1
00:00:00,080 --> 00:00:01,840
Speaker 1: If me listen, if me and you cool, and if

2
00:00:01,880 --> 00:00:05,000
Speaker 1: we cool, we we we we we wow, and we

3
00:00:05,080 --> 00:00:07,280
Speaker 1: we lock up. I'm never gonna do a whole hit

4
00:00:07,360 --> 00:00:10,080
Speaker 1: to you. No, I'm never gonna say nothing bad about you.

5
00:00:10,200 --> 00:00:15,120
Speaker 1: And it's a Southern saying. It says, my my tongue

6
00:00:15,160 --> 00:00:18,520
Speaker 1: is in my friend's mouth. That ain't right. That's a

7
00:00:18,560 --> 00:00:19,280
Speaker 1: Southern say.

8
00:00:21,200 --> 00:00:43,960
Speaker 2: That I don't think is happening from that.

9
00:00:47,080 --> 00:00:49,480
Speaker 3: Yes, the Talk New York and it's the boy let

10
00:00:49,560 --> 00:00:50,800
Speaker 3: Jack Lenney bro and we.

11
00:00:50,840 --> 00:00:55,200
Speaker 4: Got the most controversial mother for online. He always speaks

12
00:00:55,160 --> 00:00:59,120
Speaker 4: his mind. He don't give a make some noise. Dog

13
00:00:59,200 --> 00:00:59,920
Speaker 4: facing the bell.

14
00:01:00,240 --> 00:01:04,520
Speaker 1: Oh, I swear y'all feel man.

15
00:01:04,640 --> 00:01:07,480
Speaker 2: Detroit the Building and Pontiac.

16
00:01:06,959 --> 00:01:09,240
Speaker 1: Because from both you can eat it changeable.

17
00:01:09,440 --> 00:01:11,160
Speaker 2: What's the difference between Detroit Pontiac.

18
00:01:12,120 --> 00:01:15,720
Speaker 1: Twenty minutes so it's still Detroit. Yeah, the difference is

19
00:01:15,720 --> 00:01:18,119
Speaker 1: twenty minutes. You will get the same, You get the same,

20
00:01:18,640 --> 00:01:22,880
Speaker 1: You can get the same. Oh, so it's twenty minutes

21
00:01:22,920 --> 00:01:24,240
Speaker 1: away from Detroit, it's the same.

22
00:01:24,640 --> 00:01:28,080
Speaker 4: That's crazy because like twenty minutes from like south Side

23
00:01:28,080 --> 00:01:30,399
Speaker 4: to Jamaica to Jamaica Avenue, that's just like still being

24
00:01:30,440 --> 00:01:31,040
Speaker 4: in Queen.

25
00:01:30,880 --> 00:01:33,520
Speaker 1: You get the same, so I use it as a weapon.

26
00:01:33,520 --> 00:01:36,640
Speaker 1: You had a weaponized me not being born in that joint,

27
00:01:37,120 --> 00:01:38,600
Speaker 1: trying to make it seem like as if I'm less

28
00:01:38,600 --> 00:01:40,920
Speaker 1: efficient because I wasn't born there, as if everybody in

29
00:01:40,920 --> 00:01:43,640
Speaker 1: the city Detroit. It's real. It's just solely because you.

30
00:01:43,720 --> 00:01:47,480
Speaker 1: It's like saying everything Zimbabwe is it's stumped down African

31
00:01:47,680 --> 00:01:50,200
Speaker 1: right and how go man, It's about the person, and

32
00:01:50,200 --> 00:01:51,560
Speaker 1: it ain't where you're from. It where you at. I

33
00:01:51,600 --> 00:01:55,200
Speaker 1: know plenty of suckers who are in the city. Yeah.

34
00:01:55,200 --> 00:01:57,680
Speaker 5: I would never diss a whole city or the whole hood.

35
00:01:57,920 --> 00:02:00,520
Speaker 1: Yeah, just me, I would. I would be fun.

36
00:02:01,440 --> 00:02:04,280
Speaker 2: Yeah, you just New York. I mean I didn't. I

37
00:02:04,280 --> 00:02:05,440
Speaker 2: didn't take a personal.

38
00:02:05,240 --> 00:02:10,960
Speaker 1: Y I know about this, Okay. I had to get

39
00:02:11,000 --> 00:02:12,560
Speaker 1: you for what what do you mean you had to

40
00:02:13,000 --> 00:02:15,280
Speaker 1: You had to get us the Harlem shake and the

41
00:02:15,320 --> 00:02:16,280
Speaker 1: motherfucker up.

42
00:02:17,560 --> 00:02:19,600
Speaker 2: This Harlem shake. Now shelter.

43
00:02:20,760 --> 00:02:25,000
Speaker 4: Harlem Yo, nigga, Harlem Shaker had that pistol start doing

44
00:02:25,040 --> 00:02:26,240
Speaker 4: all that.

45
00:02:27,520 --> 00:02:31,160
Speaker 1: Harlem Shaker is crazy. Yeah, it's so good.

46
00:02:31,200 --> 00:02:33,959
Speaker 4: Like you know, listen, you're the most controversial nigga online.

47
00:02:34,000 --> 00:02:35,760
Speaker 4: We had to have you on the show. It's the

48
00:02:35,840 --> 00:02:40,160
Speaker 4: real report. We know you're the spokesperson for j R.

49
00:02:40,680 --> 00:02:44,080
Speaker 4: You know Detroit, We know the whole situation, talk about that.

50
00:02:44,120 --> 00:02:47,200
Speaker 4: We know he's in federal custody. We know he got busy.

51
00:02:47,320 --> 00:02:50,960
Speaker 4: We know NBA young boy people and Junior and them, Like,

52
00:02:51,000 --> 00:02:53,720
Speaker 4: what's what's going on? Because you're the spokesperson, have you

53
00:02:53,720 --> 00:02:54,360
Speaker 4: spoken to him?

54
00:02:54,440 --> 00:02:56,600
Speaker 1: Yeah, I spoke to him. I spoke to him yesterday.

55
00:02:56,720 --> 00:02:59,480
Speaker 1: So I mean, how far are you going to go

56
00:02:59,520 --> 00:03:01,799
Speaker 1: into this sh Let's just give Let's just give you

57
00:03:01,800 --> 00:03:04,920
Speaker 1: a brief synopsis of what took place. All Star Jr.

58
00:03:05,240 --> 00:03:07,760
Speaker 3: And getting nobody locked up, No extra people locked up

59
00:03:07,800 --> 00:03:09,079
Speaker 3: in his mouth, No, only one.

60
00:03:09,000 --> 00:03:13,640
Speaker 1: Locked up is is All Star Jr. And he's locked up,

61
00:03:13,680 --> 00:03:16,200
Speaker 1: and it was officially charged with being a feeling in

62
00:03:16,240 --> 00:03:19,519
Speaker 1: possession of a firearm. But the amazing thing about it

63
00:03:19,560 --> 00:03:21,320
Speaker 1: is is that you had multiple people who were shot

64
00:03:21,840 --> 00:03:25,880
Speaker 1: by him immediately. So and he's he's not charged with

65
00:03:26,040 --> 00:03:28,800
Speaker 1: no crimes of violence. He's not charged with shooting nobody

66
00:03:28,919 --> 00:03:32,079
Speaker 1: or hurt nobody in the shit. He's solely charged with

67
00:03:32,080 --> 00:03:34,720
Speaker 1: being a feeling and posistionive of a firearm, a firearm

68
00:03:34,800 --> 00:03:39,920
Speaker 1: that he recovered during an assault and the robbery of him.

69
00:03:39,960 --> 00:03:42,560
Speaker 1: That's already in the federal complaint. So when you read

70
00:03:42,560 --> 00:03:44,520
Speaker 1: the federal complaint, it says that he's charged with being

71
00:03:44,560 --> 00:03:49,040
Speaker 1: a feeling and possession of firearm, but nothing else. Right,

72
00:03:49,080 --> 00:03:51,920
Speaker 1: And in the complaint it articulates the fact that he

73
00:03:52,040 --> 00:03:54,480
Speaker 1: was the victim of an assault and a robbery because

74
00:03:54,480 --> 00:03:56,560
Speaker 1: they snatched the change and pulled his watch off his arm.

75
00:03:56,880 --> 00:03:56,920
Speaker 3: Me.

76
00:03:57,400 --> 00:04:00,280
Speaker 1: So that's the craziest part about it. The other crazy

77
00:04:00,280 --> 00:04:03,120
Speaker 1: part about it is that every everything that the NBA

78
00:04:03,240 --> 00:04:06,360
Speaker 1: camp said in response to j R. And the world

79
00:04:06,400 --> 00:04:08,360
Speaker 1: kind of like get becoming aware of what took place.

80
00:04:09,000 --> 00:04:11,960
Speaker 1: Everything about that shit it is what it is. Uh,

81
00:04:12,280 --> 00:04:14,400
Speaker 1: it's a bunch of cats out of Houston, out of

82
00:04:14,440 --> 00:04:16,960
Speaker 1: bat rooms, basically seeing the Fairs snatched him up because

83
00:04:16,960 --> 00:04:18,880
Speaker 1: they wanted him to make a statement. The statement is

84
00:04:18,880 --> 00:04:21,640
Speaker 1: in the video. I saw the entire video, but what

85
00:04:21,720 --> 00:04:24,920
Speaker 1: the world saw was just a snippet of of what happened.

86
00:04:25,080 --> 00:04:29,599
Speaker 1: I've also saw, uh the restaurant footage from the parking

87
00:04:29,600 --> 00:04:34,760
Speaker 1: lot showing Jay Prince. And because we got motherfuckers who

88
00:04:34,720 --> 00:04:36,160
Speaker 1: were in the restaurant, you know what I'm saying, Their

89
00:04:36,240 --> 00:04:37,800
Speaker 1: chiefs who worked there, you know, what I'm saying, So

90
00:04:37,839 --> 00:04:40,960
Speaker 1: we got to see all that ship and Jr. After

91
00:04:41,160 --> 00:04:44,599
Speaker 1: after the shooting happened, he fled, he got he dropped

92
00:04:44,600 --> 00:04:47,359
Speaker 1: the gun. He left it there at the pot at

93
00:04:47,360 --> 00:04:50,240
Speaker 1: the service pollium right and he walked about that motherfucker

94
00:04:50,279 --> 00:04:52,120
Speaker 1: jumped his car and got the fuck on the fax.

95
00:04:52,200 --> 00:04:56,080
Speaker 1: Never had the opportunity. Law enforcement period, local, state or federal,

96
00:04:56,360 --> 00:04:58,080
Speaker 1: never had the opportunity to talk to him because he

97
00:04:58,480 --> 00:05:01,200
Speaker 1: left the gun. Just like some mafia and shit, like

98
00:05:01,240 --> 00:05:03,600
Speaker 1: when you got the old mafia movies. Once you bang them, motherfucker,

99
00:05:03,560 --> 00:05:04,880
Speaker 1: you ain't got to If you ain't got to, they're

100
00:05:04,880 --> 00:05:06,599
Speaker 1: looking for the pistol, you ain't got to look for

101
00:05:06,640 --> 00:05:08,520
Speaker 1: it because it's right there, you know what I'm saying.

102
00:05:08,880 --> 00:05:10,800
Speaker 1: He left jumping in the truck and got the fuck

103
00:05:10,880 --> 00:05:13,520
Speaker 1: on and he came back to Michigan. So they never

104
00:05:13,520 --> 00:05:15,200
Speaker 1: had an opportunity to talk to him, except to his lawyer,

105
00:05:15,200 --> 00:05:17,039
Speaker 1: because he layed it up right away. You never had

106
00:05:17,080 --> 00:05:18,520
Speaker 1: the opportunity to talk to the only people who had

107
00:05:18,520 --> 00:05:20,479
Speaker 1: the opportunity to talk to are the people who's in

108
00:05:20,520 --> 00:05:25,440
Speaker 1: the hospital, shot the fuck up, paralyzed, with ship bags on,

109
00:05:25,520 --> 00:05:29,359
Speaker 1: with missing fingers. He had talked to his them niggas

110
00:05:30,040 --> 00:05:33,320
Speaker 1: that they made statements, and that's why it's some confusion

111
00:05:33,360 --> 00:05:36,159
Speaker 1: about or that's why it's an issue about who had

112
00:05:36,160 --> 00:05:39,839
Speaker 1: the pistol, who had what, when wearing, how they made statements.

113
00:05:40,720 --> 00:05:43,400
Speaker 1: And when you look at the federal complaint. Another amazing factor,

114
00:05:43,400 --> 00:05:45,200
Speaker 1: by the is the federal complaint says he was a

115
00:05:45,240 --> 00:05:48,039
Speaker 1: victim of an assault, the robbery. I ain't and I

116
00:05:48,040 --> 00:05:50,240
Speaker 1: ain't advocate niggas to get locked up. But when you

117
00:05:50,240 --> 00:05:52,440
Speaker 1: look at this ship from a straight line, if you've

118
00:05:52,440 --> 00:05:55,520
Speaker 1: been in trouble before it all, if you know about

119
00:05:55,520 --> 00:05:59,440
Speaker 1: the legal system at all. So these niggas robbed him

120
00:05:59,800 --> 00:06:03,920
Speaker 1: and jumped on him, and he grabbed their gun. And

121
00:06:04,000 --> 00:06:05,760
Speaker 1: even in the federal complaint, it don't say he had

122
00:06:05,760 --> 00:06:07,880
Speaker 1: the fire arm with him the entire time. It says

123
00:06:07,880 --> 00:06:12,039
Speaker 1: that as he was being assaulted and it took for

124
00:06:12,120 --> 00:06:16,000
Speaker 1: his ship, he grabbed the firearm that hit the floor.

125
00:06:16,040 --> 00:06:18,400
Speaker 1: They don't say he had it the whole time, right,

126
00:06:18,480 --> 00:06:20,800
Speaker 1: And he grabbed and he banged them niggas, and it was.

127
00:06:20,760 --> 00:06:21,200
Speaker 5: What it was.

128
00:06:21,440 --> 00:06:23,520
Speaker 1: He got what they were supposed to get for playing

129
00:06:23,560 --> 00:06:26,920
Speaker 1: how they played it. Mm hmm. So when you spoke

130
00:06:26,960 --> 00:06:28,280
Speaker 1: to him. How was his energy? You feel like he's

131
00:06:28,279 --> 00:06:30,839
Speaker 1: going might beep beating that ship because it is what

132
00:06:30,920 --> 00:06:33,640
Speaker 1: it is. Everything is spelled out. They wanted to They

133
00:06:33,720 --> 00:06:36,039
Speaker 1: trying to play it like, oh, they want Jr. To

134
00:06:36,040 --> 00:06:37,560
Speaker 1: make it a statement. If he make a statement, it's

135
00:06:37,560 --> 00:06:40,599
Speaker 1: gonna trigger a bigger indictment with with Ja, Prince Junior

136
00:06:40,760 --> 00:06:42,480
Speaker 1: and all the rest of that ship. It is what

137
00:06:42,560 --> 00:06:44,920
Speaker 1: it is. Motherfucker. You niggas played with it. They got

138
00:06:44,920 --> 00:06:47,000
Speaker 1: the surveillance fish they have, y'all all talking the whole

139
00:06:47,000 --> 00:06:49,720
Speaker 1: story that C JR. Made a mistake. So in his

140
00:06:50,080 --> 00:06:53,360
Speaker 1: in his in his in his forever quest to try

141
00:06:53,400 --> 00:06:56,360
Speaker 1: to prove himself, he took the Instagram and he made

142
00:06:56,400 --> 00:07:00,240
Speaker 1: the Instagram post wearing which he said that he have

143
00:07:00,360 --> 00:07:03,840
Speaker 1: late at OG three three's party, who is part of

144
00:07:03,880 --> 00:07:06,360
Speaker 1: the who was like second third the command of never

145
00:07:06,400 --> 00:07:10,200
Speaker 1: broke it again. Yeah, he said, he made a statement

146
00:07:10,240 --> 00:07:11,720
Speaker 1: and put it on Instagram, and his day he made

147
00:07:11,720 --> 00:07:13,000
Speaker 1: me take it down because all you did was to

148
00:07:13,040 --> 00:07:16,120
Speaker 1: give him a chronological timeline. All you do, idea is

149
00:07:16,120 --> 00:07:18,760
Speaker 1: really explain from your perspective what happened, and you for

150
00:07:18,880 --> 00:07:21,160
Speaker 1: to nail yourself because that shit ain't what happened, and

151
00:07:21,200 --> 00:07:23,440
Speaker 1: you it ain't gonna take it, don't take much, it takes.

152
00:07:23,480 --> 00:07:27,800
Speaker 1: The footage itself contradicts what Junior's original statement was. The

153
00:07:27,840 --> 00:07:30,200
Speaker 1: statement was is that he was moving around by the

154
00:07:30,200 --> 00:07:32,440
Speaker 1: course of his day. He had no idea that's was

155
00:07:32,440 --> 00:07:34,320
Speaker 1: gonna happen. He had no idea he was gonna see

156
00:07:34,800 --> 00:07:39,360
Speaker 1: j R. And that he arrived late to a party

157
00:07:39,400 --> 00:07:42,680
Speaker 1: that was already taking place at Confessions. That's a lie,

158
00:07:43,120 --> 00:07:46,120
Speaker 1: you know what I'm saying. The NBA OG three's birthday

159
00:07:46,160 --> 00:07:49,280
Speaker 1: party with him and his family, NBA Ron dead End, Nigga,

160
00:07:49,280 --> 00:07:51,520
Speaker 1: all them niggas. It was at a restaurant in Houston

161
00:07:51,560 --> 00:07:55,240
Speaker 1: called Atlantic Ocean, right they were. They were all there, Well,

162
00:07:55,400 --> 00:07:57,920
Speaker 1: Junior wasn't there. They were there when they pulled up

163
00:07:57,920 --> 00:08:02,520
Speaker 1: the Confessions. They all pulled up the So when Junior said, hey,

164
00:08:03,960 --> 00:08:06,119
Speaker 1: I arrived Lakes. I had to go to my aunt's

165
00:08:06,160 --> 00:08:08,480
Speaker 1: birthday party, which was the family affair, and I had

166
00:08:08,480 --> 00:08:11,080
Speaker 1: to go to Physical Theory. So that's why I ribbed

167
00:08:11,160 --> 00:08:13,520
Speaker 1: late with no jerry on and I didn't have regular

168
00:08:13,560 --> 00:08:16,520
Speaker 1: mob tazed figures of security with me because Junior never

169
00:08:16,560 --> 00:08:21,560
Speaker 1: goes anywhere without security because he ain't he ain't going

170
00:08:21,640 --> 00:08:23,120
Speaker 1: nowhere out on security because he ain't like that. He

171
00:08:23,160 --> 00:08:24,480
Speaker 1: needs somebody to help him out. He needed to help

172
00:08:24,520 --> 00:08:26,800
Speaker 1: him in. He ain't just bopping around that bitch. Even

173
00:08:26,960 --> 00:08:29,119
Speaker 1: though he's born and raised in Houston. He ain't bobbing

174
00:08:29,160 --> 00:08:32,079
Speaker 1: around that motherfucker by himself because he came. So that

175
00:08:32,240 --> 00:08:34,199
Speaker 1: was a statement that he made on Instagram. When you

176
00:08:34,280 --> 00:08:37,880
Speaker 1: look at the overall footgage, especially the parking lot footage,

177
00:08:38,080 --> 00:08:41,560
Speaker 1: you see them all pull up together, and he said

178
00:08:41,600 --> 00:08:44,240
Speaker 1: that he was attendant. He was coming. He came late

179
00:08:44,280 --> 00:08:47,600
Speaker 1: because he had his birthday party and because he had

180
00:08:47,640 --> 00:08:52,559
Speaker 1: physical therapy. The whole instant transpired at eleven thirty on

181
00:08:52,679 --> 00:08:55,920
Speaker 1: April eight, April eight, it was a Wednesday. The restaurant

182
00:08:56,000 --> 00:09:01,120
Speaker 1: closed at twelve at midnight. Y'all all got there at

183
00:09:01,120 --> 00:09:03,440
Speaker 1: eleven thirty. The footage shaw y'all all getting there together

184
00:09:03,520 --> 00:09:06,520
Speaker 1: at eleven thirty, So there was no party that Junior

185
00:09:06,679 --> 00:09:09,600
Speaker 1: was late four because Junior and the NBA camp came

186
00:09:09,720 --> 00:09:13,559
Speaker 1: together and as JR. Was leaving at eleven thirty, that's

187
00:09:13,640 --> 00:09:16,240
Speaker 1: when they were coming. So the whole theory and the

188
00:09:16,320 --> 00:09:18,600
Speaker 1: whole story, he put his foot intes my by telling

189
00:09:18,640 --> 00:09:21,600
Speaker 1: that whole shit like that. And then when the NBA

190
00:09:21,679 --> 00:09:25,280
Speaker 1: camp talked to academics, academics said, he retold the story

191
00:09:25,320 --> 00:09:29,240
Speaker 1: about uh they he pulled up, Junior pulled up to

192
00:09:29,320 --> 00:09:31,240
Speaker 1: a party that was already gone. They wasn't even there.

193
00:09:31,920 --> 00:09:33,959
Speaker 1: Right when you when the footage of the whole situation,

194
00:09:34,000 --> 00:09:36,640
Speaker 1: they wasn't there. They Junior all Stars, Jarrard was leaving

195
00:09:36,960 --> 00:09:39,720
Speaker 1: and they were coming, and the confetation happened right at

196
00:09:39,760 --> 00:09:41,520
Speaker 1: the elevator. You know what I'm saying. So it was

197
00:09:41,520 --> 00:09:45,000
Speaker 1: an orchestrated measure. Man j Prince Jr. Is a despicable

198
00:09:45,040 --> 00:09:50,160
Speaker 1: piece of shit. He's a horrible can I cuss? Okay?

199
00:09:50,720 --> 00:09:53,559
Speaker 1: Real horrible? He a horrible cock sucking ass nigga. He

200
00:09:53,679 --> 00:09:56,679
Speaker 1: is not his father. He is a He is not

201
00:09:56,840 --> 00:10:00,720
Speaker 1: his father. He's tarnishing the entire image of the whole

202
00:10:00,840 --> 00:10:03,480
Speaker 1: rap a Lot dynasty empire that niggas not his daddy

203
00:10:03,520 --> 00:10:06,040
Speaker 1: gets trust fun baby trying to beat something that he's not.

204
00:10:06,360 --> 00:10:09,640
Speaker 1: And that's why he constantly consistently finds himself in situations

205
00:10:09,720 --> 00:10:12,599
Speaker 1: like we have right now. It is what it is,

206
00:10:12,720 --> 00:10:14,920
Speaker 1: the whole When you look at Duke the Juelier situation,

207
00:10:15,000 --> 00:10:18,839
Speaker 1: you look at the takeoff situation. These guys speaking of

208
00:10:18,920 --> 00:10:22,000
Speaker 1: my task, right, if it's my rule and the fact,

209
00:10:22,040 --> 00:10:24,559
Speaker 1: like I told people, man, listen, when it comes to

210
00:10:24,720 --> 00:10:28,240
Speaker 1: checking in, right, checking in is not it's not a

211
00:10:28,400 --> 00:10:31,040
Speaker 1: sucker thing. Checking in really came from the streets. It came.

212
00:10:31,160 --> 00:10:34,240
Speaker 1: It's a street. It's a street principle. Ain't about Oh,

213
00:10:34,280 --> 00:10:36,200
Speaker 1: when I go somewhere, if I come to New York,

214
00:10:37,040 --> 00:10:39,319
Speaker 1: I mean if I check in with you, if I

215
00:10:39,480 --> 00:10:41,120
Speaker 1: chap in with you, that's not me being a whole.

216
00:10:41,240 --> 00:10:43,079
Speaker 1: It's not me being a coward. It's not being here

217
00:10:43,120 --> 00:10:43,679
Speaker 1: but checking in.

218
00:10:44,360 --> 00:10:46,520
Speaker 4: Just how New York niggas look at it. We we

219
00:10:47,160 --> 00:10:49,920
Speaker 4: we used to like the back door situation since we

220
00:10:50,080 --> 00:10:52,160
Speaker 4: was young. This is New York niggas is grindingy bitch

221
00:10:52,200 --> 00:10:55,040
Speaker 4: and spit raises out their mouth cut on the train.

222
00:10:55,600 --> 00:10:59,880
Speaker 4: It is New York grim So for us, like we

223
00:11:00,120 --> 00:11:02,839
Speaker 4: never checked in because we not gonna trust nobody. Right,

224
00:11:03,000 --> 00:11:04,839
Speaker 4: So if I check in, like that's how I know

225
00:11:04,960 --> 00:11:07,480
Speaker 4: you were littles, right, right, that's like my way of

226
00:11:07,600 --> 00:11:09,679
Speaker 4: a yo. Dog face is cool. He fucked with my men,

227
00:11:10,200 --> 00:11:12,480
Speaker 4: But like we ain't gonna go to La and tap

228
00:11:12,559 --> 00:11:14,240
Speaker 4: in with no bloods and no crips like that.

229
00:11:14,520 --> 00:11:16,760
Speaker 1: Yeah, like niggas are just going chill, go to the hotel.

230
00:11:16,840 --> 00:11:19,840
Speaker 4: We might have blood and cripped friends down the line

231
00:11:19,960 --> 00:11:22,360
Speaker 4: like g unit, but we never really I check it in.

232
00:11:22,440 --> 00:11:24,560
Speaker 4: It's just going to the nice hotel and staying low.

233
00:11:24,760 --> 00:11:27,240
Speaker 1: Right, But listen, let me you know, let's let's take

234
00:11:27,240 --> 00:11:29,160
Speaker 1: it down the line for a second. So let's say

235
00:11:29,440 --> 00:11:31,800
Speaker 1: let's go back to the five Families in the Coast Noshire.

236
00:11:31,880 --> 00:11:37,960
Speaker 1: Right when when when when Lucky Luciano or even Bumpy Johnson,

237
00:11:38,200 --> 00:11:41,400
Speaker 1: Right when Bumpy Johnson, he always came to Detree, Madime

238
00:11:41,400 --> 00:11:43,959
Speaker 1: Sinclair always came to De Tree, the Hall of Mites,

239
00:11:44,080 --> 00:11:47,720
Speaker 1: always came to the Trait to fuck with the gangsters,

240
00:11:47,760 --> 00:11:49,840
Speaker 1: the black gangsters in the city Detroit, in Chicago as

241
00:11:49,840 --> 00:11:52,960
Speaker 1: will right when bumping them and Madam came to Hans

242
00:11:53,040 --> 00:11:55,719
Speaker 1: Detroit to check in. Was just like an acknowledgement. You're

243
00:11:56,120 --> 00:11:58,000
Speaker 1: this is my territory, this is my land. I know

244
00:11:58,040 --> 00:11:59,960
Speaker 1: what's going on here. I know the layer of the land.

245
00:12:00,480 --> 00:12:02,920
Speaker 1: So when you come here, out of respect for you

246
00:12:03,080 --> 00:12:05,560
Speaker 1: and respect for me, I'm responsible. I can't have something

247
00:12:05,640 --> 00:12:07,439
Speaker 1: happen to you. So I'm gonna have to explain what

248
00:12:07,520 --> 00:12:10,640
Speaker 1: happens to you to my niggas from Brooklyn or from

249
00:12:10,679 --> 00:12:13,040
Speaker 1: Queens or from you know, from the five. But they

250
00:12:13,080 --> 00:12:15,120
Speaker 1: gonna know what happened. You know what I'm saying. So

251
00:12:15,360 --> 00:12:18,400
Speaker 1: I'm responsible for you. So the respect thing. So the

252
00:12:18,520 --> 00:12:20,920
Speaker 1: check in thing is not for suckers. It's not for civilians.

253
00:12:21,120 --> 00:12:23,840
Speaker 1: The check in thing is for gangsters. If you come

254
00:12:23,920 --> 00:12:26,000
Speaker 1: to Detroit, you tap in with me, you tap in

255
00:12:26,040 --> 00:12:29,200
Speaker 1: with a little We're responsible for you because you a gangster.

256
00:12:29,240 --> 00:12:31,160
Speaker 1: You come from gangs to the cloth. It ain't for

257
00:12:31,400 --> 00:12:33,360
Speaker 1: just a regular rank and file civilian. If you're a

258
00:12:33,360 --> 00:12:36,240
Speaker 1: regular ranking file civilian and you have no motion, you

259
00:12:36,320 --> 00:12:39,520
Speaker 1: have no no there there. If there's no there there

260
00:12:39,600 --> 00:12:41,319
Speaker 1: to you, the nigga, you can just go and go

261
00:12:41,400 --> 00:12:44,079
Speaker 1: to the Dairy Queen or go to fucking thirty one Flavors.

262
00:12:44,120 --> 00:12:45,959
Speaker 1: We go to Dunky Dunut's all you want to But

263
00:12:46,040 --> 00:12:49,240
Speaker 1: if you come to Detroit, you gotta out of respect

264
00:12:49,280 --> 00:12:51,720
Speaker 1: for me, because I'm responsible for you. There's something happens

265
00:12:51,720 --> 00:12:54,040
Speaker 1: to you. The people who know me and you, right,

266
00:12:54,080 --> 00:12:55,760
Speaker 1: they're gonna look to me to figure out what the

267
00:12:55,800 --> 00:12:58,280
Speaker 1: fuck happened with murder. They're gonna call it if something

268
00:12:58,320 --> 00:13:01,679
Speaker 1: happens to you. It's something happened. They're gonna looked to

269
00:13:01,760 --> 00:13:04,319
Speaker 1: me anyway, because I'm there, you went murdering check in.

270
00:13:04,400 --> 00:13:06,480
Speaker 1: They ain't check in with you. He ain't check in

271
00:13:06,559 --> 00:13:09,840
Speaker 1: on me. Ain't the sucking ship. No, it is gangster ship.

272
00:13:10,080 --> 00:13:13,079
Speaker 1: It's for gangsters. It ain't for civilian. Yeah, but for me,

273
00:13:13,280 --> 00:13:17,160
Speaker 1: I can just do check into thom you ain't do. Yes,

274
00:13:17,440 --> 00:13:23,000
Speaker 1: that's she just called it. It's called they do it.

275
00:13:23,040 --> 00:13:25,199
Speaker 1: They do it for the because it's been everything is

276
00:13:25,320 --> 00:13:27,680
Speaker 1: iRED down, all gangster ship, all street ship.

277
00:13:27,760 --> 00:13:29,839
Speaker 4: But my but but see, my checking in might be

278
00:13:29,920 --> 00:13:32,960
Speaker 4: easy because I'm gonna say we go to Chicago, niggas

279
00:13:32,960 --> 00:13:35,440
Speaker 4: gonna be like, yo, let's go check out old block tourists.

280
00:13:35,840 --> 00:13:37,960
Speaker 4: I'm not doing that. I'm going right to the Walldorf.

281
00:13:38,480 --> 00:13:41,439
Speaker 4: I'm one to my room service. I'm kicking it back.

282
00:13:41,480 --> 00:13:43,040
Speaker 4: I'm in downtown Chicago.

283
00:13:43,200 --> 00:13:43,760
Speaker 1: I'm chilling.

284
00:13:44,280 --> 00:13:45,880
Speaker 4: So if I go to Detroit, I'm gonna be at

285
00:13:45,920 --> 00:13:49,559
Speaker 4: that Thinium Hotel. That's a nice spot, right, be going

286
00:13:49,640 --> 00:13:52,720
Speaker 4: there for years, chill downtown, go to eminem Spot, get

287
00:13:52,840 --> 00:13:54,360
Speaker 4: some good food, might go to Cooney's.

288
00:13:55,559 --> 00:13:57,760
Speaker 1: By saying that ship what you said, don't say that

289
00:13:57,760 --> 00:14:00,640
Speaker 1: spot my brother.

290
00:14:03,200 --> 00:14:06,559
Speaker 4: Spot I'm gonna go to. I'm gonna go to spot.

291
00:14:07,160 --> 00:14:09,599
Speaker 4: They're gonna go to coney Look, I'm gonna go to

292
00:14:09,720 --> 00:14:15,920
Speaker 4: Coney's Spagetti spots forgett I'm gonna go there. Eminem bro

293
00:14:16,320 --> 00:14:17,480
Speaker 4: what blew us up?

294
00:14:17,480 --> 00:14:19,520
Speaker 1: What's your matro spaghetti?

295
00:14:19,600 --> 00:14:19,800
Speaker 5: Huh?

296
00:14:19,840 --> 00:14:22,560
Speaker 1: What your mama teach you about emails? Spaghetti? What's I

297
00:14:22,600 --> 00:14:26,240
Speaker 1: don't know? You know? You know anybody spaghetti? No, when

298
00:14:26,240 --> 00:14:27,840
Speaker 1: you next time you come, we're gonna take you somewhere

299
00:14:27,880 --> 00:14:30,160
Speaker 1: where it's just like home. But we're gonna go to

300
00:14:30,240 --> 00:14:31,160
Speaker 1: eminem Spot two and.

301
00:14:33,800 --> 00:14:36,200
Speaker 4: They invite you there to it's the Detroit thing, man, pant,

302
00:14:37,000 --> 00:14:38,720
Speaker 4: I ain't going there. And what is it with the buffs?

303
00:14:38,800 --> 00:14:39,360
Speaker 4: Y'all love buffs?

304
00:14:39,360 --> 00:14:42,520
Speaker 1: You got diamonds all in that ship. It's Jerry's, it's Jeery.

305
00:14:42,800 --> 00:14:44,480
Speaker 1: It's like you take a chain off take.

306
00:14:44,400 --> 00:14:46,200
Speaker 2: They don't call them cards, they call them buffs.

307
00:14:46,680 --> 00:14:49,160
Speaker 1: We call them y's. Okay, you know what I'm saying.

308
00:14:49,240 --> 00:14:51,840
Speaker 1: It's the different variations. You have wires, you have woods,

309
00:14:52,120 --> 00:14:54,760
Speaker 1: and you have buffalo. Okay, you know what I'm saying.

310
00:14:54,760 --> 00:14:58,080
Speaker 1: So it's different variations of car year glasses, but they cardies.

311
00:14:58,160 --> 00:15:00,120
Speaker 1: You know what I'm saying, It's just different variations. Is

312
00:15:00,160 --> 00:15:03,000
Speaker 1: I got wires, I got buffs, I have woods. You

313
00:15:03,040 --> 00:15:05,400
Speaker 1: know what I'm saying. That's what it is. It's it's

314
00:15:05,440 --> 00:15:07,880
Speaker 1: levels of the ship. So you throw diamonds. You can

315
00:15:07,920 --> 00:15:10,000
Speaker 1: throw diamonds anything from the woods to the wires to

316
00:15:10,120 --> 00:15:13,760
Speaker 1: the bucks. The buffs are the most expensive of the Cardier.

317
00:15:13,400 --> 00:15:15,920
Speaker 4: Line, right, Nah, I know, Detroit niggas take the ship.

318
00:15:15,960 --> 00:15:19,560
Speaker 4: So you feel like y'all started that, right, y'all go

319
00:15:19,640 --> 00:15:22,720
Speaker 4: to the hardest with them, Like New York biggas fucking

320
00:15:22,720 --> 00:15:23,240
Speaker 4: with the Cardis.

321
00:15:23,280 --> 00:15:25,480
Speaker 1: But we we we're the ones who turned so like

322
00:15:26,400 --> 00:15:30,000
Speaker 1: so like Cardis is a staple of Detroit, kind of

323
00:15:30,080 --> 00:15:35,240
Speaker 1: like Thams is for New York nobody niggas in New York,

324
00:15:35,440 --> 00:15:39,520
Speaker 1: New York's hip hop community, they made Timberlain's popular that

325
00:15:39,680 --> 00:15:42,280
Speaker 1: nobody else can claim that. You know, it's other things,

326
00:15:42,360 --> 00:15:45,120
Speaker 1: but just when it comes to Thams, Like with New

327
00:15:45,200 --> 00:15:48,200
Speaker 1: York being the cradle of hip hop, all fashion, all

328
00:15:48,800 --> 00:15:50,680
Speaker 1: all things hip hop, and the culture as a specific

329
00:15:50,760 --> 00:15:53,320
Speaker 1: relates to hip hop, it all started here in the mecca.

330
00:15:53,480 --> 00:15:55,960
Speaker 1: This is the this is Mecca Amadina. You know what

331
00:15:56,000 --> 00:15:57,960
Speaker 1: I'm saying. So you know, I don't give a fuck

332
00:15:57,960 --> 00:16:00,200
Speaker 1: where you're from. Man, if you if I'm I'm fitty three,

333
00:16:00,240 --> 00:16:02,520
Speaker 1: So I'm the first generation hip hop here. I grew

334
00:16:02,640 --> 00:16:06,360
Speaker 1: up listening to everything from Stepsisni to Grand Master Flash

335
00:16:06,440 --> 00:16:09,680
Speaker 1: to of Course and Running. You see, actually changed the

336
00:16:09,720 --> 00:16:12,280
Speaker 1: game because niggas went to wearing Jerry curls and silk

337
00:16:12,320 --> 00:16:14,920
Speaker 1: shirts and boots and ship to coming through with the

338
00:16:15,000 --> 00:16:18,280
Speaker 1: doves and with the leather joints and thes and ship

339
00:16:18,400 --> 00:16:21,320
Speaker 1: like that. So it is cards is like a staple.

340
00:16:21,640 --> 00:16:23,560
Speaker 1: You can bro You can have cards with nothing, just

341
00:16:23,640 --> 00:16:26,880
Speaker 1: some woods or some wires plane that ship is worth

342
00:16:26,960 --> 00:16:29,920
Speaker 1: more than having a watch on or a chain on you.

343
00:16:30,160 --> 00:16:32,560
Speaker 1: You can get pussies. Just don't having cars in Detroit.

344
00:16:32,880 --> 00:16:37,480
Speaker 1: It's like that. It's like Clark Kitt you put the

345
00:16:38,120 --> 00:16:43,000
Speaker 1: without them, I'm Clark Hitt. Well, well I'm jumping over ship.

346
00:16:44,480 --> 00:16:48,680
Speaker 1: I'm jumping playing with the cards out there. I love Detroit, man,

347
00:16:48,960 --> 00:16:51,800
Speaker 1: I love it out there. Detroit, New York is really

348
00:16:52,480 --> 00:16:55,960
Speaker 1: it's Kendrick Spirits between the two because it's grimy, work hard.

349
00:16:56,280 --> 00:16:58,960
Speaker 1: You ain't getting ship for free. It's fast paced and

350
00:16:59,120 --> 00:17:01,800
Speaker 1: nigga puts your as domes out thinking about any get

351
00:17:01,840 --> 00:17:02,400
Speaker 1: your ass together.

352
00:17:02,440 --> 00:17:04,399
Speaker 4: When you saved your top five out of Detroit, A

353
00:17:04,440 --> 00:17:06,160
Speaker 4: lot of rappers out of the trick who you said

354
00:17:06,359 --> 00:17:06,840
Speaker 4: the top five?

355
00:17:07,000 --> 00:17:08,720
Speaker 5: My top favet out of Detroit.

356
00:17:10,800 --> 00:17:13,760
Speaker 1: My top five out of Detroit. Tough tone, cheller Boy

357
00:17:13,840 --> 00:17:14,720
Speaker 1: tough tones one, I.

358
00:17:14,720 --> 00:17:18,640
Speaker 5: Remember the cheller Boys, shut up, make it better, niggas has.

359
00:17:18,680 --> 00:17:21,920
Speaker 1: Money back then my top five tough tone.

360
00:17:24,760 --> 00:17:29,080
Speaker 4: Of all time or just right now, I mean it

361
00:17:29,160 --> 00:17:31,040
Speaker 4: could be you could give me your top five of

362
00:17:31,200 --> 00:17:32,320
Speaker 4: all time and right.

363
00:17:32,320 --> 00:17:35,320
Speaker 1: Now, okay, top five all time tough tone. You gotta

364
00:17:35,359 --> 00:17:38,040
Speaker 1: throw trick trick on that. You said top five trick,

365
00:17:38,119 --> 00:17:39,679
Speaker 1: my man, but he's not the top five. As far

366
00:17:39,720 --> 00:17:41,919
Speaker 1: as far as making niggas get on the groove and buggie,

367
00:17:42,520 --> 00:17:44,320
Speaker 1: I listen to music that come and side with the

368
00:17:44,359 --> 00:17:46,960
Speaker 1: way I think, either what I'm doing right now or

369
00:17:47,040 --> 00:17:49,760
Speaker 1: the ship that I'm thinking about trying to do. You

370
00:17:49,800 --> 00:17:51,920
Speaker 1: feel what I'm saying. Like, for example, I listened to

371
00:17:52,000 --> 00:17:54,880
Speaker 1: jay Z because that's intelligent jug thug music. When I'm

372
00:17:54,880 --> 00:17:56,400
Speaker 1: ready to go bust a nigga to here, I'm gonna

373
00:17:56,400 --> 00:17:58,720
Speaker 1: listen to some g unit fitty shit because of the

374
00:17:58,840 --> 00:18:01,720
Speaker 1: struggle associated with that ship. I listened to music that

375
00:18:01,840 --> 00:18:08,320
Speaker 1: inspires my thought process, or it inspires me where you know,

376
00:18:08,440 --> 00:18:11,000
Speaker 1: it inspires what well I wish I could do. You

377
00:18:11,080 --> 00:18:14,280
Speaker 1: feel what I'm saying. So nah, no, no Trick. There

378
00:18:14,320 --> 00:18:16,800
Speaker 1: was a point where everybody it was only only new Trick, Trick,

379
00:18:18,760 --> 00:18:21,480
Speaker 1: Trick in respect. You're right. I knew Trick before he

380
00:18:21,600 --> 00:18:23,600
Speaker 1: was Trick. I knew Trick when he was in prison

381
00:18:23,680 --> 00:18:26,639
Speaker 1: together on the Big Yards back forty. But when it

382
00:18:26,720 --> 00:18:31,439
Speaker 1: comes to lyrical inspiration, no, motherfuckers. Motherfuckers respect Trick because

383
00:18:31,800 --> 00:18:34,280
Speaker 1: he's a man of substance and what he says he means,

384
00:18:35,040 --> 00:18:37,800
Speaker 1: and for all the sacrifices that he made for the city.

385
00:18:37,880 --> 00:18:40,160
Speaker 1: You trade in terms of trying to establish a network.

386
00:18:40,480 --> 00:18:42,080
Speaker 1: You know what I'm saying. When you come here, you

387
00:18:42,240 --> 00:18:44,840
Speaker 1: bump in and different. It is right. But when it

388
00:18:44,880 --> 00:18:48,120
Speaker 1: comes to lyrical ship, Now, when it comes lyrical ship

389
00:18:48,280 --> 00:18:53,840
Speaker 1: is well, he and my top five get yeah, you're

390
00:18:53,840 --> 00:18:55,440
Speaker 1: gonna be They're gonna be way more fuckers. Wait for

391
00:18:55,520 --> 00:18:57,880
Speaker 1: me to say my time. My top five.

392
00:18:58,720 --> 00:19:01,680
Speaker 4: You asked me, I don't even know who that is this,

393
00:19:01,920 --> 00:19:05,800
Speaker 4: but the motherfuckers you said, tough tone, no disrespected to boys.

394
00:19:05,960 --> 00:19:10,640
Speaker 1: But I remember, make it better, remember all that ship.

395
00:19:10,800 --> 00:19:14,000
Speaker 1: So my top five is tough Tone, Blade, ice Wood,

396
00:19:15,760 --> 00:19:19,680
Speaker 1: Big Hurt rock Bottom. All these guys is better than Trick,

397
00:19:19,720 --> 00:19:24,360
Speaker 1: Trick and eminem Well, lyrically, they're better than So Lyrically,

398
00:19:25,800 --> 00:19:28,960
Speaker 1: there's nobody better than him as far as lyrical putting

399
00:19:28,960 --> 00:19:33,359
Speaker 1: together words. But see it's two different things. And the

400
00:19:33,440 --> 00:19:36,119
Speaker 1: guys you just name, you said they're lyrical, they are.

401
00:19:36,200 --> 00:19:39,360
Speaker 1: They are voices of the street. The example, like if

402
00:19:39,400 --> 00:19:43,120
Speaker 1: you were to compare fifty to like a Nas, motherfuckers

403
00:19:43,280 --> 00:19:45,800
Speaker 1: be like Nas is more lyrical because he coming from

404
00:19:45,960 --> 00:19:49,320
Speaker 1: the angles. But the whole my life, I'm talking about me.

405
00:19:49,960 --> 00:19:52,320
Speaker 1: I'm a gangster. I come from the street. I'm listening

406
00:19:52,320 --> 00:19:54,680
Speaker 1: to the ship I'm gonna rob me and nigga A two,

407
00:19:55,040 --> 00:19:58,800
Speaker 1: A three, A folk. So I'm listening to ship like

408
00:19:58,920 --> 00:20:04,600
Speaker 1: I grew up. So let's go back when I started

409
00:20:05,240 --> 00:20:07,880
Speaker 1: the first gangster ship I heard, like for real, for real,

410
00:20:08,480 --> 00:20:11,360
Speaker 1: I'm a cool g rap fan. You know what I'm saying.

411
00:20:11,400 --> 00:20:13,680
Speaker 1: On the run, I'm listening. I ain't listening to nobody

412
00:20:13,720 --> 00:20:16,200
Speaker 1: in Detroit. Don't forget. I'm my first generation hip hop here.

413
00:20:16,560 --> 00:20:18,800
Speaker 1: So my top five I can't even really name a

414
00:20:18,880 --> 00:20:21,160
Speaker 1: top five out the city because I grew up listening

415
00:20:21,160 --> 00:20:23,800
Speaker 1: to k R S one. I grew up listening to

416
00:20:24,440 --> 00:20:28,360
Speaker 1: mc shan, I grew up listening to cool g rap

417
00:20:28,440 --> 00:20:31,119
Speaker 1: I grew up listening to special Ed. I grew up

418
00:20:31,160 --> 00:20:34,080
Speaker 1: listening to You know what I'm saying, I grew up

419
00:20:34,080 --> 00:20:35,840
Speaker 1: listening to I listened to music.

420
00:20:36,160 --> 00:20:38,440
Speaker 3: But Detroit popping right I'm on the music scene. So

421
00:20:38,480 --> 00:20:41,280
Speaker 3: who the top five right now? Top five right this

422
00:20:41,400 --> 00:20:44,040
Speaker 3: niggas in Detroit that's popping right now, Top five right now,

423
00:20:44,720 --> 00:20:49,120
Speaker 3: Doug let man, I want to see he said, top

424
00:20:49,240 --> 00:20:52,399
Speaker 3: five right now as far as national status.

425
00:20:52,320 --> 00:20:54,840
Speaker 4: In Detroit, in Detroit, but it got outside of the

426
00:20:55,040 --> 00:20:57,560
Speaker 4: bigger Okay, so top five and Detroit, you got to

427
00:20:57,560 --> 00:20:58,320
Speaker 4: put Doug in there.

428
00:20:58,720 --> 00:21:02,639
Speaker 1: You have to put Pez in there by face ray baby.

429
00:21:04,000 --> 00:21:07,520
Speaker 1: Put Skill a baby too, Yeah, Doug psy Skill see

430
00:21:07,640 --> 00:21:10,240
Speaker 1: see see you trying to force me dowind the angle

431
00:21:13,760 --> 00:21:16,520
Speaker 1: baby the biggest records out of the I don't got

432
00:21:16,560 --> 00:21:18,760
Speaker 1: to stay back and pay taxes. You know what I'm

433
00:21:18,760 --> 00:21:22,040
Speaker 1: saying this politically me, No, I ain't. You know what

434
00:21:22,080 --> 00:21:26,400
Speaker 1: I'm saying. Even the g so it is Doug Skiller

435
00:21:27,440 --> 00:21:31,560
Speaker 1: Pas baby Face Ray and I would give the fifth

436
00:21:31,600 --> 00:21:34,320
Speaker 1: spot and not in that particular you give it to

437
00:21:34,600 --> 00:21:39,760
Speaker 1: Skiller Baby. Yea, they all skill it twice. So Doug Pas,

438
00:21:40,400 --> 00:21:48,400
Speaker 1: Skiller Skiller Baby Oh, I swear visa, no Doug Pasy,

439
00:21:49,359 --> 00:21:53,480
Speaker 1: baby Face Ray skill a baby T Grizzly, that's my time, fat,

440
00:21:54,200 --> 00:21:56,560
Speaker 1: I could agree that's my time and no particular order.

441
00:21:57,359 --> 00:21:58,160
Speaker 1: That's my tip. Fact.

442
00:21:58,320 --> 00:22:00,080
Speaker 5: Yeah, because T Grizzly first stay out.

443
00:22:00,359 --> 00:22:03,159
Speaker 1: He changed the game for the cities. Teak. The success

444
00:22:03,160 --> 00:22:06,640
Speaker 1: of Teak Rizy's first day out it really so listen,

445
00:22:07,720 --> 00:22:11,800
Speaker 1: it did something for the city because before that, you

446
00:22:11,920 --> 00:22:15,280
Speaker 1: had the Eminem's lyrical giant, you had the big shines,

447
00:22:15,320 --> 00:22:18,000
Speaker 1: you had to Day's loaks. Right as far as people

448
00:22:18,000 --> 00:22:20,560
Speaker 1: who had reached international success with the hip hop shit,

449
00:22:20,840 --> 00:22:23,239
Speaker 1: we hadn't had a voice in the streets like New

450
00:22:23,320 --> 00:22:25,640
Speaker 1: York has had many voices. You know what I'm saying.

451
00:22:25,640 --> 00:22:27,960
Speaker 1: You got motherfucks who legends and just the Tri State area,

452
00:22:28,080 --> 00:22:31,439
Speaker 1: you mean, who got so Detroit. We never had mother

453
00:22:31,520 --> 00:22:35,600
Speaker 1: folks who really give the world what's happening on the

454
00:22:35,640 --> 00:22:38,400
Speaker 1: street level in the city trait until the successive first

455
00:22:38,480 --> 00:22:41,040
Speaker 1: Day and the successive first day out really showed the

456
00:22:41,119 --> 00:22:44,440
Speaker 1: executives that that street ship they ain't just a backpack

457
00:22:44,760 --> 00:22:47,440
Speaker 1: boom bap shit. You know what I'm saying is that

458
00:22:47,560 --> 00:22:51,159
Speaker 1: street ship can sell chik Rizzly made the motherfuckers believe

459
00:22:51,359 --> 00:22:54,320
Speaker 1: and know and understand that it's a different level. It's

460
00:22:54,359 --> 00:22:56,879
Speaker 1: a different side of Detroit than what we are, what

461
00:22:57,000 --> 00:23:01,280
Speaker 1: we have been accustomed to. It's different. Royce to Eminem

462
00:23:01,680 --> 00:23:07,080
Speaker 1: the trick tricks and Big Sean, what you mean you

463
00:23:07,160 --> 00:23:10,160
Speaker 1: mean I'm listening to motherfuckers who really tell the story

464
00:23:10,200 --> 00:23:14,160
Speaker 1: on the streets. Big Sean is a lyrical great too,

465
00:23:14,280 --> 00:23:18,200
Speaker 1: Big Sean. Let's get it out the way, Big Sean,

466
00:23:19,240 --> 00:23:22,600
Speaker 1: the Day's loss of the world. They are all great Royce.

467
00:23:23,080 --> 00:23:25,680
Speaker 1: Royce is a lyrical genius. But I don't listen to

468
00:23:25,720 --> 00:23:27,600
Speaker 1: none of that. Ship. I don't get in my car,

469
00:23:27,760 --> 00:23:30,399
Speaker 1: in my truck, my none of that and Pop, none

470
00:23:30,440 --> 00:23:33,000
Speaker 1: of that sh on I put on where niggas gonna

471
00:23:33,000 --> 00:23:36,680
Speaker 1: get robbed killed, and she's gonna sell some dope around

472
00:23:36,720 --> 00:23:40,280
Speaker 1: the bitch aiple bitch around. You know what I'm saying,

473
00:23:40,320 --> 00:23:43,440
Speaker 1: That's what I'm listening to. I don't want to hear no, nigga,

474
00:23:43,480 --> 00:23:46,280
Speaker 1: I'm talking about I want. It's money holds cars, clothes

475
00:23:46,720 --> 00:23:50,080
Speaker 1: and and and and money holds cars closed. That's it.

476
00:23:50,800 --> 00:23:58,840
Speaker 1: That's what motherfucking course, no doubt. Yeah, murder.

477
00:23:58,880 --> 00:24:05,080
Speaker 5: He always robbed niggas and me. Yeah, yeah, what you

478
00:24:05,119 --> 00:24:06,440
Speaker 5: feel about Guccio.

479
00:24:07,680 --> 00:24:10,119
Speaker 1: Gucci? I mean Gucci gave it. He gave his player car.

480
00:24:10,200 --> 00:24:13,680
Speaker 1: He did, gave his car away. You hand me that,

481
00:24:13,760 --> 00:24:17,640
Speaker 1: motherfucking uh. You run that bitch. You know what I'm saying.

482
00:24:18,000 --> 00:24:20,159
Speaker 1: It is the whole thing. My unest opinion about the

483
00:24:20,200 --> 00:24:23,800
Speaker 1: Gucci ship is that. So it's just it's two different angles.

484
00:24:23,840 --> 00:24:26,000
Speaker 1: One we can say, Okay, he's not the Gucci of old.

485
00:24:26,280 --> 00:24:28,960
Speaker 1: He's a businessman. He's older, he's wiser, he's more established,

486
00:24:29,000 --> 00:24:31,680
Speaker 1: he's married than blah blah blah. But you can't forget Listen.

487
00:24:31,880 --> 00:24:34,679
Speaker 1: Once you raise your hand, and once you raise your

488
00:24:34,760 --> 00:24:37,680
Speaker 1: right hand, you pledge listens to the streets. Sure, then,

489
00:24:38,960 --> 00:24:41,080
Speaker 1: whether you are actively involved in the streets and not,

490
00:24:41,160 --> 00:24:45,520
Speaker 1: there's still an etiquette that must be observed. They're still standards,

491
00:24:45,560 --> 00:24:47,720
Speaker 1: they're still well. You can't look at it like that

492
00:24:47,840 --> 00:24:50,240
Speaker 1: because he's it's been and blah blah blah. My niggall.

493
00:24:50,240 --> 00:24:53,200
Speaker 1: You you you fucking with niggas like it was like,

494
00:24:55,040 --> 00:24:58,399
Speaker 1: I can't claim I can never claim civilian status, right,

495
00:24:58,480 --> 00:24:59,960
Speaker 1: but I do got a new form though it's called

496
00:25:00,080 --> 00:25:02,720
Speaker 1: or the it's called it. It's called the street nigga

497
00:25:02,760 --> 00:25:06,040
Speaker 1: renunciation Form. Right. We're gonna give you this motherfucking form.

498
00:25:06,359 --> 00:25:08,600
Speaker 1: Right if you a street nigga and you no longer

499
00:25:08,680 --> 00:25:10,800
Speaker 1: want to be held the standards did we have us

500
00:25:10,920 --> 00:25:13,760
Speaker 1: He's on this paper saying it's not this paper. So

501
00:25:14,119 --> 00:25:17,439
Speaker 1: when you do do some shit that we consider against

502
00:25:17,560 --> 00:25:19,840
Speaker 1: the rules and regulations of the street, we can't be

503
00:25:20,000 --> 00:25:22,240
Speaker 1: mad because you can't. You do have the right to

504
00:25:22,320 --> 00:25:24,440
Speaker 1: grow and mature. You do have the right to say, Okay,

505
00:25:25,160 --> 00:25:26,920
Speaker 1: you know what I'm saying. I'm fifty, I'm forty five,

506
00:25:26,960 --> 00:25:28,840
Speaker 1: I'm thirty eight. I ain't got time for this. I'm

507
00:25:28,840 --> 00:25:30,760
Speaker 1: a different type of nigga, nine in the street, so

508
00:25:30,800 --> 00:25:33,120
Speaker 1: I'm not gonna respond to react like a street nigga.

509
00:25:33,200 --> 00:25:34,600
Speaker 1: You do have the right to do that. You do

510
00:25:34,840 --> 00:25:36,879
Speaker 1: have the right. But at the same time, if you

511
00:25:37,000 --> 00:25:38,879
Speaker 1: have way in and you have way out, or if

512
00:25:38,920 --> 00:25:43,000
Speaker 1: you study popping that shit. Because from a lyrical from

513
00:25:43,040 --> 00:25:45,760
Speaker 1: a music he's known for being he's a musician, he's

514
00:25:45,760 --> 00:25:47,720
Speaker 1: an artist. We don't know he will be no philanthropist.

515
00:25:47,800 --> 00:25:50,480
Speaker 1: He's not no motherfucking mega everge. He ain't no motherfucking

516
00:25:50,560 --> 00:25:53,360
Speaker 1: doctor Martin Luther, King of Mister far Kahan. This nigga's

517
00:25:53,400 --> 00:25:56,720
Speaker 1: known for popping shit and he's known for establishing the

518
00:25:56,800 --> 00:26:00,360
Speaker 1: anti rat thing along the South. So if you play

519
00:26:00,359 --> 00:26:02,320
Speaker 1: it like that, my nigga, you can't now if he

520
00:26:02,480 --> 00:26:05,600
Speaker 1: if he had changed his lyrical content and we see

521
00:26:05,880 --> 00:26:08,720
Speaker 1: a track record of him morphine into something, then what

522
00:26:08,840 --> 00:26:11,760
Speaker 1: we know him to be a rob and thug and

523
00:26:11,840 --> 00:26:14,440
Speaker 1: ass nigga, then yeah, okay, well you would be a food.

524
00:26:14,440 --> 00:26:16,240
Speaker 1: We assume you're gonna get the same ship because we

525
00:26:16,320 --> 00:26:18,800
Speaker 1: hear the difference in him now. But no, nigga, you

526
00:26:18,840 --> 00:26:20,440
Speaker 1: don't get the change. You don't get to play. You

527
00:26:20,520 --> 00:26:23,040
Speaker 1: don't get to play in the street and then get this,

528
00:26:23,200 --> 00:26:25,160
Speaker 1: you know when you when the ship don't go your way, nigga,

529
00:26:25,160 --> 00:26:26,720
Speaker 1: you don't get to do that. Well, what is he

530
00:26:26,760 --> 00:26:31,120
Speaker 1: supposed to do? Not that? Definitely not that. You don't

531
00:26:31,119 --> 00:26:32,800
Speaker 1: get a chair. You don't get to do that ship, nigga.

532
00:26:32,840 --> 00:26:35,480
Speaker 1: If if it was fifty and fifty, get that ship.

533
00:26:36,440 --> 00:26:39,160
Speaker 1: They don't give a fuck about how much studio he built,

534
00:26:39,359 --> 00:26:42,600
Speaker 1: how much movie, how much executive ship. They would they

535
00:26:42,600 --> 00:26:44,560
Speaker 1: would try to terror his ass apart he would get

536
00:26:44,560 --> 00:26:47,960
Speaker 1: that grace period. He wouldn't get that grace period. So

537
00:26:48,119 --> 00:26:50,360
Speaker 1: nigga don't get that grace period. We all, we all

538
00:26:50,520 --> 00:26:52,240
Speaker 1: are beholding to something. If you ain't in it, you

539
00:26:52,240 --> 00:26:54,800
Speaker 1: ain't in it. So alls, well, but here's this street

540
00:26:54,920 --> 00:26:59,280
Speaker 1: nigga renunciation for him. You signed this bitch and then

541
00:26:59,840 --> 00:27:02,879
Speaker 1: we know moving forward that you are subject to do

542
00:27:02,960 --> 00:27:05,399
Speaker 1: some bitch ass ship and we ain't holding you to

543
00:27:05,440 --> 00:27:07,760
Speaker 1: it because you already said, I give up, I don't

544
00:27:07,960 --> 00:27:11,440
Speaker 1: want this ship no more. I'm straightened free poise. Yeah,

545
00:27:11,560 --> 00:27:14,600
Speaker 1: that was He's a dumb ass suggar. Now, I ain't

546
00:27:14,640 --> 00:27:17,480
Speaker 1: saying because two things that appear to be opposite, it

547
00:27:17,480 --> 00:27:19,879
Speaker 1: can be true. Right, I'm not saying that Pooh Shissey

548
00:27:19,960 --> 00:27:23,560
Speaker 1: Boo shisy is no motherfucking Johnny Cochran, he ain't no

549
00:27:23,680 --> 00:27:30,040
Speaker 1: motherfucking He was young, young, Hey listen, murder this motherfucker.

550
00:27:30,080 --> 00:27:32,439
Speaker 1: He shouldn't have been there. This motherfucker went to prison

551
00:27:33,760 --> 00:27:37,720
Speaker 1: with the hottest record in the world for robbing and

552
00:27:37,880 --> 00:27:42,000
Speaker 1: nigga about some shoes and some weed he went to

553
00:27:42,200 --> 00:27:44,520
Speaker 1: So you know you're dealing with a motherfucker who ain't

554
00:27:44,560 --> 00:27:47,040
Speaker 1: the sharpest tool in the ship in the shade. This

555
00:27:47,160 --> 00:27:49,879
Speaker 1: nigga went to prison four five years ago for robbing

556
00:27:49,880 --> 00:27:53,320
Speaker 1: and nigga for some shoes and some weed. You already

557
00:27:53,359 --> 00:27:58,080
Speaker 1: know you're dealing with a motherfucker of extreme low mental capacity.

558
00:27:58,359 --> 00:28:00,080
Speaker 1: We know you're dealing with the motherfucker. Say that. We

559
00:28:00,200 --> 00:28:02,800
Speaker 1: just might say, you just don't play. He just might

560
00:28:02,880 --> 00:28:06,560
Speaker 1: be like he's got temper. The whole goal of getting

561
00:28:06,600 --> 00:28:09,000
Speaker 1: any kind of money, whether you rapping you from the street,

562
00:28:09,400 --> 00:28:12,040
Speaker 1: the whole goal of of of course, to get out.

563
00:28:12,600 --> 00:28:14,840
Speaker 3: But we don't we don't be knowing the reason behind everything,

564
00:28:14,960 --> 00:28:16,600
Speaker 3: even with the whole sneakers and we don't know the

565
00:28:16,640 --> 00:28:17,080
Speaker 3: whole reason.

566
00:28:17,160 --> 00:28:19,120
Speaker 4: Yeah, to touch the bag like he said, you gotta

567
00:28:19,200 --> 00:28:21,560
Speaker 4: protect the bag you robbed the nigga jumped in the

568
00:28:21,640 --> 00:28:22,800
Speaker 4: McLaren that's like a five.

569
00:28:23,920 --> 00:28:25,639
Speaker 1: Yeah. And then the whole thing is, you know, I'm

570
00:28:25,840 --> 00:28:28,480
Speaker 1: so here's here's here's the things that we have right.

571
00:28:28,720 --> 00:28:31,800
Speaker 1: So I ain't gonna I ain't gonna just condemn a nigga.

572
00:28:32,080 --> 00:28:34,560
Speaker 1: I'm gonna be a playing spoken ass. Nigga. Ain't finna

573
00:28:34,560 --> 00:28:39,960
Speaker 1: play no games for nigga. Nigga, you listen, where where's

574
00:28:40,000 --> 00:28:42,000
Speaker 1: the protecting the bag at? You niggas are from the

575
00:28:42,000 --> 00:28:44,600
Speaker 1: slums of Memphis, tennes City. Niggas ain't for no motherfucking

576
00:28:44,640 --> 00:28:47,480
Speaker 1: Beverly Hills. Niggas ain't from the Hamptons. Your nigga ain't

577
00:28:47,480 --> 00:28:50,720
Speaker 1: from West Bloomfield. Your niggas from the slum. Ain't you

578
00:28:50,800 --> 00:28:54,440
Speaker 1: went to prison? You even fucked up? Okay, you went

579
00:28:54,480 --> 00:28:56,720
Speaker 1: to prison for four years. You put your money on hold.

580
00:28:57,120 --> 00:29:00,200
Speaker 1: You every motherfucker's dad, your family just suffer their thing.

581
00:29:00,520 --> 00:29:03,080
Speaker 1: You come home and the best thing you could think of,

582
00:29:03,240 --> 00:29:05,440
Speaker 1: because you're discrumbled and you upset, and you angry and

583
00:29:05,480 --> 00:29:08,280
Speaker 1: you frustrated, the best thing you could think And then

584
00:29:08,880 --> 00:29:12,080
Speaker 1: there's nobody around you who watched you fall down the

585
00:29:12,160 --> 00:29:15,200
Speaker 1: first time. You don't get many chances, man, You got

586
00:29:15,280 --> 00:29:17,240
Speaker 1: motherfuckers to do. Four years, come home and your life

587
00:29:17,280 --> 00:29:18,480
Speaker 1: cycle is over with. Yeah.

588
00:29:18,520 --> 00:29:21,920
Speaker 4: The first case is twenty twenty yeah with the rivalry.

589
00:29:22,000 --> 00:29:24,920
Speaker 4: The second case is twenty twenty twenty twenty one.

590
00:29:24,960 --> 00:29:28,760
Speaker 1: With the shooting security of Miami. The third case was

591
00:29:28,840 --> 00:29:30,520
Speaker 1: what that was just now.

592
00:29:30,560 --> 00:29:32,920
Speaker 2: I think he did from twenty twenty one he got

593
00:29:32,960 --> 00:29:34,640
Speaker 2: out what twenty twenty three, editing.

594
00:29:34,600 --> 00:29:35,720
Speaker 1: Take it out last year?

595
00:29:35,960 --> 00:29:38,600
Speaker 4: So he caught this time, he caught three cases back

596
00:29:38,640 --> 00:29:41,680
Speaker 4: to back. Now, look, I went to jail and got

597
00:29:41,760 --> 00:29:43,800
Speaker 4: arrested the next day. So niggas looked at me like

598
00:29:43,840 --> 00:29:45,920
Speaker 4: I was crazy. But that was really an office mistake.

599
00:29:46,600 --> 00:29:48,840
Speaker 4: Put the fake passport in the paperwork. I was excited

600
00:29:48,880 --> 00:29:51,040
Speaker 4: at home, see you with kids, you know, wild night,

601
00:29:51,640 --> 00:29:53,480
Speaker 4: So I didn't check the paperwork. If I knew the

602
00:29:53,640 --> 00:29:55,760
Speaker 4: fake passport was in there with my brother name on it,

603
00:29:55,960 --> 00:29:57,880
Speaker 4: I wouldn't to hand that to my po right, So

604
00:29:58,040 --> 00:30:00,640
Speaker 4: that was like an office mistake, right. It wasn't like

605
00:30:01,080 --> 00:30:02,840
Speaker 4: I did some ship when I just got out some

606
00:30:02,960 --> 00:30:05,880
Speaker 4: crazy ship and we did crazy ship with younger. But bro,

607
00:30:05,960 --> 00:30:07,880
Speaker 4: if you got the hottest record on the street, you

608
00:30:08,000 --> 00:30:08,600
Speaker 4: turned Nike.

609
00:30:09,160 --> 00:30:11,080
Speaker 3: But he ain't seeing all his money. He feel like

610
00:30:11,120 --> 00:30:12,840
Speaker 3: he feel like niggas playing with his paperwork. And so

611
00:30:13,880 --> 00:30:15,560
Speaker 3: I seen that, Boosey said, and I agree with it.

612
00:30:15,840 --> 00:30:17,680
Speaker 3: I know he was thinking. Everybody can say, yeah, he

613
00:30:17,800 --> 00:30:19,760
Speaker 3: dumb me. He did this when he was you know,

614
00:30:19,920 --> 00:30:22,440
Speaker 3: he he just came home. But look, he thought he

615
00:30:22,640 --> 00:30:25,200
Speaker 3: was doing it to a street nigga. He thought he

616
00:30:25,360 --> 00:30:27,600
Speaker 3: was doing it to official nigga. So he like, he thinking,

617
00:30:27,640 --> 00:30:30,160
Speaker 3: the last thing this nigga gonna do is play police games.

618
00:30:31,280 --> 00:30:33,400
Speaker 3: Watch this, that's the last Like why why he did?

619
00:30:33,720 --> 00:30:36,120
Speaker 3: I know he thought the last thing Gucci dude was

620
00:30:36,160 --> 00:30:36,920
Speaker 3: gonna play police.

621
00:30:37,160 --> 00:30:39,400
Speaker 1: But he has civilians in the studio with him. But

622
00:30:39,480 --> 00:30:41,680
Speaker 1: niggas got control of their peoples. Man, you got control

623
00:30:41,720 --> 00:30:45,440
Speaker 1: of it. It's your people's So I.

624
00:30:45,440 --> 00:30:48,360
Speaker 3: Think is that if it's your lawyer, your security, you

625
00:30:48,560 --> 00:30:49,480
Speaker 3: kind of got control.

626
00:30:49,560 --> 00:30:51,240
Speaker 1: That's gonna happen at the end of the day. So

627
00:30:51,280 --> 00:30:52,680
Speaker 1: you think if you choke like like.

628
00:30:54,520 --> 00:30:57,400
Speaker 5: The Scotta may in the meeting, he could he could

629
00:30:57,440 --> 00:30:58,560
Speaker 5: tell the police.

630
00:31:00,360 --> 00:31:02,840
Speaker 3: Been rolling with us that it's about who's rolling with you,

631
00:31:03,160 --> 00:31:10,480
Speaker 3: Chris Tall, niggas did us dirty eye, we catch up

632
00:31:10,520 --> 00:31:11,160
Speaker 3: with them traffic.

633
00:31:11,480 --> 00:31:13,640
Speaker 1: That's what I'm saying. You got some people that it's

634
00:31:13,680 --> 00:31:14,520
Speaker 1: who you rolling with.

635
00:31:14,800 --> 00:31:17,920
Speaker 3: And I know he expected from him, knowing Gucci and

636
00:31:18,040 --> 00:31:21,440
Speaker 3: Gucci's history, he wasn't thinking Gucci was gonna play police.

637
00:31:21,520 --> 00:31:24,000
Speaker 4: Came well, the dude, the white boy that got his neck,

638
00:31:24,040 --> 00:31:26,280
Speaker 4: took pictures of his neck and his wrist, he's telling.

639
00:31:28,720 --> 00:31:30,920
Speaker 1: It's civilion. Let's go up top with this ship one time.

640
00:31:31,000 --> 00:31:33,120
Speaker 1: Let's go up top, go up top and watch this,

641
00:31:33,440 --> 00:31:36,640
Speaker 1: he said, So let's go with that. He wasn't expecting

642
00:31:37,040 --> 00:31:43,120
Speaker 1: Gucci to to respond and to react like that because

643
00:31:43,200 --> 00:31:47,000
Speaker 1: of what not because of his personal experience with Gucci.

644
00:31:47,480 --> 00:31:49,880
Speaker 1: He never thought with Gucci, well, he met Gucci, He

645
00:31:49,920 --> 00:31:51,800
Speaker 1: met Gucci, and he came home. He met the Kishi

646
00:31:51,840 --> 00:31:55,120
Speaker 1: Kior version of Gucci. Right, So you didn't expect something

647
00:31:55,400 --> 00:31:59,680
Speaker 1: that's like, that's like little kids grow up believing, said rapper,

648
00:32:00,040 --> 00:32:02,200
Speaker 1: it's this nigga, nigga that whole ship was created in

649
00:32:02,280 --> 00:32:05,480
Speaker 1: the studio or whatever whatever you think. You you you

650
00:32:05,720 --> 00:32:07,680
Speaker 1: you you believe that a nigga was gonna respond and

651
00:32:07,720 --> 00:32:10,960
Speaker 1: react to something based on what you know about his

652
00:32:11,000 --> 00:32:13,560
Speaker 1: public persona, based on reading some ship in the magazine,

653
00:32:13,800 --> 00:32:16,680
Speaker 1: based on hearing his story on your MTV raps or

654
00:32:16,920 --> 00:32:19,320
Speaker 1: Rap City or something. You don't even know him to

655
00:32:19,480 --> 00:32:21,920
Speaker 1: know that. You got niggas in Atlanta who know that

656
00:32:22,000 --> 00:32:23,880
Speaker 1: he was never that. You know what I'm saying. You

657
00:32:23,960 --> 00:32:26,760
Speaker 1: got niggas who he didn't shoot pool. He look, he

658
00:32:26,960 --> 00:32:29,720
Speaker 1: just claimed it for publicity stunt purposes. You feel what

659
00:32:29,720 --> 00:32:32,320
Speaker 1: I'm saying. He ain't clap, Yeah, he ain't clapped that nigga, right,

660
00:32:32,320 --> 00:32:34,200
Speaker 1: So the whole thing is so security clapped.

661
00:32:34,240 --> 00:32:34,880
Speaker 5: Who clapped him?

662
00:32:34,880 --> 00:32:38,080
Speaker 1: He's been claiming that for them because it's nigga claim. Bro,

663
00:32:38,280 --> 00:32:40,120
Speaker 1: I know niggas who claim. I know niggas who say

664
00:32:40,120 --> 00:32:42,560
Speaker 1: they fuck hole, never fucked the hole. I know niggas

665
00:32:42,560 --> 00:32:45,360
Speaker 1: who claimed and never did it. You know, it's all

666
00:32:45,480 --> 00:32:47,360
Speaker 1: kinds of ship. There's all kinds shit niggas do. My

667
00:32:47,480 --> 00:32:49,760
Speaker 1: point is he didn't think he would do it. That's

668
00:32:49,800 --> 00:32:52,680
Speaker 1: a life lesson. So the ship that happened with these niggas, right,

669
00:32:52,720 --> 00:32:55,240
Speaker 1: I don't have no sympathy for the niggas right because

670
00:32:55,400 --> 00:32:59,400
Speaker 1: you are you have been. I'm gonna tell you if you.

671
00:32:59,480 --> 00:33:01,520
Speaker 3: Was in the streets, you got to and you said

672
00:33:01,520 --> 00:33:05,280
Speaker 3: you was in the streets, I spent I spent years

673
00:33:05,880 --> 00:33:09,440
Speaker 3: year the young even if they make a mistake.

674
00:33:09,200 --> 00:33:13,200
Speaker 1: Mam, so listen, so listen. There is there's errors and

675
00:33:13,280 --> 00:33:16,239
Speaker 1: there's mistakes. The ship the po I just did, now

676
00:33:16,320 --> 00:33:18,080
Speaker 1: I would get I would give him a mistake. The

677
00:33:18,120 --> 00:33:20,760
Speaker 1: first young wild don't got a clue. He don't understand

678
00:33:20,760 --> 00:33:23,120
Speaker 1: what you finna lose when you bust your joint in

679
00:33:23,200 --> 00:33:25,840
Speaker 1: the when you when you bust the move in Miami

680
00:33:25,960 --> 00:33:31,080
Speaker 1: with the car and the weeds and shoes twenty five

681
00:33:31,160 --> 00:33:33,160
Speaker 1: years old, I was sitting in the prison sales. So

682
00:33:33,240 --> 00:33:35,360
Speaker 1: I had had a gang of experience, right, and I

683
00:33:35,480 --> 00:33:37,920
Speaker 1: know that motherfuckers had different levels of maturity and niggas

684
00:33:38,000 --> 00:33:40,040
Speaker 1: got different levels of get on, but were dealing with

685
00:33:40,120 --> 00:33:43,280
Speaker 1: motherfuckers who listened the first time. Okay, nigga, you're a

686
00:33:43,440 --> 00:33:45,800
Speaker 1: rock star. You could change your whole family's life. And

687
00:33:45,880 --> 00:33:47,480
Speaker 1: if nobody didn't tell you why you was living in

688
00:33:47,560 --> 00:33:49,440
Speaker 1: the moment, I'm sure why you were sitting down there

689
00:33:49,480 --> 00:33:51,400
Speaker 1: four years because when he was in he's in prison.

690
00:33:51,440 --> 00:33:54,160
Speaker 1: He was on protection, nigga. He was on protection in prison.

691
00:33:54,520 --> 00:33:57,440
Speaker 1: He was on blue hole car in protection in prison.

692
00:33:57,880 --> 00:33:59,960
Speaker 1: That nigga went a stump in the yard, the niggas

693
00:34:00,080 --> 00:34:03,920
Speaker 1: on PC and he was standing up eating his food.

694
00:34:04,000 --> 00:34:06,000
Speaker 1: The nigga, and he knew what that shit tasted like,

695
00:34:06,040 --> 00:34:08,520
Speaker 1: what better than that bitch thugging and stabbing no niggas,

696
00:34:08,960 --> 00:34:11,600
Speaker 1: So he nigga, if they don't snap you into the

697
00:34:11,719 --> 00:34:14,360
Speaker 1: reality of this shit, ain't nobody, ain't no lawyer, no

698
00:34:14,440 --> 00:34:17,120
Speaker 1: executive from Melannic. Ain't nobody tell you, hey, listen, brother,

699
00:34:17,239 --> 00:34:19,600
Speaker 1: you're shitting this bitch. That's your four years. Your whole

700
00:34:19,640 --> 00:34:21,960
Speaker 1: family ain't come from poverty. Here's your opportunity. When you

701
00:34:22,040 --> 00:34:24,120
Speaker 1: come back home, you're gonna be on fire. Get your

702
00:34:24,120 --> 00:34:26,400
Speaker 1: money at your left right. Nobody, nobody had that conversation.

703
00:34:27,160 --> 00:34:29,040
Speaker 1: It's either that he doesn't have the mental capacity to

704
00:34:29,160 --> 00:34:31,360
Speaker 1: understand that, and that's a whole different subject. If you

705
00:34:31,480 --> 00:34:34,200
Speaker 1: saying this, nigga get locked up, do four years. But

706
00:34:34,280 --> 00:34:35,759
Speaker 1: here at the top of the rap game, he get

707
00:34:35,840 --> 00:34:39,239
Speaker 1: locked up, remove himself from the equation, shut his money down,

708
00:34:39,520 --> 00:34:41,839
Speaker 1: and cut his family legacy off at the hip. Right there.

709
00:34:42,080 --> 00:34:44,000
Speaker 1: You do four years, you come home and you still

710
00:34:44,120 --> 00:34:46,200
Speaker 1: just as stupid as you was. You don't know no

711
00:34:46,280 --> 00:34:48,080
Speaker 1: better than none of this shit. You did you think

712
00:34:48,160 --> 00:34:51,279
Speaker 1: this shit was gonna be that, na, bro, It's it's

713
00:34:51,320 --> 00:34:53,839
Speaker 1: just he ald. Then if you saying that, you say

714
00:34:53,880 --> 00:34:54,560
Speaker 1: this nigga, they.

715
00:34:54,560 --> 00:34:56,440
Speaker 4: You gotta look at NBA young boy, that nigga got

716
00:34:56,480 --> 00:34:58,759
Speaker 4: locked up, his team sending him with Utah. Nigga made

717
00:34:58,760 --> 00:34:59,960
Speaker 4: a hundred million in the garage.

718
00:35:00,160 --> 00:35:01,440
Speaker 1: You know what I mean?

719
00:35:01,520 --> 00:35:03,279
Speaker 4: His team wasn't letting him do that when I was

720
00:35:03,320 --> 00:35:05,240
Speaker 4: getting in trouble, it was lawyer's Scott Lehman.

721
00:35:06,880 --> 00:35:09,960
Speaker 1: Sometimes you need people. He was trying to get Your

722
00:35:10,000 --> 00:35:13,320
Speaker 1: team is personal. Your team ain't even your team is personal.

723
00:35:13,400 --> 00:35:15,120
Speaker 1: There has to be somebody in. There has to be

724
00:35:15,239 --> 00:35:17,640
Speaker 1: somebody in the equation. And I'm not just blaming him,

725
00:35:17,680 --> 00:35:20,000
Speaker 1: but I'm blaming him because he's a man. He individually.

726
00:35:20,040 --> 00:35:22,560
Speaker 1: You go to jail, you go right as island. Nigga's

727
00:35:22,600 --> 00:35:24,440
Speaker 1: one nigga. They gonna pop that picture on. That's you

728
00:35:24,560 --> 00:35:26,600
Speaker 1: and you, ain't me. We can all go together. We're

729
00:35:26,640 --> 00:35:29,279
Speaker 1: gonna get our pictures popped separately. It's one nigger in

730
00:35:29,280 --> 00:35:31,000
Speaker 1: your idea. When you go to the penitentiary, right, you

731
00:35:31,000 --> 00:35:32,520
Speaker 1: know what I'm saying. When you go see the pro board,

732
00:35:32,760 --> 00:35:34,960
Speaker 1: you're gonna have a discussion about your freedom for their judge.

733
00:35:35,120 --> 00:35:37,920
Speaker 1: It's you. So my nigga, You sit down in lockdown

734
00:35:38,040 --> 00:35:39,880
Speaker 1: four and a half years, you getting squalls off in

735
00:35:39,960 --> 00:35:43,800
Speaker 1: that bitch, You sitting back thinking and it never struck

736
00:35:43,880 --> 00:35:46,239
Speaker 1: your It never crossed your mind at one fucking time.

737
00:35:47,880 --> 00:35:50,120
Speaker 1: I then fucked up here. Then when you come home,

738
00:35:50,400 --> 00:35:52,080
Speaker 1: you come home, you're not even home a year, and

739
00:35:52,160 --> 00:35:53,680
Speaker 1: you jump into that, and you thought that shit was

740
00:35:53,719 --> 00:35:57,640
Speaker 1: gonna work. Listen, you and you at twenty five years old,

741
00:35:57,960 --> 00:36:01,080
Speaker 1: y'all come out the streets. The streets be shit. It's

742
00:36:01,120 --> 00:36:06,160
Speaker 1: all out, respectfully pause pause, right, come on, man, the

743
00:36:06,200 --> 00:36:09,719
Speaker 1: streets through. Y'all come get the what ain't nobody you

744
00:36:09,760 --> 00:36:13,160
Speaker 1: ain't had not one phone conversation about. And I don't

745
00:36:13,239 --> 00:36:15,800
Speaker 1: need no nigga to tell me nothing about no mistake.

746
00:36:15,880 --> 00:36:17,279
Speaker 1: When I went to prison, I was in that bitch.

747
00:36:17,360 --> 00:36:20,360
Speaker 1: I was like, well, its own. I knew exactly what happened.

748
00:36:20,840 --> 00:36:22,680
Speaker 1: And my my only thing is I hope I get

749
00:36:22,719 --> 00:36:25,200
Speaker 1: an opportunity to go home and and make this ship

750
00:36:25,280 --> 00:36:27,680
Speaker 1: right for myself, not for nobody else. My nigga. That

751
00:36:27,760 --> 00:36:29,839
Speaker 1: ship that nigga did was the stupidest shit in the world.

752
00:36:30,160 --> 00:36:33,920
Speaker 1: That ship was slow bush, slob against the window, gass behavior,

753
00:36:34,040 --> 00:36:37,520
Speaker 1: my nigga. That was We're a helmet type ship. And

754
00:36:37,600 --> 00:36:39,400
Speaker 1: it ain't no excuse for that ship. You trying to

755
00:36:39,600 --> 00:36:43,040
Speaker 1: force it, allegedly, trying to force all alleged right, trying

756
00:36:43,040 --> 00:36:45,719
Speaker 1: to force a nigga to sign the contract. And you

757
00:36:45,800 --> 00:36:49,640
Speaker 1: think that's gonna you're trying to sign this, I'm free

758
00:36:49,719 --> 00:36:51,879
Speaker 1: of you. That's not the first time that been done.

759
00:36:51,960 --> 00:36:53,279
Speaker 1: It ain't let me tell you where you got it from,

760
00:36:53,400 --> 00:36:55,200
Speaker 1: where you got it from. I'm gonna tell you why

761
00:36:55,200 --> 00:37:00,160
Speaker 1: he thought. Nah them niggas on ain't no stupid. Now

762
00:37:00,200 --> 00:37:04,480
Speaker 1: that's the first Listen. I bet you, I bet you

763
00:37:04,560 --> 00:37:09,880
Speaker 1: put nothing about that. Were talking we talking about that, right,

764
00:37:10,000 --> 00:37:13,000
Speaker 1: you know where you got it from Big thirty. Don't forget.

765
00:37:13,080 --> 00:37:16,960
Speaker 1: Big thirty was signed to money bag Yo. Okay, and

766
00:37:17,120 --> 00:37:21,160
Speaker 1: Big Dirty muscled his way out of that situation money

767
00:37:21,200 --> 00:37:24,759
Speaker 1: bag Yo. That's where in Big thirty his right hand man.

768
00:37:25,280 --> 00:37:27,279
Speaker 1: So I'm thinking, if you think about it, Big thirty

769
00:37:27,360 --> 00:37:28,759
Speaker 1: was signing the money to bag Yo. They went at it,

770
00:37:28,840 --> 00:37:31,040
Speaker 1: they started going doing songs against each other, and now

771
00:37:31,200 --> 00:37:33,239
Speaker 1: and then all of a sudden, Big thirty is not

772
00:37:33,320 --> 00:37:35,720
Speaker 1: signed to money bag Yo. I think it's forever endless

773
00:37:35,760 --> 00:37:39,600
Speaker 1: breeding tament some ship like that. He free agent. So

774
00:37:39,719 --> 00:37:43,040
Speaker 1: I'm willing I would bet my finger that that whole

775
00:37:43,120 --> 00:37:45,200
Speaker 1: concept of this, how we're gonna muscle this nigga out

776
00:37:45,280 --> 00:37:47,879
Speaker 1: like this, I bet you that was from him looking

777
00:37:47,920 --> 00:37:51,120
Speaker 1: at Big Dirty situation with money bag Yo and how

778
00:37:51,200 --> 00:37:54,160
Speaker 1: money bag Yo kind of like gone here on. I'm

779
00:37:54,200 --> 00:37:55,560
Speaker 1: willing to bet you. That's where you get that ship.

780
00:37:56,440 --> 00:37:57,880
Speaker 1: Don't want to sign legend.

781
00:37:58,640 --> 00:38:00,200
Speaker 4: This is why niggas don't want to sign all this

782
00:38:00,320 --> 00:38:02,160
Speaker 4: no more, because you signed all this and it can

783
00:38:02,239 --> 00:38:05,800
Speaker 4: go bad either way and you to see you to blame.

784
00:38:05,960 --> 00:38:09,960
Speaker 4: So niggas ain't gonna blame you like Jimmy Ivien or

785
00:38:10,480 --> 00:38:16,279
Speaker 4: a different like a Birdman, or gonna blame you I'm

786
00:38:16,320 --> 00:38:19,560
Speaker 4: talking about. But if they don't blame the white people,

787
00:38:19,560 --> 00:38:21,880
Speaker 4: they know no Lucian Grange.

788
00:38:22,239 --> 00:38:24,600
Speaker 2: They're not gonna blame blame.

789
00:38:24,800 --> 00:38:28,680
Speaker 1: That's true because black always be the blame. Because any

790
00:38:28,800 --> 00:38:31,319
Speaker 1: label that's here, because that's because this year is why,

791
00:38:31,719 --> 00:38:35,960
Speaker 1: because the labels that are black run or black owned.

792
00:38:36,360 --> 00:38:40,239
Speaker 1: Those labels were made popular in the culture because of

793
00:38:40,920 --> 00:38:44,080
Speaker 1: bad boys, popular because of Diddy. Period. It don't matter

794
00:38:44,160 --> 00:38:45,719
Speaker 1: who he signed it. He is the face of it.

795
00:38:46,239 --> 00:38:48,560
Speaker 1: Cash money. The face of cash Money is bird Man.

796
00:38:48,840 --> 00:38:51,399
Speaker 1: The face of No Limit was Master p. So when

797
00:38:51,400 --> 00:38:55,520
Speaker 1: you attached there's no face attached to Sony Warner brother

798
00:38:55,719 --> 00:38:59,080
Speaker 1: Electric Priority. Those are entities. There's a couple of entities

799
00:38:59,200 --> 00:39:01,239
Speaker 1: we know who run them, but those are corporate entergy.

800
00:39:01,280 --> 00:39:03,080
Speaker 1: So there's nobody for you to blame. You can blame

801
00:39:03,120 --> 00:39:04,400
Speaker 1: your A and R back in the day. You can

802
00:39:04,440 --> 00:39:07,040
Speaker 1: blame whoever you're right, but there's nobody for you to.

803
00:39:07,440 --> 00:39:10,879
Speaker 1: But the black companies are led by faces. They're led

804
00:39:10,960 --> 00:39:13,719
Speaker 1: by human beings. So when something goes wrong, you point

805
00:39:13,800 --> 00:39:17,240
Speaker 1: at the human being versus point at the label itself.

806
00:39:17,640 --> 00:39:19,839
Speaker 1: So that's why that shit happens. That is true.

807
00:39:19,880 --> 00:39:22,239
Speaker 5: I know, that's that's a good point. Those were the

808
00:39:22,320 --> 00:39:23,520
Speaker 5: faces to all the labels.

809
00:39:23,800 --> 00:39:27,759
Speaker 4: Yeah, D with rough Rider, fifty with g Unit, J

810
00:39:27,920 --> 00:39:30,040
Speaker 4: with Rockefeller, DD, you with bad Boy.

811
00:39:30,600 --> 00:39:34,040
Speaker 5: He's absolutely right, Yo. I just watched the Michael Jackson movie.

812
00:39:34,040 --> 00:39:38,520
Speaker 1: I checked it out yet No, Nah, that shit was dope, man, Yeah, yeah, yeah,

813
00:39:38,520 --> 00:39:41,600
Speaker 1: I ain't fucking Michael Jackson movie. Man, I ain't got tam.

814
00:39:41,760 --> 00:39:45,719
Speaker 1: I'm sitting here with Uncle Murder. My man, it's been

815
00:39:45,800 --> 00:39:50,279
Speaker 1: on this right here. I'm like laser focus. So I

816
00:39:50,400 --> 00:39:53,040
Speaker 1: heard that the movie came out, you know what I'm saying,

817
00:39:53,239 --> 00:39:56,279
Speaker 1: But I never gave it no motherfucking thought. My thought

818
00:39:56,360 --> 00:40:04,600
Speaker 1: process was Vlad TV and Jump those Jumper and Street

819
00:40:04,640 --> 00:40:10,719
Speaker 1: Stars and Mafi and all that where all of that. No,

820
00:40:11,000 --> 00:40:15,759
Speaker 1: but me and Sean we've been talking, don't have Yeah,

821
00:40:15,840 --> 00:40:17,680
Speaker 1: So my my focus has been on that my fun.

822
00:40:17,719 --> 00:40:19,520
Speaker 1: I'm not thinking about no movie. No.

823
00:40:20,080 --> 00:40:22,280
Speaker 2: So explain to people how you got yourself.

824
00:40:22,040 --> 00:40:26,120
Speaker 1: Like l yeah, because I'm just I'm a just. He

825
00:40:26,320 --> 00:40:28,640
Speaker 1: just put me on to you like dog face nigga?

826
00:40:28,840 --> 00:40:32,680
Speaker 1: Is he speaking mind? I mean yeah? How does he say?

827
00:40:32,760 --> 00:40:36,000
Speaker 1: What the I want to say? Come about? Man with you? Man? Well,

828
00:40:36,200 --> 00:40:39,520
Speaker 1: the whole thing is so it's not an overnight thing

829
00:40:39,640 --> 00:40:41,480
Speaker 1: like people would think. It's always some day are there?

830
00:40:42,360 --> 00:40:45,359
Speaker 1: So I started podcasting the city. Before me, there was none.

831
00:40:46,400 --> 00:40:51,480
Speaker 1: I started podcasting in two thousand and eleven. I'm I'm

832
00:40:51,520 --> 00:40:54,680
Speaker 1: the first person to ever do urban podcasting. Before me,

833
00:40:54,760 --> 00:40:56,560
Speaker 1: there was none. The only examples I had with the

834
00:40:56,600 --> 00:40:58,960
Speaker 1: podcast was or what it sh looked like? What does

835
00:40:59,080 --> 00:41:03,160
Speaker 1: it sound like? Is the Russe Limbaughs Show and Howard

836
00:41:03,239 --> 00:41:06,200
Speaker 1: Stern Right, I had it in that radio show in

837
00:41:06,239 --> 00:41:09,040
Speaker 1: twenty ten and eleven called Unleashed and then Unleased Reloded

838
00:41:09,080 --> 00:41:11,480
Speaker 1: when I double back with the motherfucker. And then my partner,

839
00:41:11,680 --> 00:41:14,400
Speaker 1: Man Sessions, who was the one who convinced me to

840
00:41:14,480 --> 00:41:17,319
Speaker 1: go there to radio internet radio to begin with, right,

841
00:41:18,600 --> 00:41:20,320
Speaker 1: he said, listen, man, we gotta put a visually that

842
00:41:20,320 --> 00:41:23,360
Speaker 1: because YouTube is like going crazy about ten eleven and

843
00:41:23,400 --> 00:41:25,359
Speaker 1: the ship with the MTV shit was so like, man,

844
00:41:25,400 --> 00:41:28,400
Speaker 1: we used to film this shit and slap this on YouTube.

845
00:41:28,480 --> 00:41:30,480
Speaker 1: So we take it from just internet radio and just

846
00:41:30,520 --> 00:41:33,120
Speaker 1: what you can hear because rio in that radio was

847
00:41:33,200 --> 00:41:36,000
Speaker 1: always limited, you know what I'm saying, because you can't

848
00:41:36,040 --> 00:41:38,239
Speaker 1: listen to the shit in your car and you know

849
00:41:38,280 --> 00:41:40,680
Speaker 1: what I'm saying. So he's like, man, let's let's film

850
00:41:40,800 --> 00:41:43,839
Speaker 1: our our it was coming on every Thursday from from

851
00:41:44,320 --> 00:41:46,600
Speaker 1: five to seven pm. It's film and shit and slapped

852
00:41:46,600 --> 00:41:49,640
Speaker 1: on YouTube like it's a YouTube video. Like word, yeah,

853
00:41:49,800 --> 00:41:51,800
Speaker 1: let's do it. And we did it. That was twenty eleven.

854
00:41:52,239 --> 00:41:56,200
Speaker 1: So I've always been when I say podcast, I mean

855
00:41:56,280 --> 00:41:59,160
Speaker 1: in the radio room style situation where we talked about

856
00:41:59,760 --> 00:42:02,880
Speaker 1: current events, whatever's going on in the world of entertainment,

857
00:42:03,480 --> 00:42:06,759
Speaker 1: religion or politics. I'm talking about it, all right, and

858
00:42:06,880 --> 00:42:09,839
Speaker 1: then we are and then we we I'm interviewing people,

859
00:42:09,880 --> 00:42:11,320
Speaker 1: and then we just talked about whatever's going on in

860
00:42:11,400 --> 00:42:13,279
Speaker 1: the world, not just Detroit, but just in the world

861
00:42:13,320 --> 00:42:14,920
Speaker 1: of hip hop and the world of media, whatever the

862
00:42:15,000 --> 00:42:17,080
Speaker 1: case may be. We film that ship and slap their

863
00:42:17,120 --> 00:42:19,800
Speaker 1: motherfucking joints on YouTube. On the first motherfucker to do that.

864
00:42:19,920 --> 00:42:23,040
Speaker 1: So the first time Ice wear vessel is you mentioned him?

865
00:42:23,600 --> 00:42:28,040
Speaker 1: The first podcast he was their own was mine? Okay, shit, yeah,

866
00:42:28,280 --> 00:42:31,480
Speaker 1: so the first time, motherfucker, I made that ship sexy.

867
00:42:32,000 --> 00:42:33,759
Speaker 1: You know what I'm saying. I made that ship hip.

868
00:42:33,880 --> 00:42:37,160
Speaker 1: I made that ship like yeah, because niggas wasn't stutting,

869
00:42:37,200 --> 00:42:39,440
Speaker 1: no motherfucker in their radio, bro, But to be able

870
00:42:39,480 --> 00:42:41,080
Speaker 1: to come down and sit and talk to dog Face.

871
00:42:41,200 --> 00:42:43,279
Speaker 1: We pop ship and I feel it and we put

872
00:42:43,320 --> 00:42:45,160
Speaker 1: it on YouTube, so it's like a fucking music video.

873
00:42:45,440 --> 00:42:47,160
Speaker 1: I'm the first person to do that. So I've always

874
00:42:47,200 --> 00:42:49,919
Speaker 1: been I'm a cancer. So I've always been in ship,

875
00:42:50,040 --> 00:42:51,600
Speaker 1: talking shit, popping ass nigga.

876
00:42:51,600 --> 00:42:54,280
Speaker 5: You know what I'm saying, You crazy, That's why you're crazy.

877
00:42:54,360 --> 00:42:56,080
Speaker 1: Like I've always been opinion that never I've never been

878
00:42:56,480 --> 00:42:59,360
Speaker 1: why you know, That's why this niggas. You know the

879
00:42:59,480 --> 00:43:06,839
Speaker 1: vibes you I just I've never been. So the whole

880
00:43:06,880 --> 00:43:10,640
Speaker 1: thing is when I see something and you know, I

881
00:43:10,920 --> 00:43:13,560
Speaker 1: pass out with anger and frustration. Bro, if I see

882
00:43:13,600 --> 00:43:15,520
Speaker 1: some whole ship, you know what I'm saying. If you

883
00:43:15,600 --> 00:43:17,080
Speaker 1: do it over there, I don't give a fuck. But

884
00:43:17,120 --> 00:43:19,400
Speaker 1: if you around me, if me listen, if me and

885
00:43:19,480 --> 00:43:22,759
Speaker 1: you cool. If we cool, we we we we wow

886
00:43:22,920 --> 00:43:25,200
Speaker 1: and we we lock up. I'm never gonna do no

887
00:43:25,239 --> 00:43:27,640
Speaker 1: whole ship to you. No, I'm never gonna say nothing

888
00:43:27,640 --> 00:43:30,640
Speaker 1: bad about you. And it's a Southern saying. It says,

889
00:43:31,840 --> 00:43:35,759
Speaker 1: my my tongue is in my friend's mouth. That ain't right.

890
00:43:36,600 --> 00:43:37,520
Speaker 1: That's a Southern saying.

891
00:43:43,640 --> 00:43:46,560
Speaker 2: I don't think the self is happening where it comes from.

892
00:43:46,640 --> 00:43:49,480
Speaker 1: That. The whole thing is is that, And what it

893
00:43:49,560 --> 00:43:52,400
Speaker 1: means metaphors speaking is is that even in my absence,

894
00:43:52,600 --> 00:43:54,879
Speaker 1: she just she niggas got this ship bad nowadays, even

895
00:43:54,880 --> 00:43:57,799
Speaker 1: in my absence, I'm gonna even in your absence, I'm

896
00:43:57,840 --> 00:44:01,239
Speaker 1: gonna represent you like you about my mouth. It's gonna

897
00:44:01,239 --> 00:44:02,799
Speaker 1: be your ship. I know that you would say about

898
00:44:02,800 --> 00:44:05,759
Speaker 1: yourself if you're a politician and you trying to avoid ship.

899
00:44:06,000 --> 00:44:09,080
Speaker 1: I'm gonna speak like I'm What I say is what you.

900
00:44:10,000 --> 00:44:12,320
Speaker 1: I know, murderers on some nigga what fuck you nigga?

901
00:44:12,440 --> 00:44:15,840
Speaker 1: And I'm like, nigga, nigga, what murder fuck you nigga

902
00:44:15,880 --> 00:44:18,920
Speaker 1: type ship. So the whole thing is, bro, It's not

903
00:44:19,000 --> 00:44:22,799
Speaker 1: in my nature. It's it's the music business. The world

904
00:44:22,840 --> 00:44:25,520
Speaker 1: of entertainment is full of fuckery. Oh, I know that

905
00:44:25,680 --> 00:44:29,080
Speaker 1: it's jam packed the fuck ship the music business, entertainment

906
00:44:29,080 --> 00:44:31,520
Speaker 1: business is more cut throat than the street. I trust

907
00:44:31,520 --> 00:44:33,279
Speaker 1: a nigga sitting cracking hair around for I trust a

908
00:44:33,360 --> 00:44:36,080
Speaker 1: nigga who's who's aiming in thirsty to be a star,

909
00:44:36,480 --> 00:44:39,200
Speaker 1: because a nigga will cram on your motherfucking back. You

910
00:44:39,280 --> 00:44:41,560
Speaker 1: can help a nigga. You can put money behind a nigga.

911
00:44:41,680 --> 00:44:43,760
Speaker 1: You could do everything for a nigga, and a nigga

912
00:44:45,120 --> 00:44:46,960
Speaker 1: and you a hall ass nigga. Never did ship for

913
00:44:47,000 --> 00:44:49,120
Speaker 1: a nigga. You this that the third you most richly

914
00:44:49,160 --> 00:44:51,560
Speaker 1: this nigga in the world. So when you get into

915
00:44:51,560 --> 00:44:54,759
Speaker 1: the world of entertainment, bro, it takes you a mill

916
00:44:54,800 --> 00:44:58,600
Speaker 1: of It takes you a nano second to realize, oh,

917
00:44:58,680 --> 00:45:00,359
Speaker 1: this is a bitch ass nigga right here. You might

918
00:45:00,400 --> 00:45:02,480
Speaker 1: not say it, you know what I'm saying. When when

919
00:45:02,560 --> 00:45:06,480
Speaker 1: fifty embraced you in the world, Let's go, nigga, right,

920
00:45:06,840 --> 00:45:09,400
Speaker 1: how long did it take you when you get to

921
00:45:09,480 --> 00:45:11,480
Speaker 1: the boardrooms that you got around there on tour you

922
00:45:11,600 --> 00:45:13,800
Speaker 1: got to sing these rap niggas? How long did it

923
00:45:13,840 --> 00:45:18,080
Speaker 1: take you to say yourself? How How long did it

924
00:45:18,120 --> 00:45:21,799
Speaker 1: take you say this, He said, nigga.

925
00:45:21,520 --> 00:45:25,040
Speaker 4: This, you got to just we came straight from the streets,

926
00:45:25,080 --> 00:45:27,040
Speaker 4: so I never thought we was gonna get to the

927
00:45:27,120 --> 00:45:29,120
Speaker 4: level when he was on like I was fucking with

928
00:45:29,200 --> 00:45:30,600
Speaker 4: fifty when he was on Colombia.

929
00:45:31,000 --> 00:45:31,600
Speaker 1: You know what I'm saying.

930
00:45:31,640 --> 00:45:33,879
Speaker 4: So he the first nigga to fly the King Coon

931
00:45:34,040 --> 00:45:36,720
Speaker 4: just me and then to do a song Rowdy, Rowdy.

932
00:45:36,840 --> 00:45:39,359
Speaker 4: So that was my first time leaving the hood. Yeah,

933
00:45:39,400 --> 00:45:41,080
Speaker 4: so all I know is the hood and music.

934
00:45:41,160 --> 00:45:43,040
Speaker 1: How long did it take you once you got into it?

935
00:45:43,080 --> 00:45:45,080
Speaker 1: When you saying joke, when you in Joe deal, how

936
00:45:45,160 --> 00:45:51,440
Speaker 1: long did it take you say yourself before? Yeah? You

937
00:45:51,480 --> 00:45:55,800
Speaker 1: know what, I like, I'm looking at life like like that.

938
00:45:55,960 --> 00:45:58,399
Speaker 1: I'm looking at it's listen, it's so much flaws ship.

939
00:45:58,600 --> 00:46:01,000
Speaker 1: I don't expect him. I really, I'm really true, I

940
00:46:01,120 --> 00:46:04,920
Speaker 1: really truly. So listen. As a cancer, I'm like, I

941
00:46:04,960 --> 00:46:08,000
Speaker 1: ain't like I'm a cancer cancer. I'm just the last

942
00:46:08,040 --> 00:46:11,279
Speaker 1: sixteen I'm on that. I'm just assuming as you you

943
00:46:11,440 --> 00:46:15,360
Speaker 1: do one. Listen, I'm alive right now only because my cancer,

944
00:46:15,640 --> 00:46:18,520
Speaker 1: my cancer intuition that it's like it's a cancer thing.

945
00:46:18,960 --> 00:46:21,719
Speaker 1: We have a thing here, we have a thing up

946
00:46:21,760 --> 00:46:27,640
Speaker 1: here right here. If you have a thing right here

947
00:46:27,840 --> 00:46:30,640
Speaker 1: as cancers right and I don't know where nobody else got,

948
00:46:31,120 --> 00:46:33,239
Speaker 1: but I know it's cancers. We got some ship right here.

949
00:46:34,640 --> 00:46:38,239
Speaker 1: I'm only still alive. I'm a robber too, like like

950
00:46:38,360 --> 00:46:40,680
Speaker 1: by trade. I started robbing the twelve. So when she

951
00:46:40,680 --> 00:46:42,919
Speaker 1: went to jail for that seventeen robery, now with jail

952
00:46:43,000 --> 00:46:46,560
Speaker 1: at twenty twenty one, he was a robber by trade,

953
00:46:46,800 --> 00:46:47,479
Speaker 1: but she was robbed?

954
00:46:47,520 --> 00:46:48,840
Speaker 5: How much when you do that seventeen?

955
00:46:49,080 --> 00:46:52,440
Speaker 1: You robbing rob rob row? I never liked the adult

956
00:46:52,520 --> 00:46:54,520
Speaker 1: I cut my first doe case and penitentiary. Oh so

957
00:46:55,040 --> 00:46:57,680
Speaker 1: was violent? So you just yeh time? Yeah as a

958
00:46:57,719 --> 00:47:04,080
Speaker 1: cancer problem seventeen No, I did seventeen straight years. I can. Yeah,

959
00:47:04,280 --> 00:47:07,880
Speaker 1: we're genetically predisposed to being viting folks. You keep you

960
00:47:07,880 --> 00:47:09,800
Speaker 1: play with the cancer on it so much, and you

961
00:47:09,880 --> 00:47:11,680
Speaker 1: could expect to buy the reaction. I don't give how

962
00:47:11,840 --> 00:47:14,480
Speaker 1: kind of like we I don't get how well, how

963
00:47:14,600 --> 00:47:18,720
Speaker 1: well groomed, and how we you gonna you keep sucking

964
00:47:18,800 --> 00:47:22,440
Speaker 1: a rhynd no matter how much we laughing, Yeah, we

965
00:47:22,600 --> 00:47:24,080
Speaker 1: laugh at your ass. You know what I'm saying. You

966
00:47:24,200 --> 00:47:27,560
Speaker 1: keep keep around, you know, what I'm saying, You're gonna

967
00:47:28,239 --> 00:47:30,640
Speaker 1: we wound too. But there is like fire and water.

968
00:47:31,040 --> 00:47:34,960
Speaker 1: I'm surprised this I see what with with Aris, I'm

969
00:47:34,960 --> 00:47:36,560
Speaker 1: gonna hang up on you. You know what I'm saying.

970
00:47:36,600 --> 00:47:38,360
Speaker 1: You called me. You get to do it because aries

971
00:47:38,360 --> 00:47:41,600
Speaker 1: can't control themselves. They you. You are the You are

972
00:47:41,680 --> 00:47:44,839
Speaker 1: the the leader of the zodiac, and you are a ram.

973
00:47:45,000 --> 00:47:47,839
Speaker 1: You were ram right into a nigga jam. I'm looking

974
00:47:47,880 --> 00:47:54,120
Speaker 1: at this ship with rooms, yeah, airplane and niggas ship

975
00:47:59,080 --> 00:48:02,640
Speaker 1: and listen, listen, let's niggas wrong and see what niggas

976
00:48:02,680 --> 00:48:04,440
Speaker 1: started throwing spitballs.

977
00:48:05,320 --> 00:48:08,040
Speaker 4: I realized, like like me coming like being in the industry.

978
00:48:08,160 --> 00:48:10,960
Speaker 4: I just realized, like fifty had beef for everybody. We

979
00:48:11,040 --> 00:48:12,319
Speaker 4: had beef for everybody, y'all.

980
00:48:13,560 --> 00:48:16,000
Speaker 2: So I was I was so used to being in

981
00:48:16,120 --> 00:48:19,359
Speaker 2: a rapper cocoon, Like we never fucked with no rappers, rappers.

982
00:48:19,120 --> 00:48:21,239
Speaker 1: Friends, right, you know? So now how I am?

983
00:48:21,239 --> 00:48:22,560
Speaker 4: You know what I'm saying. We're in a cocoon for

984
00:48:22,680 --> 00:48:25,719
Speaker 4: so long that now we're friends with certain rappers. It's

985
00:48:25,760 --> 00:48:27,080
Speaker 4: still feel a little weird.

986
00:48:27,200 --> 00:48:28,680
Speaker 1: You ain't for them to break down on you, ain't you?

987
00:48:29,280 --> 00:48:31,160
Speaker 1: You ain't for them you ain't for TMZ to say

988
00:48:31,520 --> 00:48:33,719
Speaker 1: we heard we heard a phone call and so and

989
00:48:33,840 --> 00:48:36,480
Speaker 1: so was saying something about niggas ain't cool no more.

990
00:48:36,560 --> 00:48:38,360
Speaker 1: Niggas ain't cool no more. That's how it is the

991
00:48:38,400 --> 00:48:42,319
Speaker 1: world of podcasting to beware because it's it's a it's

992
00:48:42,320 --> 00:48:45,400
Speaker 1: an open air competition, right, and it shouldn't be because

993
00:48:45,400 --> 00:48:49,719
Speaker 1: there's no limit. But that life is competition life. It

994
00:48:49,840 --> 00:48:51,879
Speaker 1: is everybody want to be the best at what they doing.

995
00:48:52,040 --> 00:48:54,520
Speaker 1: I think, I think that's listen. I read a book

996
00:48:54,600 --> 00:48:56,920
Speaker 1: called art not Giving the funk. I'm actually reading that

997
00:48:56,960 --> 00:48:57,520
Speaker 1: book now.

998
00:48:57,640 --> 00:48:59,799
Speaker 4: And after that it changed my life because I don't

999
00:49:00,239 --> 00:49:02,560
Speaker 4: care what other people's doing. I care about what I'm doing.

1000
00:49:02,640 --> 00:49:04,960
Speaker 1: That's because you got your own motion right, right, So

1001
00:49:05,160 --> 00:49:09,000
Speaker 1: so listen caring. There's a formula that's not caring. Right.

1002
00:49:09,480 --> 00:49:16,239
Speaker 1: The formula's not caring is access and money. When you

1003
00:49:16,320 --> 00:49:19,520
Speaker 1: have access and money, it's easier to care because you

1004
00:49:19,560 --> 00:49:25,200
Speaker 1: don't get It's an equation like advice, access in money,

1005
00:49:25,400 --> 00:49:29,560
Speaker 1: access access to ship. Right, you ain't got no access

1006
00:49:29,600 --> 00:49:32,279
Speaker 1: to you care. You care on some ship. You care

1007
00:49:32,320 --> 00:49:34,080
Speaker 1: about what a niggas say, You care about what a

1008
00:49:34,160 --> 00:49:37,319
Speaker 1: nigga do, But listen when this is a light I learned,

1009
00:49:37,400 --> 00:49:39,279
Speaker 1: like I got got some more money when I ain't

1010
00:49:39,280 --> 00:49:44,840
Speaker 1: had no money. I was caring. When when I was

1011
00:49:44,880 --> 00:49:46,520
Speaker 1: able to go to a Jewey store or go to

1012
00:49:47,120 --> 00:49:50,839
Speaker 1: to the Satisfy Avenue, and I went, I went. When

1013
00:49:50,840 --> 00:49:53,480
Speaker 1: I stopped caring, when I went in Saxify Avenue, I

1014
00:49:53,600 --> 00:49:57,319
Speaker 1: spent twenty five thousand on just this. I ain't even

1015
00:49:57,360 --> 00:49:59,080
Speaker 1: looking at those ship. I didn't know it's five thousands.

1016
00:49:59,080 --> 00:50:00,799
Speaker 1: When I got to the motherfucker you know what I'm saying.

1017
00:50:00,880 --> 00:50:05,120
Speaker 1: One boom boom boom, now boo boo woop like money power.

1018
00:50:05,360 --> 00:50:09,480
Speaker 1: When I moved my family from this to that, when

1019
00:50:09,520 --> 00:50:11,520
Speaker 1: I built a house on the ground up and I said, no,

1020
00:50:11,600 --> 00:50:13,720
Speaker 1: I won't. I don't want that. I want this molding

1021
00:50:14,200 --> 00:50:16,719
Speaker 1: right as I started thinking that, So when I be

1022
00:50:16,800 --> 00:50:21,200
Speaker 1: hearing shit like from I don't give a fuck, I

1023
00:50:21,239 --> 00:50:24,360
Speaker 1: don't give a fuck. Well, I got I got boats,

1024
00:50:24,440 --> 00:50:27,839
Speaker 1: swing shots, jet skis, and you over here talked about

1025
00:50:27,880 --> 00:50:30,360
Speaker 1: some shit and you stay on what's one of the

1026
00:50:30,400 --> 00:50:32,400
Speaker 1: worst streets in your hood? Right now?

1027
00:50:32,680 --> 00:50:36,360
Speaker 5: I would say, you say, I would say so many.

1028
00:50:36,880 --> 00:50:39,279
Speaker 1: Just pick one where niggas still fight the way out

1029
00:50:39,320 --> 00:50:42,080
Speaker 1: of it. I say, one got brow. Okay, right there,

1030
00:50:42,560 --> 00:50:46,200
Speaker 1: so you don't necessarily give a fuck about what the

1031
00:50:46,239 --> 00:50:49,160
Speaker 1: motherfuckers on one three folk talking about right now. It

1032
00:50:49,200 --> 00:50:51,000
Speaker 1: ain't much they can say to you. You know what

1033
00:50:51,000 --> 00:50:53,000
Speaker 1: I'm saying. They gonna like, like, nigga, I don't what.

1034
00:50:53,440 --> 00:50:55,960
Speaker 1: Oh he said something about you, yo, nigga. In nineteen

1035
00:50:56,280 --> 00:51:01,200
Speaker 1: ninety one, somebody stepped through your girl.

1036
00:51:01,320 --> 00:51:04,800
Speaker 4: Last weekend, we was eating caveat my first time eating caviar,

1037
00:51:05,480 --> 00:51:06,279
Speaker 4: crim do lay.

1038
00:51:06,760 --> 00:51:08,320
Speaker 1: It was hitting, murdered and try it?

1039
00:51:08,880 --> 00:51:09,359
Speaker 2: Did you try?

1040
00:51:12,760 --> 00:51:15,000
Speaker 1: And we hit it? Here and his ship. He talked

1041
00:51:15,000 --> 00:51:18,799
Speaker 1: about I'm eating stuff, but you know what's crazy? Yeah,

1042
00:51:19,239 --> 00:51:22,239
Speaker 1: he don't be lying. Yeah, I'll be there.

1043
00:51:24,360 --> 00:51:27,600
Speaker 4: We had a cave I love crim crim Delay is

1044
00:51:27,600 --> 00:51:29,560
Speaker 4: always hitting, but I never had it with Cavea. It

1045
00:51:29,640 --> 00:51:32,200
Speaker 4: was ray caviar, crime Delay. What's the name of the restaurant,

1046
00:51:34,960 --> 00:51:37,759
Speaker 4: Poppy Steak, Poppy Poppy Steak.

1047
00:51:39,239 --> 00:51:39,920
Speaker 1: Listen, I think.

1048
00:51:41,880 --> 00:51:44,840
Speaker 2: The NFL blue Now look I better poppy.

1049
00:51:44,920 --> 00:51:52,640
Speaker 1: Matter of fact, foot the crime lay. I never had

1050
00:51:52,719 --> 00:51:55,600
Speaker 1: it that she was hitting. I never had nothing like that.

1051
00:51:56,080 --> 00:51:56,279
Speaker 1: To me.

1052
00:51:56,400 --> 00:51:58,719
Speaker 4: It's like and then we're chilling in the room. Here

1053
00:51:58,800 --> 00:52:03,040
Speaker 4: comes Pat mccaffee. Yeah, like, oh, ship murders. Oh ship,

1054
00:52:03,080 --> 00:52:05,160
Speaker 4: because you know he stay on you. I stay on YouTube.

1055
00:52:05,160 --> 00:52:09,600
Speaker 1: He stayed on ESPN. So, oh ship, Papa, I was

1056
00:52:09,680 --> 00:52:10,000
Speaker 1: just there.

1057
00:52:10,280 --> 00:52:12,680
Speaker 4: You was at the found I was fifty club living there,

1058
00:52:12,800 --> 00:52:14,600
Speaker 4: like you said, pop Blue in Vegas.

1059
00:52:14,719 --> 00:52:17,680
Speaker 1: Yeah, I stayed at the Fountain Blue. That's when we

1060
00:52:17,760 --> 00:52:19,279
Speaker 1: say that. You know, I believe.

1061
00:52:21,080 --> 00:52:23,600
Speaker 2: Poppy out there because fifty dolls like a residency there,

1062
00:52:23,680 --> 00:52:24,920
Speaker 2: so we prop there.

1063
00:52:25,320 --> 00:52:29,160
Speaker 1: So listen, So listen, you were at Poppy Steak. That

1064
00:52:29,320 --> 00:52:32,920
Speaker 1: Bill was healthy, right, It was healty as a motherfucker

1065
00:52:33,000 --> 00:52:34,719
Speaker 1: right now, it's free ninety nine for us. You know,

1066
00:52:35,560 --> 00:52:37,719
Speaker 1: I gets you, but that Bill, the average mother fucker

1067
00:52:37,719 --> 00:52:41,839
Speaker 1: ain't going to Poppy Hoppy State fifty. It ain't going

1068
00:52:41,880 --> 00:52:44,279
Speaker 1: to Poppies, right, So you saw all all I saw

1069
00:52:44,320 --> 00:52:46,040
Speaker 1: on Poppies was motherfuckers. Did they put a steak in

1070
00:52:46,040 --> 00:52:48,080
Speaker 1: the suit k for a thousand, a thousand dollars steak

1071
00:52:48,640 --> 00:52:50,560
Speaker 1: in the suitcase they come out with they singing it

1072
00:52:50,640 --> 00:52:52,960
Speaker 1: with the lights and ship right there. I'm sitting there,

1073
00:52:53,040 --> 00:52:54,920
Speaker 1: So this is about what about a month ago? I

1074
00:52:55,000 --> 00:52:57,440
Speaker 1: was in that bitch and then motherfuckers played for the NFL.

1075
00:52:57,800 --> 00:53:00,680
Speaker 1: Walked up to me like, man, you dog face, I'll

1076
00:53:00,680 --> 00:53:02,719
Speaker 1: be watching you. You be tripping, you be you off

1077
00:53:02,760 --> 00:53:05,719
Speaker 1: the hook with you two may to my point right

1078
00:53:06,080 --> 00:53:09,080
Speaker 1: like we could have ran into each other, Poppy steak.

1079
00:53:09,600 --> 00:53:12,320
Speaker 1: What do I give a fuck? It's money and access.

1080
00:53:12,480 --> 00:53:14,920
Speaker 1: I have access. I don't give a funk about they

1081
00:53:15,000 --> 00:53:17,279
Speaker 1: say you be tripping, dog face, Who you be tripping on? Man?

1082
00:53:17,280 --> 00:53:22,920
Speaker 1: Who you got beef with? Everybody? I don't know you

1083
00:53:24,360 --> 00:53:27,719
Speaker 1: name it if you you a whole nigga, I don't like. Oh, man,

1084
00:53:27,960 --> 00:53:30,239
Speaker 1: So that's that's that's that's what that what that's ninety

1085
00:53:30,440 --> 00:53:31,360
Speaker 1: percent of these niggas.

1086
00:53:31,400 --> 00:53:34,359
Speaker 4: You see how you feel? That's what I think. That's

1087
00:53:34,440 --> 00:53:36,120
Speaker 4: what it is like a right is that like you

1088
00:53:36,160 --> 00:53:37,759
Speaker 4: see what I show. We talk about what we want

1089
00:53:37,760 --> 00:53:39,440
Speaker 4: to talk about. A lot of people stay away from you.

1090
00:53:39,840 --> 00:53:42,320
Speaker 4: Like I'm asked, dog face, how do you feel about

1091
00:53:42,560 --> 00:53:45,080
Speaker 4: Meghan and Clay breaking up? Because I felt Clay was

1092
00:53:45,120 --> 00:53:47,680
Speaker 4: a square and she was like a nice southern girl

1093
00:53:47,760 --> 00:53:50,040
Speaker 4: that was you know, wowr.

1094
00:53:51,200 --> 00:53:54,359
Speaker 1: Selling girl. The horror. I don't do that ut to Megan,

1095
00:53:54,480 --> 00:54:13,520
Speaker 1: no question saying on that this ship right now. Question,

1096
00:54:15,560 --> 00:54:20,480
Speaker 1: that's a horror. E R horror the w h O

1097
00:54:20,719 --> 00:54:26,799
Speaker 1: e R. It's a horror, man, you get some cancer ship?

1098
00:54:26,840 --> 00:54:29,400
Speaker 1: Why you say that about me? The horror bad and

1099
00:54:29,520 --> 00:54:32,200
Speaker 1: her behavior. She's Radom Tory Lane and all that. Ship

1100
00:54:32,280 --> 00:54:36,880
Speaker 1: she did ain't no g ship. She didn't know. Wrap up,

1101
00:54:37,200 --> 00:54:39,200
Speaker 1: But that don't got nothing to do with being heard.

1102
00:54:39,280 --> 00:54:44,600
Speaker 1: Wrap up you heard? Yeah, but that don't got nothing

1103
00:54:44,600 --> 00:54:47,800
Speaker 1: to do with being a whole. Okay, horror is what

1104
00:54:48,440 --> 00:54:49,240
Speaker 1: because he rated?

1105
00:54:49,239 --> 00:54:51,879
Speaker 3: If she rated because of all that, but that don't

1106
00:54:51,920 --> 00:54:52,400
Speaker 3: mean she's on.

1107
00:54:53,160 --> 00:54:59,439
Speaker 1: Listen girl, she's a fucking horror. She's a piece of ship.

1108
00:54:59,520 --> 00:55:01,080
Speaker 1: She's the worst kind of bitch you can never have.

1109
00:55:01,840 --> 00:55:04,360
Speaker 1: She's the bitch that your mama and granny, your auntie

1110
00:55:04,440 --> 00:55:06,640
Speaker 1: warns you about. That's the kind of bitch, that bitch

1111
00:55:06,800 --> 00:55:09,719
Speaker 1: that ain't ship. Let me ain't that ain't because it

1112
00:55:09,800 --> 00:55:12,799
Speaker 1: was a star. If we edited this because of rock Nation,

1113
00:55:14,440 --> 00:55:21,239
Speaker 1: this rock nation, these opinions, these opinions are yeah, yeah, yeah,

1114
00:55:21,280 --> 00:55:26,359
Speaker 1: these are opinions of me. I think I think probably good,

1115
00:55:26,600 --> 00:55:29,279
Speaker 1: and I think I love making, and I think that

1116
00:55:29,440 --> 00:55:31,520
Speaker 1: break up. I think this breakup gonna have her come

1117
00:55:31,600 --> 00:55:33,640
Speaker 1: out with some doper music. Yeah, because you know what

1118
00:55:33,760 --> 00:55:36,560
Speaker 1: she's like, Mary J. Married J made her best ship

1119
00:55:37,040 --> 00:55:39,560
Speaker 1: when ship was fucked up for her when she was

1120
00:55:40,600 --> 00:55:43,680
Speaker 1: and getting in case Jojo wouldn't when it was she

1121
00:55:43,840 --> 00:55:46,200
Speaker 1: made her best music. It's pain music, but she but

1122
00:55:46,480 --> 00:55:48,319
Speaker 1: this is this is how we look at it, right Mary.

1123
00:55:48,320 --> 00:55:51,120
Speaker 4: J first three albums, Paine, you see when you when

1124
00:55:51,120 --> 00:55:53,240
Speaker 4: you look when you are all this you public property,

1125
00:55:53,360 --> 00:55:54,040
Speaker 4: right you are.

1126
00:55:54,160 --> 00:55:56,880
Speaker 2: But like you, just like you said, she's hard like

1127
00:55:57,040 --> 00:55:58,760
Speaker 2: that you have like Murder said.

1128
00:55:58,640 --> 00:56:03,160
Speaker 1: Yeah, I did. I have to say listen when I

1129
00:56:03,200 --> 00:56:05,080
Speaker 1: look at her overall behavior when I look at the

1130
00:56:05,080 --> 00:56:06,960
Speaker 1: ship with Tory Lanes about her being mad because the

1131
00:56:07,000 --> 00:56:09,319
Speaker 1: other bitches fucking nigga. Now, so other kind of sit

1132
00:56:09,360 --> 00:56:12,160
Speaker 1: you's swapping off ship. You're fucking off and doing all

1133
00:56:12,280 --> 00:56:14,160
Speaker 1: kinds of ship. You letting your emotions lead because you're

1134
00:56:14,160 --> 00:56:15,719
Speaker 1: mad because he fucking this bitch and that bitch and

1135
00:56:15,880 --> 00:56:18,399
Speaker 1: also goofy ass ship. Nothing about that. If that bitch

1136
00:56:18,440 --> 00:56:20,680
Speaker 1: but the star, you would be saying. If she wasn't

1137
00:56:20,680 --> 00:56:23,120
Speaker 1: a star and she found herself in sipuation, she found

1138
00:56:23,120 --> 00:56:25,640
Speaker 1: herself in this was some hood ship, you'll be saying,

1139
00:56:25,719 --> 00:56:27,880
Speaker 1: I ain't fucking with that's got too much going on

1140
00:56:28,680 --> 00:56:31,879
Speaker 1: you she wasn't a star. We gotta separate the star

1141
00:56:32,000 --> 00:56:34,319
Speaker 1: ship because Nigga's that's why, that's why young black boys

1142
00:56:34,360 --> 00:56:37,359
Speaker 1: and young Black girls across the country are so fucked

1143
00:56:37,360 --> 00:56:40,640
Speaker 1: it now because they have bought into this because I

1144
00:56:40,760 --> 00:56:43,080
Speaker 1: am a star, because he is this, he is that

1145
00:56:43,239 --> 00:56:45,719
Speaker 1: you're not, you know, nigga, You still a human being.

1146
00:56:45,960 --> 00:56:47,960
Speaker 1: I don't judge no nigga according to him being no star,

1147
00:56:48,040 --> 00:56:50,040
Speaker 1: I don't. When I go, I can be in the room,

1148
00:56:50,440 --> 00:56:53,320
Speaker 1: both y'all stars, we sitting here kicking it like, and

1149
00:56:53,400 --> 00:56:56,480
Speaker 1: I know who both of y'all are. I was paytentially

1150
00:56:56,520 --> 00:57:01,440
Speaker 1: listening to fucking Gee. I was listening. I'm watching it.

1151
00:57:01,600 --> 00:57:04,240
Speaker 1: I'm watching y'all wild out, I'm watching y'all. I'm watching

1152
00:57:04,320 --> 00:57:07,640
Speaker 1: this ship. I ain't know. I'm a fan of hip hop, bro,

1153
00:57:08,000 --> 00:57:11,239
Speaker 1: I'm watching when When When when fifty got with him

1154
00:57:11,320 --> 00:57:14,520
Speaker 1: and basically to flip go crazy.

1155
00:57:15,040 --> 00:57:17,400
Speaker 5: When we shouldn't give Megan her prows for her successful?

1156
00:57:17,480 --> 00:57:24,280
Speaker 1: Yes, you absolutely should because fitness Donald's you know what

1157
00:57:24,320 --> 00:57:27,080
Speaker 1: I meant, Nation is doing a lot for her for.

1158
00:57:27,160 --> 00:57:30,600
Speaker 4: Her, she's successful, she's successful black woman in the business.

1159
00:57:30,680 --> 00:57:31,560
Speaker 4: Though we gotta give it.

1160
00:57:33,320 --> 00:57:37,480
Speaker 6: You're trying to force your no, I mean any she's

1161
00:57:37,520 --> 00:57:41,880
Speaker 6: as black woman is doing what look look look up

1162
00:57:41,880 --> 00:57:43,800
Speaker 6: for deal me please she has.

1163
00:57:45,480 --> 00:57:47,640
Speaker 1: I'm not saying that. I'm saying listen, don't never get

1164
00:57:47,760 --> 00:57:50,520
Speaker 1: my success mixed up with their character. You'll be sucked up.

1165
00:57:50,720 --> 00:57:52,280
Speaker 2: And that's why something we don't even really know what

1166
00:57:52,320 --> 00:57:54,600
Speaker 2: we just putting out, the character that we we see out.

1167
00:57:54,720 --> 00:57:58,400
Speaker 1: One of the reasons why motherfuckers are holding standard. It's

1168
00:57:58,480 --> 00:58:01,320
Speaker 1: because of what we think we know about right what

1169
00:58:01,480 --> 00:58:04,760
Speaker 1: we we're judging the correctness of what he just did

1170
00:58:04,800 --> 00:58:07,600
Speaker 1: with Pool Seisty based on the legend of him.

1171
00:58:07,600 --> 00:58:11,120
Speaker 4: When we've just seen the what's that versus and he said,

1172
00:58:11,160 --> 00:58:13,560
Speaker 4: dig your man up in the battle right there.

1173
00:58:13,960 --> 00:58:18,200
Speaker 1: Okay, listen right there, right there, nigga, you can never

1174
00:58:18,320 --> 00:58:22,200
Speaker 1: ever ever it's the new you. You home from prison,

1175
00:58:22,520 --> 00:58:26,480
Speaker 1: you a multi millionaire, You're doing well, you've morephed, your

1176
00:58:26,520 --> 00:58:32,320
Speaker 1: health is together. Talking about ops. He listened long before

1177
00:58:32,400 --> 00:58:35,000
Speaker 1: Chicago talking about smoking op. Put a nigga O pack.

1178
00:58:35,400 --> 00:58:39,040
Speaker 1: He's somebody dig your mans up and in the industry.

1179
00:58:39,120 --> 00:58:41,520
Speaker 1: Put him at the front of the line so he

1180
00:58:41,560 --> 00:58:44,120
Speaker 1: can say long before Dirk can behind them, was putting

1181
00:58:44,120 --> 00:58:46,280
Speaker 1: the nigga in the IP pack from sixty thirty oh block.

1182
00:58:47,000 --> 00:58:50,760
Speaker 1: He was he was every hood nigga, Like niggas didn't

1183
00:58:50,800 --> 00:58:53,960
Speaker 1: listening because he was lyrically. Yeah, he ain't a fucking

1184
00:58:54,040 --> 00:59:02,000
Speaker 1: murder this nigga's nigga, don't be lying. Yeah, we don't

1185
00:59:02,040 --> 00:59:03,560
Speaker 1: listen to that ship for that ship with this to

1186
00:59:03,600 --> 00:59:06,640
Speaker 1: hipcaus he thugg and he a Southern thug life ass nigga.

1187
00:59:06,680 --> 00:59:09,560
Speaker 1: You want to believe his story? That's true? What story?

1188
00:59:09,920 --> 00:59:12,720
Speaker 1: Just anybody's story over the rule? Yeah, you want that?

1189
00:59:13,840 --> 00:59:16,840
Speaker 1: That's that's that. That that right now, more than ever,

1190
00:59:18,080 --> 00:59:19,920
Speaker 1: there has to be some air of believability in the

1191
00:59:20,000 --> 00:59:22,480
Speaker 1: motherfucker's package or you never gonna make any music. VI

1192
00:59:22,840 --> 00:59:24,600
Speaker 1: believe a nigga want you to be off the edge.

1193
00:59:24,720 --> 00:59:26,440
Speaker 1: A nigga wants you to be down in the pitty

1194
00:59:26,560 --> 00:59:29,600
Speaker 1: the nigga skirt the baby he got signed, not that

1195
00:59:29,680 --> 00:59:33,600
Speaker 1: he wasn't a good rapper after he got shot, After

1196
00:59:33,680 --> 00:59:35,320
Speaker 1: he got shot. He got How many niggas that get

1197
00:59:35,360 --> 00:59:39,080
Speaker 1: shot halfway in the pittencher and get deals? They they

1198
00:59:39,240 --> 00:59:41,600
Speaker 1: the white people giving niggas that. You know what I'm saying,

1199
00:59:41,640 --> 00:59:44,400
Speaker 1: You want a big podcast deal, Let's go to jail,

1200
00:59:46,400 --> 00:59:50,160
Speaker 1: we come out this bitch. Let's have a fucked up

1201
00:59:50,160 --> 00:59:53,320
Speaker 1: bug shot. Let's have a fucked up excuse me, have

1202
00:59:53,360 --> 00:59:56,640
Speaker 1: a fucked up bugs shot murdered? Yay yo the doggie

1203
00:59:56,840 --> 01:00:02,040
Speaker 1: we my fall twisted hair, Now no glasses, bro, We

1204
01:00:02,240 --> 01:00:07,280
Speaker 1: gonna get a podcast deal. They calling. They love controversies.

1205
01:00:07,320 --> 01:00:11,040
Speaker 1: They love to see a nigga on the downward spiral

1206
01:00:11,200 --> 01:00:13,240
Speaker 1: and the they lift you back up and put you

1207
01:00:13,440 --> 01:00:15,680
Speaker 1: out there as if you're the best thing ever.

1208
01:00:16,040 --> 01:00:19,640
Speaker 4: Why you think negative energy goes further than positive energy

1209
01:00:19,760 --> 01:00:21,560
Speaker 4: in black community amongst us.

1210
01:00:21,680 --> 01:00:24,160
Speaker 1: Because there's so much negativity around us, and we see

1211
01:00:24,240 --> 01:00:27,480
Speaker 1: so much failure. We see so much. We see a constant,

1212
01:00:27,920 --> 01:00:30,320
Speaker 1: we see a concentrated failure every day you wake up.

1213
01:00:30,400 --> 01:00:33,200
Speaker 1: You grew you grew up. I grew up, and I

1214
01:00:33,280 --> 01:00:36,760
Speaker 1: see failure where I look inside your own household and

1215
01:00:36,920 --> 01:00:39,000
Speaker 1: outside of it. Don't be from don't be from straight

1216
01:00:39,040 --> 01:00:42,240
Speaker 1: poverty because everything looks good to you, a hot dog

1217
01:00:42,400 --> 01:00:44,880
Speaker 1: like a motherfucking state. When you come from nothing, you

1218
01:00:44,920 --> 01:00:47,360
Speaker 1: feel what I'm saying. Don't be from poverty. And don't

1219
01:00:47,440 --> 01:00:49,160
Speaker 1: let's say you from New York, You from New York.

1220
01:00:49,440 --> 01:00:51,440
Speaker 1: You come out and y'all from where y'all from, But

1221
01:00:51,560 --> 01:00:55,200
Speaker 1: don't go don't go to midtime Manhattan and see all

1222
01:00:55,280 --> 01:00:58,440
Speaker 1: that shit in Times Square. Don't look at the niggas

1223
01:00:58,480 --> 01:01:01,360
Speaker 1: going to working suits and the New York Stock Exchange

1224
01:01:01,440 --> 01:01:04,640
Speaker 1: and what the fuck is that? Y'all? I'm willing to

1225
01:01:04,720 --> 01:01:07,000
Speaker 1: bet that the average motherfucker New York, the average young

1226
01:01:07,080 --> 01:01:10,640
Speaker 1: kid New Yorker don't really know what the stocky Change

1227
01:01:10,720 --> 01:01:13,160
Speaker 1: is about. And then from New York. So just imagine

1228
01:01:13,160 --> 01:01:15,520
Speaker 1: the nigga not being from here and that shit being like,

1229
01:01:17,200 --> 01:01:19,600
Speaker 1: no niggas come to New York in awe. So the

1230
01:01:19,680 --> 01:01:22,000
Speaker 1: answer to your question is because there's so much concentrated

1231
01:01:22,040 --> 01:01:25,960
Speaker 1: negativity in the black community, which is why we attached

1232
01:01:26,200 --> 01:01:30,760
Speaker 1: we big Meats is a celebrity even though you got

1233
01:01:30,840 --> 01:01:35,360
Speaker 1: niggas who wasn't even alive when he was free, right,

1234
01:01:35,600 --> 01:01:37,920
Speaker 1: And what the fuck that meats? He not no motherfucker

1235
01:01:37,960 --> 01:01:42,120
Speaker 1: Adam Clayton pot but no Marcus Garvey. Why do you

1236
01:01:42,200 --> 01:01:44,160
Speaker 1: have so many young black girls and so many black

1237
01:01:44,200 --> 01:01:46,840
Speaker 1: boys looking up to a motherfuckers sol dope? And if

1238
01:01:46,880 --> 01:01:48,800
Speaker 1: you mama was on dope anywhere in the world, he

1239
01:01:48,880 --> 01:01:51,600
Speaker 1: probably gave it a dope to it. God, you know

1240
01:01:51,640 --> 01:01:54,160
Speaker 1: what I'm saying. Let let's keep a g we gotta

1241
01:01:54,240 --> 01:01:58,160
Speaker 1: keep shit funky. So I'm not even condemning him necessarily,

1242
01:01:58,560 --> 01:02:02,960
Speaker 1: But anybody who's achieved any measure of success in the hood, right,

1243
01:02:03,040 --> 01:02:04,720
Speaker 1: the more we look up to him, no matter how

1244
01:02:04,760 --> 01:02:06,960
Speaker 1: they got it. We don't give a fuck he saw crack.

1245
01:02:07,320 --> 01:02:09,120
Speaker 1: We don't give a fuck of a nigga sold heroin.

1246
01:02:09,360 --> 01:02:11,520
Speaker 1: Theyig gotta look up to Bumbie Johnson. I don't give

1247
01:02:11,520 --> 01:02:14,600
Speaker 1: a fuck. Bumpy was known for doing what whistling Dixie?

1248
01:02:15,120 --> 01:02:19,000
Speaker 1: No nigga? How many? How many? How many gandom phoenis?

1249
01:02:19,040 --> 01:02:22,160
Speaker 1: How many what's all the mafia niggas names? How many

1250
01:02:22,320 --> 01:02:24,280
Speaker 1: rappers from New York we never made it? For real?

1251
01:02:24,320 --> 01:02:28,400
Speaker 1: For real? How many street legends got mafia Italian mobster's names?

1252
01:02:29,200 --> 01:02:30,640
Speaker 1: And then look at the history. I grew up, watch

1253
01:02:30,680 --> 01:02:33,080
Speaker 1: the school days, so I know a large segment of

1254
01:02:33,160 --> 01:02:37,160
Speaker 1: the Italian population in New York City don't necessarily get along.

1255
01:02:37,320 --> 01:02:40,800
Speaker 1: And let's spike lee with lying. Let's spike leeb lying.

1256
01:02:41,320 --> 01:02:44,960
Speaker 1: Little Italy ain't the most inviting place for little Robert,

1257
01:02:45,400 --> 01:02:47,640
Speaker 1: a little billy. You know what I'm saying. Back in

1258
01:02:47,680 --> 01:02:50,120
Speaker 1: the day, I know how it is now, yeah, you

1259
01:02:50,200 --> 01:02:51,600
Speaker 1: know what it is? What it is though, So the

1260
01:02:51,680 --> 01:02:54,360
Speaker 1: whole thing is we look up to anybody who has

1261
01:02:54,440 --> 01:02:57,680
Speaker 1: anything that we aspire to have or any position that

1262
01:02:57,760 --> 01:03:01,640
Speaker 1: we aspire to kunt of, like put our My first

1263
01:03:01,720 --> 01:03:08,400
Speaker 1: hero was My first hero is Jesse James. Jesse James ability.

1264
01:03:08,520 --> 01:03:12,240
Speaker 1: He can smoke your motherfucker boots Cowboys. Yeah I looked

1265
01:03:12,240 --> 01:03:15,240
Speaker 1: at that. Yeah yeah. But see now, if you rob

1266
01:03:15,280 --> 01:03:17,360
Speaker 1: a nigga's frown upon you a sucker. You can't get

1267
01:03:17,400 --> 01:03:21,240
Speaker 1: no hustle. You a robber, You you worse robbers under

1268
01:03:21,240 --> 01:03:23,560
Speaker 1: the bottom of a nigga. A nigga, fuck with the

1269
01:03:23,600 --> 01:03:26,440
Speaker 1: scammer before you fuck with the robber. Robert, We're at

1270
01:03:26,440 --> 01:03:29,000
Speaker 1: the bottom of the tone ball. So I can't so

1271
01:03:29,200 --> 01:03:33,040
Speaker 1: Jesse James was a bitch ass nigga, No nigga. Bonnie

1272
01:03:33,080 --> 01:03:36,880
Speaker 1: Clad was hose they are? They robbed banks state that

1273
01:03:37,080 --> 01:03:42,280
Speaker 1: robbery was That's the American pastime. That's what's the great

1274
01:03:42,280 --> 01:03:49,800
Speaker 1: American wade. No nigga like robber. Hope I never fall

1275
01:03:49,880 --> 01:03:53,440
Speaker 1: off my listen. I hope I never before listen on

1276
01:03:53,520 --> 01:03:57,400
Speaker 1: my mama, everybody Mama in this room. If I fall off, nigga,

1277
01:03:58,680 --> 01:04:04,040
Speaker 1: I'm robbing again without thinking about it. You know what,

1278
01:04:04,040 --> 01:04:05,960
Speaker 1: I'm saying, I'm fuck, I can have I can? I

1279
01:04:06,000 --> 01:04:08,080
Speaker 1: can I have money. I still be looking at that

1280
01:04:08,160 --> 01:04:11,520
Speaker 1: nigga like, yeah, nigga, you lucky. I ain't got you

1281
01:04:13,080 --> 01:04:14,760
Speaker 1: what I'm saying because you was a bitch and I

1282
01:04:14,960 --> 01:04:17,120
Speaker 1: take that from you, little bitch ass nigga.

1283
01:04:17,560 --> 01:04:19,720
Speaker 2: See, this is why I have dog Face on the show.

1284
01:04:19,760 --> 01:04:21,080
Speaker 2: I'm surprised you calm today.

1285
01:04:21,160 --> 01:04:23,919
Speaker 1: Man, I'm chilling. I'm getting to know my bad dog.

1286
01:04:24,360 --> 01:04:28,640
Speaker 4: Make sure y'all like Ship is sub scrub. Gave this

1287
01:04:28,800 --> 01:04:32,280
Speaker 4: away on YouTube, but now we're going to Instagram with it.

1288
01:04:32,320 --> 01:04:34,400
Speaker 4: We're gonna give this away, so y'all look out for it.

1289
01:04:34,680 --> 01:04:37,120
Speaker 4: Y'all stay in the comments. It's to a set Rocky

1290
01:04:37,720 --> 01:04:43,280
Speaker 4: sure Man broke. It's the Rocky Ravens. Yeah, so we're

1291
01:04:43,280 --> 01:04:45,880
Speaker 4: gonna we instead of YouTube it's hard to track y'all down.

1292
01:04:46,200 --> 01:04:49,600
Speaker 4: We're gonna go to Instagram a set Rocky Rayvens. So

1293
01:04:49,760 --> 01:04:52,640
Speaker 4: y'all like ship subscribe getting them comments. We're here with

1294
01:04:52,800 --> 01:04:56,080
Speaker 4: dog Face. It's been a crazy episode. He went crazy.

1295
01:04:56,120 --> 01:04:58,000
Speaker 4: You might have to edit a couple of things.

1296
01:04:59,600 --> 01:05:01,800
Speaker 1: Whose don't like before we get out of here. Dog Face,

1297
01:05:02,760 --> 01:05:06,000
Speaker 1: no bone, I like who I like you? Know what

1298
01:05:06,040 --> 01:05:08,800
Speaker 1: I'm saying. If if I if I fuck you now,

1299
01:05:09,800 --> 01:05:14,240
Speaker 1: if I don't ask your phone call, I don't like you, I'm.

1300
01:05:14,640 --> 01:05:18,520
Speaker 4: I'm shouter Detroit, Pontiac. We ain't gonna get this man started.

1301
01:05:18,920 --> 01:05:20,760
Speaker 4: He done said a lot of crazy ship.

1302
01:05:21,040 --> 01:05:21,760
Speaker 1: He's on the run.

1303
01:05:21,840 --> 01:05:24,400
Speaker 5: He doesn'e did flat TV, no jumper.

1304
01:05:24,720 --> 01:05:27,040
Speaker 4: Now he's on a fucking rear report because he's the

1305
01:05:27,120 --> 01:05:30,000
Speaker 4: most controversial dude on Yeah, shout the dog face.

1306
01:05:30,160 --> 01:05:33,120
Speaker 2: Shout to Detroit and Pontiac makes too much for dog face.

1307
01:05:33,280 --> 01:05:45,640
Speaker 7: Whoa whoa, sir, good luck surviving the offseason football fans.

1308
01:05:46,840 --> 01:05:51,600
Speaker 1: At first, that was afraid. I was petrified football zover.

1309
01:05:51,680 --> 01:05:57,080
Speaker 1: It's like a part of me just died inside. But

1310
01:05:57,240 --> 01:05:59,840
Speaker 1: tonight I won't just cry because I've got old ways

1311
01:05:59,880 --> 01:06:03,880
Speaker 1: to And that's the placement hard rock bed I We Survived,

1312
01:06:05,040 --> 01:06:06,920
Speaker 1: offered by the Seminal Tribe of Florida. Must be twenty

1313
01:06:06,960 --> 01:06:08,640
Speaker 1: one plus in physically present in Florida to wag your

1314
01:06:08,680 --> 01:06:10,280
Speaker 1: Terms of conditions apply. If you are someone you know

1315
01:06:10,320 --> 01:06:12,120
Speaker 1: as a family problem, please call one eight three three

1316
01:06:12,160 --> 01:06:12,680
Speaker 1: play wise