1 00:00:03,400 --> 00:00:09,400 Speaker 1: Motherfucking many of us. So many of us, O, motherfucking 2 00:00:09,520 --> 00:00:16,760 Speaker 1: many of us. So boop boop beat beat, there it goes, there, 3 00:00:16,800 --> 00:00:21,360 Speaker 1: it goes. Welcome to an all new episode of My 4 00:00:21,600 --> 00:00:26,560 Speaker 1: Mama Told Me the vodcast where we dive deep, deep 5 00:00:26,600 --> 00:00:30,280 Speaker 1: into the pockets of black conspiracy theories and we work 6 00:00:30,400 --> 00:00:35,559 Speaker 1: to prove the theories of you, the listeners, who quite frankly, 7 00:00:35,600 --> 00:00:38,279 Speaker 1: have been taking a tone in the emails lately. Now 8 00:00:38,320 --> 00:00:40,400 Speaker 1: I'm here to say, I don't care for it. You 9 00:00:40,440 --> 00:00:44,480 Speaker 1: guys are speaking to us like little baby sluts the knowledge. Yeah, 10 00:00:44,880 --> 00:00:47,560 Speaker 1: it's not cool, man. It's a lot of like, oh 11 00:00:47,600 --> 00:00:50,520 Speaker 1: it is this too crazy for you? Know? You bitch 12 00:00:50,680 --> 00:00:54,120 Speaker 1: made at you. Nigga is scared to adjust the real 13 00:00:54,320 --> 00:00:57,320 Speaker 1: thing out there. Listen, I eat dinner in the dark. 14 00:00:57,440 --> 00:01:02,600 Speaker 1: Nothing's too crazy. I watching meat dinner in the dark. 15 00:01:02,960 --> 00:01:11,880 Speaker 1: I'm the craziest that is. I yeah, first of all. 16 00:01:12,400 --> 00:01:17,520 Speaker 1: Second of all, I placed by that you nailed down. 17 00:01:19,680 --> 00:01:22,960 Speaker 1: I'm getting nice with it. I gotta start practicing the harmonica. Yeah, no, 18 00:01:23,400 --> 00:01:26,319 Speaker 1: you gotta warm up. And frankly, I still haven't practiced 19 00:01:26,360 --> 00:01:30,160 Speaker 1: my nunchucks. So we should feel like we should be 20 00:01:30,200 --> 00:01:33,360 Speaker 1: like we should give it like, okay, because we're gonna 21 00:01:33,400 --> 00:01:35,920 Speaker 1: get to two thousand subscribers. Yeah, we gotta put a 22 00:01:35,920 --> 00:01:39,160 Speaker 1: deadline on my ship. So that this this I'm saying, 23 00:01:39,520 --> 00:01:44,480 Speaker 1: we plan it for like a future live show. Like 24 00:01:44,800 --> 00:01:46,679 Speaker 1: then it's like, come out and you can see the 25 00:01:46,760 --> 00:01:53,120 Speaker 1: nunchucks and the harmonica. You are okay, okay, Yeah, I 26 00:01:53,120 --> 00:01:56,000 Speaker 1: don't mind. I don't mind Baton switching the listeners a 27 00:01:56,000 --> 00:01:59,520 Speaker 1: little bit. I don't like, Oh yeah, fuck them, you 28 00:01:59,600 --> 00:02:01,360 Speaker 1: know what I mean, you like, fuck them. I don't 29 00:02:01,400 --> 00:02:03,760 Speaker 1: owe you shit. Yeah, I don't know you except for 30 00:02:03,920 --> 00:02:09,200 Speaker 1: mom my mom, everybody else, so man, moms, the sort 31 00:02:09,200 --> 00:02:14,920 Speaker 1: of family members, my little brother. This is this is 32 00:02:14,919 --> 00:02:18,400 Speaker 1: a perfect I think, a perfect h marrying of our 33 00:02:18,480 --> 00:02:22,400 Speaker 1: two obligations. So that's what I'm saying. At two thousand, 34 00:02:22,600 --> 00:02:26,959 Speaker 1: we will team up and showcase both skills at once 35 00:02:27,120 --> 00:02:31,600 Speaker 1: at a live show. Once. I like that, even Yesukay, 36 00:02:32,160 --> 00:02:34,360 Speaker 1: let's fucking turn it into like a little bit of 37 00:02:34,360 --> 00:02:41,359 Speaker 1: a Obama Springstein hook up. Yeah, get somebody to wrap, Oh, Olivia, 38 00:02:41,720 --> 00:02:45,280 Speaker 1: that's what you're going at the live show. You Olivia 39 00:02:45,360 --> 00:02:48,040 Speaker 1: is gonna wrap. I'll back you with the beat and 40 00:02:48,080 --> 00:02:50,440 Speaker 1: then you gotta I'm gonna be honest, you probably gotta 41 00:02:50,480 --> 00:02:52,679 Speaker 1: like you're gonna have to at least get a headband. 42 00:02:52,919 --> 00:02:55,320 Speaker 1: I want you goddamn right, I'll wear a headband, and 43 00:02:55,360 --> 00:02:58,560 Speaker 1: I want I want Olivia wrapping the words to fight 44 00:02:58,639 --> 00:03:05,120 Speaker 1: the powers as I Nunchuck and you Harmonica. This is 45 00:03:04,600 --> 00:03:08,400 Speaker 1: this is gonna be a problem. You should get. You 46 00:03:08,440 --> 00:03:10,160 Speaker 1: should get. You know what you should get is like 47 00:03:10,560 --> 00:03:14,200 Speaker 1: one of those Kendrick karate suits. You know what I'm saying. 48 00:03:14,639 --> 00:03:19,480 Speaker 1: Yeah yeah, yeah, yeah, yeah, yeah yeah, when he became 49 00:03:19,560 --> 00:03:22,480 Speaker 1: self aware inside of that nickname and he was like, yeah, 50 00:03:22,520 --> 00:03:26,240 Speaker 1: this is this is my outfits. Now, Yeah, that's got complicated. 51 00:03:26,320 --> 00:03:29,200 Speaker 1: If the artist journey, sometimes I think he's maybe not 52 00:03:29,320 --> 00:03:36,800 Speaker 1: for me. Yeah, you start making these weird, like almost 53 00:03:36,840 --> 00:03:40,400 Speaker 1: like cartoonish choices and we have to be like, I 54 00:03:40,440 --> 00:03:43,760 Speaker 1: think it's because he's complicated. Yeah, Like I think he's 55 00:03:43,760 --> 00:03:46,440 Speaker 1: just a really smart guy. Like I'm never gonna get 56 00:03:46,440 --> 00:03:48,560 Speaker 1: a hat that crazy that it's gonna make you think 57 00:03:48,560 --> 00:03:53,040 Speaker 1: I'm smarter than I am, do you? Yeah? Yeah yeah, yeah, 58 00:03:53,120 --> 00:03:54,920 Speaker 1: Like there has to be a level where you're saying 59 00:03:54,960 --> 00:03:58,600 Speaker 1: shit and nobody really knows what's going on, and I'm 60 00:03:58,600 --> 00:04:01,640 Speaker 1: just too I'm too grounded for that I think. Yeah, 61 00:04:01,680 --> 00:04:06,160 Speaker 1: it seems especially in the rap world, where they're like 62 00:04:06,360 --> 00:04:10,520 Speaker 1: constantly telling us that they're bringing their original friends along 63 00:04:10,720 --> 00:04:14,800 Speaker 1: for like this entire journey. It feels like that's not 64 00:04:14,920 --> 00:04:18,960 Speaker 1: even possible when you're wearing a karate outfit. Bro, Like 65 00:04:19,440 --> 00:04:22,240 Speaker 1: the niggas you grew up with are either they are 66 00:04:22,839 --> 00:04:26,359 Speaker 1: not your friends or they have been long gone. And 67 00:04:26,440 --> 00:04:29,279 Speaker 1: you know it's the new people I live in my city. 68 00:04:29,480 --> 00:04:31,560 Speaker 1: You think I could just like start just like a 69 00:04:31,600 --> 00:04:35,400 Speaker 1: fucking gaucho and that's just gonna go. That's just gonna go. 70 00:04:35,520 --> 00:04:38,960 Speaker 1: I gotta just like, yeah, a guy the fucking Rodigo grill, 71 00:04:39,000 --> 00:04:41,200 Speaker 1: and everybody's just gonna be like, oh, yeah, that's the 72 00:04:41,279 --> 00:04:45,000 Speaker 1: same Dave. That's the same guy I saw. It's too many, 73 00:04:45,560 --> 00:04:49,400 Speaker 1: too many questions. I bought a pair of wide leg 74 00:04:49,520 --> 00:04:52,760 Speaker 1: jeans and went to a party and everyone noticed, you 75 00:04:52,800 --> 00:04:57,560 Speaker 1: know what I mean, everyone it's like, bro, those flares 76 00:04:57,720 --> 00:04:59,479 Speaker 1: and I'm like, yeah, well, you know it was part 77 00:04:59,480 --> 00:05:04,640 Speaker 1: of this. They were like, no, nigga, no, not how 78 00:05:04,720 --> 00:05:09,800 Speaker 1: you did it? No two weeks ago, sir, Yeah, I 79 00:05:10,279 --> 00:05:12,680 Speaker 1: respect Andre. I don't know who we had around it. 80 00:05:12,800 --> 00:05:16,880 Speaker 1: Let that transformation happen, because my people would not. My 81 00:05:16,960 --> 00:05:22,520 Speaker 1: mom would be calling me like you just started going crazy. No, no, 82 00:05:22,760 --> 00:05:24,240 Speaker 1: you can't get away with none of that. I've been 83 00:05:24,240 --> 00:05:26,760 Speaker 1: thinking about getting some of those loafers and everybody's wearing 84 00:05:26,800 --> 00:05:28,719 Speaker 1: and I'm like, I don't even know if I can. 85 00:05:29,600 --> 00:05:31,840 Speaker 1: I don't even know like I wear, I can't wear them. 86 00:05:31,839 --> 00:05:35,599 Speaker 1: To the barber shop, bro, I wore some loafers to show. 87 00:05:36,000 --> 00:05:38,960 Speaker 1: I thought it was cool. Thanks man. But then but 88 00:05:39,120 --> 00:05:43,000 Speaker 1: then on the way we we went and got food. Afterwards, 89 00:05:43,040 --> 00:05:46,440 Speaker 1: everybody was hanging out and ship and then Sydney noticed 90 00:05:46,480 --> 00:05:50,039 Speaker 1: I had on loafers and roasted me to no end talk. 91 00:05:53,240 --> 00:05:57,320 Speaker 1: She called me all kinds of uh. She said I 92 00:05:57,360 --> 00:06:02,000 Speaker 1: was wearing Harlem Renaissance fives, and she was she was 93 00:06:02,240 --> 00:06:06,560 Speaker 1: losing her mind making fun of my shoes. She is 94 00:06:06,680 --> 00:06:10,320 Speaker 1: very funny, but she's a person who can wear experimental 95 00:06:10,400 --> 00:06:12,719 Speaker 1: new clothing. I don't know. I think you had to 96 00:06:12,760 --> 00:06:16,120 Speaker 1: start like that. Like had I been pushing the boundaries 97 00:06:16,839 --> 00:06:21,640 Speaker 1: of fashion early on, I think it would be allowed now. 98 00:06:21,920 --> 00:06:23,640 Speaker 1: But I was always like right in the middle, like 99 00:06:23,640 --> 00:06:26,200 Speaker 1: I want to and now look at me, I can't 100 00:06:26,200 --> 00:06:29,000 Speaker 1: wear flares, right, Yeah, you gotta show up with the 101 00:06:29,120 --> 00:06:32,359 Speaker 1: energy like, Hey, my name is David Borie, and I 102 00:06:32,440 --> 00:06:34,720 Speaker 1: may not be in this hat tomorrow, you know what 103 00:06:34,720 --> 00:06:37,880 Speaker 1: I mean, Like it's gonna be a whole different vest. People. 104 00:06:38,080 --> 00:06:39,880 Speaker 1: People don't know how to take me if I show 105 00:06:39,960 --> 00:06:44,360 Speaker 1: up not wearing some form of athleisure, Like if I 106 00:06:44,400 --> 00:06:47,919 Speaker 1: don't have a Nike swoosh anywhere on my person, people 107 00:06:47,960 --> 00:06:51,840 Speaker 1: start to get nervous. Let alone, I flare. I wish 108 00:06:51,880 --> 00:06:54,440 Speaker 1: I would get a new cut on a pant. Yeah, 109 00:06:54,480 --> 00:06:56,839 Speaker 1: I haven't. I haven't had a new cut on a pant. 110 00:06:57,640 --> 00:07:05,480 Speaker 1: I when boo, when it boot cut stuff, I've been 111 00:07:05,520 --> 00:07:07,839 Speaker 1: like boot cut. I don't know, man, that those have 112 00:07:07,920 --> 00:07:10,880 Speaker 1: been what is that two thousand and four or that 113 00:07:11,000 --> 00:07:13,880 Speaker 1: we were we were in a deep boot cut. That's 114 00:07:13,880 --> 00:07:16,440 Speaker 1: the last. That's the last new cut for me. That's 115 00:07:16,440 --> 00:07:18,760 Speaker 1: the last new cut for me. So for so your 116 00:07:18,800 --> 00:07:23,080 Speaker 1: transitions have really been about like starching or not starching, yeah, 117 00:07:23,200 --> 00:07:29,040 Speaker 1: or just like better as shirts. Yeah you're fashionable, But 118 00:07:29,040 --> 00:07:32,160 Speaker 1: but the cut that's the same cut, baby, bro. No, 119 00:07:32,680 --> 00:07:36,320 Speaker 1: there's no different cut. There's no different different I can't even. 120 00:07:36,440 --> 00:07:39,239 Speaker 1: I can't even. That's what the world I live in. Wow, 121 00:07:39,520 --> 00:07:41,800 Speaker 1: have you ever been to a big bare not a 122 00:07:41,880 --> 00:07:46,880 Speaker 1: lot of cuts. It seems freeing to some extent. It's like, nah, 123 00:07:46,880 --> 00:07:50,160 Speaker 1: I figured out the pants that work. I I ain't 124 00:07:50,200 --> 00:07:53,560 Speaker 1: never reassessing this band, right. I just want to have 125 00:07:53,560 --> 00:07:56,760 Speaker 1: a crazy summer, though, like one summer where just I'm 126 00:07:56,760 --> 00:07:59,560 Speaker 1: pulling up in linens. See linen isn't even that. I 127 00:07:59,600 --> 00:08:02,280 Speaker 1: don't even know what the exciting fabrics are. I'm gonna 128 00:08:02,320 --> 00:08:04,320 Speaker 1: I'm gonna tell you this. You gotta go to you 129 00:08:04,320 --> 00:08:06,800 Speaker 1: gotta make this international. If you're gonna pull that off, 130 00:08:06,840 --> 00:08:09,560 Speaker 1: you gotta, like I think, you gotta spend the summer 131 00:08:09,600 --> 00:08:14,200 Speaker 1: in like France or and come back yeah this summer. 132 00:08:14,560 --> 00:08:17,600 Speaker 1: So yeah, okay, that's that's perfect because now you can 133 00:08:17,680 --> 00:08:22,680 Speaker 1: truly pick your summer style that fits Brazil and rock 134 00:08:22,800 --> 00:08:25,800 Speaker 1: that shit. And then when you come back and you 135 00:08:25,840 --> 00:08:29,960 Speaker 1: slowly reintroduce some of those extra pieces into your wardrobe, 136 00:08:30,280 --> 00:08:34,000 Speaker 1: it's like, nah, that motherfucker got little Brazil in him here. Yeah, 137 00:08:34,000 --> 00:08:36,240 Speaker 1: that's all that is. But the thing is, my mind 138 00:08:36,360 --> 00:08:38,800 Speaker 1: is not even set up for this year. Like when 139 00:08:38,800 --> 00:08:41,040 Speaker 1: I'm in my head, we're talking about that, and all 140 00:08:41,040 --> 00:08:44,520 Speaker 1: I'm doing is imagining myself in like matching short sets. 141 00:08:44,559 --> 00:08:48,959 Speaker 1: That's not even excited now that ain't you gotta he 142 00:08:49,080 --> 00:08:52,840 Speaker 1: there's an evolution beyond just like oh this this has 143 00:08:52,840 --> 00:08:58,200 Speaker 1: flowers on it. So yeah, yeah, I just didn't you 144 00:08:58,200 --> 00:09:02,240 Speaker 1: know how how slowly and in like steadily I had 145 00:09:02,240 --> 00:09:07,280 Speaker 1: to integrate like flowers, the colored purple. Yeah, like like man, 146 00:09:07,960 --> 00:09:10,400 Speaker 1: but I just want to like crazy, like a hat 147 00:09:10,440 --> 00:09:13,120 Speaker 1: with a feather, like the mask. That's not it. You're 148 00:09:13,160 --> 00:09:14,959 Speaker 1: in the writer's room. But you understand what I'm saying. No, 149 00:09:15,080 --> 00:09:16,880 Speaker 1: I get it. You gotta you know what it is. 150 00:09:16,920 --> 00:09:19,960 Speaker 1: You gotta do it. Just a taste of Harry styles. 151 00:09:20,240 --> 00:09:22,360 Speaker 1: You don't gotta go all the way Harry styles he'd 152 00:09:22,360 --> 00:09:27,560 Speaker 1: be wearing like you know, yeah he goes crazy, but 153 00:09:27,559 --> 00:09:30,600 Speaker 1: but just a taste of Harry styles where it's like, hey, 154 00:09:30,640 --> 00:09:35,120 Speaker 1: that's not how that shirt would normally be cut. All right, 155 00:09:35,240 --> 00:09:37,360 Speaker 1: here we go. Well, I think we I think I 156 00:09:37,360 --> 00:09:40,320 Speaker 1: need to introduce successories that aren't just like a watch, 157 00:09:41,440 --> 00:09:43,560 Speaker 1: but you know, sometimes as rocky you'll have like a 158 00:09:43,600 --> 00:09:46,440 Speaker 1: crazy scarf. Yeah, I need to start with that and 159 00:09:46,480 --> 00:09:51,439 Speaker 1: then kind from there, Yeah, a gaudy fanny pack even 160 00:09:51,679 --> 00:09:55,960 Speaker 1: like you highly like, oh man, don't be scared of whatever, man, 161 00:09:56,120 --> 00:09:58,560 Speaker 1: because you're thing I put on a gaudy fanny back. 162 00:09:58,760 --> 00:10:01,040 Speaker 1: I'm gonna look like like it's not gonna look like 163 00:10:01,080 --> 00:10:04,280 Speaker 1: you think it's okay you do, I mean I get 164 00:10:04,320 --> 00:10:08,440 Speaker 1: it thick for a gaudy fan like like a bedazzled Yeah. 165 00:10:08,800 --> 00:10:11,679 Speaker 1: I wasn't thinking you would put it fanny pack style. 166 00:10:11,880 --> 00:10:16,480 Speaker 1: I think cross yeah, cross strap type. Yeah, with the 167 00:10:16,480 --> 00:10:21,679 Speaker 1: titties and all that. Split that's the class. Oh yeah, split, yes, yes, 168 00:10:22,679 --> 00:10:26,400 Speaker 1: you gotta. You want your fanny back to uh titty 169 00:10:26,440 --> 00:10:29,600 Speaker 1: fuck you a little bit, and yet that's the style. 170 00:10:29,920 --> 00:10:42,400 Speaker 1: Put your hand on my throat. Did we get to 171 00:10:42,440 --> 00:10:44,520 Speaker 1: the emails? Yeah, we can do it. You can do it. 172 00:10:44,600 --> 00:10:46,040 Speaker 1: I think this was a good I think this was 173 00:10:46,080 --> 00:10:48,360 Speaker 1: I think this is helpful for probably a lot of 174 00:10:48,360 --> 00:10:50,880 Speaker 1: people listening who were scared to like break out of 175 00:10:51,040 --> 00:10:53,960 Speaker 1: Like damn, don't be scared of it, y'all. You you 176 00:10:54,000 --> 00:10:57,160 Speaker 1: can do it. Also, we don't give fuck either way. Yeah, 177 00:10:57,240 --> 00:10:59,880 Speaker 1: keep listening. I truly don't give it. I don't care 178 00:10:59,880 --> 00:11:02,560 Speaker 1: what you're wearing when you're listening. We just want your ears. Baby, 179 00:11:03,640 --> 00:11:08,360 Speaker 1: you're listening mostly naked, and baby, he ain't mad at it. 180 00:11:08,600 --> 00:11:12,920 Speaker 1: I come on, come on, man, how is my man 181 00:11:13,120 --> 00:11:16,160 Speaker 1: supposed to set his meat with this shit. Bro, what 182 00:11:16,200 --> 00:11:20,120 Speaker 1: the fuck you're killing to day? You're killing it today? 183 00:11:20,600 --> 00:11:23,800 Speaker 1: And I woke up. Man, you're going crazy. We have 184 00:11:23,920 --> 00:11:29,160 Speaker 1: a micronsing. It's just the whole thing. We have an 185 00:11:29,240 --> 00:11:33,240 Speaker 1: email from a person who U goes by the name 186 00:11:33,360 --> 00:11:38,520 Speaker 1: of Nisha. Nisha sent us an email and she said, 187 00:11:38,559 --> 00:11:40,959 Speaker 1: to the hosts of one of my favorite podcasts, I 188 00:11:41,000 --> 00:11:43,280 Speaker 1: don't like one of just say your favorite, Nisha, what 189 00:11:43,360 --> 00:11:44,960 Speaker 1: the fuck? Yeah, I don't give a shit if you 190 00:11:44,960 --> 00:11:52,319 Speaker 1: listen to The Dollar or whatever. Oh you love us 191 00:11:52,400 --> 00:11:55,560 Speaker 1: and the Joe Rogan Experience. We get it. Yeah, it's 192 00:11:55,720 --> 00:11:59,240 Speaker 1: us in my favorite murder. I understand. Sorry, we're not 193 00:11:59,360 --> 00:12:06,480 Speaker 1: true cry all right. So, so she says, I was 194 00:12:06,559 --> 00:12:09,000 Speaker 1: listening to the last episode where y'all were saying that 195 00:12:09,000 --> 00:12:12,319 Speaker 1: the Matrix wasn't good after the first one. I strongly 196 00:12:12,360 --> 00:12:15,319 Speaker 1: believe it's because they stole the idea from a black 197 00:12:15,360 --> 00:12:19,040 Speaker 1: woman and couldn't improve upon it well enough to make sequels. 198 00:12:19,360 --> 00:12:23,000 Speaker 1: This might be just like obviously true, but I want 199 00:12:23,080 --> 00:12:25,880 Speaker 1: us to talk about I want us to talk about 200 00:12:25,920 --> 00:12:29,640 Speaker 1: this more. The same woman also created the Terminator and 201 00:12:29,679 --> 00:12:33,760 Speaker 1: talks about how they related a little bit here, and 202 00:12:33,800 --> 00:12:37,360 Speaker 1: then she links and she says best Nisha. Now, it 203 00:12:37,559 --> 00:12:41,400 Speaker 1: is worth mentioning before we fully jump into this, that 204 00:12:41,440 --> 00:12:44,480 Speaker 1: we have addressed this a little bit on the show, 205 00:12:44,520 --> 00:12:48,320 Speaker 1: that the matrix and terminator were both created by the 206 00:12:48,360 --> 00:12:52,040 Speaker 1: same black woman. There are countless YouTube videos of this 207 00:12:52,080 --> 00:12:56,040 Speaker 1: woman explaining her position on the whole thing, and some 208 00:12:56,120 --> 00:12:59,600 Speaker 1: people have become very adamant that this is true. I 209 00:12:59,640 --> 00:13:04,240 Speaker 1: will note that in our previous addressing of this, I 210 00:13:04,280 --> 00:13:10,200 Speaker 1: personally do not believe it to be true. For a second. Hey, 211 00:13:10,000 --> 00:13:13,920 Speaker 1: I don't I'm not buying this ship one minute, ever. 212 00:13:14,320 --> 00:13:19,400 Speaker 1: Kind of what Okay, let's okay, let's start. Let's start here. 213 00:13:19,679 --> 00:13:27,439 Speaker 1: Why why what is it that makes you feel like 214 00:13:27,520 --> 00:13:34,559 Speaker 1: this is in no way true? Okay, here's what I'll say. Uh, 215 00:13:34,600 --> 00:13:37,559 Speaker 1: this black woman, I don't know her fucking name because 216 00:13:37,559 --> 00:13:43,720 Speaker 1: she's nuts, because she's a goddamn nutty, cuckoo crazy, she's 217 00:13:43,800 --> 00:13:47,160 Speaker 1: out of her fucking mind. I had never memorized her name. 218 00:13:47,200 --> 00:13:50,520 Speaker 1: But but if you look up black woman. Okay, so 219 00:13:50,679 --> 00:13:53,520 Speaker 1: Fia Stewart, it's her name. Olivia is sending us a 220 00:13:53,760 --> 00:13:58,840 Speaker 1: vital information as we're talking this. So Fia Stewart is 221 00:13:58,880 --> 00:14:04,080 Speaker 1: this woman's name, and she claims that she originally submitted 222 00:14:04,120 --> 00:14:10,600 Speaker 1: the script for a Terminator I believe to writing competition 223 00:14:10,679 --> 00:14:14,040 Speaker 1: that basically there was a magazine that had like a 224 00:14:14,040 --> 00:14:18,240 Speaker 1: an open submission from I believe the Wachowskis. Isn't that 225 00:14:18,320 --> 00:14:23,320 Speaker 1: their name? That that made the Matrix? That, oh, Terminator 226 00:14:23,440 --> 00:14:26,160 Speaker 1: was like James Cameron, right, big dog. I am telling 227 00:14:26,200 --> 00:14:30,440 Speaker 1: you what her claim is. I am not necessarily even 228 00:14:30,640 --> 00:14:34,240 Speaker 1: suggesting that it makes sense. But she submits a writing 229 00:14:34,280 --> 00:14:40,920 Speaker 1: competition for the the siblings, Yes, that made the Matrix, 230 00:14:41,440 --> 00:14:47,560 Speaker 1: and then somehow those scripts were usurped by them to 231 00:14:47,800 --> 00:14:53,560 Speaker 1: then make Terminator Terminator two and then subsequently the Matrix. 232 00:14:54,160 --> 00:14:58,720 Speaker 1: You they have been like children. Again. It doesn't make sense, 233 00:14:59,160 --> 00:15:06,960 Speaker 1: but that's her argument. Yeah, this isn't good because I 234 00:15:07,120 --> 00:15:09,320 Speaker 1: thought it was gonna be. You know, there's that movie 235 00:15:09,320 --> 00:15:12,040 Speaker 1: that was just like the Matrix. They came out like 236 00:15:12,080 --> 00:15:15,440 Speaker 1: a year before without the budget, Perfect Dark or whatever 237 00:15:15,520 --> 00:15:18,080 Speaker 1: where they said all the Flock, which I thought that 238 00:15:18,160 --> 00:15:21,600 Speaker 1: movie is pretty great. By the way, I never saw 239 00:15:21,680 --> 00:15:25,240 Speaker 1: it for it it's it's actually pretty good. Yeah. And 240 00:15:25,360 --> 00:15:28,320 Speaker 1: that's dark is that the it's a that's a Vin 241 00:15:28,400 --> 00:15:33,920 Speaker 1: Diesel uh where he's blind? Yeah. I think Perfect Dark 242 00:15:34,080 --> 00:15:36,760 Speaker 1: was was it was maybe the original of it, and 243 00:15:36,760 --> 00:15:45,120 Speaker 1: then Riddick was like their spinoff from okay him. A 244 00:15:45,120 --> 00:15:46,960 Speaker 1: lot of people don't know that about the Chronicles of 245 00:15:47,120 --> 00:15:56,320 Speaker 1: ridding U. No, that's insane, but yeah, it's it's real 246 00:15:56,440 --> 00:15:59,360 Speaker 1: weird shit, man. And I'll go on to say that 247 00:15:59,400 --> 00:16:01,600 Speaker 1: the argument Mint is and this is one of the 248 00:16:01,640 --> 00:16:05,080 Speaker 1: things that people try to use to support somehow her 249 00:16:05,520 --> 00:16:08,760 Speaker 1: being because those movies are so far apart, right that 250 00:16:08,920 --> 00:16:14,120 Speaker 1: they're little apart a decade of distance between I think 251 00:16:14,160 --> 00:16:18,560 Speaker 1: the original and in the Matrix. And one of the 252 00:16:18,800 --> 00:16:22,760 Speaker 1: arguments that she makes is that it's the same universe 253 00:16:23,160 --> 00:16:26,880 Speaker 1: that the Matrix is the sort of like I guess 254 00:16:26,920 --> 00:16:32,480 Speaker 1: the fault the future fallout of our world also living 255 00:16:32,600 --> 00:16:39,360 Speaker 1: inside of the Skynet takeoff matrix exactly that like you know, 256 00:16:39,480 --> 00:16:42,080 Speaker 1: the world, it's the same way in the actual matrix 257 00:16:42,120 --> 00:16:45,960 Speaker 1: the world is destroyed. They're saying that those are terminators 258 00:16:46,040 --> 00:16:50,080 Speaker 1: walking around on the Earth that that are then traveling back. 259 00:16:50,120 --> 00:16:54,880 Speaker 1: It's all simultaneous essentially. I Mean, here's the thing I 260 00:16:54,920 --> 00:16:58,480 Speaker 1: does think, like sometimes I feel like science fiction it's 261 00:16:58,560 --> 00:17:01,720 Speaker 1: like rap. There's just a lot of genre stuff that 262 00:17:02,040 --> 00:17:06,440 Speaker 1: is who knows whose idea wasn't for the first mobile 263 00:17:06,480 --> 00:17:10,000 Speaker 1: suit in anime. You know what I'm saying. I think 264 00:17:10,000 --> 00:17:12,040 Speaker 1: there's a lot of like I don't think the idea 265 00:17:12,080 --> 00:17:14,600 Speaker 1: of like we're all living in a simulation. I don't 266 00:17:14,640 --> 00:17:19,520 Speaker 1: think the Wachowskis invented that as a science fiction theme. No, 267 00:17:19,600 --> 00:17:21,600 Speaker 1: I don't think so either. And I think that that's 268 00:17:21,800 --> 00:17:25,359 Speaker 1: that or the idea of AI becoming sentient and taking over. 269 00:17:25,840 --> 00:17:29,119 Speaker 1: I don't think that the Terminator invented that. And I 270 00:17:29,560 --> 00:17:34,040 Speaker 1: think I think she isn't crazy in that she didn't 271 00:17:34,080 --> 00:17:37,520 Speaker 1: come up with an idea that crossed over to some 272 00:17:37,600 --> 00:17:40,200 Speaker 1: of these things. Right. She might have had a little 273 00:17:40,480 --> 00:17:43,800 Speaker 1: little bit of something on her fingers and it was like, 274 00:17:44,040 --> 00:17:46,800 Speaker 1: holy shit, that idea is like my idea. But that 275 00:17:47,359 --> 00:17:50,119 Speaker 1: come on, well, that that ain't people stealing from you. 276 00:17:50,200 --> 00:17:53,359 Speaker 1: That's just that's something else. Listen, I'm gonna tell you 277 00:17:53,440 --> 00:17:55,280 Speaker 1: something that happened to me this week. This is gonna 278 00:17:55,280 --> 00:17:57,880 Speaker 1: fuck you up. Yeah. I wrote a joke about why 279 00:17:57,960 --> 00:18:01,400 Speaker 1: I love big titties and then basically had an interview 280 00:18:01,880 --> 00:18:04,520 Speaker 1: with will Yati where he said he relates to women 281 00:18:04,600 --> 00:18:09,280 Speaker 1: with big titties for a far more selfish but similar reason. Yeah, 282 00:18:09,400 --> 00:18:12,679 Speaker 1: it's just because great minds, you know you and Drizzy 283 00:18:12,800 --> 00:18:18,840 Speaker 1: Drake Man. I when my when my Comedy Central uh 284 00:18:19,119 --> 00:18:21,400 Speaker 1: half hour came out, I had a joke on it. 285 00:18:21,840 --> 00:18:24,800 Speaker 1: This was like, obviously it's sort of in the heart 286 00:18:24,800 --> 00:18:27,800 Speaker 1: of the Trump era, right, And and in the joke, 287 00:18:28,080 --> 00:18:31,520 Speaker 1: I I talked about how white people they they played 288 00:18:31,520 --> 00:18:34,160 Speaker 1: a trick on us because we all thought we were 289 00:18:34,200 --> 00:18:37,200 Speaker 1: on the same page. That like, they did a little 290 00:18:37,240 --> 00:18:39,920 Speaker 1: bit of a magic trick where they pretended we were 291 00:18:39,960 --> 00:18:42,560 Speaker 1: all reasonable, and then this motherfucker popped up and it 292 00:18:42,640 --> 00:18:45,679 Speaker 1: turned out they were that we hadn't agreed on at 293 00:18:45,720 --> 00:18:50,560 Speaker 1: least that and and it that same year, Kat Williams 294 00:18:50,760 --> 00:18:54,040 Speaker 1: came out with a joke that is nearly identical to 295 00:18:54,200 --> 00:18:58,000 Speaker 1: the phrasing that I have in in in Punchline. Like 296 00:18:58,040 --> 00:19:01,920 Speaker 1: the punchline is exactly the same. Everything else around it 297 00:19:02,000 --> 00:19:06,720 Speaker 1: is a different take, But that punchline is so identical 298 00:19:07,040 --> 00:19:09,840 Speaker 1: that I continue to be accused of stealing a joke 299 00:19:09,920 --> 00:19:13,960 Speaker 1: that I recorded nine months before his specially even touched 300 00:19:13,960 --> 00:19:16,760 Speaker 1: the earth, you know what I mean. No, I mean 301 00:19:16,800 --> 00:19:19,280 Speaker 1: there's like, and that's the problem with Arthur. There's always 302 00:19:19,280 --> 00:19:22,000 Speaker 1: this cross of like, you know, because original thought how 303 00:19:22,080 --> 00:19:26,320 Speaker 1: much everybody's thinking something somebody stopped before. It's just whether 304 00:19:26,359 --> 00:19:30,160 Speaker 1: you're the first woman sympathize it and put it into 305 00:19:30,200 --> 00:19:32,960 Speaker 1: that specific medium. Like because I thought this was gonna 306 00:19:32,960 --> 00:19:35,600 Speaker 1: be like a living single kind of thing. No, yeah, 307 00:19:35,720 --> 00:19:38,560 Speaker 1: it is not a living single thing. We nobody has 308 00:19:38,600 --> 00:19:42,840 Speaker 1: seen any versions of these transcripts to you know, that's 309 00:19:42,840 --> 00:19:45,800 Speaker 1: never cited, at least when it all comes to it, right, 310 00:19:45,920 --> 00:19:49,480 Speaker 1: nobody's like, yo, word for word, bar for bar, he 311 00:19:49,600 --> 00:19:53,000 Speaker 1: stole my whole. Yeah, I ain't the soldier boyshit it is. Yeah, yeah, 312 00:19:53,359 --> 00:19:56,800 Speaker 1: truly just like yo, that lady says she wrote it. 313 00:19:57,000 --> 00:20:01,280 Speaker 1: Why y'all steal that? Yeah, that's too my. And because 314 00:20:01,840 --> 00:20:04,320 Speaker 1: I don't know, as far as what I can tell 315 00:20:04,359 --> 00:20:07,800 Speaker 1: from people who are actually great, lightning really doesn't often 316 00:20:07,920 --> 00:20:12,840 Speaker 1: only strike once, So like, where are her other fantastic 317 00:20:12,960 --> 00:20:18,240 Speaker 1: like ideas? Yeah, apparently they were both the matrix and terminator, 318 00:20:18,320 --> 00:20:21,880 Speaker 1: which is like, okay, well why did you submit both? Then? 319 00:20:22,200 --> 00:20:26,399 Speaker 1: You know what I mean, just just go with one. Yeah, yeah, 320 00:20:26,440 --> 00:20:28,840 Speaker 1: that's not a good Damn. I really wanted this one 321 00:20:28,880 --> 00:20:32,200 Speaker 1: to be true. No, she's a silly billy. I'm sorry 322 00:20:32,200 --> 00:20:35,439 Speaker 1: to break it to you. And and what an inspiring story. 323 00:20:35,520 --> 00:20:38,080 Speaker 1: Black women can be silly billies too, y'all can do 324 00:20:38,119 --> 00:20:42,120 Speaker 1: out here. I do like equal opportunity fuckery. I don't, Yeah, 325 00:20:45,040 --> 00:20:48,600 Speaker 1: I really, I really don't. I really don't. Yeah, it's 326 00:20:48,720 --> 00:20:51,399 Speaker 1: this lady and that lady who pretended to know sign 327 00:20:51,480 --> 00:20:55,560 Speaker 1: language for that that murder case, Like just tell us 328 00:20:55,880 --> 00:20:59,639 Speaker 1: that was that was my super Bowl, Like that was 329 00:21:00,680 --> 00:21:02,919 Speaker 1: that was one of the better things I've ever seen. 330 00:21:03,920 --> 00:21:06,640 Speaker 1: We should have her on. Hell yeah, we gotta get 331 00:21:06,640 --> 00:21:09,560 Speaker 1: her on. The lady Uppard knows don language, she gotta 332 00:21:09,720 --> 00:21:14,040 Speaker 1: she gotta believe some shit for real, for real. All right, 333 00:21:14,119 --> 00:21:16,600 Speaker 1: we gotta wrap this up. Can you tell the people 334 00:21:16,600 --> 00:21:18,480 Speaker 1: where they can find you on what cool shit you 335 00:21:18,480 --> 00:21:22,800 Speaker 1: have going on? A watch me on Instagram at Cool 336 00:21:22,800 --> 00:21:26,120 Speaker 1: Guy Jokes eighty seven. I'm I've been getting here, I've 337 00:21:26,119 --> 00:21:29,320 Speaker 1: been getting your dms. I'm gonna fix the website. Here's 338 00:21:29,800 --> 00:21:32,960 Speaker 1: you know, I got I gotta update the website. I understand, 339 00:21:33,280 --> 00:21:36,160 Speaker 1: so official David Bore'll get updated. Then all the dates 340 00:21:36,160 --> 00:21:38,720 Speaker 1: and stuff would be on there. But you know, March 341 00:21:38,760 --> 00:21:41,719 Speaker 1: twenty third through twenty five comes see me at Rooster 342 00:21:41,880 --> 00:21:46,720 Speaker 1: t Feathers and Sunnyvale, California. April seventh, eighth, and ninth 343 00:21:46,760 --> 00:21:50,480 Speaker 1: comes see me at the Before You Die Fest and Anchorage, 344 00:21:50,480 --> 00:21:54,560 Speaker 1: Alaska and other than that, you know, oh, watch Royal 345 00:21:54,640 --> 00:21:59,080 Speaker 1: Crackers premiering on HBO Max April third. And you know, 346 00:21:59,200 --> 00:22:02,040 Speaker 1: listen to my mom and told me every week with 347 00:22:02,200 --> 00:22:05,800 Speaker 1: your clothes off? What's your clothes off? And you can 348 00:22:05,840 --> 00:22:10,359 Speaker 1: follow me at Langston Kerman as always, And if you 349 00:22:10,359 --> 00:22:13,320 Speaker 1: want to send us drops your own conspiracy theories. If 350 00:22:13,320 --> 00:22:17,560 Speaker 1: you want to suggest that black women created Pretty Woman, 351 00:22:18,320 --> 00:22:21,600 Speaker 1: go ahead and send those theories to my mama pod 352 00:22:21,720 --> 00:22:24,200 Speaker 1: at gmail dot com. We would love to hear from you. 353 00:22:24,359 --> 00:22:27,959 Speaker 1: Follow the YouTube page, go watch the videos. Accuse us 354 00:22:28,000 --> 00:22:32,480 Speaker 1: of being cones and sellouts. Oh we love you all right, 355 00:22:32,640 --> 00:22:39,920 Speaker 1: bye bitch, and I ain't playing. Look. Motherfucking many years, 356 00:22:39,960 --> 00:22:53,040 Speaker 1: so many yepisode. Motherfucking many years. Motherfucking many years, sonar, 357 00:22:54,640 --> 00:23:00,280 Speaker 1: motherfucking many years. M m