1
00:00:01,240 --> 00:00:05,520
Speaker 1: It's time for the Bobby Bones post show. Here's your host,

2
00:00:06,000 --> 00:00:15,320
Speaker 1: Bobby Bones. On yesterday's show, we talked about love hate

3
00:00:15,720 --> 00:00:18,200
Speaker 1: on the show, meaning what do you love? What do

4
00:00:18,239 --> 00:00:20,120
Speaker 1: you hate? It really just started out what do you hate?

5
00:00:20,160 --> 00:00:23,119
Speaker 1: And then we felt like either we people would be

6
00:00:23,120 --> 00:00:25,160
Speaker 1: scared to tell us or we would get our feelings

7
00:00:25,239 --> 00:00:29,400
Speaker 1: hurt a little bit both, so we wanted tell us

8
00:00:29,400 --> 00:00:31,000
Speaker 1: what you love, tell us what you hate. So you

9
00:00:31,480 --> 00:00:33,320
Speaker 1: ended up back at even We just want to be

10
00:00:33,320 --> 00:00:36,800
Speaker 1: a better show. And I have a bunch that Mike

11
00:00:36,880 --> 00:00:40,800
Speaker 1: gave me that so people just send it notes to

12
00:00:40,840 --> 00:00:43,400
Speaker 1: the mailbag. Do we like it that people send emails

13
00:00:43,400 --> 00:00:46,000
Speaker 1: into the mailbag for things other than the mailbag? Mic?

14
00:00:47,760 --> 00:00:51,080
Speaker 1: Sometimes it makes it harder to find, like actual other segments.

15
00:00:51,120 --> 00:00:52,559
Speaker 1: So do we like I just need to know if

16
00:00:52,600 --> 00:00:54,640
Speaker 1: we like it, because I can encourage either way. Personally,

17
00:00:54,680 --> 00:00:57,160
Speaker 1: I don't like okay, So we basically just use the

18
00:00:57,200 --> 00:01:00,240
Speaker 1: mailbag for the mailbag, Yes, unless we say we want

19
00:01:00,280 --> 00:01:02,080
Speaker 1: theme songs for the show or something like that or

20
00:01:02,080 --> 00:01:05,399
Speaker 1: anything like that, and explain what would be good for

21
00:01:05,440 --> 00:01:08,000
Speaker 1: the mailbag. What's the mailbag used for? Oh, if you

22
00:01:08,000 --> 00:01:10,880
Speaker 1: have questions, we want advice. If people are knowing telling

23
00:01:10,880 --> 00:01:14,080
Speaker 1: you maybe didn't I know, oh I'm saying. Then they're

24
00:01:14,120 --> 00:01:16,000
Speaker 1: like they might be like, well, wait, what's considered mail

25
00:01:16,080 --> 00:01:18,640
Speaker 1: for the mailbag? Yeah, this segment we do. We do

26
00:01:18,800 --> 00:01:22,640
Speaker 1: unnnely mail and read on the air something that we

27
00:01:22,760 --> 00:01:28,160
Speaker 1: call Yeah from Alison kin Cannon. I think my biggest

28
00:01:28,160 --> 00:01:31,399
Speaker 1: dislike is when you call others as pranks. It's nothing personal,

29
00:01:31,680 --> 00:01:33,280
Speaker 1: It's just usually not interesting to me. I love the

30
00:01:33,280 --> 00:01:35,760
Speaker 1: show and the dynamics. I love the interactions between everyone

31
00:01:36,760 --> 00:01:40,319
Speaker 1: from Christo Wilkie. Love the trivia games, fun to play

32
00:01:40,360 --> 00:01:43,759
Speaker 1: along and see who knows what on the show. Hate Callers.

33
00:01:44,640 --> 00:01:46,360
Speaker 1: It takes time from the show of you guys talking

34
00:01:46,400 --> 00:01:51,440
Speaker 1: about your life. Stephanie Hostead. I like when you play

35
00:01:51,480 --> 00:01:53,040
Speaker 1: the listener of voice mails. It just seems a lot

36
00:01:53,120 --> 00:01:57,040
Speaker 1: less awkward than when people call in. Favorite segment elder

37
00:01:57,160 --> 00:02:03,360
Speaker 1: versus millennial, Christy Campbell of callers, it's all over the place. Yeah,

38
00:02:03,200 --> 00:02:06,640
Speaker 1: Love Callers, Love Friday Morning Dance Party, Love Morning Corny.

39
00:02:07,480 --> 00:02:11,120
Speaker 1: I'm not particularly fond of celebrity interviews. I prefer the

40
00:02:11,120 --> 00:02:13,520
Speaker 1: show when it's just a regular crew chatting and sharing

41
00:02:14,360 --> 00:02:18,000
Speaker 1: interesting about that. I also don't like celebrity interviews unless

42
00:02:18,120 --> 00:02:20,600
Speaker 1: it's someone that I feel like we should, we don't

43
00:02:20,680 --> 00:02:23,880
Speaker 1: do a lot. You're good at them, though, man, like

44
00:02:23,960 --> 00:02:26,880
Speaker 1: you're good at interviewing people. We do less because I

45
00:02:26,919 --> 00:02:30,959
Speaker 1: think people just this is the environment of radio and

46
00:02:31,120 --> 00:02:33,119
Speaker 1: record labels. They feel like if they got an arson

47
00:02:33,160 --> 00:02:34,680
Speaker 1: to put some out radio, to just take them. It's

48
00:02:34,720 --> 00:02:36,799
Speaker 1: just it's the way it's always been. We have an artist,

49
00:02:36,840 --> 00:02:38,200
Speaker 1: we're gonna come by and put them on your show.

50
00:02:38,560 --> 00:02:41,600
Speaker 1: We don't. We don't actually don't allow them almost anyone

51
00:02:41,639 --> 00:02:45,600
Speaker 1: on and so unless we kind of seek them out.

52
00:02:46,240 --> 00:02:49,600
Speaker 1: And it has created a sour space for me a

53
00:02:49,600 --> 00:02:51,480
Speaker 1: bit in the community because they don't take just people.

54
00:02:51,520 --> 00:02:53,680
Speaker 1: Because they're putting a new records. I could give a crap.

55
00:02:53,919 --> 00:02:57,440
Speaker 1: Our audience doesn't care about somebody that they don't really know,

56
00:02:57,520 --> 00:03:00,320
Speaker 1: and I don't think it's that good. If somebody I

57
00:03:00,320 --> 00:03:01,480
Speaker 1: think is awesome they don't know, I'm like, let me

58
00:03:01,680 --> 00:03:04,920
Speaker 1: shoot the person it's awesome. Or if it's like John

59
00:03:04,960 --> 00:03:09,200
Speaker 1: Party will be on tomorrow, great guest, great artist friend,

60
00:03:10,120 --> 00:03:13,680
Speaker 1: Kelsey Baller and you will be on Monday. Same But

61
00:03:13,760 --> 00:03:15,720
Speaker 1: we don't just put people on because of what the

62
00:03:15,800 --> 00:03:19,040
Speaker 1: culture is here. You owe us put them on all

63
00:03:19,080 --> 00:03:21,800
Speaker 1: you jack crab about this big bag of turds. How

64
00:03:21,720 --> 00:03:24,000
Speaker 1: about that? Oh well, I pay him that that's my currency.

65
00:03:24,040 --> 00:03:30,520
Speaker 1: You're telling that, No, but I might. Let's see what

66
00:03:30,639 --> 00:03:32,920
Speaker 1: I love. I love the games hundred are the feud,

67
00:03:32,960 --> 00:03:35,400
Speaker 1: easy trivia, Guess the song? It's fun to play along?

68
00:03:36,160 --> 00:03:40,120
Speaker 1: What I hate? Uh? Alred to do this one? Celebrities

69
00:03:41,160 --> 00:03:44,000
Speaker 1: or is that a different one? Not same one? Alright,

70
00:03:44,240 --> 00:03:49,440
Speaker 1: Let's do a couple more favorites, drafts, spend the wheel, challenges,

71
00:03:49,840 --> 00:03:52,920
Speaker 1: Least least favorite, at least favorite, lunch box me I

72
00:03:52,960 --> 00:03:59,000
Speaker 1: mean to Abbey, Amanda Jamie. Least favorite is music. We've

73
00:03:59,000 --> 00:04:00,960
Speaker 1: heard the same songs on Time's over. We want to

74
00:04:01,000 --> 00:04:06,160
Speaker 1: hear y'all talk. I've I've said it a bunch of times.

75
00:04:06,240 --> 00:04:08,640
Speaker 1: We would not play any music if we had the choice.

76
00:04:09,400 --> 00:04:13,640
Speaker 1: We agree we wouldn't. We just wouldn't, and we would

77
00:04:13,680 --> 00:04:18,520
Speaker 1: come on and talk. Um okay, I prefer fewer callers.

78
00:04:18,680 --> 00:04:20,520
Speaker 1: I hated the shot caller. We didn't even do that anymore.

79
00:04:20,520 --> 00:04:22,200
Speaker 1: They're hating old things we don't even do anymore. We

80
00:04:22,240 --> 00:04:24,280
Speaker 1: hated that too. Um okay, Well, thank you for all

81
00:04:24,279 --> 00:04:27,000
Speaker 1: of your feedback. We do really appreciate it, you know.

82
00:04:27,000 --> 00:04:28,960
Speaker 1: I went over to the B team page and hadn't

83
00:04:28,960 --> 00:04:30,680
Speaker 1: been over there in a little bit and went over yesterday.

84
00:04:30,680 --> 00:04:32,280
Speaker 1: I checked something out and before I went someone on

85
00:04:32,279 --> 00:04:33,800
Speaker 1: the show said he I wouldn't over there. I was you,

86
00:04:33,800 --> 00:04:36,800
Speaker 1: And I was like why, Like that page is what

87
00:04:37,000 --> 00:04:39,120
Speaker 1: happened taking a turn? I thought it was supposed to

88
00:04:39,160 --> 00:04:42,800
Speaker 1: be like right, And I was like, fine, fellow, the

89
00:04:42,800 --> 00:04:47,200
Speaker 1: works on the show. That's that page is monitored for kindness.

90
00:04:47,480 --> 00:04:51,080
Speaker 1: And I went over yesterday. Dear god, what are they

91
00:04:51,080 --> 00:04:55,800
Speaker 1: fighting about? Yeah, monitor must have passed out. Um, there

92
00:04:55,800 --> 00:04:57,320
Speaker 1: are mean about a couple of things. I don't I

93
00:04:57,320 --> 00:05:00,159
Speaker 1: don't remember, but I was like, oh, I don't. I

94
00:05:00,200 --> 00:05:04,560
Speaker 1: don't know if a couple slipped through the cracks. But

95
00:05:04,640 --> 00:05:06,919
Speaker 1: it was not the safe space that I was accustomed to.

96
00:05:07,160 --> 00:05:08,359
Speaker 1: Some people are like I heard you had to be

97
00:05:08,440 --> 00:05:10,120
Speaker 1: kind to get in, so they play kind and then

98
00:05:10,160 --> 00:05:13,400
Speaker 1: they oh they snuck in. They turn Yeah, it's a

99
00:05:13,440 --> 00:05:18,000
Speaker 1: tough one. But maybe it's just a blip, but it

100
00:05:18,040 --> 00:05:19,800
Speaker 1: is a tough is I got over there, I was like,

101
00:05:19,839 --> 00:05:22,359
Speaker 1: oh man, because I don't think most people like that.

102
00:05:22,400 --> 00:05:24,360
Speaker 1: But there's some rotten eggs that got into that bunch.

103
00:05:24,839 --> 00:05:30,400
Speaker 1: Now here's a voicemail from last night. Hey Bobby martin studio.

104
00:05:30,839 --> 00:05:35,360
Speaker 1: The past month, there's been a fire in my building.

105
00:05:36,200 --> 00:05:40,880
Speaker 1: Forty six apartments cannot burn down practically out of ninety six,

106
00:05:41,160 --> 00:05:43,719
Speaker 1: and luckily I was one of the ones that didn't

107
00:05:43,760 --> 00:05:47,159
Speaker 1: get burned down. About less than two or three weeks ago,

108
00:05:47,920 --> 00:05:50,960
Speaker 1: a guy get shot right on the fourth floor. And

109
00:05:51,839 --> 00:05:54,760
Speaker 1: as I'm saying this message, I'm realizing it to tell

110
00:05:54,839 --> 00:05:57,760
Speaker 1: me something bad. So sorry about that. And then he

111
00:05:58,040 --> 00:05:59,760
Speaker 1: hung up. Well, I thought he was anna, Aska, should

112
00:05:59,760 --> 00:06:01,919
Speaker 1: I move? He should move? No, we just wanted to.

113
00:06:02,400 --> 00:06:03,919
Speaker 1: I don't know what he wanted, but I think he

114
00:06:04,080 --> 00:06:07,440
Speaker 1: realized this probably wasn't. And then just like you now,

115
00:06:07,440 --> 00:06:09,600
Speaker 1: I'm out. That's a lot of stuff. Yeah, good luck.

116
00:06:09,640 --> 00:06:12,719
Speaker 1: I hope it turns around for you soon. Jennifer Lawrence

117
00:06:12,800 --> 00:06:15,240
Speaker 1: is the first time mom after giving birth to her

118
00:06:15,320 --> 00:06:18,360
Speaker 1: kid with somebody named Cook Maroney. Should I know Cook

119
00:06:18,400 --> 00:06:20,919
Speaker 1: Maroney is because they say Jennifer Lawrence because birth to

120
00:06:20,960 --> 00:06:23,880
Speaker 1: her kid with Cook Maroney. Do you know who that is?

121
00:06:25,120 --> 00:06:28,880
Speaker 1: An art dealer? Huh Maroney? According to public record, Jennifer

122
00:06:28,920 --> 00:06:31,760
Speaker 1: Lawrence gave birth to l in La County. Don't know

123
00:06:31,800 --> 00:06:34,560
Speaker 1: the exact day of birth or the gender of the baby.

124
00:06:34,800 --> 00:06:36,440
Speaker 1: This is the first child for both the Jennifer and

125
00:06:36,480 --> 00:06:40,000
Speaker 1: her husband, Cook Maroney, who is an art dealer. Interesting,

126
00:06:41,240 --> 00:06:43,280
Speaker 1: how do you be an art dealer? Sound shady, doesn't it?

127
00:06:43,320 --> 00:06:45,920
Speaker 1: Even though it's not. Probably has a lot of money, right,

128
00:06:46,320 --> 00:06:49,720
Speaker 1: So that's a shady sounding job, even though it's probably not.

129
00:06:49,480 --> 00:06:51,880
Speaker 1: That's not rug dealer art dealer. Maybe it's just because

130
00:06:51,920 --> 00:06:56,719
Speaker 1: it's in the word dealers, but their car dealers. So

131
00:06:56,880 --> 00:07:00,520
Speaker 1: he's a director of an art gallery in New York. Okay,

132
00:07:00,720 --> 00:07:02,359
Speaker 1: do you ever go into an art gallery and go

133
00:07:02,600 --> 00:07:05,880
Speaker 1: I don't, I don't understand? Yeah, or how does this cost?

134
00:07:06,000 --> 00:07:07,560
Speaker 1: Is the only one I go into? Is one of

135
00:07:07,560 --> 00:07:09,320
Speaker 1: the mall Back in the day? King kaid? What was that?

136
00:07:09,440 --> 00:07:11,840
Speaker 1: Is like a bunch of whales? Because I've never gotten

137
00:07:11,840 --> 00:07:15,560
Speaker 1: to like a private art galls frame store? That was

138
00:07:15,600 --> 00:07:17,560
Speaker 1: one of Like Arthur King kaid it was he did

139
00:07:17,600 --> 00:07:19,280
Speaker 1: a bunch of killer whales. You shore is not a

140
00:07:19,280 --> 00:07:24,760
Speaker 1: frame storm. Maybe Michael's that's it. Um. The FBI confirms

141
00:07:24,840 --> 00:07:29,040
Speaker 1: knowing about the American Airlines UFO report. I'm just gonna

142
00:07:29,040 --> 00:07:30,560
Speaker 1: bring it up again because I like these stories. You

143
00:07:30,720 --> 00:07:32,440
Speaker 1: love it. Don't want to bring it up on the

144
00:07:32,440 --> 00:07:34,600
Speaker 1: regular show because I feel like these are my people

145
00:07:34,640 --> 00:07:37,960
Speaker 1: to listen to the Post Show. About a year ago,

146
00:07:38,000 --> 00:07:39,800
Speaker 1: we talked about it. A pilot was on a flight

147
00:07:39,840 --> 00:07:41,920
Speaker 1: from Cincinnati Phoenix and he reported one of the most

148
00:07:41,960 --> 00:07:46,280
Speaker 1: significant UFO reports of last year. The cockpit audio reported

149
00:07:46,320 --> 00:07:49,880
Speaker 1: a near miss with a long cylindrical object. Here's a

150
00:07:49,920 --> 00:07:51,800
Speaker 1: clip of the pilot talking about what he saw in

151
00:07:51,840 --> 00:07:54,520
Speaker 1: this guy back in the day. But he targets up here,

152
00:07:54,600 --> 00:07:56,600
Speaker 1: we just had stuff to go right over the top

153
00:07:56,640 --> 00:07:58,680
Speaker 1: of us that I hate to say. This looks like

154
00:07:58,760 --> 00:08:01,720
Speaker 1: a long celectrical objects that almost look like a cruise

155
00:08:01,760 --> 00:08:04,360
Speaker 1: hustle type of things moving really fast and went right

156
00:08:04,360 --> 00:08:06,440
Speaker 1: over the top of the Now the f basts confirming

157
00:08:06,440 --> 00:08:08,960
Speaker 1: they knew about the incident, As calls for more transparent

158
00:08:09,080 --> 00:08:11,480
Speaker 1: parency are happening when it comes to incidents like this,

159
00:08:11,760 --> 00:08:15,920
Speaker 1: American Airlines initially played down the report. This is a

160
00:08:15,960 --> 00:08:19,400
Speaker 1: statement they had released following a debrief with our flight

161
00:08:19,440 --> 00:08:22,120
Speaker 1: crew and additional information received. We can confirm this radio

162
00:08:22,160 --> 00:08:24,400
Speaker 1: transmission was from the flight that's all they said. Wow,

163
00:08:24,760 --> 00:08:32,760
Speaker 1: they just confirmed that radio. Hey what what In the

164
00:08:32,800 --> 00:08:35,640
Speaker 1: past pilots have been threatened with their jobs and told

165
00:08:35,679 --> 00:08:40,000
Speaker 1: to get counseling after even mentioning places that's not good.

166
00:08:40,440 --> 00:08:43,400
Speaker 1: In a Daily Star exclusive in September of last year,

167
00:08:43,440 --> 00:08:45,560
Speaker 1: anonymous pilots had come forward claiming they could lose their

168
00:08:45,640 --> 00:08:50,800
Speaker 1: jobs for reporting sidings, despite many being seen before. One

169
00:08:50,920 --> 00:08:56,000
Speaker 1: pilot set airline bosses are so hostile that a colleague

170
00:08:56,040 --> 00:08:58,160
Speaker 1: was sold to get counseling after reporting at UFO from

171
00:08:58,200 --> 00:09:02,440
Speaker 1: the Daily Star. I'll leave it here. It's like that show.

172
00:09:02,480 --> 00:09:05,439
Speaker 1: What's that show? We liked? The Netflix one up in

173
00:09:05,480 --> 00:09:09,320
Speaker 1: the air? No, Leonardo DiCaprio, No, why is this that

174
00:09:09,480 --> 00:09:11,120
Speaker 1: he sees something? They don't believe him. He has to

175
00:09:11,120 --> 00:09:12,720
Speaker 1: be like, what's going on here? Why don't you believe me?

176
00:09:12,760 --> 00:09:14,920
Speaker 1: Did you miss the point of the whole movie? No?

177
00:09:14,960 --> 00:09:17,080
Speaker 1: I remember they take him a while. They're just like,

178
00:09:17,080 --> 00:09:20,040
Speaker 1: we're sitting remember they sat in the White House forever. Yeah,

179
00:09:20,080 --> 00:09:23,640
Speaker 1: they were saying, oh, I know, but whatever it is,

180
00:09:23,679 --> 00:09:25,439
Speaker 1: this is like the same thing where they're like, stop

181
00:09:25,440 --> 00:09:27,880
Speaker 1: it with your crazy talk, get out of here. Yeah,

182
00:09:27,920 --> 00:09:30,360
Speaker 1: but they had actual proof, I know, but they'd never

183
00:09:30,360 --> 00:09:32,640
Speaker 1: given and ours are always like fuzzy images from a

184
00:09:32,679 --> 00:09:36,439
Speaker 1: polaroid that was taken while someone was drunk, even though

185
00:09:36,440 --> 00:09:40,600
Speaker 1: we have h but that's what it's called. Maybe these

186
00:09:41,920 --> 00:09:47,000
Speaker 1: whatever they are, aren't able to be recorded quality whatever

187
00:09:47,040 --> 00:09:50,880
Speaker 1: these aliens are, Lunchbox saying the Girl Scouts of America

188
00:09:50,960 --> 00:09:54,160
Speaker 1: ripping us off, which is an interesting few to start

189
00:09:55,040 --> 00:09:57,320
Speaker 1: you versus the Girl Scouts of America Lunchbox of v

190
00:09:57,440 --> 00:09:59,720
Speaker 1: Girls Scouts. Well, I didn't, I didn't start it. They did.

191
00:10:00,040 --> 00:10:02,920
Speaker 1: What happened? I bought a box of cookies, and I

192
00:10:03,000 --> 00:10:05,319
Speaker 1: mean the clip explains at all. You just listen, and

193
00:10:05,360 --> 00:10:07,800
Speaker 1: I mean I wish the audio of this you recorded,

194
00:10:07,840 --> 00:10:13,240
Speaker 1: little girls. I don't say it like that. No, absolutely not. Okay,

195
00:10:13,280 --> 00:10:15,560
Speaker 1: it was when I got home with the cookies. Okay,

196
00:10:15,600 --> 00:10:20,240
Speaker 1: and open the box. Okay, yes, they ripped us off.

197
00:10:21,160 --> 00:10:24,360
Speaker 1: So you brought audio of you talking? Yes? Can you

198
00:10:24,400 --> 00:10:26,680
Speaker 1: just say it? I mean, I guess that's the question.

199
00:10:27,440 --> 00:10:30,520
Speaker 1: Opening the box and like okay, yeah, there's a video. Okay,

200
00:10:30,600 --> 00:10:32,720
Speaker 1: it's like what's in the According to lunch Box, the

201
00:10:32,720 --> 00:10:34,960
Speaker 1: Girls Scouts will taken advantage of what are you loving

202
00:10:35,000 --> 00:10:37,440
Speaker 1: at that he's gonna play audio of him saying something

203
00:10:37,440 --> 00:10:40,640
Speaker 1: where he could just say right here, but we recorded

204
00:10:40,640 --> 00:10:44,480
Speaker 1: a video video I know, but all right, but we

205
00:10:44,520 --> 00:10:46,440
Speaker 1: need it for socials, and I mean, you gotta believe.

206
00:10:46,640 --> 00:10:48,680
Speaker 1: I need to have proof that this is what's going on.

207
00:10:48,720 --> 00:10:50,760
Speaker 1: I could just say anything. If I don't have proof,

208
00:10:51,040 --> 00:10:52,960
Speaker 1: then it didn't happen. I think at these points you

209
00:10:52,960 --> 00:10:54,800
Speaker 1: can put him in two different places. You can just

210
00:10:54,840 --> 00:10:56,560
Speaker 1: set it here and then put the video. But I

211
00:10:56,600 --> 00:10:58,439
Speaker 1: get it. I'm happy to play it. Hit it here,

212
00:10:58,480 --> 00:11:02,640
Speaker 1: it is here, okay, shall be hitting. So I was like, oh,

213
00:11:02,720 --> 00:11:05,199
Speaker 1: let me try these toffee tastics, right or whatever. Never

214
00:11:05,240 --> 00:11:07,880
Speaker 1: heard of them, but they're five fifty a box, A

215
00:11:08,000 --> 00:11:12,440
Speaker 1: dollar fifty more expensive than all the other cookies. Okay, cool, sure,

216
00:11:12,520 --> 00:11:15,800
Speaker 1: Girl Scouts. Now let's open the Girl Scout cookie up right,

217
00:11:16,000 --> 00:11:19,840
Speaker 1: let's open it up. Hold on, you'll get one sleeve

218
00:11:19,920 --> 00:11:23,560
Speaker 1: of cookie in the whole box. Every other Girl Scout

219
00:11:23,559 --> 00:11:26,560
Speaker 1: cookie you get two sleeves. So you're charging five fifty

220
00:11:26,640 --> 00:11:29,560
Speaker 1: and only give me one sleeve. Come on, that's called

221
00:11:29,679 --> 00:11:33,520
Speaker 1: ripping America off, girls Scouts. I'm very disappointed. That's it.

222
00:11:34,320 --> 00:11:36,559
Speaker 1: They charge you a dollar fifty more and they give

223
00:11:36,600 --> 00:11:43,400
Speaker 1: you half the cookie and different ingredients or something like

224
00:11:43,480 --> 00:11:47,520
Speaker 1: maybe toffees more. I don't know, but they should at

225
00:11:47,600 --> 00:11:50,000
Speaker 1: least tell you when when they're selling you the cookies, like, hey,

226
00:11:50,080 --> 00:11:52,480
Speaker 1: just a heads up, these are a dollar fifty more

227
00:11:54,640 --> 00:11:57,080
Speaker 1: and you're only gonna get You're only gonna get one

228
00:11:57,120 --> 00:11:59,520
Speaker 1: sleeve of cookies. I don't know what kind of badges

229
00:11:59,559 --> 00:12:02,120
Speaker 1: they're getting. I don't know if dishonesty is a bad

230
00:12:03,240 --> 00:12:07,120
Speaker 1: like the dishonesty badge. Yeah, I think they fried badge. Yeah,

231
00:12:07,920 --> 00:12:10,000
Speaker 1: look it up. Man, they do bank though, Huh, Like

232
00:12:10,200 --> 00:12:12,160
Speaker 1: that's a I don't know, hell of a business model.

233
00:12:12,160 --> 00:12:13,840
Speaker 1: I don't know if they do anybody. What do you mean?

234
00:12:14,440 --> 00:12:16,480
Speaker 1: I don't. I mean they're everywhere, but I don't know

235
00:12:16,520 --> 00:12:18,520
Speaker 1: if girl Scouts Back in the day, they probably did

236
00:12:18,559 --> 00:12:20,160
Speaker 1: because there weren't a lot of options or ways to

237
00:12:20,200 --> 00:12:22,360
Speaker 1: get cookies. Now, if I want cookies, I just hit

238
00:12:22,400 --> 00:12:24,600
Speaker 1: a phone app. I have like five boxes in my pintra.

239
00:12:24,640 --> 00:12:26,959
Speaker 1: Had no idea how they got there, girlie, Yeah, I

240
00:12:26,960 --> 00:12:29,120
Speaker 1: guess my wife got him somewhere. Amy feeling all right,

241
00:12:29,520 --> 00:12:33,160
Speaker 1: M'm looking up girls Scout cookies. Yeah, you're looking up

242
00:12:33,160 --> 00:12:35,440
Speaker 1: why they're charging five fifty for the one box with

243
00:12:35,520 --> 00:12:38,760
Speaker 1: one sleeve? Okay, First of all, they're gluten free. Everything

244
00:12:38,760 --> 00:12:43,240
Speaker 1: that's glaring and second of all, the box is super narrow,

245
00:12:43,440 --> 00:12:45,600
Speaker 1: so it looks obvious to me. You look at every

246
00:12:45,600 --> 00:12:48,520
Speaker 1: boxer narrow, they're the same exact size. I don't know,

247
00:12:49,360 --> 00:12:51,160
Speaker 1: but they didn't say anything about it. They said, oh yeah,

248
00:12:51,160 --> 00:12:52,120
Speaker 1: they just had them all there. And I was like,

249
00:12:52,120 --> 00:12:55,240
Speaker 1: I'll take some of those toffee tasting five fifty. And

250
00:12:55,360 --> 00:12:58,360
Speaker 1: also it's fun to say, so that cost them more toffee.

251
00:12:58,280 --> 00:13:00,440
Speaker 1: Ye can you go back to the girls free store

252
00:13:00,480 --> 00:13:03,120
Speaker 1: and argue with the girl scout? It wasn't at the

253
00:13:03,120 --> 00:13:07,000
Speaker 1: grocery store. Wherever it is, be sure to record it. No,

254
00:13:07,080 --> 00:13:10,080
Speaker 1: I'm not going to argue with the girl scout. Yeah yeah, Um.

255
00:13:10,120 --> 00:13:14,440
Speaker 1: The question is on dating apps. Is it okay if

256
00:13:14,480 --> 00:13:16,280
Speaker 1: you use a picture that is a couple of a

257
00:13:16,320 --> 00:13:18,640
Speaker 1: few years old? Right? This is the situation that that

258
00:13:19,480 --> 00:13:24,720
Speaker 1: one of Amy's friends. Okay, it's better not. Because one

259
00:13:24,800 --> 00:13:27,640
Speaker 1: of Amy's friends had a situation Amy, she showed up

260
00:13:27,679 --> 00:13:30,640
Speaker 1: to the Dick. They went to dinner, and she just

261
00:13:30,679 --> 00:13:34,240
Speaker 1: straight up she's a very honest person, and she said,

262
00:13:34,480 --> 00:13:37,840
Speaker 1: oh wow, I don't feel like you look You look

263
00:13:37,880 --> 00:13:40,000
Speaker 1: like your pictures, but you look older. He goes, oh, yeah,

264
00:13:40,000 --> 00:13:45,120
Speaker 1: those pictures different. Twenty sixteen and She's like, it's twenty

265
00:13:45,200 --> 00:13:48,560
Speaker 1: twenty two. Yeah, so she just sixteen. That was a

266
00:13:48,600 --> 00:13:52,120
Speaker 1: little off, like it was some of his I don't know,

267
00:13:52,320 --> 00:13:55,640
Speaker 1: like it just obalye, better better time for him physically, right, No,

268
00:13:55,720 --> 00:13:58,280
Speaker 1: she said he wasn't. She just didn't understand, like why

269
00:13:58,320 --> 00:14:02,520
Speaker 1: not update your pictures it's more accurate. But I mean

270
00:14:02,520 --> 00:14:04,559
Speaker 1: he owned it right away. Oh yeah, yeah, those twenty

271
00:14:04,720 --> 00:14:10,439
Speaker 1: sixteen Morgan. Yeah, that's bad. Listen. I'm gonna be honest here,

272
00:14:10,559 --> 00:14:12,440
Speaker 1: Like I get it that we all want to, you know,

273
00:14:12,559 --> 00:14:14,760
Speaker 1: kind of try and put our best foot forward. But

274
00:14:15,160 --> 00:14:17,880
Speaker 1: that's being dishonest. It's almost a way of catfishing. If

275
00:14:17,880 --> 00:14:20,400
Speaker 1: you're not presenting exactly who you are in that moment,

276
00:14:21,120 --> 00:14:24,640
Speaker 1: you're you're setting yourself up to be disappointed with whoever arrives,

277
00:14:24,680 --> 00:14:28,120
Speaker 1: because they're going to be disappointed. Yeah, it's like, what's

278
00:14:28,160 --> 00:14:30,200
Speaker 1: going to happen from this is not going to end

279
00:14:30,280 --> 00:14:32,880
Speaker 1: well for you. Maybe you may get a someone, a

280
00:14:32,880 --> 00:14:36,640
Speaker 1: girl or a guy to meet you early, but late

281
00:14:36,680 --> 00:14:38,400
Speaker 1: they're not gonna want to be with you because it's

282
00:14:38,400 --> 00:14:40,560
Speaker 1: going to turn them off. You almost would like to

283
00:14:40,600 --> 00:14:41,960
Speaker 1: build it the other way and put up your worst

284
00:14:42,000 --> 00:14:45,040
Speaker 1: picture and then show up and they're like, wow them

285
00:14:45,120 --> 00:14:47,800
Speaker 1: right now? Is that how it goes? That's what I

286
00:14:47,840 --> 00:14:49,880
Speaker 1: heard from the kids Amy that they fall in love.

287
00:14:50,480 --> 00:14:54,120
Speaker 1: Now they went out a second time, and I don't

288
00:14:54,160 --> 00:14:56,600
Speaker 1: know if I should get this detail, because what if

289
00:14:57,240 --> 00:15:00,520
Speaker 1: they it's from Nashville, that's already a detail enough. That

290
00:15:00,560 --> 00:15:03,360
Speaker 1: could be anybody. I always wonder sometimes with my friends

291
00:15:03,480 --> 00:15:05,240
Speaker 1: dating stories. I'm like, you really don't care if because

292
00:15:05,240 --> 00:15:06,880
Speaker 1: I get my friend's permission, you really don't care if

293
00:15:06,880 --> 00:15:08,760
Speaker 1: I tell this story and she's like no, And then

294
00:15:08,800 --> 00:15:10,840
Speaker 1: I wonder, what if the guy you went on a

295
00:15:10,920 --> 00:15:14,240
Speaker 1: date with listens to the show. So I'm going to

296
00:15:14,360 --> 00:15:17,200
Speaker 1: leave the other detail out of this particular story. It

297
00:15:17,280 --> 00:15:20,120
Speaker 1: might pop up at another time, so that way it'll

298
00:15:20,120 --> 00:15:23,120
Speaker 1: seem like a different person. Okay, so I didn't work

299
00:15:23,120 --> 00:15:28,560
Speaker 1: out well? Shelf finding out. I think they're probably not

300
00:15:28,600 --> 00:15:31,240
Speaker 1: going to go out again. Okay, after the second date,

301
00:15:31,320 --> 00:15:33,800
Speaker 1: what happened? She didna go out with them again? Though

302
00:15:33,800 --> 00:15:36,680
Speaker 1: first date she learned to put up old pictures. Not fine,

303
00:15:36,680 --> 00:15:38,720
Speaker 1: she can get past that second date. She was like, Okay,

304
00:15:38,800 --> 00:15:41,000
Speaker 1: this is weird. I gotta go. You guys from low

305
00:15:41,040 --> 00:15:42,640
Speaker 1: Cash just walked in the green room. Yeah, I have

306
00:15:42,720 --> 00:15:49,120
Speaker 1: to interview in them that I have an interview. For one,

307
00:15:49,760 --> 00:15:55,600
Speaker 1: they're doing an event tomorrow night in downtown Nashville where

308
00:15:55,960 --> 00:15:59,320
Speaker 1: it's like teachers. It's like teacher appreciation, like teachers can

309
00:15:59,360 --> 00:16:02,560
Speaker 1: get in like IP. But then they're performing with DJ

310
00:16:02,680 --> 00:16:07,960
Speaker 1: Silver And when did you interview Scooba? Steve scheduled it

311
00:16:08,160 --> 00:16:11,560
Speaker 1: earlier this week, but there's something that has to air

312
00:16:12,320 --> 00:16:17,280
Speaker 1: along with the event with Low Cash and the Big nineties.

313
00:16:17,400 --> 00:16:20,240
Speaker 1: No, no no, My question is what time is your interview together?

314
00:16:20,600 --> 00:16:24,200
Speaker 1: So I want to be oh after to show eleven? Okay,

315
00:16:24,440 --> 00:16:27,520
Speaker 1: they just are prompt or early. Yeah, okay, I'm not

316
00:16:27,600 --> 00:16:30,120
Speaker 1: surprised be here blaving away and then you miss your interview.

317
00:16:31,600 --> 00:16:33,360
Speaker 1: Nice look at Amy, and to be in Low Cash

318
00:16:33,360 --> 00:16:36,040
Speaker 1: and one don't want to slo doing things nice big things.

319
00:16:36,280 --> 00:16:38,080
Speaker 1: Good job. Um. One other thing I wanted to mention

320
00:16:38,120 --> 00:16:40,960
Speaker 1: an Amy, who were you? I don't want to spoil

321
00:16:41,520 --> 00:16:42,680
Speaker 1: the end of the story because I don't let you

322
00:16:42,720 --> 00:16:44,640
Speaker 1: have it, but somebody text you something while they were

323
00:16:44,720 --> 00:16:48,400
Speaker 1: later didn't show up somewhere and then they sent you

324
00:16:48,440 --> 00:16:50,960
Speaker 1: a picture. I get a reminder of our story sometimes, okay,

325
00:16:51,000 --> 00:16:52,240
Speaker 1: sot of from the beginning. I don't want to go

326
00:16:52,240 --> 00:16:57,560
Speaker 1: away too much to the show. Okay, okay, this I

327
00:16:57,840 --> 00:16:59,480
Speaker 1: don't want see. I don't want to sell. I don't

328
00:16:59,480 --> 00:17:01,120
Speaker 1: want to say no, okay, well this. I also get

329
00:17:01,160 --> 00:17:06,639
Speaker 1: nervous because I'm like, oh, um, okay. So someone was

330
00:17:06,720 --> 00:17:10,080
Speaker 1: coming to give a quote at my house for painting

331
00:17:11,119 --> 00:17:16,239
Speaker 1: something and texted that they broke their leg and they

332
00:17:16,280 --> 00:17:18,920
Speaker 1: weren't going to be able to make it. Okay, cool

333
00:17:19,280 --> 00:17:23,040
Speaker 1: like that, Wow, glad, you're okay, Yeah, we're good. But

334
00:17:23,800 --> 00:17:26,800
Speaker 1: it's like he went next level and was like, see,

335
00:17:27,119 --> 00:17:33,359
Speaker 1: broke my leg and sent a picture he's crushed down,

336
00:17:33,800 --> 00:17:39,399
Speaker 1: basically showing his legs. I don't know. I just thought, yeah,

337
00:17:39,400 --> 00:17:41,800
Speaker 1: like one, yes, you can tell. I don't. I think

338
00:17:41,800 --> 00:17:44,679
Speaker 1: he might be in the hospital. But but it's like

339
00:17:45,240 --> 00:17:47,440
Speaker 1: I thought, for a second, did he mean to send

340
00:17:47,480 --> 00:17:49,560
Speaker 1: this to me? Or is this like for someone else?

341
00:17:49,640 --> 00:17:54,679
Speaker 1: He thought it wasn't because he had clothes on. But

342
00:17:54,800 --> 00:17:57,159
Speaker 1: it's like I wasn't expecting to even never get a

343
00:17:57,160 --> 00:18:00,640
Speaker 1: photo from someone that I'm texting with about it quote

344
00:18:00,920 --> 00:18:05,679
Speaker 1: for painting like I believed you. I don't. I didn't

345
00:18:05,720 --> 00:18:09,200
Speaker 1: need photographic evidence pre or post I don't know, yeah,

346
00:18:09,280 --> 00:18:12,760
Speaker 1: pre or post hospital visit. He already wrapped up, looked

347
00:18:12,760 --> 00:18:14,879
Speaker 1: like good to go, and the different it was actually broken.

348
00:18:14,880 --> 00:18:16,520
Speaker 1: He's like, look, this is when I actually broke. Okay,

349
00:18:16,680 --> 00:18:19,320
Speaker 1: you can't see the broken leg, but you can see

350
00:18:20,280 --> 00:18:24,800
Speaker 1: what what you just see his shorts on. I could

351
00:18:24,800 --> 00:18:27,760
Speaker 1: just see. I thought it was his actual broken leg. Okay,

352
00:18:27,920 --> 00:18:31,399
Speaker 1: there's another story if you and I. Amy shared this before.

353
00:18:32,640 --> 00:18:35,919
Speaker 1: Somebody was at her house doing some work and was

354
00:18:35,920 --> 00:18:39,480
Speaker 1: showing her son a picture on his phone. This is mortifying,

355
00:18:39,600 --> 00:18:43,400
Speaker 1: and I want to die. Don't say it. Don't say

356
00:18:43,480 --> 00:18:46,280
Speaker 1: any hints, no, because I get mortified that that person

357
00:18:46,359 --> 00:18:48,159
Speaker 1: will know if you're talking about on the air. I

358
00:18:48,240 --> 00:18:52,200
Speaker 1: know that, and I have nightmares about what happened. Or

359
00:18:52,320 --> 00:18:54,760
Speaker 1: I don't think he knows it happened. Okay, Ray standing

360
00:18:54,800 --> 00:18:56,119
Speaker 1: by like he's about to be blown away by it.

361
00:18:56,119 --> 00:18:59,520
Speaker 1: But no, no, she said before. So she gave Amy

362
00:18:59,720 --> 00:19:01,359
Speaker 1: the person who was AIM's house doing some more it

363
00:19:01,359 --> 00:19:04,080
Speaker 1: gave Stevenson her son his phone and said look at this,

364
00:19:04,119 --> 00:19:08,960
Speaker 1: and Stevenson started swiping and swiped onto a dan. That's unbelievable, unbelievable,

365
00:19:09,560 --> 00:19:17,119
Speaker 1: and Stevenson started laughing out loud. That's hilarious listening in

366
00:19:17,160 --> 00:19:19,800
Speaker 1: the room. So he had laughed so thankfully. Oh he

367
00:19:19,880 --> 00:19:21,400
Speaker 1: wasn't there to see it, right, So he had gone

368
00:19:21,440 --> 00:19:26,280
Speaker 1: to get something Stevenson. So I was like, oh, Susan,

369
00:19:26,480 --> 00:19:28,960
Speaker 1: give me the phone. I didn't. I was like, oh, look,

370
00:19:29,880 --> 00:19:33,160
Speaker 1: was like, no, I can see sheets or something. Oh

371
00:19:33,240 --> 00:19:39,080
Speaker 1: my gosh, I don't know. Okay, so listen, you're not

372
00:19:39,119 --> 00:19:41,320
Speaker 1: on the mic. She knows, and she's telling me listen

373
00:19:41,359 --> 00:19:45,639
Speaker 1: like I'm not listening. Yeah, you know. We're on the

374
00:19:45,680 --> 00:19:48,720
Speaker 1: mic though, turn okay, hold on, turn it unless I

375
00:19:48,760 --> 00:19:50,600
Speaker 1: turned on mic. Okay for a second. We're watching you though,

376
00:19:50,640 --> 00:19:54,400
Speaker 1: So cover your lips. Cover your lips, am eye. Oh

377
00:19:54,440 --> 00:19:59,000
Speaker 1: my gosh, you're not covering your lips. I understand what

378
00:19:59,040 --> 00:20:03,720
Speaker 1: you're saying. Oh yeah, I want to see what you see.

379
00:20:03,720 --> 00:20:05,560
Speaker 1: It's almost like it's one of biker shorts and you

380
00:20:05,600 --> 00:20:10,639
Speaker 1: see as the bulge the bolt. That's why I thought,

381
00:20:10,800 --> 00:20:12,960
Speaker 1: is this for someone else? But then it was like

382
00:20:13,520 --> 00:20:18,280
Speaker 1: see and I'm like, you know, I believed you. We're good. Yeah,

383
00:20:18,280 --> 00:20:19,960
Speaker 1: your friend has a lot of weird stories happening that.

384
00:20:21,000 --> 00:20:23,040
Speaker 1: How do you find these people like the painter? How

385
00:20:23,080 --> 00:20:27,679
Speaker 1: did you find him? I don't know Google Google, I

386
00:20:27,720 --> 00:20:33,000
Speaker 1: don't know all right, we can me the Stevenson story.

387
00:20:33,040 --> 00:20:35,080
Speaker 1: That to me, they're not all my friends, but that's

388
00:20:35,320 --> 00:20:44,760
Speaker 1: twenty bucks. Yes always Amy eight no Mike one four,

389
00:20:46,440 --> 00:20:52,639
Speaker 1: lunch Box five eight Eddie two pay me my friend

390
00:20:54,720 --> 00:21:06,399
Speaker 1: one A Morgan three zero Ray seven five Oh away

391
00:21:06,560 --> 00:21:09,199
Speaker 1: you were too away, curious I go off your reaction.

392
00:21:09,240 --> 00:21:13,159
Speaker 1: I don't see the dice. Oh nobody's told you. Okay,

393
00:21:13,280 --> 00:21:25,920
Speaker 1: uh Abby hey zero Hillary zero Scoba or two no winner, Amy?

394
00:21:25,920 --> 00:21:27,160
Speaker 1: What are you? What are you pulling up over there?

395
00:21:27,600 --> 00:21:31,840
Speaker 1: I'm just doing in. I was texting something. Why is

396
00:21:31,880 --> 00:21:34,520
Speaker 1: it spell nauseous? Oh? What's a tough one? Now let

397
00:21:34,600 --> 00:21:38,520
Speaker 1: me walk through this. You want to do it in a?

398
00:21:39,560 --> 00:21:44,080
Speaker 1: You hold on, hold on? This work gets hard? Ye? Yes?

399
00:21:44,560 --> 00:21:55,240
Speaker 1: Oh wow all right yeah e o s e oh

400
00:21:56,160 --> 00:21:59,560
Speaker 1: you s. That one's always so hard on my phone.

401
00:21:59,600 --> 00:22:01,399
Speaker 1: Can't have or I just want to type in in

402
00:22:01,600 --> 00:22:04,840
Speaker 1: A and it finishes it for me. Never does because

403
00:22:04,840 --> 00:22:08,960
Speaker 1: like nau in a. Yes, because that's the one. I

404
00:22:09,040 --> 00:22:14,120
Speaker 1: all license and nauseous restaurant. I always struggle with rest

405
00:22:16,359 --> 00:22:21,800
Speaker 1: rest ta na ta ran What was the other one? Amy? License?

406
00:22:21,880 --> 00:22:26,479
Speaker 1: That's tough? Licensed license or licensed? I just start typing

407
00:22:26,600 --> 00:22:29,960
Speaker 1: at and hope my phone figures it out or computer

408
00:22:30,200 --> 00:22:31,840
Speaker 1: people walk around the studio. Now, I just kind of

409
00:22:31,840 --> 00:22:33,920
Speaker 1: want to get out of here. Something caught up. There's

410
00:22:33,960 --> 00:22:36,120
Speaker 1: Low Cash. I saw Lee Bryce walk by. I saw

411
00:22:36,119 --> 00:22:40,320
Speaker 1: a radio person. They're all here, Amy whole days. No, no,

412
00:22:40,440 --> 00:22:44,520
Speaker 1: I have one and done. M all right, Well I'll

413
00:22:44,560 --> 00:22:47,760
Speaker 1: let it scoop. What's happening out there As far as

414
00:22:47,920 --> 00:22:49,320
Speaker 1: the guess and stuff, Yeah, there's just a lot of

415
00:22:49,359 --> 00:22:51,800
Speaker 1: people like fluttering. Well, yeah, we had I guess it's

416
00:22:51,800 --> 00:22:54,040
Speaker 1: a very eventful day with CRS being here. But there's

417
00:22:54,080 --> 00:22:55,960
Speaker 1: a CEO of you break it, you fix it was here,

418
00:22:56,040 --> 00:22:59,560
Speaker 1: the phone company that fixes phones. You had some Atlantic

419
00:22:59,560 --> 00:23:02,760
Speaker 1: people here earlier. Low Cash is here for Amy. Rod's

420
00:23:02,760 --> 00:23:05,359
Speaker 1: floating around. Saw Lee Brice walk by. Liebrice walk by

421
00:23:05,400 --> 00:23:07,320
Speaker 1: with his wife and kids. What were they doing? They're

422
00:23:07,359 --> 00:23:09,320
Speaker 1: just hanging out. They're just come by every Friday. This

423
00:23:09,359 --> 00:23:11,840
Speaker 1: is there just aren't many people down on our floor

424
00:23:11,840 --> 00:23:13,560
Speaker 1: of the building, are right. It's the CRS thing is

425
00:23:13,600 --> 00:23:15,520
Speaker 1: what really has generated more people to come through. And

426
00:23:15,520 --> 00:23:17,400
Speaker 1: I'll see people go like, yeah, I used to work

427
00:23:17,400 --> 00:23:20,920
Speaker 1: in the same buildings, Bobby and he ye, you never

428
00:23:20,960 --> 00:23:22,800
Speaker 1: came down here. You can't even get down here. It's

429
00:23:22,840 --> 00:23:25,400
Speaker 1: like a lot center. Like, yeah, I used to work

430
00:23:25,400 --> 00:23:27,560
Speaker 1: and he'd always takes a good parking spot. I own

431
00:23:27,600 --> 00:23:30,800
Speaker 1: a parking spot. Yeah, I took it because contracts what

432
00:23:30,920 --> 00:23:33,159
Speaker 1: they gave it to me. And you never worked with me.

433
00:23:33,960 --> 00:23:36,000
Speaker 1: I don't even know you. People say that all the time. Yes,

434
00:23:36,240 --> 00:23:38,320
Speaker 1: I see it on like Facebook, like, yeah, I used

435
00:23:38,359 --> 00:23:40,320
Speaker 1: to work in the same building with him. With him, man,

436
00:23:40,400 --> 00:23:42,040
Speaker 1: the guy would come in and sit in the bathroom

437
00:23:42,080 --> 00:23:46,719
Speaker 1: for an hour. No, I don't you would, No, are

438
00:23:46,720 --> 00:23:49,719
Speaker 1: you doing it there? Nothing? I literally don't talk to

439
00:23:49,760 --> 00:23:52,399
Speaker 1: anybody because there's nobody down here. I come in a

440
00:23:52,440 --> 00:23:55,640
Speaker 1: little entrance, come and sit in the room, and I'm

441
00:23:55,760 --> 00:24:01,800
Speaker 1: very superstitious about my arrival, right or arrival? Yeah, would

442
00:24:01,800 --> 00:24:05,679
Speaker 1: you like to tell yes? So Bobby comes in and

443
00:24:07,040 --> 00:24:09,399
Speaker 1: he has to sit down before I say good morning.

444
00:24:10,359 --> 00:24:13,000
Speaker 1: So now, because if I say good morning, she's really

445
00:24:13,000 --> 00:24:14,320
Speaker 1: done it a couple days the wrong way and they've

446
00:24:14,320 --> 00:24:16,560
Speaker 1: been terrible shows. Oh I don't get right. So I

447
00:24:16,680 --> 00:24:18,560
Speaker 1: say good morning before he sits down. And so now

448
00:24:18,600 --> 00:24:21,040
Speaker 1: it's awkward because he walks in and I basically don't

449
00:24:21,080 --> 00:24:24,520
Speaker 1: acknowledge him. And then in my perphial vision. When I

450
00:24:24,680 --> 00:24:27,520
Speaker 1: notice that you've sat down, I turn and I say morning,

451
00:24:27,640 --> 00:24:30,240
Speaker 1: and I'm like, I hear, what's happening. Good to see

452
00:24:30,240 --> 00:24:32,399
Speaker 1: you this morning, But I don't like I have a

453
00:24:32,440 --> 00:24:36,280
Speaker 1: superstition about coming into the room until I'm ready. The

454
00:24:36,320 --> 00:24:39,800
Speaker 1: supersistence change, Yeah, that's the newest one. Yeah, but I

455
00:24:40,119 --> 00:24:41,920
Speaker 1: still rock this blaw a black out all the time.

456
00:24:41,960 --> 00:24:44,040
Speaker 1: That still happened, That's been happening for years. I just

457
00:24:44,080 --> 00:24:46,199
Speaker 1: got some weird OCD type things that are happening in

458
00:24:46,240 --> 00:24:48,639
Speaker 1: my life. And I feel like, because this is one

459
00:24:48,680 --> 00:24:50,840
Speaker 1: my therapist tells me that since I never had control

460
00:24:50,880 --> 00:24:54,159
Speaker 1: of anything growing up, I like to have certain control

461
00:24:54,200 --> 00:24:57,639
Speaker 1: of certain things, like a demand control, because if I

462
00:24:57,640 --> 00:24:59,760
Speaker 1: don't have control, then I haven't lose control. I know,

463
00:24:59,480 --> 00:25:02,000
Speaker 1: I don't lose control. I just don't have control, and

464
00:25:02,040 --> 00:25:05,560
Speaker 1: people control me. And so I think that's where my

465
00:25:05,640 --> 00:25:09,439
Speaker 1: OCD comes from, is having is needing to have some

466
00:25:09,480 --> 00:25:14,080
Speaker 1: sort of control. I do. If I don't pet my

467
00:25:14,080 --> 00:25:16,160
Speaker 1: dogs the exact same way at night when I put

468
00:25:16,200 --> 00:25:21,639
Speaker 1: them to bed, terrible night's sleep, terrible night's sleep, and

469
00:25:21,800 --> 00:25:23,240
Speaker 1: they both go to the same they would go to

470
00:25:23,240 --> 00:25:24,840
Speaker 1: their separate places. I gotta do the same hand pet

471
00:25:24,840 --> 00:25:26,320
Speaker 1: on the same head, got to walk out of the

472
00:25:26,400 --> 00:25:27,919
Speaker 1: room in the same way. And if I don't do

473
00:25:27,960 --> 00:25:31,600
Speaker 1: it that way, I have a terrible night's sleep. And

474
00:25:31,680 --> 00:25:34,200
Speaker 1: that one's in the last two years or so. You're

475
00:25:34,359 --> 00:25:38,040
Speaker 1: years the way about Eller so year. But I gotta

476
00:25:38,080 --> 00:25:40,600
Speaker 1: pet both of them with my left hand on the

477
00:25:40,640 --> 00:25:43,040
Speaker 1: top of their head when they're laying down in their beds,

478
00:25:43,560 --> 00:25:46,679
Speaker 1: and I must say, I must tell them that I

479
00:25:46,760 --> 00:25:48,480
Speaker 1: love them and walk out of the room and close

480
00:25:48,520 --> 00:25:51,000
Speaker 1: the door behind me and walk straight to the bedroom.

481
00:25:51,040 --> 00:25:54,960
Speaker 1: I go Eller Stanley bedroom done, all lights out before

482
00:25:54,960 --> 00:25:57,040
Speaker 1: I even do the dog petting. And if I don't

483
00:25:57,080 --> 00:25:58,679
Speaker 1: do that, then I feel like it's gonna be a

484
00:25:58,680 --> 00:26:00,239
Speaker 1: bad night's sleep. And it just sang it out a lot.

485
00:26:00,240 --> 00:26:03,600
Speaker 1: I feel like it absolutely idiot, but I don't know

486
00:26:03,640 --> 00:26:06,159
Speaker 1: why it is. And sometimes I'm like, just break it,

487
00:26:06,240 --> 00:26:08,440
Speaker 1: screw it, and I'm like, but it doesn't hurt me

488
00:26:08,480 --> 00:26:12,159
Speaker 1: to do it. Yeah, so there you have. But it

489
00:26:12,200 --> 00:26:14,800
Speaker 1: does hurt you if you don't do it, I think,

490
00:26:15,240 --> 00:26:17,640
Speaker 1: so yeah, yeah, I feel like it'll keep doing it. Yeah,

491
00:26:17,640 --> 00:26:19,960
Speaker 1: exactly how did it start? Though? Like, no idea. I've

492
00:26:20,000 --> 00:26:21,639
Speaker 1: been wanting to rub your belly before I'll even work

493
00:26:21,680 --> 00:26:23,600
Speaker 1: every day. I don't start that because we're not gonna

494
00:26:23,640 --> 00:26:25,480
Speaker 1: keep that at tradition. You did do the poke thing

495
00:26:25,600 --> 00:26:27,639
Speaker 1: right at one point time. You're like, who I used

496
00:26:27,640 --> 00:26:30,760
Speaker 1: to poke? Eddy poked me, yeah, and you go, who oh.

497
00:26:31,000 --> 00:26:34,280
Speaker 1: I used to have walked behind me though, that's why

498
00:26:34,280 --> 00:26:36,320
Speaker 1: you studio since then, and I poke and we go.

499
00:26:36,600 --> 00:26:38,920
Speaker 1: I forgot about that, but I poke on some different

500
00:26:38,920 --> 00:26:44,240
Speaker 1: every day. Okay, all right, get out of here. We're

501
00:26:44,240 --> 00:26:47,080
Speaker 1: get out of you. You guys have an awesome day.

502
00:26:47,320 --> 00:26:50,600
Speaker 1: I will be back tomorrow, and so will the rest

503
00:26:50,600 --> 00:26:52,440
Speaker 1: of the show. And we will be here tomorrow and

504
00:26:52,520 --> 00:26:54,600
Speaker 1: John Party will be on tomorrow. Goodbye, friends,