about.

1649
01:21:57,400 --> 01:21:58,200
Speaker 1: It is a serious issue.

1650
01:21:58,840 --> 01:22:00,920
Speaker 11: I watch it because I'm I'm not your.

1651
01:22:00,760 --> 01:22:04,120
Speaker 10: Clark, because it's not I am. Actually no, it's now endy.

1652
01:22:04,160 --> 01:22:06,640
Speaker 10: That's what I'm saying. No, nobody has even tried to

1653
01:22:06,640 --> 01:22:07,400
Speaker 10: clean up the narrative.

1654
01:22:07,400 --> 01:22:08,040
Speaker 9: I'm a villain man.

1655
01:22:09,800 --> 01:22:12,280
Speaker 10: Y'all stop acting like you don't live in them comments too, Charlotte,

1656
01:22:12,400 --> 01:22:13,120
Speaker 10: stop acting.

1657
01:22:12,880 --> 01:22:14,479
Speaker 11: Like what do I always tell you?

1658
01:22:14,520 --> 01:22:16,720
Speaker 17: I say, stop listening to the internet, Stop listening to

1659
01:22:16,760 --> 01:22:18,679
Speaker 17: the comments, stop listening to the folks on YouTube. Don't

1660
01:22:18,720 --> 01:22:20,360
Speaker 17: let them trick you out your position. What you did

1661
01:22:20,439 --> 01:22:21,920
Speaker 17: last night is what they want you to do, and

1662
01:22:21,960 --> 01:22:23,000
Speaker 17: you can't let the internet win.

1663
01:22:23,240 --> 01:22:24,880
Speaker 10: But look, it's not even about what they want me

1664
01:22:24,920 --> 01:22:26,439
Speaker 10: to do. I did last night, what I wanted to do,

1665
01:22:26,560 --> 01:22:27,960
Speaker 10: what I felt like I should have been dead.

1666
01:22:28,040 --> 01:22:29,360
Speaker 9: I've been asking questions.

1667
01:22:29,720 --> 01:22:31,920
Speaker 17: The internet loves me, and one of the easiest ways

1668
01:22:31,920 --> 01:22:33,599
Speaker 17: to create mess is to pick people against each other,

1669
01:22:33,760 --> 01:22:34,599
Speaker 17: especially to women.

1670
01:22:34,680 --> 01:22:36,400
Speaker 11: And I don't dwell in that, and y'all know that.

1671
01:22:36,640 --> 01:22:37,680
Speaker 1: But see this, this is the thing.

1672
01:22:37,800 --> 01:22:40,400
Speaker 16: You let the Internet dictate what's going on. We've had

1673
01:22:40,439 --> 01:22:41,800
Speaker 16: conversations and this is the thing that this is why

1674
01:22:41,800 --> 01:22:43,240
Speaker 16: I thought it was corny, and it's just me personally

1675
01:22:43,320 --> 01:22:45,519
Speaker 16: I thought it was corny because we have conversations up here.

1676
01:22:45,560 --> 01:22:46,240
Speaker 1: We just have a meeting.

1677
01:22:46,240 --> 01:22:48,120
Speaker 16: If you had an issue, a problem, situation, or something

1678
01:22:48,120 --> 01:22:48,960
Speaker 16: that you felt, why you.

1679
01:22:48,960 --> 01:22:49,760
Speaker 1: Ain't bring it to the team.

1680
01:22:49,920 --> 01:22:51,840
Speaker 16: When you came back, Jess, I pulled you to the side.

1681
01:22:51,840 --> 01:22:54,000
Speaker 16: I suggest if you feel uncomfortable, if you don't want

1682
01:22:54,040 --> 01:22:56,000
Speaker 16: Lauren in the room, this is your show. We can

1683
01:22:56,040 --> 01:22:58,400
Speaker 16: make that the change whenever you want. Did I not

1684
01:22:58,479 --> 01:22:58,840
Speaker 16: say that to you?

1685
01:22:58,880 --> 01:22:59,080
Speaker 9: Yeah?

1686
01:22:59,080 --> 01:22:59,280
Speaker 5: You did.

1687
01:22:59,360 --> 01:23:01,120
Speaker 10: It's not a out wanting her in a room, y'all.

1688
01:23:01,160 --> 01:23:03,040
Speaker 10: It's about the segment like if she.

1689
01:23:03,120 --> 01:23:05,920
Speaker 16: Was it was like, yeah, if you had a problem,

1690
01:23:05,960 --> 01:23:07,160
Speaker 16: say to yes.

1691
01:23:07,479 --> 01:23:08,640
Speaker 10: Off when it's not.

1692
01:23:08,720 --> 01:23:10,639
Speaker 16: Let nobody have in my back because we have your back.

1693
01:23:10,760 --> 01:23:12,200
Speaker 16: As far as the Corey Hole come thing, y'all been

1694
01:23:12,200 --> 01:23:14,360
Speaker 16: beefing for eleven years. Whining about y'all, it's not even

1695
01:23:14,400 --> 01:23:16,599
Speaker 16: a box showing about comments. You're worried about what people

1696
01:23:16,600 --> 01:23:19,880
Speaker 16: say about the concession and my reputation. They've been issued

1697
01:23:19,920 --> 01:23:22,559
Speaker 16: on me for fifteen years. They've been issued for fifteen years.

1698
01:23:22,960 --> 01:23:25,160
Speaker 16: People that don't issue me it's on the don't let

1699
01:23:25,160 --> 01:23:26,280
Speaker 16: it affect me because I know who I am as

1700
01:23:26,280 --> 01:23:27,479
Speaker 16: a person. I don't give a f with them people

1701
01:23:27,479 --> 01:23:29,439
Speaker 16: saying in the comments, I know who I am, I

1702
01:23:29,479 --> 01:23:31,120
Speaker 16: know what I do. If you let them people get

1703
01:23:31,160 --> 01:23:31,640
Speaker 16: in the comments and.

1704
01:23:31,680 --> 01:23:33,080
Speaker 9: F with you, you look great at what you do,

1705
01:23:33,160 --> 01:23:35,280
Speaker 9: body like you are dope very you let.

1706
01:23:35,200 --> 01:23:36,559
Speaker 16: Them people get piss you off.

1707
01:23:36,600 --> 01:23:38,400
Speaker 9: No Nicks, that's too nice.

1708
01:23:38,400 --> 01:23:39,240
Speaker 7: Like what you do is funny.

1709
01:23:39,280 --> 01:23:40,280
Speaker 11: I tell that all the time.

1710
01:23:40,520 --> 01:23:42,240
Speaker 16: I bought that energy that we needed to the breakfast

1711
01:23:42,240 --> 01:23:43,720
Speaker 16: club and you let a bitch ass person in a

1712
01:23:43,760 --> 01:23:45,840
Speaker 16: common say something to stay. You're about to the fmnates.

1713
01:23:46,520 --> 01:23:48,760
Speaker 16: All these people are that could be bots and all that,

1714
01:23:49,120 --> 01:23:50,720
Speaker 16: and we're doing it on air when we could have

1715
01:23:50,720 --> 01:23:52,720
Speaker 16: did it behind the scenes, Like I f with you.

1716
01:23:52,760 --> 01:23:54,960
Speaker 16: The long we're not on some internet ishe and the

1717
01:23:55,040 --> 01:23:56,800
Speaker 16: and the hair that through that fact?

1718
01:23:56,800 --> 01:23:59,320
Speaker 17: This is very like let's go to the phones. Five

1719
01:24:00,000 --> 01:24:03,320
Speaker 17: when the phone line, everybody will stop. I refused to

1720
01:24:03,320 --> 01:24:04,519
Speaker 17: deal with this page rage and.

1721
01:24:04,439 --> 01:24:10,200
Speaker 11: This Baltimore madness. Okay, now you bring this Delaware. All

1722
01:24:10,240 --> 01:24:13,040
Speaker 11: I want to do is right here. Okay. All Charlomagne

1723
01:24:13,080 --> 01:24:14,280
Speaker 11: want to do is laughing. Then y'all yell at me

1724
01:24:14,280 --> 01:24:15,439
Speaker 11: for laughing. You don't take nothing.

1725
01:24:15,320 --> 01:24:16,800
Speaker 18: There, they said, it's all your phone.

1726
01:24:16,840 --> 01:24:18,840
Speaker 11: I know it's always my fault. I don't care, Okay,

1727
01:24:18,840 --> 01:24:20,120
Speaker 11: I think the good and the bad with everything. It

1728
01:24:20,200 --> 01:24:20,600
Speaker 11: is what it is.

1729
01:24:20,720 --> 01:24:21,920
Speaker 17: It's the World's mos day this morning to show the

1730
01:24:21,920 --> 01:24:24,479
Speaker 17: Breace Club DJ and be Charlamage the God Just Hilarious, Lauren,

1731
01:24:24,520 --> 01:24:26,680
Speaker 17: the roast is here. We're having a conversation because just

1732
01:24:26,760 --> 01:24:29,519
Speaker 17: Hilarius went crazy on Instagram last night.

1733
01:24:29,479 --> 01:24:32,640
Speaker 10: And I knew the live with upset. You know, you

1734
01:24:32,840 --> 01:24:34,599
Speaker 10: tell me you don't get upset whatever, but I knew

1735
01:24:34,600 --> 01:24:37,840
Speaker 10: that it would upset Envy. I knew it would upset going.

1736
01:24:38,439 --> 01:24:39,920
Speaker 10: That's why you closed the elevator this morning.

1737
01:24:39,920 --> 01:24:41,680
Speaker 11: That's what that was crazy. Now, why would you do that?

1738
01:24:41,720 --> 01:24:41,920
Speaker 7: Lord?

1739
01:24:42,000 --> 01:24:45,519
Speaker 9: I know I did. They pulled the same time at

1740
01:24:45,520 --> 01:24:46,040
Speaker 9: the same time.

1741
01:24:47,320 --> 01:24:51,599
Speaker 17: She didn't know what was on, so she was, remember

1742
01:24:51,760 --> 01:24:56,680
Speaker 17: you remember what you was on Juicybody.

1743
01:24:54,800 --> 01:24:55,360
Speaker 18: At one time?

1744
01:24:55,720 --> 01:24:57,760
Speaker 19: And this this was why I heard the button though,

1745
01:24:57,840 --> 01:25:00,519
Speaker 19: I said, I felt like I didn't know what to

1746
01:25:00,560 --> 01:25:01,080
Speaker 19: say to you.

1747
01:25:01,080 --> 01:25:04,240
Speaker 2: Because I was so Let me say this too, because

1748
01:25:04,320 --> 01:25:05,720
Speaker 2: Jess is clearly emotional.

1749
01:25:06,080 --> 01:25:08,920
Speaker 1: We do need to take notice. She just had a baby. Again.

1750
01:25:09,040 --> 01:25:11,639
Speaker 2: Both these women are talented. I stay with both of them.

1751
01:25:12,080 --> 01:25:14,920
Speaker 2: You know, I don't want to see any division amongst them,

1752
01:25:15,560 --> 01:25:18,160
Speaker 2: and I want to breathe life into them and send

1753
01:25:18,200 --> 01:25:20,559
Speaker 2: my support. You dig what I'm saying. To make sure

1754
01:25:20,600 --> 01:25:23,160
Speaker 2: that I'm loud about that, right. My support is with

1755
01:25:23,280 --> 01:25:29,120
Speaker 2: these two women. You know, Jesse Motions is everywhere after

1756
01:25:29,160 --> 01:25:32,519
Speaker 2: having that baby, like you're all over the place man,

1757
01:25:33,280 --> 01:25:37,080
Speaker 2: you know, and she's been handling it well. But job

1758
01:25:37,120 --> 01:25:39,720
Speaker 2: security is important to a woman, especially if she's the

1759
01:25:39,760 --> 01:25:42,280
Speaker 2: bread one of the family. Think about that, that's her

1760
01:25:42,360 --> 01:25:44,840
Speaker 2: job security she's looking at when she thinks about these

1761
01:25:44,920 --> 01:25:47,960
Speaker 2: kind of games and being played. And that's what corporate

1762
01:25:47,960 --> 01:25:51,640
Speaker 2: doesn't consider a lot of times, corporate doesn't look at

1763
01:25:51,680 --> 01:25:55,240
Speaker 2: it that way because you're blessed, you got other things going.

1764
01:25:55,320 --> 01:25:58,719
Speaker 2: But she's accounting for this position and her opinion worked

1765
01:25:58,760 --> 01:26:02,200
Speaker 2: hard to get in that seat. Passed it rather easily

1766
01:26:02,320 --> 01:26:06,080
Speaker 2: to Laural, but Laura slam dunked it. And also the

1767
01:26:06,160 --> 01:26:08,400
Speaker 2: universe aligned with all of the things that were going

1768
01:26:08,479 --> 01:26:12,519
Speaker 2: viral in her TMZ background, her skill set just it

1769
01:26:12,560 --> 01:26:15,679
Speaker 2: was just in her lane, and so the universe called

1770
01:26:15,680 --> 01:26:19,439
Speaker 2: for this. And so you cannot push back on the

1771
01:26:19,560 --> 01:26:21,880
Speaker 2: universe call and pay attention, but shout out to.

1772
01:26:21,920 --> 01:26:25,080
Speaker 19: Jist thrown off by the bye parts of that live yesterday.

1773
01:26:25,120 --> 01:26:27,240
Speaker 19: I'm like, bro, we be talking at least, and like

1774
01:26:27,240 --> 01:26:28,760
Speaker 19: we don't got to be friends outside of here. But

1775
01:26:28,800 --> 01:26:30,680
Speaker 19: I feel like I've always said to you off air

1776
01:26:30,680 --> 01:26:32,479
Speaker 19: when every things have happened, We've had conversations about a

1777
01:26:32,479 --> 01:26:33,280
Speaker 19: lot of different things.

1778
01:26:33,680 --> 01:26:35,920
Speaker 18: We can let's talk. Call me what's up? What's what's

1779
01:26:35,960 --> 01:26:36,360
Speaker 18: the issue?

1780
01:26:36,360 --> 01:26:37,599
Speaker 9: What's the issue?

1781
01:26:37,640 --> 01:26:41,479
Speaker 10: Is the whole narrative, Like I understand f the comments

1782
01:26:41,479 --> 01:26:43,840
Speaker 10: and yeah, after people and all that, but it's not

1783
01:26:43,920 --> 01:26:45,760
Speaker 10: all about them. It's how I'm feeling too. What if

1784
01:26:45,760 --> 01:26:47,439
Speaker 10: I'm feeling the same way the people feel, you know

1785
01:26:47,479 --> 01:26:51,800
Speaker 10: what I'm saying. So what because online feel a certain way,

1786
01:26:52,360 --> 01:26:54,599
Speaker 10: I can't I can't I feel the same way they

1787
01:26:54,600 --> 01:26:56,639
Speaker 10: feel about it.

1788
01:26:56,680 --> 01:26:59,920
Speaker 9: I've done like I've done that, you know what I mean.

1789
01:27:00,000 --> 01:27:02,280
Speaker 19: It's a bigger issue sometimes too, because I felt like,

1790
01:27:02,320 --> 01:27:04,080
Speaker 19: all right, you'll call him, you'll customer out. We might

1791
01:27:04,080 --> 01:27:06,719
Speaker 19: talk about different situations. But I think a lot of times,

1792
01:27:06,720 --> 01:27:08,559
Speaker 19: if there's an issue for Referal, it didn't don't be

1793
01:27:08,560 --> 01:27:10,519
Speaker 19: no movement in here. It's like there's an issue outside

1794
01:27:10,520 --> 01:27:11,600
Speaker 19: and then there's no movement in here, and then we

1795
01:27:11,680 --> 01:27:13,280
Speaker 19: just all in here like he hot like you're doing

1796
01:27:13,320 --> 01:27:14,599
Speaker 19: a lot of it right now. You're laughing and joking.

1797
01:27:14,600 --> 01:27:16,800
Speaker 19: But for Rhfeerol, you know that there's she's up here crying.

1798
01:27:16,880 --> 01:27:17,360
Speaker 18: Nothing about that.

1799
01:27:17,360 --> 01:27:19,800
Speaker 19: It's funny, like there's real issues and real problems and

1800
01:27:19,840 --> 01:27:21,000
Speaker 19: we don't really get to the gist of it.

1801
01:27:21,360 --> 01:27:22,400
Speaker 11: I want the rector of the show I see j

1802
01:27:22,400 --> 01:27:22,559
Speaker 11: just car.

1803
01:27:23,280 --> 01:27:27,080
Speaker 19: It doesn't matter if you say talking about I'm not

1804
01:27:27,080 --> 01:27:28,559
Speaker 19: trying to say I'm not talking to y'all, fee because

1805
01:27:28,600 --> 01:27:29,800
Speaker 19: when I try to be here to talk, you see

1806
01:27:29,800 --> 01:27:30,720
Speaker 19: what I'm saying, you should.

1807
01:27:30,439 --> 01:27:30,920
Speaker 11: Out to me.

1808
01:27:31,400 --> 01:27:33,559
Speaker 19: What I'm saying is is that I think at this moment,

1809
01:27:33,720 --> 01:27:36,680
Speaker 19: because this is Eastside High, west side, whatever high you

1810
01:27:36,760 --> 01:27:38,679
Speaker 19: gonna be, we hear and we together, so we gotta

1811
01:27:38,680 --> 01:27:39,200
Speaker 19: figure this out.

1812
01:27:39,400 --> 01:27:42,040
Speaker 18: And it's not everything's not a joke. And I can

1813
01:27:42,160 --> 01:27:42,680
Speaker 18: understand some.

1814
01:27:42,640 --> 01:27:44,080
Speaker 19: Of where you was coming from. But Bro, part of

1815
01:27:44,080 --> 01:27:46,080
Speaker 19: that live I thought was crazy. I'm like what, just

1816
01:27:46,240 --> 01:27:48,160
Speaker 19: like what part?

1817
01:27:48,200 --> 01:27:51,280
Speaker 10: Because like, it's not like you didn't hear anything in

1818
01:27:51,320 --> 01:27:52,479
Speaker 10: that live that I haven't.

1819
01:27:52,240 --> 01:27:52,840
Speaker 1: Said to you.

1820
01:27:52,920 --> 01:27:54,320
Speaker 18: I heard a lot that you didn't say to Okay,

1821
01:27:54,360 --> 01:27:57,080
Speaker 18: So what part that I did I not say to you? Okay?

1822
01:27:57,120 --> 01:27:59,200
Speaker 19: So the part about the talking over each other and

1823
01:27:59,240 --> 01:28:01,080
Speaker 19: the hush, be quiet. You talk about how you feel

1824
01:28:01,080 --> 01:28:03,040
Speaker 19: in real time? Right, yeah, I'm feeling in real time,

1825
01:28:03,080 --> 01:28:04,920
Speaker 19: that'd be quiet. That was crazy, is crazy?

1826
01:28:05,120 --> 01:28:05,559
Speaker 11: The shut up.

1827
01:28:05,600 --> 01:28:07,599
Speaker 18: I was like, oh, okay, because what we really given

1828
01:28:07,680 --> 01:28:07,920
Speaker 18: up here?

1829
01:28:07,920 --> 01:28:08,320
Speaker 9: Like what's up?

1830
01:28:08,320 --> 01:28:08,559
Speaker 5: Okay?

1831
01:28:09,040 --> 01:28:10,439
Speaker 9: But I need none of that. What was said I did,

1832
01:28:10,479 --> 01:28:10,960
Speaker 9: you didn't say it.

1833
01:28:11,000 --> 01:28:13,479
Speaker 19: And then when I pulled you into the office with

1834
01:28:13,600 --> 01:28:15,720
Speaker 19: our EP with Eddie the conversation, the first thing I

1835
01:28:15,720 --> 01:28:17,720
Speaker 19: said to you was, Jess, we fighting for air time

1836
01:28:17,720 --> 01:28:19,200
Speaker 19: and it shouldn't be like that. I want to know

1837
01:28:19,240 --> 01:28:21,080
Speaker 19: what can I do better as a producer, What can

1838
01:28:21,080 --> 01:28:22,760
Speaker 19: we do better as the two women sitting right here

1839
01:28:22,800 --> 01:28:24,280
Speaker 19: next to each other, to make sure that don't happen,

1840
01:28:24,320 --> 01:28:25,240
Speaker 19: because it doesn't look good.

1841
01:28:25,280 --> 01:28:26,519
Speaker 18: It's not gonna play well for either one.

1842
01:28:26,560 --> 01:28:28,960
Speaker 9: I literally swear to god, I don't even remember.

1843
01:28:28,720 --> 01:28:31,920
Speaker 19: You saying that, And that's exactly why I had I've

1844
01:28:32,040 --> 01:28:34,240
Speaker 19: never ever heard that, because you've pulled.

1845
01:28:34,000 --> 01:28:35,400
Speaker 10: Me to the side a few times to ask me,

1846
01:28:35,400 --> 01:28:36,600
Speaker 10: you know, are you okay? How do you feel like

1847
01:28:36,680 --> 01:28:38,840
Speaker 10: about the stories and things like that, You've never said

1848
01:28:38,880 --> 01:28:41,920
Speaker 10: what you just said to me. Now listen, I have said, hush,

1849
01:28:41,960 --> 01:28:43,880
Speaker 10: shut up, but yo, you over talk and like I said,

1850
01:28:43,880 --> 01:28:45,240
Speaker 10: I'm not about to be up here a fighting for

1851
01:28:45,320 --> 01:28:47,080
Speaker 10: no mic, Like I'm not doing that if I already

1852
01:28:47,439 --> 01:28:49,240
Speaker 10: got the job, Like what am I doing? Like I'm

1853
01:28:49,280 --> 01:28:51,640
Speaker 10: not full voices. Three of us are very opinionated, you

1854
01:28:51,640 --> 01:28:53,880
Speaker 10: know what I mean? Me, you and Chela May. I'm

1855
01:28:53,880 --> 01:28:55,679
Speaker 10: not saying we don't got no opinion. But he don't

1856
01:28:55,800 --> 01:28:57,560
Speaker 10: jump in every single time there's dead air, you know

1857
01:28:57,600 --> 01:28:58,040
Speaker 10: what I'm saying.

1858
01:28:58,040 --> 01:29:00,240
Speaker 9: When you you over talk, and it's like the time

1859
01:29:00,280 --> 01:29:01,720
Speaker 9: you can gouie down as somebody be like shut up,

1860
01:29:01,720 --> 01:29:02,120
Speaker 9: A hush my.

1861
01:29:02,120 --> 01:29:03,519
Speaker 18: Mom, don't even tell me shut up yet. I'm a

1862
01:29:03,520 --> 01:29:03,960
Speaker 18: grown ass one.

1863
01:29:04,040 --> 01:29:04,640
Speaker 9: And I understand you.

1864
01:29:04,600 --> 01:29:06,240
Speaker 10: You couldn't say that on air right there and that

1865
01:29:06,320 --> 01:29:07,680
Speaker 10: but on right after the way I mean you put

1866
01:29:07,680 --> 01:29:08,120
Speaker 10: me in office.

1867
01:29:08,120 --> 01:29:10,000
Speaker 19: But it made me know because that because the way

1868
01:29:10,000 --> 01:29:11,559
Speaker 19: that I do things when it comes to my job

1869
01:29:11,560 --> 01:29:12,720
Speaker 19: and my career, that's not what we're on.

1870
01:29:12,800 --> 01:29:14,000
Speaker 18: And I told you from the jump, I was never

1871
01:29:14,040 --> 01:29:15,760
Speaker 18: going to give that to you, okay, And I did.

1872
01:29:15,800 --> 01:29:16,240
Speaker 18: I did or not?

1873
01:29:16,280 --> 01:29:17,800
Speaker 19: Our first conversation, I said, if I ever have an

1874
01:29:17,840 --> 01:29:19,160
Speaker 19: issue with you, I'm gonna handle it in a way

1875
01:29:19,160 --> 01:29:21,080
Speaker 19: where we can get through a conversation because we've grown

1876
01:29:21,120 --> 01:29:22,800
Speaker 19: and regardless, you don't gotta love me, you don't gotta

1877
01:29:22,880 --> 01:29:23,840
Speaker 19: like me, but we here together.

1878
01:29:24,120 --> 01:29:25,920
Speaker 11: I'm here and listen, like I said earlier, the Internet

1879
01:29:26,000 --> 01:29:26,320
Speaker 11: loves me.

1880
01:29:26,640 --> 01:29:29,519
Speaker 10: You are here and one of the Indians, and you're

1881
01:29:29,560 --> 01:29:33,680
Speaker 10: here because of the opportunity that I extended, regardless. So

1882
01:29:33,800 --> 01:29:35,280
Speaker 10: that's yeah, no, no, no, I'm not.

1883
01:29:35,360 --> 01:29:35,640
Speaker 9: I'm not.

1884
01:29:35,760 --> 01:29:38,240
Speaker 10: I'm not sitting here like you don't deserve to be here.

1885
01:29:38,240 --> 01:29:39,680
Speaker 10: I'm not sitting here like you're not here. You're not

1886
01:29:39,720 --> 01:29:42,120
Speaker 10: going anywhere. That's not Let's first and foremost, let's get that.

1887
01:29:42,160 --> 01:29:44,160
Speaker 10: It may be my delivery or whatever, but yeah, you

1888
01:29:44,200 --> 01:29:46,880
Speaker 10: are here. I ain't never say you shouldn't be here,

1889
01:29:47,320 --> 01:29:48,679
Speaker 10: I said from the whole jump.

1890
01:29:48,760 --> 01:29:48,960
Speaker 9: Yeah.

1891
01:29:49,040 --> 01:29:51,160
Speaker 10: Surety do the job great, She's amazing. That's why I

1892
01:29:51,200 --> 01:29:52,479
Speaker 10: want it to be her segment.

1893
01:29:52,640 --> 01:29:55,000
Speaker 17: I just I think y'all can work very well together.

1894
01:29:55,040 --> 01:29:57,799
Speaker 17: And once again, you gotta stop letting the internet against.

1895
01:29:59,880 --> 01:30:07,760
Speaker 2: Us, you know, so basically, so again, man shout out

1896
01:30:07,760 --> 01:30:12,960
Speaker 2: the Breakfast Club, shout out Charlamade, Envy, just Lord, l Rossa, Taylor,

1897
01:30:13,080 --> 01:30:16,920
Speaker 2: everybody behind the scenes, the producers.

1898
01:30:16,400 --> 01:30:16,840
Speaker 1: All of that.

1899
01:30:16,880 --> 01:30:20,719
Speaker 2: Shout out to the family also, Man, you know, they'll

1900
01:30:20,720 --> 01:30:24,080
Speaker 2: get through that. They monetized on it. That's a whole

1901
01:30:24,160 --> 01:30:27,200
Speaker 2: nother conversation we can speak about, you know, bringing those

1902
01:30:27,200 --> 01:30:31,080
Speaker 2: issues to the forefront and learning from them and monetizing

1903
01:30:31,160 --> 01:30:34,320
Speaker 2: off of them, you know, because if the feelings are

1904
01:30:34,320 --> 01:30:35,600
Speaker 2: going to be there any way, why not?

1905
01:30:37,840 --> 01:30:38,240
Speaker 1: Why not?

1906
01:30:40,120 --> 01:30:45,599
Speaker 2: I think this is a cautionary teale though. Man, if

1907
01:30:45,640 --> 01:30:48,240
Speaker 2: a bird leaves his nest and another bird swoops in,

1908
01:30:48,360 --> 01:30:53,000
Speaker 2: it definitely make it. It'll definitely make your nest is home.

1909
01:30:54,160 --> 01:30:56,839
Speaker 2: But I do believe if Jess wouldn't have got pregnant,

1910
01:30:57,040 --> 01:31:01,439
Speaker 2: she would have fought harder for relevance and the format

1911
01:31:01,479 --> 01:31:02,439
Speaker 2: wouldn't have changed.

1912
01:31:03,080 --> 01:31:05,040
Speaker 1: But if Diddy and Thug and.

1913
01:31:04,960 --> 01:31:07,480
Speaker 2: All of these cases, all of this shit just aligned

1914
01:31:07,600 --> 01:31:10,599
Speaker 2: and Laura, Laura l Rossa actually did a great job.

1915
01:31:11,280 --> 01:31:14,200
Speaker 2: And Breakfast Club is breakfast Club. So you got a

1916
01:31:14,200 --> 01:31:17,160
Speaker 2: certain amount of eyeballs on you. Salute everybody watching this show.

1917
01:31:17,360 --> 01:31:22,720
Speaker 2: The universe will align in your favor. It's up that podcast. Salute, Salute, Salute.

1918
01:31:22,760 --> 01:31:26,559
Speaker 1: W's in the chit a W's in the