WEBVTT - Thursday Post Show (02-24-22)

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<v Speaker 1>It's time for the Bobby Bones post show. Here's your host,

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<v Speaker 1>Bobby Bones. On yesterday's show, we talked about love hate

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<v Speaker 1>on the show, meaning what do you love? What do

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<v Speaker 1>you hate? It really just started out what do you hate?

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<v Speaker 1>And then we felt like either we people would be

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<v Speaker 1>scared to tell us or we would get our feelings

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<v Speaker 1>hurt a little bit both, so we wanted tell us

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<v Speaker 1>what you love, tell us what you hate. So you

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<v Speaker 1>ended up back at even We just want to be

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<v Speaker 1>a better show. And I have a bunch that Mike

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<v Speaker 1>gave me that so people just send it notes to

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<v Speaker 1>the mailbag. Do we like it that people send emails

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<v Speaker 1>into the mailbag for things other than the mailbag? Mic?

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<v Speaker 1>Sometimes it makes it harder to find, like actual other segments.

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<v Speaker 1>So do we like I just need to know if

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<v Speaker 1>we like it, because I can encourage either way. Personally,

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<v Speaker 1>I don't like okay, So we basically just use the

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<v Speaker 1>mailbag for the mailbag, Yes, unless we say we want

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<v Speaker 1>theme songs for the show or something like that or

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<v Speaker 1>anything like that, and explain what would be good for

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<v Speaker 1>the mailbag. What's the mailbag used for? Oh, if you

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<v Speaker 1>have questions, we want advice. If people are knowing telling

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<v Speaker 1>you maybe didn't I know, oh I'm saying. Then they're

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<v Speaker 1>like they might be like, well, wait, what's considered mail

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<v Speaker 1>for the mailbag? Yeah, this segment we do. We do

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<v Speaker 1>unnnely mail and read on the air something that we

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<v Speaker 1>call Yeah from Alison kin Cannon. I think my biggest

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<v Speaker 1>dislike is when you call others as pranks. It's nothing personal,

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<v Speaker 1>It's just usually not interesting to me. I love the

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<v Speaker 1>show and the dynamics. I love the interactions between everyone

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<v Speaker 1>from Christo Wilkie. Love the trivia games, fun to play

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<v Speaker 1>along and see who knows what on the show. Hate Callers.

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<v Speaker 1>It takes time from the show of you guys talking

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<v Speaker 1>about your life. Stephanie Hostead. I like when you play

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<v Speaker 1>the listener of voice mails. It just seems a lot

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<v Speaker 1>less awkward than when people call in. Favorite segment elder

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<v Speaker 1>versus millennial, Christy Campbell of callers, it's all over the place. Yeah,

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<v Speaker 1>Love Callers, Love Friday Morning Dance Party, Love Morning Corny.

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<v Speaker 1>I'm not particularly fond of celebrity interviews. I prefer the

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<v Speaker 1>show when it's just a regular crew chatting and sharing

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<v Speaker 1>interesting about that. I also don't like celebrity interviews unless

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<v Speaker 1>it's someone that I feel like we should, we don't

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<v Speaker 1>do a lot. You're good at them, though, man, like

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<v Speaker 1>you're good at interviewing people. We do less because I

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<v Speaker 1>think people just this is the environment of radio and

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<v Speaker 1>record labels. They feel like if they got an arson

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<v Speaker 1>to put some out radio, to just take them. It's

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<v Speaker 1>just it's the way it's always been. We have an artist,

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<v Speaker 1>we're gonna come by and put them on your show.

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<v Speaker 1>We don't. We don't actually don't allow them almost anyone

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<v Speaker 1>on and so unless we kind of seek them out.

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<v Speaker 1>And it has created a sour space for me a

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<v Speaker 1>bit in the community because they don't take just people.

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<v Speaker 1>Because they're putting a new records. I could give a crap.

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<v Speaker 1>Our audience doesn't care about somebody that they don't really know,

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<v Speaker 1>and I don't think it's that good. If somebody I

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<v Speaker 1>think is awesome they don't know, I'm like, let me

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<v Speaker 1>shoot the person it's awesome. Or if it's like John

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<v Speaker 1>Party will be on tomorrow, great guest, great artist friend,

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<v Speaker 1>Kelsey Baller and you will be on Monday. Same But

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<v Speaker 1>we don't just put people on because of what the

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<v Speaker 1>culture is here. You owe us put them on all

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<v Speaker 1>you jack crab about this big bag of turds. How

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<v Speaker 1>about that? Oh well, I pay him that that's my currency.

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<v Speaker 1>You're telling that, No, but I might. Let's see what

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<v Speaker 1>I love. I love the games hundred are the feud,

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<v Speaker 1>easy trivia, Guess the song? It's fun to play along?

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<v Speaker 1>What I hate? Uh? Alred to do this one? Celebrities

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<v Speaker 1>or is that a different one? Not same one? Alright,

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<v Speaker 1>Let's do a couple more favorites, drafts, spend the wheel, challenges,

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<v Speaker 1>Least least favorite, at least favorite, lunch box me I

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<v Speaker 1>mean to Abbey, Amanda Jamie. Least favorite is music. We've

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<v Speaker 1>heard the same songs on Time's over. We want to

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<v Speaker 1>hear y'all talk. I've I've said it a bunch of times.

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<v Speaker 1>We would not play any music if we had the choice.

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<v Speaker 1>We agree we wouldn't. We just wouldn't, and we would

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<v Speaker 1>come on and talk. Um okay, I prefer fewer callers.

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<v Speaker 1>I hated the shot caller. We didn't even do that anymore.

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<v Speaker 1>They're hating old things we don't even do anymore. We

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<v Speaker 1>hated that too. Um okay, Well, thank you for all

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<v Speaker 1>of your feedback. We do really appreciate it, you know.

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<v Speaker 1>I went over to the B team page and hadn't

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<v Speaker 1>been over there in a little bit and went over yesterday.

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<v Speaker 1>I checked something out and before I went someone on

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<v Speaker 1>the show said he I wouldn't over there. I was you,

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<v Speaker 1>And I was like why, Like that page is what

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<v Speaker 1>happened taking a turn? I thought it was supposed to

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<v Speaker 1>be like right, And I was like, fine, fellow, the

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<v Speaker 1>works on the show. That's that page is monitored for kindness.

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<v Speaker 1>And I went over yesterday. Dear god, what are they

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<v Speaker 1>fighting about? Yeah, monitor must have passed out. Um, there

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<v Speaker 1>are mean about a couple of things. I don't I

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<v Speaker 1>don't remember, but I was like, oh, I don't. I

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<v Speaker 1>don't know if a couple slipped through the cracks. But

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<v Speaker 1>it was not the safe space that I was accustomed to.

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<v Speaker 1>Some people are like I heard you had to be

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<v Speaker 1>kind to get in, so they play kind and then

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<v Speaker 1>they oh they snuck in. They turn Yeah, it's a

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<v Speaker 1>tough one. But maybe it's just a blip, but it

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<v Speaker 1>is a tough is I got over there, I was like,

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<v Speaker 1>oh man, because I don't think most people like that.

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<v Speaker 1>But there's some rotten eggs that got into that bunch.

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<v Speaker 1>Now here's a voicemail from last night. Hey Bobby martin studio.

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<v Speaker 1>The past month, there's been a fire in my building.

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<v Speaker 1>Forty six apartments cannot burn down practically out of ninety six,

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<v Speaker 1>and luckily I was one of the ones that didn't

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<v Speaker 1>get burned down. About less than two or three weeks ago,

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<v Speaker 1>a guy get shot right on the fourth floor. And

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<v Speaker 1>as I'm saying this message, I'm realizing it to tell

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<v Speaker 1>me something bad. So sorry about that. And then he

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<v Speaker 1>hung up. Well, I thought he was anna, Aska, should

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<v Speaker 1>I move? He should move? No, we just wanted to.

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<v Speaker 1>I don't know what he wanted, but I think he

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<v Speaker 1>realized this probably wasn't. And then just like you now,

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<v Speaker 1>I'm out. That's a lot of stuff. Yeah, good luck.

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<v Speaker 1>I hope it turns around for you soon. Jennifer Lawrence

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<v Speaker 1>is the first time mom after giving birth to her

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<v Speaker 1>kid with somebody named Cook Maroney. Should I know Cook

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<v Speaker 1>Maroney is because they say Jennifer Lawrence because birth to

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<v Speaker 1>her kid with Cook Maroney. Do you know who that is?

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<v Speaker 1>An art dealer? Huh Maroney? According to public record, Jennifer

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<v Speaker 1>Lawrence gave birth to l in La County. Don't know

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<v Speaker 1>the exact day of birth or the gender of the baby.

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<v Speaker 1>This is the first child for both the Jennifer and

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<v Speaker 1>her husband, Cook Maroney, who is an art dealer. Interesting,

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<v Speaker 1>how do you be an art dealer? Sound shady, doesn't it?

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<v Speaker 1>Even though it's not. Probably has a lot of money, right,

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<v Speaker 1>So that's a shady sounding job, even though it's probably not.

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<v Speaker 1>That's not rug dealer art dealer. Maybe it's just because

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<v Speaker 1>it's in the word dealers, but their car dealers. So

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<v Speaker 1>he's a director of an art gallery in New York. Okay,

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<v Speaker 1>do you ever go into an art gallery and go

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<v Speaker 1>I don't, I don't understand? Yeah, or how does this cost?

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<v Speaker 1>Is the only one I go into? Is one of

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<v Speaker 1>the mall Back in the day? King kaid? What was that?

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<v Speaker 1>Is like a bunch of whales? Because I've never gotten

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<v Speaker 1>to like a private art galls frame store? That was

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<v Speaker 1>one of Like Arthur King kaid it was he did

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<v Speaker 1>a bunch of killer whales. You shore is not a

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<v Speaker 1>frame storm. Maybe Michael's that's it. Um. The FBI confirms

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<v Speaker 1>knowing about the American Airlines UFO report. I'm just gonna

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<v Speaker 1>bring it up again because I like these stories. You

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<v Speaker 1>love it. Don't want to bring it up on the

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<v Speaker 1>regular show because I feel like these are my people

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<v Speaker 1>to listen to the Post Show. About a year ago,

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<v Speaker 1>we talked about it. A pilot was on a flight

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<v Speaker 1>from Cincinnati Phoenix and he reported one of the most

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<v Speaker 1>significant UFO reports of last year. The cockpit audio reported

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<v Speaker 1>a near miss with a long cylindrical object. Here's a

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<v Speaker 1>clip of the pilot talking about what he saw in

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<v Speaker 1>this guy back in the day. But he targets up here,

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<v Speaker 1>we just had stuff to go right over the top

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<v Speaker 1>of us that I hate to say. This looks like

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<v Speaker 1>a long celectrical objects that almost look like a cruise

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<v Speaker 1>hustle type of things moving really fast and went right

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<v Speaker 1>over the top of the Now the f basts confirming

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<v Speaker 1>they knew about the incident, As calls for more transparent

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<v Speaker 1>parency are happening when it comes to incidents like this,

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<v Speaker 1>American Airlines initially played down the report. This is a

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<v Speaker 1>statement they had released following a debrief with our flight

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<v Speaker 1>crew and additional information received. We can confirm this radio

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<v Speaker 1>transmission was from the flight that's all they said. Wow,

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<v Speaker 1>they just confirmed that radio. Hey what what In the

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<v Speaker 1>past pilots have been threatened with their jobs and told

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<v Speaker 1>to get counseling after even mentioning places that's not good.

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<v Speaker 1>In a Daily Star exclusive in September of last year,

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<v Speaker 1>anonymous pilots had come forward claiming they could lose their

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<v Speaker 1>jobs for reporting sidings, despite many being seen before. One

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<v Speaker 1>pilot set airline bosses are so hostile that a colleague

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<v Speaker 1>was sold to get counseling after reporting at UFO from

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<v Speaker 1>the Daily Star. I'll leave it here. It's like that show.

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<v Speaker 1>What's that show? We liked? The Netflix one up in

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<v Speaker 1>the air? No, Leonardo DiCaprio, No, why is this that

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<v Speaker 1>he sees something? They don't believe him. He has to

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<v Speaker 1>be like, what's going on here? Why don't you believe me?

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<v Speaker 1>Did you miss the point of the whole movie? No?

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<v Speaker 1>I remember they take him a while. They're just like,

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<v Speaker 1>we're sitting remember they sat in the White House forever. Yeah,

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<v Speaker 1>they were saying, oh, I know, but whatever it is,

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<v Speaker 1>this is like the same thing where they're like, stop

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<v Speaker 1>it with your crazy talk, get out of here. Yeah,

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<v Speaker 1>but they had actual proof, I know, but they'd never

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<v Speaker 1>given and ours are always like fuzzy images from a

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<v Speaker 1>polaroid that was taken while someone was drunk, even though

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<v Speaker 1>we have h but that's what it's called. Maybe these

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<v Speaker 1>whatever they are, aren't able to be recorded quality whatever

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<v Speaker 1>these aliens are, Lunchbox saying the Girl Scouts of America

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<v Speaker 1>ripping us off, which is an interesting few to start

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<v Speaker 1>you versus the Girl Scouts of America Lunchbox of v

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<v Speaker 1>Girls Scouts. Well, I didn't, I didn't start it. They did.

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<v Speaker 1>What happened? I bought a box of cookies, and I

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<v Speaker 1>mean the clip explains at all. You just listen, and

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<v Speaker 1>I mean I wish the audio of this you recorded,

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<v Speaker 1>little girls. I don't say it like that. No, absolutely not. Okay,

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<v Speaker 1>it was when I got home with the cookies. Okay,

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<v Speaker 1>and open the box. Okay, yes, they ripped us off.

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<v Speaker 1>So you brought audio of you talking? Yes? Can you

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<v Speaker 1>just say it? I mean, I guess that's the question.

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<v Speaker 1>Opening the box and like okay, yeah, there's a video. Okay,

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<v Speaker 1>it's like what's in the According to lunch Box, the

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<v Speaker 1>Girls Scouts will taken advantage of what are you loving

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<v Speaker 1>at that he's gonna play audio of him saying something

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<v Speaker 1>where he could just say right here, but we recorded

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<v Speaker 1>a video video I know, but all right, but we

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<v Speaker 1>need it for socials, and I mean, you gotta believe.

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<v Speaker 1>I need to have proof that this is what's going on.

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<v Speaker 1>I could just say anything. If I don't have proof,

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<v Speaker 1>then it didn't happen. I think at these points you

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<v Speaker 1>can put him in two different places. You can just

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<v Speaker 1>set it here and then put the video. But I

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<v Speaker 1>get it. I'm happy to play it. Hit it here,

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<v Speaker 1>it is here, okay, shall be hitting. So I was like, oh,

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<v Speaker 1>let me try these toffee tastics, right or whatever. Never

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<v Speaker 1>heard of them, but they're five fifty a box, A

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<v Speaker 1>dollar fifty more expensive than all the other cookies. Okay, cool, sure,

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<v Speaker 1>Girl Scouts. Now let's open the Girl Scout cookie up right,

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<v Speaker 1>let's open it up. Hold on, you'll get one sleeve

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<v Speaker 1>of cookie in the whole box. Every other Girl Scout

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<v Speaker 1>cookie you get two sleeves. So you're charging five fifty

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<v Speaker 1>and only give me one sleeve. Come on, that's called

0:11:29.679 --> 0:11:33.520
<v Speaker 1>ripping America off, girls Scouts. I'm very disappointed. That's it.

0:11:34.320 --> 0:11:36.559
<v Speaker 1>They charge you a dollar fifty more and they give

0:11:36.600 --> 0:11:43.400
<v Speaker 1>you half the cookie and different ingredients or something like

0:11:43.480 --> 0:11:47.520
<v Speaker 1>maybe toffees more. I don't know, but they should at

0:11:47.600 --> 0:11:50.000
<v Speaker 1>least tell you when when they're selling you the cookies, like, hey,

0:11:50.080 --> 0:11:52.480
<v Speaker 1>just a heads up, these are a dollar fifty more

0:11:54.640 --> 0:11:57.080
<v Speaker 1>and you're only gonna get You're only gonna get one

0:11:57.120 --> 0:11:59.520
<v Speaker 1>sleeve of cookies. I don't know what kind of badges

0:11:59.559 --> 0:12:02.120
<v Speaker 1>they're getting. I don't know if dishonesty is a bad

0:12:03.240 --> 0:12:07.120
<v Speaker 1>like the dishonesty badge. Yeah, I think they fried badge. Yeah,

0:12:07.920 --> 0:12:10.000
<v Speaker 1>look it up. Man, they do bank though, Huh, Like

0:12:10.200 --> 0:12:12.160
<v Speaker 1>that's a I don't know, hell of a business model.

0:12:12.160 --> 0:12:13.840
<v Speaker 1>I don't know if they do anybody. What do you mean?

0:12:14.440 --> 0:12:16.480
<v Speaker 1>I don't. I mean they're everywhere, but I don't know

0:12:16.520 --> 0:12:18.520
<v Speaker 1>if girl Scouts Back in the day, they probably did

0:12:18.559 --> 0:12:20.160
<v Speaker 1>because there weren't a lot of options or ways to

0:12:20.200 --> 0:12:22.360
<v Speaker 1>get cookies. Now, if I want cookies, I just hit

0:12:22.400 --> 0:12:24.600
<v Speaker 1>a phone app. I have like five boxes in my pintra.

0:12:24.640 --> 0:12:26.959
<v Speaker 1>Had no idea how they got there, girlie, Yeah, I

0:12:26.960 --> 0:12:29.120
<v Speaker 1>guess my wife got him somewhere. Amy feeling all right,

0:12:29.520 --> 0:12:33.160
<v Speaker 1>M'm looking up girls Scout cookies. Yeah, you're looking up

0:12:33.160 --> 0:12:35.440
<v Speaker 1>why they're charging five fifty for the one box with

0:12:35.520 --> 0:12:38.760
<v Speaker 1>one sleeve? Okay, First of all, they're gluten free. Everything

0:12:38.760 --> 0:12:43.240
<v Speaker 1>that's glaring and second of all, the box is super narrow,

0:12:43.440 --> 0:12:45.600
<v Speaker 1>so it looks obvious to me. You look at every

0:12:45.600 --> 0:12:48.520
<v Speaker 1>boxer narrow, they're the same exact size. I don't know,

0:12:49.360 --> 0:12:51.160
<v Speaker 1>but they didn't say anything about it. They said, oh yeah,

0:12:51.160 --> 0:12:52.120
<v Speaker 1>they just had them all there. And I was like,

0:12:52.120 --> 0:12:55.240
<v Speaker 1>I'll take some of those toffee tasting five fifty. And

0:12:55.360 --> 0:12:58.360
<v Speaker 1>also it's fun to say, so that cost them more toffee.

0:12:58.280 --> 0:13:00.440
<v Speaker 1>Ye can you go back to the girls free store

0:13:00.480 --> 0:13:03.120
<v Speaker 1>and argue with the girl scout? It wasn't at the

0:13:03.120 --> 0:13:07.000
<v Speaker 1>grocery store. Wherever it is, be sure to record it. No,

0:13:07.080 --> 0:13:10.080
<v Speaker 1>I'm not going to argue with the girl scout. Yeah yeah, Um.

0:13:10.120 --> 0:13:14.440
<v Speaker 1>The question is on dating apps. Is it okay if

0:13:14.480 --> 0:13:16.280
<v Speaker 1>you use a picture that is a couple of a

0:13:16.320 --> 0:13:18.640
<v Speaker 1>few years old? Right? This is the situation that that

0:13:19.480 --> 0:13:24.720
<v Speaker 1>one of Amy's friends. Okay, it's better not. Because one

0:13:24.800 --> 0:13:27.640
<v Speaker 1>of Amy's friends had a situation Amy, she showed up

0:13:27.679 --> 0:13:30.640
<v Speaker 1>to the Dick. They went to dinner, and she just

0:13:30.679 --> 0:13:34.240
<v Speaker 1>straight up she's a very honest person, and she said,

0:13:34.480 --> 0:13:37.840
<v Speaker 1>oh wow, I don't feel like you look You look

0:13:37.880 --> 0:13:40.000
<v Speaker 1>like your pictures, but you look older. He goes, oh, yeah,

0:13:40.000 --> 0:13:45.120
<v Speaker 1>those pictures different. Twenty sixteen and She's like, it's twenty

0:13:45.200 --> 0:13:48.560
<v Speaker 1>twenty two. Yeah, so she just sixteen. That was a

0:13:48.600 --> 0:13:52.120
<v Speaker 1>little off, like it was some of his I don't know,

0:13:52.320 --> 0:13:55.640
<v Speaker 1>like it just obalye, better better time for him physically, right, No,

0:13:55.720 --> 0:13:58.280
<v Speaker 1>she said he wasn't. She just didn't understand, like why

0:13:58.320 --> 0:14:02.520
<v Speaker 1>not update your pictures it's more accurate. But I mean

0:14:02.520 --> 0:14:04.559
<v Speaker 1>he owned it right away. Oh yeah, yeah, those twenty

0:14:04.720 --> 0:14:10.439
<v Speaker 1>sixteen Morgan. Yeah, that's bad. Listen. I'm gonna be honest here,

0:14:10.559 --> 0:14:12.440
<v Speaker 1>Like I get it that we all want to, you know,

0:14:12.559 --> 0:14:14.760
<v Speaker 1>kind of try and put our best foot forward. But

0:14:15.160 --> 0:14:17.880
<v Speaker 1>that's being dishonest. It's almost a way of catfishing. If

0:14:17.880 --> 0:14:20.400
<v Speaker 1>you're not presenting exactly who you are in that moment,

0:14:21.120 --> 0:14:24.640
<v Speaker 1>you're you're setting yourself up to be disappointed with whoever arrives,

0:14:24.680 --> 0:14:28.120
<v Speaker 1>because they're going to be disappointed. Yeah, it's like, what's

0:14:28.160 --> 0:14:30.200
<v Speaker 1>going to happen from this is not going to end

0:14:30.280 --> 0:14:32.880
<v Speaker 1>well for you. Maybe you may get a someone, a

0:14:32.880 --> 0:14:36.640
<v Speaker 1>girl or a guy to meet you early, but late

0:14:36.680 --> 0:14:38.400
<v Speaker 1>they're not gonna want to be with you because it's

0:14:38.400 --> 0:14:40.560
<v Speaker 1>going to turn them off. You almost would like to

0:14:40.600 --> 0:14:41.960
<v Speaker 1>build it the other way and put up your worst

0:14:42.000 --> 0:14:45.040
<v Speaker 1>picture and then show up and they're like, wow them

0:14:45.120 --> 0:14:47.800
<v Speaker 1>right now? Is that how it goes? That's what I

0:14:47.840 --> 0:14:49.880
<v Speaker 1>heard from the kids Amy that they fall in love.

0:14:50.480 --> 0:14:54.120
<v Speaker 1>Now they went out a second time, and I don't

0:14:54.160 --> 0:14:56.600
<v Speaker 1>know if I should get this detail, because what if

0:14:57.240 --> 0:15:00.520
<v Speaker 1>they it's from Nashville, that's already a detail enough. That

0:15:00.560 --> 0:15:03.360
<v Speaker 1>could be anybody. I always wonder sometimes with my friends

0:15:03.480 --> 0:15:05.240
<v Speaker 1>dating stories. I'm like, you really don't care if because

0:15:05.240 --> 0:15:06.880
<v Speaker 1>I get my friend's permission, you really don't care if

0:15:06.880 --> 0:15:08.760
<v Speaker 1>I tell this story and she's like no, And then

0:15:08.800 --> 0:15:10.840
<v Speaker 1>I wonder, what if the guy you went on a

0:15:10.920 --> 0:15:14.240
<v Speaker 1>date with listens to the show. So I'm going to

0:15:14.360 --> 0:15:17.200
<v Speaker 1>leave the other detail out of this particular story. It

0:15:17.280 --> 0:15:20.120
<v Speaker 1>might pop up at another time, so that way it'll

0:15:20.120 --> 0:15:23.120
<v Speaker 1>seem like a different person. Okay, so I didn't work

0:15:23.120 --> 0:15:28.560
<v Speaker 1>out well? Shelf finding out. I think they're probably not

0:15:28.600 --> 0:15:31.240
<v Speaker 1>going to go out again. Okay, after the second date,

0:15:31.320 --> 0:15:33.800
<v Speaker 1>what happened? She didna go out with them again? Though

0:15:33.800 --> 0:15:36.680
<v Speaker 1>first date she learned to put up old pictures. Not fine,

0:15:36.680 --> 0:15:38.720
<v Speaker 1>she can get past that second date. She was like, Okay,

0:15:38.800 --> 0:15:41.000
<v Speaker 1>this is weird. I gotta go. You guys from low

0:15:41.040 --> 0:15:42.640
<v Speaker 1>Cash just walked in the green room. Yeah, I have

0:15:42.720 --> 0:15:49.120
<v Speaker 1>to interview in them that I have an interview. For one,

0:15:49.760 --> 0:15:55.600
<v Speaker 1>they're doing an event tomorrow night in downtown Nashville where

0:15:55.960 --> 0:15:59.320
<v Speaker 1>it's like teachers. It's like teacher appreciation, like teachers can

0:15:59.360 --> 0:16:02.560
<v Speaker 1>get in like IP. But then they're performing with DJ

0:16:02.680 --> 0:16:07.960
<v Speaker 1>Silver And when did you interview Scooba? Steve scheduled it

0:16:08.160 --> 0:16:11.560
<v Speaker 1>earlier this week, but there's something that has to air

0:16:12.320 --> 0:16:17.280
<v Speaker 1>along with the event with Low Cash and the Big nineties.

0:16:17.400 --> 0:16:20.240
<v Speaker 1>No, no no, My question is what time is your interview together?

0:16:20.600 --> 0:16:24.200
<v Speaker 1>So I want to be oh after to show eleven? Okay,

0:16:24.440 --> 0:16:27.520
<v Speaker 1>they just are prompt or early. Yeah, okay, I'm not

0:16:27.600 --> 0:16:30.120
<v Speaker 1>surprised be here blaving away and then you miss your interview.

0:16:31.600 --> 0:16:33.360
<v Speaker 1>Nice look at Amy, and to be in Low Cash

0:16:33.360 --> 0:16:36.040
<v Speaker 1>and one don't want to slo doing things nice big things.

0:16:36.280 --> 0:16:38.080
<v Speaker 1>Good job. Um. One other thing I wanted to mention

0:16:38.120 --> 0:16:40.960
<v Speaker 1>an Amy, who were you? I don't want to spoil

0:16:41.520 --> 0:16:42.680
<v Speaker 1>the end of the story because I don't let you

0:16:42.720 --> 0:16:44.640
<v Speaker 1>have it, but somebody text you something while they were

0:16:44.720 --> 0:16:48.400
<v Speaker 1>later didn't show up somewhere and then they sent you

0:16:48.440 --> 0:16:50.960
<v Speaker 1>a picture. I get a reminder of our story sometimes, okay,

0:16:51.000 --> 0:16:52.240
<v Speaker 1>sot of from the beginning. I don't want to go

0:16:52.240 --> 0:16:57.560
<v Speaker 1>away too much to the show. Okay, okay, this I

0:16:57.840 --> 0:16:59.480
<v Speaker 1>don't want see. I don't want to sell. I don't

0:16:59.480 --> 0:17:01.120
<v Speaker 1>want to say no, okay, well this. I also get

0:17:01.160 --> 0:17:06.639
<v Speaker 1>nervous because I'm like, oh, um, okay. So someone was

0:17:06.720 --> 0:17:10.080
<v Speaker 1>coming to give a quote at my house for painting

0:17:11.119 --> 0:17:16.239
<v Speaker 1>something and texted that they broke their leg and they

0:17:16.280 --> 0:17:18.920
<v Speaker 1>weren't going to be able to make it. Okay, cool

0:17:19.280 --> 0:17:23.040
<v Speaker 1>like that, Wow, glad, you're okay, Yeah, we're good. But

0:17:23.800 --> 0:17:26.800
<v Speaker 1>it's like he went next level and was like, see,

0:17:27.119 --> 0:17:33.359
<v Speaker 1>broke my leg and sent a picture he's crushed down,

0:17:33.800 --> 0:17:39.399
<v Speaker 1>basically showing his legs. I don't know. I just thought, yeah,

0:17:39.400 --> 0:17:41.800
<v Speaker 1>like one, yes, you can tell. I don't. I think

0:17:41.800 --> 0:17:44.679
<v Speaker 1>he might be in the hospital. But but it's like

0:17:45.240 --> 0:17:47.440
<v Speaker 1>I thought, for a second, did he mean to send

0:17:47.480 --> 0:17:49.560
<v Speaker 1>this to me? Or is this like for someone else?

0:17:49.640 --> 0:17:54.679
<v Speaker 1>He thought it wasn't because he had clothes on. But

0:17:54.800 --> 0:17:57.159
<v Speaker 1>it's like I wasn't expecting to even never get a

0:17:57.160 --> 0:18:00.640
<v Speaker 1>photo from someone that I'm texting with about it quote

0:18:00.920 --> 0:18:05.679
<v Speaker 1>for painting like I believed you. I don't. I didn't

0:18:05.720 --> 0:18:09.200
<v Speaker 1>need photographic evidence pre or post I don't know, yeah,

0:18:09.280 --> 0:18:12.760
<v Speaker 1>pre or post hospital visit. He already wrapped up, looked

0:18:12.760 --> 0:18:14.879
<v Speaker 1>like good to go, and the different it was actually broken.

0:18:14.880 --> 0:18:16.520
<v Speaker 1>He's like, look, this is when I actually broke. Okay,

0:18:16.680 --> 0:18:19.320
<v Speaker 1>you can't see the broken leg, but you can see

0:18:20.280 --> 0:18:24.800
<v Speaker 1>what what you just see his shorts on. I could

0:18:24.800 --> 0:18:27.760
<v Speaker 1>just see. I thought it was his actual broken leg. Okay,

0:18:27.920 --> 0:18:31.399
<v Speaker 1>there's another story if you and I. Amy shared this before.

0:18:32.640 --> 0:18:35.919
<v Speaker 1>Somebody was at her house doing some work and was

0:18:35.920 --> 0:18:39.480
<v Speaker 1>showing her son a picture on his phone. This is mortifying,

0:18:39.600 --> 0:18:43.400
<v Speaker 1>and I want to die. Don't say it. Don't say

0:18:43.480 --> 0:18:46.280
<v Speaker 1>any hints, no, because I get mortified that that person

0:18:46.359 --> 0:18:48.159
<v Speaker 1>will know if you're talking about on the air. I

0:18:48.240 --> 0:18:52.200
<v Speaker 1>know that, and I have nightmares about what happened. Or

0:18:52.320 --> 0:18:54.760
<v Speaker 1>I don't think he knows it happened. Okay, Ray standing

0:18:54.800 --> 0:18:56.119
<v Speaker 1>by like he's about to be blown away by it.

0:18:56.119 --> 0:18:59.520
<v Speaker 1>But no, no, she said before. So she gave Amy

0:18:59.720 --> 0:19:01.359
<v Speaker 1>the person who was AIM's house doing some more it

0:19:01.359 --> 0:19:04.080
<v Speaker 1>gave Stevenson her son his phone and said look at this,

0:19:04.119 --> 0:19:08.960
<v Speaker 1>and Stevenson started swiping and swiped onto a dan. That's unbelievable, unbelievable,

0:19:09.560 --> 0:19:17.119
<v Speaker 1>and Stevenson started laughing out loud. That's hilarious listening in

0:19:17.160 --> 0:19:19.800
<v Speaker 1>the room. So he had laughed so thankfully. Oh he

0:19:19.880 --> 0:19:21.400
<v Speaker 1>wasn't there to see it, right, So he had gone

0:19:21.440 --> 0:19:26.280
<v Speaker 1>to get something Stevenson. So I was like, oh, Susan,

0:19:26.480 --> 0:19:28.960
<v Speaker 1>give me the phone. I didn't. I was like, oh, look,

0:19:29.880 --> 0:19:33.160
<v Speaker 1>was like, no, I can see sheets or something. Oh

0:19:33.240 --> 0:19:39.080
<v Speaker 1>my gosh, I don't know. Okay, so listen, you're not

0:19:39.119 --> 0:19:41.320
<v Speaker 1>on the mic. She knows, and she's telling me listen

0:19:41.359 --> 0:19:45.639
<v Speaker 1>like I'm not listening. Yeah, you know. We're on the

0:19:45.680 --> 0:19:48.720
<v Speaker 1>mic though, turn okay, hold on, turn it unless I

0:19:48.760 --> 0:19:50.600
<v Speaker 1>turned on mic. Okay for a second. We're watching you though,

0:19:50.640 --> 0:19:54.400
<v Speaker 1>So cover your lips. Cover your lips, am eye. Oh

0:19:54.440 --> 0:19:59.000
<v Speaker 1>my gosh, you're not covering your lips. I understand what

0:19:59.040 --> 0:20:03.720
<v Speaker 1>you're saying. Oh yeah, I want to see what you see.

0:20:03.720 --> 0:20:05.560
<v Speaker 1>It's almost like it's one of biker shorts and you

0:20:05.600 --> 0:20:10.639
<v Speaker 1>see as the bulge the bolt. That's why I thought,

0:20:10.800 --> 0:20:12.960
<v Speaker 1>is this for someone else? But then it was like

0:20:13.520 --> 0:20:18.280
<v Speaker 1>see and I'm like, you know, I believed you. We're good. Yeah,

0:20:18.280 --> 0:20:19.960
<v Speaker 1>your friend has a lot of weird stories happening that.

0:20:21.000 --> 0:20:23.040
<v Speaker 1>How do you find these people like the painter? How

0:20:23.080 --> 0:20:27.679
<v Speaker 1>did you find him? I don't know Google Google, I

0:20:27.720 --> 0:20:33.000
<v Speaker 1>don't know all right, we can me the Stevenson story.

0:20:33.040 --> 0:20:35.080
<v Speaker 1>That to me, they're not all my friends, but that's

0:20:35.320 --> 0:20:44.760
<v Speaker 1>twenty bucks. Yes always Amy eight no Mike one four,

0:20:46.440 --> 0:20:52.639
<v Speaker 1>lunch Box five eight Eddie two pay me my friend

0:20:54.720 --> 0:21:06.399
<v Speaker 1>one A Morgan three zero Ray seven five Oh away

0:21:06.560 --> 0:21:09.199
<v Speaker 1>you were too away, curious I go off your reaction.

0:21:09.240 --> 0:21:13.159
<v Speaker 1>I don't see the dice. Oh nobody's told you. Okay,

0:21:13.280 --> 0:21:25.920
<v Speaker 1>uh Abby hey zero Hillary zero Scoba or two no winner, Amy?

0:21:25.920 --> 0:21:27.160
<v Speaker 1>What are you? What are you pulling up over there?

0:21:27.600 --> 0:21:31.840
<v Speaker 1>I'm just doing in. I was texting something. Why is

0:21:31.880 --> 0:21:34.520
<v Speaker 1>it spell nauseous? Oh? What's a tough one? Now let

0:21:34.600 --> 0:21:38.520
<v Speaker 1>me walk through this. You want to do it in a?

0:21:39.560 --> 0:21:44.080
<v Speaker 1>You hold on, hold on? This work gets hard? Ye? Yes?

0:21:44.560 --> 0:21:55.240
<v Speaker 1>Oh wow all right yeah e o s e oh

0:21:56.160 --> 0:21:59.560
<v Speaker 1>you s. That one's always so hard on my phone.

0:21:59.600 --> 0:22:01.399
<v Speaker 1>Can't have or I just want to type in in

0:22:01.600 --> 0:22:04.840
<v Speaker 1>A and it finishes it for me. Never does because

0:22:04.840 --> 0:22:08.960
<v Speaker 1>like nau in a. Yes, because that's the one. I

0:22:09.040 --> 0:22:14.120
<v Speaker 1>all license and nauseous restaurant. I always struggle with rest

0:22:16.359 --> 0:22:21.800
<v Speaker 1>rest ta na ta ran What was the other one? Amy? License?

0:22:21.880 --> 0:22:26.479
<v Speaker 1>That's tough? Licensed license or licensed? I just start typing

0:22:26.600 --> 0:22:29.960
<v Speaker 1>at and hope my phone figures it out or computer

0:22:30.200 --> 0:22:31.840
<v Speaker 1>people walk around the studio. Now, I just kind of

0:22:31.840 --> 0:22:33.920
<v Speaker 1>want to get out of here. Something caught up. There's

0:22:33.960 --> 0:22:36.120
<v Speaker 1>Low Cash. I saw Lee Bryce walk by. I saw

0:22:36.119 --> 0:22:40.320
<v Speaker 1>a radio person. They're all here, Amy whole days. No, no,

0:22:40.440 --> 0:22:44.520
<v Speaker 1>I have one and done. M all right, Well I'll

0:22:44.560 --> 0:22:47.760
<v Speaker 1>let it scoop. What's happening out there As far as

0:22:47.920 --> 0:22:49.320
<v Speaker 1>the guess and stuff, Yeah, there's just a lot of

0:22:49.359 --> 0:22:51.800
<v Speaker 1>people like fluttering. Well, yeah, we had I guess it's

0:22:51.800 --> 0:22:54.040
<v Speaker 1>a very eventful day with CRS being here. But there's

0:22:54.080 --> 0:22:55.960
<v Speaker 1>a CEO of you break it, you fix it was here,

0:22:56.040 --> 0:22:59.560
<v Speaker 1>the phone company that fixes phones. You had some Atlantic

0:22:59.560 --> 0:23:02.760
<v Speaker 1>people here earlier. Low Cash is here for Amy. Rod's

0:23:02.760 --> 0:23:05.359
<v Speaker 1>floating around. Saw Lee Brice walk by. Liebrice walk by

0:23:05.400 --> 0:23:07.320
<v Speaker 1>with his wife and kids. What were they doing? They're

0:23:07.359 --> 0:23:09.320
<v Speaker 1>just hanging out. They're just come by every Friday. This

0:23:09.359 --> 0:23:11.840
<v Speaker 1>is there just aren't many people down on our floor

0:23:11.840 --> 0:23:13.560
<v Speaker 1>of the building, are right. It's the CRS thing is

0:23:13.600 --> 0:23:15.520
<v Speaker 1>what really has generated more people to come through. And

0:23:15.520 --> 0:23:17.400
<v Speaker 1>I'll see people go like, yeah, I used to work

0:23:17.400 --> 0:23:20.920
<v Speaker 1>in the same buildings, Bobby and he ye, you never

0:23:20.960 --> 0:23:22.800
<v Speaker 1>came down here. You can't even get down here. It's

0:23:22.840 --> 0:23:25.400
<v Speaker 1>like a lot center. Like, yeah, I used to work

0:23:25.400 --> 0:23:27.560
<v Speaker 1>and he'd always takes a good parking spot. I own

0:23:27.600 --> 0:23:30.800
<v Speaker 1>a parking spot. Yeah, I took it because contracts what

0:23:30.920 --> 0:23:33.159
<v Speaker 1>they gave it to me. And you never worked with me.

0:23:33.960 --> 0:23:36.000
<v Speaker 1>I don't even know you. People say that all the time. Yes,

0:23:36.240 --> 0:23:38.320
<v Speaker 1>I see it on like Facebook, like, yeah, I used

0:23:38.359 --> 0:23:40.320
<v Speaker 1>to work in the same building with him. With him, man,

0:23:40.400 --> 0:23:42.040
<v Speaker 1>the guy would come in and sit in the bathroom

0:23:42.080 --> 0:23:46.719
<v Speaker 1>for an hour. No, I don't you would, No, are

0:23:46.720 --> 0:23:49.719
<v Speaker 1>you doing it there? Nothing? I literally don't talk to

0:23:49.760 --> 0:23:52.399
<v Speaker 1>anybody because there's nobody down here. I come in a

0:23:52.440 --> 0:23:55.640
<v Speaker 1>little entrance, come and sit in the room, and I'm

0:23:55.760 --> 0:24:01.800
<v Speaker 1>very superstitious about my arrival, right or arrival? Yeah, would

0:24:01.800 --> 0:24:05.679
<v Speaker 1>you like to tell yes? So Bobby comes in and

0:24:07.040 --> 0:24:09.399
<v Speaker 1>he has to sit down before I say good morning.

0:24:10.359 --> 0:24:13.000
<v Speaker 1>So now, because if I say good morning, she's really

0:24:13.000 --> 0:24:14.320
<v Speaker 1>done it a couple days the wrong way and they've

0:24:14.320 --> 0:24:16.560
<v Speaker 1>been terrible shows. Oh I don't get right. So I

0:24:16.680 --> 0:24:18.560
<v Speaker 1>say good morning before he sits down. And so now

0:24:18.600 --> 0:24:21.040
<v Speaker 1>it's awkward because he walks in and I basically don't

0:24:21.080 --> 0:24:24.520
<v Speaker 1>acknowledge him. And then in my perphial vision. When I

0:24:24.680 --> 0:24:27.520
<v Speaker 1>notice that you've sat down, I turn and I say morning,

0:24:27.640 --> 0:24:30.240
<v Speaker 1>and I'm like, I hear, what's happening. Good to see

0:24:30.240 --> 0:24:32.399
<v Speaker 1>you this morning, But I don't like I have a

0:24:32.440 --> 0:24:36.280
<v Speaker 1>superstition about coming into the room until I'm ready. The

0:24:36.320 --> 0:24:39.800
<v Speaker 1>supersistence change, Yeah, that's the newest one. Yeah, but I

0:24:40.119 --> 0:24:41.920
<v Speaker 1>still rock this blaw a black out all the time.

0:24:41.960 --> 0:24:44.040
<v Speaker 1>That still happened, That's been happening for years. I just

0:24:44.080 --> 0:24:46.199
<v Speaker 1>got some weird OCD type things that are happening in

0:24:46.240 --> 0:24:48.639
<v Speaker 1>my life. And I feel like, because this is one

0:24:48.680 --> 0:24:50.840
<v Speaker 1>my therapist tells me that since I never had control

0:24:50.880 --> 0:24:54.159
<v Speaker 1>of anything growing up, I like to have certain control

0:24:54.200 --> 0:24:57.639
<v Speaker 1>of certain things, like a demand control, because if I

0:24:57.640 --> 0:24:59.760
<v Speaker 1>don't have control, then I haven't lose control. I know,

0:24:59.480 --> 0:25:02.000
<v Speaker 1>I don't lose control. I just don't have control, and

0:25:02.040 --> 0:25:05.560
<v Speaker 1>people control me. And so I think that's where my

0:25:05.640 --> 0:25:09.439
<v Speaker 1>OCD comes from, is having is needing to have some

0:25:09.480 --> 0:25:14.080
<v Speaker 1>sort of control. I do. If I don't pet my

0:25:14.080 --> 0:25:16.160
<v Speaker 1>dogs the exact same way at night when I put

0:25:16.200 --> 0:25:21.639
<v Speaker 1>them to bed, terrible night's sleep, terrible night's sleep, and

0:25:21.800 --> 0:25:23.240
<v Speaker 1>they both go to the same they would go to

0:25:23.240 --> 0:25:24.840
<v Speaker 1>their separate places. I gotta do the same hand pet

0:25:24.840 --> 0:25:26.320
<v Speaker 1>on the same head, got to walk out of the

0:25:26.400 --> 0:25:27.919
<v Speaker 1>room in the same way. And if I don't do

0:25:27.960 --> 0:25:31.600
<v Speaker 1>it that way, I have a terrible night's sleep. And

0:25:31.680 --> 0:25:34.200
<v Speaker 1>that one's in the last two years or so. You're

0:25:34.359 --> 0:25:38.040
<v Speaker 1>years the way about Eller so year. But I gotta

0:25:38.080 --> 0:25:40.600
<v Speaker 1>pet both of them with my left hand on the

0:25:40.640 --> 0:25:43.040
<v Speaker 1>top of their head when they're laying down in their beds,

0:25:43.560 --> 0:25:46.679
<v Speaker 1>and I must say, I must tell them that I

0:25:46.760 --> 0:25:48.480
<v Speaker 1>love them and walk out of the room and close

0:25:48.520 --> 0:25:51.000
<v Speaker 1>the door behind me and walk straight to the bedroom.

0:25:51.040 --> 0:25:54.960
<v Speaker 1>I go Eller Stanley bedroom done, all lights out before

0:25:54.960 --> 0:25:57.040
<v Speaker 1>I even do the dog petting. And if I don't

0:25:57.080 --> 0:25:58.679
<v Speaker 1>do that, then I feel like it's gonna be a

0:25:58.680 --> 0:26:00.239
<v Speaker 1>bad night's sleep. And it just sang it out a lot.

0:26:00.240 --> 0:26:03.600
<v Speaker 1>I feel like it absolutely idiot, but I don't know

0:26:03.640 --> 0:26:06.159
<v Speaker 1>why it is. And sometimes I'm like, just break it,

0:26:06.240 --> 0:26:08.440
<v Speaker 1>screw it, and I'm like, but it doesn't hurt me

0:26:08.480 --> 0:26:12.159
<v Speaker 1>to do it. Yeah, so there you have. But it

0:26:12.200 --> 0:26:14.800
<v Speaker 1>does hurt you if you don't do it, I think,

0:26:15.240 --> 0:26:17.640
<v Speaker 1>so yeah, yeah, I feel like it'll keep doing it. Yeah,

0:26:17.640 --> 0:26:19.960
<v Speaker 1>exactly how did it start? Though? Like, no idea. I've

0:26:20.000 --> 0:26:21.639
<v Speaker 1>been wanting to rub your belly before I'll even work

0:26:21.680 --> 0:26:23.600
<v Speaker 1>every day. I don't start that because we're not gonna

0:26:23.640 --> 0:26:25.480
<v Speaker 1>keep that at tradition. You did do the poke thing

0:26:25.600 --> 0:26:27.639
<v Speaker 1>right at one point time. You're like, who I used

0:26:27.640 --> 0:26:30.760
<v Speaker 1>to poke? Eddy poked me, yeah, and you go, who oh.

0:26:31.000 --> 0:26:34.280
<v Speaker 1>I used to have walked behind me though, that's why

0:26:34.280 --> 0:26:36.320
<v Speaker 1>you studio since then, and I poke and we go.

0:26:36.600 --> 0:26:38.920
<v Speaker 1>I forgot about that, but I poke on some different

0:26:38.920 --> 0:26:44.240
<v Speaker 1>every day. Okay, all right, get out of here. We're

0:26:44.240 --> 0:26:47.080
<v Speaker 1>get out of you. You guys have an awesome day.

0:26:47.320 --> 0:26:50.600
<v Speaker 1>I will be back tomorrow, and so will the rest

0:26:50.600 --> 0:26:52.440
<v Speaker 1>of the show. And we will be here tomorrow and

0:26:52.520 --> 0:26:54.600
<v Speaker 1>John Party will be on tomorrow. Goodbye, friends,