WEBVTT - Best of 2023 - Pt. 1

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<v Speaker 1>Hello, everybody, Guess what it's me, Brian Baumgartner here, welcoming

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<v Speaker 1>you very warmly to a very special episode of Off

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<v Speaker 1>the Beat. What a year it's been, am I Right?

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<v Speaker 1>Where did the year go? I can't believe we're already

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<v Speaker 1>to the end of twenty twenty three. I don't know

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<v Speaker 1>about you, guys, but I tend to get a little

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<v Speaker 1>nostalgic at the end of the year, and I can't

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<v Speaker 1>help but reflect on everything that's happened this year, the

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<v Speaker 1>memories made, all of the fascinating people that I have

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<v Speaker 1>had the great good fortune and pleasure of meeting and

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<v Speaker 1>speaking to, and most of all, getting to share so

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<v Speaker 1>many of those conversations with all of you, my truly

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<v Speaker 1>amazing listeners making this podcast. This is a highlight for

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<v Speaker 1>me every single week, and I want to thank all

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<v Speaker 1>of you for allowing me to keep doing it for

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<v Speaker 1>another year. And since I'm being sentimental, guess what We're

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<v Speaker 1>going to take a look back on this year of

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<v Speaker 1>Off the Beat. Listen back to a few of the

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<v Speaker 1>many insightful, informative, and at times extremely funny moments that

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<v Speaker 1>have happened on the show. Now, this isn't a ranked list,

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<v Speaker 1>or even moments in any particular order. In fact, there

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<v Speaker 1>are so many more moments I wish I could have included.

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<v Speaker 1>But if I truly wanted to put in all of

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<v Speaker 1>my favorite moments, well then you would just have to

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<v Speaker 1>listen back to every single episode this year. So I

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<v Speaker 1>thought i'd save you a little time pick out just

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<v Speaker 1>a few fantastic clips that I love, and I hope

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<v Speaker 1>that you will too. Let's die, shall we? To start

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<v Speaker 1>us off, let's listen to this story from the legendary

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<v Speaker 1>Angela Gibbs sharing how she started off. And well, it

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<v Speaker 1>wasn't as Angela Gibbs per se. You'll hear what I mean.

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<v Speaker 2>I was very political. I was a hippie slash revolutionary.

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<v Speaker 2>Remember my name is Angela. They were looking for Angela Davis.

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<v Speaker 3>You know.

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<v Speaker 2>I thought it was it was on me to carry on,

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<v Speaker 2>you know, And so I went to Africa, changed my

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<v Speaker 2>name Totamu. Don't tease me, and you know it was Tamu. Yes.

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<v Speaker 1>And why why wait, I'm not hening to just let

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<v Speaker 1>it go?

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<v Speaker 2>Oh come on now?

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<v Speaker 1>Why?

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<v Speaker 2>Well you know what back then?

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<v Speaker 1>Does that mean something?

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<v Speaker 4>Yeah?

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<v Speaker 2>Well yeah, well here's okay. This is where it gets worse.

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<v Speaker 2>The story starts to go downhill because my name was Utamu,

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<v Speaker 2>and that was, you know, taking on my African culture

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<v Speaker 2>and heritage. And I wanted a new name to kind of,

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<v Speaker 2>you know, express my connection to Africa. The problem was

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<v Speaker 2>the friend who gave me the name. The problem was this,

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<v Speaker 2>people would say, oh, Tamil, what does that mean right?

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<v Speaker 2>And I said, sweetness, can you imagine I'm a young woman,

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<v Speaker 2>not bad looking. The guys are like, yeah.

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<v Speaker 1>I bet you are.

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<v Speaker 2>I'm like, this has nothing to do with the revolution.

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<v Speaker 2>I want a new names. So my son teases me,

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<v Speaker 2>I got a name changed to Aoka, and then they

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<v Speaker 2>call me a Yoka for a while that meant light,

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<v Speaker 2>she comes with light. Turns out my middle name, Elaine,

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<v Speaker 2>means the same thing. So I eventually just trapped it off.

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<v Speaker 2>My mother knew what she was doing because I came

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<v Speaker 2>from Africa and I said my name was Utamo, and

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<v Speaker 2>she said I named I said, well, I'm not answering

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<v Speaker 2>anything but Utami, and I'm a vegan terry. My mother

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<v Speaker 2>says she has lost her mind. But I digressed. I digressed,

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<v Speaker 2>so I came back and back then there weren't a

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<v Speaker 2>lot of roles that we could play as black women.

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<v Speaker 2>So I decided to go away to college, and she

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<v Speaker 2>teases me because she's still knocking down doors. I've worked

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<v Speaker 2>with John Foresight, I've had a pilot, I've had some things.

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<v Speaker 2>I've been on Samford and Son, I've done the film.

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<v Speaker 1>And I left.

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<v Speaker 2>I left, you know, and I kind of looking back now,

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<v Speaker 2>I used to regret it. I used to think it

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<v Speaker 2>was a mistake because when I came back, my mother

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<v Speaker 2>was Florence. But like, maybe I made a mistake, Maybe

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<v Speaker 2>I should have stayed in La But I'm glad because

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<v Speaker 2>I wanted to have a purpose even as a young woman.

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<v Speaker 2>I wanted my life to matter. I wanted to be

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<v Speaker 2>involved in things that made a difference in the community

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<v Speaker 2>and ended up coming back and opening up a theater.

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<v Speaker 2>So it was meant to be. Not Brian, I didn't

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<v Speaker 2>know it was gonna take you this long. Didn't take

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<v Speaker 2>a long time.

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<v Speaker 1>You wanted to take a short break and a little

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<v Speaker 1>bit locker.

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<v Speaker 2>That's right, that's right. So you know, Shirley Ralph, she's

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<v Speaker 2>singing my song when she said don't give up. You know,

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<v Speaker 2>my saying is if you stay in line, your turn

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<v Speaker 2>will come. So when I came back, I realized I

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<v Speaker 2>loved this so much that hey, whether I make it

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<v Speaker 2>or not, and you know, make it meaning and whether

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<v Speaker 2>I make a living at it or not, I got

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<v Speaker 2>to keep back it. And I think when I finally

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<v Speaker 2>got there, things started to change. You know. That's my story,

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<v Speaker 2>and I'm sticking to it.

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<v Speaker 1>Well, I for one, am very glad that she came

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<v Speaker 1>back stateside and did what she did here. And I'm

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<v Speaker 1>glad she's stuck with the name Angela too. In fact,

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<v Speaker 1>there might be something special about that name, because I

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<v Speaker 1>spoke to another extremely successful, brilliant and hilarious Angela this year,

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<v Speaker 1>Angela Johnson Reyes. Here she is describing how she weaseled

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<v Speaker 1>her way into a very fortuitous gig on a little

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<v Speaker 1>show you might have heard of. You start in Los Angeles,

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<v Speaker 1>you move, your friend is helping you, and fairly quickly

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<v Speaker 1>you get to do that thing, which is stand by

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<v Speaker 1>a car, and you're on friends. Is this right as

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<v Speaker 1>a regular extra for a couple of seasons. Yes, I

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<v Speaker 1>don't remember you, but I believe you were there.

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<v Speaker 5>Listen.

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<v Speaker 6>I people will screenshot me and tag me on social media.

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<v Speaker 6>Sometimes they'll be like, is this you and I'm like, yeah, girl,

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<v Speaker 6>believe it. And my hair was so long, it was

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<v Speaker 6>like down to my waist, like I was like young

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<v Speaker 6>and vibrant. But yes, I remember, I thought I had

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<v Speaker 6>made it. I was like, this is it. I'm here

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<v Speaker 6>and living in my dreams and even the story of

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<v Speaker 6>how that happened. I remember going to Central Casting, where

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<v Speaker 6>you know, they cast all the extras for TV shows

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<v Speaker 6>and movies, and my friend who said she was going

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<v Speaker 6>to help me get started, she kept her word and

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<v Speaker 6>she told me exactly what to do. She was like,

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<v Speaker 6>this is what I want you to do. I want

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<v Speaker 6>you to go to Central Casting. There's going to be

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<v Speaker 6>a line of people waiting out the door, but don't

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<v Speaker 6>wait in line. I want you to come with a

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<v Speaker 6>tray of cookies and your radar at headshot, and I

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<v Speaker 6>want you to just go to the front window and

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<v Speaker 6>ask for Sam and then give him your head shot

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<v Speaker 6>and the cookies. Tell him you're new to town and

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<v Speaker 6>you want to be an extra. And I was like,

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<v Speaker 6>this sounds real sleazy. It's just I don't know what

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<v Speaker 6>cookies mean in Hollywood, but you listen. And so I

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<v Speaker 6>show up to Central Casting and sure enough, there's a

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<v Speaker 6>line of people outside waiting to sign up to be

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<v Speaker 6>an extra on TV, and I'm like passing all these

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<v Speaker 6>people with my sleezy cookies, like they know exactly what

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<v Speaker 6>I'm doing. And this is probably, like I don't know,

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<v Speaker 6>a month after the Super Bowl. This is after the

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<v Speaker 6>readers were just in the Super Bowl. I show up

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<v Speaker 6>and I'm waiting for this guy Sam. He comes walking

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<v Speaker 6>out from the back offices and he's wearing a Raiders

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<v Speaker 6>hat and I was like, oh my god, no way.

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<v Speaker 6>He's like, hey, what's up. And I give him the

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<v Speaker 6>cookies and my Raider at headshot and I was like,

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<v Speaker 6>this is for you. And he sees my radar at

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<v Speaker 6>headshot and he's like what, no way. Like clearly he's

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<v Speaker 6>just like the biggest Raiders fan. We just came off

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<v Speaker 6>the Super Bowl, like no freaking away Raider at Oh

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<v Speaker 6>my gosh whatever. And he's like, yeah, here, give me

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<v Speaker 6>your name and number. I'll call you blah blah blah whatever.

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<v Speaker 6>So I do that and I leave. I don't even

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<v Speaker 6>sign up, and he calls me like two days later

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<v Speaker 6>and he's like, hey, do you want to be an extra?

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<v Speaker 4>Friends?

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<v Speaker 6>And I was like, you mean, like my favorite show

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<v Speaker 6>of all time. Yes, I do want to be an extro. Friends,

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<v Speaker 6>And so he signs me up in the system, and

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<v Speaker 6>I don't know what I'm doing, but he gives me

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<v Speaker 6>all my instructions. Park in this parking lot, walk to

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<v Speaker 6>this stage, blah blah blah blah blah. And I remember

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<v Speaker 6>my first time walking on the Warner Brothers lot and

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<v Speaker 6>it was just magical. It was like butterflies and just

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<v Speaker 6>goosebumps and walking by the sound stage and then you

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<v Speaker 6>know the smell of a sound stage, like it's that

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<v Speaker 6>paint and wood and there's just something about it. And

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<v Speaker 6>it's just like all the things are like this is wow,

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<v Speaker 6>this is movies, this is TV, this is I'm doing it.

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<v Speaker 6>And I remember walking into the stage at the big

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<v Speaker 6>door was open, and I just walk right in and

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<v Speaker 6>you see like here's the guy's apartment, here's the girl's apartment,

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<v Speaker 6>here's central perk, and here's you know, the studio audience

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<v Speaker 6>where the audience sits. And I just remember walking in

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<v Speaker 6>and being like a kid in a candy store, could

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<v Speaker 6>not believe I was living my dream, like I was

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<v Speaker 6>just here to be an extra, but that was not

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<v Speaker 6>even what was on What I was on. My mind

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<v Speaker 6>was like I cannot believe I made it, Like I

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<v Speaker 6>am here. This is wild. And I ended up making

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<v Speaker 6>friends with the ad who was very funny and I

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<v Speaker 6>was funny, so we would just make each other laugh.

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<v Speaker 6>And so he'd be like, Okay, I'm going to bring

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<v Speaker 6>you back tomorrow, and I'm like, okay, cool, i'come back tomorrow.

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<v Speaker 6>And then he's like, okay, I'll bring you back next week.

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<v Speaker 6>And next thing you know, I'm an extra for season

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<v Speaker 6>nine and ten, like a regular, just in the coffeehouse,

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<v Speaker 6>and they end up inviting me to their Christmas party

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<v Speaker 6>and I was able to have a conversation with every

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<v Speaker 6>single one of the cast members without me being that

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<v Speaker 6>weird extra who's just trying to talk to them.

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<v Speaker 4>You know.

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<v Speaker 6>Yeah, it was just an incredible experience that's still until

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<v Speaker 6>this day, twenty years later. It's my favorite job I've

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<v Speaker 6>ever had.

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<v Speaker 1>Now, coming from a woman who was a former Raiderret

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<v Speaker 1>went on to be on Mad Team and had a

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<v Speaker 1>hugely successful stand up career, it is pretty high praise

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<v Speaker 1>that being an extra on Friends is still her favorite job.

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<v Speaker 1>My next guest also had a stint on Friends, well

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<v Speaker 1>not on the show itself, but Kevin Riley was an

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<v Speaker 1>executive at NBC during its run. There, let's hear him

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<v Speaker 1>discuss how another enormous primetime hit came to be and

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<v Speaker 1>one that didn't do so great. You also during that

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<v Speaker 1>time developed Er the network, and you supervised the first

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<v Speaker 1>season of Law and Order. I mean, these are legendary

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<v Speaker 1>primetime television shows, both going over twenty seasons. So I

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<v Speaker 1>guess they let you off of the Saturday morning events.

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<v Speaker 4>They did they Yeah, then I kind of came back

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<v Speaker 4>and did that again. Crazy. You know, the success squeaks

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<v Speaker 4>its three through in weird ways, you know, like we

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<v Speaker 4>went through in the office, where you know, a super

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<v Speaker 4>impactful generational show barely squeaked its way through life. I

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<v Speaker 4>mean that was my experience more often than not. I

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<v Speaker 4>mean Law and Order, which is now thought of as

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<v Speaker 4>like this insane institution. You know, for a lot of

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<v Speaker 4>listeners were probably like, yeah, my mother's watched it forever.

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<v Speaker 4>But at the time it was this very novel thing.

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<v Speaker 4>Dramas were not selling into syndication because nobody wanted to

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<v Speaker 4>buy one hour shows, so Dick Wolf literally designed it

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<v Speaker 4>as two half hour shows originally that we're going to

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<v Speaker 4>do the Law and the Order, but then they could

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<v Speaker 4>be joined on the first run on television, but then

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<v Speaker 4>they would be syndicated separately. NBC bought the show not

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<v Speaker 4>because they wanted this this was Dick's like big show,

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<v Speaker 4>but they wanted his hit show, which was going to

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<v Speaker 4>be a thing called Nasty Boys, which was these guys

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<v Speaker 4>with a souped up boat and they were a squad

0:12:55.440 --> 0:12:57.840
<v Speaker 4>that came in in mass and they seized your property

0:12:58.640 --> 0:13:00.559
<v Speaker 4>for drug raids and things, and when they did, they

0:13:00.559 --> 0:13:03.319
<v Speaker 4>got to keep it. So they had super cool motorcycles

0:13:03.320 --> 0:13:06.120
<v Speaker 4>and boats. And it was not a good show. And

0:13:06.760 --> 0:13:09.560
<v Speaker 4>I'm working on I'm, you know, now, only a couple

0:13:09.600 --> 0:13:12.000
<v Speaker 4>of years into my career, and they kind of gave

0:13:12.400 --> 0:13:16.040
<v Speaker 4>them to me in this and I oversaw them. Everybody's like,

0:13:16.040 --> 0:13:18.560
<v Speaker 4>how's Nasty Boys going. I was like, you know this

0:13:18.679 --> 0:13:20.640
<v Speaker 4>thing Law and Order is like really, oh yeah, that's

0:13:21.559 --> 0:13:24.600
<v Speaker 4>talk about Nasty Boys. So Nasty Boys aired, I think

0:13:24.640 --> 0:13:27.240
<v Speaker 4>it like came and went in less than one season,

0:13:27.920 --> 0:13:30.760
<v Speaker 4>and Law and Order was not a huge hit at

0:13:30.800 --> 0:13:33.800
<v Speaker 4>the gate, but was always a very kind of groundbreaking

0:13:33.840 --> 0:13:36.600
<v Speaker 4>show at the time in terms of its rhythms and

0:13:36.640 --> 0:13:38.920
<v Speaker 4>the kind of the dour. It was one of the

0:13:38.960 --> 0:13:42.560
<v Speaker 4>early shows that talked took policing as police was kind

0:13:42.559 --> 0:13:45.280
<v Speaker 4>of talking about a job, you know, like guys would

0:13:45.280 --> 0:13:48.440
<v Speaker 4>be there like, you know, talking about their donuts and

0:13:48.480 --> 0:13:50.440
<v Speaker 4>sort of stepping over the body, not like the old

0:13:50.480 --> 0:13:52.760
<v Speaker 4>cops who were like we just saw this case, you know,

0:13:52.840 --> 0:13:55.880
<v Speaker 4>which was like the old school way, like they're like, yeah, look,

0:13:55.920 --> 0:13:57.880
<v Speaker 4>we see a lot of this stuff. And you know,

0:13:57.960 --> 0:14:01.640
<v Speaker 4>witnesses weren't cooperative and lawyers had to make deals and

0:14:02.840 --> 0:14:04.800
<v Speaker 4>those were like kind of a step forward. And then

0:14:05.200 --> 0:14:07.400
<v Speaker 4>you know, that was an institution. And then Er was

0:14:07.440 --> 0:14:09.560
<v Speaker 4>a similar kind of thing where it was when it

0:14:09.640 --> 0:14:12.400
<v Speaker 4>was screened. It was in the screening room from the powers.

0:14:12.440 --> 0:14:14.400
<v Speaker 4>It'd be were like, we don't get it.

0:14:15.840 --> 0:14:18.360
<v Speaker 1>Right. Talk to me a little bit. Because those two

0:14:18.440 --> 0:14:22.920
<v Speaker 1>shows I consider at least differently what people refer to

0:14:23.000 --> 0:14:28.600
<v Speaker 1>as procedurals. Yeah, and then there's what's the opposite of.

0:14:28.560 --> 0:14:32.040
<v Speaker 4>That, Well, there were serialized shows, so two different things.

0:14:32.080 --> 0:14:34.680
<v Speaker 4>So the procedural means a closed ended thing, you know,

0:14:34.680 --> 0:14:36.600
<v Speaker 4>And that's one of the reasons that Law and Order

0:14:37.120 --> 0:14:39.800
<v Speaker 4>had such incredible staying power. You didn't need to see

0:14:39.800 --> 0:14:42.400
<v Speaker 4>season one, you didn't need to bring season five to

0:14:42.440 --> 0:14:45.080
<v Speaker 4>catch up. You just you could drop into any episode

0:14:45.520 --> 0:14:48.040
<v Speaker 4>a body dropped in the beginning, and the crime was solved.

0:14:48.040 --> 0:14:51.680
<v Speaker 4>At the end, case closed, and they've done. I don't

0:14:51.680 --> 0:14:53.680
<v Speaker 4>know at this point between the franchise of all the

0:14:53.680 --> 0:14:57.160
<v Speaker 4>different iterations, I don't know how many hundreds of episodes,

0:14:57.200 --> 0:15:01.160
<v Speaker 4>thousands maybe at this point. But Serial Eye show, which

0:15:01.880 --> 0:15:05.120
<v Speaker 4>ER was, and many other great shows and many of

0:15:05.120 --> 0:15:08.960
<v Speaker 4>the biggest shows today are you know, it's an ongoing storyline.

0:15:09.000 --> 0:15:09.240
<v Speaker 7>Now.

0:15:09.320 --> 0:15:12.880
<v Speaker 4>You had procedural elements in ER, which is you know,

0:15:12.960 --> 0:15:16.680
<v Speaker 4>the the medical cases would close, you know, come on,

0:15:16.760 --> 0:15:19.400
<v Speaker 4>stat get on the thing coming away. Somebody's gonna lose

0:15:19.440 --> 0:15:21.360
<v Speaker 4>she's gonna lose the baby. You know, oh great, at

0:15:21.400 --> 0:15:23.040
<v Speaker 4>the end of the thing they saved the baby, like

0:15:23.080 --> 0:15:26.840
<v Speaker 4>so all right, so that's closed. But the ongoing soap

0:15:26.840 --> 0:15:28.600
<v Speaker 4>opera part of it, if you will, would go on

0:15:28.720 --> 0:15:31.280
<v Speaker 4>sometimes the whole season, right, and then you had to

0:15:31.360 --> 0:15:34.240
<v Speaker 4>kind of catch up, and you know, it was really weird.

0:15:34.760 --> 0:15:37.080
<v Speaker 4>You know, it was a very sticky way of watching television.

0:15:37.120 --> 0:15:39.440
<v Speaker 4>But you think about it now, there was no catch

0:15:39.520 --> 0:15:41.440
<v Speaker 4>up or binge device. You had to just kind of

0:15:41.480 --> 0:15:42.120
<v Speaker 4>watch to stay.

0:15:42.200 --> 0:15:44.600
<v Speaker 1>You had to watch next time you're watching Law and

0:15:44.720 --> 0:15:47.760
<v Speaker 1>Order late at night, maybe in a hotel room or

0:15:47.880 --> 0:15:50.600
<v Speaker 1>wherever you happen to be flipping through the channels, be

0:15:50.760 --> 0:15:54.000
<v Speaker 1>sure to thank Kevin and the Nasty Boys, of course

0:15:54.480 --> 0:15:55.840
<v Speaker 1>for putting it there for you.

0:15:56.480 --> 0:15:57.320
<v Speaker 3>We'll be right back.

0:16:15.560 --> 0:16:19.240
<v Speaker 1>We're back, just like I told you. And our next

0:16:19.240 --> 0:16:24.080
<v Speaker 1>clip comes from the brilliant actor and comedian Maz Jobrani,

0:16:24.280 --> 0:16:27.840
<v Speaker 1>who was born in Iran and raised in California. Let's

0:16:27.880 --> 0:16:31.480
<v Speaker 1>hear him talk about some well shall we say, cultural

0:16:31.560 --> 0:16:35.520
<v Speaker 1>differences he had to bridge between his Iranian upbringing and

0:16:35.600 --> 0:16:38.600
<v Speaker 1>his American dreams coming to America.

0:16:39.040 --> 0:16:41.160
<v Speaker 5>I mean, you know, as a six year old and

0:16:41.200 --> 0:16:44.280
<v Speaker 5>then seven and all those young ages, you don't want

0:16:44.320 --> 0:16:46.040
<v Speaker 5>to be different, you know what I'm saying. It's like

0:16:46.080 --> 0:16:48.520
<v Speaker 5>the last thing you want is to be different. And

0:16:48.680 --> 0:16:52.160
<v Speaker 5>first coming over from Iran to America, Iran I think

0:16:52.200 --> 0:16:55.360
<v Speaker 5>had some European influence, so my mom would dress me

0:16:55.440 --> 0:16:59.680
<v Speaker 5>up a little more Europeany, and already in America they're like,

0:16:59.760 --> 0:17:01.520
<v Speaker 5>you know, what's wrong with you? Why are you wearing

0:17:01.520 --> 0:17:03.720
<v Speaker 5>those clothes? And then and then there was times when

0:17:03.720 --> 0:17:07.399
<v Speaker 5>like just little minor things became big things in our grade. Right,

0:17:07.480 --> 0:17:10.040
<v Speaker 5>so we had a day called Pizza Day, and Pizza

0:17:10.080 --> 0:17:12.239
<v Speaker 5>Day was where every kid was going to bring some

0:17:12.440 --> 0:17:14.920
<v Speaker 5>ingredient to the school. We're going to cook pizza together.

0:17:15.040 --> 0:17:17.320
<v Speaker 5>This is I think third grade. And so I was

0:17:17.320 --> 0:17:20.239
<v Speaker 5>in charge of sausages. So I go grocery shopping with

0:17:20.240 --> 0:17:23.640
<v Speaker 5>my mom and my aunt and in Persian the word

0:17:23.680 --> 0:17:27.560
<v Speaker 5>for hot dog is so cise, sausage so cise. So

0:17:28.000 --> 0:17:29.679
<v Speaker 5>we're there, I go, I need sausages. I go, oh,

0:17:29.800 --> 0:17:31.760
<v Speaker 5>you need so cise, So give me a pack of

0:17:31.800 --> 0:17:35.800
<v Speaker 5>hot dogs, which really is like, I mean, it's a

0:17:35.840 --> 0:17:39.359
<v Speaker 5>small sausage. Really, I mean sausages are it is. So

0:17:39.400 --> 0:17:40.680
<v Speaker 5>I show up with a city, you know, pack of

0:17:40.720 --> 0:17:42.240
<v Speaker 5>hot dogs, and of course all the kids.

0:17:42.119 --> 0:17:43.320
<v Speaker 8>Ah, he brought hot dogs.

0:17:43.359 --> 0:17:44.480
<v Speaker 5>I go, no, these are sausages.

0:17:44.720 --> 0:17:45.560
<v Speaker 4>Those are hot dogs.

0:17:46.280 --> 0:17:46.480
<v Speaker 1>You know.

0:17:46.480 --> 0:17:49.919
<v Speaker 5>It's like ruin my my, my whole life. And I

0:17:49.920 --> 0:17:51.800
<v Speaker 5>go home and tell my mom these are not this

0:17:51.880 --> 0:17:54.760
<v Speaker 5>is hot dogs, like this is so cis. Now that

0:17:54.920 --> 0:17:58.399
<v Speaker 5>story comes full circle when years later I went to

0:17:58.480 --> 0:18:01.800
<v Speaker 5>study abroad in Italy. When I was in college, I'd

0:18:01.800 --> 0:18:05.200
<v Speaker 5>go to Pizzaiha and they have pizza with hot dogs

0:18:05.200 --> 0:18:05.399
<v Speaker 5>on it.

0:18:06.040 --> 0:18:10.960
<v Speaker 9>I'm like, you bastards. I was right all along. So Yeah,

0:18:11.000 --> 0:18:12.439
<v Speaker 9>so I was just trying to blend in. Man, I

0:18:12.480 --> 0:18:15.199
<v Speaker 9>just wanted to be American. I mean I played baseball,

0:18:15.600 --> 0:18:18.440
<v Speaker 9>I you know, American culture. Like that's probably where I

0:18:18.520 --> 0:18:19.600
<v Speaker 9>discovered listen.

0:18:19.840 --> 0:18:20.280
<v Speaker 8>By the way.

0:18:20.280 --> 0:18:23.160
<v Speaker 5>Also, my dad and I think this was just parenting

0:18:23.160 --> 0:18:25.600
<v Speaker 5>of the time. I didn't play catch with me or

0:18:25.600 --> 0:18:26.960
<v Speaker 5>any of that. I mean, he was a great father.

0:18:27.119 --> 0:18:29.800
<v Speaker 5>He was very generous, he was giving, right, he wasn't like,

0:18:29.880 --> 0:18:34.119
<v Speaker 5>let's go outside and play catch, you know. So because

0:18:34.160 --> 0:18:35.720
<v Speaker 5>of that, like I was learning a lot of stuff

0:18:35.760 --> 0:18:38.959
<v Speaker 5>from American television. So I'd sit there and watch hours.

0:18:38.960 --> 0:18:42.679
<v Speaker 5>I'd watch Woody Woodpecker, Popeye, Leave It to Beaver, all

0:18:42.720 --> 0:18:46.760
<v Speaker 5>these reruns. That's how I think I came upon comedy

0:18:46.960 --> 0:18:49.159
<v Speaker 5>my first you know, like finding Eddie Murphy when I

0:18:49.200 --> 0:18:51.920
<v Speaker 5>was ten years old and going, what's Saturday Night Live?

0:18:52.000 --> 0:18:52.760
<v Speaker 8>I want to do this?

0:18:53.000 --> 0:18:53.199
<v Speaker 1>You know.

0:18:53.359 --> 0:18:55.359
<v Speaker 5>So, yeah, I was trying to blend in.

0:18:55.520 --> 0:18:59.960
<v Speaker 1>Yeah I read Eddie Murphy was one of your first loves.

0:19:00.280 --> 0:19:04.760
<v Speaker 1>That sounds weird, but yeah, one of your heroes, one

0:19:04.800 --> 0:19:08.120
<v Speaker 1>of your first heroes. There you go in comedy. When

0:19:08.200 --> 0:19:12.920
<v Speaker 1>did you start performing? Were you in school plays or Yeah?

0:19:12.960 --> 0:19:17.679
<v Speaker 5>It was basically so in the seventh grade, they had

0:19:17.680 --> 0:19:20.400
<v Speaker 5>a musical. I went to Delmar Middle School in northern

0:19:20.480 --> 0:19:23.760
<v Speaker 5>California and Tibron. They were doing The Boyfriend and I

0:19:23.800 --> 0:19:25.719
<v Speaker 5>don't know why we all decided to do but as

0:19:25.720 --> 0:19:27.760
<v Speaker 5>a handful of guys decided to do it, some girls

0:19:27.760 --> 0:19:29.439
<v Speaker 5>and I go, let's try this. So I go and

0:19:29.480 --> 0:19:32.240
<v Speaker 5>I auditioned, and again it was seventh and eighth, so

0:19:32.440 --> 0:19:34.879
<v Speaker 5>most of the leads went to the eighth graders. Seventh

0:19:34.920 --> 0:19:38.080
<v Speaker 5>graders were just background dancers. And there was a lady

0:19:38.119 --> 0:19:41.560
<v Speaker 5>named Shirley Bombright. She was our director. And Shirley Bombright said,

0:19:41.600 --> 0:19:43.919
<v Speaker 5>when you're doing a musical, when you're on stage, you

0:19:43.920 --> 0:19:46.720
<v Speaker 5>always need to be smiling, when you're dancing, smiling and

0:19:46.760 --> 0:19:47.880
<v Speaker 5>singing and radiating.

0:19:47.920 --> 0:19:48.440
<v Speaker 1>Oh and she said.

0:19:48.480 --> 0:19:50.480
<v Speaker 5>The other thing she said is you're part of an ensemble,

0:19:50.560 --> 0:19:52.919
<v Speaker 5>so you better be here. So one day I go

0:19:53.040 --> 0:19:56.000
<v Speaker 5>to the rehearsal. I go, Miss Bombright. I just got

0:19:56.000 --> 0:19:57.200
<v Speaker 5>to let you know I'm a little under the weather.

0:19:57.240 --> 0:19:58.960
<v Speaker 5>I got a cold, but you told me I got

0:19:59.000 --> 0:20:01.200
<v Speaker 5>to be here, so I came. I'm here, and then

0:20:01.400 --> 0:20:03.240
<v Speaker 5>we start the rehearsal and I'm up there, I'm singing,

0:20:03.280 --> 0:20:05.359
<v Speaker 5>I'm dancing. I'm smiling, and then she stops.

0:20:05.359 --> 0:20:06.720
<v Speaker 8>The whole rehearsal. Everybody stops stop.

0:20:06.760 --> 0:20:08.880
<v Speaker 5>She goes look at him, look at him. You see him.

0:20:09.040 --> 0:20:11.480
<v Speaker 5>He's sick. He's here, he's singing, he's smiling. You got

0:20:11.600 --> 0:20:13.840
<v Speaker 5>to learn from him. And I was like, oh, that's me.

0:20:14.600 --> 0:20:18.720
<v Speaker 5>So it was a moment of like positive reinforcement made

0:20:18.760 --> 0:20:20.920
<v Speaker 5>me feel I can do this. And then the year later,

0:20:21.040 --> 0:20:22.520
<v Speaker 5>eighth grade, I come back and I get the lead.

0:20:22.560 --> 0:20:25.200
<v Speaker 5>I'm little Abner and Little Abner, and you know, I've

0:20:25.200 --> 0:20:27.199
<v Speaker 5>been bitten. I loved it and I just wanted to

0:20:27.240 --> 0:20:29.760
<v Speaker 5>do it. And every time I tell I tell a

0:20:29.760 --> 0:20:33.760
<v Speaker 5>story how like throughout my schooling, they would always be like, oh,

0:20:33.800 --> 0:20:36.280
<v Speaker 5>you've got what it takes to do this. So my

0:20:36.400 --> 0:20:39.280
<v Speaker 5>parents would come to the shows and the director or

0:20:39.280 --> 0:20:40.959
<v Speaker 5>the teacher would say, you know, your kids got the

0:20:41.000 --> 0:20:43.840
<v Speaker 5>thing for this, and my parents, oh, thank you. Thinking

0:20:43.920 --> 0:20:45.159
<v Speaker 5>we get in the car, my dad would be like,

0:20:45.200 --> 0:20:48.840
<v Speaker 5>that bitch is crazy. Don't listen to her. You're going

0:20:48.920 --> 0:20:50.480
<v Speaker 5>to be a doctor or a lawyer.

0:20:50.840 --> 0:20:51.080
<v Speaker 3>You know.

0:20:53.160 --> 0:20:57.040
<v Speaker 1>So they didn't see the spark inside you. They were

0:20:57.040 --> 0:20:59.159
<v Speaker 1>not interested in you pursuing this as a career.

0:20:59.600 --> 0:21:02.159
<v Speaker 5>Yeah, that they didn't see the spark is that. I think,

0:21:02.560 --> 0:21:05.919
<v Speaker 5>you know again, immigrant parents, that's all they knew, and

0:21:06.000 --> 0:21:08.000
<v Speaker 5>it was a previous generation. I was just talking to

0:21:08.080 --> 0:21:10.600
<v Speaker 5>somebody about how my daughter's twelve now and I'm encouraging

0:21:10.600 --> 0:21:13.159
<v Speaker 5>her to become a DJ okay, and I was like,

0:21:13.200 --> 0:21:15.160
<v Speaker 5>if I went to my Irani dad back then I want.

0:21:15.080 --> 0:21:16.399
<v Speaker 9>To be a DJ, I'd be like a D what

0:21:16.960 --> 0:21:19.600
<v Speaker 9>you know, You'd be like, what are you talking about it?

0:21:19.640 --> 0:21:21.720
<v Speaker 5>But you know, we live in a different world where

0:21:21.760 --> 0:21:25.280
<v Speaker 5>people are making millions on TikTok or whatever, and so

0:21:25.600 --> 0:21:28.960
<v Speaker 5>back then I don't think they understood at all what

0:21:29.000 --> 0:21:30.320
<v Speaker 5>this meant or how it went.

0:21:31.280 --> 0:21:34.399
<v Speaker 1>I think you turned out all right, mos, and I

0:21:34.520 --> 0:21:39.399
<v Speaker 1>know your daughter will make a fantastic DJ. My final

0:21:39.440 --> 0:21:43.680
<v Speaker 1>guest for today is my dear old friend Rain Wilson.

0:21:44.200 --> 0:21:49.240
<v Speaker 1>You know him, of course as mister Dwight k Shrewd

0:21:49.440 --> 0:21:52.840
<v Speaker 1>from the office, but maybe he kind of sort of

0:21:52.880 --> 0:21:55.880
<v Speaker 1>wishes you knew him for some of his other stuff too.

0:21:56.560 --> 0:21:59.840
<v Speaker 7>But now my son is going off to college, can

0:21:59.840 --> 0:22:03.960
<v Speaker 7>you leave it now? Walter was born Walter was born

0:22:04.040 --> 0:22:07.000
<v Speaker 7>during the Hot Girl, Perse Girl episode of season one,

0:22:07.400 --> 0:22:09.240
<v Speaker 7>right in a really traumatic.

0:22:08.840 --> 0:22:13.080
<v Speaker 1>Berth yes you ran from set to go to the

0:22:13.080 --> 0:22:16.639
<v Speaker 1>hospital because there was a medical issue. Yes, I know.

0:22:16.920 --> 0:22:19.800
<v Speaker 7>And now he's going off to college, so I'm going

0:22:19.880 --> 0:22:21.399
<v Speaker 7>to have more time to do theater.

0:22:21.640 --> 0:22:26.800
<v Speaker 1>He he's the physical embodiment of how long we all

0:22:26.840 --> 0:22:30.600
<v Speaker 1>were together. Just as he grew it was like, oh wow,

0:22:31.200 --> 0:22:33.560
<v Speaker 1>we've been together a long time. And now he's going

0:22:33.600 --> 0:22:36.160
<v Speaker 1>off to college, which is nuts.

0:22:36.359 --> 0:22:38.880
<v Speaker 8>Nuts yeah, just not nuts.

0:22:38.960 --> 0:22:39.680
<v Speaker 1>Yeah.

0:22:39.720 --> 0:22:41.960
<v Speaker 8>But once he's gone, he's our only kid, and then.

0:22:41.920 --> 0:22:43.800
<v Speaker 7>I've got a little more freedom, so i can go

0:22:43.880 --> 0:22:47.160
<v Speaker 7>do theater for very little money for six months here

0:22:47.240 --> 0:22:50.119
<v Speaker 7>or five months there. So I'm very excited about about

0:22:50.119 --> 0:22:52.720
<v Speaker 7>doing that because for me, you know, I always have

0:22:52.840 --> 0:22:55.919
<v Speaker 7>a little bit of the mystical, spiritual nature in me,

0:22:56.200 --> 0:23:00.800
<v Speaker 7>and for me, acting is about there is a magic

0:23:00.920 --> 0:23:02.720
<v Speaker 7>about transforming into characters.

0:23:02.880 --> 0:23:04.000
<v Speaker 8>Yes, and people.

0:23:03.720 --> 0:23:07.560
<v Speaker 7>Always are like, you know, Dwight gets so much attention

0:23:07.680 --> 0:23:10.080
<v Speaker 7>and focus about who I am as an actor and

0:23:10.119 --> 0:23:11.800
<v Speaker 7>as a person, and that's great.

0:23:11.920 --> 0:23:12.960
<v Speaker 8>I'm so grateful.

0:23:13.000 --> 0:23:16.600
<v Speaker 7>Those nine years were magical, amazing, what a great character.

0:23:17.119 --> 0:23:21.680
<v Speaker 7>The writing, the cast, the thought, the you know, the producers,

0:23:21.840 --> 0:23:26.040
<v Speaker 7>everything like that, the fans, the support, it's it's it's

0:23:26.080 --> 0:23:30.760
<v Speaker 7>been incredible. But people don't realize this, and a lot

0:23:30.760 --> 0:23:33.800
<v Speaker 7>of people aren't. In the acting world, like, I played

0:23:33.920 --> 0:23:38.600
<v Speaker 7>dozens of characters before I played Dwight, and since I've

0:23:38.640 --> 0:23:43.600
<v Speaker 7>finished Dwight, I've played another couple dozen characters. So for me,

0:23:43.640 --> 0:23:47.679
<v Speaker 7>it's about transforming into characters and telling stories. I played

0:23:48.000 --> 0:23:51.399
<v Speaker 7>Hamlet in school. I did Eugene O'Neil at the Arena stage.

0:23:51.440 --> 0:23:53.280
<v Speaker 7>I did Philadelphia Here I come at the Guthrie.

0:23:53.359 --> 0:23:54.399
<v Speaker 8>I did you know?

0:23:54.520 --> 0:23:58.320
<v Speaker 7>I did Shakespeare tours. I've done lots of little I

0:23:58.400 --> 0:24:02.520
<v Speaker 7>played the guy in Supermarket and CSI.

0:24:02.680 --> 0:24:05.679
<v Speaker 8>But they're all characters. They're just like you know.

0:24:05.760 --> 0:24:08.560
<v Speaker 7>I hope that when I die, people will yes, I

0:24:08.600 --> 0:24:11.000
<v Speaker 7>look at DWIGHTE but be like, wow, look at all

0:24:11.960 --> 0:24:15.359
<v Speaker 7>crazy different characters this guy played, like right, this was

0:24:15.400 --> 0:24:19.919
<v Speaker 7>a panopoly of a very different characters, dozens and dozens

0:24:19.960 --> 0:24:21.280
<v Speaker 7>and dozens over his life.

0:24:21.680 --> 0:24:23.920
<v Speaker 8>And I love that act of transformation.

0:24:24.720 --> 0:24:28.560
<v Speaker 7>It's so satisfying to me to just to build and

0:24:28.600 --> 0:24:31.960
<v Speaker 7>develop and play a character and then play a completely

0:24:32.000 --> 0:24:35.000
<v Speaker 7>different character, you know, than the month after.

0:24:35.240 --> 0:24:39.400
<v Speaker 1>Yeah, I feel I really feel this way that for

0:24:39.720 --> 0:24:44.280
<v Speaker 1>you and I I think we have a unique bond

0:24:44.520 --> 0:24:49.240
<v Speaker 1>and excitement about what you just talked about like actually

0:24:49.359 --> 0:24:56.880
<v Speaker 1>creating the physicality, the inner life, the external differences from

0:24:57.000 --> 0:25:00.280
<v Speaker 1>ourselves and melding that with who we are. That that

0:25:00.640 --> 0:25:04.879
<v Speaker 1>for me as well, that is really my favorite thing

0:25:04.880 --> 0:25:05.240
<v Speaker 1>in the world.

0:25:05.359 --> 0:25:09.160
<v Speaker 8>Yeah, like just it's I keep using the word transformation.

0:25:09.440 --> 0:25:13.200
<v Speaker 7>Yes, you walk different, you speak different, you think different,

0:25:13.240 --> 0:25:15.960
<v Speaker 7>you see the world different, you have a different kind

0:25:15.960 --> 0:25:19.439
<v Speaker 7>of energy. All of these things need to transform to

0:25:19.480 --> 0:25:21.840
<v Speaker 7>create a character. Now, of course, I'm it's the basic

0:25:21.840 --> 0:25:23.720
<v Speaker 7>building blocks are Rain Wilson. So I'm going to be

0:25:23.800 --> 0:25:26.520
<v Speaker 7>using this big, weird, ungainly body and I'm going to

0:25:27.040 --> 0:25:29.879
<v Speaker 7>always see things through a certain lens, so you're always

0:25:29.880 --> 0:25:33.760
<v Speaker 7>going to see Rain Wilson in those characters. And that's

0:25:33.880 --> 0:25:37.920
<v Speaker 7>also a magical thing. But that's what I love about

0:25:38.119 --> 0:25:42.600
<v Speaker 7>the theater, and I think why you know, people have

0:25:42.640 --> 0:25:44.679
<v Speaker 7>always loved the theater and they love to see their

0:25:44.680 --> 0:25:46.080
<v Speaker 7>favorite actors transform.

0:25:46.560 --> 0:25:52.919
<v Speaker 1>Do you resent that people only want to see you

0:25:53.040 --> 0:25:53.520
<v Speaker 1>be Dwight?

0:25:54.640 --> 0:25:57.359
<v Speaker 7>Sometimes I do, to be really honest, you know, to

0:25:57.440 --> 0:26:01.359
<v Speaker 7>be perfectly frank, It's just like I'll do an independent

0:26:01.400 --> 0:26:04.440
<v Speaker 7>film that I worked my ass off on and play

0:26:04.800 --> 0:26:08.800
<v Speaker 7>a villain or you know, played something completely different than me,

0:26:09.080 --> 0:26:13.600
<v Speaker 7>you know, unhinged, person or something you know, really funny

0:26:13.680 --> 0:26:16.959
<v Speaker 7>or whatever, and I'll promote it on like social media.

0:26:17.240 --> 0:26:24.000
<v Speaker 7>They'll be like, hey Dwight, yeah, yeah, right and exactly,

0:26:24.040 --> 0:26:26.359
<v Speaker 7>and it's and it's it's like, guys, I get it,

0:26:26.400 --> 0:26:26.840
<v Speaker 7>I got it.

0:26:26.880 --> 0:26:28.360
<v Speaker 8>You love the show. I do too.

0:26:28.440 --> 0:26:31.040
<v Speaker 7>It's beautiful, but also can you respect me as an

0:26:31.119 --> 0:26:33.600
<v Speaker 7>artist and that I'm trying to do some other things

0:26:33.640 --> 0:26:38.200
<v Speaker 7>here too. But at the end of the day, I've

0:26:38.200 --> 0:26:41.160
<v Speaker 7>been really lucky because I even think, like the last

0:26:41.200 --> 0:26:45.040
<v Speaker 7>ten years since I got out of the office, I've

0:26:45.040 --> 0:26:46.760
<v Speaker 7>done a lot of really cool stuff. I did this

0:26:46.960 --> 0:26:49.840
<v Speaker 7>show Backstrom, no one really watched it. I did the

0:26:49.880 --> 0:26:50.680
<v Speaker 7>show Utopia.

0:26:50.880 --> 0:26:52.560
<v Speaker 1>Backstrom is the role you stole from me.

0:26:53.080 --> 0:26:54.520
<v Speaker 8>That is God.

0:26:54.560 --> 0:26:56.640
<v Speaker 1>I wanted to play that role so bad and they

0:26:56.800 --> 0:26:59.920
<v Speaker 1>just really wanted you. I wanted to play that role.

0:27:00.160 --> 0:27:03.400
<v Speaker 1>We've discussed this. It's not in a long time, but literally,

0:27:03.400 --> 0:27:05.720
<v Speaker 1>when I look at your at your at your when

0:27:05.760 --> 0:27:08.919
<v Speaker 1>I looked at your sheet and I see Backstrom, I'm like,

0:27:09.320 --> 0:27:12.919
<v Speaker 1>motherfucker that one. That one's still yeah.

0:27:13.119 --> 0:27:15.359
<v Speaker 8>Yeah, there's another version of Backstrom.

0:27:15.560 --> 0:27:17.720
<v Speaker 7>There's another in a lot of maybe it would have

0:27:17.720 --> 0:27:20.320
<v Speaker 7>worked and been better and stayed on the air with

0:27:20.400 --> 0:27:21.000
<v Speaker 7>you as.

0:27:20.840 --> 0:27:24.200
<v Speaker 8>The no as the cop. No, that's true.

0:27:24.280 --> 0:27:26.840
<v Speaker 7>Well, but the point I'm making is that you know

0:27:26.960 --> 0:27:30.520
<v Speaker 7>this show Utopia and Amazon, I did Harry Mudd on

0:27:30.640 --> 0:27:34.919
<v Speaker 7>Star Trek and a bunch of independent films and some theater,

0:27:35.160 --> 0:27:39.840
<v Speaker 7>and like, I really love the actor's life that.

0:27:39.800 --> 0:27:42.879
<v Speaker 8>I've had post office. Yeah, people haven't given a ship

0:27:43.080 --> 0:27:44.359
<v Speaker 8>about any of it.

0:27:44.480 --> 0:27:50.800
<v Speaker 7>Like, no one is like what, but it's been really Uh,

0:27:50.920 --> 0:27:52.800
<v Speaker 7>it's been fun for me. And these have been some

0:27:52.840 --> 0:27:56.159
<v Speaker 7>really great, satisfying characters. And then part of me has

0:27:56.320 --> 0:27:59.000
<v Speaker 7>thought recently like, oh, this is the life I always wanted.

0:27:59.160 --> 0:28:01.480
<v Speaker 8>Like I'm living the life I always wanted. I'm getting

0:28:01.520 --> 0:28:06.399
<v Speaker 8>to play all of these cool roles. People haven't really

0:28:07.440 --> 0:28:08.280
<v Speaker 8>vibed with them.

0:28:08.400 --> 0:28:21.840
<v Speaker 3>That's okay, damn it.

0:28:21.920 --> 0:28:27.919
<v Speaker 1>Rain. He always has something so deep and consequential to say.

0:28:28.640 --> 0:28:31.320
<v Speaker 1>It's a great lesson to do what makes you happy,

0:28:31.720 --> 0:28:36.080
<v Speaker 1>even if it's not always someone else's thing. I hope

0:28:36.080 --> 0:28:39.400
<v Speaker 1>the upcoming new year brings all of you at least

0:28:39.480 --> 0:28:44.080
<v Speaker 1>a little closer to the life you always wanted. And

0:28:44.160 --> 0:28:46.160
<v Speaker 1>I'll be back next week or some more of my

0:28:46.320 --> 0:28:49.840
<v Speaker 1>favorite memories from our year here at Off the Beat.

0:28:50.280 --> 0:29:03.080
<v Speaker 1>Until then, happiest of holidays and have a great week off.

0:29:03.080 --> 0:29:07.120
<v Speaker 1>The Beat is hosted and executive produced by me Brian Baumgartner,

0:29:07.360 --> 0:29:11.360
<v Speaker 1>alongside our executive producer Lang Lee. Our senior producer is

0:29:11.440 --> 0:29:15.479
<v Speaker 1>Diego Tapia. Our producers are Liz Hayes, Hannah Harris and

0:29:15.520 --> 0:29:19.920
<v Speaker 1>Emily Carr. Our talent producer is Ryan Papa Zachary, and

0:29:20.000 --> 0:29:24.160
<v Speaker 1>our intern is Ali Amir Sahed. Our theme song Bubble

0:29:24.200 --> 0:29:28.240
<v Speaker 1>and Squeak, performed by the one and only Creed Bratton