WEBVTT - Rory Scovel and Sean Evans

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<v Speaker 1>He's a sexy sexy man, sexy sexy plan because he

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<v Speaker 1>ain't no stuck us looking so flighty. You could try

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<v Speaker 1>like a trucker, clean like a plank, just solim yunger

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<v Speaker 1>fool wheel try so we never gets to play so far,

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<v Speaker 1>ticking up a lot of band winds. And he's a guy.

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<v Speaker 1>Ye he ain't no stand and he doesn't have cheese

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<v Speaker 1>on a nighttime sandwich because everybody knows he's the Fergens.

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<v Speaker 1>He bandit the Ron Burgundy podcast Largo and how they

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<v Speaker 1>want Tafarta put your han stick out of the Ron

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<v Speaker 1>burgo right here. Thank you so much. That is that

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<v Speaker 1>is lovely. That is nice to hear. I'm joined by Carolina,

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<v Speaker 1>of course, my wonderful co host. And let me guess,

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<v Speaker 1>were you applauding for me or for her? Give me both.

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<v Speaker 1>I think it was predominantly me, though I'm just teasing.

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<v Speaker 1>Oh that felt good, though Daddy needed that. I was

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<v Speaker 1>changing a tire on the four oh five in the

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<v Speaker 1>suppu to pass less than fifteen minutes ago, and I'm like,

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<v Speaker 1>I'm not going to make the show, and the car

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<v Speaker 1>collapsed on me, but luckily Oh bushed it off me

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<v Speaker 1>and got here and then you gave me that wonderful ovation,

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<v Speaker 1>So thank you, thank you so much. We also just

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<v Speaker 1>want to tell you, guys that all the proceeds to

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<v Speaker 1>tonight's ticket sales are going to the International Medical Corps,

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<v Speaker 1>which is a great charity that's helping families in the

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<v Speaker 1>Ukraine right now. And thank you to Larger and thank

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<v Speaker 1>you to Largo for evening to Largo because Flanny here,

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<v Speaker 1>he's not getting his grubby paws on it. So it's

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<v Speaker 1>going to charity and it goes all to charity, right.

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<v Speaker 1>I don't get like a little nothing, just a sweet little,

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<v Speaker 1>a little morsel. Do you want me to ask for

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<v Speaker 1>that five maybe? Oh no, no, no, no, I don't

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<v Speaker 1>get none, nothing, nothing nothing. I thought we've been just

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<v Speaker 1>saying that. No, No, I feel like you're upset. Can

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<v Speaker 1>I have twenty bucks? Look what I found next stage?

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<v Speaker 1>And abba Zaba, you guys remember Abbasaba's. It's a delicious

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<v Speaker 1>little treat and I think I'm gonna gonna pop one

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<v Speaker 1>in my mouth. We just want to stand by everyone.

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<v Speaker 1>For those listening at home, I'm opening is Abazaba Rapper

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<v Speaker 1>right now. M hm m hmm. Is it going to

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<v Speaker 1>be a little bit of a second. Yeah, it's in

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<v Speaker 1>the toffee family of confession, injected with a peanut butter, right,

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<v Speaker 1>really dragging me back. You need a second, not swallow

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<v Speaker 1>bal yet not all right? There she goes right into

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<v Speaker 1>the cup. That is a terrible piece of candy. The Appasaba.

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<v Speaker 1>And I hope the Abbasaba company listens to this podcast

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<v Speaker 1>and they know how I feel. We're not scared. Abba

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<v Speaker 1>zabbas can suck it, Okay, I hope they don't steal

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<v Speaker 1>that as a like a slogan. Oh that is that

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<v Speaker 1>a good slogan. Aba you can suck it, can suck it,

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<v Speaker 1>meaning us are candy. It's too long, we'll figure it out. Hollywood, California.

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<v Speaker 1>Where's everyone from Chicago? Hello? Oklahoma City? Out of car

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<v Speaker 1>Cot car Not that many people. No, Oh Santedro a

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<v Speaker 1>thriving Greek community in San Pedro from what I remember.

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<v Speaker 1>H Mexico. Oh do you wanna Okay, you don't have

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<v Speaker 1>to be so cocky about it, jeez, do you wanna Australia, Well,

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<v Speaker 1>don't struga well boom England. The English are blue arts,

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<v Speaker 1>they really are. I hate the British. I just do no.

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<v Speaker 1>I do. I don't hate the strong word, but I

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<v Speaker 1>hate the British. We have stop what's going on? I

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<v Speaker 1>don't know, it's just what you're feeling. This is the

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<v Speaker 1>way I'm feeling. So but those of you in Hollywood

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<v Speaker 1>probably we have to address the elephant in the room.

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<v Speaker 1>I mean Sunday night, Oh boy got dying? Oh what

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<v Speaker 1>did I? Oh murder? Say what? That was the craziest

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<v Speaker 1>thing I've ever seen. Which and I and You've seen

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<v Speaker 1>a lot of crazy. I've seen crazy. I've seen you

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<v Speaker 1>take an elevator. Yes, I just saw you spent that

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<v Speaker 1>Abbasaba and crystal glass. You've seen me throw a housecat

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<v Speaker 1>off a bridge in San Pedro. That was um, I

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<v Speaker 1>can't believe. I just yea strike that from the record,

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<v Speaker 1>but I hate house cats, ate the British. Yeah, we're

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<v Speaker 1>just gonna tell it like it is. But I mean

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<v Speaker 1>that we all witnessed. Most of us slept yard. But

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<v Speaker 1>I have a bit of good news that's slightly related.

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<v Speaker 1>I think I'm hosting the Oscars next year. I don't know,

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<v Speaker 1>I said, I think who told you that you're hosting that? Well,

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<v Speaker 1>they've reached out to my people. I'm your people. I

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<v Speaker 1>know have they reached out to. Okay, but they too,

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<v Speaker 1>I'm hoping they're going to reach out to. They start

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<v Speaker 1>with a shortlist and I'm figured I'm probably on it

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<v Speaker 1>and they have to whittle it down and it might happen. Um,

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<v Speaker 1>but I'm just gonna prepare and hope and pray every

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<v Speaker 1>night that I get it. Uh, but I want to

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<v Speaker 1>be prepared when I get that phone call. Uh. So

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<v Speaker 1>I've been working on some stand up um for the Oscars,

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<v Speaker 1>and if you'll indulge me, I'd love to try it

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<v Speaker 1>out on you, if that's all right, I want to yeah, okay, Um,

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<v Speaker 1>and keep in mind this is a work in progress.

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<v Speaker 1>I'm not a professional stand up comedian. Uh but uh

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<v Speaker 1>but anyway, you gotta jump in the pool, right. Um.

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<v Speaker 1>So let's see here. Get my cheaters out, Oh, wear

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<v Speaker 1>contacts during the Oscars, don't worry, and I'm not gonna

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<v Speaker 1>belied looking like this, Just so you know, I'll probably

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<v Speaker 1>be in a golden maid jumpsuit. Okay. Uh alright, So

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<v Speaker 1>please welcome Ron Burgundy. Huh, thank you, thank you. It's

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<v Speaker 1>it's a pleasure to be here hosting the h I

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<v Speaker 1>don't know what you're do they'll they'll tell me it's

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<v Speaker 1>a pleasure to be here. We got a lot. How's

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<v Speaker 1>how's everyone doing tonight at the Oscars? Pretty good? Yeah? Uh,

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<v Speaker 1>I see there's a category for for best hair and

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<v Speaker 1>makeup and the winner is not g I Jane two. No,

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<v Speaker 1>it's okay, it's okay. No one's good, No one's here.

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<v Speaker 1>It's okay, it's okay. No one's gonna fight you, it's okay,

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<v Speaker 1>it's all right. In fact, there wasn't any hair and

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<v Speaker 1>make up. Everyone had shaved heads. Okay. It reminds me.

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<v Speaker 1>I went to my barber and I say, take a

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<v Speaker 1>little off the top, Pete. And he says how much?

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<v Speaker 1>And I say, not as much as g I Jane too?

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<v Speaker 1>Know what? Okay, it's okay, it's okay. No, no, it's here.

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<v Speaker 1>You're shadow boxing. It's fine, No, I kid. G I

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<v Speaker 1>Jane two is a great movie. Everyone loves it, unless

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<v Speaker 1>you happen to be headlines because there's no hair I

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<v Speaker 1>got we got and they need an environment to thrive

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<v Speaker 1>in and has to be like feast and yeah, m okay,

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<v Speaker 1>what else do I got here? M hmmm, um hey uh.

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<v Speaker 1>For our viewers at home, there here in California. There's

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<v Speaker 1>a place called the Central Valley. Great, why do they

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<v Speaker 1>call it Sacramento? Do they make sacred mentos there? You

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<v Speaker 1>guys remember mentos? Right? Those old commercials they were weird.

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<v Speaker 1>What about kid Cat bars? Huh? Do you remember kitcat bars? Yeah?

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<v Speaker 1>What if Bob Dylan did the kid Cat Bar song?

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<v Speaker 1>It would go something like this, give me a break,

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<v Speaker 1>give me a break, bring me up a piece. Then

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<v Speaker 1>it get bad. So circle that one. That's applause break

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<v Speaker 1>on that one. You'll remember if I forget right for

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<v Speaker 1>next year's Oscar, will you be able to be on

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<v Speaker 1>stage with me? Oh? Because you're quite a security blanket.

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<v Speaker 1>What else? What else? What's in the news. Have you

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<v Speaker 1>heard about these self driving cars? Yeah? Do you think

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<v Speaker 1>they've not heard about him? Okay, okay, um, they have

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<v Speaker 1>these cars now that drive around without a driver. What

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<v Speaker 1>if you're Adam driver and you're in the backseat of

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<v Speaker 1>a driverless car and a cop pulls you over he says,

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<v Speaker 1>are you the drive? Ever? How confusing would that be? Okay?

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<v Speaker 1>That was that was like a seven Governor rhn de

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<v Speaker 1>Santis is at it again. Yea yeah, oh that would

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<v Speaker 1>be great if they react that way. That guy is

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<v Speaker 1>so weird they should call him Ron Dementos, right, I

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<v Speaker 1>called back Sacramento. Yeah, anyway, he doesn't want teachers to

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<v Speaker 1>say the word gay in the classroom, like it's a

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<v Speaker 1>dirty word. The only word dirt in the only the

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<v Speaker 1>only word, the one hold on, the only flirty dirt in.

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<v Speaker 1>God damn it fulls together on. He looked like a ass.

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<v Speaker 1>Right now, you've come this far, you're almost at the

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<v Speaker 1>top of the mountain. Bring it home, you coward with

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<v Speaker 1>nothing but a coward and a quarter a jacket and

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<v Speaker 1>look like a You got your ass blowing in the wind.

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<v Speaker 1>Just pull it together. The only dirty word in the

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<v Speaker 1>state of Florida is the santis. Thank you. On with

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<v Speaker 1>the rest of the show. Um, here's John Travolta and

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<v Speaker 1>uh uh uh Grrie Mulligan. I don't know, I know,

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<v Speaker 1>I'm a big carry Amelegan fan. Well, very great, that

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<v Speaker 1>was great. That was very valuable. I feel like the

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<v Speaker 1>message we wanted to give after the Oscars on Sunday,

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<v Speaker 1>And if you guys are so inclined, you can stay

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<v Speaker 1>it with me. Hug it out, hug it out, say

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<v Speaker 1>it sincerely, though, like, hey, hug it out one to

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<v Speaker 1>three huge out. That feels good. Well, do you want

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<v Speaker 1>to turn to your neighbor and just tug them quickly?

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<v Speaker 1>It's COVID. Oh that's nice. People are doing it, doing

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<v Speaker 1>it for the listeners at home. There's four people. People

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<v Speaker 1>are now, people are really getting into it. Shirt answer,

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<v Speaker 1>keep your shirt disgusting. Well, uh, we should get on

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<v Speaker 1>with our show. Um, you said that you were guessed.

0:16:02.200 --> 0:16:04.760
<v Speaker 1>All you said was personal and I didn't want it,

0:16:04.800 --> 0:16:06.280
<v Speaker 1>so I didn't want to ask because I didn't want

0:16:06.280 --> 0:16:11.080
<v Speaker 1>to like overset my Well, someone is in town, a

0:16:11.160 --> 0:16:18.160
<v Speaker 1>relative of mine, and he asked to come on the show. Yeah, Um,

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<v Speaker 1>are you okay? I'm okay, Yes, I'm fine. In fact,

0:16:21.800 --> 0:16:24.040
<v Speaker 1>it's good. We haven't seen each other a while. Um,

0:16:24.760 --> 0:16:28.480
<v Speaker 1>it looks bad, but no, it's he's fine. You know what,

0:16:28.600 --> 0:16:31.000
<v Speaker 1>Let's just get him out here. Would you please welcome

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<v Speaker 1>my brother Billy Burgundy? Hi? Yeah, right, Billy, wonder you

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<v Speaker 1>have a seat all right? Yeah? Yeah, I don't know.

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<v Speaker 1>I'll sit down right now. He's a little too high,

0:17:00.080 --> 0:17:04.800
<v Speaker 1>if I'm honest, right out of the gate, I feel

0:17:04.800 --> 0:17:08.520
<v Speaker 1>like I'm still kind of standing. Honestly, it's a regular.

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<v Speaker 1>It's just a club chair. It's a regular chair cheer

0:17:11.280 --> 0:17:13.520
<v Speaker 1>kind of playing a prank on me, like, ha, you

0:17:13.600 --> 0:17:16.120
<v Speaker 1>thought you sat down, but you're just squatting and your

0:17:16.119 --> 0:17:20.600
<v Speaker 1>thighs are doing a lot of the work. I don't

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<v Speaker 1>know if you can really, I don't think you can

0:17:22.520 --> 0:17:30.240
<v Speaker 1>smoke up right now, I'm doing it. I'm doing. Just

0:17:30.480 --> 0:17:34.560
<v Speaker 1>sit back in the sit back in the chair, please, Yeah,

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<v Speaker 1>a little baby brother, Roddy hot shot? Hot shot? Can

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<v Speaker 1>we curse? It's too late now I'm saying, I'll change

0:17:45.920 --> 0:17:49.399
<v Speaker 1>my tone, like I'll I'll like, I won't curse. I

0:17:49.440 --> 0:17:51.600
<v Speaker 1>don't want to have to call the fire marshal if

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<v Speaker 1>you're call them, call the you know the number of

0:17:56.560 --> 0:17:58.879
<v Speaker 1>the firemark every people say that all the time. I

0:17:58.880 --> 0:18:01.240
<v Speaker 1>all want to call fire my call him? What do

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<v Speaker 1>you got his number in your phone? Oh? I don't

0:18:04.400 --> 0:18:07.040
<v Speaker 1>having you, but I have you. I would get it

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<v Speaker 1>quickly and Carolina would call you it doesn't have it,

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<v Speaker 1>I have it. Tell me what it is and I'll

0:18:15.960 --> 0:18:19.960
<v Speaker 1>tell you. You better tell him. You better tell him

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<v Speaker 1>right now? Your fire don't embarrassing? Okay, what's his number?

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<v Speaker 1>How do we know that your number is the accurate number?

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<v Speaker 1>I got it from a bunny mind. My buddy is

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<v Speaker 1>a fire. Marshal alright, Oh I almost dropped my cigarettes.

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<v Speaker 1>You can't imagine what would have happened. Fire, Probably a fire.

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<v Speaker 1>I'm sorry. There's a huge gap between your two sensibilities.

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<v Speaker 1>This is what we're like, oil and water. We're different. Ronnie,

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<v Speaker 1>you know, Ronnie went off and became you know, a

0:18:59.560 --> 0:19:03.919
<v Speaker 1>little shot? Is that me? Am I doing that? I

0:19:03.960 --> 0:19:12.639
<v Speaker 1>think that's yours? Is is that me? Yeah? That's your everybody?

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<v Speaker 1>You go the way? Now you go? Alright, my turn.

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<v Speaker 1>It does seem like they was always very good in

0:19:22.720 --> 0:19:33.040
<v Speaker 1>audio visual class. Didn't work. It's okay, you gotta relax, Billy.

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<v Speaker 1>It's just a microphone to talk it to go. I know,

0:19:40.160 --> 0:19:43.200
<v Speaker 1>you gott if you're gonna stay here, you gotta take

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<v Speaker 1>it down or not. She just brought you a night.

0:19:46.920 --> 0:19:49.480
<v Speaker 1>She's you're like a hair trigger. You've always been that way.

0:19:49.600 --> 0:19:51.960
<v Speaker 1>I didn't know what it was. I was freaked me.

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<v Speaker 1>The didn't look like you that. She's like, you take

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<v Speaker 1>this dough. She did all day dil though, and she

0:19:59.320 --> 0:20:02.760
<v Speaker 1>wanted me helper do. She didn't say a word, I know,

0:20:02.960 --> 0:20:05.679
<v Speaker 1>but it just felt this looks like a dildo to

0:20:05.720 --> 0:20:09.439
<v Speaker 1>you people, it's a microphone vote. We vote on it. No,

0:20:09.680 --> 0:20:13.880
<v Speaker 1>we don't vote. We all right vote that, we don't

0:20:13.960 --> 0:20:17.919
<v Speaker 1>vote on it. Fine, fine, But to me, I felt

0:20:17.960 --> 0:20:22.000
<v Speaker 1>in that situation a lady was running to me, go

0:20:22.080 --> 0:20:26.080
<v Speaker 1>and hide this dildo. I stole it. That's the story

0:20:26.240 --> 0:20:34.480
<v Speaker 1>I concocted within sec darn it, gosh, darn it. Come

0:20:34.520 --> 0:20:36.600
<v Speaker 1>to think of it, last Easter, you did give me

0:20:36.640 --> 0:20:42.040
<v Speaker 1>a microphone shape dildo. Got the wireless microphone shaped dildo.

0:20:43.080 --> 0:20:51.480
<v Speaker 1>They exist. That's a fun word, dildo. Right. We haven't

0:20:51.560 --> 0:21:09.280
<v Speaker 1>laughed like that in a long time. I got a

0:21:09.280 --> 0:21:12.119
<v Speaker 1>big question for you, billy. What what What are you

0:21:12.160 --> 0:21:17.399
<v Speaker 1>doing here? You mean when I'm doing do the What

0:21:17.440 --> 0:21:19.520
<v Speaker 1>do you want? Do you think? Do you want money?

0:21:20.000 --> 0:21:21.960
<v Speaker 1>Do you want money? Do you want a place to stay? What?

0:21:21.960 --> 0:21:25.840
<v Speaker 1>What's I mean? I'm not here to Do you have money?

0:21:26.440 --> 0:21:29.439
<v Speaker 1>Do you have some cash? Got probably some cash on me.

0:21:29.560 --> 0:21:32.000
<v Speaker 1>I'll take some money. That's not why I'm here. But

0:21:32.040 --> 0:21:35.600
<v Speaker 1>if you're saying you throw the money around, they'll take

0:21:35.600 --> 0:21:38.159
<v Speaker 1>some money. I'm here to be interviewed. Isn't that what

0:21:38.240 --> 0:21:41.840
<v Speaker 1>you do? You really want to be interviewed by me? Yes,

0:21:42.480 --> 0:21:44.560
<v Speaker 1>that's why I'm holding this still though, so I can

0:21:44.680 --> 0:21:47.879
<v Speaker 1>forget the interviewed. I came out of here. You know,

0:21:48.000 --> 0:21:50.560
<v Speaker 1>you got all these people here, Ronnie the hot shot,

0:21:51.040 --> 0:21:54.960
<v Speaker 1>hot shot Ronnie Burgundy that nobody gives it about his

0:21:55.040 --> 0:21:58.400
<v Speaker 1>big brother, Billy Burgundy. So I'm out here to be interviewed.

0:21:58.480 --> 0:22:02.320
<v Speaker 1>Let these people know. Maybe I influenced you in some way,

0:22:04.960 --> 0:22:08.200
<v Speaker 1>all right, fair enough, but you never expressed an interest

0:22:08.240 --> 0:22:11.640
<v Speaker 1>in my life this way. So what would you say?

0:22:15.320 --> 0:22:17.040
<v Speaker 1>This is what you do in a podcast? What is

0:22:17.040 --> 0:22:21.080
<v Speaker 1>a podcast? By the way, Like, what is this actually? Like?

0:22:21.160 --> 0:22:24.760
<v Speaker 1>What do you do with it? I still couldn't tell you.

0:22:27.240 --> 0:22:32.360
<v Speaker 1>I don't understand it. From a technical standpoint. I initially

0:22:32.400 --> 0:22:35.159
<v Speaker 1>thought we recorded on a bunch of cassette tapes. We

0:22:35.200 --> 0:22:38.280
<v Speaker 1>had to drive him to everyone's house, kind of like

0:22:38.320 --> 0:22:41.679
<v Speaker 1>the old Netflix model. That's what I thought, and you

0:22:41.720 --> 0:22:43.800
<v Speaker 1>pop them into a cassette and you listen to him,

0:22:43.800 --> 0:22:46.040
<v Speaker 1>and you you just hope, you pray to God that

0:22:46.400 --> 0:22:50.040
<v Speaker 1>enough people have boom boxes at home. Still, that's what

0:22:50.080 --> 0:22:52.040
<v Speaker 1>I thought a podcast was. I get it. The fact

0:22:52.080 --> 0:22:55.920
<v Speaker 1>that this doesn't have a wire, I can't even knowing.

0:22:55.960 --> 0:22:57.880
<v Speaker 1>I don't trust it. I'll never use a chordless that's

0:22:57.880 --> 0:23:03.720
<v Speaker 1>why I go, I go wire, I go, uh do

0:23:03.840 --> 0:23:09.200
<v Speaker 1>that as well? This feels better. For some reason, this

0:23:09.359 --> 0:23:12.800
<v Speaker 1>just feels better. I don't know, like I'm plugged into

0:23:12.800 --> 0:23:17.439
<v Speaker 1>a system. Billy, let me. I'll start by asking you this.

0:23:17.480 --> 0:23:22.600
<v Speaker 1>We we both we grew up in Iowa. Why do

0:23:22.640 --> 0:23:34.320
<v Speaker 1>you have a Brooklyn accent? Why? Why? And why is

0:23:34.400 --> 0:23:39.280
<v Speaker 1>the question? Look like we're from Brooks We're from Brooklyn, Iowa.

0:23:39.800 --> 0:23:43.240
<v Speaker 1>All Brooklyn's of Brooklyn. It doesn't matter which the state.

0:23:43.320 --> 0:23:47.080
<v Speaker 1>It's in Brooklyn, Iowa's Brooklyn. You look. You look like

0:23:47.160 --> 0:23:51.679
<v Speaker 1>the Fons. I love the Funds. I've always worshiped the Fons.

0:23:52.400 --> 0:23:54.359
<v Speaker 1>Every time I would watch Happy Days, I was like,

0:23:54.400 --> 0:23:56.919
<v Speaker 1>that's who I'm gonna be when I grow up. And

0:23:56.960 --> 0:23:59.600
<v Speaker 1>I don't care. I don't care if the settings and

0:24:00.000 --> 0:24:03.320
<v Speaker 1>out of disappropriate. Don't care if it costs you employment.

0:24:03.560 --> 0:24:07.680
<v Speaker 1>I don't care. Care if you can't. I don't care

0:24:07.680 --> 0:24:10.639
<v Speaker 1>if the settings and the people change around me. I'm

0:24:10.680 --> 0:24:13.440
<v Speaker 1>gonna be the Fauns when I grow People feel awkward

0:24:13.480 --> 0:24:16.679
<v Speaker 1>around you constantly. Yeah, this makes a statement. When I

0:24:16.720 --> 0:24:18.720
<v Speaker 1>walk into a room, people are like, even when I

0:24:18.760 --> 0:24:20.880
<v Speaker 1>walked out here, people are like, this guy's got something

0:24:20.920 --> 0:24:24.560
<v Speaker 1>to say, look at it, Look at this guy. This

0:24:24.600 --> 0:24:28.320
<v Speaker 1>guy gets it? Is that what people is that what

0:24:28.440 --> 0:24:32.400
<v Speaker 1>you think people are thinking? Did anybody did anybody here

0:24:32.480 --> 0:24:38.080
<v Speaker 1>think that? When I walked out, some people clapped how

0:24:38.119 --> 0:24:42.840
<v Speaker 1>one guy, that young woman clapped the gates and then

0:24:42.880 --> 0:24:47.920
<v Speaker 1>the distinct voice was just a definite declarative no, no, no, no.

0:24:49.400 --> 0:24:53.600
<v Speaker 1>Doing of the audience says no, ye, some people did clap,

0:24:53.720 --> 0:24:56.399
<v Speaker 1>not as many numbers as I was hoping, maybe three,

0:24:56.800 --> 0:25:06.000
<v Speaker 1>maybe three people possibly three one distinct No. I probably

0:25:06.040 --> 0:25:09.000
<v Speaker 1>hate cigarettes. That's your thing. You're like, well, I'm against

0:25:09.000 --> 0:25:12.760
<v Speaker 1>you because most people hate cigarettes. They do. It's when

0:25:13.280 --> 0:25:17.000
<v Speaker 1>since thirty years ago, twenty years ago. I don't. I

0:25:17.000 --> 0:25:19.760
<v Speaker 1>don't know. You can't smoke anywhere. I do it all

0:25:19.800 --> 0:25:24.080
<v Speaker 1>the time. I know that walking about what he says anything,

0:25:24.119 --> 0:25:25.720
<v Speaker 1>They just let it happen. They're like, I don't know.

0:25:25.880 --> 0:25:33.440
<v Speaker 1>This guy looks like he knows something. No, No, this

0:25:33.640 --> 0:25:35.720
<v Speaker 1>is fun. I like this is fun. You like do this?

0:25:35.720 --> 0:25:39.320
<v Speaker 1>This is cool. This is a cool got gig? You know?

0:25:39.680 --> 0:25:42.760
<v Speaker 1>Is that what it's called a gig. It's called a podcast.

0:25:42.800 --> 0:25:46.080
<v Speaker 1>And we're you know, we're just we're lucky enough to

0:25:46.080 --> 0:25:47.439
<v Speaker 1>be doing it in front of a live audience, and

0:25:47.440 --> 0:25:50.920
<v Speaker 1>that's what's happenings, and this is kind of this is

0:25:51.000 --> 0:25:53.840
<v Speaker 1>one of the things I do in my life. Well,

0:25:53.840 --> 0:25:55.960
<v Speaker 1>I wouldn't know. I wouldn't know because you don't call.

0:25:56.160 --> 0:26:00.240
<v Speaker 1>You know, right, let us in high school. When you

0:26:00.320 --> 0:26:02.680
<v Speaker 1>left town and you didn't talk to anyone in the

0:26:02.720 --> 0:26:06.920
<v Speaker 1>family for twenty years, what happened? That's your question. I

0:26:07.040 --> 0:26:09.639
<v Speaker 1>come out here and you say, why did I leave home?

0:26:10.280 --> 0:26:15.360
<v Speaker 1>I was eleven when I left home. I was eleven, Ronnie,

0:26:16.240 --> 0:26:20.800
<v Speaker 1>I was I was four. I was eleven, and I

0:26:20.880 --> 0:26:23.480
<v Speaker 1>was in high school. Was an accelerated class. You were

0:26:23.520 --> 0:26:28.679
<v Speaker 1>an accelerated student. I didn't understand anything, but I already

0:26:28.680 --> 0:26:32.360
<v Speaker 1>had a mustache, so they pushed me through, and I

0:26:32.400 --> 0:26:35.719
<v Speaker 1>was You think it's easy to be around them when

0:26:35.760 --> 0:26:38.199
<v Speaker 1>people will look at you only eleven, and look at

0:26:38.200 --> 0:26:41.159
<v Speaker 1>your brother's holding four and he's got a man's mustache

0:26:41.960 --> 0:26:48.639
<v Speaker 1>and he's in these he's in these accelerated classes. Don't

0:26:48.680 --> 0:26:52.320
<v Speaker 1>take me back there, because all I would do was

0:26:52.880 --> 0:26:57.080
<v Speaker 1>squigger with crayons, and they loved They kept moving, loved me.

0:26:57.160 --> 0:27:00.400
<v Speaker 1>I kept moving. They were like this guy's like a

0:27:00.440 --> 0:27:04.240
<v Speaker 1>passa RANI was in college by ten years old it was.

0:27:07.240 --> 0:27:09.800
<v Speaker 1>I left at eleven. I'm the youngest kid to ever

0:27:09.920 --> 0:27:12.560
<v Speaker 1>leave his house at the youngest age. I looked it up.

0:27:14.400 --> 0:27:17.920
<v Speaker 1>You looked it up where the library. I went to

0:27:18.000 --> 0:27:20.280
<v Speaker 1>the library. And I went to the library, and there's

0:27:20.280 --> 0:27:24.280
<v Speaker 1>a book. There's a book that chronicles how early children

0:27:24.480 --> 0:27:28.800
<v Speaker 1>leave their houses. Yes, in the youngest before me was twelve.

0:27:28.880 --> 0:27:31.200
<v Speaker 1>I left it eleven. So I got that. So you

0:27:31.280 --> 0:27:35.280
<v Speaker 1>broke the record. I broke the record after all, for

0:27:35.520 --> 0:27:43.240
<v Speaker 1>Billy Burgundy. What kind of smokes are those? By the way,

0:27:44.680 --> 0:27:46.320
<v Speaker 1>That's okay. I'd rather do that than get it on

0:27:46.359 --> 0:27:48.280
<v Speaker 1>these nice chairs to make you stand up when you

0:27:48.280 --> 0:27:53.879
<v Speaker 1>don't want to. Yeah, I left home at eleven. I

0:27:53.960 --> 0:27:59.680
<v Speaker 1>lived on trains. I lived on a bunch of trains trains. Yeah,

0:28:00.040 --> 0:28:03.080
<v Speaker 1>you know what I did with fellow hoboes. Yeah. And

0:28:03.119 --> 0:28:05.760
<v Speaker 1>I had a stick with a sack on the end

0:28:05.760 --> 0:28:08.280
<v Speaker 1>of the kerchief. And I gotta tell you can't put

0:28:08.320 --> 0:28:11.200
<v Speaker 1>a lot of clothes in there. You can maybe put

0:28:11.200 --> 0:28:13.480
<v Speaker 1>a half of sandwich. You can put half of sandwich in,

0:28:13.880 --> 0:28:17.000
<v Speaker 1>half of pair of jeans, one leg of a g

0:28:17.680 --> 0:28:19.240
<v Speaker 1>It's not like you can put a wardrobe in the

0:28:19.280 --> 0:28:23.639
<v Speaker 1>little chrischief. That's a kerchief. You know. It signals everyone

0:28:23.680 --> 0:28:26.919
<v Speaker 1>that you hoped trains. Yeah, I have trains and I'm eleven.

0:28:26.960 --> 0:28:29.879
<v Speaker 1>People like that. Kids shouldn't be hopping trains. Trains for

0:28:29.920 --> 0:28:34.159
<v Speaker 1>how long? And twenty years? Hopped trains for twenty years

0:28:34.480 --> 0:28:37.280
<v Speaker 1>until you were thirty one? Yeah, I just kept doing it.

0:28:37.440 --> 0:28:39.480
<v Speaker 1>You know, once you're caught up in the game of

0:28:39.560 --> 0:28:43.040
<v Speaker 1>hopping trains, it's not a game. You can't just get out.

0:28:43.600 --> 0:28:45.720
<v Speaker 1>You can't get out. You could get out anytime you want.

0:28:45.720 --> 0:28:48.360
<v Speaker 1>How was that a comfortable life? It wasn't. I was.

0:28:49.000 --> 0:28:53.320
<v Speaker 1>I'm a grizzled man because of it. Mcgrizzled Brooklyn Knight

0:28:55.760 --> 0:28:59.320
<v Speaker 1>go uh go hu Husky Huskies. Who are the corn Huskers?

0:29:00.080 --> 0:29:05.400
<v Speaker 1>What is it? How? Guys? That's what I said. Guys, Yes,

0:29:05.800 --> 0:29:09.600
<v Speaker 1>Iowa hack guys. In Brooklyn we were the New Jersey

0:29:09.680 --> 0:29:13.720
<v Speaker 1>Nets hot guys. Remember that high school where the New

0:29:13.800 --> 0:29:20.200
<v Speaker 1>Jersey Nets. We were the Brooklyn Nets guys. That's right,

0:29:20.560 --> 0:29:22.640
<v Speaker 1>that was our high school. And remember our fight song.

0:29:22.920 --> 0:29:34.160
<v Speaker 1>Of course, I do breathe music Net eyes Nets. We're

0:29:34.200 --> 0:29:40.720
<v Speaker 1>coming from your throats out and what you bleed on

0:29:41.320 --> 0:29:50.640
<v Speaker 1>the floor. It is our dest today to prevail New

0:29:50.720 --> 0:29:57.760
<v Speaker 1>Jersey nets nets. Of course I remember it pretty again.

0:30:00.360 --> 0:30:02.720
<v Speaker 1>Of course I remember I fight song. I sing it

0:30:02.760 --> 0:30:06.400
<v Speaker 1>every night on those trains. Taught all the hoboes. I said,

0:30:06.440 --> 0:30:08.920
<v Speaker 1>listen to this and I get to the pot about

0:30:09.000 --> 0:30:11.440
<v Speaker 1>ripping out the throats and the blood on the floor,

0:30:11.480 --> 0:30:17.640
<v Speaker 1>and they loved it. I'm still confused. Who's they? My

0:30:17.680 --> 0:30:24.200
<v Speaker 1>hobo friends, Charlie, mostly just me and Charlie. Look, here's

0:30:24.240 --> 0:30:26.080
<v Speaker 1>the reason I'm here. You wanted to do the truth.

0:30:26.240 --> 0:30:29.880
<v Speaker 1>There's another question I have for you because our brother Lonnie,

0:30:30.600 --> 0:30:34.560
<v Speaker 1>I saw you in a pornographic movie. Talk about that.

0:30:35.960 --> 0:30:38.480
<v Speaker 1>Talk about that. That's not I mean, what was what

0:30:38.560 --> 0:30:41.840
<v Speaker 1>was that period of your life? What was going on? Okay,

0:30:41.840 --> 0:30:44.120
<v Speaker 1>it's one thing that maybe I was or was not

0:30:44.280 --> 0:30:47.360
<v Speaker 1>in a pornographic film. It's another thing that Lonnie's watching

0:30:47.400 --> 0:30:51.000
<v Speaker 1>stuff like that. What was he doing watching the thing? That?

0:30:51.040 --> 0:30:55.720
<v Speaker 1>I was a fair question Back then, it was still old.

0:30:55.800 --> 0:30:57.960
<v Speaker 1>Real to real, it was real to real. You had

0:30:58.000 --> 0:31:00.400
<v Speaker 1>to you had to get a sixteen metal made a

0:31:00.400 --> 0:31:02.520
<v Speaker 1>projector you had to want it. You had to want it,

0:31:02.560 --> 0:31:05.480
<v Speaker 1>but you had to want it. You had to get it.

0:31:05.560 --> 0:31:08.680
<v Speaker 1>Didn't get it, didn't know pop up. It was like

0:31:08.800 --> 0:31:13.560
<v Speaker 1>I bought a ticket to see it loop it through. Yeah, yeah,

0:31:13.960 --> 0:31:18.080
<v Speaker 1>that I need. I needed some money and there was

0:31:18.160 --> 0:31:20.800
<v Speaker 1>no sound. There was no sound of corn A Kolani.

0:31:22.080 --> 0:31:25.720
<v Speaker 1>I didn't see it. So you needed some money. I

0:31:25.800 --> 0:31:28.960
<v Speaker 1>needed some money and I did a little porn ated

0:31:28.960 --> 0:31:32.120
<v Speaker 1>by any chance. Yeah, that's how I got discovered. Remember

0:31:32.120 --> 0:31:35.640
<v Speaker 1>how Edward Furlong got discovered for Terminator two. That's what

0:31:35.720 --> 0:31:39.640
<v Speaker 1>happened to me. But it was for a pornographic film.

0:31:39.680 --> 0:31:43.600
<v Speaker 1>I don't have that, that's the analogy. I don't have

0:31:43.680 --> 0:31:47.000
<v Speaker 1>some sort of play on the title Terminator too. I

0:31:47.080 --> 0:31:49.480
<v Speaker 1>just know that that's how I got discovered. Someone said

0:31:49.640 --> 0:31:52.320
<v Speaker 1>you have a camera, and I said, hey, I live

0:31:52.400 --> 0:31:56.560
<v Speaker 1>on trains. That was enough. That was enough to get

0:31:56.560 --> 0:31:59.880
<v Speaker 1>me in the door. So there was a young enterp

0:32:00.080 --> 0:32:06.480
<v Speaker 1>rising pornographic film maker scouting for his next actor in

0:32:06.520 --> 0:32:11.440
<v Speaker 1>a train yard. Yeah, okay, you've been surprised. A lot

0:32:11.440 --> 0:32:15.560
<v Speaker 1>of actors come from train yards in every in every genre.

0:32:15.960 --> 0:32:18.280
<v Speaker 1>It's true. I know Gene Hackman came from a train yard.

0:32:19.960 --> 0:32:21.600
<v Speaker 1>I know he also did a stretch of time at

0:32:21.640 --> 0:32:25.040
<v Speaker 1>Joliet Prison. What was that for? Why do you got

0:32:25.120 --> 0:32:27.120
<v Speaker 1>to tell people about that? We're doing an interview you

0:32:27.160 --> 0:32:29.400
<v Speaker 1>wanted me to ask you about your lives in Joliet,

0:32:29.560 --> 0:32:32.720
<v Speaker 1>Joliet prison, because I had I had signed up for

0:32:32.760 --> 0:32:35.320
<v Speaker 1>a kid's birthday party to do like clowns, and I

0:32:35.560 --> 0:32:38.040
<v Speaker 1>was doing the balloon animals type stuff and I didn't

0:32:38.040 --> 0:32:41.680
<v Speaker 1>know how to do it and the dad. I I

0:32:41.760 --> 0:32:43.560
<v Speaker 1>got into a little scuffle with the dad. I was

0:32:43.680 --> 0:32:46.479
<v Speaker 1>drinking and think a lot of the kids are crying

0:32:47.840 --> 0:32:51.760
<v Speaker 1>at kids party. They were like eight, and I thought

0:32:51.840 --> 0:32:54.160
<v Speaker 1>these kids are too whole for him clown and one

0:32:54.200 --> 0:32:56.320
<v Speaker 1>of the kids like just made me a bluon animal.

0:32:56.360 --> 0:33:00.520
<v Speaker 1>I shoved, shoved the kid. Uh, you can never it

0:33:00.600 --> 0:33:02.800
<v Speaker 1>was the dad's kid. It was the dad's kid, which

0:33:02.840 --> 0:33:06.520
<v Speaker 1>I guess is always it's always the dad's kids, and

0:33:06.920 --> 0:33:09.600
<v Speaker 1>whatever scenario, whoever the kid is, it's always gonna be

0:33:09.720 --> 0:33:13.959
<v Speaker 1>the dad's Still, it's still a fairly low stake setting

0:33:15.320 --> 0:33:19.120
<v Speaker 1>to end up with Juliet. So continue. Well, So I

0:33:19.240 --> 0:33:24.040
<v Speaker 1>shoved the kid. I shoved the kid. He pulls, he

0:33:24.160 --> 0:33:27.120
<v Speaker 1>pulls what I thought was a switch blade. It was

0:33:27.160 --> 0:33:30.240
<v Speaker 1>one of those crazy straws. I thought it was a

0:33:30.240 --> 0:33:34.400
<v Speaker 1>switch blade. So I pulled my switch blade. Now we're dancing,

0:33:34.560 --> 0:33:37.440
<v Speaker 1>you know what I mean. He's got a crazy straight

0:33:37.560 --> 0:33:41.440
<v Speaker 1>yell out in another kid. I go, tie our arms together, right,

0:33:41.640 --> 0:33:44.040
<v Speaker 1>tie our arms together? And the kid did it, and

0:33:44.080 --> 0:33:48.240
<v Speaker 1>another kid did it. Yeah. The dad looks over. I'm

0:33:48.240 --> 0:33:50.840
<v Speaker 1>trying to knife fight his kid. He's got a crazy straw.

0:33:50.920 --> 0:33:54.720
<v Speaker 1>I gotta switch blade I had made for giraffes. I

0:33:54.760 --> 0:33:58.720
<v Speaker 1>don't know how to do the balloon animal bullet and

0:33:59.000 --> 0:34:05.000
<v Speaker 1>I cut the kids. Billy what it was a sanctioned fight?

0:34:05.200 --> 0:34:08.600
<v Speaker 1>He agree with that? Sanctioned by who? Me and the

0:34:08.680 --> 0:34:13.480
<v Speaker 1>kid who had the wire? Why he had used the wire? Yeah,

0:34:13.520 --> 0:34:15.200
<v Speaker 1>he had a crazy shot. But the other kid had

0:34:15.200 --> 0:34:17.759
<v Speaker 1>a wire to tie our wrist together so that he

0:34:17.760 --> 0:34:22.160
<v Speaker 1>couldn't escape the fight. We don't fight as much as

0:34:22.160 --> 0:34:24.439
<v Speaker 1>you know. So this is all I do it all

0:34:24.440 --> 0:34:27.359
<v Speaker 1>the time, so still to this day, to this day,

0:34:27.400 --> 0:34:29.560
<v Speaker 1>I'll go I'll go to a bar. I don't even.

0:34:29.600 --> 0:34:31.400
<v Speaker 1>I used to go to a bar and drunk and

0:34:31.480 --> 0:34:37.279
<v Speaker 1>did insurable Yeah no, no, no, Connie, look at me,

0:34:38.120 --> 0:34:43.320
<v Speaker 1>look at me. Is the fons insurable? Obviously not unless

0:34:43.360 --> 0:34:46.560
<v Speaker 1>you go to a Geico. Maybe. I don't know. I've

0:34:46.560 --> 0:34:48.600
<v Speaker 1>never had insurance. I don't know what it takes. I

0:34:48.640 --> 0:34:52.960
<v Speaker 1>wish and I don't know what it is. Look, it's

0:34:52.960 --> 0:34:54.880
<v Speaker 1>not all it's cracked up to be. I've never been

0:34:54.920 --> 0:35:00.359
<v Speaker 1>insured fine all these years. Right, they just rolled of dice.

0:35:01.760 --> 0:35:04.120
<v Speaker 1>That's what I do. I rolled the dice. I see

0:35:04.160 --> 0:35:05.920
<v Speaker 1>where it end where I end up. And so I

0:35:05.960 --> 0:35:09.000
<v Speaker 1>got the town tonight, and I said, I'm gonna go

0:35:09.000 --> 0:35:17.200
<v Speaker 1>down to Ronnie's things up and awkwardly stare this crowd down.

0:35:19.600 --> 0:35:22.960
<v Speaker 1>That's exactly right. Are you thinking about that? No from

0:35:23.160 --> 0:35:28.080
<v Speaker 1>section whatever? That section him alone, Leave him alone. You

0:35:28.120 --> 0:35:35.240
<v Speaker 1>have a fight anybody, No from theies, because I assure

0:35:35.280 --> 0:35:39.160
<v Speaker 1>you it's not like fighting now, buddy, don't dignify him,

0:35:39.239 --> 0:35:43.560
<v Speaker 1>sir with a response. You know him, You know the

0:35:43.600 --> 0:35:46.200
<v Speaker 1>guy that's saying that's saying it in general. Okay, I'm

0:35:46.200 --> 0:35:49.720
<v Speaker 1>protecting our audience member from getting in a fifties style

0:35:50.040 --> 0:35:54.880
<v Speaker 1>gangster fight with you. Let it be known. I have

0:35:54.960 --> 0:35:57.560
<v Speaker 1>a switchblade. Let it be known. And not the cool

0:35:57.640 --> 0:35:59.520
<v Speaker 1>kind where like you hit the button and a comb

0:35:59.600 --> 0:36:05.000
<v Speaker 1>comes No, no, like a real knife, A real knife

0:36:05.000 --> 0:36:08.480
<v Speaker 1>comes out. One time I thought it was a comb.

0:36:08.680 --> 0:36:17.560
<v Speaker 1>I started cutting my hair accidentally. True story, yea, I

0:36:19.200 --> 0:36:23.759
<v Speaker 1>that one I believe, right, Why are you really here?

0:36:23.800 --> 0:36:27.080
<v Speaker 1>Why do you why don't you tell everybody what you did?

0:36:27.160 --> 0:36:29.680
<v Speaker 1>I don't know what you're talking about. Eleven years old.

0:36:30.080 --> 0:36:33.879
<v Speaker 1>Before I left home, he's and I left. Why did

0:36:33.880 --> 0:36:39.680
<v Speaker 1>I leave? Ronnie? Why did I leave? Why did I leave?

0:36:40.360 --> 0:36:44.080
<v Speaker 1>I honestly don't know what you're I was sports swings,

0:36:44.320 --> 0:36:49.439
<v Speaker 1>sports swing. I don't remember two homeworks that I had out.

0:36:51.160 --> 0:36:55.560
<v Speaker 1>I had to write an essay on Jane Eyre. I

0:36:55.680 --> 0:36:57.400
<v Speaker 1>think you know what you did with the porch swing.

0:36:57.920 --> 0:37:00.160
<v Speaker 1>Dad came out of the porch swing. The porch swing

0:37:00.320 --> 0:37:03.200
<v Speaker 1>was broken? And what did you say? As a four

0:37:03.280 --> 0:37:05.760
<v Speaker 1>year old kid, what'd you say? What do you say? Ronnie?

0:37:06.320 --> 0:37:11.239
<v Speaker 1>What'd you tell Dad? What'd you tell Papa? I said,

0:37:12.840 --> 0:37:19.400
<v Speaker 1>bi wee? Did it? Bai boked the porch swing? Did I?

0:37:20.480 --> 0:37:24.200
<v Speaker 1>Did I break it? Or did you break it? No?

0:37:25.000 --> 0:37:33.000
<v Speaker 1>That's right? And then Dad said, Billy, did you break

0:37:33.080 --> 0:37:37.880
<v Speaker 1>this porch swing? And I said, no, Ronnie broke this

0:37:38.000 --> 0:37:41.520
<v Speaker 1>porch swing? And he said, Billy, you're a liar. Yes,

0:37:41.880 --> 0:37:44.160
<v Speaker 1>all you e a gonn amount to is a guy

0:37:44.320 --> 0:37:48.200
<v Speaker 1>who hops trains. Why don't you get started on it? Now?

0:37:53.160 --> 0:37:59.000
<v Speaker 1>So I did. I'm so sorry. I just panicked. I

0:37:59.760 --> 0:38:02.440
<v Speaker 1>oh is looked up to you? What I did. I

0:38:02.520 --> 0:38:04.600
<v Speaker 1>didn't want to. I knew you'd take the heat for me.

0:38:04.719 --> 0:38:08.080
<v Speaker 1>And but you really mean now you really look from you?

0:38:08.560 --> 0:38:13.879
<v Speaker 1>You really don't you mean when you say you take

0:38:13.920 --> 0:38:17.000
<v Speaker 1>as much time as you take us to tell me,

0:38:18.280 --> 0:38:19.879
<v Speaker 1>do you mean that when you say used to look

0:38:20.000 --> 0:38:22.200
<v Speaker 1>up to me, that you you didn't used to look

0:38:22.280 --> 0:38:24.239
<v Speaker 1>up to me. You didn't look up to me. You

0:38:25.640 --> 0:38:34.480
<v Speaker 1>you were my son, you were my moon, you were

0:38:34.960 --> 0:38:40.680
<v Speaker 1>my Saturn, my Jupiter, my venus, my mercury. You're gonna

0:38:40.680 --> 0:38:45.080
<v Speaker 1>make me smoke this whole pack of cigaretos. Oh I

0:38:45.160 --> 0:38:47.520
<v Speaker 1>ever wanted. I was just known as Billy burg and

0:38:47.640 --> 0:38:52.160
<v Speaker 1>his younger brother, and then you were God. And I

0:38:52.200 --> 0:38:54.600
<v Speaker 1>didn't know what to tell people. I didn't know where

0:38:54.640 --> 0:38:58.719
<v Speaker 1>you went, and no idea you were hopping trains, those

0:38:58.840 --> 0:39:07.520
<v Speaker 1>hopping trains. Hug out, hug out, hug it out, hug

0:39:07.880 --> 0:39:13.520
<v Speaker 1>it out, hu hug it out. I don't think we

0:39:13.560 --> 0:39:19.560
<v Speaker 1>could do this. We're Burgundies. Don't ever make hug it out.

0:39:23.600 --> 0:39:27.959
<v Speaker 1>Hug How do you want to do? You go high?

0:39:28.200 --> 0:39:37.920
<v Speaker 1>I feel like we're both going high. Oh, thank you,

0:39:41.480 --> 0:39:45.160
<v Speaker 1>you heard me, Ronnie, Ronnie Hugny trying to hurt your

0:39:47.680 --> 0:40:12.960
<v Speaker 1>huck I'm stuck into your house. Wait what, I'm stuck

0:40:13.040 --> 0:40:18.160
<v Speaker 1>in the hoss before I stuck in the house years ago,

0:40:18.400 --> 0:40:22.960
<v Speaker 1>and I jacked off in all your socks. Well, I

0:40:23.160 --> 0:40:28.800
<v Speaker 1>never told you, Okay, I guess that could happen. I

0:40:28.880 --> 0:40:30.800
<v Speaker 1>don't hold it against you, at least, is that the

0:40:30.880 --> 0:40:37.520
<v Speaker 1>only thing you ever did to me? No, So I

0:40:37.719 --> 0:40:41.000
<v Speaker 1>jacked off in so many different types of clothes than

0:40:41.080 --> 0:40:44.719
<v Speaker 1>you have. Okay, okay, but it happened a long time

0:40:44.760 --> 0:40:47.680
<v Speaker 1>ago though, right, it wasn't recently. The socks were alonged

0:40:47.840 --> 0:40:53.120
<v Speaker 1>like two years ago, and then that shirt was earlier today.

0:40:55.320 --> 0:40:58.839
<v Speaker 1>I'm sorry, Brian, I thought I never thought we would

0:40:58.920 --> 0:41:10.520
<v Speaker 1>hug like that. That's okay, it's actually good for the shirt. Yeah, yeah, yeah,

0:41:11.040 --> 0:41:16.560
<v Speaker 1>Rayon fibers respond to bodily. Yeah. I think I read

0:41:16.640 --> 0:41:19.920
<v Speaker 1>that somewhere. Also. Discharge is good for them every now

0:41:19.960 --> 0:41:27.239
<v Speaker 1>and then, any sort of discharge, human or otherwise. All right,

0:41:27.280 --> 0:41:31.920
<v Speaker 1>I'm gonna thanks for coming by wait for me after

0:41:32.000 --> 0:41:33.840
<v Speaker 1>the show. Of course, somewhere will get that money you

0:41:33.920 --> 0:41:38.640
<v Speaker 1>were talking about my brother, Billy Burgundy. Everyone, thank you,

0:41:44.960 --> 0:41:54.160
<v Speaker 1>Billy Burgundy. Everyone. That was a lot to take in.

0:41:54.440 --> 0:41:57.320
<v Speaker 1>I did not expect to go there tonight. Honestly, I

0:41:57.400 --> 0:41:59.880
<v Speaker 1>feel like a lot of the situation I blame on

0:42:00.040 --> 0:42:04.600
<v Speaker 1>your dad, Yes, thank you. The Portswing thing, like he

0:42:04.640 --> 0:42:07.080
<v Speaker 1>shouldn't have kicked Billy out of the house at eleven

0:42:07.200 --> 0:42:10.959
<v Speaker 1>for that, and he was so specific with his plan. Yeah,

0:42:12.400 --> 0:42:15.880
<v Speaker 1>for Billy, it feels like that was It's like it

0:42:15.960 --> 0:42:18.600
<v Speaker 1>was premeditated, like I want to get this loser out

0:42:18.640 --> 0:42:20.879
<v Speaker 1>of my house and on a train, trying to get

0:42:20.960 --> 0:42:40.200
<v Speaker 1>him to train hop for the rest of his life. Well,

0:42:40.320 --> 0:42:42.960
<v Speaker 1>this was such an amazing show, and oh well, we're

0:42:43.040 --> 0:42:50.600
<v Speaker 1>not done yet because I planned something pretty special. I

0:42:50.640 --> 0:42:54.360
<v Speaker 1>didn't tell you about this because you're going to love it.

0:42:56.160 --> 0:42:59.319
<v Speaker 1>I don't know you people, but I love spicy food.

0:43:00.239 --> 0:43:05.840
<v Speaker 1>I just love it. Um. Oh good moving some things

0:43:06.120 --> 0:43:09.239
<v Speaker 1>on stage to create a little area. And this guy

0:43:10.120 --> 0:43:14.600
<v Speaker 1>is I mean, he has created a special genre genre

0:43:15.440 --> 0:43:25.600
<v Speaker 1>that is uh, very unique and super exciting. Um And

0:43:25.719 --> 0:43:27.799
<v Speaker 1>I've been wanting to do an interview with this guy

0:43:29.560 --> 0:43:39.400
<v Speaker 1>for a long long time. Please welcome Mr Sean Evans

0:43:39.520 --> 0:43:49.000
<v Speaker 1>with Nott once ha a good Sean, Thank you so much.

0:43:49.080 --> 0:43:53.200
<v Speaker 1>Oh my god, this is gonna be fun. Sean Everts, everyone,

0:43:53.560 --> 0:43:57.840
<v Speaker 1>thank you, thank you. Should we move this a little closer,

0:43:58.920 --> 0:44:05.480
<v Speaker 1>we say just a little there we go, Hey, Chicago,

0:44:07.400 --> 0:44:10.080
<v Speaker 1>is that you're from Chicago? From Chicago? I just didn't

0:44:10.080 --> 0:44:13.520
<v Speaker 1>know if randomly yelling that out, because I sometimes I'll

0:44:13.560 --> 0:44:16.919
<v Speaker 1>do that, just shot out Chicago. No, no, just any city.

0:44:16.960 --> 0:44:21.960
<v Speaker 1>I'll just walk into a place and go Houston. It works,

0:44:22.040 --> 0:44:26.640
<v Speaker 1>it works, no one. I'll get my bagel and go.

0:44:26.920 --> 0:44:34.000
<v Speaker 1>You know, Um, this is pretty fun. So is everyone

0:44:34.120 --> 0:44:38.840
<v Speaker 1>familiar with hot ones? For? For our our audience and

0:44:38.920 --> 0:44:43.040
<v Speaker 1>our listeners kind of described your the premise here. Sure.

0:44:43.160 --> 0:44:46.080
<v Speaker 1>So the show, what we do is we interview celebrities.

0:44:46.120 --> 0:44:48.239
<v Speaker 1>But the little twist in there is that we have

0:44:48.520 --> 0:44:52.239
<v Speaker 1>them eat increasingly spicy chicken wings over the course of

0:44:52.320 --> 0:44:55.040
<v Speaker 1>the interview. So typically on the show will do a

0:44:55.120 --> 0:44:59.440
<v Speaker 1>ten wing lineup right today, sort of a miniature version wings.

0:44:59.560 --> 0:45:02.560
<v Speaker 1>That's the good news. The bad news though, Ron, very

0:45:02.640 --> 0:45:08.120
<v Speaker 1>steep ramp up. It's going to eleven right out of

0:45:08.120 --> 0:45:10.919
<v Speaker 1>the game, right out of the gate. You know, I'll

0:45:11.000 --> 0:45:13.600
<v Speaker 1>start off in a comfortable place, but it'll get very hot,

0:45:13.840 --> 0:45:18.880
<v Speaker 1>very quickly. Okay, were you ready to start? Yes? Alright,

0:45:19.160 --> 0:45:27.080
<v Speaker 1>let's make some and so we'll start with the classic

0:45:27.160 --> 0:45:29.040
<v Speaker 1>and this is very important, Ron, You're gonna want to

0:45:29.080 --> 0:45:31.480
<v Speaker 1>start at the handle over there. Start at the handle.

0:45:31.640 --> 0:45:33.560
<v Speaker 1>Start at the handle. Boy, I wish I had a

0:45:33.640 --> 0:45:40.759
<v Speaker 1>nickel for every time I've heard that. And then we'll

0:45:40.880 --> 0:45:43.319
<v Speaker 1>dive right in. Have you ever been over to sin

0:45:44.560 --> 0:45:48.120
<v Speaker 1>right across the street, Right across the street they have

0:45:48.400 --> 0:45:58.960
<v Speaker 1>start at the handle tuesdays. Okay, says we dive in in.

0:46:01.040 --> 0:46:07.040
<v Speaker 1>Mm hmmm mm hmmmm. And my my first question for you, Ron,

0:46:07.480 --> 0:46:17.440
<v Speaker 1>Oh good god, Okay, oh my god. Oh already it's

0:46:17.480 --> 0:46:19.960
<v Speaker 1>the first wing. No way, I'm not doing that, Carolina.

0:46:20.000 --> 0:46:23.440
<v Speaker 1>You gotta do it. You have to do it. You

0:46:25.280 --> 0:46:29.040
<v Speaker 1>gotta do it, or I'm fired. You're fired. I'm already fired.

0:46:29.440 --> 0:46:34.359
<v Speaker 1>But you got God, that is awful. Well, I did

0:46:34.440 --> 0:46:40.040
<v Speaker 1>have questions for for you, great Carolina. She's a smart cookie.

0:46:40.120 --> 0:46:44.479
<v Speaker 1>She can handle it. She can handle it. You gotta

0:46:44.480 --> 0:46:49.000
<v Speaker 1>answer the questions. Okay, okay, okay, but you didn't just

0:46:49.080 --> 0:46:53.520
<v Speaker 1>take a bite out of that wing. But I'll uh continue. Okay,

0:46:54.920 --> 0:47:01.360
<v Speaker 1>this is all right, Carolina, thank you, alright, alright, alright,

0:47:02.239 --> 0:47:04.880
<v Speaker 1>I can. I'm sure I can answer your questions, so

0:47:05.040 --> 0:47:08.120
<v Speaker 1>I'll ask. I did have questions prepared for you, Ron,

0:47:08.280 --> 0:47:11.560
<v Speaker 1>So you're outsourcing not only the wing eating, but also

0:47:11.680 --> 0:47:15.440
<v Speaker 1>the answering of your own questions. I mean, I think

0:47:15.480 --> 0:47:17.160
<v Speaker 1>this will be one of the one and one and

0:47:17.200 --> 0:47:20.520
<v Speaker 1>a kind of experience, you know, very different. She can

0:47:20.600 --> 0:47:25.080
<v Speaker 1>handle it. She's she who. Okay, all right, let's start.

0:47:25.200 --> 0:47:27.919
<v Speaker 1>We're doing it. It's happening. My mouth is on fire.

0:47:28.280 --> 0:47:30.960
<v Speaker 1>That is like, I am okay, I am doing this

0:47:31.160 --> 0:47:33.359
<v Speaker 1>for the salary right now. That is what I'm gonna

0:47:33.400 --> 0:47:36.080
<v Speaker 1>tell you, which is cauldron in my belly right now.

0:47:38.960 --> 0:47:43.040
<v Speaker 1>I'm awake to start things off. I'm curious, Uh, why

0:47:43.120 --> 0:47:45.879
<v Speaker 1>did you decide to step out of retirement and start

0:47:45.920 --> 0:47:56.320
<v Speaker 1>a podcast? Go ahead, I'm podcasting is fun. I have

0:47:56.400 --> 0:48:00.320
<v Speaker 1>a mustache. I like the news. That's a dumb answer.

0:48:02.280 --> 0:48:04.840
<v Speaker 1>I am so sorry. This is crazy. Okay, okay, I

0:48:04.880 --> 0:48:08.320
<v Speaker 1>can do the next. I'll be more sophisticated answers, I promise.

0:48:09.040 --> 0:48:11.640
<v Speaker 1>All right, let's let's pivot a little bit. What would

0:48:11.680 --> 0:48:15.840
<v Speaker 1>you say, is the biggest news story that you've ever covered? Oh,

0:48:16.040 --> 0:48:20.600
<v Speaker 1>this is easy. You know this one. You know this one.

0:48:24.000 --> 0:48:43.719
<v Speaker 1>Yell sprecka se Deutsche Hell. Okay, okay, okay, I think

0:48:43.880 --> 0:48:46.239
<v Speaker 1>that was good. That was good. Okay. And then let's

0:48:46.280 --> 0:48:48.480
<v Speaker 1>let's shift to something maybe a little more topical. You know,

0:48:48.600 --> 0:48:51.759
<v Speaker 1>I'm curious your thoughts on the current media landscape, Like

0:48:51.880 --> 0:48:56.040
<v Speaker 1>when you watch Anchorman on the cable news channels, Fox News, CNN,

0:48:56.400 --> 0:48:58.319
<v Speaker 1>what do you think of them? What do you think

0:48:58.640 --> 0:49:02.400
<v Speaker 1>them on news channels? Are there for clickbait headlines? And

0:49:02.680 --> 0:49:08.920
<v Speaker 1>I delivered real heartfelt news. That's pretty good. Yes, yes,

0:49:10.600 --> 0:49:12.960
<v Speaker 1>do I do? I go the next wing. Yeah, that's

0:49:14.200 --> 0:49:16.960
<v Speaker 1>that's to move on to the next wing. So this

0:49:17.160 --> 0:49:20.080
<v Speaker 1>next one is Lose Calientes. Typically in their lineup, it'll

0:49:20.120 --> 0:49:26.560
<v Speaker 1>be the fifth Sauce, but today going steeping step towards

0:49:26.600 --> 0:49:30.640
<v Speaker 1>the peak of Mount Scoville onto the fifth sauce, the

0:49:30.719 --> 0:49:36.200
<v Speaker 1>Turning Sauce, the Turning Sauce. It's the Turning Poor all right,

0:49:37.239 --> 0:49:47.000
<v Speaker 1>that's another featured night. It's in turn Sauce. Hello, okay, okay, yeah,

0:49:47.280 --> 0:49:51.520
<v Speaker 1>we are here at a party. Oh my goodness. That

0:49:51.719 --> 0:49:59.560
<v Speaker 1>is um uh opening everything up. I'm feeling that one. Huh. Okay,

0:50:00.000 --> 0:50:04.279
<v Speaker 1>I'm so glad I got out of this. What's your

0:50:04.480 --> 0:50:08.520
<v Speaker 1>question for Ron? Sure? Sure? Um? Do you have an

0:50:08.560 --> 0:50:15.680
<v Speaker 1>all time favorite celebrity interview? Why do you know this? God,

0:50:15.719 --> 0:50:24.520
<v Speaker 1>you're blowing it so hard right now? Uh, I can't

0:50:25.000 --> 0:50:28.440
<v Speaker 1>think I want Russian, Russian head of state, the Russian

0:50:28.520 --> 0:50:32.239
<v Speaker 1>head of state in what year? I don't know why

0:50:32.239 --> 0:50:34.760
<v Speaker 1>I asked that. I don't know what Russian head of state.

0:50:35.200 --> 0:50:41.600
<v Speaker 1>Oh my gosh, whoo whoo, whoo whoo. I really want

0:50:41.680 --> 0:50:47.239
<v Speaker 1>that milk. Okay, um, same same first name as the

0:50:47.320 --> 0:50:54.800
<v Speaker 1>current British Prime Minister, Boris. It's my most favorite interview,

0:50:55.880 --> 0:50:57.719
<v Speaker 1>even though I didn't have a translator that day. It's

0:50:57.719 --> 0:51:10.960
<v Speaker 1>not just winging it with the Russian Okay, Oh my god,

0:51:11.239 --> 0:51:15.520
<v Speaker 1>y just race the tiniest blossom milk I poured for myself.

0:51:16.280 --> 0:51:20.879
<v Speaker 1>It just started making me think how delicious cold ice

0:51:21.000 --> 0:51:26.840
<v Speaker 1>cold milk tastes. Buttery ice cold milk. There's it's so

0:51:26.960 --> 0:51:31.680
<v Speaker 1>incredibly thirst quitch it hits, especially after those spicy wings

0:51:31.760 --> 0:51:39.319
<v Speaker 1>ron I can only imagine. Okay, one more, um, I'll

0:51:39.360 --> 0:51:43.040
<v Speaker 1>take this one. There is that enough? It was perfect,

0:51:43.120 --> 0:51:45.960
<v Speaker 1>Thank you so much. Okay, Okay, I'm doing good. I'm alive.

0:51:46.040 --> 0:51:54.040
<v Speaker 1>I'm here. You were going good. Your question okay, okay,

0:51:54.080 --> 0:51:56.520
<v Speaker 1>if you could host a dinner party from any time

0:51:56.600 --> 0:52:02.960
<v Speaker 1>in history, who would you invite? Uh uh the the

0:52:04.800 --> 0:52:11.040
<v Speaker 1>Pam Greer. No, no, no, Pam greer. Yes, yes, yes, yes. Um.

0:52:13.120 --> 0:52:14.680
<v Speaker 1>I'm going to think of the name and try to

0:52:14.760 --> 0:52:17.319
<v Speaker 1>transfer it into your brain. Evil kin evil good two

0:52:17.400 --> 0:52:23.040
<v Speaker 1>for two. Um. Who oh my god, oh my god,

0:52:23.080 --> 0:52:27.319
<v Speaker 1>oh my god. The person you like that your next

0:52:27.360 --> 0:52:35.720
<v Speaker 1>door neighbor who has all those birds? Glenn? Probably not Glenn. Okay,

0:52:35.800 --> 0:52:38.239
<v Speaker 1>let's go what's the last wing? Let's let's let's gas

0:52:38.320 --> 0:52:41.920
<v Speaker 1>pedal this. This is the last ab. We call it

0:52:42.040 --> 0:52:44.400
<v Speaker 1>the last Ab Carolina because it's tradition around here to

0:52:44.400 --> 0:52:46.160
<v Speaker 1>put a little extra on the last wing. You don't

0:52:46.200 --> 0:52:48.320
<v Speaker 1>have to, though, if you don't want to do it.

0:52:49.000 --> 0:52:54.520
<v Speaker 1>I wanted that Christmas bonus, Christmas. Do it, do it,

0:52:54.880 --> 0:53:00.440
<v Speaker 1>do it, last wing, last wing. This is gonna curl

0:53:00.480 --> 0:53:04.520
<v Speaker 1>your eyelashes. Young lady, that's gonna pop your wig right

0:53:04.560 --> 0:53:08.480
<v Speaker 1>off your head. Guy, it's the craziest sauce I've ever had.

0:53:10.400 --> 0:53:15.919
<v Speaker 1>Oh where are you feel it? In the cockles? That's

0:53:15.960 --> 0:53:20.560
<v Speaker 1>all in the cockles. Okay, what's the question? Okay, by

0:53:20.600 --> 0:53:22.080
<v Speaker 1>the way, you know, this spring is gonna be a

0:53:22.160 --> 0:53:26.520
<v Speaker 1>horrible allergy season, one of the worst on records. Let's

0:53:26.520 --> 0:53:29.919
<v Speaker 1>get to the question. It's a little, it's a little

0:53:30.800 --> 0:53:36.200
<v Speaker 1>is there tech on on hand? And it's a little

0:53:36.239 --> 0:53:38.759
<v Speaker 1>awkward as I as I wrote the interview for Ron,

0:53:38.880 --> 0:53:43.160
<v Speaker 1>but I'll ask the question. I know that you're a

0:53:43.320 --> 0:53:48.000
<v Speaker 1>very particular Carolina. I know that you're a very particular man.

0:53:48.560 --> 0:53:53.480
<v Speaker 1>How do you romance a woman? You are nice, You're honest,

0:53:53.840 --> 0:53:57.360
<v Speaker 1>you'd take a nice places. Say here the movies, but

0:53:57.560 --> 0:54:04.279
<v Speaker 1>firs and jewels. First jewel. You're nice, story dad, You're

0:54:04.400 --> 0:54:08.840
<v Speaker 1>nice to your mom. Play a little jazz flute. You

0:54:10.040 --> 0:54:17.200
<v Speaker 1>play jazz flute. I just went to a dark place,

0:54:18.680 --> 0:54:24.239
<v Speaker 1>all right, Mac, Mike drop, let's make some noise. You're

0:54:24.560 --> 0:54:30.600
<v Speaker 1>to get it. Wow, you are definitely getting a Christmas

0:54:30.640 --> 0:54:34.520
<v Speaker 1>bonus this year. I love you. Guys who staying with me.

0:54:38.280 --> 0:54:42.640
<v Speaker 1>You're gonna have a little that milk too. Wow. And

0:54:42.760 --> 0:54:46.759
<v Speaker 1>you know that's Yak's milk, so everyone knows we did

0:54:46.840 --> 0:54:52.320
<v Speaker 1>not harm a cow. It's pure Yak's milk, which is

0:54:52.360 --> 0:54:55.960
<v Speaker 1>the best kind of milk. Sean. We can't thank you

0:54:56.040 --> 0:55:02.680
<v Speaker 1>enough for coming out here. Ever, everyone you did awesome.

0:55:02.800 --> 0:55:09.000
<v Speaker 1>You did awesome, Thank you, sir, Ron, valiant efforts, purgeous.

0:55:09.400 --> 0:55:17.000
<v Speaker 1>Look it was not my thing, ultimately, Carolina, great John.

0:55:23.760 --> 0:55:25.440
<v Speaker 1>I thought you were gonna lay a tart on that one,

0:55:25.480 --> 0:55:32.840
<v Speaker 1>but you didn't. Don't forget backstage. We're gonna have some

0:55:32.920 --> 0:55:40.440
<v Speaker 1>of my special for Alarm Chili. Save room for that, folks.

0:55:41.120 --> 0:55:44.960
<v Speaker 1>We're at the end of our show. Um, but I

0:55:45.040 --> 0:55:48.319
<v Speaker 1>have one final segment I'd like to call my take,

0:55:50.480 --> 0:55:53.480
<v Speaker 1>So if you indulge me, this is run Burgundy with

0:55:53.560 --> 0:56:00.320
<v Speaker 1>my take. So should I just get out of here? Yah?

0:56:02.840 --> 0:56:05.680
<v Speaker 1>Yesterday I asked Carolina if she had ever seen the

0:56:05.719 --> 0:56:09.360
<v Speaker 1>movie Gone with the Wind. She shook her head and

0:56:09.480 --> 0:56:19.040
<v Speaker 1>looked confused, and then said, what's a movie? It got

0:56:19.120 --> 0:56:23.439
<v Speaker 1>me thinking our movies dead. I remember the first movie

0:56:23.480 --> 0:56:30.160
<v Speaker 1>I ever saw. It was called Hot Boobs. But I'm

0:56:30.160 --> 0:56:36.600
<v Speaker 1>not going to talk about that movie. It wouldn't be appropriate. However,

0:56:36.680 --> 0:56:39.520
<v Speaker 1>the second movie I saw was called How the West

0:56:39.719 --> 0:56:43.959
<v Speaker 1>Was One. Kevin Costner had referenced watching How the West

0:56:44.080 --> 0:56:48.000
<v Speaker 1>Was Won and as a child, he said, how transformative

0:56:48.200 --> 0:56:52.760
<v Speaker 1>it was. Well, the same thing happened to me. Sitting

0:56:52.800 --> 0:56:54.799
<v Speaker 1>there in the dark. I was introduced to a whole

0:56:54.880 --> 0:56:58.680
<v Speaker 1>new world, a world of wondrous make believe. And right

0:56:58.840 --> 0:57:02.240
<v Speaker 1>next to me as I looked over at the seat

0:57:03.080 --> 0:57:10.719
<v Speaker 1>was an old prospector named Gus Chickens. He was a

0:57:10.760 --> 0:57:14.200
<v Speaker 1>folksy old fellow who had brought his mule into the theater,

0:57:14.400 --> 0:57:17.720
<v Speaker 1>and during the intermission he had turned to me and said,

0:57:17.800 --> 0:57:24.200
<v Speaker 1>I'm gush chickens. That's the way he talked. He said,

0:57:24.440 --> 0:57:29.240
<v Speaker 1>I sure do love a Western. It beats beans for breakfast,

0:57:29.320 --> 0:57:35.520
<v Speaker 1>if you know what I mean. I didn't, so I

0:57:35.600 --> 0:57:38.720
<v Speaker 1>asked him why he talks in that funny way, and

0:57:38.800 --> 0:57:44.480
<v Speaker 1>he said, I grew up in Compton, California, where Kevin

0:57:44.560 --> 0:57:49.040
<v Speaker 1>Costner came from. I spent my whole life around them

0:57:49.200 --> 0:57:53.040
<v Speaker 1>rascally movie folk. Me and my mule went to shin

0:57:53.160 --> 0:57:57.080
<v Speaker 1>digs up there in them Hollywood Hills. I ate at

0:57:57.160 --> 0:58:00.680
<v Speaker 1>them there, fancy restaurants, chewing on meal and wet in

0:58:00.760 --> 0:58:06.000
<v Speaker 1>my whistle on bottles of wide. I said that that

0:58:06.080 --> 0:58:09.440
<v Speaker 1>didn't make sense. If he grew up in southern California

0:58:09.480 --> 0:58:12.960
<v Speaker 1>around sophisticated Hollywood people, why did he talk in such

0:58:13.000 --> 0:58:16.720
<v Speaker 1>a folksy, down home way. He looked at me and said, ah,

0:58:16.960 --> 0:58:21.760
<v Speaker 1>finnel sticks, And just like that, he grabbed his mule

0:58:21.840 --> 0:58:30.320
<v Speaker 1>and left. Carolina sits around watching TikTok toes and YouTube's

0:58:32.200 --> 0:58:34.840
<v Speaker 1>on her phone like a lot of simpletons these days.

0:58:36.080 --> 0:58:40.160
<v Speaker 1>Maybe movies are dead, or maybe like the cultural around us,

0:58:40.480 --> 0:58:43.840
<v Speaker 1>they're just changing into something new, and it's scares a

0:58:43.920 --> 0:58:47.960
<v Speaker 1>lot of people. I'm not afraid of change. I'm afraid

0:58:48.000 --> 0:58:57.520
<v Speaker 1>of Jello and wild boars and Canadians, but not change.

0:58:59.440 --> 0:59:01.680
<v Speaker 1>These days, there are a lot of old men invoking

0:59:01.760 --> 0:59:07.240
<v Speaker 1>the past, mainly on Fox News. The past was really

0:59:07.320 --> 0:59:10.080
<v Speaker 1>good for me. I I drank a bottle of scotch

0:59:10.160 --> 0:59:12.800
<v Speaker 1>every day and woke up naked in more city parks

0:59:12.840 --> 0:59:17.880
<v Speaker 1>than I can remember. But the past wasn't great for everyone.

0:59:18.840 --> 0:59:22.360
<v Speaker 1>Once again, our movie is dead. I don't think so,

0:59:23.400 --> 0:59:27.440
<v Speaker 1>but maybe we can make them better. I'm Ron Burgundy

0:59:27.600 --> 0:59:32.840
<v Speaker 1>and that's my take. Thank you everyone right, thanks for

0:59:33.560 --> 0:59:38.400
<v Speaker 1>every getting got right, he says, because he gets no

0:59:38.600 --> 0:59:41.280
<v Speaker 1>stuck up to be so light. He tried like a suck,

0:59:41.640 --> 0:59:45.000
<v Speaker 1>seemed like a plank. We solid younger will try so

0:59:45.120 --> 0:59:49.080
<v Speaker 1>we never getting the guy brank so to get up

0:59:49.080 --> 0:59:51.240
<v Speaker 1>a lot of band winds and he's a god. He

0:59:51.320 --> 0:59:53.600
<v Speaker 1>ain't no stand and he doesn't have He's on a

0:59:53.760 --> 0:59:58.160
<v Speaker 1>night sized stand, which because everybody knows he's banded. Ron

0:59:58.440 --> 1:00:00.400
<v Speaker 1>Burgundy Podcast Best