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Speaker 1: Have you ever built a character off of someone in

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Speaker 1: your life and that person saw the character and when

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Speaker 1: are you doing me?

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Speaker 2: You know?

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Speaker 3: Sometimes I have been known, I have been known to impersonate.

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Speaker 4: Okay, well I have a question. I'm not cross side

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Speaker 4: of mother? I know.

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Speaker 3: Yeah, everybody, I was letting you took the words out

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Speaker 3: of it. I was literally about to say that because

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Speaker 3: Harry Spears used to do it. And I says, like,

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Speaker 3: what's what the crossed eye? You have a cross high?

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Speaker 5: I said, secure O'Neil did not have a stroke. What

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Speaker 5: are you.

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Speaker 6: Doing with the high?

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Speaker 7: Yeah?

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Speaker 8: I think we're pig, big big, pet me to pay.

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Speaker 7: I think we're.

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Speaker 8: Pig big big singing a kid. Pig big big put

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Speaker 8: me to pay, big big.

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Speaker 7: Sing it again.

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Speaker 8: I do a big, big big sing it again.

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Speaker 2: I do a big What is up? What is good?

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Speaker 1: How you living, how you're feeling, how you're doing it?

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Speaker 1: Is the Big podcast with Chakral, We always do it big.

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Speaker 1: We are in the city that you brought three championship titles,

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Speaker 1: the City of Angels, the City of broken backboards. Shaquille O'Neal,

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Speaker 1: How does it feel being right here right now?

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Speaker 4: But I haven't been back in a while. Nice to

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Speaker 4: see old faces. Bubbles where you.

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Speaker 2: At Bubbles, there's bubbles here.

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Speaker 7: Bubbles where you at?

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Speaker 2: Bubbles is over there.

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Speaker 4: That's my homegirl from Newark, New Jersey, Eric murdochwork. A

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Speaker 4: lot of people haven't seen a while, so it's nice

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Speaker 4: to be back. We're gonna have some fun.

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Speaker 1: This is the Big Pod presented by DraftKings and this

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Speaker 1: special live episode from All Star Weekend is also presented

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Speaker 1: by our friends at Bubbles.

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Speaker 4: Right. What's up Bubble Bubbles?

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Speaker 1: Right, Bubbs, Good to see you, Bubbs. I want to

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Speaker 1: give a big shout out to all of you guys.

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Speaker 1: Thank you so much for being here. I'm excited about

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Speaker 1: our first guest. Can I give him an official introduction?

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Speaker 4: Is that Cat Williams with the hat?

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Speaker 2: I believe that's our friend from Vegas. Okay, what's up Cat?

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Speaker 2: He has become there?

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Speaker 7: He is? What's up Cat Williams?

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Speaker 1: We know we are going to have to get into

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Speaker 1: Cat in a second, but can I welcome our guests?

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Speaker 1: Our first guest, because we got two good ones from

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Speaker 1: d C Blocks to Legos Cheers. This man is as

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Speaker 1: widely loved as Jeliff Rice with star years, a lyrical

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Speaker 1: legend of mixtape master, a pioneer with a plan. As

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Speaker 1: soon as he steps in the club, ladies say, look

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Speaker 1: my no hands. He's on the mount rushmore of sneakerheads,

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Speaker 1: a versatile mind with no set lane, A fixture at

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Speaker 1: All Star Weekend. He's the DMV's Mark Twain from Washington,

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Speaker 1: d C. About to start his Everything Is a Lot tour.

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Speaker 1: Give it up for Wallan.

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Speaker 7: DJ.

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Speaker 4: You got that uh Rihanna joint? Oh bad? Yeah?

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Speaker 7: Yeah, it's old, but I mean it's like I just

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Speaker 7: like started going up again. Right, I appreciate, appreciated. Shout

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Speaker 7: to miss Fency man check.

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Speaker 1: You love music more than am almost anything in the world.

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Speaker 1: This man right here has made hit after hit after hit.

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Speaker 2: What do we think of him? I know you enjoy

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Speaker 2: his music.

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Speaker 4: I've known him, not really known him. I've seen him

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Speaker 4: a couple of times in DC. He took him Remember

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Speaker 4: that night you took her in that club. Appreciate a city.

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Speaker 4: I have a cities too. No, he's always been very

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Speaker 4: hospitable to me. Great artists following his career. Definitely does

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Speaker 4: this thing. When you did that song, were you in

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Speaker 4: the studio with Rialna?

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Speaker 7: Yeah, it took him and it took a minute though

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Speaker 7: she said we want she wanted to do a remix

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Speaker 7: to it, and uh, I had to like ask her

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Speaker 7: like every day for like two weeks. And I remember

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Speaker 7: he was in the club in New York. I forgot

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Speaker 7: what his call, but it was there real late. And

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Speaker 7: then I looked at m Dallas, who was with her friend.

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Speaker 7: I was like, tonight to night were going upstairs, We're

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Speaker 7: gonna do that song, and uh, we smoked a lot

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Speaker 7: and then I don't even know how was that brave

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Speaker 7: because I was like, I'm like, yo, we should do

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Speaker 7: it and you should rap, and like you know what

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Speaker 7: I'm saying, I'm I'm elevated at the time, so I'm

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Speaker 7: like brave and I was like, yeah, let's rap and

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Speaker 7: let's go back and forth and she was like all right.

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Speaker 7: And when I put it out, I still couldn't believe

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Speaker 7: I did this all Rhann.

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Speaker 4: That's song is definitely a classic. Rihanna is one of

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Speaker 4: my favorite people before she got married. She's off that

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Speaker 4: list now.

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Speaker 2: Now not.

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Speaker 7: Damn, She's one of my favorite people period. Man.

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Speaker 4: She always she's married, So I can't you.

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Speaker 2: Can't feel like you can't cool, be cool.

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Speaker 7: No, more.

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Speaker 4: She's cool, but I can't be.

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Speaker 7: I got you're trying to be respectful. Let's let's get

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Speaker 7: shocked out of the water. Let's go.

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Speaker 2: I feel like you guys have a lot of crossovers

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Speaker 2: to music.

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Speaker 1: Obviously. I know you love wrestling. I know you love basketball.

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Speaker 1: I've seen your like every All Star game. Which version

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Speaker 1: of shack did you enjoy the most? Rapper shack, wrestler shack,

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Speaker 1: basketball shack.

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Speaker 7: It's a tie between rapper and basketball shock because you

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Speaker 7: understand like he's in the like he's like in the

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Speaker 7: second year in the league and he's like going total

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Speaker 7: to hes doing songs with Biggie Bro. Like yes, he's

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Speaker 7: one of the only people that could say they got

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Speaker 7: a song with Biggie Bro.

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Speaker 4: You know what I'm saying.

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Speaker 2: Features on that album are and.

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Speaker 7: Then like this in this in this skill level, like

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Speaker 7: everybody that was rapping at that time that this sports

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Speaker 7: it was like hip to the hippity hop like what

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Speaker 7: I'm saying, like yeah, doing oh the bear shuffle, Like nah,

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Speaker 7: he was rapping with the foos niggas all that. Like,

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Speaker 7: so to do that and then get you curse on

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Speaker 7: you do that and you get thirty and twenty like

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Speaker 7: the next week. That's crazy to me, that's Aura for real.

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Speaker 7: There's nobody doing it like that now.

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Speaker 4: There's not a lot of hip hop guys that come

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Speaker 4: out of DC. DC is mainly Go Go out a

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Speaker 4: little scarce. Did you grow up doing Go Go Chuck

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Speaker 4: Brown and all this stuff, and how did you transition

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Speaker 4: from that to being one of the biggest hip hop artists.

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Speaker 4: Go Gos was my open mic.

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Speaker 7: Go Gos was my like why I would like, I

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Speaker 7: learned just to get to do the stage. And I

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Speaker 7: used to carry crates for my DJ DJ who discovered me.

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Speaker 4: So I was.

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Speaker 7: I was at the clubs when I was sixteen seventeen,

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Speaker 7: like learning it. But I would do my wraps like

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Speaker 7: at Go Go. So I was getting popular amongst the

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Speaker 7: go go world, and I was doing freestyles for the radio,

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Speaker 7: so on the rap world. So I had a lot

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Speaker 7: of love locally before I made it. So you know,

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Speaker 7: Chuck Brown, he gave me all like he gave me

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Speaker 7: his blessing, like right like before he passed or whatever, like,

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Speaker 7: and a lot of the Go Go bands did.

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Speaker 4: But I'm a rapper throwing through. I just came up

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Speaker 4: through Go Go.

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Speaker 2: H This is where I think we can team up.

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Speaker 2: How much did the Cowboys suck?

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Speaker 4: Yeah? Any Cowboys fans.

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Speaker 2: Here, yes, right here, tell the truth.

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Speaker 4: The door is that way.

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Speaker 2: Yeah, we're I wish, I wish fan Washington fans. This

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Speaker 2: is one thing we can agree.

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Speaker 7: We are winning the Super Bowl next year. Yeah.

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Speaker 4: I say that every year, but we do.

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Speaker 7: And then you're gonna pay George all that money, George

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Speaker 7: Pickings all that money. And then y'all ain't gonna have

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Speaker 7: nobody blocking for that. But like two uber drivers, he

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Speaker 7: gonna get He's gonna get hurt back there, all right,

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Speaker 7: pay paye George Pickens and CD Lamb if you want

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Speaker 7: man super Bowl?

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Speaker 1: Speaking of DC sports, what would it mean to you

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Speaker 1: end of his career if Durant were to come to

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Speaker 1: the Wizards.

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Speaker 7: To two sides? But that I would I mean, I

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Speaker 7: think the city would love it. It would be like

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Speaker 7: a storybook ending. But I can just understand why he wouldn't.

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Speaker 7: Right where we come from is very very It's like

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Speaker 7: a unique man like you gotta stick and move like

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Speaker 7: you know what I'm saying. He like he might not

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Speaker 7: have been able to be the greatest like that, he

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Speaker 7: is top five player all time, if he if he

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Speaker 7: was home, like if he did the Derrick Rose thing.

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Speaker 4: I don't know.

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Speaker 7: And we've talked about that before, Like he got nothing

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Speaker 7: but love for the crib. But it's like sometimes you

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Speaker 7: gotta you gotta leave to be to be greater. You

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Speaker 7: know what I'm saying. Did you feel like that? Did

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Speaker 7: you have to leave the crib? Not really? So you

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Speaker 7: think he could have went to like Ruckers and just

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Speaker 7: been like.

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Speaker 4: I could have. I think I I think I gonna

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Speaker 4: play for the Nets with the addition of my man

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Speaker 4: Trey and Ad. I think you guys have a chance now,

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Speaker 4: Wizards Bullets. What's the number of the team Wizards? Wizards.

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Speaker 2: I don't think they've been the Bullets for like twenty years.

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Speaker 4: That's sorry, we should go back to the Bullets though, Bro.

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Speaker 2: The generals is the Washington General Okay?

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Speaker 4: No, but do you think you guys have a shot now? Uh?

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Speaker 7: For some reason? For some reason, I don't think AD's

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Speaker 7: going to ever play for us. You don't think so?

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Speaker 4: For some reason, don't. I don't know nothing.

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Speaker 7: Nobody told me nothing, But I just feel like maybe

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Speaker 7: what maybe they trade him on Draft night for Capitol

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Speaker 7: and like maybe I don't know. Maybe they try to

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Speaker 7: get a pick like Adham in with somebody get a pick,

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Speaker 7: try to get AJ or something like that. Who do

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Speaker 7: you like in the draft? Top three? Boozer, Peterson and AJ.

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Speaker 1: The favors right now Darren Peterson from.

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Speaker 4: Kansas for one stop it IM.

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Speaker 2: Just telling you our friends at DraftKings.

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Speaker 7: People are saying Peterson Peterson won, but he'd be hurt

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Speaker 7: all the time, and it's a big question.

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Speaker 4: It worries me a little bit.

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Speaker 2: Like then right after.

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Speaker 1: That, that's when you get into the Caleb Wilson's, the

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Speaker 1: CoA Petes.

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Speaker 2: The Cameron Boozers. But it's definitely between the Bansa.

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Speaker 7: The boozer thing is I hope you're not boring, y'all.

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Speaker 7: I hope y'all real sportsman. But the Boozer thing like

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Speaker 7: to me, all of a sudden, my cousin, he's more

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Speaker 7: than a basketball than I. But like the big the

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Speaker 7: new version of the big man in the NBA, is

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Speaker 7: can Boozer do that? Is that his gang question? He's like,

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Speaker 7: I'm not saying like not like, but like that, Like

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Speaker 7: it depends on it depends on which team drafts him.

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Speaker 7: Like if you go to a team where you know

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Speaker 7: they did a big man. You know, Adam Silva gonna

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Speaker 7: give AJ to Utah. You know it's gonna give the Okase.

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Speaker 4: a NBA fan. Who's your favorite NBA player right now?

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Speaker 7: Is it like it's like a six way time man

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Speaker 7: all right, look hear it. Kyrie okay kd okay Bron

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00:14:40,120 --> 00:14:47,840
Speaker 7: Bron uh an man, yeah, man, it's nice. Wimby, Wimby.

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Speaker 7: I know I'm drawing a blink right now because that

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Speaker 7: is a couple of guys. But yes, that's what I'm

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Speaker 7: no stuff. Oh hell yea my best stuff.

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Speaker 4: I knew h Dillingham.

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Speaker 2: I'm just trying to name Nigerian guys.

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Speaker 7: Rob Gilliam, uh oh, the depot, the deep in one

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Speaker 7: of my my it was like that.

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Speaker 1: I'm the reason I had. My wife is Nigerian and

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Speaker 1: so we went to I went to Nigeria last year.

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Speaker 1: She's from a Quibum, so she's a Bibio. I know

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Speaker 1: you're Uaba when you go back? Is it incredible? Is

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Speaker 1: it too much? Like what's it like when you go there?

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Speaker 4: The ladder? It's too much? Too much?

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Speaker 7: Everyone is just too much. I mean going in December

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Speaker 7: is in extreme sport. So it's like it's really something

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Speaker 7: that's not built for people with the anxiety social battery

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Speaker 7: like I got.

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Speaker 1: Because I even imagine if like you went out in Legos,

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Speaker 1: the whole city which you.

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Speaker 7: See how I show speed went in, it was like

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Speaker 7: that was it was a tricky joint. It'd be like

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Speaker 7: that though.

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Speaker 4: That's that's all I know. You know, Nigeria. I didn't

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Speaker 4: know that.

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Speaker 7: That's awesome, bullets.

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Speaker 1: I was gonna do the full name, but I can't.

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00:16:01,400 --> 00:16:03,560
Speaker 1: I can't pronounce your last name. How do you say

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Speaker 1: your last name?

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Speaker 2: Fu?

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00:16:04,720 --> 00:16:08,200
Speaker 4: Lauren for Lauren, for Lauren for Lauren.

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Speaker 1: And then I saw you post recently they were getting

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Speaker 1: your name mispronounced on the red carpet.

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00:16:13,360 --> 00:16:14,600
Speaker 2: What the were they calling you?

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Speaker 4: Well? No?

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Speaker 7: Who called you well?

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Speaker 2: A photographer?

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Speaker 4: You gotta understand.

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Speaker 7: At the at the be like at the at the

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00:16:23,640 --> 00:16:27,480
Speaker 7: at the BET Awards, it's man, it's like, oh like man,

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00:16:27,560 --> 00:16:30,480
Speaker 7: we look at the Grammys. It's only the people that

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00:16:30,640 --> 00:16:34,040
Speaker 7: work there, like the security, the chefs, that the people

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00:16:34,080 --> 00:16:36,520
Speaker 7: that's cleaning the bathroom. They'd be like, man, you here,

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00:16:37,320 --> 00:16:39,120
Speaker 7: So that's that makes me feel good. But on the

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Speaker 7: carpet they're like okay with Tianna Taylor, like you know

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00:16:43,720 --> 00:16:46,080
Speaker 7: what I'm saying. So but it's good though, because it's

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00:16:46,120 --> 00:16:47,920
Speaker 7: part of my story. Because I'm gonna be back next

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00:16:48,000 --> 00:16:50,400
Speaker 7: year and I'm gonna I'm gonna tell that same story

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00:16:50,480 --> 00:16:54,160
Speaker 7: on that stead because it's never it's never over. It's

349
00:16:54,320 --> 00:16:57,080
Speaker 7: never over. Anybody who's a fan of me or follow

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00:16:57,160 --> 00:16:59,400
Speaker 7: my career, y'all know, they don't try to count me

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00:16:59,480 --> 00:17:04,280
Speaker 7: out so oh many times, so many ways I've been.

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00:17:04,520 --> 00:17:07,760
Speaker 7: There's nobody that's been on more record labels than LEA

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00:17:08,800 --> 00:17:13,399
Speaker 7: and it's got Atlantic, Warner, Empire, Death Jam. Like, you

354
00:17:13,440 --> 00:17:15,600
Speaker 7: know what I'm saying. I'm a journeyman and I've made

355
00:17:15,720 --> 00:17:18,240
Speaker 7: all of these buildings a lot of money and they

356
00:17:18,320 --> 00:17:21,080
Speaker 7: still counted me out. Go to the Grammys last year,

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00:17:21,119 --> 00:17:23,440
Speaker 7: they said I was burning boy. This year they was like,

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00:17:23,800 --> 00:17:25,840
Speaker 7: who burning boy? You know what I'm saying, And yeah,

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00:17:25,960 --> 00:17:29,840
Speaker 7: that's a microaggression. But like the thing is, I'm letting

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00:17:29,840 --> 00:17:32,000
Speaker 7: everybody know my goal is to be back there next year,

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00:17:32,440 --> 00:17:34,440
Speaker 7: not even on something I told you so, but on

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00:17:34,560 --> 00:17:37,600
Speaker 7: some like I told y'all like, don't matter what y'all seen.

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00:17:37,600 --> 00:17:39,120
Speaker 7: I've been in this for fifteen years and I ain't

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Speaker 7: give up and I want mine this year.

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Speaker 4: Yeah, speak that.

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Speaker 2: I love that.

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Speaker 4: What label are you on now? Depth Jam? Okay, you're

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00:17:46,880 --> 00:17:47,280
Speaker 4: depth job.

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00:17:47,359 --> 00:17:50,119
Speaker 10: So I'm say I'm responsible for getting the motion back

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00:17:50,200 --> 00:17:52,120
Speaker 10: in Depth Jam. I want to ask because the big

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00:17:52,160 --> 00:17:55,520
Speaker 10: break question from the general goes into this. You've been

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00:17:55,640 --> 00:17:59,120
Speaker 10: very open about pressure, the way you've been treated, expectations

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00:17:59,160 --> 00:18:02,480
Speaker 10: for your whole career. What does a real break look

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00:18:02,600 --> 00:18:05,520
Speaker 10: for you now compared to earlier in your career.

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00:18:06,040 --> 00:18:09,120
Speaker 4: I mean, same mindset. Just get to the next thing,

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00:18:09,280 --> 00:18:09,880
Speaker 4: you know what I'm saying.

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00:18:10,320 --> 00:18:12,320
Speaker 7: But I'm going to be You know that Timothy Shallon

378
00:18:12,400 --> 00:18:15,480
Speaker 7: may that speech that really stuck with me when he

379
00:18:15,600 --> 00:18:17,680
Speaker 7: was like, yo, I mean I really want to be

380
00:18:17,760 --> 00:18:20,320
Speaker 7: one of the greats. Like that's what I'm doing it for.

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00:18:20,440 --> 00:18:22,399
Speaker 7: I want to be great on my craft. And I

382
00:18:22,480 --> 00:18:24,920
Speaker 7: think it's okay to say that. I'm glad the little

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00:18:24,920 --> 00:18:26,560
Speaker 7: white boy said at first, because now I ain't gonna

384
00:18:26,560 --> 00:18:28,840
Speaker 7: tell my black shut up, Like, yeah, I want to

385
00:18:28,840 --> 00:18:31,200
Speaker 7: be one of the greats. I studied the greats. I was,

386
00:18:31,240 --> 00:18:33,719
Speaker 7: you know, I dropped out of school. I signed Mark Ronson,

387
00:18:33,960 --> 00:18:36,440
Speaker 7: then I signed with jay Z, then I signed with Ross.

388
00:18:36,520 --> 00:18:37,000
Speaker 4: Like I learned.

389
00:18:37,160 --> 00:18:39,720
Speaker 7: I learned a lot, you know, I was, I was,

390
00:18:40,000 --> 00:18:41,440
Speaker 7: I took, I took a lot of stuff on the

391
00:18:41,520 --> 00:18:43,480
Speaker 7: chin roll with the punches whatever.

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00:18:43,600 --> 00:18:47,119
Speaker 4: I'm here now. You know, you've had a very interesting life.

393
00:18:47,440 --> 00:18:49,399
Speaker 4: If they were to do a movie a while, a

394
00:18:49,600 --> 00:18:53,200
Speaker 4: bio pick, will you produce it. I would definitely produce it.

395
00:18:53,280 --> 00:18:56,800
Speaker 4: But who would play you a bio pick.

396
00:19:00,840 --> 00:19:03,840
Speaker 7: A little from uh, Stranger Things or something. I don't know,

397
00:19:04,920 --> 00:19:12,520
Speaker 7: that's Stranger Things, yeah, Caleb, Caleb, Yeah, but I don't

398
00:19:12,520 --> 00:19:15,880
Speaker 7: know if I do a biopick, I do a documentary.

399
00:19:15,359 --> 00:19:18,840
Speaker 2: Though, Shack, who would play you in the Shack biopeck?

400
00:19:19,800 --> 00:19:25,119
Speaker 4: An ugly dude over there? The sunglasses? Now, man, No,

401
00:19:25,280 --> 00:19:26,800
Speaker 4: what's nervous?

402
00:19:26,920 --> 00:19:31,639
Speaker 7: His name in the movie Neon b Neon Bardo, Neon

403
00:19:32,680 --> 00:19:36,840
Speaker 7: Neon blue chips. They need to remake that joint. I

404
00:19:36,960 --> 00:19:41,240
Speaker 7: always ask rappers, why do rappers and hoopers connect so well?

405
00:19:41,600 --> 00:19:44,320
Speaker 7: I think that's ah. That trope is dying a little

406
00:19:44,359 --> 00:19:50,080
Speaker 7: bit though now, because somewhere along the way, the world

407
00:19:50,200 --> 00:19:55,919
Speaker 7: figured out that hoopers make immensely more than rappers make,

408
00:19:56,560 --> 00:19:59,520
Speaker 7: and it kind of messed up the dynamic. So now

409
00:19:59,600 --> 00:20:01,720
Speaker 7: it's not as many rappers hanging with hoopers as it

410
00:20:01,840 --> 00:20:04,280
Speaker 7: used to be. Yeah, always, and they chasing up to

411
00:20:04,320 --> 00:20:05,920
Speaker 7: the same like four girls on Instagram.

412
00:20:06,200 --> 00:20:10,199
Speaker 2: So you're saying, like nineties because the salaries were closer, or.

413
00:20:10,200 --> 00:20:12,960
Speaker 7: It was just it was more ambiguous. They don't we

414
00:20:13,000 --> 00:20:15,200
Speaker 7: don't know how much cutes to making Yeah, I don't know.

415
00:20:15,440 --> 00:20:17,560
Speaker 7: We just know he had f so that show. Now,

416
00:20:17,560 --> 00:20:20,720
Speaker 7: I was like, hey, seventh man, one of the Celtics

417
00:20:20,840 --> 00:20:24,720
Speaker 7: roster signs for thirty million a year, and of course

418
00:20:24,760 --> 00:20:27,119
Speaker 7: he's taking any rapper girl that He went like, yeah what.

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00:20:27,760 --> 00:20:30,040
Speaker 4: I always said that the hoopers wanted to be rappers,

420
00:20:30,080 --> 00:20:31,800
Speaker 4: and the rappers wanted to be the hoopers.

421
00:20:32,320 --> 00:20:34,520
Speaker 7: I don't think. I don't these guys do too many drugs.

422
00:20:34,560 --> 00:20:37,399
Speaker 7: That's going to play sports man, he's got it. These

423
00:20:37,480 --> 00:20:39,840
Speaker 7: new rappers ain't trying to hoop man. That could be

424
00:20:39,920 --> 00:20:42,480
Speaker 7: a Li're trying to hit a parlay the All Drug League.

425
00:20:43,760 --> 00:20:46,000
Speaker 2: These kids are right here and I keep seeing them.

426
00:20:47,960 --> 00:20:49,920
Speaker 2: I want to say this. If I hate guys, go

427
00:20:50,000 --> 00:20:50,600
Speaker 2: on YouTube.

428
00:20:50,880 --> 00:20:53,800
Speaker 1: Some of the funniest clips ever is when Kevin Hart

429
00:20:53,840 --> 00:20:56,520
Speaker 1: would come on with you guys during All Star weekend.

430
00:20:56,600 --> 00:20:58,200
Speaker 2: And just tear you guys apart.

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00:20:58,640 --> 00:21:00,800
Speaker 1: My favorite when you look at you, Kenny and he

432
00:21:00,960 --> 00:21:03,320
Speaker 1: was like, Kenny's lips so dry. If he smiled, he'll

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00:21:03,400 --> 00:21:05,960
Speaker 1: bleed and Kenny started licking his lips.

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00:21:06,359 --> 00:21:10,119
Speaker 7: Oh how long did you know that she wasn't going

435
00:21:10,160 --> 00:21:11,320
Speaker 7: to be part of All Star this year?

436
00:21:11,800 --> 00:21:11,840
Speaker 2: No?

437
00:21:12,000 --> 00:21:15,280
Speaker 4: We uh, we lost the deal last year. So I

438
00:21:15,359 --> 00:21:17,120
Speaker 4: didn't know that. I thought that was just like the show.

439
00:21:17,240 --> 00:21:19,080
Speaker 7: I didn't know it was like the because y'all is

440
00:21:19,119 --> 00:21:21,800
Speaker 7: a fixture in the Yes, So who hell is judging

441
00:21:21,840 --> 00:21:23,480
Speaker 7: the gun Dunk Contest all NBC?

442
00:21:23,680 --> 00:21:23,840
Speaker 4: Now?

443
00:21:24,240 --> 00:21:27,639
Speaker 2: Like who like like Vince Carter and t mac and all.

444
00:21:27,720 --> 00:21:30,240
Speaker 7: That's not the same man, trust now and now I'm

445
00:21:30,280 --> 00:21:32,119
Speaker 7: gonna miss checks like sarcasm.

446
00:21:33,000 --> 00:21:34,800
Speaker 2: Unimpressed. Man, these guys suck.

447
00:21:36,000 --> 00:21:36,119
Speaker 1: Uh.

448
00:21:36,520 --> 00:21:37,560
Speaker 4: These guys are trash.

449
00:21:38,000 --> 00:21:41,040
Speaker 2: While A, do you have any idea what WPSBPS is?

450
00:21:41,600 --> 00:21:42,800
Speaker 4: Then I get the first word.

451
00:21:43,160 --> 00:21:49,600
Speaker 11: Sure, white w s wps W white people. Yeah, you're

452
00:21:49,680 --> 00:21:54,760
Speaker 11: right there, w P it s white people, should white

453
00:21:54,800 --> 00:21:59,840
Speaker 11: people and black people? Let's play w PSB.

454
00:22:00,480 --> 00:22:01,480
Speaker 7: I was gonna figure it out.

455
00:22:01,880 --> 00:22:04,240
Speaker 2: These guys know the rules, while A doesn't. I'm gonna

456
00:22:04,280 --> 00:22:04,800
Speaker 2: name something.

457
00:22:04,880 --> 00:22:07,520
Speaker 1: You tell me if it's white people or black people?

458
00:22:08,520 --> 00:22:11,919
Speaker 1: Reclining your seat on an airplane BPS?

459
00:22:13,359 --> 00:22:16,680
Speaker 4: We both, I mean reclined, Like don't everybody do it?

460
00:22:17,160 --> 00:22:19,639
Speaker 4: You can say all people, I do it.

461
00:22:20,280 --> 00:22:22,840
Speaker 2: My question is who does it earlier in the flight

462
00:22:23,240 --> 00:22:26,920
Speaker 2: flight starts taking off? Which group it depends on? It

463
00:22:27,040 --> 00:22:28,360
Speaker 2: depends on where we're going.

464
00:22:28,440 --> 00:22:30,600
Speaker 7: Like if there's it's a bunch of white guilt people

465
00:22:30,720 --> 00:22:32,520
Speaker 7: on the flight, they're not gonna want to do that.

466
00:22:32,760 --> 00:22:36,000
Speaker 7: But if there's a bunch of like I'm rich, I'm white,

467
00:22:36,080 --> 00:22:37,000
Speaker 7: like they're gonna do it, Like.

468
00:22:37,080 --> 00:22:40,520
Speaker 2: They go back, I would say, the wealthy whites go

469
00:22:40,720 --> 00:22:41,359
Speaker 2: back and meet it.

470
00:22:41,520 --> 00:22:41,720
Speaker 4: Yeah.

471
00:22:41,960 --> 00:22:43,880
Speaker 2: Yeah, they're like I bought this seat.

472
00:22:44,359 --> 00:22:47,359
Speaker 7: It's almost like an extra notch like the chair to

473
00:22:47,520 --> 00:22:49,800
Speaker 7: go back harder, like you're knotting over them up like

474
00:22:51,000 --> 00:22:52,040
Speaker 7: board pause.

475
00:22:52,359 --> 00:22:54,560
Speaker 2: Yeah, but I feel like they've almost broken my laptop

476
00:22:54,640 --> 00:22:55,160
Speaker 2: multiple times.

477
00:22:55,200 --> 00:22:59,480
Speaker 7: So to answer to white people, no, no, because I'm

478
00:22:59,520 --> 00:23:02,560
Speaker 7: reclining and taking my shoes off, like bro, damn, hold on,

479
00:23:03,080 --> 00:23:04,240
Speaker 7: you take your shoes off?

480
00:23:04,920 --> 00:23:06,880
Speaker 2: Bro? Do you take your socks off?

481
00:23:07,200 --> 00:23:10,399
Speaker 7: So technically like per capital or whatever, like first classes

482
00:23:10,440 --> 00:23:13,920
Speaker 7: white people in America. So yeah, I'm just doing what

483
00:23:14,000 --> 00:23:16,920
Speaker 7: I see them due, Okay, I'll work hard. I work

484
00:23:16,920 --> 00:23:19,640
Speaker 7: hard so I could take these shoes off just well.

485
00:23:20,920 --> 00:23:23,440
Speaker 7: Caroline Beth Bethany is okay with you. I'm gonna I'm

486
00:23:23,440 --> 00:23:25,320
Speaker 7: gonna sit back here and watch shots is on the

487
00:23:25,480 --> 00:23:26,920
Speaker 7: on the on the complaint.

488
00:23:27,200 --> 00:23:29,879
Speaker 2: I would like a rose, please, thank you? Yeah, and

489
00:23:30,200 --> 00:23:35,240
Speaker 2: unky and peanut butter, Chunky peanut butter WPS white white,

490
00:23:35,560 --> 00:23:38,160
Speaker 2: white you guys are Do you eat creamy peanut butter?

491
00:23:38,560 --> 00:23:38,760
Speaker 7: Yeah?

492
00:23:38,920 --> 00:23:43,280
Speaker 2: Sometimes Jiffy Yeah, well, I mean they make chunky peanut

493
00:23:43,320 --> 00:23:43,719
Speaker 2: butter too.

494
00:23:43,840 --> 00:23:46,920
Speaker 7: I got one, goober, grape WPS or bps.

495
00:23:47,240 --> 00:23:49,800
Speaker 1: Is that when it's mixed together? Yes, I think that's

496
00:23:49,840 --> 00:23:54,240
Speaker 1: like shock people. I feel like you invented that white

497
00:23:54,280 --> 00:23:55,800
Speaker 1: people mixed together.

498
00:23:55,720 --> 00:23:58,560
Speaker 4: Bubbles telling bubbles about that, Goober, Great, you don't remember that?

499
00:23:58,600 --> 00:24:01,120
Speaker 2: Google White people avocado?

500
00:24:01,920 --> 00:24:05,280
Speaker 11: Well, yeah, that's white people avocado toast white people.

501
00:24:05,359 --> 00:24:09,960
Speaker 7: That's like super translucent people, like extra white people. That

502
00:24:10,359 --> 00:24:13,040
Speaker 7: is so everywhere, Like you can get the McDonald's in

503
00:24:13,200 --> 00:24:17,600
Speaker 7: La like avocado toest bro Yeah, guacamole and bread.

504
00:24:18,280 --> 00:24:18,760
Speaker 2: I'm good.

505
00:24:18,880 --> 00:24:23,080
Speaker 7: Oh, somebody somebody's doing on their wellness journey, on their

506
00:24:23,119 --> 00:24:24,000
Speaker 7: wellness journey.

507
00:24:24,040 --> 00:24:25,480
Speaker 4: It's cool micros and macros.

508
00:24:25,480 --> 00:24:26,760
Speaker 7: I get it all right.

509
00:24:26,800 --> 00:24:31,640
Speaker 2: This one I don't know. Jason Williams aka White Chocolate.

510
00:24:32,000 --> 00:24:33,920
Speaker 2: Is he white people? Black people?

511
00:24:33,920 --> 00:24:34,400
Speaker 4: Black people?

512
00:24:35,600 --> 00:24:35,960
Speaker 2: Isn't that?

513
00:24:36,240 --> 00:24:38,320
Speaker 7: I think he is the only thing The only thing

514
00:24:38,400 --> 00:24:40,600
Speaker 7: that keeps him white is that he's from West Virginia.

515
00:24:40,680 --> 00:24:43,199
Speaker 7: But they from a place in West Virginia where they

516
00:24:43,560 --> 00:24:46,120
Speaker 7: get active out there. So yeah, he's bro I don't

517
00:24:46,119 --> 00:24:48,320
Speaker 7: even know if he has white friends. I don't know

518
00:24:48,359 --> 00:24:50,800
Speaker 7: if he does, probably be distant from his white family.

519
00:24:50,920 --> 00:24:53,480
Speaker 7: For real, what was the most BPS thing you saw,

520
00:24:53,600 --> 00:24:54,600
Speaker 7: Jason Williams, do.

521
00:24:54,840 --> 00:24:55,359
Speaker 4: Can tell you?

522
00:24:56,000 --> 00:24:59,560
Speaker 2: Oh wow, behind the backward? I know you stood up

523
00:24:59,600 --> 00:25:01,439
Speaker 2: for him lot on the Heat when you guys were

524
00:25:01,480 --> 00:25:02,200
Speaker 2: on the same team.

525
00:25:02,359 --> 00:25:05,600
Speaker 4: I got traded because of him. Nah, yeah, we have

526
00:25:06,280 --> 00:25:08,440
Speaker 4: He was late and then Pat was like get out

527
00:25:08,520 --> 00:25:10,920
Speaker 4: and I was like nope, Jason stated, and Pat say

528
00:25:11,000 --> 00:25:13,320
Speaker 4: you get out and I said, well put me out.

529
00:25:14,000 --> 00:25:16,280
Speaker 2: Damn if you were like nose to nose. And then

530
00:25:17,640 --> 00:25:18,880
Speaker 2: because of white chocolate.

531
00:25:19,119 --> 00:25:21,679
Speaker 7: So that happened at twelve, I was traded by eleven

532
00:25:21,800 --> 00:25:23,600
Speaker 7: thirty the next day. Do you think you could have

533
00:25:23,640 --> 00:25:26,119
Speaker 7: won another one with Miami? No? That year. It was

534
00:25:26,600 --> 00:25:28,879
Speaker 7: because after we won the first time, Pat got rid

535
00:25:28,920 --> 00:25:31,160
Speaker 7: all my players. So so that you're not a big

536
00:25:31,200 --> 00:25:34,000
Speaker 7: fan of that Heat culture. For I'm a little bit,

537
00:25:34,119 --> 00:25:35,439
Speaker 7: I mean, but I am the Heat culture.

538
00:25:35,520 --> 00:25:41,399
Speaker 2: So okay, all right, another WPSBPS ranking things like who's

539
00:25:41,440 --> 00:25:43,080
Speaker 2: the best basketball player of all time?

540
00:25:43,680 --> 00:25:47,920
Speaker 7: WPS that thing is like that's bombashow talk though, yes,

541
00:25:48,320 --> 00:25:50,399
Speaker 7: so that's our job of culture come from us.

542
00:25:50,960 --> 00:25:56,320
Speaker 1: I think BPS might be comparing wps is like, that's

543
00:25:56,440 --> 00:25:58,720
Speaker 1: my third favorite point guard of all times.

544
00:25:58,840 --> 00:26:00,640
Speaker 7: Pff is, PF have scores.

545
00:26:01,040 --> 00:26:01,520
Speaker 2: It's true.

546
00:26:02,640 --> 00:26:05,000
Speaker 4: That was a hell of a white guy. Accept you

547
00:26:05,119 --> 00:26:05,720
Speaker 4: do a good one.

548
00:26:06,400 --> 00:26:14,160
Speaker 2: Let's hear your white guy. Nope, I got two more whistling.

549
00:26:15,680 --> 00:26:16,240
Speaker 4: A p S.

550
00:26:17,240 --> 00:26:18,720
Speaker 2: When's the what did you say?

551
00:26:20,320 --> 00:26:22,680
Speaker 7: No? No, that's a that's something because all the black

552
00:26:23,160 --> 00:26:28,000
Speaker 7: said that the summer. Now that's you like whistling. Let

553
00:26:28,760 --> 00:26:32,760
Speaker 7: go hr man, that's an hr thing.

554
00:26:33,040 --> 00:26:35,760
Speaker 2: Oh you see you're going? Yeah, who's thinking of like

555
00:26:35,920 --> 00:26:37,080
Speaker 2: walking down the street being like.

556
00:26:37,880 --> 00:26:38,480
Speaker 4: No, I don't know.

557
00:26:38,640 --> 00:26:40,240
Speaker 2: I go she's militia news.

558
00:26:40,920 --> 00:26:41,760
Speaker 7: No, And I got.

559
00:26:43,359 --> 00:26:46,600
Speaker 2: Like that all right? And the last one doing the

560
00:26:46,760 --> 00:26:48,560
Speaker 2: wave at a sporting.

561
00:26:48,200 --> 00:26:52,160
Speaker 4: Event w P s P especially in that song coming

562
00:26:52,280 --> 00:26:53,000
Speaker 4: D D D.

563
00:26:56,600 --> 00:27:00,760
Speaker 2: Like sand Storm. Yeah, that one that is the white

564
00:27:00,800 --> 00:27:02,480
Speaker 2: people anthem is Sandstorm?

565
00:27:02,520 --> 00:27:05,760
Speaker 7: By are you going through the All Star Game? I

566
00:27:05,840 --> 00:27:07,520
Speaker 7: don't have tickets. I'm just going to ask you that too.

567
00:27:07,680 --> 00:27:09,840
Speaker 7: But that has been too many asks. Shack will have

568
00:27:09,880 --> 00:27:13,080
Speaker 7: a plug. He should kill o'd neil, like how many

569
00:27:13,160 --> 00:27:13,439
Speaker 7: you need?

570
00:27:13,920 --> 00:27:16,920
Speaker 4: Like one and a half? Three? Three?

571
00:27:17,040 --> 00:27:19,760
Speaker 2: Like one and like a sneak in joint like we

572
00:27:19,880 --> 00:27:21,920
Speaker 2: were just talking about super Bowl. I think he's a

573
00:27:22,000 --> 00:27:24,880
Speaker 2: great guy to ask. Who would you like to see,

574
00:27:25,880 --> 00:27:28,880
Speaker 2: let's say, and you may include yourself as well, performing

575
00:27:28,960 --> 00:27:30,800
Speaker 2: in next year's Super Bowl. Who do you think would

576
00:27:30,840 --> 00:27:31,240
Speaker 2: handle it?

577
00:27:31,359 --> 00:27:32,200
Speaker 4: Well? Who would do it?

578
00:27:32,359 --> 00:27:34,919
Speaker 7: Right? That's a loaded question right now in the music industry,

579
00:27:34,920 --> 00:27:37,159
Speaker 7: and it is I want to do it, but I

580
00:27:37,240 --> 00:27:40,560
Speaker 7: mean I don't got there. You know, once I can

581
00:27:40,640 --> 00:27:42,600
Speaker 7: get like Courtside the All Star, then we can start

582
00:27:42,680 --> 00:27:44,040
Speaker 7: talking about doing super Bowl.

583
00:27:44,320 --> 00:27:45,880
Speaker 2: Once you win that Grammy next year?

584
00:27:46,040 --> 00:27:50,159
Speaker 4: Amen, Hey, who who would you?

585
00:27:50,320 --> 00:27:51,120
Speaker 7: Who would you pick? Sure?

586
00:27:51,359 --> 00:27:54,160
Speaker 2: Yeah, Shack, you're a d I said DJ Diesel because

587
00:27:54,160 --> 00:27:55,440
Speaker 2: you that next year.

588
00:27:56,280 --> 00:27:57,880
Speaker 7: L He kind of fired though, if you just brought

589
00:27:57,920 --> 00:28:02,000
Speaker 7: out a record again it's in LA or just DJ

590
00:28:02,119 --> 00:28:04,879
Speaker 7: for whoever the main artist it. So we already did

591
00:28:05,040 --> 00:28:05,639
Speaker 7: Snoop and Dre.

592
00:28:06,400 --> 00:28:09,320
Speaker 2: Snoop and Dre. That was like four years aga. That's

593
00:28:09,320 --> 00:28:11,560
Speaker 2: when you went viral for doing your little tongue thing

594
00:28:11,640 --> 00:28:12,160
Speaker 2: on the camera.

595
00:28:12,560 --> 00:28:14,240
Speaker 7: Maybe they can do what's the East Coast version of

596
00:28:14,320 --> 00:28:16,080
Speaker 7: what Dre did? What's the East Coast version of that?

597
00:28:18,000 --> 00:28:20,520
Speaker 7: All right? Man? We know doctor Dre National Treasure. I

598
00:28:20,600 --> 00:28:24,399
Speaker 7: don't know, but the one, the one that's not from La.

599
00:28:24,480 --> 00:28:26,320
Speaker 4: They could do it. Is he just we lost him?

600
00:28:27,320 --> 00:28:28,480
Speaker 4: We can get him nice to.

601
00:28:29,280 --> 00:28:31,800
Speaker 2: The super Bowl. I mean Kanye.

602
00:28:32,280 --> 00:28:35,560
Speaker 7: Imagine, imagine if if none of this happened Kanye, but

603
00:28:35,680 --> 00:28:36,640
Speaker 7: I had the best super Bow.

604
00:28:36,520 --> 00:28:42,360
Speaker 2: Before Kanye was going. Is the first song runaway? Do

605
00:28:42,400 --> 00:28:43,440
Speaker 2: you think Bieber could do it?

606
00:28:43,760 --> 00:28:43,920
Speaker 1: Oh?

607
00:28:44,720 --> 00:28:46,440
Speaker 4: Just Bieber could know that's.

608
00:28:46,320 --> 00:28:47,320
Speaker 2: Not justin Bieber.

609
00:28:48,360 --> 00:28:51,400
Speaker 1: Taylor Swift for getting all the whites out there. Just

610
00:28:52,600 --> 00:28:55,760
Speaker 1: he did it already in Minnesota. Chris Brown put his

611
00:28:55,880 --> 00:28:57,760
Speaker 1: name out there. I just don't know if the few

612
00:28:57,840 --> 00:28:59,800
Speaker 1: months leading up to the super Bowl where everyone was

613
00:29:00,280 --> 00:29:02,440
Speaker 1: angry at each other, would be able to handle it.

614
00:29:02,480 --> 00:29:04,240
Speaker 2: Because he will do the whole performance.

615
00:29:05,000 --> 00:29:07,560
Speaker 7: Chris Brown would kill it. That's who I'm going for.

616
00:29:08,040 --> 00:29:09,880
Speaker 7: He would one hundred percent kill it. He would one

617
00:29:10,000 --> 00:29:11,080
Speaker 7: hundred percent kill it.

618
00:29:12,240 --> 00:29:14,920
Speaker 1: Then one today we'll get a DJ diesel Wal a

619
00:29:15,280 --> 00:29:16,480
Speaker 1: super Bowl halftime show.

620
00:29:16,560 --> 00:29:17,959
Speaker 4: We could do that. We're gonna hook that up.

621
00:29:18,080 --> 00:29:21,200
Speaker 2: You got to speak it into existence, uh walle Because

622
00:29:21,240 --> 00:29:23,080
Speaker 2: I think I got one more for you.

623
00:29:23,320 --> 00:29:27,760
Speaker 1: Lunazool. Lunazoul means blue moon, and today we are going

624
00:29:27,840 --> 00:29:30,600
Speaker 1: to the moon. I feel like you probably have a

625
00:29:30,640 --> 00:29:33,440
Speaker 1: good eye for up and coming talent. Who is someone

626
00:29:33,520 --> 00:29:36,160
Speaker 1: that you'd love to share some love with that you

627
00:29:36,320 --> 00:29:38,560
Speaker 1: think has a lot of talent and maybe doesn't get

628
00:29:38,680 --> 00:29:39,280
Speaker 1: enough credit.

629
00:29:39,760 --> 00:29:43,000
Speaker 7: It's a couple like like like guys like Don Tripp

630
00:29:43,040 --> 00:29:47,720
Speaker 7: from Memphis. He's five fire rapper. I used to say

631
00:29:47,800 --> 00:29:50,680
Speaker 7: Leon Thomas, but he gone blew up. He offered the

632
00:29:50,760 --> 00:29:54,680
Speaker 7: races Odeal out of the UK. He fire. There's a

633
00:29:54,800 --> 00:29:56,840
Speaker 7: kid that I've seen running around with Beaver with some

634
00:29:56,960 --> 00:29:59,680
Speaker 7: ready here he got some I'm drunk blank right now,

635
00:29:59,720 --> 00:30:04,360
Speaker 7: but he that really called my attention. Uh. There's a

636
00:30:04,400 --> 00:30:07,440
Speaker 7: good K artist. Her name is it's like now n Ao.

637
00:30:08,000 --> 00:30:11,280
Speaker 7: She hard love her music. Man.

638
00:30:11,560 --> 00:30:11,680
Speaker 4: Uh.

639
00:30:12,040 --> 00:30:14,280
Speaker 7: This kid out of d M V Manny Wells, he

640
00:30:14,800 --> 00:30:18,600
Speaker 7: hard Man. He's really on his way for sure. The

641
00:30:18,720 --> 00:30:22,040
Speaker 7: kid who made Nokia Elkin, he's working right. He's working

642
00:30:22,080 --> 00:30:24,680
Speaker 7: with Craig Calman. I think he's gonna do some things.

643
00:30:25,360 --> 00:30:30,440
Speaker 7: Tezo touchdown, he's on here. You're really consuming it's my job, Yeah,

644
00:30:30,560 --> 00:30:33,840
Speaker 7: my job. That's awesome because normally people are like, uh,

645
00:30:34,200 --> 00:30:37,480
Speaker 7: my cousin, you really knew some people there.

646
00:30:37,600 --> 00:30:40,000
Speaker 2: That was awesome. I feel like, Shack, you're gonna go

647
00:30:40,080 --> 00:30:40,360
Speaker 2: back and.

648
00:30:40,400 --> 00:30:43,400
Speaker 4: Like listen to a few of those from the fields

649
00:30:43,440 --> 00:30:45,040
Speaker 4: of it. Let's go. Two hundred and fifty years of

650
00:30:45,080 --> 00:30:47,680
Speaker 4: tequila making tradition have led up to this.

651
00:30:48,160 --> 00:30:52,120
Speaker 1: Luna Zel puts tradition above trends and brings out the

652
00:30:52,200 --> 00:30:54,800
Speaker 1: best of all of your favorite tequila contact like the

653
00:30:54,840 --> 00:31:00,000
Speaker 1: Big crafted with pride for what's inside, one hundred percent

654
00:31:00,120 --> 00:31:03,360
Speaker 1: sent blue Weber agave and no extras diesel.

655
00:31:03,440 --> 00:31:05,320
Speaker 4: This is looking pretty good. You don't have to make

656
00:31:05,400 --> 00:31:07,440
Speaker 4: me one of those two if the Big pop Poloma

657
00:31:07,480 --> 00:31:11,200
Speaker 4: made with Lunazoul tequila, and of course it's gonna be Goodoo.

658
00:31:12,320 --> 00:31:19,400
Speaker 2: That's nice, Thank you, It's phenomenal.

659
00:31:19,560 --> 00:31:23,960
Speaker 1: Those who know look to Luna Luna Zoul Tequila, Bardstown, Kentucky,

660
00:31:24,120 --> 00:31:25,959
Speaker 1: forty percent alcohol by volume.

661
00:31:26,400 --> 00:31:28,360
Speaker 2: Think wisely, drink wisely.

662
00:31:28,840 --> 00:31:32,960
Speaker 4: I'm gonna take two. Oh gosh, you know how we

663
00:31:33,160 --> 00:31:33,960
Speaker 4: always do it.

664
00:31:34,240 --> 00:31:36,800
Speaker 1: That's right, big and on the big pod here with

665
00:31:36,960 --> 00:31:39,680
Speaker 1: the one and only Shaq Hiel O'Neill.

666
00:31:39,920 --> 00:31:42,560
Speaker 4: Big Shack got a secret for y'all small businesses. Oh

667
00:31:42,600 --> 00:31:45,200
Speaker 4: I'm supposed to whisper. Big Shank got a secret for

668
00:31:45,280 --> 00:31:46,320
Speaker 4: y'all small businesses.

669
00:31:46,680 --> 00:31:49,440
Speaker 1: Ah, yes, well, we all know the business man that

670
00:31:49,600 --> 00:31:54,680
Speaker 1: Shaq has become Big Chicken. Papa John's rebock everything for

671
00:31:54,760 --> 00:31:55,440
Speaker 1: everybody out there.

672
00:31:55,480 --> 00:31:56,440
Speaker 4: What is the secret?

673
00:31:56,880 --> 00:31:57,080
Speaker 7: Yep.

674
00:31:57,320 --> 00:31:59,720
Speaker 4: I'm not only a four time NBA Champion, Hall of

675
00:31:59,800 --> 00:32:03,480
Speaker 4: Fame sports broadcaster and the Black Brad Pit. I'm also

676
00:32:03,600 --> 00:32:06,120
Speaker 4: the King of small business funding. So the King wants

677
00:32:06,160 --> 00:32:08,680
Speaker 4: to know you're looking for small business funding. Now, I

678
00:32:08,800 --> 00:32:10,840
Speaker 4: get it. You ain't big shock. You can't just walk

679
00:32:10,880 --> 00:32:13,280
Speaker 4: into a bank and get the big checks. But what

680
00:32:13,400 --> 00:32:15,800
Speaker 4: if I told you the seekers that my boys at

681
00:32:15,840 --> 00:32:18,800
Speaker 4: Cardiff have the funding you need. I'm talking about approval

682
00:32:18,880 --> 00:32:22,400
Speaker 4: in minutes and funding same day up to five hundred

683
00:32:22,720 --> 00:32:23,600
Speaker 4: thousand dollars.

684
00:32:23,880 --> 00:32:26,960
Speaker 1: Are you looking to hire, invest in marketing, buy some equipment,

685
00:32:27,040 --> 00:32:29,920
Speaker 1: get your inventory game up, let your fingers do the

686
00:32:30,040 --> 00:32:33,840
Speaker 1: walking and head on over to Cardiff dot Co slash.

687
00:32:33,600 --> 00:32:40,400
Speaker 4: Big Pod Big Pod. Cardiff is my favorite small business lender. Restaurants, gyms,

688
00:32:40,520 --> 00:32:43,440
Speaker 4: car washers get approved the minutes. With just one year

689
00:32:43,480 --> 00:32:46,240
Speaker 4: in business and twenty thousand dollars a month in revenue,

690
00:32:46,520 --> 00:32:48,760
Speaker 4: you can apply for up to five hundred thousand dollars

691
00:32:49,000 --> 00:32:51,760
Speaker 4: and get funded very fast. So go to Cardiff dot

692
00:32:51,840 --> 00:32:55,280
Speaker 4: Co slash big Pot. I'm setting it again slowed down

693
00:32:55,360 --> 00:32:58,160
Speaker 4: for the lovers in the House. That's Cardiff dot Co

694
00:32:58,840 --> 00:33:04,680
Speaker 4: slash Big Pot. So when do you start your tour

695
00:33:04,880 --> 00:33:05,720
Speaker 4: and how long is it?

696
00:33:06,720 --> 00:33:09,600
Speaker 7: The tour starts the end of May and it's over

697
00:33:09,680 --> 00:33:13,440
Speaker 7: the beginning of July. Okay, got to show in London

698
00:33:13,520 --> 00:33:16,920
Speaker 7: and like, good luck with you, thank you? And uh,

699
00:33:17,400 --> 00:33:19,480
Speaker 7: do you have a tour coming up? No, I feel

700
00:33:19,520 --> 00:33:21,840
Speaker 7: like you're always on tour. What's your favorite city to

701
00:33:21,920 --> 00:33:25,760
Speaker 7: perform in? Yeahs, I have a show tonight that the

702
00:33:25,840 --> 00:33:29,720
Speaker 7: Avali l A goes hard, Denver goes hard, and Dallas

703
00:33:29,840 --> 00:33:31,840
Speaker 7: goes hard. Keep playing one of my songs. That's my

704
00:33:31,920 --> 00:33:34,120
Speaker 7: third ask. They said in the movie, I can ask

705
00:33:34,160 --> 00:33:34,760
Speaker 7: you three wishes.

706
00:33:35,200 --> 00:33:40,800
Speaker 4: Easy done, I'll Leaven send it to you. Yeah, okay,

707
00:33:40,840 --> 00:33:42,880
Speaker 4: I'll be there. I'll be there. Then I'm asked for

708
00:33:42,880 --> 00:33:44,120
Speaker 4: the all star tickets again.

709
00:33:44,240 --> 00:33:47,719
Speaker 1: While the man done, We appreciate the time. And uh,

710
00:33:47,880 --> 00:33:51,120
Speaker 1: as someone that has covered the NBA for a long time, play.

711
00:33:50,960 --> 00:33:52,080
Speaker 4: That Rihanna join again.

712
00:33:52,400 --> 00:33:54,560
Speaker 2: You're a you're a true hoops fan.

713
00:33:54,680 --> 00:33:56,840
Speaker 7: Bro snigas versus Real Quick too.

714
00:33:57,360 --> 00:33:59,480
Speaker 2: I know that Jon't guys, everybody, can we get some

715
00:33:59,640 --> 00:34:00,560
Speaker 2: love from a.

716
00:34:02,760 --> 00:34:06,840
Speaker 1: From Sketch Show Chaos to Broadway Command one half of

717
00:34:06,920 --> 00:34:10,640
Speaker 1: a duo that changed the whole land. A teacher screaming

718
00:34:10,800 --> 00:34:15,239
Speaker 1: names that couldn't be right, East West Bowl legends, born overnight,

719
00:34:15,600 --> 00:34:18,960
Speaker 1: a producer with the mind of a computer, whose delivery

720
00:34:19,080 --> 00:34:22,360
Speaker 1: couldn't be smoother. And if you want that real, he

721
00:34:22,440 --> 00:34:26,200
Speaker 1: will introduce you to Luther from Detroit, Michigan.

722
00:34:26,680 --> 00:34:32,040
Speaker 2: Actor, writer, producer. Give it up for Keegan, Michael Keye.

723
00:34:41,120 --> 00:34:45,600
Speaker 2: How's everybody do it? It's good to be back in La.

724
00:34:45,760 --> 00:34:45,920
Speaker 7: Man.

725
00:34:46,360 --> 00:34:48,719
Speaker 1: You bring joy to people. Man, they saw you when

726
00:34:48,760 --> 00:34:50,800
Speaker 1: they started laughing. That's a good sign.

727
00:34:51,480 --> 00:34:54,200
Speaker 3: I try, man, this is I love Los Angeles. This

728
00:34:54,320 --> 00:34:57,040
Speaker 3: is my home for seventeen years. I loved every second here. Man,

729
00:34:57,480 --> 00:34:58,279
Speaker 3: this is the best place.

730
00:34:58,360 --> 00:34:59,640
Speaker 2: Were you here when he was here?

731
00:35:00,120 --> 00:35:01,759
Speaker 3: Us here when he was here? No, I think you

732
00:35:01,880 --> 00:35:03,920
Speaker 3: know when he was here. I was in Chicago and

733
00:35:04,000 --> 00:35:06,960
Speaker 3: then went from Chicago to here, and I remember watching. Yeah,

734
00:35:06,960 --> 00:35:09,279
Speaker 3: I watched the Champions before we get started. Yes, sir,

735
00:35:09,440 --> 00:35:11,279
Speaker 3: I want you to get into character. You want me

736
00:35:11,320 --> 00:35:12,000
Speaker 3: to get in the character.

737
00:35:12,480 --> 00:35:16,640
Speaker 4: I want you to be mister Garvey, all right, and

738
00:35:16,760 --> 00:35:19,239
Speaker 4: I want you to read these lists of names. Let

739
00:35:19,280 --> 00:35:22,000
Speaker 4: me see, let me see he's got damned start. Yes,

740
00:35:22,320 --> 00:35:22,920
Speaker 4: right into it.

741
00:35:23,880 --> 00:35:25,879
Speaker 5: Cam will do a little bit of roll. Call right now,

742
00:35:27,840 --> 00:35:29,120
Speaker 5: call some of these names.

743
00:35:30,120 --> 00:35:31,239
Speaker 7: Just let me know if you're here or not.

744
00:35:33,160 --> 00:35:35,719
Speaker 5: Is gigantic and eta compost you.

745
00:35:38,239 --> 00:35:43,319
Speaker 3: Gigantic ant Itita compost and to compost chump?

746
00:35:44,320 --> 00:35:45,440
Speaker 5: Is he here gigantic?

747
00:35:45,520 --> 00:35:45,960
Speaker 6: Are you here?

748
00:35:47,200 --> 00:35:47,239
Speaker 7: No?

749
00:35:48,000 --> 00:35:51,839
Speaker 5: I hear people laughing. I don't hear nobody saying here, Well,

750
00:35:51,880 --> 00:35:54,920
Speaker 5: he ain't here? That great, he's absent?

751
00:35:55,000 --> 00:35:55,319
Speaker 7: All right?

752
00:35:56,360 --> 00:36:01,200
Speaker 5: Is shay a Jilji Alexander?

753
00:36:03,760 --> 00:36:07,640
Speaker 3: Where is Shane I Jiljios Alexander Jiji?

754
00:36:08,080 --> 00:36:09,200
Speaker 2: Where is the m v p s?

755
00:36:09,280 --> 00:36:09,719
Speaker 4: Stay here?

756
00:36:10,600 --> 00:36:10,920
Speaker 2: All right?

757
00:36:11,040 --> 00:36:15,760
Speaker 12: Let me get this next name out here, Victor wimbin Yamo.

758
00:36:18,360 --> 00:36:22,640
Speaker 12: Finally a regular name. I finally did a regular name

759
00:36:22,719 --> 00:36:25,120
Speaker 12: after all these years. You know how many classes I've

760
00:36:25,160 --> 00:36:27,000
Speaker 12: been in. I never had a Squalisha in any of

761
00:36:27,040 --> 00:36:29,680
Speaker 12: those classes, none of them. J quilling this and D

762
00:36:29,880 --> 00:36:37,960
Speaker 12: nice and shit ron ridiculous. Shaquilla said Shaquille O'Neal, No, Shaquillie,

763
00:36:38,360 --> 00:36:46,399
Speaker 12: Shaquille is shaquille a dom loft koe yes?

764
00:36:46,719 --> 00:36:47,600
Speaker 4: Nice? Is it left?

765
00:36:47,680 --> 00:36:47,719
Speaker 7: Co?

766
00:36:49,680 --> 00:36:52,760
Speaker 3: And Shane oh oh Shane So his producer Shane is fancy?

767
00:36:52,920 --> 00:36:54,640
Speaker 3: His name is Shane's got an eye up in here?

768
00:36:55,440 --> 00:36:59,319
Speaker 3: An I for no reason, sha I'm gonna call your

769
00:37:02,880 --> 00:37:04,640
Speaker 3: called Shaquille Shaquilly.

770
00:37:05,320 --> 00:37:09,080
Speaker 2: Have you ever been called that before? Uh? Yeah, any

771
00:37:09,120 --> 00:37:09,960
Speaker 2: point in your life.

772
00:37:09,800 --> 00:37:13,120
Speaker 4: You've been called shaquilli. Yeah, it did one well once.

773
00:37:14,080 --> 00:37:16,440
Speaker 4: So when you when you come up with these characters,

774
00:37:16,640 --> 00:37:19,200
Speaker 4: they take days, they take minutes. I mean, like, how

775
00:37:19,640 --> 00:37:21,279
Speaker 4: how long does it take to come up with these

776
00:37:21,360 --> 00:37:22,320
Speaker 4: elaborate characters.

777
00:37:22,520 --> 00:37:26,520
Speaker 3: It depends on It depends on the character. Sometimes it's microwaves.

778
00:37:26,600 --> 00:37:28,239
Speaker 3: Sometimes you come up with a character in the moment

779
00:37:28,320 --> 00:37:30,360
Speaker 3: that's front improvising for years and years. You just have

780
00:37:30,480 --> 00:37:32,959
Speaker 3: to start a scene and walk off the back line.

781
00:37:32,960 --> 00:37:35,680
Speaker 3: And sometimes you start with the limp or you start

782
00:37:36,040 --> 00:37:38,400
Speaker 3: with like alateral lisps, you talk like you just just

783
00:37:38,480 --> 00:37:40,839
Speaker 3: kind of just start putting stuff on, and then as

784
00:37:40,920 --> 00:37:43,920
Speaker 3: that character grows, you get more of a sense of

785
00:37:44,040 --> 00:37:46,680
Speaker 3: who they really are. And then other characters take years.

786
00:37:47,080 --> 00:37:48,480
Speaker 3: I mean, I used to be on a show that

787
00:37:48,600 --> 00:37:51,560
Speaker 3: I taped to Los Angeles called Mad TV. You said, hell, yeah,

788
00:37:51,680 --> 00:37:54,640
Speaker 3: well you were so good on that show, and I

789
00:37:54,719 --> 00:37:58,200
Speaker 3: played a character named Coach Hines, and Coach Hines was

790
00:37:58,360 --> 00:38:01,879
Speaker 3: based on he was based on people from from back

791
00:38:01,920 --> 00:38:04,560
Speaker 3: in my college days from ten to fifteen years earlier.

792
00:38:04,719 --> 00:38:07,520
Speaker 5: So sometimes it takes minutes, sometimes it takes years.

793
00:38:08,680 --> 00:38:10,920
Speaker 1: I have two questions on that one. Do you have

794
00:38:11,080 --> 00:38:14,400
Speaker 1: more Jacquellans or Aarns that come up to you in

795
00:38:14,520 --> 00:38:15,320
Speaker 1: public places?

796
00:38:17,760 --> 00:38:21,120
Speaker 3: Aarns, I get Aarons, I get regular Aarons, I get

797
00:38:21,160 --> 00:38:23,319
Speaker 3: people A dude almost gotta hit back.

798
00:38:23,320 --> 00:38:24,400
Speaker 5: Car let's sweak in New Yorkers.

799
00:38:24,440 --> 00:38:26,719
Speaker 3: Run across the street and I'll just say, hey, my

800
00:38:26,840 --> 00:38:28,279
Speaker 3: son's name is Aaron.

801
00:38:28,360 --> 00:38:31,480
Speaker 5: I was like, bro, don't don't die. First of all,

802
00:38:31,719 --> 00:38:32,680
Speaker 5: Second of all, it's.

803
00:38:32,600 --> 00:38:33,080
Speaker 2: Not even you.

804
00:38:33,719 --> 00:38:35,840
Speaker 3: Yeah yeah, yeah, it wasn't based on but he was

805
00:38:36,000 --> 00:38:39,120
Speaker 3: very excited. No way more Arons than Jay Quellens.

806
00:38:39,200 --> 00:38:41,320
Speaker 1: And my other question was have you ever built a

807
00:38:41,480 --> 00:38:44,440
Speaker 1: character off of someone in your life and that person

808
00:38:44,640 --> 00:38:46,800
Speaker 1: saw the character and when are you doing me?

809
00:38:48,200 --> 00:38:48,319
Speaker 2: Uh?

810
00:38:48,480 --> 00:38:50,800
Speaker 5: I've never had someone say are you doing me?

811
00:38:55,440 --> 00:39:02,600
Speaker 4: You right there looking at me? Yeah? H sunglass who

812
00:39:03,280 --> 00:39:06,719
Speaker 4: I don't know who it is? Ugly, ugly as hell?

813
00:39:06,760 --> 00:39:07,359
Speaker 4: Anther shock.

814
00:39:07,440 --> 00:39:08,120
Speaker 7: Just that was real.

815
00:39:08,239 --> 00:39:12,160
Speaker 2: So that was smooth. Actually just went you ugly though.

816
00:39:13,640 --> 00:39:15,279
Speaker 2: That's the only guy where people come out to see

817
00:39:15,320 --> 00:39:16,360
Speaker 2: him and he's like, you ugly.

818
00:39:19,000 --> 00:39:20,600
Speaker 5: I thought you were doing it because I have you know,

819
00:39:20,719 --> 00:39:21,839
Speaker 5: sometimes I have been known.

820
00:39:22,880 --> 00:39:23,600
Speaker 4: I have been known.

821
00:39:25,120 --> 00:39:28,640
Speaker 2: I didn't know you had a shock to impersonate shock sometimes.

822
00:39:28,719 --> 00:39:32,080
Speaker 4: Okay, well I have a question. I'm not cross out

823
00:39:32,080 --> 00:39:36,080
Speaker 4: of that mother, I know. Yeah, everybody you.

824
00:39:36,120 --> 00:39:37,600
Speaker 3: Took the words out of I was literally about to

825
00:39:37,600 --> 00:39:39,319
Speaker 3: say that because there was a guy on my French

826
00:39:39,440 --> 00:39:43,120
Speaker 3: Kids part cross we're having fun up here. Keep just

827
00:39:43,239 --> 00:39:47,600
Speaker 3: ear mups, ear mops. We we on our show.

828
00:39:47,719 --> 00:39:50,560
Speaker 5: Before I started doing it, Harry Spears used to do

829
00:39:50,640 --> 00:39:53,800
Speaker 5: it and I was like, what's what the cross? A

830
00:39:53,880 --> 00:40:00,279
Speaker 5: cross high here? I said, secuil O'Neil.

831
00:40:00,120 --> 00:40:01,080
Speaker 2: Not have a stroke.

832
00:40:03,040 --> 00:40:04,120
Speaker 5: It's like, what are you doing?

833
00:40:05,080 --> 00:40:05,640
Speaker 3: What the high?

834
00:40:06,360 --> 00:40:08,759
Speaker 4: So when you're doing these characters, you ever feel about

835
00:40:09,440 --> 00:40:11,440
Speaker 4: you have a feel a way about hurting people's feelings,

836
00:40:11,560 --> 00:40:12,320
Speaker 4: Like do you think about that?

837
00:40:12,400 --> 00:40:15,879
Speaker 3: I actually do think about that sometimes. So sometimes i'll

838
00:40:16,880 --> 00:40:19,400
Speaker 3: I mean I I feel I mean a little bit

839
00:40:19,440 --> 00:40:22,200
Speaker 3: of remorse. I mean, not enough, not enough to not

840
00:40:22,320 --> 00:40:25,880
Speaker 3: do the character. But for the most part, what I

841
00:40:25,960 --> 00:40:28,040
Speaker 3: try to do is do an amalgamation of people that

842
00:40:28,120 --> 00:40:30,680
Speaker 3: i'll i'll be inspired by somebody.

843
00:40:30,719 --> 00:40:31,919
Speaker 4: Would you say aldamation?

844
00:40:32,239 --> 00:40:39,800
Speaker 5: An amalgamation? Sorry, spell it amalgamation? Spell it amalgamation A

845
00:40:40,239 --> 00:40:41,759
Speaker 5: M A L.

846
00:40:43,440 --> 00:40:43,799
Speaker 7: G A.

847
00:40:45,520 --> 00:40:50,200
Speaker 2: M A T I O N amalgamation. So I wasn't

848
00:40:50,239 --> 00:40:52,120
Speaker 2: sure if that first letter was an E y A.

849
00:40:52,719 --> 00:40:54,359
Speaker 5: I got a little nervous on the first letter too.

850
00:40:54,360 --> 00:40:55,120
Speaker 5: I was like, went and hold on.

851
00:40:55,480 --> 00:41:00,640
Speaker 1: DJ gave the thumbs up. DJ ABC can spell any word.

852
00:41:00,840 --> 00:41:03,480
Speaker 2: I used to work at the Amalgamated Transit.

853
00:41:03,200 --> 00:41:07,200
Speaker 3: Union, the Amalgamated Transit Union. Okay, all right, so I

854
00:41:07,280 --> 00:41:10,080
Speaker 3: got the expert right here. Then, Yeah, when we I mean, like,

855
00:41:10,160 --> 00:41:13,840
Speaker 3: you know sometimes people I did. I have some characters

856
00:41:13,880 --> 00:41:16,719
Speaker 3: that are inspired by people and they have later in

857
00:41:16,719 --> 00:41:17,880
Speaker 3: their lives been Oh I didn't know.

858
00:41:18,200 --> 00:41:18,719
Speaker 7: Was that me?

859
00:41:19,040 --> 00:41:21,680
Speaker 2: Like my childhood friend. I have a childhood friend. I've

860
00:41:21,719 --> 00:41:22,040
Speaker 2: known her.

861
00:41:22,400 --> 00:41:24,799
Speaker 3: I've known her for forty eight years, which means I've

862
00:41:24,840 --> 00:41:28,040
Speaker 3: known her father for forty eight years. And he is

863
00:41:28,160 --> 00:41:31,320
Speaker 3: a big part of Coach Hines from Mad TV. Just

864
00:41:31,400 --> 00:41:33,040
Speaker 3: that kind of you know, it's that kind of added

865
00:41:33,160 --> 00:41:35,000
Speaker 3: that kind of like chewing gum and just like.

866
00:41:35,480 --> 00:41:40,280
Speaker 5: Do you guys stick But I don't see what's happening

867
00:41:40,360 --> 00:41:40,759
Speaker 5: out there.

868
00:41:42,840 --> 00:41:47,120
Speaker 3: You got another thing coming because I got night vision,

869
00:41:47,200 --> 00:41:50,800
Speaker 3: I got scanners and eyes all over the whole place.

870
00:41:52,360 --> 00:41:54,920
Speaker 3: So the it was his like aggressive, he was like

871
00:41:54,960 --> 00:41:58,520
Speaker 3: a real like agro mail. Yeah, but so the voice

872
00:41:58,640 --> 00:42:01,120
Speaker 3: like that was part of it. Then the gum chewing

873
00:42:01,239 --> 00:42:03,640
Speaker 3: was our basketball coach from high school. And then the

874
00:42:03,920 --> 00:42:07,360
Speaker 3: voice is kind of like Chris Farley doing that Foley

875
00:42:07,960 --> 00:42:11,920
Speaker 3: by the River. Yes, so is that kind of smushed

876
00:42:11,920 --> 00:42:13,839
Speaker 3: it all together and made a new character. I see

877
00:42:13,880 --> 00:42:14,839
Speaker 3: you have a book over there.

878
00:42:15,160 --> 00:42:16,799
Speaker 2: I do have a book over here. What do we got?

879
00:42:16,960 --> 00:42:17,880
Speaker 5: I have a book right here.

880
00:42:18,000 --> 00:42:20,160
Speaker 3: This is a book that my wife and partner who's

881
00:42:20,200 --> 00:42:23,200
Speaker 3: the same person, my business partner, wife LK wrote this book.

882
00:42:23,200 --> 00:42:26,200
Speaker 3: It's called The History of Sketch Comedy and it is

883
00:42:26,239 --> 00:42:30,080
Speaker 3: available now on Amazon or in bookstores near you. And

884
00:42:30,320 --> 00:42:32,200
Speaker 3: we have a podcast that goes with this book. This

885
00:42:32,239 --> 00:42:34,680
Speaker 3: book was originally going to be a podcast, and she

886
00:42:34,760 --> 00:42:36,920
Speaker 3: wrote the book. And I know, Shaq, how much you

887
00:42:37,040 --> 00:42:39,400
Speaker 3: love comedy. But a fan of comedy you are, So

888
00:42:39,560 --> 00:42:41,600
Speaker 3: this is a This is a book about the history

889
00:42:42,120 --> 00:42:44,120
Speaker 3: of sketch comedy and journal comedy.

890
00:42:44,160 --> 00:42:45,399
Speaker 5: Joe, Yeah, we had a really good time.

891
00:42:45,480 --> 00:42:47,400
Speaker 3: So it's kind of some of my life stories and

892
00:42:47,440 --> 00:42:51,320
Speaker 3: career stories woven through the book, along with the history

893
00:42:51,360 --> 00:42:53,880
Speaker 3: of almost comedy in general, all the way back to

894
00:42:53,960 --> 00:42:55,400
Speaker 3: like the Greeks, and the Romans.

895
00:42:55,200 --> 00:42:57,800
Speaker 2: And you're a huge part of it. That's going to

896
00:42:57,840 --> 00:43:00,239
Speaker 2: be so cool. All sure.

897
00:43:00,239 --> 00:43:02,560
Speaker 5: As a kid, Oh, I didn't know this was going

898
00:43:02,640 --> 00:43:02,959
Speaker 5: to happen.

899
00:43:03,400 --> 00:43:05,360
Speaker 3: All I knew was a kid is I watched that

900
00:43:05,520 --> 00:43:07,239
Speaker 3: Nette Live with my dad when I was small, and

901
00:43:07,360 --> 00:43:10,200
Speaker 3: I saw Eddie Murphy and I went, what is that?

902
00:43:11,080 --> 00:43:11,759
Speaker 7: I want to do that?

903
00:43:12,120 --> 00:43:13,640
Speaker 5: That's all I knew is I just wanted to do

904
00:43:13,840 --> 00:43:16,080
Speaker 5: what what's that guy doing? How do you do that?

905
00:43:16,800 --> 00:43:19,160
Speaker 3: And and you know, then I went to school and

906
00:43:20,160 --> 00:43:22,680
Speaker 3: you know, became an actor and did dramatic acting, but

907
00:43:22,960 --> 00:43:24,160
Speaker 3: comedy was always that love.

908
00:43:24,200 --> 00:43:28,160
Speaker 2: I just gravitated toward comedy. The big break question the

909
00:43:28,200 --> 00:43:32,640
Speaker 2: sponsor by general, what's the most meaningful opportunity someone opened

910
00:43:32,760 --> 00:43:34,320
Speaker 2: up for you in your career.

911
00:43:35,360 --> 00:43:42,080
Speaker 3: I think the most meaningful opportunity, you know, would have

912
00:43:42,200 --> 00:43:45,799
Speaker 3: been from my wife before she was my wife, when

913
00:43:45,800 --> 00:43:48,160
Speaker 3: she was just my business partner. And she said to

914
00:43:48,200 --> 00:43:51,359
Speaker 3: me one time, she said, now that camp peels over,

915
00:43:51,480 --> 00:43:53,680
Speaker 3: what do you think you're going to do next? And

916
00:43:53,760 --> 00:43:56,000
Speaker 3: I said, ah, God, I don't know, you know, I

917
00:43:56,040 --> 00:43:58,040
Speaker 3: don't know. And I was making up all these excuses

918
00:43:58,080 --> 00:43:59,920
Speaker 3: about why I couldn't do what I wanted to do

919
00:44:00,120 --> 00:44:01,320
Speaker 3: and I won't be able to do this because of

920
00:44:01,360 --> 00:44:02,600
Speaker 3: this reason. I won't be able to do that because

921
00:44:02,600 --> 00:44:05,080
Speaker 3: of that reason. And she said, why don't you This

922
00:44:05,200 --> 00:44:08,080
Speaker 3: was the opportunity. It was like a mind shift. She said,

923
00:44:08,440 --> 00:44:11,440
Speaker 3: why don't you just for a second pretend that there

924
00:44:11,560 --> 00:44:15,040
Speaker 3: are no obstacles, there are no stories.

925
00:44:15,120 --> 00:44:17,839
Speaker 5: There's nothing's going to get in your way. What would

926
00:44:17,880 --> 00:44:18,480
Speaker 5: you want to do?

927
00:44:19,640 --> 00:44:20,959
Speaker 3: And I had to think about it for a minute,

928
00:44:21,000 --> 00:44:23,440
Speaker 3: and then I eventually I said, well, I'd love to

929
00:44:23,520 --> 00:44:27,200
Speaker 3: do Shakespeare and I'd love to be Jason Bourne. And

930
00:44:27,360 --> 00:44:29,680
Speaker 3: she said and then I felt embarrassed, because you know,

931
00:44:29,760 --> 00:44:32,280
Speaker 3: it's embarrassing, this's vulnerable right to talk about your dreams.

932
00:44:32,840 --> 00:44:34,520
Speaker 3: And I said, I want to be Jason Bourne. I

933
00:44:34,520 --> 00:44:39,239
Speaker 3: want to do Shakespeare. Within eighteen month period, I was

934
00:44:39,280 --> 00:44:41,480
Speaker 3: in a production of Hamlet with Oscar Isaac at the

935
00:44:41,520 --> 00:44:43,880
Speaker 3: Public Theater in New York and I did And I

936
00:44:43,880 --> 00:44:45,360
Speaker 3: don't know if you guys know who Doug Liman is.

937
00:44:45,400 --> 00:44:48,399
Speaker 3: Doug Lyman directed Mister and Missus Smith. He directed Edge

938
00:44:48,440 --> 00:44:51,000
Speaker 3: of Tomorrow. He directs action, big action movies. I was

939
00:44:51,080 --> 00:44:53,360
Speaker 3: in one of his television shows in an Action Secrets

940
00:44:53,360 --> 00:44:56,680
Speaker 3: in his television show and so that was the biggest opportunity.

941
00:44:56,760 --> 00:44:59,120
Speaker 3: I mean, sounds like this person gave you a break. Yeah,

942
00:44:59,120 --> 00:45:01,600
Speaker 3: people give you a break. But that opened up my mind,

943
00:45:02,120 --> 00:45:04,480
Speaker 3: you know what I mean. That freed It freed my mind.

944
00:45:04,680 --> 00:45:07,120
Speaker 2: You did the hardest thing. Most people know.

945
00:45:07,239 --> 00:45:09,360
Speaker 1: They just got to sit there and align the stars

946
00:45:09,440 --> 00:45:11,680
Speaker 1: and figure out what they want. But I think you've

947
00:45:11,719 --> 00:45:13,600
Speaker 1: said this a lot. A lot of people won't sit

948
00:45:13,760 --> 00:45:17,120
Speaker 1: down and truly ask themselves, what the hell do I want?

949
00:45:17,239 --> 00:45:18,399
Speaker 5: What do I really want?

950
00:45:18,719 --> 00:45:21,680
Speaker 3: And you have to You have to convince yourself sometimes

951
00:45:21,960 --> 00:45:25,239
Speaker 3: it doesn't matter how silly anybody else thinks.

952
00:45:25,280 --> 00:45:25,800
Speaker 2: The answer is.

953
00:45:26,040 --> 00:45:28,320
Speaker 5: It's important to you. Yeah, it's important to you.

954
00:45:29,960 --> 00:45:32,320
Speaker 4: Who's on it? Hold on, I gotta take this.

955
00:45:33,080 --> 00:45:35,200
Speaker 2: He's picking up his phone during the podcast.

956
00:45:35,560 --> 00:45:38,160
Speaker 4: Hello, Hey, man, I know you're busy right now, but

957
00:45:38,480 --> 00:45:42,239
Speaker 4: I just crashed the Shockmobile. No need to panic, man.

958
00:45:42,360 --> 00:45:44,840
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959
00:45:44,880 --> 00:45:46,040
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960
00:45:46,280 --> 00:45:46,799
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961
00:45:46,880 --> 00:45:48,480
Speaker 4: They gave me a break on my car insurance when

962
00:45:48,520 --> 00:45:50,239
Speaker 4: I needed it the most I know. But you got

963
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964
00:45:52,120 --> 00:45:54,160
Speaker 4: the game. Call him up or jump on the app

965
00:45:54,200 --> 00:45:56,600
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966
00:45:56,640 --> 00:45:59,240
Speaker 4: take care of you. If cool I got the General Insurance,

967
00:45:59,440 --> 00:46:01,960
Speaker 4: I'm following I claim on the app right now. All right, man,

968
00:46:02,080 --> 00:46:04,240
Speaker 4: remember the General is here to keep you moving forward.

969
00:46:04,280 --> 00:46:06,520
Speaker 4: I got to get back to the pod. This episode

970
00:46:06,560 --> 00:46:08,200
Speaker 4: of the Big Podcast, The Shack is brought to you

971
00:46:08,320 --> 00:46:11,400
Speaker 4: by the General Insurance. You know, Shaq loves the General,

972
00:46:11,719 --> 00:46:14,600
Speaker 4: before the League, before the Rings, before I got my

973
00:46:14,719 --> 00:46:16,719
Speaker 4: big break. I've been rocking with the General since I

974
00:46:16,800 --> 00:46:19,720
Speaker 4: own my first car. The General has been offering quality

975
00:46:19,760 --> 00:46:22,600
Speaker 4: auto coverage for over sixty years, and you already know

976
00:46:22,680 --> 00:46:24,719
Speaker 4: the General was there for Shack when I needed him.

977
00:46:25,040 --> 00:46:27,640
Speaker 4: Low rates and flexible payment options to keep you covered.

978
00:46:27,920 --> 00:46:30,080
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979
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Speaker 4: to do. Visit the General dot com to get a

980
00:46:32,280 --> 00:46:35,160
Speaker 4: quote today. Again, visit the General dot com to get a.

981
00:46:35,200 --> 00:46:38,000
Speaker 7: Quote today, and it wouldn't be the Big Podcast without

982
00:46:38,040 --> 00:46:39,000
Speaker 7: the General Insurance.

983
00:46:39,200 --> 00:46:41,279
Speaker 4: Would you like to sing the song? I would for

984
00:46:41,360 --> 00:46:43,560
Speaker 4: a great low rate you can get online go to

985
00:46:43,680 --> 00:46:48,480
Speaker 4: the General. Say some time. With the success of Key

986
00:46:48,560 --> 00:46:50,839
Speaker 4: and Peel, I was kind of upset when you got

987
00:46:50,920 --> 00:46:54,800
Speaker 4: stopped it. You ever see a reunion in the future.

988
00:46:55,040 --> 00:46:56,160
Speaker 4: I would see that coming back.

989
00:46:56,320 --> 00:46:59,600
Speaker 3: I would love to have a reunion with Jordan, would

990
00:47:00,320 --> 00:47:00,560
Speaker 3: love it.

991
00:47:01,719 --> 00:47:05,400
Speaker 5: I can see it happening, but it you know, it

992
00:47:05,480 --> 00:47:06,360
Speaker 5: takes two to tango.

993
00:47:06,880 --> 00:47:07,680
Speaker 2: You guys are busy.

994
00:47:08,320 --> 00:47:10,839
Speaker 3: We're busy, and you know I would are you guys

995
00:47:10,960 --> 00:47:13,799
Speaker 3: on good terms, We're on great terms, We're on fantastic terms.

996
00:47:13,840 --> 00:47:16,800
Speaker 3: There's there was not a breakup. He's just on a

997
00:47:16,960 --> 00:47:19,360
Speaker 3: path that is very fulfilling for him right now. Some

998
00:47:19,480 --> 00:47:21,160
Speaker 3: people say, you know, how's Jordan. I go, oh, you know,

999
00:47:21,239 --> 00:47:25,480
Speaker 3: he's just out there being the black Stanley Kubrick unbelievable.

1000
00:47:25,719 --> 00:47:30,120
Speaker 3: I mean, he's he's his vision, the films. He's amazing, Yes,

1001
00:47:30,640 --> 00:47:34,040
Speaker 3: absolutely amazing. The niche that he's cut out for himself.

1002
00:47:34,160 --> 00:47:37,320
Speaker 1: His films have made me go back and see like

1003
00:47:37,480 --> 00:47:40,400
Speaker 1: the shots of the show Key and Peel and be like,

1004
00:47:40,560 --> 00:47:44,160
Speaker 1: there's a lot more artistic that I realized there was

1005
00:47:44,239 --> 00:47:45,680
Speaker 1: when I was watching it originally.

1006
00:47:45,760 --> 00:47:48,560
Speaker 3: Oh and if you dig deep into Key and Peel,

1007
00:47:48,600 --> 00:47:50,920
Speaker 3: if you dig deep into our archive and look at

1008
00:47:51,440 --> 00:47:55,280
Speaker 3: you know, older obscure sketches, a lot of the sketches.

1009
00:47:54,880 --> 00:47:58,880
Speaker 5: Are have some horror in them, or they're dark, or

1010
00:47:58,920 --> 00:48:00,360
Speaker 5: they're sometimes a little gary.

1011
00:48:00,640 --> 00:48:00,960
Speaker 4: Yeah, and you.

1012
00:48:01,080 --> 00:48:03,960
Speaker 2: So if you watch these sketches, you can see the

1013
00:48:04,120 --> 00:48:04,880
Speaker 2: beginnings of that.

1014
00:48:05,640 --> 00:48:08,160
Speaker 1: He would always had that like blank stare. We were like,

1015
00:48:08,400 --> 00:48:11,040
Speaker 1: this character might kill something exactly.

1016
00:48:11,120 --> 00:48:12,160
Speaker 5: What's wrong with Yeah?

1017
00:48:12,160 --> 00:48:12,840
Speaker 7: What is wrong with this?

1018
00:48:12,920 --> 00:48:14,200
Speaker 5: This guy could snap at any moment.

1019
00:48:14,280 --> 00:48:17,040
Speaker 4: Yeah, have you ever had a sketch comedy that didn't work?

1020
00:48:18,080 --> 00:48:21,120
Speaker 4: We're like, I mean, like, you just bombed some Yes

1021
00:48:21,239 --> 00:48:21,480
Speaker 4: we did.

1022
00:48:21,760 --> 00:48:21,920
Speaker 7: Yeah.

1023
00:48:21,960 --> 00:48:26,960
Speaker 5: I remember one time we were performing. We were performing in.

1024
00:48:27,239 --> 00:48:29,799
Speaker 3: San Francisco where they just uh in a place called

1025
00:48:29,880 --> 00:48:32,280
Speaker 3: Mountain View, at the Mountain View Amphitheater.

1026
00:48:32,320 --> 00:48:35,360
Speaker 5: And we went to the Amphitheater and we were pretty confident.

1027
00:48:35,400 --> 00:48:37,239
Speaker 3: We'd been doing shows on the road at colleges and

1028
00:48:37,280 --> 00:48:38,960
Speaker 3: stuff like that, and they'd been really successful.

1029
00:48:39,280 --> 00:48:41,160
Speaker 5: And they went to this do this gig and our

1030
00:48:41,200 --> 00:48:42,400
Speaker 5: agent was like, you're gonna love it.

1031
00:48:42,440 --> 00:48:42,960
Speaker 7: You're gonna love it.

1032
00:48:43,000 --> 00:48:44,200
Speaker 3: We're like, well, it's kind of a stand up gig,

1033
00:48:44,239 --> 00:48:46,640
Speaker 3: you know, that's not really what we do. And he said, no,

1034
00:48:46,680 --> 00:48:48,160
Speaker 3: it's gonna be great. It's gonna be great. It's gonna

1035
00:48:48,160 --> 00:48:50,080
Speaker 3: be great. So we go and all the stand up

1036
00:48:50,080 --> 00:48:52,440
Speaker 3: comedians went on, went on, went on, and then we

1037
00:48:52,520 --> 00:48:54,160
Speaker 3: went on. We were kind of start doing our material,

1038
00:48:54,200 --> 00:48:56,080
Speaker 3: and we're talking about the football players and stuff like that,

1039
00:48:56,600 --> 00:48:58,080
Speaker 3: and then all of a sudden, like just out in

1040
00:48:58,120 --> 00:49:02,040
Speaker 3: the crowd, uice here boo oo damn, and people just

1041
00:49:02,120 --> 00:49:04,800
Speaker 3: started booing, booing and booing. And then there was like

1042
00:49:04,840 --> 00:49:07,200
Speaker 3: a little pocket of people who were clapping, trying to

1043
00:49:07,280 --> 00:49:09,840
Speaker 3: fight to fight the booze, and it was and it

1044
00:49:10,000 --> 00:49:12,360
Speaker 3: was just it was just not the right venue for us.

1045
00:49:12,800 --> 00:49:15,160
Speaker 3: But that that was a performance. But in regard to

1046
00:49:15,200 --> 00:49:17,920
Speaker 3: the sketches, there's always something you can find in the sketches.

1047
00:49:18,160 --> 00:49:20,920
Speaker 3: The weirdest thing is that when you're improvising, if you're

1048
00:49:20,960 --> 00:49:22,880
Speaker 3: on a stage and you're doing an improvised show for

1049
00:49:22,960 --> 00:49:25,759
Speaker 3: an audience, sometimes it's not going well, but you just

1050
00:49:25,840 --> 00:49:29,200
Speaker 3: gotta The good thing is you have each other. It's

1051
00:49:29,280 --> 00:49:31,440
Speaker 3: why that It's why I think stand up comedians are

1052
00:49:31,480 --> 00:49:34,800
Speaker 3: so courageous because there's nothing to fall back on.

1053
00:49:35,400 --> 00:49:37,360
Speaker 2: That's why asked you about bombing.

1054
00:49:37,560 --> 00:49:39,960
Speaker 1: Shaq loves to ask about bombing because he wants to

1055
00:49:40,040 --> 00:49:42,520
Speaker 1: do stand up comedy. He's just afraid he's gonna bomb

1056
00:49:43,200 --> 00:49:46,440
Speaker 1: but you, but he's not afraid of anything except that

1057
00:49:47,360 --> 00:49:49,600
Speaker 1: because I know, yeah, and you know.

1058
00:49:50,440 --> 00:49:52,959
Speaker 4: If those first two three jokes don't. Don't get done.

1059
00:49:53,239 --> 00:49:56,440
Speaker 5: You're done, You're done, You're cooked, done, You're cooked.

1060
00:49:56,719 --> 00:49:58,960
Speaker 1: You would you let him into your writer's room to

1061
00:49:59,000 --> 00:50:03,000
Speaker 1: help her. So if you had like a crack team

1062
00:50:03,440 --> 00:50:06,160
Speaker 1: of like comedians and stuff writing your bits, I think

1063
00:50:06,200 --> 00:50:06,920
Speaker 1: it would be amazing.

1064
00:50:07,000 --> 00:50:10,160
Speaker 3: The experience is the experiences you've had in your career,

1065
00:50:10,200 --> 00:50:13,800
Speaker 3: in your life, the stories that this guy has, the

1066
00:50:13,920 --> 00:50:15,960
Speaker 3: stories you know I'm talking about. Wouldn't wouldn't you'd go

1067
00:50:16,040 --> 00:50:18,879
Speaker 3: see a show, right, you go see his stand up show?

1068
00:50:19,040 --> 00:50:21,960
Speaker 2: Nope, Bubbles is there. Bubbles will definitely there.

1069
00:50:22,360 --> 00:50:27,960
Speaker 3: I mean, just the shock, all the stuff that you've done, music, videos, movies,

1070
00:50:28,160 --> 00:50:29,719
Speaker 3: all the stories of.

1071
00:50:30,840 --> 00:50:33,919
Speaker 2: Kat Williams just did stand up talking about your penis.

1072
00:50:33,719 --> 00:50:35,400
Speaker 4: And you could own that story.

1073
00:50:36,480 --> 00:50:38,000
Speaker 2: How did that feel? Have you seen the clip?

1074
00:50:38,360 --> 00:50:38,400
Speaker 7: No?

1075
00:50:38,520 --> 00:50:39,440
Speaker 4: I didn't see the clip.

1076
00:50:40,080 --> 00:50:43,280
Speaker 1: Okay, well Kat talked about Shaq's penis for about seven minutes.

1077
00:50:44,880 --> 00:50:47,200
Speaker 13: Well at least you're using the correct term. Yeah, sorry, sorry,

1078
00:50:47,239 --> 00:50:50,040
Speaker 13: sorry kids, that's the correct or penis. It's the correct term.

1079
00:50:52,560 --> 00:50:55,480
Speaker 13: That's the scientific term. There's no reason to blush.

1080
00:50:55,760 --> 00:50:59,439
Speaker 2: Yeah, you'll learn about it later. Sorry, soon enough. Soon enough?

1081
00:51:00,080 --> 00:51:01,480
Speaker 2: Mom is like, huh can we can?

1082
00:51:01,520 --> 00:51:01,799
Speaker 7: I can?

1083
00:51:01,840 --> 00:51:04,360
Speaker 2: I do a quick intermission of wps bps.

1084
00:51:05,000 --> 00:51:09,920
Speaker 14: You know this, wus bps, wps bps, wps bps. Hit me,

1085
00:51:10,160 --> 00:51:12,840
Speaker 14: it's the world famous time where we play is it

1086
00:51:13,040 --> 00:51:15,560
Speaker 14: white people or black people?

1087
00:51:16,200 --> 00:51:20,040
Speaker 1: I'm going to name very generic things and you're gonna

1088
00:51:20,080 --> 00:51:23,440
Speaker 1: tell me that's white people or black people? Okay, because

1089
00:51:23,480 --> 00:51:25,920
Speaker 1: there's kids, I will say wps bps.

1090
00:51:26,239 --> 00:51:26,560
Speaker 7: Okay.

1091
00:51:26,760 --> 00:51:29,200
Speaker 3: So I should be able to do this, being that

1092
00:51:29,239 --> 00:51:32,040
Speaker 3: I'm half white, half black, I should be able to

1093
00:51:32,120 --> 00:51:34,319
Speaker 3: do I think I think that qualification.

1094
00:51:34,600 --> 00:51:37,719
Speaker 2: You should be a master of East West East West game.

1095
00:51:38,040 --> 00:51:43,800
Speaker 1: Okay, yeah, yep, substitute teachers white people or black people.

1096
00:51:44,120 --> 00:51:47,560
Speaker 5: That's that's that's wps.

1097
00:51:47,719 --> 00:51:52,080
Speaker 1: It's a WPS I say, yes, wps And what's the

1098
00:51:52,200 --> 00:51:53,279
Speaker 1: reasoning there is?

1099
00:51:53,760 --> 00:51:57,200
Speaker 5: I think sometimes Oh I don't want to get to controversial.

1100
00:51:57,360 --> 00:51:57,800
Speaker 7: No, you do it.

1101
00:51:57,920 --> 00:51:58,320
Speaker 4: Let's do it.

1102
00:51:59,640 --> 00:52:02,239
Speaker 2: The white guy comes in and everyone takes advantage of him.

1103
00:52:02,520 --> 00:52:05,160
Speaker 5: It's not that so much as perhaps white guilt.

1104
00:52:05,520 --> 00:52:09,800
Speaker 3: You know, I should this community has been in underserved

1105
00:52:10,040 --> 00:52:12,919
Speaker 3: and I should go and help stop stop.

1106
00:52:13,640 --> 00:52:16,400
Speaker 2: I believe you were probably a terror to substance. I

1107
00:52:16,480 --> 00:52:17,440
Speaker 2: can't even imagine it.

1108
00:52:17,520 --> 00:52:19,960
Speaker 3: Could you imagine be in his seat, you're walking across

1109
00:52:20,239 --> 00:52:24,680
Speaker 3: hit guys. I'd find the I'd find the teacher's pat

1110
00:52:24,719 --> 00:52:26,759
Speaker 3: I'd find that, like the nerdiest kid, the classic what's

1111
00:52:26,800 --> 00:52:27,560
Speaker 3: the big guy's deal?

1112
00:52:28,000 --> 00:52:29,120
Speaker 4: What do I have to do to?

1113
00:52:29,320 --> 00:52:29,920
Speaker 7: He's this kid?

1114
00:52:30,120 --> 00:52:30,239
Speaker 4: Right?

1115
00:52:30,360 --> 00:52:36,120
Speaker 1: Yeah, he wheels in the TV and checks like leaving

1116
00:52:36,280 --> 00:52:44,319
Speaker 1: a voicemail. Why I don't have a lot of voicemails

1117
00:52:44,400 --> 00:52:45,239
Speaker 1: from black people?

1118
00:52:45,560 --> 00:52:47,759
Speaker 5: You don't know, because because the thing I was also

1119
00:52:47,800 --> 00:52:48,319
Speaker 5: a black person.

1120
00:52:48,480 --> 00:52:48,799
Speaker 7: We're good.

1121
00:52:48,840 --> 00:52:51,480
Speaker 5: We're just gonna, you're gonna, you're gonna respond to the text.

1122
00:52:51,719 --> 00:52:54,800
Speaker 7: You know who messed that up for black people? Tiger Woods.

1123
00:52:55,719 --> 00:52:57,960
Speaker 2: Damn, that was a famous voicemail.

1124
00:52:58,480 --> 00:52:58,919
Speaker 7: That's good.

1125
00:52:59,320 --> 00:52:59,759
Speaker 2: That's good.

1126
00:53:01,040 --> 00:53:10,640
Speaker 6: Rule level not voicemail incriminating evidence. Please don't leave incriminating

1127
00:53:10,760 --> 00:53:13,640
Speaker 6: evidence ever via a voicemail.

1128
00:53:14,040 --> 00:53:15,000
Speaker 2: Can I say this to Adam?

1129
00:53:15,040 --> 00:53:20,160
Speaker 3: Also on voicemails, it's hard not to meander on a voicemail. Uh, Pamela,

1130
00:53:20,280 --> 00:53:21,240
Speaker 3: this is uh Chuck.

1131
00:53:21,960 --> 00:53:22,680
Speaker 4: I uh.

1132
00:53:24,320 --> 00:53:31,440
Speaker 3: Just uh just so six o'clock tomorrow. Hold on Thursday, Sorry, Thursday,

1133
00:53:31,800 --> 00:53:34,719
Speaker 3: six o'clock Thursday. I'll see you at Casita's.

1134
00:53:35,560 --> 00:53:35,680
Speaker 12: Uh.

1135
00:53:35,800 --> 00:53:39,040
Speaker 5: And Tom's coming and that's good. No, oh, yes, and

1136
00:53:39,360 --> 00:53:40,040
Speaker 5: Jimmy's coming.

1137
00:53:40,160 --> 00:53:41,759
Speaker 2: It's just just it doesn't end.

1138
00:53:42,239 --> 00:53:48,440
Speaker 1: I don't understand and for no reason, WPS or BPS, paprika.

1139
00:53:49,440 --> 00:53:51,080
Speaker 5: Wps, wps.

1140
00:53:51,400 --> 00:53:52,400
Speaker 2: But there's a button.

1141
00:53:53,040 --> 00:53:58,480
Speaker 3: No, black people do use paprika, not to the quantity

1142
00:53:58,640 --> 00:53:59,920
Speaker 3: that white people use paprik.

1143
00:54:00,960 --> 00:54:02,640
Speaker 5: It's one of the go to spices.

1144
00:54:02,680 --> 00:54:05,000
Speaker 3: I'm not we're not counting salt because everybody us the salt,

1145
00:54:05,360 --> 00:54:07,719
Speaker 3: I mean salt is w and this is I feel

1146
00:54:07,760 --> 00:54:08,720
Speaker 3: like the use.

1147
00:54:08,640 --> 00:54:13,600
Speaker 2: Of paprika is BPS, but the word paprika is w W.

1148
00:54:14,000 --> 00:54:18,399
Speaker 4: Yes, we only use it for double X. That's it, right,

1149
00:54:18,560 --> 00:54:19,720
Speaker 4: that's the red stuff.

1150
00:54:20,239 --> 00:54:21,360
Speaker 5: We just get the red.

1151
00:54:21,239 --> 00:54:21,719
Speaker 7: Stuff, right.

1152
00:54:22,560 --> 00:54:26,560
Speaker 3: It's like alexempotat sound, not the chili flakes, the other

1153
00:54:26,640 --> 00:54:27,160
Speaker 3: red stuff.

1154
00:54:27,520 --> 00:54:31,000
Speaker 2: And everybody all right, yeah, backing into a parking spot,

1155
00:54:32,000 --> 00:54:34,560
Speaker 2: that's black people. So yeah, yeah, yeah, yeah. Do you

1156
00:54:34,680 --> 00:54:35,560
Speaker 2: do that all the time?

1157
00:54:35,920 --> 00:54:38,239
Speaker 4: Okay, but hold on, do you turn the music down

1158
00:54:38,280 --> 00:54:44,439
Speaker 4: when you back up? Yeah? You got real quick.

1159
00:54:44,760 --> 00:54:47,120
Speaker 5: When I got here, I pulled up and I and

1160
00:54:47,239 --> 00:54:49,160
Speaker 5: I cut the corner too much. I had to back up.

1161
00:54:49,880 --> 00:54:53,160
Speaker 5: I didn't turn the music down. Almost clip the truck.

1162
00:54:54,360 --> 00:54:58,040
Speaker 2: It's like saving You're like, I shouldn't be doing this

1163
00:54:58,200 --> 00:54:58,920
Speaker 2: challenge right now.

1164
00:54:59,360 --> 00:55:01,239
Speaker 4: Just turn the me turn it out.

1165
00:55:01,640 --> 00:55:04,399
Speaker 1: I feel like I know this one taking shoes off

1166
00:55:04,520 --> 00:55:10,720
Speaker 1: on an airplane. I would say the w super WPS

1167
00:55:10,880 --> 00:55:13,160
Speaker 1: is taking shoes off and not having socks hong and

1168
00:55:13,239 --> 00:55:17,040
Speaker 1: not having socks on. People love a barefoot on an airplane.

1169
00:55:17,520 --> 00:55:21,000
Speaker 1: I want to apologize for all the WPS when they're

1170
00:55:21,080 --> 00:55:21,960
Speaker 1: like flicking their.

1171
00:55:21,840 --> 00:55:24,319
Speaker 2: Toes in the thong sandal. I want to get off

1172
00:55:24,360 --> 00:55:25,520
Speaker 2: the plane. It's it's a lot.

1173
00:55:25,640 --> 00:55:28,600
Speaker 1: We're in a container thirty thousand feet and you got

1174
00:55:28,680 --> 00:55:30,879
Speaker 1: toe crust WPS.

1175
00:55:31,200 --> 00:55:35,840
Speaker 3: Not to mention, what are you thinking if you're going

1176
00:55:35,960 --> 00:55:40,520
Speaker 3: to the bathroom. Oh gross, don't walk into the bathroom

1177
00:55:41,000 --> 00:55:44,480
Speaker 3: in bare feet. That's an immediate staff infection.

1178
00:55:44,960 --> 00:55:49,040
Speaker 1: I just realized this is the moment where Shack pretends

1179
00:55:49,160 --> 00:55:51,920
Speaker 1: to know what people are like on airplanes, but I

1180
00:55:52,280 --> 00:55:53,120
Speaker 1: that is Stephano.

1181
00:55:54,360 --> 00:55:54,840
Speaker 2: When's you?

1182
00:55:55,160 --> 00:55:59,160
Speaker 1: You've never used like a Delta flight bathroom today? Could

1183
00:55:59,200 --> 00:56:05,680
Speaker 1: you imagine you squeak today's shakiel That's not true. I

1184
00:56:05,880 --> 00:56:08,800
Speaker 1: use a Delta bathroom on a plane today today.

1185
00:56:09,040 --> 00:56:11,279
Speaker 2: How the hell did you get in there? You're such

1186
00:56:11,320 --> 00:56:14,720
Speaker 2: a liar. Everyone here has more Delta points than Shack.

1187
00:56:15,560 --> 00:56:20,400
Speaker 1: Everybody all right, last one leaving one bite of food

1188
00:56:20,640 --> 00:56:21,560
Speaker 1: on your plate.

1189
00:56:21,560 --> 00:56:22,800
Speaker 4: Oh that's w PS.

1190
00:56:23,520 --> 00:56:24,600
Speaker 5: No, yes, that's white people.

1191
00:56:24,880 --> 00:56:26,320
Speaker 7: Yes, they go, they go.

1192
00:56:28,719 --> 00:56:32,279
Speaker 2: It's yours if you want it, Yeah, yours, if you

1193
00:56:32,320 --> 00:56:34,560
Speaker 2: want it. I ate all the file except for that one.

1194
00:56:35,000 --> 00:56:38,320
Speaker 4: You know why because growing up, if you didn't finish

1195
00:56:38,360 --> 00:56:39,560
Speaker 4: your plate, you get touched up.

1196
00:56:39,920 --> 00:56:41,080
Speaker 5: Yes that's true.

1197
00:56:41,200 --> 00:56:42,960
Speaker 7: Yeah, not that.

1198
00:56:43,440 --> 00:56:45,200
Speaker 4: Not only that, Like if you go to a restaurant,

1199
00:56:45,400 --> 00:56:48,120
Speaker 4: like my dad was famous for saying, you ordered it,

1200
00:56:48,480 --> 00:56:52,960
Speaker 4: you better eat it. Yes, you gotta eat it all.

1201
00:56:53,080 --> 00:56:56,160
Speaker 1: That's why gy ones are having a moment right now,

1202
00:56:56,440 --> 00:57:00,680
Speaker 1: because our parents were abusing us into eating too much, eating.

1203
00:57:00,480 --> 00:57:01,480
Speaker 5: Everything on the plane.

1204
00:57:01,560 --> 00:57:03,520
Speaker 7: What do you mean, I can't eat the entire food?

1205
00:57:04,440 --> 00:57:04,560
Speaker 1: Uh?

1206
00:57:04,800 --> 00:57:06,080
Speaker 2: I don't know if you saw this idea.

1207
00:57:06,160 --> 00:57:08,120
Speaker 1: My guy Nick Wright was talking about it when you

1208
00:57:08,280 --> 00:57:12,040
Speaker 1: became an All Star early nineties. Jordan was the guy

1209
00:57:12,200 --> 00:57:16,920
Speaker 1: right from what I've heard, the guy sets the tone

1210
00:57:17,080 --> 00:57:17,960
Speaker 1: for the All Star game.

1211
00:57:18,080 --> 00:57:18,600
Speaker 2: Is that true?

1212
00:57:19,160 --> 00:57:23,280
Speaker 4: It depends. It depends on your makeup. I understand the

1213
00:57:23,760 --> 00:57:26,400
Speaker 4: business of basketball. I understand why the guys make a

1214
00:57:26,440 --> 00:57:29,560
Speaker 4: lot of money. Starts with the fans. Yes, so if

1215
00:57:29,600 --> 00:57:33,400
Speaker 4: I'm watching these kids and his parents pay twenty thousand

1216
00:57:33,440 --> 00:57:36,560
Speaker 4: dollars per ticket, I'm going to give them a show

1217
00:57:37,240 --> 00:57:39,760
Speaker 4: because one is good for my brand, right, and it's

1218
00:57:39,800 --> 00:57:42,240
Speaker 4: also to put the league on notice. I think these guys,

1219
00:57:42,600 --> 00:57:44,040
Speaker 4: like you know, they all say they don't want to

1220
00:57:44,080 --> 00:57:46,200
Speaker 4: get hurt. A lot of y'all not gonna win the

1221
00:57:46,280 --> 00:57:49,200
Speaker 4: championship anyway. So the fans that are you know, paying

1222
00:57:49,680 --> 00:57:50,640
Speaker 4: no seriously.

1223
00:57:50,400 --> 00:57:51,200
Speaker 2: So it's true.

1224
00:57:51,480 --> 00:57:52,040
Speaker 7: No, it's true.

1225
00:57:52,120 --> 00:57:53,680
Speaker 2: So what are you staying healthy for?

1226
00:57:54,720 --> 00:57:57,400
Speaker 4: Listen the fans or the reason these guys make the

1227
00:57:57,480 --> 00:57:59,720
Speaker 4: money that they make, period, point blank. So if they

1228
00:57:59,800 --> 00:58:01,800
Speaker 4: go to pay money for all these tickets, you should

1229
00:58:01,800 --> 00:58:04,280
Speaker 4: give them a show. Should give them a show. Yeah.

1230
00:58:04,640 --> 00:58:06,120
Speaker 2: I just thought it was one of those things too,

1231
00:58:06,120 --> 00:58:08,520
Speaker 2: where like when you see MJ going hard, who were

1232
00:58:08,600 --> 00:58:09,920
Speaker 2: you not to go hard?

1233
00:58:10,200 --> 00:58:10,400
Speaker 4: Yeah?

1234
00:58:10,440 --> 00:58:13,200
Speaker 2: But when Kobe was there going hard for it was

1235
00:58:13,280 --> 00:58:15,920
Speaker 2: there And I don't know if we have the leader.

1236
00:58:16,360 --> 00:58:19,480
Speaker 4: It's just it's just just this generation is just a

1237
00:58:19,480 --> 00:58:21,480
Speaker 4: little bit too cool for me. We had a show

1238
00:58:21,640 --> 00:58:24,120
Speaker 4: Duncle Man, and the dunkers on that show are better

1239
00:58:24,160 --> 00:58:25,840
Speaker 4: than our NBA professional dunkers.

1240
00:58:25,960 --> 00:58:30,120
Speaker 2: I would we had dude like three sixty backflips.

1241
00:58:30,320 --> 00:58:32,200
Speaker 4: When I was growing up, the highlight of the weekend

1242
00:58:32,320 --> 00:58:33,120
Speaker 4: was a dunk contest.

1243
00:58:33,200 --> 00:58:37,880
Speaker 3: Yes, absolutely, versus Jordan versus dominant Jordan were the best

1244
00:58:38,120 --> 00:58:41,320
Speaker 3: dunkers who were also the biggest stars in the game. Yes,

1245
00:58:41,640 --> 00:58:44,120
Speaker 3: and then when you had something that was amazing, like

1246
00:58:44,160 --> 00:58:47,640
Speaker 3: you'd have spud Web do it, that was because you

1247
00:58:47,760 --> 00:58:51,040
Speaker 3: knew he was We'd all be rooting for him and

1248
00:58:51,160 --> 00:58:53,680
Speaker 3: to see someone that of that stature be able to

1249
00:58:53,800 --> 00:58:57,640
Speaker 3: do this physical feat that's entertainment. But you had the

1250
00:58:57,760 --> 00:59:00,880
Speaker 3: best players, the best players in the game, we're also

1251
00:59:00,960 --> 00:59:03,040
Speaker 3: the best dunkers and that and like you said, if

1252
00:59:03,080 --> 00:59:04,760
Speaker 3: you're not going to give it your all, and you're

1253
00:59:05,240 --> 00:59:07,880
Speaker 3: give it, give it your This is the honor you've

1254
00:59:07,920 --> 00:59:10,280
Speaker 3: been honored as an All Star, give it you're all.

1255
00:59:10,800 --> 00:59:12,360
Speaker 2: I think it comes down a lot too.

1256
00:59:13,320 --> 00:59:15,040
Speaker 1: There's a lot of people right now that are afraid

1257
00:59:15,080 --> 00:59:17,479
Speaker 1: to fail, and I don't think that was ever taken

1258
00:59:17,520 --> 00:59:20,320
Speaker 1: into account before. Before it was let me try crazy

1259
00:59:20,360 --> 00:59:21,960
Speaker 1: stuff and if it happens, I could be a star,

1260
00:59:22,520 --> 00:59:23,240
Speaker 1: and now it's.

1261
00:59:23,400 --> 00:59:25,520
Speaker 2: I don't want to look dumb in front of everybody.

1262
00:59:26,120 --> 00:59:28,800
Speaker 4: And it also depends on what city are in. Like

1263
00:59:28,880 --> 00:59:30,880
Speaker 4: if I was playing now, I'm coming to turn this

1264
00:59:31,040 --> 00:59:34,640
Speaker 4: month LA out. It's la I'm coming to turn it out.

1265
00:59:34,720 --> 00:59:36,760
Speaker 4: The weekend is going to be mind like that was

1266
00:59:36,800 --> 00:59:38,120
Speaker 4: always you know, my mentality.

1267
00:59:38,520 --> 00:59:43,560
Speaker 3: Interesting, that was always your mindsett Okay, I got so fascinating.

1268
00:59:43,640 --> 00:59:48,720
Speaker 4: Give me your Mount Rushmore of sketch king comedy artists.

1269
00:59:48,800 --> 00:59:51,160
Speaker 5: Mount Rushmore of sketch comedian artists.

1270
00:59:53,040 --> 00:59:55,880
Speaker 3: Well, I would put I mean, you'd have to put

1271
00:59:56,200 --> 01:00:01,440
Speaker 3: Lorne Michael's up there for having created this cultural phenomenon

1272
01:00:01,520 --> 01:00:03,560
Speaker 3: known as Saturday Night Live. No matter what you think

1273
01:00:03,640 --> 01:00:06,360
Speaker 3: of Saturday Night Live now, ten years ago, it was great,

1274
01:00:06,440 --> 01:00:09,320
Speaker 3: it sucks, it is it is that he invented it.

1275
01:00:09,440 --> 01:00:12,400
Speaker 3: It's a phenomenon. So Lorne Michaels has to be on there.

1276
01:00:12,960 --> 01:00:16,040
Speaker 3: Right next to Lorne Michaels, you would put Sid Caesar.

1277
01:00:16,960 --> 01:00:19,040
Speaker 3: Sid Caesar, who created the very first It was a

1278
01:00:19,080 --> 01:00:21,960
Speaker 3: show called Your Show of Shows. So Sid Caesar was

1279
01:00:21,960 --> 01:00:23,720
Speaker 3: in the fifties at the advent of television.

1280
01:00:23,760 --> 01:00:29,440
Speaker 4: He oh, hold on, kid, you know who Sid Caesar is. Okay,

1281
01:00:29,800 --> 01:00:30,160
Speaker 4: that was the.

1282
01:00:31,520 --> 01:00:33,560
Speaker 3: There's a whole bunch of adults in here don't know

1283
01:00:33,920 --> 01:00:37,280
Speaker 3: Sid Esars, including me. You you asked for them about

1284
01:00:37,280 --> 01:00:39,800
Speaker 3: trying to give you the legit, Mount Rushmore, It's gonna

1285
01:00:39,800 --> 01:00:41,360
Speaker 3: be Lorne and maybe Sid first.

1286
01:00:41,480 --> 01:00:44,200
Speaker 5: It's sid Lorne, then.

1287
01:00:44,200 --> 01:00:50,280
Speaker 3: Keenan, then Keenan, Keenan Ivory wins keenanywhere, Keenan Ivy wins yes.

1288
01:00:51,400 --> 01:00:53,960
Speaker 5: And for me personally, the last person this is very personally.

1289
01:00:54,240 --> 01:00:56,640
Speaker 3: There was a show shot here in Hollywood in the

1290
01:00:56,760 --> 01:00:59,280
Speaker 3: nineties for about three seasons the mid nineties with Bob

1291
01:00:59,320 --> 01:01:02,360
Speaker 3: Oden Kirk and David Cross was called Mister Show with

1292
01:01:02,480 --> 01:01:03,120
Speaker 3: Bob and Dave.

1293
01:01:03,680 --> 01:01:06,360
Speaker 5: That is some of the best sketch comedy I've ever seen.

1294
01:01:06,480 --> 01:01:09,880
Speaker 3: I would put like an amalgam of Bob and Dave's faces,

1295
01:01:10,240 --> 01:01:12,360
Speaker 3: but definitely Keenan has to be that.

1296
01:01:12,520 --> 01:01:13,440
Speaker 5: He has to be in there.

1297
01:01:14,400 --> 01:01:14,720
Speaker 2: Keenan.

1298
01:01:14,960 --> 01:01:22,320
Speaker 3: The Wayan's family revolutionized sketch comedy culturally and also the

1299
01:01:22,560 --> 01:01:25,720
Speaker 3: mindset behind how they were doing it, it was it was.

1300
01:01:27,120 --> 01:01:29,480
Speaker 3: The reason I'm sitting here with all of you today

1301
01:01:29,960 --> 01:01:31,480
Speaker 3: is mostly because.

1302
01:01:31,160 --> 01:01:33,080
Speaker 5: Of Keenan and Eddie.

1303
01:01:33,200 --> 01:01:36,480
Speaker 2: I love that every Super Bowl he gets his flowers. Yes,

1304
01:01:36,520 --> 01:01:37,959
Speaker 2: because every Super Bowl he goes.

1305
01:01:38,080 --> 01:01:40,200
Speaker 1: The reason the halftime show is the way it is

1306
01:01:40,760 --> 01:01:43,720
Speaker 1: is that in Living Color was taking away viewers and

1307
01:01:43,840 --> 01:01:46,280
Speaker 1: the NFL went, we need to get Michael Jackson.

1308
01:01:46,360 --> 01:01:47,520
Speaker 5: We need to get Michael Jackson.

1309
01:01:47,600 --> 01:01:50,320
Speaker 2: Ever since then, it's it's never been the same, and

1310
01:01:50,400 --> 01:01:51,360
Speaker 2: that's all because of Key.

1311
01:01:51,440 --> 01:01:52,920
Speaker 5: Here's of Keenan Ivy Wayans.

1312
01:01:52,840 --> 01:01:54,919
Speaker 4: Speaking of Super Bowl. What you're thinking of a halftime show?

1313
01:01:55,400 --> 01:01:56,760
Speaker 2: I want to know what you thought about it.

1314
01:01:57,520 --> 01:01:58,000
Speaker 4: I liked it.

1315
01:01:59,360 --> 01:01:59,800
Speaker 5: I loved it.

1316
01:02:00,120 --> 01:02:01,840
Speaker 7: I didn't understand it, but I like that.

1317
01:02:03,440 --> 01:02:07,600
Speaker 1: How many Spanish words do you know? I didn't try

1318
01:02:07,680 --> 01:02:11,480
Speaker 1: and Spanish for as long as you can. Shaquil O'Neill

1319
01:02:11,600 --> 01:02:14,560
Speaker 1: cosas maamol nero.

1320
01:02:16,000 --> 01:02:18,800
Speaker 2: My name is the Black Godfather.

1321
01:02:21,520 --> 01:02:23,920
Speaker 4: Very much, dom bezos.

1322
01:02:24,040 --> 01:02:28,920
Speaker 2: Give me money. I can't say that your ear muffs.

1323
01:02:31,640 --> 01:02:34,919
Speaker 2: So were you just like at your house being like pendejo.

1324
01:02:35,720 --> 01:02:39,400
Speaker 7: B B C cleta nice.

1325
01:02:40,920 --> 01:02:58,680
Speaker 4: Help? I want to okay. I enjoyed it. The music

1326
01:02:58,880 --> 01:03:01,240
Speaker 4: was great, Like I I didn't know he had all

1327
01:03:01,280 --> 01:03:03,960
Speaker 4: those hits, but I didn't understand it, but it was

1328
01:03:04,600 --> 01:03:06,160
Speaker 4: it was good. And I heard he had what one

1329
01:03:06,280 --> 01:03:09,840
Speaker 4: hundred and twenty eight million views viewers, and so it

1330
01:03:10,000 --> 01:03:10,440
Speaker 4: was awesome.

1331
01:03:10,960 --> 01:03:13,160
Speaker 1: I think for me, you know, you never know what's

1332
01:03:13,200 --> 01:03:15,200
Speaker 1: going to happen, and sometimes you're thinking they're going to

1333
01:03:15,240 --> 01:03:17,920
Speaker 1: go for the shock effect, and that's the way they

1334
01:03:17,960 --> 01:03:19,800
Speaker 1: were kind of building up, like what's he going to do?

1335
01:03:20,520 --> 01:03:22,400
Speaker 1: And the fact that it was an homage to all

1336
01:03:22,440 --> 01:03:24,520
Speaker 1: the Latin speaking countries and they were all out there

1337
01:03:24,520 --> 01:03:26,560
Speaker 1: and it was like a family and it's the wedding

1338
01:03:26,720 --> 01:03:27,800
Speaker 1: scene and they're dancing.

1339
01:03:28,240 --> 01:03:30,120
Speaker 5: I don't know how you could not it was. It

1340
01:03:30,240 --> 01:03:32,520
Speaker 5: was fantastic. It brought it brought a tear to my eye.

1341
01:03:32,640 --> 01:03:32,880
Speaker 2: It was.

1342
01:03:33,080 --> 01:03:34,960
Speaker 5: It was really moving to me right like at the

1343
01:03:35,080 --> 01:03:35,480
Speaker 5: very end.

1344
01:03:36,200 --> 01:03:40,040
Speaker 3: My favorite thing is listing all of those nations and

1345
01:03:40,200 --> 01:03:44,080
Speaker 3: listing the USA as one of those nations because we

1346
01:03:44,320 --> 01:03:45,840
Speaker 3: are one of those nations.

1347
01:03:46,080 --> 01:03:47,600
Speaker 2: Yeah, I just that was.

1348
01:03:47,840 --> 01:03:50,200
Speaker 5: It gave me just chills throughout my whole being.

1349
01:03:51,000 --> 01:03:53,240
Speaker 2: You got one last one on that sheet for KMK.

1350
01:03:53,600 --> 01:03:55,600
Speaker 4: Yes, if you and I had to start in a

1351
01:03:55,680 --> 01:03:58,280
Speaker 4: scary movie, who's the killer?

1352
01:03:58,520 --> 01:03:58,560
Speaker 7: Me?

1353
01:03:58,720 --> 01:03:59,440
Speaker 4: Or you? Oh?

1354
01:03:59,520 --> 01:04:02,840
Speaker 2: In a movie or you and like we don't know

1355
01:04:03,040 --> 01:04:04,520
Speaker 2: till the end one of you is the killer.

1356
01:04:04,640 --> 01:04:07,240
Speaker 3: So here's the hard pot about that. And I almost

1357
01:04:07,280 --> 01:04:10,960
Speaker 3: want to pull the audience. Do we do the double

1358
01:04:11,040 --> 01:04:13,440
Speaker 3: flip or the triple flip?

1359
01:04:14,080 --> 01:04:17,240
Speaker 5: You know what I'm saying? So you go, oh, I'm

1360
01:04:17,280 --> 01:04:18,440
Speaker 5: not stupid. It's a horror movie.

1361
01:04:18,480 --> 01:04:20,160
Speaker 3: It's supposed to be shack, which means it's gonna be

1362
01:04:20,240 --> 01:04:23,320
Speaker 3: Kegan or do you do the obvie you.

1363
01:04:23,280 --> 01:04:23,720
Speaker 12: Know what I mean?

1364
01:04:24,160 --> 01:04:26,600
Speaker 5: Do you do the double pivot? Make it shack.

1365
01:04:27,080 --> 01:04:30,800
Speaker 3: I'm thinking strategically as opposed to casting wise. I think

1366
01:04:30,840 --> 01:04:32,760
Speaker 3: it has to be you because they think it's gonna

1367
01:04:32,760 --> 01:04:34,120
Speaker 3: be you. They go, oh no, can't be him, can't

1368
01:04:34,120 --> 01:04:35,480
Speaker 3: be him. It's gonna be somebody else, And then it

1369
01:04:35,600 --> 01:04:37,800
Speaker 3: is him. I've already overthought that.

1370
01:04:37,880 --> 01:04:39,120
Speaker 2: You you thought about it.

1371
01:04:39,400 --> 01:04:40,920
Speaker 7: I'll tell you why.

1372
01:04:41,040 --> 01:04:42,200
Speaker 4: You write it. I'll fund it.

1373
01:04:42,960 --> 01:04:43,400
Speaker 2: I righte it.

1374
01:04:43,480 --> 01:04:44,600
Speaker 5: You fund it, Yeah, I'll right.

1375
01:04:44,640 --> 01:04:47,120
Speaker 2: It's a movie of you two figuring out who's gonna

1376
01:04:47,200 --> 01:04:47,680
Speaker 2: kill people.

1377
01:04:48,200 --> 01:04:50,400
Speaker 3: He'll be a short be a short subject comedy book

1378
01:04:50,440 --> 01:04:52,480
Speaker 3: twenty minutes long. We can't figure out who's gonna do

1379
01:04:52,680 --> 01:04:53,760
Speaker 3: Who's gonna be the killer?

1380
01:04:54,440 --> 01:04:55,480
Speaker 4: And I already got a name.

1381
01:04:55,960 --> 01:04:59,560
Speaker 2: You had the name shit killer, shit kill, shit killer.

1382
01:05:01,040 --> 01:05:03,120
Speaker 2: And with that, can we get some love for Kee

1383
01:05:03,240 --> 01:05:06,120
Speaker 2: and Michael Keeplea, get her ready to run.

1384
01:05:06,400 --> 01:05:08,040
Speaker 5: Thank you, Los Angeles.

1385
01:05:09,440 --> 01:05:10,040
Speaker 2: Shake killer.

1386
01:05:10,200 --> 01:05:14,400
Speaker 5: You've thought of that before, he wrote that question down

1387
01:05:14,480 --> 01:05:15,000
Speaker 5: months ago.

1388
01:05:16,120 --> 01:05:18,800
Speaker 1: He was ready for that again one more time. Kee

1389
01:05:18,880 --> 01:05:21,240
Speaker 1: of Michael Key, everybody one of the best to have

1390
01:05:21,360 --> 01:05:21,760
Speaker 1: her do it.

1391
01:05:26,920 --> 01:05:29,120
Speaker 2: This has been a playmaker production