1 00:00:00,080 --> 00:00:02,720 Speaker 1: Unpacking the Toolbox is a production of Shondaland Audio in 2 00:00:02,800 --> 00:00:27,640 Speaker 1: partnership with Iheartradiots. Katie loves. 3 00:00:32,440 --> 00:00:44,120 Speaker 2: Gulieremo Katie, Katie loves he g Olalla Yes yo. 4 00:00:44,280 --> 00:00:46,720 Speaker 1: Recently I started watching a bunch of Elvis movies. I've 5 00:00:46,720 --> 00:00:49,000 Speaker 1: seen them before, but not all of them, but there's 6 00:00:49,000 --> 00:00:51,519 Speaker 1: a bunch of them on one of the streaming networks 7 00:00:51,560 --> 00:00:53,680 Speaker 1: and I love them so much. 8 00:00:53,840 --> 00:00:58,320 Speaker 3: What have you seen the most latest, Austin Butler? Elvia? 9 00:00:58,640 --> 00:00:59,600 Speaker 3: Is it amazing? Yeah? 10 00:00:59,840 --> 00:01:02,920 Speaker 1: I really really liked it. He's really good. He doesn't 11 00:01:03,000 --> 00:01:05,600 Speaker 1: look like Elvis at all in my opinion, but that 12 00:01:05,640 --> 00:01:08,280 Speaker 1: doesn't matter because he has like his essence. He's really 13 00:01:08,319 --> 00:01:08,920 Speaker 1: fucking good. 14 00:01:09,280 --> 00:01:12,240 Speaker 3: Wow, so good. I have not seen it. I should 15 00:01:12,240 --> 00:01:14,840 Speaker 3: watch that. Yeah, bad actor. 16 00:01:14,760 --> 00:01:18,120 Speaker 1: Yo, Katie. Isn't it funny when you're I remember being 17 00:01:18,160 --> 00:01:21,000 Speaker 1: in college and being, you know, whatever age you are, 18 00:01:21,040 --> 00:01:22,840 Speaker 1: when you're like second year of college, I was, I 19 00:01:22,840 --> 00:01:25,600 Speaker 1: don no, twenty twenty one, I don't fucking know. But 20 00:01:25,640 --> 00:01:27,839 Speaker 1: there was a girl in one of my acting classes. 21 00:01:28,440 --> 00:01:30,080 Speaker 1: And I went to a business school, but of course 22 00:01:30,120 --> 00:01:33,319 Speaker 1: I took like the three like acting classes that there 23 00:01:33,319 --> 00:01:35,440 Speaker 1: were in the school, and there was a girl in 24 00:01:35,440 --> 00:01:38,560 Speaker 1: my class that was like thirty two, and I remember 25 00:01:38,680 --> 00:01:44,680 Speaker 1: all of us being like, yo, she's thirty two. We 26 00:01:44,680 --> 00:01:48,240 Speaker 1: were flabbergasted that she was in her. 27 00:01:48,160 --> 00:01:52,400 Speaker 3: Thirties and this person we never met, but. 28 00:01:52,400 --> 00:01:55,480 Speaker 1: I remember all of us being like, it was like 29 00:01:55,520 --> 00:01:57,840 Speaker 1: the school. It was like this drama. 30 00:01:57,880 --> 00:02:01,640 Speaker 3: People were like, oh my god, he was thirty creature doing. 31 00:02:01,560 --> 00:02:04,360 Speaker 1: Here, and we love her. We loved her. But of 32 00:02:04,400 --> 00:02:06,880 Speaker 1: course now I'm fifty two and I'm like, hey, you 33 00:02:06,920 --> 00:02:10,160 Speaker 1: know that's two so young? What? Yeah? 34 00:02:10,360 --> 00:02:13,639 Speaker 3: No, wait, in business school? Did you take business classes? 35 00:02:14,080 --> 00:02:16,880 Speaker 1: I took some. I went to Baroque College, which is 36 00:02:16,919 --> 00:02:19,760 Speaker 1: the college that Jaylo went to. Yes, it's on like 37 00:02:19,760 --> 00:02:22,320 Speaker 1: twenty third in Lexington. I knew I wanted to be 38 00:02:22,320 --> 00:02:24,640 Speaker 1: an actor, but I wanted to go to have something 39 00:02:24,680 --> 00:02:28,080 Speaker 1: to fall back on, get a degree in business, just 40 00:02:28,120 --> 00:02:29,720 Speaker 1: to have something to fall back and my two older 41 00:02:29,720 --> 00:02:30,519 Speaker 1: brothers went there. 42 00:02:30,880 --> 00:02:36,320 Speaker 3: I cannot imagine you running, like doing a regular life job. 43 00:02:36,400 --> 00:02:40,480 Speaker 1: Can you fucking imagine my dumb ass trying to do 44 00:02:40,560 --> 00:02:44,040 Speaker 1: somebody's fucking taxes or some bullshit that has to do 45 00:02:44,080 --> 00:02:45,960 Speaker 1: with money or something that's not artistic? 46 00:02:46,200 --> 00:02:48,160 Speaker 3: Noumb you're incredibly smart. 47 00:02:48,280 --> 00:02:50,960 Speaker 1: Well listen, I can be dumb sometimes, I like not, 48 00:02:51,680 --> 00:02:53,560 Speaker 1: that's so not my brain. It doesn't work that way. 49 00:02:53,600 --> 00:02:56,840 Speaker 3: We're not traditional like that, like you can't do a 50 00:02:56,960 --> 00:02:59,760 Speaker 3: job like that, Like that is not Oh so both 51 00:02:59,800 --> 00:03:01,920 Speaker 3: your brothers went to Baruch, so you were like, all right, 52 00:03:01,960 --> 00:03:02,880 Speaker 3: I'll just do this. 53 00:03:02,960 --> 00:03:06,280 Speaker 1: Yeah yeah, yeah. But luckily, you know, at the second year, 54 00:03:06,680 --> 00:03:08,960 Speaker 1: like the middle of the second year, I got an 55 00:03:08,960 --> 00:03:11,640 Speaker 1: agent and I started booking, and I was like, see 56 00:03:11,680 --> 00:03:14,880 Speaker 1: you peaking was out of there, peace out. 57 00:03:15,280 --> 00:03:17,359 Speaker 3: You must have come into Baruk and they must have 58 00:03:17,440 --> 00:03:20,200 Speaker 3: been like, wow, give this dude. 59 00:03:20,240 --> 00:03:23,200 Speaker 1: All the leads yep, Like they were like this motherfucker 60 00:03:23,200 --> 00:03:26,919 Speaker 1: could act. All those business majors were terrible actors. So 61 00:03:27,000 --> 00:03:29,320 Speaker 1: my scrawny ass was like I could do it, and 62 00:03:29,360 --> 00:03:30,639 Speaker 1: they were like they're amazing. 63 00:03:30,919 --> 00:03:34,760 Speaker 3: Oh my god, I can't imagine. I'm just like dying 64 00:03:34,840 --> 00:03:38,680 Speaker 3: over the image of you, like having a sliding doors life, 65 00:03:38,680 --> 00:03:41,240 Speaker 3: where like you didn't get an agent and you graduated 66 00:03:41,280 --> 00:03:45,200 Speaker 3: book and you're in like some already shitted suit and 67 00:03:45,240 --> 00:03:47,880 Speaker 3: you can't wear all your shirts and your leather suspenders 68 00:03:47,920 --> 00:03:50,560 Speaker 3: and you have to like report to an office and 69 00:03:50,600 --> 00:03:54,040 Speaker 3: like do taxes or something like what would you. 70 00:03:53,960 --> 00:03:57,400 Speaker 1: Have done that is disgusting. I would never. I would never. 71 00:03:57,760 --> 00:04:00,960 Speaker 3: You wouldn't have survived. I little Giermo Diaz going to 72 00:04:00,960 --> 00:04:04,600 Speaker 3: Beru colleges. This is the greatest thing in the entire world. 73 00:04:04,600 --> 00:04:08,040 Speaker 3: To make it crazy like it would have, I can't. 74 00:04:08,200 --> 00:04:09,200 Speaker 3: You were not meant to do that. 75 00:04:09,600 --> 00:04:11,320 Speaker 1: I wouldn't change it for the world. You know. It 76 00:04:11,360 --> 00:04:13,400 Speaker 1: was such a great experience. And I met so many 77 00:04:13,480 --> 00:04:14,720 Speaker 1: There was a professor, there, a names. 78 00:04:14,800 --> 00:04:16,880 Speaker 3: You met that thirty two year old old hag. 79 00:04:17,200 --> 00:04:18,240 Speaker 1: Yeah, that old hag. 80 00:04:19,480 --> 00:04:26,160 Speaker 3: Wow. Today's episode is two sixteen. We are nearing the 81 00:04:26,520 --> 00:04:29,600 Speaker 3: like we are in the final third of the second 82 00:04:29,600 --> 00:04:32,159 Speaker 3: season where shit gets ramped up and fucking crazy. This 83 00:04:32,240 --> 00:04:35,919 Speaker 3: episode is called Top of the Hour and it aired 84 00:04:35,960 --> 00:04:39,520 Speaker 3: on March twenty first of twenty thirteen. 85 00:04:38,720 --> 00:04:41,200 Speaker 1: And it was written by Heather Mitchell and directed by 86 00:04:41,279 --> 00:04:44,720 Speaker 1: Steve Robin. Check it out. Okay, March twenty first is 87 00:04:44,760 --> 00:04:48,080 Speaker 1: the day before my birthday. 88 00:04:48,240 --> 00:04:50,680 Speaker 3: Continue, Oh, the best day in the world, the day 89 00:04:50,760 --> 00:04:52,840 Speaker 3: that we all, we all need to be celebrating. 90 00:04:52,839 --> 00:04:53,279 Speaker 1: March first. 91 00:04:53,320 --> 00:04:56,800 Speaker 3: Second guest starring Scott Foley as Jake Bellard, Sharmila Devar 92 00:04:56,960 --> 00:04:59,760 Speaker 3: as Lauren Wellman, Kurt Fuller as great In Osborne, Samantha 93 00:04:59,760 --> 00:05:02,479 Speaker 3: slow And as Janine Locke, Alexander Greer as Patrick White, 94 00:05:02,520 --> 00:05:05,400 Speaker 3: house staffer, Denorka Wildcott as reporter. 95 00:05:05,160 --> 00:05:10,239 Speaker 1: Carol Reesrios as reporter, Peter J. Jackson as news anchor, 96 00:05:10,560 --> 00:05:15,040 Speaker 1: Lisa Edelstein as Sarah Stanner love her. J. Carnes as 97 00:05:15,080 --> 00:05:15,760 Speaker 1: Phil Stanner. 98 00:05:15,880 --> 00:05:21,000 Speaker 3: This is a beautiful name, and it's saida. 99 00:05:21,600 --> 00:05:28,200 Speaker 1: Eureka as Samantha Wells. I hope I did not butcher 100 00:05:28,240 --> 00:05:28,599 Speaker 1: her name. 101 00:05:28,680 --> 00:05:30,360 Speaker 3: Who is Samantha Wells in it? 102 00:05:30,839 --> 00:05:31,760 Speaker 1: Who the fuck knows? 103 00:05:31,800 --> 00:05:33,680 Speaker 3: I don't you remember who Samantha Wells was? 104 00:05:33,720 --> 00:05:35,279 Speaker 1: I don't remember. 105 00:05:35,680 --> 00:05:37,400 Speaker 3: All right, we're gonna get into it, so will so. 106 00:05:37,440 --> 00:05:41,760 Speaker 1: Samantha Wells was the secretary that is seats is seated 107 00:05:41,800 --> 00:05:44,960 Speaker 1: outside of Fitz's office, where Melly is like, tell me 108 00:05:45,000 --> 00:05:48,640 Speaker 1: we all his meetings, please? Oh god, damn it. I 109 00:05:48,640 --> 00:05:49,680 Speaker 1: fucked up. You're right, that's. 110 00:05:49,560 --> 00:05:54,440 Speaker 3: Lauren Lauren Wellman, who is the who is the secretary 111 00:05:54,480 --> 00:05:55,960 Speaker 3: who's in charge of Fitz's schedule? 112 00:05:56,000 --> 00:06:02,120 Speaker 1: And right, yes, sorry, I apologize, guys, says a real 113 00:06:02,480 --> 00:06:03,880 Speaker 1: doozy of an episode. 114 00:06:04,040 --> 00:06:05,960 Speaker 3: It's kind of a classic. We've got a case of 115 00:06:05,960 --> 00:06:08,719 Speaker 3: the Week, and we've got a lot of b storyline 116 00:06:08,760 --> 00:06:10,840 Speaker 3: going on in the White House Synopsis. Olivia and her 117 00:06:10,880 --> 00:06:12,960 Speaker 3: OPA team find themselves once more in the middle of 118 00:06:13,000 --> 00:06:15,760 Speaker 3: a media firestorm. This time they go to head to 119 00:06:15,800 --> 00:06:17,800 Speaker 3: head with the White House after their new client, high 120 00:06:17,839 --> 00:06:20,599 Speaker 3: powered CEO Sarah Stanner, is accused of having an affair 121 00:06:20,640 --> 00:06:23,279 Speaker 3: with President Fitz's nominee for the Supreme Court. 122 00:06:23,520 --> 00:06:26,280 Speaker 1: Olivia delivers a hot tip to Jake Ballard as their 123 00:06:26,320 --> 00:06:30,120 Speaker 1: flirtations continue. In pursuit of the White House, mole Huck 124 00:06:30,240 --> 00:06:33,920 Speaker 1: teaches Quinn how to be a professional stalker with mixed results. 125 00:06:34,040 --> 00:06:38,640 Speaker 1: Me Yeah, hey, wait a minute. Meanwhile, Cyrus and Mellie 126 00:06:38,640 --> 00:06:42,080 Speaker 1: battle for the President's attention, and Abby confronts Harrison over 127 00:06:42,120 --> 00:06:46,880 Speaker 1: his role in her and David Rosen's breakup. Whoa wow? 128 00:06:47,200 --> 00:06:53,440 Speaker 3: Okay, So to Jog y'all's memory. Lisa Edelstein portrays the 129 00:06:53,880 --> 00:06:58,080 Speaker 3: case of the week, Sarah Stanner, and she's fucking unbelievable. 130 00:06:58,160 --> 00:07:04,080 Speaker 3: Her acting is ridiculous. She's so good, it's amazing, Like 131 00:07:04,160 --> 00:07:07,159 Speaker 3: she plays this high powered female ceo. They have two kids, 132 00:07:07,160 --> 00:07:09,600 Speaker 3: this like sort of perfect life, a lovely house and 133 00:07:09,640 --> 00:07:11,840 Speaker 3: then her daughter. They're like setting up dinner at the 134 00:07:11,840 --> 00:07:13,400 Speaker 3: beginning of the episode and You're like, oh my god, 135 00:07:13,400 --> 00:07:14,920 Speaker 3: what a lovely family. And then all of a sudden, 136 00:07:14,920 --> 00:07:18,120 Speaker 3: it's like ding dog and then a little daughter goes 137 00:07:18,160 --> 00:07:22,560 Speaker 3: to run pizza, and the little daughter runs to the 138 00:07:22,560 --> 00:07:28,200 Speaker 3: front door, and it's like ooh. 139 00:07:26,640 --> 00:07:29,840 Speaker 1: And it's like all these reporters and right outside the door. 140 00:07:29,760 --> 00:07:32,960 Speaker 3: Clashing bulbs and your your mother, you know, like do 141 00:07:32,960 --> 00:07:34,720 Speaker 3: we want to talk to Sarah Stanza. She's been having 142 00:07:34,760 --> 00:07:36,560 Speaker 3: an affair with the Supreme Court nominee. And what we 143 00:07:36,680 --> 00:07:39,360 Speaker 3: learn is the case of the week is that Fitz's 144 00:07:39,400 --> 00:07:43,480 Speaker 3: Supreme Court nominee was having an affair we think with 145 00:07:43,560 --> 00:07:47,080 Speaker 3: Lisa Aiedelstein's character a million years ago, but it turns 146 00:07:47,080 --> 00:07:49,520 Speaker 3: out what we learn is that affair was like going 147 00:07:49,560 --> 00:07:51,000 Speaker 3: on for like a way. 148 00:07:50,920 --> 00:07:53,240 Speaker 1: Much longer, much much longer. 149 00:07:53,400 --> 00:07:55,280 Speaker 3: She was almost even kind of in love with them. 150 00:07:55,760 --> 00:08:00,160 Speaker 3: Her husband puts it together like is our daughter even mine? 151 00:08:00,680 --> 00:08:05,600 Speaker 3: Am I the father? Anyway, their performance is amazing, and 152 00:08:05,680 --> 00:08:07,520 Speaker 3: so it's sort of like the White House going head 153 00:08:07,560 --> 00:08:10,800 Speaker 3: to head with Opa because we rep Lisa Aiedelstein's character 154 00:08:11,360 --> 00:08:13,760 Speaker 3: and the White House is trying to protect the Supreme 155 00:08:13,800 --> 00:08:19,200 Speaker 3: Court nominee, and so they're tearing Lisa Aidelstein's character apart 156 00:08:19,360 --> 00:08:21,560 Speaker 3: in the press, like showing all these pictures of her 157 00:08:21,600 --> 00:08:24,400 Speaker 3: in college, like she was like a slut, and like 158 00:08:24,880 --> 00:08:29,280 Speaker 3: releasing emails where she was like basically supposedly like begging 159 00:08:29,400 --> 00:08:30,480 Speaker 3: him to have sex with her. 160 00:08:31,080 --> 00:08:35,679 Speaker 1: And of course, and Cyrus is like, wtf, Olivia, what 161 00:08:35,720 --> 00:08:38,800 Speaker 1: the hell are you doing? Leave this alone? And she's like, nope, 162 00:08:38,840 --> 00:08:42,120 Speaker 1: I'm this this is my client. Too bad, And I 163 00:08:42,160 --> 00:08:44,640 Speaker 1: love what she delivers. One of my favorite lines where 164 00:08:44,679 --> 00:08:47,720 Speaker 1: she tells Cyrus take a breath, Cyrus, I don't want 165 00:08:47,760 --> 00:08:49,760 Speaker 1: to be responsible for a heart attack, Like you're going 166 00:08:49,840 --> 00:08:52,640 Speaker 1: to have a heart attack. Because Cyrus is losing his 167 00:08:52,840 --> 00:08:53,640 Speaker 1: shit over this. 168 00:08:54,120 --> 00:08:57,679 Speaker 3: Yeah, such foreshadowing, because Cyrus does have a heart attack 169 00:08:57,679 --> 00:08:59,760 Speaker 3: at some point. I can't remember what season that is. 170 00:09:00,080 --> 00:09:01,040 Speaker 3: Definitely has a heart attack. 171 00:09:01,040 --> 00:09:01,560 Speaker 1: And some times. 172 00:09:01,800 --> 00:09:08,680 Speaker 3: We will be back with more after the break. Okay, 173 00:09:08,840 --> 00:09:12,200 Speaker 3: let's consult on notes. Let me look at the notes 174 00:09:12,240 --> 00:09:14,720 Speaker 3: of like my favorite best scenes and all this shit. 175 00:09:15,120 --> 00:09:17,640 Speaker 1: There's so many in this one, so many I. 176 00:09:17,600 --> 00:09:22,760 Speaker 3: Know, they're so great, and there's a lot of oh, 177 00:09:23,040 --> 00:09:24,920 Speaker 3: oh god, I just had a really big flashback. Okay, 178 00:09:24,920 --> 00:09:31,400 Speaker 3: we'll get there to Okay, Olivia brings information on the kidnapped. 179 00:09:32,880 --> 00:09:34,640 Speaker 3: Are they army people who are kidnapped? 180 00:09:34,640 --> 00:09:36,720 Speaker 1: Who's I believe they're military folks. 181 00:09:36,800 --> 00:09:39,640 Speaker 3: The military folk have been kidnapped. And Fits is trying 182 00:09:39,640 --> 00:09:42,800 Speaker 3: to figure out. But there's a mole and Jake Is 183 00:09:42,880 --> 00:09:45,920 Speaker 3: and Olivia are like flirtatious as all hell. Olivia goes 184 00:09:45,960 --> 00:09:47,600 Speaker 3: to visit Jake at his office and we see some 185 00:09:47,640 --> 00:09:50,959 Speaker 3: adorable photo of like with him and a camel getting 186 00:09:50,960 --> 00:09:53,319 Speaker 3: looked in the face and Jake in his like hot 187 00:09:53,480 --> 00:10:02,480 Speaker 3: sexy uniform and all that kind of thing. Melly doesn't understand, 188 00:10:02,840 --> 00:10:05,880 Speaker 3: like what the fuck is going on? She sees that 189 00:10:05,920 --> 00:10:09,520 Speaker 3: in Fits his schedule, three meetings a week are going 190 00:10:09,520 --> 00:10:11,800 Speaker 3: on late at night, and she goes to Cyrus and 191 00:10:11,920 --> 00:10:15,800 Speaker 3: is like, your boys cheating on us? I know. She's like, no, no, no, 192 00:10:15,840 --> 00:10:18,600 Speaker 3: forgive me. Are boys cheating on you? He's meeting with 193 00:10:18,640 --> 00:10:20,199 Speaker 3: someone three nights a week and I don't know who 194 00:10:20,200 --> 00:10:22,000 Speaker 3: it is, and Cyrus, you don't know who it is? 195 00:10:22,040 --> 00:10:24,839 Speaker 3: And Cyrus is supposed to know everything about us, what 196 00:10:25,040 --> 00:10:26,040 Speaker 3: the president is doing? 197 00:10:26,480 --> 00:10:27,480 Speaker 1: Yes, what else? 198 00:10:27,520 --> 00:10:30,079 Speaker 3: G what are Oh? There's so much good Quinn. 199 00:10:30,000 --> 00:10:32,000 Speaker 1: Hawks, so much good stuff. 200 00:10:32,440 --> 00:10:34,800 Speaker 3: Really like the beginning of Quinn. It's a lot of 201 00:10:34,880 --> 00:10:37,800 Speaker 3: Quinn Hawk shit, Like you know what I remember, g yeah, 202 00:10:37,880 --> 00:10:38,960 Speaker 3: can you remember any of it? 203 00:10:39,280 --> 00:10:42,120 Speaker 1: You know what I remember from about this episode is 204 00:10:42,160 --> 00:10:45,200 Speaker 1: how much I enjoyed shooting it, because whenever we were 205 00:10:45,240 --> 00:10:48,600 Speaker 1: on location, it was just fun. We were out out 206 00:10:48,640 --> 00:10:51,280 Speaker 1: of you know, the studios. We weren't in the OPA office, 207 00:10:51,280 --> 00:10:53,840 Speaker 1: which was you know, that was fun too, of course, 208 00:10:54,120 --> 00:10:56,800 Speaker 1: but when we got to go outside and be like 209 00:10:57,280 --> 00:11:00,400 Speaker 1: in downtown La or in Pasadena, and the fact that 210 00:11:00,440 --> 00:11:03,400 Speaker 1: it was just you, me and you shooting this episode, 211 00:11:03,440 --> 00:11:05,160 Speaker 1: like I think it was pretty much you and I 212 00:11:05,240 --> 00:11:06,520 Speaker 1: together this whole episode. 213 00:11:06,640 --> 00:11:08,840 Speaker 3: Yeah, this is the whole work. We're following. 214 00:11:09,320 --> 00:11:12,080 Speaker 1: We're following the mole, the White House. 215 00:11:12,000 --> 00:11:16,280 Speaker 3: Mole who's great in Osbourne, played by Kurt Fuller, and 216 00:11:16,280 --> 00:11:19,040 Speaker 3: and you're not really helping, like you're saying, I'm like, okay, 217 00:11:19,080 --> 00:11:21,360 Speaker 3: well he's going to make the drop in plane daylight, 218 00:11:21,440 --> 00:11:23,520 Speaker 3: and so I'm like following him around and we stop 219 00:11:23,520 --> 00:11:26,800 Speaker 3: at a dry cleaners, and you're letting Quinn do the 220 00:11:26,840 --> 00:11:30,120 Speaker 3: whole stalking work. But Quinn like keeps fucking. 221 00:11:29,960 --> 00:11:31,720 Speaker 1: Yeah, he wants he to get her feet, he wants 222 00:11:31,760 --> 00:11:33,440 Speaker 1: her to get her feet wet and just you know, 223 00:11:33,600 --> 00:11:36,440 Speaker 1: get in there, really dive in and experience what it's like. 224 00:11:36,600 --> 00:11:38,760 Speaker 3: And so she waits, my love it. She waits behind 225 00:11:38,800 --> 00:11:41,559 Speaker 3: Grade and Fuller in the line for the cleaners, and 226 00:11:41,600 --> 00:11:43,920 Speaker 3: she's like, holy shit, I feel like he's making the drop. 227 00:11:43,960 --> 00:11:46,240 Speaker 3: There's like sketchy shit going on. And they're like, okay, 228 00:11:46,400 --> 00:11:48,240 Speaker 3: next customer, what would you like to drop off for 229 00:11:48,840 --> 00:11:52,640 Speaker 3: your dry cleaning? And Quinn's like ugh, and she just 230 00:11:52,760 --> 00:11:54,840 Speaker 3: gives her her shirt off of her back. 231 00:11:55,040 --> 00:11:57,319 Speaker 1: The next shot we see it's just you in a. 232 00:11:57,320 --> 00:12:00,320 Speaker 3: Bra, just made a bra. And I'm like walking to 233 00:12:00,440 --> 00:12:04,040 Speaker 3: the car, like so mortified and embarrassed and made such 234 00:12:04,040 --> 00:12:05,720 Speaker 3: a rookie ass mistakes. 235 00:12:05,920 --> 00:12:08,240 Speaker 1: Isn't like, see you weren't prepared. You should have been 236 00:12:08,240 --> 00:12:11,160 Speaker 1: prepared or something like that. How did you feel shooting 237 00:12:11,160 --> 00:12:12,200 Speaker 1: that shooting that scene? 238 00:12:12,280 --> 00:12:15,240 Speaker 3: Were you like, well, I remember so stupid. I remember 239 00:12:15,280 --> 00:12:18,200 Speaker 3: being so wildly insecure because I was like fitting with 240 00:12:18,360 --> 00:12:22,080 Speaker 3: Lynn Paolow, like what I would be wearing the. 241 00:12:24,679 --> 00:12:25,800 Speaker 1: Yeah and my. 242 00:12:25,960 --> 00:12:29,120 Speaker 3: Boobs and like how high up were they? How low 243 00:12:29,280 --> 00:12:32,040 Speaker 3: were they? And I just remember being like, ugh, being 244 00:12:32,040 --> 00:12:35,520 Speaker 3: a girl is so stupid. Like it was just like 245 00:12:35,800 --> 00:12:38,839 Speaker 3: very like I felt a little bit. I can remember 246 00:12:39,880 --> 00:12:43,640 Speaker 3: feeling insecure about my like chest or what it looked like. 247 00:12:43,760 --> 00:12:45,280 Speaker 3: I can remember that feeling. 248 00:12:45,320 --> 00:12:49,360 Speaker 1: Of course, I wish we were all able to Like now, 249 00:12:49,640 --> 00:12:51,760 Speaker 1: looking at these episodes that we shot so long ago, 250 00:12:51,960 --> 00:12:54,720 Speaker 1: I'm like, damn, you look pretty good, gear, Imo, you 251 00:12:54,760 --> 00:12:57,199 Speaker 1: look like but in the moment, you know what I mean, 252 00:12:57,240 --> 00:13:00,400 Speaker 1: we're all so overly critical about our look looks or 253 00:13:00,400 --> 00:13:03,960 Speaker 1: our weight or whatever. And then years passed and you're like, 254 00:13:04,040 --> 00:13:06,679 Speaker 1: wait a minute, motherfucker. You look. Why didn't I enjoy 255 00:13:06,800 --> 00:13:09,760 Speaker 1: myself a lot more when I was in that time, 256 00:13:09,880 --> 00:13:10,400 Speaker 1: you know what I mean? 257 00:13:10,480 --> 00:13:12,520 Speaker 3: Macket photos all the time before I had two kids, 258 00:13:12,520 --> 00:13:14,920 Speaker 3: and I'm like, why was I upset? 259 00:13:15,320 --> 00:13:18,719 Speaker 1: Like? Yes, it was. 260 00:13:18,800 --> 00:13:23,440 Speaker 3: My body was great, nice, I had nothing to worry about, Like, 261 00:13:23,679 --> 00:13:26,880 Speaker 3: I can't believe I was so much harder on myself 262 00:13:26,920 --> 00:13:27,839 Speaker 3: than It's so weird. 263 00:13:27,920 --> 00:13:30,800 Speaker 1: Oh yeah, you know what else I remember from this episode? Also, 264 00:13:30,880 --> 00:13:34,560 Speaker 1: Katie is is again being on location and shooting, you know, 265 00:13:34,600 --> 00:13:38,240 Speaker 1: outside of the studio. But also I remember always being like, oh, 266 00:13:38,360 --> 00:13:40,720 Speaker 1: what food places will be around here that I can 267 00:13:40,760 --> 00:13:43,880 Speaker 1: go to when we break for lunch instead of having 268 00:13:43,920 --> 00:13:47,040 Speaker 1: the catered lunch. Is there a good pizza shop? Is 269 00:13:47,040 --> 00:13:48,920 Speaker 1: there like a McDonald there a good. 270 00:13:48,760 --> 00:13:52,240 Speaker 3: Burger place, So you are ridiculous of you. Wait, were 271 00:13:52,280 --> 00:13:54,240 Speaker 3: we in Pasadena for the dry cleaning? 272 00:13:54,320 --> 00:13:57,160 Speaker 1: Maybe? I think it was Pasadena. I want to say, yeah, 273 00:13:57,360 --> 00:13:58,640 Speaker 1: I feel like I was it too. 274 00:13:59,280 --> 00:14:01,440 Speaker 3: That's so fun And you're just scoping out, like, oh, 275 00:14:01,559 --> 00:14:03,360 Speaker 3: what lunch spot? Am I going to go pick up 276 00:14:03,360 --> 00:14:04,800 Speaker 3: my ship? Like and all you can eat buffet? 277 00:14:05,240 --> 00:14:08,320 Speaker 1: Oh? Yeah, there's nothing better than a fucking all you 278 00:14:08,320 --> 00:14:11,280 Speaker 1: can eat bffet. There's one up here near where I live, 279 00:14:11,360 --> 00:14:14,280 Speaker 1: at a hotel near Universal Studios. Have you ever been 280 00:14:14,320 --> 00:14:16,360 Speaker 1: to it? No, it's right up the hill, like right 281 00:14:16,400 --> 00:14:18,200 Speaker 1: past the entrance to go with you. What do you 282 00:14:18,240 --> 00:14:22,080 Speaker 1: get everything, Katie? They got crab legs, they got oysters, 283 00:14:22,080 --> 00:14:27,440 Speaker 1: they got Chinese food, they have creams, they have water addict. 284 00:14:27,240 --> 00:14:30,240 Speaker 3: They have Mexicans like twenty four to seven, all of 285 00:14:30,280 --> 00:14:32,560 Speaker 3: these options or like this comes out at five. 286 00:14:32,920 --> 00:14:35,760 Speaker 1: It's only on the weekends. You have to make reservations 287 00:14:35,800 --> 00:14:38,000 Speaker 1: like two weeks in advance because it's super popular and 288 00:14:38,000 --> 00:14:41,160 Speaker 1: it gets super packed. It costs like seventy five bucks ahead, 289 00:14:41,440 --> 00:14:43,800 Speaker 1: but it is so worth it, and you could get 290 00:14:43,840 --> 00:14:45,920 Speaker 1: Bloody Mary's or whatever liquor you want. 291 00:14:46,400 --> 00:14:50,320 Speaker 3: Yeah, everything it was very cute. And then quinnin Hawk, 292 00:14:50,480 --> 00:14:52,440 Speaker 3: she does pick up the dry cleaning and she checks 293 00:14:52,480 --> 00:14:54,640 Speaker 3: his suit pocket and in fact there is a big, 294 00:14:54,760 --> 00:14:58,240 Speaker 3: thick envelope filled with cash, and so they feel like 295 00:14:58,280 --> 00:15:01,080 Speaker 3: it is the confirmation that he is the mole. There's 296 00:15:01,240 --> 00:15:05,040 Speaker 3: money being exchanged for information. This guy is guilty, and 297 00:15:05,080 --> 00:15:07,320 Speaker 3: we're like super on the trail. But now I have 298 00:15:07,400 --> 00:15:09,520 Speaker 3: to like have this little monologue where I have to 299 00:15:09,560 --> 00:15:12,160 Speaker 3: make sure he doesn't know that we're onto him, so 300 00:15:12,200 --> 00:15:14,359 Speaker 3: I have to return the dry cleaning. 301 00:15:14,240 --> 00:15:16,800 Speaker 1: Which you're so good in that scene. You're so good. 302 00:15:16,880 --> 00:15:20,720 Speaker 1: You're like, oh, I'm such a dummy, Like I picked 303 00:15:20,800 --> 00:15:22,880 Speaker 1: up my husband's dry cleaning, but I should. It's not 304 00:15:22,920 --> 00:15:25,600 Speaker 1: gonna be ready till Saturday. And oh, you're so good. 305 00:15:25,680 --> 00:15:28,120 Speaker 1: It's such it's such a fun cute little scene. 306 00:15:28,960 --> 00:15:33,960 Speaker 3: Gee, Okay, we see that Fits and Olivia, who have 307 00:15:34,000 --> 00:15:37,160 Speaker 3: been on the outs for many an episode that Fits 308 00:15:37,280 --> 00:15:40,520 Speaker 3: calls Olivia because he's so fucking pissed about the Supreme 309 00:15:40,560 --> 00:15:43,040 Speaker 3: Court nominee not going through, and it's basically he just 310 00:15:43,080 --> 00:15:46,200 Speaker 3: feels like his entire presidency thus far has been a 311 00:15:46,240 --> 00:15:47,960 Speaker 3: total shit show. 312 00:15:48,080 --> 00:15:49,120 Speaker 1: Yeah, a joke. 313 00:15:50,480 --> 00:15:53,240 Speaker 3: It's just been awful, Like it's an embarrassment. They've gotten 314 00:15:53,280 --> 00:15:56,680 Speaker 3: like nothing successful to pass through. They don't have the 315 00:15:56,680 --> 00:15:58,960 Speaker 3: rest like the people who've been kidnapped, they don't have that. 316 00:15:59,440 --> 00:16:01,840 Speaker 3: They have had a Supreme Court nominee. Like it's a 317 00:16:01,840 --> 00:16:04,680 Speaker 3: total mess. And he calls Olivia and I feel like 318 00:16:04,720 --> 00:16:05,880 Speaker 3: he's drunk, right. 319 00:16:06,000 --> 00:16:09,480 Speaker 1: Yeah, because he's drinking his whiskey. Yeah, he's buzzed for show. 320 00:16:09,960 --> 00:16:14,280 Speaker 3: And while they're calling, Live is watching Lisa Aiedelstein and 321 00:16:14,320 --> 00:16:16,840 Speaker 3: her character's husband like fighting through the window of their 322 00:16:16,880 --> 00:16:20,760 Speaker 3: house and you can just see like how broken both 323 00:16:20,760 --> 00:16:24,000 Speaker 3: of these relationships are, and liv just says like or 324 00:16:24,040 --> 00:16:25,560 Speaker 3: he says, you ruined me. 325 00:16:26,120 --> 00:16:29,280 Speaker 1: Yeah, yeah, and then she's like he says something else 326 00:16:29,280 --> 00:16:30,760 Speaker 1: to her, and then she says, I'm going to hang up, 327 00:16:30,800 --> 00:16:32,800 Speaker 1: and he's like, yeah, you do that, and then he 328 00:16:32,880 --> 00:16:33,840 Speaker 1: hangs out before her. 329 00:16:34,440 --> 00:16:37,000 Speaker 3: Oh so mean. He's so like, I don't give a 330 00:16:37,080 --> 00:16:39,480 Speaker 3: fuck about it, and he's so upset obviously, just to 331 00:16:39,520 --> 00:16:42,720 Speaker 3: remind listeners out there, he's so upset because he knows 332 00:16:42,800 --> 00:16:46,960 Speaker 3: that Live rigged the election. Yea, he knows that he's 333 00:16:47,080 --> 00:16:49,680 Speaker 3: not the president that people voted for. And how do 334 00:16:49,720 --> 00:16:53,040 Speaker 3: you live with yourself knowing that everyone you trusted betrayed you, 335 00:16:53,520 --> 00:16:56,200 Speaker 3: and the country that you're supposed to run you didn't 336 00:16:56,280 --> 00:16:57,200 Speaker 3: win fair and square. 337 00:16:57,400 --> 00:17:00,880 Speaker 1: Yeah, And I love in this episode to that the 338 00:17:01,120 --> 00:17:01,960 Speaker 1: what's happening with. 339 00:17:02,200 --> 00:17:04,680 Speaker 3: Uh, Lisa's character and her yeah, and. 340 00:17:04,640 --> 00:17:07,720 Speaker 1: Her husband is sort of mirroring, you know, the strife 341 00:17:07,760 --> 00:17:09,920 Speaker 1: that Olivia and Fits are going through. It's it's it's 342 00:17:09,920 --> 00:17:12,159 Speaker 1: really nice, and it's throughout the episode. 343 00:17:12,280 --> 00:17:16,600 Speaker 3: Yeah, throughout the episode. The two relationships are totally parallel 344 00:17:16,840 --> 00:17:17,840 Speaker 3: mirrors to each other. 345 00:17:18,040 --> 00:17:18,960 Speaker 1: Yes, yes, Yes. 346 00:17:19,240 --> 00:17:22,840 Speaker 3: And then Lisa has the most incredible monologue after this 347 00:17:22,960 --> 00:17:25,200 Speaker 3: phone call between Fits and Lives. She goes in and 348 00:17:25,240 --> 00:17:29,479 Speaker 3: Lisa's just like sitting at the table by herself. Her 349 00:17:29,560 --> 00:17:33,320 Speaker 3: husband has requested a praternity test to know if the 350 00:17:33,440 --> 00:17:37,520 Speaker 3: daughter is his legitimate daughter, and Lisa is just fucking 351 00:17:37,640 --> 00:17:40,120 Speaker 3: drinking wine out of the bottom of the bottle. 352 00:17:40,240 --> 00:17:42,879 Speaker 1: I love it. Yeah, And she breaks out another bottle 353 00:17:42,920 --> 00:17:45,119 Speaker 1: and she's like, Olivia, you're gonna drink with me? And 354 00:17:45,160 --> 00:17:46,960 Speaker 1: Livy's like, no, I can, I'm on the job. And 355 00:17:47,000 --> 00:17:49,800 Speaker 1: She's like, girl, you are gonna drink with me? 356 00:17:50,359 --> 00:17:53,639 Speaker 3: Yes, And it's such a great monologue, and Lisa's just 357 00:17:53,760 --> 00:17:58,560 Speaker 3: so pro level it like looking like she's holding back tears, 358 00:17:58,720 --> 00:17:59,960 Speaker 3: Like how do her eyes do that? 359 00:18:00,400 --> 00:18:05,160 Speaker 1: They was weld up the whole time. 360 00:18:03,920 --> 00:18:06,480 Speaker 3: Huge blue eyes that are perfect. That just the well 361 00:18:06,560 --> 00:18:10,000 Speaker 3: up and not the release. And I so appreciate that 362 00:18:10,160 --> 00:18:11,880 Speaker 3: skill set as an actor. I'm like, oh my god, 363 00:18:11,880 --> 00:18:13,600 Speaker 3: it looks like she's on the verge of crying, but 364 00:18:13,720 --> 00:18:16,520 Speaker 3: she's holding herself back and it's taking all of her 365 00:18:16,760 --> 00:18:19,080 Speaker 3: guts to hold herself back. It's so good. 366 00:18:19,320 --> 00:18:22,400 Speaker 1: This actresses is, I mean a pro. She She's been 367 00:18:22,440 --> 00:18:25,159 Speaker 1: in so much shit. Look, she's been in Seinfeld, La 368 00:18:25,320 --> 00:18:29,520 Speaker 1: law Er, Frasier, Homegirl, was in the movie The Doors. 369 00:18:29,600 --> 00:18:31,600 Speaker 1: She had a really small role in the Doors, which 370 00:18:31,640 --> 00:18:34,720 Speaker 1: is really memorable. She plays like the makeup artist to 371 00:18:34,880 --> 00:18:40,040 Speaker 1: uh to nol Kilmer. Yes, yes, yes, yeah, but yeah, 372 00:18:40,040 --> 00:18:41,160 Speaker 1: she's she's a stellar actor. 373 00:18:41,280 --> 00:18:45,680 Speaker 3: And also this huge she's a huge theater actor. Huge yeah, 374 00:18:45,960 --> 00:18:48,159 Speaker 3: huge New York theater actor. And then she had this 375 00:18:48,200 --> 00:18:51,359 Speaker 3: show Girlfriend's Guide to Divorce. Oh I Got, which she's 376 00:18:51,359 --> 00:18:54,760 Speaker 3: not like, right after Scandal, which she was the lead of. 377 00:18:55,119 --> 00:19:01,560 Speaker 3: Really yeah, didn't Adelstein husband show or her ex husband? 378 00:19:01,680 --> 00:19:03,280 Speaker 3: I think the one she divorces. 379 00:19:03,640 --> 00:19:06,360 Speaker 1: The actor that plays her husband. His name is Jay 380 00:19:06,480 --> 00:19:09,280 Speaker 1: Carnes and he's amazing too. He was on the Shield 381 00:19:09,400 --> 00:19:12,639 Speaker 1: for forever. He did eighty nine episodes of the Shield, 382 00:19:12,720 --> 00:19:15,280 Speaker 1: and I did an episode of the Shield called Blood 383 00:19:15,320 --> 00:19:17,560 Speaker 1: and Water. So I got to work with him like 384 00:19:17,760 --> 00:19:21,000 Speaker 1: years ago when I first moved to La Yeah, he's 385 00:19:21,040 --> 00:19:23,479 Speaker 1: he's wonderful. And he was also when I was, you know, 386 00:19:23,560 --> 00:19:26,680 Speaker 1: doing my research, he was in a movie with Madonna. 387 00:19:28,080 --> 00:19:30,080 Speaker 3: Yes, movie of Madonna's was he. 388 00:19:30,040 --> 00:19:32,800 Speaker 1: Called the Next Best Thing, which was the biggest piece. 389 00:19:32,840 --> 00:19:38,159 Speaker 1: And shit, it's a the worst movie. Madonna's in it 390 00:19:38,359 --> 00:19:41,919 Speaker 1: and the lead. She's the lead, she's one of the leads. 391 00:19:42,480 --> 00:19:43,960 Speaker 1: But yeah, it's a terrible movie. But I thought it 392 00:19:44,000 --> 00:19:47,159 Speaker 1: was so funny and so interesting that Jake Carnes is 393 00:19:47,480 --> 00:19:48,440 Speaker 1: was in that film with her. 394 00:19:48,960 --> 00:19:54,600 Speaker 3: Can we take a strong left turn at how amazing 395 00:19:55,359 --> 00:19:57,120 Speaker 3: Madonna was in a league of their own? 396 00:19:57,400 --> 00:20:00,000 Speaker 1: Oh man, that's one of my favorite movie. 397 00:20:00,640 --> 00:20:04,760 Speaker 3: I mean, she was astounding. 398 00:20:05,080 --> 00:20:07,159 Speaker 1: She really was. She really was. 399 00:20:07,359 --> 00:20:13,560 Speaker 3: Joy and gravitas and dancing and ball busting and her 400 00:20:13,600 --> 00:20:16,680 Speaker 3: and roso' donald. I could watch the two of those 401 00:20:16,880 --> 00:20:22,199 Speaker 3: women do their side banter yea for hours, Like, Yeah, 402 00:20:22,320 --> 00:20:24,000 Speaker 3: they were remarkable. 403 00:20:24,240 --> 00:20:28,240 Speaker 1: They became really close friends on that film they did. Yeah. Yeah, 404 00:20:28,240 --> 00:20:31,600 Speaker 1: they're still really really close friends to this day. 405 00:20:31,359 --> 00:20:34,119 Speaker 3: Oh and we know this because Madonna's your best friend. 406 00:20:34,280 --> 00:20:37,679 Speaker 1: Well, Adire, tell us something we don't know. 407 00:20:38,200 --> 00:20:40,840 Speaker 3: We were singing Rose o' donald's praises so much this 408 00:20:40,920 --> 00:20:44,199 Speaker 3: weekend because when you look, we like to this is 409 00:20:44,240 --> 00:20:47,920 Speaker 3: so lame. We like to go on YouTube and watch 410 00:20:48,280 --> 00:20:50,959 Speaker 3: when Broadway shows used to go on The roso' donald 411 00:20:51,000 --> 00:20:54,680 Speaker 3: show and perform it, and we show them to our kids, 412 00:20:54,680 --> 00:20:56,280 Speaker 3: like our kids really into the Lion King, and it's like, 413 00:20:56,280 --> 00:20:57,920 Speaker 3: if you want to see the Lion King from Broadway 414 00:20:58,000 --> 00:21:01,040 Speaker 3: perform two songs, usually it's from the o'donald's Show and 415 00:21:01,080 --> 00:21:04,600 Speaker 3: like all the musicals of that time. And Adam was like, 416 00:21:04,680 --> 00:21:09,520 Speaker 3: my god, Rosie was just such a Broadway a supporter 417 00:21:09,840 --> 00:21:14,480 Speaker 3: supporter that she always had every show on her show. 418 00:21:14,720 --> 00:21:17,399 Speaker 3: And it's like the only footage we have, and I'm like, 419 00:21:17,480 --> 00:21:20,240 Speaker 3: I Adam's like, just fucking bow down to Rosie o'donnald. 420 00:21:20,280 --> 00:21:22,240 Speaker 3: Like if we didn't have her in the Rosio o'donald Show, 421 00:21:22,480 --> 00:21:24,000 Speaker 3: we wouldn't have any of these recordings. 422 00:21:24,040 --> 00:21:25,240 Speaker 1: Well you know what I mean. But you know what, 423 00:21:25,400 --> 00:21:28,200 Speaker 1: no one else was doing that on television much less 424 00:21:28,240 --> 00:21:32,680 Speaker 1: daytime television, and and I think she she spiked ticket 425 00:21:32,760 --> 00:21:35,880 Speaker 1: sales to a lot of these shows because people would 426 00:21:35,880 --> 00:21:38,359 Speaker 1: see these performances and be like, oh my god, I 427 00:21:38,400 --> 00:21:40,359 Speaker 1: have to go see that. I remember when Edwig and 428 00:21:40,400 --> 00:21:42,920 Speaker 1: the Angry Inch first came out, she had John Cameron 429 00:21:42,960 --> 00:21:45,720 Speaker 1: Mitchell and the Angry Inch on and they did they 430 00:21:45,760 --> 00:21:47,640 Speaker 1: did a song our Engine Origin of Love, I think 431 00:21:47,680 --> 00:21:49,720 Speaker 1: they did, and it was Yeah, she did this for 432 00:21:49,840 --> 00:21:50,919 Speaker 1: so so many shows. 433 00:21:50,960 --> 00:21:54,280 Speaker 3: She's amazing. That was so amazing. I saw a musical 434 00:21:54,440 --> 00:21:57,280 Speaker 3: when I was studying abroad in London. I was studying 435 00:21:57,280 --> 00:21:59,960 Speaker 3: in the Hill Academy of Dramatic as she was produced 436 00:22:00,080 --> 00:22:03,679 Speaker 3: sing a musical about boy George called Taboo. 437 00:22:03,920 --> 00:22:06,480 Speaker 1: Yes, Yeah, Yeah. I was on Broadway for a short time. 438 00:22:06,320 --> 00:22:08,560 Speaker 3: And she transferred it to Broadway and it did not 439 00:22:08,680 --> 00:22:11,560 Speaker 3: It did unbelievable in England, Like it was one of 440 00:22:11,560 --> 00:22:14,760 Speaker 3: those ones that I think Brits felt such a connection 441 00:22:14,800 --> 00:22:18,400 Speaker 3: to boy George, like they're you know, they had they 442 00:22:18,440 --> 00:22:21,160 Speaker 3: love him. And I don't think it. I don't think 443 00:22:22,040 --> 00:22:26,640 Speaker 3: American Broadway audiences really connect to boy George. But I 444 00:22:26,680 --> 00:22:30,120 Speaker 3: saw it in England when I was there, and I 445 00:22:30,160 --> 00:22:34,560 Speaker 3: loved it and Bramma Rosie o'donald from making a stamp 446 00:22:34,880 --> 00:22:36,080 Speaker 3: trying to bring it to America. 447 00:22:36,240 --> 00:22:39,160 Speaker 1: I met Rosie O'Donnell when I went to New York 448 00:22:39,359 --> 00:22:44,720 Speaker 1: years ago when when fucking Hillary Clinton was running for 449 00:22:44,840 --> 00:22:49,359 Speaker 1: president and I was invited to go and do an 450 00:22:49,400 --> 00:22:52,320 Speaker 1: introduction at one of the events where Hillary Clinton was 451 00:22:52,320 --> 00:22:53,800 Speaker 1: going to be in it. And I was there and 452 00:22:53,960 --> 00:22:56,560 Speaker 1: Rosie O'Donnell was there and I met Rosie and she 453 00:22:56,720 --> 00:22:59,440 Speaker 1: was so so kind, so cool when she was a 454 00:22:59,480 --> 00:23:02,520 Speaker 1: big fan of Scandal. Talked about Scandal. 455 00:23:02,160 --> 00:23:04,760 Speaker 3: And Rosie O'Donnell come on on the show. 456 00:23:04,840 --> 00:23:06,960 Speaker 1: I bet she would come on. I bet she love you. 457 00:23:07,320 --> 00:23:10,480 Speaker 3: We love you, we really do, come on this podcast. 458 00:23:10,920 --> 00:23:12,000 Speaker 1: We'll be right back, guys. 459 00:23:15,920 --> 00:23:20,280 Speaker 3: Okay, So Lisa Edelstein and Carrie Washington are sitting drinking 460 00:23:20,359 --> 00:23:23,720 Speaker 3: wine out of their bottles and they're lonely. That's what 461 00:23:23,800 --> 00:23:25,119 Speaker 3: I wrote in my notes. It's like this is so 462 00:23:25,520 --> 00:23:29,320 Speaker 3: lonely that betrayal really has a price, and that's where 463 00:23:29,440 --> 00:23:32,359 Speaker 3: this episode is mirroring. It's like Lisa betrayed her husband 464 00:23:32,359 --> 00:23:35,560 Speaker 3: by cheating on him, and Olivia betrayed fits by rigging 465 00:23:35,600 --> 00:23:38,320 Speaker 3: the election, and they are so sort of left alone 466 00:23:38,400 --> 00:23:41,080 Speaker 3: with their betrayal, and it's like all they have and 467 00:23:41,160 --> 00:23:41,639 Speaker 3: their wine. 468 00:23:43,840 --> 00:23:46,119 Speaker 1: I love I love that. Olivia is like, yeah, you 469 00:23:46,240 --> 00:23:49,720 Speaker 1: betrayed him, but also at the moment, you did the 470 00:23:49,840 --> 00:23:53,320 Speaker 1: best you could, You did the best you knew how 471 00:23:54,200 --> 00:23:56,160 Speaker 1: you know? And she she's also I think she's trying 472 00:23:56,160 --> 00:23:59,040 Speaker 1: to Olivia is obviously trying to heal herself with her 473 00:23:59,119 --> 00:24:02,760 Speaker 1: own words as well. But yeah, yeaheah, super powerful. 474 00:24:03,160 --> 00:24:05,600 Speaker 3: We've got a paternity test that we're waiting on, and 475 00:24:05,840 --> 00:24:09,800 Speaker 3: then we moved to Fits is actually rating kosh Vhar 476 00:24:10,000 --> 00:24:13,080 Speaker 3: with the Seal team, and he gets the hostages thanks 477 00:24:13,160 --> 00:24:16,600 Speaker 3: to the Jake intel that Olivia delivered to him, and 478 00:24:17,080 --> 00:24:19,359 Speaker 3: Fits makes the weirdest arm pos. 479 00:24:19,840 --> 00:24:22,240 Speaker 1: Did you notice, oh when he's like happy that they that. 480 00:24:22,280 --> 00:24:25,000 Speaker 3: They make like the fight power like or the what's 481 00:24:25,040 --> 00:24:25,560 Speaker 3: that term? 482 00:24:25,720 --> 00:24:28,959 Speaker 1: Like, oh, like this one the sort of fist up 483 00:24:29,119 --> 00:24:30,960 Speaker 1: like yeah, yeah, yeah, he. 484 00:24:31,080 --> 00:24:34,880 Speaker 3: Makes that sort of like it's like a perfect ninety 485 00:24:35,080 --> 00:24:38,960 Speaker 3: degree fist in the air. It's very odd, like. 486 00:24:39,000 --> 00:24:44,400 Speaker 1: A ninety degree Fits. Yo. I was gonna ask you, Katie. 487 00:24:44,480 --> 00:24:48,720 Speaker 1: So Olivia provides this this information to Jake to give 488 00:24:48,800 --> 00:24:51,080 Speaker 1: to Fits. Did she do that because she felt bad? 489 00:24:51,480 --> 00:24:54,560 Speaker 1: For everything she's done because of the the rigging the 490 00:24:54,640 --> 00:24:57,840 Speaker 1: election and all of that. I don't remember how that 491 00:24:58,040 --> 00:25:01,920 Speaker 1: happened or why why she's giving Jake this information to 492 00:25:02,000 --> 00:25:04,280 Speaker 1: give to the White House, right, I think that was 493 00:25:04,400 --> 00:25:04,840 Speaker 1: part of it. 494 00:25:05,520 --> 00:25:08,440 Speaker 3: I think they she did. She get the information because 495 00:25:08,480 --> 00:25:11,920 Speaker 3: it was on that girl's computer who died next to 496 00:25:12,440 --> 00:25:13,199 Speaker 3: David Rosen. 497 00:25:13,600 --> 00:25:16,639 Speaker 1: Oh right, right right. They talk about that. 498 00:25:16,680 --> 00:25:19,560 Speaker 3: It's something the episode the Mole or something was some 499 00:25:19,720 --> 00:25:22,520 Speaker 3: of the information that was on the girl who was 500 00:25:22,640 --> 00:25:25,800 Speaker 3: murdered next to David Rosen's computer because she was sleeping 501 00:25:25,840 --> 00:25:28,640 Speaker 3: with all these dudes to get information, so she had 502 00:25:28,760 --> 00:25:31,040 Speaker 3: some intel on that, and I feel like it's from 503 00:25:31,080 --> 00:25:34,920 Speaker 3: that computer. I don't know why Olivia gives it to Jake, though, 504 00:25:35,640 --> 00:25:39,480 Speaker 3: I guess, oh, it has to be because she is 505 00:25:39,640 --> 00:25:43,359 Speaker 3: still wanting fits to be successful as a president, like 506 00:25:43,480 --> 00:25:46,800 Speaker 3: she still like feels so bad, but like he is 507 00:25:46,920 --> 00:25:48,720 Speaker 3: still the president and she's like, fuck if I just 508 00:25:48,760 --> 00:25:52,600 Speaker 3: give this give out this information to save hostages, but 509 00:25:52,680 --> 00:25:55,800 Speaker 3: also it's going to give his presidential you know run, 510 00:25:56,040 --> 00:25:59,199 Speaker 3: such a such a bump and such a huge success, 511 00:25:59,480 --> 00:26:02,360 Speaker 3: like yeah, you know, remember it's like when Obama got 512 00:26:03,000 --> 00:26:06,040 Speaker 3: Osama bin Laden I mean, it was like a huge, 513 00:26:07,119 --> 00:26:11,520 Speaker 3: huge moment. But anyway, I think that's why I wonder 514 00:26:11,560 --> 00:26:14,199 Speaker 3: if this is based on that. Actually, I remember when 515 00:26:14,240 --> 00:26:16,639 Speaker 3: we went to the White House to visit during one 516 00:26:16,640 --> 00:26:19,080 Speaker 3: of the White House Correspondent dinners, and when you take 517 00:26:19,080 --> 00:26:21,440 Speaker 3: a tour of the West Wing, the president I think 518 00:26:21,640 --> 00:26:24,240 Speaker 3: is allowed to like change all the amazing black and 519 00:26:24,320 --> 00:26:27,440 Speaker 3: white photos of their presidency that are featured in the 520 00:26:27,520 --> 00:26:29,680 Speaker 3: hallways that you're walking up and down, and they have 521 00:26:29,840 --> 00:26:34,840 Speaker 3: that huge famous photo of Barack Obama and Hillary Clinton 522 00:26:35,040 --> 00:26:36,080 Speaker 3: with her hands over. 523 00:26:36,000 --> 00:26:39,480 Speaker 1: Her mouth in that situation room, but in the situation. 524 00:26:39,200 --> 00:26:42,040 Speaker 3: Room right when they were about to find out if 525 00:26:42,080 --> 00:26:43,320 Speaker 3: they got Osama bin Laden. 526 00:26:43,560 --> 00:26:45,200 Speaker 1: Oh shit, I don't remember that. 527 00:26:45,320 --> 00:26:47,720 Speaker 3: I remember Hillary Clinton got flack for like what she 528 00:26:47,840 --> 00:26:49,480 Speaker 3: looked like in that moment because people thought she was 529 00:26:49,560 --> 00:26:50,120 Speaker 3: like emotional. 530 00:26:50,240 --> 00:26:56,680 Speaker 1: I'm like, fuck you, flack for everything. So this was 531 00:26:56,760 --> 00:26:59,760 Speaker 1: definitely an ego boost for Fits when this he. 532 00:26:59,800 --> 00:27:03,280 Speaker 3: Got finally gets a win, He finally finally gets a win. 533 00:27:03,440 --> 00:27:06,159 Speaker 3: And then Jake I wrote, beats the shit out of 534 00:27:06,200 --> 00:27:08,360 Speaker 3: a pop a razzi who got a pick of him 535 00:27:08,400 --> 00:27:13,120 Speaker 3: and live uh huh uh huh. So when Olivia's passing Jake, 536 00:27:13,200 --> 00:27:17,320 Speaker 3: this intel and this information. It's there's a paparazzi who's 537 00:27:17,480 --> 00:27:19,879 Speaker 3: trying to get pictures of Lisa Edelstein's character and he 538 00:27:20,160 --> 00:27:22,359 Speaker 3: manages to get a picture of Live and Jake and 539 00:27:22,440 --> 00:27:25,000 Speaker 3: lives like it's fine whatever, but we also like, oh shit, 540 00:27:25,119 --> 00:27:29,600 Speaker 3: Jake is fucked because fits can't know that Jake and 541 00:27:29,680 --> 00:27:32,280 Speaker 3: Live were sort of like working together. Jake's playing all 542 00:27:32,400 --> 00:27:36,000 Speaker 3: sides because he's shady, he is, and. 543 00:27:36,040 --> 00:27:38,800 Speaker 1: Then there's this great scene where Jake goes and beats 544 00:27:38,880 --> 00:27:41,280 Speaker 1: up this photographer to get the film. I was wondering 545 00:27:41,359 --> 00:27:44,480 Speaker 1: that Jake, did Scott do that stunt? Did he do 546 00:27:44,560 --> 00:27:47,680 Speaker 1: the beat up? Because because Jake is wearing a ski mask, 547 00:27:47,800 --> 00:27:49,040 Speaker 1: so it could have been a stunt guy. But I 548 00:27:49,080 --> 00:27:51,200 Speaker 1: don't remember if if Scott did it or if it 549 00:27:51,320 --> 00:27:52,040 Speaker 1: was a stunt guy. 550 00:27:52,560 --> 00:27:53,680 Speaker 3: I feel like it was Scott. 551 00:27:53,920 --> 00:27:56,280 Speaker 1: But we'll ask Scott when he comes on the list, 552 00:27:56,400 --> 00:27:57,560 Speaker 1: well put on the list of things. 553 00:27:57,440 --> 00:28:00,240 Speaker 3: Like that Folly comes back. We got shit to ask him. Now. 554 00:28:00,359 --> 00:28:03,359 Speaker 3: The lovely part of this is Harrison and Abby working together. 555 00:28:03,480 --> 00:28:07,440 Speaker 3: They have an amazing like Gladiator. Oh this line that 556 00:28:07,560 --> 00:28:11,760 Speaker 3: became famous, which was like Abby saying Harrison, it feels 557 00:28:11,840 --> 00:28:14,560 Speaker 3: really bad that he broke up her relationship with David Rosa, 558 00:28:14,600 --> 00:28:16,200 Speaker 3: because they really did have feelings for each other. And 559 00:28:16,240 --> 00:28:19,280 Speaker 3: Abby's like totally nonchalantly throwing it all away and being like, whatever, 560 00:28:19,320 --> 00:28:21,880 Speaker 3: it's fine. I just didn't know that we were gladiators 561 00:28:21,880 --> 00:28:22,919 Speaker 3: first and people second. 562 00:28:23,720 --> 00:28:25,879 Speaker 1: I love that she was so cold in this scene, 563 00:28:26,320 --> 00:28:30,080 Speaker 1: and you could sense Harrison's desperation to try to get 564 00:28:30,200 --> 00:28:33,040 Speaker 1: through to her to be like, hey, look what about 565 00:28:33,040 --> 00:28:36,240 Speaker 1: our connection? And I love another line that he says 566 00:28:36,280 --> 00:28:39,520 Speaker 1: to her. He says, you're exactly the same but completely different, 567 00:28:39,680 --> 00:28:42,320 Speaker 1: and she's like, no, it's fine. I'm just now, I'm 568 00:28:42,360 --> 00:28:44,000 Speaker 1: just aware of how this is going to work and 569 00:28:44,160 --> 00:28:47,959 Speaker 1: moving forward. I'm you know, this is what I'm prepared 570 00:28:48,000 --> 00:28:50,720 Speaker 1: for now. And he's like, ah, you could just feel 571 00:28:50,840 --> 00:28:53,760 Speaker 1: his like, oh, is just feeling so bad and he 572 00:28:53,920 --> 00:28:54,880 Speaker 1: just wants her back. 573 00:28:55,200 --> 00:28:56,520 Speaker 3: And the whole time, they don't know if they're going 574 00:28:56,560 --> 00:28:58,760 Speaker 3: to be able to save Lisa Aidelstein's marriage, but they're 575 00:28:58,800 --> 00:29:01,240 Speaker 3: working their ass off to try to save her job, 576 00:29:02,000 --> 00:29:05,680 Speaker 3: which is under scrutiny from the morality clause because they 577 00:29:05,720 --> 00:29:07,880 Speaker 3: don't know if the CEO could have such a public 578 00:29:08,480 --> 00:29:11,600 Speaker 3: affair and Harrison and Abbey go into a board meeting 579 00:29:11,680 --> 00:29:13,880 Speaker 3: with an empty box and they put on this whole 580 00:29:14,000 --> 00:29:16,640 Speaker 3: show like they've got dirt on all the board members 581 00:29:16,680 --> 00:29:19,880 Speaker 3: and they're gonna start airing it out. And they've got 582 00:29:20,120 --> 00:29:23,320 Speaker 3: to the count of three to decide if everyone's going 583 00:29:23,360 --> 00:29:24,840 Speaker 3: to just put their dicks out on the. 584 00:29:24,880 --> 00:29:27,440 Speaker 1: Table naked together. Yeah, all right, we're all gonna get 585 00:29:27,520 --> 00:29:32,360 Speaker 1: naked together together. This is one of my favorite favorite scenes. 586 00:29:32,880 --> 00:29:37,080 Speaker 1: It is so good. It's such a great like revenge scene, 587 00:29:38,320 --> 00:29:41,360 Speaker 1: not revenge, but like it's such a satisfying scene. 588 00:29:41,480 --> 00:29:45,680 Speaker 3: Because all these are taking these. 589 00:29:44,800 --> 00:29:47,720 Speaker 1: Douchebags, all these white dudes are just sitting around being like, yeah, 590 00:29:47,840 --> 00:29:50,400 Speaker 1: she fucked up. There's a morality clause and you know, 591 00:29:50,520 --> 00:29:53,320 Speaker 1: Abby and Harrison come in and they're like, how innocent 592 00:29:53,520 --> 00:29:56,280 Speaker 1: are all of you? Have any of you had you know, 593 00:29:57,400 --> 00:30:00,280 Speaker 1: morality like issues, like what the fuck have you got done? 594 00:30:00,320 --> 00:30:02,240 Speaker 1: Because we got it all in this box but they 595 00:30:02,280 --> 00:30:04,440 Speaker 1: don't got shit in that box. But they all back 596 00:30:04,480 --> 00:30:07,120 Speaker 1: down of course, because they're like, oh, just like, oh. 597 00:30:07,120 --> 00:30:10,280 Speaker 3: Yeah, we been cheating right and left really bad shit. 598 00:30:10,760 --> 00:30:11,520 Speaker 1: Such a great scene. 599 00:30:11,840 --> 00:30:15,040 Speaker 3: It's a great scene. And then we jump to the 600 00:30:15,120 --> 00:30:20,440 Speaker 3: paternity test. Information, he rips it up and he doesn't 601 00:30:20,560 --> 00:30:24,800 Speaker 3: need or want to know because he is this girl's father, 602 00:30:25,120 --> 00:30:31,360 Speaker 3: regardless whether it's biological or not. And Melly comes to 603 00:30:31,440 --> 00:30:34,239 Speaker 3: Cyrus's office and you realize that Mellie and Cyrus are 604 00:30:34,360 --> 00:30:36,800 Speaker 3: both on the outs with fits and that they're both 605 00:30:36,840 --> 00:30:39,000 Speaker 3: being cheated on because they realize that the person who's 606 00:30:39,000 --> 00:30:40,680 Speaker 3: having the late night meetings three times a week in 607 00:30:40,680 --> 00:30:44,880 Speaker 3: the Oval office is Jake. Then Jake, Shaite, what say gee? 608 00:30:44,960 --> 00:30:46,720 Speaker 1: I was just gonna say, But then Melly has a 609 00:30:46,840 --> 00:30:49,640 Speaker 1: wonderful line where she's like, she actually says, he's not 610 00:30:49,760 --> 00:30:53,040 Speaker 1: cheating on me, he's cheating on you, because you know, Melly, 611 00:30:53,200 --> 00:30:55,200 Speaker 1: for a second thought, it was you know about him 612 00:30:55,240 --> 00:30:58,280 Speaker 1: in Olivia, but it wasn't it. It's about this other dude, 613 00:30:58,400 --> 00:31:01,040 Speaker 1: Jake Ballard, And she's like, the fuck, he's cheating on 614 00:31:01,280 --> 00:31:02,680 Speaker 1: your ass, not mine. 615 00:31:03,520 --> 00:31:06,920 Speaker 3: And then with the big like end of the episode, 616 00:31:07,360 --> 00:31:11,920 Speaker 3: Jake goes to Live's house and does the creepiest my 617 00:31:12,720 --> 00:31:16,360 Speaker 3: look to the camera where he knows he has got 618 00:31:16,440 --> 00:31:20,440 Speaker 3: surveillance set up on her, and it's so creepy and 619 00:31:20,560 --> 00:31:24,160 Speaker 3: we don't know what Jake's intentions are. We don't know 620 00:31:24,240 --> 00:31:26,240 Speaker 3: why he's watching live. I mean we do because we 621 00:31:26,360 --> 00:31:28,600 Speaker 3: know that Fits hired him to do so, but like 622 00:31:29,040 --> 00:31:31,440 Speaker 3: we don't know if he's good or bad, or if 623 00:31:31,480 --> 00:31:33,600 Speaker 3: he likes her, or if he's faking it, or like, 624 00:31:33,840 --> 00:31:35,440 Speaker 3: what the fuck is this guy doing. 625 00:31:35,720 --> 00:31:38,080 Speaker 1: People didn't know what to make of Jake, especially in 626 00:31:38,160 --> 00:31:42,000 Speaker 1: the very beginning. People were like, totally hated the fuck 627 00:31:42,080 --> 00:31:42,520 Speaker 1: out of him. 628 00:31:42,640 --> 00:31:48,200 Speaker 3: Remember it was bad, hated him. And then the last 629 00:31:48,240 --> 00:31:50,720 Speaker 3: second of the episode is that Osborne, who we think 630 00:31:50,800 --> 00:31:54,960 Speaker 3: is the mole, looks at picks surveillance photos of Quinn 631 00:31:55,160 --> 00:31:58,480 Speaker 3: at the dry cleaners. So Quinn didn't do a good job. 632 00:31:58,560 --> 00:31:59,680 Speaker 3: It's talking at all. 633 00:32:01,360 --> 00:32:03,360 Speaker 1: But those were some cute photos. I was like, Oh, 634 00:32:03,440 --> 00:32:09,360 Speaker 1: she looks cute, she looks good. Yeah, those hot angle shots. 635 00:32:09,720 --> 00:32:11,720 Speaker 1: It was good. You looked good, was you know what? 636 00:32:11,800 --> 00:32:14,880 Speaker 3: I was thinking about you the whole time? Because there's 637 00:32:14,920 --> 00:32:18,640 Speaker 3: all these scenes of Quinn walking up and down the 638 00:32:18,800 --> 00:32:23,360 Speaker 3: street following him to the dry cleaner, and my skirt 639 00:32:23,520 --> 00:32:26,560 Speaker 3: is just literally doing circles and circles. 640 00:32:26,160 --> 00:32:28,280 Speaker 1: And circle damn pencil skirt. 641 00:32:28,240 --> 00:32:31,280 Speaker 3: Around my fucking spanks like I used to be in 642 00:32:31,480 --> 00:32:34,800 Speaker 3: spank shorts. Oh, and I was wearing my Jessica Simpson 643 00:32:34,920 --> 00:32:39,280 Speaker 3: heels and those fucking pencil skirts that every time I 644 00:32:39,320 --> 00:32:41,920 Speaker 3: took a step would just spin three sixties like this 645 00:32:43,040 --> 00:32:45,720 Speaker 3: was supposed to be lying, you know, on myat It 646 00:32:45,880 --> 00:32:49,160 Speaker 3: was just a mess. It was such a mess. Fun 647 00:32:49,320 --> 00:32:52,240 Speaker 3: facts in this episode is that there's an editing edu 648 00:32:52,680 --> 00:32:54,320 Speaker 3: Did you catch that editing error? 649 00:32:54,520 --> 00:32:56,600 Speaker 1: I didn't until I read it in our notes. 650 00:32:57,400 --> 00:33:01,280 Speaker 3: Fun facts editing error. Around minute twenty two and forty seconds, 651 00:33:01,360 --> 00:33:04,360 Speaker 3: we watch from behind as Abby adjusts her purse and 652 00:33:04,440 --> 00:33:06,880 Speaker 3: checks the time on her watch. The camera angle flips 653 00:33:06,920 --> 00:33:09,800 Speaker 3: to her front and we watch her do the exact 654 00:33:10,040 --> 00:33:11,840 Speaker 3: same motion again. 655 00:33:12,240 --> 00:33:14,600 Speaker 1: I notice that all the time in movies and TV shows. 656 00:33:14,800 --> 00:33:17,360 Speaker 1: But you know, it's it's so hard with the editing 657 00:33:17,440 --> 00:33:20,240 Speaker 1: and the timing and when the actor does a certain 658 00:33:20,360 --> 00:33:22,520 Speaker 1: motion and to do it at the exact same time 659 00:33:22,720 --> 00:33:27,240 Speaker 1: on the you know, when they come from a different angle. Yeah, yeah, yeah, yeah. 660 00:33:27,800 --> 00:33:28,640 Speaker 3: It can't be perfect. 661 00:33:28,920 --> 00:33:29,120 Speaker 1: Yeah. 662 00:33:30,200 --> 00:33:33,920 Speaker 3: And in the CIA Director's fyi, they really do have shadows. 663 00:33:34,200 --> 00:33:39,400 Speaker 3: As Huck describes the direct Director's Protective Staff DPS for short, 664 00:33:39,960 --> 00:33:42,800 Speaker 3: is near the director twenty four hours a day, seven 665 00:33:42,880 --> 00:33:44,360 Speaker 3: days a week, three hundred and sixty five days a 666 00:33:44,480 --> 00:33:47,680 Speaker 3: year anyone who spends private time with the director is 667 00:33:47,880 --> 00:33:51,080 Speaker 3: first vetted by his staff. They even live in the 668 00:33:51,120 --> 00:33:54,760 Speaker 3: basement of the director's private home, although they do not 669 00:33:55,000 --> 00:33:56,240 Speaker 3: freely roam the residence. 670 00:33:56,280 --> 00:33:59,560 Speaker 1: Can you imagine that fucking job? You just got to 671 00:33:59,600 --> 00:34:02,840 Speaker 1: be down they're in the basement, Like what I just 672 00:34:02,920 --> 00:34:04,160 Speaker 1: can't imagine down there? 673 00:34:04,760 --> 00:34:06,800 Speaker 3: A refrigerator, shower? 674 00:34:07,360 --> 00:34:07,640 Speaker 1: Come on. 675 00:34:07,960 --> 00:34:10,279 Speaker 3: Also, they can't take breaks to even poop, like they're 676 00:34:10,440 --> 00:34:15,000 Speaker 3: busy watching the CIA director. And if they're safe, that sucks. 677 00:34:15,080 --> 00:34:17,240 Speaker 3: I would never want to be the director of the CIA. 678 00:34:17,320 --> 00:34:23,279 Speaker 3: That's alcohol solute who wakes up as a little boy 679 00:34:23,360 --> 00:34:25,719 Speaker 3: or girl and says like I want to be the 680 00:34:25,760 --> 00:34:27,759 Speaker 3: director of the CIA, right, And and. 681 00:34:27,800 --> 00:34:30,040 Speaker 1: It probably is all top secret, right, Like they can't 682 00:34:30,160 --> 00:34:32,759 Speaker 1: be like boast about something cool that they did at 683 00:34:32,800 --> 00:34:35,360 Speaker 1: their job to like, you know, like a family party. 684 00:34:35,480 --> 00:34:37,280 Speaker 1: It's all got to kept we kept secret. 685 00:34:37,760 --> 00:34:40,680 Speaker 3: That's no fucking fun, no fucking fun. 686 00:34:41,440 --> 00:34:42,520 Speaker 1: Oh is it that time? 687 00:34:44,520 --> 00:34:52,280 Speaker 3: Tweet tweet tweet tweet tweets to the time? Okay scandal 688 00:34:52,320 --> 00:34:54,320 Speaker 3: tweets at the time, We got one from the Queen herself. 689 00:34:54,440 --> 00:34:59,200 Speaker 3: Kerrie Washington on March twenty first wrote to at Ty 690 00:34:59,440 --> 00:35:02,919 Speaker 3: Lobby hashtag as scandal. How come Olivia gives this great 691 00:35:02,960 --> 00:35:05,880 Speaker 3: advice to people but don't apply it to herself? And 692 00:35:05,920 --> 00:35:08,279 Speaker 3: then she responded because she's human. 693 00:35:08,200 --> 00:35:12,080 Speaker 1: That's right. And then we got another queen tweeting, wow 694 00:35:12,440 --> 00:35:18,840 Speaker 1: is Judy Smith y'all? And Judy Smith tweets a crisis 695 00:35:18,920 --> 00:35:22,399 Speaker 1: manager does offer comfort Olivia and I have a heart 696 00:35:22,480 --> 00:35:25,640 Speaker 1: for those who need us hashtag scandal. Hashtag as scandal. 697 00:35:25,880 --> 00:35:30,279 Speaker 3: Oh I love that so much too. Another queen tweet, Yes, 698 00:35:30,640 --> 00:35:35,360 Speaker 3: yes she did, Katie lows, I'm kidding. I was waiting 699 00:35:35,400 --> 00:35:39,000 Speaker 3: for it. She tweeted. In response to at Nikki five 700 00:35:39,040 --> 00:35:42,279 Speaker 3: to eight wrote, lol did Quinn not remember lives? Too 701 00:35:42,400 --> 00:35:47,200 Speaker 3: much cleavage comment ari the pink cardigan hashtag ask scandal, 702 00:35:47,680 --> 00:35:47,960 Speaker 3: and I. 703 00:35:48,040 --> 00:35:51,040 Speaker 1: Wrote, oops, yeah, that was in season one. 704 00:35:51,640 --> 00:35:54,880 Speaker 3: She tells you much and she's in one episode one, 705 00:35:54,960 --> 00:35:59,279 Speaker 3: Olivia Pope says too much cleavage. Originally, yeah, that was 706 00:35:59,320 --> 00:36:03,160 Speaker 3: the pilot. Originally she was supposed to say your skirt's 707 00:36:03,200 --> 00:36:06,040 Speaker 3: too short ooh. But when I went to the fitting, 708 00:36:06,600 --> 00:36:09,800 Speaker 3: I told Linn Polo, I don't do short skirts. Hell no, 709 00:36:10,520 --> 00:36:12,240 Speaker 3: so can we change it to cleavage? 710 00:36:12,520 --> 00:36:17,800 Speaker 1: And we did nice, And then we have our Janey Pitts. 711 00:36:18,160 --> 00:36:20,839 Speaker 1: Dash Murdoch tweeted, I just don't know how to feel 712 00:36:20,880 --> 00:36:26,600 Speaker 1: about Jake. Is he a gladiator, manipulator, saboteur? Hashtag scandal 713 00:36:26,680 --> 00:36:30,560 Speaker 1: hashtag scandal ABC. Yo, nobody knows at this point. 714 00:36:30,680 --> 00:36:34,800 Speaker 3: Yo, nobody knows at this point, nobody knows how. I 715 00:36:34,840 --> 00:36:36,680 Speaker 3: don't even know how I feel about Jake at half 716 00:36:36,760 --> 00:36:40,040 Speaker 3: post TV tweeted, does the presidency come with a morality clause? 717 00:36:40,200 --> 00:36:43,160 Speaker 3: Because I'm pretty sure fits is in breach. You could 718 00:36:43,160 --> 00:36:47,880 Speaker 3: say scandle hashtag askue scandal. Another queen tweeted, gee, what 719 00:36:47,960 --> 00:36:48,520 Speaker 3: does she say? 720 00:36:49,280 --> 00:36:52,760 Speaker 1: Bellamy Young? Was she responding to Darby? 721 00:36:53,000 --> 00:36:53,600 Speaker 3: Yeah? I think so. 722 00:36:53,840 --> 00:36:57,719 Speaker 1: She says, you handled it? Hashtag scandal ranked number one 723 00:36:57,960 --> 00:37:01,840 Speaker 1: in prime time with one hundred in ninety one thousand tweets, 724 00:37:02,440 --> 00:37:07,040 Speaker 1: topping what is that? Topping American Idol by sixty eight 725 00:37:07,080 --> 00:37:11,120 Speaker 1: percent at one hundred and thirteen thousand tweets. So we've 726 00:37:11,160 --> 00:37:14,640 Speaker 1: freaking beat out American Idol during this episode. 727 00:37:15,080 --> 00:37:15,319 Speaker 2: Wow. 728 00:37:15,520 --> 00:37:18,760 Speaker 3: And Bellamy wrote the hashtag in response to it, hashtag 729 00:37:18,840 --> 00:37:24,640 Speaker 3: gladiators roar remember that? Hashtag ladiators. You gladiators are the 730 00:37:24,719 --> 00:37:26,839 Speaker 3: fucking best. You were the best, then you're the best. 731 00:37:26,960 --> 00:37:27,919 Speaker 1: Now. Hell yeah. 732 00:37:28,320 --> 00:37:30,840 Speaker 3: Our next step episode is called Snake in the Garden 733 00:37:31,400 --> 00:37:33,440 Speaker 3: and I don't remember what it's about. Do you remember 734 00:37:33,480 --> 00:37:37,279 Speaker 3: what of that? No, nope, we may have a guest. 735 00:37:37,360 --> 00:37:41,200 Speaker 3: We may not, but listen, gladiators. Thanks for roaring so 736 00:37:41,440 --> 00:37:43,960 Speaker 3: loudly on March twenty second of twenty thirteen, and thanks 737 00:37:44,000 --> 00:37:46,040 Speaker 3: for roaring so loudly now because we hear you guys 738 00:37:46,040 --> 00:37:49,320 Speaker 3: are listening to this podcast. You're rewatching the fucking Hulu 739 00:37:49,480 --> 00:37:55,680 Speaker 3: scandal stream it situation, and we're hashtag grateful, hashtag blessed. 740 00:37:55,920 --> 00:38:00,320 Speaker 1: We love it so much. We thank you guys so 741 00:38:00,440 --> 00:38:02,760 Speaker 1: so much. I was telling Katie, I'm I'm on Twitter 742 00:38:02,880 --> 00:38:05,680 Speaker 1: a lot lately, and you guys are just messaging me 743 00:38:05,880 --> 00:38:07,839 Speaker 1: left and right and commenting about how much you love 744 00:38:07,920 --> 00:38:12,160 Speaker 1: unpacking your tool box. They're just saying they didn't realize 745 00:38:12,200 --> 00:38:15,400 Speaker 1: they needed this in their lives so much. They're asking, like, 746 00:38:15,560 --> 00:38:18,440 Speaker 1: when is Tony gonna be on that? We should have 747 00:38:18,760 --> 00:38:21,759 Speaker 1: Tony and carry on on a podcast episode at the 748 00:38:21,800 --> 00:38:22,400 Speaker 1: same time. 749 00:38:22,680 --> 00:38:23,440 Speaker 3: Oh, we're going to do that. 750 00:38:23,560 --> 00:38:25,160 Speaker 1: That's a great idea. A lot of people have been 751 00:38:25,160 --> 00:38:27,560 Speaker 1: tweeting that they started doing the rewatch, but they got 752 00:38:27,640 --> 00:38:30,040 Speaker 1: so into the show that they're on like season four now, 753 00:38:30,080 --> 00:38:32,480 Speaker 1: and they're like, sorry, I'm way ahead, but I'm still, 754 00:38:32,640 --> 00:38:35,320 Speaker 1: you know, listening to the podcast, and yeah, do yourselves 755 00:38:35,360 --> 00:38:37,840 Speaker 1: a favorite people. If you guys have not started to 756 00:38:38,239 --> 00:38:40,400 Speaker 1: rewatch Scandal or watch it for the first time, go 757 00:38:40,520 --> 00:38:43,839 Speaker 1: on Hulu and it's it's on there and you could 758 00:38:43,920 --> 00:38:46,640 Speaker 1: just watch the whole series. It's really really good. 759 00:38:46,920 --> 00:38:53,680 Speaker 3: We love you all. Peace out, Lada, allgatas legats. 760 00:38:53,560 --> 00:38:59,239 Speaker 1: Love you guys, love you bye bye. Thank you guys 761 00:38:59,320 --> 00:39:02,960 Speaker 1: for joining us on Unpacking the Toolbox. If you enjoyed 762 00:39:03,000 --> 00:39:06,000 Speaker 1: the show, please subscribe, share with your friends, rate, or 763 00:39:06,160 --> 00:39:06,880 Speaker 1: leave us a review. 764 00:39:07,080 --> 00:39:11,040 Speaker 3: Scandal is executive produced by Sandy Bailey, Alex Alcea, Lauren Homan, 765 00:39:11,360 --> 00:39:15,080 Speaker 3: Tyler Klang, and Gabrielle Collins. Our producer and editor is 766 00:39:15,160 --> 00:39:17,920 Speaker 3: Vince de Johnny, with music by Chad Fisher. 767 00:39:18,200 --> 00:39:21,080 Speaker 1: Scandal is a production of ABC Signature, and you can 768 00:39:21,160 --> 00:39:23,200 Speaker 1: follow along by rewatching Scandal on Hulu. 769 00:39:23,600 --> 00:39:25,960 Speaker 3: Unpacking the Toolbox is a production of Shondaland Audio in 770 00:39:26,080 --> 00:39:30,359 Speaker 3: partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit 771 00:39:30,400 --> 00:39:33,520 Speaker 3: the iHeartRadio app or anywhere you subscribe to your favorite shows.