WEBVTT - Inception: I Dream of Science

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 1>This is Robert Lamb and I'm Julie Duga, and we

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<v Speaker 1>both researched this podcast yesterday. Um did a lot of

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<v Speaker 1>our research yesterday and you know, a little bit you know,

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<v Speaker 1>on the other days prior. But but then we both

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<v Speaker 1>went home to our respective houses, went to sleep and dreamed.

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<v Speaker 1>So here's the question, did your dreaming last night help

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<v Speaker 1>you prepare it all for this podcast? You know, normally

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<v Speaker 1>I would be able to answer that question because I

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<v Speaker 1>remember quite a few of my dreams, But I really

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<v Speaker 1>don't remember my dreams outside. I can only assume that, uh,

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<v Speaker 1>I was hopefully covering the material. Well, I'm on my part.

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<v Speaker 1>I don't always remember my dreams, but I remember the

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<v Speaker 1>one last night because I was dreaming that my cat

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<v Speaker 1>had a guest starring role on thirty Rock. And then

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<v Speaker 1>I woke up to the sound of the cat barfing. Um,

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<v Speaker 1>which generally happens, like the cat starts barfing or even

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<v Speaker 1>beginning to barf somewhere in the house, and I just

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<v Speaker 1>wake up like that and immediately go into this sort

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<v Speaker 1>of half awake must keep the cat from barfing on

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<v Speaker 1>soft things mode, you know, right like on blankets and

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<v Speaker 1>wool carpets, you go into triosh. Yeah, but it did

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<v Speaker 1>not really help this podcast at all. Not to say

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<v Speaker 1>that something in my in my dream cycle didn't help,

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<v Speaker 1>but it's like it wasn't. Yeah, but there wasn't like

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<v Speaker 1>a situation where I was like, how are we going

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<v Speaker 1>to do that intro tomorrow and then like a man

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<v Speaker 1>appeared to me in the like into in the dream

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<v Speaker 1>like I don't know, like um, like some you know,

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<v Speaker 1>podcasting deity appears and says, this is how you will

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<v Speaker 1>do it. You will both talk about how the night

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<v Speaker 1>before your dreams inspired, you know, like there was nothing

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<v Speaker 1>like I was gonna say Ira Glass, but that didn't

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<v Speaker 1>sound like Ira Glass. That's not Ira Glasses, Boice. But

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<v Speaker 1>but Ira Glass would have been a good good pick

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<v Speaker 1>for that that dream vision. Um. But the interesting thing

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<v Speaker 1>is you do see plenty of really cool examples of

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<v Speaker 1>UH and and all of them are potentially problematic UH

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<v Speaker 1>of creative people or even scientific you know, or rather

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<v Speaker 1>artistically geared people or scientifically geared people, UM getting something

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<v Speaker 1>out of their dreams, some sort of inspiration or some idea,

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<v Speaker 1>you know, this like this moment of like inception that

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<v Speaker 1>just uh that now enables them to create some great

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<v Speaker 1>work or or or solve some problem that was nagging

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<v Speaker 1>them in their daily life. Yeah. Yeah, And that makes

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<v Speaker 1>sense because the mind, I've always said, plays with what

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<v Speaker 1>it loves, and if you're working on a problem day

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<v Speaker 1>after day, of course it's going to show up in

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<v Speaker 1>your dreams. Yeah. So I guess mine is something to

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<v Speaker 1>do with like my Cat and thirty Rock. But yeah,

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<v Speaker 1>I think that you have a wish fulfillment for for

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<v Speaker 1>Biscuit to show up on a thirty Rock episode, and

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<v Speaker 1>who doesn't now I have we talked about this earlier.

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<v Speaker 1>I think we've both had examples where, um, we've had

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<v Speaker 1>something in a dream that we've been able to take

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<v Speaker 1>and run with like a creative fashion. Um. Sometimes those

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<v Speaker 1>ideas have worked for me. Um, and I've been able

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<v Speaker 1>to like, you know, be like a really cool image

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<v Speaker 1>that I'm like, oh I can take that and and

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<v Speaker 1>extrapolate on that and and feel like, you know, I

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<v Speaker 1>create something interesting, say fiction wise, out of it. Have

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<v Speaker 1>you found that to be the case, Yeah, yeah, definitely. Um,

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<v Speaker 1>when I've been writing fiction, I've there have been certain

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<v Speaker 1>scenes that came to me as if fully formed. Um

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<v Speaker 1>it wasn't. The actual story wasn't fully formed, but there

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<v Speaker 1>was a very visceral idea of of this thing that

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<v Speaker 1>became the plot for something. And I've also uh had

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<v Speaker 1>dreams when I've had a conflict with someone and and

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<v Speaker 1>had was talking in that dream about the conflict with

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<v Speaker 1>that person, and that really seemed to help gain a

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<v Speaker 1>better perspective, like I know I've had I have. I

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<v Speaker 1>think I have a lot of dreams where I'm it

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<v Speaker 1>probably comes of like being fascinated by subway systems and

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<v Speaker 1>public transportation systems that are rail based or subterranean in nature,

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<v Speaker 1>and also from taking Atlanta's public transportation Marta every day.

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<v Speaker 1>I frequently have these dreams of sort of like vast

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<v Speaker 1>like unreal um subterranean public transit systems, you know, and

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<v Speaker 1>lots of lots of sort of very very fantastic um

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<v Speaker 1>settings that are all sort of subway based. So do

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<v Speaker 1>you have a sort of continuity in your dreams and

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<v Speaker 1>there's this universe that you've created that you can revisit. Yeah,

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<v Speaker 1>And so I've gotten some ideas out of that where

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<v Speaker 1>I'm where I sort of like in my waking um

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<v Speaker 1>hour sort of think back on that world and sort

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<v Speaker 1>of try to apply form and function to it that

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<v Speaker 1>doesn't exist in the dream. So you're working on your

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<v Speaker 1>dreams in your waking life. Yeah, some I guess, but

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<v Speaker 1>but it's more like I, like I said, I feel

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<v Speaker 1>like I'm definitely applying in order to it that doesn't

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<v Speaker 1>exist in the dream. On the other hand, I've also

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<v Speaker 1>had like one particular example that I always come back

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<v Speaker 1>to is what I referred to as the hell pimple dream,

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<v Speaker 1>where I had this dream and it's like I woke

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<v Speaker 1>up in the night and I'm like, this is a

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<v Speaker 1>fabulous story idea, so it will be about a hell

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<v Speaker 1>pimple where I think the basis was that you have

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<v Speaker 1>the surface world and then Hell and then there's like

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<v Speaker 1>a pimple coming up from Hell into this. And anyway,

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<v Speaker 1>when I woke up at like, you know, three o'clock

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<v Speaker 1>in the morning, uh, this time, it was like, this

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<v Speaker 1>is a great idea. This is the best idea ever.

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<v Speaker 1>And I like wrote it down on the pad and

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<v Speaker 1>then came back to it. I'm like, wow, this is

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<v Speaker 1>just so monumentally stupid, you know. So had you been

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<v Speaker 1>reading Dante before that possibly also I have read Dante

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<v Speaker 1>before that seems like it could be like a hell

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<v Speaker 1>pimple sort of indirect thing happening there. Um. Well, what

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<v Speaker 1>I think is really interesting about this is, especially the

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<v Speaker 1>Subpremian dreams, is that you did create that continuity and

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<v Speaker 1>that there is there's something going on in our dream lives. Um.

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<v Speaker 1>That indicates that we do have an area to work

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<v Speaker 1>out our problems or ideas. But then you've got cognitive

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<v Speaker 1>scientists Stephen Pinker, And he's the same guy, by the way,

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<v Speaker 1>who when we were covering music UM and and how

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<v Speaker 1>it can rebuild your brain in that podcast, he's the

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<v Speaker 1>guy that said that auditory cheesecake is something um that

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<v Speaker 1>he could ascribe to the ability of humans to play music,

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<v Speaker 1>saying appreciate music, so on and so forth, that it

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<v Speaker 1>didn't necessarily add to any sort of um function in

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<v Speaker 1>evolutionary sense. Yeah, he's he provides a really sobering note

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<v Speaker 1>to to other researchers who make a really lofty will

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<v Speaker 1>not lofty, but make a really you know, strong claim

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<v Speaker 1>that that music is a really essential part of who

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<v Speaker 1>we are and serves a specific purpose. Yeah. Yeah, so

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<v Speaker 1>I mean, he's like the kill joy right of all

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<v Speaker 1>the fun things, and when it comes to dreams, same thing.

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<v Speaker 1>Not to say we don't need kill joys, I mean

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<v Speaker 1>we need somebody to say, WHOA slow down there, guys,

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<v Speaker 1>don't get too excited, get too excited about this, because

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<v Speaker 1>there is something in our nature we want to give

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<v Speaker 1>meaning to these things, you know, and because they're important

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<v Speaker 1>to us, and so we think therefore, oh well, you know,

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<v Speaker 1>of course my dream is important. Um. So he likens

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<v Speaker 1>dreams to computer screen savers, and you know, we're just

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<v Speaker 1>totally depressing. He says, it doesn't really matter what the

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<v Speaker 1>content is as long as certain parts of the brain

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<v Speaker 1>are active. That being said, there's a lot of data

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<v Speaker 1>out there now that say that we can point to

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<v Speaker 1>and say, okay, well, dreams actually are a huge function

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<v Speaker 1>of the way that we are processing information, and that's

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<v Speaker 1>what we're talking about today. So I'm gonna run through

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<v Speaker 1>a few examples of of of ways that first artists

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<v Speaker 1>from a different spectrum have have claimed that dreams have

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<v Speaker 1>inspired their work. Um and uh, you know, without spending

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<v Speaker 1>a whole lot of time, I do you have people

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<v Speaker 1>like Salvador Dolly of course claimed dreams stimulated his work.

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<v Speaker 1>You have a number of filmmakers such as Mark Bergmann

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<v Speaker 1>uh Felini. Um, you have authors such as Robert Louis

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<v Speaker 1>Stevenson and Mary Shelley. Um, you know Dr jack On,

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<v Speaker 1>Mr Hyde, Frankenstein. There's the whole business with Paul McCartney

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<v Speaker 1>was claiming yesterday, Um, he heard it in in his

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<v Speaker 1>dream right right, the melody yeah, and immediately got up

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<v Speaker 1>and started playing on the piano. And this is just

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<v Speaker 1>a biographically kind of interesting that he was in the

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<v Speaker 1>midst of filming Help, and he was staying in his

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<v Speaker 1>parents attic in a small room, and so I mean,

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<v Speaker 1>it's interesting that he composed this completely nostalgic piece of

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<v Speaker 1>music in a really important time of his life. Well

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<v Speaker 1>sidebar there. Yeah. And one of my favorites is the

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<v Speaker 1>tale of Joe R. Landsdale, who's kind of a weird

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<v Speaker 1>southern Southern Gothic noir writer. Uh still writing, putting out

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<v Speaker 1>a number of novels today. But he he claimed to

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<v Speaker 1>have this thing where anytime he was hard up for

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<v Speaker 1>a story idea, couldn't think of anything, he would have

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<v Speaker 1>his wife make him a big bowl of popcorn and

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<v Speaker 1>he would like just gorge himself on and then go

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<v Speaker 1>to bed, and which would result in like these crazy dreams.

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<v Speaker 1>And he claims that anytime that those dreams gave him

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<v Speaker 1>like even something he could like grab onto and turn

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<v Speaker 1>into a story, he was able to sell that story

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<v Speaker 1>with with like, you know, the first time he submitted

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<v Speaker 1>it to a publication. That's pretty great. So that the

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<v Speaker 1>popcorn was like this symbolic like mental activity. Yea lucky

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<v Speaker 1>red socks and yeah, and and also you know, like

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<v Speaker 1>in our recent podcast about the Gut, we talked about

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<v Speaker 1>how inner about the link between our gastro intestinal activity

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<v Speaker 1>and our neural activity in the brain, and how there's

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<v Speaker 1>this you know, they're this, they're linked, and so you know,

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<v Speaker 1>it's like he's stimulating the brain by stimulating the gut

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<v Speaker 1>and getting these crazy stories out of it. I think

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<v Speaker 1>I knew what I'm doing this weekend. I'm going to

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<v Speaker 1>try that out. I tried with pickles once, and I

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<v Speaker 1>think it were I mean not, I didn't set out to.

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<v Speaker 1>It's just I ended up eating like two or three

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<v Speaker 1>like big like you know, Boar said pickles before I

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<v Speaker 1>went to sleep and had some sort of weird dreams.

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<v Speaker 1>But you also encounter. Of course, scientists who who claimed

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<v Speaker 1>to have have have made that, you know, come up

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<v Speaker 1>with that one key step they were missing or or

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<v Speaker 1>you know, it's kind of like in the back of

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<v Speaker 1>the Future, you know where you have Dr Emmitt Brown claiming,

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<v Speaker 1>you know where he he envisions the flux capacitor that

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<v Speaker 1>makes time travel possible in a dream, which is a

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<v Speaker 1>great way to explain the unexplainable um away. Yeah, and

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<v Speaker 1>we'll get into that in a in a minute too,

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<v Speaker 1>because because again, all these examples of somebody claiming dream

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<v Speaker 1>inspiration are are at once believable and potentially problematic because

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<v Speaker 1>it realies on your personal experience right right, and unverifiable. Yeah,

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<v Speaker 1>and I mean what was what's going to get into

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<v Speaker 1>this part? Yeah, it's there's something about even in in

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<v Speaker 1>even today, when we know, I think most of us

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<v Speaker 1>know that a dream is not that a line talking

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<v Speaker 1>to you, there's still the dream world is mysterious. And

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<v Speaker 1>to say that an idea came to you in a dream, um,

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<v Speaker 1>you know it, it kind of elevates that that idea.

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<v Speaker 1>It's it's like saying, you know, I got this idea

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<v Speaker 1>from a dream, I got this idea from uh you know,

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<v Speaker 1>there's a sense that I got it from another world.

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<v Speaker 1>There's a sense I got it from a from the muse.

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<v Speaker 1>It's so or it's it's just sort of a symbol

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<v Speaker 1>out of a mysterious you know process, and and and

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<v Speaker 1>so making that claim can it can be a little

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<v Speaker 1>uh disingenuous. I guess is that because the memory is

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<v Speaker 1>a faulty thing. Yeah. Yeah, and then the then what

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<v Speaker 1>I always think of two is that the ego might

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<v Speaker 1>be kind of bound up to like I'm a genius,

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<v Speaker 1>I I've got the solution. I I dreamed like this

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<v Speaker 1>brain is pretty fabulous. I was thinking about this problem

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<v Speaker 1>and then I just I just went to sleep and

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<v Speaker 1>my brain did all the rest of the work. Like

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<v Speaker 1>That's how awesome this uh, this engine in my head is.

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<v Speaker 1>You know. So there's there's a there's a sense of

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<v Speaker 1>that with with the and and of course it's one

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<v Speaker 1>of those things that can never be fully proved proven.

0:11:50.679 --> 0:11:52.880
<v Speaker 1>I could I could make the claim that every podcast

0:11:52.920 --> 0:11:56.319
<v Speaker 1>we've done, I've you know, has been inspired by my dreams.

0:11:56.480 --> 0:11:58.840
<v Speaker 1>And you know, how are you going to prove me wrong? Right?

0:11:59.520 --> 0:12:02.560
<v Speaker 1>I'm not? Yeah, so um so yeah, keep that in

0:12:02.600 --> 0:12:04.679
<v Speaker 1>mind in any of these examples we're talking about. I

0:12:04.760 --> 0:12:07.440
<v Speaker 1>think we'll get into it. There's clearly something going on

0:12:07.480 --> 0:12:09.240
<v Speaker 1>in the in the brain and a number of processes

0:12:09.240 --> 0:12:12.760
<v Speaker 1>that we can actually look at scientifically, but ultimately there's

0:12:12.800 --> 0:12:16.240
<v Speaker 1>a lot of subjective subjective area there to keep in mind. Uh.

0:12:16.600 --> 0:12:19.120
<v Speaker 1>The biggest one that comes that that generally rises to

0:12:19.240 --> 0:12:23.120
<v Speaker 1>the top is Dmitri mental Lev and Uh, he was

0:12:23.200 --> 0:12:26.960
<v Speaker 1>working on the periodic table of elements, um, which we have.

0:12:27.200 --> 0:12:29.360
<v Speaker 1>There's I believe there's a podcast about that and also

0:12:29.360 --> 0:12:33.920
<v Speaker 1>an excellent how stuff works article. Um. But he allegedly

0:12:33.960 --> 0:12:38.000
<v Speaker 1>he fell asleep during an afternoon game of solitaire, as

0:12:38.040 --> 0:12:41.680
<v Speaker 1>one as want to do, and upon waking he you know,

0:12:41.880 --> 0:12:44.920
<v Speaker 1>he knew exactly how he's going to arrange them, which

0:12:44.920 --> 0:12:47.280
<v Speaker 1>is of course he ranged the arrange them according to

0:12:47.360 --> 0:12:49.840
<v Speaker 1>increasing atomic masks and found that, you know, the elements

0:12:50.240 --> 0:12:55.640
<v Speaker 1>of similar properties appeared at regular intervals. But but this

0:12:55.720 --> 0:12:57.839
<v Speaker 1>is that this is one again, we can't really prove

0:12:57.880 --> 0:13:00.600
<v Speaker 1>that this happened, right, Yeah, And there is actually some

0:13:00.640 --> 0:13:03.840
<v Speaker 1>information out there that calls it into question because they

0:13:03.880 --> 0:13:07.480
<v Speaker 1>say that it um that wrestling colleagues second hand account

0:13:07.480 --> 0:13:11.120
<v Speaker 1>of this, right, So maybe he told the colleague and

0:13:11.120 --> 0:13:15.000
<v Speaker 1>then that the archival material indicates that Mendelev had already

0:13:15.000 --> 0:13:17.760
<v Speaker 1>discovered the pyodic table before the alleged dream took place,

0:13:18.640 --> 0:13:21.280
<v Speaker 1>and that a dream quite plausibly occurred some went later

0:13:21.559 --> 0:13:24.720
<v Speaker 1>than depicted in and it was an improved representation of

0:13:24.760 --> 0:13:28.280
<v Speaker 1>the periodic table. So there's I mean no doubt he

0:13:28.360 --> 0:13:31.000
<v Speaker 1>had a dream about it, but it may have not

0:13:31.080 --> 0:13:33.800
<v Speaker 1>been the the Eureka moment that was, you know, all

0:13:33.840 --> 0:13:36.480
<v Speaker 1>of a sudden, the complete version of the periodic table.

0:13:36.600 --> 0:13:38.120
<v Speaker 1>It makes me think too, like maybe he just got

0:13:38.160 --> 0:13:40.240
<v Speaker 1>sick of telling the story like everybody you know, Like

0:13:40.280 --> 0:13:42.040
<v Speaker 1>it's like he goes to a dinner party and they're like, hey,

0:13:42.040 --> 0:13:44.400
<v Speaker 1>mental leve, how did you come up with that periodic table?

0:13:44.400 --> 0:13:46.000
<v Speaker 1>And eventually you just get sick of telling the same

0:13:46.040 --> 0:13:49.320
<v Speaker 1>story over and over and you like, I dreamt it right? Yeah. Yeah.

0:13:49.320 --> 0:13:51.440
<v Speaker 1>Because he tells a real version, he's going to have

0:13:51.600 --> 0:13:56.840
<v Speaker 1>the group for very long. Um. Another interesting case is

0:13:57.920 --> 0:14:01.600
<v Speaker 1>is a Frederick August von Coo Cool back in eighteen

0:14:01.640 --> 0:14:06.240
<v Speaker 1>sixty nine, and he again allegedly discovered the ring structure

0:14:06.320 --> 0:14:11.520
<v Speaker 1>of the benzene molecule UH by dreaming about a snake

0:14:12.080 --> 0:14:16.360
<v Speaker 1>seizing hold of its own tail, which for the conspiracy

0:14:16.360 --> 0:14:18.679
<v Speaker 1>theorists out there, don't get too excited. I don't think

0:14:18.679 --> 0:14:21.560
<v Speaker 1>that he was a member of the Illuminati. Um. But

0:14:21.720 --> 0:14:24.960
<v Speaker 1>right that that that he took that, and he extrapolated

0:14:25.000 --> 0:14:29.480
<v Speaker 1>that to say that benzine had a ring like molecular structure, right, yeah,

0:14:29.760 --> 0:14:34.000
<v Speaker 1>which is pretty cool. I mean if if indeed that happened. Yeah,

0:14:34.040 --> 0:14:36.600
<v Speaker 1>because the ben zine is it's basically it's a ring

0:14:36.640 --> 0:14:39.160
<v Speaker 1>of six carbons and then they're like six hydrogen shooting

0:14:39.160 --> 0:14:41.080
<v Speaker 1>off from it. They'll have to say I look at it,

0:14:41.120 --> 0:14:42.720
<v Speaker 1>and I don't think, oh my goodness, it's totally a

0:14:42.720 --> 0:14:46.240
<v Speaker 1>snake um consuming its own tail. No. And I was

0:14:46.240 --> 0:14:47.680
<v Speaker 1>thinking about that too. I was like, yeah, that seems

0:14:47.680 --> 0:14:50.040
<v Speaker 1>a little far fetched, but if you are obsessed with

0:14:50.040 --> 0:14:53.760
<v Speaker 1>the topic, you'll find patterns anywhere that you can. Right.

0:14:53.880 --> 0:14:56.200
<v Speaker 1>So maybe even if it was an accident, maybe if

0:14:56.240 --> 0:15:00.440
<v Speaker 1>the he truly was just dreaming about a snake consuming

0:15:00.440 --> 0:15:05.000
<v Speaker 1>its own tail. Um after his Illuminati meeting, and then

0:15:05.040 --> 0:15:07.720
<v Speaker 1>he woke up and he thought, oh, well, you know what,

0:15:07.840 --> 0:15:11.080
<v Speaker 1>there's there's actually a correlation here, like the it's you know,

0:15:11.200 --> 0:15:13.760
<v Speaker 1>the brain does try to find patterns. Yeah, well, maybe

0:15:13.800 --> 0:15:15.880
<v Speaker 1>he was reading a bunch of like Norse mythology, and

0:15:15.880 --> 0:15:18.120
<v Speaker 1>he was all wound up about the organ mander and

0:15:18.160 --> 0:15:24.479
<v Speaker 1>the knit guard storm, and you know who isn't about them.

0:15:24.720 --> 0:15:28.720
<v Speaker 1>Another interesting account is that of this, well there's a

0:15:28.800 --> 0:15:34.120
<v Speaker 1>First of all, there's Elias ho This is the guy who, uh,

0:15:34.200 --> 0:15:36.400
<v Speaker 1>he was working on designs for the first selling machine

0:15:37.040 --> 0:15:38.920
<v Speaker 1>and he couldn't figure out how to make it hold

0:15:38.920 --> 0:15:42.160
<v Speaker 1>the needle, and then he dreamt that he was being

0:15:42.160 --> 0:15:46.160
<v Speaker 1>attacked by cannibals with spears and supposedly worked it all

0:15:46.200 --> 0:15:48.760
<v Speaker 1>out right right, and he noticed that the spear there

0:15:48.840 --> 0:15:50.480
<v Speaker 1>was a small hole at the top right, because I

0:15:50.560 --> 0:15:53.520
<v Speaker 1>think before he was playing with a needle that he

0:15:53.520 --> 0:15:55.800
<v Speaker 1>had put the hole in the middle. And so he

0:15:55.880 --> 0:15:58.760
<v Speaker 1>had that eureka moment when when he was about to

0:15:58.760 --> 0:16:01.080
<v Speaker 1>be cannibalized in his dream. I wonder if you like

0:16:01.080 --> 0:16:02.880
<v Speaker 1>woke up, like, first of all, it was like, oh

0:16:02.960 --> 0:16:05.240
<v Speaker 1>my god, goodness, I'm about to be eaten, like just

0:16:05.240 --> 0:16:07.840
<v Speaker 1>completely freaking out, and he's like, oh, oh wait, no,

0:16:07.960 --> 0:16:10.520
<v Speaker 1>I got it. You know, it's sort of interesting too,

0:16:10.560 --> 0:16:13.800
<v Speaker 1>because you know, his adrenaline probably was pretty high, and

0:16:13.880 --> 0:16:17.680
<v Speaker 1>there's actually some correlation between adrenaline in long term memory.

0:16:18.240 --> 0:16:21.040
<v Speaker 1>So yeah, so it was good that he remembered it.

0:16:21.360 --> 0:16:24.920
<v Speaker 1>One of the more one of the crazy examples is

0:16:25.120 --> 0:16:29.120
<v Speaker 1>Herman v. Hill prect and this guy was actually a

0:16:29.160 --> 0:16:34.560
<v Speaker 1>German born professor of assyrian Um. And there it's worth

0:16:34.560 --> 0:16:36.920
<v Speaker 1>noting that there are also some accusations that this professor

0:16:37.000 --> 0:16:39.720
<v Speaker 1>and you know, took credit for other people's archaeological work

0:16:40.480 --> 0:16:43.720
<v Speaker 1>that he hadn't done, that he appropriated artifacts, it's, etcetera.

0:16:43.840 --> 0:16:48.520
<v Speaker 1>So there's there's some controversy about this figure um. But

0:16:48.520 --> 0:16:51.000
<v Speaker 1>but there were like two cases where he supposedly figured

0:16:51.040 --> 0:16:53.960
<v Speaker 1>something out via his dreams. Uh. For instance, he was

0:16:54.000 --> 0:16:59.760
<v Speaker 1>trying to umu decode the name Nebuchadnezzar, the legendary Babylonian

0:17:00.760 --> 0:17:04.080
<v Speaker 1>and he claims that he had a dream um and

0:17:04.240 --> 0:17:05.960
<v Speaker 1>you know, he'd been working at this problem, working at it,

0:17:06.240 --> 0:17:08.760
<v Speaker 1>and then he had a dream um where he's like

0:17:08.800 --> 0:17:11.199
<v Speaker 1>saw this, uh, this dude at a table and he

0:17:11.240 --> 0:17:15.720
<v Speaker 1>figured out that the that it means nebu protect my boundary,

0:17:17.000 --> 0:17:19.240
<v Speaker 1>which that may not make a lot of sense, but

0:17:19.359 --> 0:17:20.800
<v Speaker 1>let me get unto the in the next one, which

0:17:20.840 --> 0:17:23.080
<v Speaker 1>is even more interesting. And this was one he was

0:17:23.280 --> 0:17:27.320
<v Speaker 1>this is uh and there was an expedition to the

0:17:27.320 --> 0:17:30.920
<v Speaker 1>Temple of Bell at Nippur in present day Iraq, and

0:17:31.040 --> 0:17:34.720
<v Speaker 1>Uh he brought back a sketch of two fragments UH

0:17:35.000 --> 0:17:38.440
<v Speaker 1>with the inscriptions in cuneiform, and he made a stab

0:17:38.480 --> 0:17:41.280
<v Speaker 1>at translating these to no avail and then Uh. Then

0:17:41.320 --> 0:17:43.560
<v Speaker 1>he supposedly had a dream in which quote a tall,

0:17:43.680 --> 0:17:47.400
<v Speaker 1>thin priest of the old pre Christian Nippur unquote came

0:17:47.400 --> 0:17:49.159
<v Speaker 1>to him in a dream, and it formed him that

0:17:49.200 --> 0:17:52.600
<v Speaker 1>these fragments were portions of ear rings and UH, and

0:17:52.920 --> 0:17:56.800
<v Speaker 1>that the Babylonian king had sent these had sent an

0:17:56.800 --> 0:18:02.440
<v Speaker 1>inscribed voted cylinder uh to Uh to some artisans and

0:18:02.480 --> 0:18:04.840
<v Speaker 1>asked him to make ear rings and then he made

0:18:04.840 --> 0:18:08.320
<v Speaker 1>them out of the subscribed cylinder and UH. And so

0:18:08.440 --> 0:18:10.560
<v Speaker 1>he ended up going to the He thought about it

0:18:10.600 --> 0:18:13.120
<v Speaker 1>this after the dream apparently decided that yes, the dream

0:18:13.200 --> 0:18:16.040
<v Speaker 1>was right, and then he went to the Imperial Museum

0:18:16.080 --> 0:18:20.240
<v Speaker 1>in Constantinople in the same year and located fragments UH

0:18:20.400 --> 0:18:23.680
<v Speaker 1>in two widely separated cases. And when he arranged them

0:18:23.680 --> 0:18:25.560
<v Speaker 1>side by side, he found that they had in fact

0:18:25.600 --> 0:18:29.960
<v Speaker 1>once belonged to the same vote of cylinder. So this

0:18:30.200 --> 0:18:33.320
<v Speaker 1>fascinated um Uh some some people. But but when they

0:18:33.359 --> 0:18:35.280
<v Speaker 1>really started looking at it, it it was like it was

0:18:35.320 --> 0:18:38.080
<v Speaker 1>clear that this was just associated reasoning. There was like

0:18:38.160 --> 0:18:40.960
<v Speaker 1>nothing going on that like, these dreams were not giving

0:18:41.040 --> 0:18:45.000
<v Speaker 1>him any information that he could not have pieced together conceivably,

0:18:45.040 --> 0:18:48.000
<v Speaker 1>and you know in his waking uh contemplations, right, it

0:18:48.080 --> 0:18:52.439
<v Speaker 1>just happened to occur in his dream stay and and

0:18:52.480 --> 0:18:56.840
<v Speaker 1>again there's some controversies about the guy anyway, so you know,

0:18:56.960 --> 0:18:59.400
<v Speaker 1>keep that in mind too. But but but even if

0:18:59.480 --> 0:19:01.400
<v Speaker 1>it was complete, really on the up and up, there

0:19:01.480 --> 0:19:05.240
<v Speaker 1>was nothing, uh you know, there's nothing supernatural going on here, right, right.

0:19:05.280 --> 0:19:06.840
<v Speaker 1>But then yeah, but there's the problem him being a

0:19:06.840 --> 0:19:09.160
<v Speaker 1>little body, So yeah, what are you gonna do? So

0:19:09.200 --> 0:19:13.200
<v Speaker 1>what's going on in the mind? A lot turns out? Yeah. Um.

0:19:13.320 --> 0:19:17.200
<v Speaker 1>In fact, there's a psychologists by the name of Deedre Barrett,

0:19:17.320 --> 0:19:20.680
<v Speaker 1>and she says that creative problem solving dreams virtually always

0:19:20.680 --> 0:19:23.600
<v Speaker 1>occur only after the dreamer has done extensive work on

0:19:23.640 --> 0:19:26.840
<v Speaker 1>the issue awake. So most typically the dreamer is stuck

0:19:26.880 --> 0:19:30.639
<v Speaker 1>at one particular step of a multiple phase process, and

0:19:30.640 --> 0:19:34.680
<v Speaker 1>then the dream involves that step. So then you uh

0:19:35.240 --> 0:19:40.080
<v Speaker 1>add another psychologist to the equation, and his name is

0:19:40.160 --> 0:19:44.720
<v Speaker 1>Robert stickled, and he has conducted all sorts of studies,

0:19:44.840 --> 0:19:48.359
<v Speaker 1>but basically his premise is that sleep can increase your

0:19:48.400 --> 0:19:52.520
<v Speaker 1>ability to finish solving outstanding problems that you may have.

0:19:53.240 --> 0:19:56.640
<v Speaker 1>And when you look at it our brains, the regions

0:19:56.680 --> 0:20:02.480
<v Speaker 1>involved in dreaming, the emotional processing quanked way up. Um,

0:20:02.520 --> 0:20:06.560
<v Speaker 1>so you've got the emotional component. And what he seems

0:20:06.600 --> 0:20:08.520
<v Speaker 1>to think is that there are parts of the brain

0:20:08.720 --> 0:20:11.720
<v Speaker 1>that you can access much more directly than in your

0:20:11.760 --> 0:20:15.880
<v Speaker 1>waking sleep. Um, in particular the emotional components which may

0:20:15.920 --> 0:20:18.840
<v Speaker 1>have been gathering data for you as well. Um, that

0:20:18.920 --> 0:20:22.560
<v Speaker 1>can inform the problem that you're working on. And I

0:20:22.560 --> 0:20:24.880
<v Speaker 1>mean I would use the example of from earlier when

0:20:24.880 --> 0:20:27.960
<v Speaker 1>we were talking about solving problems in our dreams, and

0:20:28.280 --> 0:20:31.000
<v Speaker 1>when I've had a conflict with someone and being able

0:20:31.080 --> 0:20:33.680
<v Speaker 1>to access that information in my mind during a dream

0:20:33.720 --> 0:20:37.120
<v Speaker 1>and having this conversation and and perhaps having the time

0:20:37.160 --> 0:20:40.200
<v Speaker 1>and space on a mental blackboard to figure that out,

0:20:40.240 --> 0:20:43.119
<v Speaker 1>and those resources being more available to me. So this

0:20:43.200 --> 0:20:45.680
<v Speaker 1>is someone who has, like I said, carried out a

0:20:45.720 --> 0:20:48.840
<v Speaker 1>lot of studies in that area. So anyway, Um, yes,

0:20:48.920 --> 0:20:52.520
<v Speaker 1>he Robert Sickle thinks that dreams are constructed within networks

0:20:52.560 --> 0:20:55.480
<v Speaker 1>of associated memories that we don't have access to normally,

0:20:56.200 --> 0:20:58.960
<v Speaker 1>and he sees dreams as being about what the brain

0:20:59.080 --> 0:21:02.800
<v Speaker 1>calculates as most important, same as as Barrett. Basically, the

0:21:02.800 --> 0:21:05.520
<v Speaker 1>importance of the subject, multiplied by the time spent on

0:21:05.600 --> 0:21:09.120
<v Speaker 1>it determines what we dream about. But now, of course

0:21:09.160 --> 0:21:11.680
<v Speaker 1>the problem is that we don't always remember our dreams.

0:21:12.520 --> 0:21:15.119
<v Speaker 1>So there are two theories on why we don't remember dreams.

0:21:15.680 --> 0:21:19.240
<v Speaker 1>One is that uh during rem we shut off our

0:21:19.320 --> 0:21:23.399
<v Speaker 1>non adrenaline release, and that may shut down systems that

0:21:23.480 --> 0:21:26.600
<v Speaker 1>normally in code memories. So when we wake up from

0:21:26.600 --> 0:21:29.720
<v Speaker 1>a lingering dream, and that dream is sort of in

0:21:29.800 --> 0:21:33.199
<v Speaker 1>a short term purgatory of memory, UM, whether or not

0:21:33.240 --> 0:21:36.040
<v Speaker 1>it's sticks depends on if we can revisit the material

0:21:36.160 --> 0:21:40.720
<v Speaker 1>while we're actively awake when the uh nora adrenaline release

0:21:40.760 --> 0:21:43.000
<v Speaker 1>turns back on, and then it commits it to memory.

0:21:43.560 --> 0:21:47.560
<v Speaker 1>So that's one possibility. A second possibility of why we

0:21:47.560 --> 0:21:52.200
<v Speaker 1>don't necessarily remember is that we can't necessarily index them

0:21:52.440 --> 0:21:56.080
<v Speaker 1>and find them quickly. Um we need associations to trip

0:21:56.119 --> 0:22:00.800
<v Speaker 1>the memory. So um stick Gold uses the example of

0:22:00.840 --> 0:22:03.720
<v Speaker 1>seeing a cat and then all of a sudden remembering

0:22:04.200 --> 0:22:06.680
<v Speaker 1>a dream from the night before about a cat and

0:22:06.880 --> 0:22:11.560
<v Speaker 1>being able to take those associations and really activate the

0:22:11.560 --> 0:22:15.080
<v Speaker 1>recall part of your brain. Yeah, so that's that's always

0:22:15.080 --> 0:22:17.720
<v Speaker 1>something kind of mystery, like why can't I remember every

0:22:17.720 --> 0:22:22.159
<v Speaker 1>single one of my dreams? Yeah, there's a on similar ground,

0:22:22.160 --> 0:22:25.080
<v Speaker 1>there's a there's a two thousand seven study from Germany

0:22:25.200 --> 0:22:28.000
<v Speaker 1>Central Institute of Mental Health and they looked at and

0:22:28.000 --> 0:22:32.119
<v Speaker 1>they were looking into how dreams of influence creativity. And uh,

0:22:32.160 --> 0:22:34.560
<v Speaker 1>it's important that when I'm talking about creativity that we're

0:22:34.560 --> 0:22:37.000
<v Speaker 1>not just talking about Salvador Dolly painting a dream escape,

0:22:37.200 --> 0:22:40.800
<v Speaker 1>like this is the creative thinking in any thing. Yeah,

0:22:40.840 --> 0:22:42.359
<v Speaker 1>the same thing goes for you know, you're trying to

0:22:42.359 --> 0:22:44.520
<v Speaker 1>figure out how to build a sewing machine, because creativity

0:22:44.560 --> 0:22:48.080
<v Speaker 1>is essentially taking you know, different ideas and assembling them

0:22:48.119 --> 0:22:51.359
<v Speaker 1>into new and useful combinations. Yeah, you know. And so

0:22:51.400 --> 0:22:54.840
<v Speaker 1>in a sense, the whole dreams are just a screen saver,

0:22:55.640 --> 0:22:57.439
<v Speaker 1>maybe in the sense that, like you said, you had

0:22:57.480 --> 0:22:59.360
<v Speaker 1>a you have one of the screensavers that draws from

0:22:59.359 --> 0:23:02.520
<v Speaker 1>a folder ofges, and so all these images are things

0:23:02.520 --> 0:23:05.720
<v Speaker 1>that occupy your brain and you know, suddenly, oh, we're

0:23:05.760 --> 0:23:08.760
<v Speaker 1>getting the picture of you know, the cat barfing and oh,

0:23:08.840 --> 0:23:12.080
<v Speaker 1>here's the picture of you know, of of dirty rock

0:23:12.200 --> 0:23:14.440
<v Speaker 1>or something, you know, and so then they become because

0:23:15.000 --> 0:23:17.120
<v Speaker 1>for you, the cat barfing is going to get flag

0:23:17.160 --> 0:23:20.359
<v Speaker 1>because it's really important because that means you're gonna have

0:23:20.440 --> 0:23:23.680
<v Speaker 1>some big dry cleaning bills. Right. So, but I mean

0:23:23.680 --> 0:23:26.200
<v Speaker 1>in terms of content that we flag, is this is

0:23:26.240 --> 0:23:29.320
<v Speaker 1>important to pay attention to. Yeah, or you know, it's

0:23:29.359 --> 0:23:31.280
<v Speaker 1>like one of those things where you know you'll have like, oh,

0:23:31.359 --> 0:23:34.040
<v Speaker 1>on on one level, here's this you know, there's this

0:23:34.160 --> 0:23:37.439
<v Speaker 1>area of like just pure emotional like say, you know,

0:23:37.560 --> 0:23:40.639
<v Speaker 1>fear of I don't know, you know, fear of strangers,

0:23:40.720 --> 0:23:42.760
<v Speaker 1>and then it gets tied up with some you know,

0:23:42.840 --> 0:23:46.200
<v Speaker 1>fictional thing you've been consuming. Like I think of like

0:23:46.200 --> 0:23:48.680
<v Speaker 1>like zombie dreams, Like have you ever had zombie Holocaust dreams?

0:23:48.720 --> 0:23:51.840
<v Speaker 1>Zombie U part? No? I wish really I have them frequently,

0:23:51.840 --> 0:23:54.239
<v Speaker 1>and I think my wife does too, And I've I've

0:23:54.240 --> 0:23:57.200
<v Speaker 1>spent some time like sort of analyze self analyzing those

0:23:57.240 --> 0:23:59.119
<v Speaker 1>and thinking about like what does that represent? Because I

0:23:59.160 --> 0:24:01.320
<v Speaker 1>think there're a number of things in the whole zombie

0:24:01.359 --> 0:24:05.000
<v Speaker 1>mythos that really that that really capture a lot of

0:24:05.040 --> 0:24:08.920
<v Speaker 1>emotions about modern life. No. No, I think that it's

0:24:08.960 --> 0:24:10.959
<v Speaker 1>just that they're so slow moving that I've never been

0:24:10.960 --> 0:24:13.159
<v Speaker 1>able to take them seriously as a threat exactly. But

0:24:13.200 --> 0:24:15.560
<v Speaker 1>I think that's why we end up getting attached them,

0:24:15.560 --> 0:24:18.520
<v Speaker 1>because it's a slow moving Uh. It's a slow moving

0:24:18.560 --> 0:24:21.719
<v Speaker 1>threat that we can totally deal with if we apply ourselves.

0:24:22.240 --> 0:24:26.879
<v Speaker 1>And it's a blank check to use um violence to

0:24:27.119 --> 0:24:31.119
<v Speaker 1>solve It's basically, uh, in the zombie movies, it's like

0:24:31.160 --> 0:24:33.720
<v Speaker 1>totally cool to use just brutal violence to solve a

0:24:33.800 --> 0:24:36.479
<v Speaker 1>very simple problem. And so I think there's something like

0:24:36.720 --> 0:24:39.399
<v Speaker 1>you know, primal in our you know, in our hind

0:24:39.440 --> 0:24:42.199
<v Speaker 1>brain that really wants to be able to solve simple

0:24:42.240 --> 0:24:44.240
<v Speaker 1>problems like that. And of course the world is there's

0:24:44.240 --> 0:24:47.920
<v Speaker 1>no morality connected to zombies. Yeah. But but I'm I'm

0:24:47.920 --> 0:24:51.479
<v Speaker 1>I'm getting off the point. Basically, I'm saying, I think

0:24:51.480 --> 0:24:54.480
<v Speaker 1>there's academic paper here in the work. There is somebody

0:24:54.480 --> 0:24:56.840
<v Speaker 1>who there was a recent article about the whole like

0:24:57.119 --> 0:25:00.760
<v Speaker 1>the problem solving aspect of that, not so much the violence. Um.

0:25:00.960 --> 0:25:02.840
<v Speaker 1>I'll have to throw it up on the blocks when

0:25:02.840 --> 0:25:07.119
<v Speaker 1>I can remember it later maybe, But back to this, uh,

0:25:07.280 --> 0:25:10.320
<v Speaker 1>this German study, Um, this two thousand seven study. They

0:25:10.359 --> 0:25:13.480
<v Speaker 1>looked at individual individuals with average levels of creativity who

0:25:13.480 --> 0:25:17.800
<v Speaker 1>had reported their dream stimulating stimulating their waking life creativity,

0:25:18.240 --> 0:25:20.440
<v Speaker 1>and they found that there are a number of factors

0:25:20.720 --> 0:25:23.280
<v Speaker 1>uh that that were in play here. Uh. Dream and

0:25:23.400 --> 0:25:27.479
<v Speaker 1>dream recall frequency was key. Um, your ability to recall

0:25:27.560 --> 0:25:30.560
<v Speaker 1>the dream was a major a major influence on whether

0:25:30.640 --> 0:25:32.679
<v Speaker 1>or not that was actually useful to you on a

0:25:32.720 --> 0:25:36.640
<v Speaker 1>creative level. But also there were traits like attitude towards

0:25:36.680 --> 0:25:40.800
<v Speaker 1>creativity and creative activities that you undertake on a regular basis,

0:25:41.080 --> 0:25:44.920
<v Speaker 1>your openness to new experience, and just your imagination in general.

0:25:50.119 --> 0:25:53.639
<v Speaker 1>This presentation is brought to you by Intel sponsors of Tomorrow.

0:25:58.080 --> 0:26:01.760
<v Speaker 1>So the this was bearing out what in the study specifically,

0:26:01.880 --> 0:26:05.520
<v Speaker 1>is it sort of that the more uh it's to me,

0:26:05.560 --> 0:26:08.080
<v Speaker 1>it's like a chicken and egg proposition, like the more

0:26:08.200 --> 0:26:11.320
<v Speaker 1>artistic you are creative during the day, then it would

0:26:11.320 --> 0:26:14.199
<v Speaker 1>feed your dreams or vice versa. Yeah. Yeah, I mean

0:26:14.240 --> 0:26:16.679
<v Speaker 1>it's like you're you're engaging in a creative process of

0:26:16.720 --> 0:26:19.040
<v Speaker 1>some kind and then you're dreaming. It's you know, it's

0:26:19.040 --> 0:26:22.520
<v Speaker 1>on one level, it's like the creative process is the

0:26:22.560 --> 0:26:25.239
<v Speaker 1>problem you're trying to solve your you dream about it,

0:26:25.520 --> 0:26:27.919
<v Speaker 1>and then your you know, your brain isn't preparing you

0:26:27.960 --> 0:26:30.639
<v Speaker 1>more for that for that challenge in the waking life.

0:26:30.960 --> 0:26:33.320
<v Speaker 1>But also it comes down to are you remembering your dreams?

0:26:33.400 --> 0:26:34.920
<v Speaker 1>Are you the kind of person who's going to value

0:26:34.960 --> 0:26:37.840
<v Speaker 1>the dream information at all? You know? Are you the

0:26:37.920 --> 0:26:39.439
<v Speaker 1>kind of person that's gonna, you know, look at the

0:26:39.480 --> 0:26:41.080
<v Speaker 1>cat and think, oh, I had a dream last night

0:26:41.119 --> 0:26:42.840
<v Speaker 1>about that cat? What was that dream? What did that

0:26:42.920 --> 0:26:46.240
<v Speaker 1>dream mean? You know, so you can't necessarily dismiss dreams

0:26:46.280 --> 0:26:47.800
<v Speaker 1>out of hand if you're if you're the person who

0:26:47.800 --> 0:26:52.840
<v Speaker 1>really wants to add more value to your own creativity, right, yeah, okay?

0:26:54.080 --> 0:26:58.359
<v Speaker 1>Is it interesting? I mean this one study anyway, um

0:26:58.400 --> 0:27:00.280
<v Speaker 1>and and there's some other interesting ones where they look

0:27:00.320 --> 0:27:03.919
<v Speaker 1>at just how it affects um uh, you know, your

0:27:03.960 --> 0:27:07.159
<v Speaker 1>ability to solve problems. There's a University of California, San

0:27:07.200 --> 0:27:10.080
<v Speaker 1>Diego experiment where uh, and this is this is one

0:27:10.080 --> 0:27:13.320
<v Speaker 1>of those just brilliantly simple experiments where three words are

0:27:13.320 --> 0:27:17.840
<v Speaker 1>given to test subjects such as surprise, line, and birthday,

0:27:17.960 --> 0:27:20.000
<v Speaker 1>and then they you have to guess a fourth word.

0:27:20.640 --> 0:27:23.440
<v Speaker 1>So what would what would be the first fourth associated

0:27:23.480 --> 0:27:27.800
<v Speaker 1>words you would pick for surprise line and birthday surprise line,

0:27:29.080 --> 0:27:34.560
<v Speaker 1>birthday zombies. Well, the word they were asked they were

0:27:34.560 --> 0:27:38.919
<v Speaker 1>looking for it was party, you know, surprise party, party line,

0:27:39.440 --> 0:27:42.400
<v Speaker 1>a little you know, and the birthday party. Uh. So,

0:27:42.520 --> 0:27:45.320
<v Speaker 1>but they let one third of the test subjects nap

0:27:45.480 --> 0:27:48.800
<v Speaker 1>before they picked that fourth word, and uh post u

0:27:49.760 --> 0:27:52.120
<v Speaker 1>rim sleep and then they woke up and the people

0:27:52.160 --> 0:27:56.239
<v Speaker 1>who had had that little map scored higher. Uh. And

0:27:56.280 --> 0:28:00.600
<v Speaker 1>then the quiet rest or non rem sleep uh test

0:28:00.600 --> 0:28:04.520
<v Speaker 1>subjects produced no benefit whatsoever. So so this was you know,

0:28:04.760 --> 0:28:06.440
<v Speaker 1>they were definitely making an argument that rooms sleep with

0:28:06.520 --> 0:28:09.240
<v Speaker 1>having a very um, you know, active role in preparing

0:28:09.240 --> 0:28:11.159
<v Speaker 1>you for these problems. So you know, the brain is

0:28:11.200 --> 0:28:15.320
<v Speaker 1>free associating amongst its ideas and its memories, and uh,

0:28:15.400 --> 0:28:18.120
<v Speaker 1>you know, it's creating these loose associations that were able

0:28:18.160 --> 0:28:19.920
<v Speaker 1>to you know, then we're able to put the connections

0:28:19.960 --> 0:28:22.320
<v Speaker 1>together and get new ideas out of it, you know,

0:28:22.600 --> 0:28:25.560
<v Speaker 1>the creative creativity, you know, the guts of creativity and action.

0:28:26.200 --> 0:28:29.280
<v Speaker 1>Along the same lines again, Robert stick Gold had a

0:28:29.320 --> 0:28:33.679
<v Speaker 1>study where he had some college students go through a

0:28:33.720 --> 0:28:36.720
<v Speaker 1>maze on a computer and they were asked to note

0:28:36.760 --> 0:28:39.600
<v Speaker 1>the position of a particular tree. Oh yes, I ran

0:28:39.640 --> 0:28:42.000
<v Speaker 1>across this as well. Yeah. And then I think, like,

0:28:42.080 --> 0:28:44.080
<v Speaker 1>I don't know how many of the subjects were asked

0:28:44.080 --> 0:28:46.680
<v Speaker 1>to take a nap and the other, let's say half,

0:28:47.080 --> 0:28:51.160
<v Speaker 1>we're asked to go do something quiet and meditative. Um.

0:28:51.200 --> 0:28:55.680
<v Speaker 1>And after the they completed their activity, whether it was

0:28:55.800 --> 0:28:58.760
<v Speaker 1>napping or playing a you know, quiet video game, I

0:28:58.800 --> 0:29:02.680
<v Speaker 1>don't know. Um, they then were retested, or rather they

0:29:02.680 --> 0:29:05.560
<v Speaker 1>were put through the maze again. And those subjects found

0:29:05.600 --> 0:29:08.840
<v Speaker 1>the tree a lot faster. But of course they had

0:29:08.960 --> 0:29:12.120
<v Speaker 1>to have had dreamed about it. And the ones who

0:29:12.120 --> 0:29:14.640
<v Speaker 1>reported dreaming about it actually were the ones that found

0:29:14.640 --> 0:29:17.720
<v Speaker 1>the tree a lot faster. Yeah, those who those who

0:29:17.720 --> 0:29:21.360
<v Speaker 1>had dreamed of the the experimental tasks, that's like four

0:29:21.600 --> 0:29:24.160
<v Speaker 1>four of the fifty nappers, they completed the maze just

0:29:24.440 --> 0:29:27.160
<v Speaker 1>much faster, right. And And the reason that they know

0:29:27.320 --> 0:29:29.280
<v Speaker 1>that they dreamed about it is because from time to

0:29:29.320 --> 0:29:31.640
<v Speaker 1>time they would wake them up and ask them what

0:29:31.640 --> 0:29:34.000
<v Speaker 1>they're dreaming about, and they you know, I think it

0:29:34.040 --> 0:29:37.000
<v Speaker 1>was right as they were going to sleep in rem

0:29:37.080 --> 0:29:40.000
<v Speaker 1>sleep and then right at the end of their sleep cycle,

0:29:40.560 --> 0:29:42.960
<v Speaker 1>and so the person would say, I'm dreaming about the

0:29:43.000 --> 0:29:46.400
<v Speaker 1>maze or you know, giving certain details, um. But it

0:29:46.480 --> 0:29:49.800
<v Speaker 1>was interesting that a lot of them described some of

0:29:49.800 --> 0:29:54.280
<v Speaker 1>the associations with learning, meaning that they would say, Okay,

0:29:54.160 --> 0:29:56.960
<v Speaker 1>I'm I'm hearing the music that was played in the

0:29:57.080 --> 0:30:00.640
<v Speaker 1>lab earlier, and now I see the tree or I

0:30:00.680 --> 0:30:03.800
<v Speaker 1>see this position in the maze, which again points back

0:30:03.800 --> 0:30:06.680
<v Speaker 1>to the fact that you've got to have certain associations

0:30:06.760 --> 0:30:10.080
<v Speaker 1>during learning. And it actually makes me think about this

0:30:10.200 --> 0:30:13.560
<v Speaker 1>study that was done with much of college kids. They

0:30:13.560 --> 0:30:17.040
<v Speaker 1>were basically saying, okay, we want you to study in

0:30:17.080 --> 0:30:21.520
<v Speaker 1>three different places. Everybody you know, one group three different places,

0:30:21.560 --> 0:30:25.080
<v Speaker 1>one group just studying the same place that you always study.

0:30:25.200 --> 0:30:28.200
<v Speaker 1>And the people that studied in multiple places scored higher

0:30:28.240 --> 0:30:31.840
<v Speaker 1>because they were creating those associations. They were in that

0:30:31.920 --> 0:30:34.640
<v Speaker 1>room when they were thinking about this piece of information

0:30:34.680 --> 0:30:38.000
<v Speaker 1>and the light was just so and so the cool

0:30:38.040 --> 0:30:41.360
<v Speaker 1>thing about dreams is that it's allowing you to replay

0:30:41.440 --> 0:30:45.280
<v Speaker 1>all of those associations that you're having during the learning process. Interesting.

0:30:46.520 --> 0:30:48.800
<v Speaker 1>So stick Gold again, this is this is the guy

0:30:48.800 --> 0:30:51.760
<v Speaker 1>to go to with dreams and learning. He was he

0:30:51.800 --> 0:30:55.680
<v Speaker 1>wanted to test out dreaming and problem solving, UM, but

0:30:55.720 --> 0:30:57.760
<v Speaker 1>he wasn't quite sure how to get everybody to dream

0:30:57.800 --> 0:31:00.320
<v Speaker 1>about the same thing. So sort of his poor man's

0:31:00.400 --> 0:31:03.760
<v Speaker 1>in scept front right here. Um, he decided to have

0:31:03.920 --> 0:31:07.360
<v Speaker 1>a group of people play Tetris. Oh, yes, because I

0:31:07.360 --> 0:31:10.240
<v Speaker 1>think anybody who's played Tetris has had dreams about it.

0:31:10.280 --> 0:31:13.400
<v Speaker 1>And it's yeah, it just happens. Yeah, Yeah, there's something

0:31:13.440 --> 0:31:15.200
<v Speaker 1>that it's like capting it for the brain that you

0:31:15.520 --> 0:31:19.320
<v Speaker 1>can't help but revisit again and again. Um. But the

0:31:19.360 --> 0:31:23.880
<v Speaker 1>group included amnusiacs, which is sort of interesting. Um, and

0:31:24.920 --> 0:31:29.520
<v Speaker 1>this group dreamed about Tetris indeed, and again they did

0:31:29.520 --> 0:31:31.560
<v Speaker 1>the same process where they woke them up at intervals

0:31:31.600 --> 0:31:34.040
<v Speaker 1>and ask them what they were dreaming about. Um. So

0:31:34.160 --> 0:31:36.280
<v Speaker 1>that findings suggests that dreams come from the parts of

0:31:36.280 --> 0:31:39.680
<v Speaker 1>the brain responsible for implicit memories, such as being able

0:31:39.680 --> 0:31:42.480
<v Speaker 1>to ride a bike after years of not being on one,

0:31:43.200 --> 0:31:46.760
<v Speaker 1>and that's a memory that um, actually amnesiacs do have.

0:31:47.280 --> 0:31:51.360
<v Speaker 1>And the study confirmed that scientists suspicions that implicit rather

0:31:51.440 --> 0:31:56.880
<v Speaker 1>than declarative memories were involved, and that really cemented this

0:31:57.040 --> 0:32:02.400
<v Speaker 1>idea that the brain uses dreaming to re worse learning. Interesting. Yeah,

0:32:02.520 --> 0:32:05.760
<v Speaker 1>I wonder uh, And certainly if anybody out there has

0:32:05.800 --> 0:32:09.240
<v Speaker 1>any stories about this, we'd be happy to hear them. Um,

0:32:09.520 --> 0:32:11.400
<v Speaker 1>if there are cases where someone has been playing a

0:32:11.480 --> 0:32:14.440
<v Speaker 1>video game with some form prior to going to sleep,

0:32:14.480 --> 0:32:16.000
<v Speaker 1>then go to sleep and you know dream about it,

0:32:16.000 --> 0:32:20.120
<v Speaker 1>which occurs with games other than than Tetris, especially if

0:32:20.120 --> 0:32:22.240
<v Speaker 1>there's anybody out there like addicted to like Angry Birds

0:32:22.320 --> 0:32:23.520
<v Speaker 1>or any of that. If they've ever like hit a

0:32:23.640 --> 0:32:25.320
<v Speaker 1>level where they're like, oh I totally can't beat this,

0:32:25.680 --> 0:32:27.280
<v Speaker 1>go to sleep, and then the next day they're able

0:32:27.280 --> 0:32:30.280
<v Speaker 1>to knock it. I wonder if if that occurs. Oh yeah,

0:32:30.280 --> 0:32:32.960
<v Speaker 1>I think I've actually seen studies about that before. Um

0:32:33.000 --> 0:32:34.680
<v Speaker 1>that this is a big thing with gamers too, so

0:32:34.760 --> 0:32:38.040
<v Speaker 1>that um, they have to use the same process and

0:32:38.080 --> 0:32:40.520
<v Speaker 1>saying okay, can they work out the problem and then

0:32:40.600 --> 0:32:44.000
<v Speaker 1>master another level more efficiently than someone who's not napping

0:32:44.080 --> 0:32:45.840
<v Speaker 1>or dreaming about there, you go, don't stay up all

0:32:45.960 --> 0:32:49.000
<v Speaker 1>night playing video games, get some sleep, and you know,

0:32:49.560 --> 0:32:51.440
<v Speaker 1>wake up at a decent time and you know, work

0:32:51.480 --> 0:32:53.160
<v Speaker 1>on it first thing in the morning. I say to

0:32:53.280 --> 0:32:55.240
<v Speaker 1>my old roommate, and I used to get up at

0:32:55.280 --> 0:32:57.400
<v Speaker 1>seven o'clock to go to work, and he was still

0:32:57.440 --> 0:33:02.160
<v Speaker 1>in front of the computer. Um that being said, uh,

0:33:02.440 --> 0:33:05.920
<v Speaker 1>I mean it's it's there's no doubt here that there's

0:33:05.960 --> 0:33:08.360
<v Speaker 1>evidence that your your brain is working it out while

0:33:08.360 --> 0:33:11.680
<v Speaker 1>you're sleeping. Um and so I guess the idea is

0:33:11.680 --> 0:33:13.960
<v Speaker 1>that if you had more access to your dream material

0:33:14.120 --> 0:33:16.680
<v Speaker 1>than you might be able to actively work on these things.

0:33:18.440 --> 0:33:20.560
<v Speaker 1>And they're also there's also some there're also studies that

0:33:20.600 --> 0:33:24.080
<v Speaker 1>are looking at gene expression. Um. The University of Wisconsin

0:33:24.120 --> 0:33:26.680
<v Speaker 1>study found in the rats expression levels of about a

0:33:26.760 --> 0:33:30.600
<v Speaker 1>hundred genes increased during sleep independent of the time of day.

0:33:31.120 --> 0:33:33.280
<v Speaker 1>So um and you know, these are genes that are

0:33:33.280 --> 0:33:36.240
<v Speaker 1>involved in the release of neurotransmitter chemicals that of course,

0:33:36.280 --> 0:33:38.400
<v Speaker 1>you know, allowing different parts of your brain to talk

0:33:38.400 --> 0:33:42.080
<v Speaker 1>to each other. Um. So. So you know, through throughout

0:33:42.120 --> 0:33:44.440
<v Speaker 1>these different experiments, you're just seeing, you know, cases where

0:33:44.440 --> 0:33:47.600
<v Speaker 1>sleep induce procedural learning. Is you know, is influence is

0:33:48.520 --> 0:33:51.760
<v Speaker 1>you know, there's a role with the gene expression, neurotransmitter mechanisms,

0:33:52.040 --> 0:33:54.720
<v Speaker 1>the patterns of electrical activity and uh, you know a

0:33:54.800 --> 0:33:57.120
<v Speaker 1>number of different scientists out there can just continuing to

0:33:57.280 --> 0:34:01.480
<v Speaker 1>sort of map out exactly what's going on. But but

0:34:01.480 --> 0:34:04.240
<v Speaker 1>but but I think it's clear that you know that

0:34:03.720 --> 0:34:08.480
<v Speaker 1>that the brain is working on solving problems in the night,

0:34:08.520 --> 0:34:11.479
<v Speaker 1>or at least the results prepare you to to better

0:34:11.480 --> 0:34:13.800
<v Speaker 1>solve these problems in your waking life. Yeah. I actually

0:34:13.800 --> 0:34:16.239
<v Speaker 1>even read this this one question that went to stick

0:34:16.280 --> 0:34:17.840
<v Speaker 1>Gold in a Q and A, and it was someone

0:34:17.920 --> 0:34:21.239
<v Speaker 1>asking why flying dreams are so prevalent, and he was saying,

0:34:21.320 --> 0:34:24.120
<v Speaker 1>even then, your brain is trying to work on the

0:34:24.239 --> 0:34:26.840
<v Speaker 1>data that it has present and presenting it in a dream.

0:34:26.960 --> 0:34:30.200
<v Speaker 1>So um, he was saying that that the brain is

0:34:30.200 --> 0:34:32.760
<v Speaker 1>trying to reconcile the fact that we're under the illusion

0:34:32.880 --> 0:34:35.480
<v Speaker 1>that we're moving, but it's getting data from the body

0:34:35.560 --> 0:34:39.440
<v Speaker 1>saying that it's immobile. So flying, we're moving, but our

0:34:39.520 --> 0:34:44.319
<v Speaker 1>limbs aren't bending or moving, and so that that was

0:34:44.360 --> 0:34:46.400
<v Speaker 1>really interesting to me to think it was. It was

0:34:46.920 --> 0:34:49.760
<v Speaker 1>trying to serve both masters of saying, look, I'm flying,

0:34:49.880 --> 0:34:53.000
<v Speaker 1>and yet if you've ever had a flying dream, you're

0:34:53.320 --> 0:34:55.520
<v Speaker 1>usually the accounts of them, or that you're you know,

0:34:55.520 --> 0:34:58.040
<v Speaker 1>pretty stiff, like you're in the Superman pose, or you're

0:34:58.080 --> 0:35:02.000
<v Speaker 1>just sort of sitting very stiff li and moving forward. Yeah.

0:35:02.080 --> 0:35:04.600
<v Speaker 1>I I unfortunately don't get them that often, but it's

0:35:04.600 --> 0:35:07.520
<v Speaker 1>generally like I like, I don't really remember any sense

0:35:07.600 --> 0:35:10.080
<v Speaker 1>of moving my limbs, you know, or having any kind

0:35:10.080 --> 0:35:12.000
<v Speaker 1>of like reef. It's just sort of like you're just

0:35:12.080 --> 0:35:15.239
<v Speaker 1>you're you're flying, You're you're off the ground. And yeah, yeah,

0:35:15.320 --> 0:35:17.200
<v Speaker 1>I guess it. It is kind of a stiff feeling

0:35:17.200 --> 0:35:19.200
<v Speaker 1>when I think back on it. Yeah, And I think

0:35:19.239 --> 0:35:20.960
<v Speaker 1>that's your brain trying to say, Okay, fine, do you

0:35:20.960 --> 0:35:23.239
<v Speaker 1>want to fly, You'll fly. But I'm telling you right

0:35:23.239 --> 0:35:26.440
<v Speaker 1>now that you know your body is immobile. You're not moving, buddy. Yeah.

0:35:26.640 --> 0:35:30.239
<v Speaker 1>So fascinating stuff with the brain. Yeah, take that with you,

0:35:31.160 --> 0:35:32.920
<v Speaker 1>sleep on it and uh and see what kind of

0:35:32.960 --> 0:35:36.160
<v Speaker 1>interesting ideas come out of it. It's especially if you're

0:35:36.160 --> 0:35:38.520
<v Speaker 1>listening to this ride before you go to sleep. That's right,

0:35:38.640 --> 0:35:42.000
<v Speaker 1>and don't win miss if you have any nightmares. Yeah right. So, hey,

0:35:42.040 --> 0:35:44.759
<v Speaker 1>I think we have just one little bit of listener mail.

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<v Speaker 1>Here is this the hair shirt email hairshirt? Yeah, you

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<v Speaker 1>know you you noticed the hair shirt then I went, oh, yes, yes,

0:35:53.280 --> 0:35:55.759
<v Speaker 1>I mean it's super spiky and hairy. Yeah. Well, I

0:35:55.800 --> 0:35:57.480
<v Speaker 1>mean the color scheme is really cool. So I just

0:35:57.480 --> 0:35:59.759
<v Speaker 1>thought it was like a fashion thing going on. Oh yeah,

0:36:00.360 --> 0:36:03.359
<v Speaker 1>which it's Italian. We have a listener by the name

0:36:03.400 --> 0:36:06.160
<v Speaker 1>of Ryan and Ryan writes in Hi, Robert and Julie.

0:36:06.200 --> 0:36:08.480
<v Speaker 1>I love the podcast, but you made a huge mistake

0:36:08.520 --> 0:36:10.560
<v Speaker 1>when you said that the universe is forty seven billion

0:36:10.640 --> 0:36:12.920
<v Speaker 1>years old. It is, in fact only fourteen point seven

0:36:13.040 --> 0:36:15.719
<v Speaker 1>billion years old. I don't mean to split hairs, but

0:36:15.800 --> 0:36:17.759
<v Speaker 1>this is a pretty big mistake to make. In a

0:36:17.840 --> 0:36:20.080
<v Speaker 1>happier note, thanks for finally helping me figure out a

0:36:20.120 --> 0:36:22.040
<v Speaker 1>mystery that has bothered me for a while now by

0:36:22.120 --> 0:36:25.319
<v Speaker 1>explaining that M theory stands for membrane. I could never

0:36:25.360 --> 0:36:27.800
<v Speaker 1>get a straight answer about what he stood for before

0:36:28.360 --> 0:36:32.680
<v Speaker 1>your loyal listener, Ryan. Okay, Well, first of all, M

0:36:32.719 --> 0:36:36.680
<v Speaker 1>theory for anybody else who's interested in that. Um. John

0:36:36.680 --> 0:36:38.880
<v Speaker 1>Horgan actually has a really interesting article. If you go

0:36:38.960 --> 0:36:42.799
<v Speaker 1>onto his website, you'll see it's about Stephen Hawking and

0:36:42.800 --> 0:36:46.719
<v Speaker 1>he talks about M theory in more detail. But yeah,

0:36:46.760 --> 0:36:49.640
<v Speaker 1>I am this is a very scratchy shirt and I'm

0:36:49.640 --> 0:36:53.360
<v Speaker 1>glad that he pointed that out because speaking of dreams

0:36:53.400 --> 0:36:56.240
<v Speaker 1>and waking life. Um, that was one of those things

0:36:56.320 --> 0:36:58.280
<v Speaker 1>that actually popped up at three o'clock in the morning

0:36:58.719 --> 0:37:00.880
<v Speaker 1>a couple of days after we quote of the podcast,

0:37:01.560 --> 0:37:03.759
<v Speaker 1>And oh my god, did I say that? But what

0:37:03.800 --> 0:37:06.160
<v Speaker 1>I thought I had done is confused four point five

0:37:07.360 --> 0:37:09.640
<v Speaker 1>billion years in the solar system with forty five millions,

0:37:09.719 --> 0:37:13.120
<v Speaker 1>But apparently I've said forty seven millions. So well, it's

0:37:13.120 --> 0:37:15.160
<v Speaker 1>one of those you said. It didn't even register because

0:37:15.160 --> 0:37:18.319
<v Speaker 1>I just kind of like heard the correct numbers in

0:37:18.360 --> 0:37:20.480
<v Speaker 1>my head somehow. No, but it hurts his heart, it

0:37:20.560 --> 0:37:25.319
<v Speaker 1>hurts mine, so you know, Mia Colpa. Yeah, but it's

0:37:25.360 --> 0:37:27.600
<v Speaker 1>worth noting that. It's not like you're running into Julian

0:37:27.640 --> 0:37:30.680
<v Speaker 1>the hallways and she's making a passionate argument that that

0:37:30.760 --> 0:37:33.799
<v Speaker 1>the universe is forty seven billion years old it's true, yeah,

0:37:34.080 --> 0:37:37.440
<v Speaker 1>or six thousand years. Yeah. I try not to, you know,

0:37:37.600 --> 0:37:41.759
<v Speaker 1>have those conversations in the hallway. Um, but by all means,

0:37:41.800 --> 0:37:44.319
<v Speaker 1>you know, if something over here in one of our

0:37:44.320 --> 0:37:46.560
<v Speaker 1>podcasts sounds a little off, you know, a lot of

0:37:46.560 --> 0:37:48.400
<v Speaker 1>what we do in here, Um, you know, we researched

0:37:48.400 --> 0:37:51.160
<v Speaker 1>everything beforehand, but some of the actual content is sort

0:37:51.160 --> 0:37:53.480
<v Speaker 1>of come and flying off the cuff. And uh, you know,

0:37:53.800 --> 0:37:55.200
<v Speaker 1>every now and then we get something a little wrong,

0:37:55.280 --> 0:37:58.600
<v Speaker 1>so we're happy to make the correction. Uh. And Robert

0:37:58.640 --> 0:38:02.480
<v Speaker 1>likes to to make me where I hurt, So is

0:38:02.520 --> 0:38:05.600
<v Speaker 1>that his pleasure? Um? And uh, if you have any

0:38:05.719 --> 0:38:09.719
<v Speaker 1>really interesting anecdotes or even just mildly interested, We're we're

0:38:09.840 --> 0:38:15.120
<v Speaker 1>pretty easily pleased, uh stories about how dreams have influenced

0:38:15.480 --> 0:38:18.600
<v Speaker 1>your creative processes, whether it be in the creation of art,

0:38:18.880 --> 0:38:22.399
<v Speaker 1>you know, music. Um, yeah, I'm especially interested in music

0:38:22.400 --> 0:38:23.800
<v Speaker 1>because I was looking at some stats from one of

0:38:23.840 --> 0:38:25.799
<v Speaker 1>those studies and they found, uh, like, one of the

0:38:25.880 --> 0:38:30.880
<v Speaker 1>lowest stats was musical inspiration among the people Poe. Now

0:38:31.080 --> 0:38:32.279
<v Speaker 1>you know, even though we have this, you know, this

0:38:32.400 --> 0:38:35.719
<v Speaker 1>really cool story of of Paul McCartney, Like in this

0:38:35.760 --> 0:38:39.240
<v Speaker 1>particular study, there were fewer examples of of a dream

0:38:39.280 --> 0:38:42.440
<v Speaker 1>influencing somebody's music. But but really anything if you if

0:38:42.520 --> 0:38:45.880
<v Speaker 1>you have any examples of of something in your dream,

0:38:45.920 --> 0:38:49.400
<v Speaker 1>you know, solving that problem, be it scientific or artistic,

0:38:49.680 --> 0:38:52.000
<v Speaker 1>let us know. We'd love to hear about it. Yeah,

0:38:52.040 --> 0:38:56.120
<v Speaker 1>you never know, it might be Noble prize winning. And uh,

0:38:56.320 --> 0:38:58.280
<v Speaker 1>you know you can find us on Facebook and Twitter.

0:38:58.880 --> 0:39:00.840
<v Speaker 1>On both of those we are to load the mind,

0:39:01.719 --> 0:39:03.279
<v Speaker 1>And if you want to drop us a line in

0:39:03.360 --> 0:39:07.320
<v Speaker 1>the old leadite fashion, you can email us at blow

0:39:07.360 --> 0:39:13.319
<v Speaker 1>the Mind at how stuff works dot com for more

0:39:13.320 --> 0:39:15.840
<v Speaker 1>on this and thousands of other topics. Visit how stuff

0:39:15.840 --> 0:39:18.680
<v Speaker 1>works dot com. To learn more about the podcast, click

0:39:18.719 --> 0:39:21.040
<v Speaker 1>on the podcast icon in the upper right corner of

0:39:21.080 --> 0:39:24.520
<v Speaker 1>our homepage. The how Stuff Works iPhone app has a ride.

0:39:24.640 --> 0:39:26.560
<v Speaker 1>Download it today on iTunes.