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Speaker 1: Worry and do you wish d Wayne Wade a happy

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Speaker 1: fortieth birthday? The wait is forty that's what it says

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Speaker 1: on Instagram.

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Speaker 2: Yeah, typpy birthday?

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Speaker 1: Do you wait to all the people that I know

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Speaker 1: that kind of know him. Okay, they're wishing him happy birthday.

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Speaker 2: I know I didn't wish d Wade a happy.

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Speaker 1: Birthday though you're a bad friend.

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Speaker 2: I wish him happy birthday. Now, happy birthday, d wait.

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Speaker 1: He listens Adam listening on his birth on his fortieth too,

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Speaker 1: but today with Gabby's two of them, so they do

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Speaker 1: a couple bombings. Say this is.

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Speaker 2: A sick record. You plan talk to me going on

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Speaker 2: perfect weather for it? It is the perfect weather. It's slow, rainy,

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Speaker 2: but I feel like we need to be drinking, like,

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Speaker 2: well we got tea.

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Speaker 1: Yeah, that's funey, that's fun.

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Speaker 2: It's a car, it's a carry out your favorite no

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Speaker 2: oh yeah, because you can go crazy, get the hoode nuts. Oh,

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Speaker 2: it doesn't matter.

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Speaker 1: It's quite soul.

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Speaker 3: Say you're fine, you guys.

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Speaker 1: Atlanta's More said, alright, bigger, I'll go figures was free

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Speaker 1: fly Atlanta's Morris at the legend someone has to do

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Speaker 1: like a late nineties early two thousands, white vocal coach school,

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Speaker 1: Like I want to sing like them. I feel like

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Speaker 1: it wouldn't be that hard.

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Speaker 2: I feel like all white singers have the same vocal

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Speaker 2: coach for sure.

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Speaker 1: What was that Google Doll song that was like number

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Speaker 1: one on t r L where he was like in

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Speaker 1: a tower with a telescope, like stalking a girl.

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Speaker 2: You're going way way back now.

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Speaker 1: I think I was alive yet, I know it's becoming

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Speaker 1: a recurring thing.

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Speaker 2: I don't think I was alive yet.

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Speaker 1: I'm just going back and all the songs that grew

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Speaker 1: up in and how fucking kind of RAPI they are.

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Speaker 2: Green Day was my favorite group of the tr L ever.

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Speaker 1: I feel like that's whenever black people would talk to

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Speaker 1: me about, Like no I listened to things other besides

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Speaker 1: the rap, it would be Green Day.

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Speaker 2: Gotta go to Green Day. Green Day was the greatest group.

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Speaker 2: That's the greatest group ever.

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Speaker 1: They went kind of emo though, yeah, I mean they

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Speaker 1: were like the version of like how We Be, Like

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Speaker 1: they were in the underground and they sold out Green

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Speaker 1: Day's three Day.

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Speaker 2: Yeah.

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Speaker 1: Green Day was like making like real alternative rock music.

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Speaker 1: And then they went and painted eyeshadow and we're like,

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Speaker 1: we're sad. Like, no, y'all finally made it.

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Speaker 2: Should have This is when your life is great and

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Speaker 2: you're rich.

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Speaker 1: Now, no, I feel that. Well, it is MLKDA, so

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Speaker 1: I should maybe this might be appropriate.

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Speaker 2: Yes, and they got me Damarison call working on the

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Speaker 2: Black National Holiday.

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Speaker 1: Yes, I am the only one of Caucasian descent and

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Speaker 1: melanin deficiency.

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Speaker 2: Exactly to apologize for things that I've done.

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Speaker 4: We would have never known.

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Speaker 1: After we saw your license photos to this. So this

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Speaker 1: is my MLK song.

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Speaker 2: Sorry, I'm not letting you do that.

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Speaker 1: Sorry, but you can put the blame on.

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Speaker 2: Put some Stevie on. You're gonna put Steve.

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Speaker 1: I'm saying the hook like, because I'm I'm white, you

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Speaker 1: could put blame on birthday. This is my white guilt song.

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Speaker 2: Turn that off, you could turn that shitek.

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Speaker 1: Sorry, put the blame on me. Can't be my white girl.

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Speaker 2: No I on MLK day.

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Speaker 1: No, I'm saying, put the blame on me.

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Speaker 2: I'm sorry, Okay, okay, we was wolin, we were accountability,

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Speaker 2: all right, cool?

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Speaker 1: Cool, So you can put the blame on me.

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Speaker 2: I love the city, the fact that it's so empty today.

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Speaker 2: It was great, and it felt like it felt like

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Speaker 2: like a Sunday.

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Speaker 1: It felt like COVID again. Yeah, when we used to

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Speaker 1: drive in COVID.

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Speaker 2: Yeah, the streets are empty. It was raining out kind

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Speaker 2: of chili nobody, the sidewalks are empty. Mm I like

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Speaker 2: that vibe in New York City. I miss COVID. Bring

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Speaker 2: back COVID.

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Speaker 1: I feel like white people should have to work today though.

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Speaker 2: Absolutely I agree. Not only should white people have to

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Speaker 2: work today, double shift. White people should get beat today,

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Speaker 2: Like we should give a bit of white people today.

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Speaker 2: Like I think that would be like that's reparations right there,

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Speaker 2: Like let us just walk around with a belt and

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Speaker 2: just lash white people all day.

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Speaker 1: I'm gonna get real fox Newsy here. Don't you guys

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Speaker 1: remember that MLK stood for non violence?

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Speaker 2: Yeah, exactly that. Now it's time the king is going.

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Speaker 2: It's time to kick some asks. Crazy. Yeah, it's time

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Speaker 2: to kick some asks that we got to kick some

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Speaker 2: white ass man.

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Speaker 1: Well, happy m OK day, two guys, is today's birthday?

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Speaker 1: It's not we don't celebrate his birthday?

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Speaker 2: Right, No.

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Speaker 1: I hate when people do that type of ship.

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Speaker 2: Yeah, that's just weird to me.

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Speaker 1: Sure did you do anything for your three day weekend though.

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Speaker 2: Nah, just chilled, uh, finished packing, getting everything ready to

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Speaker 2: move in. That's it.

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Speaker 1: When when is the official move tomorrow? Oh wow, so

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Speaker 1: we got to wrap up?

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Speaker 2: Yeah, that's why I didn't. I mean, but it's it's

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Speaker 2: not it's everything is.

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Speaker 1: Ready to go there, but you're moving with money now.

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Speaker 1: It's different, way different. Moving is probably the worst thing

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Speaker 1: on planet fucking Earth. Absolutely when you don't have movers.

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Speaker 2: Absolutely.

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Speaker 1: I did task grab it once to task grabbit guys

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Speaker 1: in myself when I rented it. I was it was

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Speaker 1: the worst experience in my life. It's absolutely terrible.

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Speaker 2: Task grab it. But sometimes like you get a really

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Speaker 2: good like ask rabbit or call them rabbits when they show, like,

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Speaker 2: hey rabbit, No, you.

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Speaker 1: Should refer to them as their name. They have their name,

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Speaker 1: there's an actual name tag like the okay. But it's

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Speaker 1: like then they introduced themselves, Hello, my name.

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Speaker 2: Is okay, like not the rabbit, and they just get

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Speaker 2: to hop into work. They know what they're doing. That's

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Speaker 2: what's terrible. I thought, that's what happens. My bad. Well,

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Speaker 2: but yeah, I just got everything ready to move. It's

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Speaker 2: gonna be an easy move. Everything is getting ordered new delivered.

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Speaker 1: So do you have a young lady decorating?

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Speaker 2: No, I don't, Actually I have, Uh, I have some

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Speaker 2: female friends that have, like, you know, lent their eye

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Speaker 2: to some pieces that they've lent their eye. Yeah, they like, Yo,

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Speaker 2: this might look dope in the spot.

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Speaker 1: They lent their eye, right, Yeah, you lent your eye before.

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Speaker 2: Of course I always learn my eyes. I can't see ship.

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Speaker 2: My eyes are still out there somewhere they still yeah, yeah, yeah, yeah,

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Speaker 2: I can't see a thing. Absolutely.

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Speaker 1: What do you think your first uh, your first text

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Speaker 1: will be once you're kind of settled, like, yo, come

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Speaker 1: check out the new pad, because then you don't have

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Speaker 1: to text. You don't have to go on date when

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Speaker 1: you first move, you don't have to go on dates.

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Speaker 2: No, well I don't go.

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Speaker 1: I just got the new spot. I come through and

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Speaker 1: see and oh my god, Like.

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Speaker 2: I'm a hermit now. But like it's gonna be even worse.

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Speaker 1: Well, you're also two hours of state, so.

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Speaker 2: It's gonna be it's gonna be worse. Like I'm never

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Speaker 2: leaving home, man, Like I don't give a fuck. I

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Speaker 2: want to be home. That's why I want to lay

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Speaker 2: everything out, deck everything out like a real lounge vibe

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Speaker 2: type of type of thing.

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Speaker 1: Have you budgeted out like ubers for young women to

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Speaker 1: go that far?

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Speaker 2: No, not really. Uh, I haven't really thought about that,

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Speaker 2: but you know there is Uh the Metro North is

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Speaker 2: closed by, so you're.

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Speaker 1: Gonna put You're gonna put them on the fancy iron horse. Yeah, yeah,

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Speaker 1: with outlets.

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Speaker 2: It's at the m t A.

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Speaker 1: This is it is mt it says.

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Speaker 2: It's not the subway. It's so it's a little different.

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Speaker 2: The seats are cushioned, you know what I mean.

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Speaker 1: You're gonna have shorty try to scram.

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Speaker 2: Yeah, you gotht in the bathroom. You know the ticket

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Speaker 2: punching got hide in the bathroom.

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Speaker 4: Long Railroad.

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Speaker 1: I did that for years.

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Speaker 2: Hide in the bathroom, just wait like he let him

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Speaker 2: walk by and you ride for free.

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Speaker 1: That's trick. That's that's gonna get her really feeling warm

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Speaker 1: and safe to walk into your path.

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Speaker 2: Because it's like it's like I wanted. I wanted to

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Speaker 2: be like a gauntlet. You have to go through some

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Speaker 2: things before you get to me, you know what I mean,

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Speaker 2: Like see if you could get on the train, See

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Speaker 2: if you could ride for free all the way, Hide in.

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Speaker 1: The bathroom, so you're gonna set like maybe a note

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Speaker 1: when she gets off the train. That's a scavenger hunt.

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Speaker 1: You gotta man, then you're the prize. Yeah, you gotta

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Speaker 1: make them work, or make them work a little bit

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Speaker 1: to Matris, look at the prizes after going through a gauntlet,

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Speaker 1: you get maul, come on, d Loo, get all this

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Speaker 1: man sitting over this man, all this man is putting

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Speaker 1: Shorty on the mt A and then having her run

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Speaker 1: around Middletown, New York's fucking great. You're sick.

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Speaker 2: I know, man, I'm working on me. Man, I'm working

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Speaker 2: on myself, Rory.

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Speaker 1: But convincing women like your r idea, I'm not. I know

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Speaker 1: that's a tough that's a tough thing.

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Speaker 2: Though, convincing women to take the train to come see you.

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Speaker 2: But the Metro North isn't bad though.

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Speaker 1: I really feel like my jersey should be in the

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Speaker 1: rafters for other reasons than like the rest of what

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Speaker 1: we put, not like the nick Cannons and the bow

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Speaker 1: wows that.

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Speaker 2: We put in the rafters.

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Speaker 1: The amount of women I have convinced all consensual. When

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Speaker 1: you say convinced, it sounds like you coerce them.

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Speaker 2: Yeah, no, consensual, consensual convincing to.

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Speaker 1: Agree to come to Jersey City on the Path train

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Speaker 1: after the club. I should my jersey should be hanging. No, you,

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Speaker 1: you should be hanged. It should be hanging.

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Speaker 2: Yeah, that's not easy.

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Speaker 1: Stops in Hoboken too. You gotta sit there for like

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Speaker 1: thirty minutes. Then it goes yeah.

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Speaker 2: Yeah, that's not easy to do because I.

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Speaker 1: Didn't have cab money. Yeah, and then they woke up

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Speaker 1: in New Jersey.

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Speaker 2: Yeah, the things, That's what I'm saying. You got to

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Speaker 2: kind of see, like who's willing to go through the

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Speaker 2: gauntlet for you willing to Can you imagine some inconvenience?

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Speaker 1: Can you imagine Shorty sitting in a booth all night

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Speaker 1: at Griffin getting bottle service, crazy sparklers everywhere. Beyonce's in

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Speaker 1: the corner sitting on the train drum, and then little

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Speaker 1: old Rory comes over in sweatpants at twenty one years old,

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Speaker 1: just twenty years old. Are you trying to get on

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Speaker 1: this path? Yeah, don't worry, I'll take it to cafeteria

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Speaker 1: and then we get on the path.

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Speaker 2: I love it. You gotta do that sometimes you gotta

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Speaker 2: see who's willing to really sit in the trenches with you?

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Speaker 2: Who's willing to deal with inconvenience, who's willing to deal

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Speaker 2: with not having luxury? Yeah, because it's a luxury to

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Speaker 2: send a woman to Uber black.

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Speaker 1: Well, Uber didn't exist at this time.

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Speaker 2: That's what Now you send a woman in Uber black.

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Speaker 2: She sits in a nice car. The gentleman asks her,

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Speaker 2: if the temperature is great, she can connect her bluetobe,

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Speaker 2: listen to her music, iron horse air pods panhandle it.

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Speaker 1: Now you had to plug in your iPod. Each person

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Speaker 1: gets a gets the ear on the on the tree

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Speaker 1: at that time.

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Speaker 2: Yeah, oh yeah, yeah, oh you and her Yeah, yeah,

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Speaker 2: you gotta share your Yeah.

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Speaker 1: That was whether there's the little color for ones you

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Speaker 1: remember those you gotta close to five bucks?

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Speaker 2: Yeah, you gotta sit close to They only work for

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Speaker 2: a week, though, they gotta show to say.

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Speaker 1: Sometimes you got to wrap the wire around the iPod

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Speaker 1: of the phone and.

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Speaker 2: Then after a week can't get it to connect. Those

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Speaker 2: are the great times though. That's how you really like

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Speaker 2: got to know who a woman was, Like, let me

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Speaker 2: see if she's gonna sit through the shit with me

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Speaker 2: without an attitude, because sometimes women to do it and

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Speaker 2: then but they have an adede The whole time.

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Speaker 1: Well, I've noticed that too with women from that era

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Speaker 1: in my life, when we would really have to travel

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Speaker 1: together for extra curricular activities, we would actually get to

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Speaker 1: know each other. And I still have very good friends

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Speaker 1: from that era that you know, maybe we talked but

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Speaker 1: didn't work out, but we're friends because we shared so

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Speaker 1: much bond. Now it's so easy with the uber. Just

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Speaker 1: come to my crib and you beat and then you leave.

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Speaker 1: There's no connections at all.

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Speaker 2: It's easy to forget somebody now whatever that's a regular

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Speaker 2: night Uber crib back home and the uber like whatever,

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Speaker 2: I'll see him if I see him again.

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Speaker 1: Yeah, there's no walk of shame.

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Speaker 2: Really, it's none of that. Normal women know how to

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Speaker 2: dress to avoid the walk of shame.

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Speaker 1: Now they don't know what that's like. Standing on the

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Speaker 1: platform at Broadway Junction with heels on. They don't know

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Speaker 1: that life eight am on it on a Sunday, look

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Speaker 1: like they're selling it.

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Speaker 2: They don't know that judgment.

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Speaker 1: Women feel like I'm being bullied, So judgments out here

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Speaker 1: all right?

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Speaker 2: Dress yeah, and they's staying on the platform the next day.

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Speaker 1: Yeah, that's where you'll really get some real character traits.

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Speaker 2: Oh man, I miss those days. Good times, man, good times.

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Speaker 2: But how was your weekend?

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Speaker 1: I don't really think I did much of anything.

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Speaker 2: It was cold as ships Saturday. I was telling Dams

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Speaker 2: me and themarriage was supposed to link up, but it

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Speaker 2: was too cold.

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Speaker 1: Saw Carl briefly. Oh yeah, yeah, a little little little

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Speaker 1: birthday hookah thing. Not for Carl's birthday, one of our

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Speaker 1: early associates. It was his birthday. He's moved on to

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Speaker 1: greener pastures. So I want to celebrate. What's up to

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Speaker 1: my guy?

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Speaker 2: Oh I thought he died?

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Speaker 1: No, no, no, he works at HBO.

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Speaker 2: To cable, he's dead to the cable, he's dead.

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Speaker 1: Subscription.

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Speaker 2: You moved on to greened pastes something like what happened?

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Speaker 1: Yeah, no, no, not to heaven. So yeah, just I

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Speaker 1: really didn't do much at all, man, because I'm in

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Speaker 1: that same place you are, as My crib is the

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Speaker 1: spot now. So when everyone's done, what you're going out

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Speaker 1: come by?

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Speaker 2: Yeah, right through the tunnel exactly. That's what I'm looking

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Speaker 2: forward to. Like, yo, y'all know where I'm at. I'm

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Speaker 2: in the house, man, I'm not moving last last last episode.

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Speaker 2: We uploaded the episode before that. Again, yes, I was

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Speaker 2: in the painting. Yeah, still listen, man, Sometimes ship like

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Speaker 2: that happens.

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Speaker 1: You know, see what happens when you live in the past.

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Speaker 2: Yeah, or battle rap. So we was remixing and we

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Speaker 2: brought it back. You know what I'm saying, Slow it down.

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Speaker 2: I just dissed you. You ain't even get it. But yeah,

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Speaker 2: we fixed it. That was an error on our part.

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Speaker 2: So sorry to the to the listeners for the confusion.

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Speaker 2: Everybody woke up early. Somebody hit me at like six

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Speaker 2: am and was like, bro, it's the wrong episode. Why

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Speaker 2: are you awake?

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Speaker 1: Because people wake up at six am. They got work

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Speaker 1: and they wanted to and.

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Speaker 2: Just turned us on.

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Speaker 1: Yeah six man. We appreciate people that do that. Bro,

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Speaker 1: slow it down, you just dissed them. No, they wake

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Speaker 1: up at that time six am. Yes, people wake up

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Speaker 1: at six.

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Speaker 2: Plenty of still am.

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Speaker 1: Most of the world wakes up at that time.

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Speaker 4: Six privileges showing mom.

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Speaker 2: It's definitely showing nobody. But where we added as somebody

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Speaker 2: has to wake up at six am, that's insane. Your

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Speaker 2: brain does not want to be awake at six am.

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Speaker 2: I think the doctors, I think, but I'm saying that's

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Speaker 2: what society is fucked up. I think doctors can prove

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Speaker 2: that your brain is not even up at six am.

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Speaker 1: Well, it depends when you go to sleep, and with

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Speaker 1: clock time is suggested your body wants.

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Speaker 2: When it's dark and you wake up and it's still dark.

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Speaker 2: I think psychologically that does something to you.

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Speaker 3: I think that that's what I did it all in

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Speaker 3: the school seasonal depression.

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Speaker 2: Look at you and he looking great? Look at you,

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Speaker 2: You're crazy? Yeah that ship is not healthy. Man. But anyway, yeah,

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Speaker 2: we uploaded the wrong episodes, so apologies for that. But yeah,

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Speaker 2: what's the consensus. Did we go watch Belly as a family? Well?

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Speaker 1: I looked at the clip. I looked at the clip,

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Speaker 1: and that's a dude. That's a woman with a mustache.

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Speaker 2: See look at the ahad mustache.

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Speaker 4: She just don't wax it.

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Speaker 1: Fight No, it was shaped up, okay, shaped? She likes

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Speaker 1: bearing hips.

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Speaker 2: You're you're the cinematographer.

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Speaker 1: Maw as child bearing hips.

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Speaker 2: I do not.

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Speaker 1: I have to.

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Speaker 2: I have to out of my body. I don't have

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Speaker 2: child bearing hit.

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Speaker 1: Can we please stop?

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Speaker 2: That mustache?

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Speaker 1: Was that you and Belly?

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Speaker 4: No?

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Speaker 1: Who'd you bring a Kesha down?

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Speaker 2: Listen? Man, put this to bed now. I don't have

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Speaker 2: child bearing here. Some bitch ass nigga said that a

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Speaker 2: while ago. It was everybody ran with it.

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Speaker 1: It was funny though, Yeah, but it is something joke.

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Speaker 2: You have to just no, I don't give a fuck

355
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Speaker 2: about it. But yeah, I don't know. Actually I do know.

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Speaker 2: It was a joke. That was a woman because somebody

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Speaker 2: I said that on Instagram years ago and somebody hit

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Speaker 2: me and said that's their aunt in real life? Why

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Speaker 2: didn't you saying I just want to have fun because

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Speaker 2: nobody knew. Nobody knew what somebody somebody somebody did hit

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Speaker 2: me on Twitter years ago and say that that was

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Speaker 2: their aunt.

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Speaker 1: But you can't believe Twitter got going going every YouTube

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Speaker 1: comments who jump out there and claim that person is

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Speaker 1: someone on Twitter with hundred percent that no, but.

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Speaker 2: I believe them. They was like, yo, bro, that's been

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Speaker 2: a like we Actually I think it was a clip

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Speaker 2: going around withere. They basically like, yeah, that was a woman.

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Speaker 1: Oh where you're on? But she just get it shaped up, just.

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Speaker 2: Keeps No, I wasn't. She just keeps her facial hair.

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Speaker 2: She's from friends.

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Speaker 4: They say, women with facial hair got a good box.

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Speaker 2: I won't find out women without face.

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Speaker 1: I want to know who said that.

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Speaker 4: That's what.

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Speaker 2: I'm gonna say that women without facial hair have good

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Speaker 2: box too. So now what.

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Speaker 1: And there's difference between women having facial hair and having

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Speaker 1: a whole shaped up. Steve Harvey mustach drastically different because

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Speaker 1: I know women with little chin hair, little shadow.

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Speaker 2: What's good box? Because goodbye? You know how somebody like

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Speaker 2: Yo's it's chicks in here. They look good and then

383
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Speaker 2: you get there and it's like, Yo, these chicks is alright,

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Speaker 2: fam like you gassed it. It's subjective. What's a good box?

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Speaker 1: Well to your first part of that, I'm going to

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Speaker 1: gass up the eye women because I women are the

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Speaker 1: best women to be around, especially if I'm saying, come

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Speaker 1: link real quick, Carl, we thought this debate on the road.

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Speaker 2: Nah, but we talked about looks.

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Speaker 1: I'm saying, Iye, women are the best women. If you're

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Speaker 1: in that type of mind, stay consentially of course, with

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Speaker 1: everyone when you're out just trying to link something real quick,

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Speaker 1: or if you're in a city for one night where

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Speaker 1: you're at a party or some shit. I women are

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Speaker 1: the ones you need to focus on if your goal

396
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Speaker 1: is just to fuck that night.

397
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Speaker 2: I shoot for the stars. I'm okay, I want the baddest.

398
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Speaker 4: But if you want to be a high percent shoot,

399
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Speaker 4: at least land among the clouds.

400
00:16:21,640 --> 00:16:24,760
Speaker 1: If you want to be a high percented shooter. And

401
00:16:24,840 --> 00:16:26,600
Speaker 1: I'm not a high percent and shooter. I just know

402
00:16:26,640 --> 00:16:28,640
Speaker 1: people that are, and when every time they go out

403
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Speaker 1: they want to do that, and I women are the

404
00:16:30,720 --> 00:16:32,000
Speaker 1: best bet every single time.

405
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Speaker 2: Okay, you want to.

406
00:16:34,200 --> 00:16:35,800
Speaker 1: Go after the bougie whatever ones.

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00:16:36,280 --> 00:16:40,320
Speaker 3: But looks, like the prettiest looks are subjective because somebody

408
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Speaker 3: you might think is beautiful, I might.

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00:16:41,600 --> 00:16:44,720
Speaker 2: Look at yeah, you know, I remember years ago I

410
00:16:44,760 --> 00:16:46,920
Speaker 2: figured that out when I said Tianna Taylor was beautiful

411
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Speaker 2: and people would looked at me like I was crazy.

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Speaker 3: Tiana has always been one of those people people either

413
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Speaker 3: think she's the most beautiful woman in the world or

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Speaker 3: people think that she's ugly.

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Speaker 2: I don't know how I've seen that. I don't know

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00:16:56,280 --> 00:16:58,880
Speaker 2: how anybody looks doesn't think she's beautiful.

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00:16:58,920 --> 00:17:01,000
Speaker 4: Since growing up, a lot of it that was the thing.

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00:17:01,120 --> 00:17:02,920
Speaker 2: Yeah, that's what I'm saying, people like, yo, how do

419
00:17:02,960 --> 00:17:06,040
Speaker 2: you not think this girl is beautiful? Like my features

420
00:17:06,040 --> 00:17:06,680
Speaker 2: are amazing.

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00:17:06,840 --> 00:17:08,679
Speaker 1: But anyway, now I think about it a chick with

422
00:17:08,720 --> 00:17:11,960
Speaker 1: like one little whisker by accident that she missed. Yeah,

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00:17:12,000 --> 00:17:15,760
Speaker 1: they usually got a good box. Get that that ship.

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00:17:15,920 --> 00:17:21,399
Speaker 1: Of course, you can't just go around plucking like no,

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00:17:21,880 --> 00:17:24,000
Speaker 1: like when we were laying in bed and you would

426
00:17:24,000 --> 00:17:26,160
Speaker 1: pull it out like we were cuddling. Yeah, I be like, woman,

427
00:17:26,240 --> 00:17:27,160
Speaker 1: just get that for you.

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00:17:27,840 --> 00:17:29,440
Speaker 2: A girl had like hair around her nipp.

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00:17:29,359 --> 00:17:31,960
Speaker 1: Was just I was for those watching on the camera

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00:17:32,000 --> 00:17:33,679
Speaker 1: before mall said that, I was pointing because that was

431
00:17:33,680 --> 00:17:35,600
Speaker 1: the topic I was going to get to next. Yeah,

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00:17:35,600 --> 00:17:36,119
Speaker 1: I've seen one that.

433
00:17:36,200 --> 00:17:36,760
Speaker 2: Look me up.

434
00:17:36,760 --> 00:17:38,400
Speaker 1: The first time I saw hair, there was a couple

435
00:17:38,440 --> 00:17:42,560
Speaker 1: wmen that had just one chilling. You sucked it, of course, crazy.

436
00:17:43,040 --> 00:17:44,680
Speaker 2: It's a nasty ass white boy.

437
00:17:45,760 --> 00:17:50,000
Speaker 1: You can't hair. You can't even taste that ship. You

438
00:17:50,040 --> 00:17:51,359
Speaker 1: can't suck at Harry nipple.

439
00:17:52,160 --> 00:17:53,919
Speaker 4: You've sucked Harry nipples before, you do.

440
00:17:53,920 --> 00:17:56,359
Speaker 1: You know how you sucked Harry? Of course you have.

441
00:17:56,480 --> 00:17:57,760
Speaker 2: You're you're man, of course.

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00:17:57,880 --> 00:17:59,520
Speaker 1: So one low ass hair on a nipple that you

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00:17:59,520 --> 00:18:01,440
Speaker 1: could barely I gotta see the hand. That's why I

444
00:18:01,440 --> 00:18:04,360
Speaker 1: stopped in my tracks, because the nip.

445
00:18:04,200 --> 00:18:05,320
Speaker 2: The clip is like a nibble.

446
00:18:05,600 --> 00:18:06,520
Speaker 1: Yeah what.

447
00:18:08,680 --> 00:18:11,879
Speaker 2: Yeah, so you said the clip is the pussy nibble

448
00:18:12,040 --> 00:18:17,399
Speaker 2: it is. You didn't know that you knew that you

449
00:18:17,480 --> 00:18:19,360
Speaker 2: come on, you knew that you knew that you knew

450
00:18:19,400 --> 00:18:22,520
Speaker 2: the clip was the pussy nipple. Come on, who didn't

451
00:18:22,560 --> 00:18:25,760
Speaker 2: know the clip was the pussy I'm sucking. Yes, I've,

452
00:18:25,920 --> 00:18:29,320
Speaker 2: I've I've licked. It wasn't like extremely, it wasn't a bush.

453
00:18:29,560 --> 00:18:30,800
Speaker 2: It was it wasn't baldy.

454
00:18:31,040 --> 00:18:33,119
Speaker 4: So you've never licked a bush?

455
00:18:33,400 --> 00:18:34,480
Speaker 2: Not bush, not bush?

456
00:18:35,240 --> 00:18:36,240
Speaker 4: You really? Really?

457
00:18:37,119 --> 00:18:38,920
Speaker 2: Yeah? I don't. I don't like the bush.

458
00:18:39,920 --> 00:18:42,600
Speaker 1: I didn't vote for Yes, you did, I didn't vote

459
00:18:42,600 --> 00:18:44,720
Speaker 1: for no two times no.

460
00:18:46,400 --> 00:18:52,600
Speaker 2: Enough. I didn't know, definitely I didn't. I didn't vote.

461
00:18:52,680 --> 00:18:54,560
Speaker 2: I don't like the I can't look find a bush,

462
00:18:55,359 --> 00:18:57,159
Speaker 2: to find a bush, you know, the bush where the

463
00:18:57,240 --> 00:18:59,600
Speaker 2: hair is like it's not just on the top, it's

464
00:18:59,640 --> 00:19:02,600
Speaker 2: like on the lips. Okay, yeah, I can't lick that.

465
00:19:02,760 --> 00:19:05,520
Speaker 2: I'm sorry. Bro. If it's just the landing strip that

466
00:19:05,600 --> 00:19:07,360
Speaker 2: you know, you didn't get your wax and this hair

467
00:19:07,400 --> 00:19:09,560
Speaker 2: and the strip is not a push. Yeah, but when

468
00:19:09,560 --> 00:19:12,800
Speaker 2: it's the hair, you can't see the lips. It's a lot.

469
00:19:12,840 --> 00:19:14,440
Speaker 2: You can't lick that, man, where.

470
00:19:14,280 --> 00:19:16,399
Speaker 1: You where you lick it the hair you.

471
00:19:16,359 --> 00:19:17,800
Speaker 2: Don't even come on.

472
00:19:17,880 --> 00:19:20,280
Speaker 3: I just like to volunteer the information. That hair does

473
00:19:20,320 --> 00:19:22,640
Speaker 3: not grow on the clip.

474
00:19:22,400 --> 00:19:23,920
Speaker 4: Which is where you're supposed to be look anyway. That

475
00:19:24,000 --> 00:19:24,680
Speaker 4: just lets me know, y'a.

476
00:19:25,600 --> 00:19:27,800
Speaker 2: But if it's thick enough, it grows, it hangs over

477
00:19:28,400 --> 00:19:30,160
Speaker 2: on and it covers the clip. You got to push

478
00:19:30,200 --> 00:19:34,080
Speaker 2: that ship back on one hand so God, and the

479
00:19:34,080 --> 00:19:41,800
Speaker 2: clip pop right out like kickstand on the bike. Yo, listen,

480
00:19:41,840 --> 00:19:48,399
Speaker 2: I'm the nigga, that's the ginger bro. The clip do

481
00:19:48,560 --> 00:19:51,280
Speaker 2: pop out like a kid if you take the thumb

482
00:19:51,359 --> 00:19:53,000
Speaker 2: roary right, right or wrong. You take the thumb and

483
00:19:53,040 --> 00:19:54,560
Speaker 2: you go like that. Don't the click come out just

484
00:19:54,600 --> 00:19:54,800
Speaker 2: like that?

485
00:19:54,880 --> 00:19:55,240
Speaker 1: And say?

486
00:19:55,640 --> 00:19:59,399
Speaker 2: Yeah, they come out like your kickstand? For sure. But

487
00:19:59,440 --> 00:20:00,840
Speaker 2: you got to keep the hand on the head. You

488
00:20:00,920 --> 00:20:02,719
Speaker 2: let the hair fall back over. You gotta start from scratch,

489
00:20:03,119 --> 00:20:05,840
Speaker 2: that's true. You Yeah, you gotta find that clit again.

490
00:20:05,840 --> 00:20:07,480
Speaker 2: It's like a by trying to keep finding the clip.

491
00:20:07,520 --> 00:20:08,760
Speaker 2: The mass we ain't got time for that ship.

492
00:20:08,840 --> 00:20:12,280
Speaker 1: Man in different areas too. Sometimes I mean the same area,

493
00:20:12,359 --> 00:20:17,160
Speaker 1: but some be more covered than others. It's tough, really tough.

494
00:20:17,840 --> 00:20:20,000
Speaker 2: Yes, we've had a long day, like you to.

495
00:20:19,920 --> 00:20:21,760
Speaker 4: Try to suck Dick and then complain about something.

496
00:20:22,680 --> 00:20:24,880
Speaker 2: This has gotten two out of hand in this room

497
00:20:24,920 --> 00:20:26,520
Speaker 2: today on MLK Day.

498
00:20:26,600 --> 00:20:27,359
Speaker 1: This is what you told me.

499
00:20:27,960 --> 00:20:31,919
Speaker 2: You want me to try to do what to what? No,

500
00:20:32,080 --> 00:20:35,840
Speaker 2: ma'am not me. If that's what you like, Hey, nothing

501
00:20:35,880 --> 00:20:38,000
Speaker 2: wrong with it. I just don't like that, Maris.

502
00:20:38,640 --> 00:20:41,600
Speaker 1: I have not tried and failed. I'm just not gonna try. Period.

503
00:20:43,320 --> 00:20:46,520
Speaker 1: That's a struggle that you can let us know about.

504
00:20:46,520 --> 00:20:50,520
Speaker 1: Those struggles that should will be searching for the clip. Yeah,

505
00:20:50,720 --> 00:20:52,879
Speaker 1: I will say those this weekend though I did have

506
00:20:52,920 --> 00:20:55,639
Speaker 1: something on repeat the entire weekend. I may have been

507
00:20:55,680 --> 00:20:57,560
Speaker 1: alone in the house, but this was This was banging

508
00:20:57,640 --> 00:21:04,800
Speaker 1: all weekend. I miss I miss a good rat Lucy.

509
00:21:05,040 --> 00:21:07,640
Speaker 2: Yeah, and this was hard.

510
00:21:07,720 --> 00:21:10,840
Speaker 1: This warm my heart. I was I was talking with Daniel.

511
00:21:10,840 --> 00:21:13,560
Speaker 1: I haven't heard a good Lucy rap record in a

512
00:21:13,600 --> 00:21:15,240
Speaker 1: long time. Like that just stopped like this is what

513
00:21:15,240 --> 00:21:19,040
Speaker 1: I'm listening to the whole weekend. Game got off on this.

514
00:21:20,520 --> 00:21:22,600
Speaker 2: It was good to hear from. We had mentioned game

515
00:21:23,960 --> 00:21:26,560
Speaker 2: I think in personal conversation a few months ago. I

516
00:21:26,560 --> 00:21:29,000
Speaker 2: had talked about like we should we should try to

517
00:21:29,720 --> 00:21:31,679
Speaker 2: hit gaming and do something.

518
00:21:31,880 --> 00:21:34,399
Speaker 1: I would definitely want to sit with game gaming and

519
00:21:34,520 --> 00:21:35,080
Speaker 1: of course.

520
00:21:34,880 --> 00:21:37,239
Speaker 2: I mean now I don't. It's kind of like, of

521
00:21:37,280 --> 00:21:39,360
Speaker 2: course don't want to, but yeah, like everybody go want

522
00:21:39,359 --> 00:21:40,800
Speaker 2: to talk to Game now for sure.

523
00:21:41,520 --> 00:21:43,640
Speaker 1: But I mean I feel like, especially you come from

524
00:21:43,640 --> 00:21:46,360
Speaker 1: my era, Game is looked at it a little bit

525
00:21:46,480 --> 00:21:49,720
Speaker 1: differently because his desography. I think it's how you look

526
00:21:49,720 --> 00:21:50,680
Speaker 1: at rosses like.

527
00:21:50,600 --> 00:21:51,159
Speaker 2: That ship is.

528
00:21:51,400 --> 00:21:54,120
Speaker 1: There's not a bad album in there. I stopped anytime

529
00:21:54,200 --> 00:21:57,280
Speaker 1: Game is doing something, even if it is some weird ship,

530
00:21:58,160 --> 00:22:00,239
Speaker 1: I know the music is always going to deliver. So

531
00:22:00,280 --> 00:22:04,320
Speaker 1: when he was in Dead Clipse of Yay, Hit Boy Ab,

532
00:22:04,560 --> 00:22:05,440
Speaker 1: who else was in there?

533
00:22:07,200 --> 00:22:15,119
Speaker 2: Rocky Push your te Madonna, Oh yeah, Naomi Campbell, you know,

534
00:22:15,200 --> 00:22:19,359
Speaker 2: regular regular session, Floyd you know, just come lay a

535
00:22:19,440 --> 00:22:20,919
Speaker 2: vocal man. Yeah, fuck it?

536
00:22:21,600 --> 00:22:23,480
Speaker 1: And everyone's like, why is Gaming there? I'm like, y'all

537
00:22:23,480 --> 00:22:26,159
Speaker 1: got game fucked up and y'all got game in Kanye's

538
00:22:26,240 --> 00:22:27,239
Speaker 1: track record fucked up?

539
00:22:27,520 --> 00:22:30,119
Speaker 2: People don't. I mean, people forget because again, there's so

540
00:22:30,160 --> 00:22:32,280
Speaker 2: much music that comes out. It's easy to forget records.

541
00:22:32,320 --> 00:22:34,919
Speaker 2: It's easy to forget moments and things like that. But

542
00:22:35,560 --> 00:22:38,320
Speaker 2: if you know, you know, like I don't know, Game has,

543
00:22:38,440 --> 00:22:41,840
Speaker 2: like you said, his discography, his track record him and

544
00:22:41,920 --> 00:22:46,119
Speaker 2: Kanye's work together. I mean, it's not something that was

545
00:22:46,160 --> 00:22:47,120
Speaker 2: far fetched.

546
00:22:47,080 --> 00:22:50,439
Speaker 1: Whack one hundred owning the Internet. It's just the.

547
00:22:50,440 --> 00:22:53,600
Speaker 2: Easy, easy clubhouse called wack house black house. Now it's

548
00:22:53,680 --> 00:22:54,760
Speaker 2: more club house the whack house.

549
00:22:55,440 --> 00:22:57,199
Speaker 1: And if you if you listen to Donda in the

550
00:22:57,240 --> 00:22:59,919
Speaker 1: type of I feel like sonics that Kanye is in,

551
00:23:00,280 --> 00:23:02,560
Speaker 1: it's made for game, made for games tone, it's made

552
00:23:02,600 --> 00:23:03,359
Speaker 1: for how game raps.

553
00:23:03,400 --> 00:23:06,240
Speaker 2: It's this this track. I mean, this was definitely tailored

554
00:23:06,320 --> 00:23:06,640
Speaker 2: for game.

555
00:23:07,000 --> 00:23:10,760
Speaker 1: It's funny because when the jac and then the Locks

556
00:23:10,880 --> 00:23:14,040
Speaker 1: version as well of Jesus Lord came out on Donde

557
00:23:14,200 --> 00:23:17,159
Speaker 1: was like this game would destroy this and this is

558
00:23:17,200 --> 00:23:18,720
Speaker 1: kind of a rendition.

559
00:23:18,359 --> 00:23:20,439
Speaker 2: Of that beat again. Yeah, it's not for the hip

560
00:23:20,480 --> 00:23:22,560
Speaker 2: boy touch to it. It was good to see hit

561
00:23:22,640 --> 00:23:24,280
Speaker 2: boy and Kanye back in the studio together.

562
00:23:24,840 --> 00:23:27,000
Speaker 1: Yeah, I just I hope, I hope Ya is giving

563
00:23:27,000 --> 00:23:29,480
Speaker 1: all these people real apologies and not the yo. It's

564
00:23:29,480 --> 00:23:32,840
Speaker 1: time to heal apology like toill no no, no, no, you

565
00:23:32,920 --> 00:23:36,680
Speaker 1: just some fun shit. Let's talk. I'm not heeled, I'm

566
00:23:36,720 --> 00:23:40,200
Speaker 1: still wounded. Yeah, just because you said hell, I'm not Wolverene.

567
00:23:40,320 --> 00:23:43,480
Speaker 2: It's just funny because you know, when a man goes

568
00:23:43,520 --> 00:23:46,280
Speaker 2: to a breakup and he's able to have free time

569
00:23:46,320 --> 00:23:48,280
Speaker 2: and he's not he doesn't have to be home, he's

570
00:23:48,359 --> 00:23:50,719
Speaker 2: not going to be married anymore. He's just back outside

571
00:23:50,720 --> 00:23:53,159
Speaker 2: of his friends again. Like Kanye has been everywhere. It's

572
00:23:53,160 --> 00:23:55,639
Speaker 2: been in Miami. He's been in the water with a

573
00:23:55,640 --> 00:23:58,440
Speaker 2: hoodie on with with with j Prince and Shine. You

574
00:23:58,520 --> 00:23:58,920
Speaker 2: know what I mean?

575
00:23:59,040 --> 00:23:59,680
Speaker 1: I was not there.

576
00:24:00,080 --> 00:24:00,680
Speaker 2: Sean was this.

577
00:24:00,800 --> 00:24:01,520
Speaker 1: Sean was in the water.

578
00:24:01,600 --> 00:24:04,080
Speaker 2: He was standing right next to him. What you're talking

579
00:24:04,080 --> 00:24:05,280
Speaker 2: about it? And as soon then they was in the

580
00:24:05,280 --> 00:24:06,639
Speaker 2: waters of Beliefs without Shampo.

581
00:24:06,880 --> 00:24:08,040
Speaker 1: I didn't know they was in Belieze.

582
00:24:08,280 --> 00:24:10,199
Speaker 2: He was in believe man was it was in the

583
00:24:10,200 --> 00:24:14,240
Speaker 2: water with Sean. Yeah, and then the studio with Floyd

584
00:24:14,320 --> 00:24:17,320
Speaker 2: and ab and Madonna and you know, this is just

585
00:24:17,680 --> 00:24:19,960
Speaker 2: a free man. You see, this is what freedom looks like.

586
00:24:20,080 --> 00:24:22,040
Speaker 1: But you kind of after the breakup, do you have

587
00:24:22,080 --> 00:24:24,080
Speaker 1: to hit a few people in your life, specifically from

588
00:24:24,080 --> 00:24:25,800
Speaker 1: the opposite sex. But y'all was tripping my back.

589
00:24:25,960 --> 00:24:27,680
Speaker 2: Yeah, Like you know what I'm saying, I disappear.

590
00:24:27,920 --> 00:24:29,920
Speaker 1: You know what I had to do trying to keep this.

591
00:24:29,880 --> 00:24:32,680
Speaker 2: Relationship, to keep my family together. You know what it is,

592
00:24:32,840 --> 00:24:34,760
Speaker 2: But it's just good to see Kanye back out and

593
00:24:34,920 --> 00:24:37,480
Speaker 2: you know, in the studio with people, and seems like

594
00:24:37,560 --> 00:24:41,720
Speaker 2: he's on the surface at least he's happy. He's that's

595
00:24:41,720 --> 00:24:44,080
Speaker 2: what I said, on the surface. Inside he's crying.

596
00:24:44,119 --> 00:24:44,840
Speaker 1: Not on the surface.

597
00:24:45,240 --> 00:24:47,439
Speaker 2: Really, you don't think he looks happy on the surface.

598
00:24:47,520 --> 00:24:49,000
Speaker 1: I love his verse and I don't want to focus

599
00:24:49,040 --> 00:24:51,280
Speaker 1: just on the gossip part. But we have to talk

600
00:24:51,320 --> 00:24:55,760
Speaker 1: about God. Let me survive the crash just so, just

601
00:24:55,840 --> 00:24:57,840
Speaker 1: so I could beat so not.

602
00:24:58,040 --> 00:24:59,960
Speaker 2: I don't even think Pete Davidson was alive when that crashed.

603
00:25:03,000 --> 00:25:06,320
Speaker 1: God made us about that crash, not to change music forever,

604
00:25:06,920 --> 00:25:09,919
Speaker 1: change fashion, specifically for a demographic, to do it for

605
00:25:10,760 --> 00:25:14,280
Speaker 1: all these amazing products, have five children, take care of

606
00:25:15,160 --> 00:25:18,120
Speaker 1: nephews and nieces and had nothing to do it. We're

607
00:25:18,160 --> 00:25:20,800
Speaker 1: not surviving this crash for that. That's just like, Yo,

608
00:25:20,800 --> 00:25:22,480
Speaker 1: if you get around to that stuff, you could do it.

609
00:25:22,760 --> 00:25:26,280
Speaker 1: You're here to kick kick that.

610
00:25:26,280 --> 00:25:28,960
Speaker 2: That's why I'm saving you. You got to kick his ass. Yea,

611
00:25:29,680 --> 00:25:30,240
Speaker 2: And I loved it.

612
00:25:30,359 --> 00:25:34,000
Speaker 1: Kanye is such a Christian. Yeah, the amount of ship

613
00:25:34,119 --> 00:25:38,760
Speaker 1: that he says about God and nonviolence and we should

614
00:25:38,800 --> 00:25:40,840
Speaker 1: all be together this and that now I'm gonna fuck

615
00:25:40,920 --> 00:25:43,800
Speaker 1: him up though, but you understand it though, And on God,

616
00:25:43,800 --> 00:25:47,400
Speaker 1: I'm on God for God, he puts me here.

617
00:25:47,480 --> 00:25:49,639
Speaker 2: And this is why we love Kanye, because he gives

618
00:25:49,720 --> 00:25:54,840
Speaker 2: us Sunday service, gives us this inspirational music. He's like,

619
00:25:54,880 --> 00:25:56,600
Speaker 2: I'm not cursing this, that and the third and then

620
00:25:56,600 --> 00:25:59,520
Speaker 2: he just jumps out randomly like I'll kick his ass.

621
00:26:00,680 --> 00:26:05,240
Speaker 1: He goes, I'm Walt Disney, I'm Steve Jobs, I'm Elon Musk.

622
00:26:05,359 --> 00:26:07,880
Speaker 1: I am put here to be the greatest product person.

623
00:26:07,960 --> 00:26:10,239
Speaker 1: Whatever the fun he said all the time, Nah, I

624
00:26:10,280 --> 00:26:12,200
Speaker 1: was I was tripping before. I'm just here to whoop

625
00:26:12,320 --> 00:26:13,040
Speaker 1: one person's ass.

626
00:26:13,080 --> 00:26:14,520
Speaker 2: We thought the game would have said that on the

627
00:26:14,560 --> 00:26:17,560
Speaker 2: track it was Kanye, I'm here to kick his ass.

628
00:26:18,000 --> 00:26:19,640
Speaker 2: That's why I moved across the street because I want

629
00:26:19,640 --> 00:26:22,120
Speaker 2: to kick some ass. I love it, though. I think

630
00:26:22,119 --> 00:26:24,199
Speaker 2: that this Kanye is the Kanye that we fell in

631
00:26:24,200 --> 00:26:26,520
Speaker 2: love with, where we're not We're not sure what he's

632
00:26:26,520 --> 00:26:27,000
Speaker 2: gonna say.

633
00:26:27,080 --> 00:26:29,080
Speaker 1: It is funny though, that like non tough people and

634
00:26:29,080 --> 00:26:30,600
Speaker 1: I'm not saying Kanye is not tough. I don't know,

635
00:26:30,840 --> 00:26:33,600
Speaker 1: but people that have not portrayed themselves as the stereotypical

636
00:26:33,640 --> 00:26:36,439
Speaker 1: tough guy in their career. Anytime there's beef, why they

637
00:26:36,480 --> 00:26:38,800
Speaker 1: always run to the studio with gang members that they

638
00:26:38,840 --> 00:26:39,639
Speaker 1: was never with before?

639
00:26:41,560 --> 00:26:43,160
Speaker 2: Battery gives you that why? Why?

640
00:26:43,200 --> 00:26:45,800
Speaker 1: Why is? Why is Jojo Simmons with the crips and

641
00:26:45,920 --> 00:26:47,200
Speaker 1: queens he doesn't know them?

642
00:26:47,240 --> 00:26:48,200
Speaker 2: That was a great time though.

643
00:26:48,840 --> 00:26:49,040
Speaker 3: Why?

644
00:26:49,200 --> 00:26:51,000
Speaker 1: But why is bow Wow with the goons behind him

645
00:26:51,000 --> 00:26:52,560
Speaker 1: that he just met?

646
00:26:51,680 --> 00:26:54,760
Speaker 2: That? It's just great energy? You need that aesthetic.

647
00:26:54,880 --> 00:26:58,199
Speaker 1: No, you do the last, the last, the last thing

648
00:26:58,240 --> 00:27:00,320
Speaker 1: you need when you're pissed as a some one that

649
00:27:00,320 --> 00:27:02,000
Speaker 1: does not participate in that life. I'm not saying you

650
00:27:02,040 --> 00:27:04,439
Speaker 1: can't defend yourself or fight or be a man about that.

651
00:27:04,480 --> 00:27:07,800
Speaker 1: So about like actively in violence that isn't to just

652
00:27:07,840 --> 00:27:12,800
Speaker 1: defend yourself. Being around gang is the worst energy that

653
00:27:12,840 --> 00:27:14,919
Speaker 1: you could possibly be around. They will gash you up

654
00:27:15,320 --> 00:27:18,439
Speaker 1: like you will not to go do something that you

655
00:27:18,520 --> 00:27:19,560
Speaker 1: need that sometimes you.

656
00:27:19,560 --> 00:27:21,080
Speaker 2: Need them to be like yo, you know, aside to

657
00:27:21,200 --> 00:27:24,040
Speaker 2: just like turn up and fuck somebody up.

658
00:27:24,080 --> 00:27:25,800
Speaker 1: And then when you turn up where they at if

659
00:27:25,800 --> 00:27:26,520
Speaker 1: you're not paying.

660
00:27:26,359 --> 00:27:29,320
Speaker 2: Them, Yeah, and it's fucked up because like it didn't

661
00:27:29,320 --> 00:27:32,280
Speaker 2: a paparazzi catch as straight. Then Kanye lay like a

662
00:27:32,320 --> 00:27:34,919
Speaker 2: fan out or something like that paparazzi.

663
00:27:35,400 --> 00:27:38,159
Speaker 1: And then he did an interview with a what's the

664
00:27:38,200 --> 00:27:40,200
Speaker 1: old Boys not? Yeah, he'll get mad that I didn't

665
00:27:40,200 --> 00:27:43,960
Speaker 1: remember Jason Lee's He's very narcissistic. Jason Lee, Thank you.

666
00:27:44,520 --> 00:27:47,600
Speaker 1: Another ran down on situation. I get run down on

667
00:27:47,680 --> 00:27:48,840
Speaker 1: by the weirdest people of all time.

668
00:27:50,440 --> 00:27:50,600
Speaker 2: Yeah.

669
00:27:50,600 --> 00:27:53,040
Speaker 1: I never told the story. Really, I didn't know his

670
00:27:53,160 --> 00:27:55,439
Speaker 1: name or i'd kind of seen his face before. And

671
00:27:55,480 --> 00:27:57,760
Speaker 1: that's not a shot at Jason Lee. I just don't

672
00:27:57,760 --> 00:27:59,800
Speaker 1: pay attention to that type of the world. So it's

673
00:28:00,480 --> 00:28:01,960
Speaker 1: the same thing if I ran down on someone, I

674
00:28:01,960 --> 00:28:03,600
Speaker 1: wouldn't expect them to know who I am, because I

675
00:28:03,640 --> 00:28:05,680
Speaker 1: just don't think that way. Like some people just don't

676
00:28:05,680 --> 00:28:07,640
Speaker 1: know who the fuck I am, which is fine. We

677
00:28:07,640 --> 00:28:11,919
Speaker 1: were at the Rock Nation brunch and I was standing

678
00:28:11,920 --> 00:28:13,200
Speaker 1: with Cam and he came up to me and it

679
00:28:13,280 --> 00:28:16,240
Speaker 1: was just like it was static, and I was like,

680
00:28:16,720 --> 00:28:18,359
Speaker 1: what do you what's up? He's like, you know what

681
00:28:18,400 --> 00:28:20,320
Speaker 1: you did? Like what did I do? I don't know

682
00:28:20,320 --> 00:28:24,000
Speaker 1: who you are? Really, Yeah, it's not the slightest. I

683
00:28:25,000 --> 00:28:26,760
Speaker 1: had no opinion on him at all. I had no

684
00:28:26,800 --> 00:28:28,199
Speaker 1: idea who the fuck he was. I was like, I

685
00:28:28,200 --> 00:28:29,240
Speaker 1: have no idea what you're talking about.

686
00:28:29,359 --> 00:28:30,760
Speaker 2: No, I know what you mean. Sometimes when you just

687
00:28:30,800 --> 00:28:32,679
Speaker 2: don't know somebody and don't know that they have static

688
00:28:32,680 --> 00:28:34,920
Speaker 2: but you it throws you off. But I met Jason

689
00:28:35,000 --> 00:28:35,960
Speaker 2: Lee and he's cool.

690
00:28:35,960 --> 00:28:37,720
Speaker 1: It was I'm sure it was a It was a

691
00:28:37,840 --> 00:28:40,239
Speaker 1: very odd thing. It was. It was brief, and then

692
00:28:40,280 --> 00:28:43,720
Speaker 1: Cam looked, who the fuck was that? I don't know.

693
00:28:43,960 --> 00:28:46,280
Speaker 2: It was probably something from the old.

694
00:28:46,160 --> 00:28:50,280
Speaker 1: I'm sure it ran ran down a lot. I mean,

695
00:28:51,960 --> 00:28:54,920
Speaker 1: but has there ever been a period to the end

696
00:28:54,960 --> 00:28:58,320
Speaker 1: of that sentence, though ship where the gang members that

697
00:28:58,600 --> 00:29:05,400
Speaker 1: hype me up the gang? I fully do not think

698
00:29:05,480 --> 00:29:07,480
Speaker 1: Jason Lee was running down to Meat to have a

699
00:29:07,520 --> 00:29:10,600
Speaker 1: physical altercation at the Rock Nation Brun, you not believe

700
00:29:10,640 --> 00:29:11,480
Speaker 1: that he seems cool.

701
00:29:12,000 --> 00:29:13,520
Speaker 2: That was just shout out to Jason. We shout out

702
00:29:13,520 --> 00:29:14,200
Speaker 2: the Hollywood on lot.

703
00:29:14,240 --> 00:29:15,520
Speaker 1: That was a funny story I forgot about and I

704
00:29:15,560 --> 00:29:17,080
Speaker 1: never really told because it really wasn't.

705
00:29:16,920 --> 00:29:19,040
Speaker 2: Much to tell. But it was just odd.

706
00:29:20,000 --> 00:29:21,560
Speaker 1: And that other time with Bobby likes. But that was

707
00:29:21,600 --> 00:29:22,600
Speaker 1: your fault.

708
00:29:23,400 --> 00:29:27,920
Speaker 2: It's always my fault, literally is always, you know, man,

709
00:29:28,080 --> 00:29:29,680
Speaker 2: I'm trying. I'm working on.

710
00:29:29,600 --> 00:29:36,000
Speaker 1: Me, Bobby said, he was gonna see you.

711
00:29:33,760 --> 00:29:40,000
Speaker 2: See it's it's m OK day. First of all, like, like,

712
00:29:40,080 --> 00:29:41,640
Speaker 2: come on, man, we're not doing that. But you said

713
00:29:41,680 --> 00:29:43,040
Speaker 2: Kanye did Hollywood.

714
00:29:42,680 --> 00:29:44,200
Speaker 1: On lock Yes, yes, all right, So shout out Jason,

715
00:29:44,240 --> 00:29:47,160
Speaker 1: because getting a Kanye West interview is not the easiest

716
00:29:47,160 --> 00:29:48,760
Speaker 1: thing on earth to do that. There's very few people

717
00:29:48,760 --> 00:29:50,480
Speaker 1: on earth can say that they have gotten to Kanye interview.

718
00:29:50,480 --> 00:29:53,200
Speaker 1: Soho him for that. And he explained that that what

719
00:29:53,320 --> 00:29:57,720
Speaker 1: he didn't hit the kid or whatever. The paparazzi he

720
00:29:57,760 --> 00:29:58,120
Speaker 1: didn't know.

721
00:29:58,160 --> 00:30:00,320
Speaker 3: He said he didn't hit a fan. He said it

722
00:30:00,360 --> 00:30:01,640
Speaker 3: was paparazzi. He didn't hit a fan.

723
00:30:01,840 --> 00:30:05,200
Speaker 2: Because there's a difference I think the fans. Of course,

724
00:30:05,240 --> 00:30:06,320
Speaker 2: the camera is the only difference.

725
00:30:07,240 --> 00:30:08,800
Speaker 1: No, there's a big way.

726
00:30:08,920 --> 00:30:11,200
Speaker 2: You could be a fan and still be paparazzi. Like

727
00:30:11,280 --> 00:30:13,520
Speaker 2: some of these paparazzis are legit fans of the people

728
00:30:13,520 --> 00:30:14,320
Speaker 2: that they take pictures of.

729
00:30:14,400 --> 00:30:15,560
Speaker 1: Okay, but leave me the fuck alone.

730
00:30:15,640 --> 00:30:18,040
Speaker 2: No, I'm with you on that, but that is the intentions.

731
00:30:18,080 --> 00:30:19,520
Speaker 1: The intentions are drastically different.

732
00:30:19,640 --> 00:30:21,200
Speaker 2: Yeah, absolutely, Well, I don't know.

733
00:30:21,240 --> 00:30:23,480
Speaker 1: Some could say otherwise. It's not because now everyone just

734
00:30:23,480 --> 00:30:24,640
Speaker 1: wants to take a picture with you.

735
00:30:24,720 --> 00:30:26,360
Speaker 2: Fans have cameras now, they have their phones in their

736
00:30:26,360 --> 00:30:27,880
Speaker 2: hand all the time they see you. So, I mean,

737
00:30:28,240 --> 00:30:30,719
Speaker 2: you know, just paparazzi, they get inappropriate, they get in

738
00:30:30,720 --> 00:30:32,920
Speaker 2: your way, they try to stop you from pulling out

739
00:30:32,920 --> 00:30:36,080
Speaker 2: of the parking spot, same as paparazzi. Paparazzi just has

740
00:30:36,080 --> 00:30:37,200
Speaker 2: a more flash. That's it.

741
00:30:38,040 --> 00:30:41,200
Speaker 1: I could never live that life. That seems terrifying to me.

742
00:30:41,320 --> 00:30:43,800
Speaker 1: I feel like I would somebody often.

743
00:30:43,920 --> 00:30:46,360
Speaker 2: Yeah, it's just inconvenient when you just out and might

744
00:30:46,400 --> 00:30:48,400
Speaker 2: be with family trying to move around. You don't really

745
00:30:48,440 --> 00:30:51,280
Speaker 2: want that attention. The kids may be with you. You

746
00:30:51,360 --> 00:30:52,960
Speaker 2: might be with a young lady that you don't want.

747
00:30:53,000 --> 00:30:54,160
Speaker 2: You know, you don't want to put her in that

748
00:30:54,160 --> 00:30:56,560
Speaker 2: spot like when you want the more her. Yeah. Well,

749
00:30:56,600 --> 00:30:58,280
Speaker 2: now you're single, you could be seeing to anybody, but

750
00:30:58,560 --> 00:30:59,800
Speaker 2: you know, you don't want to put people in that

751
00:31:00,000 --> 00:31:03,880
Speaker 2: spotlight to where now they people are following you because

752
00:31:03,880 --> 00:31:06,160
Speaker 2: it's inconvenience for everybody, Like, nobody wants to be followed.

753
00:31:06,160 --> 00:31:07,800
Speaker 2: Who the fuck wants to be followed?

754
00:31:08,120 --> 00:31:09,840
Speaker 1: Yeah, but they kind of live and die off, don't

755
00:31:09,880 --> 00:31:11,400
Speaker 1: live in die off it. Let me let me completely

756
00:31:11,400 --> 00:31:15,400
Speaker 1: take that back. But part of their lifestyle. Is that, Like,

757
00:31:15,440 --> 00:31:18,360
Speaker 1: that's why I think Kanye would run to ad Jason

758
00:31:18,440 --> 00:31:22,600
Speaker 1: Lee for that rather than run to Elliott Wilson, because

759
00:31:22,600 --> 00:31:26,600
Speaker 1: they're talking about that world and Kanye has definitely strived

760
00:31:27,160 --> 00:31:29,880
Speaker 1: because of the Kardashians in that world. They need, they

761
00:31:30,000 --> 00:31:32,520
Speaker 1: kind of need and call those people to be around

762
00:31:33,040 --> 00:31:36,840
Speaker 1: at certain times. Do you think they're accidentally catching Pete

763
00:31:36,840 --> 00:31:40,200
Speaker 1: and Kim or Kanye in shorty It's like, no, it's

764
00:31:40,240 --> 00:31:42,760
Speaker 1: it is all yeah here.

765
00:31:42,840 --> 00:31:46,000
Speaker 2: Yeah, they it's the paparazzi things with I don't know

766
00:31:46,040 --> 00:31:48,200
Speaker 2: how they know where people are going with it headed.

767
00:31:48,120 --> 00:31:50,960
Speaker 3: Because they tell them a lot of the times they

768
00:31:50,960 --> 00:31:53,800
Speaker 3: tell them, but people call in. Like if you're a

769
00:31:53,840 --> 00:31:56,120
Speaker 3: restaurant owner and you have one of those restaurants that

770
00:31:56,200 --> 00:31:59,400
Speaker 3: celebrities frequent, and Kanye and his new girlfriend walk in,

771
00:31:59,680 --> 00:32:02,920
Speaker 3: you're calling the people say, Yo, they hear.

772
00:32:03,320 --> 00:32:03,800
Speaker 4: You're doing that.

773
00:32:03,840 --> 00:32:05,680
Speaker 2: People at the people at the spot, you mean people

774
00:32:05,720 --> 00:32:10,080
Speaker 2: at the spot. Restaurant owners not to not to drop names.

775
00:32:10,120 --> 00:32:12,720
Speaker 2: But when we was in l A and Chloe was

776
00:32:12,720 --> 00:32:14,280
Speaker 2: with us, we didn't we didn't even know where we

777
00:32:14,280 --> 00:32:16,120
Speaker 2: were going yet. We figured it out in the car

778
00:32:16,560 --> 00:32:18,040
Speaker 2: and we went to the hookah Spot, and when we

779
00:32:18,080 --> 00:32:19,840
Speaker 2: pulled up to the Hookah Spot, they were already did

780
00:32:20,640 --> 00:32:22,120
Speaker 2: I'm like, how did we didn't even know we were

781
00:32:22,120 --> 00:32:23,280
Speaker 2: coming here? How the fuck are they hear?

782
00:32:23,520 --> 00:32:26,160
Speaker 1: When we had hove at Palooza, we didn't tell anyone

783
00:32:26,240 --> 00:32:31,240
Speaker 1: but three or four people, and there were already paparazzis

784
00:32:31,240 --> 00:32:33,720
Speaker 1: at the back door of Hammerstein Ballroom waiting, And I

785
00:32:33,760 --> 00:32:34,560
Speaker 1: was like, how the fuck?

786
00:32:35,240 --> 00:32:36,960
Speaker 2: How the fun they know it's something And.

787
00:32:36,920 --> 00:32:39,320
Speaker 1: I'm not saying they followed the car, they were waiting already.

788
00:32:39,320 --> 00:32:41,600
Speaker 2: I'm like, how the I don't I don't understand how

789
00:32:41,600 --> 00:32:44,320
Speaker 2: they do that. They fucked me up. We didn't even

790
00:32:44,320 --> 00:32:45,560
Speaker 2: know where we were going and they were there when

791
00:32:45,600 --> 00:32:45,959
Speaker 2: we got there.

792
00:32:47,120 --> 00:32:49,400
Speaker 1: That could have been it. But yeah, either way, the.

793
00:32:49,360 --> 00:32:51,360
Speaker 2: Hookah Spot couldn't have called because nobody called the hookah

794
00:32:51,360 --> 00:32:53,520
Speaker 2: Spot and said we were coming, So that's why that.

795
00:32:53,600 --> 00:32:56,440
Speaker 2: I was just like, maybe maybe I think the paparazzi

796
00:32:56,560 --> 00:32:57,400
Speaker 2: they keep.

797
00:32:57,520 --> 00:33:00,440
Speaker 1: Maybe you text vant I didn't take.

798
00:33:01,640 --> 00:33:03,720
Speaker 2: I think that they the paparazzi know each other and

799
00:33:03,720 --> 00:33:06,680
Speaker 2: they kind of like keep communications like a rim. Definitely,

800
00:33:06,880 --> 00:33:09,240
Speaker 2: they they're going to headed down this block. They're headed down.

801
00:33:09,480 --> 00:33:11,200
Speaker 2: It gotta be something like that. It has to be.

802
00:33:11,960 --> 00:33:14,160
Speaker 1: I guess I just think that's a really odd profession.

803
00:33:14,720 --> 00:33:17,640
Speaker 2: It's weird. It's a weird world. But whatever. Everybody got

804
00:33:17,680 --> 00:33:19,160
Speaker 2: to make a living, but I just wish they would

805
00:33:19,200 --> 00:33:21,120
Speaker 2: find a different way to make a living and being

806
00:33:21,160 --> 00:33:21,960
Speaker 2: inconvenient to people.

807
00:33:22,080 --> 00:33:25,880
Speaker 1: Yeah, like take Instagram girls into weird situations and get

808
00:33:25,920 --> 00:33:30,240
Speaker 1: them naked and call it art. Like do that instead. Okay,

809
00:33:30,400 --> 00:33:32,040
Speaker 1: you came when people are kind of fucking weird, though

810
00:33:32,120 --> 00:33:32,920
Speaker 1: now they think about.

811
00:33:32,760 --> 00:33:36,600
Speaker 2: It kind of very we don't get into respect.

812
00:33:36,680 --> 00:33:40,880
Speaker 1: Call Carl and ed and take their abilities and use

813
00:33:40,920 --> 00:33:45,880
Speaker 1: it for creative things with some sick Shiit sprinkled in

814
00:33:46,440 --> 00:33:49,880
Speaker 1: for sure, Carl, more so Karl with some six ship,

815
00:33:50,000 --> 00:33:52,680
Speaker 1: but he does six ship with himself, so that's okay,

816
00:33:52,800 --> 00:33:54,600
Speaker 1: So that's fine. The only person that's being harmed is

817
00:33:54,640 --> 00:34:01,040
Speaker 1: Karl and his These paparazzis are just running around take

818
00:34:01,760 --> 00:34:04,840
Speaker 1: just taking photos of fucking people's personal lives. And then

819
00:34:04,880 --> 00:34:07,560
Speaker 1: all these other ig photographers are doing nothing but being

820
00:34:07,800 --> 00:34:11,799
Speaker 1: nasty perverts and keeping all these files uh in their

821
00:34:11,800 --> 00:34:14,919
Speaker 1: computer of the outtakes where they're really naked and put

822
00:34:14,920 --> 00:34:17,319
Speaker 1: them on. Only fans like y'all are sick y'all are

823
00:34:17,360 --> 00:34:18,360
Speaker 1: just perverts with a cannon.

824
00:34:18,960 --> 00:34:21,880
Speaker 2: Yeah, but we know that we've uncovered that about photographer

825
00:34:21,880 --> 00:34:23,440
Speaker 2: a while ago. Like telling a girl to get in

826
00:34:23,440 --> 00:34:25,040
Speaker 2: a tub full of fruit loops and milk is.

827
00:34:25,000 --> 00:34:28,560
Speaker 1: Not going into the middle of the woods and just

828
00:34:28,560 --> 00:34:29,680
Speaker 1: get just get that naked.

829
00:34:29,760 --> 00:34:33,040
Speaker 2: Yeah, that's not art, like this is for your sick

830
00:34:33,200 --> 00:34:35,080
Speaker 2: like pleasure, but it is what it is. But what

831
00:34:35,080 --> 00:34:37,480
Speaker 2: did they talk about on Hollywood on lock Oh?

832
00:34:37,520 --> 00:34:38,759
Speaker 1: I just saw the clip. I didn't watch the full

833
00:34:38,800 --> 00:34:39,279
Speaker 1: full interview.

834
00:34:39,400 --> 00:34:41,480
Speaker 2: Is it out yet? The mass question?

835
00:34:41,560 --> 00:34:44,160
Speaker 4: I just saw the clip, so I think some of

836
00:34:44,200 --> 00:34:47,080
Speaker 4: it is out. Okay, yeah, I think he's releasing it piece.

837
00:34:47,160 --> 00:34:49,799
Speaker 2: But yeah, well check that out. See what you're talking

838
00:34:49,800 --> 00:34:52,120
Speaker 2: about now. I like the fact that Kanye is back

839
00:34:52,160 --> 00:34:55,400
Speaker 2: on his you know, on this energy, like he's not

840
00:34:55,520 --> 00:35:00,480
Speaker 2: being the humble CEO of Gap, CEO of Adidas.

841
00:35:00,000 --> 00:35:02,480
Speaker 1: When win is he ever for the humble CEO of Gap?

842
00:35:03,080 --> 00:35:05,399
Speaker 2: Well, you know, he wasn't as vocal as he's known

843
00:35:05,440 --> 00:35:07,799
Speaker 2: to be. He's a little more vocal these last couple

844
00:35:07,840 --> 00:35:10,520
Speaker 2: of weeks. It seems like he's more, like I said,

845
00:35:10,719 --> 00:35:13,200
Speaker 2: he's single. Now, he's hanging out with his friends, he's

846
00:35:13,239 --> 00:35:15,960
Speaker 2: back in the studio. He's putting out records with Game,

847
00:35:16,160 --> 00:35:18,440
Speaker 2: he's back with hit Boy and you.

848
00:35:18,400 --> 00:35:21,600
Speaker 1: Know money Bag yeo, yeah, he's doing the breakup well

849
00:35:21,640 --> 00:35:24,120
Speaker 1: I think yeah, gang members, rappers that make party.

850
00:35:24,200 --> 00:35:25,480
Speaker 2: Oh you know how this when you break up, it's

851
00:35:25,480 --> 00:35:26,879
Speaker 2: like you never want to go home because you don't

852
00:35:26,880 --> 00:35:28,759
Speaker 2: want to be alone. So he's always asking, yo, where

853
00:35:28,760 --> 00:35:31,279
Speaker 2: you're at. You pull up everybody house. You don't never

854
00:35:31,320 --> 00:35:35,640
Speaker 2: want to leave eybody start yawning, you're still talking. It's like, Fam,

855
00:35:35,719 --> 00:35:37,840
Speaker 2: you gotta go home because.

856
00:35:37,600 --> 00:35:39,359
Speaker 1: You want that embrace of walking in like they ain't

857
00:35:39,400 --> 00:35:41,440
Speaker 1: seen you in because you've been locked up. You've been

858
00:35:41,440 --> 00:35:42,120
Speaker 1: doing it exactly.

859
00:35:42,200 --> 00:35:43,840
Speaker 2: But it's like, Fam, it's full in the morning, like

860
00:35:43,840 --> 00:35:45,160
Speaker 2: it's time that you got to go home.

861
00:35:45,960 --> 00:35:48,600
Speaker 1: And then when your friend has a breakup and just

862
00:35:48,640 --> 00:35:51,960
Speaker 1: won't shut up about how much this bitch was tripping. Yeah,

863
00:35:52,000 --> 00:35:53,719
Speaker 1: it's like all right, No, No, I thought you wanted

864
00:35:53,719 --> 00:35:55,120
Speaker 1: to come here and be single and have a good time.

865
00:35:55,120 --> 00:35:57,320
Speaker 1: I don't don't want to talk about you're actually ruining

866
00:35:57,400 --> 00:35:58,839
Speaker 1: it for the other women that are here as well.

867
00:35:58,960 --> 00:36:01,000
Speaker 2: No, they're going through that. A b ab got an

868
00:36:01,040 --> 00:36:01,960
Speaker 2: earful this weekend.

869
00:36:02,200 --> 00:36:06,640
Speaker 1: Well, Aby's problem. That's why he's he's talking about Kim,

870
00:36:06,719 --> 00:36:11,600
Speaker 1: Aby's talking about Tom. They both have a break up,

871
00:36:11,680 --> 00:36:12,760
Speaker 1: just in a different capacity.

872
00:36:12,840 --> 00:36:13,759
Speaker 2: It's the same, for sure.

873
00:36:13,760 --> 00:36:15,960
Speaker 1: It's the same, like I can't even see my team.

874
00:36:16,040 --> 00:36:19,319
Speaker 2: Yeah, but anyway, I mean, you know, hopefully you know

875
00:36:19,400 --> 00:36:22,680
Speaker 2: the divorce and you know custody and all of that

876
00:36:22,840 --> 00:36:29,000
Speaker 2: is is a it's somewhat fair to both parties. Let's

877
00:36:29,080 --> 00:36:31,879
Speaker 2: let's say that hopefully they land on something that's fair.

878
00:36:32,680 --> 00:36:35,160
Speaker 1: I just think that was one of the funniest raps ever.

879
00:36:35,560 --> 00:36:37,239
Speaker 2: Oh, it was absolutely.

880
00:36:37,120 --> 00:36:40,520
Speaker 1: Within five minutes, you said you had the greatest divorce

881
00:36:40,560 --> 00:36:43,680
Speaker 1: of all time, and then was in your car following

882
00:36:43,719 --> 00:36:46,319
Speaker 1: GPS directions. You know when you follow, when you let

883
00:36:46,360 --> 00:36:49,239
Speaker 1: the voice go in the GPS, you're focused.

884
00:36:48,960 --> 00:36:50,480
Speaker 2: On you don't want to miss your turn. You know,

885
00:36:51,000 --> 00:36:53,000
Speaker 2: I am having the worst. You have to look at

886
00:36:53,040 --> 00:36:54,799
Speaker 2: my phone. I don't want to miss no turn. Let

887
00:36:54,800 --> 00:36:57,920
Speaker 2: me know where I'm going. But either way, that was

888
00:36:58,320 --> 00:37:00,839
Speaker 2: the easy record with the game and kanyet record. I

889
00:37:00,920 --> 00:37:01,400
Speaker 2: enjoyed it.

890
00:37:04,120 --> 00:37:06,360
Speaker 4: You guys heard corda, did hear Corday?

891
00:37:06,440 --> 00:37:10,520
Speaker 2: I didn't listen to it yet, how was it? I

892
00:37:10,560 --> 00:37:11,480
Speaker 2: definitely listen to.

893
00:37:11,520 --> 00:37:15,520
Speaker 1: It all weekend because I'm a big Corday fan. When

894
00:37:15,560 --> 00:37:18,320
Speaker 1: was the last Quarda album two or three years? Years,

895
00:37:18,320 --> 00:37:20,520
Speaker 1: but it's been a minute, which was to me a

896
00:37:20,560 --> 00:37:25,280
Speaker 1: phenomenal album. This one was good, but again I hold

897
00:37:25,520 --> 00:37:29,000
Speaker 1: artists to the standard of who I think they are

898
00:37:29,040 --> 00:37:32,440
Speaker 1: and can be. And the rapping was great. We're never

899
00:37:32,480 --> 00:37:36,080
Speaker 1: gonna say Corday can't rap because he can rap so well.

900
00:37:36,080 --> 00:37:38,080
Speaker 1: I thought he would focus on production a little bit

901
00:37:38,120 --> 00:37:41,239
Speaker 1: more on this one, and it's a little stagnant. It's

902
00:37:41,239 --> 00:37:43,520
Speaker 1: a little like some of the producers. I didn't even

903
00:37:43,560 --> 00:37:45,359
Speaker 1: look through on who it was. The beats aren't bad,

904
00:37:45,400 --> 00:37:47,480
Speaker 1: but to wait that long, I kind of figured he

905
00:37:47,520 --> 00:37:51,840
Speaker 1: was focusing on really putting together it on a music

906
00:37:51,920 --> 00:37:55,319
Speaker 1: level like this. This felt like, yeah, it's top tier rapping,

907
00:37:55,360 --> 00:37:57,400
Speaker 1: but I feel like he can do what he did

908
00:37:57,480 --> 00:38:00,279
Speaker 1: on this album in his sleep, So I yes, with

909
00:38:00,320 --> 00:38:03,520
Speaker 1: the time period, I had the expectation that it would

910
00:38:03,600 --> 00:38:06,200
Speaker 1: feel more like an album this. I feel like Corday

911
00:38:06,280 --> 00:38:08,600
Speaker 1: could do this ship in like five months at most.

912
00:38:09,440 --> 00:38:11,759
Speaker 1: Like he can rap really well, you know that, get

913
00:38:11,840 --> 00:38:14,120
Speaker 1: on a beat and just rap better than anybody. That's

914
00:38:14,160 --> 00:38:15,960
Speaker 1: just what he did on this And I thought there'd be.

915
00:38:16,680 --> 00:38:18,960
Speaker 1: I thought it was actually a step back musically from

916
00:38:18,960 --> 00:38:22,040
Speaker 1: the from the last one. Really rapping is still top tier.

917
00:38:22,200 --> 00:38:24,680
Speaker 1: Still love Corde, but I just thought, yeah, the production

918
00:38:24,760 --> 00:38:26,959
Speaker 1: I felt like he could have put a bit more

919
00:38:27,000 --> 00:38:29,799
Speaker 1: in because even on like the intro, it switched up

920
00:38:29,800 --> 00:38:31,600
Speaker 1: a little bit at a cool outro and I started

921
00:38:31,640 --> 00:38:33,839
Speaker 1: to feel like, okay, he is going in that world.

922
00:38:33,880 --> 00:38:36,200
Speaker 1: And then from there it was just like here's a beat,

923
00:38:36,800 --> 00:38:40,839
Speaker 1: rap hook rap, next song, rap hook rap, next song.

924
00:38:41,000 --> 00:38:42,040
Speaker 2: Like it just okay.

925
00:38:42,640 --> 00:38:44,200
Speaker 1: It kind of felt like, yo, load the beat up

926
00:38:45,480 --> 00:38:47,759
Speaker 1: and then and we're done, and we're done, and that's

927
00:38:47,800 --> 00:38:49,360
Speaker 1: not bad. I want to make that clear. Like it

928
00:38:50,200 --> 00:38:51,880
Speaker 1: in no way that is it bad at all.

929
00:38:52,040 --> 00:38:52,480
Speaker 2: It is good.

930
00:38:52,520 --> 00:38:55,319
Speaker 1: I just felt he could have matured more with the

931
00:38:55,360 --> 00:38:59,239
Speaker 1: production value around his rapping and took in a little

932
00:38:59,239 --> 00:39:01,760
Speaker 1: bit more risks rather than sixteen hook sixteen.

933
00:39:02,080 --> 00:39:04,160
Speaker 2: Okay, that's that's really it. I'm gonna check it out.

934
00:39:04,200 --> 00:39:06,279
Speaker 2: I like cord No listen.

935
00:39:06,320 --> 00:39:08,400
Speaker 1: I had it on repeat all weekend. I did enjoy it.

936
00:39:08,920 --> 00:39:10,719
Speaker 1: I just I expected a little bit more.

937
00:39:11,520 --> 00:39:13,920
Speaker 2: All right, well, Corday from a bird's eye view in

938
00:39:14,640 --> 00:39:16,600
Speaker 2: your DSPs and I keep saying in stores nobody goes

939
00:39:16,640 --> 00:39:18,279
Speaker 2: to the store, the store to store, though desp is

940
00:39:18,320 --> 00:39:18,640
Speaker 2: a store.

941
00:39:18,840 --> 00:39:20,880
Speaker 4: I guess, so, Roy, did you hear Aunt Clemens?

942
00:39:20,960 --> 00:39:22,400
Speaker 1: I did hear Aunt Clements.

943
00:39:22,040 --> 00:39:25,760
Speaker 2: Full play the EP nice little four pack twelve minutes

944
00:39:26,120 --> 00:39:28,719
Speaker 2: in and out pause. Yeah, I liked it.

945
00:39:29,640 --> 00:39:31,200
Speaker 1: I think he needs I think Aunt needs to do

946
00:39:31,280 --> 00:39:32,440
Speaker 1: more of those because.

947
00:39:32,239 --> 00:39:34,160
Speaker 2: Ant, I like r and b artists doing that.

948
00:39:34,840 --> 00:39:37,520
Speaker 1: Yeah, and the amount of because Ant is a really

949
00:39:37,560 --> 00:39:39,480
Speaker 1: phenomenal writer and writes for a lot of other people

950
00:39:39,760 --> 00:39:42,160
Speaker 1: and gives a lot of shit away. So is one

951
00:39:42,200 --> 00:39:43,919
Speaker 1: of those, like the way Todd ala is where they're

952
00:39:43,920 --> 00:39:45,560
Speaker 1: sitting on ten thousand songs.

953
00:39:45,640 --> 00:39:46,319
Speaker 2: Yeah.

954
00:39:46,480 --> 00:39:48,680
Speaker 1: So I think just getting a lot of those off

955
00:39:48,680 --> 00:39:50,520
Speaker 1: the hard drive because they are so good and just

956
00:39:50,520 --> 00:39:53,960
Speaker 1: a little four packs and shit is a good route

957
00:39:53,960 --> 00:39:56,040
Speaker 1: for him right now while he works on the full joint.

958
00:39:56,120 --> 00:39:57,920
Speaker 2: I like that. I like, I think that he should

959
00:39:57,920 --> 00:40:00,360
Speaker 2: do one of these a month maybe. Yeah, you know

960
00:40:00,400 --> 00:40:02,440
Speaker 2: what I mean, he can do a four pack, throw

961
00:40:02,480 --> 00:40:06,440
Speaker 2: those out there, get you know, get them streams. I like.

962
00:40:06,680 --> 00:40:08,600
Speaker 2: I like an a lot, and it's really good.

963
00:40:08,600 --> 00:40:12,080
Speaker 1: His pen is dope, Jim Jones, gangster grills. We set

964
00:40:12,120 --> 00:40:17,480
Speaker 1: the trends. I mean, at this point, I'm just repeating myself. Yeah,

965
00:40:17,800 --> 00:40:21,680
Speaker 1: of just how great Jimmy's second half of his fucking career.

966
00:40:21,800 --> 00:40:24,600
Speaker 2: Consistent. Jim is, Jim has been very consistent man, And

967
00:40:24,640 --> 00:40:27,200
Speaker 2: you know, as a as a as a someone that

968
00:40:27,280 --> 00:40:30,279
Speaker 2: loves the art and loves the culture as much as

969
00:40:30,280 --> 00:40:32,640
Speaker 2: I do. Like, I respect when artists are just consistent.

970
00:40:32,719 --> 00:40:34,839
Speaker 2: Sometimes people are like, oh, but we got this from

971
00:40:34,880 --> 00:40:37,560
Speaker 2: them already. You know, we heard that and it sounds

972
00:40:37,640 --> 00:40:40,440
Speaker 2: like this, And I get that. I understand people's frustrations

973
00:40:40,440 --> 00:40:43,600
Speaker 2: with that. But more importantly, I just love consistent good work,

974
00:40:43,880 --> 00:40:44,759
Speaker 2: consistent good art.

975
00:40:44,880 --> 00:40:46,799
Speaker 1: I feel like if there's so much more out there

976
00:40:46,840 --> 00:40:51,320
Speaker 1: of it, then we get annoyed. Jim is being consistent

977
00:40:51,800 --> 00:40:53,920
Speaker 1: and doing an eraror that we love at such a

978
00:40:54,000 --> 00:40:56,680
Speaker 1: high volume when no one else is really doing this

979
00:40:57,000 --> 00:40:58,960
Speaker 1: that way. So he could do this every month and

980
00:40:58,960 --> 00:41:01,000
Speaker 1: I would never get tired of it because no one

981
00:41:01,000 --> 00:41:03,120
Speaker 1: else is doing it from that era in this type

982
00:41:03,120 --> 00:41:05,840
Speaker 1: of way. I mean the Jimmy shit. Again, I'll repeat

983
00:41:05,880 --> 00:41:10,319
Speaker 1: myself of how much jim has grown in the second

984
00:41:10,360 --> 00:41:10,959
Speaker 1: half of his career.

985
00:41:11,239 --> 00:41:14,000
Speaker 2: Very consistent man, very very consistent. I respect that.

986
00:41:15,520 --> 00:41:17,839
Speaker 1: Something there was there were some good lucies too Murder

987
00:41:17,880 --> 00:41:20,200
Speaker 1: beats Blasting while a one shot I really liked. I

988
00:41:20,200 --> 00:41:22,920
Speaker 1: think that's going to be one of those one of

989
00:41:22,960 --> 00:41:26,120
Speaker 1: those day party club hooker record type ship.

990
00:41:26,960 --> 00:41:30,239
Speaker 2: Earl Sweatshirt put out Sick He did. I liked it.

991
00:41:30,520 --> 00:41:33,360
Speaker 2: I listened to it last night. The production is crazy

992
00:41:33,360 --> 00:41:37,040
Speaker 2: on Yeah, the production is crazy. Sounds good. Earl sounds good,

993
00:41:37,160 --> 00:41:40,680
Speaker 2: still rapping at a high level. I like the Titanic Joint.

994
00:41:40,680 --> 00:41:42,279
Speaker 2: That record is hard with Earl.

995
00:41:42,320 --> 00:41:43,759
Speaker 1: That's one of those like I'll come back to you

996
00:41:43,880 --> 00:41:47,680
Speaker 1: in six months with my review just because like it's Earl,

997
00:41:47,719 --> 00:41:51,279
Speaker 1: It's gonna take a lot of time to get everything. Yeah,

998
00:41:51,440 --> 00:41:56,280
Speaker 1: and really understand that, but shout out to Earl, hop Guru, Alchemist,

999
00:41:56,320 --> 00:41:56,680
Speaker 1: everyone that.

1000
00:41:56,719 --> 00:41:57,880
Speaker 2: Worked on that.

1001
00:41:58,280 --> 00:42:01,239
Speaker 1: On that for a minute. Uh Saba put out a

1002
00:42:01,239 --> 00:42:04,400
Speaker 1: great record, Come My Way with Crazy mom Asy, and

1003
00:42:04,440 --> 00:42:06,920
Speaker 1: two Chains put something out with Static. I want that

1004
00:42:06,960 --> 00:42:11,440
Speaker 1: Static Selector and two Chains album to just drop. I

1005
00:42:11,440 --> 00:42:13,759
Speaker 1: don't know what's going on. I know how those types

1006
00:42:13,760 --> 00:42:16,480
Speaker 1: of things go, but they're sitting on so much good music.

1007
00:42:17,040 --> 00:42:21,799
Speaker 2: It's it's unbelievable. Somebody told me that Stove God puts

1008
00:42:21,840 --> 00:42:26,759
Speaker 2: something out Demeras, but no, not the Marriage Demarras didn't

1009
00:42:26,760 --> 00:42:29,000
Speaker 2: tell me. Somebody told me and they was like, Yo,

1010
00:42:29,239 --> 00:42:30,640
Speaker 2: you got to pay a million dollars for the album

1011
00:42:30,719 --> 00:42:32,000
Speaker 2: or something something crazy like that.

1012
00:42:32,480 --> 00:42:37,600
Speaker 3: Oh yeah, he's selling selling, if I'm not mistaking. It's

1013
00:42:37,600 --> 00:42:40,440
Speaker 3: a mixtape on his website for.

1014
00:42:40,480 --> 00:42:43,880
Speaker 2: A million dollars.

1015
00:42:43,920 --> 00:42:45,319
Speaker 1: Like, can we crowdfund that?

1016
00:42:45,360 --> 00:42:48,839
Speaker 2: It's just one person? Yeah, like one person has to

1017
00:42:48,880 --> 00:42:49,759
Speaker 2: pay a meal for the album.

1018
00:42:49,800 --> 00:42:50,839
Speaker 1: I got one hundred dollars on it.

1019
00:42:52,120 --> 00:42:53,440
Speaker 2: Yeah, like I'll put a hondo.

1020
00:42:53,280 --> 00:42:56,520
Speaker 4: Up us the call art piece for yeah, a million dollars.

1021
00:42:57,960 --> 00:43:01,320
Speaker 1: Listen, man, the government got that Wu Tang album, So

1022
00:43:01,360 --> 00:43:03,840
Speaker 1: I'm not doing any of this. Bid for the fucking

1023
00:43:04,120 --> 00:43:05,600
Speaker 1: but he highest bitter shiit.

1024
00:43:06,440 --> 00:43:07,840
Speaker 2: I like Stoke God, I think he's one of the

1025
00:43:07,840 --> 00:43:10,879
Speaker 2: best young dudes. Though I like him a lot.

1026
00:43:11,239 --> 00:43:13,280
Speaker 1: Do we want that Wu Tang album?

1027
00:43:13,640 --> 00:43:14,520
Speaker 2: The million dollar one?

1028
00:43:15,120 --> 00:43:16,640
Speaker 1: Well, it's so for more than a million, I think

1029
00:43:16,719 --> 00:43:18,840
Speaker 1: to that that fucking sleazy.

1030
00:43:18,920 --> 00:43:22,640
Speaker 2: Uh. Some snippets like if if I'm gonna pay a

1031
00:43:22,640 --> 00:43:25,320
Speaker 2: million dollars for album, I gotta hear some snippets and

1032
00:43:25,400 --> 00:43:27,399
Speaker 2: y'all gotta y'all might have to come perform that once

1033
00:43:27,520 --> 00:43:29,120
Speaker 2: once a year. My cred the whole album.

1034
00:43:29,160 --> 00:43:31,520
Speaker 1: Well, ghost Face did said he did hear it, and

1035
00:43:31,560 --> 00:43:32,360
Speaker 1: this was his review.

1036
00:43:35,480 --> 00:43:38,080
Speaker 2: Trash, that's all it was. Okay, So I'm taking ghost

1037
00:43:38,080 --> 00:43:40,000
Speaker 2: Faces word on that. I don't want to hear that. No,

1038
00:43:40,080 --> 00:43:41,240
Speaker 2: I don't need it. Yeah, I'm cool.

1039
00:43:41,280 --> 00:43:43,680
Speaker 1: And if the government's doing the rollout, I'm cool.

1040
00:43:43,840 --> 00:43:45,160
Speaker 2: Yeah, I don't. I don't want I don't want that.

1041
00:43:45,200 --> 00:43:48,280
Speaker 2: If ghost Faces saying the album's trash is trash.

1042
00:43:48,440 --> 00:43:50,440
Speaker 1: I think my favorite record that came out over the

1043
00:43:50,440 --> 00:43:52,960
Speaker 1: weekend though, was j I D twenty one Savage Baby

1044
00:43:52,960 --> 00:43:55,719
Speaker 1: Tait Surrounded Sound, Surround Sound.

1045
00:43:55,920 --> 00:43:57,160
Speaker 2: Yeah, you just told me about I didn't even know

1046
00:43:57,200 --> 00:43:57,759
Speaker 2: they put something out.

1047
00:43:57,960 --> 00:43:58,799
Speaker 4: I didn't hear either.

1048
00:43:59,320 --> 00:44:01,480
Speaker 1: When I say, you know how we talk about two

1049
00:44:01,520 --> 00:44:05,200
Speaker 1: chains where it's like chains can be respected by more

1050
00:44:05,239 --> 00:44:07,960
Speaker 1: of like to turn up trappy crowd and also people

1051
00:44:07,960 --> 00:44:11,120
Speaker 1: that fuck with lyrics. To me, twenty one Savage is

1052
00:44:11,160 --> 00:44:14,640
Speaker 1: the new two chains in that regard because he's been rapping, rapping,

1053
00:44:14,719 --> 00:44:16,760
Speaker 1: I don't think people really like giving.

1054
00:44:16,760 --> 00:44:18,399
Speaker 2: His best verse to me was the John on Ross

1055
00:44:18,440 --> 00:44:20,279
Speaker 2: album on the Outlaws record, So that's one of the

1056
00:44:20,360 --> 00:44:22,839
Speaker 2: that's probably to me, that's probably two changes. But I mean,

1057
00:44:23,520 --> 00:44:24,920
Speaker 2: twenty one Savage is best verse.

1058
00:44:25,160 --> 00:44:26,960
Speaker 1: And we had brought that up last episode because I

1059
00:44:26,960 --> 00:44:29,160
Speaker 1: think jay I did tweeted out that this was coming

1060
00:44:29,160 --> 00:44:31,879
Speaker 1: out and it was his favorite twenty one Savage verse.

1061
00:44:33,320 --> 00:44:34,920
Speaker 1: Jid smoked the shit, but I do want to get

1062
00:44:34,960 --> 00:44:36,200
Speaker 1: right to just twenty one ship.

1063
00:44:36,280 --> 00:44:39,040
Speaker 2: So Jid is he's one of the new airlments that

1064
00:44:39,120 --> 00:44:40,200
Speaker 2: I have landed.

1065
00:44:40,320 --> 00:44:42,440
Speaker 1: For sure and got the miss Fat Fat Booty Aretha

1066
00:44:42,440 --> 00:44:45,320
Speaker 1: Franklin sample that ever.

1067
00:44:49,280 --> 00:44:50,840
Speaker 2: Man my mind, they attacked the most of me.

1068
00:44:50,920 --> 00:44:52,279
Speaker 5: I get to catch and if you get to coach

1069
00:44:52,360 --> 00:44:54,279
Speaker 5: me after the top one supposed to be John and

1070
00:44:54,320 --> 00:44:56,560
Speaker 5: again niggas that like they coaching me falling a rat ship.

1071
00:44:56,600 --> 00:44:57,920
Speaker 5: But it showed me I'm on the road and I

1072
00:44:57,960 --> 00:45:00,000
Speaker 5: bet it Yaho with me when I'm in traffick star.

1073
00:45:00,040 --> 00:45:02,959
Speaker 1: The Savage ideas round down. They here from the bats.

1074
00:45:03,000 --> 00:45:04,440
Speaker 5: She's giving me slur and I ain't need to put

1075
00:45:04,560 --> 00:45:06,560
Speaker 5: my pants down, jump in the box and slide to

1076
00:45:06,600 --> 00:45:09,600
Speaker 5: the other side. They starways a man down down hands

1077
00:45:09,600 --> 00:45:11,480
Speaker 5: in a Nigga makee one movie, Get got down.

1078
00:45:13,520 --> 00:45:16,279
Speaker 2: I need to see the ass with the child beach

1079
00:45:16,320 --> 00:45:17,759
Speaker 2: got spinched. She was hanging with a Houston.

1080
00:45:19,120 --> 00:45:21,719
Speaker 4: I was trying to go to my birth I don't

1081
00:45:21,800 --> 00:45:23,439
Speaker 4: like me nowhere else where.

1082
00:45:23,480 --> 00:45:27,239
Speaker 2: We never got your birthday. Was going to going to Miami.

1083
00:45:28,520 --> 00:45:30,719
Speaker 4: Miami, you gonna go to I won't go to Miami.

1084
00:45:30,719 --> 00:45:31,239
Speaker 4: I need a beach.

1085
00:45:31,280 --> 00:45:32,800
Speaker 2: I'm a beach girl, all right. So we're gonna go

1086
00:45:32,800 --> 00:45:34,160
Speaker 2: to he We're gonna go to Miami. Take you to

1087
00:45:34,160 --> 00:45:38,560
Speaker 2: TOUTSI is the best lemon pepper wings and toutsis Houston

1088
00:45:38,600 --> 00:45:43,600
Speaker 2: got that lake. Taking somebody to a lake is crazy.

1089
00:45:43,640 --> 00:45:44,920
Speaker 1: That lake be turned off the beach.

1090
00:45:45,400 --> 00:45:45,799
Speaker 2: That lake.

1091
00:45:45,840 --> 00:45:48,359
Speaker 1: We turned to golf in Mexico. It's one of them ships.

1092
00:45:48,360 --> 00:45:53,440
Speaker 2: I don't know the golf from Mexico. Your bodies of water.

1093
00:45:56,239 --> 00:45:57,440
Speaker 1: Never had your toes in the golf.

1094
00:45:58,280 --> 00:46:00,000
Speaker 2: You had to have absolutely.

1095
00:46:00,320 --> 00:46:02,080
Speaker 1: The other one down in Mexico.

1096
00:46:02,600 --> 00:46:04,080
Speaker 4: Yeah, but where is the golf.

1097
00:46:04,320 --> 00:46:05,840
Speaker 2: In Mexico of the Gulf of Mexico.

1098
00:46:05,920 --> 00:46:08,319
Speaker 4: Yes, but where It's like that. Mexico is a big

1099
00:46:08,400 --> 00:46:10,000
Speaker 4: ass country where for sure.

1100
00:46:10,040 --> 00:46:12,239
Speaker 2: But it's like that, It's like it looks like a

1101
00:46:12,719 --> 00:46:15,040
Speaker 2: it kind of looks like a lake, but it's not.

1102
00:46:16,400 --> 00:46:19,959
Speaker 2: And it's it's like when you leave, uh, man, can't

1103
00:46:19,960 --> 00:46:20,680
Speaker 2: coon can't coon?

1104
00:46:20,760 --> 00:46:20,920
Speaker 5: Right?

1105
00:46:21,640 --> 00:46:21,879
Speaker 2: Is that?

1106
00:46:21,880 --> 00:46:22,879
Speaker 1: Can't coon's on that side?

1107
00:46:22,960 --> 00:46:24,800
Speaker 2: Yes, that that has to be the golf in Mexico.

1108
00:46:24,920 --> 00:46:26,560
Speaker 1: Cantcon's on the other side, you're thinking.

1109
00:46:26,360 --> 00:46:28,320
Speaker 4: Of, I can't wait for the map and put it

1110
00:46:28,360 --> 00:46:28,800
Speaker 4: in between.

1111
00:46:29,480 --> 00:46:29,719
Speaker 2: Yeah.

1112
00:46:30,320 --> 00:46:33,640
Speaker 1: No, No, Cobo is on the other side. Cargo, can't coon.

1113
00:46:33,920 --> 00:46:35,239
Speaker 1: There's only three places you can fucking go.

1114
00:46:35,360 --> 00:46:37,960
Speaker 2: Listen, man, it's the golf of fucking Mexico. If I'm

1115
00:46:38,000 --> 00:46:40,880
Speaker 2: in can't Coon Mexico and I'm in some water, it

1116
00:46:40,920 --> 00:46:42,120
Speaker 2: has to be the golf of Mexico.

1117
00:46:42,160 --> 00:46:43,720
Speaker 1: No, Cobo is the Pacific.

1118
00:46:45,040 --> 00:46:48,840
Speaker 2: Yeah, but whisk, whisk, where's a can't coon.

1119
00:46:49,239 --> 00:46:52,960
Speaker 1: On the gulf side? Cabos and I know I corrected.

1120
00:46:52,719 --> 00:46:55,040
Speaker 2: Myself, Okay, Cobos, I think that was the golf.

1121
00:46:55,200 --> 00:46:58,680
Speaker 1: Peasants go on on the gulf side, Yeah, Pacific where

1122
00:46:58,680 --> 00:47:00,319
Speaker 1: you can't even you're not even allowed in the water

1123
00:47:00,560 --> 00:47:00,960
Speaker 1: either way.

1124
00:47:01,000 --> 00:47:02,759
Speaker 2: I need to see some ashes shake into that record

1125
00:47:02,840 --> 00:47:03,040
Speaker 2: right there.

1126
00:47:03,080 --> 00:47:03,920
Speaker 1: It's a great record.

1127
00:47:03,800 --> 00:47:07,520
Speaker 2: Already, which is Florida, and I could already hit it

1128
00:47:07,560 --> 00:47:08,759
Speaker 2: that bounce. I already know what you do.

1129
00:47:09,000 --> 00:47:11,320
Speaker 1: It's a really good record. But we'll take the marriage

1130
00:47:11,360 --> 00:47:11,760
Speaker 1: to the golf.

1131
00:47:12,320 --> 00:47:14,000
Speaker 2: Yeah, absolutely, we got to take up to the golf

1132
00:47:14,040 --> 00:47:15,960
Speaker 2: all Miami. Which when's your birthday?

1133
00:47:16,360 --> 00:47:17,279
Speaker 4: March twenty sixth.

1134
00:47:17,360 --> 00:47:19,279
Speaker 2: Okay, yeah, no we out, we out.

1135
00:47:19,520 --> 00:47:21,759
Speaker 1: I mean never taking the Key West with the old people.

1136
00:47:21,760 --> 00:47:23,719
Speaker 2: The marriage has never been I was this.

1137
00:47:23,680 --> 00:47:25,200
Speaker 4: Time, I'm getting old. I was looking.

1138
00:47:25,239 --> 00:47:26,719
Speaker 3: I'm like, damn, I kind of want to go to

1139
00:47:26,760 --> 00:47:29,400
Speaker 3: the Florida Keys or like destined. I'm like looking for

1140
00:47:29,480 --> 00:47:31,080
Speaker 3: like resorts.

1141
00:47:30,600 --> 00:47:31,239
Speaker 4: And shipp.

1142
00:47:32,480 --> 00:47:37,719
Speaker 1: Destination is hysterical. But because anywhere that Southwest coast is

1143
00:47:37,760 --> 00:47:39,279
Speaker 1: not a destination.

1144
00:47:40,480 --> 00:47:41,479
Speaker 4: I'm fucking old.

1145
00:47:41,719 --> 00:47:44,680
Speaker 1: Oh any flight that goes direct from Albuquerque, New Mexico

1146
00:47:44,800 --> 00:47:46,040
Speaker 1: to Key West, No, that's not it.

1147
00:47:46,080 --> 00:47:46,640
Speaker 2: I'm sorry.

1148
00:47:47,560 --> 00:47:49,040
Speaker 1: That drive from Miami to key West, though, it is

1149
00:47:49,080 --> 00:47:51,359
Speaker 1: actually really nice. Really yeah, you hit every single key

1150
00:47:51,400 --> 00:47:53,080
Speaker 1: It's it's dope. Hey West is cool.

1151
00:47:53,400 --> 00:47:54,959
Speaker 2: Yeah. No, we gotta take the marriage to the strip

1152
00:47:54,960 --> 00:47:56,759
Speaker 2: club for be there. Thank got too.

1153
00:47:57,280 --> 00:48:00,239
Speaker 1: But listen, you know she's like a vet though, like

1154
00:48:00,280 --> 00:48:02,160
Speaker 1: she'll get in there and get real comfort. We're not

1155
00:48:02,160 --> 00:48:04,279
Speaker 1: gonna show her nothing the.

1156
00:48:04,320 --> 00:48:06,920
Speaker 4: Strip club connoisseur like I've used to.

1157
00:48:07,120 --> 00:48:09,120
Speaker 2: She has never been. She's never been to Magic City.

1158
00:48:10,160 --> 00:48:11,760
Speaker 2: It's certain places, strip club commercials.

1159
00:48:11,840 --> 00:48:12,840
Speaker 4: I've never been to Atlanta.

1160
00:48:12,960 --> 00:48:14,680
Speaker 2: Yeah, so we got to get her the Magic City.

1161
00:48:15,440 --> 00:48:18,680
Speaker 2: Have you been to tutties in Miami. Okay, great, so

1162
00:48:18,719 --> 00:48:20,920
Speaker 2: maybe Magic City. We have to do Magic City for

1163
00:48:20,960 --> 00:48:21,400
Speaker 2: your birthday.

1164
00:48:21,440 --> 00:48:22,320
Speaker 1: What's the other one in Miami?

1165
00:48:22,400 --> 00:48:23,600
Speaker 2: Is good? The office?

1166
00:48:23,840 --> 00:48:26,480
Speaker 4: The office is good to office is ratchet, nice and ratchet.

1167
00:48:26,480 --> 00:48:29,400
Speaker 1: That's my that's my type of strip club. Tooties sometimes

1168
00:48:29,400 --> 00:48:30,560
Speaker 1: is like a little too boogie for me.

1169
00:48:31,560 --> 00:48:35,800
Speaker 2: The G five, we was walking in and security security

1170
00:48:35,920 --> 00:48:39,239
Speaker 2: was like searching everybody, and like he was one of

1171
00:48:39,239 --> 00:48:43,160
Speaker 2: you know, the strong aggressive security niggas. He patting us down,

1172
00:48:43,200 --> 00:48:44,920
Speaker 2: and you know when you're on the court and you

1173
00:48:45,000 --> 00:48:46,880
Speaker 2: make a good play and the nigga's patch on your ass.

1174
00:48:48,520 --> 00:48:50,200
Speaker 2: He patted me on my ass and was like all right, fam,

1175
00:48:50,200 --> 00:48:52,239
Speaker 2: you good and I'm you know, it's kind of like

1176
00:48:52,280 --> 00:48:53,880
Speaker 2: you turned around like a fan, come on, fan, but

1177
00:48:53,920 --> 00:48:56,759
Speaker 2: you can't. You can't search me for a weaponry and

1178
00:48:56,760 --> 00:48:58,560
Speaker 2: then pat my ass because I don't have a weapon,

1179
00:48:58,600 --> 00:49:03,080
Speaker 2: Like yeah, ol, yeah, It's like it's like hold on

1180
00:49:03,120 --> 00:49:04,680
Speaker 2: and then you can't say nothing to what you're gonna

1181
00:49:04,680 --> 00:49:06,680
Speaker 2: say to this big dude outside with the knuckles that's

1182
00:49:06,680 --> 00:49:07,560
Speaker 2: built into the gloves.

1183
00:49:07,640 --> 00:49:09,200
Speaker 1: You want some real, some real white humor.

1184
00:49:10,320 --> 00:49:12,520
Speaker 2: I love m absolutely.

1185
00:49:12,640 --> 00:49:15,400
Speaker 1: My god brother went at met Life when they started

1186
00:49:15,440 --> 00:49:17,480
Speaker 1: to get real crazy with security, like you had to

1187
00:49:17,480 --> 00:49:19,319
Speaker 1: show you had to show your phone when you walked in,

1188
00:49:20,120 --> 00:49:22,080
Speaker 1: and they was getting crazy with the path downs. He

1189
00:49:22,120 --> 00:49:25,000
Speaker 1: would change the background of his phone to like a

1190
00:49:25,080 --> 00:49:28,360
Speaker 1: really big dick and would just because they have to

1191
00:49:28,360 --> 00:49:30,640
Speaker 1: look at your phone. Yeah, and they would just open

1192
00:49:30,640 --> 00:49:32,760
Speaker 1: the phone and they'd just be staring at a really

1193
00:49:32,760 --> 00:49:34,839
Speaker 1: big dick and then they do the wild pat down.

1194
00:49:34,880 --> 00:49:37,040
Speaker 1: He get real real close to them and whispering there

1195
00:49:37,480 --> 00:49:40,719
Speaker 1: thank you and like and like breathe on their ear.

1196
00:49:41,160 --> 00:49:42,920
Speaker 2: He's playing a dangerous game. You can't play that game

1197
00:49:42,920 --> 00:49:46,160
Speaker 2: with certain security dudes. You get laid out. Listen, man, Yeah,

1198
00:49:46,160 --> 00:49:47,480
Speaker 2: certain dudes ain't playing that.

1199
00:49:47,480 --> 00:49:50,200
Speaker 1: That white guy from New Jersey a little different.

1200
00:49:50,280 --> 00:49:51,799
Speaker 2: Yeah, but that game right there, you got to play

1201
00:49:51,800 --> 00:49:52,719
Speaker 2: with the right security guard.

1202
00:49:52,800 --> 00:49:53,240
Speaker 1: I agree.

1203
00:49:53,440 --> 00:49:54,080
Speaker 2: Oh no, I was.

1204
00:49:54,200 --> 00:49:56,279
Speaker 1: I was like two or three people behind them every time.

1205
00:49:56,719 --> 00:49:59,120
Speaker 1: I was like, watch this gonna be funny.

1206
00:49:59,360 --> 00:50:02,520
Speaker 2: But I'm not gonna Somebody not gonna take kindly to

1207
00:50:02,560 --> 00:50:02,960
Speaker 2: that type of.

1208
00:50:02,920 --> 00:50:05,480
Speaker 1: Ship at all, especially the met Life security.

1209
00:50:06,600 --> 00:50:08,440
Speaker 2: Who else put out some joints?

1210
00:50:09,600 --> 00:50:12,320
Speaker 3: Well, Young Dolph is coming out with something. Young Dolf's

1211
00:50:12,360 --> 00:50:16,040
Speaker 3: people are coming out with something this weekend. Okay, are

1212
00:50:16,080 --> 00:50:18,759
Speaker 3: we excited about that? Are we like keeping that same?

1213
00:50:19,200 --> 00:50:21,920
Speaker 2: How much? How much? How much of it is Dolph?

1214
00:50:22,960 --> 00:50:24,479
Speaker 4: I don't know, well.

1215
00:50:24,680 --> 00:50:25,960
Speaker 2: What I'm saying, do we have do we know? Is

1216
00:50:25,960 --> 00:50:29,600
Speaker 2: it like a collapse compilation project with his artists or

1217
00:50:30,400 --> 00:50:31,320
Speaker 2: is it Dolph music.

1218
00:50:31,400 --> 00:50:33,520
Speaker 4: I think it's Dolph music. I released Dolf music and he.

1219
00:50:33,440 --> 00:50:36,160
Speaker 1: Didn't pass very long ago. I'm sure he has a

1220
00:50:36,200 --> 00:50:39,359
Speaker 1: lot of complete stuff that was ready to go. So

1221
00:50:39,440 --> 00:50:41,000
Speaker 1: this one, yeah, I would be excited as if this

1222
00:50:41,160 --> 00:50:45,440
Speaker 1: was a new Dolphin was intending to put out in

1223
00:50:45,520 --> 00:50:46,399
Speaker 1: this type of way.

1224
00:50:46,560 --> 00:50:49,160
Speaker 2: Yeah, every artist has, you know the way people record

1225
00:50:49,239 --> 00:50:52,960
Speaker 2: now you have every artist has a whole hard drive

1226
00:50:53,040 --> 00:50:54,319
Speaker 2: full of joints that they haven't put out.

1227
00:50:54,560 --> 00:50:57,520
Speaker 3: I'm sure, yeah, but it's just like they it's the

1228
00:50:57,560 --> 00:50:59,880
Speaker 3: reason why they haven't put them out. Maybe then you know,

1229
00:51:00,120 --> 00:51:02,400
Speaker 3: like when you're an artist, I want my ship to

1230
00:51:02,480 --> 00:51:06,239
Speaker 3: be a certain way a certain way, so it's like,

1231
00:51:06,360 --> 00:51:07,040
Speaker 3: don't take.

1232
00:51:06,840 --> 00:51:08,360
Speaker 4: My ship and go finish it up.

1233
00:51:09,080 --> 00:51:11,040
Speaker 2: And these are the people that were in charge of that,

1234
00:51:11,120 --> 00:51:13,680
Speaker 2: and they know what his vision was. They know the

1235
00:51:13,680 --> 00:51:16,040
Speaker 2: way he likes his ship to be presented, and they

1236
00:51:16,120 --> 00:51:17,520
Speaker 2: like the way he likes the way his art to

1237
00:51:17,560 --> 00:51:19,719
Speaker 2: be presented to the world, so hopefully they get it right.

1238
00:51:20,200 --> 00:51:22,719
Speaker 2: Hopefully he's either way, I'm a fan of I was

1239
00:51:22,719 --> 00:51:25,440
Speaker 2: always been a fan of Dolph, so I'm always excited

1240
00:51:25,480 --> 00:51:26,399
Speaker 2: to get some the Dolphin music.

1241
00:51:26,480 --> 00:51:28,840
Speaker 1: And he seems so hands on with everything. I'm sure

1242
00:51:29,600 --> 00:51:31,680
Speaker 1: he was gearing up to put something out regardless of

1243
00:51:31,760 --> 00:51:34,839
Speaker 1: his team. He was vocal to prior to on how

1244
00:51:35,080 --> 00:51:37,480
Speaker 1: things were going to go. So I think this we

1245
00:51:37,520 --> 00:51:40,880
Speaker 1: could keep this as a real Dolph album. Well, that

1246
00:51:41,000 --> 00:51:42,759
Speaker 1: same way, Life After That was a real big album

1247
00:51:42,800 --> 00:51:45,000
Speaker 1: and it just happened around the same exact time. Yeah,

1248
00:51:45,000 --> 00:51:47,120
Speaker 1: it's passing. I think it's it's in that regard.

1249
00:51:47,160 --> 00:51:49,640
Speaker 2: Well, that's all the music I had for over the weekend.

1250
00:51:50,360 --> 00:51:52,879
Speaker 4: You're really sorry for the weight for streaming services.

1251
00:51:52,960 --> 00:51:56,680
Speaker 2: Oh yes I did. I did get that is weighty.

1252
00:51:56,960 --> 00:52:00,239
Speaker 2: Sorry for the weight Wayne has Wayne has now will

1253
00:52:00,239 --> 00:52:07,480
Speaker 2: say that Wayne had some of those droughts classics for sure, absolutely,

1254
00:52:07,920 --> 00:52:09,480
Speaker 2: like that's what out of doubt though some of those

1255
00:52:09,520 --> 00:52:10,040
Speaker 2: drought tapes.

1256
00:52:10,160 --> 00:52:14,719
Speaker 1: Was like, yeah, well I don't is this going to

1257
00:52:14,760 --> 00:52:16,560
Speaker 1: be a trying to helpe it is? I'm just getting

1258
00:52:16,600 --> 00:52:17,960
Speaker 1: all mixtapes on because.

1259
00:52:18,440 --> 00:52:22,360
Speaker 2: They need to. Yeah, like that's I'm waiting for that badly,

1260
00:52:22,640 --> 00:52:24,480
Speaker 2: definitely waiting for those days the DSP.

1261
00:52:25,160 --> 00:52:27,799
Speaker 1: But that that's expensive. They have a lot of like

1262
00:52:27,920 --> 00:52:31,200
Speaker 1: is that really worth the return on investment with that?

1263
00:52:32,040 --> 00:52:33,160
Speaker 2: They gotta figure something out.

1264
00:52:33,200 --> 00:52:33,319
Speaker 5: Man.

1265
00:52:33,560 --> 00:52:36,400
Speaker 2: We just need to be able to stream our favorite

1266
00:52:36,480 --> 00:52:40,520
Speaker 2: artists mixtapes, some of the music that wasn't released as albums,

1267
00:52:40,520 --> 00:52:42,560
Speaker 2: Like we just need to be able to open our

1268
00:52:42,600 --> 00:52:44,239
Speaker 2: phone and just have that because now you can go

1269
00:52:44,280 --> 00:52:47,040
Speaker 2: on that pith and you know, you still listen to music.

1270
00:52:47,080 --> 00:52:50,439
Speaker 2: There's a lot of those mixtapes, but it's not really

1271
00:52:50,440 --> 00:52:50,759
Speaker 2: the same.

1272
00:52:51,040 --> 00:52:53,280
Speaker 1: I guess just what's what's the incentive for an artist

1273
00:52:53,320 --> 00:52:55,919
Speaker 1: to want to do that outside of the obvious, which

1274
00:52:55,960 --> 00:52:58,319
Speaker 1: is to have their fans be happy. But from a

1275
00:52:58,360 --> 00:53:02,399
Speaker 1: business standpoint, a lot of these people are gonna want

1276
00:53:02,480 --> 00:53:04,520
Speaker 1: upfront fees and then they're gonna want to take all

1277
00:53:04,560 --> 00:53:07,160
Speaker 1: the publishing. So if I'm already getting a penny from

1278
00:53:07,200 --> 00:53:09,440
Speaker 1: streaming and then you're gonna take all the points on

1279
00:53:09,480 --> 00:53:13,640
Speaker 1: the record already because it is technically yours, I'm making

1280
00:53:13,760 --> 00:53:15,839
Speaker 1: zero money and then I'm just putting up front money

1281
00:53:15,880 --> 00:53:17,960
Speaker 1: if you want a fee as well. So I'm just

1282
00:53:17,960 --> 00:53:19,879
Speaker 1: coming out of here in the negative no matter what.

1283
00:53:20,480 --> 00:53:23,360
Speaker 1: And some of those artists that that we love the

1284
00:53:23,360 --> 00:53:26,000
Speaker 1: mixtapes may not be in the financial place where they

1285
00:53:26,040 --> 00:53:29,640
Speaker 1: can just shovel over a quarter million dollars to put

1286
00:53:29,640 --> 00:53:31,279
Speaker 1: out a mixtape that they're not going to receive any

1287
00:53:31,320 --> 00:53:34,160
Speaker 1: money back on. That's maybe they want to put a

1288
00:53:34,200 --> 00:53:37,040
Speaker 1: tour around it to build some buzz. They could do it.

1289
00:53:37,120 --> 00:53:40,080
Speaker 1: I just don't see. Not every artist is Wayne that

1290
00:53:40,080 --> 00:53:41,920
Speaker 1: can do that, Not every artist is Nicki that can

1291
00:53:41,960 --> 00:53:43,799
Speaker 1: do that. Not every artist is Drake that can go

1292
00:53:43,840 --> 00:53:44,760
Speaker 1: put so far going.

1293
00:53:44,640 --> 00:53:48,160
Speaker 2: On, Well, whatever needs to happen. Something needs to happen

1294
00:53:48,280 --> 00:53:50,319
Speaker 2: because we need to be able to fucking stream a

1295
00:53:50,360 --> 00:53:53,520
Speaker 2: lot of these mixtapes. That pit has a good app No, yeah,

1296
00:53:53,520 --> 00:53:56,799
Speaker 2: it does, it does, but I think that it I

1297
00:53:56,800 --> 00:53:58,600
Speaker 2: don't know. I could be wrong, but I think when

1298
00:53:58,600 --> 00:54:03,080
Speaker 2: you use it, the app passes. You can't close it

1299
00:54:03,120 --> 00:54:04,879
Speaker 2: out and go to like your text or something like that.

1300
00:54:04,960 --> 00:54:08,319
Speaker 1: Sure you can, you can. It doesn't run efficient, yes,

1301
00:54:08,560 --> 00:54:11,719
Speaker 1: really it's not very used differently, it still works, but listen,

1302
00:54:11,719 --> 00:54:14,080
Speaker 1: if you get YouTube Premium you can do it.

1303
00:54:15,320 --> 00:54:16,600
Speaker 2: That might be what you have to get through.

1304
00:54:16,680 --> 00:54:19,160
Speaker 1: And if you still have iTunes like me, I literally

1305
00:54:19,200 --> 00:54:20,319
Speaker 1: have every next tape.

1306
00:54:20,320 --> 00:54:20,480
Speaker 2: Ever.

1307
00:54:20,560 --> 00:54:23,239
Speaker 1: I just hit my library and everything's there.

1308
00:54:23,840 --> 00:54:24,040
Speaker 5: Yeah.

1309
00:54:24,120 --> 00:54:28,680
Speaker 3: No, I lost my laptop that had my my iTunes.

1310
00:54:28,280 --> 00:54:29,480
Speaker 1: Music left it at the Strip Club.

1311
00:54:30,680 --> 00:54:32,879
Speaker 3: Probably I used to do my homework in the strip club,

1312
00:54:32,960 --> 00:54:35,320
Speaker 3: so probably Jesus Christ.

1313
00:54:35,480 --> 00:54:39,439
Speaker 2: What Yeah. Man, we didn't talk about it last week,

1314
00:54:39,560 --> 00:54:42,200
Speaker 2: but fan Duel made its way to New York finally,

1315
00:54:43,520 --> 00:54:46,920
Speaker 2: and I gotta be honest, man, I think it's a

1316
00:54:46,960 --> 00:54:49,880
Speaker 2: it's a bad thing. It's I'm seeing a lot of

1317
00:54:49,880 --> 00:54:53,279
Speaker 2: these young young dudes many they're addicted to this fan duel.

1318
00:54:53,640 --> 00:54:55,759
Speaker 2: It's messing up your racket at the game spot. No,

1319
00:54:55,920 --> 00:54:58,359
Speaker 2: it's just I see what it's gonna do. Man. It's

1320
00:54:58,600 --> 00:55:01,280
Speaker 2: gambling is never a good thing. First of all, bad advice,

1321
00:55:01,320 --> 00:55:02,640
Speaker 2: But then when you put it in the palm of

1322
00:55:02,640 --> 00:55:04,040
Speaker 2: your hand and you don't even have to leave home

1323
00:55:04,080 --> 00:55:08,000
Speaker 2: to gamble, it's scary. Like a lot of these young dudes,

1324
00:55:08,040 --> 00:55:10,759
Speaker 2: they're addicted to this FanDuel shit, you know, betting on

1325
00:55:10,840 --> 00:55:14,440
Speaker 2: these games every day. And I just I know where

1326
00:55:14,480 --> 00:55:16,600
Speaker 2: this shit could end up. Man. You start looking up

1327
00:55:16,600 --> 00:55:18,680
Speaker 2: and you don't have no more money in your savings,

1328
00:55:18,719 --> 00:55:21,040
Speaker 2: and then you start selling your clothes to get money.

1329
00:55:21,239 --> 00:55:22,279
Speaker 2: Selling sneaks.

1330
00:55:22,320 --> 00:55:23,120
Speaker 1: That's what these kids doing.

1331
00:55:23,160 --> 00:55:25,359
Speaker 2: That's what they're doing. They're selling there, they're selling. They're

1332
00:55:25,400 --> 00:55:27,840
Speaker 2: selling their sneakers. They're going through their closet seeing which

1333
00:55:28,280 --> 00:55:30,759
Speaker 2: off white snickers, selling all of this. Just chasing this

1334
00:55:30,920 --> 00:55:33,440
Speaker 2: FanDuel shit. It's gonna be bad, man.

1335
00:55:33,640 --> 00:55:35,000
Speaker 1: This is the new NFT.

1336
00:55:35,840 --> 00:55:38,360
Speaker 2: No, this is worse crypto. No, this is real. This

1337
00:55:38,440 --> 00:55:40,359
Speaker 2: is like your money is going if Lebron don't make

1338
00:55:40,400 --> 00:55:41,040
Speaker 2: this free throw.

1339
00:55:40,920 --> 00:55:41,600
Speaker 1: Money invested it.

1340
00:55:41,920 --> 00:55:44,879
Speaker 2: Yeah, like if Lebron don't score the first basket, your

1341
00:55:44,880 --> 00:55:45,680
Speaker 2: money is gone.

1342
00:55:45,880 --> 00:55:47,760
Speaker 1: You're not eating that week, Your.

1343
00:55:47,600 --> 00:55:48,919
Speaker 2: One hundred dollars out of here.

1344
00:55:49,080 --> 00:55:51,080
Speaker 1: But they used to gambling with only fans because anytime

1345
00:55:51,120 --> 00:55:52,520
Speaker 1: you get a private message, you can't see it and

1346
00:55:52,600 --> 00:55:55,160
Speaker 1: be like, thirty dollars, I promise this is the crazy

1347
00:55:55,200 --> 00:55:57,000
Speaker 1: shit and then it just be their ig photo and

1348
00:55:57,040 --> 00:55:58,520
Speaker 1: then you just gambled away thirty dollars.

1349
00:55:58,880 --> 00:56:02,640
Speaker 2: Yeah. But FanDuel is different because it's games every night,

1350
00:56:02,960 --> 00:56:03,760
Speaker 2: multiple games.

1351
00:56:03,800 --> 00:56:05,000
Speaker 1: I G chicks posting every night.

1352
00:56:05,640 --> 00:56:06,880
Speaker 2: No, but they post like a lot of these I

1353
00:56:07,160 --> 00:56:09,680
Speaker 2: chicks only post once a week. They were tricking out.

1354
00:56:10,120 --> 00:56:11,920
Speaker 2: It's the same photos. They had the same lingerie, just

1355
00:56:11,960 --> 00:56:14,000
Speaker 2: a different angle for sure. It's like, hey, hey, you

1356
00:56:14,040 --> 00:56:17,200
Speaker 2: said I need a new batch. Don't send me the

1357
00:56:17,239 --> 00:56:21,359
Speaker 2: batch from three weeks ago. Yeah, don't send that to me. Nah, yeah,

1358
00:56:21,360 --> 00:56:23,520
Speaker 2: don't show me the same teddy set with a new angle.

1359
00:56:23,520 --> 00:56:25,080
Speaker 2: I don't want to see that. Get some new lingerie.

1360
00:56:25,320 --> 00:56:28,319
Speaker 2: But yeah that fan do ship. Man, it's gonna be bad. Bro.

1361
00:56:28,480 --> 00:56:30,399
Speaker 2: A lot of these young dudes that they really caught

1362
00:56:30,480 --> 00:56:32,919
Speaker 2: up in this ship because you don't you don't see

1363
00:56:33,000 --> 00:56:35,480
Speaker 2: when when it was in Jersey. You don't see people

1364
00:56:35,520 --> 00:56:36,840
Speaker 2: going to Jersey to play.

1365
00:56:37,040 --> 00:56:39,239
Speaker 1: No, but you know now that the Jersey bars.

1366
00:56:39,560 --> 00:56:41,279
Speaker 2: Yeah, but now that you know in New York and

1367
00:56:41,360 --> 00:56:42,839
Speaker 2: you know, you're hanging out them hanging out with dudes,

1368
00:56:42,880 --> 00:56:45,160
Speaker 2: and they on their phones, they checking the fan. I

1369
00:56:45,200 --> 00:56:46,919
Speaker 2: forget that. It's in New York. Now you can play,

1370
00:56:47,000 --> 00:56:50,440
Speaker 2: you can gamble, and it's they just addicted, just.

1371
00:56:50,360 --> 00:56:53,000
Speaker 1: Being sat nick and people screaming about no.

1372
00:56:53,200 --> 00:56:55,399
Speaker 2: They right here. Yeah, you text them like yo, it's

1373
00:56:55,400 --> 00:56:57,919
Speaker 2: good yo man, Yo this yo. This nigga Russ sucking

1374
00:56:57,960 --> 00:57:02,239
Speaker 2: up the line. I'm like what what? Oh yeah, oh

1375
00:57:02,239 --> 00:57:05,600
Speaker 2: this nigga John Morn I need one more assist. They

1376
00:57:05,680 --> 00:57:08,520
Speaker 2: just took him out. I'm like wait, y'all really sitting

1377
00:57:08,560 --> 00:57:11,239
Speaker 2: at home gambling on all of this, like it's it's bad, bro.

1378
00:57:11,360 --> 00:57:14,000
Speaker 1: So you're saying basketball players already had to be a

1379
00:57:14,040 --> 00:57:16,480
Speaker 1: little nervous when they came to New York certain spots

1380
00:57:16,480 --> 00:57:19,120
Speaker 1: to go to certain strips. They got to be just

1381
00:57:19,160 --> 00:57:21,000
Speaker 1: because they could get robbed because of what they had.

1382
00:57:21,160 --> 00:57:23,440
Speaker 1: Now you're saying they'll be a personal vendetta where they

1383
00:57:23,440 --> 00:57:23,920
Speaker 1: get robbed.

1384
00:57:24,000 --> 00:57:27,040
Speaker 2: Absolutely, they gotta be careful. A lot of dudes not take.

1385
00:57:26,880 --> 00:57:28,760
Speaker 1: Their chain nothing, be like, no, oh yeah, this is

1386
00:57:28,760 --> 00:57:29,160
Speaker 1: for the spread.

1387
00:57:29,200 --> 00:57:31,800
Speaker 2: Last year you fucked up my spread. Yeah, absolutely, it's

1388
00:57:31,800 --> 00:57:34,520
Speaker 2: happening GP. It's a real thing, bro. And I don't

1389
00:57:34,560 --> 00:57:37,400
Speaker 2: you know, I thought that being able to gamble on

1390
00:57:37,560 --> 00:57:39,560
Speaker 2: games was going to be a good thing, like you know,

1391
00:57:39,760 --> 00:57:41,680
Speaker 2: outside of Las Vegas. I'm like, wow, can't people just

1392
00:57:41,680 --> 00:57:45,560
Speaker 2: gamble on games? But it's gambling. I was never gambling,

1393
00:57:45,560 --> 00:57:48,280
Speaker 2: first of all. Never something about losing my money and

1394
00:57:48,360 --> 00:57:50,360
Speaker 2: somebody just walking away acting like everything is okay. It

1395
00:57:51,080 --> 00:57:53,000
Speaker 2: never sat well with me, so I know. But I'm

1396
00:57:53,000 --> 00:57:56,760
Speaker 2: seeing a lot of them in college. I'm seeing a

1397
00:57:56,800 --> 00:57:59,720
Speaker 2: lot of these young dudes. It's bad man that they

1398
00:57:59,760 --> 00:58:02,040
Speaker 2: called up. They deep into this fan duel ship.

1399
00:58:02,120 --> 00:58:05,120
Speaker 1: Anyways, with that said to marry she was in these

1400
00:58:05,120 --> 00:58:05,720
Speaker 1: streets this weekend.

1401
00:58:06,040 --> 00:58:07,040
Speaker 4: Was not in these streets.

1402
00:58:07,840 --> 00:58:11,320
Speaker 2: Me and D were supposed to hook up. Hell it

1403
00:58:11,360 --> 00:58:15,800
Speaker 2: was mined to the Winchill Factor said minus two, I

1404
00:58:15,800 --> 00:58:17,760
Speaker 2: would never have you come outside of minus too.

1405
00:58:17,840 --> 00:58:21,400
Speaker 1: This is the outside ankles and minus Saturday.

1406
00:58:22,280 --> 00:58:24,000
Speaker 4: No, I did not go anywhere else Saturday.

1407
00:58:24,160 --> 00:58:24,680
Speaker 1: I am old.

1408
00:58:24,720 --> 00:58:27,560
Speaker 4: I can only go out one day your Friday.

1409
00:58:27,600 --> 00:58:29,520
Speaker 2: I saw that you was out, was you and you

1410
00:58:29,560 --> 00:58:29,960
Speaker 2: and the team.

1411
00:58:30,080 --> 00:58:31,800
Speaker 4: This is the thing. If we have plans, just hit

1412
00:58:31,800 --> 00:58:33,240
Speaker 4: me and say, yo, I don't want you out.

1413
00:58:33,240 --> 00:58:35,160
Speaker 2: And it's cold right D. But I just felt like

1414
00:58:35,280 --> 00:58:37,640
Speaker 2: some ship between black people don't need to be talked about.

1415
00:58:37,960 --> 00:58:39,720
Speaker 2: I know you was at home like this, nigga, mall

1416
00:58:39,840 --> 00:58:42,720
Speaker 2: better not hit me to come outside today. And I

1417
00:58:42,760 --> 00:58:44,680
Speaker 2: was like, I know, D better not hit me to

1418
00:58:44,720 --> 00:58:47,960
Speaker 2: come outside today because it's not fucking happening. Minus too

1419
00:58:48,080 --> 00:58:48,479
Speaker 2: no things.

1420
00:58:48,480 --> 00:58:51,400
Speaker 1: Sometimes you have to do a metaphorical temperature check and

1421
00:58:51,520 --> 00:58:53,600
Speaker 1: be like, yo, you you still want to go out,

1422
00:58:54,400 --> 00:58:55,560
Speaker 1: just let them I'm not going.

1423
00:58:55,920 --> 00:58:57,280
Speaker 4: But I didn't know it was gonna be that cold

1424
00:58:57,320 --> 00:58:57,960
Speaker 4: that next days.

1425
00:58:58,640 --> 00:59:00,400
Speaker 3: Getting that I didn't play it out be it out

1426
00:59:00,440 --> 00:59:02,560
Speaker 3: as late on Friday as I was, because we were

1427
00:59:02,560 --> 00:59:04,000
Speaker 3: supposed to the movies that like three.

1428
00:59:03,880 --> 00:59:06,080
Speaker 2: Right, yeah, yeah, yeah me. No, we indeed had the

1429
00:59:06,120 --> 00:59:10,480
Speaker 2: whole day set Spider when we're all gonna be outside Saturday.

1430
00:59:10,480 --> 00:59:12,160
Speaker 2: We were supposed to go, but we didn't know it

1431
00:59:12,200 --> 00:59:12,800
Speaker 2: was gonna be that cold.

1432
00:59:12,800 --> 00:59:14,280
Speaker 1: I didn't check skin the uber and then get out

1433
00:59:14,280 --> 00:59:14,600
Speaker 1: of the uber.

1434
00:59:14,800 --> 00:59:18,360
Speaker 2: N B No, bro, But yeah minus two. I'm cool.

1435
00:59:18,360 --> 00:59:20,080
Speaker 2: I'm cool on the Spider Man minus.

1436
00:59:19,760 --> 00:59:23,680
Speaker 1: Two Cinematic Master yea, yeah cool. Guys could have done

1437
00:59:23,680 --> 00:59:26,080
Speaker 1: the driving. They never left the car they were driving

1438
00:59:26,360 --> 00:59:29,280
Speaker 1: any Yeah in Wayningsburg. That's why I saw Spider Man

1439
00:59:29,920 --> 00:59:30,360
Speaker 1: the drive through.

1440
00:59:30,400 --> 00:59:32,240
Speaker 4: Yeah, you was gonna drive us?

1441
00:59:32,520 --> 00:59:36,439
Speaker 1: No, we could sitting in my back of my mas

1442
00:59:36,520 --> 00:59:39,360
Speaker 1: the trunk with the seats laid out in the blankets

1443
00:59:39,400 --> 00:59:41,040
Speaker 1: with with y'all two yeah, like what not?

1444
00:59:41,960 --> 00:59:42,320
Speaker 2: What you mean?

1445
00:59:42,360 --> 00:59:42,680
Speaker 1: Why not?

1446
00:59:42,840 --> 00:59:42,920
Speaker 2: No?

1447
00:59:42,960 --> 00:59:46,360
Speaker 1: It's mad not let's let's make it not you need

1448
00:59:47,080 --> 00:59:49,480
Speaker 1: let's make it happen. Not sitting y'all.

1449
00:59:49,560 --> 00:59:50,840
Speaker 2: You should do that. We should lay back in the

1450
00:59:50,920 --> 00:59:51,920
Speaker 2: marsie with some blankets and.

1451
00:59:51,880 --> 00:59:54,720
Speaker 1: Ship looking through the back of the fuckings and.

1452
00:59:54,640 --> 00:59:58,800
Speaker 2: Watching the Parker swing through. Uh New York City, New

1453
00:59:58,880 --> 01:00:00,760
Speaker 2: York City, because that ain't New York.

1454
01:00:00,840 --> 01:00:01,520
Speaker 1: It was Vancouver.

1455
01:00:01,640 --> 01:00:03,520
Speaker 2: Some of them buildings, I was like, fam and some

1456
01:00:03,560 --> 01:00:05,720
Speaker 2: of them. Peter Parker's on like that, ain't that Ain't

1457
01:00:05,760 --> 01:00:06,480
Speaker 2: that building? Ain't there?

1458
01:00:06,520 --> 01:00:08,400
Speaker 1: That's why I couldn't. That's why I couldn't rock with

1459
01:00:08,440 --> 01:00:10,080
Speaker 1: Dark Knight like that, even though I love Dark Knight

1460
01:00:10,120 --> 01:00:10,840
Speaker 1: and it's a classic.

1461
01:00:11,320 --> 01:00:12,280
Speaker 4: Yeah nothing that.

1462
01:00:12,240 --> 01:00:14,880
Speaker 1: Wasn't Gotham brought Chicago, like you hit all the iconic

1463
01:00:15,000 --> 01:00:15,680
Speaker 1: Chicago shots.

1464
01:00:16,720 --> 01:00:19,440
Speaker 2: That's not New York City. We New Yorkers know that.

1465
01:00:19,440 --> 01:00:22,080
Speaker 2: That's not New York City. Bro, that's not New York. Yeah.

1466
01:00:22,200 --> 01:00:24,440
Speaker 1: Well I'm mad you guys didn't get to do your date.

1467
01:00:24,680 --> 01:00:28,360
Speaker 2: Yeah no, we're gonna go soon though we're not going.

1468
01:00:28,400 --> 01:00:29,800
Speaker 1: Where did you have on Friday night that you was

1469
01:00:29,840 --> 01:00:30,400
Speaker 1: out really late?

1470
01:00:31,440 --> 01:00:32,160
Speaker 2: Shaking ass?

1471
01:00:32,360 --> 01:00:33,400
Speaker 1: You shut it down.

1472
01:00:33,480 --> 01:00:35,360
Speaker 4: I was not shut it down.

1473
01:00:35,640 --> 01:00:36,439
Speaker 1: You shut it down.

1474
01:00:36,760 --> 01:00:38,600
Speaker 4: I went to lunch.

1475
01:00:38,800 --> 01:00:41,560
Speaker 3: I went to lunch at three forty five, which I

1476
01:00:41,600 --> 01:00:43,200
Speaker 3: did not plan. We were supposed to go to dinner,

1477
01:00:43,240 --> 01:00:44,560
Speaker 3: but she said she wanted to do lunch. We went

1478
01:00:44,600 --> 01:00:45,720
Speaker 3: to lunch at three forty five.

1479
01:00:46,040 --> 01:00:48,240
Speaker 1: It's one of those days. Yeah, I got in at

1480
01:00:48,280 --> 01:00:48,920
Speaker 1: three fort in.

1481
01:00:48,840 --> 01:00:49,800
Speaker 4: The middle of dinner.

1482
01:00:49,840 --> 01:00:52,200
Speaker 3: Literally, when I'm paying my check, I get a notification

1483
01:00:52,280 --> 01:00:53,360
Speaker 3: that says you have a call.

1484
01:00:53,440 --> 01:00:57,320
Speaker 4: I'm like, oh shit, I got a call with Rory, right, yeah.

1485
01:00:57,280 --> 01:00:58,600
Speaker 2: You have to be but ad.

1486
01:00:59,000 --> 01:00:59,280
Speaker 4: Yeah.

1487
01:00:59,320 --> 01:01:02,200
Speaker 3: So I went out stairs and took it and then

1488
01:01:02,240 --> 01:01:06,520
Speaker 3: we left. We went to Dream Hotel. It was just

1489
01:01:06,560 --> 01:01:08,080
Speaker 3: it was close. It was like across the streets.

1490
01:01:08,120 --> 01:01:09,800
Speaker 1: That's so weird because all of you live in New

1491
01:01:09,880 --> 01:01:11,320
Speaker 1: York City. Why would you need to go to the hotel.

1492
01:01:12,120 --> 01:01:15,240
Speaker 3: So we just went to the Really, we went to

1493
01:01:15,360 --> 01:01:19,120
Speaker 3: Dream Hotel to get drinks at the hotel lobby. So

1494
01:01:19,240 --> 01:01:21,440
Speaker 3: we were there for hours. We were there for hours,

1495
01:01:22,000 --> 01:01:24,400
Speaker 3: and then Lloyan came through and then we all went

1496
01:01:24,480 --> 01:01:27,360
Speaker 3: up to PhD. We went to the rooftop just.

1497
01:01:27,320 --> 01:01:29,520
Speaker 1: Real quick, just real quick. Yeah, just show.

1498
01:01:29,840 --> 01:01:32,560
Speaker 3: I think we left by like twelve. We were going

1499
01:01:32,600 --> 01:01:34,040
Speaker 3: by like eleven thirty, twelve o'clock.

1500
01:01:34,440 --> 01:01:35,400
Speaker 1: See what the team is doing.

1501
01:01:35,400 --> 01:01:38,120
Speaker 2: More. We got to check the books.

1502
01:01:38,160 --> 01:01:42,440
Speaker 1: Many at the hotel, the hotel in the city. They

1503
01:01:42,520 --> 01:01:46,880
Speaker 1: living and I don't like it. Yeah, y'all got a room.

1504
01:01:47,000 --> 01:01:47,520
Speaker 1: Just a pre game.

1505
01:01:47,600 --> 01:01:49,400
Speaker 2: They're going crazy. They're going crazy.

1506
01:01:49,440 --> 01:01:50,720
Speaker 4: Man, I'm not pregaving.

1507
01:01:51,280 --> 01:01:52,440
Speaker 1: Was it a dream?

1508
01:01:52,760 --> 01:01:54,439
Speaker 2: Yeah, you had a good time, was it dreak?

1509
01:01:54,480 --> 01:01:54,600
Speaker 5: Oh?

1510
01:01:54,640 --> 01:01:56,480
Speaker 4: No, that was cool. It was cool. No, I had

1511
01:01:56,560 --> 01:01:59,200
Speaker 4: I had a good time. I was just exhausted. I

1512
01:01:59,200 --> 01:01:59,560
Speaker 4: don't come.

1513
01:01:59,680 --> 01:02:02,200
Speaker 3: I have a four hour time spann to be outside

1514
01:02:02,240 --> 01:02:06,160
Speaker 3: and I was outside from three forty five to twelve o'clock.

1515
01:02:06,200 --> 01:02:07,160
Speaker 4: That's a long time.

1516
01:02:07,960 --> 01:02:11,160
Speaker 2: The movie, No that that was the next day.

1517
01:02:11,200 --> 01:02:12,360
Speaker 4: That was the next day.

1518
01:02:12,720 --> 01:02:14,200
Speaker 2: Yeah, No, she couldn't. She couldn't.

1519
01:02:14,280 --> 01:02:16,080
Speaker 3: I wasn't making that movie. I was just mad that

1520
01:02:16,240 --> 01:02:17,600
Speaker 3: mauddn't hit me up and I didn't.

1521
01:02:17,640 --> 01:02:20,320
Speaker 4: I didn't get a chance to cancel. On hand, I

1522
01:02:20,400 --> 01:02:20,880
Speaker 4: wasn't going.

1523
01:02:20,920 --> 01:02:23,840
Speaker 2: But I just thought we used our black telepathicalness. Yes,

1524
01:02:24,400 --> 01:02:26,600
Speaker 2: and just once you feel the weather you like. Nah,

1525
01:02:26,680 --> 01:02:30,200
Speaker 2: black people don't do minus too nothing on damn, Peter Parker.

1526
01:02:30,240 --> 01:02:34,840
Speaker 2: We ain't MLK birthday. Maybe birthday.

1527
01:02:35,000 --> 01:02:37,520
Speaker 1: So was there any observations you were out? You were

1528
01:02:37,560 --> 01:02:39,040
Speaker 1: on a night people weren't really out because it was

1529
01:02:39,040 --> 01:02:42,600
Speaker 1: gonna be cold that night as well, and it was

1530
01:02:42,640 --> 01:02:44,480
Speaker 1: give me some observations of the I go out to

1531
01:02:44,520 --> 01:02:45,560
Speaker 1: the club and the cold crowd.

1532
01:02:45,640 --> 01:02:47,880
Speaker 4: It wasn't. It wasn't a club though, all.

1533
01:02:47,840 --> 01:02:48,960
Speaker 2: Right, a hotel rooftop.

1534
01:02:49,000 --> 01:02:49,800
Speaker 1: I'm sorry that's good.

1535
01:02:50,200 --> 01:02:52,680
Speaker 4: It was a lounge. It was cool, like it was cool.

1536
01:02:52,720 --> 01:02:54,720
Speaker 4: It was I'm too old.

1537
01:02:55,080 --> 01:02:55,760
Speaker 2: What did y'all drink?

1538
01:02:55,760 --> 01:02:56,800
Speaker 1: How'd you feel about your crew?

1539
01:02:56,960 --> 01:02:57,080
Speaker 2: Like?

1540
01:02:57,120 --> 01:02:59,720
Speaker 1: And how y'all was being represented, and how they was

1541
01:02:59,760 --> 01:03:02,600
Speaker 1: making moves around the lounge in the bar. Who they

1542
01:03:02,680 --> 01:03:03,160
Speaker 1: was talking to?

1543
01:03:03,880 --> 01:03:04,520
Speaker 4: We were chilling.

1544
01:03:04,560 --> 01:03:08,000
Speaker 3: We weren't even like really thinking about Nobody knew something.

1545
01:03:08,000 --> 01:03:10,480
Speaker 3: It was like an African like renaissance in there. They

1546
01:03:10,520 --> 01:03:12,440
Speaker 3: had like it was like the Africans in there that

1547
01:03:12,480 --> 01:03:13,520
Speaker 3: he just knew.

1548
01:03:14,800 --> 01:03:15,120
Speaker 4: Africa.

1549
01:03:15,440 --> 01:03:17,560
Speaker 3: Africa is the biggest continent. But every time you see African,

1550
01:03:17,640 --> 01:03:18,320
Speaker 3: y'all just know each other.

1551
01:03:18,320 --> 01:03:19,360
Speaker 4: I don't understand that ship.

1552
01:03:19,560 --> 01:03:22,680
Speaker 3: But yeah, he was making moves. I was chilling, fist pumping.

1553
01:03:23,400 --> 01:03:26,320
Speaker 3: It was playing that techno you know when they mixed

1554
01:03:26,320 --> 01:03:29,240
Speaker 3: the mid two thousand and seven hip hop pop the

1555
01:03:29,360 --> 01:03:30,120
Speaker 3: techno ship.

1556
01:03:30,120 --> 01:03:31,640
Speaker 4: I was in their fist pumping that's my vibe.

1557
01:03:31,640 --> 01:03:32,120
Speaker 5: I like that.

1558
01:03:32,840 --> 01:03:37,680
Speaker 4: I was chilling. Sha was drunk. I was tired. Yeah,

1559
01:03:37,680 --> 01:03:38,280
Speaker 4: I was tired.

1560
01:03:38,280 --> 01:03:40,760
Speaker 2: I was talking about she was drinking.

1561
01:03:40,920 --> 01:03:46,520
Speaker 4: She's ivy feeding everybody alcohol. I'm not gonna lie.

1562
01:03:46,520 --> 01:03:48,400
Speaker 1: Would you be feeding people the wrong alcohol? Don't feed

1563
01:03:48,600 --> 01:03:51,400
Speaker 1: a sad girl of red wine at her show.

1564
01:03:51,600 --> 01:03:57,000
Speaker 3: Yeah, she was on Rum, Rum and Tequila Friday.

1565
01:03:57,720 --> 01:04:02,480
Speaker 1: You might be a predator, Jesus rum and Tequila. Yeah,

1566
01:04:02,560 --> 01:04:04,960
Speaker 1: we need to watch out for you. You might be

1567
01:04:04,960 --> 01:04:05,600
Speaker 1: part of the problem.

1568
01:04:06,280 --> 01:04:08,120
Speaker 4: That's why y'all bring me around the women. So I

1569
01:04:08,120 --> 01:04:10,080
Speaker 4: could be a predator. Y'all don't have to that.

1570
01:04:10,240 --> 01:04:12,640
Speaker 1: Well, we would not be predators. We are trying to

1571
01:04:12,680 --> 01:04:14,000
Speaker 1: defend them from you.

1572
01:04:14,160 --> 01:04:14,800
Speaker 4: Right.

1573
01:04:16,440 --> 01:04:18,959
Speaker 2: Yo. Jake Paul and Mike Tyson have agreed to fight

1574
01:04:20,720 --> 01:04:24,880
Speaker 2: get the fifty million dollars payout. Jake Paul versus Mike

1575
01:04:24,880 --> 01:04:27,160
Speaker 2: Tyson is happening. They haven't set a date yet, but

1576
01:04:27,840 --> 01:04:31,800
Speaker 2: it is a real thing. Listen, man, I you know

1577
01:04:31,880 --> 01:04:35,280
Speaker 2: we laughed at Jake Paul. You know, it became a thing,

1578
01:04:35,360 --> 01:04:38,120
Speaker 2: and he's been doing nothing but putting motherfuckers to sleep.

1579
01:04:38,400 --> 01:04:41,200
Speaker 1: At this point, I'd be hating. Yeah, if I said anything,

1580
01:04:41,560 --> 01:04:44,240
Speaker 1: I will throw hate to the sport of professional boxing

1581
01:04:44,640 --> 01:04:48,080
Speaker 1: because I think you guys are making kind of a

1582
01:04:48,120 --> 01:04:50,240
Speaker 1: mockery out of some ship. But I can't hate on

1583
01:04:50,280 --> 01:04:53,120
Speaker 1: the Paul family. Yeah, I'm making money and they're knocking

1584
01:04:53,120 --> 01:04:53,520
Speaker 1: people out.

1585
01:04:53,560 --> 01:04:55,960
Speaker 2: He found a loophole, He found a way to market

1586
01:04:56,040 --> 01:04:59,080
Speaker 2: himself and and put himself in the ring with uh,

1587
01:04:59,160 --> 01:05:02,080
Speaker 2: you know, obviously one of the greatest boxers ever, Mike Tyson.

1588
01:05:02,880 --> 01:05:05,680
Speaker 2: I don't know how safe this is for him.

1589
01:05:06,480 --> 01:05:09,840
Speaker 3: Well, I'm sure if Jake paused any type of sense,

1590
01:05:09,840 --> 01:05:11,880
Speaker 3: he signed some type of contract that said, hey, you

1591
01:05:11,920 --> 01:05:13,800
Speaker 3: can't knock me the fuck out kill me.

1592
01:05:13,800 --> 01:05:16,480
Speaker 1: But I don't think like that. I can't do that

1593
01:05:16,520 --> 01:05:18,880
Speaker 1: in boxing. You can't say you're knock They have a

1594
01:05:18,920 --> 01:05:21,080
Speaker 1: no knockout clause in that, and I think with that

1595
01:05:21,120 --> 01:05:22,919
Speaker 1: Mayweather one, they definitely had a no knockout clause.

1596
01:05:23,320 --> 01:05:25,720
Speaker 2: No way, there's no way that dude was gonna knock

1597
01:05:25,760 --> 01:05:26,240
Speaker 2: Mayweather out.

1598
01:05:26,360 --> 01:05:27,960
Speaker 1: No, I'm saying the other way around. Mayweather would have

1599
01:05:28,040 --> 01:05:33,160
Speaker 1: knocked him the fuck out. Mayweather made that a fight. Listen,

1600
01:05:33,240 --> 01:05:34,840
Speaker 1: I fuck with the Paul Brothers. I'm not gonna hate.

1601
01:05:34,840 --> 01:05:37,120
Speaker 1: I did hate the idea of all this ship before, Like,

1602
01:05:37,160 --> 01:05:39,360
Speaker 1: you shouldn't be in the ring with someone who is

1603
01:05:39,400 --> 01:05:43,400
Speaker 1: a master fucking goat at their craft like Mayweather, and

1604
01:05:43,440 --> 01:05:45,440
Speaker 1: you are a YouTube guy that can fight, don't get

1605
01:05:45,480 --> 01:05:48,760
Speaker 1: don't get me wrong, but I can also play basketball.

1606
01:05:48,800 --> 01:05:52,200
Speaker 1: Shouldn't be playing with Lebron Yeah, so there's just a difference.

1607
01:05:52,320 --> 01:05:56,240
Speaker 1: But Mayweather. They definitely signed a ship because Mayweather could

1608
01:05:56,280 --> 01:05:58,400
Speaker 1: have easily tagged him up, and he made that a fight.

1609
01:05:59,040 --> 01:06:01,280
Speaker 1: This just Tyson shit. I don't think anyone should ever

1610
01:06:01,320 --> 01:06:03,160
Speaker 1: be in a ring with Tyson within no knockout clause.

1611
01:06:03,400 --> 01:06:08,080
Speaker 2: Who I don't know anybody that uh t Tyron Woodley

1612
01:06:08,200 --> 01:06:08,680
Speaker 2: is that his name?

1613
01:06:09,200 --> 01:06:09,320
Speaker 4: No?

1614
01:06:09,200 --> 01:06:12,320
Speaker 1: No, I'm talking about Tyson, Roy Jones, Holy Yeah, Holy

1615
01:06:12,520 --> 01:06:15,240
Speaker 1: Holy themself, holy Field, holy Field.

1616
01:06:15,760 --> 01:06:17,160
Speaker 4: It was Roy Jones. It was Holy.

1617
01:06:17,400 --> 01:06:20,800
Speaker 2: It wasn't holy Field. Tyson didn't fight holy Field all.

1618
01:06:20,880 --> 01:06:22,320
Speaker 1: It was Roy Joints. I think they had a no

1619
01:06:22,400 --> 01:06:24,400
Speaker 1: knockout clause, which I didn't like either, but I understand their

1620
01:06:24,400 --> 01:06:24,880
Speaker 1: old guys.

1621
01:06:25,280 --> 01:06:27,320
Speaker 2: Wait, hasn't hasn't fought?

1622
01:06:27,960 --> 01:06:29,960
Speaker 1: They fuf in.

1623
01:06:29,960 --> 01:06:33,640
Speaker 2: Their primes, well not their real primes. Oh so it

1624
01:06:33,720 --> 01:06:35,200
Speaker 2: was it was Jones. It was pretty sure.

1625
01:06:35,360 --> 01:06:38,600
Speaker 1: Yeah, I'm saying Jake Paul. I don't think Jack Paul

1626
01:06:38,680 --> 01:06:42,680
Speaker 1: is an able thirty something year old man.

1627
01:06:42,560 --> 01:06:45,600
Speaker 2: Taking there should be no ain't even thirty yet, all right.

1628
01:06:45,520 --> 01:06:47,800
Speaker 1: Then he should there should be a knockout. No knockout

1629
01:06:48,640 --> 01:06:50,080
Speaker 1: rules should not be an effect on that at all.

1630
01:06:50,680 --> 01:06:52,040
Speaker 1: I think MIKEX, you should be able to knock you

1631
01:06:52,040 --> 01:06:53,360
Speaker 1: out if're getting in the ring win, how are you

1632
01:06:53,360 --> 01:06:55,120
Speaker 1: gonna tell Mike Tyson not to knock you the fuck out?

1633
01:06:55,920 --> 01:06:57,440
Speaker 2: I think that uh easy.

1634
01:06:59,040 --> 01:07:01,520
Speaker 1: Somebody take the weed away from Mike Tyson for a month.

1635
01:07:01,880 --> 01:07:02,840
Speaker 1: Jake Paul might die.

1636
01:07:02,960 --> 01:07:04,040
Speaker 2: Jake Paul's twenty five.

1637
01:07:05,000 --> 01:07:08,240
Speaker 4: Oh wow, he's a baby.

1638
01:07:08,040 --> 01:07:09,320
Speaker 2: He's years old.

1639
01:07:09,480 --> 01:07:12,120
Speaker 1: Here's the thing, though, I don't think Mike is gonna

1640
01:07:12,120 --> 01:07:14,760
Speaker 1: play those those ghetto games that the Paul's play with,

1641
01:07:15,560 --> 01:07:20,080
Speaker 1: like how they promote fights. Mayweather invented those ghetto games.

1642
01:07:20,080 --> 01:07:22,880
Speaker 1: He loves that shit. Yeah, I don't think Mike, who's

1643
01:07:22,920 --> 01:07:25,200
Speaker 1: in this pieceful leave me alone. I'm in the zen

1644
01:07:25,280 --> 01:07:27,400
Speaker 1: part of my life. I'm trying to become a better person.

1645
01:07:28,040 --> 01:07:30,680
Speaker 1: Then you start doing this nan and the nanass shit

1646
01:07:30,960 --> 01:07:34,840
Speaker 1: to Mike Tyson. You're gonna get old Mike. Yeah, yeah,

1647
01:07:35,480 --> 01:07:36,920
Speaker 1: you're gonna get Brownsville, Mike.

1648
01:07:37,240 --> 01:07:39,439
Speaker 2: This this fight might be the fight where Jake Paul

1649
01:07:39,480 --> 01:07:41,720
Speaker 2: realizes he he went too far.

1650
01:07:41,920 --> 01:07:44,000
Speaker 1: I'm more interested in how he leads up to this

1651
01:07:44,040 --> 01:07:48,600
Speaker 1: fight than the actual fight, because you can do that shit.

1652
01:07:48,680 --> 01:07:50,240
Speaker 1: His brother could do the shit with Mayweather. They both

1653
01:07:50,280 --> 01:07:53,680
Speaker 1: can play those fucking YouTube games that all boxers do

1654
01:07:54,320 --> 01:07:59,720
Speaker 1: do to promote fights. But Mike, who's played those games

1655
01:07:59,720 --> 01:08:04,520
Speaker 1: with Mike. They tried in the press conference and he

1656
01:08:04,880 --> 01:08:09,200
Speaker 1: bit someone's leg. They tried, they tried him in a

1657
01:08:09,240 --> 01:08:11,680
Speaker 1: fucking press conference and it turned out new Bra.

1658
01:08:13,640 --> 01:08:15,960
Speaker 2: Yeah. Him the Jake Paul in the Tyron Woodley fight.

1659
01:08:16,040 --> 01:08:19,599
Speaker 2: I mean he put he put Woodley to bed sleep

1660
01:08:20,320 --> 01:08:21,920
Speaker 2: and they, you know, people haven't. They had a lot

1661
01:08:21,960 --> 01:08:24,519
Speaker 2: of conspiracy videos saying that you know, it was a

1662
01:08:25,200 --> 01:08:26,920
Speaker 2: it was yeah, it was stage. It was a punch

1663
01:08:26,920 --> 01:08:30,240
Speaker 2: that Woodley knew was coming. Jake Paul turned his glove

1664
01:08:30,280 --> 01:08:32,439
Speaker 2: to signal that the punch was coming. Oh, you know whatever.

1665
01:08:32,520 --> 01:08:35,960
Speaker 2: They broke that shit down, But I don't believe that.

1666
01:08:35,960 --> 01:08:38,040
Speaker 1: I don't believe. I don't believe that looked like legitimate.

1667
01:08:38,160 --> 01:08:40,920
Speaker 2: That was a legit like counter like, yeah, Woodley was

1668
01:08:40,920 --> 01:08:45,160
Speaker 2: about to throw and Jake Paul counted. But we talked

1669
01:08:45,160 --> 01:08:48,800
Speaker 2: about Mike Tyson bro like, Mike, he can get his

1670
01:08:48,920 --> 01:08:50,000
Speaker 2: shape in a month.

1671
01:08:50,040 --> 01:08:51,200
Speaker 1: He's back, He's in shape now.

1672
01:08:51,280 --> 01:08:54,960
Speaker 2: Yeah. Like so it's like I think that this may

1673
01:08:54,960 --> 01:08:57,280
Speaker 2: be the day. This is probably this is obviously Jake

1674
01:08:57,320 --> 01:09:01,840
Speaker 2: Paul's biggest payday, but it's gonna hurt it payday gonna hurt.

1675
01:09:01,880 --> 01:09:04,840
Speaker 1: I just don't think Mike has real restraint. I mean

1676
01:09:04,880 --> 01:09:07,720
Speaker 1: he showed some of it with Roy Jones. Yeah he

1677
01:09:07,760 --> 01:09:09,800
Speaker 1: was restrained, but he respects Roy Jones.

1678
01:09:09,920 --> 01:09:12,479
Speaker 2: Yeah. Roy Jones is a world class champion.

1679
01:09:12,520 --> 01:09:14,880
Speaker 1: And it was called an exhibition. It was called to like,

1680
01:09:15,200 --> 01:09:17,000
Speaker 1: you know, we're just gonna go out and do eight rounds.

1681
01:09:17,000 --> 01:09:17,599
Speaker 2: However many works.

1682
01:09:19,240 --> 01:09:21,680
Speaker 1: Let Jake Paul get on that YouTube live stream and

1683
01:09:21,720 --> 01:09:24,639
Speaker 1: start running his mouth, this won't be an exhibition.

1684
01:09:24,840 --> 01:09:27,320
Speaker 2: Yeah, this is Mike, this is Mike Tyson.

1685
01:09:27,360 --> 01:09:27,519
Speaker 5: Man.

1686
01:09:27,600 --> 01:09:30,120
Speaker 2: I know this is old Mike, but this is still

1687
01:09:30,160 --> 01:09:33,200
Speaker 2: Mike Tyson. Mike is still He's still there. He's still there,

1688
01:09:33,200 --> 01:09:33,880
Speaker 2: he can still fight.

1689
01:09:34,200 --> 01:09:35,880
Speaker 1: But we say this every time about these guys, and

1690
01:09:35,880 --> 01:09:37,320
Speaker 1: then they go out and they go twelve rounds, and

1691
01:09:37,320 --> 01:09:37,760
Speaker 1: it's like.

1692
01:09:38,360 --> 01:09:41,120
Speaker 2: I mean, I gotta respect nothing, if nothing else, I

1693
01:09:41,160 --> 01:09:44,120
Speaker 2: gotta respect him. He's he's he's marketed itself into some

1694
01:09:44,479 --> 01:09:51,720
Speaker 2: uh legendary boxing matches, uh, some huge paydays. Gotta respect it.

1695
01:09:52,960 --> 01:09:55,080
Speaker 1: But if I'm if I'm a boxer coming up, that

1696
01:09:55,200 --> 01:09:58,120
Speaker 1: might bother me a lot, because now they see, as

1697
01:09:58,120 --> 01:10:01,320
Speaker 1: if boxing was already a very lucrative sport, now they

1698
01:10:01,320 --> 01:10:06,200
Speaker 1: see what they can do to financially make it better

1699
01:10:06,240 --> 01:10:10,160
Speaker 1: without having to really pay their fighters like that, because

1700
01:10:10,200 --> 01:10:12,760
Speaker 1: they can pay these guys to do something that's less

1701
01:10:12,760 --> 01:10:16,200
Speaker 1: of a liability, and a new fan base that's watching

1702
01:10:16,240 --> 01:10:18,479
Speaker 1: not because they're boxing fans. Yeah, so now it's like

1703
01:10:19,320 --> 01:10:22,320
Speaker 1: because the casual fan that watches the Jake Paul shit,

1704
01:10:22,320 --> 01:10:24,879
Speaker 1: which is a large audience because he has a large audience,

1705
01:10:25,640 --> 01:10:29,200
Speaker 1: because it's not coming to even probably even watch the

1706
01:10:29,240 --> 01:10:32,080
Speaker 1: undercard like that or any other fight. So now it's

1707
01:10:32,120 --> 01:10:35,439
Speaker 1: like you're kind of diluting the sport for the people

1708
01:10:35,479 --> 01:10:37,920
Speaker 1: coming up financially because now they know they don't have

1709
01:10:37,960 --> 01:10:40,000
Speaker 1: to pay that way because they can just go do this,

1710
01:10:40,400 --> 01:10:43,200
Speaker 1: you know, cotton candy bullshit over here and be fine.

1711
01:10:43,360 --> 01:10:45,880
Speaker 2: People are paying hoping that Jake Paul gets knocked out

1712
01:10:46,040 --> 01:10:48,160
Speaker 2: for sure, Like that's the crazy part. People are actually

1713
01:10:48,240 --> 01:10:50,960
Speaker 2: paying to see him get knocked up. They want to

1714
01:10:50,960 --> 01:10:52,760
Speaker 2: see him lose, they want to see him get hurt.

1715
01:10:52,760 --> 01:10:56,840
Speaker 2: They want to see the big, big mouth YouTuber get

1716
01:10:56,920 --> 01:10:58,800
Speaker 2: knocked the fuck out. Yeah, that's what they want to see.

1717
01:10:58,800 --> 01:11:02,680
Speaker 2: And this is probably this is definitely as tough as

1718
01:11:02,720 --> 01:11:07,760
Speaker 2: opponents by far. This is Mike Tyson, Mike and I

1719
01:11:07,840 --> 01:11:09,960
Speaker 2: keep saying this is Mike Tyson, Like, I don't care

1720
01:11:10,040 --> 01:11:11,880
Speaker 2: how old he is, this is Mike Tyson.

1721
01:11:11,880 --> 01:11:13,479
Speaker 4: Which is why I think that they have a called

1722
01:11:13,520 --> 01:11:15,040
Speaker 4: clause on that contract.

1723
01:11:14,560 --> 01:11:17,880
Speaker 1: And the fact that we because of course Mayweather was

1724
01:11:17,960 --> 01:11:21,920
Speaker 1: drastically smaller than him, yeah in the reach as well,

1725
01:11:22,000 --> 01:11:23,760
Speaker 1: Like it wasn't a fair fight in that regard, But

1726
01:11:23,880 --> 01:11:25,680
Speaker 1: I still that doesn't mean much to me when you're

1727
01:11:25,680 --> 01:11:28,240
Speaker 1: a technical boxer. I know he could give j Paul

1728
01:11:28,240 --> 01:11:32,000
Speaker 1: angles that he's never seen in his entire boxing career, and.

1729
01:11:31,920 --> 01:11:35,200
Speaker 2: He's a lot stronger than any opponent that he's faced.

1730
01:11:35,240 --> 01:11:41,679
Speaker 1: But now adding body size to that, Mike is Mike

1731
01:11:41,800 --> 01:11:43,080
Speaker 1: is not a small human being.

1732
01:11:43,240 --> 01:11:49,040
Speaker 2: No, not at all. Very strong, uh still in shape,

1733
01:11:49,160 --> 01:11:52,439
Speaker 2: still has some some quickness to him.

1734
01:11:53,400 --> 01:11:58,080
Speaker 1: He's quicker than Jake Paul right now. Oh yeah, still

1735
01:11:58,120 --> 01:11:59,800
Speaker 1: right now he could get off the couch, should quicker than.

1736
01:11:59,760 --> 01:12:03,320
Speaker 2: Jaypul Still still quick and still stronger and could take

1737
01:12:03,360 --> 01:12:07,479
Speaker 2: a punch. So I don't know, man, respect to Jake

1738
01:12:07,479 --> 01:12:09,960
Speaker 2: Paul though, Man, he's finding a way to get these

1739
01:12:10,040 --> 01:12:13,080
Speaker 2: checks and market the market themselves and market this fight.

1740
01:12:14,120 --> 01:12:16,439
Speaker 2: Uh So shout out to Jake Paul. Man he did

1741
01:12:16,439 --> 01:12:18,679
Speaker 2: it again. This is Mike Tyson. This is not if

1742
01:12:18,680 --> 01:12:20,840
Speaker 2: nothing else he can say. He stood in the ring

1743
01:12:20,840 --> 01:12:21,439
Speaker 2: with Mike Tyson.

1744
01:12:21,720 --> 01:12:24,960
Speaker 1: Mike took blows. Who's my guy? He was from It's

1745
01:12:25,000 --> 01:12:29,200
Speaker 1: from Jamaica, but he was from Toronto. He had he

1746
01:12:29,280 --> 01:12:31,519
Speaker 1: was one of the most powerful fucking punches ever. The

1747
01:12:31,560 --> 01:12:33,800
Speaker 1: fuck was his name. He was gigantic. Someone looked that up,

1748
01:12:34,200 --> 01:12:38,040
Speaker 1: Toronto boxer. It's escaping me. His name that Mike Tyson

1749
01:12:38,080 --> 01:12:40,479
Speaker 1: for Back in the day, no one could hit harder

1750
01:12:40,520 --> 01:12:42,760
Speaker 1: than him ever, and Mike was taking slugs from him.

1751
01:12:42,800 --> 01:12:44,240
Speaker 1: You think he's scared of Jake Paul.

1752
01:12:46,160 --> 01:12:47,080
Speaker 2: No, Mike ain't scared.

1753
01:12:47,360 --> 01:12:48,639
Speaker 1: No, I scared the wrong word.

1754
01:12:48,680 --> 01:12:51,160
Speaker 2: But like, no, Mike Tyson is not scared of Jake

1755
01:12:51,200 --> 01:12:54,160
Speaker 2: Paul at though, Mike Tyson, this is this is an exhibition.

1756
01:12:54,240 --> 01:12:58,320
Speaker 2: This is sparring basically for him. I just like I said,

1757
01:12:58,320 --> 01:13:00,680
Speaker 2: I don't know if Jake Paul might have this. I

1758
01:13:00,680 --> 01:13:02,639
Speaker 2: don't know if he should have accepted this one though.

1759
01:13:03,560 --> 01:13:05,240
Speaker 2: I know it's hard to turn down that fifty million

1760
01:13:05,280 --> 01:13:07,840
Speaker 2: dollar you know, purse.

1761
01:13:07,960 --> 01:13:14,240
Speaker 1: But Donovan Reddick, yes, listen man, he's only taking that

1762
01:13:14,280 --> 01:13:14,839
Speaker 1: with clauses.

1763
01:13:14,960 --> 01:13:20,040
Speaker 2: So the strategy I'm not doubting that. I'm not doubt that,

1764
01:13:20,240 --> 01:13:22,640
Speaker 2: but again, it's still either way. Shout out to Jake

1765
01:13:22,680 --> 01:13:25,280
Speaker 2: Paul because this is you know, this is to his

1766
01:13:25,439 --> 01:13:29,640
Speaker 2: genius and he's he's founders, he's created his lane, and

1767
01:13:29,760 --> 01:13:32,040
Speaker 2: he's he's definitely getting shit done that. I didn't think

1768
01:13:32,080 --> 01:13:33,400
Speaker 2: he would be able to do. I mean after the

1769
01:13:33,479 --> 01:13:35,479
Speaker 2: Nate Robinson fight, I didn't know how much further. I

1770
01:13:35,520 --> 01:13:37,000
Speaker 2: didn't think it was going to go to Mike Tyson.

1771
01:13:37,560 --> 01:13:39,160
Speaker 2: But I mean if it went to Floyd, if it

1772
01:13:39,200 --> 01:13:40,680
Speaker 2: went to Floyd, you know what I'm saying, Like his

1773
01:13:40,720 --> 01:13:44,360
Speaker 2: brother fought Floyd. Yeah, so it's kind of like, you know,

1774
01:13:44,840 --> 01:13:47,280
Speaker 2: I see what they doing, they creating it. You know,

1775
01:13:47,439 --> 01:13:49,680
Speaker 2: they created their lane. Man, I can't hate on it. Well,

1776
01:13:49,680 --> 01:13:52,519
Speaker 2: they got to fight each other, the brothers. Yeah, No,

1777
01:13:52,640 --> 01:13:53,360
Speaker 2: I don't think that's.

1778
01:13:53,280 --> 01:13:55,120
Speaker 1: That's the most fair, actual real fight.

1779
01:13:55,360 --> 01:13:56,920
Speaker 2: Nah, I don't. I don't see them doing that.

1780
01:13:57,560 --> 01:13:58,640
Speaker 1: They're eventually gonna have to do it.

1781
01:13:58,680 --> 01:13:59,840
Speaker 2: I don't see them fighting each other.

1782
01:14:00,160 --> 01:14:02,919
Speaker 1: First of all, they should pace themselves.

1783
01:14:03,800 --> 01:14:04,360
Speaker 2: That's what I'm saying.

1784
01:14:04,640 --> 01:14:07,479
Speaker 1: You went from Mayweather to Tyson, who the fuck is next?

1785
01:14:07,560 --> 01:14:10,000
Speaker 2: No, the other brother fought Mayweather.

1786
01:14:09,120 --> 01:14:13,479
Speaker 1: Either way, the Paul brand has fought Mayweather and Tyson.

1787
01:14:13,760 --> 01:14:14,760
Speaker 2: Yeah, that's what I'm saying.

1788
01:14:14,800 --> 01:14:18,760
Speaker 1: They left, you can fight James Tony, Like what, that's

1789
01:14:18,760 --> 01:14:20,400
Speaker 1: a sick fight. Shout out to James.

1790
01:14:20,439 --> 01:14:26,400
Speaker 2: Though they could I can see them getting some a

1791
01:14:26,400 --> 01:14:29,400
Speaker 2: few more retired fighters. I could see them getting Pakia.

1792
01:14:30,920 --> 01:14:31,519
Speaker 2: I can see it.

1793
01:14:31,800 --> 01:14:33,719
Speaker 1: But Pakio is not playing those internet games.

1794
01:14:33,760 --> 01:14:34,000
Speaker 2: Neither.

1795
01:14:34,880 --> 01:14:38,200
Speaker 1: Zab is not playing those internet games. Neither may Mayweather

1796
01:14:38,280 --> 01:14:41,760
Speaker 1: works because he plays that game. But I think those

1797
01:14:41,800 --> 01:14:42,640
Speaker 1: boxes don't play that.

1798
01:14:42,840 --> 01:14:44,560
Speaker 2: I think I think those boxes, I think some of

1799
01:14:44,600 --> 01:14:45,880
Speaker 2: the some of the boxes that are out there will

1800
01:14:45,880 --> 01:14:48,400
Speaker 2: play those games for these type of paydays. If you

1801
01:14:48,439 --> 01:14:50,680
Speaker 2: tell a retired boxer like yo, listen man, and he

1802
01:14:50,800 --> 01:14:53,200
Speaker 2: knows he's not scared of this guy, He's like, listen man,

1803
01:14:53,400 --> 01:14:55,200
Speaker 2: one of the Paul brothers, we gotta fight right now.

1804
01:14:55,520 --> 01:14:58,720
Speaker 2: You're gonna walk out of here with fifteen million they

1805
01:14:58,920 --> 01:14:59,599
Speaker 2: taking that back.

1806
01:15:00,160 --> 01:15:02,400
Speaker 1: It's hit my head off real quick.

1807
01:15:02,439 --> 01:15:04,280
Speaker 2: That's what I'm saying that this is just a workout

1808
01:15:04,320 --> 01:15:06,599
Speaker 2: for them. They're not really gonna get hurt fighting these dudes,

1809
01:15:06,640 --> 01:15:08,040
Speaker 2: Like you know what I'm saying. So it's kind of like, yeah,

1810
01:15:08,080 --> 01:15:10,880
Speaker 2: I'll fight fifteen million. Why not. That's what I'm saying.

1811
01:15:11,040 --> 01:15:13,320
Speaker 2: They found These Paul brothers found a loophole with this shit.

1812
01:15:13,600 --> 01:15:16,000
Speaker 2: They found a way to generate this money, and now

1813
01:15:16,040 --> 01:15:18,479
Speaker 2: they can just keep generating more money. The bigger than

1814
01:15:18,520 --> 01:15:21,200
Speaker 2: names that they bring Mike Tyson, come on, fifty million dollars.

1815
01:15:22,080 --> 01:15:23,720
Speaker 1: I think they should just fight all the people that

1816
01:15:23,760 --> 01:15:26,439
Speaker 1: are on the internet doubting them, like the bigger, the

1817
01:15:26,439 --> 01:15:26,960
Speaker 1: bigger name.

1818
01:15:27,040 --> 01:15:27,840
Speaker 2: It's no fun than that.

1819
01:15:27,960 --> 01:15:30,880
Speaker 1: No, Because I even said when we was on the

1820
01:15:30,880 --> 01:15:32,640
Speaker 1: old pod we talk about Nate Robinson, I was like,

1821
01:15:32,680 --> 01:15:34,679
Speaker 1: all right, these Paul guys, not to say that they're

1822
01:15:34,680 --> 01:15:37,240
Speaker 1: amazing boxers, but they box for real. Yeah, like they

1823
01:15:37,280 --> 01:15:39,000
Speaker 1: at least Yeah, it's in a ring. It's not a

1824
01:15:39,120 --> 01:15:43,519
Speaker 1: fucking bar fight. He's gonna smoke Nate Robinson. So I

1825
01:15:43,560 --> 01:15:47,400
Speaker 1: didn't think they like to. When everybody asked that, thinks

1826
01:15:47,400 --> 01:15:49,439
Speaker 1: just because I'm an athlete, I could beat these white

1827
01:15:49,479 --> 01:15:52,160
Speaker 1: boys up like they box. It's a little different.

1828
01:15:52,240 --> 01:15:54,640
Speaker 2: Yeah. No, definitely shout out to the Paul brothers, though. Man,

1829
01:15:54,720 --> 01:15:56,599
Speaker 2: I'm excited to see that fight because, like I said,

1830
01:15:56,600 --> 01:15:58,400
Speaker 2: I didn't think that Jake Paul was gonna do much

1831
01:15:58,439 --> 01:16:02,400
Speaker 2: after Nate he is with Mike Tyson. So let's wait

1832
01:16:02,400 --> 01:16:03,000
Speaker 2: and see.

1833
01:16:05,520 --> 01:16:06,760
Speaker 1: We can sign off from here.

1834
01:16:07,040 --> 01:16:10,839
Speaker 2: Please not before we talk about my Lakers.

1835
01:16:10,840 --> 01:16:12,920
Speaker 4: Man, your Lakers.

1836
01:16:12,960 --> 01:16:15,240
Speaker 2: I know, Man, I know, I know, I know we

1837
01:16:15,280 --> 01:16:18,040
Speaker 2: ain't ship. Oh Man, I don't know.

1838
01:16:18,200 --> 01:16:20,840
Speaker 1: Man put together a super team to do Super Bowl shit.

1839
01:16:20,920 --> 01:16:22,600
Speaker 2: I knew this was gonna happen. Though. You can't have

1840
01:16:22,680 --> 01:16:25,479
Speaker 2: too many, too many superstars on one team. Bro's it's

1841
01:16:25,520 --> 01:16:30,120
Speaker 2: just not people blame. It's not Russell Westbrook's fault. It's

1842
01:16:30,160 --> 01:16:34,679
Speaker 2: just the chemistry is not there. It's it's just not working, man.

1843
01:16:34,800 --> 01:16:36,760
Speaker 2: But you know, I still love my Lakers. Man. Does

1844
01:16:36,800 --> 01:16:39,200
Speaker 2: Broun go to the Knicks? No, Bron is never leaving LA.

1845
01:16:39,479 --> 01:16:42,200
Speaker 2: He's gonna retire, I think a Laker, I mean go

1846
01:16:42,200 --> 01:16:44,360
Speaker 2: to the Clippers. No, No, he's gonna retire a Laker.

1847
01:16:44,400 --> 01:16:46,680
Speaker 2: He's not. He's not leaving. Lebron's not leaving. I do

1848
01:16:46,720 --> 01:16:48,200
Speaker 2: think that the Lakers need to make a trade. I

1849
01:16:48,200 --> 01:16:50,320
Speaker 2: think we should try to trade a D to the

1850
01:16:50,400 --> 01:16:52,840
Speaker 2: next I think this is I think the Knicks. I

1851
01:16:52,880 --> 01:16:54,719
Speaker 2: think he has a no trade clause in his contract,

1852
01:16:54,720 --> 01:16:56,200
Speaker 2: But I do think the Knicks is the only team

1853
01:16:56,240 --> 01:16:57,040
Speaker 2: that he would go to.

1854
01:16:57,640 --> 01:16:58,240
Speaker 1: I would like that.

1855
01:16:58,439 --> 01:17:00,280
Speaker 2: Yeah, I think the Knicks of the only that he

1856
01:17:00,320 --> 01:17:03,000
Speaker 2: will go to. I don't know if that happens, but

1857
01:17:03,040 --> 01:17:04,280
Speaker 2: we need to make a trade. We need to get

1858
01:17:04,320 --> 01:17:07,320
Speaker 2: some new pieces. Switch up, switch switch up the chemistry

1859
01:17:07,320 --> 01:17:09,840
Speaker 2: a little bit, because it's clearly not there and we

1860
01:17:09,880 --> 01:17:12,240
Speaker 2: almost have the All Star break and so it's not

1861
01:17:12,280 --> 01:17:13,120
Speaker 2: a lot of time left.

1862
01:17:13,200 --> 01:17:14,760
Speaker 1: How are they doing the All Star They doing the

1863
01:17:15,000 --> 01:17:16,120
Speaker 1: captain thing again.

1864
01:17:16,040 --> 01:17:23,720
Speaker 2: Yeah, same format. It'll probably be Kevin Durant and and

1865
01:17:23,880 --> 01:17:29,400
Speaker 2: I don't even know if it's Lebrono Steph. I think

1866
01:17:29,400 --> 01:17:34,479
Speaker 2: Steph is leading the votes right now. Okay, maybe, but

1867
01:17:34,560 --> 01:17:38,880
Speaker 2: your captain's pick in Cleveland this year? Cold as fuck.

1868
01:17:39,160 --> 01:17:40,320
Speaker 2: I don't know how many people are going to be

1869
01:17:40,360 --> 01:17:43,120
Speaker 2: going to Cleveland, but find a way to Cleveland.

1870
01:17:43,600 --> 01:17:45,160
Speaker 1: I'll go to All Star weekends when they're not in

1871
01:17:45,200 --> 01:17:46,000
Speaker 1: like popping cities.

1872
01:17:48,040 --> 01:17:52,120
Speaker 2: That's that's it's gonna be cold. I do want to

1873
01:17:51,720 --> 01:17:53,680
Speaker 2: be in l though. I do want to go to

1874
01:17:53,720 --> 01:17:54,200
Speaker 2: the Super Bowl.

1875
01:17:55,040 --> 01:17:56,800
Speaker 1: That's not this year's next year, right this year?

1876
01:17:56,880 --> 01:18:03,040
Speaker 2: Yeah, February, Yeah, super in La so So so far Stadium.

1877
01:18:03,160 --> 01:18:03,840
Speaker 1: We're going to the game.

1878
01:18:04,840 --> 01:18:06,400
Speaker 2: Yeah, I think we can get tickets to the game

1879
01:18:06,560 --> 01:18:09,120
Speaker 2: for sure. All right, I'm I would love to do

1880
01:18:09,120 --> 01:18:11,040
Speaker 2: the Super Bowl. And if you some of the players

1881
01:18:11,120 --> 01:18:11,759
Speaker 2: talk some ship.

1882
01:18:12,280 --> 01:18:16,679
Speaker 1: We can bring a b as our third mic. Yeah.

1883
01:18:16,760 --> 01:18:18,200
Speaker 2: I don't know if they allow him in the stadium,

1884
01:18:18,240 --> 01:18:19,599
Speaker 2: but we can interview in the parking lot.

1885
01:18:19,680 --> 01:18:23,240
Speaker 1: Yeah, that would be actually parking lot.

1886
01:18:23,240 --> 01:18:26,080
Speaker 2: Ship. Talk to get a bus and let's just talk

1887
01:18:26,400 --> 01:18:28,360
Speaker 2: in Inglewood. Let's just do the ship in Inglewood. Yeah,

1888
01:18:28,439 --> 01:18:28,880
Speaker 2: I'm down.

1889
01:18:29,240 --> 01:18:31,880
Speaker 1: Talk to Whack. Gotta have maybe do it on the

1890
01:18:31,920 --> 01:18:35,920
Speaker 1: clubhouse too, Gotta have Whack he actually wha yeah, and

1891
01:18:35,960 --> 01:18:38,360
Speaker 1: let him b it down witha.

1892
01:18:40,320 --> 01:18:40,559
Speaker 2: Show.

1893
01:18:42,240 --> 01:18:42,519
Speaker 5: You come.

1894
01:18:42,560 --> 01:18:44,280
Speaker 1: You gotta get down though, like all right, all right,

1895
01:18:44,560 --> 01:18:45,280
Speaker 1: come on one punch.

1896
01:18:45,360 --> 01:18:46,960
Speaker 2: Yeah, we should do that, man, we should definitely do

1897
01:18:47,040 --> 01:18:50,040
Speaker 2: something at the super Bowl. Yeah, because I'm gonna be

1898
01:18:50,040 --> 01:18:51,679
Speaker 2: crying at my Lakers for the rest of you already

1899
01:18:51,720 --> 01:18:54,800
Speaker 2: know they they're disappointing, but whatever, it's all good.

1900
01:18:55,240 --> 01:18:57,400
Speaker 1: The American can go to the beach in Santa Monica.

1901
01:18:58,360 --> 01:18:59,479
Speaker 4: Mm hmm, I'm down.

1902
01:19:00,120 --> 01:19:02,599
Speaker 2: The marriage gonna lay out in the pool, boy, no

1903
01:19:02,640 --> 01:19:05,759
Speaker 2: matter what, She's gonna go to venice seventy two degrees

1904
01:19:05,760 --> 01:19:07,760
Speaker 2: outside and was I was out by the pool and

1905
01:19:07,920 --> 01:19:10,880
Speaker 2: was sick as a dog the next week, barking, I'm like, yeah,

1906
01:19:10,880 --> 01:19:12,800
Speaker 2: I got cold. I bet you did.

1907
01:19:12,880 --> 01:19:14,720
Speaker 1: Yeah, I bet you did.

1908
01:19:15,280 --> 01:19:17,360
Speaker 2: Pool seventy one degrees and then it dropped the fifty

1909
01:19:17,439 --> 01:19:19,120
Speaker 2: nine at night. You told me I'm sick. I bet

1910
01:19:19,160 --> 01:19:22,479
Speaker 2: you are. Word yeah man, but uh we had on

1911
01:19:22,560 --> 01:19:25,000
Speaker 2: hoodies that day. Yeah. The Marris was like, I'm out

1912
01:19:25,040 --> 01:19:27,000
Speaker 2: of pool. I'm like, okay, get your ship off.

1913
01:19:27,080 --> 01:19:31,960
Speaker 1: D It's funny, but all right, maybe super Bowl. We

1914
01:19:32,000 --> 01:19:33,040
Speaker 1: got two weeks to decide.

1915
01:19:33,720 --> 01:19:35,240
Speaker 2: Yeah, let's do this in two weeks.

1916
01:19:35,479 --> 01:19:37,479
Speaker 1: Yeah, February tenth, February.

1917
01:19:37,560 --> 01:19:41,479
Speaker 2: Yeah, I think it's the tenth. Okay, yeah, a little

1918
01:19:41,479 --> 01:19:42,320
Speaker 2: more than two weeks.

1919
01:19:42,560 --> 01:19:43,280
Speaker 4: I might be busy.

1920
01:19:43,320 --> 01:19:44,880
Speaker 2: I think it's the tenth. I don't know. I could

1921
01:19:44,920 --> 01:19:46,080
Speaker 2: be wrong. Who the fuck cares?

1922
01:19:46,360 --> 01:19:48,240
Speaker 1: Listen this up and just cleaning up?

1923
01:19:49,240 --> 01:19:52,679
Speaker 2: Okay, we listen. It was good to see y'all today

1924
01:19:52,720 --> 01:19:55,040
Speaker 2: on the national holiday. Not really, I'm lying, but whatever.

1925
01:19:55,040 --> 01:19:56,200
Speaker 2: It's always good to see y'all.

1926
01:19:56,920 --> 01:19:58,040
Speaker 1: When's Malcolm next day?

1927
01:19:59,560 --> 01:20:05,400
Speaker 2: Uh? I want to say March. I think I don't

1928
01:20:05,400 --> 01:20:06,960
Speaker 2: go to school. Do you forget these holidays?

1929
01:20:06,960 --> 01:20:08,719
Speaker 4: When were you in school?

1930
01:20:08,760 --> 01:20:08,880
Speaker 3: No?

1931
01:20:08,880 --> 01:20:09,000
Speaker 5: More?

1932
01:20:09,640 --> 01:20:10,440
Speaker 2: May?

1933
01:20:11,280 --> 01:20:12,360
Speaker 1: Is it like a day off though?

1934
01:20:12,800 --> 01:20:13,400
Speaker 4: I don't think so.

1935
01:20:13,960 --> 01:20:16,120
Speaker 1: That's like victory over Japan day right where they just

1936
01:20:16,120 --> 01:20:17,040
Speaker 1: don't really celebrate it.

1937
01:20:18,479 --> 01:20:18,599
Speaker 2: Na.

1938
01:20:18,720 --> 01:20:21,840
Speaker 1: That's uh, that's crazy, Malcolm. Actually, we need a day

1939
01:20:21,880 --> 01:20:23,920
Speaker 1: off where the whites need to work.

1940
01:20:25,200 --> 01:20:26,840
Speaker 2: The whites need to work. We're gonna be in here

1941
01:20:26,880 --> 01:20:29,160
Speaker 2: recorded by yourself for sure, May nineteenth.

1942
01:20:29,200 --> 01:20:36,559
Speaker 1: May nineteenth, Yeah, we'll be Here's.

1943
01:20:33,960 --> 01:20:36,599
Speaker 4: Not here any other time. You're gonna make him come

1944
01:20:36,640 --> 01:20:37,439
Speaker 4: into work and work.

1945
01:20:39,960 --> 01:20:42,840
Speaker 2: All right, man, Well, it was good seeing y'all. Stay

1946
01:20:42,880 --> 01:20:43,960
Speaker 2: safe for the rest of the week.

1947
01:20:44,600 --> 01:20:47,840
Speaker 1: It will be right back were holiday episode.

1948
01:20:48,320 --> 01:20:50,400
Speaker 2: Yeah, y'all have fun, be safe, stay warm if you're

1949
01:20:50,400 --> 01:20:52,479
Speaker 2: in the Trisity area because it's cold, supposed to be snowing,

1950
01:20:52,560 --> 01:20:55,920
Speaker 2: supposed to be twelve degrees this week. Yeah again, So

1951
01:20:56,080 --> 01:20:57,680
Speaker 2: I'll be safe. We told to y'all soon. I'm the

1952
01:20:57,760 --> 01:20:59,160
Speaker 2: nigga that's the ginger peace

1953
01:21:01,520 --> 01:21:02,559
Speaker 4: Willian now