WEBVTT - Episode 303 w/ Twista

0:00:04.000 --> 0:00:06.400
<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

0:00:06.480 --> 0:00:22.200
<v Speaker 1>and I Heart Radio and his Drink chas motherfucking podcast.

0:00:22.560 --> 0:00:26.360
<v Speaker 1>He's a legendary queen's rapper, he'saigree that's your boy Nor

0:00:26.560 --> 0:00:30.240
<v Speaker 1>he's a Miami hippop pioneer d J e f N.

0:00:30.400 --> 0:00:33.920
<v Speaker 1>Together they drinking up with some of the biggest players

0:00:33.920 --> 0:00:38.199
<v Speaker 1>in the most professional, unprofessional podcast and yet number one

0:00:38.280 --> 0:00:43.559
<v Speaker 1>sorts for drunk drinks. Motherfucks New year Z. That's for

0:00:43.760 --> 0:00:53.280
<v Speaker 1>Drinking Champs. Trick up, motherfucker up. Would a good be

0:00:53.320 --> 0:00:55.160
<v Speaker 1>hoping he would should be? This your boy and o

0:00:55.480 --> 0:00:57.560
<v Speaker 1>R What up is d J e f N. This

0:00:57.680 --> 0:01:05.080
<v Speaker 1>drink has motherfucking yapia makes up right now. When we

0:01:05.120 --> 0:01:07.680
<v Speaker 1>talk about legends, you talk about the man who has

0:01:07.680 --> 0:01:11.520
<v Speaker 1>been consistent since the nineties, kept it out there, kept

0:01:11.520 --> 0:01:14.800
<v Speaker 1>it going. When I googled him, this was kind of crazy,

0:01:14.880 --> 0:01:20.720
<v Speaker 1>today was, well, it was kind of crazy to today was.

0:01:20.880 --> 0:01:22.880
<v Speaker 1>I didn't realize how many people you were beating with.

0:01:24.280 --> 0:01:27.160
<v Speaker 1>I didn't realize. I was like, wow, like she just

0:01:27.240 --> 0:01:29.480
<v Speaker 1>kept leaving me the other ship and understand. But anyway,

0:01:29.600 --> 0:01:32.080
<v Speaker 1>let's get back to I mean, the man is a

0:01:32.720 --> 0:01:36.160
<v Speaker 1>we can't call him a he's a super legend. You

0:01:36.200 --> 0:01:39.040
<v Speaker 1>know when you you could really say this, but when

0:01:39.080 --> 0:01:42.560
<v Speaker 1>you think of a city, you think of a man

0:01:42.640 --> 0:01:46.240
<v Speaker 1>that was there, like that's that's who. He's there, holding

0:01:46.240 --> 0:01:50.440
<v Speaker 1>down the whole city and just keep getting better and

0:01:50.480 --> 0:01:54.200
<v Speaker 1>better and better and better. And at first like was like,

0:01:54.200 --> 0:01:59.240
<v Speaker 1>what's going on here? You realize he's saying ship it's

0:01:59.280 --> 0:02:01.800
<v Speaker 1>not you know, you know what I mean. It's in

0:02:01.800 --> 0:02:03.800
<v Speaker 1>case you don't know who what we're talking about. We're

0:02:03.800 --> 0:02:11.280
<v Speaker 1>talking about one the only motherfucker' twister Mason not twist.

0:02:11.800 --> 0:02:15.920
<v Speaker 1>You literally got songs with everybody. Yeah, literally the Champagne.

0:02:15.919 --> 0:02:18.120
<v Speaker 1>It's the Champagne going we are looking crazy, man, you

0:02:18.160 --> 0:02:20.800
<v Speaker 1>know what I mean? You're so but you got songs

0:02:20.840 --> 0:02:24.360
<v Speaker 1>with everybody. Yeah, it's a bunch of people. Man. So

0:02:24.360 --> 0:02:27.200
<v Speaker 1>so what is that like you do like collaborating? Is

0:02:27.240 --> 0:02:31.679
<v Speaker 1>that something that's that's that's uh yeah, yeah, I love

0:02:31.720 --> 0:02:35.400
<v Speaker 1>collaborating one just off the top, just just you know,

0:02:35.440 --> 0:02:37.959
<v Speaker 1>because it's it's my craft. I like doing it. But

0:02:38.080 --> 0:02:39.880
<v Speaker 1>the other thing too, is like you got a lot

0:02:39.880 --> 0:02:41.799
<v Speaker 1>of people that won't get on a song for a

0:02:41.800 --> 0:02:45.720
<v Speaker 1>particular reason or they might think it's or something like that. No, No,

0:02:45.760 --> 0:02:49.080
<v Speaker 1>I'm talking about like they're collaborating with with with somebody else.

0:02:49.400 --> 0:02:52.160
<v Speaker 1>They might uh not want to do a song because

0:02:52.160 --> 0:02:54.040
<v Speaker 1>they don't like it. But me, like, I'll hear a

0:02:54.120 --> 0:02:56.920
<v Speaker 1>song and I'll find a way or reason to be

0:02:57.000 --> 0:02:58.640
<v Speaker 1>able to do it and still pull out of it

0:02:58.720 --> 0:03:00.520
<v Speaker 1>what I want to. So that's one of the reasons

0:03:00.600 --> 0:03:03.760
<v Speaker 1>I do a lot of collap bals. What's your favorite

0:03:04.360 --> 0:03:07.480
<v Speaker 1>collap was with rappers or R and B singers because

0:03:07.480 --> 0:03:12.240
<v Speaker 1>you got both equally? Oh that's a harbor. Probably probably

0:03:12.320 --> 0:03:15.040
<v Speaker 1>rapp Us, you know, you know, because I get to go,

0:03:15.240 --> 0:03:17.280
<v Speaker 1>you know, back and forth with somebody and then a

0:03:17.280 --> 0:03:18.679
<v Speaker 1>lot of times you still have an R and B

0:03:18.800 --> 0:03:21.919
<v Speaker 1>singer on there too, So probably rapp Us. Okay, Okay,

0:03:21.919 --> 0:03:25.360
<v Speaker 1>So let's take it back West side of Chicago, right, Yeah,

0:03:24.880 --> 0:03:34.160
<v Speaker 1>I got notes and ship Kate Town area. Yeah, let's

0:03:34.280 --> 0:03:38.400
<v Speaker 1>let's say let's take us to the Yeah, you Kate

0:03:38.440 --> 0:03:42.240
<v Speaker 1>Town area, and this is where you start, this is

0:03:42.240 --> 0:03:45.000
<v Speaker 1>where you developed because I heard you they said that

0:03:45.040 --> 0:03:48.040
<v Speaker 1>you learned it through a stereo. You was listening to

0:03:48.120 --> 0:03:50.120
<v Speaker 1>hip hop and you you felt like, what's the earliest

0:03:50.120 --> 0:03:53.560
<v Speaker 1>stuff you were here, the earliest stuff that inspired you.

0:03:54.480 --> 0:03:57.840
<v Speaker 1>I mean really like listening to see I was on

0:03:57.880 --> 0:04:00.680
<v Speaker 1>the West side of Chicago, but we we had uh

0:04:00.960 --> 0:04:04.080
<v Speaker 1>h p K. This was a college radio station, JP

0:04:04.280 --> 0:04:06.000
<v Speaker 1>Chill on on the on the South side, and he

0:04:06.080 --> 0:04:09.360
<v Speaker 1>played a lot of hip hop and you know the Mecca,

0:04:09.440 --> 0:04:11.120
<v Speaker 1>you know, New York. It was a lot of stuff

0:04:11.120 --> 0:04:13.080
<v Speaker 1>I was listening to as well as a bunch of

0:04:13.160 --> 0:04:16.080
<v Speaker 1>artists on the South side of Chicago, people like d

0:04:16.200 --> 0:04:18.799
<v Speaker 1>A Smart, a bunch of people doing anything. And uh

0:04:18.839 --> 0:04:21.599
<v Speaker 1>so that's how I really really got into it and

0:04:21.720 --> 0:04:26.000
<v Speaker 1>really got like advanced because I was able to hear

0:04:26.000 --> 0:04:28.400
<v Speaker 1>a lot of records that a lot of people wouldn't

0:04:28.400 --> 0:04:31.159
<v Speaker 1>have heard if JP Chill wasn't playing them joint so

0:04:31.160 --> 0:04:33.160
<v Speaker 1>so so I was just really the manager Eric de

0:04:33.200 --> 0:04:35.960
<v Speaker 1>Wiz right too, right, yeah, okay, And he worked for

0:04:36.000 --> 0:04:38.440
<v Speaker 1>the radio station. Yeah, he was working for the radio stations.

0:04:38.880 --> 0:04:40.760
<v Speaker 1>And you took you do how like? Because like I

0:04:40.800 --> 0:04:43.040
<v Speaker 1>just asked Pat Poost this because he kind of got

0:04:43.080 --> 0:04:45.800
<v Speaker 1>on through K Slave and K Slave was working for

0:04:46.440 --> 0:04:48.839
<v Speaker 1>seven So I always thought that that was a plus

0:04:48.839 --> 0:04:50.599
<v Speaker 1>for Pat Poots. He was telling me that was a

0:04:50.640 --> 0:04:54.200
<v Speaker 1>negative because people always would be like, well, uk Slave, boy,

0:04:54.200 --> 0:04:57.520
<v Speaker 1>you don't need my help. Yeah, I mean it definitely

0:04:57.600 --> 0:05:00.560
<v Speaker 1>was some hurdles in there, you know, it was from hurdles,

0:05:00.760 --> 0:05:02.440
<v Speaker 1>but a lot of it was just being from from

0:05:02.440 --> 0:05:06.160
<v Speaker 1>the city, being from Chicago, new to the game, learning it,

0:05:06.400 --> 0:05:08.440
<v Speaker 1>you know, not not really being accepted. It wasn't a

0:05:08.440 --> 0:05:12.360
<v Speaker 1>lot of Chicago hip hop artist gap. So we was new,

0:05:12.440 --> 0:05:14.800
<v Speaker 1>you know, coming from the city. You know, so like,

0:05:15.000 --> 0:05:18.479
<v Speaker 1>let let's go. Do you want to why the sea?

0:05:21.240 --> 0:05:25.279
<v Speaker 1>I think I think what we're going on? Like in

0:05:25.320 --> 0:05:27.080
<v Speaker 1>New York we see that ship, were like what the

0:05:28.080 --> 0:05:30.200
<v Speaker 1>man we was? We was around him a lot. Man

0:05:30.279 --> 0:05:35.039
<v Speaker 1>you had, you had Bishop Bishop, so him being from Chicago,

0:05:35.600 --> 0:05:37.840
<v Speaker 1>we was coming outside. He was on Madison Street. We're

0:05:37.839 --> 0:05:40.200
<v Speaker 1>seeing him every day, you know, so him, a lot

0:05:40.279 --> 0:05:42.120
<v Speaker 1>of the guys around. You know. It was just the

0:05:42.200 --> 0:05:44.200
<v Speaker 1>vibe and then the music, you know what I mean.

0:05:44.240 --> 0:05:45.880
<v Speaker 1>It was a lot of a lot with the music.

0:05:46.200 --> 0:05:48.120
<v Speaker 1>Then my man A K from dew or Die. He

0:05:48.200 --> 0:05:50.000
<v Speaker 1>was the one that you know, came to me with

0:05:50.080 --> 0:05:51.960
<v Speaker 1>the song like let's you know, like I want you

0:05:52.000 --> 0:05:54.040
<v Speaker 1>to jump on this song. So so it was just

0:05:54.080 --> 0:05:56.160
<v Speaker 1>the vibe that we was on at the time. You know,

0:05:57.279 --> 0:06:03.440
<v Speaker 1>you ever pimped, No, I ain't question you dry for

0:06:03.520 --> 0:06:06.240
<v Speaker 1>half an hour. It didn't work for half I ain't

0:06:06.240 --> 0:06:09.200
<v Speaker 1>got that one. Now. Trust we know you're in the

0:06:09.240 --> 0:06:11.120
<v Speaker 1>gun camp and all that, But today we want you

0:06:11.160 --> 0:06:13.320
<v Speaker 1>to know this is drink chance. This about we celebrate

0:06:13.360 --> 0:06:16.000
<v Speaker 1>our artists. It's about time you get your motherfucking flowers.

0:06:16.040 --> 0:06:19.440
<v Speaker 1>You understand what I'm saying. We're gonna drink some champagne. Which, look,

0:06:19.520 --> 0:06:22.000
<v Speaker 1>you just told us you play out at least at

0:06:22.040 --> 0:06:23.520
<v Speaker 1>least in your mind a little bit, right me too.

0:06:24.600 --> 0:06:27.000
<v Speaker 1>Don't work for people. We're gonna celebrate you. We're gonna

0:06:27.080 --> 0:06:29.240
<v Speaker 1>drink up this goddamn champagne. You're gonna have some drinks

0:06:29.279 --> 0:06:32.080
<v Speaker 1>with me. Man, Come on that I might take one.

0:06:32.160 --> 0:06:33.839
<v Speaker 1>Come on, come on now, come on. Oh you know

0:06:33.880 --> 0:06:35.479
<v Speaker 1>you know the day of the show is called drink camps. Right,

0:06:37.800 --> 0:06:39.160
<v Speaker 1>let me pull you up, Let me pull you up.

0:06:39.200 --> 0:06:42.040
<v Speaker 1>Come on, yeah, let me pull you up. So what

0:06:42.160 --> 0:06:45.360
<v Speaker 1>you've been up to? Man? Man? You already know. Man,

0:06:45.520 --> 0:06:47.800
<v Speaker 1>just doing doing a lot of a lot of a

0:06:47.839 --> 0:06:51.120
<v Speaker 1>lot of instructing, a lot of shooting. You know, still

0:06:51.200 --> 0:06:54.400
<v Speaker 1>doing my music thing. You know, I got some businesses going,

0:06:54.880 --> 0:06:58.040
<v Speaker 1>you know, still out here moving around and enjoying my life.

0:06:58.480 --> 0:07:03.880
<v Speaker 1>You know, trying to uh, how you adapting to social media? Um?

0:07:03.880 --> 0:07:06.159
<v Speaker 1>It was crazy at first, I think for everybody, but

0:07:06.480 --> 0:07:08.919
<v Speaker 1>you know, I came along. I think I think, once

0:07:09.000 --> 0:07:13.040
<v Speaker 1>you really are passionate about something, you know, because people

0:07:13.480 --> 0:07:15.760
<v Speaker 1>you came from Chipler's circuit, like you know, like when

0:07:15.800 --> 0:07:18.240
<v Speaker 1>Nis like that was the real chip from you have

0:07:18.320 --> 0:07:20.240
<v Speaker 1>to you have to actually go to the clubs to

0:07:20.320 --> 0:07:23.040
<v Speaker 1>get these fans exactly, just go online and get these fans?

0:07:23.040 --> 0:07:25.360
<v Speaker 1>Are you cool with that? Is that take you to

0:07:25.400 --> 0:07:27.520
<v Speaker 1>your drink? So? I think it's uh, I think it's

0:07:27.800 --> 0:07:38.120
<v Speaker 1>come on, what's going on here? On? You adapt into? Um,

0:07:38.160 --> 0:07:42.880
<v Speaker 1>you're adapted into I think. Um. I think with with

0:07:43.200 --> 0:07:46.640
<v Speaker 1>early on like technology, you know, we couldn't get to it.

0:07:46.760 --> 0:07:48.960
<v Speaker 1>So and then you had a few people, you know,

0:07:49.040 --> 0:07:50.880
<v Speaker 1>you had a few artists. You ain't you didn't have

0:07:50.880 --> 0:07:52.400
<v Speaker 1>a lot of people to battle way, but it was

0:07:52.440 --> 0:07:54.760
<v Speaker 1>hard to get to the technology. But then I think

0:07:54.800 --> 0:07:57.840
<v Speaker 1>once we got to it, you had everybody doing it.

0:07:58.160 --> 0:08:00.520
<v Speaker 1>So I think, you know, it's kind of hand in hand,

0:08:00.560 --> 0:08:02.560
<v Speaker 1>Like I don't think one way is harder than the other.

0:08:02.560 --> 0:08:04.960
<v Speaker 1>I think right now it's eating like it's easy to

0:08:05.000 --> 0:08:07.280
<v Speaker 1>promote yourself, but you gotta promote yourself next to the

0:08:07.320 --> 0:08:11.000
<v Speaker 1>person next to the person next to the person quarters

0:08:11.040 --> 0:08:15.320
<v Speaker 1>and ship too, right, you're this precious? Remember this who precious? No,

0:08:15.480 --> 0:08:21.080
<v Speaker 1>I wasn't mean man the actor. Yeah, yeah, it wasn't. Yeah,

0:08:21.120 --> 0:08:24.800
<v Speaker 1>I remember the situation that happened. Yeah, what happened? You know,

0:08:24.920 --> 0:08:27.520
<v Speaker 1>someone's going on with my social media. You know some

0:08:27.520 --> 0:08:29.920
<v Speaker 1>some some people was working with social media at the time,

0:08:29.960 --> 0:08:32.600
<v Speaker 1>and and uh got a little too loose with with

0:08:32.640 --> 0:08:35.200
<v Speaker 1>the fingers, you know, because you know that definitely ain't

0:08:35.200 --> 0:08:37.520
<v Speaker 1>my vibe, you know for sure, you know, and then

0:08:37.840 --> 0:08:39.800
<v Speaker 1>you know a lot of the true fans they already know.

0:08:39.840 --> 0:08:41.640
<v Speaker 1>I don't know, that wasn't twisted. That wasn't twisted. So

0:08:42.040 --> 0:08:44.160
<v Speaker 1>you know, you know, my apologies to her too. I

0:08:44.200 --> 0:08:46.600
<v Speaker 1>did apologize, but yeah, that wasn't my vibes. Make some

0:08:46.640 --> 0:08:51.480
<v Speaker 1>noise for that. But let's let's go back. How did

0:08:51.520 --> 0:08:55.480
<v Speaker 1>you get into chopping? Like? What inspired you to start fast?

0:08:55.480 --> 0:08:57.920
<v Speaker 1>As you started rhyming? Um, you know you might have

0:08:58.000 --> 0:09:00.960
<v Speaker 1>different different names for it, but I just got into

0:09:01.000 --> 0:09:03.840
<v Speaker 1>it really just just early on. Want to switch up

0:09:03.880 --> 0:09:06.240
<v Speaker 1>the style a little bit, you know, everybody doing like

0:09:06.320 --> 0:09:09.880
<v Speaker 1>punchlines metaphors. I'm like, but I was like rhythmical with it,

0:09:09.960 --> 0:09:11.880
<v Speaker 1>so I wanted to just do something different, So I

0:09:11.920 --> 0:09:15.120
<v Speaker 1>started just playing with the cadence and stuff like that.

0:09:15.200 --> 0:09:17.319
<v Speaker 1>Then it would be like a spurt Head, then a

0:09:17.400 --> 0:09:19.280
<v Speaker 1>spurt Dad. And one day I just decided I want

0:09:19.320 --> 0:09:21.200
<v Speaker 1>to make a whole song like that. You know, you

0:09:21.240 --> 0:09:23.640
<v Speaker 1>start hearing other rappers doing what you're doing a little

0:09:23.640 --> 0:09:25.679
<v Speaker 1>bit too, you know, so I'm like, damn, okay, let

0:09:25.679 --> 0:09:27.880
<v Speaker 1>me make a whole verse like this, you know. So

0:09:27.960 --> 0:09:29.960
<v Speaker 1>then I made this verse called Mr. The Tongue Twister.

0:09:30.080 --> 0:09:34.720
<v Speaker 1>Then that's when everybody's yeah, yeah, yeah, So you know,

0:09:34.760 --> 0:09:37.120
<v Speaker 1>then I just dropped the tongue calling twister. You know.

0:09:37.480 --> 0:09:40.040
<v Speaker 1>So the other rappers they were young, You was tongue.

0:09:41.040 --> 0:09:53.079
<v Speaker 1>Look at this dude, you know. Did you and the

0:09:53.160 --> 0:09:55.480
<v Speaker 1>dude from Nicks every battle. I don't know why I

0:09:55.559 --> 0:09:58.120
<v Speaker 1>keep feeling like I heard that. No we didn't. We

0:09:58.120 --> 0:10:00.840
<v Speaker 1>didn't actually battle, but me and him we had that

0:10:00.960 --> 0:10:03.200
<v Speaker 1>vibe like like he was spitting on his level, I

0:10:03.240 --> 0:10:05.760
<v Speaker 1>was spitting on my level. We saw each other that Uh.

0:10:06.000 --> 0:10:07.480
<v Speaker 1>It was one of the one of I think it

0:10:07.520 --> 0:10:10.959
<v Speaker 1>was in San Francisco, one of the big conventions or

0:10:13.559 --> 0:10:15.160
<v Speaker 1>one of the things they had back in the days,

0:10:15.160 --> 0:10:18.480
<v Speaker 1>and we saw each other and just yeah, chick foo. Yeah,

0:10:18.520 --> 0:10:20.400
<v Speaker 1>but uh, you know, we caught that vibe, but we

0:10:20.480 --> 0:10:22.400
<v Speaker 1>ended up chopping it up, you know. So so we

0:10:22.480 --> 0:10:24.400
<v Speaker 1>never got a chance to do a record together, but

0:10:24.720 --> 0:10:26.960
<v Speaker 1>you know, we still probably end up doing something. But yeah,

0:10:27.000 --> 0:10:29.440
<v Speaker 1>chick foo, we we actually had a little fear for

0:10:29.559 --> 0:10:32.200
<v Speaker 1>each other. I was listening to that style. I was like, damn,

0:10:32.240 --> 0:10:34.360
<v Speaker 1>let's killing it, and then he was listening to me, like,

0:10:34.600 --> 0:10:36.880
<v Speaker 1>surely killing you know. So we chopped it up about

0:10:36.880 --> 0:10:38.800
<v Speaker 1>that a little bit. That was fun. So let's just

0:10:38.800 --> 0:10:45.000
<v Speaker 1>be clear. M hm. With the first fastest tongue in

0:10:45.040 --> 0:10:49.839
<v Speaker 1>the world. Man, it's debatable, Man, it's debatable. Okay, I

0:10:49.920 --> 0:10:52.040
<v Speaker 1>feel like you're being too humble, so I'm gonna let

0:10:52.040 --> 0:10:54.319
<v Speaker 1>you say that. But why is it debatable? Let me

0:10:54.360 --> 0:10:57.440
<v Speaker 1>hear that you got people that feel other people started

0:10:57.559 --> 0:11:01.160
<v Speaker 1>like you know, you got you got some people feel

0:11:01.200 --> 0:11:03.720
<v Speaker 1>bone thugs and how many started it? Some people feel

0:11:03.800 --> 0:11:06.560
<v Speaker 1>treached on it? Then you got I can go back

0:11:06.640 --> 0:11:09.800
<v Speaker 1>further than that with records like uh, jay Z and

0:11:09.880 --> 0:11:13.920
<v Speaker 1>jazz O doing originators, records like that, LLL doing records

0:11:13.960 --> 0:11:16.760
<v Speaker 1>like why do you think they call it that was

0:11:17.640 --> 0:11:20.640
<v Speaker 1>that was almost two thousand. No, no, not nothing. It

0:11:20.679 --> 0:11:22.280
<v Speaker 1>was it was, it was, it was, it was. It

0:11:22.320 --> 0:11:27.880
<v Speaker 1>was pretty bad. Yeah, that's after. That's after. Yeah, no,

0:11:27.920 --> 0:11:32.080
<v Speaker 1>I don't no, it's wait further back now, Yeah, yeah,

0:11:32.360 --> 0:11:35.160
<v Speaker 1>it goes back flavor. But that's not what he just said.

0:11:35.200 --> 0:11:38.520
<v Speaker 1>He just said originators. That was what you think about

0:11:38.520 --> 0:11:40.480
<v Speaker 1>that record? Yeah, but no, but he's but he's talking

0:11:40.480 --> 0:11:43.160
<v Speaker 1>about probably when they didn't did it before. I just think,

0:11:43.200 --> 0:11:44.960
<v Speaker 1>you know, it was it was a time frame. I

0:11:45.000 --> 0:11:48.120
<v Speaker 1>think everybody was dabbling in it and everybody wanted to

0:11:48.160 --> 0:11:51.280
<v Speaker 1>claim it. You know, so this book of World Records

0:11:51.280 --> 0:11:54.040
<v Speaker 1>came and said this is that nigger. Yeah, that's what happened.

0:11:54.120 --> 0:12:00.400
<v Speaker 1>You know, how did that feel? Like? What kind of

0:12:00.640 --> 0:12:03.240
<v Speaker 1>because you know, we like we're getting plaques and you

0:12:03.240 --> 0:12:04.720
<v Speaker 1>know what I mean, Like, but how did that feel?

0:12:04.720 --> 0:12:06.880
<v Speaker 1>When again it's the World Records called you, Like, who

0:12:06.920 --> 0:12:09.560
<v Speaker 1>gives you that call? Your manager? I was I was

0:12:09.600 --> 0:12:13.520
<v Speaker 1>on Loud Records at the time, you know, Loud Records

0:12:13.720 --> 0:12:16.360
<v Speaker 1>the Roster and uh it was Fade, my man Fade.

0:12:17.520 --> 0:12:19.240
<v Speaker 1>He was there at the time, and he told me, man,

0:12:19.280 --> 0:12:21.840
<v Speaker 1>you know what's this record? Uh? And again this book

0:12:22.080 --> 0:12:26.440
<v Speaker 1>for the for the world's fastest syllables and like, yeah,

0:12:26.480 --> 0:12:29.880
<v Speaker 1>like five hundred some syllables in sixty seconds different ships.

0:12:29.880 --> 0:12:32.920
<v Speaker 1>So I don't know what that technically mean. I just

0:12:33.000 --> 0:12:37.640
<v Speaker 1>know what some smart ship some fashion it was. But

0:12:38.040 --> 0:12:40.560
<v Speaker 1>you know it was like a gift to me. I'm like,

0:12:40.600 --> 0:12:42.680
<v Speaker 1>oh ship, you know, it was the perfect promotion to

0:12:42.840 --> 0:12:44.920
<v Speaker 1>for me. So I got in there, you know, try

0:12:44.960 --> 0:12:46.440
<v Speaker 1>to see why I was that with it. You know,

0:12:46.480 --> 0:12:49.240
<v Speaker 1>I said, Okay, I'm gonna stop at six hundred syllables

0:12:49.240 --> 0:12:52.120
<v Speaker 1>in sixty seconds. So I was off about two syllables.

0:12:52.160 --> 0:12:58.960
<v Speaker 1>But it was cool. Now did that Did that get

0:12:59.000 --> 0:13:02.000
<v Speaker 1>every other rapper who thought that they were fast? Or

0:13:02.080 --> 0:13:06.400
<v Speaker 1>for you? Or that made people want to challenge you more? Um,

0:13:06.600 --> 0:13:09.920
<v Speaker 1>probably later on because the you know, nobody really broke

0:13:09.960 --> 0:13:12.080
<v Speaker 1>the record for a long time. Like by the time

0:13:12.120 --> 0:13:15.440
<v Speaker 1>somebody started messing with it, I was like out of

0:13:15.480 --> 0:13:17.559
<v Speaker 1>that with it. So so for a long time people

0:13:17.600 --> 0:13:21.480
<v Speaker 1>really respected and I think, you know, so the record,

0:13:22.679 --> 0:13:26.600
<v Speaker 1>I forgot the shorty name and one of them shorties. Yeah,

0:13:26.600 --> 0:13:29.000
<v Speaker 1>I don't know, man, I was I was on the

0:13:29.080 --> 0:13:32.400
<v Speaker 1>making records and doing other things about then, so so

0:13:32.440 --> 0:13:34.520
<v Speaker 1>and that's what I wanted. I actually wanted somebody to

0:13:34.559 --> 0:13:38.160
<v Speaker 1>come like I stopped that six hundred syllables because I

0:13:38.240 --> 0:13:40.920
<v Speaker 1>knew I could go further, but I stopped. Nobody never

0:13:41.000 --> 0:13:43.480
<v Speaker 1>challenged the record, so you know, I just wrote it

0:13:43.480 --> 0:13:45.520
<v Speaker 1>out and I got into making music. You know, now,

0:13:46.320 --> 0:13:51.080
<v Speaker 1>how did so? I loved how you just said, um

0:13:51.080 --> 0:13:55.440
<v Speaker 1>when I asked you, uh, the inventors of this style?

0:13:56.280 --> 0:13:58.160
<v Speaker 1>You did say track you said, some people say the

0:13:58.200 --> 0:14:03.439
<v Speaker 1>tracks you said, some people say boom. Yeah, what if

0:14:03.480 --> 0:14:05.400
<v Speaker 1>you had to say? Because I want to talk about

0:14:05.440 --> 0:14:07.920
<v Speaker 1>you know, y'all discrepancies. Is me being honest with it,

0:14:08.080 --> 0:14:10.760
<v Speaker 1>Me being honest with it, Like I said, you got

0:14:11.640 --> 0:14:14.840
<v Speaker 1>you got like like rapids developing at this time. You know,

0:14:14.920 --> 0:14:17.679
<v Speaker 1>people people are getting more advanced with it, like playing

0:14:17.679 --> 0:14:19.760
<v Speaker 1>what they shoot a little bit. And I just think

0:14:20.320 --> 0:14:24.360
<v Speaker 1>I think it was growing everywhere early nights and I

0:14:24.400 --> 0:14:27.320
<v Speaker 1>think everybody was kind of playing with the style a

0:14:27.320 --> 0:14:29.160
<v Speaker 1>little bit and coming up with a way to switch

0:14:29.200 --> 0:14:31.320
<v Speaker 1>the cadence up. And I just think you had people

0:14:31.360 --> 0:14:35.120
<v Speaker 1>doing it and and and they respected areas, you know,

0:14:35.200 --> 0:14:37.760
<v Speaker 1>whatever was that and you know, because we had Kanye

0:14:37.840 --> 0:14:39.160
<v Speaker 1>on here, and I think that's what he says said

0:14:39.200 --> 0:14:41.600
<v Speaker 1>that was the only difference between um jay Z and

0:14:41.680 --> 0:14:43.760
<v Speaker 1>nas is that jay Z knows how to chop and no,

0:14:44.240 --> 0:14:47.240
<v Speaker 1>not a chop. And I've really understand until I'm actually

0:14:47.240 --> 0:14:48.840
<v Speaker 1>going and I was like, oh, that's what y'all really

0:14:48.880 --> 0:14:53.600
<v Speaker 1>call it? So you did did, because yeah, you came

0:14:53.640 --> 0:15:04.640
<v Speaker 1>out like yeah, yeah. And if they would say tretch,

0:15:04.760 --> 0:15:08.320
<v Speaker 1>then that means tretch tretching them was late eighties, right,

0:15:09.320 --> 0:15:12.000
<v Speaker 1>it really were. Remember they had the group before. I mean,

0:15:12.040 --> 0:15:14.880
<v Speaker 1>if you're counting the group before Naughty, there was a

0:15:14.880 --> 0:15:17.960
<v Speaker 1>group before. Yeah, they talked about it with us man

0:15:18.280 --> 0:15:21.480
<v Speaker 1>for god, what what what group you're talking about? They

0:15:21.520 --> 0:15:23.600
<v Speaker 1>had a group. They had a different name something. Somebody

0:15:23.600 --> 0:15:26.040
<v Speaker 1>pulled up a different name for the group before. It

0:15:26.120 --> 0:15:30.640
<v Speaker 1>was not by nature. And then then he said bones dogs. Yeah,

0:15:30.800 --> 0:15:32.600
<v Speaker 1>I wouldn't bone would come out if you came out

0:15:32.680 --> 0:15:38.920
<v Speaker 1>ninety one. Bone came out, but I don't want I

0:15:39.000 --> 0:15:41.080
<v Speaker 1>think they came out ninety four, right, b Yeah, bone

0:15:41.080 --> 0:15:46.840
<v Speaker 1>was definitely ninety It had ninety four. Okay, So and

0:15:46.880 --> 0:15:50.040
<v Speaker 1>you was using that style on record in ninety one. Yeah,

0:15:50.080 --> 0:15:52.440
<v Speaker 1>I mean if you were talking about even Fushnikins, that's

0:15:53.160 --> 0:15:57.800
<v Speaker 1>way early nineties as well. That's what year was it? Wrong?

0:15:58.760 --> 0:16:03.920
<v Speaker 1>But what you say, Yeah, ninety two fushing against you. See,

0:16:04.840 --> 0:16:08.520
<v Speaker 1>so if we're going by just google right now, you're

0:16:08.560 --> 0:16:14.920
<v Speaker 1>coming out nine one only one ninety two. I hadn't

0:16:14.960 --> 0:16:18.800
<v Speaker 1>heard that style until you came out. Well, you know,

0:16:18.840 --> 0:16:21.480
<v Speaker 1>I think I think, uh, I put a stamp on it.

0:16:21.720 --> 0:16:23.720
<v Speaker 1>You know, I think I put my foot in it.

0:16:23.840 --> 0:16:26.480
<v Speaker 1>You know, so you actually who invented it or that,

0:16:26.640 --> 0:16:28.920
<v Speaker 1>you know, you got different versions of it. I just

0:16:29.200 --> 0:16:32.200
<v Speaker 1>I might consider myself the Michael Jordan's version of it.

0:16:32.240 --> 0:16:42.200
<v Speaker 1>But you know that. But but like you said, people

0:16:42.200 --> 0:16:45.120
<v Speaker 1>could have been doing it in their city wait before

0:16:45.160 --> 0:16:47.880
<v Speaker 1>anybody heard it. That's what kind of what you probably

0:16:47.880 --> 0:16:54.520
<v Speaker 1>was saying there when nobody would have known. Right now, Now,

0:16:56.840 --> 0:17:01.040
<v Speaker 1>what's the relationship with comment me in Comment? Not cool?

0:17:01.160 --> 0:17:03.480
<v Speaker 1>Like we don't talk a lot or anything. But when

0:17:03.480 --> 0:17:06.080
<v Speaker 1>we see each other, you know, we always chop it up,

0:17:06.320 --> 0:17:08.720
<v Speaker 1>you know, talk about a few things. Yeah, we're cool.

0:17:08.760 --> 0:17:11.400
<v Speaker 1>We we just got a cool relationship. What's your relationship

0:17:11.440 --> 0:17:16.200
<v Speaker 1>with the young Drill music and shot town Man? It's

0:17:16.280 --> 0:17:19.160
<v Speaker 1>usually cool all the time. You know, somebody might call

0:17:19.240 --> 0:17:21.199
<v Speaker 1>me ump, you know, I got war Hall might call

0:17:21.240 --> 0:17:24.280
<v Speaker 1>me what up? You know, so so it's always uh,

0:17:24.720 --> 0:17:27.200
<v Speaker 1>it's always cool, man. You know. Sometimes they might ask

0:17:27.240 --> 0:17:29.639
<v Speaker 1>me certain things or for advice, but most of the

0:17:29.680 --> 0:17:31.159
<v Speaker 1>time they just look at me and call me O,

0:17:31.320 --> 0:17:33.359
<v Speaker 1>G man, what up O? G what up O? You

0:17:33.400 --> 0:17:35.520
<v Speaker 1>don't want me to come to the studio sometime? Check

0:17:35.560 --> 0:17:37.840
<v Speaker 1>them out? Hop on a record or two here and there.

0:17:37.920 --> 0:17:40.280
<v Speaker 1>You know, Yeah, stuff like that that makes some noise

0:17:40.320 --> 0:17:46.159
<v Speaker 1>for that now you was he was kicking it with

0:17:46.240 --> 0:17:48.919
<v Speaker 1>our Kelly for uple for a minute too. You were

0:17:48.960 --> 0:17:59.040
<v Speaker 1>kicking it. When you keep you we can do it

0:17:59.080 --> 0:18:03.440
<v Speaker 1>back on me easy. That literally got he got some records.

0:18:04.359 --> 0:18:07.640
<v Speaker 1>And that's just you know, besides being funny. Um, there

0:18:07.680 --> 0:18:10.479
<v Speaker 1>wasn't nothing like that, but described to the people who

0:18:10.560 --> 0:18:15.119
<v Speaker 1>are was before we knew who are is? Man? That

0:18:15.280 --> 0:18:19.080
<v Speaker 1>was the man he was. He was the man like

0:18:19.080 --> 0:18:21.600
<v Speaker 1>like it was debatable who was who was the greatest

0:18:21.640 --> 0:18:23.399
<v Speaker 1>of all time? You might hear a lot of people

0:18:23.440 --> 0:18:25.399
<v Speaker 1>say a bunch of things, but when you start lining

0:18:25.400 --> 0:18:28.600
<v Speaker 1>them records up and what he put out and how

0:18:28.680 --> 0:18:32.239
<v Speaker 1>he was doing it, and the live performances and the

0:18:32.320 --> 0:18:35.280
<v Speaker 1>songs that he wrote for other people, stuff like that,

0:18:35.320 --> 0:18:37.600
<v Speaker 1>like his body of work and what he was doing

0:18:37.840 --> 0:18:41.160
<v Speaker 1>and how much of a perfectionist he was and man,

0:18:41.240 --> 0:18:43.240
<v Speaker 1>he was like one of the greatest man you know,

0:18:43.359 --> 0:18:45.360
<v Speaker 1>and if you got a chance to work with him,

0:18:45.440 --> 0:18:47.960
<v Speaker 1>you know, you you felt solidified. You know, you felt

0:18:47.960 --> 0:18:49.960
<v Speaker 1>like you was in the game and you had to

0:18:49.960 --> 0:18:51.480
<v Speaker 1>get you know, you got you a shot if you

0:18:51.560 --> 0:18:53.159
<v Speaker 1>got a chance to work with r. Kelly, you know,

0:18:54.359 --> 0:18:56.680
<v Speaker 1>especially for your city, because it was like to tell

0:18:56.720 --> 0:18:58.639
<v Speaker 1>you to too. But that was like the first artists

0:18:58.640 --> 0:19:01.000
<v Speaker 1>like to break out, like to be now act. Yeah,

0:19:01.080 --> 0:19:02.640
<v Speaker 1>he was, he was the man. He was the man

0:19:02.680 --> 0:19:08.119
<v Speaker 1>in the city. Man. We had a huge yeah for sure. Yeah,

0:19:08.480 --> 0:19:09.920
<v Speaker 1>but we can't make a noise for that because she's

0:19:09.920 --> 0:19:13.720
<v Speaker 1>gonna get real with me too, I'm gonna be talking

0:19:13.760 --> 0:19:18.920
<v Speaker 1>about because the career side, they can't make no noise

0:19:18.960 --> 0:19:23.360
<v Speaker 1>for that one right there. It's just a god damn

0:19:23.920 --> 0:19:27.359
<v Speaker 1>you brought it up. Hey man, listen, I listen, man,

0:19:28.200 --> 0:19:30.119
<v Speaker 1>because you're my friend. I still had to google and

0:19:30.200 --> 0:19:32.639
<v Speaker 1>do my due diligence that what's going on, you know

0:19:32.640 --> 0:19:37.280
<v Speaker 1>what I'm saying. So yeah, all right, let's go. You

0:19:37.320 --> 0:19:40.480
<v Speaker 1>also had you gotta record with Chris Brown. Yeah, yeah,

0:19:41.359 --> 0:19:44.840
<v Speaker 1>make a movie, make a movie. Uh just really wanted

0:19:44.880 --> 0:19:46.480
<v Speaker 1>them on the joint. Yeah, that was a joint. I

0:19:46.560 --> 0:19:49.080
<v Speaker 1>wanted them all like like me, my crew were just

0:19:49.160 --> 0:19:51.560
<v Speaker 1>mutually decided at the time. I forgot what record we

0:19:51.560 --> 0:19:53.679
<v Speaker 1>was listening to at the time, but we felt that

0:19:53.760 --> 0:19:55.879
<v Speaker 1>it was dope. If he's seen that particular record. You

0:19:55.920 --> 0:19:58.359
<v Speaker 1>know what I was. You know what I noticed about you.

0:19:58.359 --> 0:20:00.280
<v Speaker 1>You make a lot of records for the feet else.

0:20:00.359 --> 0:20:02.560
<v Speaker 1>A lot of people don't know that because you're so lyrical.

0:20:03.119 --> 0:20:06.200
<v Speaker 1>You gotta way with being super hip hop. Like all

0:20:06.240 --> 0:20:09.560
<v Speaker 1>the hip hop hip hoppers love you because you're a

0:20:09.640 --> 0:20:12.480
<v Speaker 1>hip hopper. But you you get away with stilling some

0:20:12.600 --> 0:20:16.000
<v Speaker 1>great singles. That's for the ladies and nobody cause you commercial.

0:20:16.680 --> 0:20:19.560
<v Speaker 1>I think, man, you gotta have that. You gotta have it.

0:20:19.640 --> 0:20:21.520
<v Speaker 1>You know some some of the big artists, you know,

0:20:21.560 --> 0:20:24.240
<v Speaker 1>they're able to do that and it's nothing. They go

0:20:24.320 --> 0:20:26.159
<v Speaker 1>to their they go to their rap ship, they go

0:20:26.200 --> 0:20:28.400
<v Speaker 1>to that type of vibe. So so I just think

0:20:28.760 --> 0:20:31.320
<v Speaker 1>you gotta have it. That's one thing too. I think

0:20:31.359 --> 0:20:35.080
<v Speaker 1>it helps that my cadence is really like that whole

0:20:35.119 --> 0:20:38.439
<v Speaker 1>double time cadence is really an R and B or

0:20:38.640 --> 0:20:41.400
<v Speaker 1>slow song type of cadence. So I think that kind

0:20:41.400 --> 0:20:43.880
<v Speaker 1>of plays into it too, that you know, if I'm

0:20:43.920 --> 0:20:46.680
<v Speaker 1>rapping on a certain tempo. They fit on the same

0:20:46.720 --> 0:20:49.600
<v Speaker 1>melodies that people sing songs on. So a lot of

0:20:49.640 --> 0:20:52.040
<v Speaker 1>times that's how a lot of those features came about

0:20:52.080 --> 0:20:54.080
<v Speaker 1>to with with me doing and then just the songs

0:20:54.080 --> 0:20:55.840
<v Speaker 1>in general. That was like that. It was easy to

0:20:55.920 --> 0:20:58.840
<v Speaker 1>put like R and B artists and singles on certain hooks,

0:20:58.920 --> 0:21:00.919
<v Speaker 1>and you know, it was the vibe. Did you did

0:21:00.960 --> 0:21:04.600
<v Speaker 1>you ever question changing your style or did anybody ever

0:21:04.640 --> 0:21:08.040
<v Speaker 1>tell you, oh, this is already hell yeah old yeah

0:21:08.160 --> 0:21:12.320
<v Speaker 1>all the time? Yeah, shit like rapping fast yeah, you

0:21:12.359 --> 0:21:15.360
<v Speaker 1>know the first ship I heard, you know, because we

0:21:15.359 --> 0:21:17.560
<v Speaker 1>were from Chicago, so ain't nobody accepted it? You know

0:21:17.560 --> 0:21:19.800
<v Speaker 1>what I'm saying. So the first thing I'm rapping, boom,

0:21:20.119 --> 0:21:21.960
<v Speaker 1>what's the first thing you think they said? When I'm wrapping,

0:21:21.960 --> 0:21:24.080
<v Speaker 1>nobody hearing this ship yet, and I just come out wrapping.

0:21:24.080 --> 0:21:27.000
<v Speaker 1>I didn't understand what you get the funk out of

0:21:27.040 --> 0:21:30.520
<v Speaker 1>here with the fast ship. Get the funk out of

0:21:30.520 --> 0:21:32.199
<v Speaker 1>here with the fast ship. We don't know what, you know,

0:21:32.280 --> 0:21:34.000
<v Speaker 1>So that I had to deal with a lot of

0:21:34.040 --> 0:21:36.840
<v Speaker 1>that then, you know, like just being from the city

0:21:36.880 --> 0:21:40.800
<v Speaker 1>and we're not really being accepted as artists, you know,

0:21:40.960 --> 0:21:43.760
<v Speaker 1>like people look at us more as fans and ship

0:21:43.920 --> 0:21:46.200
<v Speaker 1>you know, they come there and rock out. Yeah, Chicago fans,

0:21:46.240 --> 0:21:48.560
<v Speaker 1>they didn't really look at us too much as artists

0:21:48.560 --> 0:21:50.359
<v Speaker 1>at the time. So I felt like, you know, you

0:21:50.480 --> 0:21:54.600
<v Speaker 1>just have to break into Kanye West. We're talking about

0:21:54.600 --> 0:21:59.199
<v Speaker 1>he's probably going further back, going back when remember me

0:21:59.280 --> 0:22:01.879
<v Speaker 1>and Comment is the first two artists that that pretty

0:22:01.960 --> 0:22:06.800
<v Speaker 1>much came out. Yeah. Yeah, So so we were talking

0:22:06.880 --> 0:22:09.359
<v Speaker 1>like no Idea was in front line at that No, no,

0:22:09.440 --> 0:22:14.800
<v Speaker 1>it was coming yeah yeah. And he still had twilight

0:22:14.840 --> 0:22:17.600
<v Speaker 1>tone around two at the time, so yeah yeah. And

0:22:17.640 --> 0:22:20.280
<v Speaker 1>you saying, so I don't understand. So you're saying that

0:22:20.320 --> 0:22:26.280
<v Speaker 1>shot Town wasn't respected at that time. It's the same

0:22:26.320 --> 0:22:30.400
<v Speaker 1>thing I've been telling you, man, the same thing said,

0:22:30.800 --> 0:22:34.800
<v Speaker 1>we wasn't accepted for not not like other genres of music,

0:22:34.840 --> 0:22:38.560
<v Speaker 1>but rap shit, No, Chicago wasn't being heard. Not at

0:22:38.560 --> 0:22:41.040
<v Speaker 1>the time. I was trying to come out like we had.

0:22:41.160 --> 0:22:43.160
<v Speaker 1>I was. I was the artist that had to tell

0:22:43.200 --> 0:22:47.240
<v Speaker 1>everybody Chicago was dope and that its motherfucker's here and

0:22:47.240 --> 0:22:49.520
<v Speaker 1>wait till y'all come hearing. Like I was the one

0:22:49.560 --> 0:22:51.600
<v Speaker 1>that had to go out there and speak that ship.

0:22:51.880 --> 0:22:54.080
<v Speaker 1>You know what they especially me being from like the

0:22:54.119 --> 0:22:57.520
<v Speaker 1>West Side of Chicago and not really having the same

0:22:57.640 --> 0:23:00.199
<v Speaker 1>kind of hip hop vibe or hip hop style that

0:23:00.320 --> 0:23:04.280
<v Speaker 1>most rappers have. So it was double double drama on

0:23:04.320 --> 0:23:05.960
<v Speaker 1>my end trying to bust in the door. So I

0:23:06.400 --> 0:23:07.840
<v Speaker 1>was one of the first artists had to let him

0:23:07.840 --> 0:23:12.120
<v Speaker 1>know about the city that Chicago was slept on. Yeah,

0:23:12.160 --> 0:23:14.960
<v Speaker 1>because he always says that about Miami, like Miami was

0:23:15.000 --> 0:23:17.400
<v Speaker 1>slept on every city outside of New York and maybe

0:23:17.560 --> 0:23:20.280
<v Speaker 1>l A and Atlanta. At the point was man, Miami

0:23:20.400 --> 0:23:24.919
<v Speaker 1>was killing it a little bit that but early on

0:23:24.960 --> 0:23:27.040
<v Speaker 1>I'm talking about like in the hip hop industry, like

0:23:27.040 --> 0:23:29.159
<v Speaker 1>I always talking about it that New York had a

0:23:29.160 --> 0:23:32.600
<v Speaker 1>pigeonholed on at least the corporations that record labels, the media,

0:23:33.119 --> 0:23:35.680
<v Speaker 1>so they weren't looking at everybody else. They just wasn't

0:23:35.680 --> 0:23:38.720
<v Speaker 1>allowing us in. Just hate a dog, it's not hate

0:23:38.760 --> 0:23:44.639
<v Speaker 1>it the same thing he says, the same way we

0:23:44.680 --> 0:23:46.359
<v Speaker 1>all fell down. I think I think a lot of

0:23:46.400 --> 0:23:48.840
<v Speaker 1>a lot of other cities felt like that at the time.

0:23:48.840 --> 0:23:50.639
<v Speaker 1>A lot of other places felt like that at the

0:23:50.680 --> 0:23:54.320
<v Speaker 1>time when early on, because New York was the mecca

0:23:54.359 --> 0:23:56.760
<v Speaker 1>of it, was only going on there and everybody else

0:23:56.840 --> 0:23:59.560
<v Speaker 1>was trying to do what New Yorkers are exactly. So

0:24:00.240 --> 0:24:02.640
<v Speaker 1>we share similar feelings in that as so you ever

0:24:02.640 --> 0:24:05.040
<v Speaker 1>felt like your city wasn't supporting you though it was

0:24:05.119 --> 0:24:06.800
<v Speaker 1>harder for you in your city, like it's it's it

0:24:06.800 --> 0:24:09.800
<v Speaker 1>seems like everyone who makes it somewhere they try in

0:24:09.840 --> 0:24:12.040
<v Speaker 1>their city, but then they actually go outside the city.

0:24:12.160 --> 0:24:14.320
<v Speaker 1>I think early on, you face a lot of problems

0:24:14.359 --> 0:24:16.080
<v Speaker 1>early on, Like even when I look at some of

0:24:16.080 --> 0:24:18.760
<v Speaker 1>the younger cats, they face it a lot early on

0:24:18.880 --> 0:24:22.359
<v Speaker 1>than that. At a certain point they breakthrough and then

0:24:22.440 --> 0:24:25.760
<v Speaker 1>and then the city starts to accept them as as

0:24:26.440 --> 0:24:29.480
<v Speaker 1>you know, uh, the ones like O. G. S Or

0:24:29.560 --> 0:24:31.159
<v Speaker 1>Man they put it on, you know, they put the

0:24:31.160 --> 0:24:33.000
<v Speaker 1>city on like that. But early on a lot of

0:24:33.040 --> 0:24:36.120
<v Speaker 1>times when you're coming coming from Chicago, you gotta break

0:24:36.119 --> 0:24:38.080
<v Speaker 1>through a lot of hate, you know, and it might

0:24:38.119 --> 0:24:41.280
<v Speaker 1>be close. It's gonna be everywhere around you. So so

0:24:41.320 --> 0:24:43.399
<v Speaker 1>you gotta break through a lot of hate and know

0:24:43.440 --> 0:24:45.800
<v Speaker 1>how to navigate when you come out of my city.

0:24:46.800 --> 0:24:52.440
<v Speaker 1>My mom that passed away, j R. Yeah, rest in

0:24:52.480 --> 0:24:56.879
<v Speaker 1>peace to Timbuctwo. Was he was he part of the team. No,

0:24:57.080 --> 0:24:59.600
<v Speaker 1>he wasn't like right in the team, but he was

0:24:59.640 --> 0:25:02.200
<v Speaker 1>definitely my man. Every time they don't have his events

0:25:02.200 --> 0:25:04.560
<v Speaker 1>in Chicago, I try to go represent, you know, because

0:25:04.560 --> 0:25:06.960
<v Speaker 1>they still do something every year for him, and everybody

0:25:06.960 --> 0:25:11.280
<v Speaker 1>comes out and yeah, Timbucto is still alive. You know

0:25:11.320 --> 0:25:12.959
<v Speaker 1>what I mean, Let's make some noise for that goddamn

0:25:13.000 --> 0:25:23.760
<v Speaker 1>it work. So you're going, is this it's because Kanye

0:25:23.800 --> 0:25:27.960
<v Speaker 1>produced both the records right for when you say both

0:25:27.960 --> 0:25:32.320
<v Speaker 1>the records, which you mean the two first singles, um

0:25:32.320 --> 0:25:36.159
<v Speaker 1>as far as Slow Jams and Overnight Celebrity. Yeah, you

0:25:36.240 --> 0:25:39.920
<v Speaker 1>already knew Kanye as a producer or no, Yeah, yeah,

0:25:39.960 --> 0:25:43.480
<v Speaker 1>we already knew Kanye because yeah, in the shot in

0:25:43.520 --> 0:25:45.880
<v Speaker 1>the city, you know, we we already knew. I knew

0:25:45.880 --> 0:25:48.600
<v Speaker 1>each other. You know. We one of my guys from

0:25:48.640 --> 0:25:51.040
<v Speaker 1>back in the day's named tom Chi. He knew all

0:25:51.040 --> 0:25:52.800
<v Speaker 1>of the rappers and he was like, man, let me

0:25:52.840 --> 0:25:54.760
<v Speaker 1>introduce you to my man Kanye. And we used to

0:25:54.800 --> 0:25:58.639
<v Speaker 1>see him up North rapping all the time. I met

0:25:58.680 --> 0:26:01.359
<v Speaker 1>him as a rapper first, then later on me and

0:26:01.359 --> 0:26:04.040
<v Speaker 1>tempt You used to go to this house as a producer.

0:26:04.119 --> 0:26:05.760
<v Speaker 1>This is when he started to produce. I was like,

0:26:06.080 --> 0:26:08.119
<v Speaker 1>his beast is different. You know, I was noticing his

0:26:08.320 --> 0:26:10.840
<v Speaker 1>music is different, you know, but it was way too

0:26:10.840 --> 0:26:13.440
<v Speaker 1>early on, you know, before everything's going to happen. You

0:26:13.440 --> 0:26:16.240
<v Speaker 1>can see those two records your biggest record, your biggest songs.

0:26:16.240 --> 0:26:20.479
<v Speaker 1>So no, I would say two of my most important songs.

0:26:20.960 --> 0:26:24.760
<v Speaker 1>Yeah yeah, I was saying, yeah, yeah, most important. Yeah,

0:26:25.040 --> 0:26:29.320
<v Speaker 1>you know, I gotta ask why why? I mean see

0:26:29.359 --> 0:26:31.440
<v Speaker 1>for me coming up doing what I was doing, I

0:26:31.920 --> 0:26:34.920
<v Speaker 1>felt like, you know, as always gifts curse. The one

0:26:34.920 --> 0:26:37.680
<v Speaker 1>of the gifts that I felt like I got from

0:26:37.720 --> 0:26:41.600
<v Speaker 1>putting effort into my lyrics, my wordplay, like trying to

0:26:41.640 --> 0:26:43.920
<v Speaker 1>make sure that I was making some ship that everybody

0:26:44.000 --> 0:26:46.919
<v Speaker 1>was messing with. Is other artists that would come up

0:26:46.920 --> 0:26:49.320
<v Speaker 1>in the city will respect it. And at a certain

0:26:49.359 --> 0:26:52.240
<v Speaker 1>point they felt like, Okay, if I'm coming out the city,

0:26:52.440 --> 0:26:53.840
<v Speaker 1>it's gonna be the ship. If I give my man

0:26:53.880 --> 0:26:56.240
<v Speaker 1>twist on the record, that's letting me know, like boom,

0:26:56.280 --> 0:26:59.000
<v Speaker 1>I'm representing Chicago when I do that. So that was

0:26:59.600 --> 0:27:01.680
<v Speaker 1>one thing that was dope for me at that time

0:27:01.720 --> 0:27:04.040
<v Speaker 1>frame where a lot of artists that was coming out

0:27:04.040 --> 0:27:05.919
<v Speaker 1>of the city, my man cap One was like, man,

0:27:05.960 --> 0:27:07.679
<v Speaker 1>I won't get it in with my man twisted you know,

0:27:07.800 --> 0:27:11.840
<v Speaker 1>a bunch of people. Um. So at this time when

0:27:11.920 --> 0:27:13.720
<v Speaker 1>I was doing the record with him, it was like

0:27:14.040 --> 0:27:15.680
<v Speaker 1>he was coming up in the game. I would see

0:27:15.760 --> 0:27:17.600
<v Speaker 1>him sometimes, we're running to him in the streets every

0:27:17.600 --> 0:27:19.440
<v Speaker 1>once in a while, Like I ran into him in

0:27:19.480 --> 0:27:21.240
<v Speaker 1>the streets. When he let me know that he produced

0:27:21.720 --> 0:27:24.080
<v Speaker 1>the Bennie Seagull records, the Truth, right, I think, yeah,

0:27:24.119 --> 0:27:25.920
<v Speaker 1>he was like, yeah, I just did something with Beanie.

0:27:26.520 --> 0:27:29.000
<v Speaker 1>You know. So he was like, I got this record

0:27:29.080 --> 0:27:30.840
<v Speaker 1>you know called Slow Jams. Don't want you to get

0:27:30.880 --> 0:27:32.760
<v Speaker 1>on it. You know, when when we was chopping it

0:27:32.840 --> 0:27:34.959
<v Speaker 1>up about it, he was telling me the concept. So

0:27:35.000 --> 0:27:37.600
<v Speaker 1>I was remembering, like how I was gonna put it together.

0:27:37.640 --> 0:27:41.960
<v Speaker 1>I'm like, okay, I'm gonna incorporate all of these different things.

0:27:42.119 --> 0:27:45.240
<v Speaker 1>We recorded Slow Jams first, Yeah, Slow Jams first. Yeah.

0:27:45.720 --> 0:27:47.760
<v Speaker 1>So and then I don't think, I mean, I don't

0:27:47.760 --> 0:27:50.160
<v Speaker 1>think Jamie Fox was even thought about for the record

0:27:50.200 --> 0:27:53.359
<v Speaker 1>yet because but that's crazy, because let's just be clear,

0:27:56.040 --> 0:27:58.840
<v Speaker 1>we didn't take Jamie Fox serious at that time. So

0:27:58.880 --> 0:28:03.320
<v Speaker 1>whose idea was it? Let's be real man as a singer.

0:28:03.840 --> 0:28:07.000
<v Speaker 1>That was the first record that we looked we took

0:28:07.040 --> 0:28:09.200
<v Speaker 1>him serious, because you know, we were looking at him

0:28:09.240 --> 0:28:14.720
<v Speaker 1>like Wanda remember the character. You know what, I'm the

0:28:14.720 --> 0:28:19.399
<v Speaker 1>oldest right now. But what I'm saying is this is

0:28:19.440 --> 0:28:22.320
<v Speaker 1>before Ray, right, this is before this. Yeah, definitely before

0:28:22.640 --> 0:28:26.720
<v Speaker 1>before Ray. So that song single handed was like, wait

0:28:26.720 --> 0:28:29.800
<v Speaker 1>a minute, he killed that. He killed it, and who

0:28:30.160 --> 0:28:32.520
<v Speaker 1>that was? That was Kanye's idea like that, that whole

0:28:32.560 --> 0:28:37.960
<v Speaker 1>thing like slow jams over trying to sabotage me. At

0:28:38.000 --> 0:28:40.120
<v Speaker 1>this time, I knew I was. I knew I was

0:28:40.440 --> 0:28:43.080
<v Speaker 1>being uh. I knew I was Jamie Fox. Move with

0:28:43.400 --> 0:28:45.760
<v Speaker 1>him saying like, let's bring Jamie Fox in at this

0:28:45.800 --> 0:28:47.800
<v Speaker 1>time because we didn't, like I said, now, we didn't.

0:28:47.880 --> 0:28:50.760
<v Speaker 1>I didn't know what. It wasn't a conversation. I heard

0:28:50.800 --> 0:28:54.000
<v Speaker 1>it before. I just heard the ship, you know what

0:28:54.080 --> 0:28:56.000
<v Speaker 1>I mean. So I had did my verse and everything.

0:28:56.080 --> 0:28:58.240
<v Speaker 1>The song was what it was, and he flew to

0:28:58.440 --> 0:29:00.800
<v Speaker 1>l A, ran into jam Me Fox and they went

0:29:00.800 --> 0:29:03.000
<v Speaker 1>in the studio. Then I got the phone call and

0:29:03.040 --> 0:29:05.560
<v Speaker 1>then I heard the ship and I was like, oh ship.

0:29:06.040 --> 0:29:09.040
<v Speaker 1>That's when I knew it was old. Yeah, that's you

0:29:09.040 --> 0:29:12.680
<v Speaker 1>can rightfully say like Jamie Fox is a star. It

0:29:12.880 --> 0:29:17.800
<v Speaker 1>was a star even then. But his music career wasn't

0:29:17.800 --> 0:29:19.960
<v Speaker 1>a twister. He might have not been outside. This makes

0:29:20.000 --> 0:29:24.640
<v Speaker 1>some noise for that, I mean, I mean it was

0:29:24.680 --> 0:29:26.560
<v Speaker 1>it was yeah, yeah man, but we was. I was

0:29:26.640 --> 0:29:31.160
<v Speaker 1>definitely you could have said I'm all right, Yeah, you

0:29:31.200 --> 0:29:35.160
<v Speaker 1>could have your record. You could have said I'm I

0:29:35.560 --> 0:29:37.880
<v Speaker 1>You did not. Yeah, I did not. You did not?

0:29:38.320 --> 0:29:44.840
<v Speaker 1>You did? I heard it right? So then so yeah,

0:29:44.920 --> 0:29:48.880
<v Speaker 1>we course you said you said you have cause Celebrity next. Yeah,

0:29:48.880 --> 0:29:50.880
<v Speaker 1>we recorded over Night Celebty. So it's not it's not

0:29:50.920 --> 0:29:54.600
<v Speaker 1>the same session, not two different sessions. The record came out,

0:29:54.640 --> 0:29:57.800
<v Speaker 1>it's a hit. Then you're going to celebrity. How does

0:29:57.880 --> 0:29:59.680
<v Speaker 1>this happen? What are you doing that? Well, when we

0:29:59.720 --> 0:30:03.400
<v Speaker 1>do over nice Celebrity, we already know we got one.

0:30:03.520 --> 0:30:05.560
<v Speaker 1>This time we're moving around, you know. We we got

0:30:05.640 --> 0:30:08.640
<v Speaker 1>slow jams out there, so we're moving around, and uh,

0:30:08.680 --> 0:30:11.960
<v Speaker 1>we had the uh, we had the Overnight Celebrity idea.

0:30:12.360 --> 0:30:14.640
<v Speaker 1>You know. It was actually a sample I wanted to use.

0:30:15.280 --> 0:30:17.200
<v Speaker 1>So I told him, Man, that's the record. I want

0:30:17.200 --> 0:30:19.480
<v Speaker 1>to use this. This, this Linney Williams record right here. Man,

0:30:19.520 --> 0:30:21.680
<v Speaker 1>this this you know, because I used to remember, yeah,

0:30:21.680 --> 0:30:24.200
<v Speaker 1>I used to remember that record playing on produced this

0:30:24.800 --> 0:30:29.480
<v Speaker 1>If you want to say that now but now, no, man,

0:30:29.480 --> 0:30:32.000
<v Speaker 1>but I knew. I knew that once he got his

0:30:32.000 --> 0:30:33.840
<v Speaker 1>hand on the record like that, with with what he

0:30:33.920 --> 0:30:36.400
<v Speaker 1>was doing with all of the soul music, that he

0:30:36.480 --> 0:30:38.480
<v Speaker 1>was gonna kill it. So I gave him a record

0:30:38.480 --> 0:30:41.040
<v Speaker 1>and he actually said it kicked his ask for a man,

0:30:41.080 --> 0:30:42.520
<v Speaker 1>And he was like, man, it took me a minute

0:30:42.520 --> 0:30:44.480
<v Speaker 1>to get this record the way I wanted to get it,

0:30:44.600 --> 0:30:46.680
<v Speaker 1>but I got it, and he was excited about it.

0:30:46.720 --> 0:30:48.880
<v Speaker 1>Then he sent it to me and now I'm listening

0:30:48.920 --> 0:30:50.280
<v Speaker 1>to it, and now I was messing my head up

0:30:50.280 --> 0:30:52.720
<v Speaker 1>because I'm like, damn. So now I felt the pressure

0:30:53.000 --> 0:30:54.920
<v Speaker 1>because we got the Slow Jams record out there, so

0:30:54.960 --> 0:30:57.720
<v Speaker 1>I'm like, damn, what the fun? But then bam, I

0:30:57.760 --> 0:31:00.040
<v Speaker 1>heard the hook on it, so he blessed me of

0:31:00.120 --> 0:31:02.840
<v Speaker 1>the hook. That's all it took. Once I heard a

0:31:02.880 --> 0:31:05.280
<v Speaker 1>little bit or something to go off, that was it. Boom.

0:31:05.320 --> 0:31:07.280
<v Speaker 1>I started coming with my case you want this time?

0:31:07.320 --> 0:31:12.760
<v Speaker 1>It's not job. This was um Judy Green one, no, no, no,

0:31:13.200 --> 0:31:18.080
<v Speaker 1>Greg calmen, all of them. Okay you named okay, okay, okay,

0:31:18.120 --> 0:31:22.760
<v Speaker 1>I ain't cool cool cool cool. I'm wanna pointing up

0:31:22.760 --> 0:31:25.040
<v Speaker 1>for me. Man, let's don't like it, so all right,

0:31:25.120 --> 0:31:26.880
<v Speaker 1>quick Time and Slim. But he's not drinking, but let's

0:31:26.880 --> 0:31:29.520
<v Speaker 1>give him. Let's get him his box. Where's that? Come on?

0:31:30.680 --> 0:31:33.560
<v Speaker 1>What's that? You know what I'm saying? He want you

0:31:33.600 --> 0:31:35.640
<v Speaker 1>to know, man, we want to give you your flowers, man,

0:31:35.880 --> 0:31:37.680
<v Speaker 1>while you're here, while you're alive. This is why we

0:31:37.720 --> 0:31:40.360
<v Speaker 1>do ship. Our show was about bigging all legends up

0:31:40.440 --> 0:31:43.000
<v Speaker 1>while they're alive. So we literally wanted man, thank you man,

0:31:43.080 --> 0:31:53.000
<v Speaker 1>real flowers. Motherfucking twist you see you see it. I

0:31:53.040 --> 0:31:56.440
<v Speaker 1>appreciate that. That's love. Let's love love, all right. So

0:31:56.520 --> 0:31:59.680
<v Speaker 1>we usually play this game quick Time with Slime, and

0:31:59.760 --> 0:32:01.480
<v Speaker 1>this game you gotta take shots. So if you ain't

0:32:01.480 --> 0:32:03.240
<v Speaker 1>taking shots, one of your homies gotta take a shot

0:32:03.320 --> 0:32:08.960
<v Speaker 1>for you. Come on, come on, come on. That's DJ

0:32:09.120 --> 0:32:14.360
<v Speaker 1>type Mike right there, type ready, come on, getting ready.

0:32:14.880 --> 0:32:27.520
<v Speaker 1>You already know? Okay, here you go, okay one sir? Alright? Cool?

0:32:28.240 --> 0:32:32.360
<v Speaker 1>Oh oh yeah, yeah, that's right, that's right, that's right,

0:32:32.600 --> 0:32:35.760
<v Speaker 1>it's right. You slipping. What happened to do? Say right here?

0:32:36.600 --> 0:32:40.200
<v Speaker 1>All right? What you say? So, I'll give you two choices,

0:32:41.040 --> 0:32:45.400
<v Speaker 1>all right, you can say both. Your man gotta drink

0:32:45.880 --> 0:32:48.480
<v Speaker 1>when we drink with him. Yeah, we drink drink wom

0:32:48.520 --> 0:32:51.400
<v Speaker 1>So you're gonna leave him out there? I know what's happening. Yeah,

0:32:51.800 --> 0:32:56.160
<v Speaker 1>if you say know what's happeningly correctly, this is what about.

0:32:56.160 --> 0:32:58.680
<v Speaker 1>I'm gonna give you two tough choices. When you say both,

0:32:58.880 --> 0:33:02.120
<v Speaker 1>that's what makes us drink. Both are neither or neither? Yes,

0:33:03.280 --> 0:33:05.400
<v Speaker 1>they used to be rough. I'm gonna drink some Japanique.

0:33:05.480 --> 0:33:07.720
<v Speaker 1>You should take a shot at two though, Twister. Come on, goddamn,

0:33:07.760 --> 0:33:09.040
<v Speaker 1>it might take a shot. Come on, you take a

0:33:09.040 --> 0:33:10.840
<v Speaker 1>shot too, and only your man out there like that?

0:33:11.160 --> 0:33:16.000
<v Speaker 1>All right? Cool? Hey, they got you the big cup

0:33:16.080 --> 0:33:23.400
<v Speaker 1>to get shot at a little cup. That's not we'rena.

0:33:24.680 --> 0:33:26.440
<v Speaker 1>You got one of you. You got one already in

0:33:26.480 --> 0:33:32.680
<v Speaker 1>front of you. Twister, all right, you're ready, Yeah, I'm

0:33:32.720 --> 0:33:43.720
<v Speaker 1>asking you ready. It is rough or Tupac? Damn man,

0:33:43.360 --> 0:33:54.920
<v Speaker 1>damn that damn it's whatever criteria. It's rough, it's rough.

0:33:54.920 --> 0:33:57.280
<v Speaker 1>I'm gonna tell you, I'm gonna go for Tupac. I'm

0:33:57.280 --> 0:33:59.840
<v Speaker 1>gonna tell you why though, because I actually got a

0:34:00.040 --> 0:34:02.400
<v Speaker 1>has to meet this brother. That's why you know. I

0:34:02.400 --> 0:34:04.960
<v Speaker 1>met him on two occasions. One occasion I did a

0:34:05.000 --> 0:34:08.600
<v Speaker 1>show in l A and uh it was with Digital

0:34:08.680 --> 0:34:13.719
<v Speaker 1>Underground Digital Underground. I got a chance to say what's

0:34:13.760 --> 0:34:19.560
<v Speaker 1>up to shot G looked over to the cut saw Tupacs. Yeah,

0:34:19.760 --> 0:34:21.600
<v Speaker 1>I saw him sitting on the steps chilling. I'm like,

0:34:21.680 --> 0:34:24.000
<v Speaker 1>damn okay, so I ain't say nothing to him. Then

0:34:24.040 --> 0:34:26.200
<v Speaker 1>then I seen him again by the bar. We walked

0:34:26.239 --> 0:34:27.680
<v Speaker 1>up to each other. He was like, man, they told

0:34:27.680 --> 0:34:28.920
<v Speaker 1>me to come chop it up with you when I

0:34:28.920 --> 0:34:32.520
<v Speaker 1>come to Chicago, you know. Then we halted again. The

0:34:32.680 --> 0:34:35.160
<v Speaker 1>second time I met him, he had the fucking Juice

0:34:35.200 --> 0:34:38.360
<v Speaker 1>hoodie on the same the Juice City on. So you know,

0:34:38.400 --> 0:34:40.359
<v Speaker 1>I got a chance to meet him, and that made

0:34:40.360 --> 0:34:42.279
<v Speaker 1>me engage with his music in a certain way. But

0:34:42.360 --> 0:34:46.040
<v Speaker 1>I definitely feel like t Max is the ship, you know.

0:34:46.200 --> 0:34:48.479
<v Speaker 1>But just just for the sake of this, I'm gonna

0:34:48.480 --> 0:34:50.239
<v Speaker 1>go with POCT because I got a chance to meet him.

0:34:50.239 --> 0:34:52.440
<v Speaker 1>Idn't really get a chance to chop it up. I

0:34:52.520 --> 0:34:54.799
<v Speaker 1>never got a chance. I saw him in person when

0:34:54.800 --> 0:34:56.840
<v Speaker 1>he was at an award show, pass him by, But

0:34:56.960 --> 0:34:58.400
<v Speaker 1>but I ain't never get a chance to chop it

0:34:58.480 --> 0:35:01.279
<v Speaker 1>up with him. That's crazy. I'm exact opposite. I never

0:35:01.320 --> 0:35:03.640
<v Speaker 1>got to meet pop I got to chop it up

0:35:03.680 --> 0:35:17.360
<v Speaker 1>at Wow, that's that's crazy, eminem or bust the bribes,

0:35:17.920 --> 0:35:25.080
<v Speaker 1>whatever criteria you want. You drinking already, I had to

0:35:25.080 --> 0:35:30.399
<v Speaker 1>take a shot on Okay, okay, alright, cool, take your shot.

0:35:30.480 --> 0:35:32.520
<v Speaker 1>Yeah you know, I ain't even know I was taking

0:35:32.520 --> 0:35:36.880
<v Speaker 1>the shot. You asked the question. If you want to

0:35:36.880 --> 0:35:48.680
<v Speaker 1>take a real shot, you get some Japanese whiskey right now. Okay,

0:35:49.880 --> 0:35:56.319
<v Speaker 1>they got Japanese whiskey. Definitely drinking. Get ready, that's what

0:35:56.360 --> 0:35:57.719
<v Speaker 1>you should have hand. I don't know. I don't know.

0:35:57.760 --> 0:35:59.960
<v Speaker 1>I don't know. Let's go our face on ice cube.

0:36:00.760 --> 0:36:18.360
<v Speaker 1>Oh no, he got them all night questions. Yeah, we

0:36:18.360 --> 0:36:20.600
<v Speaker 1>gotta drink. We gotta drink. You gotta drink. Let's go,

0:36:20.800 --> 0:36:26.440
<v Speaker 1>let's go between. That's rough right there. Yeah, that's rough one.

0:36:26.480 --> 0:36:29.960
<v Speaker 1>Now this might get rough. We're gonna it's gonna be

0:36:29.960 --> 0:36:39.640
<v Speaker 1>a while. So yeah, buddy outcasts or you g k damn.

0:36:43.600 --> 0:36:51.839
<v Speaker 1>I love your honesty. He's very skilled. Ship. You gotta drink,

0:36:53.520 --> 0:37:02.520
<v Speaker 1>you gotta drink. I don't know what you're gonn now,

0:37:02.600 --> 0:37:08.400
<v Speaker 1>this one don't know because you guys are kind of

0:37:08.400 --> 0:37:12.479
<v Speaker 1>like in the middle. So Wu tang or in w

0:37:12.480 --> 0:37:27.000
<v Speaker 1>a damn man, see in Wa was some of the

0:37:27.040 --> 0:37:30.960
<v Speaker 1>most exciting hip hop that I had ever heard coming out.

0:37:31.040 --> 0:37:33.400
<v Speaker 1>It was what the funk? It was like the shock.

0:37:33.800 --> 0:37:36.640
<v Speaker 1>It was the most dopest, most exciting ship that I heard.

0:37:37.480 --> 0:37:41.839
<v Speaker 1>Wu Tang got me through some hard motherfucking times. They

0:37:41.840 --> 0:37:45.560
<v Speaker 1>did the same team. But now, man, it's a certain feeling. Man,

0:37:45.560 --> 0:37:48.200
<v Speaker 1>it's a certain feeling. Wu Tang got me through. Sometimes

0:37:49.880 --> 0:37:54.279
<v Speaker 1>I can't pick though. You gotta take a drink. I'm

0:37:54.280 --> 0:37:57.319
<v Speaker 1>gonna tell you. I'mna tell you what's the difference. No

0:37:57.440 --> 0:37:59.560
<v Speaker 1>I did. I'm gonna tell you what the difference is

0:38:00.160 --> 0:38:03.880
<v Speaker 1>for me. Okay, I gotta hear this. I didn't know

0:38:03.920 --> 0:38:07.640
<v Speaker 1>what camp it was like. I was just like what

0:38:08.120 --> 0:38:10.560
<v Speaker 1>actually thought it was a jail. I was like, oh, ship,

0:38:10.640 --> 0:38:14.680
<v Speaker 1>I've never gonna get locked up there, like and so

0:38:14.719 --> 0:38:19.239
<v Speaker 1>I was Cuve was younger, Yeah, um, but Wang I

0:38:19.400 --> 0:38:21.400
<v Speaker 1>visually visualized that ship a little bit more. But I

0:38:21.440 --> 0:38:22.839
<v Speaker 1>wouldn't be able to pick need of That's what I'm

0:38:22.880 --> 0:38:26.160
<v Speaker 1>taking a shot. Now. Let me tell you about being

0:38:26.200 --> 0:38:30.640
<v Speaker 1>from Chicago and see because it's different because Wuchang, you

0:38:30.680 --> 0:38:34.319
<v Speaker 1>can relate a certain way then, so for me, it

0:38:34.360 --> 0:38:37.040
<v Speaker 1>was it was us being in the middle. It was

0:38:37.080 --> 0:38:43.319
<v Speaker 1>the opportunity to hear the West coast rap about the

0:38:43.360 --> 0:38:46.560
<v Speaker 1>streets and me relate to what they were talking about

0:38:46.600 --> 0:38:49.640
<v Speaker 1>from the from the West coast perspective, and I can relate,

0:38:50.120 --> 0:38:53.760
<v Speaker 1>and then me hear the streets from the East Coast

0:38:53.840 --> 0:38:56.959
<v Speaker 1>perspective and being able to relate, so that that that's

0:38:57.000 --> 0:39:00.080
<v Speaker 1>what I think. That's dope about coming from Chicago, go

0:39:00.239 --> 0:39:03.680
<v Speaker 1>being a fan, is you got a chance to like

0:39:03.760 --> 0:39:07.560
<v Speaker 1>it wasn't so one sided like in Chicago on the

0:39:07.640 --> 0:39:12.440
<v Speaker 1>same block you got arguments all day about this person

0:39:12.480 --> 0:39:14.360
<v Speaker 1>across the street is a fan of this person on

0:39:14.400 --> 0:39:16.359
<v Speaker 1>the West coast, this person is a fan of person

0:39:17.000 --> 0:39:19.040
<v Speaker 1>you know, SUBMD to west, right, you know what I mean.

0:39:19.120 --> 0:39:22.160
<v Speaker 1>I mean I feel like I feel like they should

0:39:22.160 --> 0:39:24.040
<v Speaker 1>probably take the west part of it out and just

0:39:24.080 --> 0:39:26.920
<v Speaker 1>pulled it the mid like because y'all right, definitely like

0:39:27.000 --> 0:39:29.480
<v Speaker 1>in the middle, like you're not West coast that yeah,

0:39:29.520 --> 0:39:31.759
<v Speaker 1>that the west part don't kind of make sense a

0:39:31.800 --> 0:39:35.400
<v Speaker 1>little bit East coast. Y'are your own ship. Yeah, you

0:39:35.440 --> 0:39:38.120
<v Speaker 1>know what I'm saying, you're your own ship, your own um.

0:39:38.200 --> 0:39:41.960
<v Speaker 1>All right, But let's just let's list Jordan or Lebron

0:39:42.600 --> 0:39:46.239
<v Speaker 1>damn well, it ain't real hard Jordan Man, Okay, Dan,

0:39:48.000 --> 0:39:49.880
<v Speaker 1>when you when you you know, I mean when you've

0:39:49.880 --> 0:39:52.719
<v Speaker 1>seen Jordan play. See a lot of these people never

0:39:52.760 --> 0:40:00.359
<v Speaker 1>even seen Jordan play. Yeah, so y'all seen it? Repeat? No, yeah,

0:40:00.440 --> 0:40:03.239
<v Speaker 1>see you would see people. I don't know, man, I

0:40:03.280 --> 0:40:07.000
<v Speaker 1>don't know. You got a bigger person doing something that

0:40:07.080 --> 0:40:10.440
<v Speaker 1>this smaller person was doing that should looked incredible at

0:40:10.560 --> 0:40:13.560
<v Speaker 1>six six dude doing it. Ship, That ship was incredible.

0:40:15.840 --> 0:40:19.880
<v Speaker 1>Rick Rosso Fat Joe. I like Lebron too, thought, but

0:40:21.040 --> 0:40:28.120
<v Speaker 1>rosso Fat Joe. Damn man, you snap you do snap?

0:40:28.480 --> 0:40:31.439
<v Speaker 1>I really can't pick between our them. I love both

0:40:31.440 --> 0:40:37.120
<v Speaker 1>of them. Yeah, it's snapped hard. He would have been

0:40:37.200 --> 0:40:42.360
<v Speaker 1>drinking too on that. Okay, that's a rough one. That

0:40:45.040 --> 0:40:57.320
<v Speaker 1>Crazy Bone or chip Food. Damn Jiff gonna be mad

0:40:57.400 --> 0:41:00.120
<v Speaker 1>at me. Man, we're gonna, we're gonna, we're gonna all

0:41:00.160 --> 0:41:04.719
<v Speaker 1>about it later. Man. But Crazy Bone man, crazy Boney,

0:41:04.800 --> 0:41:14.160
<v Speaker 1>Oh yeah, Crazy Bone ship, I don't know. We're gonna

0:41:14.160 --> 0:41:19.279
<v Speaker 1>go with this, Oh Mob deep or m O P

0:41:21.960 --> 0:41:26.200
<v Speaker 1>Mob d Okay, Yeah, I like emop too, But Cubs

0:41:26.200 --> 0:41:34.680
<v Speaker 1>of White Sox, White Sox Salty from to Be Salty

0:41:34.880 --> 0:41:44.080
<v Speaker 1>podcast or Radio Shit I mean podcast podcast Chicago pizza

0:41:44.160 --> 0:41:49.280
<v Speaker 1>or New York pizza Chicago. I hate New York pizza

0:41:52.560 --> 0:41:54.480
<v Speaker 1>every time I try some New York pizza. Like what

0:41:54.560 --> 0:41:58.920
<v Speaker 1>this one? This is with a clean on food. Let

0:41:58.920 --> 0:42:00.680
<v Speaker 1>me throw on, let me throw it in this Techno

0:42:00.800 --> 0:42:09.160
<v Speaker 1>and eminem damn no, you got a drink on that one? Yeah,

0:42:09.200 --> 0:42:11.759
<v Speaker 1>you gotta drink these is these is my brothers. And

0:42:11.840 --> 0:42:15.480
<v Speaker 1>then then it's it's actually hard, you know, because they

0:42:15.520 --> 0:42:19.520
<v Speaker 1>go hard. Man. Yeah, push your teeth or Jada Kiss.

0:42:21.880 --> 0:42:25.800
<v Speaker 1>I like, push your t but Jada kiss. Yeah. So

0:42:25.960 --> 0:42:36.560
<v Speaker 1>also XXL, all right, we're all done over here. Yeah,

0:42:39.800 --> 0:42:47.840
<v Speaker 1>excel yeah XXL. I like them both. But al Capone

0:42:47.920 --> 0:42:58.040
<v Speaker 1>or Lucky Luciano compone, Yeah, that's Chicago poem baby. Oh

0:42:58.719 --> 0:43:01.880
<v Speaker 1>but you use technine already, right, If it's not Eminem,

0:43:02.040 --> 0:43:07.680
<v Speaker 1>it's a different question. Tech nine or trash tech nine

0:43:09.920 --> 0:43:16.880
<v Speaker 1>track is cool, but Tech nine West but obviously produced it.

0:43:19.520 --> 0:43:24.400
<v Speaker 1>Kanye West. No, I d it's my man, but Kanye West.

0:43:25.080 --> 0:43:30.240
<v Speaker 1>The locks are run DMC, run DMC. I love the locks,

0:43:30.280 --> 0:43:33.319
<v Speaker 1>but I was raised on run DMC. You can't even

0:43:33.360 --> 0:43:43.520
<v Speaker 1>put down yeah, comment or loope, damn, don't don't take

0:43:43.560 --> 0:43:58.239
<v Speaker 1>a babysit. Who I'm two cold brothers there? Yeah, sure,

0:43:58.280 --> 0:44:04.160
<v Speaker 1>I know what a brat that's right, bull Chicago are

0:44:04.320 --> 0:44:13.640
<v Speaker 1>drinking that. Yeah yeah them them them both illmatic or

0:44:13.719 --> 0:44:19.399
<v Speaker 1>reasonable doubt. Damn no, I need to hear this one.

0:44:26.480 --> 0:44:29.080
<v Speaker 1>I'm going to tell you the truth, right. See, when

0:44:29.120 --> 0:44:32.040
<v Speaker 1>you put the whole story together, then it's like okay, okay.

0:44:32.080 --> 0:44:36.160
<v Speaker 1>But when you're talking about that moment there, I gotta say, ill, Maddie,

0:44:36.480 --> 0:44:40.719
<v Speaker 1>m hmm. Yeah. Just it's just I don't know, it's

0:44:40.800 --> 0:44:43.080
<v Speaker 1>it's I think when you when you when you right

0:44:43.160 --> 0:44:49.000
<v Speaker 1>in there, I think you're talking about the person that's

0:44:49.120 --> 0:44:52.520
<v Speaker 1>more into wrap versus the person that has a foot

0:44:52.560 --> 0:44:55.120
<v Speaker 1>in the streets a little bit m hm. And I

0:44:55.160 --> 0:44:57.520
<v Speaker 1>think if you just all in your music, you're gonna

0:44:57.520 --> 0:44:59.719
<v Speaker 1>be more of the amatic fan. But if you end

0:44:59.760 --> 0:45:01.200
<v Speaker 1>them was it but you got a foot in the

0:45:01.200 --> 0:45:03.879
<v Speaker 1>streets to you for sure gonna be a reasonable doubt fan.

0:45:04.000 --> 0:45:06.319
<v Speaker 1>So it's not that I think this is so much

0:45:06.400 --> 0:45:08.719
<v Speaker 1>better than that. It's just at that time frame, I

0:45:08.760 --> 0:45:10.480
<v Speaker 1>didn't have a foot in the street. I was going

0:45:10.560 --> 0:45:12.480
<v Speaker 1>hard on rap ship. That's why I say about a

0:45:12.480 --> 0:45:14.480
<v Speaker 1>reasonable doubt too. I don't say I didn't have it

0:45:14.480 --> 0:45:16.040
<v Speaker 1>from the street. I just say I didn't have to

0:45:16.120 --> 0:45:18.640
<v Speaker 1>couldn't related. He was talking about money ship that I

0:45:18.680 --> 0:45:22.920
<v Speaker 1>didn't have. Yeah, see, I just like I had to

0:45:22.920 --> 0:45:24.359
<v Speaker 1>get back later. I was like, oh, that's what you're

0:45:24.400 --> 0:45:28.840
<v Speaker 1>talking about, Okay, I mean ship they aumatic was about

0:45:28.840 --> 0:45:35.080
<v Speaker 1>the streets too, but it's the word play. Yeah. But

0:45:35.160 --> 0:45:41.840
<v Speaker 1>I got another one, common or common sense. Damn which

0:45:41.960 --> 0:45:47.840
<v Speaker 1>version of him? I would say common common sense was

0:45:47.880 --> 0:45:56.080
<v Speaker 1>my ship too, but definitely common Chief Keith for g Herbo. Damn.

0:45:56.360 --> 0:46:04.440
<v Speaker 1>Do I want to pick one? I can't really pick

0:46:04.600 --> 0:46:06.880
<v Speaker 1>between them too. It's okay, so you gotta drink too,

0:46:06.960 --> 0:46:17.320
<v Speaker 1>that be with that cheers. That's on you man. You

0:46:17.360 --> 0:46:20.080
<v Speaker 1>shouldn't pick, by the way, Yeah, them too. It would

0:46:20.120 --> 0:46:21.840
<v Speaker 1>be hard. You know. You know what you should have

0:46:21.840 --> 0:46:23.720
<v Speaker 1>said when I said that, you should have shot down

0:46:24.280 --> 0:46:27.040
<v Speaker 1>m that's crazy what you've been saying the whole that's

0:46:27.080 --> 0:46:35.120
<v Speaker 1>the correct that's drinking a lot of the chronic or

0:46:35.160 --> 0:46:41.839
<v Speaker 1>all odds on me. Mm hmm. That's rough for real,

0:46:42.000 --> 0:46:55.280
<v Speaker 1>right there, that's rough. Wait, let me think, let me think.

0:47:00.560 --> 0:47:03.799
<v Speaker 1>You know what I'm I'm gonna force myself to pick

0:47:04.440 --> 0:47:10.319
<v Speaker 1>only because of one reason. No, you gotta drink now now.

0:47:10.360 --> 0:47:13.080
<v Speaker 1>Once I thought about the reason, I was like, okay,

0:47:13.120 --> 0:47:16.600
<v Speaker 1>I'm gonna drink too with that. Yeah, both of those

0:47:16.640 --> 0:47:22.680
<v Speaker 1>were like the both impactful, very very impactful. M you

0:47:22.760 --> 0:47:25.319
<v Speaker 1>know what, though, you're drunk for nothing. I'm gonna say

0:47:25.320 --> 0:47:31.440
<v Speaker 1>that because all eyes on me, you you know, it

0:47:31.480 --> 0:47:33.560
<v Speaker 1>was more about poc on All eyes on me. You

0:47:33.600 --> 0:47:36.000
<v Speaker 1>have more more things, you have some other things going on,

0:47:36.120 --> 0:47:41.920
<v Speaker 1>but it was more pop whereas chronic from crew you know,

0:47:42.080 --> 0:47:44.520
<v Speaker 1>and that and that that that assembly Man was the ship,

0:47:44.680 --> 0:47:46.280
<v Speaker 1>you know. So I'm gonna give it to the assembly

0:47:46.560 --> 0:47:49.360
<v Speaker 1>over over something that was more geared to one person.

0:47:49.400 --> 0:47:56.799
<v Speaker 1>But damn well call it or DJ drama mm hmm,

0:47:58.800 --> 0:48:06.960
<v Speaker 1>damn dog man, DJ callott Man, DJ CA. That's the

0:48:07.040 --> 0:48:10.840
<v Speaker 1>last one, DJ cadott You ain't I want to like

0:48:10.920 --> 0:48:13.359
<v Speaker 1>we always, I'm not gonna even say nothing. I'm gonna

0:48:13.360 --> 0:48:15.879
<v Speaker 1>just throw it out there. You tell me what you back.

0:48:17.080 --> 0:48:31.799
<v Speaker 1>Loyalty or respect? Loyalty loyalty like to explain why, Um,

0:48:31.840 --> 0:48:34.160
<v Speaker 1>I mean loyalty of a person is loyal to you.

0:48:34.200 --> 0:48:36.560
<v Speaker 1>They won't suck you over. A person that can respect

0:48:36.560 --> 0:48:39.480
<v Speaker 1>you still fuck you over if you gotta, if you

0:48:39.520 --> 0:48:42.120
<v Speaker 1>gotta way to funk you over, you know, publicly, he

0:48:42.160 --> 0:48:44.560
<v Speaker 1>can still respect you. But if he thinks he got

0:48:44.680 --> 0:48:47.279
<v Speaker 1>a way to fuck you over and still looks like

0:48:47.360 --> 0:48:49.279
<v Speaker 1>he respects you and not be known as the snake

0:48:49.360 --> 0:48:51.920
<v Speaker 1>that did it, he'll do it, you know, he he

0:48:52.000 --> 0:48:56.640
<v Speaker 1>can do it. So respect still makes me have fear

0:48:56.719 --> 0:48:59.279
<v Speaker 1>that of a person. I still got a little fear.

0:48:59.320 --> 0:49:02.120
<v Speaker 1>You respect me, but you don't funk with me, you know,

0:49:02.200 --> 0:49:05.200
<v Speaker 1>But loyalty that you can't. You can't trade that for nothing.

0:49:05.560 --> 0:49:09.919
<v Speaker 1>That's real, that's real, real. I always think the answer

0:49:09.920 --> 0:49:12.960
<v Speaker 1>to the correct assert is both. I mean, but if

0:49:12.960 --> 0:49:15.600
<v Speaker 1>you gotta pick one, you know, yeah, I know, but

0:49:15.680 --> 0:49:20.880
<v Speaker 1>in this case, maybe want you to drink, you might

0:49:20.920 --> 0:49:30.919
<v Speaker 1>as well finish that up. And um, you gotta drunk

0:49:30.920 --> 0:49:37.760
<v Speaker 1>with Trade songs? Yeah yeah, that's everybody, everybody that's gonna

0:49:37.800 --> 0:49:42.400
<v Speaker 1>make it. Yeah. Yeah. How was that the your pussy

0:49:42.440 --> 0:49:45.439
<v Speaker 1>game go up? That was more than the label We

0:49:45.480 --> 0:49:47.319
<v Speaker 1>was We was young. He was a young cat too.

0:49:48.000 --> 0:49:50.080
<v Speaker 1>He would help your pussy game go off. No, not

0:49:50.200 --> 0:49:51.759
<v Speaker 1>with that record, right there? Man, that was a young

0:49:51.800 --> 0:49:55.120
<v Speaker 1>cat man. You know what I'm saying. So, so have

0:49:55.200 --> 0:49:59.080
<v Speaker 1>you met the Brown Trade song System? Like? Yeah, the

0:49:59.120 --> 0:50:03.360
<v Speaker 1>trade school. I running to him every once in a while. Goddamnit,

0:50:03.400 --> 0:50:06.160
<v Speaker 1>man is real out here. Let's which, which are the

0:50:06.239 --> 0:50:08.360
<v Speaker 1>labels that you were on? Do you like? Do you

0:50:08.400 --> 0:50:10.239
<v Speaker 1>think we're the best? Ones that you were were the

0:50:10.239 --> 0:50:11.960
<v Speaker 1>best one that you're on? Because you weren't quite a

0:50:12.000 --> 0:50:15.680
<v Speaker 1>bit of labels the best at point, it didn't get

0:50:15.719 --> 0:50:17.360
<v Speaker 1>a chance to happen. You know, this is when I

0:50:17.400 --> 0:50:20.960
<v Speaker 1>was on Atlantic. You know she had to change. Yeah,

0:50:21.040 --> 0:50:22.680
<v Speaker 1>because we were gonna make it happen. Man. You know,

0:50:22.719 --> 0:50:25.600
<v Speaker 1>I had a lot of love with the guys, you know,

0:50:25.920 --> 0:50:29.640
<v Speaker 1>you only it was adulpe relationship. You know, Me and

0:50:29.719 --> 0:50:31.279
<v Speaker 1>Dame used to chop it up a lot. He was

0:50:31.320 --> 0:50:36.279
<v Speaker 1>the reason I got on the Champions record, you know. Yeah, yeah,

0:50:36.320 --> 0:50:38.520
<v Speaker 1>So we was trying to make it happen, but you

0:50:38.560 --> 0:50:41.080
<v Speaker 1>know I was, I guess too deeply embedded in my

0:50:41.160 --> 0:50:44.799
<v Speaker 1>contract situation with Atlantic to move the business around and

0:50:44.840 --> 0:50:47.360
<v Speaker 1>make it happen. So, you know, so if it was

0:50:47.400 --> 0:50:50.359
<v Speaker 1>that because you're on Big Beat, which is you were

0:50:50.360 --> 0:50:53.719
<v Speaker 1>on Big Beat right that record label? Big Beat? No? No,

0:50:55.040 --> 0:50:57.080
<v Speaker 1>what was it with? What was the tie with I

0:50:57.120 --> 0:51:00.640
<v Speaker 1>think it was tight to Atlantic? Yeah, so Atlantic allowed

0:51:01.040 --> 0:51:02.719
<v Speaker 1>so between Atlantic and a Loud Which one of those

0:51:02.719 --> 0:51:05.320
<v Speaker 1>two would you? Because he was at Loud when Wutan

0:51:05.480 --> 0:51:08.680
<v Speaker 1>came there too as well. I was like first, I

0:51:08.719 --> 0:51:11.440
<v Speaker 1>think I was the first artist sign allowed first. First.

0:51:12.640 --> 0:51:17.480
<v Speaker 1>Alcoholics was very first, No, me first, you first? Yeah, yeah,

0:51:18.120 --> 0:51:22.040
<v Speaker 1>didn't alcoholis Yeah, that's just a lot. That's hard. Yeah,

0:51:22.200 --> 0:51:26.480
<v Speaker 1>that's very first artiste. Steve different to this day, Um

0:51:26.800 --> 0:51:29.759
<v Speaker 1>when I see him, Yeah, yeah, that was hard when

0:51:29.840 --> 0:51:34.120
<v Speaker 1>Stephen's cool. Stephen's cool. I always had a cool vibe

0:51:34.160 --> 0:51:39.239
<v Speaker 1>with Steven phone numbers nowadays. No, no, I ain't got

0:51:39.239 --> 0:51:42.400
<v Speaker 1>his numbers. He about to get. Steve would talk to

0:51:42.440 --> 0:51:45.280
<v Speaker 1>me man if I reached out to him. Yeah, that's

0:51:45.320 --> 0:51:48.160
<v Speaker 1>my man. Yeah, this is what we didn't ask. No,

0:51:48.239 --> 0:51:50.480
<v Speaker 1>but I didn't get the answers between the two labels.

0:51:50.480 --> 0:51:53.040
<v Speaker 1>Which one are you? You're not sign the Atlantics? So

0:51:53.080 --> 0:51:56.080
<v Speaker 1>are you? No? No, I think you know, I was

0:51:56.120 --> 0:51:59.640
<v Speaker 1>on Atlantic the longest you know, you know, I think, uh,

0:51:59.800 --> 0:52:02.160
<v Speaker 1>the the it was one that was first, you know,

0:52:02.239 --> 0:52:04.600
<v Speaker 1>so loud Wreck has been at first label I was on.

0:52:04.640 --> 0:52:08.400
<v Speaker 1>It's got that that first vibe, you know. But Atlantic

0:52:08.440 --> 0:52:12.400
<v Speaker 1>I was on like like Templars years maybe something like that. Yeah,

0:52:12.560 --> 0:52:16.320
<v Speaker 1>So that's the question. We didn't ask major or independent,

0:52:16.840 --> 0:52:21.600
<v Speaker 1>And definitely why independent the freedom? And I think to

0:52:21.719 --> 0:52:24.960
<v Speaker 1>each his own too. I think if you, I think,

0:52:24.960 --> 0:52:27.920
<v Speaker 1>if you have a system that works, so you got

0:52:27.920 --> 0:52:30.480
<v Speaker 1>your business people and play and you you know, you

0:52:30.480 --> 0:52:33.520
<v Speaker 1>you you kind of got people around that can you know,

0:52:33.680 --> 0:52:35.920
<v Speaker 1>uh make your shifts sail, you know, then you kind

0:52:35.920 --> 0:52:38.279
<v Speaker 1>of can look more towards that independent round. But I

0:52:38.320 --> 0:52:40.879
<v Speaker 1>think if you, like a new artist, you don't really

0:52:40.920 --> 0:52:43.799
<v Speaker 1>got anybody around, you know, to kind of give you,

0:52:44.080 --> 0:52:46.880
<v Speaker 1>uh tips or or show you the ropes, then you

0:52:46.960 --> 0:52:50.440
<v Speaker 1>might have to lean more towards major label and and

0:52:50.520 --> 0:52:53.279
<v Speaker 1>your your attorneys and stuff like that, because you believe

0:52:53.280 --> 0:52:55.719
<v Speaker 1>you're gonna need people to help you take advantage of

0:52:55.880 --> 0:52:58.279
<v Speaker 1>being on the record label too, because regulabel you can

0:52:58.320 --> 0:53:00.279
<v Speaker 1>fall through the cracks. Yeah, so that so why I

0:53:00.280 --> 0:53:02.440
<v Speaker 1>said attorney. You know, you know, if you ain't got

0:53:02.480 --> 0:53:04.120
<v Speaker 1>those people, then you know, all you can do is

0:53:04.160 --> 0:53:07.080
<v Speaker 1>rely on people like your attorney. And right, let's keep it. Really,

0:53:07.120 --> 0:53:10.320
<v Speaker 1>you made it a lot more money with majors. Yeah,

0:53:10.480 --> 0:53:12.600
<v Speaker 1>you make a lot more money with the major. So

0:53:12.600 --> 0:53:16.440
<v Speaker 1>so that's the gift and the curse to it. You

0:53:17.000 --> 0:53:19.719
<v Speaker 1>you wanna, you want your freedom you can move how

0:53:19.760 --> 0:53:21.480
<v Speaker 1>the funk you want to move what You're gonna make

0:53:21.520 --> 0:53:23.399
<v Speaker 1>the money like this a little bit at a time.

0:53:23.760 --> 0:53:25.600
<v Speaker 1>You want to make the big money here, You're gonna

0:53:25.600 --> 0:53:27.520
<v Speaker 1>make this big money. But you're gonna take a little

0:53:27.520 --> 0:53:30.520
<v Speaker 1>bit of whip cracking over here. Sometimes I don't know

0:53:30.560 --> 0:53:36.440
<v Speaker 1>whip cracking this whatever will actually hit you with it.

0:53:36.520 --> 0:53:41.920
<v Speaker 1>But you know what I mean, you know that the mentality,

0:53:41.960 --> 0:53:43.960
<v Speaker 1>you know some of that mentality. Sometimes you gotta you

0:53:44.000 --> 0:53:47.000
<v Speaker 1>gotta listen to what what what somebody else say saying

0:53:47.040 --> 0:53:50.080
<v Speaker 1>and uh bye by the choices of other people more,

0:53:50.440 --> 0:53:58.800
<v Speaker 1>you know, that's all ship. I forget all your independent

0:53:58.880 --> 0:54:02.279
<v Speaker 1>I think owning your own ship it having that well

0:54:02.280 --> 0:54:06.880
<v Speaker 1>you don't want no more shots. Yeah, I think, I

0:54:06.960 --> 0:54:11.280
<v Speaker 1>personally think. I think being independent before you go major,

0:54:11.640 --> 0:54:13.600
<v Speaker 1>it's always gonna be the ideal situation because then you

0:54:13.680 --> 0:54:17.360
<v Speaker 1>go into a major kind of prepared, self relying, and

0:54:17.360 --> 0:54:19.480
<v Speaker 1>then you can take advantage of that machine because the machine,

0:54:19.520 --> 0:54:21.800
<v Speaker 1>for sure, you're gonna make way more money in the machine.

0:54:21.960 --> 0:54:23.920
<v Speaker 1>But independent, you you know, if you if you could

0:54:24.000 --> 0:54:28.399
<v Speaker 1>established establish yourself independently own more of your stuff going

0:54:28.440 --> 0:54:30.600
<v Speaker 1>into that, it's gonna be a better deal. More leveraged

0:54:30.760 --> 0:54:34.359
<v Speaker 1>getting that deal with a major. Yeah, I don't know.

0:54:34.400 --> 0:54:36.719
<v Speaker 1>I think these days, though, independent is is the way

0:54:36.719 --> 0:54:40.800
<v Speaker 1>to go for sure. He's he's with an independent. Yeah.

0:54:41.080 --> 0:54:45.760
<v Speaker 1>So I'm um, we're running through a couple of titles

0:54:45.760 --> 0:54:46.880
<v Speaker 1>and I don't want you to just tell me what

0:54:46.920 --> 0:54:52.080
<v Speaker 1>they mean to you. Man, I say, got you running

0:54:52.080 --> 0:54:55.879
<v Speaker 1>Off at the mouth? Running Off at the Mouth. That's

0:54:55.880 --> 0:54:59.560
<v Speaker 1>the title of my first album, running Off at the Mouth. Yeah,

0:55:00.000 --> 0:55:01.799
<v Speaker 1>it's the first thing to come to my mind. It's

0:55:01.840 --> 0:55:05.280
<v Speaker 1>the title of my first album. Man, I was like eighteen,

0:55:05.360 --> 0:55:10.040
<v Speaker 1>nineteen years old. Yeah, that's what I'm doing. Call down

0:55:10.080 --> 0:55:12.719
<v Speaker 1>your album, so I want you to do for me? Yeah?

0:55:12.800 --> 0:55:14.399
<v Speaker 1>That's that was That was That was. That was how

0:55:14.440 --> 0:55:17.800
<v Speaker 1>I came out. That was how I titled my first album.

0:55:17.920 --> 0:55:20.040
<v Speaker 1>I was still thinking. I was in the process of

0:55:20.080 --> 0:55:22.719
<v Speaker 1>finding myself as an artist at the time, you know.

0:55:22.840 --> 0:55:25.000
<v Speaker 1>So this is me getting my feet wet, you know,

0:55:25.120 --> 0:55:26.840
<v Speaker 1>in the game running Off at the Mouth. That's what

0:55:26.920 --> 0:55:33.560
<v Speaker 1>it is. Resurrection independent. This this is more independent situation

0:55:34.520 --> 0:55:36.600
<v Speaker 1>upset that that that that this and that didn't go

0:55:36.680 --> 0:55:38.480
<v Speaker 1>right with the label. I wanted to put this record

0:55:38.480 --> 0:55:40.600
<v Speaker 1>out first. I wanted to be like this so we're

0:55:40.600 --> 0:55:42.919
<v Speaker 1>doing our independent thing, and I wanted to go that round.

0:55:42.960 --> 0:55:45.200
<v Speaker 1>So it was way early in the game when I

0:55:45.239 --> 0:55:48.720
<v Speaker 1>tried the independent round, and Resurrection is like a body

0:55:48.760 --> 0:55:52.000
<v Speaker 1>of work that I'm more uh more proud of for

0:55:52.080 --> 0:55:54.360
<v Speaker 1>the freedom, the freedom aspect, I got a chance to

0:55:54.400 --> 0:56:01.080
<v Speaker 1>make the type of music I wanted to make some

0:56:01.160 --> 0:56:10.439
<v Speaker 1>noise for that the bounced, I was gonna keep going

0:56:10.600 --> 0:56:13.719
<v Speaker 1>in order? Should I keep going in order? Yes? In

0:56:13.800 --> 0:56:16.600
<v Speaker 1>the head, you do you do a couple? I did

0:56:16.600 --> 0:56:21.600
<v Speaker 1>the first two? You do the next three? Adrenaline Rush,

0:56:21.920 --> 0:56:24.160
<v Speaker 1>I asked my one right there, that's the one where

0:56:24.200 --> 0:56:27.040
<v Speaker 1>I felt like Adrenaline Rush is the one where I

0:56:27.120 --> 0:56:30.440
<v Speaker 1>knew who and what Twister is. How I wanted to

0:56:30.480 --> 0:56:34.200
<v Speaker 1>come out what I wanted to people to hear from me,

0:56:34.560 --> 0:56:37.799
<v Speaker 1>you know, So Adrenaline Rush is the title comes from

0:56:38.200 --> 0:56:41.399
<v Speaker 1>I thought about when they say I forgot it, when

0:56:41.400 --> 0:56:44.399
<v Speaker 1>they say what you want to title your album? Yeah,

0:56:44.440 --> 0:56:45.919
<v Speaker 1>when it's like what you want to tie to your album?

0:56:45.960 --> 0:56:48.520
<v Speaker 1>I think the first I asked myself a question like, man,

0:56:48.560 --> 0:56:50.399
<v Speaker 1>what do rap feel like to me? You know, That's

0:56:50.440 --> 0:56:51.879
<v Speaker 1>that's the first thing I asked me. I said, Okay,

0:56:51.880 --> 0:56:53.120
<v Speaker 1>what is rap to me? Or what do it make

0:56:53.160 --> 0:56:56.359
<v Speaker 1>me feel? Like? Give me adrenaline rush. So that's where

0:56:56.360 --> 0:56:58.759
<v Speaker 1>the title came from. It was like just the way

0:56:58.800 --> 0:57:00.839
<v Speaker 1>I feel about rap music and I just felt like

0:57:01.480 --> 0:57:04.680
<v Speaker 1>I knew how I wanted to wrap my audience. At

0:57:04.680 --> 0:57:06.239
<v Speaker 1>the time, I was like, this is when I made

0:57:06.280 --> 0:57:08.560
<v Speaker 1>my mind up, Like I've just been a rap for

0:57:08.640 --> 0:57:12.120
<v Speaker 1>my Chicago people. Just what I see just in my city.

0:57:12.120 --> 0:57:13.680
<v Speaker 1>I'm gonna stick to what I know and what I do,

0:57:13.719 --> 0:57:15.719
<v Speaker 1>and I'm rapping for my city. So a drilling and

0:57:15.800 --> 0:57:21.200
<v Speaker 1>rush represents so the me coming fully into knowing who

0:57:21.200 --> 0:57:25.080
<v Speaker 1>I was as an artist. Yeah, the next one is

0:57:25.120 --> 0:57:30.280
<v Speaker 1>Kma Kazi riding a wave. That's me riding a wave

0:57:30.400 --> 0:57:33.200
<v Speaker 1>coming out with the next album. Still wanted to come

0:57:33.200 --> 0:57:35.960
<v Speaker 1>with an impactful title or something that was hard. So

0:57:36.040 --> 0:57:39.320
<v Speaker 1>I came with Kama Kazi, and then I had a

0:57:39.360 --> 0:57:42.640
<v Speaker 1>little more help, you know, I was able to to

0:57:42.640 --> 0:57:44.800
<v Speaker 1>to make the type of music I wanted to make.

0:57:45.240 --> 0:57:51.160
<v Speaker 1>You know, the budget was a little bigger. I love

0:57:51.200 --> 0:57:54.480
<v Speaker 1>the budget, you know, a chance to do you know

0:57:55.800 --> 0:58:00.480
<v Speaker 1>this right? Yeah, So that that's what that was. Man,

0:58:00.520 --> 0:58:03.360
<v Speaker 1>Kama Kazi is me riding the wave. I had the

0:58:03.400 --> 0:58:07.160
<v Speaker 1>success of you know, my my adrenaline rush wreck in

0:58:07.200 --> 0:58:09.600
<v Speaker 1>a certain way. And then I had it was slow jams.

0:58:09.640 --> 0:58:12.320
<v Speaker 1>I knew when Kamakazi was coming out, I already had

0:58:12.360 --> 0:58:15.000
<v Speaker 1>slow jams on this record. So it's like I knew

0:58:15.040 --> 0:58:16.840
<v Speaker 1>my ship was gonna be popping. So I was like

0:58:17.000 --> 0:58:19.960
<v Speaker 1>having fun with the Kama Kazi joint. So that's that's

0:58:19.960 --> 0:58:23.960
<v Speaker 1>what come to my mind, is riding away, I don't

0:58:23.960 --> 0:58:30.200
<v Speaker 1>have it, okay, the day after, day after m hmm,

0:58:32.520 --> 0:58:34.520
<v Speaker 1>still riding the way. But that mother fucker wasn't so

0:58:34.600 --> 0:58:41.040
<v Speaker 1>high now, you know what I mean. So so the

0:58:41.160 --> 0:58:45.720
<v Speaker 1>budget a little less, Yeah, so putting it, putting together,

0:58:45.800 --> 0:58:48.080
<v Speaker 1>putting together what I could put together with what I had,

0:58:48.600 --> 0:58:50.760
<v Speaker 1>you know. So but but now it was it was

0:58:50.800 --> 0:58:53.360
<v Speaker 1>still dope. I was I think I was getting a

0:58:53.360 --> 0:58:56.080
<v Speaker 1>little a little lost in that time, you know, I

0:58:56.160 --> 0:58:58.840
<v Speaker 1>was starting to get a little lost in what direction

0:58:58.880 --> 0:59:01.400
<v Speaker 1>I wanted to go in at that time frame. So

0:59:01.400 --> 0:59:03.920
<v Speaker 1>so I put that record out, But it wasn't a

0:59:04.000 --> 0:59:07.640
<v Speaker 1>record that I was the most proud of or or

0:59:07.760 --> 0:59:12.040
<v Speaker 1>happy with, you know, energy wise, just everything wasn't going away.

0:59:12.400 --> 0:59:15.480
<v Speaker 1>I wanted it to go, you know, energy bis wise, everything,

0:59:15.600 --> 0:59:18.480
<v Speaker 1>So that record just just was what it was at

0:59:18.480 --> 0:59:23.360
<v Speaker 1>the time. Yeah, now I'm looking I'm looking at the

0:59:23.520 --> 0:59:25.360
<v Speaker 1>at the dates, and then you have Adrenaline Rush two

0:59:25.360 --> 0:59:28.480
<v Speaker 1>thousand and seven. Is this a time frame where you're

0:59:28.480 --> 0:59:31.720
<v Speaker 1>feeling right like, what is there a shift in what

0:59:31.760 --> 0:59:35.240
<v Speaker 1>you're doing and how you so? So Yeah, so the

0:59:35.720 --> 0:59:38.360
<v Speaker 1>later one is just a title that I was putting

0:59:38.400 --> 0:59:40.400
<v Speaker 1>on some music at the time that I felt like

0:59:40.520 --> 0:59:43.200
<v Speaker 1>had that same vibe still, and so we're like, man,

0:59:43.280 --> 0:59:45.480
<v Speaker 1>let's come with Adreneral Rush two thousand and seven. I

0:59:45.520 --> 0:59:47.960
<v Speaker 1>probably would have titled It's something Else at the time,

0:59:48.000 --> 0:59:51.000
<v Speaker 1>So I think creatively, I was just in a shitty

0:59:51.040 --> 0:59:53.640
<v Speaker 1>space and that's what I titled the project at the time.

0:59:54.280 --> 0:59:56.919
<v Speaker 1>You know, so this this is uh me still able

0:59:56.920 --> 0:59:59.560
<v Speaker 1>to wrap my ass off, but shitty space titles and

0:59:59.600 --> 1:00:02.480
<v Speaker 1>ship thinking, you know, not thinking as fully clear as

1:00:02.520 --> 1:00:08.959
<v Speaker 1>I as I should have been. Probably category F five.

1:00:10.640 --> 1:00:14.280
<v Speaker 1>Category f five. That's when I'm riding my independent wave again.

1:00:14.760 --> 1:00:18.200
<v Speaker 1>You know. I love that record because I have some

1:00:18.200 --> 1:00:22.560
<v Speaker 1>some for me. I had some some some some big

1:00:22.640 --> 1:00:25.480
<v Speaker 1>records for me for myself. I want. I made some

1:00:25.560 --> 1:00:28.680
<v Speaker 1>music that I wanted to make that sounded good to me.

1:00:29.000 --> 1:00:32.000
<v Speaker 1>So the record didn't didn't do what I wanted it

1:00:32.080 --> 1:00:35.360
<v Speaker 1>to do commercially or you know, successfu wise, But as

1:00:35.400 --> 1:00:38.000
<v Speaker 1>far as the body of work and what it sounded

1:00:38.040 --> 1:00:42.560
<v Speaker 1>like and it being important for for what it was,

1:00:43.000 --> 1:00:46.400
<v Speaker 1>for how music shall sound and hip hops your sound

1:00:46.400 --> 1:00:48.920
<v Speaker 1>for Twister, That's what I was on. So so I

1:00:49.000 --> 1:00:52.040
<v Speaker 1>like category at five, were you already entering the whole

1:00:52.080 --> 1:00:55.800
<v Speaker 1>security and firearm industry at that at that point that

1:00:56.160 --> 1:00:59.840
<v Speaker 1>would have been. Yeah, around this time, I'm interested in it.

1:01:00.000 --> 1:01:02.760
<v Speaker 1>Around this time, I'm I'm you know, still having my

1:01:02.800 --> 1:01:05.760
<v Speaker 1>concealed carry and stuff like that. But now I'm starting

1:01:05.800 --> 1:01:09.360
<v Speaker 1>to entertain possibly being an instructor and stuff like that.

1:01:09.480 --> 1:01:14.240
<v Speaker 1>You know, around didn't didn't didn't take it fully serious. Yea, yeah, okay, let'

1:01:14.280 --> 1:01:16.120
<v Speaker 1>let's go through the albums. I know we need to

1:01:16.120 --> 1:01:21.000
<v Speaker 1>bring gun capt down here. Man, I'm telling you all right.

1:01:21.040 --> 1:01:27.080
<v Speaker 1>In the Perfect Storm, the Perfect Storm, that was dope too.

1:01:27.280 --> 1:01:30.240
<v Speaker 1>That was that was me doing my independent thing. At

1:01:30.240 --> 1:01:33.840
<v Speaker 1>this time, it's is not not as fulfilling to me,

1:01:34.000 --> 1:01:37.439
<v Speaker 1>but I'm still loving music doing my thing. I came

1:01:37.480 --> 1:01:39.560
<v Speaker 1>with the Perfect Storm. But but like I said, just

1:01:39.680 --> 1:01:44.800
<v Speaker 1>not fully what I wanted to be, you know, vibe wise,

1:01:45.000 --> 1:01:47.520
<v Speaker 1>energy wise. So at this time, I'm just making music.

1:01:48.080 --> 1:01:50.680
<v Speaker 1>I think I'm trying to find which direction I'm going

1:01:50.760 --> 1:01:58.600
<v Speaker 1>in next around this time, you know what you say, huh, Well, yeah,

1:01:58.640 --> 1:02:00.640
<v Speaker 1>I had that record on that, but I here wasn't

1:02:00.640 --> 1:02:04.680
<v Speaker 1>as excited about the whole project overall. I knew that

1:02:04.720 --> 1:02:08.360
<v Speaker 1>I wasn't in a good space creatively and just musically

1:02:08.440 --> 1:02:10.640
<v Speaker 1>like I wanted to be. So I was just making music,

1:02:11.240 --> 1:02:13.480
<v Speaker 1>getting through it, trying to see where I'm where I'm

1:02:13.520 --> 1:02:15.400
<v Speaker 1>going next, what I'm gonna do next. You're one of

1:02:15.440 --> 1:02:17.640
<v Speaker 1>them guys, I gotta get away to make a whole album,

1:02:17.880 --> 1:02:22.400
<v Speaker 1>or like you'd like to stay home a little bit

1:02:22.400 --> 1:02:26.360
<v Speaker 1>of both. For some reason, though, I found that I

1:02:26.600 --> 1:02:30.400
<v Speaker 1>gotta be. I gotta be in the I gotta be grame.

1:02:30.520 --> 1:02:32.560
<v Speaker 1>I like to be in a grimy situation to make

1:02:32.560 --> 1:02:35.520
<v Speaker 1>it real. Like I could go like, you know, we

1:02:35.560 --> 1:02:37.160
<v Speaker 1>could go to l A and shift. I could be

1:02:37.200 --> 1:02:39.120
<v Speaker 1>you know, in the hills, you know, writing on ship.

1:02:39.240 --> 1:02:42.440
<v Speaker 1>That's dope. But I would rather I need to I

1:02:42.520 --> 1:02:44.919
<v Speaker 1>need to be in some grimy ship like I feel

1:02:44.920 --> 1:02:46.640
<v Speaker 1>like I would make the real music in a in

1:02:46.680 --> 1:02:50.560
<v Speaker 1>a PC project hallway when you start, I gotta be.

1:02:50.680 --> 1:02:54.280
<v Speaker 1>I gotta have some element of where I came from

1:02:55.920 --> 1:02:59.360
<v Speaker 1>from you. Yeah, we me and him probably would have

1:02:59.360 --> 1:03:06.680
<v Speaker 1>been making out of some music. Yeah yeah, that's that's

1:03:06.720 --> 1:03:09.360
<v Speaker 1>my jam to man, that's the whole project right there

1:03:09.400 --> 1:03:13.080
<v Speaker 1>is Uh, I'm vibing with music a little bit more.

1:03:13.200 --> 1:03:17.240
<v Speaker 1>But all of these projects you naming our projects where

1:03:17.920 --> 1:03:20.680
<v Speaker 1>I was able to do what I do effortlessly as

1:03:20.720 --> 1:03:23.240
<v Speaker 1>far as making a song or do a verse or

1:03:23.280 --> 1:03:24.720
<v Speaker 1>like damn you killing it or do what you do,

1:03:24.840 --> 1:03:29.400
<v Speaker 1>but just not fully being fulfilled with music at the time.

1:03:29.560 --> 1:03:31.520
<v Speaker 1>I'm not in the space that I want to be,

1:03:32.280 --> 1:03:34.880
<v Speaker 1>you know, mentally, So I'm just kind of making music

1:03:35.400 --> 1:03:39.040
<v Speaker 1>and making records that I considered as dope, but still

1:03:39.040 --> 1:03:42.120
<v Speaker 1>searching for what I wanted to do and be on

1:03:42.320 --> 1:03:45.160
<v Speaker 1>still so I'm just floating through it. But but the

1:03:45.200 --> 1:03:48.200
<v Speaker 1>records that was on that was was my ship? What

1:03:48.200 --> 1:03:51.880
<v Speaker 1>what records was on there? I got two many ship

1:03:52.040 --> 1:03:56.320
<v Speaker 1>you got you got a crazy catalog? Man? Yeah, yeah,

1:03:56.440 --> 1:03:59.680
<v Speaker 1>the catalog crazy. But overall, when you say that title,

1:03:59.800 --> 1:04:02.440
<v Speaker 1>that that's what I remember about that run right there

1:04:02.600 --> 1:04:05.520
<v Speaker 1>is me having the capabilities of making music and doing

1:04:05.560 --> 1:04:08.400
<v Speaker 1>some music that was satisfactory to my fans and everything,

1:04:08.440 --> 1:04:11.320
<v Speaker 1>but not commercially successful as I wanted it to be,

1:04:11.560 --> 1:04:13.320
<v Speaker 1>and just me not really being in a in a

1:04:13.480 --> 1:04:15.320
<v Speaker 1>vibe of space that I wanted to be with music

1:04:15.360 --> 1:04:19.400
<v Speaker 1>at the time, you know. And then the last two. Yeah,

1:04:19.400 --> 1:04:25.240
<v Speaker 1>you got Crook County. That was my joint right there,

1:04:25.560 --> 1:04:28.080
<v Speaker 1>Creek County because we started making videos in the hood.

1:04:28.200 --> 1:04:30.400
<v Speaker 1>This one, this one, we you know, I got a

1:04:30.440 --> 1:04:33.000
<v Speaker 1>few of my people around, you know, I'm starting to

1:04:33.000 --> 1:04:34.400
<v Speaker 1>get it, you know, a few a few of my

1:04:34.480 --> 1:04:37.160
<v Speaker 1>camp around, uh a few of my gun camp people

1:04:37.160 --> 1:04:39.720
<v Speaker 1>coming around. Just a few different faces around. So I'm

1:04:39.760 --> 1:04:42.720
<v Speaker 1>making music, We're going around doing stuff in the hood.

1:04:42.800 --> 1:04:46.439
<v Speaker 1>My man beads around that I'm doing music with, and uh, man,

1:04:46.480 --> 1:04:49.360
<v Speaker 1>it was just huh yeah, yeah, a lot of the

1:04:49.360 --> 1:04:51.240
<v Speaker 1>homies from Chicago I got there. I think. Then we

1:04:51.240 --> 1:04:55.000
<v Speaker 1>shoot Creek County like at Harvey, different spots like that. Yeah.

1:04:55.120 --> 1:04:57.640
<v Speaker 1>So so Crik County was a record that it was

1:04:57.720 --> 1:04:59.480
<v Speaker 1>dope to me because I was in the streets with it.

1:04:59.680 --> 1:05:02.520
<v Speaker 1>You know, we was moving around in the streets having

1:05:02.560 --> 1:05:05.439
<v Speaker 1>everybody being involved in the music and everything. So so

1:05:05.880 --> 1:05:08.280
<v Speaker 1>that was a dope problem. There was a dope project

1:05:08.280 --> 1:05:11.040
<v Speaker 1>from me at the time. The last one, it's Summer

1:05:11.120 --> 1:05:17.760
<v Speaker 1>ninety six. That's a very poignant title, Summer ninety six.

1:05:19.120 --> 1:05:25.960
<v Speaker 1>What's on there? Oh yeah, yeah, yeah, especially working with

1:05:26.040 --> 1:05:28.520
<v Speaker 1>DJ Ferris, you know, because he wanted the big figures

1:05:28.520 --> 1:05:30.680
<v Speaker 1>in Chicago. That's my man right there. So anytime you

1:05:30.760 --> 1:05:34.080
<v Speaker 1>got him, you know, anytime you got him on something, uh,

1:05:34.600 --> 1:05:37.360
<v Speaker 1>you know, it's dope. So just having him be involved

1:05:37.400 --> 1:05:41.280
<v Speaker 1>with that project and just keeping my whole legacy going

1:05:41.720 --> 1:05:43.919
<v Speaker 1>was dope, you know. So that's what Summer ninety six

1:05:43.960 --> 1:05:47.120
<v Speaker 1>was about. Was reminded people about when a drumaline rush

1:05:47.240 --> 1:05:51.720
<v Speaker 1>came out, which was the Summer ninety six. I think

1:05:52.160 --> 1:06:08.840
<v Speaker 1>it's trying to make them much of that cool. Did

1:06:08.840 --> 1:06:13.600
<v Speaker 1>you do it? You ain't never do it? Versus? Right? No, no, no,

1:06:14.080 --> 1:06:16.240
<v Speaker 1>that would be a crazy versus. I don't know who

1:06:16.320 --> 1:06:18.280
<v Speaker 1>I would do it with though people always ask me,

1:06:18.360 --> 1:06:19.800
<v Speaker 1>But I don't really know who I would do it with.

1:06:19.880 --> 1:06:24.480
<v Speaker 1>Who you think technic I would be a good one

1:06:24.480 --> 1:06:30.640
<v Speaker 1>who said that? I think see when people say Buster,

1:06:30.760 --> 1:06:32.760
<v Speaker 1>they just think fast rap. But I think we kind

1:06:32.760 --> 1:06:37.280
<v Speaker 1>of besides the fast rap, we slightly too different artists,

1:06:37.320 --> 1:06:41.320
<v Speaker 1>you know what. So I don't know you who would

1:06:41.360 --> 1:06:44.880
<v Speaker 1>you want? I don't know that's that's that's that's a

1:06:44.880 --> 1:06:51.560
<v Speaker 1>tough one. Who like two different But I don't think it.

1:06:52.520 --> 1:06:54.600
<v Speaker 1>I don't think it has to be an even match

1:06:54.680 --> 1:06:57.240
<v Speaker 1>up in terms of what we think it should be off.

1:06:58.280 --> 1:07:05.520
<v Speaker 1>It should showcase two different styles. Else mystical, wo, mystical,

1:07:05.880 --> 1:07:08.560
<v Speaker 1>that would be a dope. Let's keep thinking, y'all, come on,

1:07:10.920 --> 1:07:20.920
<v Speaker 1>comen keeping one crazy part of a group though you

1:07:20.960 --> 1:07:25.240
<v Speaker 1>know not but crazy was also solo. Did you see that?

1:07:25.240 --> 1:07:30.160
<v Speaker 1>Did you see that versus we're doing three six? Ye? Yeah,

1:07:30.240 --> 1:07:35.680
<v Speaker 1>I saw it? How did you all fix your problem? Who? Uh?

1:07:37.080 --> 1:07:40.560
<v Speaker 1>We'll see me and Bone we had a mutual mutual

1:07:40.600 --> 1:07:44.840
<v Speaker 1>friends see lazy Uh Yeah, it was lazy Bone. Lazy

1:07:44.880 --> 1:07:46.720
<v Speaker 1>moves around a lot of you know, he got a

1:07:46.720 --> 1:07:50.680
<v Speaker 1>lot of mutual friends that I got and uh in

1:07:50.680 --> 1:07:53.480
<v Speaker 1>Indiana at the time, we had our buddy name Cho.

1:07:53.720 --> 1:07:55.360
<v Speaker 1>You know, he was doing a song with him at

1:07:55.400 --> 1:07:57.200
<v Speaker 1>the time with his with his group and what he

1:07:57.240 --> 1:07:59.600
<v Speaker 1>was doing, and then he knew me and he was like,

1:07:59.600 --> 1:08:02.080
<v Speaker 1>wait in it, y'all got beef or something like that.

1:08:02.200 --> 1:08:04.440
<v Speaker 1>So when he ya was beating for years, right and

1:08:04.480 --> 1:08:06.439
<v Speaker 1>this is on wax with this records and all that,

1:08:06.680 --> 1:08:09.560
<v Speaker 1>you know, the style and you know, so so what

1:08:09.600 --> 1:08:11.880
<v Speaker 1>he did at the time was he orchestrated the song

1:08:12.840 --> 1:08:15.280
<v Speaker 1>and he paid Lazy to get on the song and

1:08:15.320 --> 1:08:17.599
<v Speaker 1>paid me to get on the song without telling yall

1:08:17.920 --> 1:08:20.360
<v Speaker 1>we're gonna be on it. You didn't care. He told us,

1:08:20.600 --> 1:08:22.120
<v Speaker 1>you know, he said, I want y'all to do a

1:08:22.160 --> 1:08:23.840
<v Speaker 1>song to get who I want to name. Y'all can't

1:08:23.840 --> 1:08:27.840
<v Speaker 1>be beefing who. And so once me and Lazy got together, yeah, yeah,

1:08:27.920 --> 1:08:29.920
<v Speaker 1>so shout out to my man Choo for making that happen.

1:08:29.960 --> 1:08:32.519
<v Speaker 1>And man, once being Lazy clicked, it was over. He

1:08:32.600 --> 1:08:34.640
<v Speaker 1>was so cool, you know. We chopped it up, we

1:08:34.680 --> 1:08:36.439
<v Speaker 1>did that song, and then I knew them was gonna

1:08:36.439 --> 1:08:38.599
<v Speaker 1>be my guys ever since then. Then the next time

1:08:38.640 --> 1:08:41.080
<v Speaker 1>I like called a good vibe with them was when

1:08:41.200 --> 1:08:47.479
<v Speaker 1>uh we did spit your Game, Uh yeah, the Biggie joint. Yeah.

1:08:47.520 --> 1:08:48.960
<v Speaker 1>And then I got a chance to chop it up

1:08:49.000 --> 1:08:50.679
<v Speaker 1>with Crazy Bone or let him know how it felt

1:08:50.720 --> 1:08:54.439
<v Speaker 1>about the group, you know, and we just got rapped,

1:08:54.479 --> 1:08:57.599
<v Speaker 1>like you know, uh, well, we'll go through like like

1:08:57.600 --> 1:08:59.639
<v Speaker 1>two or three years beefing with some sit we don't

1:08:59.640 --> 1:09:01.840
<v Speaker 1>even really know. We don't know if we make a

1:09:01.880 --> 1:09:04.519
<v Speaker 1>distract as we're doing all that, like like, like, how

1:09:04.560 --> 1:09:05.920
<v Speaker 1>weird is that? Like you know what I mean? That

1:09:06.479 --> 1:09:10.320
<v Speaker 1>is weird. I'm gonna tell you what's weird is having

1:09:10.360 --> 1:09:12.760
<v Speaker 1>the beef with with with Trash going on at the time,

1:09:13.240 --> 1:09:16.000
<v Speaker 1>and this ship was so serious. We had a meeting

1:09:16.040 --> 1:09:18.519
<v Speaker 1>in Chicago about this ship, you know, because you know

1:09:18.560 --> 1:09:20.240
<v Speaker 1>a lot of people don't know, like that was one

1:09:20.280 --> 1:09:23.880
<v Speaker 1>of the times where this was one of the reasons

1:09:24.320 --> 1:09:27.599
<v Speaker 1>this This is how one of the ways Twister got

1:09:27.640 --> 1:09:32.000
<v Speaker 1>formed is when when I didn't get accepted from people

1:09:32.040 --> 1:09:35.280
<v Speaker 1>that I was fans of. So so the Trench said

1:09:35.320 --> 1:09:37.800
<v Speaker 1>a little something on the record, you know, because yeah,

1:09:37.840 --> 1:09:42.120
<v Speaker 1>I didn't understand where you where Bone I understood because

1:09:42.160 --> 1:09:46.960
<v Speaker 1>of the style similarity. So I didn't understand anything when

1:09:47.040 --> 1:09:48.960
<v Speaker 1>I heard about it then and when I when I

1:09:49.080 --> 1:09:59.479
<v Speaker 1>re iterated and just look today it's we had a

1:09:59.560 --> 1:10:03.479
<v Speaker 1>show Chicago. At this time they had formed the House

1:10:03.520 --> 1:10:07.400
<v Speaker 1>of Pain. I saw ever Last because I knew him

1:10:07.400 --> 1:10:09.599
<v Speaker 1>from he used to come in the office at our records.

1:10:09.960 --> 1:10:11.960
<v Speaker 1>So we're talking. He like, man, let me let me

1:10:12.040 --> 1:10:14.360
<v Speaker 1>how at you So it's old now we can laugh

1:10:14.439 --> 1:10:16.920
<v Speaker 1>about it. Ever Last said, you didn't hear it from me?

1:10:18.160 --> 1:10:25.680
<v Speaker 1>Trashed dished you on his new ship. What. So I

1:10:25.760 --> 1:10:28.160
<v Speaker 1>go listen to the ship. I'm listen, I'm eight and

1:10:28.200 --> 1:10:30.680
<v Speaker 1>I ain't hearing nothing. Then finally the record come on.

1:10:31.520 --> 1:10:34.000
<v Speaker 1>I put a few blows in cargo, so you can

1:10:34.040 --> 1:10:40.000
<v Speaker 1>tell twist your ass back to Chicago. What record was that?

1:10:41.160 --> 1:10:44.280
<v Speaker 1>I forgot which one, but you can find it. You

1:10:44.320 --> 1:10:47.320
<v Speaker 1>can find it. So I was a fan though at

1:10:47.320 --> 1:10:49.880
<v Speaker 1>the time. So this ship broke, I'm like, damn, you

1:10:49.920 --> 1:10:52.200
<v Speaker 1>know what I mean. So I'm piste off about it.

1:10:52.280 --> 1:10:58.559
<v Speaker 1>So I stopped around that time, around the time. Yeah

1:10:58.640 --> 1:11:05.840
<v Speaker 1>that they lit, they lived. But see then I heard

1:11:05.840 --> 1:11:08.679
<v Speaker 1>stories later like people used to see my video come

1:11:08.720 --> 1:11:11.960
<v Speaker 1>on and then funk with him, like, oh ship, dude,

1:11:11.960 --> 1:11:14.120
<v Speaker 1>the funk you? So he got piste off and he

1:11:14.200 --> 1:11:16.679
<v Speaker 1>dissed me. So then we end up having a meeting

1:11:16.720 --> 1:11:19.160
<v Speaker 1>in Chicago because it was like the ship seemed like

1:11:19.200 --> 1:11:21.840
<v Speaker 1>it was gonna escalate into some other ship. But then

1:11:21.880 --> 1:11:26.400
<v Speaker 1>the funniest ship happened. We get to to New York

1:11:26.439 --> 1:11:28.599
<v Speaker 1>and we do the big gass cover for for Double

1:11:28.720 --> 1:11:31.800
<v Speaker 1>x L with all the rappers and ship. We're standing there, Yeah,

1:11:31.840 --> 1:11:34.439
<v Speaker 1>we're standing on the street. Who the funk walk up

1:11:34.439 --> 1:11:39.400
<v Speaker 1>and ship trash. We're like, oh ship and he said, yeah, see,

1:11:39.439 --> 1:11:41.479
<v Speaker 1>I told you y'all in my hood. Now it's cool

1:11:41.800 --> 1:11:46.000
<v Speaker 1>and kept the movie was like, so, you know, that's

1:11:46.000 --> 1:11:48.479
<v Speaker 1>when you learn some ship you gotta you gotta learn.

1:11:48.880 --> 1:11:51.080
<v Speaker 1>This is me navigating through the industry. This is one

1:11:51.080 --> 1:11:53.320
<v Speaker 1>of the things that helped me learn how to move,

1:11:53.439 --> 1:11:55.840
<v Speaker 1>you know. So at that time we had got a

1:11:55.840 --> 1:12:00.479
<v Speaker 1>little cordial before that incident. But had it been some

1:12:00.479 --> 1:12:03.160
<v Speaker 1>some some ship going on, that could have been me

1:12:03.280 --> 1:12:05.200
<v Speaker 1>right there. You know what I'm saying on that other

1:12:05.280 --> 1:12:10.040
<v Speaker 1>end right there, that's crazy that didn't that's yeah, yeah

1:12:10.120 --> 1:12:13.320
<v Speaker 1>and yeah worked it out. Yeah yeah. Trenches An artists

1:12:13.360 --> 1:12:21.679
<v Speaker 1>always wanted to do music with Yeah, yeah, what's you say? Oh?

1:12:21.760 --> 1:12:25.000
<v Speaker 1>All right, col I keep for getting you from Jersey's

1:12:25.840 --> 1:12:31.760
<v Speaker 1>you gotta let it go? What about Man and Man? Yeah,

1:12:31.760 --> 1:12:33.880
<v Speaker 1>I'm a red Man fan. So what's your favorite what's

1:12:33.880 --> 1:12:37.240
<v Speaker 1>your favorite part of the game. Is it making the

1:12:37.320 --> 1:12:41.960
<v Speaker 1>music or performing the music? Because going through your catalog,

1:12:42.040 --> 1:12:44.360
<v Speaker 1>I'm like, this motherfucker performed every day of the year.

1:12:44.640 --> 1:12:46.519
<v Speaker 1>Just going through your catalog, I'm like, yo, yo, you

1:12:46.520 --> 1:12:49.960
<v Speaker 1>could you could do any you know, I'm not trying

1:12:49.960 --> 1:12:51.800
<v Speaker 1>to persrace your answer, so hold on, should Maybe I

1:12:51.800 --> 1:12:55.040
<v Speaker 1>shouldn't have said that, but um, what's your what's your favorite?

1:12:55.080 --> 1:12:58.400
<v Speaker 1>Is it making the music or performing the music? I

1:12:58.439 --> 1:13:01.360
<v Speaker 1>think performing it? What's your guess? Was y'all guess? Yeah?

1:13:01.400 --> 1:13:04.120
<v Speaker 1>Performing it? I like making it, though, but I will

1:13:04.160 --> 1:13:08.439
<v Speaker 1>say performing it is more my favorite. Performing it. Yeah, yeah,

1:13:08.920 --> 1:13:11.880
<v Speaker 1>you gotta explain why And wait, wait, have you ever

1:13:11.920 --> 1:13:14.160
<v Speaker 1>spent something in the studio so fucking fast that you

1:13:14.200 --> 1:13:20.360
<v Speaker 1>couldn't perform it? No? I make sure not to do that, like, yeah,

1:13:20.439 --> 1:13:23.040
<v Speaker 1>you know, when you I try to stay truthful with

1:13:23.120 --> 1:13:27.680
<v Speaker 1>the ship, like I tried to stay within the boundaries

1:13:27.840 --> 1:13:32.840
<v Speaker 1>of what's possible because exactly like like everybody got their

1:13:32.840 --> 1:13:35.479
<v Speaker 1>own reasons why they rapped like that. But but for me,

1:13:36.080 --> 1:13:39.439
<v Speaker 1>it's not just about wrapping fast. It's about how quickly

1:13:39.479 --> 1:13:42.240
<v Speaker 1>can you do it at a dope cadence where you

1:13:42.280 --> 1:13:46.400
<v Speaker 1>can hear everything. So so when I'm making the music

1:13:46.439 --> 1:13:49.280
<v Speaker 1>like that, like I try to stay within my boundaries

1:13:49.280 --> 1:13:51.599
<v Speaker 1>of what I know that's humanly possible. Like I think

1:13:51.640 --> 1:13:53.000
<v Speaker 1>you need to take a breath right here, so I'm

1:13:53.040 --> 1:13:55.880
<v Speaker 1>gonna make sure you know, just just stuff like that.

1:13:56.040 --> 1:13:59.760
<v Speaker 1>So I sorry, I could him out so performing and performing, Yeah,

1:13:59.760 --> 1:14:03.439
<v Speaker 1>so performing I like it better because even when I'm

1:14:03.479 --> 1:14:07.639
<v Speaker 1>making music, making music comes from performing in my head,

1:14:08.200 --> 1:14:10.840
<v Speaker 1>you know, when you when you're writing these lyrics. Most

1:14:10.840 --> 1:14:13.599
<v Speaker 1>of the time, like a lot of artists unconsciously even

1:14:13.640 --> 1:14:16.960
<v Speaker 1>realized that they placed themselves in the middle of a

1:14:17.040 --> 1:14:19.599
<v Speaker 1>rap battle or concert or something when they're coming up

1:14:19.640 --> 1:14:23.000
<v Speaker 1>with the rhymes and they look at the audience react

1:14:23.040 --> 1:14:25.280
<v Speaker 1>to the lyric in their mind, and then they say, yes,

1:14:25.360 --> 1:14:27.720
<v Speaker 1>I don't go with it, you know. So a lot

1:14:27.760 --> 1:14:31.080
<v Speaker 1>of my creativity comes from performing in my mind. So

1:14:31.120 --> 1:14:33.040
<v Speaker 1>at the end of the day, to actually get to

1:14:33.080 --> 1:14:37.880
<v Speaker 1>do it in person, that's what a full thrill make.

1:14:37.960 --> 1:14:44.439
<v Speaker 1>Some looks for that, I believe you show you don't

1:14:44.479 --> 1:14:46.400
<v Speaker 1>want to shout at this Japanese whiskey. This is that

1:14:46.479 --> 1:14:49.400
<v Speaker 1>good ship man, it's doing me ain't good enough right here.

1:14:50.479 --> 1:14:52.680
<v Speaker 1>And let's just be clear, the reason why you don't

1:14:52.760 --> 1:14:57.640
<v Speaker 1>drink like that is because you're a gun instructor. You

1:14:57.640 --> 1:14:59.320
<v Speaker 1>know that. The dude that being a call like this

1:14:59.520 --> 1:15:03.640
<v Speaker 1>car Yeah no, not not how you do this? You

1:15:03.680 --> 1:15:05.280
<v Speaker 1>know what you want? The guy, that dude, he's like,

1:15:05.320 --> 1:15:08.000
<v Speaker 1>he's huge, don't he gonna get somebody killed. He was

1:15:08.040 --> 1:15:12.640
<v Speaker 1>like this, if a person comes up to you, you

1:15:12.680 --> 1:15:14.920
<v Speaker 1>know what I'm talking about. He's a gun instructor that

1:15:15.080 --> 1:15:17.640
<v Speaker 1>he's telling you about. He's something to martial artists. Kid,

1:15:17.720 --> 1:15:19.120
<v Speaker 1>gotta be up. You don't know what I'm talking about.

1:15:19.280 --> 1:15:21.120
<v Speaker 1>You know exactly what you're talking about. You know, one

1:15:21.120 --> 1:15:24.439
<v Speaker 1>of my buddies in Chicago is killing it doing doing

1:15:24.520 --> 1:15:27.679
<v Speaker 1>like parodies of that dude right now. Okay, because he's

1:15:27.840 --> 1:15:30.960
<v Speaker 1>hen get somebody hurt. You're not listening to him right

1:15:33.920 --> 1:15:37.280
<v Speaker 1>different when you bet not listen to him, explain, So

1:15:37.360 --> 1:15:39.920
<v Speaker 1>explain what what he just said? You said, your fire

1:15:40.040 --> 1:15:45.280
<v Speaker 1>arms instructor. Yeah, just uh, like the firearms instructor. Like

1:15:45.360 --> 1:15:47.640
<v Speaker 1>so if you want to get your cacealed carry or

1:15:47.640 --> 1:15:51.320
<v Speaker 1>something like that, or just do advanced firearm training technical shooting,

1:15:51.640 --> 1:15:55.280
<v Speaker 1>you teach that. Yeah, mostly mostly how to shoot in general,

1:15:55.400 --> 1:15:57.200
<v Speaker 1>some defensive show. What if you had a fella me,

1:15:57.280 --> 1:16:01.680
<v Speaker 1>could I still go? Oh man? He's like, baby, I

1:16:01.680 --> 1:16:04.280
<v Speaker 1>shouldn't have said. You know, we we we probably get

1:16:04.320 --> 1:16:05.960
<v Speaker 1>you in a situation where we get some people to

1:16:05.960 --> 1:16:08.960
<v Speaker 1>see if you can get it expunge, and then after

1:16:09.000 --> 1:16:11.840
<v Speaker 1>that situation then you can't. So we have had people

1:16:11.880 --> 1:16:14.040
<v Speaker 1>that have had felonies before they got their record of

1:16:14.080 --> 1:16:17.360
<v Speaker 1>sponging and was able to get the Yeah tell them

1:16:17.400 --> 1:16:20.760
<v Speaker 1>look out for me. So yeah, because they got the

1:16:20.760 --> 1:16:28.000
<v Speaker 1>hook up on that. But it's spongement. Holy movie with you.

1:16:28.800 --> 1:16:31.000
<v Speaker 1>But so, well, what made you get into that? You

1:16:31.040 --> 1:16:34.720
<v Speaker 1>just you love firearms? Just seeing you like, I have

1:16:34.760 --> 1:16:37.679
<v Speaker 1>a whole rhyme about the gun. Yeah, just that's doing

1:16:37.760 --> 1:16:40.160
<v Speaker 1>like a rap review like you have, uh you've got

1:16:40.160 --> 1:16:42.320
<v Speaker 1>guys that do gun reviews and then you know, giving

1:16:42.320 --> 1:16:44.559
<v Speaker 1>the description of the gun. So my version is like

1:16:44.600 --> 1:16:47.240
<v Speaker 1>a rap review of a gun that I might like

1:16:47.400 --> 1:16:49.720
<v Speaker 1>or something like that. But you know, just really just

1:16:49.760 --> 1:16:53.360
<v Speaker 1>passionate about the whole fire stuff. So U s c

1:16:53.520 --> 1:16:58.400
<v Speaker 1>C A instructor, n A instructor? How people are visualizing

1:16:58.479 --> 1:17:01.439
<v Speaker 1>the cargoys being bad outside of like downtown and things

1:17:01.439 --> 1:17:03.639
<v Speaker 1>like that. What all the things going on is it?

1:17:03.680 --> 1:17:06.880
<v Speaker 1>Is it is it that easy to just get guns?

1:17:06.960 --> 1:17:10.920
<v Speaker 1>And I'm talking about obviously, Yeah, I mean that's the problem.

1:17:10.920 --> 1:17:15.000
<v Speaker 1>The problem is is illegal guns. That's the problem right

1:17:15.040 --> 1:17:18.080
<v Speaker 1>there is is guns getting in the hands of uh

1:17:18.280 --> 1:17:20.839
<v Speaker 1>people that shouldn't have them. You know, that's the problem.

1:17:20.840 --> 1:17:23.439
<v Speaker 1>And I think you know, education is part of the key,

1:17:23.479 --> 1:17:26.320
<v Speaker 1>even though that's happening. I think when you re educate

1:17:26.360 --> 1:17:28.439
<v Speaker 1>the mind about a firearm, because we used to just

1:17:28.479 --> 1:17:30.880
<v Speaker 1>growing up here and rappers talk about yeah yeah, you

1:17:30.960 --> 1:17:33.800
<v Speaker 1>never really heard a person rap about a gun and

1:17:33.880 --> 1:17:38.800
<v Speaker 1>a flyway or something, you know, something different. Yeah, yeah,

1:17:38.880 --> 1:17:40.920
<v Speaker 1>having respect for the weapon. I mean, you know, like

1:17:40.960 --> 1:17:43.360
<v Speaker 1>I said, I do competition shooting and stuff like that.

1:17:43.439 --> 1:17:46.240
<v Speaker 1>So I try to change the whole narrative and perspective

1:17:46.240 --> 1:17:49.720
<v Speaker 1>about guns because I think education and perception is one

1:17:49.760 --> 1:17:52.040
<v Speaker 1>of the keys to help stir what's going on the

1:17:52.080 --> 1:17:54.320
<v Speaker 1>other way, you know what I mean. So what are

1:17:54.360 --> 1:17:59.400
<v Speaker 1>your favorite guns? Pick two? An assault right for the hangar?

1:18:01.000 --> 1:18:03.720
<v Speaker 1>It's all rightful, what's that you can't talk about it?

1:18:04.000 --> 1:18:07.040
<v Speaker 1>I'm cool now. I saw you posted this. I want

1:18:07.040 --> 1:18:08.599
<v Speaker 1>to I wanted you to tell me how I could

1:18:08.600 --> 1:18:12.479
<v Speaker 1>get it. The one that collapsed a R A R. Yeah,

1:18:12.520 --> 1:18:14.360
<v Speaker 1>it collapsed into like almost it looked like, Yeah, it's

1:18:14.400 --> 1:18:17.800
<v Speaker 1>called folding AYR. Yeah, companies called folding they are, And yeah,

1:18:17.920 --> 1:18:21.240
<v Speaker 1>that's that's that's a dope one right there. But it's

1:18:21.240 --> 1:18:23.360
<v Speaker 1>an a AR that folds, it falls into like it

1:18:23.360 --> 1:18:25.200
<v Speaker 1>almost looks like a handgun at one point. But you know,

1:18:25.240 --> 1:18:27.360
<v Speaker 1>AYR doesn't mean it's alt rifle. It's the first two

1:18:27.439 --> 1:18:29.960
<v Speaker 1>letters in the company arem al oh, so it's not

1:18:30.000 --> 1:18:32.920
<v Speaker 1>an a R fifteen automatically, I mean I'm a like

1:18:33.240 --> 1:18:36.600
<v Speaker 1>model fifteen was just the first two letters in the

1:18:36.600 --> 1:18:40.280
<v Speaker 1>company that Republican though, right, I'm not a poltical. If

1:18:40.320 --> 1:18:51.280
<v Speaker 1>he was, I'm neutru Yeah, I'm neutrul with you. Holy

1:18:51.320 --> 1:18:56.000
<v Speaker 1>sh it, what do you do? Joe Byra, Joe by Byron,

1:18:59.200 --> 1:19:08.880
<v Speaker 1>So what's that Japanese? Listen? Joe Biden's disappointed men that

1:19:09.040 --> 1:19:15.400
<v Speaker 1>think it ain't been outside live? What's going on? What

1:19:15.560 --> 1:19:17.800
<v Speaker 1>a big up Trump at all? But at least you

1:19:17.960 --> 1:19:21.080
<v Speaker 1>felt Trump like you you felt his presence. No one

1:19:21.240 --> 1:19:25.760
<v Speaker 1>isn't outside. One was outside too much. I don't even

1:19:25.800 --> 1:19:28.120
<v Speaker 1>know I got a president like I don't feel like

1:19:28.200 --> 1:19:31.320
<v Speaker 1>as an American, like come on, bro, like, come on, bro,

1:19:31.479 --> 1:19:33.519
<v Speaker 1>come on, come on to come out here outside right now?

1:19:34.120 --> 1:19:37.280
<v Speaker 1>That rushed right now. I'm definitely not rocking with what's

1:19:37.320 --> 1:19:39.280
<v Speaker 1>going on right now. You know, it's a lot of things,

1:19:39.600 --> 1:19:41.720
<v Speaker 1>you know, going on and all that I ain't really

1:19:41.800 --> 1:19:44.200
<v Speaker 1>rocking with with no situation, just trying to take my

1:19:44.280 --> 1:19:48.320
<v Speaker 1>guns away. Neither but you know, you know, I'll stand

1:19:48.400 --> 1:19:51.120
<v Speaker 1>up for the Second Amendment. So but you know, so

1:19:51.200 --> 1:19:53.880
<v Speaker 1>you know, you know you're not taking Joe by the dinner. No,

1:19:54.160 --> 1:19:59.840
<v Speaker 1>he can't go to dinner. I'm straight Holy this is

1:20:00.760 --> 1:20:02.960
<v Speaker 1>but you see the handgun? What handgun would you pay?

1:20:05.640 --> 1:20:11.360
<v Speaker 1>Oh yeah, someone's picking the handgun for it's it's a

1:20:11.520 --> 1:20:13.760
<v Speaker 1>it's a bunch of choices. But right now I'm gonna

1:20:13.800 --> 1:20:17.560
<v Speaker 1>say staccato, man, I like the coccato exc or staccato.

1:20:19.280 --> 1:20:22.880
<v Speaker 1>Mm okay, what what browns does that shoot? What kind

1:20:22.880 --> 1:20:27.760
<v Speaker 1>of rounds? Not Miller met rounds. Yeah, yeah, that's that's

1:20:27.800 --> 1:20:31.040
<v Speaker 1>a good one. Ceazy Shadow too, I like them too. Yeah,

1:20:32.040 --> 1:20:35.120
<v Speaker 1>Holy mobile. Now you got the joint hope with Faith Evans.

1:20:36.080 --> 1:20:39.559
<v Speaker 1>Say it again, the joint hope with faiv Evan. Yeah, yeah,

1:20:39.760 --> 1:20:45.320
<v Speaker 1>very dope. But she's drink Champs a little night. He

1:20:45.439 --> 1:20:48.519
<v Speaker 1>loves man. I just put that together that record. Uh,

1:20:48.640 --> 1:20:50.720
<v Speaker 1>Atlantic had a lot to do with that record, and

1:20:50.920 --> 1:20:53.280
<v Speaker 1>uh she was on Atlantic as well. Yeah, she was

1:20:53.320 --> 1:20:56.840
<v Speaker 1>on Atlantic as well, and that record. Uh it was

1:20:57.000 --> 1:21:00.120
<v Speaker 1>used for I forget the name of the show, but

1:21:00.200 --> 1:21:04.080
<v Speaker 1>it was a family that one of the home and

1:21:04.520 --> 1:21:08.120
<v Speaker 1>the show was involved in helping uh families get homes

1:21:08.400 --> 1:21:11.400
<v Speaker 1>and the little girl in the show like hope. It

1:21:11.520 --> 1:21:13.960
<v Speaker 1>was one of her favorite songs. So we got a

1:21:14.040 --> 1:21:16.080
<v Speaker 1>chance to kind of take that song a little further,

1:21:16.160 --> 1:21:18.160
<v Speaker 1>which is really one of the reasons I made the song, Like,

1:21:18.200 --> 1:21:19.519
<v Speaker 1>I'm like, man, I want to try to do something

1:21:19.520 --> 1:21:22.320
<v Speaker 1>dope with this song. Now, let it just be something normal,

1:21:22.479 --> 1:21:24.240
<v Speaker 1>you know. So when she got on it and then

1:21:24.240 --> 1:21:26.040
<v Speaker 1>we got a chance to get involved with that whole thing,

1:21:26.120 --> 1:21:28.840
<v Speaker 1>that was dope, you know. Yeah, that was vib with that.

1:21:28.880 --> 1:21:34.120
<v Speaker 1>And you also did a game show. Damn did what

1:21:34.320 --> 1:21:41.760
<v Speaker 1>game show it was? It was? It was eximt one true.

1:21:42.160 --> 1:21:46.240
<v Speaker 1>So I don't even remember that ship. You get a

1:21:46.280 --> 1:21:52.720
<v Speaker 1>lot of money, man, you get don't now? I remember? Yeah,

1:21:54.040 --> 1:21:55.920
<v Speaker 1>I remember I was in and out like a thief

1:21:55.960 --> 1:21:58.439
<v Speaker 1>in the night because you talk with that type ship, like,

1:21:58.560 --> 1:22:02.400
<v Speaker 1>because they also did the Netflix show t I A

1:22:02.560 --> 1:22:05.800
<v Speaker 1>the Juge. Yeah, you with that type of ship doing

1:22:05.880 --> 1:22:09.800
<v Speaker 1>reality or its gotta be something I'm interested in. Can't

1:22:09.800 --> 1:22:12.160
<v Speaker 1>just be like just off the fly. You know. If

1:22:12.200 --> 1:22:14.360
<v Speaker 1>it's something that I like or I'm interested in, I'm

1:22:14.400 --> 1:22:19.320
<v Speaker 1>with it. But you know about Podcaster, Yeah, if it's

1:22:19.360 --> 1:22:21.679
<v Speaker 1>something I like, yeah, Yeah, as long as the subject

1:22:21.760 --> 1:22:26.280
<v Speaker 1>matter podcasting about firears, about firears, it's gonna be lit. Yeah.

1:22:27.400 --> 1:22:33.479
<v Speaker 1>So yeah, I'm actually working on something. But you're just

1:22:33.520 --> 1:22:35.920
<v Speaker 1>gonna shoot it up now. I ain't just gonna shoot

1:22:35.960 --> 1:22:37.880
<v Speaker 1>it up. I mean that would be hard to record that.

1:22:40.640 --> 1:22:43.400
<v Speaker 1>I mean, you know, we do have a you know,

1:22:43.560 --> 1:22:47.240
<v Speaker 1>outdoor range, outdoor range, damn, you know. And it's black

1:22:47.280 --> 1:22:52.879
<v Speaker 1>people shooting. Yeah, yeah, accurate, black people shooting accurately and safely.

1:22:53.160 --> 1:22:56.920
<v Speaker 1>That's safely. Yes, on the phone. Yeah, is it a

1:22:57.000 --> 1:22:59.720
<v Speaker 1>pharm or it's like a Yeah, it's a phone. And

1:22:59.800 --> 1:23:04.960
<v Speaker 1>it's Illinois. It's not your cargo. Yeah, this is Illinois. Okay, cools,

1:23:05.640 --> 1:23:07.160
<v Speaker 1>you gotta come out and shoot with me one day,

1:23:07.320 --> 1:23:10.760
<v Speaker 1>can't you can't. Can we bring it down here? Can

1:23:10.760 --> 1:23:12.439
<v Speaker 1>we go down here? Yeah? We can do it down

1:23:12.479 --> 1:23:16.160
<v Speaker 1>here too. Yeah. Yeah, we'll sponsor, We'll do something. Yeah. Yeah,

1:23:17.439 --> 1:23:22.040
<v Speaker 1>not bb guns. This is I got a few. You

1:23:22.240 --> 1:23:26.120
<v Speaker 1>guys know, you gotta I got I got something for you.

1:23:26.200 --> 1:23:29.880
<v Speaker 1>I got something for you. Now we bring have more things. Man,

1:23:30.840 --> 1:23:32.360
<v Speaker 1>twist the man. I ain't gonna lie. I feel like

1:23:32.400 --> 1:23:34.519
<v Speaker 1>taking another shot before we let you go. You gotta

1:23:34.680 --> 1:23:37.240
<v Speaker 1>got more? Are we good? Come on, come on, anybody else,

1:23:37.280 --> 1:23:41.640
<v Speaker 1>Come on, come on, bro who because you want to

1:23:41.640 --> 1:23:43.880
<v Speaker 1>take a shot. It's Japanese whiskey and get your life right,

1:23:46.800 --> 1:23:53.120
<v Speaker 1>you know what I'm saying. Yeah, I will say this

1:23:53.280 --> 1:23:56.320
<v Speaker 1>is what what advice would you give artists? To have

1:23:56.479 --> 1:23:58.600
<v Speaker 1>the long jell that you had that's very true, and

1:23:58.720 --> 1:24:01.720
<v Speaker 1>to stay to stay consistent with the style you want.

1:24:01.760 --> 1:24:05.120
<v Speaker 1>You know, you you stay true to your style. That's

1:24:05.160 --> 1:24:08.479
<v Speaker 1>the one main thing is really nothing is more important

1:24:08.479 --> 1:24:11.160
<v Speaker 1>than being really yourself, because you will get caught up

1:24:11.200 --> 1:24:14.519
<v Speaker 1>in somebody else hype fast and you will start curving

1:24:14.560 --> 1:24:16.479
<v Speaker 1>your ship to sound like they ship and looking like

1:24:16.680 --> 1:24:18.439
<v Speaker 1>you know, you know what I'm talking about, right, you know.

1:24:19.520 --> 1:24:22.479
<v Speaker 1>So the main thing is to stick with your ship,

1:24:22.720 --> 1:24:24.439
<v Speaker 1>you know. And then you gotta know it's a youth

1:24:24.560 --> 1:24:27.400
<v Speaker 1>driven sport too, you know. So when you listen to music,

1:24:27.960 --> 1:24:30.360
<v Speaker 1>a lot of times I'll see when artists start to

1:24:30.400 --> 1:24:32.880
<v Speaker 1>say certain ship is whack or they don't like certain ship.

1:24:33.439 --> 1:24:36.360
<v Speaker 1>That's when you're starting to lose touch a little bit,

1:24:36.840 --> 1:24:39.120
<v Speaker 1>you know what. You as soon as you say that

1:24:39.240 --> 1:24:42.120
<v Speaker 1>ship whack wrong like that, that's when your ass getting old.

1:24:42.600 --> 1:24:45.559
<v Speaker 1>When they come to you know that my state of music.

1:24:45.640 --> 1:24:50.360
<v Speaker 1>So I think the other ship is whack though, I mean,

1:24:50.360 --> 1:24:52.920
<v Speaker 1>you can't say everything is though. I'm not saying everything

1:24:53.080 --> 1:24:55.920
<v Speaker 1>is dope, but definitely not saying. When you're saying something

1:24:56.120 --> 1:25:00.960
<v Speaker 1>is whacked that's winning, then you gotta ask, you know,

1:25:01.080 --> 1:25:03.960
<v Speaker 1>it's a reason it's winning. But it's certain citing. That's

1:25:04.160 --> 1:25:06.960
<v Speaker 1>a fat a fade that you could tell they got

1:25:07.040 --> 1:25:09.920
<v Speaker 1>they got a great six months and then it's gonna

1:25:09.960 --> 1:25:12.800
<v Speaker 1>go away. Then there's certain CITs like I don't understand it.

1:25:14.160 --> 1:25:16.040
<v Speaker 1>I might not like it, but I'm gonna respect it.

1:25:17.120 --> 1:25:19.720
<v Speaker 1>But then there's there's this gimmicks going on. Not to

1:25:19.760 --> 1:25:22.280
<v Speaker 1>say it wasn't gimmicks going on in the nineties. See,

1:25:22.320 --> 1:25:26.000
<v Speaker 1>I was the way I was raised on from him,

1:25:27.439 --> 1:25:31.120
<v Speaker 1>let's breaking the ship is whack, man, because you know

1:25:32.240 --> 1:25:35.040
<v Speaker 1>New York motherfucker's is gonna you know, it's whack. The

1:25:35.080 --> 1:25:41.760
<v Speaker 1>ship is whacking. And I came up off. Yeah, so

1:25:41.880 --> 1:25:44.400
<v Speaker 1>that's my vibe right there. So some ship is just whack.

1:25:44.520 --> 1:25:48.800
<v Speaker 1>But for the most part, there's a reason why something

1:25:48.960 --> 1:25:51.559
<v Speaker 1>is winning. If something is whacked a lot of times,

1:25:51.640 --> 1:25:54.639
<v Speaker 1>even like I've heard whack ship, but then it'll be winning.

1:25:55.080 --> 1:25:57.840
<v Speaker 1>So I'll pay more attention to it and then I'll

1:25:57.920 --> 1:26:04.200
<v Speaker 1>have a production could be dope the program. You know

1:26:04.280 --> 1:26:06.080
<v Speaker 1>what it is. We don't want to be that old

1:26:06.200 --> 1:26:09.200
<v Speaker 1>nigga that turned into the hater m So when we

1:26:09.360 --> 1:26:11.680
<v Speaker 1>know that, so we we don't want to be like

1:26:11.920 --> 1:26:13.960
<v Speaker 1>look at that, you know back in my day. Like,

1:26:14.080 --> 1:26:15.840
<v Speaker 1>we don't want to keep me like that. So you say,

1:26:15.840 --> 1:26:19.160
<v Speaker 1>all right, cool, and you like start participating certain and

1:26:19.200 --> 1:26:21.920
<v Speaker 1>ship and certain Ship is like not right, Yeah, it's

1:26:21.920 --> 1:26:24.800
<v Speaker 1>not right. It's not right. But you gotta figure out

1:26:24.880 --> 1:26:29.000
<v Speaker 1>like what I've always taken out of boys, that's different, bro, No,

1:26:29.320 --> 1:26:33.560
<v Speaker 1>that's not too far difference. I went too far. You

1:26:33.640 --> 1:26:37.680
<v Speaker 1>went too far. You went too far. He man, hey man,

1:26:37.720 --> 1:26:40.479
<v Speaker 1>they're getting money. Man, they're getting money. We don't know

1:26:40.520 --> 1:26:49.400
<v Speaker 1>what they hopefully hopefully hopefully going too far. Yeah, now

1:26:49.479 --> 1:26:51.120
<v Speaker 1>what would you saying? What was what was you saying?

1:26:51.160 --> 1:26:56.439
<v Speaker 1>He wanted to hear spend something? I have been sipping

1:26:56.439 --> 1:26:59.800
<v Speaker 1>that ship? That's that? Is it? That? You know what?

1:27:00.160 --> 1:27:03.200
<v Speaker 1>Won't come out? This is a spade. This is the

1:27:03.280 --> 1:27:08.719
<v Speaker 1>finest from the albums out Mountains of Everywhere. It won't

1:27:08.760 --> 1:27:11.519
<v Speaker 1>come out come and see me giving about it. You

1:27:11.520 --> 1:27:12.920
<v Speaker 1>gotta be gotta be up in the rhythm with about it,

1:27:13.080 --> 1:27:14.280
<v Speaker 1>the level bit of me a bit about it. What

1:27:14.840 --> 1:27:22.680
<v Speaker 1>was the matter with that man? Almost what y'all tell

1:27:22.720 --> 1:27:24.160
<v Speaker 1>you about to grab that put it on the verse

1:27:24.240 --> 1:27:29.800
<v Speaker 1>with him. He's gonna spend on that holy ship. That

1:27:29.960 --> 1:27:34.640
<v Speaker 1>was all. That's all. So do you still love the

1:27:34.680 --> 1:27:41.360
<v Speaker 1>game the same way? Um? I love it differently. I

1:27:41.360 --> 1:27:44.160
<v Speaker 1>wouldn't say the same way. Not the same way. Um

1:27:45.920 --> 1:27:48.719
<v Speaker 1>it's different. I would say I still love making music.

1:27:48.800 --> 1:27:51.960
<v Speaker 1>I still love creating music. But what makes me love

1:27:52.000 --> 1:27:56.799
<v Speaker 1>it differently is other things going on that I realized

1:27:56.880 --> 1:27:59.680
<v Speaker 1>that I can take my music and bridge it with

1:28:00.120 --> 1:28:02.680
<v Speaker 1>with what I do, even with the with the with

1:28:02.840 --> 1:28:05.360
<v Speaker 1>me being a firearms instructor, and just knowing that I

1:28:05.439 --> 1:28:07.920
<v Speaker 1>could take my music and literally rap about the stuff

1:28:07.960 --> 1:28:10.439
<v Speaker 1>I'm doing like I'm telling you, um me doing a

1:28:10.560 --> 1:28:13.599
<v Speaker 1>sixty second gun review, stuff like that, just being able

1:28:13.640 --> 1:28:15.519
<v Speaker 1>to play with it. So the one thing with with

1:28:15.720 --> 1:28:19.040
<v Speaker 1>music is I think you have to find ways to

1:28:19.280 --> 1:28:23.120
<v Speaker 1>keep making keep making it passionate to you. So you

1:28:23.200 --> 1:28:26.000
<v Speaker 1>got yeah to to anybody you know, you gotta Sometimes

1:28:26.040 --> 1:28:28.240
<v Speaker 1>when when you start to lose your passion for music,

1:28:28.920 --> 1:28:34.080
<v Speaker 1>try to find something else that's going on. And yeah, yeah,

1:28:34.240 --> 1:28:37.519
<v Speaker 1>keep yourself relevant to yourself, but also find what what

1:28:37.680 --> 1:28:40.080
<v Speaker 1>else that you may be passionate about and try to

1:28:40.120 --> 1:28:42.479
<v Speaker 1>see if you can use some of that and put

1:28:42.520 --> 1:28:43.880
<v Speaker 1>it over here with what you know how to do.

1:28:44.080 --> 1:28:46.080
<v Speaker 1>When when in terms of music, if you still want

1:28:46.120 --> 1:28:50.360
<v Speaker 1>to do it, you know you fell out of love

1:28:50.400 --> 1:28:55.479
<v Speaker 1>of music before. Yeah all the time? Is it the

1:28:55.600 --> 1:29:00.720
<v Speaker 1>music or because the game is different? Thing? The game?

1:29:01.040 --> 1:29:03.960
<v Speaker 1>The game? Because the game the fans is always great. Yeah,

1:29:04.120 --> 1:29:08.960
<v Speaker 1>so it's it's always great. But everything it was fuck

1:29:09.080 --> 1:29:11.839
<v Speaker 1>up about it, even having to learn the music business,

1:29:12.479 --> 1:29:14.559
<v Speaker 1>like you would think, like everything is supposed to be fair.

1:29:15.280 --> 1:29:18.040
<v Speaker 1>We all, you know what I'm saying, love the same culture.

1:29:18.560 --> 1:29:20.559
<v Speaker 1>You gotta realize, dam I can't even trust this guy.

1:29:20.560 --> 1:29:23.120
<v Speaker 1>I gotta actually, I actually gotta read and I just

1:29:23.200 --> 1:29:25.479
<v Speaker 1>gotta know this and I gotta you know, go through that.

1:29:25.840 --> 1:29:28.720
<v Speaker 1>Yeah what was was that something you have to go through? Yeah?

1:29:29.040 --> 1:29:32.160
<v Speaker 1>Hell yeah all the time. Like I had years of

1:29:32.240 --> 1:29:36.120
<v Speaker 1>my life or years of my rap career shaved off

1:29:36.800 --> 1:29:39.639
<v Speaker 1>from going through label drama stuff like that. So yeah,

1:29:39.680 --> 1:29:41.720
<v Speaker 1>I was like, to me, I was one of the

1:29:41.840 --> 1:29:44.160
<v Speaker 1>artists that got the worst of that type of ship.

1:29:44.680 --> 1:29:48.000
<v Speaker 1>You know. So the worst of of of label drama

1:29:48.320 --> 1:29:50.320
<v Speaker 1>or not being able to put out music or dealing

1:29:50.360 --> 1:29:53.439
<v Speaker 1>with drama with labels. Yeah, he wasn't throwing chairs were

1:29:53.640 --> 1:29:56.960
<v Speaker 1>here unless she was stors. I wasn't throwing chairs. I

1:29:57.080 --> 1:30:04.240
<v Speaker 1>might have threw a few words, but shit, did I

1:30:04.320 --> 1:30:06.600
<v Speaker 1>cuss crag out before? I might have cus create the

1:30:06.680 --> 1:30:09.040
<v Speaker 1>funk out one time. He probably used to it, but

1:30:09.120 --> 1:30:13.439
<v Speaker 1>he used to this ship. Yeah, you took your Japanese whiskey.

1:30:18.160 --> 1:30:21.679
<v Speaker 1>It's what's saying. This is the dark side. You stayed,

1:30:21.720 --> 1:30:24.560
<v Speaker 1>you stayed in, you stayed in the champagne section. We

1:30:24.680 --> 1:30:30.200
<v Speaker 1>respect that there's no sex in the champagne room. Man. Yeah,

1:30:32.479 --> 1:30:36.080
<v Speaker 1>and he pouring heavy still he ain't learned, man. So

1:30:36.200 --> 1:30:40.800
<v Speaker 1>you fucking strip clubs when we when we gotta go there,

1:30:41.400 --> 1:30:43.760
<v Speaker 1>you know? So that's not what what? What what do

1:30:44.360 --> 1:30:48.040
<v Speaker 1>you do? Shoot? You go out there? You just shooting

1:30:48.120 --> 1:30:54.840
<v Speaker 1>shot people? What the shooting? Come on? That's that's that's

1:30:55.000 --> 1:30:57.320
<v Speaker 1>that's your your version of fun on the night where

1:30:57.320 --> 1:30:59.840
<v Speaker 1>you could just go out kill. You're going out and

1:31:00.000 --> 1:31:01.960
<v Speaker 1>you want to go to shoot. We're probably going on

1:31:02.040 --> 1:31:03.880
<v Speaker 1>the farm and shooting some a RS and a K.

1:31:04.200 --> 1:31:07.040
<v Speaker 1>I released a lot of stress doing that. You're hunt

1:31:07.080 --> 1:31:11.120
<v Speaker 1>into just not yet, but I'm about to start getting

1:31:11.120 --> 1:31:14.360
<v Speaker 1>into some hunting. Yeah yeah, are you going all in

1:31:14.640 --> 1:31:18.240
<v Speaker 1>what we're hunting? Sir? Man? If I go out there

1:31:18.280 --> 1:31:20.280
<v Speaker 1>and chill with y'all, want to clear me with the

1:31:20.360 --> 1:31:22.960
<v Speaker 1>army some boards or something, you know, like my whole thing.

1:31:23.000 --> 1:31:26.320
<v Speaker 1>If my hunt, it's gotta be something that that's gonna

1:31:26.439 --> 1:31:29.560
<v Speaker 1>be for a reason, a good reason. So like that

1:31:29.680 --> 1:31:39.080
<v Speaker 1>we could eat he came through he never comes through down.

1:31:43.200 --> 1:31:50.080
<v Speaker 1>Yeah huh. Yeah, that's the hardest record. That's you're broke

1:31:50.200 --> 1:32:01.000
<v Speaker 1>right there. So yeah, yeah, pop that. Yeah. Yeah, so

1:32:02.640 --> 1:32:04.639
<v Speaker 1>that's what that's what we're doing for fun, be going

1:32:04.720 --> 1:32:08.519
<v Speaker 1>out Yeah, man, you know, I'm I'm you know in

1:32:08.640 --> 1:32:11.040
<v Speaker 1>my thing. I'm training a lot too because you know,

1:32:11.080 --> 1:32:14.280
<v Speaker 1>I'm under the competitive shooting, so I'm always training and shot.

1:32:15.400 --> 1:32:18.519
<v Speaker 1>So let's just be clear because I asked anybody this, So,

1:32:20.680 --> 1:32:22.640
<v Speaker 1>how much pussy do you think you got to your

1:32:25.040 --> 1:32:28.320
<v Speaker 1>your We're like, yeah, I mean you're not married no more.

1:32:28.360 --> 1:32:31.720
<v Speaker 1>I googled it, right, Yeah, I mean, I mean, I'm I'm, I'm, I'm.

1:32:31.960 --> 1:32:34.160
<v Speaker 1>I still got a family and everything, so you know,

1:32:34.840 --> 1:32:37.880
<v Speaker 1>I probably had my fun in my lifetime and you

1:32:37.960 --> 1:32:40.439
<v Speaker 1>have a big you know, I know how I didn't

1:32:40.439 --> 1:32:43.280
<v Speaker 1>have a big Your playlist was crazy today when I

1:32:43.360 --> 1:32:46.360
<v Speaker 1>was going through it, I'm like, I was just calculated.

1:32:46.439 --> 1:32:47.800
<v Speaker 1>I was like, you know how this is comedy because

1:32:47.800 --> 1:32:49.360
<v Speaker 1>the money. I was just calculating the pussy there. I

1:32:49.400 --> 1:32:51.400
<v Speaker 1>think you figure about you know what I'm saying, like

1:32:51.760 --> 1:32:57.960
<v Speaker 1>we have fun, We have fun fun. It was a

1:32:58.000 --> 1:33:01.599
<v Speaker 1>little celebrities. No, you knocked down a couple of roose

1:33:02.360 --> 1:33:05.360
<v Speaker 1>No Celem. There's no celem for whatever love it makes

1:33:05.360 --> 1:33:12.439
<v Speaker 1>space to know the motherfucker twist coming back. My back

1:33:12.520 --> 1:33:16.799
<v Speaker 1>got crazy and a little worry about it. You're married

1:33:18.120 --> 1:33:26.519
<v Speaker 1>to tell You're like, yeah, we've been outside. Uh see yo,

1:33:27.439 --> 1:33:32.160
<v Speaker 1>so how how crazy? How crazy is it? Oh? No, no, no,

1:33:32.280 --> 1:33:34.320
<v Speaker 1>we off that like just just being you know what

1:33:34.360 --> 1:33:36.920
<v Speaker 1>I mean, like because you know, like like we said,

1:33:36.960 --> 1:33:39.599
<v Speaker 1>like you know, from seeing Shytown, you know, coming from

1:33:39.840 --> 1:33:41.760
<v Speaker 1>the error where you and Carmen and then seeing like

1:33:41.840 --> 1:33:44.800
<v Speaker 1>all this drill things happen and people are and then

1:33:44.840 --> 1:33:47.760
<v Speaker 1>you know with the Kanye and even everyone like the

1:33:47.800 --> 1:33:50.320
<v Speaker 1>people having the light on y'all city, Like you know

1:33:50.320 --> 1:33:53.800
<v Speaker 1>what I'm saying, like, how ya like you know, like

1:33:53.880 --> 1:33:56.920
<v Speaker 1>you've seen the whole process, right you pretty much? Man? Uhuh,

1:33:58.680 --> 1:34:02.639
<v Speaker 1>get a lot, man, it's been interest. He told a lie.

1:34:03.240 --> 1:34:07.360
<v Speaker 1>You know, I'm saying he took. He's a good guy

1:34:07.520 --> 1:34:08.960
<v Speaker 1>and I forgot to say that, Brad. Right then I

1:34:09.040 --> 1:34:12.040
<v Speaker 1>didn't say that, Brad. Yeah. Yeah, we talked about the Yeah,

1:34:12.160 --> 1:34:14.960
<v Speaker 1>that's my girl problems. That's the homie. You know what

1:34:14.960 --> 1:34:17.040
<v Speaker 1>I'm saying. No, the brand and shower of my sisters.

1:34:20.600 --> 1:34:23.559
<v Speaker 1>Are you Are you drunk? Yeah? Sho you want another?

1:34:23.600 --> 1:34:25.960
<v Speaker 1>You want another? Shout of japan taking? Yeah, that's it

1:34:26.479 --> 1:34:30.120
<v Speaker 1>ended out. Some shut it out. He's going into it out. Man,

1:34:32.040 --> 1:34:35.479
<v Speaker 1>you end it out to drink? Say to drink that?

1:34:35.520 --> 1:34:37.200
<v Speaker 1>Do say too that we want it's closer to you.

1:34:38.439 --> 1:34:40.960
<v Speaker 1>Come on, what do you want that the Japanese? Come

1:34:41.040 --> 1:34:46.599
<v Speaker 1>get that Japanese. Yeah, let me get the champagne. Okay, yeah,

1:34:46.640 --> 1:34:50.200
<v Speaker 1>let's got you the champagne. Baby damn. Yeah, Papa new

1:34:50.240 --> 1:34:55.680
<v Speaker 1>one too, if you want. I know what's going on

1:34:55.920 --> 1:35:06.200
<v Speaker 1>over and now we're started once again once again. Like

1:35:06.240 --> 1:35:07.880
<v Speaker 1>I said, man, you know, we just want to give

1:35:07.920 --> 1:35:10.559
<v Speaker 1>people their fliers while they're alive, you know what I mean?

1:35:11.240 --> 1:35:13.080
<v Speaker 1>And people, you know, every time you're in this game,

1:35:13.120 --> 1:35:15.240
<v Speaker 1>people get ten years or more. They want to tell

1:35:15.240 --> 1:35:16.920
<v Speaker 1>you you washed up. They want to say we don't

1:35:16.960 --> 1:35:19.599
<v Speaker 1>want that here. We're gonna pick up our legends. We're

1:35:19.600 --> 1:35:21.880
<v Speaker 1>gonna always salute our legends. Thank you, give you to

1:35:21.960 --> 1:35:23.360
<v Speaker 1>your face and you know what I mean. We ain't

1:35:23.360 --> 1:35:25.439
<v Speaker 1>afraid to say. You know, all niggas is great. We're

1:35:25.439 --> 1:35:27.080
<v Speaker 1>gonna hold it down. You know what I mean. Thank

1:35:27.120 --> 1:35:28.560
<v Speaker 1>you for being a part of that. Think you'll for

1:35:28.640 --> 1:35:37.040
<v Speaker 1>coming out. Appreciate me, y'all got y'all got mean? Did

1:35:37.120 --> 1:35:40.920
<v Speaker 1>we just take some flip? You get loose now? I

1:35:40.960 --> 1:35:42.599
<v Speaker 1>don't know if I don't know, if you wrap it up,

1:35:43.200 --> 1:35:45.240
<v Speaker 1>feel like you still it, feel like you ain't done. No,

1:35:45.400 --> 1:35:52.479
<v Speaker 1>I'm good. Thanks for joining us for another episode of

1:35:52.560 --> 1:35:55.040
<v Speaker 1>Drink Champs hosten Boy, yours truly, d J E f

1:35:55.080 --> 1:35:57.639
<v Speaker 1>F and n R E. Please make sure to follow

1:35:57.720 --> 1:36:00.280
<v Speaker 1>us on all our socials Let's at Drink Champs cross

1:36:00.320 --> 1:36:04.640
<v Speaker 1>all platforms, at the Real Noriegan, I g at Noriega

1:36:04.680 --> 1:36:08.320
<v Speaker 1>on Twitter, minus at Who's Crazy on I g at

1:36:08.439 --> 1:36:11.000
<v Speaker 1>d J E f N on Twitter, and most importantly,

1:36:11.040 --> 1:36:13.840
<v Speaker 1>stay up to date with the latest releases, news and

1:36:14.040 --> 1:36:22.639
<v Speaker 1>merged by going to Drink Champs dot com. For more

1:36:22.720 --> 1:36:26.120
<v Speaker 1>podcasts from My heart Radio, visit the iHeart Radio app,

1:36:26.640 --> 1:36:29.679
<v Speaker 1>Apple podcast, or wherever you listen to your favorite shows.