1
00:00:00,880 --> 00:00:04,160
Speaker 1: What up, everyone, It's Eric and Andre. Welcome back to Bombing,

2
00:00:04,280 --> 00:00:06,800
Speaker 1: where I talk with friends, comedians, musicians, and other creative

3
00:00:06,800 --> 00:00:09,120
Speaker 1: people about their worst moments on stage and just stinking

4
00:00:09,160 --> 00:00:10,640
Speaker 1: it up in front of a live audience. I hope

5
00:00:10,680 --> 00:00:12,480
Speaker 1: you're having a good week. I hung out with the

6
00:00:12,640 --> 00:00:15,760
Speaker 1: hilarious Jay Jurden and we talked about doing stand up

7
00:00:15,760 --> 00:00:18,919
Speaker 1: in New York City and the most unconventional spaces to perform.

8
00:00:19,400 --> 00:00:21,639
Speaker 1: He has a very silly story about doing stand up

9
00:00:21,640 --> 00:00:23,520
Speaker 1: in a lecture hall with a podium being a stage,

10
00:00:23,680 --> 00:00:26,079
Speaker 1: and more stuff unravels from his tales on the road.

11
00:00:26,239 --> 00:00:27,120
Speaker 1: Let's get into.

12
00:00:26,920 --> 00:00:36,479
Speaker 2: It Bombing with Eric Andre.

13
00:00:37,000 --> 00:00:39,280
Speaker 1: Okay, ladies and gentlemen. You know him as a comedian,

14
00:00:39,560 --> 00:00:45,720
Speaker 1: a writer, an actor, an activist, an artist, a sex symbol.

15
00:00:45,760 --> 00:00:46,160
Speaker 3: All right.

16
00:00:46,479 --> 00:00:51,400
Speaker 1: He's from the economically depressed state of Mississippi. Jay Jerden,

17
00:00:51,440 --> 00:00:58,680
Speaker 1: everybody certainly depressed as well. And I've never been to Mississippis.

18
00:00:58,680 --> 00:01:00,800
Speaker 1: I'm talking shit, it might be, it might be, it

19
00:01:00,880 --> 00:01:01,720
Speaker 1: might be Valhalla.

20
00:01:01,880 --> 00:01:03,160
Speaker 3: I think Mississippi is.

21
00:01:03,400 --> 00:01:04,680
Speaker 1: I just know Mississippi burning.

22
00:01:04,840 --> 00:01:09,400
Speaker 4: It's emblematic of everything about America. William Faukner has a

23
00:01:09,440 --> 00:01:11,240
Speaker 4: quote where it says to know a place like Mississippi

24
00:01:11,240 --> 00:01:13,080
Speaker 4: is to know America or something to that end.

25
00:01:13,120 --> 00:01:16,040
Speaker 1: Does he know William Faulkner, He was fucking prick.

26
00:01:16,600 --> 00:01:19,240
Speaker 3: He knew He's very dead.

27
00:01:19,440 --> 00:01:27,640
Speaker 4: But okay, no, I think that, like every every issue

28
00:01:27,680 --> 00:01:31,360
Speaker 4: that we have in America is magnified and also kind

29
00:01:31,400 --> 00:01:34,120
Speaker 4: of like on a grander scale in Mississippi in what sense,

30
00:01:34,200 --> 00:01:36,360
Speaker 4: in the sense that like, are you worried about gun violence?

31
00:01:36,680 --> 00:01:38,920
Speaker 4: Mississippi is a place where you can actually look at

32
00:01:38,959 --> 00:01:42,000
Speaker 4: the effects of gun violence. Are you worried about minority

33
00:01:42,080 --> 00:01:46,600
Speaker 4: rule by white people having power for centuries over black

34
00:01:46,640 --> 00:01:47,400
Speaker 4: and brown people?

35
00:01:47,480 --> 00:01:49,040
Speaker 3: Mississippi is a great example of that.

36
00:01:49,200 --> 00:01:55,200
Speaker 4: Are you worried about our economic income disparity, where like

37
00:01:55,280 --> 00:01:57,840
Speaker 4: the top percent have so much more than the rest

38
00:01:57,880 --> 00:02:00,320
Speaker 4: of the country. Mississippi is an example of that. Are

39
00:02:00,320 --> 00:02:03,680
Speaker 4: you worried about abortion rights being taken away? Mississippians example

40
00:02:03,680 --> 00:02:05,240
Speaker 4: of that? Are you worried about.

41
00:02:05,120 --> 00:02:10,800
Speaker 1: Well, it seems like a real fun place. Have you

42
00:02:11,480 --> 00:02:12,280
Speaker 1: there a health nut?

43
00:02:12,720 --> 00:02:15,560
Speaker 3: Yes? I mean my favorite.

44
00:02:15,880 --> 00:02:19,200
Speaker 4: My favorite healthy snack in Mississippi is compi with corn syrup.

45
00:02:19,600 --> 00:02:23,400
Speaker 1: That is like diabetes and a bite.

46
00:02:23,560 --> 00:02:25,480
Speaker 3: Man, get a couple of bites.

47
00:02:25,520 --> 00:02:27,079
Speaker 1: I got a sweet to You got a sweet tooth.

48
00:02:27,720 --> 00:02:32,239
Speaker 1: Now you're in great shape, especially for Mississippi. Like god,

49
00:02:32,360 --> 00:02:41,960
Speaker 1: damn chisel peptides. I saw Kumel in person, and you're jealous.

50
00:02:42,000 --> 00:02:44,160
Speaker 1: He's thick. He's thinking enough for the Chippendale Show.

51
00:02:45,120 --> 00:02:47,639
Speaker 3: But he's thinking, he's thinking up for the Chippendeill show.

52
00:02:47,720 --> 00:02:51,200
Speaker 1: And if you watch it, he's not a strippers boss.

53
00:02:51,360 --> 00:02:54,640
Speaker 1: That's a that's a wild thing. Should I start doing peptides?

54
00:02:55,000 --> 00:02:55,200
Speaker 3: No?

55
00:02:55,720 --> 00:02:58,480
Speaker 1: As I drink and then I get what do you

56
00:02:58,520 --> 00:02:59,600
Speaker 1: what you like drinking?

57
00:03:00,120 --> 00:03:01,040
Speaker 3: Drinking is your vice?

58
00:03:01,360 --> 00:03:01,600
Speaker 2: Yeah?

59
00:03:01,800 --> 00:03:05,079
Speaker 3: So the so the calories from the drinks is what.

60
00:03:04,960 --> 00:03:07,720
Speaker 1: You get, like cocktails like sweet cock good?

61
00:03:08,040 --> 00:03:08,800
Speaker 3: You good too.

62
00:03:09,160 --> 00:03:11,560
Speaker 4: Honestly, I think that makes you a feminist icon because

63
00:03:11,560 --> 00:03:15,040
Speaker 4: you're not beholden to these male sensibilities that people a spouse.

64
00:03:15,320 --> 00:03:17,360
Speaker 3: You can drink the grain drink. You drink a pink drink.

65
00:03:17,400 --> 00:03:18,040
Speaker 2: I'm drinking pink.

66
00:03:18,040 --> 00:03:20,920
Speaker 1: Don't drink a cosmo right now? Hell yeah you no hesitation?

67
00:03:21,120 --> 00:03:22,079
Speaker 3: Are cosmos here?

68
00:03:22,800 --> 00:03:23,400
Speaker 1: Do you drink?

69
00:03:23,520 --> 00:03:23,720
Speaker 2: Yeah?

70
00:03:23,760 --> 00:03:26,760
Speaker 3: I drink. I don't drink a lot right now?

71
00:03:26,960 --> 00:03:27,120
Speaker 2: No?

72
00:03:27,160 --> 00:03:30,720
Speaker 1: How old are you that rough had a birthday? You're

73
00:03:30,720 --> 00:03:33,480
Speaker 1: like thirty twenty nine. It's very sweet you're young.

74
00:03:33,600 --> 00:03:34,680
Speaker 3: I love this conversation.

75
00:03:34,960 --> 00:03:35,960
Speaker 2: You're like, I'm sixty.

76
00:03:37,280 --> 00:03:38,840
Speaker 4: Yeah, that's what I can tell you about Mississippi. I

77
00:03:38,960 --> 00:03:41,280
Speaker 4: was there when they break the water holes?

78
00:03:41,360 --> 00:03:42,000
Speaker 1: Is on us?

79
00:03:42,440 --> 00:03:45,400
Speaker 3: I'm marched. Listen, look ahead, young blood.

80
00:03:45,640 --> 00:03:48,560
Speaker 1: I was it with doctor King. Could you could tell

81
00:03:48,560 --> 00:03:50,360
Speaker 1: me anything? You can tell me you're twenty one or

82
00:03:51,240 --> 00:03:51,960
Speaker 1: fifty five.

83
00:03:52,480 --> 00:03:57,040
Speaker 4: I'm in the same age as a euphoria teen That's

84
00:03:57,200 --> 00:03:58,080
Speaker 4: what I'll saying.

85
00:03:58,200 --> 00:03:58,800
Speaker 1: So you're young.

86
00:03:59,200 --> 00:04:01,960
Speaker 4: No, I'm the same ages. Like, I'm the same age

87
00:04:01,960 --> 00:04:03,920
Speaker 4: as the people they cast as teenagers. So I'm in

88
00:04:03,960 --> 00:04:07,120
Speaker 4: my thirties. Okay, that's great. But is Zendaya?

89
00:04:07,240 --> 00:04:08,320
Speaker 3: I think she's late twenties.

90
00:04:08,400 --> 00:04:12,040
Speaker 4: Do you look to her for Yeah, because I want to.

91
00:04:12,360 --> 00:04:14,760
Speaker 4: I want to fuck Tom Holland. Yeah, that's is that

92
00:04:14,840 --> 00:04:18,919
Speaker 4: your celebrity crush? No white guys on your race? No,

93
00:04:19,080 --> 00:04:21,839
Speaker 4: my my celebrity crush. If there was a person who

94
00:04:21,880 --> 00:04:25,400
Speaker 4: literally could like make me go to my husband, Sorry,

95
00:04:25,440 --> 00:04:26,080
Speaker 4: I have to leave.

96
00:04:26,680 --> 00:04:27,800
Speaker 3: Zendia is on the.

97
00:04:27,800 --> 00:04:33,360
Speaker 4: List well because she is so much bigger than sexuality.

98
00:04:32,560 --> 00:04:34,760
Speaker 3: And prefer she is beauty.

99
00:04:35,160 --> 00:04:35,599
Speaker 2: I get that.

100
00:04:35,720 --> 00:04:37,680
Speaker 4: Do you understand you put a garment on her? There's

101
00:04:37,680 --> 00:04:39,800
Speaker 4: that famous photo of her Michael B. Jordan wearing the

102
00:04:39,839 --> 00:04:42,560
Speaker 4: same suit, and she looks so much better than him.

103
00:04:42,720 --> 00:04:45,360
Speaker 3: Yeah, he had tube buff No, I don't say that

104
00:04:45,480 --> 00:04:47,640
Speaker 3: might be he's on the list?

105
00:04:47,839 --> 00:04:50,000
Speaker 1: Is he number two? He's stared into the center of

106
00:04:50,040 --> 00:04:53,880
Speaker 1: my penis? Sometimes, you know, tell the story behind this, Okay.

107
00:04:53,920 --> 00:04:58,080
Speaker 1: So I was making bad trip in Atlanta, Georgia. So

108
00:04:58,120 --> 00:05:01,680
Speaker 1: Michael B. Jordan has seen into your Yeah, and it

109
00:05:02,320 --> 00:05:05,960
Speaker 1: was an accident. The window to the soul, that's right.

110
00:05:06,320 --> 00:05:08,360
Speaker 1: Most people think it's the eyes, no, no, no, but

111
00:05:08,440 --> 00:05:09,120
Speaker 1: it's the dick hole.

112
00:05:09,680 --> 00:05:10,159
Speaker 2: So it.

113
00:05:12,240 --> 00:05:16,640
Speaker 1: Starts. I went to the Four Seasons to you know,

114
00:05:17,360 --> 00:05:19,520
Speaker 1: making that movie is very stressful, so I went to

115
00:05:19,520 --> 00:05:21,239
Speaker 1: the Four Seasons on a weekend.

116
00:05:21,640 --> 00:05:23,400
Speaker 3: I did not expect this story to start at the

117
00:05:23,400 --> 00:05:24,040
Speaker 3: four season.

118
00:05:24,080 --> 00:05:25,800
Speaker 1: Yeah, started at the Four Seasons. So I was at

119
00:05:25,800 --> 00:05:30,640
Speaker 1: the Spa, in the men's section of the spa, clothing optional, sauna,

120
00:05:30,960 --> 00:05:34,400
Speaker 1: steam room. I'm in the sauna. I'm there forever. Yeah,

121
00:05:34,600 --> 00:05:37,320
Speaker 1: I'm bopping between the steam room, the sauna, whatever, and

122
00:05:37,360 --> 00:05:43,479
Speaker 1: no one's there. Everything, nobody's there, and I'm like, you

123
00:05:43,520 --> 00:05:45,120
Speaker 1: know what, no one's been here for like an hour,

124
00:05:45,320 --> 00:05:47,960
Speaker 1: so comfortable, and then I just take off my bathroom.

125
00:05:48,000 --> 00:05:51,920
Speaker 1: I'm spread eagle in the sauna, yes, lo and behold

126
00:05:52,000 --> 00:05:54,880
Speaker 1: the sauna the way the doors face a glass door,

127
00:05:55,080 --> 00:05:57,320
Speaker 1: and I'm like sitting right there. It's a small sauna,

128
00:05:57,680 --> 00:06:01,000
Speaker 1: spread eagle. No one's there forever, All of a sudden,

129
00:06:01,640 --> 00:06:05,919
Speaker 1: movie star Apollo Creed wherever he plays, Michael B. Jordan

130
00:06:06,920 --> 00:06:10,479
Speaker 1: comes around the corner and like walks and then he

131
00:06:10,560 --> 00:06:13,640
Speaker 1: looks and makes eye cod me. He looks down at

132
00:06:13,680 --> 00:06:16,080
Speaker 1: my dick. He looks back into my eyes, and then

133
00:06:16,080 --> 00:06:18,960
Speaker 1: he just reversed moon walks out of his spot. Didn't

134
00:06:19,000 --> 00:06:22,760
Speaker 1: get undrunk, didn't he just was like nope.

135
00:06:24,320 --> 00:06:30,640
Speaker 4: Oh my god, he left. Could I say something that

136
00:06:30,839 --> 00:06:34,440
Speaker 4: is such a bro response is just like oh my

137
00:06:34,680 --> 00:06:37,400
Speaker 4: oh oh oh, okay, my bad your I didn't know,

138
00:06:37,880 --> 00:06:39,719
Speaker 4: ain't even it wasn't even my bad.

139
00:06:39,760 --> 00:06:42,920
Speaker 1: It was like, look, it was like eye contact, dick,

140
00:06:43,279 --> 00:06:44,719
Speaker 1: eye contact, eye contact.

141
00:06:45,000 --> 00:06:46,600
Speaker 4: Can I tell you what my response would have been.

142
00:06:46,880 --> 00:06:48,800
Speaker 4: I would have looked at your dick without seeing your

143
00:06:48,800 --> 00:06:49,440
Speaker 4: face and went.

144
00:06:50,279 --> 00:06:59,240
Speaker 1: Conduct man my profile picture. But so, Zendiah, would you

145
00:06:59,240 --> 00:07:01,159
Speaker 1: put them in that or Zendaya first?

146
00:07:01,760 --> 00:07:03,120
Speaker 3: Zendayah. Michael B.

147
00:07:03,200 --> 00:07:06,919
Speaker 4: Jordan is somewhere in the top five. I also who's

148
00:07:06,920 --> 00:07:08,479
Speaker 4: like I'm trying to think of like a young like

149
00:07:08,480 --> 00:07:14,000
Speaker 4: white guys. I think like Steve Lazy, young, cute. No,

150
00:07:14,160 --> 00:07:16,920
Speaker 4: Steve Lazy has that quote where he said he sees

151
00:07:17,000 --> 00:07:19,560
Speaker 4: black man and his brother, so he can't hook up

152
00:07:19,560 --> 00:07:21,880
Speaker 4: with him. No, no, no, I will listen. Put it

153
00:07:21,920 --> 00:07:26,200
Speaker 4: in my face. That's the craziest thing you can say.

154
00:07:26,320 --> 00:07:29,080
Speaker 4: You can be like, I'm currently dating and or fucking

155
00:07:29,080 --> 00:07:30,480
Speaker 4: a white guy, but you can't be like and this

156
00:07:30,640 --> 00:07:31,080
Speaker 4: other race.

157
00:07:31,120 --> 00:07:34,080
Speaker 3: I only see you as ken I could never what.

158
00:07:34,440 --> 00:07:35,920
Speaker 1: I think he's figuring it out.

159
00:07:36,240 --> 00:07:37,720
Speaker 3: He also, I think he also.

160
00:07:39,040 --> 00:07:41,400
Speaker 4: I think Steve Lazy was that was also around the

161
00:07:41,440 --> 00:07:43,720
Speaker 4: time probably where he was like in the internet, like

162
00:07:43,760 --> 00:07:47,440
Speaker 4: the group, and like he probably was just saying wowhit. Yeah,

163
00:07:47,520 --> 00:07:49,880
Speaker 4: he was probably saying wow shit and never thought it

164
00:07:49,880 --> 00:07:52,400
Speaker 4: would blow up. So then when you have a year

165
00:07:52,440 --> 00:07:55,480
Speaker 4: like he did last year, everything comes back out.

166
00:07:55,520 --> 00:07:57,080
Speaker 1: I think, yeah, yeah, yeah, I'm.

167
00:07:56,960 --> 00:07:59,200
Speaker 4: Trying to think of who else is the celebrity that

168
00:07:59,240 --> 00:08:00,840
Speaker 4: wouldn't get me in trouble If I was.

169
00:08:00,800 --> 00:08:04,480
Speaker 3: Like, oh they're so fucking hot. Oh okay, nobody's listening.

170
00:08:06,080 --> 00:08:07,000
Speaker 1: You can say whatever you want.

171
00:08:08,360 --> 00:08:12,600
Speaker 4: Okay, So this is do you know who Manny just no, no,

172
00:08:12,680 --> 00:08:16,240
Speaker 4: not many, but thinking you know who managed Decento is no,

173
00:08:16,560 --> 00:08:21,440
Speaker 4: he is so hot he managed Manny is just like no,

174
00:08:21,480 --> 00:08:24,480
Speaker 4: it's not Rhonda s looking it up, Randa Sanda is

175
00:08:24,480 --> 00:08:27,520
Speaker 4: in those boots, in those he was just one of

176
00:08:27,560 --> 00:08:33,480
Speaker 4: those boots, my girl, Ronda and man is Manny Manny

177
00:08:33,760 --> 00:08:37,320
Speaker 4: j A C I N t oh I.

178
00:08:37,800 --> 00:08:39,320
Speaker 3: He was an actor, he was on the place.

179
00:08:40,120 --> 00:08:46,800
Speaker 1: He's he's with a Latin name. And how Philippines work Filipino,

180
00:08:47,160 --> 00:08:49,080
Speaker 1: that's what assumes very handsome was right.

181
00:08:49,240 --> 00:08:54,440
Speaker 4: He looks cut, he looks drawn. Look at that jaw line.

182
00:08:54,559 --> 00:08:57,840
Speaker 4: I want to just slice my yorder that is. He's

183
00:08:57,880 --> 00:08:59,920
Speaker 4: so hot. He he's barbied all hot.

184
00:09:00,160 --> 00:09:02,760
Speaker 1: Do you have an understanding with your husband?

185
00:09:02,960 --> 00:09:03,400
Speaker 2: Do you get it?

186
00:09:03,840 --> 00:09:07,160
Speaker 1: Do you get as if something like that can?

187
00:09:07,360 --> 00:09:11,480
Speaker 3: Can I say something? Hell, mother fucking is that a

188
00:09:11,559 --> 00:09:13,440
Speaker 3: fifty to fifty even split?

189
00:09:14,880 --> 00:09:15,520
Speaker 1: I don't believe what.

190
00:09:16,480 --> 00:09:18,160
Speaker 3: I will let you know right now.

191
00:09:18,360 --> 00:09:20,120
Speaker 4: And because you said no one's listening to this podcast,

192
00:09:20,120 --> 00:09:22,920
Speaker 4: I will tell you there are people who aren't even

193
00:09:22,960 --> 00:09:24,480
Speaker 4: super famous that I feel like I could get a

194
00:09:24,520 --> 00:09:24,839
Speaker 4: pass with.

195
00:09:25,040 --> 00:09:27,520
Speaker 1: Really yes, I mean and does it work the same

196
00:09:27,559 --> 00:09:30,560
Speaker 1: way though? Will you give him the same, and there's

197
00:09:30,600 --> 00:09:31,800
Speaker 1: no jealousy or.

198
00:09:32,520 --> 00:09:34,400
Speaker 3: No jealousy all.

199
00:09:34,760 --> 00:09:36,800
Speaker 1: In fact, what do you guys communicate?

200
00:09:36,880 --> 00:09:39,920
Speaker 4: In fact as a queer couple, we don't even say

201
00:09:39,920 --> 00:09:44,319
Speaker 4: we're open. We just say we're mature, we're adults. Now

202
00:09:44,520 --> 00:09:45,439
Speaker 4: we're realistic.

203
00:09:45,520 --> 00:09:49,640
Speaker 1: It's an easier that's an easier pitch. Okay to dudes,

204
00:09:49,960 --> 00:09:52,440
Speaker 1: guy and a girl more often? What did you say?

205
00:09:53,360 --> 00:09:55,280
Speaker 3: That used to be straight?

206
00:09:55,679 --> 00:09:57,640
Speaker 4: That used to be the case, and now straight women

207
00:09:57,679 --> 00:10:02,520
Speaker 4: are starting to chill act because of TikTok You think so? No,

208
00:10:03,200 --> 00:10:05,000
Speaker 4: I think one day people will be able to be

209
00:10:05,040 --> 00:10:07,839
Speaker 4: a bit more honest with their desires and their need

210
00:10:08,120 --> 00:10:11,120
Speaker 4: for you know, listen, love is a great song, but

211
00:10:11,200 --> 00:10:14,079
Speaker 4: every great song needs a remix, do you understand.

212
00:10:18,720 --> 00:10:30,360
Speaker 2: With a recodre? With a recdre.

213
00:10:30,800 --> 00:10:32,959
Speaker 1: Now, you're a big qan on guy, right.

214
00:10:32,880 --> 00:10:35,200
Speaker 3: I'm a huge QAnon guy. Yeah.

215
00:10:35,360 --> 00:10:35,680
Speaker 5: Huge.

216
00:10:35,840 --> 00:10:37,160
Speaker 3: I love it. I can't get enough.

217
00:10:37,160 --> 00:10:38,400
Speaker 1: Because you're from Mississippi.

218
00:10:38,440 --> 00:10:41,040
Speaker 3: Oh yeah, And I'm here to tell you about.

219
00:10:41,000 --> 00:10:43,880
Speaker 4: Because I will say this in regards to QAnon as

220
00:10:43,920 --> 00:10:46,960
Speaker 4: a queer stand up who like is having like a

221
00:10:47,000 --> 00:10:51,320
Speaker 4: little bit of fun success. I'm upset that I haven't

222
00:10:51,320 --> 00:10:58,120
Speaker 4: been invited to the obligatory bisexual orgies in Hollywood. Yet Yeah,

223
00:10:58,320 --> 00:11:00,560
Speaker 4: the funniest part about everyone being like, you know, when

224
00:11:00,559 --> 00:11:02,400
Speaker 4: you get to Hollywood, they're gonna make you do gay stuff.

225
00:11:02,440 --> 00:11:06,040
Speaker 3: My response was always like make they're.

226
00:11:05,800 --> 00:11:10,560
Speaker 1: Gonna make me might. Now when you first moved to

227
00:11:11,080 --> 00:11:15,040
Speaker 1: New York as a Mississippian where you're like intimidated.

228
00:11:14,440 --> 00:11:14,720
Speaker 2: I was.

229
00:11:14,760 --> 00:11:18,880
Speaker 4: So I didn't know there was this, I'll say, the

230
00:11:18,880 --> 00:11:20,840
Speaker 4: most Mississippi thing ever. I didn't know there were so

231
00:11:20,880 --> 00:11:27,080
Speaker 4: many different types of Mexican people. But you know what happened, Like,

232
00:11:27,160 --> 00:11:33,680
Speaker 4: oh lord, so what happened? Yeah, so I've some family

233
00:11:33,720 --> 00:11:36,720
Speaker 4: from Louisiana. But what happened is that I went to

234
00:11:37,280 --> 00:11:38,559
Speaker 4: school in Mississippi.

235
00:11:38,600 --> 00:11:39,800
Speaker 3: Then I went to which I don't know if you

236
00:11:39,840 --> 00:11:40,880
Speaker 3: can believe it, they got them.

237
00:11:41,280 --> 00:11:42,800
Speaker 4: We went to school in Mississippi and then went to

238
00:11:42,840 --> 00:11:46,959
Speaker 4: school in someplace very different, Alabama. And then because I

239
00:11:47,280 --> 00:11:49,560
Speaker 4: had like a BFA and an MFA and acting, I

240
00:11:49,640 --> 00:11:54,640
Speaker 4: moved here and signed with a horrible agency and they

241
00:11:54,679 --> 00:11:57,560
Speaker 4: did not care about me at all. They sent me

242
00:11:57,600 --> 00:12:01,520
Speaker 4: to the worst auditions. And then I started doing stand

243
00:12:01,559 --> 00:12:03,920
Speaker 4: up because I wanted to, Like, I donet stand up

244
00:12:03,960 --> 00:12:05,640
Speaker 4: a little bit in Mississippi, But did you stand up

245
00:12:05,640 --> 00:12:06,680
Speaker 4: in Mississippi and Alabama.

246
00:12:06,720 --> 00:12:08,520
Speaker 3: Back in the day, it was like maybe you get

247
00:12:08,559 --> 00:12:08,800
Speaker 3: to do.

248
00:12:08,800 --> 00:12:11,640
Speaker 4: A show a month, right, and they'll be like, oh

249
00:12:11,679 --> 00:12:13,080
Speaker 4: whens your next show. You'll be like in a couple

250
00:12:13,120 --> 00:12:15,160
Speaker 4: of months, I think, right, I'm going to get to

251
00:12:15,240 --> 00:12:18,839
Speaker 4: host this benefit right, like it's never.

252
00:12:18,800 --> 00:12:20,760
Speaker 1: But then you got here and you were pounding the payment.

253
00:12:20,840 --> 00:12:23,600
Speaker 3: Well, you get here and I sign like we had this.

254
00:12:23,720 --> 00:12:25,400
Speaker 4: There was a really cool website back in the day,

255
00:12:25,679 --> 00:12:27,600
Speaker 4: free mics dot Com, where you could just find where

256
00:12:27,600 --> 00:12:29,000
Speaker 4: all the open mics were in the city, some of

257
00:12:29,040 --> 00:12:29,480
Speaker 4: them free.

258
00:12:29,520 --> 00:12:30,680
Speaker 3: Someone were like drink.

259
00:12:30,960 --> 00:12:33,079
Speaker 1: You know with the site. When I first moved here

260
00:12:33,080 --> 00:12:35,360
Speaker 1: twenty years ago, what it was called chuckle monkey?

261
00:12:35,600 --> 00:12:40,839
Speaker 4: No no, no, no, can I say new favorite slur,

262
00:12:41,920 --> 00:12:43,680
Speaker 4: new favorite slur?

263
00:12:44,040 --> 00:12:51,199
Speaker 3: My god, I was like chuckle monk, chuckle monk? Oh

264
00:12:51,400 --> 00:12:52,000
Speaker 3: right right?

265
00:12:52,040 --> 00:12:52,760
Speaker 1: Type of that end.

266
00:12:53,240 --> 00:12:53,560
Speaker 2: Hmmm.

267
00:12:54,080 --> 00:12:56,040
Speaker 4: I don't even want to see the image. I don't

268
00:12:56,040 --> 00:12:58,199
Speaker 4: even want to see the image. Why is this monkey

269
00:12:58,280 --> 00:13:05,240
Speaker 4: dressed like Richard pryor chuckle Ben Head? No, no, Benveren's

270
00:13:05,360 --> 00:13:06,199
Speaker 4: chicken George?

271
00:13:08,000 --> 00:13:10,280
Speaker 1: All right, bombing, let's talk about the premise of this

272
00:13:10,400 --> 00:13:13,240
Speaker 1: fucking podcast. What's the worst you ever bombed. You can

273
00:13:13,320 --> 00:13:15,280
Speaker 1: do this in any order. Okay, worst you ever bomb,

274
00:13:15,520 --> 00:13:19,120
Speaker 1: wor'st bomb you ever witnessed, Most wasted you've been on stage?

275
00:13:19,240 --> 00:13:21,800
Speaker 3: Okay, worst I've ever bombed. There's two.

276
00:13:21,960 --> 00:13:23,560
Speaker 4: So like you don't want to count some of the

277
00:13:23,559 --> 00:13:26,080
Speaker 4: early ones, but there was this one ken Okay, So

278
00:13:26,160 --> 00:13:28,160
Speaker 4: like you have like a couple of good mics, a

279
00:13:28,200 --> 00:13:31,280
Speaker 4: couple of good like bar shows you. I went up

280
00:13:31,440 --> 00:13:34,920
Speaker 4: on one show early. I want to say, this had

281
00:13:34,920 --> 00:13:37,439
Speaker 4: to be like twenty sixteen Mississippi. No, no, no. This

282
00:13:37,640 --> 00:13:40,920
Speaker 4: was in New York, so the New York bombs hit different.

283
00:13:41,040 --> 00:13:41,839
Speaker 2: Oh they're tough.

284
00:13:42,320 --> 00:13:44,720
Speaker 4: It was in the East Village. I believe it was

285
00:13:44,760 --> 00:13:48,800
Speaker 4: twenty seventeen. I went up. A woman who was in

286
00:13:48,840 --> 00:13:53,240
Speaker 4: town from LA was kind of at this like produced mike,

287
00:13:53,480 --> 00:13:55,719
Speaker 4: and she like was talking to me and she was like, oh,

288
00:13:55,720 --> 00:13:57,400
Speaker 4: I can't wait to watch your set because we had

289
00:13:57,440 --> 00:14:00,760
Speaker 4: like a good conversation. Yeah, which she stay. I went

290
00:14:00,840 --> 00:14:05,840
Speaker 4: up on stage. Who first joke nothing, second joke nothing.

291
00:14:06,000 --> 00:14:08,920
Speaker 4: The venue I think it's closed since the comedy club

292
00:14:09,040 --> 00:14:11,040
Speaker 4: or a bar. It was a bar, okay, okay, so

293
00:14:11,280 --> 00:14:14,520
Speaker 4: it was like already gonna not be the best show,

294
00:14:15,000 --> 00:14:17,959
Speaker 4: but like crickets from a bar, and like people were

295
00:14:17,960 --> 00:14:21,400
Speaker 4: there and people were there like watching, so it was

296
00:14:21,400 --> 00:14:24,120
Speaker 4: a bigger crowd than they usually had, and so she

297
00:14:24,320 --> 00:14:25,120
Speaker 4: was there from my la.

298
00:14:25,200 --> 00:14:27,720
Speaker 3: We just had a good conversation in a bar. I was turning.

299
00:14:27,880 --> 00:14:29,600
Speaker 3: I was like, oh yeah, I'm actually like really enjoying

300
00:14:29,600 --> 00:14:30,840
Speaker 3: you in comedy in New York right now.

301
00:14:30,880 --> 00:14:31,640
Speaker 1: This is so cool.

302
00:14:32,200 --> 00:14:34,560
Speaker 3: Oh my god, I made it so much worse.

303
00:14:34,720 --> 00:14:39,040
Speaker 4: I talked about like not having anything in my bank

304
00:14:39,080 --> 00:14:42,040
Speaker 4: account in a way that was just so unfunny. And

305
00:14:42,080 --> 00:14:44,560
Speaker 4: I was like, okay, But then I couldn't be like,

306
00:14:44,600 --> 00:14:46,520
Speaker 4: but look at these rich motherfuckers, because I know they

307
00:14:46,560 --> 00:14:49,440
Speaker 4: weren't so it when like it wasn't I wasn't being relatable.

308
00:14:49,480 --> 00:14:52,560
Speaker 4: I just was not being funny. I just like slogged

309
00:14:52,560 --> 00:14:55,640
Speaker 4: through that. And then I like tried to sing, and

310
00:14:55,720 --> 00:15:00,840
Speaker 4: that also like didn't work. No, it was embarrassing. Yes,

311
00:15:01,040 --> 00:15:03,840
Speaker 4: I tried to like make a joke about that bomb,

312
00:15:04,040 --> 00:15:06,800
Speaker 4: about the bombs that were currently happening on the.

313
00:15:06,760 --> 00:15:09,640
Speaker 1: Show people before you on the show doing okay, Yes,

314
00:15:09,800 --> 00:15:12,480
Speaker 1: oh that's rough. Yeah everyone was bombing. You could write

315
00:15:12,480 --> 00:15:15,760
Speaker 1: it off, but every well it was and then you're

316
00:15:15,840 --> 00:15:16,440
Speaker 1: just stinking.

317
00:15:16,520 --> 00:15:18,000
Speaker 4: It was one of those It was one of those

318
00:15:18,000 --> 00:15:20,840
Speaker 4: places where like I wouldn't go down that street to

319
00:15:20,920 --> 00:15:24,040
Speaker 4: that bar for like a good month because I was like, man,

320
00:15:24,040 --> 00:15:25,760
Speaker 4: I don't even I don't got to put myself through that.

321
00:15:26,000 --> 00:15:27,600
Speaker 3: I don't got to reopen that wound.

322
00:15:27,720 --> 00:15:29,440
Speaker 1: How did you end the set?

323
00:15:29,600 --> 00:15:35,960
Speaker 4: Well, probably with like well just because like you don't

324
00:15:36,200 --> 00:15:39,400
Speaker 4: have anything. You like have like a couple of heaters,

325
00:15:39,760 --> 00:15:42,440
Speaker 4: and like when those work, what's it?

326
00:15:42,480 --> 00:15:44,880
Speaker 3: Okay, that's the crazy part. So that's like twenty seventeen.

327
00:15:45,080 --> 00:15:47,720
Speaker 4: So like twenty nineteen, I'm on like this tiny little

328
00:15:47,760 --> 00:15:51,080
Speaker 4: college tour that I got from doing NAKA, which is

329
00:15:51,120 --> 00:15:53,240
Speaker 4: like yo digital a bunch of college and some of

330
00:15:53,240 --> 00:15:55,200
Speaker 4: the shows are like great. Some of the shows though

331
00:15:55,240 --> 00:15:57,800
Speaker 4: at these colleges they say, oh, you're going to do

332
00:15:57,840 --> 00:15:58,200
Speaker 4: a show?

333
00:15:58,240 --> 00:15:58,920
Speaker 1: Are you ready for this?

334
00:15:59,000 --> 00:15:59,160
Speaker 2: Yeah?

335
00:15:59,280 --> 00:16:02,360
Speaker 4: At this time, so I want everyone's the afternoon. I

336
00:16:02,400 --> 00:16:04,960
Speaker 4: had a show at one pm at a college I

337
00:16:05,000 --> 00:16:06,040
Speaker 4: want to say it was in Missouri.

338
00:16:06,040 --> 00:16:07,000
Speaker 3: It was somewhere in the Midwest.

339
00:16:07,000 --> 00:16:09,360
Speaker 4: Because I was driving to three different shows over the

340
00:16:09,520 --> 00:16:12,200
Speaker 4: over like a five day period. I go to do

341
00:16:12,240 --> 00:16:15,960
Speaker 4: a show in one of their smaller lecture halls, so

342
00:16:16,040 --> 00:16:19,080
Speaker 4: I'm not even on a stage.

343
00:16:19,280 --> 00:16:20,880
Speaker 3: I'm like in an e lecture.

344
00:16:20,520 --> 00:16:23,920
Speaker 4: Hall with a slightly elevated surface with a lectern and

345
00:16:23,960 --> 00:16:25,400
Speaker 4: a podium.

346
00:16:25,920 --> 00:16:26,760
Speaker 3: Like a classroom.

347
00:16:27,000 --> 00:16:28,120
Speaker 2: Yes where they.

348
00:16:29,960 --> 00:16:30,920
Speaker 3: It was a classroom.

349
00:16:31,520 --> 00:16:34,800
Speaker 4: The amount of people in there, twelve twelve people in

350
00:16:34,840 --> 00:16:41,400
Speaker 4: the daytime to see me do an hour of comedy.

351
00:16:40,280 --> 00:16:42,440
Speaker 1: At AUM at a podium?

352
00:16:43,240 --> 00:16:43,600
Speaker 2: Are you.

353
00:16:45,760 --> 00:16:51,840
Speaker 1: Overhead projector Eric? I could hear the spit in people's mouths?

354
00:16:53,480 --> 00:16:59,200
Speaker 1: Do you know this sound? What are those twelve people doing?

355
00:16:59,240 --> 00:16:59,440
Speaker 2: Though?

356
00:16:59,520 --> 00:17:02,480
Speaker 4: I questioned them a little bit, but what do they want?

357
00:17:02,640 --> 00:17:05,359
Speaker 4: Because the school was probably like there's a comedian and

358
00:17:05,359 --> 00:17:08,639
Speaker 4: they're like tonight. They're like no, no, no, don't worry this afternoon.

359
00:17:09,760 --> 00:17:13,080
Speaker 4: What Yeah, there's gonna be some subway sandwiches afterwards. Do

360
00:17:13,160 --> 00:17:14,440
Speaker 4: you have a stable whole thing? You gotta save a

361
00:17:14,440 --> 00:17:18,080
Speaker 4: whole thing. Get the sandwich? Okay, So you just gotta

362
00:17:18,080 --> 00:17:19,560
Speaker 4: wait them out. So you gotta wait them out.

363
00:17:19,600 --> 00:17:22,240
Speaker 1: The first joke doesn't go well, and then you're like, great,

364
00:17:22,280 --> 00:17:23,520
Speaker 1: I have fifty seven minutes.

365
00:17:23,720 --> 00:17:25,360
Speaker 3: The thing you say is like, what's up?

366
00:17:26,160 --> 00:17:29,960
Speaker 4: What I could do? You want to do? I just

367
00:17:30,000 --> 00:17:32,840
Speaker 4: need to say roll for this class. You just need

368
00:17:32,880 --> 00:17:35,760
Speaker 4: to like talk to y'all, what's happening? And like the

369
00:17:35,920 --> 00:17:39,280
Speaker 4: chuckles there are also so light because there's no way

370
00:17:39,359 --> 00:17:41,840
Speaker 4: for a group of twelve people in the afternoon to

371
00:17:42,000 --> 00:17:44,680
Speaker 4: jell enough to last as like a unit.

372
00:17:44,800 --> 00:17:49,040
Speaker 1: There's no hive mind, there's no synchronous no, there's no cohesion.

373
00:17:49,320 --> 00:17:54,359
Speaker 4: It's so just like momentum stopping. And so like those

374
00:17:54,400 --> 00:17:56,720
Speaker 4: are the worst shows that are college shows. College shows

375
00:17:56,720 --> 00:17:59,520
Speaker 4: are the worst shows. I love the college shows that

376
00:17:59,560 --> 00:18:03,680
Speaker 4: I've done recently, and I love doing college shows when

377
00:18:03,680 --> 00:18:06,480
Speaker 4: they're big enough crowds and when like everything goes right.

378
00:18:06,520 --> 00:18:10,879
Speaker 4: But for that particular college show, oh well they're produced

379
00:18:10,920 --> 00:18:14,720
Speaker 4: by college children, so they're not gonna be But once again,

380
00:18:16,000 --> 00:18:19,119
Speaker 4: ults are rough. Let me tell every college student listening,

381
00:18:19,280 --> 00:18:22,200
Speaker 4: bring Jay to your campus at night at.

382
00:18:23,200 --> 00:18:27,919
Speaker 1: Venue where there's where there's a stage. Because I used

383
00:18:27,920 --> 00:18:31,720
Speaker 1: to perform in the cafeterias, the cafetorium, yeah, while people

384
00:18:31,720 --> 00:18:33,200
Speaker 1: were ordering chicken nuggs.

385
00:18:32,960 --> 00:18:34,480
Speaker 3: The caffetoria, gymnasiums.

386
00:18:34,720 --> 00:18:38,280
Speaker 4: Oh there was like because like sometimes there's like that

387
00:18:38,359 --> 00:18:41,160
Speaker 4: fun happy accident, Like one time me and ze Nab Johnson,

388
00:18:41,200 --> 00:18:44,480
Speaker 4: who's like this black Muslim woman from Harlem, and my

389
00:18:44,680 --> 00:18:48,639
Speaker 4: queer Mississippi ass performed in Utah and we were like, oh,

390
00:18:49,359 --> 00:18:52,520
Speaker 4: it was great, it was wonderful. But this ship in

391
00:18:52,600 --> 00:18:56,640
Speaker 4: Missouri in the fucking afternoon for twelve people, and they

392
00:18:56,680 --> 00:18:58,960
Speaker 4: wanted me to stay afterwards and eat sandwiches with them.

393
00:18:59,200 --> 00:18:59,840
Speaker 3: I'm in bear.

394
00:19:00,320 --> 00:19:01,120
Speaker 1: No, it's that cool.

395
00:19:01,240 --> 00:19:02,080
Speaker 3: Are you kidding me?

396
00:19:02,200 --> 00:19:05,600
Speaker 1: It's that cool. Yeah, we've all been there. Those shows

397
00:19:05,640 --> 00:19:08,120
Speaker 1: make you. They made you the man you are.

398
00:19:08,040 --> 00:19:10,680
Speaker 3: Today, because like for an hour, that's the other thing.

399
00:19:11,040 --> 00:19:14,760
Speaker 4: Like when you bomb in the city, maybe you bomb

400
00:19:14,840 --> 00:19:17,640
Speaker 4: for ten minutes, you bomb for twelve minutes, you get

401
00:19:17,640 --> 00:19:20,320
Speaker 4: out of there, U skidado, right, You know, there's a

402
00:19:20,400 --> 00:19:21,159
Speaker 4: lot you can.

403
00:19:21,040 --> 00:19:24,320
Speaker 1: Do right for for an hour. An hour is it's

404
00:19:24,359 --> 00:19:26,960
Speaker 1: the longest hour of your life. But at that point

405
00:19:27,320 --> 00:19:29,960
Speaker 1: halfway through, you just got to do crowd work right

406
00:19:30,160 --> 00:19:31,880
Speaker 1: or something, or just you talk to them.

407
00:19:31,920 --> 00:19:35,879
Speaker 4: You just start commenting on everything. Yeah, you just start

408
00:19:36,280 --> 00:19:39,200
Speaker 4: laughing in real time about your plight.

409
00:19:39,520 --> 00:19:39,800
Speaker 2: Yeah.

410
00:19:39,960 --> 00:19:42,399
Speaker 1: I kind of like look at the if there's a clock,

411
00:19:42,480 --> 00:19:45,960
Speaker 1: and I look at the like student activity board member

412
00:19:46,000 --> 00:19:48,400
Speaker 1: that has my paycheck in those Yeah, I'm like kind

413
00:19:48,400 --> 00:19:51,280
Speaker 1: of like checking in with them constantly, like can it's

414
00:19:51,320 --> 00:19:55,760
Speaker 1: fifty five minutes enough? It's forty five. What gets me

415
00:19:55,840 --> 00:19:58,320
Speaker 1: that check in your pocket? It gets me out of

416
00:19:58,320 --> 00:20:01,280
Speaker 1: here to my three air tran flo.

417
00:20:01,320 --> 00:20:03,840
Speaker 4: Oh my god, No, it was even crazy for me

418
00:20:03,880 --> 00:20:06,919
Speaker 4: because it was in a hotel, rented a car and

419
00:20:07,160 --> 00:20:10,399
Speaker 4: drove to all these different places to go back to

420
00:20:10,480 --> 00:20:12,280
Speaker 4: that hotel to then finally fly out.

421
00:20:12,320 --> 00:20:15,480
Speaker 1: So it was like a wasteland. It's so spacious, it's vast.

422
00:20:15,600 --> 00:20:17,520
Speaker 1: It's so vast that you were like, what did the

423
00:20:17,600 --> 00:20:20,840
Speaker 1: pioneers The pioneers needed to kill all the Native Americans

424
00:20:21,119 --> 00:20:26,000
Speaker 1: for what for? Like it was room for it was room.

425
00:20:27,880 --> 00:20:28,160
Speaker 2: Room.

426
00:20:28,320 --> 00:20:31,560
Speaker 4: We don't need all of Montana, you don't need we

427
00:20:31,640 --> 00:20:33,080
Speaker 4: need two Dakotas.

428
00:20:33,320 --> 00:20:34,480
Speaker 3: It's a wasteland.

429
00:20:35,280 --> 00:20:37,359
Speaker 4: I mean, like those are two bombs that like I

430
00:20:37,440 --> 00:20:42,400
Speaker 4: will never forget. They're like carved into my person traumatized,

431
00:20:42,720 --> 00:20:46,879
Speaker 4: not just traumatized, but learned so quickly what a real

432
00:20:46,960 --> 00:20:51,960
Speaker 4: bomb is because oh you know that show, I didn't

433
00:20:51,960 --> 00:20:54,600
Speaker 4: feel like I did my best. You were because you'll

434
00:20:54,640 --> 00:20:57,520
Speaker 4: be thinking like a six out of ten as a bomb,

435
00:20:57,640 --> 00:21:02,160
Speaker 4: NA like a true bomb. Like silence, Oh yes, silence

436
00:21:02,240 --> 00:21:06,760
Speaker 4: wakes you up. Squeaky chairs, Yeah, people staring at you,

437
00:21:07,680 --> 00:21:10,040
Speaker 4: the back of your neck is hot ears are hot.

438
00:21:10,240 --> 00:21:13,760
Speaker 3: You' you like people talk about shaking on camera and

439
00:21:13,800 --> 00:21:15,520
Speaker 3: you go, WHOA, why are you that nervous?

440
00:21:15,600 --> 00:21:17,600
Speaker 4: You go, oh, yeah, this is this is when people shake.

441
00:21:17,680 --> 00:21:19,560
Speaker 4: Oh yeah, this is when you go just start to

442
00:21:19,560 --> 00:21:20,560
Speaker 4: be like what it's.

443
00:21:20,400 --> 00:21:21,840
Speaker 1: My biggest fear of bombing on TV.

444
00:21:22,359 --> 00:21:22,719
Speaker 2: Oh.

445
00:21:23,040 --> 00:21:25,320
Speaker 1: I mean the first time I did stand up on television,

446
00:21:25,720 --> 00:21:29,480
Speaker 1: it was live at Gotham, and I was so unbelievably

447
00:21:29,600 --> 00:21:33,480
Speaker 1: nervous that I was like blackout for the first half

448
00:21:33,480 --> 00:21:38,160
Speaker 1: of my set. Don't remember it completely, like under anesthesia,

449
00:21:38,240 --> 00:21:41,560
Speaker 1: like propofall, like yeah to pro fall before I was

450
00:21:41,640 --> 00:21:44,600
Speaker 1: on stage, don't remember completely. And I made the mistake

451
00:21:44,600 --> 00:21:47,359
Speaker 1: of inviting like all my like high school friends I

452
00:21:47,400 --> 00:21:50,160
Speaker 1: grew up with. Yeah, they're like in the front row too,

453
00:21:50,800 --> 00:21:54,679
Speaker 1: which is like just such this unbelievable added pressure that

454
00:21:54,720 --> 00:21:56,399
Speaker 1: I would never ever do again.

455
00:21:56,600 --> 00:21:57,000
Speaker 3: Yeah.

456
00:21:57,080 --> 00:21:59,480
Speaker 1: Yeah, it's an insane stand up comedy. It's not that

457
00:21:59,560 --> 00:22:01,800
Speaker 1: old either. It's likely ninety years old, right, How old

458
00:22:01,880 --> 00:22:02,760
Speaker 1: is stand up comedy?

459
00:22:02,880 --> 00:22:07,520
Speaker 4: I mean, if it's like one hundred years old, true

460
00:22:07,640 --> 00:22:10,040
Speaker 4: true stand up comedy. If we're talking about like the

461
00:22:10,080 --> 00:22:11,600
Speaker 4: way that we all kind of look at it now,

462
00:22:11,680 --> 00:22:14,320
Speaker 4: like we'd have to say the sixties, so you're right,

463
00:22:14,440 --> 00:22:16,119
Speaker 4: it's not that old, and then.

464
00:22:16,040 --> 00:22:18,040
Speaker 1: The fifty sixty years old.

465
00:22:18,119 --> 00:22:20,720
Speaker 4: Yeah, because then like the seventies is like the ramp up.

466
00:22:20,800 --> 00:22:22,840
Speaker 4: In the eighties is the explosion, and the nineties like

467
00:22:22,880 --> 00:22:26,560
Speaker 4: so like it is weird to be like, oh, this

468
00:22:26,680 --> 00:22:29,600
Speaker 4: thing that we kind of see as like being here forever.

469
00:22:29,800 --> 00:22:33,120
Speaker 4: It definitely came out of a vaudevillian tradition, came out

470
00:22:33,160 --> 00:22:36,040
Speaker 4: of like it came out technically, it came out of

471
00:22:36,119 --> 00:22:43,680
Speaker 4: like mister shows, We've to do it, but okayny.

472
00:22:42,760 --> 00:22:45,639
Speaker 3: For more answers, smash that subscribe button.

473
00:22:46,480 --> 00:22:48,760
Speaker 4: But like the wildest part is that the stand up

474
00:22:49,040 --> 00:22:53,600
Speaker 4: is fairly young and it's still ever evolving and morphing,

475
00:22:53,680 --> 00:22:55,719
Speaker 4: and like, I'm this weird combination of like I have

476
00:22:55,800 --> 00:23:00,439
Speaker 4: fairly traditional set up, punchline ship, but also people are like,

477
00:23:00,600 --> 00:23:03,359
Speaker 4: but you're you're queer, and I'm like yeah, And people

478
00:23:03,400 --> 00:23:05,640
Speaker 4: still will be like, if you're a black person who

479
00:23:05,640 --> 00:23:08,399
Speaker 4: does stand up comedy in a certain way in certain

480
00:23:08,480 --> 00:23:10,760
Speaker 4: rooms will be like this is groundbreak, and you'll be like, no, no,

481
00:23:10,800 --> 00:23:14,200
Speaker 4: this is just stand up. Stop stop thinking it's groundbreak. Yeah, yeah,

482
00:23:14,359 --> 00:23:19,119
Speaker 4: you have to remove yourself from this logic. Yeah, the groundbreaking. No, no, no,

483
00:23:19,160 --> 00:23:21,119
Speaker 4: I'm not the first person to talk in front of people.

484
00:23:21,240 --> 00:23:23,840
Speaker 1: Yeah, how are you? How have you done like coming

485
00:23:23,920 --> 00:23:26,159
Speaker 1: up at like black shows like black.

486
00:23:26,640 --> 00:23:32,119
Speaker 4: Here's here's a crazy part. Black rooms love confidence a

487
00:23:32,119 --> 00:23:36,280
Speaker 4: lot of people. I mean, if we talk when I

488
00:23:36,280 --> 00:23:38,560
Speaker 4: was coming up so much, if we talk about the

489
00:23:38,840 --> 00:23:42,440
Speaker 4: famous for capone, it was not a fucking pleasure experience.

490
00:23:45,359 --> 00:23:49,560
Speaker 4: I'm gonna see you on like a Who's a entertainment?

491
00:23:50,440 --> 00:23:52,639
Speaker 3: Who's the dude? Uh?

492
00:23:52,840 --> 00:23:56,120
Speaker 4: Teach them, mother fucking k you know T. K. Kirkland show.

493
00:23:56,480 --> 00:23:58,359
Speaker 1: Yeah, that's too black for me.

494
00:23:58,960 --> 00:23:59,560
Speaker 2: Only half.

495
00:24:01,280 --> 00:24:04,080
Speaker 1: That flew over my head. Give me Anthony Brown reference

496
00:24:04,200 --> 00:24:06,800
Speaker 1: or something brown.

497
00:24:06,880 --> 00:24:08,720
Speaker 3: Here's okay. So here's the thing.

498
00:24:10,119 --> 00:24:14,320
Speaker 4: I think that like black rooms, they make you work

499
00:24:14,760 --> 00:24:16,080
Speaker 4: and so like there was.

500
00:24:16,160 --> 00:24:17,440
Speaker 1: Like a hood room.

501
00:24:17,640 --> 00:24:19,520
Speaker 4: Yeah, like like like a mother like a hood room

502
00:24:19,520 --> 00:24:23,480
Speaker 4: where it's like when they say this is motheruck chocolate

503
00:24:23,600 --> 00:24:27,120
Speaker 4: night like that kind of ship. Yeah, we're clubs like listen, okay,

504
00:24:27,520 --> 00:24:31,320
Speaker 4: I've done okay because from Mississippi and also like because

505
00:24:31,600 --> 00:24:35,960
Speaker 4: i'm book flor Well, if you're like here's if you're

506
00:24:36,160 --> 00:24:40,239
Speaker 4: queer black people, if you can play with it and

507
00:24:40,320 --> 00:24:43,080
Speaker 4: play around it, and about it and have jokes about it.

508
00:24:43,119 --> 00:24:45,880
Speaker 4: Black people be like, oh, at Last's motherfucker knows. It's

509
00:24:45,920 --> 00:24:48,480
Speaker 4: when people like start to get cagey. It's when people

510
00:24:48,560 --> 00:24:50,919
Speaker 4: like really don't know themselves. Like one of my favorite

511
00:24:51,080 --> 00:24:52,960
Speaker 4: jokes that works so well in black rooms is that

512
00:24:53,000 --> 00:24:55,240
Speaker 4: go I'm a black queer man also known as a

513
00:24:55,240 --> 00:24:56,120
Speaker 4: gospel choir.

514
00:24:55,880 --> 00:24:59,879
Speaker 1: Director, and like they they got thing.

515
00:25:00,119 --> 00:25:03,960
Speaker 4: Yeah, there's always going to be because like people forget, Like.

516
00:25:03,920 --> 00:25:06,400
Speaker 3: I went to a ninety percent black high school.

517
00:25:06,640 --> 00:25:10,040
Speaker 4: Like my ship growing up was like I was like

518
00:25:10,160 --> 00:25:13,919
Speaker 4: watching Laguna Beach in secret, but like all my so

519
00:25:14,000 --> 00:25:16,880
Speaker 4: many of my homeboys were like, just you won't watch

520
00:25:16,920 --> 00:25:21,280
Speaker 4: Paid in full? I was like, I love Cameron, Cameron jobs,

521
00:25:22,080 --> 00:25:23,520
Speaker 4: dip Set, dip Set all day.

522
00:25:23,520 --> 00:25:24,000
Speaker 3: Baby.

523
00:25:24,080 --> 00:25:26,240
Speaker 1: Have you I mean you're in Deepset's neighborhood. Have you

524
00:25:26,320 --> 00:25:26,920
Speaker 1: run into them?

525
00:25:27,080 --> 00:25:29,120
Speaker 4: No? A person I see the most dream The person

526
00:25:29,160 --> 00:25:32,080
Speaker 4: I see the most is Dave East, who's a rapper

527
00:25:32,119 --> 00:25:33,119
Speaker 4: from East Harlem.

528
00:25:33,520 --> 00:25:34,320
Speaker 3: I'm in Harlem.

529
00:25:34,560 --> 00:25:37,639
Speaker 1: Who else is up there? Ice Spice she's.

530
00:25:37,200 --> 00:25:39,560
Speaker 4: North of me. That's like one third. That's grand concourse,

531
00:25:39,760 --> 00:25:41,720
Speaker 4: she's up there. Do you like Ice Spice?

532
00:25:41,800 --> 00:25:42,520
Speaker 2: I love Ice Spice.

533
00:25:42,840 --> 00:25:45,680
Speaker 3: Are you excited for a light skinned renaissance.

534
00:25:45,720 --> 00:25:50,480
Speaker 1: Are you excited? I would wait, yes, sindbads and bad health.

535
00:25:50,520 --> 00:25:55,000
Speaker 1: So we need something. We needed ice, spice to.

536
00:25:53,600 --> 00:25:54,240
Speaker 2: Take the reins.

537
00:25:54,400 --> 00:25:57,840
Speaker 1: And it is wild that like she truly dead eyes

538
00:25:57,880 --> 00:25:59,600
Speaker 1: though I would I feel like she's in North Korean

539
00:25:59,600 --> 00:26:02,120
Speaker 1: hostage a little bit. No, I got those Selena Gomez

540
00:26:02,160 --> 00:26:02,639
Speaker 1: dead inside.

541
00:26:02,800 --> 00:26:06,080
Speaker 4: I think it's so crazy she truly brought munch people

542
00:26:06,240 --> 00:26:08,400
Speaker 4: like people who know about the word. So many people

543
00:26:08,400 --> 00:26:09,919
Speaker 4: shouldn't even know where the fucking mounch is.

544
00:26:09,920 --> 00:26:11,000
Speaker 1: Tell me what a month is?

545
00:26:11,040 --> 00:26:11,440
Speaker 3: A month?

546
00:26:12,040 --> 00:26:14,760
Speaker 4: This is what I would say. A month is a

547
00:26:14,920 --> 00:26:19,439
Speaker 4: monch is a man who, with the press of a

548
00:26:19,480 --> 00:26:23,119
Speaker 4: button will come and do anything for you as a

549
00:26:23,160 --> 00:26:25,199
Speaker 4: girl who's like got it on lock. If he's just

550
00:26:25,200 --> 00:26:26,720
Speaker 4: a month, he's like just a guy who like you

551
00:26:26,720 --> 00:26:28,240
Speaker 4: can be like I need you come eat this pussy.

552
00:26:28,560 --> 00:26:29,959
Speaker 4: He'll show up like that. You'd be like, I need

553
00:26:29,960 --> 00:26:35,600
Speaker 4: a new bag like that. Paint me monch, eric Andre?

554
00:26:36,400 --> 00:26:38,760
Speaker 4: Are you ready for this Deadline article? Eric Andre comes

555
00:26:38,760 --> 00:26:46,160
Speaker 4: out as a munch. Jordan Poole, the NBA player, apparently

556
00:26:46,240 --> 00:26:48,840
Speaker 4: allegedly spend like I want to say, like five hundred

557
00:26:48,880 --> 00:26:52,160
Speaker 4: thousand dollars on like Day to Ice, Spice and Cam

558
00:26:52,359 --> 00:26:55,359
Speaker 4: and Mace were like man, she from the Bronx. She

559
00:26:55,400 --> 00:26:56,800
Speaker 4: would have madd with a slice of pizza.

560
00:26:56,920 --> 00:26:59,120
Speaker 1: Come on, yeah, you don't have to do that. That's

561
00:26:59,160 --> 00:27:02,320
Speaker 1: In's saying. That's fucking outrageous.

562
00:27:04,200 --> 00:27:05,120
Speaker 3: NBA players.

563
00:27:05,640 --> 00:27:09,280
Speaker 4: That's what happens. I've never dated the NBA player, but

564
00:27:09,320 --> 00:27:11,840
Speaker 4: you could. None of them are out, doesn't mean you

565
00:27:11,840 --> 00:27:14,360
Speaker 4: can't take them. Jason Collins is the only is the

566
00:27:14,359 --> 00:27:17,600
Speaker 4: only one that was ever a little gay was gay.

567
00:27:17,880 --> 00:27:20,440
Speaker 4: And I hate to say this about Jason Collins. Listen,

568
00:27:20,560 --> 00:27:23,760
Speaker 4: I love what you did for diversity in visibility, but

569
00:27:23,800 --> 00:27:24,720
Speaker 4: he wasn't even that good.

570
00:27:24,840 --> 00:27:30,120
Speaker 3: So it is hard. That's mean I shouldn't say it out.

571
00:27:35,600 --> 00:27:36,919
Speaker 2: With Aridre.

572
00:27:45,680 --> 00:27:49,520
Speaker 1: With Aridre, what's the worst bomb you ever witnessed? Is

573
00:27:49,520 --> 00:27:51,199
Speaker 1: there one that you have that you witnessed that was

574
00:27:51,240 --> 00:27:53,840
Speaker 1: a fucking You don't have to name the person if

575
00:27:53,840 --> 00:27:59,400
Speaker 1: they're your friend, or you can call them mister and missus.

576
00:27:59,119 --> 00:27:59,760
Speaker 2: A or whatever.

577
00:28:00,000 --> 00:28:03,000
Speaker 3: Okay, this is uh, this is something I won't put

578
00:28:03,000 --> 00:28:06,960
Speaker 3: them on front street. Sloan. No, I've never seen bomb.

579
00:28:07,280 --> 00:28:09,600
Speaker 4: The scariest thing I've seen Dulce do is I've seen

580
00:28:09,640 --> 00:28:12,720
Speaker 4: someone like try to be overly familiar with Dulce and

581
00:28:12,960 --> 00:28:16,560
Speaker 4: she didn't know them and she shouldn't shipped down quick

582
00:28:16,680 --> 00:28:18,720
Speaker 4: Like someone like came in I think for a kiss

583
00:28:18,720 --> 00:28:19,240
Speaker 4: and she was like.

584
00:28:19,160 --> 00:28:24,040
Speaker 1: Ah, no, no, you have to earn earn that kiss.

585
00:28:24,520 --> 00:28:26,400
Speaker 1: I was like, the bomb with her.

586
00:28:26,480 --> 00:28:28,720
Speaker 3: They bombed, Yeah, that thing they got banned with her?

587
00:28:29,160 --> 00:28:30,000
Speaker 1: Who did you see?

588
00:28:30,080 --> 00:28:30,480
Speaker 2: Who did you?

589
00:28:31,320 --> 00:28:35,800
Speaker 4: Have you ever seen someone not read the room? And

590
00:28:35,840 --> 00:28:39,040
Speaker 4: so I've seen and this is something that like I'll

591
00:28:39,040 --> 00:28:43,280
Speaker 4: actually talk about. I've seen a person who really wanted

592
00:28:43,640 --> 00:28:48,560
Speaker 4: to do their club set in a non club space

593
00:28:49,000 --> 00:28:50,480
Speaker 4: in Brooklyn because there.

594
00:28:51,280 --> 00:28:53,600
Speaker 1: It was like a hipster audience and they wanted to.

595
00:28:54,040 --> 00:28:55,959
Speaker 3: Just hipster like they want a little bit looser.

596
00:28:56,120 --> 00:28:59,840
Speaker 4: They wanted things that were a bit more kind of

597
00:28:59,880 --> 00:29:03,920
Speaker 4: like idiosyncratic. Yeah, a little tall tea, but like it's

598
00:29:03,960 --> 00:29:07,680
Speaker 4: truly just they just wanted a bit more authenticity. And

599
00:29:07,720 --> 00:29:11,440
Speaker 4: this person came so polished and so buttoned and just

600
00:29:11,520 --> 00:29:14,200
Speaker 4: really wanted to get that type five out and like

601
00:29:14,560 --> 00:29:18,520
Speaker 4: punchlines that I know probably work in Midtown and that

602
00:29:18,680 --> 00:29:23,080
Speaker 4: work for certain audiences. Just I saw a lot of

603
00:29:23,280 --> 00:29:28,280
Speaker 4: people with dyed hair just be like boom because they

604
00:29:28,320 --> 00:29:30,040
Speaker 4: just didn't accept that this crowd was gonna be a

605
00:29:30,040 --> 00:29:30,560
Speaker 4: little different.

606
00:29:30,520 --> 00:29:32,920
Speaker 1: They got kind of like a right wing kind of guy.

607
00:29:33,040 --> 00:29:34,160
Speaker 1: Or it wasn't right wing.

608
00:29:34,200 --> 00:29:36,520
Speaker 4: I don't even think I think he's definitely like, no,

609
00:29:36,680 --> 00:29:40,600
Speaker 4: it wasn't political, but like it was so the opposite of.

610
00:29:40,560 --> 00:29:41,280
Speaker 1: What they want.

611
00:29:41,320 --> 00:29:45,600
Speaker 4: This crowd wanted in a way that was almost disrespectful.

612
00:29:45,640 --> 00:29:47,600
Speaker 1: They wanted R and B and he was playing country.

613
00:29:47,760 --> 00:29:49,760
Speaker 4: Not only they I don't even think they wanted R

614
00:29:49,800 --> 00:29:52,440
Speaker 4: and B. They wanted the B side of a band

615
00:29:52,520 --> 00:29:55,640
Speaker 4: that you've never heard. And he was playing Top forty.

616
00:29:56,160 --> 00:30:00,600
Speaker 4: He wanted to just playing Top forty. He was playing forty

617
00:30:00,640 --> 00:30:03,520
Speaker 4: from like a year ago, So they will get it.

618
00:30:04,280 --> 00:30:10,080
Speaker 3: Maniscalco. It was it was again and and we've never

619
00:30:10,200 --> 00:30:12,320
Speaker 3: heard from him since. Yeah, who was it?

620
00:30:12,360 --> 00:30:12,959
Speaker 1: Just telling him?

621
00:30:13,280 --> 00:30:16,040
Speaker 3: I can't tell you hell no, no, no, no no. I

622
00:30:16,120 --> 00:30:18,520
Speaker 3: just I just love the fact that that hot goss.

623
00:30:18,880 --> 00:30:20,080
Speaker 3: I'm trying to think of the.

624
00:30:21,920 --> 00:30:24,840
Speaker 4: What's some hot guys? Oh, I've seen not a bomb,

625
00:30:24,880 --> 00:30:27,280
Speaker 4: but it was like silly. One time Jim Gaffigan dropped

626
00:30:27,280 --> 00:30:28,560
Speaker 4: in to do a show at sent Up, New York,

627
00:30:28,560 --> 00:30:33,440
Speaker 4: and I was hosting, and he fell.

628
00:30:34,280 --> 00:30:38,600
Speaker 1: Yeah, and like walking up to the stage.

629
00:30:38,880 --> 00:30:43,160
Speaker 4: Yeah, I mean I got a picture of him getting up.

630
00:30:43,520 --> 00:30:47,160
Speaker 1: It's like, because I just want you to know something

631
00:30:47,440 --> 00:30:49,280
Speaker 1: like boom, he's a tall guy too.

632
00:30:49,520 --> 00:30:52,520
Speaker 4: He's a tall man. He'll say he's a he's a

633
00:30:52,640 --> 00:30:56,040
Speaker 4: bigger man. Yeah, and he was slow to get up

634
00:30:56,040 --> 00:31:01,040
Speaker 4: to Like that's what I'm it was not fake. There

635
00:31:01,040 --> 00:31:02,440
Speaker 4: are people who thought it was fake.

636
00:31:02,680 --> 00:31:04,280
Speaker 3: That ship was very real.

637
00:31:04,400 --> 00:31:07,120
Speaker 4: And Jim Gapagan is so funny, but like you could

638
00:31:07,160 --> 00:31:09,760
Speaker 4: tell because like physical bit term really is things. So

639
00:31:09,800 --> 00:31:12,840
Speaker 4: when he fell, some people were like, there's Jim being

640
00:31:12,920 --> 00:31:18,400
Speaker 4: Jim again, but like people want to know, were like, no, what,

641
00:31:18,400 --> 00:31:19,360
Speaker 4: what what's going on?

642
00:31:19,480 --> 00:31:21,680
Speaker 1: He got really pissed at me one time I was

643
00:31:21,720 --> 00:31:23,880
Speaker 1: at I was at some bar.

644
00:31:24,680 --> 00:31:26,360
Speaker 3: I want a full list of all the people who

645
00:31:26,400 --> 00:31:27,520
Speaker 3: have gotten really pissed at you.

646
00:31:28,240 --> 00:31:29,960
Speaker 2: Gosh, how much time do you get?

647
00:31:30,000 --> 00:31:32,000
Speaker 3: Are you ready to laugh? Look at look at that?

648
00:31:32,800 --> 00:31:36,880
Speaker 1: Oh oh my god, are you ready for that?

649
00:31:37,640 --> 00:31:42,440
Speaker 3: That's also me telling the crowd not to laugh. He's like, yeah,

650
00:31:44,360 --> 00:31:46,080
Speaker 3: he just like fell that.

651
00:31:46,840 --> 00:31:52,240
Speaker 4: You posted it too, he because and then people were like, Jay,

652
00:31:52,440 --> 00:31:54,520
Speaker 4: do you think it was a fault? I was like,

653
00:31:54,560 --> 00:31:56,920
Speaker 4: if he's that good at physical comedy.

654
00:31:56,880 --> 00:32:00,360
Speaker 3: He should he he'd be in every movie doing that.

655
00:32:00,480 --> 00:32:02,960
Speaker 3: It was like Chris Pratt level. I mean it was

656
00:32:02,960 --> 00:32:04,360
Speaker 3: like Chris Farley level, Like.

657
00:32:04,680 --> 00:32:06,360
Speaker 1: Yeah, Prat fall.

658
00:32:08,880 --> 00:32:12,960
Speaker 4: So humiliated and like he I think he like said

659
00:32:13,120 --> 00:32:15,000
Speaker 4: one joke. He was like, no, I just stay down

660
00:32:15,080 --> 00:32:16,920
Speaker 4: here because I keep in mind I also have to

661
00:32:16,960 --> 00:32:17,840
Speaker 4: step over.

662
00:32:17,720 --> 00:32:22,960
Speaker 3: Him to get got it's stage. It's this big.

663
00:32:22,960 --> 00:32:24,680
Speaker 1: We're on the number West Side.

664
00:32:25,160 --> 00:32:25,760
Speaker 3: It was wild.

665
00:32:25,840 --> 00:32:28,520
Speaker 4: These people like erupted when I said Jim Gaffigan was

666
00:32:28,520 --> 00:32:30,200
Speaker 4: going to do the show. He comes up, but.

667
00:32:34,080 --> 00:32:35,680
Speaker 1: He got really angry at me one time. And it

668
00:32:35,720 --> 00:32:39,320
Speaker 1: was an accidental like I went to this show and

669
00:32:40,000 --> 00:32:43,640
Speaker 1: uh it was like a small show downtown Lower East Side,

670
00:32:44,080 --> 00:32:46,520
Speaker 1: and I went and there was only one seat in

671
00:32:46,560 --> 00:32:48,959
Speaker 1: the back available. I wanted to sit amongst the comics.

672
00:32:49,000 --> 00:32:52,640
Speaker 1: The comics were lurking in the back and Pete Holmes

673
00:32:52,800 --> 00:32:54,480
Speaker 1: was there. A bunch of communities were there, and like

674
00:32:54,560 --> 00:32:56,600
Speaker 1: I went to sit in the one available seat, and

675
00:32:56,640 --> 00:32:59,240
Speaker 1: everyone was like, oh, that's gaffikin seat. Oh, don't take

676
00:32:59,240 --> 00:33:01,239
Speaker 1: that seat, that's caff seat. Oh. And they were all

677
00:33:01,280 --> 00:33:04,280
Speaker 1: like weirdly kissing his ass, and I was like, whatever,

678
00:33:04,320 --> 00:33:06,400
Speaker 1: we're at a bar. He didn't claim the seat, like

679
00:33:06,440 --> 00:33:09,400
Speaker 1: he's walking around like let me sit. I was like huh.

680
00:33:09,440 --> 00:33:12,000
Speaker 1: And then so when I got and then when he

681
00:33:12,320 --> 00:33:15,800
Speaker 1: walked back, I went to him and he thought I

682
00:33:15,880 --> 00:33:17,920
Speaker 1: was fucking with him. He had no context. I was like,

683
00:33:18,200 --> 00:33:20,280
Speaker 1: is this your seat? Is this your seat? Sir?

684
00:33:20,680 --> 00:33:20,920
Speaker 2: Sir?

685
00:33:21,040 --> 00:33:23,320
Speaker 1: I'm so sorry I took your seat. But he's like

686
00:33:23,440 --> 00:33:25,000
Speaker 1: he didn't know the setup.

687
00:33:25,280 --> 00:33:26,640
Speaker 3: Yeah he didn't say that.

688
00:33:26,680 --> 00:33:29,320
Speaker 1: Yeah, he didn't say he didn't hear them like weirdly

689
00:33:29,400 --> 00:33:32,400
Speaker 1: brown nosing him and like like like bowning to his feet.

690
00:33:32,640 --> 00:33:34,840
Speaker 1: So he just thought I was like being some prick

691
00:33:34,920 --> 00:33:37,000
Speaker 1: for some reason. And he was like he looked at

692
00:33:37,000 --> 00:33:38,960
Speaker 1: me like, what the fuck is your.

693
00:33:40,320 --> 00:33:40,840
Speaker 2: Nah ship?

694
00:33:41,640 --> 00:33:45,560
Speaker 1: And he's big, he's got like big needy hands, like

695
00:33:45,640 --> 00:33:47,640
Speaker 1: he like he might not be fast, but if he

696
00:33:47,720 --> 00:33:53,280
Speaker 1: got like one, yeah, yeah you have to.

697
00:33:55,640 --> 00:33:57,360
Speaker 2: So I hope he's not still mad at me.

698
00:33:57,480 --> 00:33:59,520
Speaker 1: But I think like five seconds later he forgot that

699
00:33:59,560 --> 00:34:02,520
Speaker 1: whole thing them good. I already gets into it, goes

700
00:34:02,560 --> 00:34:04,680
Speaker 1: into a rage, so he told me he goes into rage.

701
00:34:04,840 --> 00:34:09,200
Speaker 1: Who I kind of like that seething anger, seething dark anger.

702
00:34:09,480 --> 00:34:12,239
Speaker 4: I feel like a lot of comics probably either go

703
00:34:12,360 --> 00:34:18,040
Speaker 4: into rage or just like become silly. Yeah, they either

704
00:34:18,200 --> 00:34:21,560
Speaker 4: scream or they just start laughing at everything. Like it's

705
00:34:21,560 --> 00:34:22,719
Speaker 4: the two sides of the coin.

706
00:34:22,880 --> 00:34:26,000
Speaker 1: I think I'm on the last the laugh.

707
00:34:26,280 --> 00:34:27,920
Speaker 3: Yeah, that's a good place to be.

708
00:34:28,160 --> 00:34:31,480
Speaker 1: Yeah, seating rage was before therapy, but they're still there's

709
00:34:31,520 --> 00:34:33,520
Speaker 1: still I like, I'll like.

710
00:34:33,800 --> 00:34:37,960
Speaker 4: Scream if like it's the last resort, because I don't

711
00:34:38,000 --> 00:34:40,360
Speaker 4: even think it's violent. I just think it's a show

712
00:34:40,520 --> 00:34:43,759
Speaker 4: that like you get it out well. Because one time

713
00:34:43,800 --> 00:34:46,879
Speaker 4: me and my friend were walking to our train and

714
00:34:46,920 --> 00:34:48,719
Speaker 4: this group of kids was like, hey, do you guys

715
00:34:48,719 --> 00:34:50,520
Speaker 4: have any weed. We're like, we'll have any weed. And

716
00:34:50,560 --> 00:34:52,520
Speaker 4: like when I say kids, I mean like teenagers. So

717
00:34:52,560 --> 00:34:54,319
Speaker 4: I didn't feel bad screaming at them and they asked

718
00:34:54,360 --> 00:34:55,920
Speaker 4: us again. I was like, we'll have any weeds, and

719
00:34:55,960 --> 00:34:58,960
Speaker 4: then they like touched my friend and I was like.

720
00:34:59,239 --> 00:35:01,240
Speaker 3: What the fuck are y'all doing?

721
00:35:01,480 --> 00:35:05,479
Speaker 4: Yeah, because like we're nice dudes, some crazy person's gonna

722
00:35:05,480 --> 00:35:07,759
Speaker 4: beat the ship out of y'all. I'm like screaming at

723
00:35:07,800 --> 00:35:09,160
Speaker 4: these kids to teach them a lesson.

724
00:35:09,280 --> 00:35:11,960
Speaker 1: Yeast, you have to keep those teenagers online.

725
00:35:11,960 --> 00:35:13,439
Speaker 2: They're gonna bowl over you if you don't.

726
00:35:13,600 --> 00:35:17,480
Speaker 4: Yeah, yeah, you hear that. Spare the Rod, spoil the child, Mississippi.

727
00:35:19,560 --> 00:35:24,239
Speaker 4: Beat your Kids? Can that be a sound drop? Can

728
00:35:24,280 --> 00:35:25,920
Speaker 4: we put that on the board?

729
00:35:26,239 --> 00:35:27,799
Speaker 3: Joe Kids, there we go.

730
00:35:29,760 --> 00:35:32,640
Speaker 1: That's still gonna be the intro and outro of every episode.

731
00:35:33,440 --> 00:35:36,840
Speaker 1: Beat your Kids, anything else.

732
00:35:37,760 --> 00:35:40,880
Speaker 4: Everyone, don't be afraid to bomb, don't pursue it, don't

733
00:35:41,040 --> 00:35:45,120
Speaker 4: don't don't chase it. But them, shit's gonna happen. It

734
00:35:45,160 --> 00:35:47,800
Speaker 4: happens to the best people. They're just really famous. The

735
00:35:47,880 --> 00:35:50,520
Speaker 4: Chris Rock story about him like hearing Martin Lawrence like

736
00:35:50,640 --> 00:35:52,960
Speaker 4: destroy before him in Chicago.

737
00:35:52,760 --> 00:35:54,040
Speaker 3: And he's like, what's going on?

738
00:35:54,120 --> 00:35:56,439
Speaker 4: It's crazy And he goes out and he bombs because

739
00:35:56,480 --> 00:35:59,920
Speaker 4: like Martin Lawrence had basically like laughed the crowd into exhaustion.

740
00:36:00,160 --> 00:36:01,600
Speaker 3: Yeah, he was like, god damn.

741
00:36:01,680 --> 00:36:04,160
Speaker 4: And that's one of the most I mean, that's a

742
00:36:04,200 --> 00:36:06,560
Speaker 4: bomb that led to it an illustrious career.

743
00:36:07,000 --> 00:36:09,239
Speaker 1: That was his first early bomb.

744
00:36:09,040 --> 00:36:11,279
Speaker 4: That was like a bomber after that's now no, I

745
00:36:11,280 --> 00:36:13,319
Speaker 4: think he was established enough to like do a show.

746
00:36:13,360 --> 00:36:15,920
Speaker 4: But you know how like sometimes famous people and it

747
00:36:16,000 --> 00:36:18,399
Speaker 4: happens now because everyone is part of the reason why

748
00:36:18,400 --> 00:36:22,279
Speaker 4: they're yonder pouches, Like you know, anyone working on a

749
00:36:22,320 --> 00:36:24,759
Speaker 4: new hour. That's of note. You kind of are like,

750
00:36:24,840 --> 00:36:27,239
Speaker 4: you almost have to be like, hey, some of this

751
00:36:27,320 --> 00:36:29,920
Speaker 4: shit ain't hidden yet. And then some crowds are like,

752
00:36:30,120 --> 00:36:32,759
Speaker 4: that motherfucker wasn't as funny? Is that thing he worked

753
00:36:32,800 --> 00:36:33,520
Speaker 4: on for three years?

754
00:36:33,760 --> 00:36:34,560
Speaker 3: How dare you?

755
00:36:34,760 --> 00:36:37,520
Speaker 4: And you're like, well, that's You're part of the process

756
00:36:37,520 --> 00:36:39,200
Speaker 4: of me coming out with something new in the next

757
00:36:39,280 --> 00:36:39,759
Speaker 4: three years.

758
00:36:40,080 --> 00:36:43,400
Speaker 1: So we're working on this together. Yeah.

759
00:36:43,560 --> 00:36:46,640
Speaker 4: But I mean I think that like if I learned anything,

760
00:36:47,200 --> 00:36:49,879
Speaker 4: no college shows in the daytime ever, because that shit

761
00:36:50,239 --> 00:36:53,000
Speaker 4: sticks with me. Like someone could be like, oh, Jay,

762
00:36:53,040 --> 00:36:54,600
Speaker 4: I love your tonight your set, and I'd be like,

763
00:36:55,120 --> 00:36:55,960
Speaker 4: but what about.

764
00:36:55,680 --> 00:36:58,799
Speaker 3: That college show in the daytime? At one time?

765
00:36:59,000 --> 00:37:01,160
Speaker 4: I can still see the face of this very round

766
00:37:01,200 --> 00:37:04,000
Speaker 4: white face of this guy wearing a hoodie and he

767
00:37:04,160 --> 00:37:06,160
Speaker 4: shook his head at one point during my show, and

768
00:37:06,200 --> 00:37:09,040
Speaker 4: I was like, I'm there with your brother. I'm black

769
00:37:09,040 --> 00:37:12,880
Speaker 4: people should be on stage. You're right, I ain't crushing it. God,

770
00:37:13,400 --> 00:37:17,960
Speaker 4: just this round midwestern face. Oh, I'll never forget it.

771
00:37:19,000 --> 00:37:21,080
Speaker 1: Well, Jay, thank you, thank.

772
00:37:20,920 --> 00:37:21,720
Speaker 3: You, This is fun.

773
00:37:22,280 --> 00:37:23,680
Speaker 1: Yeah, come back anytime.

774
00:37:25,800 --> 00:37:29,879
Speaker 5: I'll with Avery Codre all right, listen up, we got

775
00:37:29,920 --> 00:37:32,640
Speaker 5: something special for you got a burning story that you're

776
00:37:32,680 --> 00:37:35,200
Speaker 5: itching to tell about when you bombed or absolutely failed

777
00:37:35,239 --> 00:37:35,680
Speaker 5: in life.

778
00:37:35,840 --> 00:37:38,680
Speaker 1: Now's your chance to tell me all about it, Mabel.

779
00:37:38,840 --> 00:37:41,959
Speaker 5: I want to hear your worst, most cringe worthy what

780
00:37:42,040 --> 00:37:43,800
Speaker 5: the fuck was I thinking?

781
00:37:43,920 --> 00:37:45,240
Speaker 1: What just happened? Moment?

782
00:37:45,360 --> 00:37:48,760
Speaker 5: So pick up your phone and dial seven one six Bombing.

783
00:37:48,960 --> 00:37:52,520
Speaker 5: That's seven one six two six six twenty four sixty

784
00:37:52,520 --> 00:37:54,880
Speaker 5: four and leave me a voicemail and we might just

785
00:37:54,920 --> 00:37:57,520
Speaker 5: play it on a future episode. Bombing with Eric Andre

786
00:37:57,600 --> 00:37:59,480
Speaker 5: is brought to you by Will Ferrell's Big Money Players

787
00:37:59,480 --> 00:38:03,280
Speaker 5: Network and iHeart Podcasts. Our executive producer is Olivia Aguilar.

788
00:38:03,520 --> 00:38:07,279
Speaker 5: Our producer is Bei Wang. Our research assistant is David Carliner.

789
00:38:07,360 --> 00:38:09,839
Speaker 5: Our editor and sound designers Andy Harris, and our art

790
00:38:09,880 --> 00:38:12,279
Speaker 5: is by Dylan Vanderberg. Go rate us five stars and

791
00:38:12,360 --> 00:38:15,160
Speaker 5: drop a review on your podcast app a choice beat

792
00:38:15,320 --> 00:38:16,120
Speaker 5: your Kids