WEBVTT - 216: Top of the Hour

0:00:00.080 --> 0:00:02.720
<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

0:00:02.800 --> 0:00:27.640
<v Speaker 1>partnership with Iheartradiots. Katie loves.

0:00:32.440 --> 0:00:44.120
<v Speaker 2>Gulieremo Katie, Katie loves he g Olalla Yes yo.

0:00:44.280 --> 0:00:46.720
<v Speaker 1>Recently I started watching a bunch of Elvis movies. I've

0:00:46.720 --> 0:00:49.000
<v Speaker 1>seen them before, but not all of them, but there's

0:00:49.000 --> 0:00:51.519
<v Speaker 1>a bunch of them on one of the streaming networks

0:00:51.560 --> 0:00:53.680
<v Speaker 1>and I love them so much.

0:00:53.840 --> 0:00:58.320
<v Speaker 3>What have you seen the most latest, Austin Butler? Elvia?

0:00:58.640 --> 0:00:59.600
<v Speaker 3>Is it amazing? Yeah?

0:00:59.840 --> 0:01:02.920
<v Speaker 1>I really really liked it. He's really good. He doesn't

0:01:03.000 --> 0:01:05.600
<v Speaker 1>look like Elvis at all in my opinion, but that

0:01:05.640 --> 0:01:08.280
<v Speaker 1>doesn't matter because he has like his essence. He's really

0:01:08.319 --> 0:01:08.920
<v Speaker 1>fucking good.

0:01:09.280 --> 0:01:12.240
<v Speaker 3>Wow, so good. I have not seen it. I should

0:01:12.240 --> 0:01:14.840
<v Speaker 3>watch that. Yeah, bad actor.

0:01:14.760 --> 0:01:18.120
<v Speaker 1>Yo, Katie. Isn't it funny when you're I remember being

0:01:18.160 --> 0:01:21.000
<v Speaker 1>in college and being, you know, whatever age you are,

0:01:21.040 --> 0:01:22.840
<v Speaker 1>when you're like second year of college, I was, I

0:01:22.840 --> 0:01:25.600
<v Speaker 1>don no, twenty twenty one, I don't fucking know. But

0:01:25.640 --> 0:01:27.839
<v Speaker 1>there was a girl in one of my acting classes.

0:01:28.440 --> 0:01:30.080
<v Speaker 1>And I went to a business school, but of course

0:01:30.120 --> 0:01:33.319
<v Speaker 1>I took like the three like acting classes that there

0:01:33.319 --> 0:01:35.440
<v Speaker 1>were in the school, and there was a girl in

0:01:35.440 --> 0:01:38.560
<v Speaker 1>my class that was like thirty two, and I remember

0:01:38.680 --> 0:01:44.680
<v Speaker 1>all of us being like, yo, she's thirty two. We

0:01:44.680 --> 0:01:48.240
<v Speaker 1>were flabbergasted that she was in her.

0:01:48.160 --> 0:01:52.400
<v Speaker 3>Thirties and this person we never met, but.

0:01:52.400 --> 0:01:55.480
<v Speaker 1>I remember all of us being like, it was like

0:01:55.520 --> 0:01:57.840
<v Speaker 1>the school. It was like this drama.

0:01:57.880 --> 0:02:01.640
<v Speaker 3>People were like, oh my god, he was thirty creature doing.

0:02:01.560 --> 0:02:04.360
<v Speaker 1>Here, and we love her. We loved her. But of

0:02:04.400 --> 0:02:06.880
<v Speaker 1>course now I'm fifty two and I'm like, hey, you

0:02:06.920 --> 0:02:10.160
<v Speaker 1>know that's two so young? What? Yeah?

0:02:10.360 --> 0:02:13.639
<v Speaker 3>No, wait, in business school? Did you take business classes?

0:02:14.080 --> 0:02:16.880
<v Speaker 1>I took some. I went to Baroque College, which is

0:02:16.919 --> 0:02:19.760
<v Speaker 1>the college that Jaylo went to. Yes, it's on like

0:02:19.760 --> 0:02:22.320
<v Speaker 1>twenty third in Lexington. I knew I wanted to be

0:02:22.320 --> 0:02:24.640
<v Speaker 1>an actor, but I wanted to go to have something

0:02:24.680 --> 0:02:28.080
<v Speaker 1>to fall back on, get a degree in business, just

0:02:28.120 --> 0:02:29.720
<v Speaker 1>to have something to fall back and my two older

0:02:29.720 --> 0:02:30.519
<v Speaker 1>brothers went there.

0:02:30.880 --> 0:02:36.320
<v Speaker 3>I cannot imagine you running, like doing a regular life job.

0:02:36.400 --> 0:02:40.480
<v Speaker 1>Can you fucking imagine my dumb ass trying to do

0:02:40.560 --> 0:02:44.040
<v Speaker 1>somebody's fucking taxes or some bullshit that has to do

0:02:44.080 --> 0:02:45.960
<v Speaker 1>with money or something that's not artistic?

0:02:46.200 --> 0:02:48.160
<v Speaker 3>Noumb you're incredibly smart.

0:02:48.280 --> 0:02:50.960
<v Speaker 1>Well listen, I can be dumb sometimes, I like not,

0:02:51.680 --> 0:02:53.560
<v Speaker 1>that's so not my brain. It doesn't work that way.

0:02:53.600 --> 0:02:56.840
<v Speaker 3>We're not traditional like that, like you can't do a

0:02:56.960 --> 0:02:59.760
<v Speaker 3>job like that, Like that is not Oh so both

0:02:59.800 --> 0:03:01.920
<v Speaker 3>your brothers went to Baruch, so you were like, all right,

0:03:01.960 --> 0:03:02.880
<v Speaker 3>I'll just do this.

0:03:02.960 --> 0:03:06.280
<v Speaker 1>Yeah yeah, yeah. But luckily, you know, at the second year,

0:03:06.680 --> 0:03:08.960
<v Speaker 1>like the middle of the second year, I got an

0:03:08.960 --> 0:03:11.640
<v Speaker 1>agent and I started booking, and I was like, see

0:03:11.680 --> 0:03:14.880
<v Speaker 1>you peaking was out of there, peace out.

0:03:15.280 --> 0:03:17.359
<v Speaker 3>You must have come into Baruk and they must have

0:03:17.440 --> 0:03:20.200
<v Speaker 3>been like, wow, give this dude.

0:03:20.240 --> 0:03:23.200
<v Speaker 1>All the leads yep, Like they were like this motherfucker

0:03:23.200 --> 0:03:26.919
<v Speaker 1>could act. All those business majors were terrible actors. So

0:03:27.000 --> 0:03:29.320
<v Speaker 1>my scrawny ass was like I could do it, and

0:03:29.360 --> 0:03:30.639
<v Speaker 1>they were like they're amazing.

0:03:30.919 --> 0:03:34.760
<v Speaker 3>Oh my god, I can't imagine. I'm just like dying

0:03:34.840 --> 0:03:38.680
<v Speaker 3>over the image of you, like having a sliding doors life,

0:03:38.680 --> 0:03:41.240
<v Speaker 3>where like you didn't get an agent and you graduated

0:03:41.280 --> 0:03:45.200
<v Speaker 3>book and you're in like some already shitted suit and

0:03:45.240 --> 0:03:47.880
<v Speaker 3>you can't wear all your shirts and your leather suspenders

0:03:47.920 --> 0:03:50.560
<v Speaker 3>and you have to like report to an office and

0:03:50.600 --> 0:03:54.040
<v Speaker 3>like do taxes or something like what would you.

0:03:53.960 --> 0:03:57.400
<v Speaker 1>Have done that is disgusting. I would never. I would never.

0:03:57.760 --> 0:04:00.960
<v Speaker 3>You wouldn't have survived. I little Giermo Diaz going to

0:04:00.960 --> 0:04:04.600
<v Speaker 3>Beru colleges. This is the greatest thing in the entire world.

0:04:04.600 --> 0:04:08.040
<v Speaker 3>To make it crazy like it would have, I can't.

0:04:08.200 --> 0:04:09.200
<v Speaker 3>You were not meant to do that.

0:04:09.600 --> 0:04:11.320
<v Speaker 1>I wouldn't change it for the world. You know. It

0:04:11.360 --> 0:04:13.400
<v Speaker 1>was such a great experience. And I met so many

0:04:13.480 --> 0:04:14.720
<v Speaker 1>There was a professor, there, a names.

0:04:14.800 --> 0:04:16.880
<v Speaker 3>You met that thirty two year old old hag.

0:04:17.200 --> 0:04:18.240
<v Speaker 1>Yeah, that old hag.

0:04:19.480 --> 0:04:26.160
<v Speaker 3>Wow. Today's episode is two sixteen. We are nearing the

0:04:26.520 --> 0:04:29.600
<v Speaker 3>like we are in the final third of the second

0:04:29.600 --> 0:04:32.159
<v Speaker 3>season where shit gets ramped up and fucking crazy. This

0:04:32.240 --> 0:04:35.919
<v Speaker 3>episode is called Top of the Hour and it aired

0:04:35.960 --> 0:04:39.520
<v Speaker 3>on March twenty first of twenty thirteen.

0:04:38.720 --> 0:04:41.200
<v Speaker 1>And it was written by Heather Mitchell and directed by

0:04:41.279 --> 0:04:44.720
<v Speaker 1>Steve Robin. Check it out. Okay, March twenty first is

0:04:44.760 --> 0:04:48.080
<v Speaker 1>the day before my birthday.

0:04:48.240 --> 0:04:50.680
<v Speaker 3>Continue, Oh, the best day in the world, the day

0:04:50.760 --> 0:04:52.840
<v Speaker 3>that we all, we all need to be celebrating.

0:04:52.839 --> 0:04:53.279
<v Speaker 1>March first.

0:04:53.320 --> 0:04:56.800
<v Speaker 3>Second guest starring Scott Foley as Jake Bellard, Sharmila Devar

0:04:56.960 --> 0:04:59.760
<v Speaker 3>as Lauren Wellman, Kurt Fuller as great In Osborne, Samantha

0:04:59.760 --> 0:05:02.479
<v Speaker 3>slow And as Janine Locke, Alexander Greer as Patrick White,

0:05:02.520 --> 0:05:05.400
<v Speaker 3>house staffer, Denorka Wildcott as reporter.

0:05:05.160 --> 0:05:10.239
<v Speaker 1>Carol Reesrios as reporter, Peter J. Jackson as news anchor,

0:05:10.560 --> 0:05:15.040
<v Speaker 1>Lisa Edelstein as Sarah Stanner love her. J. Carnes as

0:05:15.080 --> 0:05:15.760
<v Speaker 1>Phil Stanner.

0:05:15.880 --> 0:05:21.000
<v Speaker 3>This is a beautiful name, and it's saida.

0:05:21.600 --> 0:05:28.200
<v Speaker 1>Eureka as Samantha Wells. I hope I did not butcher

0:05:28.240 --> 0:05:28.599
<v Speaker 1>her name.

0:05:28.680 --> 0:05:30.360
<v Speaker 3>Who is Samantha Wells in it?

0:05:30.839 --> 0:05:31.760
<v Speaker 1>Who the fuck knows?

0:05:31.800 --> 0:05:33.680
<v Speaker 3>I don't you remember who Samantha Wells was?

0:05:33.720 --> 0:05:35.279
<v Speaker 1>I don't remember.

0:05:35.680 --> 0:05:37.400
<v Speaker 3>All right, we're gonna get into it, so will so.

0:05:37.440 --> 0:05:41.760
<v Speaker 1>Samantha Wells was the secretary that is seats is seated

0:05:41.800 --> 0:05:44.960
<v Speaker 1>outside of Fitz's office, where Melly is like, tell me

0:05:45.000 --> 0:05:48.640
<v Speaker 1>we all his meetings, please? Oh god, damn it. I

0:05:48.640 --> 0:05:49.680
<v Speaker 1>fucked up. You're right, that's.

0:05:49.560 --> 0:05:54.440
<v Speaker 3>Lauren Lauren Wellman, who is the who is the secretary

0:05:54.480 --> 0:05:55.960
<v Speaker 3>who's in charge of Fitz's schedule?

0:05:56.000 --> 0:06:02.120
<v Speaker 1>And right, yes, sorry, I apologize, guys, says a real

0:06:02.480 --> 0:06:03.880
<v Speaker 1>doozy of an episode.

0:06:04.040 --> 0:06:05.960
<v Speaker 3>It's kind of a classic. We've got a case of

0:06:05.960 --> 0:06:08.719
<v Speaker 3>the Week, and we've got a lot of b storyline

0:06:08.760 --> 0:06:10.840
<v Speaker 3>going on in the White House Synopsis. Olivia and her

0:06:10.880 --> 0:06:12.960
<v Speaker 3>OPA team find themselves once more in the middle of

0:06:13.000 --> 0:06:15.760
<v Speaker 3>a media firestorm. This time they go to head to

0:06:15.800 --> 0:06:17.800
<v Speaker 3>head with the White House after their new client, high

0:06:17.839 --> 0:06:20.599
<v Speaker 3>powered CEO Sarah Stanner, is accused of having an affair

0:06:20.640 --> 0:06:23.279
<v Speaker 3>with President Fitz's nominee for the Supreme Court.

0:06:23.520 --> 0:06:26.280
<v Speaker 1>Olivia delivers a hot tip to Jake Ballard as their

0:06:26.320 --> 0:06:30.120
<v Speaker 1>flirtations continue. In pursuit of the White House, mole Huck

0:06:30.240 --> 0:06:33.920
<v Speaker 1>teaches Quinn how to be a professional stalker with mixed results.

0:06:34.040 --> 0:06:38.640
<v Speaker 1>Me Yeah, hey, wait a minute. Meanwhile, Cyrus and Mellie

0:06:38.640 --> 0:06:42.080
<v Speaker 1>battle for the President's attention, and Abby confronts Harrison over

0:06:42.120 --> 0:06:46.880
<v Speaker 1>his role in her and David Rosen's breakup. Whoa wow?

0:06:47.200 --> 0:06:53.440
<v Speaker 3>Okay, So to Jog y'all's memory. Lisa Edelstein portrays the

0:06:53.880 --> 0:06:58.080
<v Speaker 3>case of the week, Sarah Stanner, and she's fucking unbelievable.

0:06:58.160 --> 0:07:04.080
<v Speaker 3>Her acting is ridiculous. She's so good, it's amazing, Like

0:07:04.160 --> 0:07:07.159
<v Speaker 3>she plays this high powered female ceo. They have two kids,

0:07:07.160 --> 0:07:09.600
<v Speaker 3>this like sort of perfect life, a lovely house and

0:07:09.640 --> 0:07:11.840
<v Speaker 3>then her daughter. They're like setting up dinner at the

0:07:11.840 --> 0:07:13.400
<v Speaker 3>beginning of the episode and You're like, oh my god,

0:07:13.400 --> 0:07:14.920
<v Speaker 3>what a lovely family. And then all of a sudden,

0:07:14.920 --> 0:07:18.120
<v Speaker 3>it's like ding dog and then a little daughter goes

0:07:18.160 --> 0:07:22.560
<v Speaker 3>to run pizza, and the little daughter runs to the

0:07:22.560 --> 0:07:28.200
<v Speaker 3>front door, and it's like ooh.

0:07:26.640 --> 0:07:29.840
<v Speaker 1>And it's like all these reporters and right outside the door.

0:07:29.760 --> 0:07:32.960
<v Speaker 3>Clashing bulbs and your your mother, you know, like do

0:07:32.960 --> 0:07:34.720
<v Speaker 3>we want to talk to Sarah Stanza. She's been having

0:07:34.760 --> 0:07:36.560
<v Speaker 3>an affair with the Supreme Court nominee. And what we

0:07:36.680 --> 0:07:39.360
<v Speaker 3>learn is the case of the week is that Fitz's

0:07:39.400 --> 0:07:43.480
<v Speaker 3>Supreme Court nominee was having an affair we think with

0:07:43.560 --> 0:07:47.080
<v Speaker 3>Lisa Aiedelstein's character a million years ago, but it turns

0:07:47.080 --> 0:07:49.520
<v Speaker 3>out what we learn is that affair was like going

0:07:49.560 --> 0:07:51.000
<v Speaker 3>on for like a way.

0:07:50.920 --> 0:07:53.240
<v Speaker 1>Much longer, much much longer.

0:07:53.400 --> 0:07:55.280
<v Speaker 3>She was almost even kind of in love with them.

0:07:55.760 --> 0:08:00.160
<v Speaker 3>Her husband puts it together like is our daughter even mine?

0:08:00.680 --> 0:08:05.600
<v Speaker 3>Am I the father? Anyway, their performance is amazing, and

0:08:05.680 --> 0:08:07.520
<v Speaker 3>so it's sort of like the White House going head

0:08:07.560 --> 0:08:10.800
<v Speaker 3>to head with Opa because we rep Lisa Aiedelstein's character

0:08:11.360 --> 0:08:13.760
<v Speaker 3>and the White House is trying to protect the Supreme

0:08:13.800 --> 0:08:19.200
<v Speaker 3>Court nominee, and so they're tearing Lisa Aidelstein's character apart

0:08:19.360 --> 0:08:21.560
<v Speaker 3>in the press, like showing all these pictures of her

0:08:21.600 --> 0:08:24.400
<v Speaker 3>in college, like she was like a slut, and like

0:08:24.880 --> 0:08:29.280
<v Speaker 3>releasing emails where she was like basically supposedly like begging

0:08:29.400 --> 0:08:30.480
<v Speaker 3>him to have sex with her.

0:08:31.080 --> 0:08:35.679
<v Speaker 1>And of course, and Cyrus is like, wtf, Olivia, what

0:08:35.720 --> 0:08:38.800
<v Speaker 1>the hell are you doing? Leave this alone? And she's like, nope,

0:08:38.840 --> 0:08:42.120
<v Speaker 1>I'm this this is my client. Too bad, And I

0:08:42.160 --> 0:08:44.640
<v Speaker 1>love what she delivers. One of my favorite lines where

0:08:44.679 --> 0:08:47.720
<v Speaker 1>she tells Cyrus take a breath, Cyrus, I don't want

0:08:47.760 --> 0:08:49.760
<v Speaker 1>to be responsible for a heart attack, Like you're going

0:08:49.840 --> 0:08:52.640
<v Speaker 1>to have a heart attack. Because Cyrus is losing his

0:08:52.840 --> 0:08:53.640
<v Speaker 1>shit over this.

0:08:54.120 --> 0:08:57.679
<v Speaker 3>Yeah, such foreshadowing, because Cyrus does have a heart attack

0:08:57.679 --> 0:08:59.760
<v Speaker 3>at some point. I can't remember what season that is.

0:09:00.080 --> 0:09:01.040
<v Speaker 3>Definitely has a heart attack.

0:09:01.040 --> 0:09:01.560
<v Speaker 1>And some times.

0:09:01.800 --> 0:09:08.680
<v Speaker 3>We will be back with more after the break. Okay,

0:09:08.840 --> 0:09:12.200
<v Speaker 3>let's consult on notes. Let me look at the notes

0:09:12.240 --> 0:09:14.720
<v Speaker 3>of like my favorite best scenes and all this shit.

0:09:15.120 --> 0:09:17.640
<v Speaker 1>There's so many in this one, so many I.

0:09:17.600 --> 0:09:22.760
<v Speaker 3>Know, they're so great, and there's a lot of oh,

0:09:23.040 --> 0:09:24.920
<v Speaker 3>oh god, I just had a really big flashback. Okay,

0:09:24.920 --> 0:09:31.400
<v Speaker 3>we'll get there to Okay, Olivia brings information on the kidnapped.

0:09:32.880 --> 0:09:34.640
<v Speaker 3>Are they army people who are kidnapped?

0:09:34.640 --> 0:09:36.720
<v Speaker 1>Who's I believe they're military folks.

0:09:36.800 --> 0:09:39.640
<v Speaker 3>The military folk have been kidnapped. And Fits is trying

0:09:39.640 --> 0:09:42.800
<v Speaker 3>to figure out. But there's a mole and Jake Is

0:09:42.880 --> 0:09:45.920
<v Speaker 3>and Olivia are like flirtatious as all hell. Olivia goes

0:09:45.960 --> 0:09:47.600
<v Speaker 3>to visit Jake at his office and we see some

0:09:47.640 --> 0:09:50.959
<v Speaker 3>adorable photo of like with him and a camel getting

0:09:50.960 --> 0:09:53.319
<v Speaker 3>looked in the face and Jake in his like hot

0:09:53.480 --> 0:10:02.480
<v Speaker 3>sexy uniform and all that kind of thing. Melly doesn't understand,

0:10:02.840 --> 0:10:05.880
<v Speaker 3>like what the fuck is going on? She sees that

0:10:05.920 --> 0:10:09.520
<v Speaker 3>in Fits his schedule, three meetings a week are going

0:10:09.520 --> 0:10:11.800
<v Speaker 3>on late at night, and she goes to Cyrus and

0:10:11.920 --> 0:10:15.800
<v Speaker 3>is like, your boys cheating on us? I know. She's like, no, no, no,

0:10:15.840 --> 0:10:18.600
<v Speaker 3>forgive me. Are boys cheating on you? He's meeting with

0:10:18.640 --> 0:10:20.199
<v Speaker 3>someone three nights a week and I don't know who

0:10:20.200 --> 0:10:22.000
<v Speaker 3>it is, and Cyrus, you don't know who it is?

0:10:22.040 --> 0:10:24.839
<v Speaker 3>And Cyrus is supposed to know everything about us, what

0:10:25.040 --> 0:10:26.040
<v Speaker 3>the president is doing?

0:10:26.480 --> 0:10:27.480
<v Speaker 1>Yes, what else?

0:10:27.520 --> 0:10:30.079
<v Speaker 3>G what are Oh? There's so much good Quinn.

0:10:30.000 --> 0:10:32.000
<v Speaker 1>Hawks, so much good stuff.

0:10:32.440 --> 0:10:34.800
<v Speaker 3>Really like the beginning of Quinn. It's a lot of

0:10:34.880 --> 0:10:37.800
<v Speaker 3>Quinn Hawk shit, Like you know what I remember, g yeah,

0:10:37.880 --> 0:10:38.960
<v Speaker 3>can you remember any of it?

0:10:39.280 --> 0:10:42.120
<v Speaker 1>You know what I remember from about this episode is

0:10:42.160 --> 0:10:45.200
<v Speaker 1>how much I enjoyed shooting it, because whenever we were

0:10:45.240 --> 0:10:48.600
<v Speaker 1>on location, it was just fun. We were out out

0:10:48.640 --> 0:10:51.280
<v Speaker 1>of you know, the studios. We weren't in the OPA office,

0:10:51.280 --> 0:10:53.840
<v Speaker 1>which was you know, that was fun too, of course,

0:10:54.120 --> 0:10:56.800
<v Speaker 1>but when we got to go outside and be like

0:10:57.280 --> 0:11:00.400
<v Speaker 1>in downtown La or in Pasadena, and the fact that

0:11:00.440 --> 0:11:03.400
<v Speaker 1>it was just you, me and you shooting this episode,

0:11:03.440 --> 0:11:05.160
<v Speaker 1>like I think it was pretty much you and I

0:11:05.240 --> 0:11:06.520
<v Speaker 1>together this whole episode.

0:11:06.640 --> 0:11:08.840
<v Speaker 3>Yeah, this is the whole work. We're following.

0:11:09.320 --> 0:11:12.080
<v Speaker 1>We're following the mole, the White House.

0:11:12.000 --> 0:11:16.280
<v Speaker 3>Mole who's great in Osbourne, played by Kurt Fuller, and

0:11:16.280 --> 0:11:19.040
<v Speaker 3>and you're not really helping, like you're saying, I'm like, okay,

0:11:19.080 --> 0:11:21.360
<v Speaker 3>well he's going to make the drop in plane daylight,

0:11:21.440 --> 0:11:23.520
<v Speaker 3>and so I'm like following him around and we stop

0:11:23.520 --> 0:11:26.800
<v Speaker 3>at a dry cleaners, and you're letting Quinn do the

0:11:26.840 --> 0:11:30.120
<v Speaker 3>whole stalking work. But Quinn like keeps fucking.

0:11:29.960 --> 0:11:31.720
<v Speaker 1>Yeah, he wants he to get her feet, he wants

0:11:31.760 --> 0:11:33.440
<v Speaker 1>her to get her feet wet and just you know,

0:11:33.600 --> 0:11:36.440
<v Speaker 1>get in there, really dive in and experience what it's like.

0:11:36.600 --> 0:11:38.760
<v Speaker 3>And so she waits, my love it. She waits behind

0:11:38.800 --> 0:11:41.559
<v Speaker 3>Grade and Fuller in the line for the cleaners, and

0:11:41.600 --> 0:11:43.920
<v Speaker 3>she's like, holy shit, I feel like he's making the drop.

0:11:43.960 --> 0:11:46.240
<v Speaker 3>There's like sketchy shit going on. And they're like, okay,

0:11:46.400 --> 0:11:48.240
<v Speaker 3>next customer, what would you like to drop off for

0:11:48.840 --> 0:11:52.640
<v Speaker 3>your dry cleaning? And Quinn's like ugh, and she just

0:11:52.760 --> 0:11:54.840
<v Speaker 3>gives her her shirt off of her back.

0:11:55.040 --> 0:11:57.319
<v Speaker 1>The next shot we see it's just you in a.

0:11:57.320 --> 0:12:00.320
<v Speaker 3>Bra, just made a bra. And I'm like walking to

0:12:00.440 --> 0:12:04.040
<v Speaker 3>the car, like so mortified and embarrassed and made such

0:12:04.040 --> 0:12:05.720
<v Speaker 3>a rookie ass mistakes.

0:12:05.920 --> 0:12:08.240
<v Speaker 1>Isn't like, see you weren't prepared. You should have been

0:12:08.240 --> 0:12:11.160
<v Speaker 1>prepared or something like that. How did you feel shooting

0:12:11.160 --> 0:12:12.200
<v Speaker 1>that shooting that scene?

0:12:12.280 --> 0:12:15.240
<v Speaker 3>Were you like, well, I remember so stupid. I remember

0:12:15.280 --> 0:12:18.200
<v Speaker 3>being so wildly insecure because I was like fitting with

0:12:18.360 --> 0:12:22.080
<v Speaker 3>Lynn Paolow, like what I would be wearing the.

0:12:24.679 --> 0:12:25.800
<v Speaker 1>Yeah and my.

0:12:25.960 --> 0:12:29.120
<v Speaker 3>Boobs and like how high up were they? How low

0:12:29.280 --> 0:12:32.040
<v Speaker 3>were they? And I just remember being like, ugh, being

0:12:32.040 --> 0:12:35.520
<v Speaker 3>a girl is so stupid. Like it was just like

0:12:35.800 --> 0:12:38.839
<v Speaker 3>very like I felt a little bit. I can remember

0:12:39.880 --> 0:12:43.640
<v Speaker 3>feeling insecure about my like chest or what it looked like.

0:12:43.760 --> 0:12:45.280
<v Speaker 3>I can remember that feeling.

0:12:45.320 --> 0:12:49.360
<v Speaker 1>Of course, I wish we were all able to Like now,

0:12:49.640 --> 0:12:51.760
<v Speaker 1>looking at these episodes that we shot so long ago,

0:12:51.960 --> 0:12:54.720
<v Speaker 1>I'm like, damn, you look pretty good, gear, Imo, you

0:12:54.760 --> 0:12:57.199
<v Speaker 1>look like but in the moment, you know what I mean,

0:12:57.240 --> 0:13:00.400
<v Speaker 1>we're all so overly critical about our look looks or

0:13:00.400 --> 0:13:03.960
<v Speaker 1>our weight or whatever. And then years passed and you're like,

0:13:04.040 --> 0:13:06.679
<v Speaker 1>wait a minute, motherfucker. You look. Why didn't I enjoy

0:13:06.800 --> 0:13:09.760
<v Speaker 1>myself a lot more when I was in that time,

0:13:09.880 --> 0:13:10.400
<v Speaker 1>you know what I mean?

0:13:10.480 --> 0:13:12.520
<v Speaker 3>Macket photos all the time before I had two kids,

0:13:12.520 --> 0:13:14.920
<v Speaker 3>and I'm like, why was I upset?

0:13:15.320 --> 0:13:18.719
<v Speaker 1>Like? Yes, it was.

0:13:18.800 --> 0:13:23.440
<v Speaker 3>My body was great, nice, I had nothing to worry about, Like,

0:13:23.679 --> 0:13:26.880
<v Speaker 3>I can't believe I was so much harder on myself

0:13:26.920 --> 0:13:27.839
<v Speaker 3>than It's so weird.

0:13:27.920 --> 0:13:30.800
<v Speaker 1>Oh yeah, you know what else I remember from this episode? Also,

0:13:30.880 --> 0:13:34.560
<v Speaker 1>Katie is is again being on location and shooting, you know,

0:13:34.600 --> 0:13:38.240
<v Speaker 1>outside of the studio. But also I remember always being like, oh,

0:13:38.360 --> 0:13:40.720
<v Speaker 1>what food places will be around here that I can

0:13:40.760 --> 0:13:43.880
<v Speaker 1>go to when we break for lunch instead of having

0:13:43.920 --> 0:13:47.040
<v Speaker 1>the catered lunch. Is there a good pizza shop? Is

0:13:47.040 --> 0:13:48.920
<v Speaker 1>there like a McDonald there a good.

0:13:48.760 --> 0:13:52.240
<v Speaker 3>Burger place, So you are ridiculous of you. Wait, were

0:13:52.280 --> 0:13:54.240
<v Speaker 3>we in Pasadena for the dry cleaning?

0:13:54.320 --> 0:13:57.160
<v Speaker 1>Maybe? I think it was Pasadena. I want to say, yeah,

0:13:57.360 --> 0:13:58.640
<v Speaker 1>I feel like I was it too.

0:13:59.280 --> 0:14:01.440
<v Speaker 3>That's so fun And you're just scoping out, like, oh,

0:14:01.559 --> 0:14:03.360
<v Speaker 3>what lunch spot? Am I going to go pick up

0:14:03.360 --> 0:14:04.800
<v Speaker 3>my ship? Like and all you can eat buffet?

0:14:05.240 --> 0:14:08.320
<v Speaker 1>Oh? Yeah, there's nothing better than a fucking all you

0:14:08.320 --> 0:14:11.280
<v Speaker 1>can eat bffet. There's one up here near where I live,

0:14:11.360 --> 0:14:14.280
<v Speaker 1>at a hotel near Universal Studios. Have you ever been

0:14:14.320 --> 0:14:16.360
<v Speaker 1>to it? No, it's right up the hill, like right

0:14:16.400 --> 0:14:18.200
<v Speaker 1>past the entrance to go with you. What do you

0:14:18.240 --> 0:14:22.080
<v Speaker 1>get everything, Katie? They got crab legs, they got oysters,

0:14:22.080 --> 0:14:27.440
<v Speaker 1>they got Chinese food, they have creams, they have water addict.

0:14:27.240 --> 0:14:30.240
<v Speaker 3>They have Mexicans like twenty four to seven, all of

0:14:30.280 --> 0:14:32.560
<v Speaker 3>these options or like this comes out at five.

0:14:32.920 --> 0:14:35.760
<v Speaker 1>It's only on the weekends. You have to make reservations

0:14:35.800 --> 0:14:38.000
<v Speaker 1>like two weeks in advance because it's super popular and

0:14:38.000 --> 0:14:41.160
<v Speaker 1>it gets super packed. It costs like seventy five bucks ahead,

0:14:41.440 --> 0:14:43.800
<v Speaker 1>but it is so worth it, and you could get

0:14:43.840 --> 0:14:45.920
<v Speaker 1>Bloody Mary's or whatever liquor you want.

0:14:46.400 --> 0:14:50.320
<v Speaker 3>Yeah, everything it was very cute. And then quinnin Hawk,

0:14:50.480 --> 0:14:52.440
<v Speaker 3>she does pick up the dry cleaning and she checks

0:14:52.480 --> 0:14:54.640
<v Speaker 3>his suit pocket and in fact there is a big,

0:14:54.760 --> 0:14:58.240
<v Speaker 3>thick envelope filled with cash, and so they feel like

0:14:58.280 --> 0:15:01.080
<v Speaker 3>it is the confirmation that he is the mole. There's

0:15:01.240 --> 0:15:05.040
<v Speaker 3>money being exchanged for information. This guy is guilty, and

0:15:05.080 --> 0:15:07.320
<v Speaker 3>we're like super on the trail. But now I have

0:15:07.400 --> 0:15:09.520
<v Speaker 3>to like have this little monologue where I have to

0:15:09.560 --> 0:15:12.160
<v Speaker 3>make sure he doesn't know that we're onto him, so

0:15:12.200 --> 0:15:14.359
<v Speaker 3>I have to return the dry cleaning.

0:15:14.240 --> 0:15:16.800
<v Speaker 1>Which you're so good in that scene. You're so good.

0:15:16.880 --> 0:15:20.720
<v Speaker 1>You're like, oh, I'm such a dummy, Like I picked

0:15:20.800 --> 0:15:22.880
<v Speaker 1>up my husband's dry cleaning, but I should. It's not

0:15:22.920 --> 0:15:25.600
<v Speaker 1>gonna be ready till Saturday. And oh, you're so good.

0:15:25.680 --> 0:15:28.120
<v Speaker 1>It's such it's such a fun cute little scene.

0:15:28.960 --> 0:15:33.960
<v Speaker 3>Gee, Okay, we see that Fits and Olivia, who have

0:15:34.000 --> 0:15:37.160
<v Speaker 3>been on the outs for many an episode that Fits

0:15:37.280 --> 0:15:40.520
<v Speaker 3>calls Olivia because he's so fucking pissed about the Supreme

0:15:40.560 --> 0:15:43.040
<v Speaker 3>Court nominee not going through, and it's basically he just

0:15:43.080 --> 0:15:46.200
<v Speaker 3>feels like his entire presidency thus far has been a

0:15:46.240 --> 0:15:47.960
<v Speaker 3>total shit show.

0:15:48.080 --> 0:15:49.120
<v Speaker 1>Yeah, a joke.

0:15:50.480 --> 0:15:53.240
<v Speaker 3>It's just been awful, Like it's an embarrassment. They've gotten

0:15:53.280 --> 0:15:56.680
<v Speaker 3>like nothing successful to pass through. They don't have the

0:15:56.680 --> 0:15:58.960
<v Speaker 3>rest like the people who've been kidnapped, they don't have that.

0:15:59.440 --> 0:16:01.840
<v Speaker 3>They have had a Supreme Court nominee. Like it's a

0:16:01.840 --> 0:16:04.680
<v Speaker 3>total mess. And he calls Olivia and I feel like

0:16:04.720 --> 0:16:05.880
<v Speaker 3>he's drunk, right.

0:16:06.000 --> 0:16:09.480
<v Speaker 1>Yeah, because he's drinking his whiskey. Yeah, he's buzzed for show.

0:16:09.960 --> 0:16:14.280
<v Speaker 3>And while they're calling, Live is watching Lisa Aiedelstein and

0:16:14.320 --> 0:16:16.840
<v Speaker 3>her character's husband like fighting through the window of their

0:16:16.880 --> 0:16:20.760
<v Speaker 3>house and you can just see like how broken both

0:16:20.760 --> 0:16:24.000
<v Speaker 3>of these relationships are, and liv just says like or

0:16:24.040 --> 0:16:25.560
<v Speaker 3>he says, you ruined me.

0:16:26.120 --> 0:16:29.280
<v Speaker 1>Yeah, yeah, and then she's like he says something else

0:16:29.280 --> 0:16:30.760
<v Speaker 1>to her, and then she says, I'm going to hang up,

0:16:30.800 --> 0:16:32.800
<v Speaker 1>and he's like, yeah, you do that, and then he

0:16:32.880 --> 0:16:33.840
<v Speaker 1>hangs out before her.

0:16:34.440 --> 0:16:37.000
<v Speaker 3>Oh so mean. He's so like, I don't give a

0:16:37.080 --> 0:16:39.480
<v Speaker 3>fuck about it, and he's so upset obviously, just to

0:16:39.520 --> 0:16:42.720
<v Speaker 3>remind listeners out there, he's so upset because he knows

0:16:42.800 --> 0:16:46.960
<v Speaker 3>that Live rigged the election. Yea, he knows that he's

0:16:47.080 --> 0:16:49.680
<v Speaker 3>not the president that people voted for. And how do

0:16:49.720 --> 0:16:53.040
<v Speaker 3>you live with yourself knowing that everyone you trusted betrayed you,

0:16:53.520 --> 0:16:56.200
<v Speaker 3>and the country that you're supposed to run you didn't

0:16:56.280 --> 0:16:57.200
<v Speaker 3>win fair and square.

0:16:57.400 --> 0:17:00.880
<v Speaker 1>Yeah, And I love in this episode to that the

0:17:01.120 --> 0:17:01.960
<v Speaker 1>what's happening with.

0:17:02.200 --> 0:17:04.680
<v Speaker 3>Uh, Lisa's character and her yeah, and.

0:17:04.640 --> 0:17:07.720
<v Speaker 1>Her husband is sort of mirroring, you know, the strife

0:17:07.760 --> 0:17:09.920
<v Speaker 1>that Olivia and Fits are going through. It's it's it's

0:17:09.920 --> 0:17:12.159
<v Speaker 1>really nice, and it's throughout the episode.

0:17:12.280 --> 0:17:16.600
<v Speaker 3>Yeah, throughout the episode. The two relationships are totally parallel

0:17:16.840 --> 0:17:17.840
<v Speaker 3>mirrors to each other.

0:17:18.040 --> 0:17:18.960
<v Speaker 1>Yes, yes, Yes.

0:17:19.240 --> 0:17:22.840
<v Speaker 3>And then Lisa has the most incredible monologue after this

0:17:22.960 --> 0:17:25.200
<v Speaker 3>phone call between Fits and Lives. She goes in and

0:17:25.240 --> 0:17:29.479
<v Speaker 3>Lisa's just like sitting at the table by herself. Her

0:17:29.560 --> 0:17:33.320
<v Speaker 3>husband has requested a praternity test to know if the

0:17:33.440 --> 0:17:37.520
<v Speaker 3>daughter is his legitimate daughter, and Lisa is just fucking

0:17:37.640 --> 0:17:40.120
<v Speaker 3>drinking wine out of the bottom of the bottle.

0:17:40.240 --> 0:17:42.879
<v Speaker 1>I love it. Yeah, And she breaks out another bottle

0:17:42.920 --> 0:17:45.119
<v Speaker 1>and she's like, Olivia, you're gonna drink with me? And

0:17:45.160 --> 0:17:46.960
<v Speaker 1>Livy's like, no, I can, I'm on the job. And

0:17:47.000 --> 0:17:49.800
<v Speaker 1>She's like, girl, you are gonna drink with me?

0:17:50.359 --> 0:17:53.639
<v Speaker 3>Yes, And it's such a great monologue, and Lisa's just

0:17:53.760 --> 0:17:58.560
<v Speaker 3>so pro level it like looking like she's holding back tears,

0:17:58.720 --> 0:17:59.960
<v Speaker 3>Like how do her eyes do that?

0:18:00.400 --> 0:18:05.160
<v Speaker 1>They was weld up the whole time.

0:18:03.920 --> 0:18:06.480
<v Speaker 3>Huge blue eyes that are perfect. That just the well

0:18:06.560 --> 0:18:10.000
<v Speaker 3>up and not the release. And I so appreciate that

0:18:10.160 --> 0:18:11.880
<v Speaker 3>skill set as an actor. I'm like, oh my god,

0:18:11.880 --> 0:18:13.600
<v Speaker 3>it looks like she's on the verge of crying, but

0:18:13.720 --> 0:18:16.520
<v Speaker 3>she's holding herself back and it's taking all of her

0:18:16.760 --> 0:18:19.080
<v Speaker 3>guts to hold herself back. It's so good.

0:18:19.320 --> 0:18:22.400
<v Speaker 1>This actresses is, I mean a pro. She She's been

0:18:22.440 --> 0:18:25.159
<v Speaker 1>in so much shit. Look, she's been in Seinfeld, La

0:18:25.320 --> 0:18:29.520
<v Speaker 1>law Er, Frasier, Homegirl, was in the movie The Doors.

0:18:29.600 --> 0:18:31.600
<v Speaker 1>She had a really small role in the Doors, which

0:18:31.640 --> 0:18:34.720
<v Speaker 1>is really memorable. She plays like the makeup artist to

0:18:34.880 --> 0:18:40.040
<v Speaker 1>uh to nol Kilmer. Yes, yes, yes, yeah, but yeah,

0:18:40.040 --> 0:18:41.160
<v Speaker 1>she's she's a stellar actor.

0:18:41.280 --> 0:18:45.680
<v Speaker 3>And also this huge she's a huge theater actor. Huge yeah,

0:18:45.960 --> 0:18:48.159
<v Speaker 3>huge New York theater actor. And then she had this

0:18:48.200 --> 0:18:51.359
<v Speaker 3>show Girlfriend's Guide to Divorce. Oh I Got, which she's

0:18:51.359 --> 0:18:54.760
<v Speaker 3>not like, right after Scandal, which she was the lead of.

0:18:55.119 --> 0:19:01.560
<v Speaker 3>Really yeah, didn't Adelstein husband show or her ex husband?

0:19:01.680 --> 0:19:03.280
<v Speaker 3>I think the one she divorces.

0:19:03.640 --> 0:19:06.360
<v Speaker 1>The actor that plays her husband. His name is Jay

0:19:06.480 --> 0:19:09.280
<v Speaker 1>Carnes and he's amazing too. He was on the Shield

0:19:09.400 --> 0:19:12.639
<v Speaker 1>for forever. He did eighty nine episodes of the Shield,

0:19:12.720 --> 0:19:15.280
<v Speaker 1>and I did an episode of the Shield called Blood

0:19:15.320 --> 0:19:17.560
<v Speaker 1>and Water. So I got to work with him like

0:19:17.760 --> 0:19:21.000
<v Speaker 1>years ago when I first moved to La Yeah, he's

0:19:21.040 --> 0:19:23.479
<v Speaker 1>he's wonderful. And he was also when I was, you know,

0:19:23.560 --> 0:19:26.680
<v Speaker 1>doing my research, he was in a movie with Madonna.

0:19:28.080 --> 0:19:30.080
<v Speaker 3>Yes, movie of Madonna's was he.

0:19:30.040 --> 0:19:32.800
<v Speaker 1>Called the Next Best Thing, which was the biggest piece.

0:19:32.840 --> 0:19:38.159
<v Speaker 1>And shit, it's a the worst movie. Madonna's in it

0:19:38.359 --> 0:19:41.919
<v Speaker 1>and the lead. She's the lead, she's one of the leads.

0:19:42.480 --> 0:19:43.960
<v Speaker 1>But yeah, it's a terrible movie. But I thought it

0:19:44.000 --> 0:19:47.159
<v Speaker 1>was so funny and so interesting that Jake Carnes is

0:19:47.480 --> 0:19:48.440
<v Speaker 1>was in that film with her.

0:19:48.960 --> 0:19:54.600
<v Speaker 3>Can we take a strong left turn at how amazing

0:19:55.359 --> 0:19:57.120
<v Speaker 3>Madonna was in a league of their own?

0:19:57.400 --> 0:20:00.000
<v Speaker 1>Oh man, that's one of my favorite movie.

0:20:00.640 --> 0:20:04.760
<v Speaker 3>I mean, she was astounding.

0:20:05.080 --> 0:20:07.159
<v Speaker 1>She really was. She really was.

0:20:07.359 --> 0:20:13.560
<v Speaker 3>Joy and gravitas and dancing and ball busting and her

0:20:13.600 --> 0:20:16.680
<v Speaker 3>and roso' donald. I could watch the two of those

0:20:16.880 --> 0:20:22.199
<v Speaker 3>women do their side banter yea for hours, Like, Yeah,

0:20:22.320 --> 0:20:24.000
<v Speaker 3>they were remarkable.

0:20:24.240 --> 0:20:28.240
<v Speaker 1>They became really close friends on that film they did. Yeah. Yeah,

0:20:28.240 --> 0:20:31.600
<v Speaker 1>they're still really really close friends to this day.

0:20:31.359 --> 0:20:34.119
<v Speaker 3>Oh and we know this because Madonna's your best friend.

0:20:34.280 --> 0:20:37.679
<v Speaker 1>Well, Adire, tell us something we don't know.

0:20:38.200 --> 0:20:40.840
<v Speaker 3>We were singing Rose o' donald's praises so much this

0:20:40.920 --> 0:20:44.199
<v Speaker 3>weekend because when you look, we like to this is

0:20:44.240 --> 0:20:47.920
<v Speaker 3>so lame. We like to go on YouTube and watch

0:20:48.280 --> 0:20:50.959
<v Speaker 3>when Broadway shows used to go on The roso' donald

0:20:51.000 --> 0:20:54.680
<v Speaker 3>show and perform it, and we show them to our kids,

0:20:54.680 --> 0:20:56.280
<v Speaker 3>like our kids really into the Lion King, and it's like,

0:20:56.280 --> 0:20:57.920
<v Speaker 3>if you want to see the Lion King from Broadway

0:20:58.000 --> 0:21:01.040
<v Speaker 3>perform two songs, usually it's from the o'donald's Show and

0:21:01.080 --> 0:21:04.600
<v Speaker 3>like all the musicals of that time. And Adam was like,

0:21:04.680 --> 0:21:09.520
<v Speaker 3>my god, Rosie was just such a Broadway a supporter

0:21:09.840 --> 0:21:14.480
<v Speaker 3>supporter that she always had every show on her show.

0:21:14.720 --> 0:21:17.399
<v Speaker 3>And it's like the only footage we have, and I'm like,

0:21:17.480 --> 0:21:20.240
<v Speaker 3>I Adam's like, just fucking bow down to Rosie o'donnald.

0:21:20.280 --> 0:21:22.240
<v Speaker 3>Like if we didn't have her in the Rosio o'donald Show,

0:21:22.480 --> 0:21:24.000
<v Speaker 3>we wouldn't have any of these recordings.

0:21:24.040 --> 0:21:25.240
<v Speaker 1>Well you know what I mean. But you know what,

0:21:25.400 --> 0:21:28.200
<v Speaker 1>no one else was doing that on television much less

0:21:28.240 --> 0:21:32.680
<v Speaker 1>daytime television, and and I think she she spiked ticket

0:21:32.760 --> 0:21:35.880
<v Speaker 1>sales to a lot of these shows because people would

0:21:35.880 --> 0:21:38.359
<v Speaker 1>see these performances and be like, oh my god, I

0:21:38.400 --> 0:21:40.359
<v Speaker 1>have to go see that. I remember when Edwig and

0:21:40.400 --> 0:21:42.920
<v Speaker 1>the Angry Inch first came out, she had John Cameron

0:21:42.960 --> 0:21:45.720
<v Speaker 1>Mitchell and the Angry Inch on and they did they

0:21:45.760 --> 0:21:47.640
<v Speaker 1>did a song our Engine Origin of Love, I think

0:21:47.680 --> 0:21:49.720
<v Speaker 1>they did, and it was Yeah, she did this for

0:21:49.840 --> 0:21:50.919
<v Speaker 1>so so many shows.

0:21:50.960 --> 0:21:54.280
<v Speaker 3>She's amazing. That was so amazing. I saw a musical

0:21:54.440 --> 0:21:57.280
<v Speaker 3>when I was studying abroad in London. I was studying

0:21:57.280 --> 0:21:59.960
<v Speaker 3>in the Hill Academy of Dramatic as she was produced

0:22:00.080 --> 0:22:03.679
<v Speaker 3>sing a musical about boy George called Taboo.

0:22:03.920 --> 0:22:06.480
<v Speaker 1>Yes, Yeah, Yeah. I was on Broadway for a short time.

0:22:06.320 --> 0:22:08.560
<v Speaker 3>And she transferred it to Broadway and it did not

0:22:08.680 --> 0:22:11.560
<v Speaker 3>It did unbelievable in England, Like it was one of

0:22:11.560 --> 0:22:14.760
<v Speaker 3>those ones that I think Brits felt such a connection

0:22:14.800 --> 0:22:18.400
<v Speaker 3>to boy George, like they're you know, they had they

0:22:18.440 --> 0:22:21.160
<v Speaker 3>love him. And I don't think it. I don't think

0:22:22.040 --> 0:22:26.640
<v Speaker 3>American Broadway audiences really connect to boy George. But I

0:22:26.680 --> 0:22:30.120
<v Speaker 3>saw it in England when I was there, and I

0:22:30.160 --> 0:22:34.560
<v Speaker 3>loved it and Bramma Rosie o'donald from making a stamp

0:22:34.880 --> 0:22:36.080
<v Speaker 3>trying to bring it to America.

0:22:36.240 --> 0:22:39.160
<v Speaker 1>I met Rosie O'Donnell when I went to New York

0:22:39.359 --> 0:22:44.720
<v Speaker 1>years ago when when fucking Hillary Clinton was running for

0:22:44.840 --> 0:22:49.359
<v Speaker 1>president and I was invited to go and do an

0:22:49.400 --> 0:22:52.320
<v Speaker 1>introduction at one of the events where Hillary Clinton was

0:22:52.320 --> 0:22:53.800
<v Speaker 1>going to be in it. And I was there and

0:22:53.960 --> 0:22:56.560
<v Speaker 1>Rosie O'Donnell was there and I met Rosie and she

0:22:56.720 --> 0:22:59.440
<v Speaker 1>was so so kind, so cool when she was a

0:22:59.480 --> 0:23:02.520
<v Speaker 1>big fan of Scandal. Talked about Scandal.

0:23:02.160 --> 0:23:04.760
<v Speaker 3>And Rosie O'Donnell come on on the show.

0:23:04.840 --> 0:23:06.960
<v Speaker 1>I bet she would come on. I bet she love you.

0:23:07.320 --> 0:23:10.480
<v Speaker 3>We love you, we really do, come on this podcast.

0:23:10.920 --> 0:23:12.000
<v Speaker 1>We'll be right back, guys.

0:23:15.920 --> 0:23:20.280
<v Speaker 3>Okay, So Lisa Edelstein and Carrie Washington are sitting drinking

0:23:20.359 --> 0:23:23.720
<v Speaker 3>wine out of their bottles and they're lonely. That's what

0:23:23.800 --> 0:23:25.119
<v Speaker 3>I wrote in my notes. It's like this is so

0:23:25.520 --> 0:23:29.320
<v Speaker 3>lonely that betrayal really has a price, and that's where

0:23:29.440 --> 0:23:32.359
<v Speaker 3>this episode is mirroring. It's like Lisa betrayed her husband

0:23:32.359 --> 0:23:35.560
<v Speaker 3>by cheating on him, and Olivia betrayed fits by rigging

0:23:35.600 --> 0:23:38.320
<v Speaker 3>the election, and they are so sort of left alone

0:23:38.400 --> 0:23:41.080
<v Speaker 3>with their betrayal, and it's like all they have and

0:23:41.160 --> 0:23:41.639
<v Speaker 3>their wine.

0:23:43.840 --> 0:23:46.119
<v Speaker 1>I love I love that. Olivia is like, yeah, you

0:23:46.240 --> 0:23:49.720
<v Speaker 1>betrayed him, but also at the moment, you did the

0:23:49.840 --> 0:23:53.320
<v Speaker 1>best you could, You did the best you knew how

0:23:54.200 --> 0:23:56.160
<v Speaker 1>you know? And she she's also I think she's trying

0:23:56.160 --> 0:23:59.040
<v Speaker 1>to Olivia is obviously trying to heal herself with her

0:23:59.119 --> 0:24:02.760
<v Speaker 1>own words as well. But yeah, yeaheah, super powerful.

0:24:03.160 --> 0:24:05.600
<v Speaker 3>We've got a paternity test that we're waiting on, and

0:24:05.840 --> 0:24:09.800
<v Speaker 3>then we moved to Fits is actually rating kosh Vhar

0:24:10.000 --> 0:24:13.080
<v Speaker 3>with the Seal team, and he gets the hostages thanks

0:24:13.160 --> 0:24:16.600
<v Speaker 3>to the Jake intel that Olivia delivered to him, and

0:24:17.080 --> 0:24:19.359
<v Speaker 3>Fits makes the weirdest arm pos.

0:24:19.840 --> 0:24:22.240
<v Speaker 1>Did you notice, oh when he's like happy that they that.

0:24:22.280 --> 0:24:25.000
<v Speaker 3>They make like the fight power like or the what's

0:24:25.040 --> 0:24:25.560
<v Speaker 3>that term?

0:24:25.720 --> 0:24:28.959
<v Speaker 1>Like, oh, like this one the sort of fist up

0:24:29.119 --> 0:24:30.960
<v Speaker 1>like yeah, yeah, yeah, he.

0:24:31.080 --> 0:24:34.880
<v Speaker 3>Makes that sort of like it's like a perfect ninety

0:24:35.080 --> 0:24:38.960
<v Speaker 3>degree fist in the air. It's very odd, like.

0:24:39.000 --> 0:24:44.400
<v Speaker 1>A ninety degree Fits. Yo. I was gonna ask you, Katie.

0:24:44.480 --> 0:24:48.720
<v Speaker 1>So Olivia provides this this information to Jake to give

0:24:48.800 --> 0:24:51.080
<v Speaker 1>to Fits. Did she do that because she felt bad?

0:24:51.480 --> 0:24:54.560
<v Speaker 1>For everything she's done because of the the rigging the

0:24:54.640 --> 0:24:57.840
<v Speaker 1>election and all of that. I don't remember how that

0:24:58.040 --> 0:25:01.920
<v Speaker 1>happened or why why she's giving Jake this information to

0:25:02.000 --> 0:25:04.280
<v Speaker 1>give to the White House, right, I think that was

0:25:04.400 --> 0:25:04.840
<v Speaker 1>part of it.

0:25:05.520 --> 0:25:08.440
<v Speaker 3>I think they she did. She get the information because

0:25:08.480 --> 0:25:11.920
<v Speaker 3>it was on that girl's computer who died next to

0:25:12.440 --> 0:25:13.199
<v Speaker 3>David Rosen.

0:25:13.600 --> 0:25:16.639
<v Speaker 1>Oh right, right right. They talk about that.

0:25:16.680 --> 0:25:19.560
<v Speaker 3>It's something the episode the Mole or something was some

0:25:19.720 --> 0:25:22.520
<v Speaker 3>of the information that was on the girl who was

0:25:22.640 --> 0:25:25.800
<v Speaker 3>murdered next to David Rosen's computer because she was sleeping

0:25:25.840 --> 0:25:28.640
<v Speaker 3>with all these dudes to get information, so she had

0:25:28.760 --> 0:25:31.040
<v Speaker 3>some intel on that, and I feel like it's from

0:25:31.080 --> 0:25:34.920
<v Speaker 3>that computer. I don't know why Olivia gives it to Jake, though,

0:25:35.640 --> 0:25:39.480
<v Speaker 3>I guess, oh, it has to be because she is

0:25:39.640 --> 0:25:43.359
<v Speaker 3>still wanting fits to be successful as a president, like

0:25:43.480 --> 0:25:46.800
<v Speaker 3>she still like feels so bad, but like he is

0:25:46.920 --> 0:25:48.720
<v Speaker 3>still the president and she's like, fuck if I just

0:25:48.760 --> 0:25:52.600
<v Speaker 3>give this give out this information to save hostages, but

0:25:52.680 --> 0:25:55.800
<v Speaker 3>also it's going to give his presidential you know run,

0:25:56.040 --> 0:25:59.199
<v Speaker 3>such a such a bump and such a huge success,

0:25:59.480 --> 0:26:02.360
<v Speaker 3>like yeah, you know, remember it's like when Obama got

0:26:03.000 --> 0:26:06.040
<v Speaker 3>Osama bin Laden I mean, it was like a huge,

0:26:07.119 --> 0:26:11.520
<v Speaker 3>huge moment. But anyway, I think that's why I wonder

0:26:11.560 --> 0:26:14.199
<v Speaker 3>if this is based on that. Actually, I remember when

0:26:14.240 --> 0:26:16.639
<v Speaker 3>we went to the White House to visit during one

0:26:16.640 --> 0:26:19.080
<v Speaker 3>of the White House Correspondent dinners, and when you take

0:26:19.080 --> 0:26:21.440
<v Speaker 3>a tour of the West Wing, the president I think

0:26:21.640 --> 0:26:24.240
<v Speaker 3>is allowed to like change all the amazing black and

0:26:24.320 --> 0:26:27.440
<v Speaker 3>white photos of their presidency that are featured in the

0:26:27.520 --> 0:26:29.680
<v Speaker 3>hallways that you're walking up and down, and they have

0:26:29.840 --> 0:26:34.840
<v Speaker 3>that huge famous photo of Barack Obama and Hillary Clinton

0:26:35.040 --> 0:26:36.080
<v Speaker 3>with her hands over.

0:26:36.000 --> 0:26:39.480
<v Speaker 1>Her mouth in that situation room, but in the situation.

0:26:39.200 --> 0:26:42.040
<v Speaker 3>Room right when they were about to find out if

0:26:42.080 --> 0:26:43.320
<v Speaker 3>they got Osama bin Laden.

0:26:43.560 --> 0:26:45.200
<v Speaker 1>Oh shit, I don't remember that.

0:26:45.320 --> 0:26:47.720
<v Speaker 3>I remember Hillary Clinton got flack for like what she

0:26:47.840 --> 0:26:49.480
<v Speaker 3>looked like in that moment because people thought she was

0:26:49.560 --> 0:26:50.120
<v Speaker 3>like emotional.

0:26:50.240 --> 0:26:56.680
<v Speaker 1>I'm like, fuck you, flack for everything. So this was

0:26:56.760 --> 0:26:59.760
<v Speaker 1>definitely an ego boost for Fits when this he.

0:26:59.800 --> 0:27:03.280
<v Speaker 3>Got finally gets a win, He finally finally gets a win.

0:27:03.440 --> 0:27:06.159
<v Speaker 3>And then Jake I wrote, beats the shit out of

0:27:06.200 --> 0:27:08.360
<v Speaker 3>a pop a razzi who got a pick of him

0:27:08.400 --> 0:27:13.120
<v Speaker 3>and live uh huh uh huh. So when Olivia's passing Jake,

0:27:13.200 --> 0:27:17.320
<v Speaker 3>this intel and this information. It's there's a paparazzi who's

0:27:17.480 --> 0:27:19.879
<v Speaker 3>trying to get pictures of Lisa Edelstein's character and he

0:27:20.160 --> 0:27:22.359
<v Speaker 3>manages to get a picture of Live and Jake and

0:27:22.440 --> 0:27:25.000
<v Speaker 3>lives like it's fine whatever, but we also like, oh shit,

0:27:25.119 --> 0:27:29.600
<v Speaker 3>Jake is fucked because fits can't know that Jake and

0:27:29.680 --> 0:27:32.280
<v Speaker 3>Live were sort of like working together. Jake's playing all

0:27:32.400 --> 0:27:36.000
<v Speaker 3>sides because he's shady, he is, and.

0:27:36.040 --> 0:27:38.800
<v Speaker 1>Then there's this great scene where Jake goes and beats

0:27:38.880 --> 0:27:41.280
<v Speaker 1>up this photographer to get the film. I was wondering

0:27:41.359 --> 0:27:44.480
<v Speaker 1>that Jake, did Scott do that stunt? Did he do

0:27:44.560 --> 0:27:47.680
<v Speaker 1>the beat up? Because because Jake is wearing a ski mask,

0:27:47.800 --> 0:27:49.040
<v Speaker 1>so it could have been a stunt guy. But I

0:27:49.080 --> 0:27:51.200
<v Speaker 1>don't remember if if Scott did it or if it

0:27:51.320 --> 0:27:52.040
<v Speaker 1>was a stunt guy.

0:27:52.560 --> 0:27:53.680
<v Speaker 3>I feel like it was Scott.

0:27:53.920 --> 0:27:56.280
<v Speaker 1>But we'll ask Scott when he comes on the list,

0:27:56.400 --> 0:27:57.560
<v Speaker 1>well put on the list of things.

0:27:57.440 --> 0:28:00.240
<v Speaker 3>Like that Folly comes back. We got shit to ask him. Now.

0:28:00.359 --> 0:28:03.359
<v Speaker 3>The lovely part of this is Harrison and Abby working together.

0:28:03.480 --> 0:28:07.440
<v Speaker 3>They have an amazing like Gladiator. Oh this line that

0:28:07.560 --> 0:28:11.760
<v Speaker 3>became famous, which was like Abby saying Harrison, it feels

0:28:11.840 --> 0:28:14.560
<v Speaker 3>really bad that he broke up her relationship with David Rosa,

0:28:14.600 --> 0:28:16.200
<v Speaker 3>because they really did have feelings for each other. And

0:28:16.240 --> 0:28:19.280
<v Speaker 3>Abby's like totally nonchalantly throwing it all away and being like, whatever,

0:28:19.320 --> 0:28:21.880
<v Speaker 3>it's fine. I just didn't know that we were gladiators

0:28:21.880 --> 0:28:22.919
<v Speaker 3>first and people second.

0:28:23.720 --> 0:28:25.879
<v Speaker 1>I love that she was so cold in this scene,

0:28:26.320 --> 0:28:30.080
<v Speaker 1>and you could sense Harrison's desperation to try to get

0:28:30.200 --> 0:28:33.040
<v Speaker 1>through to her to be like, hey, look what about

0:28:33.040 --> 0:28:36.240
<v Speaker 1>our connection? And I love another line that he says

0:28:36.280 --> 0:28:39.520
<v Speaker 1>to her. He says, you're exactly the same but completely different,

0:28:39.680 --> 0:28:42.320
<v Speaker 1>and she's like, no, it's fine. I'm just now, I'm

0:28:42.360 --> 0:28:44.000
<v Speaker 1>just aware of how this is going to work and

0:28:44.160 --> 0:28:47.959
<v Speaker 1>moving forward. I'm you know, this is what I'm prepared

0:28:48.000 --> 0:28:50.720
<v Speaker 1>for now. And he's like, ah, you could just feel

0:28:50.840 --> 0:28:53.760
<v Speaker 1>his like, oh, is just feeling so bad and he

0:28:53.920 --> 0:28:54.880
<v Speaker 1>just wants her back.

0:28:55.200 --> 0:28:56.520
<v Speaker 3>And the whole time, they don't know if they're going

0:28:56.560 --> 0:28:58.760
<v Speaker 3>to be able to save Lisa Aidelstein's marriage, but they're

0:28:58.800 --> 0:29:01.240
<v Speaker 3>working their ass off to try to save her job,

0:29:02.000 --> 0:29:05.680
<v Speaker 3>which is under scrutiny from the morality clause because they

0:29:05.720 --> 0:29:07.880
<v Speaker 3>don't know if the CEO could have such a public

0:29:08.480 --> 0:29:11.600
<v Speaker 3>affair and Harrison and Abbey go into a board meeting

0:29:11.680 --> 0:29:13.880
<v Speaker 3>with an empty box and they put on this whole

0:29:14.000 --> 0:29:16.640
<v Speaker 3>show like they've got dirt on all the board members

0:29:16.680 --> 0:29:19.880
<v Speaker 3>and they're gonna start airing it out. And they've got

0:29:20.120 --> 0:29:23.320
<v Speaker 3>to the count of three to decide if everyone's going

0:29:23.360 --> 0:29:24.840
<v Speaker 3>to just put their dicks out on the.

0:29:24.880 --> 0:29:27.440
<v Speaker 1>Table naked together. Yeah, all right, we're all gonna get

0:29:27.520 --> 0:29:32.360
<v Speaker 1>naked together together. This is one of my favorite favorite scenes.

0:29:32.880 --> 0:29:37.080
<v Speaker 1>It is so good. It's such a great like revenge scene,

0:29:38.320 --> 0:29:41.360
<v Speaker 1>not revenge, but like it's such a satisfying scene.

0:29:41.480 --> 0:29:45.680
<v Speaker 3>Because all these are taking these.

0:29:44.800 --> 0:29:47.720
<v Speaker 1>Douchebags, all these white dudes are just sitting around being like, yeah,

0:29:47.840 --> 0:29:50.400
<v Speaker 1>she fucked up. There's a morality clause and you know,

0:29:50.520 --> 0:29:53.320
<v Speaker 1>Abby and Harrison come in and they're like, how innocent

0:29:53.520 --> 0:29:56.280
<v Speaker 1>are all of you? Have any of you had you know,

0:29:57.400 --> 0:30:00.280
<v Speaker 1>morality like issues, like what the fuck have you got done?

0:30:00.320 --> 0:30:02.240
<v Speaker 1>Because we got it all in this box but they

0:30:02.280 --> 0:30:04.440
<v Speaker 1>don't got shit in that box. But they all back

0:30:04.480 --> 0:30:07.120
<v Speaker 1>down of course, because they're like, oh, just like, oh.

0:30:07.120 --> 0:30:10.280
<v Speaker 3>Yeah, we been cheating right and left really bad shit.

0:30:10.760 --> 0:30:11.520
<v Speaker 1>Such a great scene.

0:30:11.840 --> 0:30:15.040
<v Speaker 3>It's a great scene. And then we jump to the

0:30:15.120 --> 0:30:20.440
<v Speaker 3>paternity test. Information, he rips it up and he doesn't

0:30:20.560 --> 0:30:24.800
<v Speaker 3>need or want to know because he is this girl's father,

0:30:25.120 --> 0:30:31.360
<v Speaker 3>regardless whether it's biological or not. And Melly comes to

0:30:31.440 --> 0:30:34.239
<v Speaker 3>Cyrus's office and you realize that Mellie and Cyrus are

0:30:34.360 --> 0:30:36.800
<v Speaker 3>both on the outs with fits and that they're both

0:30:36.840 --> 0:30:39.000
<v Speaker 3>being cheated on because they realize that the person who's

0:30:39.000 --> 0:30:40.680
<v Speaker 3>having the late night meetings three times a week in

0:30:40.680 --> 0:30:44.880
<v Speaker 3>the Oval office is Jake. Then Jake, Shaite, what say gee?

0:30:44.960 --> 0:30:46.720
<v Speaker 1>I was just gonna say, But then Melly has a

0:30:46.840 --> 0:30:49.640
<v Speaker 1>wonderful line where she's like, she actually says, he's not

0:30:49.760 --> 0:30:53.040
<v Speaker 1>cheating on me, he's cheating on you, because you know, Melly,

0:30:53.200 --> 0:30:55.200
<v Speaker 1>for a second thought, it was you know about him

0:30:55.240 --> 0:30:58.280
<v Speaker 1>in Olivia, but it wasn't it. It's about this other dude,

0:30:58.400 --> 0:31:01.040
<v Speaker 1>Jake Ballard, And she's like, the fuck, he's cheating on

0:31:01.280 --> 0:31:02.680
<v Speaker 1>your ass, not mine.

0:31:03.520 --> 0:31:06.920
<v Speaker 3>And then with the big like end of the episode,

0:31:07.360 --> 0:31:11.920
<v Speaker 3>Jake goes to Live's house and does the creepiest my

0:31:12.720 --> 0:31:16.360
<v Speaker 3>look to the camera where he knows he has got

0:31:16.440 --> 0:31:20.440
<v Speaker 3>surveillance set up on her, and it's so creepy and

0:31:20.560 --> 0:31:24.160
<v Speaker 3>we don't know what Jake's intentions are. We don't know

0:31:24.240 --> 0:31:26.240
<v Speaker 3>why he's watching live. I mean we do because we

0:31:26.360 --> 0:31:28.600
<v Speaker 3>know that Fits hired him to do so, but like

0:31:29.040 --> 0:31:31.440
<v Speaker 3>we don't know if he's good or bad, or if

0:31:31.480 --> 0:31:33.600
<v Speaker 3>he likes her, or if he's faking it, or like,

0:31:33.840 --> 0:31:35.440
<v Speaker 3>what the fuck is this guy doing.

0:31:35.720 --> 0:31:38.080
<v Speaker 1>People didn't know what to make of Jake, especially in

0:31:38.160 --> 0:31:42.000
<v Speaker 1>the very beginning. People were like, totally hated the fuck

0:31:42.080 --> 0:31:42.520
<v Speaker 1>out of him.

0:31:42.640 --> 0:31:48.200
<v Speaker 3>Remember it was bad, hated him. And then the last

0:31:48.240 --> 0:31:50.720
<v Speaker 3>second of the episode is that Osborne, who we think

0:31:50.800 --> 0:31:54.960
<v Speaker 3>is the mole, looks at picks surveillance photos of Quinn

0:31:55.160 --> 0:31:58.480
<v Speaker 3>at the dry cleaners. So Quinn didn't do a good job.

0:31:58.560 --> 0:31:59.680
<v Speaker 3>It's talking at all.

0:32:01.360 --> 0:32:03.360
<v Speaker 1>But those were some cute photos. I was like, Oh,

0:32:03.440 --> 0:32:09.360
<v Speaker 1>she looks cute, she looks good. Yeah, those hot angle shots.

0:32:09.720 --> 0:32:11.720
<v Speaker 1>It was good. You looked good, was you know what?

0:32:11.800 --> 0:32:14.880
<v Speaker 3>I was thinking about you the whole time? Because there's

0:32:14.920 --> 0:32:18.640
<v Speaker 3>all these scenes of Quinn walking up and down the

0:32:18.800 --> 0:32:23.360
<v Speaker 3>street following him to the dry cleaner, and my skirt

0:32:23.520 --> 0:32:26.560
<v Speaker 3>is just literally doing circles and circles.

0:32:26.160 --> 0:32:28.280
<v Speaker 1>And circle damn pencil skirt.

0:32:28.240 --> 0:32:31.280
<v Speaker 3>Around my fucking spanks like I used to be in

0:32:31.480 --> 0:32:34.800
<v Speaker 3>spank shorts. Oh, and I was wearing my Jessica Simpson

0:32:34.920 --> 0:32:39.280
<v Speaker 3>heels and those fucking pencil skirts that every time I

0:32:39.320 --> 0:32:41.920
<v Speaker 3>took a step would just spin three sixties like this

0:32:43.040 --> 0:32:45.720
<v Speaker 3>was supposed to be lying, you know, on myat It

0:32:45.880 --> 0:32:49.160
<v Speaker 3>was just a mess. It was such a mess. Fun

0:32:49.320 --> 0:32:52.240
<v Speaker 3>facts in this episode is that there's an editing edu

0:32:52.680 --> 0:32:54.320
<v Speaker 3>Did you catch that editing error?

0:32:54.520 --> 0:32:56.600
<v Speaker 1>I didn't until I read it in our notes.

0:32:57.400 --> 0:33:01.280
<v Speaker 3>Fun facts editing error. Around minute twenty two and forty seconds,

0:33:01.360 --> 0:33:04.360
<v Speaker 3>we watch from behind as Abby adjusts her purse and

0:33:04.440 --> 0:33:06.880
<v Speaker 3>checks the time on her watch. The camera angle flips

0:33:06.920 --> 0:33:09.800
<v Speaker 3>to her front and we watch her do the exact

0:33:10.040 --> 0:33:11.840
<v Speaker 3>same motion again.

0:33:12.240 --> 0:33:14.600
<v Speaker 1>I notice that all the time in movies and TV shows.

0:33:14.800 --> 0:33:17.360
<v Speaker 1>But you know, it's it's so hard with the editing

0:33:17.440 --> 0:33:20.240
<v Speaker 1>and the timing and when the actor does a certain

0:33:20.360 --> 0:33:22.520
<v Speaker 1>motion and to do it at the exact same time

0:33:22.720 --> 0:33:27.240
<v Speaker 1>on the you know, when they come from a different angle. Yeah, yeah, yeah, yeah.

0:33:27.800 --> 0:33:28.640
<v Speaker 3>It can't be perfect.

0:33:28.920 --> 0:33:29.120
<v Speaker 1>Yeah.

0:33:30.200 --> 0:33:33.920
<v Speaker 3>And in the CIA Director's fyi, they really do have shadows.

0:33:34.200 --> 0:33:39.400
<v Speaker 3>As Huck describes the direct Director's Protective Staff DPS for short,

0:33:39.960 --> 0:33:42.800
<v Speaker 3>is near the director twenty four hours a day, seven

0:33:42.880 --> 0:33:44.360
<v Speaker 3>days a week, three hundred and sixty five days a

0:33:44.480 --> 0:33:47.680
<v Speaker 3>year anyone who spends private time with the director is

0:33:47.880 --> 0:33:51.080
<v Speaker 3>first vetted by his staff. They even live in the

0:33:51.120 --> 0:33:54.760
<v Speaker 3>basement of the director's private home, although they do not

0:33:55.000 --> 0:33:56.240
<v Speaker 3>freely roam the residence.

0:33:56.280 --> 0:33:59.560
<v Speaker 1>Can you imagine that fucking job? You just got to

0:33:59.600 --> 0:34:02.840
<v Speaker 1>be down they're in the basement, Like what I just

0:34:02.920 --> 0:34:04.160
<v Speaker 1>can't imagine down there?

0:34:04.760 --> 0:34:06.800
<v Speaker 3>A refrigerator, shower?

0:34:07.360 --> 0:34:07.640
<v Speaker 1>Come on.

0:34:07.960 --> 0:34:10.279
<v Speaker 3>Also, they can't take breaks to even poop, like they're

0:34:10.440 --> 0:34:15.000
<v Speaker 3>busy watching the CIA director. And if they're safe, that sucks.

0:34:15.080 --> 0:34:17.240
<v Speaker 3>I would never want to be the director of the CIA.

0:34:17.320 --> 0:34:23.279
<v Speaker 3>That's alcohol solute who wakes up as a little boy

0:34:23.360 --> 0:34:25.719
<v Speaker 3>or girl and says like I want to be the

0:34:25.760 --> 0:34:27.759
<v Speaker 3>director of the CIA, right, And and.

0:34:27.800 --> 0:34:30.040
<v Speaker 1>It probably is all top secret, right, Like they can't

0:34:30.160 --> 0:34:32.759
<v Speaker 1>be like boast about something cool that they did at

0:34:32.800 --> 0:34:35.360
<v Speaker 1>their job to like, you know, like a family party.

0:34:35.480 --> 0:34:37.280
<v Speaker 1>It's all got to kept we kept secret.

0:34:37.760 --> 0:34:40.680
<v Speaker 3>That's no fucking fun, no fucking fun.

0:34:41.440 --> 0:34:42.520
<v Speaker 1>Oh is it that time?

0:34:44.520 --> 0:34:52.280
<v Speaker 3>Tweet tweet tweet tweet tweets to the time? Okay scandal

0:34:52.320 --> 0:34:54.320
<v Speaker 3>tweets at the time, We got one from the Queen herself.

0:34:54.440 --> 0:34:59.200
<v Speaker 3>Kerrie Washington on March twenty first wrote to at Ty

0:34:59.440 --> 0:35:02.919
<v Speaker 3>Lobby hashtag as scandal. How come Olivia gives this great

0:35:02.960 --> 0:35:05.880
<v Speaker 3>advice to people but don't apply it to herself? And

0:35:05.920 --> 0:35:08.279
<v Speaker 3>then she responded because she's human.

0:35:08.200 --> 0:35:12.080
<v Speaker 1>That's right. And then we got another queen tweeting, wow

0:35:12.440 --> 0:35:18.840
<v Speaker 1>is Judy Smith y'all? And Judy Smith tweets a crisis

0:35:18.920 --> 0:35:22.399
<v Speaker 1>manager does offer comfort Olivia and I have a heart

0:35:22.480 --> 0:35:25.640
<v Speaker 1>for those who need us hashtag scandal. Hashtag as scandal.

0:35:25.880 --> 0:35:30.279
<v Speaker 3>Oh I love that so much too. Another queen tweet, Yes,

0:35:30.640 --> 0:35:35.360
<v Speaker 3>yes she did, Katie lows, I'm kidding. I was waiting

0:35:35.400 --> 0:35:39.000
<v Speaker 3>for it. She tweeted. In response to at Nikki five

0:35:39.040 --> 0:35:42.279
<v Speaker 3>to eight wrote, lol did Quinn not remember lives? Too

0:35:42.400 --> 0:35:47.200
<v Speaker 3>much cleavage comment ari the pink cardigan hashtag ask scandal,

0:35:47.680 --> 0:35:47.960
<v Speaker 3>and I.

0:35:48.040 --> 0:35:51.040
<v Speaker 1>Wrote, oops, yeah, that was in season one.

0:35:51.640 --> 0:35:54.880
<v Speaker 3>She tells you much and she's in one episode one,

0:35:54.960 --> 0:35:59.279
<v Speaker 3>Olivia Pope says too much cleavage. Originally, yeah, that was

0:35:59.320 --> 0:36:03.160
<v Speaker 3>the pilot. Originally she was supposed to say your skirt's

0:36:03.200 --> 0:36:06.040
<v Speaker 3>too short ooh. But when I went to the fitting,

0:36:06.600 --> 0:36:09.800
<v Speaker 3>I told Linn Polo, I don't do short skirts. Hell no,

0:36:10.520 --> 0:36:12.240
<v Speaker 3>so can we change it to cleavage?

0:36:12.520 --> 0:36:17.800
<v Speaker 1>And we did nice, And then we have our Janey Pitts.

0:36:18.160 --> 0:36:20.839
<v Speaker 1>Dash Murdoch tweeted, I just don't know how to feel

0:36:20.880 --> 0:36:26.600
<v Speaker 1>about Jake. Is he a gladiator, manipulator, saboteur? Hashtag scandal

0:36:26.680 --> 0:36:30.560
<v Speaker 1>hashtag scandal ABC. Yo, nobody knows at this point.

0:36:30.680 --> 0:36:34.800
<v Speaker 3>Yo, nobody knows at this point, nobody knows how. I

0:36:34.840 --> 0:36:36.680
<v Speaker 3>don't even know how I feel about Jake at half

0:36:36.760 --> 0:36:40.040
<v Speaker 3>post TV tweeted, does the presidency come with a morality clause?

0:36:40.200 --> 0:36:43.160
<v Speaker 3>Because I'm pretty sure fits is in breach. You could

0:36:43.160 --> 0:36:47.880
<v Speaker 3>say scandle hashtag askue scandal. Another queen tweeted, gee, what

0:36:47.960 --> 0:36:48.520
<v Speaker 3>does she say?

0:36:49.280 --> 0:36:52.760
<v Speaker 1>Bellamy Young? Was she responding to Darby?

0:36:53.000 --> 0:36:53.600
<v Speaker 3>Yeah? I think so.

0:36:53.840 --> 0:36:57.719
<v Speaker 1>She says, you handled it? Hashtag scandal ranked number one

0:36:57.960 --> 0:37:01.840
<v Speaker 1>in prime time with one hundred in ninety one thousand tweets,

0:37:02.440 --> 0:37:07.040
<v Speaker 1>topping what is that? Topping American Idol by sixty eight

0:37:07.080 --> 0:37:11.120
<v Speaker 1>percent at one hundred and thirteen thousand tweets. So we've

0:37:11.160 --> 0:37:14.640
<v Speaker 1>freaking beat out American Idol during this episode.

0:37:15.080 --> 0:37:15.319
<v Speaker 2>Wow.

0:37:15.520 --> 0:37:18.760
<v Speaker 3>And Bellamy wrote the hashtag in response to it, hashtag

0:37:18.840 --> 0:37:24.640
<v Speaker 3>gladiators roar remember that? Hashtag ladiators. You gladiators are the

0:37:24.719 --> 0:37:26.839
<v Speaker 3>fucking best. You were the best, then you're the best.

0:37:26.960 --> 0:37:27.919
<v Speaker 1>Now. Hell yeah.

0:37:28.320 --> 0:37:30.840
<v Speaker 3>Our next step episode is called Snake in the Garden

0:37:31.400 --> 0:37:33.440
<v Speaker 3>and I don't remember what it's about. Do you remember

0:37:33.480 --> 0:37:37.279
<v Speaker 3>what of that? No, nope, we may have a guest.

0:37:37.360 --> 0:37:41.200
<v Speaker 3>We may not, but listen, gladiators. Thanks for roaring so

0:37:41.440 --> 0:37:43.960
<v Speaker 3>loudly on March twenty second of twenty thirteen, and thanks

0:37:44.000 --> 0:37:46.040
<v Speaker 3>for roaring so loudly now because we hear you guys

0:37:46.040 --> 0:37:49.320
<v Speaker 3>are listening to this podcast. You're rewatching the fucking Hulu

0:37:49.480 --> 0:37:55.680
<v Speaker 3>scandal stream it situation, and we're hashtag grateful, hashtag blessed.

0:37:55.920 --> 0:38:00.320
<v Speaker 1>We love it so much. We thank you guys so

0:38:00.440 --> 0:38:02.760
<v Speaker 1>so much. I was telling Katie, I'm I'm on Twitter

0:38:02.880 --> 0:38:05.680
<v Speaker 1>a lot lately, and you guys are just messaging me

0:38:05.880 --> 0:38:07.839
<v Speaker 1>left and right and commenting about how much you love

0:38:07.920 --> 0:38:12.160
<v Speaker 1>unpacking your tool box. They're just saying they didn't realize

0:38:12.200 --> 0:38:15.400
<v Speaker 1>they needed this in their lives so much. They're asking, like,

0:38:15.560 --> 0:38:18.440
<v Speaker 1>when is Tony gonna be on that? We should have

0:38:18.760 --> 0:38:21.759
<v Speaker 1>Tony and carry on on a podcast episode at the

0:38:21.800 --> 0:38:22.400
<v Speaker 1>same time.

0:38:22.680 --> 0:38:23.440
<v Speaker 3>Oh, we're going to do that.

0:38:23.560 --> 0:38:25.160
<v Speaker 1>That's a great idea. A lot of people have been

0:38:25.160 --> 0:38:27.560
<v Speaker 1>tweeting that they started doing the rewatch, but they got

0:38:27.640 --> 0:38:30.040
<v Speaker 1>so into the show that they're on like season four now,

0:38:30.080 --> 0:38:32.480
<v Speaker 1>and they're like, sorry, I'm way ahead, but I'm still,

0:38:32.640 --> 0:38:35.320
<v Speaker 1>you know, listening to the podcast, and yeah, do yourselves

0:38:35.360 --> 0:38:37.840
<v Speaker 1>a favorite people. If you guys have not started to

0:38:38.239 --> 0:38:40.400
<v Speaker 1>rewatch Scandal or watch it for the first time, go

0:38:40.520 --> 0:38:43.839
<v Speaker 1>on Hulu and it's it's on there and you could

0:38:43.920 --> 0:38:46.640
<v Speaker 1>just watch the whole series. It's really really good.

0:38:46.920 --> 0:38:53.680
<v Speaker 3>We love you all. Peace out, Lada, allgatas legats.

0:38:53.560 --> 0:38:59.239
<v Speaker 1>Love you guys, love you bye bye. Thank you guys

0:38:59.320 --> 0:39:02.960
<v Speaker 1>for joining us on Unpacking the Toolbox. If you enjoyed

0:39:03.000 --> 0:39:06.000
<v Speaker 1>the show, please subscribe, share with your friends, rate, or

0:39:06.160 --> 0:39:06.880
<v Speaker 1>leave us a review.

0:39:07.080 --> 0:39:11.040
<v Speaker 3>Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan,

0:39:11.360 --> 0:39:15.080
<v Speaker 3>Tyler Klang, and Gabrielle Collins. Our producer and editor is

0:39:15.160 --> 0:39:17.920
<v Speaker 3>Vince de Johnny, with music by Chad Fisher.

0:39:18.200 --> 0:39:21.080
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:39:21.160 --> 0:39:23.200
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:39:23.600 --> 0:39:25.960
<v Speaker 3>Unpacking the Toolbox is a production of Shondaland Audio in

0:39:26.080 --> 0:39:30.359
<v Speaker 3>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:39:30.400 --> 0:39:33.520
<v Speaker 3>the iHeartRadio app or anywhere you subscribe to your favorite shows.