WEBVTT - Episode 49: Afro Anime

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<v Speaker 1>Hey, how's it going. You are listening to another episode

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<v Speaker 1>of nerdive said, I'm your host if you wide away,

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<v Speaker 1>and sitting night next to me as always is Danny Fernandez. Yes. Yes,

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<v Speaker 1>and today we're talking about afro anime because you know

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<v Speaker 1>what it is, what is about, and you know the

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<v Speaker 1>things and inspirations and I'm I'm actually really excited about this.

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<v Speaker 1>Uh you know, what do you know about afro anime, David?

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<v Speaker 1>I mean, the first thing that comes to mind would

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<v Speaker 1>be Boondocks. Um and our friend Lashawn Thomas worked on that.

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<v Speaker 1>Oh yeah he sure did. Yeah he directed, and uh

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<v Speaker 1>it was really interesting. We had him on an episode

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<v Speaker 1>of krilling It our Old our old anime podcast, which

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<v Speaker 1>was funny because I didn't know that he wasn't a

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<v Speaker 1>Dragon ball Z fan. Do you remember that? If so,

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<v Speaker 1>we I asked him to come on and right before

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<v Speaker 1>we were or it was a live show on hyper RPG,

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<v Speaker 1>and he was like, oh, by the way, um, I

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<v Speaker 1>don't really like Dragon ball Z. Yeah. I was like,

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<v Speaker 1>what why did you agree to be on our show?

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<v Speaker 1>Is it? What? What do you what did you think

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<v Speaker 1>we're going to talk about? Anyways? My favorite thing about

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<v Speaker 1>that though, was that he brought up how so many

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<v Speaker 1>we people argue about what's anime what's not anime? And

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<v Speaker 1>he was like, no one has this argument in Japan

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<v Speaker 1>where he works. He works in Japan, um and he

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<v Speaker 1>was like, nobody has this argument there. We're just creating

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<v Speaker 1>everybody's creators and we're just trying to create and nobody

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<v Speaker 1>is arguing about what's considered anime. I think that's a

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<v Speaker 1>really Western thing that that people put on. So I

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<v Speaker 1>am also interested in this conversation. Yeah, well, you know,

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<v Speaker 1>before I introduced them, uh these are the day brothers

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<v Speaker 1>on you and o b U day uh I know

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<v Speaker 1>on you. We go back back when I started at BuzzFeed.

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<v Speaker 1>I found out he was Nigerian. That was it. That

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<v Speaker 1>was it. I was like, bat I. I am like,

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<v Speaker 1>it's so funny every time someone asked me about a

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<v Speaker 1>Nigerian in a comedy and it's like, yeah, I know them.

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<v Speaker 1>If I know you're on Nigerian, I'm gonna connect with you.

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<v Speaker 1>I'm trying to create a mafia here, you know, and

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<v Speaker 1>so so me. You know, we clicked up and you know,

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<v Speaker 1>uh I was wearing a DBZ shirt one day and

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<v Speaker 1>then he was like yo, and then we just got

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<v Speaker 1>into this whole conversation and he told me about his

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<v Speaker 1>production company, calling Up Productions and Afro Anime and what

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<v Speaker 1>he was creating. And I was like, you know, we

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<v Speaker 1>gotta get you on ther defficent. And so that was

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<v Speaker 1>pretty much the story and I kind of I'll let

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<v Speaker 1>him take it from here. So yeah, without further Ado,

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<v Speaker 1>Obie and Ony day, how you doing? What's hey, how

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<v Speaker 1>y'all feeling? Man, it's been a day? But I mean

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<v Speaker 1>the energy and here is dope, you know, like I

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<v Speaker 1>like what I'm feeling right now. Yeah, it's a nice

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<v Speaker 1>I mean, I guess you will just jump right into it.

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<v Speaker 1>For anybody who's never heard of it or don't know

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<v Speaker 1>what what we're talking about. What is afro anime? Well, um,

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<v Speaker 1>it's really based on like the first part of the

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<v Speaker 1>word afro. So like when people hear afro enemy, you

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<v Speaker 1>don't want to think about a throw like a hair.

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<v Speaker 1>Afro is more about that inspired by Africa, taking it

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<v Speaker 1>from the African lens. So if you're talking about fighting

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<v Speaker 1>with weapons, you're gonna look at African weapons. If you're

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<v Speaker 1>talking about martial arts, you're not gonna see uh jiu jitsu.

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<v Speaker 1>You're gonna see like lamb or um some sent other

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<v Speaker 1>Senegal wrestling techniques. You're gonna see African techniques. And that's

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<v Speaker 1>the Afro so basically African inspired in terms of lore techniques,

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<v Speaker 1>magic juju in an anime kind of medium, which is

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<v Speaker 1>like you know, when someone's angry, you have that not

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<v Speaker 1>on the head, you know, powering up some of those things.

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<v Speaker 1>It's a you know, we in creating the name, it

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<v Speaker 1>was kind of like it's very much African and die sport,

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<v Speaker 1>but we we also are going to give you know,

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<v Speaker 1>shouts out to the people that kind of you know

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<v Speaker 1>brought us to the genre. Like you know, So it

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<v Speaker 1>wasn't like we're going to create a name that completely

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<v Speaker 1>like disregards the contribution of those who did amazing work

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<v Speaker 1>and anime that got us even thinking about creating stories

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<v Speaker 1>in this media. Um, we're going to create a name

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<v Speaker 1>that okay, shows show some love, but then very much

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<v Speaker 1>lets you know, this is Afro anime. This is uh,

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<v Speaker 1>we're gonna tell stories through the African lens. Right. So

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<v Speaker 1>I used to always say that you know, when you're painting,

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<v Speaker 1>you have this like you know, your oils and all

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<v Speaker 1>that and so anime is kind of like that you

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<v Speaker 1>have always, but what you're drawing is the continent. You're

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<v Speaker 1>drawing certain themes in the continent, Pan African specifically, Nigerian specifically,

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<v Speaker 1>from Kenya specifically, these different ethnic groups spirits. So when

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<v Speaker 1>you're talking about you know, now has the nine tails,

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<v Speaker 1>we have a tortoise. You know when we when we

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<v Speaker 1>you know, shout out to a Nancy. You know what's

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<v Speaker 1>talking about when we talk about Nancy, you know what

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<v Speaker 1>we're talking about West African thing. So you know, that's

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<v Speaker 1>sort of what Afro anime is. What were some of

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<v Speaker 1>the because um, you both grew up watch anime, what

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<v Speaker 1>were some of the titles? I guess that really got

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<v Speaker 1>you interested in moving into animation. I mean I got

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<v Speaker 1>it first and foremost. Give a shout out to whoever

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<v Speaker 1>made the decision um On Cartoon Network to create Y.

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<v Speaker 1>You don't realize how you've affected an entire culture of people.

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<v Speaker 1>I'm talking about from hip hop to like animation to

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<v Speaker 1>even comedy. It's so much ingrained into the culture. I

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<v Speaker 1>just heard this new artist um Dollion or something like

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<v Speaker 1>that or the Stallion, and she had a bar that

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<v Speaker 1>was like hair yellow like gog. I was like, see

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<v Speaker 1>this is what I'm talking about, Like we know where

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<v Speaker 1>this came for us. So shouts out to tonomly like,

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<v Speaker 1>I don't know. We used to rush and get our

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<v Speaker 1>homework done just so we can get in at that

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<v Speaker 1>primetime hour from DBZ Gundam Wing to Cowboy Samurai Jack

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<v Speaker 1>like Ronnie Ketchens there, and that was like are like introduction.

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<v Speaker 1>And then we were like we started getting on the

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<v Speaker 1>internet more and were like, wait a minute, there's some more.

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<v Speaker 1>You know, sometimes you got to get it, but that

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<v Speaker 1>was the only way we could get it back. That's

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<v Speaker 1>what we're saying. These kids will never know. But you

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<v Speaker 1>can go to Funimation and crunchy roll and get the

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<v Speaker 1>subs and dubs immediately when they were leased. When you

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<v Speaker 1>back in the day when you where you felt dope,

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<v Speaker 1>like when anime was out. We all remember that summer.

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<v Speaker 1>You you got those those subs, and you come to

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<v Speaker 1>school and people who were still watching on two now

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<v Speaker 1>and you're like, oh, I'm already ahead, that already happened.

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<v Speaker 1>Let me tell you already got to the boot. Who's boot?

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<v Speaker 1>I don't know? Yeah, And then the thing about it

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<v Speaker 1>was that for me especially was that it was a

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<v Speaker 1>kind of an opportunity for me to kind of kick

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<v Speaker 1>it with my bro. So I had another younger brother

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<v Speaker 1>who was growing up and born in two thousand, so

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<v Speaker 1>we all kind of found a pastime and watching the

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<v Speaker 1>anime together. So like you know, like I seen I've

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<v Speaker 1>seen things on TV when something happened to a girl

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<v Speaker 1>or whatever and she's eating ice cream or whatever. For me,

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<v Speaker 1>it was a bowl of cereal, my brothers and anime.

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<v Speaker 1>That was it. Like I would have the worst dead

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<v Speaker 1>but yo, anime cereal and we just sit and watch

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<v Speaker 1>anime and I feel good after that. And like I

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<v Speaker 1>didn't realize that it was ingraining in me something like

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<v Speaker 1>the thing about anime and cartoons, American cartoons that was

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<v Speaker 1>different was the philosophy. And like no matter where I traveled,

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<v Speaker 1>I remember, we wasn't. I wasn't. I spent time in China.

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<v Speaker 1>I was studying out there, and there was something going on.

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<v Speaker 1>And my bro was like, honestly, we just have a

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<v Speaker 1>Dragon ball Z mindset where it's like, yo, we go

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<v Speaker 1>through all this BS, if we don't die, we can

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<v Speaker 1>power up, get stronger. I just keep going. Like that

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<v Speaker 1>was you just said that to each other. It was

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<v Speaker 1>like the most important thing was training. So when it

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<v Speaker 1>came to language, we went hard in language because it

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<v Speaker 1>was like training. So that's what kind of was. Or

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<v Speaker 1>we tried to build a hyper time chance and you

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<v Speaker 1>know what trad part is he figured it out. Hey

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<v Speaker 1>note went to our old coach and I was like, look,

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<v Speaker 1>if you support us, I'm gonna come back. You know,

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<v Speaker 1>help us build something that could both tracks star I did,

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<v Speaker 1>like for real, like I wasn't bs and it probably

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<v Speaker 1>training with the weighted cuffs and like Piccolo and I mean, yeah,

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<v Speaker 1>I gotta say to have to come back today. I

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<v Speaker 1>totally relate to that, like sitting down and watch to

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<v Speaker 1>see you're watching an anime if you if you haven't

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<v Speaker 1>done it yet, it's always good to go back and

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<v Speaker 1>do it, or like to just fully weep out as

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<v Speaker 1>I was saying me and it was me, Brodie Reid

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<v Speaker 1>and Bide and Bazoon. We went to go see your

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<v Speaker 1>name and then from there drove to a little tokyo

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<v Speaker 1>and had ramen and I was like, man, this I'm

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<v Speaker 1>living my best sports ten year old life right there

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<v Speaker 1>and it felt good. So I'd say, you know, take

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<v Speaker 1>time out your day to do that. But to get

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<v Speaker 1>back on the track, let's talk about how did y'all

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<v Speaker 1>end up coming together to to do this, Like were

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<v Speaker 1>you already involved in art and it just kind of

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<v Speaker 1>happened that way or was it just a kind of

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<v Speaker 1>lightbulb moment? No, man, Um, I was in the Bay

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<v Speaker 1>Area at the time. I was working for Apple, And

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<v Speaker 1>while working for Apple, I just learned so so much.

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<v Speaker 1>Like tell people I went to Apple University because those

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<v Speaker 1>like four or five years was just like incredible, Like

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<v Speaker 1>I got to really understand how certain things and innovation worked. Right.

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<v Speaker 1>So one of the things I learned while being there

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<v Speaker 1>is how to identify, um basically the whole in the market,

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<v Speaker 1>how to identify that X how to identify the X

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<v Speaker 1>factor and then go for it before anyone else does. So,

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<v Speaker 1>you know, it was what so, and I was like,

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<v Speaker 1>I'm not going to go any further here, tired of

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<v Speaker 1>working for somebody. This is not working, isn't really meaningful

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<v Speaker 1>to me, So let me take what I know and

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<v Speaker 1>you know, look at the and just look at the industry.

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<v Speaker 1>So I looked, and I happened to look at the

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<v Speaker 1>chain industry, and I was like, Okay, let me identify

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<v Speaker 1>these trends. Okay. I see they've literally squeezed every European

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<v Speaker 1>folklore that they could and retold the story fifteen different times.

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<v Speaker 1>It's dead. Okay. I see Japan and the Asian community,

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<v Speaker 1>they've they've taken their own stories and told it their

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<v Speaker 1>way and now licensed it out. And now people are

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<v Speaker 1>hip to that and they're loving it, they're learning it.

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<v Speaker 1>They're some billion dollar industry. Great. I see they're starting

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<v Speaker 1>to tap into a little bit of the Latina Latino community. Um,

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<v Speaker 1>they're starting to do more stories there. Okay, wait m hm. Africa.

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<v Speaker 1>No one's telling African stories nobody, And I'm like, this

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<v Speaker 1>is it. I know, we grew up with our father

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<v Speaker 1>telling us oral folklores and traditions and like I doubt

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<v Speaker 1>with our bedtime stories right uh Mazi and by the Tortoise,

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<v Speaker 1>and we learned all these African folklores. This is what

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<v Speaker 1>we learned. This is our culches, what we grew up with.

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<v Speaker 1>And I was like, that's it, that's the next thing.

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<v Speaker 1>So two thousand eleven called him he was in China.

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<v Speaker 1>I'm like, yeah, I just come back from how I

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<v Speaker 1>was in it. I was taking like a course on

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<v Speaker 1>Chinese art, art in China. Okay, you just come back

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<v Speaker 1>from China? Okay. And I was like, yo, it's gonna

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<v Speaker 1>sound crazy, but I want to start a studio and

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<v Speaker 1>I wanted to create a show. And I'm like all right,

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<v Speaker 1>He's alright, bet And I was like, I was thinking

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<v Speaker 1>small scale, right. I was like, we can do like

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<v Speaker 1>a you know, flip door of the Explorer type whatever. Whatever.

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<v Speaker 1>He was like, nah. I was like what. He had

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<v Speaker 1>a very Kanye moment. He was like, nah, I don't

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<v Speaker 1>like that. That's not how we grew up. I'm like, okay.

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<v Speaker 1>He was like, what do we always watch? What what

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<v Speaker 1>do we watch? I was like, watch Animal. He's like,

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<v Speaker 1>say again, were watching? He said, we watched anime? All right,

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<v Speaker 1>then that's what we're doing. I'm like, all right, but

0:11:53.559 --> 0:11:56.200
<v Speaker 1>if we're gonna do anime, just it's it's not gonna

0:11:56.240 --> 0:11:58.040
<v Speaker 1>be the same way. It's going to be different. He

0:11:58.120 --> 0:12:00.560
<v Speaker 1>was like most definitely. So we're gonna do it. We're

0:12:00.559 --> 0:12:02.480
<v Speaker 1>gonna do it the right way. I'm like, okay, so

0:12:02.679 --> 0:12:04.520
<v Speaker 1>what do we do next? He said? We read? Like

0:12:04.640 --> 0:12:07.600
<v Speaker 1>we read. He's like, we read, so Obi, He's gonna

0:12:07.640 --> 0:12:09.800
<v Speaker 1>tell this part of the story. But basically he said,

0:12:09.840 --> 0:12:15.160
<v Speaker 1>we will not write Uni until we read the godfathers

0:12:15.240 --> 0:12:18.920
<v Speaker 1>and god mothers of African folklore, mysticism and you know,

0:12:19.040 --> 0:12:21.480
<v Speaker 1>Juju science fiction. We gotta we gotta know the greats

0:12:21.520 --> 0:12:24.120
<v Speaker 1>who's on our mount rushmore until we figured that out,

0:12:24.200 --> 0:12:26.040
<v Speaker 1>until we know the stories, until we read their work.

0:12:26.400 --> 0:12:29.800
<v Speaker 1>When you're writing, so Obi goes and does massive research.

0:12:29.920 --> 0:12:35.599
<v Speaker 1>I mean, luckily for me, I had a job, so

0:12:36.440 --> 0:12:39.199
<v Speaker 1>so Obie Obie would be like, here's the book, and

0:12:39.240 --> 0:12:41.280
<v Speaker 1>I'll be like, here's the cash, here's the book, here's

0:12:41.280 --> 0:12:43.600
<v Speaker 1>the cash. Here's the book, here's the cash, and then

0:12:43.960 --> 0:12:47.520
<v Speaker 1>we we blinked in them. Those a huge library, over

0:12:47.600 --> 0:12:51.720
<v Speaker 1>five pages written, and we had a solid, solid, solid

0:12:51.840 --> 0:12:56.240
<v Speaker 1>story and it's like, okay, let's start putting faces to

0:12:56.320 --> 0:12:59.120
<v Speaker 1>these characters. But um, just some of the people Obie

0:12:59.320 --> 0:13:02.720
<v Speaker 1>kind of had us go through. Ames Tetola ben O Cree,

0:13:03.160 --> 0:13:07.719
<v Speaker 1>Nadio Kodafo, who eventually ended up being our writing consultant

0:13:08.160 --> 0:13:10.360
<v Speaker 1>for Mysticism in Juju. She ended up being a just

0:13:10.640 --> 0:13:12.960
<v Speaker 1>a dope friend. Now you know, we fam that right,

0:13:13.480 --> 0:13:19.120
<v Speaker 1>So um even we got love from um, a man

0:13:19.160 --> 0:13:22.640
<v Speaker 1>who wrote the novelization of Star Wars and star Alan

0:13:22.679 --> 0:13:25.040
<v Speaker 1>Dean Foster. He gave us love for our work. He's like, yo,

0:13:25.120 --> 0:13:26.920
<v Speaker 1>this is it. This, this is it. I'm tired of

0:13:26.920 --> 0:13:29.760
<v Speaker 1>all that other stuff. This, this is it. Um. So

0:13:30.320 --> 0:13:33.719
<v Speaker 1>from two thousand eleven too, I want to say two

0:13:33.840 --> 0:13:38.000
<v Speaker 1>thousand thirteen were developing I P. And then after we

0:13:38.120 --> 0:13:41.720
<v Speaker 1>developed the show, our first premier show called Red Origins,

0:13:42.280 --> 0:13:46.200
<v Speaker 1>we decided to do an animation right first Kickstarter felt

0:13:46.200 --> 0:13:49.960
<v Speaker 1>we didn't know what we're doing. You know, we literally

0:13:50.000 --> 0:13:51.560
<v Speaker 1>did not know what we were doing. We were learning

0:13:51.600 --> 0:13:54.319
<v Speaker 1>as we're going, and you know, I know we talked

0:13:54.360 --> 0:13:57.599
<v Speaker 1>about this saying, now you pay for your ignorance, like

0:13:57.920 --> 0:14:01.480
<v Speaker 1>physical cash. Everything you don't know, you will pay for it.

0:14:01.600 --> 0:14:04.600
<v Speaker 1>For example, so you did a Kickstarter and it didn't

0:14:04.679 --> 0:14:08.360
<v Speaker 1>go through. Okay, okay, we went hard, but then it failed.

0:14:09.200 --> 0:14:11.520
<v Speaker 1>That was a hard elf me. I was like, it's

0:14:11.520 --> 0:14:13.800
<v Speaker 1>a lesson and I was like, he becluse that chapter.

0:14:13.880 --> 0:14:15.600
<v Speaker 1>I was like, no, no, no, no, we gotta how

0:14:15.679 --> 0:14:18.200
<v Speaker 1>could you tell what you did wrong? Well, there's many

0:14:18.280 --> 0:14:21.720
<v Speaker 1>things that it actually helped. One thing you have to

0:14:21.760 --> 0:14:25.400
<v Speaker 1>build that following number one. Number two like only said,

0:14:25.440 --> 0:14:28.800
<v Speaker 1>whatever you don't know, you pay for so when artists

0:14:28.840 --> 0:14:35.680
<v Speaker 1>are like when you don't know like character turnarounds, front backs, expressions,

0:14:35.960 --> 0:14:38.080
<v Speaker 1>all those things, you end up paying for that in

0:14:38.120 --> 0:14:40.800
<v Speaker 1>animation phase. So like we were over paying for like

0:14:41.520 --> 0:14:46.160
<v Speaker 1>um for creating animation. We didn't know, okay, storyboarded, make animatic.

0:14:46.520 --> 0:14:49.800
<v Speaker 1>Then you go to work with you know, just so

0:14:49.880 --> 0:14:52.200
<v Speaker 1>people can understand this from the job. I and Obi

0:14:52.360 --> 0:14:58.000
<v Speaker 1>had zero animation background, yeah, zero. So yeah, but you

0:14:58.080 --> 0:14:59.760
<v Speaker 1>know where we come from the culture of you know,

0:15:00.440 --> 0:15:03.480
<v Speaker 1>if you don't know it, figure it out. Rather you manage,

0:15:03.600 --> 0:15:08.560
<v Speaker 1>you manage, manages, manages. I was like, I was like,

0:15:08.640 --> 0:15:11.760
<v Speaker 1>who's that my uncle? You only you only have three

0:15:11.880 --> 0:15:16.760
<v Speaker 1>three wheels in the car again, it can drive, And

0:15:16.840 --> 0:15:19.680
<v Speaker 1>that's like African mentality, like just just managed. I think

0:15:19.720 --> 0:15:21.160
<v Speaker 1>what a lot of people don't know too, is that

0:15:21.240 --> 0:15:23.160
<v Speaker 1>a lot of these if we're talking about anime, a

0:15:23.280 --> 0:15:27.040
<v Speaker 1>lot of these studios are in South Korea. Like even

0:15:27.120 --> 0:15:29.840
<v Speaker 1>the one Japanese properties still made in South Korea. A

0:15:29.880 --> 0:15:32.000
<v Speaker 1>lot of the animation here is still made. It like

0:15:32.120 --> 0:15:35.000
<v Speaker 1>the really pretty anime that you see is made there.

0:15:35.080 --> 0:15:38.400
<v Speaker 1>So the fact that you're trying to make something here

0:15:38.720 --> 0:15:42.400
<v Speaker 1>right unheard of? Right, it goes back to only only

0:15:42.480 --> 0:15:44.000
<v Speaker 1>was trying to only came from the Bay with this

0:15:44.200 --> 0:15:49.200
<v Speaker 1>like entrepreneur spirit. Baby, so we're gonna do it. I'm

0:15:49.200 --> 0:15:51.840
<v Speaker 1>a researcher and my focus is on on the continent

0:15:52.040 --> 0:15:54.920
<v Speaker 1>and in politics and Chinese African Chinese major and so

0:15:55.720 --> 0:15:58.160
<v Speaker 1>he talked about just pushing all that research and then

0:15:58.200 --> 0:16:00.520
<v Speaker 1>trying to make it happen. And so with the Kickstarter,

0:16:01.000 --> 0:16:03.920
<v Speaker 1>when we figured out, okay, we had to have this art.

0:16:04.000 --> 0:16:05.680
<v Speaker 1>We have to really look at our art, you know,

0:16:05.760 --> 0:16:07.680
<v Speaker 1>we have to really look at our characters. And so

0:16:07.920 --> 0:16:10.320
<v Speaker 1>when we got a stronger, like we got an art director.

0:16:10.760 --> 0:16:12.720
<v Speaker 1>Like the whole concept of having an art director I did.

0:16:13.240 --> 0:16:15.800
<v Speaker 1>We had no idea that was an important concept. No

0:16:15.920 --> 0:16:20.320
<v Speaker 1>idea like so, you know, building the following online on

0:16:20.720 --> 0:16:23.000
<v Speaker 1>Facebook and Instagram, on Twitter or whatever, Twitter being a

0:16:23.080 --> 0:16:25.640
<v Speaker 1>big part making sure your platforms are set up, then

0:16:25.760 --> 0:16:29.280
<v Speaker 1>coming out with art incrementally. This is before Patreon all

0:16:29.360 --> 0:16:32.000
<v Speaker 1>that stuff like slowly, slowly bring out your art, Um,

0:16:32.440 --> 0:16:34.480
<v Speaker 1>go to more cons and start talking to more people.

0:16:34.520 --> 0:16:36.800
<v Speaker 1>We only went to like one you know what I mean, Um,

0:16:37.400 --> 0:16:40.000
<v Speaker 1>telling your story online, telling your story online, keep giving

0:16:40.080 --> 0:16:42.960
<v Speaker 1>behind the scenes stuff like when we say we did

0:16:43.000 --> 0:16:44.520
<v Speaker 1>everything in house, we did everything in the house, even

0:16:44.560 --> 0:16:47.840
<v Speaker 1>from the music standpoint, which is huge, right, um, and

0:16:48.000 --> 0:16:50.560
<v Speaker 1>we would even like me just thinking about the concept

0:16:50.600 --> 0:16:53.560
<v Speaker 1>of music, I was like a camera better beyond because

0:16:53.560 --> 0:16:55.880
<v Speaker 1>this is content, we'll flip it out right, And then

0:16:55.920 --> 0:16:59.360
<v Speaker 1>it just gets people more invested in the process, more

0:16:59.400 --> 0:17:02.800
<v Speaker 1>invested in the story, more invested in our success because

0:17:02.840 --> 0:17:05.719
<v Speaker 1>they've been on the ride with us from the beginning, right.

0:17:05.960 --> 0:17:07.440
<v Speaker 1>And then so once you got your art director and

0:17:07.480 --> 0:17:09.159
<v Speaker 1>you've got your characters, you got to turn around your

0:17:09.240 --> 0:17:12.240
<v Speaker 1>expression sheets, have everything figured out. Then you've got to

0:17:12.280 --> 0:17:14.520
<v Speaker 1>sit down with your your writers and break down the stories.

0:17:14.560 --> 0:17:17.520
<v Speaker 1>And that's what helped us get to our second kickstarter.

0:17:17.920 --> 0:17:20.000
<v Speaker 1>And then of course you know you will succeeded. Let's

0:17:20.119 --> 0:17:22.879
<v Speaker 1>let's let's let's get that off the way first, which succeeded.

0:17:23.520 --> 0:17:25.679
<v Speaker 1>And then getting your family involved, like that's the funny thing,

0:17:25.800 --> 0:17:27.439
<v Speaker 1>that's one thing we made a mistake a little bit.

0:17:27.720 --> 0:17:31.320
<v Speaker 1>Then enduring community is huge, huge, huge. I mean the

0:17:31.359 --> 0:17:33.440
<v Speaker 1>Black Dice sport community is huge. There they're looking for that.

0:17:33.600 --> 0:17:36.800
<v Speaker 1>This is the time before podcast, this era when we

0:17:36.880 --> 0:17:39.560
<v Speaker 1>did this kickstarter, this is a time before podcast and

0:17:39.680 --> 0:17:42.200
<v Speaker 1>content push. So it was it was just a different

0:17:42.240 --> 0:17:44.600
<v Speaker 1>time before the Facebook girls even came out and all that.

0:17:45.119 --> 0:17:49.240
<v Speaker 1>So really your community was was critical. Well, if I

0:17:49.320 --> 0:17:51.800
<v Speaker 1>can just jump in for the time you're talking about

0:17:51.960 --> 0:17:55.920
<v Speaker 1>is very interesting because I feel like now black nerdiness

0:17:56.000 --> 0:17:59.320
<v Speaker 1>is very mainstream. But there was a moment not too

0:17:59.400 --> 0:18:03.040
<v Speaker 1>long ago where black people on Twitter figured out that

0:18:03.160 --> 0:18:05.880
<v Speaker 1>we all liked dB Z for some reason. We all

0:18:06.000 --> 0:18:09.040
<v Speaker 1>thought we separately liked it and we didn't. But you

0:18:09.160 --> 0:18:12.280
<v Speaker 1>had the same dudes who was jigging, dudes you know,

0:18:12.760 --> 0:18:17.639
<v Speaker 1>who were also into d b Z. Yeah, yeah, and

0:18:17.800 --> 0:18:20.560
<v Speaker 1>so like it exploded online and right around the time

0:18:20.600 --> 0:18:22.240
<v Speaker 1>that now we hear it in music and all that.

0:18:22.560 --> 0:18:24.080
<v Speaker 1>But there was a time when we all thought it

0:18:24.160 --> 0:18:26.760
<v Speaker 1>was like our little corner and it wasn't as like

0:18:27.040 --> 0:18:30.200
<v Speaker 1>in vogueer cool to just flaunt your nerdiness. So now

0:18:30.760 --> 0:18:32.640
<v Speaker 1>we I think we are in the era now where

0:18:32.680 --> 0:18:35.440
<v Speaker 1>people are super seeking it out too, especially when you

0:18:35.520 --> 0:18:39.840
<v Speaker 1>got taste of it like Afro Samurai and Boondocks. I know, people,

0:18:40.560 --> 0:18:43.000
<v Speaker 1>there's something you you touched on that I think is

0:18:43.680 --> 0:18:46.240
<v Speaker 1>is really important. I want to highlight because it's something

0:18:46.320 --> 0:18:51.160
<v Speaker 1>we've talked about in past episodes where Hollywood, especially coming

0:18:51.200 --> 0:18:54.480
<v Speaker 1>from this personal spot in Hollywood is there is a

0:18:54.560 --> 0:18:59.800
<v Speaker 1>regurgitation of just the same Eurocentric stories. And then I

0:19:00.040 --> 0:19:02.040
<v Speaker 1>think you were right. You did see that trend. You

0:19:02.160 --> 0:19:04.959
<v Speaker 1>had Coco, you had Book of Life, and even then

0:19:05.000 --> 0:19:07.720
<v Speaker 1>we're slowly getting but it's slow. It's afraid because like

0:19:08.119 --> 0:19:11.400
<v Speaker 1>because they don't know these stories. So it's either they're

0:19:11.440 --> 0:19:14.080
<v Speaker 1>waiting for the Latin xt creator to come and bring

0:19:14.200 --> 0:19:17.040
<v Speaker 1>it or still it. You know what I We're saying

0:19:17.119 --> 0:19:21.680
<v Speaker 1>like all the way fun but like so that it

0:19:21.840 --> 0:19:23.879
<v Speaker 1>was great because you know, I did have that flavor

0:19:23.920 --> 0:19:25.920
<v Speaker 1>because I don't know if you know this kickstarter called

0:19:26.320 --> 0:19:32.639
<v Speaker 1>Orian Legacy of Kreyo Don it was. It was a

0:19:32.840 --> 0:19:40.760
<v Speaker 1>it's a Cameroonian game studio called Yeah. So when that came,

0:19:40.800 --> 0:19:43.520
<v Speaker 1>I just immediately supported. I didn't I didn't care, like

0:19:43.600 --> 0:19:45.320
<v Speaker 1>people were like, do you well, do you know if

0:19:45.480 --> 0:19:47.119
<v Speaker 1>I was like, I don't care. I want this to

0:19:47.200 --> 0:19:50.280
<v Speaker 1>be made for reasons of like this, like they were

0:19:50.359 --> 0:19:53.119
<v Speaker 1>telling a story, an African story, and those are stories

0:19:53.160 --> 0:19:56.119
<v Speaker 1>you don't hear. And you know, even within myself, I

0:19:56.280 --> 0:20:00.320
<v Speaker 1>found more success because you know, you're writing pilot, you're

0:20:00.359 --> 0:20:02.200
<v Speaker 1>trying to get stuff, and you start with like what

0:20:02.400 --> 0:20:05.639
<v Speaker 1>you know, like Okay, what's a friendly ensemble husband and

0:20:05.720 --> 0:20:09.680
<v Speaker 1>wife and now I myself and dipping into too, like

0:20:09.840 --> 0:20:12.639
<v Speaker 1>all right, well let me go deep inside and you know,

0:20:13.200 --> 0:20:16.879
<v Speaker 1>without like you know, lasting too much. But it's just like,

0:20:17.200 --> 0:20:18.639
<v Speaker 1>you know, I want to do a story about like

0:20:18.760 --> 0:20:22.320
<v Speaker 1>a man who like has you know, uh connection, he's

0:20:22.400 --> 0:20:24.680
<v Speaker 1>he's a shaman and he connected with mommy want to

0:20:25.040 --> 0:20:29.399
<v Speaker 1>and like that's his connection. But that's like still very general,

0:20:29.520 --> 0:20:32.080
<v Speaker 1>like y'all are talking deep cut stuff that aren't even

0:20:32.119 --> 0:20:34.240
<v Speaker 1>touched like I'll say mommy wanted, and even some white

0:20:34.280 --> 0:20:35.720
<v Speaker 1>people are like, oh yeah, I've heard of that, and

0:20:35.760 --> 0:20:40.480
<v Speaker 1>I'm like, oh, not you. And and just so you

0:20:40.520 --> 0:20:43.320
<v Speaker 1>don't get surprised if it comes out later on you

0:20:43.480 --> 0:20:46.680
<v Speaker 1>have a project like that, but yeah we'll talk, Yeah

0:20:46.680 --> 0:20:53.119
<v Speaker 1>we'll talk. No, but yeah, but even just within working

0:20:53.359 --> 0:20:56.040
<v Speaker 1>with people, because I've been lucky enough this year to

0:20:56.080 --> 0:20:58.320
<v Speaker 1>work on a lot of fantasy stuff. And like my

0:20:58.520 --> 0:21:00.760
<v Speaker 1>take is like I was, I I can bring a

0:21:00.840 --> 0:21:07.200
<v Speaker 1>whole new look because Nigerian mermaids are different than very different.

0:21:07.480 --> 0:21:10.119
<v Speaker 1>And I put people onto that and their mind was blown.

0:21:10.160 --> 0:21:12.720
<v Speaker 1>I was like, that's why you need Africans in this room,

0:21:12.720 --> 0:21:17.000
<v Speaker 1>because we are our our myths, our folklore so different.

0:21:17.280 --> 0:21:19.720
<v Speaker 1>Know what you're saying is crazy, It's like true because

0:21:19.760 --> 0:21:21.920
<v Speaker 1>it really bothered me when during the hip hop time

0:21:22.080 --> 0:21:24.119
<v Speaker 1>they were talking about there's no black mermaids. There's this

0:21:24.200 --> 0:21:26.600
<v Speaker 1>thing that happened on Twitter or something like oh there's

0:21:26.600 --> 0:21:29.440
<v Speaker 1>no black mermaid. That was like it blew my mind.

0:21:29.480 --> 0:21:32.240
<v Speaker 1>I was like, you know, the most basic like black

0:21:32.359 --> 0:21:35.359
<v Speaker 1>mermaid is Mammy Water, Like that's like your Google like

0:21:36.160 --> 0:21:40.760
<v Speaker 1>you like what I'm saying, like like basic, that basic

0:21:40.920 --> 0:21:43.439
<v Speaker 1>black mermaid. You feel not even not even a black mermaid,

0:21:43.640 --> 0:21:49.160
<v Speaker 1>black goddess like you know that on that O P level,

0:21:49.280 --> 0:21:51.600
<v Speaker 1>like like she can probably if you do it right,

0:21:51.680 --> 0:21:54.639
<v Speaker 1>she can body vegeta yeah, I'm not even I'm not

0:21:54.760 --> 0:21:58.359
<v Speaker 1>trying to look I know and I believe it, you know,

0:21:58.520 --> 0:22:01.000
<v Speaker 1>so yeah yeah. And that that's when we talked about

0:22:01.000 --> 0:22:04.000
<v Speaker 1>the research, like all that deep research to uncover what

0:22:04.080 --> 0:22:06.080
<v Speaker 1>Google and wiki couldn't provide. Because that's my problem with

0:22:06.119 --> 0:22:08.920
<v Speaker 1>Google wiki, like bump Google and wiki early on two

0:22:09.880 --> 0:22:13.800
<v Speaker 1>times you're type in Africa whatever it flies, you know,

0:22:13.840 --> 0:22:16.160
<v Speaker 1>all that crap. It was so hard to find stories.

0:22:16.640 --> 0:22:18.280
<v Speaker 1>So people were like, oh Google, I was like, no,

0:22:18.359 --> 0:22:21.119
<v Speaker 1>it's a popular search engine, they went that direction and

0:22:21.200 --> 0:22:23.879
<v Speaker 1>Wiki like they don't really to me, they don't care

0:22:23.880 --> 0:22:26.399
<v Speaker 1>about what black people are searching for. We are searching

0:22:26.440 --> 0:22:29.400
<v Speaker 1>for our stories. And that's what Colon Productions is about. Yeah,

0:22:29.560 --> 0:22:33.760
<v Speaker 1>and that's and and the thing that that that is

0:22:33.880 --> 0:22:36.480
<v Speaker 1>the one kind of minor flaw. And the thing like

0:22:36.600 --> 0:22:40.880
<v Speaker 1>Wikipedia is it's it's it's built by users and then

0:22:41.080 --> 0:22:45.000
<v Speaker 1>there's no if there's no information, like you know, once

0:22:45.080 --> 0:22:48.960
<v Speaker 1>y'all start, once all these projects are working on drop,

0:22:49.080 --> 0:22:51.440
<v Speaker 1>I promise you, it's gonna start to fill the coffers

0:22:51.480 --> 0:22:53.840
<v Speaker 1>because people are gonna be now searching it out, seeking

0:22:53.880 --> 0:22:56.760
<v Speaker 1>it out, and that's what you hope to do. And

0:22:57.400 --> 0:22:59.119
<v Speaker 1>that's why I like, you know, it is funny to

0:22:59.240 --> 0:23:02.159
<v Speaker 1>see like kind of the gate keeping in there. We

0:23:02.320 --> 0:23:06.919
<v Speaker 1>always we're actually working on creating our like internal wicki

0:23:07.400 --> 0:23:10.479
<v Speaker 1>as we're going just so it's like put it out,

0:23:10.520 --> 0:23:12.399
<v Speaker 1>We put it out, you know what I mean, Like, no,

0:23:12.600 --> 0:23:14.800
<v Speaker 1>we're not gonna let you write the story. Yeah, we're

0:23:14.800 --> 0:23:17.040
<v Speaker 1>not gonna let you write about us writing the story,

0:23:17.080 --> 0:23:20.000
<v Speaker 1>which we're gonna give it the truth, yeah, which he said,

0:23:20.040 --> 0:23:22.000
<v Speaker 1>Like you said, one of the one of the writing

0:23:22.080 --> 0:23:26.320
<v Speaker 1>requirements is you have to read Neddia Korford's which you

0:23:26.400 --> 0:23:30.560
<v Speaker 1>can't write like people Jesus, Oh, well, I letna say

0:23:30.560 --> 0:23:33.200
<v Speaker 1>this because he's probably gonna skip over this. So as

0:23:33.320 --> 0:23:36.920
<v Speaker 1>we as we're building the studio, right, I kind of

0:23:37.040 --> 0:23:39.520
<v Speaker 1>was taking over more of the animation side, was taking

0:23:39.560 --> 0:23:43.000
<v Speaker 1>over more of the writing side. When people would try

0:23:43.040 --> 0:23:46.239
<v Speaker 1>to come and work for the studio, Obi gave them

0:23:46.280 --> 0:23:49.760
<v Speaker 1>a writing a reading requirement, and that's how he was

0:23:49.880 --> 0:23:53.520
<v Speaker 1>able to deconstruct a lot of these Western ideals from

0:23:53.600 --> 0:23:56.560
<v Speaker 1>them before they touched any of the work. And if

0:23:56.600 --> 0:23:58.280
<v Speaker 1>they refused to do to do any of the reading,

0:23:58.320 --> 0:24:02.000
<v Speaker 1>they didn't get right because basically, like when you said, like,

0:24:03.119 --> 0:24:05.840
<v Speaker 1>no matter what, we're naminering Americans, So we have to

0:24:05.920 --> 0:24:09.040
<v Speaker 1>deconstruct ourselves. Only know that pigeon that broke, I don't

0:24:09.080 --> 0:24:12.280
<v Speaker 1>know that pigeon broken enguring like like that that language,

0:24:12.320 --> 0:24:13.959
<v Speaker 1>I don't know. There's a lot of stories even though

0:24:13.960 --> 0:24:16.000
<v Speaker 1>our fathers told us we were not there. You feel

0:24:16.040 --> 0:24:19.160
<v Speaker 1>me so like there's a lot of deconstruction on our own,

0:24:19.320 --> 0:24:21.520
<v Speaker 1>on our own, like really deep program how we see

0:24:22.400 --> 0:24:25.000
<v Speaker 1>water spirit or mermaid, how we see what is a

0:24:25.119 --> 0:24:27.520
<v Speaker 1>warrior instead of a samurai? I had to erase that,

0:24:28.080 --> 0:24:31.520
<v Speaker 1>you know, and even the idea of good and bad,

0:24:32.680 --> 0:24:37.120
<v Speaker 1>we had to break that idea because and the African lens,

0:24:37.160 --> 0:24:40.000
<v Speaker 1>that's not really a thing. Yeah you know what I mean.

0:24:40.040 --> 0:24:45.280
<v Speaker 1>You might have your protagonists, your antagonist, but even uh

0:24:45.680 --> 0:24:49.200
<v Speaker 1>quote unquote bad guy, it's someone who literally just has

0:24:49.320 --> 0:24:51.560
<v Speaker 1>this different point of view and they and they try

0:24:51.600 --> 0:24:53.960
<v Speaker 1>their best to make you understand the point of view,

0:24:53.960 --> 0:24:56.600
<v Speaker 1>and it challenges your understanding, you know, and to add

0:24:56.640 --> 0:25:00.240
<v Speaker 1>on that essentially like because of the American cartoons good

0:25:00.359 --> 0:25:02.960
<v Speaker 1>versus evil, you know, and anime kind of mix it

0:25:03.040 --> 0:25:05.840
<v Speaker 1>up a little bit, like Miyazaki when you see um

0:25:06.119 --> 0:25:09.359
<v Speaker 1>Princess Mononoke, which is my favorite and favorite anime, and

0:25:10.200 --> 0:25:12.719
<v Speaker 1>the dude in the middle of protagonist is like, yo,

0:25:12.960 --> 0:25:14.960
<v Speaker 1>she's hot. I really like her, but she's like she's

0:25:15.000 --> 0:25:17.359
<v Speaker 1>gonna bother, She's gonna kill me, Like she's all about

0:25:17.400 --> 0:25:19.680
<v Speaker 1>this forest. But like, I understand what's going on in

0:25:19.760 --> 0:25:23.159
<v Speaker 1>this development, you know, in mining, I understand there are

0:25:23.200 --> 0:25:25.000
<v Speaker 1>people who live here. And so it was a very

0:25:25.160 --> 0:25:29.600
<v Speaker 1>very nuanced story and so with the African cosmologies and

0:25:29.680 --> 0:25:31.639
<v Speaker 1>stories and all that, I was like, there is that

0:25:32.000 --> 0:25:35.000
<v Speaker 1>we have um this in between characters these tricksters, like

0:25:35.240 --> 0:25:37.919
<v Speaker 1>it's not just this or that. And one of our

0:25:38.240 --> 0:25:40.760
<v Speaker 1>our leading stories coming out with this key Electron girl,

0:25:40.920 --> 0:25:43.000
<v Speaker 1>there's a there's a part in the show where she's

0:25:43.000 --> 0:25:45.760
<v Speaker 1>about to like fight everybody to like make this world

0:25:45.840 --> 0:25:48.520
<v Speaker 1>more clean, and her father's like, look, it's more complicated

0:25:48.560 --> 0:25:51.080
<v Speaker 1>than that. You can't just go around and just bust

0:25:51.160 --> 0:25:54.760
<v Speaker 1>caps like Batman, Like. It's much more nuanced than that.

0:25:55.119 --> 0:25:57.760
<v Speaker 1>And so that's what we introduce to make it still

0:25:57.880 --> 0:26:00.760
<v Speaker 1>animate and not cartoon. You give me yea yeah, yeah,

0:26:01.160 --> 0:26:03.560
<v Speaker 1>and uh, you know it's it's something you said stuck

0:26:03.560 --> 0:26:06.320
<v Speaker 1>out to me because it's originally what what kind of

0:26:06.520 --> 0:26:10.359
<v Speaker 1>uh made me gravitate towards on you so strongly, And

0:26:10.720 --> 0:26:20.080
<v Speaker 1>we'll get into that right after these messages and welcome back.

0:26:20.200 --> 0:26:23.920
<v Speaker 1>Hope you enjoy those, Masha Shaws. We are back with

0:26:24.080 --> 0:26:26.639
<v Speaker 1>the Day brothers. But yeah, no, something you said to

0:26:26.680 --> 0:26:29.200
<v Speaker 1>me is how you know, uh how own you speaks

0:26:29.240 --> 0:26:31.240
<v Speaker 1>pigeon and all that, and he kind of put that's

0:26:31.320 --> 0:26:33.800
<v Speaker 1>kind of what I felt. You know, as I get older,

0:26:34.080 --> 0:26:36.680
<v Speaker 1>get a road in age, you know something uh you

0:26:36.760 --> 0:26:38.639
<v Speaker 1>know I see among a lot of my you know

0:26:39.000 --> 0:26:42.680
<v Speaker 1>ethno peers, is their relationship with their ethnicity. And you know,

0:26:42.920 --> 0:26:46.320
<v Speaker 1>my mom's from Louisiana, my dad from Nigeria, and you know,

0:26:46.560 --> 0:26:48.159
<v Speaker 1>my dad gives me what it gives me. But like

0:26:48.440 --> 0:26:50.680
<v Speaker 1>you know, the way I grew up, I was never

0:26:50.800 --> 0:26:53.840
<v Speaker 1>surrounded by a lot of other Nigerians, like you know,

0:26:53.920 --> 0:26:57.720
<v Speaker 1>we went to the association meetings. I don't know, boared

0:26:57.760 --> 0:27:02.520
<v Speaker 1>out of your mind. You gotta break it down association.

0:27:03.200 --> 0:27:05.639
<v Speaker 1>So then juran Is like to meet in big organizations

0:27:06.080 --> 0:27:09.639
<v Speaker 1>men and women. They called associations associations with this so

0:27:09.920 --> 0:27:11.920
<v Speaker 1>we're very You could be three years old and you

0:27:11.960 --> 0:27:16.280
<v Speaker 1>know how to conduct a meeting because you like in

0:27:16.400 --> 0:27:18.800
<v Speaker 1>no corporate meetings, nothing compared to what I have to

0:27:18.840 --> 0:27:22.160
<v Speaker 1>sit through, you know. Yeah, and then usually your parents

0:27:22.359 --> 0:27:24.800
<v Speaker 1>by the by the time your adults are salty with

0:27:24.880 --> 0:27:28.000
<v Speaker 1>the or with the association because it's it's a lot

0:27:28.000 --> 0:27:30.680
<v Speaker 1>of stuff go down. My minds are just for any

0:27:31.200 --> 0:27:36.560
<v Speaker 1>Nigerians just listening and burning. Oguashi Uku Association and Oceanili

0:27:37.000 --> 0:27:39.560
<v Speaker 1>those were the two min as. Was the Hallo Association

0:27:39.840 --> 0:27:45.320
<v Speaker 1>and they hal Association Association uh and then also the

0:27:46.640 --> 0:27:50.080
<v Speaker 1>then Juring Evil Community San Berndino. Yeah, that's what's up.

0:27:50.320 --> 0:27:52.360
<v Speaker 1>You need to find me one of those. Well, I'm

0:27:52.359 --> 0:27:54.359
<v Speaker 1>gonna make the l a one. They're probably already this one.

0:27:54.400 --> 0:27:58.760
<v Speaker 1>Let me stop um. But yeah, no, my dad was

0:27:58.840 --> 0:28:01.359
<v Speaker 1>the president and like buying out like for my birthday.

0:28:01.359 --> 0:28:03.840
<v Speaker 1>You know how Facebook has the like you could donate

0:28:04.040 --> 0:28:06.600
<v Speaker 1>it to the cause, and like I saw like and

0:28:06.720 --> 0:28:08.119
<v Speaker 1>y'all in there, and I was like, yo, Dad, I'm

0:28:08.160 --> 0:28:11.639
<v Speaker 1>gonna do He was like, don't do that. Like, yikes,

0:28:11.760 --> 0:28:16.720
<v Speaker 1>what happened? Our dad started the Ninjeran community really, yeah,

0:28:17.240 --> 0:28:21.880
<v Speaker 1>in Sambordino County. Oh that's so quick question. Did y'all

0:28:21.920 --> 0:28:27.280
<v Speaker 1>grow about here? Yeah? Oh shop one time. I very

0:28:27.520 --> 0:28:30.840
<v Speaker 1>rarely almost break the cursing room that all the time. Yeah,

0:28:31.640 --> 0:28:33.560
<v Speaker 1>So you're hitting on two points. Because I'm a big

0:28:33.960 --> 0:28:36.240
<v Speaker 1>I like to have big connections with natives and big

0:28:36.240 --> 0:28:38.760
<v Speaker 1>connections with Nigerian's. I grew up in Compton and we're

0:28:38.800 --> 0:28:42.040
<v Speaker 1>out there, so we're so close. Yeah, you know, so

0:28:42.720 --> 0:28:44.840
<v Speaker 1>as I grow older. You know, that's why I like

0:28:45.000 --> 0:28:46.760
<v Speaker 1>the first thing I said when I met you, I

0:28:46.840 --> 0:28:49.440
<v Speaker 1>was like, Nigerian Independence date, hit me up, let me go.

0:28:49.560 --> 0:28:51.400
<v Speaker 1>He's like, I got you, and he's been keeping me

0:28:51.480 --> 0:28:54.120
<v Speaker 1>in the loop. You know, I've been I was in

0:28:54.240 --> 0:28:56.800
<v Speaker 1>this room and it was keeping me busy. But now

0:28:56.880 --> 0:28:59.800
<v Speaker 1>I'm back, so you see yeah, oh yeah I saw that. Yeah.

0:29:00.400 --> 0:29:03.760
<v Speaker 1>So but let's we've been talking about Afro anime and

0:29:03.800 --> 0:29:06.000
<v Speaker 1>there are certain things that stuck out to people as

0:29:06.040 --> 0:29:09.400
<v Speaker 1>Afro anime. And you know, there's there's something we talked

0:29:09.440 --> 0:29:11.600
<v Speaker 1>about during the break that I want to hear you

0:29:11.920 --> 0:29:14.640
<v Speaker 1>display for all the listeners, but also why I think

0:29:14.720 --> 0:29:16.200
<v Speaker 1>that's a good thing because you almost said it like

0:29:16.240 --> 0:29:18.080
<v Speaker 1>it was a negative, But I think it's a good thing.

0:29:18.240 --> 0:29:22.080
<v Speaker 1>So we're gonna talk about Afro Samurai and the Boomdocks,

0:29:22.400 --> 0:29:25.480
<v Speaker 1>which are like the two I think closest things people

0:29:25.600 --> 0:29:34.000
<v Speaker 1>will think of if they're like Afro animate. Yeah, that's

0:29:34.000 --> 0:29:36.200
<v Speaker 1>the problem if you google, if you google, But real quick,

0:29:36.320 --> 0:29:40.400
<v Speaker 1>I will start by saying the good. Yeah, I'll start

0:29:40.400 --> 0:29:42.960
<v Speaker 1>by saying the good. Um. Shout out to Aaron McGruder.

0:29:43.720 --> 0:29:47.160
<v Speaker 1>I don't think he realizes what it meant to young

0:29:47.240 --> 0:29:50.080
<v Speaker 1>black kids who had a newspaper in their hand and

0:29:50.120 --> 0:29:53.920
<v Speaker 1>will go to the comics section and see representation. Can

0:29:54.000 --> 0:29:55.760
<v Speaker 1>we just take I'm gonna just take two seconds to

0:29:55.920 --> 0:29:59.240
<v Speaker 1>really land on that, because you are so right. I

0:29:59.280 --> 0:30:02.160
<v Speaker 1>would because I would run into the Sunday Funny and

0:30:02.360 --> 0:30:04.440
<v Speaker 1>you know, first we have that one for better or worse.

0:30:04.520 --> 0:30:06.920
<v Speaker 1>I think it was the other Black family and shout

0:30:06.960 --> 0:30:08.760
<v Speaker 1>out to him too. I'm not gonna talk, but when

0:30:08.800 --> 0:30:12.720
<v Speaker 1>I saw Boondocks, that changed my life because not only

0:30:12.920 --> 0:30:14.800
<v Speaker 1>was it this this black family, but it also had

0:30:14.840 --> 0:30:17.080
<v Speaker 1>an anime style to it. So I was like, I'm

0:30:17.400 --> 0:30:21.920
<v Speaker 1>in because you know, really truly like too, because before

0:30:22.000 --> 0:30:24.160
<v Speaker 1>that like animate to me was just you know, your

0:30:24.240 --> 0:30:27.880
<v Speaker 1>dbcs or Youku show Tinchi muo. So to see like

0:30:28.400 --> 0:30:32.240
<v Speaker 1>an Afro done in an anime style, it just opened

0:30:32.280 --> 0:30:34.200
<v Speaker 1>my eyes to a new world. So yes, you're I

0:30:34.400 --> 0:30:37.800
<v Speaker 1>totally know, like that is the good of being like,

0:30:37.880 --> 0:30:40.360
<v Speaker 1>oh you change my world. That's the best thing I'm

0:30:40.360 --> 0:30:44.320
<v Speaker 1>gonna say. And then that can start off. So here

0:30:44.360 --> 0:30:47.160
<v Speaker 1>you go. So first of all, to start with Boondocks, now,

0:30:48.240 --> 0:30:50.920
<v Speaker 1>I mean, and I do this with African futurism. Now,

0:30:51.040 --> 0:30:55.480
<v Speaker 1>if you represent just the continent, you actually represent the

0:30:55.680 --> 0:30:58.600
<v Speaker 1>largest amount of Black people in the world period, So

0:30:59.440 --> 0:31:03.560
<v Speaker 1>that representation is actually small by Boondocks actually does not

0:31:03.680 --> 0:31:07.320
<v Speaker 1>represent the Dia spore, like if you would actually start

0:31:07.480 --> 0:31:11.640
<v Speaker 1>from a continental perspective, just by numbers, game. Yeah, that's

0:31:11.720 --> 0:31:14.400
<v Speaker 1>number one. Number two is like Boondocks had this thing

0:31:14.480 --> 0:31:17.120
<v Speaker 1>where like like what's that? What's that? One? Um dude

0:31:17.240 --> 0:31:22.440
<v Speaker 1>with the like like like why would I create a

0:31:22.600 --> 0:31:26.120
<v Speaker 1>character give life to an imaginary character that hates on

0:31:26.200 --> 0:31:29.000
<v Speaker 1>his own people? I can't do it? Like no, this

0:31:29.160 --> 0:31:32.000
<v Speaker 1>is very important, Like you gotta understand the power of media.

0:31:32.720 --> 0:31:35.000
<v Speaker 1>You gotta understand the power of media. This already is

0:31:35.040 --> 0:31:38.400
<v Speaker 1>in our community. It's already there. Now we have a

0:31:38.560 --> 0:31:41.440
<v Speaker 1>name for them. And like, my my take on that

0:31:41.840 --> 0:31:45.560
<v Speaker 1>is that because you it would do a disservice for

0:31:45.680 --> 0:31:50.600
<v Speaker 1>what Boondocks was doing, because yeah, we created Uncle Rucks,

0:31:50.760 --> 0:31:52.920
<v Speaker 1>but we still have Sheriff Clark out there. We still

0:31:53.000 --> 0:32:03.000
<v Speaker 1>got what what about the Ben Carson? I know this,

0:32:03.320 --> 0:32:05.040
<v Speaker 1>this just hurts to say because he's my man. But

0:32:05.160 --> 0:32:08.600
<v Speaker 1>like right now in this plan, yeah, you know we

0:32:08.760 --> 0:32:11.480
<v Speaker 1>have those. So like I think that put like a

0:32:11.640 --> 0:32:14.960
<v Speaker 1>word because there is this idea of like you know,

0:32:15.760 --> 0:32:18.360
<v Speaker 1>there's this idea that like, you know, I feel like

0:32:18.480 --> 0:32:21.040
<v Speaker 1>it is something to like he was speaking to like

0:32:21.160 --> 0:32:23.440
<v Speaker 1>this type of person that we always see. And I

0:32:23.520 --> 0:32:27.000
<v Speaker 1>think it's because like Boondocks is like specific, but I

0:32:27.120 --> 0:32:29.720
<v Speaker 1>think that still drives home your point that it's only

0:32:29.840 --> 0:32:34.400
<v Speaker 1>covering this small aspect of it. I'm the biggest, biggest, biggest.

0:32:34.720 --> 0:32:35.960
<v Speaker 1>I don't know what I want to say say, I

0:32:36.000 --> 0:32:38.000
<v Speaker 1>don't want to say I guess proponent, but I guess,

0:32:38.080 --> 0:32:40.800
<v Speaker 1>like I say this a lot where there's truth to

0:32:40.880 --> 0:32:44.240
<v Speaker 1>let that media you're controlling. And there was a point where, like,

0:32:44.480 --> 0:32:47.320
<v Speaker 1>you know, you did have certain folks you know, Um,

0:32:47.920 --> 0:32:50.080
<v Speaker 1>I don't think I need to say which folks who

0:32:50.120 --> 0:32:52.920
<v Speaker 1>would take that character and really like him for the

0:32:53.040 --> 0:32:59.320
<v Speaker 1>wrong reasons. Yeah, yeah, it's that Dave Chappelle off camera left. Yeah, yeah,

0:32:59.320 --> 0:33:00.680
<v Speaker 1>I know what I'm talking about. You know what I'm

0:33:00.720 --> 0:33:04.920
<v Speaker 1>talking about. Yeah, So, so, like I that is extremely valid,

0:33:05.280 --> 0:33:06.880
<v Speaker 1>and that was the main thing, like you said, like

0:33:07.000 --> 0:33:10.600
<v Speaker 1>you have characters that can easily become these like caricatures.

0:33:10.840 --> 0:33:13.000
<v Speaker 1>It got really hyper and like that's what I'm saying,

0:33:13.040 --> 0:33:14.840
<v Speaker 1>Like you know, you had your Hui, but he was

0:33:15.040 --> 0:33:18.440
<v Speaker 1>dipped in Japanese philosophy, you know, Like it was like

0:33:18.560 --> 0:33:22.000
<v Speaker 1>I couldn't like those things, like like we're again having

0:33:22.120 --> 0:33:25.480
<v Speaker 1>this one individual of African descent fully involved in Japan

0:33:25.680 --> 0:33:30.560
<v Speaker 1>full like as if we ebles your boss uh about something?

0:33:30.600 --> 0:33:33.000
<v Speaker 1>How some Messaia you can keep going who don't have

0:33:33.360 --> 0:33:36.120
<v Speaker 1>traditions that are really powerful that can help you navigate

0:33:36.200 --> 0:33:39.480
<v Speaker 1>the streets of whatever. And then so a lot of

0:33:39.520 --> 0:33:41.760
<v Speaker 1>those things, like the kind of showed this kind of

0:33:42.040 --> 0:33:44.720
<v Speaker 1>depiction that to me was very much, very close to

0:33:45.040 --> 0:33:48.680
<v Speaker 1>what's that dude media type individual? Yeah, I put that

0:33:48.760 --> 0:33:51.000
<v Speaker 1>in and I put in the same class because that's

0:33:51.120 --> 0:33:53.960
<v Speaker 1>the thing is like like the fro like like that's it,

0:33:54.200 --> 0:33:56.800
<v Speaker 1>and and the corn Rows like there's some there's like

0:33:57.000 --> 0:33:59.600
<v Speaker 1>literally with African futureism and all these like what we're

0:33:59.640 --> 0:34:01.320
<v Speaker 1>trying to do and independent creators are trying to do.

0:34:01.520 --> 0:34:04.320
<v Speaker 1>It's like even hair. Hair is the most political thing

0:34:04.720 --> 0:34:08.480
<v Speaker 1>that literally we have so many different styles now whenever

0:34:08.920 --> 0:34:11.160
<v Speaker 1>we try to have a character draw draw one of

0:34:11.200 --> 0:34:14.560
<v Speaker 1>our characters, they draw Huey. Remember that. Yeah, there was

0:34:15.200 --> 0:34:17.040
<v Speaker 1>just to kind of take you back when earlier when

0:34:17.040 --> 0:34:18.920
<v Speaker 1>I talked about how everyone had to go through Obie's

0:34:18.920 --> 0:34:22.600
<v Speaker 1>regiment of reading African literature. We had to deconstruct a

0:34:22.640 --> 0:34:24.480
<v Speaker 1>lot of our artists. A lot of our artists who

0:34:24.520 --> 0:34:27.720
<v Speaker 1>we worked with, you know, they were taught Western styles,

0:34:27.760 --> 0:34:30.359
<v Speaker 1>maybe Japanese styles, So when we brought them to an

0:34:30.360 --> 0:34:33.640
<v Speaker 1>African story, they would bring that with them, and we

0:34:33.760 --> 0:34:37.160
<v Speaker 1>had to literally break that because there would be a

0:34:37.239 --> 0:34:41.040
<v Speaker 1>situation where there's a full description of how this character

0:34:41.080 --> 0:34:44.600
<v Speaker 1>is supposed to look, and the artists would come back

0:34:45.160 --> 0:34:49.600
<v Speaker 1>with this random, uh stock African mask, not even African masks,

0:34:49.600 --> 0:34:52.239
<v Speaker 1>like a ticking mask on the arm, and then some

0:34:52.400 --> 0:34:55.120
<v Speaker 1>Hughey type hair and we're like and no shirt, Like wait,

0:34:55.280 --> 0:34:58.040
<v Speaker 1>that's where did you get this from? And they're like, oh,

0:34:58.160 --> 0:35:00.279
<v Speaker 1>this is like it's an African character, Like did you

0:35:00.320 --> 0:35:04.640
<v Speaker 1>read the description? No? And then with one of our

0:35:04.640 --> 0:35:06.560
<v Speaker 1>other characters, we have to actually stop one of our

0:35:06.640 --> 0:35:11.640
<v Speaker 1>artists because we realized every scene the character was getting

0:35:11.760 --> 0:35:15.120
<v Speaker 1>lighter and lighter and lighter, to the point where I

0:35:15.200 --> 0:35:18.239
<v Speaker 1>was like, whoa, bro, what is what is going on?

0:35:19.000 --> 0:35:22.320
<v Speaker 1>And he was like, oh, um, I don't don't. He

0:35:22.719 --> 0:35:25.280
<v Speaker 1>couldn't even answer me. He didn't he didn't even realize

0:35:25.560 --> 0:35:30.160
<v Speaker 1>what was just and like what was internal? Well, yeah,

0:35:30.280 --> 0:35:33.239
<v Speaker 1>that's totally systematic and you see it all the docks

0:35:33.320 --> 0:35:36.160
<v Speaker 1>is part of that system. And even depiction of black women.

0:35:37.120 --> 0:35:39.800
<v Speaker 1>Let's talk about that. Boondogs like like boondogs is not

0:35:39.960 --> 0:35:42.880
<v Speaker 1>it's not it in terms of like I'm being real, like, like,

0:35:43.760 --> 0:35:46.279
<v Speaker 1>is there any depictions of black women that y'all that

0:35:46.600 --> 0:35:54.280
<v Speaker 1>y'all could like vibe with in budogs have exactly exactly exactly,

0:35:54.560 --> 0:35:57.800
<v Speaker 1>you ain't gonna get me before I look at I

0:35:57.880 --> 0:35:59.600
<v Speaker 1>do want to say we. I mean, if he and

0:35:59.680 --> 0:36:02.360
<v Speaker 1>I have these conversations that unfortunately also a lot of

0:36:02.440 --> 0:36:04.640
<v Speaker 1>times when you are the first, you bear the weight

0:36:04.760 --> 0:36:07.840
<v Speaker 1>of your entire community. And that happens a lot in

0:36:07.920 --> 0:36:10.600
<v Speaker 1>my community as well. And I think, like I totally

0:36:10.680 --> 0:36:13.880
<v Speaker 1>understand that. Well, here's the thing is is that and

0:36:14.040 --> 0:36:16.600
<v Speaker 1>here's one where I'm going to come in for aaron

0:36:16.680 --> 0:36:21.080
<v Speaker 1>just for a bit. We are blessed that we we

0:36:21.239 --> 0:36:23.840
<v Speaker 1>we and we have to admit that the three Nigerian

0:36:23.880 --> 0:36:26.400
<v Speaker 1>sitting at the table, knowing like our culture where we

0:36:26.560 --> 0:36:30.400
<v Speaker 1>from all those things, we have to remember that a

0:36:30.480 --> 0:36:33.480
<v Speaker 1>lot of African Americans aren't blessed with that information and

0:36:33.640 --> 0:36:35.319
<v Speaker 1>so they have to go off of what they grew

0:36:35.440 --> 0:36:38.239
<v Speaker 1>up doing. And I think that's why it's Afros and

0:36:38.719 --> 0:36:41.319
<v Speaker 1>uh and I think it's corn Rows and I think

0:36:41.440 --> 0:36:44.919
<v Speaker 1>like the the the caricature nous of it, that whole

0:36:44.960 --> 0:36:47.960
<v Speaker 1>show is talking very specific and I think you're right

0:36:48.040 --> 0:36:50.320
<v Speaker 1>in due time, especially now, if you look at that

0:36:50.400 --> 0:36:53.400
<v Speaker 1>compared to what we see in Black Panther, the the

0:36:53.640 --> 0:36:58.080
<v Speaker 1>diversity in not only clothing, Like I almost wept when

0:36:58.160 --> 0:37:00.840
<v Speaker 1>I saw for the first time the big screen the

0:37:00.960 --> 0:37:05.480
<v Speaker 1>clothes we see growing up display that being said, Riley

0:37:05.719 --> 0:37:10.000
<v Speaker 1>is a specific black person. Huey is a very specific

0:37:10.040 --> 0:37:14.960
<v Speaker 1>black verson even whose cedric yarbrowers character uh the like

0:37:15.160 --> 0:37:19.960
<v Speaker 1>whitewash black Tea. It is a show of yeah, I

0:37:20.040 --> 0:37:21.960
<v Speaker 1>mean and right there in the name, it is a

0:37:22.040 --> 0:37:25.080
<v Speaker 1>show of caricatures. And I think that was and I

0:37:25.239 --> 0:37:29.960
<v Speaker 1>think the I think it wasn't for us in the

0:37:30.080 --> 0:37:36.359
<v Speaker 1>sense of like like a black creator gets a show

0:37:36.480 --> 0:37:38.239
<v Speaker 1>and it's not for black people. That's what I'm saying.

0:37:38.239 --> 0:37:39.640
<v Speaker 1>See what I'm saying, That's what And it goes to

0:37:39.680 --> 0:37:41.920
<v Speaker 1>Afro Samurai. We can jump, we can literally jump from

0:37:41.920 --> 0:37:44.279
<v Speaker 1>animate enemy. If you look at Afro Samurai, this is

0:37:44.320 --> 0:37:47.799
<v Speaker 1>an opportunity. Afro Afro even though you don't I don't

0:37:47.800 --> 0:37:50.800
<v Speaker 1>like the name Afro Samurai is a blank slate that

0:37:50.920 --> 0:37:53.040
<v Speaker 1>you could have put the most. It's a dope character.

0:37:53.080 --> 0:37:55.279
<v Speaker 1>It's a cool character, not even really a blank slate.

0:37:55.320 --> 0:37:57.319
<v Speaker 1>If you know anything about history, what do you mean

0:37:58.080 --> 0:38:00.600
<v Speaker 1>just the black Samurai who was no, but not right

0:38:00.719 --> 0:38:06.880
<v Speaker 1>right whatever, right right right? Everyone was. Some of these creators,

0:38:07.000 --> 0:38:11.279
<v Speaker 1>I think, have had to buck up against people, tell

0:38:11.480 --> 0:38:13.640
<v Speaker 1>people telling them that they can't make what they want

0:38:13.680 --> 0:38:15.840
<v Speaker 1>to make, and sometimes they have to give in. I'm

0:38:15.880 --> 0:38:18.040
<v Speaker 1>not saying anything about I don't know Aaron's story. I

0:38:18.080 --> 0:38:20.640
<v Speaker 1>don't know that. I'm just saying I know that a

0:38:20.719 --> 0:38:23.799
<v Speaker 1>lot of creators of color. I'm not trying to make

0:38:23.840 --> 0:38:25.520
<v Speaker 1>an excuse for it. I'm just saying, this is what

0:38:25.640 --> 0:38:28.600
<v Speaker 1>they have heard. The generations before us. I know because

0:38:28.640 --> 0:38:30.560
<v Speaker 1>we have had them on the show and we've talked

0:38:30.560 --> 0:38:33.400
<v Speaker 1>to them about it, have had to go at the

0:38:33.440 --> 0:38:36.080
<v Speaker 1>whims I guess of studios. And let me go back

0:38:36.120 --> 0:38:37.759
<v Speaker 1>to what you said. What was our lessons from our

0:38:37.760 --> 0:38:42.320
<v Speaker 1>first Kickstarter? When you're creative, the most important thing is

0:38:42.400 --> 0:38:47.600
<v Speaker 1>to be fearless. Period. I don't after the first the

0:38:47.680 --> 0:38:52.040
<v Speaker 1>first Kickstarter, the second Kickstarter, it was like, you want

0:38:52.040 --> 0:38:54.640
<v Speaker 1>to talk about powering up, you want talk about living

0:38:54.719 --> 0:38:58.839
<v Speaker 1>under dragon ball z over nine thousand. It takes an

0:38:59.239 --> 0:39:04.359
<v Speaker 1>incredible fearlessness and self confidence. The positive things that our

0:39:04.520 --> 0:39:09.000
<v Speaker 1>parents are, communities associations put into us times nine thousand

0:39:09.200 --> 0:39:11.799
<v Speaker 1>to come up with a work that depicts something as

0:39:11.840 --> 0:39:13.719
<v Speaker 1>true as you possibly can make it, even when you

0:39:13.800 --> 0:39:17.280
<v Speaker 1>know it's not popular, like how can you watch DBZ

0:39:17.400 --> 0:39:20.839
<v Speaker 1>and then you try to water down your stuff. It's

0:39:20.880 --> 0:39:22.880
<v Speaker 1>not gonna work. And that goes with Afro Samurai. And

0:39:22.960 --> 0:39:25.040
<v Speaker 1>that's why we came out with our work. We knew

0:39:25.080 --> 0:39:28.120
<v Speaker 1>it wasn't popular. Then we still we still powered up

0:39:28.120 --> 0:39:31.239
<v Speaker 1>and did it. Then Black Panther hit and now everyone's like, yeah,

0:39:31.520 --> 0:39:33.840
<v Speaker 1>but kinda forever, what are you talking about? We was

0:39:33.920 --> 0:39:38.360
<v Speaker 1>on that already. There's a lot of African futurists, African

0:39:38.480 --> 0:39:44.000
<v Speaker 1>futurisms like um authors doing it. Now everyone's jumping on it.

0:39:45.040 --> 0:39:47.640
<v Speaker 1>Like That's why I want to make very very clear

0:39:47.760 --> 0:39:50.320
<v Speaker 1>part of what African futurism and calling the production is

0:39:50.840 --> 0:39:54.680
<v Speaker 1>is that fearlessness, that desire to fight for a story

0:39:55.760 --> 0:39:57.759
<v Speaker 1>and and and that's what that's what I want to

0:39:57.800 --> 0:40:00.680
<v Speaker 1>I wanna know, yeah, and that and that's true, and

0:40:00.840 --> 0:40:05.239
<v Speaker 1>I think that's like definitely what we need now. But

0:40:05.480 --> 0:40:08.040
<v Speaker 1>I think that that is where it's standard, where it's

0:40:08.080 --> 0:40:11.319
<v Speaker 1>like you just didn't we gotta remember we're talking about

0:40:11.360 --> 0:40:14.800
<v Speaker 1>gate keeping, who holds the key. Luckily, we live in

0:40:14.880 --> 0:40:17.520
<v Speaker 1>an era now where we don't have to go through

0:40:17.560 --> 0:40:20.239
<v Speaker 1>the same door. You can. You can kick started. I

0:40:20.400 --> 0:40:23.359
<v Speaker 1>know that when I when I make the thing we're

0:40:23.400 --> 0:40:26.359
<v Speaker 1>gonna talk about when I make my joint, people gonna

0:40:26.400 --> 0:40:32.759
<v Speaker 1>be like what because And this is because studios their

0:40:32.880 --> 0:40:35.000
<v Speaker 1>job is to make sure they keep their job and

0:40:35.239 --> 0:40:37.200
<v Speaker 1>prepare for the worst. And what the people with the

0:40:37.239 --> 0:40:40.200
<v Speaker 1>money are gonna say. Uh, this definitely is gonna make it.

0:40:40.200 --> 0:40:42.200
<v Speaker 1>But I'm gonna just say it anyway. The show I

0:40:42.320 --> 0:40:45.200
<v Speaker 1>took out was about a gym, but had nothing to

0:40:45.280 --> 0:40:48.719
<v Speaker 1>do with with anybody being buff. It had nothing, not

0:40:48.920 --> 0:40:50.960
<v Speaker 1>a single thing to do. I I said it in

0:40:51.040 --> 0:40:53.560
<v Speaker 1>the pitch. I wrote it in the dock. I said

0:40:53.640 --> 0:40:56.000
<v Speaker 1>that no one has to be dubbed. The message that

0:40:56.120 --> 0:40:58.040
<v Speaker 1>this is sending is that anybody could be in the gym.

0:40:58.280 --> 0:41:00.960
<v Speaker 1>It's just a workplace comedy that happens to take place

0:41:01.000 --> 0:41:03.360
<v Speaker 1>in the gym. I don't know how many people passed

0:41:03.400 --> 0:41:04.719
<v Speaker 1>on it because they were like, how are we gonna

0:41:04.760 --> 0:41:06.799
<v Speaker 1>find buff funny people. It's like I told you all

0:41:06.840 --> 0:41:11.319
<v Speaker 1>a million times, but but like that's just the that's

0:41:11.880 --> 0:41:15.480
<v Speaker 1>that's so that's but like that being said, it um

0:41:16.960 --> 0:41:21.600
<v Speaker 1>like it's just like like for me, I think they're like,

0:41:22.880 --> 0:41:25.759
<v Speaker 1>there's some things boondogs got right. I think there's some

0:41:25.840 --> 0:41:27.879
<v Speaker 1>things that got wrong. I really do agree. People really

0:41:27.960 --> 0:41:31.360
<v Speaker 1>took the the ruckiest thing and ran with it. There

0:41:31.480 --> 0:41:33.279
<v Speaker 1>was I mean, but I mean we see this every

0:41:33.360 --> 0:41:35.040
<v Speaker 1>day on Twitter where some people he was like, you're

0:41:35.080 --> 0:41:37.680
<v Speaker 1>going real wild on that joke. You just so like

0:41:37.880 --> 0:41:42.640
<v Speaker 1>y'all get Dr Tona all the way back that I

0:41:42.719 --> 0:41:46.480
<v Speaker 1>went over to Black Panther R. What do you mean? So? Uh?

0:41:46.880 --> 0:41:50.280
<v Speaker 1>Watching Black Panther um first of all the world creating

0:41:50.320 --> 0:41:54.120
<v Speaker 1>was kind of the way. I don't I don't even

0:41:54.120 --> 0:41:58.160
<v Speaker 1>think people can truly appreciate Black Panther unless you've done

0:41:58.280 --> 0:42:04.240
<v Speaker 1>research on African architects, sure one, and and African clothing

0:42:04.960 --> 0:42:08.920
<v Speaker 1>and that you can't truly appreciate Black Panther unless you've

0:42:08.920 --> 0:42:12.080
<v Speaker 1>done some of this basic of research. Yeah, let's I mean,

0:42:12.160 --> 0:42:14.279
<v Speaker 1>let's just take this quick side boll What did y'all

0:42:14.360 --> 0:42:18.279
<v Speaker 1>think as soon as you heard my man? Uh? Yeah,

0:42:18.520 --> 0:42:20.800
<v Speaker 1>well what did you say? I was like, what it was?

0:42:20.960 --> 0:42:23.160
<v Speaker 1>I know, I was the only one who was like, uncle,

0:42:25.080 --> 0:42:29.160
<v Speaker 1>that sounds very familiar. That dialect seems very familar. He

0:42:29.200 --> 0:42:31.360
<v Speaker 1>said it, He said it, Yeah, he said he he

0:42:31.400 --> 0:42:35.920
<v Speaker 1>didn't the Ebo Solucu, his accent, his whole demeanor, demeanor

0:42:36.440 --> 0:42:40.800
<v Speaker 1>was very much a Niningerian specifically Ebo culture. Ebo, So

0:42:40.880 --> 0:42:44.400
<v Speaker 1>there's multiple ethnicities in Ningeria, so they have a caricature.

0:42:45.320 --> 0:42:48.680
<v Speaker 1>Our guests are Riley of sewords of an uncle type

0:42:48.719 --> 0:42:54.880
<v Speaker 1>who's very stubborn when he when he speaks, he speaks

0:42:55.160 --> 0:42:58.759
<v Speaker 1>the attention. Yeah, yeah, we saw it. But I think

0:42:58.800 --> 0:43:01.200
<v Speaker 1>with Black Panthers, and I know we talked about this. Um,

0:43:03.680 --> 0:43:06.800
<v Speaker 1>I don't want to really destroy people's love for this,

0:43:06.960 --> 0:43:10.000
<v Speaker 1>but we want you to try to think deeply, Okay,

0:43:10.320 --> 0:43:14.239
<v Speaker 1>just really think deeply. Everything starts at the root. Yeah,

0:43:15.200 --> 0:43:17.759
<v Speaker 1>when we create stories, it has to come from something

0:43:17.840 --> 0:43:21.000
<v Speaker 1>real that's happened on the continent or folklore or mysticism

0:43:21.120 --> 0:43:25.120
<v Speaker 1>or whatever the case may be. Period. That's African futurism.

0:43:25.160 --> 0:43:29.200
<v Speaker 1>That's called our production. That's how we wrote Black Panther

0:43:30.239 --> 0:43:33.080
<v Speaker 1>was not written by someone of African descent. Start there

0:43:34.080 --> 0:43:37.600
<v Speaker 1>like the comics. The comics start there. So when you

0:43:37.680 --> 0:43:40.759
<v Speaker 1>start there, you can just start to understand how if

0:43:40.800 --> 0:43:43.239
<v Speaker 1>you keep moving and don't address what's happened in the past,

0:43:44.120 --> 0:43:49.920
<v Speaker 1>something's gonna go horribly wrong. You have a wealthy society

0:43:50.800 --> 0:43:54.480
<v Speaker 1>right of black people, of black people right in Africa,

0:43:55.320 --> 0:43:59.839
<v Speaker 1>who's removed from the continent, who has all these resources, right,

0:44:00.520 --> 0:44:04.239
<v Speaker 1>all this technology and all this stuff, and they do

0:44:04.400 --> 0:44:07.640
<v Speaker 1>nothing for the continent. Number one, they have they literally

0:44:07.680 --> 0:44:12.040
<v Speaker 1>have the power to create hegemony, unity within all within

0:44:12.120 --> 0:44:18.280
<v Speaker 1>the continent. Do nothing. Okay, at the end, after everything happens,

0:44:19.200 --> 0:44:21.440
<v Speaker 1>they're gonna open up our boarders and start helping out people.

0:44:21.960 --> 0:44:25.000
<v Speaker 1>Where do they go because technically what kind of supposed

0:44:25.000 --> 0:44:28.040
<v Speaker 1>to be in East Africa? So the logical thing is,

0:44:28.120 --> 0:44:30.399
<v Speaker 1>if you're gonna start helping people out, you probably start

0:44:30.440 --> 0:44:32.840
<v Speaker 1>to the person right next to you. Nope, you skip

0:44:32.960 --> 0:44:40.840
<v Speaker 1>all Africa and Land and Ethiopia, Degeria, skip all that,

0:44:41.200 --> 0:44:44.440
<v Speaker 1>and we end up in Oakland. Wait a minute, Homie,

0:44:44.760 --> 0:44:47.799
<v Speaker 1>charity begins at home. If you're gonna build this out,

0:44:47.880 --> 0:44:49.960
<v Speaker 1>like you said, you're gonna build it out, you know

0:44:50.160 --> 0:44:52.640
<v Speaker 1>saying you might don't want to start from the continent,

0:44:52.680 --> 0:44:59.200
<v Speaker 1>and even the even with kill Marker's character, right, if

0:44:59.280 --> 0:45:02.719
<v Speaker 1>you're really thinking from a strategic standpoint and you're trying

0:45:02.760 --> 0:45:06.200
<v Speaker 1>to take over and do some clandestine stuff and you

0:45:06.280 --> 0:45:09.719
<v Speaker 1>need an army, might make sense to start with the

0:45:09.840 --> 0:45:12.520
<v Speaker 1>people that you can actually touch that are on the

0:45:12.600 --> 0:45:16.360
<v Speaker 1>continent that you're already currently on, because if you can

0:45:16.480 --> 0:45:19.520
<v Speaker 1>rally them again around the message, you have a real army,

0:45:20.640 --> 0:45:24.399
<v Speaker 1>right instead of kind of sprinkling out to diaspora where

0:45:24.600 --> 0:45:27.279
<v Speaker 1>you know, I can I can go deep, I can

0:45:27.320 --> 0:45:29.520
<v Speaker 1>go deep. But you know what I mean, I think

0:45:29.600 --> 0:45:31.920
<v Speaker 1>with especially like a property like Black Panther and what

0:45:32.000 --> 0:45:34.520
<v Speaker 1>we're finding for all the Marvel properties or these are

0:45:36.160 --> 0:45:38.960
<v Speaker 1>these are properties that were written back in the seventies

0:45:39.360 --> 0:45:42.040
<v Speaker 1>said by you know some Jewish white dudes in New

0:45:42.120 --> 0:45:46.000
<v Speaker 1>York who you know. So that's why I think even

0:45:46.040 --> 0:45:48.520
<v Speaker 1>in that movie, I mean, at this point we're gonna

0:45:48.560 --> 0:45:50.359
<v Speaker 1>get into it. You should have saw it by now,

0:45:51.880 --> 0:45:54.319
<v Speaker 1>they tried to tackle one of the biggest I think

0:45:54.480 --> 0:45:58.080
<v Speaker 1>plot holes in Black Panther, which is why the heck

0:45:58.440 --> 0:46:02.120
<v Speaker 1>if you have this African continent with all this power money,

0:46:02.440 --> 0:46:05.120
<v Speaker 1>you didn't stop slavery, and I think they're trying to

0:46:05.280 --> 0:46:07.759
<v Speaker 1>do that, and it just kind of just it's just

0:46:08.640 --> 0:46:11.360
<v Speaker 1>it's so please please, thank you so much, fine for

0:46:11.440 --> 0:46:16.040
<v Speaker 1>bringing that up. Let me because you know what's crazy, No,

0:46:16.160 --> 0:46:19.200
<v Speaker 1>it's not crazy. After this movie, I know black people

0:46:19.200 --> 0:46:22.200
<v Speaker 1>who genuinely had that sensement like, why didn't you guys

0:46:22.239 --> 0:46:28.960
<v Speaker 1>come for us? Oh? Really, why didn't we come for you? It?

0:46:29.960 --> 0:46:31.600
<v Speaker 1>Oh do you want to see it? He I mean,

0:46:31.800 --> 0:46:34.400
<v Speaker 1>you may have a different perspective ahead. I mean, we

0:46:34.520 --> 0:46:38.680
<v Speaker 1>were kind of dealing with our own colonization, kind of

0:46:38.800 --> 0:46:45.440
<v Speaker 1>occupied with Britain, Portugal, Belgium, France, Italy. You can't, I mean,

0:46:45.480 --> 0:46:48.400
<v Speaker 1>what do you what do you like? Get lay? Wait? Wait, wait,

0:46:48.440 --> 0:46:50.759
<v Speaker 1>hold on, hold on, hold on, hold on. I do.

0:46:51.320 --> 0:46:54.480
<v Speaker 1>I do like the way they went about that because

0:46:54.560 --> 0:46:57.480
<v Speaker 1>the reason I said that is because just like everything

0:46:57.520 --> 0:47:00.960
<v Speaker 1>starts at the roots, the responsibilities can start at the roots.

0:47:01.440 --> 0:47:03.400
<v Speaker 1>I love the things I experienced as a black man

0:47:03.520 --> 0:47:07.960
<v Speaker 1>traveling around the world. I begin to understand that if

0:47:08.600 --> 0:47:12.640
<v Speaker 1>those leaders in the continent, from Gohnna to South Africa

0:47:12.719 --> 0:47:17.320
<v Speaker 1>to Mozambique to if they spoke up to some of

0:47:17.320 --> 0:47:20.920
<v Speaker 1>the chocities that happened to our people in the diaspora,

0:47:21.280 --> 0:47:23.800
<v Speaker 1>it would have a huge impact. This is really important.

0:47:24.360 --> 0:47:26.840
<v Speaker 1>So that's so I kind of side with that idea

0:47:26.920 --> 0:47:32.680
<v Speaker 1>that if you're the parent diaspora or whatever, act like it.

0:47:33.000 --> 0:47:35.560
<v Speaker 1>And so that's my thing with leaders. I studied politics

0:47:35.640 --> 0:47:38.520
<v Speaker 1>like you could have said something when when um Trey

0:47:38.600 --> 0:47:41.280
<v Speaker 1>Von got hit. You know what I mean, when that happened,

0:47:41.360 --> 0:47:43.919
<v Speaker 1>when all these individuals was dying. I was in China

0:47:44.000 --> 0:47:46.279
<v Speaker 1>when it was happening, and I was like the most

0:47:46.280 --> 0:47:48.680
<v Speaker 1>embarrassing thing. So I mean, we're getting really really deep

0:47:52.040 --> 0:47:54.920
<v Speaker 1>because I mean there's I mean, there's so we can

0:47:55.000 --> 0:47:57.719
<v Speaker 1>get we would we there from this, We're able to

0:47:57.800 --> 0:48:00.279
<v Speaker 1>get so deep that we will everyone will not know

0:48:00.360 --> 0:48:03.160
<v Speaker 1>what we talk about it because I got some takes,

0:48:03.239 --> 0:48:06.520
<v Speaker 1>because there are some some Nigerian takes on American politics

0:48:06.600 --> 0:48:09.200
<v Speaker 1>that leave me. But can I say this one thing

0:48:09.239 --> 0:48:12.000
<v Speaker 1>about Afraid I mean Afro Samurai. The main thing by

0:48:12.000 --> 0:48:14.000
<v Speaker 1>Affro Samurai that we could at least guy and was

0:48:14.040 --> 0:48:17.160
<v Speaker 1>at least an African sword as some African like Afro Samurai.

0:48:17.239 --> 0:48:19.600
<v Speaker 1>The thing is Afro Samur's a really cool character. But

0:48:20.120 --> 0:48:21.920
<v Speaker 1>his name is Afro. He has a father, don't know

0:48:22.000 --> 0:48:23.839
<v Speaker 1>his name, don't know where the mom is again black

0:48:23.880 --> 0:48:28.600
<v Speaker 1>woman disappearing and no, he's like the best, Like where

0:48:28.640 --> 0:48:31.040
<v Speaker 1>does that come from? Why do we have a ultra

0:48:31.160 --> 0:48:34.319
<v Speaker 1>dope swordsman? Can we say where the techniques are coming from?

0:48:34.560 --> 0:48:36.880
<v Speaker 1>The swords And then he had a person who's like

0:48:37.280 --> 0:48:39.560
<v Speaker 1>kind of had this joint in his mouth the whole time,

0:48:39.600 --> 0:48:42.000
<v Speaker 1>which is like, like my thing was like Samuel Jackson

0:48:42.080 --> 0:48:44.919
<v Speaker 1>for real, No, no, no, Like I put Samuel Jackson

0:48:45.000 --> 0:48:47.680
<v Speaker 1>Aarma Guder in this box. So you said before the

0:48:47.760 --> 0:48:50.920
<v Speaker 1>Jewish people were depicting sort of our stories or whatever,

0:48:51.280 --> 0:48:53.279
<v Speaker 1>and it's not right. Then we have Aarona Gruder and

0:48:53.320 --> 0:48:57.520
<v Speaker 1>Samuel Jackson and it's like, yo, your your characature a

0:48:57.560 --> 0:48:59.719
<v Speaker 1>certain caricature. So then when are we gonna get it right?

0:49:00.120 --> 0:49:02.760
<v Speaker 1>So that's what I'm talking about with CLA Productions, Red Origins,

0:49:03.080 --> 0:49:08.360
<v Speaker 1>but we're coming out with these will all be in

0:49:08.440 --> 0:49:10.799
<v Speaker 1>the footnotes for y'all to click the link. And here's

0:49:10.800 --> 0:49:12.319
<v Speaker 1>the thing I was gonna I was I was going

0:49:12.360 --> 0:49:14.759
<v Speaker 1>to throw to you because I because everything you're saying

0:49:14.800 --> 0:49:16.960
<v Speaker 1>is valid. Everything is great, And even if people don't

0:49:17.280 --> 0:49:19.000
<v Speaker 1>agree with you who are listening, it's good to have

0:49:19.120 --> 0:49:21.360
<v Speaker 1>these discussions because it will get your mind thinking about

0:49:21.400 --> 0:49:23.000
<v Speaker 1>it and it'll get you think in a different way.

0:49:23.080 --> 0:49:25.000
<v Speaker 1>That's what I why I like these discussions. I think

0:49:25.120 --> 0:49:27.120
<v Speaker 1>right now we're in this era where we feel like

0:49:27.200 --> 0:49:29.319
<v Speaker 1>there's only a right or wrong answer, or you can't

0:49:29.360 --> 0:49:31.960
<v Speaker 1>have hard discussions. This is how you think, This is

0:49:32.000 --> 0:49:35.560
<v Speaker 1>how you see another perspective. But all I can think

0:49:35.600 --> 0:49:39.480
<v Speaker 1>about more than anything, is that the reason these stories

0:49:39.520 --> 0:49:42.560
<v Speaker 1>haven't been told is because no one knew them. And

0:49:42.760 --> 0:49:45.360
<v Speaker 1>right now I'm sitting across from two people who talked

0:49:45.760 --> 0:49:48.400
<v Speaker 1>who who are you know? Who know this story? And

0:49:48.480 --> 0:49:52.960
<v Speaker 1>I'm excited to see what's gonna happen when these stories come,

0:49:53.160 --> 0:49:55.560
<v Speaker 1>because if you look at just what happened, because I

0:49:55.719 --> 0:49:57.400
<v Speaker 1>was it was so funny, because I had that same

0:49:57.880 --> 0:50:00.799
<v Speaker 1>smirt y'all have when we talked about black panthers. Because

0:50:00.800 --> 0:50:02.719
<v Speaker 1>when people were talking about like this like so cool,

0:50:02.760 --> 0:50:05.640
<v Speaker 1>I was like, man, you don't even know the type

0:50:05.680 --> 0:50:09.200
<v Speaker 1>of stories that was coming. But it's because all this

0:50:09.400 --> 0:50:11.720
<v Speaker 1>time and this is this is the type of stuff

0:50:11.760 --> 0:50:14.640
<v Speaker 1>people get salty and leave one one star reviews about.

0:50:14.800 --> 0:50:17.560
<v Speaker 1>But if you haven't figured out right now, we don't care,

0:50:19.680 --> 0:50:22.560
<v Speaker 1>So we can. I just say, Iffy that I'm able

0:50:22.640 --> 0:50:25.239
<v Speaker 1>to sit here and listen, like I'm able to sit

0:50:25.280 --> 0:50:27.359
<v Speaker 1>here and listen and learn, And you have been able

0:50:27.400 --> 0:50:29.279
<v Speaker 1>to sit and listen and learn as we have had

0:50:29.360 --> 0:50:31.880
<v Speaker 1>different conversations with different people that don't look like us.

0:50:31.960 --> 0:50:35.160
<v Speaker 1>I don't understand why people that listen aren't able to

0:50:35.239 --> 0:50:38.080
<v Speaker 1>do that. I think they because they don't want to,

0:50:38.480 --> 0:50:40.640
<v Speaker 1>But like, why wouldn't Like you're saying why wouldn't you?

0:50:40.719 --> 0:50:42.200
<v Speaker 1>I just wanted to say that, because yes, we do

0:50:42.280 --> 0:50:45.160
<v Speaker 1>get one star reviews from people, like you know, they won.

0:50:45.320 --> 0:50:46.719
<v Speaker 1>I think one was like they hate white people, and

0:50:46.760 --> 0:50:48.640
<v Speaker 1>like we've had so many white people on this that

0:50:48.719 --> 0:50:51.879
<v Speaker 1>doesn't make sense. But also like I can sit here

0:50:51.960 --> 0:50:54.479
<v Speaker 1>and learn about something from a culture that isn't mine,

0:50:54.960 --> 0:50:57.920
<v Speaker 1>and that is that is helpful to me. Like I

0:50:58.120 --> 0:51:00.640
<v Speaker 1>like that. That's the whole point of this podcast is

0:51:00.680 --> 0:51:03.239
<v Speaker 1>not just nerds stuff, but how each of us as

0:51:03.400 --> 0:51:07.440
<v Speaker 1>nerds have been affected differently based on our culture representation

0:51:07.680 --> 0:51:09.400
<v Speaker 1>that we've gotten to have in the nerd community. I mean,

0:51:09.520 --> 0:51:11.959
<v Speaker 1>just based on people who have who have been talking

0:51:12.000 --> 0:51:14.880
<v Speaker 1>to us in the discord and tweeting at us. All

0:51:14.920 --> 0:51:16.680
<v Speaker 1>those books y'all mentioned. I'm gonna need y'all to say

0:51:16.680 --> 0:51:19.200
<v Speaker 1>I'm slow and quick because people are gonna want to read.

0:51:20.160 --> 0:51:22.040
<v Speaker 1>We'll put we'll put them in there, we'll put them

0:51:22.080 --> 0:51:24.759
<v Speaker 1>in the footnotes. But but the thing is is we

0:51:25.040 --> 0:51:27.279
<v Speaker 1>have a unique opportunity, all three of us, because all

0:51:27.280 --> 0:51:29.920
<v Speaker 1>three of us are storytellers, creators sitting in this room, right,

0:51:31.400 --> 0:51:34.320
<v Speaker 1>Danny's a storyteller, but I'm talking about African stories. Danny's

0:51:34.360 --> 0:51:37.279
<v Speaker 1>gonna be telling these bomb ass Latin X stories. I'm

0:51:37.520 --> 0:51:42.280
<v Speaker 1>so excited, but like it truly is like the closest

0:51:42.320 --> 0:51:44.920
<v Speaker 1>thing I have. This isn't this is an African this

0:51:45.040 --> 0:51:47.719
<v Speaker 1>is an African American thing. But I was in I

0:51:47.800 --> 0:51:49.160
<v Speaker 1>was I was in a situation where I was in

0:51:49.239 --> 0:51:52.520
<v Speaker 1>a room full of white people and I mentioned Tales

0:51:52.560 --> 0:51:53.920
<v Speaker 1>from the Hood. I was like, oh man, that was

0:51:54.000 --> 0:51:57.440
<v Speaker 1>so crazy that end when he transforms into demon, nobody

0:51:57.520 --> 0:52:00.600
<v Speaker 1>saw it. And when you think of nobody seeing tales

0:52:00.640 --> 0:52:02.520
<v Speaker 1>from the Hood, and then if you think back even further,

0:52:02.960 --> 0:52:05.239
<v Speaker 1>these are the people who are telling stories, and you

0:52:05.360 --> 0:52:08.600
<v Speaker 1>think that every black person has to ingest the story.

0:52:08.760 --> 0:52:10.920
<v Speaker 1>Now run me back how you all said, y'all hurt

0:52:10.960 --> 0:52:13.919
<v Speaker 1>these African stories where they not traditionally from the mouth

0:52:13.960 --> 0:52:17.600
<v Speaker 1>of our parents traditions. Yeah, it's up to us to

0:52:18.040 --> 0:52:21.520
<v Speaker 1>present them to inspire the next generation so that we

0:52:21.640 --> 0:52:26.880
<v Speaker 1>can get these new afrocentric versions, and and the onus

0:52:27.160 --> 0:52:30.000
<v Speaker 1>is on us to also respect. That's why the one

0:52:30.080 --> 0:52:32.839
<v Speaker 1>thing that got me so hyped is how you said,

0:52:32.880 --> 0:52:35.520
<v Speaker 1>the first thing y'all had to do was to read

0:52:35.760 --> 0:52:37.640
<v Speaker 1>and research, because if y'all want to do it, y'all

0:52:37.640 --> 0:52:40.560
<v Speaker 1>want to get it right. There's so many people who's

0:52:40.640 --> 0:52:44.319
<v Speaker 1>just so quick to just tell a story. They don't

0:52:44.320 --> 0:52:47.040
<v Speaker 1>want to get it right. No, but look enemy, these

0:52:47.120 --> 0:52:51.400
<v Speaker 1>Japanese creators, they sit there and do my Kashi Naruto

0:52:51.840 --> 0:52:54.120
<v Speaker 1>like some of these. I studied the grades, and jay

0:52:54.160 --> 0:52:55.839
<v Speaker 1>Co said, I studied the grades. That's what we did.

0:52:56.000 --> 0:52:58.160
<v Speaker 1>I went back to eighties enemy, study the grades. What's

0:52:58.160 --> 0:53:01.000
<v Speaker 1>the best enemy? One piece? Narrowto you too, most highest

0:53:01.000 --> 0:53:04.600
<v Speaker 1>gross sing I went back studied it looked at um

0:53:04.880 --> 0:53:08.279
<v Speaker 1>um like Toto the mass Layer, Moroni Kenchen one of

0:53:08.320 --> 0:53:11.560
<v Speaker 1>the most best historical animies. They told you so much

0:53:11.600 --> 0:53:14.320
<v Speaker 1>about the Major era, like they went into their history.

0:53:14.560 --> 0:53:17.040
<v Speaker 1>How come I know more about Japanese history and some

0:53:17.080 --> 0:53:19.759
<v Speaker 1>of the stuff I like my own, like like you

0:53:19.840 --> 0:53:22.799
<v Speaker 1>know history, you know what I mean? That's the part

0:53:22.840 --> 0:53:25.600
<v Speaker 1>of meeting this part of like anime they really respected.

0:53:25.760 --> 0:53:27.960
<v Speaker 1>I don't know about Yakuza us Like, how do I know?

0:53:28.120 --> 0:53:30.279
<v Speaker 1>I don't want to know about Yakuza. How do I

0:53:30.320 --> 0:53:34.239
<v Speaker 1>know about the Edo period? Yeah, well, we're gonna We're

0:53:34.239 --> 0:53:37.640
<v Speaker 1>gonna get some final thoughts, uh and wrap this thing up.

0:53:37.680 --> 0:53:41.040
<v Speaker 1>This has been great, It's good, it's such a this

0:53:41.239 --> 0:53:43.239
<v Speaker 1>is I'm having the most fun I've had in a while.

0:53:43.440 --> 0:53:45.160
<v Speaker 1>I mean, I've had fun on every episode we just

0:53:45.200 --> 0:53:49.560
<v Speaker 1>did Captain Marvel. I love my job. Uh So, but

0:53:49.680 --> 0:53:51.799
<v Speaker 1>when we get back, we're just gonna wrap up. I'm

0:53:51.800 --> 0:53:54.440
<v Speaker 1>gonna I'm gonna give one thing I like to do

0:53:54.520 --> 0:53:56.920
<v Speaker 1>when I have Creators on is to hit us with

0:53:57.040 --> 0:54:00.680
<v Speaker 1>that elevator pitch to get everyone on that and uh,

0:54:00.760 --> 0:54:02.840
<v Speaker 1>and then we'll just say where people can find you

0:54:03.280 --> 0:54:05.960
<v Speaker 1>and then close it out. So thanks for listening. I

0:54:06.040 --> 0:54:08.520
<v Speaker 1>hope everyone's having as much of a good time as

0:54:08.560 --> 0:54:13.719
<v Speaker 1>we are. We'll see you in a second, all right,

0:54:13.920 --> 0:54:18.080
<v Speaker 1>and welcome back to Nerd Efficent. This is the afro

0:54:18.200 --> 0:54:20.800
<v Speaker 1>Anime episode. I mean one thing before we go in

0:54:20.880 --> 0:54:23.440
<v Speaker 1>the closing thoughts that I think like if if people

0:54:23.840 --> 0:54:25.919
<v Speaker 1>you know, because you know how people being, if people

0:54:26.000 --> 0:54:29.040
<v Speaker 1>came in was like afro Anime, the names you just

0:54:29.239 --> 0:54:32.880
<v Speaker 1>dropped before that break you you can't help but be

0:54:32.960 --> 0:54:37.279
<v Speaker 1>salved that y'all know what you'all talking about. But you know,

0:54:38.280 --> 0:54:40.400
<v Speaker 1>I guess, like, what are you what are some closing

0:54:40.440 --> 0:54:43.480
<v Speaker 1>thoughts that you want people leaving this episode, you know,

0:54:43.719 --> 0:54:49.040
<v Speaker 1>thinking about and knowing, Uh yeah, no doubt. Um so one,

0:54:49.400 --> 0:54:50.759
<v Speaker 1>I just know there's a lot of people that want

0:54:50.760 --> 0:54:53.800
<v Speaker 1>to tell stories. Please, you owe to yourself and you

0:54:53.840 --> 0:54:55.320
<v Speaker 1>old to the people that are going to be consuming

0:54:55.320 --> 0:54:59.360
<v Speaker 1>your media to do your research. Like, media is powerful.

0:54:59.800 --> 0:55:02.800
<v Speaker 1>It's so powerful, and you have to understand and respect

0:55:02.880 --> 0:55:06.920
<v Speaker 1>that power and that responsibility to tell the right story. Right.

0:55:07.040 --> 0:55:10.359
<v Speaker 1>You don't have to draw from the Western lens when

0:55:10.400 --> 0:55:14.399
<v Speaker 1>there's an African lens. Go to a library like, it's

0:55:14.480 --> 0:55:17.160
<v Speaker 1>there for you. It might not be on Google, might

0:55:17.239 --> 0:55:21.320
<v Speaker 1>not be on Wikipedia, but it's there. And if you,

0:55:21.480 --> 0:55:24.200
<v Speaker 1>if you do yourself the honor of researching it, you'll

0:55:24.200 --> 0:55:27.680
<v Speaker 1>find out how fascinating our culture is because we have

0:55:27.960 --> 0:55:33.239
<v Speaker 1>some of the most craziest folklore, secret societies, mysticism that

0:55:33.360 --> 0:55:37.359
<v Speaker 1>you will ever ever experience. And it's your birthright, it's

0:55:37.400 --> 0:55:44.640
<v Speaker 1>your culture. So again, Oh that was that was deep

0:55:45.760 --> 0:55:49.160
<v Speaker 1>and I like it. Okay, then let's go. Let's go

0:55:49.280 --> 0:55:52.680
<v Speaker 1>to the fun part. Give everyone who's listening now an

0:55:52.719 --> 0:55:55.960
<v Speaker 1>elevator pitch why they need to check out colon Ut productions.

0:55:56.200 --> 0:55:59.160
<v Speaker 1>And you know you dropped, You dropped some some some

0:55:59.320 --> 0:56:01.759
<v Speaker 1>of the projects you're working on, So hit us with

0:56:01.840 --> 0:56:05.000
<v Speaker 1>some of those two no doubt so Colna Productions. We

0:56:05.200 --> 0:56:07.799
<v Speaker 1>are a studio that tells stories to the African lens.

0:56:08.160 --> 0:56:12.680
<v Speaker 1>We dabble in mysticism, African futurism, um juju, which is

0:56:12.719 --> 0:56:16.360
<v Speaker 1>African magic. We really go deep and explore the content

0:56:16.440 --> 0:56:19.319
<v Speaker 1>in the way that you've never seen before, and it's

0:56:19.680 --> 0:56:23.839
<v Speaker 1>all rooted and just amazing storytelling. Our first project Read

0:56:23.920 --> 0:56:27.920
<v Speaker 1>origins amazing story about this young boy and it's two

0:56:28.000 --> 0:56:31.480
<v Speaker 1>friends that mystically get transported to Neo Africa and they

0:56:31.520 --> 0:56:33.720
<v Speaker 1>have to save the continent because there's a power struggle

0:56:33.760 --> 0:56:36.719
<v Speaker 1>between the ancestral gods and the new age tech. So

0:56:36.800 --> 0:56:38.880
<v Speaker 1>that's one of our projects which is amazing and dope.

0:56:39.080 --> 0:56:41.680
<v Speaker 1>We have Kissi the electron Girl, this little girl who

0:56:41.719 --> 0:56:44.719
<v Speaker 1>has an affinity for technology and one day she goes

0:56:44.800 --> 0:56:47.960
<v Speaker 1>to an e way site and she finds something that

0:56:48.080 --> 0:56:52.400
<v Speaker 1>changes her life completely. She's able to fuse with technology

0:56:52.760 --> 0:56:55.640
<v Speaker 1>in a crazy way and she develops this amazing relationship

0:56:55.680 --> 0:56:57.759
<v Speaker 1>with this robot and we take it from there. We

0:56:57.960 --> 0:57:03.960
<v Speaker 1>explore how African rock with technology, right. So that's also dope. Man.

0:57:04.040 --> 0:57:06.080
<v Speaker 1>We have so many projects. But we also got to

0:57:06.080 --> 0:57:07.879
<v Speaker 1>give a shout out to Neddio kodaf Or. She has

0:57:08.080 --> 0:57:10.560
<v Speaker 1>a lot of projects that are out there now. Uh

0:57:10.840 --> 0:57:15.359
<v Speaker 1>Kata which an amazing series, BNTI series, amazing series. One

0:57:15.400 --> 0:57:18.320
<v Speaker 1>of her books, Who Fears Death, just got picked up

0:57:18.480 --> 0:57:20.640
<v Speaker 1>by HBO and it's going to be executive produced by

0:57:20.680 --> 0:57:23.240
<v Speaker 1>George R. Martin. There's some other projects going on that

0:57:23.320 --> 0:57:25.920
<v Speaker 1>we can't even talk about. But you know, it's it's mixing,

0:57:25.960 --> 0:57:28.760
<v Speaker 1>it's working. We're on web tunes. You can find Red

0:57:28.800 --> 0:57:32.000
<v Speaker 1>Origins on web tunes. You post the comics there. You

0:57:32.080 --> 0:57:34.760
<v Speaker 1>see the Electron Girls about to drop us on web tunes.

0:57:34.840 --> 0:57:37.960
<v Speaker 1>You can follow us on Conda Productions uh dot com.

0:57:38.040 --> 0:57:40.920
<v Speaker 1>Actually no, you can follow us on YouTube. Go to

0:57:41.040 --> 0:57:43.600
<v Speaker 1>Colner Productions. You'll see a lot of our animations like that.

0:57:43.920 --> 0:57:47.560
<v Speaker 1>Ko l A n U t Production just indeed and

0:57:48.240 --> 0:57:49.920
<v Speaker 1>ConA Productions. We we do a lot of our own

0:57:49.920 --> 0:57:52.240
<v Speaker 1>original music. So we do Afro hip hop. So what

0:57:52.280 --> 0:57:54.640
<v Speaker 1>does that sound like? All of our scores are original.

0:57:54.720 --> 0:57:57.880
<v Speaker 1>We get traditional, real African instruments. We take you on

0:57:57.960 --> 0:58:00.320
<v Speaker 1>a journey. It's it's wild stuff, man, I'm telling you right, now,

0:58:00.920 --> 0:58:05.400
<v Speaker 1>um yeah, Facebook, follow us, Instagram follow us. Then Neptune

0:58:05.440 --> 0:58:07.920
<v Speaker 1>is Blue. So Natur's Blue is also one of my

0:58:08.080 --> 0:58:10.880
<v Speaker 1>favorite projects about to come out this year. Um. And

0:58:11.040 --> 0:58:13.760
<v Speaker 1>it's a musical space odyssey. We're taking Black people into

0:58:13.800 --> 0:58:17.040
<v Speaker 1>space and we're exploring how that is. And these are

0:58:17.400 --> 0:58:21.680
<v Speaker 1>musicians that go into space and we explore what it

0:58:21.800 --> 0:58:24.480
<v Speaker 1>means to have a relationship with money, and also we

0:58:24.560 --> 0:58:27.680
<v Speaker 1>explore what it means to feel and have feelings and

0:58:27.760 --> 0:58:31.000
<v Speaker 1>how us as a culture and Black people in the diaspora,

0:58:31.160 --> 0:58:34.680
<v Speaker 1>how we deal with pain. And we do this through

0:58:35.120 --> 0:58:39.000
<v Speaker 1>these musicians and these amazing characters. And I literally we

0:58:39.200 --> 0:58:42.000
<v Speaker 1>we take you on a journey through music from the

0:58:42.080 --> 0:58:44.800
<v Speaker 1>continent through the diaspora. Even the spaceships are different, and

0:58:44.840 --> 0:58:47.200
<v Speaker 1>the spaceships are different as well, man, even the space

0:58:48.080 --> 0:58:51.960
<v Speaker 1>outfits are different. It's it's wild, it's aliens, all of that. Man,

0:58:52.040 --> 0:58:54.520
<v Speaker 1>We we dive in. We are in the future. It's

0:58:54.520 --> 0:58:59.360
<v Speaker 1>afro futurism. Um, with African futurism ConA productions. We just

0:58:59.480 --> 0:59:02.200
<v Speaker 1>tell them in stories and we do dope. So basically, yeah,

0:59:02.320 --> 0:59:05.360
<v Speaker 1>like as he described, like you know, musicians, everyone can

0:59:05.440 --> 0:59:07.520
<v Speaker 1>vide with that. And an African musicians, like, let's bring

0:59:07.600 --> 0:59:10.000
<v Speaker 1>them up, you know. And I saw on the wall

0:59:10.160 --> 0:59:12.200
<v Speaker 1>something called they said they had the Cotton Club, and

0:59:12.280 --> 0:59:14.680
<v Speaker 1>I was like, that's Harlem, That's that's that's that's the

0:59:14.720 --> 0:59:17.520
<v Speaker 1>African Americans. So like we do all all these cool stuff,

0:59:17.800 --> 0:59:19.800
<v Speaker 1>but from the root is African. So you're not going

0:59:19.840 --> 0:59:21.400
<v Speaker 1>to just see people with spears and it's you know,

0:59:21.680 --> 0:59:23.760
<v Speaker 1>we're gonna take it to the anime level, that like

0:59:23.960 --> 0:59:27.640
<v Speaker 1>extreme dope level. You know, you're Kabo Bebop, you know

0:59:27.680 --> 0:59:30.240
<v Speaker 1>what I mean. We're gonna you see these dope anime,

0:59:30.400 --> 0:59:32.400
<v Speaker 1>we take it to the next level. We're gonna educate you.

0:59:32.560 --> 0:59:35.520
<v Speaker 1>It's gonna be the Really when you dive into Afro anime.

0:59:36.120 --> 0:59:38.400
<v Speaker 1>It's almost like a lot of people ain't feeling him

0:59:38.440 --> 0:59:39.560
<v Speaker 1>right now, but hear me. I'll just hold on for

0:59:39.600 --> 0:59:43.720
<v Speaker 1>a seconds, almost like listening to a tract from Ya Kanye. Right.

0:59:44.160 --> 0:59:46.840
<v Speaker 1>One of the reasons why I really loved Kanye was

0:59:47.000 --> 0:59:49.760
<v Speaker 1>it was like listening to his music was a history,

0:59:50.120 --> 0:59:53.680
<v Speaker 1>a history, you know, tests from museum, Right. I got

0:59:53.760 --> 0:59:56.720
<v Speaker 1>to dive into his samples and learn more about Nina Simone,

0:59:57.200 --> 1:00:01.760
<v Speaker 1>you know, Curtis may faild uh you know, uh kids Charlemagne, like,

1:00:01.840 --> 1:00:04.640
<v Speaker 1>I got to really learn, you know, Alan Parson projects,

1:00:04.680 --> 1:00:07.160
<v Speaker 1>I got to really learn more about music. And that's

1:00:07.200 --> 1:00:10.920
<v Speaker 1>how we approached this. After anime, we we we give

1:00:10.960 --> 1:00:12.880
<v Speaker 1>you the front, and the front beautiful is dope. But

1:00:12.920 --> 1:00:16.720
<v Speaker 1>then if you start diving in, really get into the culture,

1:00:16.920 --> 1:00:19.439
<v Speaker 1>you know what I mean. So that's what it is. Oh,

1:00:20.120 --> 1:00:23.280
<v Speaker 1>that's great, Okay, And now that that's out of the way,

1:00:23.320 --> 1:00:26.240
<v Speaker 1>and everyone's already trying to download everything you all made,

1:00:26.600 --> 1:00:29.600
<v Speaker 1>where can people find you online? Online? So, like I said,

1:00:29.680 --> 1:00:32.680
<v Speaker 1>you can find us on YouTube calling up Productions. You'll

1:00:32.680 --> 1:00:34.320
<v Speaker 1>find a lot of our animated shorts were thrown on

1:00:34.440 --> 1:00:37.760
<v Speaker 1>their um a lot of our projects YouTube. Facebook, you

1:00:37.800 --> 1:00:40.200
<v Speaker 1>can find us Instagram. You can find us calling up

1:00:40.360 --> 1:00:43.600
<v Speaker 1>Underscore Studios. Um. Yeah, we'll put all of this in

1:00:43.640 --> 1:00:47.000
<v Speaker 1>the show. Web tunes on web tunes yea, So web

1:00:47.120 --> 1:00:54.560
<v Speaker 1>tunes is Patreona. We need that support. Let if be fearless,

1:00:55.440 --> 1:00:57.040
<v Speaker 1>the part of a saying, the part of a saying,

1:00:57.440 --> 1:01:00.160
<v Speaker 1>you know, it's tough. So we need that Patreon, need

1:01:00.240 --> 1:01:06.400
<v Speaker 1>that page ain't cheap creating. We need that Patreon shows support.

1:01:06.760 --> 1:01:08.400
<v Speaker 1>You know, we talk back. You know what I'm saying.

1:01:08.480 --> 1:01:10.840
<v Speaker 1>I'm not afraid to talk to anybody. I know. We

1:01:10.920 --> 1:01:13.320
<v Speaker 1>will talk to you, will engage with you, and we

1:01:13.480 --> 1:01:16.320
<v Speaker 1>take feedback. Man fearless feedback culture. That's how we rock

1:01:16.400 --> 1:01:18.959
<v Speaker 1>because we're African and our fathers just you know, would

1:01:18.960 --> 1:01:20.600
<v Speaker 1>say crazy things to us. When you have to eat

1:01:20.640 --> 1:01:23.000
<v Speaker 1>it something, you don't say that little feedback and I've

1:01:23.040 --> 1:01:27.880
<v Speaker 1>hurt nobody, and you know me. I'm always if y

1:01:28.200 --> 1:01:30.680
<v Speaker 1>W A D i w E on Twitter and Instagram,

1:01:30.880 --> 1:01:33.280
<v Speaker 1>if d S on Twitch if you want to see

1:01:33.360 --> 1:01:36.120
<v Speaker 1>me play video games and have discussion about movies or

1:01:36.200 --> 1:01:39.520
<v Speaker 1>episodes or why I'm dying so much in Apex Legends,

1:01:39.960 --> 1:01:43.360
<v Speaker 1>and don't forget the discord Discord dot g G slash

1:01:43.680 --> 1:01:46.959
<v Speaker 1>Salt Squad and that's where we talk about all types

1:01:47.000 --> 1:01:48.800
<v Speaker 1>of stuff and it'll keep you up to date. When

1:01:48.840 --> 1:01:52.000
<v Speaker 1>I'm streaming, I'm at Miss Danny Fernandez. I am at

1:01:52.080 --> 1:01:55.080
<v Speaker 1>Wonder Con. I will be there on Friday, four pm.

1:01:55.160 --> 1:01:59.000
<v Speaker 1>It's room two c D. I'm on LGBT and Minority

1:01:59.040 --> 1:02:01.400
<v Speaker 1>host How to Break Through to and then Saturday Most

1:02:01.640 --> 1:02:05.800
<v Speaker 1>Dangerous Women. Uh, it's at eleven am, same room to

1:02:06.040 --> 1:02:10.600
<v Speaker 1>thirteen c D. Both have stacked panelists and so excited

1:02:10.640 --> 1:02:12.480
<v Speaker 1>and many people that have appeared on here. We have

1:02:12.560 --> 1:02:15.720
<v Speaker 1>a uh Wandser is coming on. We have Chris Lamb

1:02:15.720 --> 1:02:18.880
<v Speaker 1>who's coming up in a future episode. Markie McCarty. Yeah,

1:02:19.240 --> 1:02:21.040
<v Speaker 1>a lot of a lot of dope guests that are

1:02:21.080 --> 1:02:23.600
<v Speaker 1>going to be on the Pan Dope Dope, so definitely

1:02:23.640 --> 1:02:26.080
<v Speaker 1>show up, hang out and where your nertives and shirts

1:02:26.120 --> 1:02:28.760
<v Speaker 1>to wander go so we know where you are and

1:02:29.200 --> 1:02:30.640
<v Speaker 1>as always, stay nerdy.