1 00:00:05,800 --> 00:00:10,920 Speaker 1: He's a sexy sexy man, sexy sexy plan because he 2 00:00:10,960 --> 00:00:13,520 Speaker 1: ain't no stuck us looking so flighty. You could try 3 00:00:13,640 --> 00:00:16,680 Speaker 1: like a trucker, clean like a plank, just solim yunger 4 00:00:16,880 --> 00:00:21,240 Speaker 1: fool wheel try so we never gets to play so far, 5 00:00:21,400 --> 00:00:23,720 Speaker 1: ticking up a lot of band winds. And he's a guy. 6 00:00:23,840 --> 00:00:26,280 Speaker 1: Ye he ain't no stand and he doesn't have cheese 7 00:00:26,280 --> 00:00:29,360 Speaker 1: on a nighttime sandwich because everybody knows he's the Fergens. 8 00:00:29,400 --> 00:00:36,919 Speaker 1: He bandit the Ron Burgundy podcast Largo and how they 9 00:00:36,960 --> 00:00:40,559 Speaker 1: want Tafarta put your han stick out of the Ron 10 00:00:41,280 --> 00:01:07,080 Speaker 1: burgo right here. Thank you so much. That is that 11 00:01:07,360 --> 00:01:14,640 Speaker 1: is lovely. That is nice to hear. I'm joined by Carolina, 12 00:01:14,720 --> 00:01:21,080 Speaker 1: of course, my wonderful co host. And let me guess, 13 00:01:21,319 --> 00:01:25,880 Speaker 1: were you applauding for me or for her? Give me both. 14 00:01:26,080 --> 00:01:30,720 Speaker 1: I think it was predominantly me, though I'm just teasing. 15 00:01:34,040 --> 00:01:39,640 Speaker 1: Oh that felt good, though Daddy needed that. I was 16 00:01:39,720 --> 00:01:41,760 Speaker 1: changing a tire on the four oh five in the 17 00:01:41,800 --> 00:01:48,040 Speaker 1: suppu to pass less than fifteen minutes ago, and I'm like, 18 00:01:48,160 --> 00:01:51,600 Speaker 1: I'm not going to make the show, and the car 19 00:01:51,640 --> 00:01:58,520 Speaker 1: collapsed on me, but luckily Oh bushed it off me 20 00:01:59,000 --> 00:02:01,040 Speaker 1: and got here and then you gave me that wonderful ovation, 21 00:02:01,080 --> 00:02:07,080 Speaker 1: So thank you, thank you so much. We also just 22 00:02:07,120 --> 00:02:09,560 Speaker 1: want to tell you, guys that all the proceeds to 23 00:02:09,560 --> 00:02:12,359 Speaker 1: tonight's ticket sales are going to the International Medical Corps, 24 00:02:12,440 --> 00:02:14,919 Speaker 1: which is a great charity that's helping families in the 25 00:02:15,040 --> 00:02:17,840 Speaker 1: Ukraine right now. And thank you to Larger and thank 26 00:02:17,840 --> 00:02:22,280 Speaker 1: you to Largo for evening to Largo because Flanny here, 27 00:02:22,400 --> 00:02:26,240 Speaker 1: he's not getting his grubby paws on it. So it's 28 00:02:26,280 --> 00:02:33,920 Speaker 1: going to charity and it goes all to charity, right. 29 00:02:33,919 --> 00:02:36,840 Speaker 1: I don't get like a little nothing, just a sweet little, 30 00:02:37,639 --> 00:02:40,080 Speaker 1: a little morsel. Do you want me to ask for 31 00:02:40,120 --> 00:02:43,919 Speaker 1: that five maybe? Oh no, no, no, no, I don't 32 00:02:43,960 --> 00:02:47,160 Speaker 1: get none, nothing, nothing nothing. I thought we've been just 33 00:02:47,600 --> 00:02:56,040 Speaker 1: saying that. No, No, I feel like you're upset. Can 34 00:02:56,080 --> 00:03:00,560 Speaker 1: I have twenty bucks? Look what I found next stage? 35 00:03:01,160 --> 00:03:06,760 Speaker 1: And abba Zaba, you guys remember Abbasaba's. It's a delicious 36 00:03:06,800 --> 00:03:09,840 Speaker 1: little treat and I think I'm gonna gonna pop one 37 00:03:09,840 --> 00:03:13,040 Speaker 1: in my mouth. We just want to stand by everyone. 38 00:03:13,080 --> 00:03:16,280 Speaker 1: For those listening at home, I'm opening is Abazaba Rapper 39 00:03:17,080 --> 00:03:26,919 Speaker 1: right now. M hm m hmm. Is it going to 40 00:03:27,000 --> 00:03:31,359 Speaker 1: be a little bit of a second. Yeah, it's in 41 00:03:31,440 --> 00:03:40,440 Speaker 1: the toffee family of confession, injected with a peanut butter, right, 42 00:03:40,600 --> 00:03:48,120 Speaker 1: really dragging me back. You need a second, not swallow 43 00:03:48,120 --> 00:03:54,320 Speaker 1: bal yet not all right? There she goes right into 44 00:03:54,320 --> 00:03:56,840 Speaker 1: the cup. That is a terrible piece of candy. The Appasaba. 45 00:03:58,120 --> 00:04:00,840 Speaker 1: And I hope the Abbasaba company listens to this podcast 46 00:04:00,920 --> 00:04:04,320 Speaker 1: and they know how I feel. We're not scared. Abba 47 00:04:04,400 --> 00:04:07,480 Speaker 1: zabbas can suck it, Okay, I hope they don't steal 48 00:04:07,520 --> 00:04:09,520 Speaker 1: that as a like a slogan. Oh that is that 49 00:04:09,640 --> 00:04:12,839 Speaker 1: a good slogan. Aba you can suck it, can suck it, 50 00:04:13,160 --> 00:04:21,520 Speaker 1: meaning us are candy. It's too long, we'll figure it out. Hollywood, California. 51 00:04:22,320 --> 00:04:35,200 Speaker 1: Where's everyone from Chicago? Hello? Oklahoma City? Out of car 52 00:04:35,960 --> 00:04:50,640 Speaker 1: Cot car Not that many people. No, Oh Santedro a 53 00:04:50,760 --> 00:04:55,440 Speaker 1: thriving Greek community in San Pedro from what I remember. 54 00:04:56,920 --> 00:05:02,960 Speaker 1: H Mexico. Oh do you wanna Okay, you don't have 55 00:05:03,000 --> 00:05:12,200 Speaker 1: to be so cocky about it, jeez, do you wanna Australia, Well, 56 00:05:12,839 --> 00:05:26,080 Speaker 1: don't struga well boom England. The English are blue arts, 57 00:05:26,120 --> 00:05:33,320 Speaker 1: they really are. I hate the British. I just do no. 58 00:05:33,480 --> 00:05:35,920 Speaker 1: I do. I don't hate the strong word, but I 59 00:05:37,120 --> 00:05:42,880 Speaker 1: hate the British. We have stop what's going on? I 60 00:05:42,920 --> 00:05:45,599 Speaker 1: don't know, it's just what you're feeling. This is the 61 00:05:45,600 --> 00:05:49,720 Speaker 1: way I'm feeling. So but those of you in Hollywood 62 00:05:50,600 --> 00:05:54,120 Speaker 1: probably we have to address the elephant in the room. 63 00:05:54,279 --> 00:06:08,960 Speaker 1: I mean Sunday night, Oh boy got dying? Oh what 64 00:06:09,360 --> 00:06:23,120 Speaker 1: did I? Oh murder? Say what? That was the craziest 65 00:06:23,120 --> 00:06:26,159 Speaker 1: thing I've ever seen. Which and I and You've seen 66 00:06:26,200 --> 00:06:30,000 Speaker 1: a lot of crazy. I've seen crazy. I've seen you 67 00:06:30,040 --> 00:06:34,320 Speaker 1: take an elevator. Yes, I just saw you spent that 68 00:06:34,360 --> 00:06:39,080 Speaker 1: Abbasaba and crystal glass. You've seen me throw a housecat 69 00:06:39,200 --> 00:06:47,680 Speaker 1: off a bridge in San Pedro. That was um, I 70 00:06:47,680 --> 00:06:50,520 Speaker 1: can't believe. I just yea strike that from the record, 71 00:06:51,560 --> 00:07:00,160 Speaker 1: but I hate house cats, ate the British. Yeah, we're 72 00:07:00,200 --> 00:07:01,920 Speaker 1: just gonna tell it like it is. But I mean 73 00:07:01,920 --> 00:07:05,960 Speaker 1: that we all witnessed. Most of us slept yard. But 74 00:07:06,000 --> 00:07:08,359 Speaker 1: I have a bit of good news that's slightly related. 75 00:07:10,000 --> 00:07:15,360 Speaker 1: I think I'm hosting the Oscars next year. I don't know, 76 00:07:17,160 --> 00:07:20,920 Speaker 1: I said, I think who told you that you're hosting that? Well, 77 00:07:20,920 --> 00:07:24,120 Speaker 1: they've reached out to my people. I'm your people. I 78 00:07:24,160 --> 00:07:32,200 Speaker 1: know have they reached out to. Okay, but they too, 79 00:07:33,080 --> 00:07:35,160 Speaker 1: I'm hoping they're going to reach out to. They start 80 00:07:35,200 --> 00:07:37,480 Speaker 1: with a shortlist and I'm figured I'm probably on it 81 00:07:38,640 --> 00:07:43,560 Speaker 1: and they have to whittle it down and it might happen. Um, 82 00:07:43,600 --> 00:07:48,320 Speaker 1: but I'm just gonna prepare and hope and pray every 83 00:07:48,400 --> 00:07:51,160 Speaker 1: night that I get it. Uh, but I want to 84 00:07:51,160 --> 00:07:54,400 Speaker 1: be prepared when I get that phone call. Uh. So 85 00:07:54,560 --> 00:07:59,520 Speaker 1: I've been working on some stand up um for the Oscars, 86 00:08:00,280 --> 00:08:03,920 Speaker 1: and if you'll indulge me, I'd love to try it 87 00:08:03,920 --> 00:08:10,880 Speaker 1: out on you, if that's all right, I want to yeah, okay, Um, 88 00:08:10,920 --> 00:08:12,679 Speaker 1: and keep in mind this is a work in progress. 89 00:08:12,680 --> 00:08:18,400 Speaker 1: I'm not a professional stand up comedian. Uh but uh 90 00:08:18,440 --> 00:08:23,760 Speaker 1: but anyway, you gotta jump in the pool, right. Um. 91 00:08:23,760 --> 00:08:29,320 Speaker 1: So let's see here. Get my cheaters out, Oh, wear 92 00:08:29,400 --> 00:08:35,880 Speaker 1: contacts during the Oscars, don't worry, and I'm not gonna 93 00:08:35,880 --> 00:08:37,839 Speaker 1: belied looking like this, Just so you know, I'll probably 94 00:08:37,840 --> 00:08:46,400 Speaker 1: be in a golden maid jumpsuit. Okay. Uh alright, So 95 00:08:53,559 --> 00:09:02,520 Speaker 1: please welcome Ron Burgundy. Huh, thank you, thank you. It's 96 00:09:02,800 --> 00:09:09,400 Speaker 1: it's a pleasure to be here hosting the h I 97 00:09:09,400 --> 00:09:16,480 Speaker 1: don't know what you're do they'll they'll tell me it's 98 00:09:16,480 --> 00:09:18,959 Speaker 1: a pleasure to be here. We got a lot. How's 99 00:09:19,040 --> 00:09:26,040 Speaker 1: how's everyone doing tonight at the Oscars? Pretty good? Yeah? Uh, 100 00:09:26,080 --> 00:09:30,320 Speaker 1: I see there's a category for for best hair and 101 00:09:30,400 --> 00:09:37,520 Speaker 1: makeup and the winner is not g I Jane two. No, 102 00:09:38,520 --> 00:09:41,480 Speaker 1: it's okay, it's okay. No one's good, No one's here. 103 00:09:41,679 --> 00:09:48,280 Speaker 1: It's okay, it's okay. No one's gonna fight you, it's okay, 104 00:09:48,840 --> 00:09:59,600 Speaker 1: it's all right. In fact, there wasn't any hair and 105 00:09:59,679 --> 00:10:11,240 Speaker 1: make up. Everyone had shaved heads. Okay. It reminds me. 106 00:10:11,920 --> 00:10:14,320 Speaker 1: I went to my barber and I say, take a 107 00:10:14,320 --> 00:10:17,720 Speaker 1: little off the top, Pete. And he says how much? 108 00:10:18,360 --> 00:10:21,240 Speaker 1: And I say, not as much as g I Jane too? 109 00:10:21,760 --> 00:10:26,200 Speaker 1: Know what? Okay, it's okay, it's okay. No, no, it's here. 110 00:10:27,920 --> 00:10:34,000 Speaker 1: You're shadow boxing. It's fine, No, I kid. G I 111 00:10:34,120 --> 00:10:41,440 Speaker 1: Jane two is a great movie. Everyone loves it, unless 112 00:10:41,480 --> 00:10:50,240 Speaker 1: you happen to be headlines because there's no hair I 113 00:10:50,280 --> 00:10:54,160 Speaker 1: got we got and they need an environment to thrive 114 00:10:54,160 --> 00:11:02,040 Speaker 1: in and has to be like feast and yeah, m okay, 115 00:11:02,080 --> 00:11:11,400 Speaker 1: what else do I got here? M hmmm, um hey uh. 116 00:11:11,480 --> 00:11:15,560 Speaker 1: For our viewers at home, there here in California. There's 117 00:11:15,559 --> 00:11:24,320 Speaker 1: a place called the Central Valley. Great, why do they 118 00:11:24,360 --> 00:11:36,160 Speaker 1: call it Sacramento? Do they make sacred mentos there? You 119 00:11:36,200 --> 00:11:41,760 Speaker 1: guys remember mentos? Right? Those old commercials they were weird. 120 00:11:43,360 --> 00:11:47,600 Speaker 1: What about kid Cat bars? Huh? Do you remember kitcat bars? Yeah? 121 00:11:48,440 --> 00:11:52,040 Speaker 1: What if Bob Dylan did the kid Cat Bar song? 122 00:11:53,000 --> 00:11:57,319 Speaker 1: It would go something like this, give me a break, 123 00:12:00,120 --> 00:12:05,880 Speaker 1: give me a break, bring me up a piece. Then 124 00:12:06,320 --> 00:12:15,800 Speaker 1: it get bad. So circle that one. That's applause break 125 00:12:15,880 --> 00:12:22,960 Speaker 1: on that one. You'll remember if I forget right for 126 00:12:23,040 --> 00:12:24,800 Speaker 1: next year's Oscar, will you be able to be on 127 00:12:24,840 --> 00:12:28,480 Speaker 1: stage with me? Oh? Because you're quite a security blanket. 128 00:12:30,000 --> 00:12:32,840 Speaker 1: What else? What else? What's in the news. Have you 129 00:12:32,840 --> 00:12:40,000 Speaker 1: heard about these self driving cars? Yeah? Do you think 130 00:12:40,040 --> 00:12:46,280 Speaker 1: they've not heard about him? Okay, okay, um, they have 131 00:12:46,360 --> 00:12:50,800 Speaker 1: these cars now that drive around without a driver. What 132 00:12:50,920 --> 00:12:55,520 Speaker 1: if you're Adam driver and you're in the backseat of 133 00:12:55,559 --> 00:12:59,080 Speaker 1: a driverless car and a cop pulls you over he says, 134 00:12:59,200 --> 00:13:12,320 Speaker 1: are you the drive? Ever? How confusing would that be? Okay? 135 00:13:14,679 --> 00:13:21,040 Speaker 1: That was that was like a seven Governor rhn de 136 00:13:21,200 --> 00:13:27,280 Speaker 1: Santis is at it again. Yea yeah, oh that would 137 00:13:27,320 --> 00:13:31,880 Speaker 1: be great if they react that way. That guy is 138 00:13:31,920 --> 00:13:37,880 Speaker 1: so weird they should call him Ron Dementos, right, I 139 00:13:38,000 --> 00:13:44,600 Speaker 1: called back Sacramento. Yeah, anyway, he doesn't want teachers to 140 00:13:44,679 --> 00:13:47,120 Speaker 1: say the word gay in the classroom, like it's a 141 00:13:47,160 --> 00:13:53,200 Speaker 1: dirty word. The only word dirt in the only the 142 00:13:53,240 --> 00:14:00,200 Speaker 1: only word, the one hold on, the only flirty dirt in. 143 00:14:00,520 --> 00:14:10,160 Speaker 1: God damn it fulls together on. He looked like a ass. 144 00:14:10,280 --> 00:14:14,319 Speaker 1: Right now, you've come this far, you're almost at the 145 00:14:14,320 --> 00:14:23,640 Speaker 1: top of the mountain. Bring it home, you coward with 146 00:14:23,840 --> 00:14:26,800 Speaker 1: nothing but a coward and a quarter a jacket and 147 00:14:26,920 --> 00:14:29,560 Speaker 1: look like a You got your ass blowing in the wind. 148 00:14:29,640 --> 00:14:37,320 Speaker 1: Just pull it together. The only dirty word in the 149 00:14:37,400 --> 00:14:45,720 Speaker 1: state of Florida is the santis. Thank you. On with 150 00:14:45,800 --> 00:14:49,600 Speaker 1: the rest of the show. Um, here's John Travolta and 151 00:14:49,840 --> 00:15:01,880 Speaker 1: uh uh uh Grrie Mulligan. I don't know, I know, 152 00:15:02,080 --> 00:15:06,160 Speaker 1: I'm a big carry Amelegan fan. Well, very great, that 153 00:15:06,280 --> 00:15:10,320 Speaker 1: was great. That was very valuable. I feel like the 154 00:15:10,400 --> 00:15:14,000 Speaker 1: message we wanted to give after the Oscars on Sunday, 155 00:15:14,080 --> 00:15:16,360 Speaker 1: And if you guys are so inclined, you can stay 156 00:15:16,360 --> 00:15:21,040 Speaker 1: it with me. Hug it out, hug it out, say 157 00:15:21,080 --> 00:15:26,080 Speaker 1: it sincerely, though, like, hey, hug it out one to 158 00:15:26,600 --> 00:15:33,920 Speaker 1: three huge out. That feels good. Well, do you want 159 00:15:33,960 --> 00:15:36,160 Speaker 1: to turn to your neighbor and just tug them quickly? 160 00:15:37,080 --> 00:15:39,960 Speaker 1: It's COVID. Oh that's nice. People are doing it, doing 161 00:15:40,000 --> 00:15:44,440 Speaker 1: it for the listeners at home. There's four people. People 162 00:15:44,480 --> 00:15:48,720 Speaker 1: are now, people are really getting into it. Shirt answer, 163 00:15:49,360 --> 00:15:57,520 Speaker 1: keep your shirt disgusting. Well, uh, we should get on 164 00:15:57,560 --> 00:16:01,680 Speaker 1: with our show. Um, you said that you were guessed. 165 00:16:02,200 --> 00:16:04,760 Speaker 1: All you said was personal and I didn't want it, 166 00:16:04,800 --> 00:16:06,280 Speaker 1: so I didn't want to ask because I didn't want 167 00:16:06,280 --> 00:16:11,080 Speaker 1: to like overset my Well, someone is in town, a 168 00:16:11,160 --> 00:16:18,160 Speaker 1: relative of mine, and he asked to come on the show. Yeah, Um, 169 00:16:18,200 --> 00:16:21,040 Speaker 1: are you okay? I'm okay, Yes, I'm fine. In fact, 170 00:16:21,800 --> 00:16:24,040 Speaker 1: it's good. We haven't seen each other a while. Um, 171 00:16:24,760 --> 00:16:28,480 Speaker 1: it looks bad, but no, it's he's fine. You know what, 172 00:16:28,600 --> 00:16:31,000 Speaker 1: Let's just get him out here. Would you please welcome 173 00:16:31,360 --> 00:16:49,640 Speaker 1: my brother Billy Burgundy? Hi? Yeah, right, Billy, wonder you 174 00:16:49,640 --> 00:16:54,320 Speaker 1: have a seat all right? Yeah? Yeah, I don't know. 175 00:16:54,320 --> 00:16:59,520 Speaker 1: I'll sit down right now. He's a little too high, 176 00:17:00,080 --> 00:17:04,800 Speaker 1: if I'm honest, right out of the gate, I feel 177 00:17:04,800 --> 00:17:08,520 Speaker 1: like I'm still kind of standing. Honestly, it's a regular. 178 00:17:08,560 --> 00:17:11,080 Speaker 1: It's just a club chair. It's a regular chair cheer 179 00:17:11,280 --> 00:17:13,520 Speaker 1: kind of playing a prank on me, like, ha, you 180 00:17:13,600 --> 00:17:16,120 Speaker 1: thought you sat down, but you're just squatting and your 181 00:17:16,119 --> 00:17:20,600 Speaker 1: thighs are doing a lot of the work. I don't 182 00:17:20,600 --> 00:17:22,479 Speaker 1: know if you can really, I don't think you can 183 00:17:22,520 --> 00:17:30,240 Speaker 1: smoke up right now, I'm doing it. I'm doing. Just 184 00:17:30,480 --> 00:17:34,560 Speaker 1: sit back in the sit back in the chair, please, Yeah, 185 00:17:34,800 --> 00:17:39,760 Speaker 1: a little baby brother, Roddy hot shot? Hot shot? Can 186 00:17:39,760 --> 00:17:45,879 Speaker 1: we curse? It's too late now I'm saying, I'll change 187 00:17:45,920 --> 00:17:49,399 Speaker 1: my tone, like I'll I'll like, I won't curse. I 188 00:17:49,440 --> 00:17:51,600 Speaker 1: don't want to have to call the fire marshal if 189 00:17:51,640 --> 00:17:56,560 Speaker 1: you're call them, call the you know the number of 190 00:17:56,560 --> 00:17:58,879 Speaker 1: the firemark every people say that all the time. I 191 00:17:58,880 --> 00:18:01,240 Speaker 1: all want to call fire my call him? What do 192 00:18:01,240 --> 00:18:04,240 Speaker 1: you got his number in your phone? Oh? I don't 193 00:18:04,400 --> 00:18:07,040 Speaker 1: having you, but I have you. I would get it 194 00:18:07,119 --> 00:18:11,840 Speaker 1: quickly and Carolina would call you it doesn't have it, 195 00:18:12,000 --> 00:18:15,960 Speaker 1: I have it. Tell me what it is and I'll 196 00:18:15,960 --> 00:18:19,960 Speaker 1: tell you. You better tell him. You better tell him 197 00:18:20,000 --> 00:18:24,080 Speaker 1: right now? Your fire don't embarrassing? Okay, what's his number? 198 00:18:25,320 --> 00:18:28,159 Speaker 1: How do we know that your number is the accurate number? 199 00:18:29,320 --> 00:18:32,280 Speaker 1: I got it from a bunny mind. My buddy is 200 00:18:32,280 --> 00:18:37,760 Speaker 1: a fire. Marshal alright, Oh I almost dropped my cigarettes. 201 00:18:37,760 --> 00:18:42,000 Speaker 1: You can't imagine what would have happened. Fire, Probably a fire. 202 00:18:44,200 --> 00:18:48,840 Speaker 1: I'm sorry. There's a huge gap between your two sensibilities. 203 00:18:51,880 --> 00:18:55,679 Speaker 1: This is what we're like, oil and water. We're different. Ronnie, 204 00:18:55,960 --> 00:18:59,440 Speaker 1: you know, Ronnie went off and became you know, a 205 00:18:59,560 --> 00:19:03,919 Speaker 1: little shot? Is that me? Am I doing that? I 206 00:19:03,960 --> 00:19:12,639 Speaker 1: think that's yours? Is is that me? Yeah? That's your everybody? 207 00:19:12,640 --> 00:19:16,920 Speaker 1: You go the way? Now you go? Alright, my turn. 208 00:19:18,960 --> 00:19:22,600 Speaker 1: It does seem like they was always very good in 209 00:19:22,720 --> 00:19:33,040 Speaker 1: audio visual class. Didn't work. It's okay, you gotta relax, Billy. 210 00:19:33,720 --> 00:19:38,840 Speaker 1: It's just a microphone to talk it to go. I know, 211 00:19:40,160 --> 00:19:43,200 Speaker 1: you gott if you're gonna stay here, you gotta take 212 00:19:43,200 --> 00:19:45,040 Speaker 1: it down or not. She just brought you a night. 213 00:19:46,920 --> 00:19:49,480 Speaker 1: She's you're like a hair trigger. You've always been that way. 214 00:19:49,600 --> 00:19:51,960 Speaker 1: I didn't know what it was. I was freaked me. 215 00:19:52,040 --> 00:19:54,920 Speaker 1: The didn't look like you that. She's like, you take 216 00:19:54,960 --> 00:19:59,240 Speaker 1: this dough. She did all day dil though, and she 217 00:19:59,320 --> 00:20:02,760 Speaker 1: wanted me helper do. She didn't say a word, I know, 218 00:20:02,960 --> 00:20:05,679 Speaker 1: but it just felt this looks like a dildo to 219 00:20:05,720 --> 00:20:09,439 Speaker 1: you people, it's a microphone vote. We vote on it. No, 220 00:20:09,680 --> 00:20:13,880 Speaker 1: we don't vote. We all right vote that, we don't 221 00:20:13,960 --> 00:20:17,919 Speaker 1: vote on it. Fine, fine, But to me, I felt 222 00:20:17,960 --> 00:20:22,000 Speaker 1: in that situation a lady was running to me, go 223 00:20:22,080 --> 00:20:26,080 Speaker 1: and hide this dildo. I stole it. That's the story 224 00:20:26,240 --> 00:20:34,480 Speaker 1: I concocted within sec darn it, gosh, darn it. Come 225 00:20:34,520 --> 00:20:36,600 Speaker 1: to think of it, last Easter, you did give me 226 00:20:36,640 --> 00:20:42,040 Speaker 1: a microphone shape dildo. Got the wireless microphone shaped dildo. 227 00:20:43,080 --> 00:20:51,480 Speaker 1: They exist. That's a fun word, dildo. Right. We haven't 228 00:20:51,560 --> 00:21:09,280 Speaker 1: laughed like that in a long time. I got a 229 00:21:09,280 --> 00:21:12,119 Speaker 1: big question for you, billy. What what What are you 230 00:21:12,160 --> 00:21:17,399 Speaker 1: doing here? You mean when I'm doing do the What 231 00:21:17,440 --> 00:21:19,520 Speaker 1: do you want? Do you think? Do you want money? 232 00:21:20,000 --> 00:21:21,960 Speaker 1: Do you want money? Do you want a place to stay? What? 233 00:21:21,960 --> 00:21:25,840 Speaker 1: What's I mean? I'm not here to Do you have money? 234 00:21:26,440 --> 00:21:29,439 Speaker 1: Do you have some cash? Got probably some cash on me. 235 00:21:29,560 --> 00:21:32,000 Speaker 1: I'll take some money. That's not why I'm here. But 236 00:21:32,040 --> 00:21:35,600 Speaker 1: if you're saying you throw the money around, they'll take 237 00:21:35,600 --> 00:21:38,159 Speaker 1: some money. I'm here to be interviewed. Isn't that what 238 00:21:38,240 --> 00:21:41,840 Speaker 1: you do? You really want to be interviewed by me? Yes, 239 00:21:42,480 --> 00:21:44,560 Speaker 1: that's why I'm holding this still though, so I can 240 00:21:44,680 --> 00:21:47,879 Speaker 1: forget the interviewed. I came out of here. You know, 241 00:21:48,000 --> 00:21:50,560 Speaker 1: you got all these people here, Ronnie the hot shot, 242 00:21:51,040 --> 00:21:54,960 Speaker 1: hot shot Ronnie Burgundy that nobody gives it about his 243 00:21:55,040 --> 00:21:58,400 Speaker 1: big brother, Billy Burgundy. So I'm out here to be interviewed. 244 00:21:58,480 --> 00:22:02,320 Speaker 1: Let these people know. Maybe I influenced you in some way, 245 00:22:04,960 --> 00:22:08,200 Speaker 1: all right, fair enough, but you never expressed an interest 246 00:22:08,240 --> 00:22:11,640 Speaker 1: in my life this way. So what would you say? 247 00:22:15,320 --> 00:22:17,040 Speaker 1: This is what you do in a podcast? What is 248 00:22:17,040 --> 00:22:21,080 Speaker 1: a podcast? By the way, Like, what is this actually? Like? 249 00:22:21,160 --> 00:22:24,760 Speaker 1: What do you do with it? I still couldn't tell you. 250 00:22:27,240 --> 00:22:32,360 Speaker 1: I don't understand it. From a technical standpoint. I initially 251 00:22:32,400 --> 00:22:35,159 Speaker 1: thought we recorded on a bunch of cassette tapes. We 252 00:22:35,200 --> 00:22:38,280 Speaker 1: had to drive him to everyone's house, kind of like 253 00:22:38,320 --> 00:22:41,679 Speaker 1: the old Netflix model. That's what I thought, and you 254 00:22:41,720 --> 00:22:43,800 Speaker 1: pop them into a cassette and you listen to him, 255 00:22:43,800 --> 00:22:46,040 Speaker 1: and you you just hope, you pray to God that 256 00:22:46,400 --> 00:22:50,040 Speaker 1: enough people have boom boxes at home. Still, that's what 257 00:22:50,080 --> 00:22:52,040 Speaker 1: I thought a podcast was. I get it. The fact 258 00:22:52,080 --> 00:22:55,920 Speaker 1: that this doesn't have a wire, I can't even knowing. 259 00:22:55,960 --> 00:22:57,880 Speaker 1: I don't trust it. I'll never use a chordless that's 260 00:22:57,880 --> 00:23:03,720 Speaker 1: why I go, I go wire, I go, uh do 261 00:23:03,840 --> 00:23:09,200 Speaker 1: that as well? This feels better. For some reason, this 262 00:23:09,359 --> 00:23:12,800 Speaker 1: just feels better. I don't know, like I'm plugged into 263 00:23:12,800 --> 00:23:17,439 Speaker 1: a system. Billy, let me. I'll start by asking you this. 264 00:23:17,480 --> 00:23:22,600 Speaker 1: We we both we grew up in Iowa. Why do 265 00:23:22,640 --> 00:23:34,320 Speaker 1: you have a Brooklyn accent? Why? Why? And why is 266 00:23:34,400 --> 00:23:39,280 Speaker 1: the question? Look like we're from Brooks We're from Brooklyn, Iowa. 267 00:23:39,800 --> 00:23:43,240 Speaker 1: All Brooklyn's of Brooklyn. It doesn't matter which the state. 268 00:23:43,320 --> 00:23:47,080 Speaker 1: It's in Brooklyn, Iowa's Brooklyn. You look. You look like 269 00:23:47,160 --> 00:23:51,679 Speaker 1: the Fons. I love the Funds. I've always worshiped the Fons. 270 00:23:52,400 --> 00:23:54,359 Speaker 1: Every time I would watch Happy Days, I was like, 271 00:23:54,400 --> 00:23:56,919 Speaker 1: that's who I'm gonna be when I grow up. And 272 00:23:56,960 --> 00:23:59,600 Speaker 1: I don't care. I don't care if the settings and 273 00:24:00,000 --> 00:24:03,320 Speaker 1: out of disappropriate. Don't care if it costs you employment. 274 00:24:03,560 --> 00:24:07,680 Speaker 1: I don't care. Care if you can't. I don't care 275 00:24:07,680 --> 00:24:10,639 Speaker 1: if the settings and the people change around me. I'm 276 00:24:10,680 --> 00:24:13,440 Speaker 1: gonna be the Fauns when I grow People feel awkward 277 00:24:13,480 --> 00:24:16,679 Speaker 1: around you constantly. Yeah, this makes a statement. When I 278 00:24:16,720 --> 00:24:18,720 Speaker 1: walk into a room, people are like, even when I 279 00:24:18,760 --> 00:24:20,880 Speaker 1: walked out here, people are like, this guy's got something 280 00:24:20,920 --> 00:24:24,560 Speaker 1: to say, look at it, Look at this guy. This 281 00:24:24,600 --> 00:24:28,320 Speaker 1: guy gets it? Is that what people is that what 282 00:24:28,440 --> 00:24:32,400 Speaker 1: you think people are thinking? Did anybody did anybody here 283 00:24:32,480 --> 00:24:38,080 Speaker 1: think that? When I walked out, some people clapped how 284 00:24:38,119 --> 00:24:42,840 Speaker 1: one guy, that young woman clapped the gates and then 285 00:24:42,880 --> 00:24:47,920 Speaker 1: the distinct voice was just a definite declarative no, no, no, no. 286 00:24:49,400 --> 00:24:53,600 Speaker 1: Doing of the audience says no, ye, some people did clap, 287 00:24:53,720 --> 00:24:56,399 Speaker 1: not as many numbers as I was hoping, maybe three, 288 00:24:56,800 --> 00:25:06,000 Speaker 1: maybe three people possibly three one distinct No. I probably 289 00:25:06,040 --> 00:25:09,000 Speaker 1: hate cigarettes. That's your thing. You're like, well, I'm against 290 00:25:09,000 --> 00:25:12,760 Speaker 1: you because most people hate cigarettes. They do. It's when 291 00:25:13,280 --> 00:25:17,000 Speaker 1: since thirty years ago, twenty years ago. I don't. I 292 00:25:17,000 --> 00:25:19,760 Speaker 1: don't know. You can't smoke anywhere. I do it all 293 00:25:19,800 --> 00:25:24,080 Speaker 1: the time. I know that walking about what he says anything, 294 00:25:24,119 --> 00:25:25,720 Speaker 1: They just let it happen. They're like, I don't know. 295 00:25:25,880 --> 00:25:33,440 Speaker 1: This guy looks like he knows something. No, No, this 296 00:25:33,640 --> 00:25:35,720 Speaker 1: is fun. I like this is fun. You like do this? 297 00:25:35,720 --> 00:25:39,320 Speaker 1: This is cool. This is a cool got gig? You know? 298 00:25:39,680 --> 00:25:42,760 Speaker 1: Is that what it's called a gig. It's called a podcast. 299 00:25:42,800 --> 00:25:46,080 Speaker 1: And we're you know, we're just we're lucky enough to 300 00:25:46,080 --> 00:25:47,439 Speaker 1: be doing it in front of a live audience, and 301 00:25:47,440 --> 00:25:50,920 Speaker 1: that's what's happenings, and this is kind of this is 302 00:25:51,000 --> 00:25:53,840 Speaker 1: one of the things I do in my life. Well, 303 00:25:53,840 --> 00:25:55,960 Speaker 1: I wouldn't know. I wouldn't know because you don't call. 304 00:25:56,160 --> 00:26:00,240 Speaker 1: You know, right, let us in high school. When you 305 00:26:00,320 --> 00:26:02,680 Speaker 1: left town and you didn't talk to anyone in the 306 00:26:02,720 --> 00:26:06,920 Speaker 1: family for twenty years, what happened? That's your question. I 307 00:26:07,040 --> 00:26:09,639 Speaker 1: come out here and you say, why did I leave home? 308 00:26:10,280 --> 00:26:15,360 Speaker 1: I was eleven when I left home. I was eleven, Ronnie, 309 00:26:16,240 --> 00:26:20,800 Speaker 1: I was I was four. I was eleven, and I 310 00:26:20,880 --> 00:26:23,480 Speaker 1: was in high school. Was an accelerated class. You were 311 00:26:23,520 --> 00:26:28,679 Speaker 1: an accelerated student. I didn't understand anything, but I already 312 00:26:28,680 --> 00:26:32,360 Speaker 1: had a mustache, so they pushed me through, and I 313 00:26:32,400 --> 00:26:35,719 Speaker 1: was You think it's easy to be around them when 314 00:26:35,760 --> 00:26:38,199 Speaker 1: people will look at you only eleven, and look at 315 00:26:38,200 --> 00:26:41,159 Speaker 1: your brother's holding four and he's got a man's mustache 316 00:26:41,960 --> 00:26:48,639 Speaker 1: and he's in these he's in these accelerated classes. Don't 317 00:26:48,680 --> 00:26:52,320 Speaker 1: take me back there, because all I would do was 318 00:26:52,880 --> 00:26:57,080 Speaker 1: squigger with crayons, and they loved They kept moving, loved me. 319 00:26:57,160 --> 00:27:00,400 Speaker 1: I kept moving. They were like this guy's like a 320 00:27:00,440 --> 00:27:04,240 Speaker 1: passa RANI was in college by ten years old it was. 321 00:27:07,240 --> 00:27:09,800 Speaker 1: I left at eleven. I'm the youngest kid to ever 322 00:27:09,920 --> 00:27:12,560 Speaker 1: leave his house at the youngest age. I looked it up. 323 00:27:14,400 --> 00:27:17,920 Speaker 1: You looked it up where the library. I went to 324 00:27:18,000 --> 00:27:20,280 Speaker 1: the library. And I went to the library, and there's 325 00:27:20,280 --> 00:27:24,280 Speaker 1: a book. There's a book that chronicles how early children 326 00:27:24,480 --> 00:27:28,800 Speaker 1: leave their houses. Yes, in the youngest before me was twelve. 327 00:27:28,880 --> 00:27:31,200 Speaker 1: I left it eleven. So I got that. So you 328 00:27:31,280 --> 00:27:35,280 Speaker 1: broke the record. I broke the record after all, for 329 00:27:35,520 --> 00:27:43,240 Speaker 1: Billy Burgundy. What kind of smokes are those? By the way, 330 00:27:44,680 --> 00:27:46,320 Speaker 1: That's okay. I'd rather do that than get it on 331 00:27:46,359 --> 00:27:48,280 Speaker 1: these nice chairs to make you stand up when you 332 00:27:48,280 --> 00:27:53,879 Speaker 1: don't want to. Yeah, I left home at eleven. I 333 00:27:53,960 --> 00:27:59,680 Speaker 1: lived on trains. I lived on a bunch of trains trains. Yeah, 334 00:28:00,040 --> 00:28:03,080 Speaker 1: you know what I did with fellow hoboes. Yeah. And 335 00:28:03,119 --> 00:28:05,760 Speaker 1: I had a stick with a sack on the end 336 00:28:05,760 --> 00:28:08,280 Speaker 1: of the kerchief. And I gotta tell you can't put 337 00:28:08,320 --> 00:28:11,200 Speaker 1: a lot of clothes in there. You can maybe put 338 00:28:11,200 --> 00:28:13,480 Speaker 1: a half of sandwich. You can put half of sandwich in, 339 00:28:13,880 --> 00:28:17,000 Speaker 1: half of pair of jeans, one leg of a g 340 00:28:17,680 --> 00:28:19,240 Speaker 1: It's not like you can put a wardrobe in the 341 00:28:19,280 --> 00:28:23,639 Speaker 1: little chrischief. That's a kerchief. You know. It signals everyone 342 00:28:23,680 --> 00:28:26,919 Speaker 1: that you hoped trains. Yeah, I have trains and I'm eleven. 343 00:28:26,960 --> 00:28:29,879 Speaker 1: People like that. Kids shouldn't be hopping trains. Trains for 344 00:28:29,920 --> 00:28:34,159 Speaker 1: how long? And twenty years? Hopped trains for twenty years 345 00:28:34,480 --> 00:28:37,280 Speaker 1: until you were thirty one? Yeah, I just kept doing it. 346 00:28:37,440 --> 00:28:39,480 Speaker 1: You know, once you're caught up in the game of 347 00:28:39,560 --> 00:28:43,040 Speaker 1: hopping trains, it's not a game. You can't just get out. 348 00:28:43,600 --> 00:28:45,720 Speaker 1: You can't get out. You could get out anytime you want. 349 00:28:45,720 --> 00:28:48,360 Speaker 1: How was that a comfortable life? It wasn't. I was. 350 00:28:49,000 --> 00:28:53,320 Speaker 1: I'm a grizzled man because of it. Mcgrizzled Brooklyn Knight 351 00:28:55,760 --> 00:28:59,320 Speaker 1: go uh go hu Husky Huskies. Who are the corn Huskers? 352 00:29:00,080 --> 00:29:05,400 Speaker 1: What is it? How? Guys? That's what I said. Guys, Yes, 353 00:29:05,800 --> 00:29:09,600 Speaker 1: Iowa hack guys. In Brooklyn we were the New Jersey 354 00:29:09,680 --> 00:29:13,720 Speaker 1: Nets hot guys. Remember that high school where the New 355 00:29:13,800 --> 00:29:20,200 Speaker 1: Jersey Nets. We were the Brooklyn Nets guys. That's right, 356 00:29:20,560 --> 00:29:22,640 Speaker 1: that was our high school. And remember our fight song. 357 00:29:22,920 --> 00:29:34,160 Speaker 1: Of course, I do breathe music Net eyes Nets. We're 358 00:29:34,200 --> 00:29:40,720 Speaker 1: coming from your throats out and what you bleed on 359 00:29:41,320 --> 00:29:50,640 Speaker 1: the floor. It is our dest today to prevail New 360 00:29:50,720 --> 00:29:57,760 Speaker 1: Jersey nets nets. Of course I remember it pretty again. 361 00:30:00,360 --> 00:30:02,720 Speaker 1: Of course I remember I fight song. I sing it 362 00:30:02,760 --> 00:30:06,400 Speaker 1: every night on those trains. Taught all the hoboes. I said, 363 00:30:06,440 --> 00:30:08,920 Speaker 1: listen to this and I get to the pot about 364 00:30:09,000 --> 00:30:11,440 Speaker 1: ripping out the throats and the blood on the floor, 365 00:30:11,480 --> 00:30:17,640 Speaker 1: and they loved it. I'm still confused. Who's they? My 366 00:30:17,680 --> 00:30:24,200 Speaker 1: hobo friends, Charlie, mostly just me and Charlie. Look, here's 367 00:30:24,240 --> 00:30:26,080 Speaker 1: the reason I'm here. You wanted to do the truth. 368 00:30:26,240 --> 00:30:29,880 Speaker 1: There's another question I have for you because our brother Lonnie, 369 00:30:30,600 --> 00:30:34,560 Speaker 1: I saw you in a pornographic movie. Talk about that. 370 00:30:35,960 --> 00:30:38,480 Speaker 1: Talk about that. That's not I mean, what was what 371 00:30:38,560 --> 00:30:41,840 Speaker 1: was that period of your life? What was going on? Okay, 372 00:30:41,840 --> 00:30:44,120 Speaker 1: it's one thing that maybe I was or was not 373 00:30:44,280 --> 00:30:47,360 Speaker 1: in a pornographic film. It's another thing that Lonnie's watching 374 00:30:47,400 --> 00:30:51,000 Speaker 1: stuff like that. What was he doing watching the thing? That? 375 00:30:51,040 --> 00:30:55,720 Speaker 1: I was a fair question Back then, it was still old. 376 00:30:55,800 --> 00:30:57,960 Speaker 1: Real to real, it was real to real. You had 377 00:30:58,000 --> 00:31:00,400 Speaker 1: to you had to get a sixteen metal made a 378 00:31:00,400 --> 00:31:02,520 Speaker 1: projector you had to want it. You had to want it, 379 00:31:02,560 --> 00:31:05,480 Speaker 1: but you had to want it. You had to get it. 380 00:31:05,560 --> 00:31:08,680 Speaker 1: Didn't get it, didn't know pop up. It was like 381 00:31:08,800 --> 00:31:13,560 Speaker 1: I bought a ticket to see it loop it through. Yeah, yeah, 382 00:31:13,960 --> 00:31:18,080 Speaker 1: that I need. I needed some money and there was 383 00:31:18,160 --> 00:31:20,800 Speaker 1: no sound. There was no sound of corn A Kolani. 384 00:31:22,080 --> 00:31:25,720 Speaker 1: I didn't see it. So you needed some money. I 385 00:31:25,800 --> 00:31:28,960 Speaker 1: needed some money and I did a little porn ated 386 00:31:28,960 --> 00:31:32,120 Speaker 1: by any chance. Yeah, that's how I got discovered. Remember 387 00:31:32,120 --> 00:31:35,640 Speaker 1: how Edward Furlong got discovered for Terminator two. That's what 388 00:31:35,720 --> 00:31:39,640 Speaker 1: happened to me. But it was for a pornographic film. 389 00:31:39,680 --> 00:31:43,600 Speaker 1: I don't have that, that's the analogy. I don't have 390 00:31:43,680 --> 00:31:47,000 Speaker 1: some sort of play on the title Terminator too. I 391 00:31:47,080 --> 00:31:49,480 Speaker 1: just know that that's how I got discovered. Someone said 392 00:31:49,640 --> 00:31:52,320 Speaker 1: you have a camera, and I said, hey, I live 393 00:31:52,400 --> 00:31:56,560 Speaker 1: on trains. That was enough. That was enough to get 394 00:31:56,560 --> 00:31:59,880 Speaker 1: me in the door. So there was a young enterp 395 00:32:00,080 --> 00:32:06,480 Speaker 1: rising pornographic film maker scouting for his next actor in 396 00:32:06,520 --> 00:32:11,440 Speaker 1: a train yard. Yeah, okay, you've been surprised. A lot 397 00:32:11,440 --> 00:32:15,560 Speaker 1: of actors come from train yards in every in every genre. 398 00:32:15,960 --> 00:32:18,280 Speaker 1: It's true. I know Gene Hackman came from a train yard. 399 00:32:19,960 --> 00:32:21,600 Speaker 1: I know he also did a stretch of time at 400 00:32:21,640 --> 00:32:25,040 Speaker 1: Joliet Prison. What was that for? Why do you got 401 00:32:25,120 --> 00:32:27,120 Speaker 1: to tell people about that? We're doing an interview you 402 00:32:27,160 --> 00:32:29,400 Speaker 1: wanted me to ask you about your lives in Joliet, 403 00:32:29,560 --> 00:32:32,720 Speaker 1: Joliet prison, because I had I had signed up for 404 00:32:32,760 --> 00:32:35,320 Speaker 1: a kid's birthday party to do like clowns, and I 405 00:32:35,560 --> 00:32:38,040 Speaker 1: was doing the balloon animals type stuff and I didn't 406 00:32:38,040 --> 00:32:41,680 Speaker 1: know how to do it and the dad. I I 407 00:32:41,760 --> 00:32:43,560 Speaker 1: got into a little scuffle with the dad. I was 408 00:32:43,680 --> 00:32:46,479 Speaker 1: drinking and think a lot of the kids are crying 409 00:32:47,840 --> 00:32:51,760 Speaker 1: at kids party. They were like eight, and I thought 410 00:32:51,840 --> 00:32:54,160 Speaker 1: these kids are too whole for him clown and one 411 00:32:54,200 --> 00:32:56,320 Speaker 1: of the kids like just made me a bluon animal. 412 00:32:56,360 --> 00:33:00,520 Speaker 1: I shoved, shoved the kid. Uh, you can never it 413 00:33:00,600 --> 00:33:02,800 Speaker 1: was the dad's kid. It was the dad's kid, which 414 00:33:02,840 --> 00:33:06,520 Speaker 1: I guess is always it's always the dad's kids, and 415 00:33:06,920 --> 00:33:09,600 Speaker 1: whatever scenario, whoever the kid is, it's always gonna be 416 00:33:09,720 --> 00:33:13,959 Speaker 1: the dad's Still, it's still a fairly low stake setting 417 00:33:15,320 --> 00:33:19,120 Speaker 1: to end up with Juliet. So continue. Well, So I 418 00:33:19,240 --> 00:33:24,040 Speaker 1: shoved the kid. I shoved the kid. He pulls, he 419 00:33:24,160 --> 00:33:27,120 Speaker 1: pulls what I thought was a switch blade. It was 420 00:33:27,160 --> 00:33:30,240 Speaker 1: one of those crazy straws. I thought it was a 421 00:33:30,240 --> 00:33:34,400 Speaker 1: switch blade. So I pulled my switch blade. Now we're dancing, 422 00:33:34,560 --> 00:33:37,440 Speaker 1: you know what I mean. He's got a crazy straight 423 00:33:37,560 --> 00:33:41,440 Speaker 1: yell out in another kid. I go, tie our arms together, right, 424 00:33:41,640 --> 00:33:44,040 Speaker 1: tie our arms together? And the kid did it, and 425 00:33:44,080 --> 00:33:48,240 Speaker 1: another kid did it. Yeah. The dad looks over. I'm 426 00:33:48,240 --> 00:33:50,840 Speaker 1: trying to knife fight his kid. He's got a crazy straw. 427 00:33:50,920 --> 00:33:54,720 Speaker 1: I gotta switch blade I had made for giraffes. I 428 00:33:54,760 --> 00:33:58,720 Speaker 1: don't know how to do the balloon animal bullet and 429 00:33:59,000 --> 00:34:05,000 Speaker 1: I cut the kids. Billy what it was a sanctioned fight? 430 00:34:05,200 --> 00:34:08,600 Speaker 1: He agree with that? Sanctioned by who? Me and the 431 00:34:08,680 --> 00:34:13,480 Speaker 1: kid who had the wire? Why he had used the wire? Yeah, 432 00:34:13,520 --> 00:34:15,200 Speaker 1: he had a crazy shot. But the other kid had 433 00:34:15,200 --> 00:34:17,759 Speaker 1: a wire to tie our wrist together so that he 434 00:34:17,760 --> 00:34:22,160 Speaker 1: couldn't escape the fight. We don't fight as much as 435 00:34:22,160 --> 00:34:24,439 Speaker 1: you know. So this is all I do it all 436 00:34:24,440 --> 00:34:27,359 Speaker 1: the time, so still to this day, to this day, 437 00:34:27,400 --> 00:34:29,560 Speaker 1: I'll go I'll go to a bar. I don't even. 438 00:34:29,600 --> 00:34:31,400 Speaker 1: I used to go to a bar and drunk and 439 00:34:31,480 --> 00:34:37,279 Speaker 1: did insurable Yeah no, no, no, Connie, look at me, 440 00:34:38,120 --> 00:34:43,320 Speaker 1: look at me. Is the fons insurable? Obviously not unless 441 00:34:43,360 --> 00:34:46,560 Speaker 1: you go to a Geico. Maybe. I don't know. I've 442 00:34:46,560 --> 00:34:48,600 Speaker 1: never had insurance. I don't know what it takes. I 443 00:34:48,640 --> 00:34:52,960 Speaker 1: wish and I don't know what it is. Look, it's 444 00:34:52,960 --> 00:34:54,880 Speaker 1: not all it's cracked up to be. I've never been 445 00:34:54,920 --> 00:35:00,359 Speaker 1: insured fine all these years. Right, they just rolled of dice. 446 00:35:01,760 --> 00:35:04,120 Speaker 1: That's what I do. I rolled the dice. I see 447 00:35:04,160 --> 00:35:05,920 Speaker 1: where it end where I end up. And so I 448 00:35:05,960 --> 00:35:09,000 Speaker 1: got the town tonight, and I said, I'm gonna go 449 00:35:09,000 --> 00:35:17,200 Speaker 1: down to Ronnie's things up and awkwardly stare this crowd down. 450 00:35:19,600 --> 00:35:22,960 Speaker 1: That's exactly right. Are you thinking about that? No from 451 00:35:23,160 --> 00:35:28,080 Speaker 1: section whatever? That section him alone, Leave him alone. You 452 00:35:28,120 --> 00:35:35,240 Speaker 1: have a fight anybody, No from theies, because I assure 453 00:35:35,280 --> 00:35:39,160 Speaker 1: you it's not like fighting now, buddy, don't dignify him, 454 00:35:39,239 --> 00:35:43,560 Speaker 1: sir with a response. You know him, You know the 455 00:35:43,600 --> 00:35:46,200 Speaker 1: guy that's saying that's saying it in general. Okay, I'm 456 00:35:46,200 --> 00:35:49,720 Speaker 1: protecting our audience member from getting in a fifties style 457 00:35:50,040 --> 00:35:54,880 Speaker 1: gangster fight with you. Let it be known. I have 458 00:35:54,960 --> 00:35:57,560 Speaker 1: a switchblade. Let it be known. And not the cool 459 00:35:57,640 --> 00:35:59,520 Speaker 1: kind where like you hit the button and a comb 460 00:35:59,600 --> 00:36:05,000 Speaker 1: comes No, no, like a real knife, A real knife 461 00:36:05,000 --> 00:36:08,480 Speaker 1: comes out. One time I thought it was a comb. 462 00:36:08,680 --> 00:36:17,560 Speaker 1: I started cutting my hair accidentally. True story, yea, I 463 00:36:19,200 --> 00:36:23,759 Speaker 1: that one I believe, right, Why are you really here? 464 00:36:23,800 --> 00:36:27,080 Speaker 1: Why do you why don't you tell everybody what you did? 465 00:36:27,160 --> 00:36:29,680 Speaker 1: I don't know what you're talking about. Eleven years old. 466 00:36:30,080 --> 00:36:33,879 Speaker 1: Before I left home, he's and I left. Why did 467 00:36:33,880 --> 00:36:39,680 Speaker 1: I leave? Ronnie? Why did I leave? Why did I leave? 468 00:36:40,360 --> 00:36:44,080 Speaker 1: I honestly don't know what you're I was sports swings, 469 00:36:44,320 --> 00:36:49,439 Speaker 1: sports swing. I don't remember two homeworks that I had out. 470 00:36:51,160 --> 00:36:55,560 Speaker 1: I had to write an essay on Jane Eyre. I 471 00:36:55,680 --> 00:36:57,400 Speaker 1: think you know what you did with the porch swing. 472 00:36:57,920 --> 00:37:00,160 Speaker 1: Dad came out of the porch swing. The porch swing 473 00:37:00,320 --> 00:37:03,200 Speaker 1: was broken? And what did you say? As a four 474 00:37:03,280 --> 00:37:05,760 Speaker 1: year old kid, what'd you say? What do you say? Ronnie? 475 00:37:06,320 --> 00:37:11,239 Speaker 1: What'd you tell Dad? What'd you tell Papa? I said, 476 00:37:12,840 --> 00:37:19,400 Speaker 1: bi wee? Did it? Bai boked the porch swing? Did I? 477 00:37:20,480 --> 00:37:24,200 Speaker 1: Did I break it? Or did you break it? No? 478 00:37:25,000 --> 00:37:33,000 Speaker 1: That's right? And then Dad said, Billy, did you break 479 00:37:33,080 --> 00:37:37,880 Speaker 1: this porch swing? And I said, no, Ronnie broke this 480 00:37:38,000 --> 00:37:41,520 Speaker 1: porch swing? And he said, Billy, you're a liar. Yes, 481 00:37:41,880 --> 00:37:44,160 Speaker 1: all you e a gonn amount to is a guy 482 00:37:44,320 --> 00:37:48,200 Speaker 1: who hops trains. Why don't you get started on it? Now? 483 00:37:53,160 --> 00:37:59,000 Speaker 1: So I did. I'm so sorry. I just panicked. I 484 00:37:59,760 --> 00:38:02,440 Speaker 1: oh is looked up to you? What I did. I 485 00:38:02,520 --> 00:38:04,600 Speaker 1: didn't want to. I knew you'd take the heat for me. 486 00:38:04,719 --> 00:38:08,080 Speaker 1: And but you really mean now you really look from you? 487 00:38:08,560 --> 00:38:13,879 Speaker 1: You really don't you mean when you say you take 488 00:38:13,920 --> 00:38:17,000 Speaker 1: as much time as you take us to tell me, 489 00:38:18,280 --> 00:38:19,879 Speaker 1: do you mean that when you say used to look 490 00:38:20,000 --> 00:38:22,200 Speaker 1: up to me, that you you didn't used to look 491 00:38:22,280 --> 00:38:24,239 Speaker 1: up to me. You didn't look up to me. You 492 00:38:25,640 --> 00:38:34,480 Speaker 1: you were my son, you were my moon, you were 493 00:38:34,960 --> 00:38:40,680 Speaker 1: my Saturn, my Jupiter, my venus, my mercury. You're gonna 494 00:38:40,680 --> 00:38:45,080 Speaker 1: make me smoke this whole pack of cigaretos. Oh I 495 00:38:45,160 --> 00:38:47,520 Speaker 1: ever wanted. I was just known as Billy burg and 496 00:38:47,640 --> 00:38:52,160 Speaker 1: his younger brother, and then you were God. And I 497 00:38:52,200 --> 00:38:54,600 Speaker 1: didn't know what to tell people. I didn't know where 498 00:38:54,640 --> 00:38:58,719 Speaker 1: you went, and no idea you were hopping trains, those 499 00:38:58,840 --> 00:39:07,520 Speaker 1: hopping trains. Hug out, hug out, hug it out, hug 500 00:39:07,880 --> 00:39:13,520 Speaker 1: it out, hu hug it out. I don't think we 501 00:39:13,560 --> 00:39:19,560 Speaker 1: could do this. We're Burgundies. Don't ever make hug it out. 502 00:39:23,600 --> 00:39:27,959 Speaker 1: Hug How do you want to do? You go high? 503 00:39:28,200 --> 00:39:37,920 Speaker 1: I feel like we're both going high. Oh, thank you, 504 00:39:41,480 --> 00:39:45,160 Speaker 1: you heard me, Ronnie, Ronnie Hugny trying to hurt your 505 00:39:47,680 --> 00:40:12,960 Speaker 1: huck I'm stuck into your house. Wait what, I'm stuck 506 00:40:13,040 --> 00:40:18,160 Speaker 1: in the hoss before I stuck in the house years ago, 507 00:40:18,400 --> 00:40:22,960 Speaker 1: and I jacked off in all your socks. Well, I 508 00:40:23,160 --> 00:40:28,800 Speaker 1: never told you, Okay, I guess that could happen. I 509 00:40:28,880 --> 00:40:30,800 Speaker 1: don't hold it against you, at least, is that the 510 00:40:30,880 --> 00:40:37,520 Speaker 1: only thing you ever did to me? No, So I 511 00:40:37,719 --> 00:40:41,000 Speaker 1: jacked off in so many different types of clothes than 512 00:40:41,080 --> 00:40:44,719 Speaker 1: you have. Okay, okay, but it happened a long time 513 00:40:44,760 --> 00:40:47,680 Speaker 1: ago though, right, it wasn't recently. The socks were alonged 514 00:40:47,840 --> 00:40:53,120 Speaker 1: like two years ago, and then that shirt was earlier today. 515 00:40:55,320 --> 00:40:58,839 Speaker 1: I'm sorry, Brian, I thought I never thought we would 516 00:40:58,920 --> 00:41:10,520 Speaker 1: hug like that. That's okay, it's actually good for the shirt. Yeah, yeah, yeah, 517 00:41:11,040 --> 00:41:16,560 Speaker 1: Rayon fibers respond to bodily. Yeah. I think I read 518 00:41:16,640 --> 00:41:19,920 Speaker 1: that somewhere. Also. Discharge is good for them every now 519 00:41:19,960 --> 00:41:27,239 Speaker 1: and then, any sort of discharge, human or otherwise. All right, 520 00:41:27,280 --> 00:41:31,920 Speaker 1: I'm gonna thanks for coming by wait for me after 521 00:41:32,000 --> 00:41:33,840 Speaker 1: the show. Of course, somewhere will get that money you 522 00:41:33,920 --> 00:41:38,640 Speaker 1: were talking about my brother, Billy Burgundy. Everyone, thank you, 523 00:41:44,960 --> 00:41:54,160 Speaker 1: Billy Burgundy. Everyone. That was a lot to take in. 524 00:41:54,440 --> 00:41:57,320 Speaker 1: I did not expect to go there tonight. Honestly, I 525 00:41:57,400 --> 00:41:59,880 Speaker 1: feel like a lot of the situation I blame on 526 00:42:00,040 --> 00:42:04,600 Speaker 1: your dad, Yes, thank you. The Portswing thing, like he 527 00:42:04,640 --> 00:42:07,080 Speaker 1: shouldn't have kicked Billy out of the house at eleven 528 00:42:07,200 --> 00:42:10,959 Speaker 1: for that, and he was so specific with his plan. Yeah, 529 00:42:12,400 --> 00:42:15,880 Speaker 1: for Billy, it feels like that was It's like it 530 00:42:15,960 --> 00:42:18,600 Speaker 1: was premeditated, like I want to get this loser out 531 00:42:18,640 --> 00:42:20,879 Speaker 1: of my house and on a train, trying to get 532 00:42:20,960 --> 00:42:40,200 Speaker 1: him to train hop for the rest of his life. Well, 533 00:42:40,320 --> 00:42:42,960 Speaker 1: this was such an amazing show, and oh well, we're 534 00:42:43,040 --> 00:42:50,600 Speaker 1: not done yet because I planned something pretty special. I 535 00:42:50,640 --> 00:42:54,360 Speaker 1: didn't tell you about this because you're going to love it. 536 00:42:56,160 --> 00:42:59,319 Speaker 1: I don't know you people, but I love spicy food. 537 00:43:00,239 --> 00:43:05,840 Speaker 1: I just love it. Um. Oh good moving some things 538 00:43:06,120 --> 00:43:09,239 Speaker 1: on stage to create a little area. And this guy 539 00:43:10,120 --> 00:43:14,600 Speaker 1: is I mean, he has created a special genre genre 540 00:43:15,440 --> 00:43:25,600 Speaker 1: that is uh, very unique and super exciting. Um And 541 00:43:25,719 --> 00:43:27,799 Speaker 1: I've been wanting to do an interview with this guy 542 00:43:29,560 --> 00:43:39,400 Speaker 1: for a long long time. Please welcome Mr Sean Evans 543 00:43:39,520 --> 00:43:49,000 Speaker 1: with Nott once ha a good Sean, Thank you so much. 544 00:43:49,080 --> 00:43:53,200 Speaker 1: Oh my god, this is gonna be fun. Sean Everts, everyone, 545 00:43:53,560 --> 00:43:57,840 Speaker 1: thank you, thank you. Should we move this a little closer, 546 00:43:58,920 --> 00:44:05,480 Speaker 1: we say just a little there we go, Hey, Chicago, 547 00:44:07,400 --> 00:44:10,080 Speaker 1: is that you're from Chicago? From Chicago? I just didn't 548 00:44:10,080 --> 00:44:13,520 Speaker 1: know if randomly yelling that out, because I sometimes I'll 549 00:44:13,560 --> 00:44:16,919 Speaker 1: do that, just shot out Chicago. No, no, just any city. 550 00:44:16,960 --> 00:44:21,960 Speaker 1: I'll just walk into a place and go Houston. It works, 551 00:44:22,040 --> 00:44:26,640 Speaker 1: it works, no one. I'll get my bagel and go. 552 00:44:26,920 --> 00:44:34,000 Speaker 1: You know, Um, this is pretty fun. So is everyone 553 00:44:34,120 --> 00:44:38,840 Speaker 1: familiar with hot ones? For? For our our audience and 554 00:44:38,920 --> 00:44:43,040 Speaker 1: our listeners kind of described your the premise here. Sure. 555 00:44:43,160 --> 00:44:46,080 Speaker 1: So the show, what we do is we interview celebrities. 556 00:44:46,120 --> 00:44:48,239 Speaker 1: But the little twist in there is that we have 557 00:44:48,520 --> 00:44:52,239 Speaker 1: them eat increasingly spicy chicken wings over the course of 558 00:44:52,320 --> 00:44:55,040 Speaker 1: the interview. So typically on the show will do a 559 00:44:55,120 --> 00:44:59,440 Speaker 1: ten wing lineup right today, sort of a miniature version wings. 560 00:44:59,560 --> 00:45:02,560 Speaker 1: That's the good news. The bad news though, Ron, very 561 00:45:02,640 --> 00:45:08,120 Speaker 1: steep ramp up. It's going to eleven right out of 562 00:45:08,120 --> 00:45:10,919 Speaker 1: the game, right out of the gate. You know, I'll 563 00:45:11,000 --> 00:45:13,600 Speaker 1: start off in a comfortable place, but it'll get very hot, 564 00:45:13,840 --> 00:45:18,880 Speaker 1: very quickly. Okay, were you ready to start? Yes? Alright, 565 00:45:19,160 --> 00:45:27,080 Speaker 1: let's make some and so we'll start with the classic 566 00:45:27,160 --> 00:45:29,040 Speaker 1: and this is very important, Ron, You're gonna want to 567 00:45:29,080 --> 00:45:31,480 Speaker 1: start at the handle over there. Start at the handle. 568 00:45:31,640 --> 00:45:33,560 Speaker 1: Start at the handle. Boy, I wish I had a 569 00:45:33,640 --> 00:45:40,759 Speaker 1: nickel for every time I've heard that. And then we'll 570 00:45:40,880 --> 00:45:43,319 Speaker 1: dive right in. Have you ever been over to sin 571 00:45:44,560 --> 00:45:48,120 Speaker 1: right across the street, Right across the street they have 572 00:45:48,400 --> 00:45:58,960 Speaker 1: start at the handle tuesdays. Okay, says we dive in in. 573 00:46:01,040 --> 00:46:07,040 Speaker 1: Mm hmmm mm hmmmm. And my my first question for you, Ron, 574 00:46:07,480 --> 00:46:17,440 Speaker 1: Oh good god, Okay, oh my god. Oh already it's 575 00:46:17,480 --> 00:46:19,960 Speaker 1: the first wing. No way, I'm not doing that, Carolina. 576 00:46:20,000 --> 00:46:23,440 Speaker 1: You gotta do it. You have to do it. You 577 00:46:25,280 --> 00:46:29,040 Speaker 1: gotta do it, or I'm fired. You're fired. I'm already fired. 578 00:46:29,440 --> 00:46:34,359 Speaker 1: But you got God, that is awful. Well, I did 579 00:46:34,440 --> 00:46:40,040 Speaker 1: have questions for for you, great Carolina. She's a smart cookie. 580 00:46:40,120 --> 00:46:44,479 Speaker 1: She can handle it. She can handle it. You gotta 581 00:46:44,480 --> 00:46:49,000 Speaker 1: answer the questions. Okay, okay, okay, but you didn't just 582 00:46:49,080 --> 00:46:53,520 Speaker 1: take a bite out of that wing. But I'll uh continue. Okay, 583 00:46:54,920 --> 00:47:01,360 Speaker 1: this is all right, Carolina, thank you, alright, alright, alright, 584 00:47:02,239 --> 00:47:04,880 Speaker 1: I can. I'm sure I can answer your questions, so 585 00:47:05,040 --> 00:47:08,120 Speaker 1: I'll ask. I did have questions prepared for you, Ron, 586 00:47:08,280 --> 00:47:11,560 Speaker 1: So you're outsourcing not only the wing eating, but also 587 00:47:11,680 --> 00:47:15,440 Speaker 1: the answering of your own questions. I mean, I think 588 00:47:15,480 --> 00:47:17,160 Speaker 1: this will be one of the one and one and 589 00:47:17,200 --> 00:47:20,520 Speaker 1: a kind of experience, you know, very different. She can 590 00:47:20,600 --> 00:47:25,080 Speaker 1: handle it. She's she who. Okay, all right, let's start. 591 00:47:25,200 --> 00:47:27,919 Speaker 1: We're doing it. It's happening. My mouth is on fire. 592 00:47:28,280 --> 00:47:30,960 Speaker 1: That is like, I am okay, I am doing this 593 00:47:31,160 --> 00:47:33,359 Speaker 1: for the salary right now. That is what I'm gonna 594 00:47:33,400 --> 00:47:36,080 Speaker 1: tell you, which is cauldron in my belly right now. 595 00:47:38,960 --> 00:47:43,040 Speaker 1: I'm awake to start things off. I'm curious, Uh, why 596 00:47:43,120 --> 00:47:45,879 Speaker 1: did you decide to step out of retirement and start 597 00:47:45,920 --> 00:47:56,320 Speaker 1: a podcast? Go ahead, I'm podcasting is fun. I have 598 00:47:56,400 --> 00:48:00,320 Speaker 1: a mustache. I like the news. That's a dumb answer. 599 00:48:02,280 --> 00:48:04,840 Speaker 1: I am so sorry. This is crazy. Okay, okay, I 600 00:48:04,880 --> 00:48:08,320 Speaker 1: can do the next. I'll be more sophisticated answers, I promise. 601 00:48:09,040 --> 00:48:11,640 Speaker 1: All right, let's let's pivot a little bit. What would 602 00:48:11,680 --> 00:48:15,840 Speaker 1: you say, is the biggest news story that you've ever covered? Oh, 603 00:48:16,040 --> 00:48:20,600 Speaker 1: this is easy. You know this one. You know this one. 604 00:48:24,000 --> 00:48:43,719 Speaker 1: Yell sprecka se Deutsche Hell. Okay, okay, okay, I think 605 00:48:43,880 --> 00:48:46,239 Speaker 1: that was good. That was good. Okay. And then let's 606 00:48:46,280 --> 00:48:48,480 Speaker 1: let's shift to something maybe a little more topical. You know, 607 00:48:48,600 --> 00:48:51,759 Speaker 1: I'm curious your thoughts on the current media landscape, Like 608 00:48:51,880 --> 00:48:56,040 Speaker 1: when you watch Anchorman on the cable news channels, Fox News, CNN, 609 00:48:56,400 --> 00:48:58,319 Speaker 1: what do you think of them? What do you think 610 00:48:58,640 --> 00:49:02,400 Speaker 1: them on news channels? Are there for clickbait headlines? And 611 00:49:02,680 --> 00:49:08,920 Speaker 1: I delivered real heartfelt news. That's pretty good. Yes, yes, 612 00:49:10,600 --> 00:49:12,960 Speaker 1: do I do? I go the next wing. Yeah, that's 613 00:49:14,200 --> 00:49:16,960 Speaker 1: that's to move on to the next wing. So this 614 00:49:17,160 --> 00:49:20,080 Speaker 1: next one is Lose Calientes. Typically in their lineup, it'll 615 00:49:20,120 --> 00:49:26,560 Speaker 1: be the fifth Sauce, but today going steeping step towards 616 00:49:26,600 --> 00:49:30,640 Speaker 1: the peak of Mount Scoville onto the fifth sauce, the 617 00:49:30,719 --> 00:49:36,200 Speaker 1: Turning Sauce, the Turning Sauce. It's the Turning Poor all right, 618 00:49:37,239 --> 00:49:47,000 Speaker 1: that's another featured night. It's in turn Sauce. Hello, okay, okay, yeah, 619 00:49:47,280 --> 00:49:51,520 Speaker 1: we are here at a party. Oh my goodness. That 620 00:49:51,719 --> 00:49:59,560 Speaker 1: is um uh opening everything up. I'm feeling that one. Huh. Okay, 621 00:50:00,000 --> 00:50:04,279 Speaker 1: I'm so glad I got out of this. What's your 622 00:50:04,480 --> 00:50:08,520 Speaker 1: question for Ron? Sure? Sure? Um? Do you have an 623 00:50:08,560 --> 00:50:15,680 Speaker 1: all time favorite celebrity interview? Why do you know this? God, 624 00:50:15,719 --> 00:50:24,520 Speaker 1: you're blowing it so hard right now? Uh, I can't 625 00:50:25,000 --> 00:50:28,440 Speaker 1: think I want Russian, Russian head of state, the Russian 626 00:50:28,520 --> 00:50:32,239 Speaker 1: head of state in what year? I don't know why 627 00:50:32,239 --> 00:50:34,760 Speaker 1: I asked that. I don't know what Russian head of state. 628 00:50:35,200 --> 00:50:41,600 Speaker 1: Oh my gosh, whoo whoo, whoo whoo. I really want 629 00:50:41,680 --> 00:50:47,239 Speaker 1: that milk. Okay, um, same same first name as the 630 00:50:47,320 --> 00:50:54,800 Speaker 1: current British Prime Minister, Boris. It's my most favorite interview, 631 00:50:55,880 --> 00:50:57,719 Speaker 1: even though I didn't have a translator that day. It's 632 00:50:57,719 --> 00:51:10,960 Speaker 1: not just winging it with the Russian Okay, Oh my god, 633 00:51:11,239 --> 00:51:15,520 Speaker 1: y just race the tiniest blossom milk I poured for myself. 634 00:51:16,280 --> 00:51:20,879 Speaker 1: It just started making me think how delicious cold ice 635 00:51:21,000 --> 00:51:26,840 Speaker 1: cold milk tastes. Buttery ice cold milk. There's it's so 636 00:51:26,960 --> 00:51:31,680 Speaker 1: incredibly thirst quitch it hits, especially after those spicy wings 637 00:51:31,760 --> 00:51:39,319 Speaker 1: ron I can only imagine. Okay, one more, um, I'll 638 00:51:39,360 --> 00:51:43,040 Speaker 1: take this one. There is that enough? It was perfect, 639 00:51:43,120 --> 00:51:45,960 Speaker 1: Thank you so much. Okay, Okay, I'm doing good. I'm alive. 640 00:51:46,040 --> 00:51:54,040 Speaker 1: I'm here. You were going good. Your question okay, okay, 641 00:51:54,080 --> 00:51:56,520 Speaker 1: if you could host a dinner party from any time 642 00:51:56,600 --> 00:52:02,960 Speaker 1: in history, who would you invite? Uh uh the the 643 00:52:04,800 --> 00:52:11,040 Speaker 1: Pam Greer. No, no, no, Pam greer. Yes, yes, yes, yes. Um. 644 00:52:13,120 --> 00:52:14,680 Speaker 1: I'm going to think of the name and try to 645 00:52:14,760 --> 00:52:17,319 Speaker 1: transfer it into your brain. Evil kin evil good two 646 00:52:17,400 --> 00:52:23,040 Speaker 1: for two. Um. Who oh my god, oh my god, 647 00:52:23,080 --> 00:52:27,319 Speaker 1: oh my god. The person you like that your next 648 00:52:27,360 --> 00:52:35,720 Speaker 1: door neighbor who has all those birds? Glenn? Probably not Glenn. Okay, 649 00:52:35,800 --> 00:52:38,239 Speaker 1: let's go what's the last wing? Let's let's let's gas 650 00:52:38,320 --> 00:52:41,920 Speaker 1: pedal this. This is the last ab. We call it 651 00:52:42,040 --> 00:52:44,400 Speaker 1: the last Ab Carolina because it's tradition around here to 652 00:52:44,400 --> 00:52:46,160 Speaker 1: put a little extra on the last wing. You don't 653 00:52:46,200 --> 00:52:48,320 Speaker 1: have to, though, if you don't want to do it. 654 00:52:49,000 --> 00:52:54,520 Speaker 1: I wanted that Christmas bonus, Christmas. Do it, do it, 655 00:52:54,880 --> 00:53:00,440 Speaker 1: do it, last wing, last wing. This is gonna curl 656 00:53:00,480 --> 00:53:04,520 Speaker 1: your eyelashes. Young lady, that's gonna pop your wig right 657 00:53:04,560 --> 00:53:08,480 Speaker 1: off your head. Guy, it's the craziest sauce I've ever had. 658 00:53:10,400 --> 00:53:15,919 Speaker 1: Oh where are you feel it? In the cockles? That's 659 00:53:15,960 --> 00:53:20,560 Speaker 1: all in the cockles. Okay, what's the question? Okay, by 660 00:53:20,600 --> 00:53:22,080 Speaker 1: the way, you know, this spring is gonna be a 661 00:53:22,160 --> 00:53:26,520 Speaker 1: horrible allergy season, one of the worst on records. Let's 662 00:53:26,520 --> 00:53:29,919 Speaker 1: get to the question. It's a little, it's a little 663 00:53:30,800 --> 00:53:36,200 Speaker 1: is there tech on on hand? And it's a little 664 00:53:36,239 --> 00:53:38,759 Speaker 1: awkward as I as I wrote the interview for Ron, 665 00:53:38,880 --> 00:53:43,160 Speaker 1: but I'll ask the question. I know that you're a 666 00:53:43,320 --> 00:53:48,000 Speaker 1: very particular Carolina. I know that you're a very particular man. 667 00:53:48,560 --> 00:53:53,480 Speaker 1: How do you romance a woman? You are nice, You're honest, 668 00:53:53,840 --> 00:53:57,360 Speaker 1: you'd take a nice places. Say here the movies, but 669 00:53:57,560 --> 00:54:04,279 Speaker 1: firs and jewels. First jewel. You're nice, story dad, You're 670 00:54:04,400 --> 00:54:08,840 Speaker 1: nice to your mom. Play a little jazz flute. You 671 00:54:10,040 --> 00:54:17,200 Speaker 1: play jazz flute. I just went to a dark place, 672 00:54:18,680 --> 00:54:24,239 Speaker 1: all right, Mac, Mike drop, let's make some noise. You're 673 00:54:24,560 --> 00:54:30,600 Speaker 1: to get it. Wow, you are definitely getting a Christmas 674 00:54:30,640 --> 00:54:34,520 Speaker 1: bonus this year. I love you. Guys who staying with me. 675 00:54:38,280 --> 00:54:42,640 Speaker 1: You're gonna have a little that milk too. Wow. And 676 00:54:42,760 --> 00:54:46,759 Speaker 1: you know that's Yak's milk, so everyone knows we did 677 00:54:46,840 --> 00:54:52,320 Speaker 1: not harm a cow. It's pure Yak's milk, which is 678 00:54:52,360 --> 00:54:55,960 Speaker 1: the best kind of milk. Sean. We can't thank you 679 00:54:56,040 --> 00:55:02,680 Speaker 1: enough for coming out here. Ever, everyone you did awesome. 680 00:55:02,800 --> 00:55:09,000 Speaker 1: You did awesome, Thank you, sir, Ron, valiant efforts, purgeous. 681 00:55:09,400 --> 00:55:17,000 Speaker 1: Look it was not my thing, ultimately, Carolina, great John. 682 00:55:23,760 --> 00:55:25,440 Speaker 1: I thought you were gonna lay a tart on that one, 683 00:55:25,480 --> 00:55:32,840 Speaker 1: but you didn't. Don't forget backstage. We're gonna have some 684 00:55:32,920 --> 00:55:40,440 Speaker 1: of my special for Alarm Chili. Save room for that, folks. 685 00:55:41,120 --> 00:55:44,960 Speaker 1: We're at the end of our show. Um, but I 686 00:55:45,040 --> 00:55:48,319 Speaker 1: have one final segment I'd like to call my take, 687 00:55:50,480 --> 00:55:53,480 Speaker 1: So if you indulge me, this is run Burgundy with 688 00:55:53,560 --> 00:56:00,320 Speaker 1: my take. So should I just get out of here? Yah? 689 00:56:02,840 --> 00:56:05,680 Speaker 1: Yesterday I asked Carolina if she had ever seen the 690 00:56:05,719 --> 00:56:09,360 Speaker 1: movie Gone with the Wind. She shook her head and 691 00:56:09,480 --> 00:56:19,040 Speaker 1: looked confused, and then said, what's a movie? It got 692 00:56:19,120 --> 00:56:23,439 Speaker 1: me thinking our movies dead. I remember the first movie 693 00:56:23,480 --> 00:56:30,160 Speaker 1: I ever saw. It was called Hot Boobs. But I'm 694 00:56:30,160 --> 00:56:36,600 Speaker 1: not going to talk about that movie. It wouldn't be appropriate. However, 695 00:56:36,680 --> 00:56:39,520 Speaker 1: the second movie I saw was called How the West 696 00:56:39,719 --> 00:56:43,959 Speaker 1: Was One. Kevin Costner had referenced watching How the West 697 00:56:44,080 --> 00:56:48,000 Speaker 1: Was Won and as a child, he said, how transformative 698 00:56:48,200 --> 00:56:52,760 Speaker 1: it was. Well, the same thing happened to me. Sitting 699 00:56:52,800 --> 00:56:54,799 Speaker 1: there in the dark. I was introduced to a whole 700 00:56:54,880 --> 00:56:58,680 Speaker 1: new world, a world of wondrous make believe. And right 701 00:56:58,840 --> 00:57:02,240 Speaker 1: next to me as I looked over at the seat 702 00:57:03,080 --> 00:57:10,719 Speaker 1: was an old prospector named Gus Chickens. He was a 703 00:57:10,760 --> 00:57:14,200 Speaker 1: folksy old fellow who had brought his mule into the theater, 704 00:57:14,400 --> 00:57:17,720 Speaker 1: and during the intermission he had turned to me and said, 705 00:57:17,800 --> 00:57:24,200 Speaker 1: I'm gush chickens. That's the way he talked. He said, 706 00:57:24,440 --> 00:57:29,240 Speaker 1: I sure do love a Western. It beats beans for breakfast, 707 00:57:29,320 --> 00:57:35,520 Speaker 1: if you know what I mean. I didn't, so I 708 00:57:35,600 --> 00:57:38,720 Speaker 1: asked him why he talks in that funny way, and 709 00:57:38,800 --> 00:57:44,480 Speaker 1: he said, I grew up in Compton, California, where Kevin 710 00:57:44,560 --> 00:57:49,040 Speaker 1: Costner came from. I spent my whole life around them 711 00:57:49,200 --> 00:57:53,040 Speaker 1: rascally movie folk. Me and my mule went to shin 712 00:57:53,160 --> 00:57:57,080 Speaker 1: digs up there in them Hollywood Hills. I ate at 713 00:57:57,160 --> 00:58:00,680 Speaker 1: them there, fancy restaurants, chewing on meal and wet in 714 00:58:00,760 --> 00:58:06,000 Speaker 1: my whistle on bottles of wide. I said that that 715 00:58:06,080 --> 00:58:09,440 Speaker 1: didn't make sense. If he grew up in southern California 716 00:58:09,480 --> 00:58:12,960 Speaker 1: around sophisticated Hollywood people, why did he talk in such 717 00:58:13,000 --> 00:58:16,720 Speaker 1: a folksy, down home way. He looked at me and said, ah, 718 00:58:16,960 --> 00:58:21,760 Speaker 1: finnel sticks, And just like that, he grabbed his mule 719 00:58:21,840 --> 00:58:30,320 Speaker 1: and left. Carolina sits around watching TikTok toes and YouTube's 720 00:58:32,200 --> 00:58:34,840 Speaker 1: on her phone like a lot of simpletons these days. 721 00:58:36,080 --> 00:58:40,160 Speaker 1: Maybe movies are dead, or maybe like the cultural around us, 722 00:58:40,480 --> 00:58:43,840 Speaker 1: they're just changing into something new, and it's scares a 723 00:58:43,920 --> 00:58:47,960 Speaker 1: lot of people. I'm not afraid of change. I'm afraid 724 00:58:48,000 --> 00:58:57,520 Speaker 1: of Jello and wild boars and Canadians, but not change. 725 00:58:59,440 --> 00:59:01,680 Speaker 1: These days, there are a lot of old men invoking 726 00:59:01,760 --> 00:59:07,240 Speaker 1: the past, mainly on Fox News. The past was really 727 00:59:07,320 --> 00:59:10,080 Speaker 1: good for me. I I drank a bottle of scotch 728 00:59:10,160 --> 00:59:12,800 Speaker 1: every day and woke up naked in more city parks 729 00:59:12,840 --> 00:59:17,880 Speaker 1: than I can remember. But the past wasn't great for everyone. 730 00:59:18,840 --> 00:59:22,360 Speaker 1: Once again, our movie is dead. I don't think so, 731 00:59:23,400 --> 00:59:27,440 Speaker 1: but maybe we can make them better. I'm Ron Burgundy 732 00:59:27,600 --> 00:59:32,840 Speaker 1: and that's my take. Thank you everyone right, thanks for 733 00:59:33,560 --> 00:59:38,400 Speaker 1: every getting got right, he says, because he gets no 734 00:59:38,600 --> 00:59:41,280 Speaker 1: stuck up to be so light. He tried like a suck, 735 00:59:41,640 --> 00:59:45,000 Speaker 1: seemed like a plank. We solid younger will try so 736 00:59:45,120 --> 00:59:49,080 Speaker 1: we never getting the guy brank so to get up 737 00:59:49,080 --> 00:59:51,240 Speaker 1: a lot of band winds and he's a god. He 738 00:59:51,320 --> 00:59:53,600 Speaker 1: ain't no stand and he doesn't have He's on a 739 00:59:53,760 --> 00:59:58,160 Speaker 1: night sized stand, which because everybody knows he's banded. Ron 740 00:59:58,440 --> 01:00:00,400 Speaker 1: Burgundy Podcast Best