WEBVTT - Red Pill Black Pill: Motherf*ckin Mini Episode

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<v Speaker 1>Motherfucking many of us. So many of us, O, motherfucking

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<v Speaker 1>many of us. So boop boop beat beat, there it goes, there,

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<v Speaker 1>it goes. Welcome to an all new episode of My

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<v Speaker 1>Mama Told Me the vodcast where we dive deep, deep

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<v Speaker 1>into the pockets of black conspiracy theories and we work

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<v Speaker 1>to prove the theories of you, the listeners, who quite frankly,

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<v Speaker 1>have been taking a tone in the emails lately. Now

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<v Speaker 1>I'm here to say, I don't care for it. You

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<v Speaker 1>guys are speaking to us like little baby sluts the knowledge. Yeah,

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<v Speaker 1>it's not cool, man. It's a lot of like, oh

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<v Speaker 1>it is this too crazy for you? Know? You bitch

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<v Speaker 1>made at you. Nigga is scared to adjust the real

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<v Speaker 1>thing out there. Listen, I eat dinner in the dark.

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<v Speaker 1>Nothing's too crazy. I watching meat dinner in the dark.

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<v Speaker 1>I'm the craziest that is. I yeah, first of all.

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<v Speaker 1>Second of all, I placed by that you nailed down.

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<v Speaker 1>I'm getting nice with it. I gotta start practicing the harmonica. Yeah, no,

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<v Speaker 1>you gotta warm up. And frankly, I still haven't practiced

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<v Speaker 1>my nunchucks. So we should feel like we should be

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<v Speaker 1>like we should give it like, okay, because we're gonna

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<v Speaker 1>get to two thousand subscribers. Yeah, we gotta put a

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<v Speaker 1>deadline on my ship. So that this this I'm saying,

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<v Speaker 1>we plan it for like a future live show. Like

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<v Speaker 1>then it's like, come out and you can see the

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<v Speaker 1>nunchucks and the harmonica. You are okay, okay, Yeah, I

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<v Speaker 1>don't mind. I don't mind Baton switching the listeners a

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<v Speaker 1>little bit. I don't like, Oh yeah, fuck them, you

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<v Speaker 1>know what I mean, you like, fuck them. I don't

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<v Speaker 1>owe you shit. Yeah, I don't know you except for

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<v Speaker 1>mom my mom, everybody else, so man, moms, the sort

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<v Speaker 1>of family members, my little brother. This is this is

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<v Speaker 1>a perfect I think, a perfect h marrying of our

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<v Speaker 1>two obligations. So that's what I'm saying. At two thousand,

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<v Speaker 1>we will team up and showcase both skills at once

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<v Speaker 1>at a live show. Once. I like that, even Yesukay,

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<v Speaker 1>let's fucking turn it into like a little bit of

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<v Speaker 1>a Obama Springstein hook up. Yeah, get somebody to wrap, Oh, Olivia,

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<v Speaker 1>that's what you're going at the live show. You Olivia

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<v Speaker 1>is gonna wrap. I'll back you with the beat and

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<v Speaker 1>then you gotta I'm gonna be honest, you probably gotta

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<v Speaker 1>like you're gonna have to at least get a headband.

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<v Speaker 1>I want you goddamn right, I'll wear a headband, and

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<v Speaker 1>I want I want Olivia wrapping the words to fight

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<v Speaker 1>the powers as I Nunchuck and you Harmonica. This is

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<v Speaker 1>this is gonna be a problem. You should get. You

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<v Speaker 1>should get. You know what you should get is like

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<v Speaker 1>one of those Kendrick karate suits. You know what I'm saying.

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<v Speaker 1>Yeah yeah, yeah, yeah, yeah, yeah yeah, when he became

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<v Speaker 1>self aware inside of that nickname and he was like, yeah,

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<v Speaker 1>this is this is my outfits. Now, Yeah, that's got complicated.

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<v Speaker 1>If the artist journey, sometimes I think he's maybe not

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<v Speaker 1>for me. Yeah, you start making these weird, like almost

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<v Speaker 1>like cartoonish choices and we have to be like, I

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<v Speaker 1>think it's because he's complicated. Yeah, Like I think he's

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<v Speaker 1>just a really smart guy. Like I'm never gonna get

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<v Speaker 1>a hat that crazy that it's gonna make you think

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<v Speaker 1>I'm smarter than I am, do you? Yeah? Yeah yeah, yeah,

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<v Speaker 1>Like there has to be a level where you're saying

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<v Speaker 1>shit and nobody really knows what's going on, and I'm

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<v Speaker 1>just too I'm too grounded for that I think. Yeah,

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<v Speaker 1>it seems especially in the rap world, where they're like

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<v Speaker 1>constantly telling us that they're bringing their original friends along

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<v Speaker 1>for like this entire journey. It feels like that's not

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<v Speaker 1>even possible when you're wearing a karate outfit. Bro, Like

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<v Speaker 1>the niggas you grew up with are either they are

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<v Speaker 1>not your friends or they have been long gone. And

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<v Speaker 1>you know it's the new people I live in my city.

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<v Speaker 1>You think I could just like start just like a

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<v Speaker 1>fucking gaucho and that's just gonna go. That's just gonna go.

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<v Speaker 1>I gotta just like, yeah, a guy the fucking Rodigo grill,

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<v Speaker 1>and everybody's just gonna be like, oh, yeah, that's the

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<v Speaker 1>same Dave. That's the same guy I saw. It's too many,

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<v Speaker 1>too many questions. I bought a pair of wide leg

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<v Speaker 1>jeans and went to a party and everyone noticed, you

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<v Speaker 1>know what I mean, everyone it's like, bro, those flares

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<v Speaker 1>and I'm like, yeah, well, you know it was part

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<v Speaker 1>of this. They were like, no, nigga, no, not how

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<v Speaker 1>you did it? No two weeks ago, sir, Yeah, I

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<v Speaker 1>respect Andre. I don't know who we had around it.

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<v Speaker 1>Let that transformation happen, because my people would not. My

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<v Speaker 1>mom would be calling me like you just started going crazy. No, no,

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<v Speaker 1>you can't get away with none of that. I've been

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<v Speaker 1>thinking about getting some of those loafers and everybody's wearing

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<v Speaker 1>and I'm like, I don't even know if I can.

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<v Speaker 1>I don't even know like I wear, I can't wear them.

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<v Speaker 1>To the barber shop, bro, I wore some loafers to show.

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<v Speaker 1>I thought it was cool. Thanks man. But then but

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<v Speaker 1>then on the way we we went and got food. Afterwards,

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<v Speaker 1>everybody was hanging out and ship and then Sydney noticed

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<v Speaker 1>I had on loafers and roasted me to no end talk.

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<v Speaker 1>She called me all kinds of uh. She said I

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<v Speaker 1>was wearing Harlem Renaissance fives, and she was she was

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<v Speaker 1>losing her mind making fun of my shoes. She is

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<v Speaker 1>very funny, but she's a person who can wear experimental

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<v Speaker 1>new clothing. I don't know. I think you had to

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<v Speaker 1>start like that. Like had I been pushing the boundaries

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<v Speaker 1>of fashion early on, I think it would be allowed now.

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<v Speaker 1>But I was always like right in the middle, like

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<v Speaker 1>I want to and now look at me, I can't

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<v Speaker 1>wear flares, right, Yeah, you gotta show up with the

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<v Speaker 1>energy like, Hey, my name is David Borie, and I

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<v Speaker 1>may not be in this hat tomorrow, you know what

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<v Speaker 1>I mean, Like it's gonna be a whole different vest. People.

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<v Speaker 1>People don't know how to take me if I show

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<v Speaker 1>up not wearing some form of athleisure, Like if I

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<v Speaker 1>don't have a Nike swoosh anywhere on my person, people

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<v Speaker 1>start to get nervous. Let alone, I flare. I wish

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<v Speaker 1>I would get a new cut on a pant. Yeah,

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<v Speaker 1>I haven't. I haven't had a new cut on a pant.

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<v Speaker 1>I when boo, when it boot cut stuff, I've been

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<v Speaker 1>like boot cut. I don't know, man, that those have

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<v Speaker 1>been what is that two thousand and four or that

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<v Speaker 1>we were we were in a deep boot cut. That's

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<v Speaker 1>the last. That's the last new cut for me. That's

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<v Speaker 1>the last new cut for me. So for so your

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<v Speaker 1>transitions have really been about like starching or not starching, yeah,

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<v Speaker 1>or just like better as shirts. Yeah you're fashionable, But

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<v Speaker 1>but the cut that's the same cut, baby, bro. No,

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<v Speaker 1>there's no different cut. There's no different different I can't even.

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<v Speaker 1>I can't even. That's what the world I live in. Wow,

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<v Speaker 1>have you ever been to a big bare not a

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<v Speaker 1>lot of cuts. It seems freeing to some extent. It's like, nah,

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<v Speaker 1>I figured out the pants that work. I I ain't

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<v Speaker 1>never reassessing this band, right. I just want to have

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<v Speaker 1>a crazy summer, though, like one summer where just I'm

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<v Speaker 1>pulling up in linens. See linen isn't even that. I

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<v Speaker 1>don't even know what the exciting fabrics are. I'm gonna

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<v Speaker 1>I'm gonna tell you this. You gotta go to you

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<v Speaker 1>gotta make this international. If you're gonna pull that off,

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<v Speaker 1>you gotta, like I think, you gotta spend the summer

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<v Speaker 1>in like France or and come back yeah this summer.

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<v Speaker 1>So yeah, okay, that's that's perfect because now you can

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<v Speaker 1>truly pick your summer style that fits Brazil and rock

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<v Speaker 1>that shit. And then when you come back and you

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<v Speaker 1>slowly reintroduce some of those extra pieces into your wardrobe,

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<v Speaker 1>it's like, nah, that motherfucker got little Brazil in him here. Yeah,

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<v Speaker 1>that's all that is. But the thing is, my mind

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<v Speaker 1>is not even set up for this year. Like when

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<v Speaker 1>I'm in my head, we're talking about that, and all

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<v Speaker 1>I'm doing is imagining myself in like matching short sets.

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<v Speaker 1>That's not even excited now that ain't you gotta he

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<v Speaker 1>there's an evolution beyond just like oh this this has

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<v Speaker 1>flowers on it. So yeah, yeah, I just didn't you

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<v Speaker 1>know how how slowly and in like steadily I had

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<v Speaker 1>to integrate like flowers, the colored purple. Yeah, like like man,

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<v Speaker 1>but I just want to like crazy, like a hat

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<v Speaker 1>with a feather, like the mask. That's not it. You're

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<v Speaker 1>in the writer's room. But you understand what I'm saying. No,

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<v Speaker 1>I get it. You gotta you know what it is.

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<v Speaker 1>You gotta do it. Just a taste of Harry styles.

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<v Speaker 1>You don't gotta go all the way Harry styles he'd

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<v Speaker 1>be wearing like you know, yeah he goes crazy, but

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<v Speaker 1>but just a taste of Harry styles where it's like, hey,

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<v Speaker 1>that's not how that shirt would normally be cut. All right,

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<v Speaker 1>here we go. Well, I think we I think I

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<v Speaker 1>need to introduce successories that aren't just like a watch,

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<v Speaker 1>but you know, sometimes as rocky you'll have like a

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<v Speaker 1>crazy scarf. Yeah, I need to start with that and

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<v Speaker 1>then kind from there, Yeah, a gaudy fanny pack even

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<v Speaker 1>like you highly like, oh man, don't be scared of whatever, man,

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<v Speaker 1>because you're thing I put on a gaudy fanny back.

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<v Speaker 1>I'm gonna look like like it's not gonna look like

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<v Speaker 1>you think it's okay you do, I mean I get

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<v Speaker 1>it thick for a gaudy fan like like a bedazzled Yeah.

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<v Speaker 1>I wasn't thinking you would put it fanny pack style.

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<v Speaker 1>I think cross yeah, cross strap type. Yeah, with the

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<v Speaker 1>titties and all that. Split that's the class. Oh yeah, split, yes, yes,

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<v Speaker 1>you gotta. You want your fanny back to uh titty

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<v Speaker 1>fuck you a little bit, and yet that's the style.

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<v Speaker 1>Put your hand on my throat. Did we get to

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<v Speaker 1>the emails? Yeah, we can do it. You can do it.

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<v Speaker 1>I think this was a good I think this was

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<v Speaker 1>I think this is helpful for probably a lot of

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<v Speaker 1>people listening who were scared to like break out of

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<v Speaker 1>Like damn, don't be scared of it, y'all. You you

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<v Speaker 1>can do it. Also, we don't give fuck either way. Yeah,

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<v Speaker 1>keep listening. I truly don't give it. I don't care

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<v Speaker 1>what you're wearing when you're listening. We just want your ears. Baby,

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<v Speaker 1>you're listening mostly naked, and baby, he ain't mad at it.

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<v Speaker 1>I come on, come on, man, how is my man

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<v Speaker 1>supposed to set his meat with this shit. Bro, what

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<v Speaker 1>the fuck you're killing to day? You're killing it today?

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<v Speaker 1>And I woke up. Man, you're going crazy. We have

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<v Speaker 1>a micronsing. It's just the whole thing. We have an

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<v Speaker 1>email from a person who U goes by the name

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<v Speaker 1>of Nisha. Nisha sent us an email and she said,

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<v Speaker 1>to the hosts of one of my favorite podcasts, I

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<v Speaker 1>don't like one of just say your favorite, Nisha, what

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<v Speaker 1>the fuck? Yeah, I don't give a shit if you

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<v Speaker 1>listen to The Dollar or whatever. Oh you love us

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<v Speaker 1>and the Joe Rogan Experience. We get it. Yeah, it's

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<v Speaker 1>us in my favorite murder. I understand. Sorry, we're not

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<v Speaker 1>true cry all right. So, so she says, I was

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<v Speaker 1>listening to the last episode where y'all were saying that

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<v Speaker 1>the Matrix wasn't good after the first one. I strongly

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<v Speaker 1>believe it's because they stole the idea from a black

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<v Speaker 1>woman and couldn't improve upon it well enough to make sequels.

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<v Speaker 1>This might be just like obviously true, but I want

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<v Speaker 1>us to talk about I want us to talk about

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<v Speaker 1>this more. The same woman also created the Terminator and

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<v Speaker 1>talks about how they related a little bit here, and

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<v Speaker 1>then she links and she says best Nisha. Now, it

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<v Speaker 1>is worth mentioning before we fully jump into this, that

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<v Speaker 1>we have addressed this a little bit on the show,

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<v Speaker 1>that the matrix and terminator were both created by the

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<v Speaker 1>same black woman. There are countless YouTube videos of this

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<v Speaker 1>woman explaining her position on the whole thing, and some

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<v Speaker 1>people have become very adamant that this is true. I

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<v Speaker 1>will note that in our previous addressing of this, I

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<v Speaker 1>personally do not believe it to be true. For a second. Hey,

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<v Speaker 1>I don't I'm not buying this ship one minute, ever.

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<v Speaker 1>Kind of what Okay, let's okay, let's start. Let's start here.

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<v Speaker 1>Why why what is it that makes you feel like

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<v Speaker 1>this is in no way true? Okay, here's what I'll say. Uh,

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<v Speaker 1>this black woman, I don't know her fucking name because

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<v Speaker 1>she's nuts, because she's a goddamn nutty, cuckoo crazy, she's

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<v Speaker 1>out of her fucking mind. I had never memorized her name.

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<v Speaker 1>But but if you look up black woman. Okay, so

0:13:50.679 --> 0:13:53.520
<v Speaker 1>Fia Stewart, it's her name. Olivia is sending us a

0:13:53.760 --> 0:13:58.840
<v Speaker 1>vital information as we're talking this. So Fia Stewart is

0:13:58.880 --> 0:14:04.080
<v Speaker 1>this woman's name, and she claims that she originally submitted

0:14:04.120 --> 0:14:10.600
<v Speaker 1>the script for a Terminator I believe to writing competition

0:14:10.679 --> 0:14:14.040
<v Speaker 1>that basically there was a magazine that had like a

0:14:14.040 --> 0:14:18.240
<v Speaker 1>an open submission from I believe the Wachowskis. Isn't that

0:14:18.320 --> 0:14:23.320
<v Speaker 1>their name? That that made the Matrix? That, oh, Terminator

0:14:23.440 --> 0:14:26.160
<v Speaker 1>was like James Cameron, right, big dog. I am telling

0:14:26.200 --> 0:14:30.440
<v Speaker 1>you what her claim is. I am not necessarily even

0:14:30.640 --> 0:14:34.240
<v Speaker 1>suggesting that it makes sense. But she submits a writing

0:14:34.280 --> 0:14:40.920
<v Speaker 1>competition for the the siblings, Yes, that made the Matrix,

0:14:41.440 --> 0:14:47.560
<v Speaker 1>and then somehow those scripts were usurped by them to

0:14:47.800 --> 0:14:53.560
<v Speaker 1>then make Terminator Terminator two and then subsequently the Matrix.

0:14:54.160 --> 0:14:58.720
<v Speaker 1>You they have been like children. Again. It doesn't make sense,

0:14:59.160 --> 0:15:06.960
<v Speaker 1>but that's her argument. Yeah, this isn't good because I

0:15:07.120 --> 0:15:09.320
<v Speaker 1>thought it was gonna be. You know, there's that movie

0:15:09.320 --> 0:15:12.040
<v Speaker 1>that was just like the Matrix. They came out like

0:15:12.080 --> 0:15:15.440
<v Speaker 1>a year before without the budget, Perfect Dark or whatever

0:15:15.520 --> 0:15:18.080
<v Speaker 1>where they said all the Flock, which I thought that

0:15:18.160 --> 0:15:21.600
<v Speaker 1>movie is pretty great. By the way, I never saw

0:15:21.680 --> 0:15:25.240
<v Speaker 1>it for it it's it's actually pretty good. Yeah. And

0:15:25.360 --> 0:15:28.320
<v Speaker 1>that's dark is that the it's a that's a Vin

0:15:28.400 --> 0:15:33.920
<v Speaker 1>Diesel uh where he's blind? Yeah. I think Perfect Dark

0:15:34.080 --> 0:15:36.760
<v Speaker 1>was was it was maybe the original of it, and

0:15:36.760 --> 0:15:45.120
<v Speaker 1>then Riddick was like their spinoff from okay him. A

0:15:45.120 --> 0:15:46.960
<v Speaker 1>lot of people don't know that about the Chronicles of

0:15:47.120 --> 0:15:56.320
<v Speaker 1>ridding U. No, that's insane, but yeah, it's it's real

0:15:56.440 --> 0:15:59.360
<v Speaker 1>weird shit, man. And I'll go on to say that

0:15:59.400 --> 0:16:01.600
<v Speaker 1>the argument Mint is and this is one of the

0:16:01.640 --> 0:16:05.080
<v Speaker 1>things that people try to use to support somehow her

0:16:05.520 --> 0:16:08.760
<v Speaker 1>being because those movies are so far apart, right that

0:16:08.920 --> 0:16:14.120
<v Speaker 1>they're little apart a decade of distance between I think

0:16:14.160 --> 0:16:18.560
<v Speaker 1>the original and in the Matrix. And one of the

0:16:18.800 --> 0:16:22.760
<v Speaker 1>arguments that she makes is that it's the same universe

0:16:23.160 --> 0:16:26.880
<v Speaker 1>that the Matrix is the sort of like I guess

0:16:26.920 --> 0:16:32.480
<v Speaker 1>the fault the future fallout of our world also living

0:16:32.600 --> 0:16:39.360
<v Speaker 1>inside of the Skynet takeoff matrix exactly that like you know,

0:16:39.480 --> 0:16:42.080
<v Speaker 1>the world, it's the same way in the actual matrix

0:16:42.120 --> 0:16:45.960
<v Speaker 1>the world is destroyed. They're saying that those are terminators

0:16:46.040 --> 0:16:50.080
<v Speaker 1>walking around on the Earth that that are then traveling back.

0:16:50.120 --> 0:16:54.880
<v Speaker 1>It's all simultaneous essentially. I Mean, here's the thing I

0:16:54.920 --> 0:16:58.480
<v Speaker 1>does think, like sometimes I feel like science fiction it's

0:16:58.560 --> 0:17:01.720
<v Speaker 1>like rap. There's just a lot of genre stuff that

0:17:02.040 --> 0:17:06.440
<v Speaker 1>is who knows whose idea wasn't for the first mobile

0:17:06.480 --> 0:17:10.000
<v Speaker 1>suit in anime. You know what I'm saying. I think

0:17:10.000 --> 0:17:12.040
<v Speaker 1>there's a lot of like I don't think the idea

0:17:12.080 --> 0:17:14.600
<v Speaker 1>of like we're all living in a simulation. I don't

0:17:14.640 --> 0:17:19.520
<v Speaker 1>think the Wachowskis invented that as a science fiction theme. No,

0:17:19.600 --> 0:17:21.600
<v Speaker 1>I don't think so either. And I think that that's

0:17:21.800 --> 0:17:25.359
<v Speaker 1>that or the idea of AI becoming sentient and taking over.

0:17:25.840 --> 0:17:29.119
<v Speaker 1>I don't think that the Terminator invented that. And I

0:17:29.560 --> 0:17:34.040
<v Speaker 1>think I think she isn't crazy in that she didn't

0:17:34.080 --> 0:17:37.520
<v Speaker 1>come up with an idea that crossed over to some

0:17:37.600 --> 0:17:40.200
<v Speaker 1>of these things. Right. She might have had a little

0:17:40.480 --> 0:17:43.800
<v Speaker 1>little bit of something on her fingers and it was like,

0:17:44.040 --> 0:17:46.800
<v Speaker 1>holy shit, that idea is like my idea. But that

0:17:47.359 --> 0:17:50.119
<v Speaker 1>come on, well, that that ain't people stealing from you.

0:17:50.200 --> 0:17:53.359
<v Speaker 1>That's just that's something else. Listen, I'm gonna tell you

0:17:53.440 --> 0:17:55.280
<v Speaker 1>something that happened to me this week. This is gonna

0:17:55.280 --> 0:17:57.880
<v Speaker 1>fuck you up. Yeah. I wrote a joke about why

0:17:57.960 --> 0:18:01.400
<v Speaker 1>I love big titties and then basically had an interview

0:18:01.880 --> 0:18:04.520
<v Speaker 1>with will Yati where he said he relates to women

0:18:04.600 --> 0:18:09.280
<v Speaker 1>with big titties for a far more selfish but similar reason. Yeah,

0:18:09.400 --> 0:18:12.679
<v Speaker 1>it's just because great minds, you know you and Drizzy

0:18:12.800 --> 0:18:18.840
<v Speaker 1>Drake Man. I when my when my Comedy Central uh

0:18:19.119 --> 0:18:21.400
<v Speaker 1>half hour came out, I had a joke on it.

0:18:21.840 --> 0:18:24.800
<v Speaker 1>This was like, obviously it's sort of in the heart

0:18:24.800 --> 0:18:27.800
<v Speaker 1>of the Trump era, right, And and in the joke,

0:18:28.080 --> 0:18:31.520
<v Speaker 1>I I talked about how white people they they played

0:18:31.520 --> 0:18:34.160
<v Speaker 1>a trick on us because we all thought we were

0:18:34.200 --> 0:18:37.200
<v Speaker 1>on the same page. That like, they did a little

0:18:37.240 --> 0:18:39.920
<v Speaker 1>bit of a magic trick where they pretended we were

0:18:39.960 --> 0:18:42.560
<v Speaker 1>all reasonable, and then this motherfucker popped up and it

0:18:42.640 --> 0:18:45.679
<v Speaker 1>turned out they were that we hadn't agreed on at

0:18:45.720 --> 0:18:50.560
<v Speaker 1>least that and and it that same year, Kat Williams

0:18:50.760 --> 0:18:54.040
<v Speaker 1>came out with a joke that is nearly identical to

0:18:54.200 --> 0:18:58.000
<v Speaker 1>the phrasing that I have in in in Punchline. Like

0:18:58.040 --> 0:19:01.920
<v Speaker 1>the punchline is exactly the same. Everything else around it

0:19:02.000 --> 0:19:06.720
<v Speaker 1>is a different take, But that punchline is so identical

0:19:07.040 --> 0:19:09.840
<v Speaker 1>that I continue to be accused of stealing a joke

0:19:09.920 --> 0:19:13.960
<v Speaker 1>that I recorded nine months before his specially even touched

0:19:13.960 --> 0:19:16.760
<v Speaker 1>the earth, you know what I mean. No, I mean

0:19:16.800 --> 0:19:19.280
<v Speaker 1>there's like, and that's the problem with Arthur. There's always

0:19:19.280 --> 0:19:22.000
<v Speaker 1>this cross of like, you know, because original thought how

0:19:22.080 --> 0:19:26.320
<v Speaker 1>much everybody's thinking something somebody stopped before. It's just whether

0:19:26.359 --> 0:19:30.160
<v Speaker 1>you're the first woman sympathize it and put it into

0:19:30.200 --> 0:19:32.960
<v Speaker 1>that specific medium. Like because I thought this was gonna

0:19:32.960 --> 0:19:35.600
<v Speaker 1>be like a living single kind of thing. No, yeah,

0:19:35.720 --> 0:19:38.560
<v Speaker 1>it is not a living single thing. We nobody has

0:19:38.600 --> 0:19:42.840
<v Speaker 1>seen any versions of these transcripts to you know, that's

0:19:42.840 --> 0:19:45.800
<v Speaker 1>never cited, at least when it all comes to it, right,

0:19:45.920 --> 0:19:49.480
<v Speaker 1>nobody's like, yo, word for word, bar for bar, he

0:19:49.600 --> 0:19:53.000
<v Speaker 1>stole my whole. Yeah, I ain't the soldier boyshit it is. Yeah, yeah,

0:19:53.359 --> 0:19:56.800
<v Speaker 1>truly just like yo, that lady says she wrote it.

0:19:57.000 --> 0:20:01.280
<v Speaker 1>Why y'all steal that? Yeah, that's too my. And because

0:20:01.840 --> 0:20:04.320
<v Speaker 1>I don't know, as far as what I can tell

0:20:04.359 --> 0:20:07.800
<v Speaker 1>from people who are actually great, lightning really doesn't often

0:20:07.920 --> 0:20:12.840
<v Speaker 1>only strike once, So like, where are her other fantastic

0:20:12.960 --> 0:20:18.240
<v Speaker 1>like ideas? Yeah, apparently they were both the matrix and terminator,

0:20:18.320 --> 0:20:21.880
<v Speaker 1>which is like, okay, well why did you submit both? Then?

0:20:22.200 --> 0:20:26.399
<v Speaker 1>You know what I mean, just just go with one. Yeah, yeah,

0:20:26.440 --> 0:20:28.840
<v Speaker 1>that's not a good Damn. I really wanted this one

0:20:28.880 --> 0:20:32.200
<v Speaker 1>to be true. No, she's a silly billy. I'm sorry

0:20:32.200 --> 0:20:35.439
<v Speaker 1>to break it to you. And and what an inspiring story.

0:20:35.520 --> 0:20:38.080
<v Speaker 1>Black women can be silly billies too, y'all can do

0:20:38.119 --> 0:20:42.120
<v Speaker 1>out here. I do like equal opportunity fuckery. I don't, Yeah,

0:20:45.040 --> 0:20:48.600
<v Speaker 1>I really, I really don't. I really don't. Yeah, it's

0:20:48.720 --> 0:20:51.399
<v Speaker 1>this lady and that lady who pretended to know sign

0:20:51.480 --> 0:20:55.560
<v Speaker 1>language for that that murder case, Like just tell us

0:20:55.880 --> 0:20:59.639
<v Speaker 1>that was that was my super Bowl, Like that was

0:21:00.680 --> 0:21:02.919
<v Speaker 1>that was one of the better things I've ever seen.

0:21:03.920 --> 0:21:06.640
<v Speaker 1>We should have her on. Hell yeah, we gotta get

0:21:06.640 --> 0:21:09.560
<v Speaker 1>her on. The lady Uppard knows don language, she gotta

0:21:09.720 --> 0:21:14.040
<v Speaker 1>she gotta believe some shit for real, for real. All right,

0:21:14.119 --> 0:21:16.600
<v Speaker 1>we gotta wrap this up. Can you tell the people

0:21:16.600 --> 0:21:18.480
<v Speaker 1>where they can find you on what cool shit you

0:21:18.480 --> 0:21:22.800
<v Speaker 1>have going on? A watch me on Instagram at Cool

0:21:22.800 --> 0:21:26.120
<v Speaker 1>Guy Jokes eighty seven. I'm I've been getting here, I've

0:21:26.119 --> 0:21:29.320
<v Speaker 1>been getting your dms. I'm gonna fix the website. Here's

0:21:29.800 --> 0:21:32.960
<v Speaker 1>you know, I got I gotta update the website. I understand,

0:21:33.280 --> 0:21:36.160
<v Speaker 1>so official David Bore'll get updated. Then all the dates

0:21:36.160 --> 0:21:38.720
<v Speaker 1>and stuff would be on there. But you know, March

0:21:38.760 --> 0:21:41.719
<v Speaker 1>twenty third through twenty five comes see me at Rooster

0:21:41.880 --> 0:21:46.720
<v Speaker 1>t Feathers and Sunnyvale, California. April seventh, eighth, and ninth

0:21:46.760 --> 0:21:50.480
<v Speaker 1>comes see me at the Before You Die Fest and Anchorage,

0:21:50.480 --> 0:21:54.560
<v Speaker 1>Alaska and other than that, you know, oh, watch Royal

0:21:54.640 --> 0:21:59.080
<v Speaker 1>Crackers premiering on HBO Max April third. And you know,

0:21:59.200 --> 0:22:02.040
<v Speaker 1>listen to my mom and told me every week with

0:22:02.200 --> 0:22:05.800
<v Speaker 1>your clothes off? What's your clothes off? And you can

0:22:05.840 --> 0:22:10.359
<v Speaker 1>follow me at Langston Kerman as always, And if you

0:22:10.359 --> 0:22:13.320
<v Speaker 1>want to send us drops your own conspiracy theories. If

0:22:13.320 --> 0:22:17.560
<v Speaker 1>you want to suggest that black women created Pretty Woman,

0:22:18.320 --> 0:22:21.600
<v Speaker 1>go ahead and send those theories to my mama pod

0:22:21.720 --> 0:22:24.200
<v Speaker 1>at gmail dot com. We would love to hear from you.

0:22:24.359 --> 0:22:27.959
<v Speaker 1>Follow the YouTube page, go watch the videos. Accuse us

0:22:28.000 --> 0:22:32.480
<v Speaker 1>of being cones and sellouts. Oh we love you all right,

0:22:32.640 --> 0:22:39.920
<v Speaker 1>bye bitch, and I ain't playing. Look. Motherfucking many years,

0:22:39.960 --> 0:22:53.040
<v Speaker 1>so many yepisode. Motherfucking many years. Motherfucking many years, sonar,

0:22:54.640 --> 0:23:00.280
<v Speaker 1>motherfucking many years. M m