WEBVTT - "Star Search: Recap Season 3, Episode 6

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<v Speaker 1>That was the most ons. That was the most in

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<v Speaker 1>sync clap that we have had, and not the boy band,

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<v Speaker 1>but just actually in time like clapping moment that we've

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<v Speaker 1>had ever I think we did.

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<v Speaker 2>Yeah, that was great, except you know, you said in

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<v Speaker 2>sync and I I twitched. I just got back from

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<v Speaker 2>My New Kids on the Block Weekend.

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<v Speaker 1>No, I'm more of an enc you know, I'm an

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<v Speaker 1>n sync more of an n SYNC girl, you know

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<v Speaker 1>I am.

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<v Speaker 2>That's it. The podcast is over.

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<v Speaker 1>I'm sorry in sync?

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<v Speaker 2>Really yes, no, no, I see it's because you're five

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<v Speaker 2>years younger than.

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<v Speaker 1>I had a crush on Justin from when I when

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<v Speaker 1>when I did Mickey Mouse Club. Oh yes, okay, and

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<v Speaker 1>like they were just a little that was that was

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<v Speaker 1>more my generation. That's yours again, like five six years

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<v Speaker 1>that it was. We were the Backstreet Boys in zinc

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<v Speaker 1>and I definitely fell on the in zync side of things,

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<v Speaker 1>although I don't think I ever bought one of their No,

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<v Speaker 1>I bought one album.

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<v Speaker 2>So anyway, okay, well I'm going to make you listen

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<v Speaker 2>to my my, my little recap of my New Kids

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<v Speaker 2>on the Block Weekend.

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<v Speaker 1>Oh my, I can't wait.

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<v Speaker 2>I just came back. I can't to three concerts in

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<v Speaker 2>a row. What it was? Yes, it was like my

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<v Speaker 2>birthday weekend. It was great, like this was just a spectacular,

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<v Speaker 2>happy plated birthday.

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<v Speaker 1>Abe, I know, I thank you and I just love you.

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<v Speaker 2>Happy birthday, thank you. Thanks. I had a great had

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<v Speaker 2>a great birthday, had a great Fourth of July.

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<v Speaker 1>And that Lestes, I texted you, you better be drinking Margerita.

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<v Speaker 1>Do drink.

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<v Speaker 2>I don't think I did drink. And Mark, you know

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<v Speaker 2>it was so hot. I did not.

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<v Speaker 1>It was so hot.

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<v Speaker 2>Yeah, And because I knew I was going to the

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<v Speaker 2>desert weekend where it's a and eighteen. Yeah, no, I'm like,

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<v Speaker 2>I better just hydrate instead of drinking Margarita's so but yeah,

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<v Speaker 2>but it was a great weekend. My friend's Katie and

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<v Speaker 2>A two Andrea, we call her A two. I'm abe

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<v Speaker 2>she's ah.

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<v Speaker 1>Got it, got it. I was like, oh, is she

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<v Speaker 1>uh uh like R two D two related? I know,

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<v Speaker 1>just A two, A two and R two yep.

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<v Speaker 2>And so they flew in front because they live out

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<v Speaker 2>of state. So they flew in and we hit La.

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<v Speaker 2>They were at the Forum on Friday night and then

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<v Speaker 2>we drove. We did a road trip in the Hyundai,

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<v Speaker 2>which was fantastic.

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<v Speaker 1>Oh yeah.

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<v Speaker 2>We drove to Palm Desert and saw the concert out there,

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<v Speaker 2>which was indoors, thank.

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<v Speaker 1>God, Oh my god, and got heat stroke but it was.

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<v Speaker 2>Yeah, well it was indooration. It was indoors. Thanks.

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<v Speaker 1>It wasn't Madonna because she doesn't turn the AC on.

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<v Speaker 1>Oh what, yeah, because of her, because it hurts her

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<v Speaker 1>voice apparently, and it does a lot of singers like their,

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<v Speaker 1>like their, like Arena's warmer, because the AC does not

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<v Speaker 1>do things for you that wouldn't be me.

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<v Speaker 2>I'd be like crank, I'd like crank.

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<v Speaker 1>Yeah, we're of an age that no AC is not

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<v Speaker 1>an option.

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<v Speaker 2>Well, she's an age too, or I think I.

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<v Speaker 1>Think that that, you know what I mean, she's pasted

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<v Speaker 1>the change.

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<v Speaker 2>And so we went from Palm Desert to Chula Vista.

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<v Speaker 2>Like I legit drove like four hundred miles.

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<v Speaker 1>Aw, you drove all over southern California.

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<v Speaker 2>Which is south of San Diego. For those of you

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<v Speaker 2>who don't know, it's like you can see Tijuana from

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<v Speaker 2>Chula Vista. And the Chula Vista concert was outside at

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<v Speaker 2>an amphitheater, which I'm a little nervous about. But it

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<v Speaker 2>was beautiful, like it's San Diego, Like it's just they've

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<v Speaker 2>got the breeze.

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<v Speaker 1>Little. I was gonna say, you're a little closer to

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<v Speaker 1>the ocean. Yes, you're not a palm palm desert, which

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<v Speaker 1>is not anywhere near the ocean and is actually close

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<v Speaker 1>to Satan's butthole. As far as I understand, as far

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<v Speaker 1>as the accurate of the earth, yeah, it is.

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<v Speaker 2>Very aggy hot, but no, San Diego is beautiful that

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<v Speaker 2>it was such a good show. So Jeff Franklin Jeff

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<v Speaker 2>Frankly went to the to the show in La with Emily,

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<v Speaker 2>his fiance. Oh, so I found them and I said

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<v Speaker 2>hi and gave him big hugs. It took for wonder

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<v Speaker 2>two minutes because it was crazy and crowded.

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<v Speaker 1>I was so sad I didn't get to go to

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<v Speaker 1>his house on the fourth Oh you didn't. I didn't.

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<v Speaker 2>I didn't get to go easy.

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<v Speaker 1>No, I was gonna go, but like family stuff just

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<v Speaker 1>kind of went crazy. So I was like a wet work.

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<v Speaker 2>I think a lot of people, I think most of

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<v Speaker 2>the cast couldn't go because of other plans.

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<v Speaker 1>Yeah, I know, I felt bad. I was like, oh, yeah,

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<v Speaker 1>he'll have another pot you had an amazing birthday weekend

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<v Speaker 1>that I can't imagine anything more ab than uh, a

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<v Speaker 1>road trip that is completely centered around New Kids concert,

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<v Speaker 1>the whole, the all, and was it three? Was it?

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<v Speaker 1>Three shows in three days?

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<v Speaker 2>Three shows in three days?

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<v Speaker 1>Which also kudos to them, you know what I mean,

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<v Speaker 1>Hats off to those guys. That is to grind. Yeah,

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<v Speaker 1>anybody who's touring, anybody who has ever toured, people like,

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<v Speaker 1>oh my god, it's no, it is a grind. You

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<v Speaker 1>are exhausted. You don't get like you are doing show

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<v Speaker 1>after show after show. It's it's like akin to Broadway

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<v Speaker 1>almost where you're like, there's no off. They've won a

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<v Speaker 1>week one.

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<v Speaker 2>Every now and then. But no, these I mean these

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<v Speaker 2>guys are all in their fifties. They are performing every night.

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<v Speaker 2>They're doing I don't know fifty stops on this tour

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<v Speaker 2>around the US, and they're in like jackets and leather pants,

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<v Speaker 2>performing outside like they were in Phoenix a couple nights ago. Outside.

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<v Speaker 1>Kids on the block are gonna get eat you. No,

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<v Speaker 1>new kids are gonna be old kids are gonna be

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<v Speaker 1>passed out on the block is what's gonna happen. They'n

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<v Speaker 1>be passed out on the stoop, just like I tried

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<v Speaker 1>in My love and I can't. It's gonna be dead.

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<v Speaker 2>Yeah, I'm sure they're well set with their I they

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<v Speaker 2>like hydration ivys, whatever cooling packs they've got. They're well

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<v Speaker 2>taken care of. But that's still that's that's a grind.

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<v Speaker 2>So yes, my hat is off to them. They're fantastic.

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<v Speaker 2>Great weekend. I loved it. I just I won.

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<v Speaker 1>Oh I'm so, I'm so glad you enjoyed yourself. So

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<v Speaker 1>glad you got to take a little road trip too.

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<v Speaker 2>That's yeah. And I have to give a shout out

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<v Speaker 2>to my little friend Amy. Katie's daughter is Amy. She's

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<v Speaker 2>ten years old. She's from Connecticut, and she she's our

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<v Speaker 2>number one fan, arguably our number one fan of this podcast.

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<v Speaker 2>And I facetimed her a couple of days.

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<v Speaker 1>She'll fight anybody who challenges Oh yeah, she's Oh she.

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<v Speaker 2>Will yeah yeah. But she had to FaceTime her because Katie,

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<v Speaker 2>what is it, Kati Hatie? Well, Katie's the mom. Hi no, no,

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<v Speaker 2>Amy is our number one fan.

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<v Speaker 1>I'm an idiot, So Hi Amy, Amy, Amy.

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<v Speaker 2>Yes, I wanted to give her a little shout out

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<v Speaker 2>because I talked her the other day about the episode

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<v Speaker 2>we did a few weeks ago about the.

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<v Speaker 1>Tooth Fairy oh right.

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<v Speaker 2>And Santa Claus and all that stuff, and so we

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<v Speaker 2>had a little chat about all of that, because you know,

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<v Speaker 2>she had some feelings about that. So yeah, we had

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<v Speaker 2>a great chat. And so I just wanted to say, Amy,

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<v Speaker 2>you are fantastic. You're so smart, smart as a whip,

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<v Speaker 2>and we love you and thank you for watching our show.

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<v Speaker 2>And I can't wait to see you in person and

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<v Speaker 2>give you a big hug and see your forecat.

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<v Speaker 1>So yeah, Amy, I won't see you or your forecats,

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<v Speaker 1>but I'm gonna say hi through Andrea and she can

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<v Speaker 1>give you a hug because yeah, because I don't know you,

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<v Speaker 1>and to be creepy if I do, she would love it.

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<v Speaker 1>But yeah, I want holy how old is Amy? Ahead?

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<v Speaker 1>Ten and a half? Oh yep, ten and a half?

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<v Speaker 1>God with those halfs they.

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<v Speaker 2>Oh yeah, drive down to the minute really really yes,

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<v Speaker 2>it counts yep. Anyways, how are you? I haven't seen

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<v Speaker 2>you in a couple of weeks because we took we

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<v Speaker 2>took fourth of July off that whole week.

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<v Speaker 1>So yeah, we took fourth of July off. You know,

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<v Speaker 1>I have been. I've been good. I've been crazed. Uh,

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<v Speaker 1>family has been nutty, life has been in session.

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<v Speaker 2>We just saw an article. Did you see that David

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<v Speaker 2>Ducovney article that just came out? Like it just came out? Boy?

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<v Speaker 1>Did I? Okay?

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<v Speaker 2>Tell me your thoughts.

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<v Speaker 1>I loved David Dukeveny. I was obsessed with X files,

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<v Speaker 1>like that was my my dad and I used to

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<v Speaker 1>watch X files. But like I loved.

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<v Speaker 2>Really, I didn't notice about you.

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<v Speaker 1>Yes, I never knew any of this story that David

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<v Speaker 1>Duchovney had auditioned for anything having to do with Full House.

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<v Speaker 1>And I cannot imagine this. I mean, oh my god,

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<v Speaker 1>the weird fan fit crossover that I have with like

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<v Speaker 1>Mulder becoming one of like uncle Jesse's friends. It's just

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<v Speaker 1>it's very strange. But uh, I was thrilled. I read

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<v Speaker 1>the whole article. It was amazing. David du Coveney.

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<v Speaker 2>I think he auditioned for all three roles Jesse, Danny,

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<v Speaker 2>and Joe. I had heard somewhere along the line that

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<v Speaker 2>he auditioned for one role. I didn't know you auditioned

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<v Speaker 2>for all three lead roles.

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<v Speaker 1>I didn't know either. I didn't And he was like

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<v Speaker 1>I am not a sitcom actor like I'm and it's true,

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<v Speaker 1>like there are there's some people have that have the switch,

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<v Speaker 1>but he is so talented. Oh my god, would have that?

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<v Speaker 1>Like it was so cool to know, like, oh wow,

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<v Speaker 1>what could have been? I don't know. I always have

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<v Speaker 1>that weird thing, even now as an adult with as

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<v Speaker 1>long as this show has been on, where I'm like,

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<v Speaker 1>oh my god, like they know our show.

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<v Speaker 2>It's seven years and we're.

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<v Speaker 1>Like what, Oh my gosh, they know who we are. Yeah,

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<v Speaker 1>Like that was really I was like, oh my god, wait,

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<v Speaker 1>David Duke Coveney knows what full House is.

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<v Speaker 2>Yeah, it's I know, we're fangirling just as much as

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<v Speaker 2>anyone else would.

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<v Speaker 1>Yeah, but anyway, as an X Files fan, it was

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<v Speaker 1>it was really awesome And and yeah, and I think

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<v Speaker 1>when we do Fuller House that he should come back somehow.

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<v Speaker 1>I think we write, we write.

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<v Speaker 2>David, write him David if you're listening, because I'm sure

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<v Speaker 2>he is, David, if you're listening, please comes well.

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<v Speaker 1>I mean, he now he knows who we are, so

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<v Speaker 1>obviously he has been following our careers and is listening

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<v Speaker 1>to this podcast with with just Love and admiration. I

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<v Speaker 1>mean he's recommending it to friends.

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<v Speaker 2>Sure.

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<v Speaker 1>See, he's actually one of our one of our our

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<v Speaker 1>number one active people on our social media. It's incredible.

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<v Speaker 2>Yeah, David, Kenny and Amy are are number one face.

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<v Speaker 1>I'm true, none of the this is true. I'm really sorry.

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<v Speaker 1>It was all a lie before I get sued by

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<v Speaker 1>David Duchomany, thus ending any chance of him being in Fuller.

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<v Speaker 2>Right now, David to company's filing restraining orders against us, right.

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<v Speaker 1>Yeah, he's like cease and desist.

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<v Speaker 2>Oh man, oh man. Well, you know it wouldn't have

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<v Speaker 2>been the same full House though with if he had

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<v Speaker 2>gotten one of the roles, if he had been Danny,

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<v Speaker 2>it wouldn't have been the same show.

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<v Speaker 1>So you know, no, no, no, it all worked. I

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<v Speaker 1>definitely I don't think he I don't think he would

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<v Speaker 1>have fit the show at all, no offense.

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<v Speaker 2>He admitted that himself, but.

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<v Speaker 1>He admitted that I just don't there was there was

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<v Speaker 1>not a world where I would see him fitting into it.

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<v Speaker 1>And so yeah, it's it's more the absurdity of it,

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<v Speaker 1>sort of of like the two shows meeting, like if

0:10:45.720 --> 0:10:50.560
<v Speaker 1>X Files met Full House. Really, I think Mulder and

0:10:50.600 --> 0:10:54.360
<v Speaker 1>Scully show up to the Tanner household to investigate this

0:10:54.559 --> 0:10:59.360
<v Speaker 1>strange shape shifting backyard because it's got to be some

0:10:59.400 --> 0:11:02.360
<v Speaker 1>sort of a poor Yes, there is some sort of

0:11:02.520 --> 0:11:06.360
<v Speaker 1>alien life here. So that's the thing. Yeah, that's what

0:11:06.400 --> 0:11:10.760
<v Speaker 1>it is. They show up and hilarity ensues as we

0:11:10.840 --> 0:11:13.960
<v Speaker 1>look for aliens. So through the backyards. There's my show.

0:11:14.040 --> 0:11:16.400
<v Speaker 2>I let's right, this show, right, I'll write it.

0:11:16.480 --> 0:11:19.120
<v Speaker 1>Yeah, direct it, and come to find out the Gibblers

0:11:20.000 --> 0:11:25.880
<v Speaker 1>are actually possibly aliens that that wouldn't suppress the whole

0:11:25.880 --> 0:11:27.600
<v Speaker 1>men in black. It's like a whole men in black

0:11:27.600 --> 0:11:29.920
<v Speaker 1>sm right, that would make sense why they're so weird

0:11:29.960 --> 0:11:32.800
<v Speaker 1>because they're like they're imitating what they think humans do,

0:11:32.920 --> 0:11:35.360
<v Speaker 1>but it's just a little bit left of center, Like

0:11:35.400 --> 0:11:38.640
<v Speaker 1>it's just a little bit not quite what normal humans

0:11:38.640 --> 0:11:38.920
<v Speaker 1>would do.

0:11:39.000 --> 0:11:41.800
<v Speaker 2>This fits. This is the crossover that I didn't know

0:11:41.960 --> 0:11:42.560
<v Speaker 2>we needed, Like.

0:11:42.600 --> 0:11:45.720
<v Speaker 1>Yeah, this is It explains every crossover I didn't know

0:11:45.760 --> 0:11:50.679
<v Speaker 1>I needed until halfway through describing it. I don't even

0:11:50.679 --> 0:11:51.280
<v Speaker 1>know that's where.

0:11:51.360 --> 0:11:54.280
<v Speaker 2>That's where the best ideas come from, just like randomly.

0:11:54.160 --> 0:11:56.199
<v Speaker 1>Out of your brain flowing like let's just see.

0:11:56.040 --> 0:11:58.760
<v Speaker 2>Where the stream of consciousness thoughts. Yeah, then look at

0:11:58.760 --> 0:12:01.800
<v Speaker 2>this brilliant, brilliant let's let's write it. Let's write it,

0:12:01.880 --> 0:12:04.920
<v Speaker 2>let's pitch it file X Files House.

0:12:05.000 --> 0:12:10.840
<v Speaker 1>Oh it's just a whole house of weird paranormal Files house. Yeah, yeah,

0:12:10.880 --> 0:12:14.440
<v Speaker 1>all of the all of the they all live what's

0:12:14.480 --> 0:12:17.400
<v Speaker 1>his name, the guy, the smoking guy and the one

0:12:17.400 --> 0:12:18.920
<v Speaker 1>that smokes with the hole in his throat and all,

0:12:19.120 --> 0:12:21.280
<v Speaker 1>like all the weird people from that show. They all

0:12:21.320 --> 0:12:23.640
<v Speaker 1>live in one house. That's what it is.

0:12:23.800 --> 0:12:28.040
<v Speaker 2>This is also a cautionary tale for sure, right right?

0:12:28.480 --> 0:12:30.320
<v Speaker 1>Oh? I love it? Oh boy, should we should we

0:12:30.360 --> 0:12:32.440
<v Speaker 1>get into our show instead of the one that I'm

0:12:33.000 --> 0:12:36.679
<v Speaker 1>creating and inventing that that people are terribly getting.

0:12:36.679 --> 0:12:39.240
<v Speaker 2>We'll recap that show in you know.

0:12:39.440 --> 0:12:42.400
<v Speaker 1>Twenty years our next podcast, right right, that'll be our

0:12:42.440 --> 0:12:45.360
<v Speaker 1>next podcast, X Files House, right, look for look for

0:12:45.440 --> 0:12:47.720
<v Speaker 1>it on Hulu, guys. Just let you know. Also, if

0:12:47.760 --> 0:12:50.439
<v Speaker 1>anyone steals this idea, I will come invite.

0:12:50.200 --> 0:12:52.520
<v Speaker 2>You all of us in the entire full house cap

0:12:52.640 --> 0:12:54.199
<v Speaker 2>date it is it is recorded.

0:12:54.679 --> 0:12:56.719
<v Speaker 1>Don't stand the idea, don't do it, or just give

0:12:56.720 --> 0:12:58.120
<v Speaker 1>me credit at least, like, just let me.

0:12:58.320 --> 0:13:00.800
<v Speaker 2>Get a creator. You get created by Jody Sweetens.

0:13:01.120 --> 0:13:03.520
<v Speaker 1>That's all I want created by.

0:13:03.080 --> 0:13:06.760
<v Speaker 2>Everybody deserves credit. Yep. Anyways, let me I'll officially start

0:13:06.800 --> 0:13:09.560
<v Speaker 2>the show. Let's get let me get into it.

0:13:09.640 --> 0:13:11.720
<v Speaker 1>Let's not don't clap again, because I don't think we

0:13:11.760 --> 0:13:13.800
<v Speaker 1>could do that twice in a day.

0:13:13.920 --> 0:13:15.200
<v Speaker 2>That was like a solar eclipse.

0:13:15.240 --> 0:13:17.599
<v Speaker 1>It only happens once every eighteen months, right, it was

0:13:17.640 --> 0:13:18.520
<v Speaker 1>once in our lifetime.

0:13:18.800 --> 0:13:21.520
<v Speaker 2>Okay, Well, welcome back to How Rude tan Ritos. I'm

0:13:21.520 --> 0:13:22.600
<v Speaker 2>Andrea Barber.

0:13:23.000 --> 0:13:24.240
<v Speaker 1>And I'm Jody Sweeten.

0:13:24.400 --> 0:13:29.160
<v Speaker 2>Last I checked, you're still Jody Sweeten. Today we're discussing

0:13:29.200 --> 0:13:33.280
<v Speaker 2>season three, episode six, titled Star Search.

0:13:33.559 --> 0:13:35.480
<v Speaker 1>Woo oh boy.

0:13:35.840 --> 0:13:41.320
<v Speaker 2>This episodere. It originally aired on November third, nineteen eighty nine,

0:13:41.559 --> 0:13:44.520
<v Speaker 2>and it goes a little something like this. Joey gives

0:13:44.520 --> 0:13:48.199
<v Speaker 2>his comedy career one last chance after his self imposed

0:13:48.320 --> 0:13:50.720
<v Speaker 2>ten year deadline and hopes for a big break on

0:13:50.920 --> 0:13:55.199
<v Speaker 2>Ed McMahon's TV show Star Search. Meanwhile, DJ and Steph

0:13:55.240 --> 0:13:57.160
<v Speaker 2>try to teach Michelle not to go to sleep with

0:13:57.200 --> 0:14:01.840
<v Speaker 2>her ballerina skirt on, but Danny allows her to do it. Okay,

0:14:02.160 --> 0:14:04.480
<v Speaker 2>of course he does think, well, do you have a

0:14:04.520 --> 0:14:06.920
<v Speaker 2>feeling about this? I have a feeling about this. I

0:14:06.920 --> 0:14:09.360
<v Speaker 2>have a feeling we'll get it, We'll get there. It

0:14:09.640 --> 0:14:13.400
<v Speaker 2>was directed by Billy Faust to Coffee Coffee, Coffee Coffee,

0:14:13.480 --> 0:14:16.560
<v Speaker 2>and it was written by Kim Weissakoff. And we got

0:14:16.679 --> 0:14:19.720
<v Speaker 2>so many great guest stars this week, none other than

0:14:19.880 --> 0:14:21.880
<v Speaker 2>Ed McMahon playing himself at.

0:14:21.800 --> 0:14:29.440
<v Speaker 1>McMahon ed mcfreaking man, which which kids kids these days? No,

0:14:29.560 --> 0:14:34.800
<v Speaker 1>but truly our generation and older is of the Star Search,

0:14:37.400 --> 0:14:41.400
<v Speaker 1>of the star the Star Search era right right right, uh.

0:14:41.440 --> 0:14:44.320
<v Speaker 1>And this was a huge show. You guys, how did

0:14:44.320 --> 0:14:45.920
<v Speaker 1>we get on you who have never watched it?

0:14:46.040 --> 0:14:47.240
<v Speaker 2>What's the kind of did Jeff know it?

0:14:47.360 --> 0:14:47.440
<v Speaker 3>Like?

0:14:47.440 --> 0:14:50.160
<v Speaker 2>How did we get how did we get on the go?

0:14:50.680 --> 0:14:54.440
<v Speaker 1>I mean I think by this by this season we

0:14:54.520 --> 0:14:56.560
<v Speaker 1>had we could, we could go on Star Search.

0:14:56.800 --> 0:14:58.240
<v Speaker 2>I mean, yeah, we went to Hawaii.

0:14:58.360 --> 0:15:00.680
<v Speaker 1>We were we were we were big enough we could.

0:15:01.240 --> 0:15:03.880
<v Speaker 1>We had the poll to get on Stars's. I mean

0:15:03.880 --> 0:15:05.760
<v Speaker 1>obviously Danny had the poll to get him on Star

0:15:05.800 --> 0:15:07.760
<v Speaker 1>Search in two weeks. So and we will get to that.

0:15:07.840 --> 0:15:08.840
<v Speaker 1>Let's just introduce them.

0:15:08.840 --> 0:15:11.320
<v Speaker 2>But yeah, we know Ed McMahon from the Tonight Show

0:15:11.360 --> 0:15:15.200
<v Speaker 2>starring Johnny Carson, Dick Clark's super bloopers and practical jokes

0:15:15.560 --> 0:15:17.920
<v Speaker 2>I missed that show, to be honest, I love that show.

0:15:18.040 --> 0:15:19.240
<v Speaker 1>I loved that course Star Search.

0:15:20.320 --> 0:15:24.040
<v Speaker 2>Next we have Steve Otakirk playing Steve Otakirk. Everyone's playing

0:15:24.040 --> 0:15:27.520
<v Speaker 2>themselves this week. It's fantastic. This guy has an extraordinary career.

0:15:27.920 --> 0:15:29.760
<v Speaker 1>Yeah, he is an incredible comedy writer.

0:15:29.920 --> 0:15:32.280
<v Speaker 2>Oh yes, I when I looked like him up, I

0:15:32.320 --> 0:15:36.040
<v Speaker 2>was like, whoa amaz, he's done. He created Adventures of Jimmy,

0:15:36.040 --> 0:15:39.640
<v Speaker 2>Neutron Boy Genius. He wrote ace Ventura When Nature Calls,

0:15:39.920 --> 0:15:43.080
<v Speaker 2>he wrote The Nutty Professor. He wrote for in Living Color.

0:15:43.240 --> 0:15:45.880
<v Speaker 2>He's got a whole fan base called ODA fans, like

0:15:46.160 --> 0:15:47.240
<v Speaker 2>I'm an I'm an ODA fan.

0:15:47.320 --> 0:15:51.520
<v Speaker 1>Yeah, he's an incredible, incredible writer. And weirdly enough, I

0:15:51.600 --> 0:15:55.880
<v Speaker 1>believe his wife ex wife, I think it was his

0:15:55.920 --> 0:16:01.120
<v Speaker 1>wife at the time, was a buyer at the Nordstroms

0:16:02.880 --> 0:16:06.000
<v Speaker 1>I think the nord Stroms Children's department where I used

0:16:06.040 --> 0:16:10.760
<v Speaker 1>to shop in Orange County, and so like she would

0:16:10.760 --> 0:16:13.840
<v Speaker 1>always like I just I remember her, and she was like, yeah,

0:16:13.960 --> 0:16:15.680
<v Speaker 1>my husband was on the show. He was on the

0:16:15.680 --> 0:16:18.440
<v Speaker 1>starts or something, or she was yeah, I don't know,

0:16:18.520 --> 0:16:20.120
<v Speaker 1>I feel like you know somehow she.

0:16:20.120 --> 0:16:22.920
<v Speaker 2>Was You're like the mayor, you know everyone in the

0:16:22.960 --> 0:16:26.160
<v Speaker 2>most random ways, like from the north Stroom.

0:16:25.960 --> 0:16:30.240
<v Speaker 1>I really do, I really do. It's the it's move

0:16:30.280 --> 0:16:34.440
<v Speaker 1>over Kevin Bacon, which after that weird article where he's

0:16:34.440 --> 0:16:36.120
<v Speaker 1>like it sucks being a normal person, which I don't

0:16:36.120 --> 0:16:37.320
<v Speaker 1>even know what that means.

0:16:37.040 --> 0:16:38.240
<v Speaker 2>Like, what do you I didn't hear that.

0:16:38.320 --> 0:16:42.080
<v Speaker 1>What anyway? Six degrees six degrees of she really has

0:16:42.080 --> 0:16:45.720
<v Speaker 1>a it has the same, has the same ring to it,

0:16:45.760 --> 0:16:48.480
<v Speaker 1>the same, got the same cadens.

0:16:48.640 --> 0:16:50.960
<v Speaker 2>Yeah, okay, six degrees of Jodie.

0:16:50.680 --> 0:16:55.360
<v Speaker 1>Sweeten and and you get a nice little uh, you know, alliteration.

0:16:54.920 --> 0:16:56.720
<v Speaker 2>There with the s I'm here for it. I'm here

0:16:56.720 --> 0:16:57.000
<v Speaker 2>for it.

0:16:57.080 --> 0:16:59.720
<v Speaker 1>Kevin Bacon, I'm coming for you. Watch out. I'm gonna

0:16:59.720 --> 0:17:01.320
<v Speaker 1>shut up now so we can get our show.

0:17:02.680 --> 0:17:05.920
<v Speaker 2>Next, we have Rick Astor as the stage manager full

0:17:05.920 --> 0:17:09.920
<v Speaker 2>House is his only credit listed. We killed, we killed

0:17:09.920 --> 0:17:12.880
<v Speaker 2>his killing career, that career. And then we have two

0:17:13.000 --> 0:17:16.639
<v Speaker 2>uncredited people. We have Christian Alfonso as one of the

0:17:16.720 --> 0:17:19.720
<v Speaker 2>judges at Star Search. We've talked about her, she was

0:17:19.720 --> 0:17:22.240
<v Speaker 2>on the show before. She's from Days of Our Lives,

0:17:22.240 --> 0:17:26.439
<v Speaker 2>The Incredible Hope Lady. And then for some reason, I'm uncredited,

0:17:26.560 --> 0:17:28.720
<v Speaker 2>Like I'm not credit I'm in this episode, which I

0:17:28.760 --> 0:17:32.200
<v Speaker 2>completely forgot until I turned it on because I'm not right,

0:17:32.240 --> 0:17:34.280
<v Speaker 2>I'm not credited. I don't get a credit. I'm like,

0:17:34.400 --> 0:17:35.240
<v Speaker 2>did they even pay me.

0:17:35.200 --> 0:17:38.399
<v Speaker 1>For this episode? I don't know. Right, you should go

0:17:38.440 --> 0:17:40.520
<v Speaker 1>back and look at those residuals. I bet, I bet

0:17:40.560 --> 0:17:43.359
<v Speaker 1>there's something mess in. There's at least like a dollar

0:17:43.400 --> 0:17:44.640
<v Speaker 1>eighty five that you have got.

0:17:44.680 --> 0:17:47.439
<v Speaker 2>They definitely owe me at least a dollar eighty five.

0:17:47.480 --> 0:17:49.439
<v Speaker 1>Maybe it was maybe they just didn't like people from

0:17:49.520 --> 0:17:52.720
<v Speaker 1>Days of Our Lives. Maybe that was a discrimination against

0:17:53.119 --> 0:17:56.800
<v Speaker 1>against duel, so against Yeah, yeah, that's what erazy.

0:17:58.320 --> 0:18:01.639
<v Speaker 2>Okay, anyways, let's start the show. So we start with

0:18:01.680 --> 0:18:02.480
<v Speaker 2>the teaser and.

0:18:02.760 --> 0:18:05.359
<v Speaker 1>Wait, wait, wait, wait, wait, hold on my hearing just

0:18:05.400 --> 0:18:07.720
<v Speaker 1>heard something. Did you call it dual? Yeah?

0:18:07.800 --> 0:18:10.160
<v Speaker 2>Days of Our Lives it's dual. That's a very common

0:18:10.200 --> 0:18:13.320
<v Speaker 2>acronym with all the dual fans. Did you not know that?

0:18:14.960 --> 0:18:15.200
<v Speaker 3>What?

0:18:15.480 --> 0:18:16.320
<v Speaker 2>Why are you giving me that?

0:18:16.359 --> 0:18:18.280
<v Speaker 1>Would I be asking you that question if I didn't?

0:18:18.359 --> 0:18:19.680
<v Speaker 1>If I did that, well.

0:18:19.640 --> 0:18:22.640
<v Speaker 2>I know I wouldn't know that if I wasn't on

0:18:22.680 --> 0:18:25.119
<v Speaker 2>the show Our Days of Our Lives.

0:18:25.160 --> 0:18:27.119
<v Speaker 1>Dole, it's really dole?

0:18:27.400 --> 0:18:32.360
<v Speaker 2>Do you O? No, it's it's long. Oh dual got it?

0:18:32.520 --> 0:18:35.680
<v Speaker 1>I don't know, like zul or whatever from Ghostbusters. Okay,

0:18:35.760 --> 0:18:36.200
<v Speaker 1>here we go.

0:18:36.640 --> 0:18:39.600
<v Speaker 2>You learn something new every single day. You teach me things,

0:18:39.640 --> 0:18:42.680
<v Speaker 2>I teach you things. This is a very symbiotic relationship.

0:18:42.920 --> 0:18:46.480
<v Speaker 1>It is I feel you feel incredibly connected to the

0:18:46.520 --> 0:18:48.240
<v Speaker 1>dual crowd now, dual crowd.

0:18:48.280 --> 0:18:53.480
<v Speaker 2>Now they're probably just as just as as uh excited

0:18:53.480 --> 0:18:55.960
<v Speaker 2>as the Oda Kirks like these fans are very devoted

0:18:55.960 --> 0:18:58.879
<v Speaker 2>to the shows. Are foes the Ota Kirks and the

0:18:58.960 --> 0:19:03.080
<v Speaker 2>dual fans like everyd He's just a rabbit. Rabbit, rabbit

0:19:03.119 --> 0:19:04.800
<v Speaker 2>in a good way, though in a good way, in

0:19:04.800 --> 0:19:05.359
<v Speaker 2>a good way.

0:19:05.560 --> 0:19:08.200
<v Speaker 1>Sorry, I met rabbit in a good like super excited,

0:19:08.240 --> 0:19:09.840
<v Speaker 1>like super into it. Sorry I should have.

0:19:10.720 --> 0:19:12.879
<v Speaker 2>Rabbit is good in the right context. I agree with that.

0:19:13.040 --> 0:19:17.280
<v Speaker 1>Okay, opening and Steph's Room Let's producers are like, really

0:19:17.440 --> 0:19:19.800
<v Speaker 1>so much time? Okay.

0:19:19.840 --> 0:19:22.639
<v Speaker 2>The teasers in the Girl's Room, DJ, Steph, and Kimmy

0:19:22.640 --> 0:19:26.240
<v Speaker 2>are given Michelle a ballerina makeover, complete with a tiara

0:19:26.320 --> 0:19:28.800
<v Speaker 2>and tou tou. Michelle looks at herself in the mirror

0:19:28.840 --> 0:19:32.280
<v Speaker 2>and asks, Wow, what is it? DJ explains that these

0:19:32.320 --> 0:19:34.720
<v Speaker 2>ones belonged to her, and then she passed them down

0:19:34.760 --> 0:19:38.760
<v Speaker 2>to Steph and now they're Michelle's. Steph excitedly tells her,

0:19:39.200 --> 0:19:43.159
<v Speaker 2>now you're a ballerina, and Michelle responds, Wow, what's a ballerina?

0:19:43.280 --> 0:19:45.439
<v Speaker 1>How does how does it? Taller not know what a

0:19:45.440 --> 0:19:47.840
<v Speaker 1>ballerina is? Are they keeping this child under a rock?

0:19:48.040 --> 0:19:49.119
<v Speaker 1>Does she get socialized?

0:19:49.280 --> 0:19:53.120
<v Speaker 2>No? No, We've talked about the lack of socialization of Michelle.

0:19:53.240 --> 0:19:54.840
<v Speaker 2>She needs friends. They need to let her out of

0:19:54.880 --> 0:19:55.280
<v Speaker 2>her crib.

0:19:55.359 --> 0:19:57.560
<v Speaker 1>What is it? She should know what a two two is.

0:19:57.720 --> 0:20:00.719
<v Speaker 2>Yeah, she sleeps in the crib by herself, in her

0:20:00.800 --> 0:20:03.160
<v Speaker 2>room with the lights on. That's what they and she's

0:20:03.240 --> 0:20:05.480
<v Speaker 2>dreaming of Howie, that's what Michelle's been doing.

0:20:05.520 --> 0:20:08.160
<v Speaker 1>So now they're She's not dreaming about being a ballerina.

0:20:08.200 --> 0:20:09.159
<v Speaker 1>She didn't even know what that is.

0:20:10.040 --> 0:20:12.679
<v Speaker 2>So DJ explains that a ballerina is a girl who

0:20:12.720 --> 0:20:16.919
<v Speaker 2>does beautiful dancing. Then she opens a ballerina music box

0:20:17.119 --> 0:20:19.879
<v Speaker 2>and the three sisters spin on their tippy toes with

0:20:19.920 --> 0:20:23.320
<v Speaker 2>their arms over their heads, mimicking a ballerina.

0:20:23.800 --> 0:20:25.600
<v Speaker 1>Haven't we seen Michelle do this before?

0:20:25.920 --> 0:20:28.800
<v Speaker 2>I think it's in an we have I think it

0:20:28.840 --> 0:20:31.400
<v Speaker 2>isn't it an opening shot? I think it's in an

0:20:31.440 --> 0:20:34.400
<v Speaker 2>opening credit. Some I think so, But you think it's

0:20:34.400 --> 0:20:35.840
<v Speaker 2>been in an episode, I don't.

0:20:36.040 --> 0:20:37.719
<v Speaker 1>I feel I think we've seen her do this.

0:20:37.760 --> 0:20:39.760
<v Speaker 2>It looked really familiar to me, and I assumed it

0:20:39.800 --> 0:20:41.000
<v Speaker 2>was an this.

0:20:41.960 --> 0:20:43.600
<v Speaker 1>No, I feel like we've seen her do this.

0:20:44.320 --> 0:20:46.520
<v Speaker 2>Well, Fan Aurito's please please tell us because they know

0:20:46.720 --> 0:20:50.760
<v Speaker 2>they'll know exactly where we see this before. Kimmy's watching

0:20:50.840 --> 0:20:54.000
<v Speaker 2>this happen and she says, I'm glad I took bowling lessons, Like,

0:20:54.080 --> 0:20:56.000
<v Speaker 2>I don't know why I'm there. There's really no point

0:20:56.000 --> 0:20:58.640
<v Speaker 2>to me being in this episode. But whatever, Well, that's

0:20:58.640 --> 0:20:59.520
<v Speaker 2>why they didn't credit you.

0:20:59.520 --> 0:21:00.440
<v Speaker 1>They're like, you know what.

0:21:00.400 --> 0:21:04.360
<v Speaker 3>We even.

0:21:04.960 --> 0:21:07.040
<v Speaker 1>Really, you were just a plot point to get the

0:21:07.119 --> 0:21:07.800
<v Speaker 1>letter in the house.

0:21:07.880 --> 0:21:09.840
<v Speaker 2>That was it. That was my sole purpose.

0:21:10.080 --> 0:21:12.960
<v Speaker 1>So yeah, yeah, there. But your hair looks good.

0:21:13.240 --> 0:21:15.480
<v Speaker 2>Hair's getting better, the clothes getting worse.

0:21:15.480 --> 0:21:17.600
<v Speaker 1>You might not be credited for this episode, but your

0:21:17.640 --> 0:21:20.000
<v Speaker 1>hair looks good. So that's the trade off. You either

0:21:20.040 --> 0:21:21.960
<v Speaker 1>get paid or your hair looks good. You don't get I.

0:21:21.960 --> 0:21:22.560
<v Speaker 2>Can't have both.

0:21:22.640 --> 0:21:24.680
<v Speaker 1>Yes, you do not get both.

0:21:24.760 --> 0:21:29.320
<v Speaker 2>I can't get greedy now anyways, very cute teaser. Moving

0:21:29.359 --> 0:21:32.600
<v Speaker 2>on to the living room, Danny tells the whole family

0:21:32.680 --> 0:21:35.639
<v Speaker 2>it's time for the big surprise, as he carries a

0:21:35.720 --> 0:21:39.960
<v Speaker 2>VHS tape over to the TV. DJ Stephan Kimmey all

0:21:39.960 --> 0:21:41.440
<v Speaker 2>PLoP themselves on the couch.

0:21:41.600 --> 0:21:44.879
<v Speaker 1>Wow, what a time the VCRs. Just everyone watching a VHS.

0:21:45.160 --> 0:21:46.600
<v Speaker 1>Yeah for a surprise.

0:21:47.800 --> 0:21:50.720
<v Speaker 2>You know, I just I missed these days. I miss

0:21:50.800 --> 0:21:51.879
<v Speaker 2>these days. I do.

0:21:52.600 --> 0:21:53.080
<v Speaker 1>I do so.

0:21:53.200 --> 0:21:57.119
<v Speaker 2>Jesse and Joey run in, literally running in place. This

0:21:57.240 --> 0:21:59.720
<v Speaker 2>better be important. We're working on a commercial for rocket

0:21:59.720 --> 0:22:02.960
<v Speaker 2>Feet running shoes. We're trying to get inspired by running around.

0:22:03.840 --> 0:22:07.160
<v Speaker 2>Danny excitedly says he found one of his old videotapes.

0:22:07.680 --> 0:22:09.560
<v Speaker 2>Jesse and Joey look at each other and then say

0:22:09.600 --> 0:22:14.360
<v Speaker 2>bye in unison before running backwards. Danny says, I come back.

0:22:14.400 --> 0:22:16.879
<v Speaker 2>It's not a whole movie. It's a tape of Joey

0:22:16.920 --> 0:22:21.639
<v Speaker 2>and me on my old college talk show. Oh yes,

0:22:22.040 --> 0:22:24.520
<v Speaker 2>the guys are now intrigued and they want to they

0:22:24.560 --> 0:22:27.639
<v Speaker 2>want to watch this now. The videotape starts by showing

0:22:27.640 --> 0:22:31.960
<v Speaker 2>a young Danny Tanner dancing to disco music and sporting

0:22:32.119 --> 0:22:35.480
<v Speaker 2>big shaggy hair, a mustache, and a green plaid coat.

0:22:36.840 --> 0:22:39.640
<v Speaker 2>Bob Bob boy.

0:22:39.800 --> 0:22:41.440
<v Speaker 1>It was a sight to behold.

0:22:42.200 --> 0:22:45.000
<v Speaker 2>I wonder if, like, if Bob and Dave loved this

0:22:45.400 --> 0:22:47.280
<v Speaker 2>or hated it. I feel like they had so much

0:22:47.280 --> 0:22:49.840
<v Speaker 2>fun with it, you know, it was so bad.

0:22:49.840 --> 0:22:52.240
<v Speaker 1>I feel like, I don't know. I feel like Bob

0:22:52.280 --> 0:22:54.400
<v Speaker 1>probably loved it. I don't know if Dave loved it,

0:22:55.119 --> 0:22:56.440
<v Speaker 1>because he was kind of the butt of the joke

0:22:56.480 --> 0:22:58.400
<v Speaker 1>and he wasn't anyway.

0:22:58.080 --> 0:22:59.000
<v Speaker 2>We'll get it, we'll get there.

0:22:59.080 --> 0:23:01.840
<v Speaker 1>Yeah, yeah, but they probably did. I mean, it was

0:23:01.920 --> 0:23:03.520
<v Speaker 1>It's like you and I am doing a stupid Yeah.

0:23:04.160 --> 0:23:06.000
<v Speaker 1>Can you imagine I showed up in a mustache and

0:23:06.000 --> 0:23:10.320
<v Speaker 1>a green clad coat. You would lose it? Yeah, and

0:23:10.359 --> 0:23:12.480
<v Speaker 1>you rode in on a skateboard with a mullet. I'm well,

0:23:12.640 --> 0:23:14.280
<v Speaker 1>you know what, I think you may have actually, I

0:23:14.280 --> 0:23:15.200
<v Speaker 1>think you actually may.

0:23:15.080 --> 0:23:17.320
<v Speaker 2>Have argued, was so Bubba the turtle?

0:23:17.400 --> 0:23:19.600
<v Speaker 1>Yeah, yeah, no, it was you had the mullet, but

0:23:19.640 --> 0:23:21.200
<v Speaker 1>the turtle was on the skateboard. That's right.

0:23:21.280 --> 0:23:25.160
<v Speaker 2>Never mind, Okay, now we've straightened this out. Good, got it,

0:23:25.480 --> 0:23:28.280
<v Speaker 2>Danny tells tells the camera, Hey, this is Danny Tanner

0:23:28.320 --> 0:23:32.199
<v Speaker 2>reminding you that Disco will never die. Kimmy butts in,

0:23:33.440 --> 0:23:35.720
<v Speaker 2>mister Tanner, don't take this the wrong way, but what

0:23:35.800 --> 0:23:36.760
<v Speaker 2>a geek.

0:23:38.200 --> 0:23:38.280
<v Speaker 1>Like.

0:23:38.440 --> 0:23:40.920
<v Speaker 2>At least that was a nicer delivery. Usually she's sassier

0:23:40.960 --> 0:23:42.199
<v Speaker 2>and a little more sarcastic.

0:23:42.240 --> 0:23:42.800
<v Speaker 1>But that's true.

0:23:42.800 --> 0:23:46.400
<v Speaker 2>You weren't at least like me, So Danny, You're yeah,

0:23:46.400 --> 0:23:48.400
<v Speaker 2>this was That's probably the last time I was nice

0:23:48.400 --> 0:23:52.159
<v Speaker 2>to Danny Tanner. So Disco Danny welcomes viewers to his

0:23:52.280 --> 0:23:55.560
<v Speaker 2>show Campus Rap, where he'll be taking a hard hit

0:23:55.640 --> 0:23:57.880
<v Speaker 2>and look at whatever he wants because it's his show.

0:23:58.680 --> 0:24:00.520
<v Speaker 2>He goes on to show a baby picture of DJ.

0:24:01.040 --> 0:24:03.159
<v Speaker 2>Here's a hard hitting look at a brand new picture

0:24:03.160 --> 0:24:05.320
<v Speaker 2>of my very own little girl, which is a real

0:24:05.359 --> 0:24:09.960
<v Speaker 2>photo of Candice. Of course, yes, so cute, but Steph

0:24:10.080 --> 0:24:10.560
<v Speaker 2>is so cute.

0:24:10.600 --> 0:24:12.879
<v Speaker 1>And it also gives us a timeline that Danny was

0:24:13.320 --> 0:24:16.960
<v Speaker 1>again in college when he had a JA and she

0:24:17.200 --> 0:24:20.119
<v Speaker 1>was looked to be a couple years old three maybe

0:24:20.160 --> 0:24:24.000
<v Speaker 1>in that picture. So yeah, so I remember we decided

0:24:24.080 --> 0:24:26.600
<v Speaker 1>they're right out of high school into college. So yeah,

0:24:26.600 --> 0:24:28.680
<v Speaker 1>So this track is just anyway putting the peace.

0:24:28.760 --> 0:24:31.359
<v Speaker 2>I appreciate continuity because our show is not known for

0:24:31.480 --> 0:24:33.760
<v Speaker 2>good continuity, So I appreciate what is gonna say.

0:24:34.080 --> 0:24:36.320
<v Speaker 1>I was gonna say, well, then I'm sorry for them.

0:24:36.680 --> 0:24:39.280
<v Speaker 2>I appreciate it when I get it because it's rare.

0:24:39.560 --> 0:24:40.239
<v Speaker 1>I are right.

0:24:40.640 --> 0:24:44.440
<v Speaker 2>So Stephanie sees this picture and she exclaims I was adorable,

0:24:44.840 --> 0:24:48.080
<v Speaker 2>and DJ chimes in telling her, Hey, that was actually me.

0:24:48.920 --> 0:24:53.000
<v Speaker 2>Steph is shocked. It is my how you've aged, like

0:24:53.040 --> 0:24:54.480
<v Speaker 2>you're so serious about.

0:24:54.320 --> 0:24:56.880
<v Speaker 1>Like you're just so it's quite concerned.

0:24:56.920 --> 0:24:59.200
<v Speaker 2>Steph is stuck inside a forty year old woman's body

0:24:59.280 --> 0:25:01.480
<v Speaker 2>like she is just She really is, a matter of fact,

0:25:01.480 --> 0:25:02.000
<v Speaker 2>it really is.

0:25:02.520 --> 0:25:06.000
<v Speaker 1>Steph is all of the Golden Girls in one she is. Yeah.

0:25:06.560 --> 0:25:09.680
<v Speaker 2>So young Danny introduces his guest for the episode. It's

0:25:09.720 --> 0:25:13.360
<v Speaker 2>his very best friend, his fraternity brother, and a party animal,

0:25:13.800 --> 0:25:18.960
<v Speaker 2>Joey Gladstone. Young Joey rolls on a skateboard, exclaiming four

0:25:19.040 --> 0:25:22.520
<v Speaker 2>years of college, look what I learned. And Jesse in

0:25:22.560 --> 0:25:24.560
<v Speaker 2>the living room was pointing at the screen and laughing

0:25:24.600 --> 0:25:29.320
<v Speaker 2>hysterically in Joey's face, And then, yeah, I didn't write

0:25:29.320 --> 0:25:31.719
<v Speaker 2>it down because I didn't love these fat jokes that

0:25:32.440 --> 0:25:35.360
<v Speaker 2>I was like the big man on campus.

0:25:35.320 --> 0:25:37.879
<v Speaker 1>Like what, Yeah, I didn't know. I didn't notice at

0:25:38.119 --> 0:25:41.240
<v Speaker 1>all I saw was like a poorly fitting sweater. It

0:25:41.280 --> 0:25:43.720
<v Speaker 1>was just I was like he's not Yeavy. It's just

0:25:43.760 --> 0:25:46.240
<v Speaker 1>a bad fit. He just needs a tailor exactly, you know,

0:25:46.480 --> 0:25:46.920
<v Speaker 1>let's not.

0:25:47.240 --> 0:25:50.199
<v Speaker 2>Yeah, no, these these these fat jokes and what I

0:25:50.200 --> 0:25:50.680
<v Speaker 2>didn't like it.

0:25:50.720 --> 0:25:52.600
<v Speaker 1>I didn't. I didn't like it. I was like, no,

0:25:52.720 --> 0:25:55.920
<v Speaker 1>that's not okay. Didn't age well. And really there was

0:25:56.080 --> 0:25:57.440
<v Speaker 1>enough material there with the hair.

0:25:57.520 --> 0:25:59.280
<v Speaker 2>Yeah, oh there was a lot of material.

0:25:59.480 --> 0:26:01.960
<v Speaker 1>Quite truly, there was a lot of enough material there

0:26:01.960 --> 0:26:02.400
<v Speaker 1>with the hair.

0:26:02.440 --> 0:26:05.119
<v Speaker 2>It was the hair so much yet you could have

0:26:05.160 --> 0:26:07.119
<v Speaker 2>just it was more than a mullet. It was. It

0:26:07.160 --> 0:26:08.119
<v Speaker 2>was just a shack.

0:26:08.560 --> 0:26:11.320
<v Speaker 1>Or the fact that he didn't seem to be doing

0:26:11.359 --> 0:26:13.840
<v Speaker 1>a great job at riding the skateboard after four years.

0:26:14.240 --> 0:26:14.600
<v Speaker 1>I don't know.

0:26:14.720 --> 0:26:17.520
<v Speaker 2>Yeah, he didn't get an a in that, that's for sure.

0:26:17.960 --> 0:26:18.200
<v Speaker 1>Right.

0:26:19.280 --> 0:26:21.720
<v Speaker 2>So on the tape, Danny tells Joey to do his

0:26:21.840 --> 0:26:25.119
<v Speaker 2>Jetson's routine from his act, and Joey does impressions of

0:26:25.240 --> 0:26:28.320
<v Speaker 2>multiple different characters from the Jetsons and then ends his

0:26:28.400 --> 0:26:31.160
<v Speaker 2>act by saying, oh, come on, now, cut it out,

0:26:31.520 --> 0:26:35.359
<v Speaker 2>thank you. Joey watches this younger version of himself with

0:26:35.400 --> 0:26:39.480
<v Speaker 2>a smile. On the tape, young Joey states, I guarantee

0:26:39.520 --> 0:26:42.040
<v Speaker 2>you that in ten years, you'll be seeing this face

0:26:42.160 --> 0:26:45.359
<v Speaker 2>sitting between Ed McMahon and Johnny Carson and then he

0:26:45.440 --> 0:26:46.000
<v Speaker 2>kind of flipped.

0:26:46.119 --> 0:26:49.760
<v Speaker 1>Now, for those that don't know, Johnny Carson hosted The

0:26:49.800 --> 0:26:53.399
<v Speaker 1>Tonight Show forever and Ed McMahon was his sight. Yeah,

0:26:53.440 --> 0:26:54.560
<v Speaker 1>and they always sat next.

0:26:54.800 --> 0:26:57.800
<v Speaker 3>Yeah, I'm sad to say that there are probably a

0:26:57.800 --> 0:27:02.440
<v Speaker 3>lot of people who don't know why Ed McMahon is relevant, Yeah,

0:27:02.600 --> 0:27:04.919
<v Speaker 3>other than Star Search, and probably have never even heard

0:27:04.960 --> 0:27:05.440
<v Speaker 3>of Star Search.

0:27:05.560 --> 0:27:07.760
<v Speaker 1>So hey, it just always like to give a little background. No,

0:27:07.840 --> 0:27:09.880
<v Speaker 1>this is an educational past, kind of a big deal.

0:27:10.280 --> 0:27:11.679
<v Speaker 1>They were kind of a big deal, and they were

0:27:11.720 --> 0:27:13.560
<v Speaker 1>a huge deal in comedy.

0:27:13.240 --> 0:27:17.399
<v Speaker 2>Specifically huge deal in the eighties. Absolutely, like I'm sorry

0:27:17.400 --> 0:27:17.840
<v Speaker 2>to all of.

0:27:18.119 --> 0:27:22.160
<v Speaker 1>Well, I mean Johnny Carson and Ed McMahon from the sixties, oh,

0:27:22.359 --> 0:27:24.800
<v Speaker 1>from the I mean they or maybe I can't remember

0:27:24.840 --> 0:27:27.720
<v Speaker 1>how long he hosted The Tonight Forever. Yeah, and yeah,

0:27:27.800 --> 0:27:31.440
<v Speaker 1>so this was Ed's like second Oh yes, it didn't

0:27:31.480 --> 0:27:33.440
<v Speaker 1>start with star Search, for sure, this was it didn't

0:27:33.440 --> 0:27:36.800
<v Speaker 1>start with star Search. So anyway, just trying to let

0:27:36.840 --> 0:27:39.760
<v Speaker 1>people know why this would be such an important thing

0:27:39.800 --> 0:27:43.119
<v Speaker 1>for a comedian because this was like the epitome of

0:27:43.640 --> 0:27:45.120
<v Speaker 1>like comic success.

0:27:45.440 --> 0:27:47.960
<v Speaker 2>Yep, no, this was it. It was a big deal,

0:27:48.400 --> 0:27:50.280
<v Speaker 2>Like it's a big deal that we got on this show.

0:27:50.320 --> 0:27:53.520
<v Speaker 2>I'm still I'm still stunned by that. Joey quickly stands

0:27:53.520 --> 0:27:55.920
<v Speaker 2>and runs over to check the date on the tape.

0:27:56.200 --> 0:27:58.320
<v Speaker 2>He looks at it and says, I can't believe my

0:27:58.440 --> 0:28:01.240
<v Speaker 2>tenured deadline is almost up. I've got two weeks to

0:28:01.240 --> 0:28:05.320
<v Speaker 2>become a star. Joey asks Jesse to handle the running

0:28:05.440 --> 0:28:07.920
<v Speaker 2>the running Shoe account without him, and Jesse's fine with

0:28:08.000 --> 0:28:11.840
<v Speaker 2>that and encourages Joey to follow his dream. Danny adds

0:28:11.880 --> 0:28:13.800
<v Speaker 2>that all of them are there for Joey, and the

0:28:13.800 --> 0:28:17.879
<v Speaker 2>girls excitedly agree. Joey announces up from now on, Joey

0:28:17.880 --> 0:28:21.119
<v Speaker 2>Gladstone's going to be all comedy all the time, and

0:28:21.200 --> 0:28:25.480
<v Speaker 2>Jesse regretfully asks all the time. Joey responds with an

0:28:25.480 --> 0:28:29.280
<v Speaker 2>impression of the three Stooges. Why certainly yeah yeah. He

0:28:29.440 --> 0:28:30.600
<v Speaker 2>cheerfully exits the room.

0:28:30.760 --> 0:28:32.800
<v Speaker 1>That was so that was so good.

0:28:32.880 --> 0:28:37.040
<v Speaker 2>But Dave or me me, you thinks probably last night

0:28:37.040 --> 0:28:38.240
<v Speaker 2>when I was doing my.

0:28:38.240 --> 0:28:42.240
<v Speaker 1>Fuzing, I wish I could have seen that record that

0:28:42.280 --> 0:28:45.120
<v Speaker 1>next time, okay, because that yeah, yeah, yeah.

0:28:45.040 --> 0:28:46.600
<v Speaker 2>Yeah yeah that's the only one I can do. I

0:28:46.640 --> 0:28:48.840
<v Speaker 2>can't do the Jetsons like I can't do anything else.

0:28:49.520 --> 0:28:51.720
<v Speaker 1>Yeah, why no, I can't even do it.

0:28:51.760 --> 0:28:52.640
<v Speaker 2>See, I haven't read you know.

0:28:52.680 --> 0:28:54.200
<v Speaker 1>I'm gonna go do that. That's what I'm gonna do tonight.

0:28:54.200 --> 0:28:55.680
<v Speaker 1>I'll send you a video, you send me some.

0:28:55.760 --> 0:28:58.920
<v Speaker 2>Well, rehearse. It'll be a rehearsal of this impression.

0:28:58.800 --> 0:29:00.280
<v Speaker 1>And then we can be on startars.

0:29:00.120 --> 0:29:10.960
<v Speaker 2>Yay full circle one. Next, in the kitchen, Michelle runs

0:29:10.960 --> 0:29:14.200
<v Speaker 2>in wearing her new ballerine two two over her pajamas,

0:29:14.560 --> 0:29:17.760
<v Speaker 2>and DJ and Stuff follow directly behind her. Danny asks

0:29:17.800 --> 0:29:20.880
<v Speaker 2>Michelle what's wrong, and Michelle points at DJ and Steph,

0:29:20.920 --> 0:29:24.480
<v Speaker 2>scolding them bad girls. The girls tell Michelle that they're

0:29:24.520 --> 0:29:26.960
<v Speaker 2>supposed to get her ready for bed, which means it's

0:29:27.040 --> 0:29:30.040
<v Speaker 2>time to take off the two two, and Michelle yells no.

0:29:31.640 --> 0:29:34.920
<v Speaker 2>Danny defends Michelle. It's perfectly normal for children to be

0:29:34.920 --> 0:29:38.120
<v Speaker 2>attached to a special something. He tells Michelle that if

0:29:38.120 --> 0:29:40.240
<v Speaker 2>she wants to sleep in her two two, she can.

0:29:41.000 --> 0:29:43.800
<v Speaker 2>Michelle wags her finger at her sister's saying I told

0:29:43.840 --> 0:29:47.560
<v Speaker 2>you so, and I was.

0:29:47.520 --> 0:29:51.040
<v Speaker 1>Like, oh this felt, But then also it was something

0:29:51.040 --> 0:29:52.480
<v Speaker 1>that I went, I know I've done this. I know

0:29:52.520 --> 0:29:54.440
<v Speaker 1>I've done this with my kid. Like you just sort

0:29:54.440 --> 0:29:57.200
<v Speaker 1>of have those moments with the youngest one where you're like, no,

0:29:57.400 --> 0:29:59.640
<v Speaker 1>that's it's fine, They're okay, it can do this.

0:30:00.080 --> 0:30:02.640
<v Speaker 2>I mean, I'm torn because I agree with Danny's sentiment

0:30:02.680 --> 0:30:04.720
<v Speaker 2>that kids get attached to things and then we'll sleep

0:30:04.760 --> 0:30:07.200
<v Speaker 2>with them, and that's fine. My problem is he's undermine

0:30:07.320 --> 0:30:10.200
<v Speaker 2>He sent the girls to put out, and I undermined

0:30:10.560 --> 0:30:12.880
<v Speaker 2>what they were trying to do. And I also know

0:30:13.000 --> 0:30:15.720
<v Speaker 2>that we have several more seasons of Danny's permissive parenting

0:30:15.760 --> 0:30:16.800
<v Speaker 2>of Michelle coming up.

0:30:16.960 --> 0:30:19.840
<v Speaker 1>So yeah, well it's you know what, it's what happens

0:30:19.840 --> 0:30:21.840
<v Speaker 1>with the baby, it's what happens with the youngest. I

0:30:21.880 --> 0:30:27.200
<v Speaker 1>know I have definitely been roped into my youngest's shenanigans

0:30:27.200 --> 0:30:30.400
<v Speaker 1>and you're like, okay, no, leave her alone. Yeah, and

0:30:30.400 --> 0:30:31.360
<v Speaker 1>then you're like, I was wrong.

0:30:31.480 --> 0:30:33.200
<v Speaker 2>I get it. I'm I'm the youngest of three.

0:30:33.480 --> 0:30:38.880
<v Speaker 1>So yes, Michelle, Yeah, you very really work that advantage. Yes,

0:30:38.920 --> 0:30:40.320
<v Speaker 1>you're like, I could write a book.

0:30:40.480 --> 0:30:42.400
<v Speaker 2>We're gonna have my brother on the show at some point,

0:30:42.520 --> 0:30:43.400
<v Speaker 2>so he'll tell you.

0:30:43.400 --> 0:30:48.800
<v Speaker 1>All the stories about I can not wait. Can't wait

0:30:48.920 --> 0:30:51.360
<v Speaker 1>so fun. Oh, I'm going to start writing my questions.

0:30:51.360 --> 0:30:54.720
<v Speaker 2>You should, you should start preparing. No, So, Joey runs

0:30:54.720 --> 0:30:58.240
<v Speaker 2>by the window from outside and does his Yosemite Sam impression.

0:30:58.720 --> 0:31:02.000
<v Speaker 2>Jesse looks at the family and gruffly states, comedy alert.

0:31:02.600 --> 0:31:04.160
<v Speaker 2>Everyone in the kitchen groans.

0:31:05.120 --> 0:31:07.280
<v Speaker 1>Can you imagine if there was a grown man running

0:31:07.320 --> 0:31:11.640
<v Speaker 1>around doing a Yosemite Sam impression in between your houses?

0:31:13.560 --> 0:31:15.840
<v Speaker 1>In San Francisco? The houses are very close together, you

0:31:15.920 --> 0:31:20.600
<v Speaker 1>would you someone would notice this and be really question.

0:31:20.440 --> 0:31:23.479
<v Speaker 2>Yeah, but the neighbors are gibblers, so like, that's probably

0:31:23.800 --> 0:31:27.760
<v Speaker 2>behind the neighbors behind gigglers behind. Maybe he shaped shifted

0:31:27.800 --> 0:31:29.640
<v Speaker 2>the backyard so we had plenty of space to run.

0:31:30.320 --> 0:31:32.720
<v Speaker 1>Well, it's an invisibility cloak. It's what it is. Never mind,

0:31:32.840 --> 0:31:33.600
<v Speaker 1>it's fine.

0:31:33.760 --> 0:31:37.320
<v Speaker 2>That's what it was. So Joey enthusiastically enters the kitchen,

0:31:37.400 --> 0:31:40.040
<v Speaker 2>and the girls frantically make excuses about why they have

0:31:40.080 --> 0:31:44.560
<v Speaker 2>to leave. Joey says, stop, nobody move, and DJ whispers

0:31:44.720 --> 0:31:47.400
<v Speaker 2>or no, Steph whispers to DJ, we were so close.

0:31:48.680 --> 0:31:51.720
<v Speaker 2>Joey grabs a wooden spoon, using it as a fake microphone,

0:31:51.760 --> 0:31:55.080
<v Speaker 2>and announces live from Las Vegas. The song stylings of

0:31:55.200 --> 0:31:58.640
<v Speaker 2>Jimmy Vibrato. He begins to sing, and as he hits

0:31:58.680 --> 0:32:01.520
<v Speaker 2>that last note, he pulled the fake microphone away from

0:32:01.520 --> 0:32:03.720
<v Speaker 2>his body and then quickly brings it back, his voice

0:32:03.760 --> 0:32:06.840
<v Speaker 2>dipping out and then coming back, which Dave like.

0:32:06.880 --> 0:32:09.080
<v Speaker 1>Dave did like a singer would do with a microphone.

0:32:09.200 --> 0:32:11.920
<v Speaker 2>Dave did this all the time, like off stage.

0:32:12.240 --> 0:32:16.000
<v Speaker 1>It's entire all of these bits. I was like, oh,

0:32:16.160 --> 0:32:19.080
<v Speaker 1>I've seen all these not in this scene, but totally

0:32:19.160 --> 0:32:20.880
<v Speaker 1>throughout my knowing.

0:32:20.680 --> 0:32:22.880
<v Speaker 2>Of through our through a thirty seven year history. He

0:32:22.920 --> 0:32:24.040
<v Speaker 2>has done th seven years.

0:32:24.080 --> 0:32:26.400
<v Speaker 1>I've seen I've seen peaking Duck. I've seen that, all

0:32:26.440 --> 0:32:27.320
<v Speaker 1>of it, all of it.

0:32:27.960 --> 0:32:29.640
<v Speaker 2>Yeah, it's so great.

0:32:30.320 --> 0:32:32.240
<v Speaker 1>When he did the thing with the yeah, it's great.

0:32:32.680 --> 0:32:35.400
<v Speaker 2>So he throws the fake mic at Danny, grabs two

0:32:35.440 --> 0:32:38.280
<v Speaker 2>plastic cups. He starts a new act, holds the cups

0:32:38.280 --> 0:32:40.160
<v Speaker 2>to his eyes, saying, I really got to get myself

0:32:40.200 --> 0:32:44.400
<v Speaker 2>some new contacts. He continues with new acts, including peaking Duck.

0:32:45.040 --> 0:32:47.160
<v Speaker 1>Peaking Duck, and the little eye he makes like a

0:32:47.200 --> 0:32:49.840
<v Speaker 1>weird little alien thing with the He used to do

0:32:49.880 --> 0:32:52.440
<v Speaker 1>that voice all the time. Yeah, yeah, the ali alien

0:32:52.520 --> 0:32:54.880
<v Speaker 1>voice with the little I Yeah, this is he would

0:32:54.880 --> 0:32:56.480
<v Speaker 1>put those things in his eyes and do all sorts

0:32:56.520 --> 0:32:59.120
<v Speaker 1>of weird voices and you know, make Bob laugh and

0:32:59.120 --> 0:32:59.720
<v Speaker 1>they'd be doing.

0:32:59.640 --> 0:33:02.200
<v Speaker 2>Stupid Oh this is. This is like the greatest hits

0:33:02.200 --> 0:33:03.320
<v Speaker 2>of Dave Cooler right here.

0:33:03.360 --> 0:33:06.440
<v Speaker 1>And really the greatest hits of what he had figured

0:33:06.480 --> 0:33:10.560
<v Speaker 1>out were jokes in that room, particularly jokes that were

0:33:11.680 --> 0:33:14.080
<v Speaker 1>family friendly enough that he could do him in front

0:33:14.080 --> 0:33:17.000
<v Speaker 1>of us. And so like this was he was like, ah,

0:33:17.080 --> 0:33:18.480
<v Speaker 1>I got it. I know, I know how to work

0:33:18.520 --> 0:33:21.200
<v Speaker 1>this room with props. Oh, it's a great props comedie

0:33:21.200 --> 0:33:23.120
<v Speaker 1>is great props com unmatched.

0:33:23.200 --> 0:33:26.760
<v Speaker 2>Like I just I loved this scene so much. It

0:33:26.880 --> 0:33:30.560
<v Speaker 2>highlighted all of his talents and I was so proud

0:33:30.560 --> 0:33:32.240
<v Speaker 2>of him. I was like, Dave, you just nailed this

0:33:32.440 --> 0:33:33.800
<v Speaker 2>whole scene again.

0:33:33.960 --> 0:33:37.440
<v Speaker 1>Another amazing physical comedy bit in the kitchen. It really

0:33:37.560 --> 0:33:39.560
<v Speaker 1>lends itself to some good I mean it's a big

0:33:39.600 --> 0:33:41.400
<v Speaker 1>set with lots to do in it. So I guess

0:33:41.440 --> 0:33:42.200
<v Speaker 1>lots of props.

0:33:42.600 --> 0:33:45.080
<v Speaker 2>You know, you can use the island. Yeah, there's there's

0:33:45.240 --> 0:33:48.160
<v Speaker 2>lots of lots of comedy in the kitchen. Oh yes,

0:33:48.280 --> 0:33:50.360
<v Speaker 2>So Jesse breaks it to Joey that he's been living

0:33:50.360 --> 0:33:52.920
<v Speaker 2>in Toontown for two days now, and he needs to

0:33:52.920 --> 0:33:56.440
<v Speaker 2>start acting like a human being. Joey responds as peebe herman.

0:33:56.720 --> 0:33:59.040
<v Speaker 2>I know you are, but what am I? I didn't

0:33:59.040 --> 0:34:01.440
<v Speaker 2>do that one as well. He continues to run around.

0:34:01.800 --> 0:34:02.960
<v Speaker 1>You can practice tonight, I will.

0:34:03.000 --> 0:34:05.720
<v Speaker 2>I'll send you my tape. He'll send you myself tape.

0:34:06.600 --> 0:34:09.440
<v Speaker 2>He continues to run around the kitchen doing various impressions,

0:34:09.880 --> 0:34:12.680
<v Speaker 2>and then he grabs the detachable faucet head and sings,

0:34:12.800 --> 0:34:16.320
<v Speaker 2>I'm seeing and in the rain while water is pouring

0:34:16.360 --> 0:34:17.919
<v Speaker 2>onto him.

0:34:17.560 --> 0:34:20.759
<v Speaker 1>And John is laughing, but like genuinely laughing at Dave

0:34:20.880 --> 0:34:21.560
<v Speaker 1>being in John.

0:34:21.719 --> 0:34:22.640
<v Speaker 2>John is breaking.

0:34:23.920 --> 0:34:26.239
<v Speaker 1>John is totally bra He's just like, oh my god,

0:34:26.760 --> 0:34:29.759
<v Speaker 1>because it's also like it, you know, it's not as

0:34:29.960 --> 0:34:32.839
<v Speaker 1>like the extent to which Dave could take it, but

0:34:32.960 --> 0:34:36.560
<v Speaker 1>he he fully commits to the silliness of it. And

0:34:36.600 --> 0:34:38.880
<v Speaker 1>it's just it's great.

0:34:39.040 --> 0:34:39.760
<v Speaker 2>It's so great.

0:34:40.719 --> 0:34:46.040
<v Speaker 1>I love watching them have fun because because it reminds

0:34:46.080 --> 0:34:47.799
<v Speaker 1>me of like you and I doing a scene, or

0:34:47.800 --> 0:34:49.239
<v Speaker 1>you and me and kan Is doing a scene, and

0:34:49.320 --> 0:34:51.759
<v Speaker 1>like us having fun as adults on Fuller and like

0:34:51.840 --> 0:34:55.520
<v Speaker 1>that thing that you see happening between people, and like

0:34:55.600 --> 0:34:57.400
<v Speaker 1>I see it with them, and it's just fun to

0:34:57.480 --> 0:35:00.680
<v Speaker 1>know that they were having just as much fun as

0:35:01.000 --> 0:35:02.200
<v Speaker 1>we were when we didn't.

0:35:02.280 --> 0:35:04.960
<v Speaker 2>Yeah, you're exactly right, Like, there's nothing better than doing

0:35:05.160 --> 0:35:08.280
<v Speaker 2>a bit that you know is so funny. The audience

0:35:08.360 --> 0:35:10.919
<v Speaker 2>is gonna love it. We're cracking ourselves up, we're trying

0:35:10.960 --> 0:35:13.120
<v Speaker 2>not to crack up. We're looking at her foreheads. Yeah,

0:35:13.160 --> 0:35:15.160
<v Speaker 2>it's there's just no better feeling in the world than

0:35:15.239 --> 0:35:17.759
<v Speaker 2>doing funny bits with you, Jody Sweeten, It's my all

0:35:17.840 --> 0:35:18.719
<v Speaker 2>time favorite thing.

0:35:18.840 --> 0:35:20.120
<v Speaker 1>Yes, thanks, Aby.

0:35:20.920 --> 0:35:25.000
<v Speaker 2>So then Joey turns this faucet onto Jesse and so

0:35:25.040 --> 0:35:27.960
<v Speaker 2>now Jesse's getting soaked, and he's very Now he's now

0:35:27.960 --> 0:35:31.560
<v Speaker 2>he's not laughing, he's unamused. Joey turns to his niece

0:35:31.600 --> 0:35:34.680
<v Speaker 2>and exclaims, Michelle, let me show you my Bob Hope impression,

0:35:34.800 --> 0:35:37.680
<v Speaker 2>and Michelle yells no and runs away.

0:35:38.800 --> 0:35:41.200
<v Speaker 1>So she knows who Bob Hope is, but it's unclear

0:35:41.239 --> 0:35:45.160
<v Speaker 1>on Vallerina's I'm just setting the priorities in this.

0:35:45.400 --> 0:35:48.080
<v Speaker 2>That's a very very good point. Yes, how does she

0:35:48.160 --> 0:35:51.239
<v Speaker 2>know who Bob Hope is but not a Ballerina?

0:35:51.440 --> 0:35:53.960
<v Speaker 1>Well, I think I guess it appears at this point,

0:35:54.080 --> 0:35:55.879
<v Speaker 1>It doesn't matter who Bob Hope is. She just doesn't

0:35:55.920 --> 0:35:57.000
<v Speaker 1>want him to do any Yeah.

0:35:56.800 --> 0:35:58.960
<v Speaker 2>Maybe that's it. She's just like I'm taking, which is

0:35:58.960 --> 0:35:59.520
<v Speaker 2>weird because.

0:35:59.360 --> 0:36:00.880
<v Speaker 1>Yeah, maybe's not Bob Hope in particular.

0:36:01.040 --> 0:36:03.600
<v Speaker 2>Yeah, she just doesn't want to hear the impressions. I

0:36:03.640 --> 0:36:07.320
<v Speaker 2>don't know. She seems like his best audience. But okay,

0:36:07.360 --> 0:36:09.759
<v Speaker 2>she doesn't like. She doesn't like this one, so she

0:36:09.840 --> 0:36:14.839
<v Speaker 2>runs away and Dave or Joey runs after her. Jesse

0:36:15.000 --> 0:36:17.879
<v Speaker 2>threatens if he doesn't cheer down, I'm gonna break his

0:36:17.920 --> 0:36:20.880
<v Speaker 2>funny bone. Danny tells the group that he may have

0:36:21.000 --> 0:36:24.120
<v Speaker 2>done something that can help Joey's career, but they have

0:36:24.200 --> 0:36:28.080
<v Speaker 2>to keep it a secret. Everyone turns slowly to look

0:36:28.120 --> 0:36:31.560
<v Speaker 2>at Stephanie, and she pouts, how rude. I can keep

0:36:31.600 --> 0:36:34.880
<v Speaker 2>a secret. No she can't.

0:36:35.080 --> 0:36:38.000
<v Speaker 3>Terrible, although she did, she did, she did, she did,

0:36:38.160 --> 0:36:41.600
<v Speaker 3>But yep, you notoriously track record you.

0:36:42.160 --> 0:36:44.120
<v Speaker 2>You did not have a good track record at this point,

0:36:44.560 --> 0:36:47.080
<v Speaker 2>But you zipped your lips with like pretend to zip

0:36:47.080 --> 0:36:49.040
<v Speaker 2>your lips with the key, So I think maybe that

0:36:49.160 --> 0:36:52.080
<v Speaker 2>was what worked. Danny tells them that he sent a

0:36:52.120 --> 0:36:55.280
<v Speaker 2>recent tape of Joey's act to the people at Star Search,

0:36:55.760 --> 0:36:59.359
<v Speaker 2>and Stephanie exclaims, Joey's going on Star Search. Wait till

0:36:59.400 --> 0:37:03.879
<v Speaker 2>I tell And then she stops herself and says, nobody, See,

0:37:04.000 --> 0:37:06.960
<v Speaker 2>you've learned. I'm very proud, very proud of Stephanie. See

0:37:07.000 --> 0:37:07.520
<v Speaker 2>she's learned.

0:37:07.560 --> 0:37:10.120
<v Speaker 1>Proud of Stephanie. Why didn't Danny do this earlier in

0:37:10.200 --> 0:37:14.440
<v Speaker 1>Joey's career, that's my question. Oh, he's been wanting to

0:37:14.440 --> 0:37:16.360
<v Speaker 1>get on Star Search for ten years.

0:37:16.480 --> 0:37:21.160
<v Speaker 2>Yeah, well, Danny's been busy. He's you know, widowing and

0:37:21.320 --> 0:37:25.719
<v Speaker 2>raising girls and I don't know what else. So next

0:37:25.920 --> 0:37:28.399
<v Speaker 2>we are in the living room and Steph runs in

0:37:29.040 --> 0:37:31.560
<v Speaker 2>from the front door and calls everyone except Joey into

0:37:31.600 --> 0:37:33.800
<v Speaker 2>the room. She tells them that they got a letter

0:37:34.120 --> 0:37:37.120
<v Speaker 2>with Ed McMahon's picture on it and carefully whispers that

0:37:37.200 --> 0:37:41.080
<v Speaker 2>it must be from Star Search. DJ asks if it's

0:37:41.120 --> 0:37:44.040
<v Speaker 2>good news, and Steph exclaims, it's great news. We may

0:37:44.080 --> 0:37:46.600
<v Speaker 2>already be millionaires.

0:37:47.200 --> 0:37:49.640
<v Speaker 1>Now here's another little back piece of information for those

0:37:49.680 --> 0:37:51.640
<v Speaker 1>of you that don't know. Back in the eighties and

0:37:51.719 --> 0:37:53.839
<v Speaker 1>early nineties, there's a thing called.

0:37:53.560 --> 0:37:58.440
<v Speaker 2>The UH Clearings sweep steaks.

0:37:58.520 --> 0:38:01.440
<v Speaker 1>Yep, I will tell you that right now. If anything

0:38:01.600 --> 0:38:05.040
<v Speaker 1>is ever deemed sweepstakes. It is a bull stacks, is

0:38:05.040 --> 0:38:07.880
<v Speaker 1>what it is. It is it's a way for you

0:38:08.000 --> 0:38:11.800
<v Speaker 1>to send in money. And I'm sure someone somewhere one

0:38:12.320 --> 0:38:15.719
<v Speaker 1>maybe I don't know, but it just it was always

0:38:16.040 --> 0:38:19.120
<v Speaker 1>a little efficient. Always anyway there you would get these

0:38:19.160 --> 0:38:20.839
<v Speaker 1>things in the mail that would say, like you might

0:38:20.840 --> 0:38:22.600
<v Speaker 1>already be a millionaire, and you just had to keep

0:38:22.680 --> 0:38:26.680
<v Speaker 1>sending stuff back in in order to keep the game going.

0:38:26.719 --> 0:38:29.680
<v Speaker 1>And basically they just filtered it out to like, you know,

0:38:30.040 --> 0:38:32.120
<v Speaker 1>a few people who were just dumb enough to keep

0:38:32.160 --> 0:38:34.880
<v Speaker 1>sending a bunch of money in anyway, that's my opinion

0:38:34.880 --> 0:38:36.959
<v Speaker 1>on it. But yeah, this was a very big deal

0:38:37.080 --> 0:38:40.880
<v Speaker 1>and sort of the equivalent of like winning the lottery,

0:38:40.960 --> 0:38:43.560
<v Speaker 1>except the lottery ticket got mailed to your house with

0:38:43.640 --> 0:38:45.480
<v Speaker 1>a fake personalization.

0:38:45.040 --> 0:38:47.040
<v Speaker 2>Yes, and a fake promise that you may already be

0:38:47.120 --> 0:38:47.600
<v Speaker 2>a millionaire.

0:38:47.680 --> 0:38:47.759
<v Speaker 3>Ye.

0:38:47.800 --> 0:38:49.719
<v Speaker 1>I know it was right, right, I mean you might,

0:38:49.920 --> 0:38:51.880
<v Speaker 1>but they don't know. They're sending it to everyone you

0:38:51.960 --> 0:38:54.719
<v Speaker 1>might already be a millionaire. For what they know, they're

0:38:54.800 --> 0:38:57.400
<v Speaker 1>sending it to a giant ten thousand square withows. You

0:38:57.400 --> 0:39:01.359
<v Speaker 1>don't know that's true. They didn't sensify that, they didn't slassify, right,

0:39:01.360 --> 0:39:03.960
<v Speaker 1>he didn't lie. You might already be a millionaire. We

0:39:04.040 --> 0:39:04.440
<v Speaker 1>don't know.

0:39:05.960 --> 0:39:09.560
<v Speaker 2>Hey, you know what that those lawyers that that reviewed

0:39:09.640 --> 0:39:14.439
<v Speaker 2>that sweepstakes very crafty, very crafty. Yes, So Joey walks

0:39:14.440 --> 0:39:16.440
<v Speaker 2>into the living room and announces that he's going to

0:39:16.520 --> 0:39:20.120
<v Speaker 2>make some French toast. Jesse asks if he's sick, because

0:39:20.120 --> 0:39:24.160
<v Speaker 2>he isn't acting goofy, and Joey admits, who am I kidding?

0:39:24.719 --> 0:39:28.000
<v Speaker 2>My tenurre deadline is up today. I'm not famous. I'm

0:39:28.040 --> 0:39:30.400
<v Speaker 2>never going to be famous, and the only thing that

0:39:30.440 --> 0:39:34.760
<v Speaker 2>could save my career now is a miracle. Qu Kimmy

0:39:34.880 --> 0:39:36.839
<v Speaker 2>walking through the front door with some mail.

0:39:37.960 --> 0:39:43.400
<v Speaker 1>Miracle appears. I mean you're uncredited, but you're a miraculous.

0:39:43.040 --> 0:39:45.520
<v Speaker 2>Yes, I saved the day, Like this is the only point.

0:39:45.680 --> 0:39:49.600
<v Speaker 2>He saves the day, the only point of my my existency.

0:39:49.680 --> 0:39:53.560
<v Speaker 1>You were without Kimmy, there's no show. Yeah, without Kimmy,

0:39:53.600 --> 0:39:56.880
<v Speaker 1>there's no This doesn't happen without Kimmy. Somebody, one of

0:39:56.880 --> 0:39:58.959
<v Speaker 1>the Giblers is opening this and tossing it in the pit. Yeah,

0:39:59.000 --> 0:39:59.920
<v Speaker 1>and committing mail.

0:39:59.719 --> 0:40:02.000
<v Speaker 2>From Okay, well, I wouldn't put it past them either.

0:40:02.040 --> 0:40:06.600
<v Speaker 2>That's very gibbler ask, so she announces mail call letter

0:40:06.680 --> 0:40:09.839
<v Speaker 2>for Danny Tanner. Danny takes it and Kimmy leaves her

0:40:09.840 --> 0:40:14.040
<v Speaker 2>hand outstretched, asking what no tip. Danny gives her a tip,

0:40:14.200 --> 0:40:19.040
<v Speaker 2>stay out of my mailbox. Danny opens the letter and exclaims, Yes,

0:40:19.520 --> 0:40:22.520
<v Speaker 2>Joey's gonna be on Star Search. Joey runs over and

0:40:22.560 --> 0:40:26.000
<v Speaker 2>grabs the letter enthusiastically. I'm gonna be on Star Search,

0:40:26.440 --> 0:40:31.000
<v Speaker 2>and Kimmy adds as a spokesmodel. Joey continues, this is great.

0:40:31.320 --> 0:40:33.880
<v Speaker 2>How did this happen? Danny admits that they had so

0:40:34.000 --> 0:40:36.160
<v Speaker 2>much faith in him that they sent his tape to

0:40:36.280 --> 0:40:40.640
<v Speaker 2>Star Search. Joey looks around and admires his family, telling

0:40:40.680 --> 0:40:43.520
<v Speaker 2>them they are the best. He assures the group that

0:40:43.640 --> 0:40:45.879
<v Speaker 2>he is gonna win Star Search, He's on his way

0:40:45.880 --> 0:40:48.719
<v Speaker 2>to the top. Before leaving the room, he turns to

0:40:48.719 --> 0:40:51.759
<v Speaker 2>his family and says, thank you people because and then

0:40:51.800 --> 0:40:55.160
<v Speaker 2>he sings I Love and slides across the floor on

0:40:55.200 --> 0:40:57.960
<v Speaker 2>his knees, joining the family as they all sing you

0:41:03.200 --> 0:41:05.480
<v Speaker 2>I love that bit. I just I really love that bit.

0:41:07.320 --> 0:41:09.120
<v Speaker 2>We cut to an exciting commercial break.

0:41:09.719 --> 0:41:11.799
<v Speaker 1>This sorry, but I just have to go back to

0:41:11.840 --> 0:41:15.960
<v Speaker 1>the fact that this is just the most sitcom. Of all,

0:41:16.000 --> 0:41:19.759
<v Speaker 1>it's such I love how things happen get solved in

0:41:20.200 --> 0:41:22.560
<v Speaker 1>a sitcom in twenty twenty is because you're like, oh

0:41:22.600 --> 0:41:25.440
<v Speaker 1>my god, my tenure career, it sucks. Everything's going terribly.

0:41:25.520 --> 0:41:29.120
<v Speaker 1>Oh no, you're like, wait, there's a letter, and it's

0:41:29.280 --> 0:41:32.680
<v Speaker 1>all what I'm getting. I'm going on Star Search, a

0:41:32.719 --> 0:41:35.480
<v Speaker 1>notoriously hard show that you have to like audition for

0:41:35.680 --> 0:41:37.839
<v Speaker 1>go through all these rounds. But Danny pulled it off

0:41:37.880 --> 0:41:41.600
<v Speaker 1>because Danny hosts Wake Up San Francisco and he's got

0:41:41.640 --> 0:41:43.600
<v Speaker 1>strings that he can pull, although he wouldn't pull him

0:41:43.680 --> 0:41:46.000
<v Speaker 1>until the last moment.

0:41:45.960 --> 0:41:48.760
<v Speaker 2>Because otherwise there'd be The show has to work, otherwise

0:41:48.760 --> 0:41:52.120
<v Speaker 2>I'd be the storyline. The storyline has to work, the

0:41:52.200 --> 0:41:54.240
<v Speaker 2>joke has to work, like there's that is the purpose.

0:41:54.280 --> 0:41:57.759
<v Speaker 1>Joke has to work. And most importantly, we're on Star Search. Yeah,

0:41:57.800 --> 0:41:58.359
<v Speaker 1>so that's really all.

0:41:58.360 --> 0:42:01.520
<v Speaker 2>Oh my gosh, Yes, backstage age at Star Search. This

0:42:01.680 --> 0:42:03.680
<v Speaker 2>is very exciting. Although I think this was a set

0:42:04.200 --> 0:42:07.040
<v Speaker 2>on Oh, this was definitely a set. This wasn't startars

0:42:07.239 --> 0:42:07.839
<v Speaker 2>just coming next.

0:42:07.920 --> 0:42:09.880
<v Speaker 1>You can tell by the way it's lit. Nothing in

0:42:09.920 --> 0:42:14.839
<v Speaker 1>the real world is lit uh from above at all?

0:42:15.000 --> 0:42:15.160
<v Speaker 2>Like that?

0:42:15.640 --> 0:42:18.879
<v Speaker 1>Uh if it is it looks like a dressing thing

0:42:19.200 --> 0:42:22.120
<v Speaker 1>and that's not cute on anyway. So yeah, you can

0:42:22.160 --> 0:42:24.239
<v Speaker 1>tell us. It's always tell by the lighting, well on

0:42:24.280 --> 0:42:26.240
<v Speaker 1>a sitcomic, on a sent exactly.

0:42:26.960 --> 0:42:29.520
<v Speaker 2>So DJ and Steph run into the dressing room where

0:42:29.600 --> 0:42:31.680
<v Speaker 2>the rest of the family's waiting, and they announced they

0:42:31.840 --> 0:42:35.800
<v Speaker 2>just saw the tapping Takeyamas tap dancing in the hallway.

0:42:36.600 --> 0:42:39.320
<v Speaker 1>What was Harry? There any relation to Harry?

0:42:39.360 --> 0:42:41.520
<v Speaker 2>Yeah, I don't, I don't know.

0:42:41.600 --> 0:42:43.359
<v Speaker 1>They do not think of another teeming.

0:42:43.600 --> 0:42:46.759
<v Speaker 2>They should have, But maybe they just really wanted.

0:42:46.680 --> 0:42:48.560
<v Speaker 1>Maybe maybe that was maybe they wanted to throw it in.

0:42:48.560 --> 0:42:51.000
<v Speaker 1>Maybe the tapping Takiyamas. Maybe it was a nod to

0:42:51.040 --> 0:42:52.480
<v Speaker 1>Harry since we never saw him on the show.

0:42:52.600 --> 0:42:55.000
<v Speaker 2>Yeah, so they and they, so they coud maybe it

0:42:55.040 --> 0:42:59.319
<v Speaker 2>was like goodbye, yes, sayonara Takeyama. Yeah, they can tap

0:42:59.400 --> 0:43:02.480
<v Speaker 2>dance their way off stage. So yeah, I guess that's it.

0:43:03.560 --> 0:43:05.640
<v Speaker 2>So a stage manager walks in and tells Joey he

0:43:05.719 --> 0:43:08.799
<v Speaker 2>has ten minutes. DJ tells Michelle to show the nice

0:43:08.840 --> 0:43:12.720
<v Speaker 2>producer how good of a ballerina she is. Michelle begins

0:43:12.719 --> 0:43:16.200
<v Speaker 2>to dance, and then Steph seizes this opportunity by running

0:43:16.200 --> 0:43:20.200
<v Speaker 2>in front of her and singing Tomorrow by Annie or

0:43:20.200 --> 0:43:23.400
<v Speaker 2>from from the show Annie This is you were so cute, Like,

0:43:24.040 --> 0:43:26.600
<v Speaker 2>were you like into it or were you embarrassed or

0:43:26.600 --> 0:43:27.399
<v Speaker 2>were I love?

0:43:27.520 --> 0:43:30.399
<v Speaker 1>No, I loved singing. I love yeah, I mean any

0:43:30.520 --> 0:43:34.000
<v Speaker 1>chance to be ethel merman like and do it? You

0:43:34.040 --> 0:43:36.319
<v Speaker 1>know it was I was you loved it? Yeah, I

0:43:36.320 --> 0:43:38.200
<v Speaker 1>loved I always loved music and all that kind.

0:43:38.080 --> 0:43:40.160
<v Speaker 2>Of st Oh you did it so well too.

0:43:40.280 --> 0:43:42.719
<v Speaker 1>It's a hysterical and I didn't you know, I wasn't

0:43:42.960 --> 0:43:46.439
<v Speaker 1>horribly off key, so it wasn't no ear piercing. It

0:43:46.480 --> 0:43:49.040
<v Speaker 1>was not you know, it was great for a seven

0:43:49.080 --> 0:43:49.359
<v Speaker 1>year old.

0:43:49.400 --> 0:43:51.000
<v Speaker 2>Absolutely, No, you were really good.

0:43:51.040 --> 0:43:54.120
<v Speaker 1>I'm no, it was no you know, Sarah Jessica Parker.

0:43:53.880 --> 0:43:56.680
<v Speaker 2>Well, I just didn't know at seven was that embarrassing

0:43:56.760 --> 0:43:58.239
<v Speaker 2>or were you into it? But you were the type of.

0:43:58.239 --> 0:44:01.000
<v Speaker 1>Kid that was very oh yeah at your theater. I

0:44:01.000 --> 0:44:03.200
<v Speaker 1>didn't get embarrassed about things until middle.

0:44:02.920 --> 0:44:05.200
<v Speaker 2>School, okay, which is usually the.

0:44:05.160 --> 0:44:07.160
<v Speaker 1>Case that yeah, yeah, I didn't get I had no

0:44:07.200 --> 0:44:10.400
<v Speaker 1>embarrassment or shame until I was about like eleven or twelve,

0:44:10.400 --> 0:44:11.839
<v Speaker 1>and then I was like, oh my god, I'm late.

0:44:11.920 --> 0:44:15.560
<v Speaker 2>And that's when you become self aware and very self right.

0:44:17.160 --> 0:44:20.359
<v Speaker 2>So the producer gives a half hearted thank you and

0:44:20.400 --> 0:44:23.560
<v Speaker 2>walks out the door as Stuff follows him, continuing this song.

0:44:23.960 --> 0:44:26.880
<v Speaker 1>Because you should let your children follow strange people around

0:44:27.000 --> 0:44:30.520
<v Speaker 1>backstage and sing it though it's without any idea of

0:44:30.520 --> 0:44:33.320
<v Speaker 1>where they're going. That's really how you should like.

0:44:34.280 --> 0:44:38.040
<v Speaker 2>Where is security? H Michelle rips off her too too,

0:44:38.080 --> 0:44:41.719
<v Speaker 2>and says no more ballerina. Joey says why not, to

0:44:41.760 --> 0:44:45.839
<v Speaker 2>which Michelle responds by copying Stuff and singing tomorrow while

0:44:45.880 --> 0:44:49.080
<v Speaker 2>walking out the door. This is where it starts, How

0:44:49.120 --> 0:44:51.040
<v Speaker 2>it starts. This is how it starts.

0:44:51.040 --> 0:44:53.680
<v Speaker 1>First, to start with tomorrow. It started with the there's

0:44:53.680 --> 0:44:56.520
<v Speaker 1>a couple other things that she's stolen, and now tomorrow.

0:44:56.719 --> 0:45:01.000
<v Speaker 1>Oh yeah, she's the best old I little sister, just

0:45:01.040 --> 0:45:01.720
<v Speaker 1>always coming.

0:45:01.520 --> 0:45:06.080
<v Speaker 2>For yes always DJ laughs, Oh little kids, I better

0:45:06.120 --> 0:45:09.400
<v Speaker 2>go get them before they embarrass themselves, and then she

0:45:09.560 --> 0:45:12.520
<v Speaker 2>copies both Michelle and Stuff by singing tomorrow as she

0:45:12.760 --> 0:45:16.160
<v Speaker 2>exits the room. Now, I wonder if Candace might have

0:45:16.160 --> 0:45:17.040
<v Speaker 2>been embarrassed about that.

0:45:17.080 --> 0:45:19.880
<v Speaker 1>I would have been at thirteen. Yeah, she never loved

0:45:19.920 --> 0:45:21.120
<v Speaker 1>singing totally sure.

0:45:22.520 --> 0:45:24.719
<v Speaker 2>Danny and Jesse get up, telling Joey that they better

0:45:24.760 --> 0:45:26.799
<v Speaker 2>get back to their seats. They wish him luck and

0:45:26.800 --> 0:45:30.480
<v Speaker 2>tell him not to be nervous. Joey sarcastically asks, why

0:45:30.520 --> 0:45:33.040
<v Speaker 2>would I be nervous just because the last ten years

0:45:33.040 --> 0:45:35.880
<v Speaker 2>comes down to the next ten minutes, just because my

0:45:36.000 --> 0:45:38.120
<v Speaker 2>entire life is writing on my one and only shot

0:45:38.200 --> 0:45:42.240
<v Speaker 2>at stardom. Jesse shrugs, see nothing to be worried about,

0:45:42.520 --> 0:45:52.799
<v Speaker 2>and he and Danny exit the room. Next we're on

0:45:52.840 --> 0:45:57.480
<v Speaker 2>the Star Search stage. Oh my gosh, this is so

0:45:57.719 --> 0:46:00.880
<v Speaker 2>like do you remember going to the studio?

0:46:01.480 --> 0:46:05.800
<v Speaker 1>I don't remember it exactly. I do remember us getting

0:46:05.840 --> 0:46:08.719
<v Speaker 1>a picture with Ed McMahon at the end. Oh do

0:46:08.760 --> 0:46:14.440
<v Speaker 1>you remember like sitting and watching like Dave's portion of

0:46:14.480 --> 0:46:17.640
<v Speaker 1>the show and doing that? But I seem to remember

0:46:18.000 --> 0:46:23.120
<v Speaker 1>we were kind of like we sort of inserted ourselves

0:46:23.440 --> 0:46:27.600
<v Speaker 1>into an episode of Star Search that was already going

0:46:27.760 --> 0:46:31.480
<v Speaker 1>if I'm correct, or something like. It was like Dave

0:46:31.560 --> 0:46:33.960
<v Speaker 1>had his bit and that, Like I don't know that

0:46:34.080 --> 0:46:37.799
<v Speaker 1>we got Star Search to do a whole I'm not

0:46:37.840 --> 0:46:39.920
<v Speaker 1>sure how it happened, but I do seem to remember.

0:46:39.920 --> 0:46:42.240
<v Speaker 1>I think we sort of fit into their production schedule

0:46:42.360 --> 0:46:45.120
<v Speaker 1>that bit for the live Dabu got it okay, because

0:46:45.120 --> 0:46:46.960
<v Speaker 1>we need they needed an audience and you know all that.

0:46:47.160 --> 0:46:49.399
<v Speaker 2>So it's kind of like the Baseball episode of Fuller House.

0:46:49.560 --> 0:46:51.319
<v Speaker 1>Kind of like the Baseball episode, kind of like the

0:46:52.239 --> 0:46:55.200
<v Speaker 1>like the Hawaii episode at the end when we joined

0:46:55.239 --> 0:46:57.040
<v Speaker 1>the show and what it's sort of like that kind

0:46:57.080 --> 0:46:58.640
<v Speaker 1>of thing when it's like you've got this is it,

0:46:58.760 --> 0:46:59.959
<v Speaker 1>You've got your you've got your.

0:46:59.840 --> 0:47:03.040
<v Speaker 2>Mind, the audience is already there. You just throw the I.

0:47:03.000 --> 0:47:05.560
<v Speaker 1>Don't remember if like Dave got any he might have.

0:47:06.280 --> 0:47:08.719
<v Speaker 1>I think probably at the end. Obviously he comes back

0:47:08.719 --> 0:47:11.239
<v Speaker 1>and is on the stage by himself that I think.

0:47:11.520 --> 0:47:14.480
<v Speaker 1>I'm sure we got pickups of his set during that, yeah,

0:47:14.640 --> 0:47:16.200
<v Speaker 1>which is why you see a close up of him

0:47:16.239 --> 0:47:19.359
<v Speaker 1>and not with the audience. Probably at some points during

0:47:19.360 --> 0:47:21.680
<v Speaker 1>a set, but but I think he probably got one

0:47:21.719 --> 0:47:24.080
<v Speaker 1>pass to go through it during the show. And then

0:47:24.120 --> 0:47:25.000
<v Speaker 1>that was that was kind of it.

0:47:25.120 --> 0:47:29.000
<v Speaker 2>That's pressure. That is pressure. He did. Yeah, so good.

0:47:29.320 --> 0:47:30.000
<v Speaker 1>Oh it's funny.

0:47:30.440 --> 0:47:33.840
<v Speaker 2>But first Steve Odakirk is on stage concluding his act.

0:47:33.960 --> 0:47:36.920
<v Speaker 1>Which is funny, Like I was just about to say speaking,

0:47:36.920 --> 0:47:39.759
<v Speaker 1>if not funny though that which is this?

0:47:39.840 --> 0:47:41.680
<v Speaker 2>I don't think this was fun What was he was

0:47:41.760 --> 0:47:44.759
<v Speaker 2>dancing and he had four fake arms, and I don't

0:47:44.920 --> 0:47:47.279
<v Speaker 2>it was it's a physical comedy bit. It didn't. We

0:47:47.320 --> 0:47:49.719
<v Speaker 2>didn't see the first part of his act, so I

0:47:49.800 --> 0:47:53.560
<v Speaker 2>wonder if it was like a call down. I don't know. Well, yeah,

0:47:53.600 --> 0:47:55.640
<v Speaker 2>it wasn't funny to me either, but I'm like wow.

0:47:55.560 --> 0:47:58.879
<v Speaker 1>And maybe they were trying to make it slightly think like, oh,

0:47:58.920 --> 0:48:01.120
<v Speaker 1>there's no way that Joey lose to this guy. And

0:48:01.160 --> 0:48:02.440
<v Speaker 1>then okay, that's true.

0:48:04.080 --> 0:48:07.440
<v Speaker 2>So the presenter Ed McMahon mentions that Steve is the

0:48:07.560 --> 0:48:10.520
<v Speaker 2>champion and now we are going to see the challenger.

0:48:10.880 --> 0:48:13.000
<v Speaker 1>That's right. It was like it was like Jeopardy, where

0:48:13.040 --> 0:48:15.239
<v Speaker 1>like one person kept making it week after when they

0:48:15.239 --> 0:48:17.160
<v Speaker 1>would continue, them come back week after week and they

0:48:17.160 --> 0:48:17.880
<v Speaker 1>would continue.

0:48:17.960 --> 0:48:20.160
<v Speaker 2>I forgot about that too until I watched the episode.

0:48:20.800 --> 0:48:24.120
<v Speaker 2>Joey is introduced and welcome to the stage. Ed McMahon

0:48:24.160 --> 0:48:27.640
<v Speaker 2>notes he's been doing comedy for ten years. WHOA, that's

0:48:27.680 --> 0:48:32.720
<v Speaker 2>a long time. Please welcome Joey Gladstone. Everybody cheers. Joey

0:48:32.760 --> 0:48:35.440
<v Speaker 2>comes out on stage and starts his set. So I

0:48:35.480 --> 0:48:37.920
<v Speaker 2>played ice hockey for thirteen years and it's great to

0:48:37.960 --> 0:48:40.880
<v Speaker 2>be alive. Thanks. I'm playing in a league in California,

0:48:40.920 --> 0:48:43.200
<v Speaker 2>and there are surfers in this ice hockey league, and

0:48:43.239 --> 0:48:46.720
<v Speaker 2>these guys are thinking, if this ice smelts cool, dude

0:48:46.800 --> 0:48:52.560
<v Speaker 2>surfs up and the audience laughs. Joey continues mentioning the

0:48:52.640 --> 0:48:55.479
<v Speaker 2>surfer who keeps talking about ice hockey philosophy to him.

0:48:55.640 --> 0:49:00.319
<v Speaker 2>Joey impersonates the surfer voice. The audience keeps laughing. Then

0:49:00.400 --> 0:49:04.000
<v Speaker 2>Joey begins this incredible Jacques Cousteau act, which is like,

0:49:04.320 --> 0:49:06.719
<v Speaker 2>so good, so great.

0:49:06.960 --> 0:49:11.040
<v Speaker 1>Jacques Cousteau, for those of you who don't know, was

0:49:11.320 --> 0:49:15.839
<v Speaker 1>a nature, a marine nature, like a documentarian who did

0:49:15.840 --> 0:49:17.960
<v Speaker 1>a lot of things in the seventies and eighties that

0:49:18.000 --> 0:49:21.600
<v Speaker 1>were really cool underwater documentaries that people hadn't seen before. Yeah,

0:49:21.640 --> 0:49:23.160
<v Speaker 1>and he was French.

0:49:23.280 --> 0:49:26.000
<v Speaker 2>And we continue and Dave nails it like he nails

0:49:26.000 --> 0:49:29.440
<v Speaker 2>the voice. My god, he nails the cadence, like the birds,

0:49:29.920 --> 0:49:31.240
<v Speaker 2>the bird sounds.

0:49:30.880 --> 0:49:33.040
<v Speaker 1>Yeah, yeah, the birds got yeah. Everything. If you've ever

0:49:33.080 --> 0:49:35.880
<v Speaker 1>seen a Jacques Custo, which you may have if your

0:49:35.920 --> 0:49:39.440
<v Speaker 1>our age and watched like a documentary in your science class,

0:49:40.000 --> 0:49:43.240
<v Speaker 1>it is exactly like a Jacques Cousta.

0:49:43.320 --> 0:49:44.040
<v Speaker 3>Yep, Dave.

0:49:44.320 --> 0:49:50.600
<v Speaker 2>Dave absolutely nailed this impression. So He does some more

0:49:50.640 --> 0:49:54.400
<v Speaker 2>impressions and the audience loves it, and he includes his

0:49:54.440 --> 0:49:57.160
<v Speaker 2>classic cut it out and gets a big round of applause.

0:49:57.880 --> 0:50:00.520
<v Speaker 2>He finishes his act by doing Popeye impression and the

0:50:00.560 --> 0:50:04.759
<v Speaker 2>audience is going crazy for him. Next, Joey and his

0:50:04.760 --> 0:50:09.440
<v Speaker 2>competitor Steve greet each other on stage. Ed McMahon explains

0:50:09.440 --> 0:50:11.520
<v Speaker 2>that they are now going to see how the judges

0:50:11.719 --> 0:50:16.560
<v Speaker 2>rated them. Champion Steve Odokerk gets all four stars a

0:50:16.600 --> 0:50:20.840
<v Speaker 2>perfect score, and Joey Gladstone gets all four stars another

0:50:21.080 --> 0:50:26.640
<v Speaker 2>perfect score. Ooh, I was excited. But the way they

0:50:26.640 --> 0:50:29.520
<v Speaker 2>break ties on Star Search is for the studio audience

0:50:29.600 --> 0:50:32.359
<v Speaker 2>to vote for their favorite, and once the votes are in,

0:50:32.760 --> 0:50:35.799
<v Speaker 2>the results will be revealed at the end of the show.

0:50:37.200 --> 0:50:39.920
<v Speaker 2>A spokeswoman takes us to commercial as Danny stands up

0:50:39.920 --> 0:50:44.479
<v Speaker 2>in the audience, very smitten with her. A little while later,

0:50:44.560 --> 0:50:46.880
<v Speaker 2>it's the end of the show and the results are in.

0:50:47.560 --> 0:50:51.000
<v Speaker 2>Joey's inner monologue reveals that he is terrified and he

0:50:51.480 --> 0:50:55.600
<v Speaker 2>has his whole career writing on this moment, whereas his

0:50:55.600 --> 0:50:59.000
<v Speaker 2>competitor competitor's inner monologue is telling us how he's thinking

0:50:59.040 --> 0:51:00.680
<v Speaker 2>about where to get a good burd after the.

0:51:00.680 --> 0:51:03.040
<v Speaker 1>Show, which was such a strange. It was sort of

0:51:03.040 --> 0:51:06.200
<v Speaker 1>a strange, like, oh, we're we can hear people's thoughts

0:51:06.280 --> 0:51:06.880
<v Speaker 1>now interesting.

0:51:06.920 --> 0:51:09.000
<v Speaker 2>Yeah, you know, it was just that fits in.

0:51:09.160 --> 0:51:10.080
<v Speaker 1>Was like okay, I love it.

0:51:10.080 --> 0:51:12.520
<v Speaker 2>Hey, it fits in with the Aliens, the X Files,

0:51:12.520 --> 0:51:15.360
<v Speaker 2>the portals, the shape shifting like you know, this is

0:51:16.120 --> 0:51:20.800
<v Speaker 2>full house is magic. My greeting, of course, Ed McMahon

0:51:20.840 --> 0:51:25.640
<v Speaker 2>reveals that Steve oda Kirk is the winner and the

0:51:25.760 --> 0:51:33.000
<v Speaker 2>reigning champion. Wo we no, I felt terrible. We cut

0:51:33.040 --> 0:51:36.520
<v Speaker 2>to a very disappointed commercial break, and when we come back,

0:51:36.560 --> 0:51:40.800
<v Speaker 2>we are backstage again at Star Search. The entire family

0:51:40.880 --> 0:51:43.920
<v Speaker 2>runs into Joey's room, congratulating him on a great show.

0:51:44.239 --> 0:51:47.520
<v Speaker 2>Everyone's doing their part by telling Joey how wonderful he was,

0:51:47.640 --> 0:51:50.720
<v Speaker 2>but Steph takes it above and beyond. You were better

0:51:50.760 --> 0:51:53.640
<v Speaker 2>than the best, You were the bestest, you were super

0:51:53.840 --> 0:51:58.360
<v Speaker 2>best orama. Joey thanks everyone and tells them he's glad

0:51:58.400 --> 0:52:00.799
<v Speaker 2>he's getting out of comedy while he's still young enough

0:52:00.840 --> 0:52:05.080
<v Speaker 2>to laugh about it. I just saw the look on

0:52:05.160 --> 0:52:07.560
<v Speaker 2>his face and I just, oh, my heart dropped.

0:52:08.600 --> 0:52:09.160
<v Speaker 1>Yeah.

0:52:09.320 --> 0:52:11.520
<v Speaker 2>Danny tells his daughters that he and Jesse want to

0:52:11.560 --> 0:52:14.160
<v Speaker 2>talk to Joey alone for a minute, so he tells

0:52:14.160 --> 0:52:16.400
<v Speaker 2>the girls to go get ed McMahon's autograph, and the

0:52:16.440 --> 0:52:18.759
<v Speaker 2>girls leave once again. The girls are and.

0:52:18.880 --> 0:52:21.800
<v Speaker 1>They've already been. They've already probably figured out where Craft services.

0:52:22.000 --> 0:52:24.000
<v Speaker 1>And we're all, yeah, they're they're touring the studio a lot.

0:52:24.000 --> 0:52:25.480
<v Speaker 1>They're fine. They've stolen a golf card.

0:52:25.520 --> 0:52:28.759
<v Speaker 2>It's like our girls backstage at Fuller. Yeah, they've just yeah,

0:52:28.840 --> 0:52:33.560
<v Speaker 2>the whole run of the stage right right, Craft Service.

0:52:34.800 --> 0:52:37.799
<v Speaker 2>So Joey tells Jesse and Danny to save the pep

0:52:37.880 --> 0:52:40.560
<v Speaker 2>talk because he already knows what they're going to say.

0:52:41.239 --> 0:52:44.040
<v Speaker 2>He mocks them, keep working at it, it's gonna happen.

0:52:44.160 --> 0:52:46.160
<v Speaker 2>You got a perfect score in Star Search. If you

0:52:46.200 --> 0:52:49.640
<v Speaker 2>give up now, you're stupid. Jesse and Danny admit that, Yeah,

0:52:49.680 --> 0:52:52.440
<v Speaker 2>that's exactly what they were going to say. I mean,

0:52:53.239 --> 0:52:55.839
<v Speaker 2>I was like, yes, yeah, he nailed all of all

0:52:55.880 --> 0:52:57.160
<v Speaker 2>of those talking points. Yeah.

0:52:57.239 --> 0:52:59.080
<v Speaker 1>Right now, He's like, that's exactly what they were going

0:52:59.160 --> 0:53:01.480
<v Speaker 1>to write. I mean, where we go from here?

0:53:02.880 --> 0:53:06.040
<v Speaker 2>Joey sighs. There comes a time in every man's life

0:53:06.080 --> 0:53:08.719
<v Speaker 2>when he's just got to face the music and say

0:53:08.719 --> 0:53:14.160
<v Speaker 2>to himself, Hey, I'm a failure bro like Joey, But

0:53:14.400 --> 0:53:15.680
<v Speaker 2>he's breaking my heart.

0:53:15.880 --> 0:53:16.280
<v Speaker 1>Failure.

0:53:16.880 --> 0:53:17.799
<v Speaker 2>He's so hard on.

0:53:18.000 --> 0:53:20.440
<v Speaker 1>If you've been a comedian for ten years, you are

0:53:20.640 --> 0:53:22.960
<v Speaker 1>very used to rejecting. Yeah, star search does feel it.

0:53:23.040 --> 0:53:26.400
<v Speaker 1>You've got on Star Search in two weeks. That's like

0:53:26.800 --> 0:53:27.959
<v Speaker 1>you're it's gonna be okay.

0:53:28.120 --> 0:53:31.799
<v Speaker 2>He just doesn't have the perspective. But but then Jesse

0:53:32.040 --> 0:53:35.840
<v Speaker 2>Jesse steps in. Jesse says, nobody calls my friend Joey

0:53:35.840 --> 0:53:38.120
<v Speaker 2>a failure, especially my friend Joey.

0:53:38.600 --> 0:53:38.799
<v Speaker 1>Right.

0:53:39.360 --> 0:53:42.240
<v Speaker 2>Joey argues back. He says, I'm a local nightclub comic.

0:53:42.280 --> 0:53:44.480
<v Speaker 2>That's all I'm ever gonna be. I've been in the

0:53:44.480 --> 0:53:47.839
<v Speaker 2>same rut for the last ten years. Jesse tells him

0:53:47.880 --> 0:53:52.640
<v Speaker 2>that the failure he's experiencing is his attitude. He says,

0:53:52.840 --> 0:53:55.400
<v Speaker 2>your problem is the way you're looking at success. Do

0:53:55.440 --> 0:53:58.759
<v Speaker 2>you love being a stand up comic? Joey says, well yeah,

0:53:59.560 --> 0:54:03.200
<v Speaker 2>Jesse's have you made thousands of people laugh millions tonight?

0:54:03.760 --> 0:54:07.920
<v Speaker 2>And Joey perks up. Well yeah, Jesse goes on, before

0:54:07.960 --> 0:54:11.000
<v Speaker 2>this little stupid deadline of yours, were you happy with

0:54:11.080 --> 0:54:14.680
<v Speaker 2>your life? Joey throws up his hands and admits yes,

0:54:15.640 --> 0:54:19.720
<v Speaker 2>and Jesse concludes personal happiness and bringing joy to others.

0:54:20.120 --> 0:54:25.319
<v Speaker 2>That sounds like success to me. Jesse knows that's that's

0:54:25.360 --> 0:54:27.080
<v Speaker 2>so great. He's so proud of Jesse.

0:54:26.960 --> 0:54:29.840
<v Speaker 1>Like, you know, for he really in this moment, he

0:54:30.000 --> 0:54:33.520
<v Speaker 1>really redeemed himself. He shined. I was very proud of

0:54:33.600 --> 0:54:35.839
<v Speaker 1>how he stood up for his friend and supported him

0:54:35.880 --> 0:54:38.600
<v Speaker 1>and was like, dude, you're gonna it's gonna be okay.

0:54:38.640 --> 0:54:40.120
<v Speaker 1>You actually are doing just fine.

0:54:40.200 --> 0:54:42.640
<v Speaker 2>Yeah. I think I think Jesse's only flaw is in

0:54:42.680 --> 0:54:45.560
<v Speaker 2>the relationship era of his life. But when it comes

0:54:45.560 --> 0:54:47.920
<v Speaker 2>to pep talks and building up his friends, like this

0:54:48.160 --> 0:54:50.399
<v Speaker 2>was Chef's kiss, no notes, it was.

0:54:50.360 --> 0:54:52.520
<v Speaker 1>Perfect, no notes, and that it was great. You know.

0:54:52.680 --> 0:54:56.120
<v Speaker 1>I know we are sometimes hard on Uncle Jay and

0:54:56.160 --> 0:54:59.200
<v Speaker 1>in the in the show, but this was a shining

0:54:59.280 --> 0:55:02.600
<v Speaker 1>example of Uncle Jesse making you believe in yourself.

0:55:02.640 --> 0:55:04.080
<v Speaker 2>It was great. It was great. He didn't make it

0:55:04.120 --> 0:55:06.759
<v Speaker 2>all about himself. He just referred to like, right, it's

0:55:06.760 --> 0:55:08.680
<v Speaker 2>like I us it career. But he didn't like make

0:55:08.719 --> 0:55:09.440
<v Speaker 2>it all about him.

0:55:09.440 --> 0:55:11.520
<v Speaker 1>He didn't make it all exactly. I was, yeah, this

0:55:11.640 --> 0:55:14.879
<v Speaker 1>is growth people, This yes gross, Joey got a moment

0:55:14.960 --> 0:55:16.280
<v Speaker 1>to have his own feet.

0:55:16.320 --> 0:55:19.800
<v Speaker 2>I love it. So Jesse asks Danny if there's anything

0:55:19.800 --> 0:55:22.360
<v Speaker 2>he'd like to add to this PEP talk, and Danny

0:55:22.400 --> 0:55:24.920
<v Speaker 2>is staring off in the distance and he says, oh, sorry,

0:55:24.960 --> 0:55:28.000
<v Speaker 2>I wasn't listening. I was still thinking about that spokes model.

0:55:29.719 --> 0:55:32.600
<v Speaker 1>And which also does it track for Danny though Danny's

0:55:32.640 --> 0:55:35.439
<v Speaker 1>not usually that guy. I felt like a Jesse line

0:55:35.480 --> 0:55:36.759
<v Speaker 1>to me? It did.

0:55:37.040 --> 0:55:38.680
<v Speaker 2>I guess it did to me too, even the fact

0:55:38.719 --> 0:55:40.360
<v Speaker 2>that he stood up in the in the audience and

0:55:40.480 --> 0:55:43.160
<v Speaker 2>was like, oh her, that was I'm like, okay, Danny

0:55:43.200 --> 0:55:43.719
<v Speaker 2>needs a date.

0:55:43.920 --> 0:55:47.640
<v Speaker 1>And also, what were spokes models? Why were they usually

0:55:47.680 --> 0:55:50.200
<v Speaker 1>a spokesperson is like for a product? Why were we

0:55:51.400 --> 0:55:53.839
<v Speaker 1>I don't know why we. I guess that was kind

0:55:53.840 --> 0:55:57.480
<v Speaker 1>of what you called like price is right and all

0:55:56.520 --> 0:56:00.800
<v Speaker 1>those we were usually advertising some sort of product. I

0:56:00.840 --> 0:56:02.600
<v Speaker 1>guess yeah, yeah, I guess they would just be called

0:56:02.760 --> 0:56:04.840
<v Speaker 1>because we just don't really have spokes models anymore.

0:56:04.920 --> 0:56:08.160
<v Speaker 2>No, No, they're just co hosts now, it's you know, it's.

0:56:08.000 --> 0:56:11.799
<v Speaker 1>They're just anyone with a with a social media.

0:56:11.600 --> 0:56:14.719
<v Speaker 2>Yeah, yeah, basically. So next we go back to the

0:56:14.760 --> 0:56:18.720
<v Speaker 2>Star Search stage, which is now devoid of audience members.

0:56:18.719 --> 0:56:22.400
<v Speaker 2>It's empty. Yes, Joey walks onto the stage and stands

0:56:22.400 --> 0:56:25.920
<v Speaker 2>at the empty microphone. He begins to do his Wizard

0:56:25.960 --> 0:56:30.200
<v Speaker 2>of Oz sketch for the empty audience. He shrugs, well,

0:56:30.520 --> 0:56:33.680
<v Speaker 2>I gave it my best shot ten years. It's been

0:56:33.719 --> 0:56:36.040
<v Speaker 2>a great ten years. But what do I have to

0:56:36.080 --> 0:56:39.239
<v Speaker 2>show for it? I do do the best Popeye in

0:56:39.280 --> 0:56:42.799
<v Speaker 2>the business. And he imitates Popeye's laugh. Just then we

0:56:42.800 --> 0:56:46.200
<v Speaker 2>hear a giggle. The camera shows Michelle walking onto the stage.

0:56:46.320 --> 0:56:49.600
<v Speaker 2>She's giggling at Joey's impression. Joey walks.

0:56:49.640 --> 0:56:53.120
<v Speaker 1>Kind of creepy that she walked. The way she's giggling

0:56:53.120 --> 0:56:56.000
<v Speaker 1>and walking in it was so for it felt do

0:56:56.120 --> 0:56:57.239
<v Speaker 1>you see the movie Child's Play?

0:56:57.360 --> 0:57:00.160
<v Speaker 2>Oh, it felt really creepy me.

0:57:00.360 --> 0:57:03.960
<v Speaker 1>She was like, I was like stop doing that, Like stop,

0:57:04.120 --> 0:57:05.800
<v Speaker 1>that's what I'm sorry. I ruined the moment.

0:57:06.280 --> 0:57:07.120
<v Speaker 2>You didn't ruin the moment.

0:57:07.160 --> 0:57:10.200
<v Speaker 1>I was like, it just this this it just felt

0:57:10.200 --> 0:57:12.359
<v Speaker 1>like one of those moments like this episode felt very

0:57:12.440 --> 0:57:15.000
<v Speaker 1>like again that sort of forcing of Michelle to do stuff,

0:57:15.840 --> 0:57:18.400
<v Speaker 1>and and again the kids wandering about.

0:57:18.480 --> 0:57:20.720
<v Speaker 2>Well, well, I mean this is when you have men

0:57:20.840 --> 0:57:23.640
<v Speaker 2>who don't have children writing for a three year old

0:57:23.720 --> 0:57:25.160
<v Speaker 2>and you're like, well, I don't think a three year

0:57:25.160 --> 0:57:27.400
<v Speaker 2>old would do that. And yeah, I mean, I give

0:57:27.440 --> 0:57:29.400
<v Speaker 2>the Olsen's credit. They did great with what they were

0:57:29.400 --> 0:57:30.240
<v Speaker 2>give they did great.

0:57:30.280 --> 0:57:31.800
<v Speaker 1>They did great with what I mean, there were three

0:57:32.600 --> 0:57:34.840
<v Speaker 1>but it just I was like this, it just anyway.

0:57:34.960 --> 0:57:38.920
<v Speaker 1>But but but she has to be there for the

0:57:38.960 --> 0:57:42.600
<v Speaker 1>next part, which is of course makes so much sense,

0:57:43.000 --> 0:57:45.840
<v Speaker 1>which is which is the emotional unload on the top,

0:57:46.200 --> 0:57:48.480
<v Speaker 1>which we seem to do a lot.

0:57:48.600 --> 0:57:50.840
<v Speaker 2>She's the therapist of the family, so.

0:57:51.480 --> 0:57:53.560
<v Speaker 1>This family needs somebody to talk to.

0:57:54.280 --> 0:57:56.880
<v Speaker 2>Yeah, joe Joey picks her up and tells her that

0:57:56.920 --> 0:57:59.480
<v Speaker 2>he has been on so many stages and told so

0:57:59.560 --> 0:58:03.240
<v Speaker 2>many joke but he never gets tired of hearing people laugh.

0:58:04.040 --> 0:58:08.320
<v Speaker 2>He asks himself, So why am I walking away? Michelle responds,

0:58:08.680 --> 0:58:13.040
<v Speaker 2>I don't know. Joey sighs. I did have that deadline,

0:58:13.640 --> 0:58:15.840
<v Speaker 2>but let's face it, I've never been on time for

0:58:15.880 --> 0:58:18.400
<v Speaker 2>anything in my entire life, so why start now.

0:58:19.680 --> 0:58:22.640
<v Speaker 1>You're a comedian. That's a hallmark of meeting a comedian

0:58:22.720 --> 0:58:23.800
<v Speaker 1>is never being on time.

0:58:24.040 --> 0:58:25.000
<v Speaker 2>You're never on time.

0:58:25.480 --> 0:58:30.000
<v Speaker 1>You get rejected time blindness, rejecting it. Yeah, you're either

0:58:30.200 --> 0:58:32.880
<v Speaker 1>two hours early and stressing about that, or you're two

0:58:32.920 --> 0:58:36.440
<v Speaker 1>hours late, and you're like, I'm an idiot, Like, yeah.

0:58:35.680 --> 0:58:41.680
<v Speaker 2>Yeah, he's got a normal life for a comic, very successful.

0:58:41.720 --> 0:58:44.800
<v Speaker 2>But you know, the joke's gotta work. So Joey decides

0:58:44.840 --> 0:58:47.800
<v Speaker 2>to make a new deadline. He declares, if I'm not

0:58:47.880 --> 0:58:50.560
<v Speaker 2>on the Carson Show in sixty years, I'm going to

0:58:50.640 --> 0:58:55.200
<v Speaker 2>seriously consider changing my career. He does a porky pig impression,

0:58:55.320 --> 0:59:00.720
<v Speaker 2>concluding that ain't all folks. Just then, Danny, Jesse, DJ

0:59:00.840 --> 0:59:04.080
<v Speaker 2>and Steph walk onto the stage, applauding Joey and singing,

0:59:04.320 --> 0:59:05.880
<v Speaker 2>oh a slow clap, Oh yeah, Oh.

0:59:05.840 --> 0:59:10.000
<v Speaker 1>Got a slow clap, the slow yeah clap.

0:59:10.840 --> 0:59:12.320
<v Speaker 2>Just I love the slow clap.

0:59:13.120 --> 0:59:17.080
<v Speaker 1>Yeah, it's it was a staple of eighties movies and

0:59:17.240 --> 0:59:18.160
<v Speaker 1>film and television.

0:59:18.440 --> 0:59:18.560
<v Speaker 2>Uh.

0:59:18.960 --> 0:59:21.560
<v Speaker 1>It still happens occasionally today, but I think we now

0:59:21.600 --> 0:59:25.360
<v Speaker 1>do it more of an ironic, true, true satire esque way.

0:59:25.400 --> 0:59:25.960
<v Speaker 1>But no, it was.

0:59:26.000 --> 0:59:26.920
<v Speaker 2>They weren't mocking him.

0:59:27.520 --> 0:59:30.840
<v Speaker 1>Walk around the corner slow clap, where you've heard something

0:59:30.880 --> 0:59:32.400
<v Speaker 1>and you're giving someone their applause.

0:59:32.480 --> 0:59:35.320
<v Speaker 2>It's a very you're building to a bigger applause, a.

0:59:35.560 --> 0:59:40.440
<v Speaker 1>Moving moment in many an eighties uh film or show,

0:59:41.080 --> 0:59:43.560
<v Speaker 1>Oh it's great here we're here for the slow.

0:59:43.960 --> 0:59:47.680
<v Speaker 2>The family is so supportive. They applaud him and they

0:59:47.720 --> 0:59:53.720
<v Speaker 2>sing we love you, and Joey tells them to cut

0:59:53.840 --> 0:59:57.400
<v Speaker 2>it out, and that is our show, ladies and gentlemen, Hey,

0:59:58.520 --> 1:00:00.560
<v Speaker 2>I love it. Oh, this was such a good.

1:00:00.440 --> 1:00:05.040
<v Speaker 1>You know what's actually really funny is Dave says, well,

1:00:05.120 --> 1:00:07.360
<v Speaker 1>Joey says, if I'm not in the Carson on the

1:00:07.360 --> 1:00:12.280
<v Speaker 1>Carson Show in sixty years and when we came back

1:00:12.320 --> 1:00:17.720
<v Speaker 1>and did Fuller House, we did the Tonight Show, Jimmy Allen,

1:00:17.800 --> 1:00:21.760
<v Speaker 1>that's right, and that was that was only the Tonight

1:00:21.760 --> 1:00:26.080
<v Speaker 1>Show with Johnny Carson. Yeah, so we did the entire cast,

1:00:26.360 --> 1:00:30.160
<v Speaker 1>did do the Carson Show technically, yes, the Tonight Show

1:00:30.920 --> 1:00:36.080
<v Speaker 1>within Joey's Yeah, so Joey, I just want to point out, Joey,

1:00:36.880 --> 1:00:37.400
<v Speaker 1>Joey made.

1:00:37.320 --> 1:00:41.280
<v Speaker 2>Up Joey manifested that moment. It had it on the

1:00:41.320 --> 1:00:44.240
<v Speaker 2>Tonight Show and the whole family Joey him, I didn't

1:00:44.240 --> 1:00:45.120
<v Speaker 2>even put that together.

1:00:45.200 --> 1:00:46.960
<v Speaker 1>Well, the whole family except for Michelle.

1:00:47.120 --> 1:00:51.440
<v Speaker 2>Well, wasn't Johnny, wasn't Jemmy Jimmy Fallon? He was Michelle

1:00:51.440 --> 1:00:53.680
<v Speaker 2>in the pencil bed, Yes, yes, he was playing the

1:00:53.760 --> 1:00:54.080
<v Speaker 2>role with.

1:00:54.640 --> 1:00:56.960
<v Speaker 1>Yeah, while Michelle's like, look, I've heard enough out of

1:00:56.960 --> 1:00:57.320
<v Speaker 1>his family.

1:00:57.800 --> 1:01:02.160
<v Speaker 2>Yeah, Michelle still healing her trauma.

1:01:01.840 --> 1:01:06.160
<v Speaker 1>Had been everyone's therapist for long enough. But yeah, we

1:01:06.160 --> 1:01:09.760
<v Speaker 1>we went on uh when on the Tonight show So

1:01:11.240 --> 1:01:13.920
<v Speaker 1>I did, which was so amazing and so fun, and this.

1:01:14.040 --> 1:01:17.280
<v Speaker 2>Showcase David talents so well. My only note is I

1:01:17.280 --> 1:01:19.800
<v Speaker 2>feel like we've kind of done this episode before in

1:01:19.840 --> 1:01:24.520
<v Speaker 2>season one with businessman Joey with the Philistiller episode, I

1:01:24.520 --> 1:01:27.080
<v Speaker 2>feel like that he was also having a crisis of

1:01:27.120 --> 1:01:28.480
<v Speaker 2>his career crisis.

1:01:28.640 --> 1:01:31.280
<v Speaker 1>Well, but but Jesse's also had this moment.

1:01:31.080 --> 1:01:32.320
<v Speaker 2>A couple of true, very true.

1:01:32.360 --> 1:01:35.160
<v Speaker 1>I feel like the guys kind of like every few

1:01:35.280 --> 1:01:39.320
<v Speaker 1>seasons there's kind of this moment. The only one I

1:01:39.440 --> 1:01:43.280
<v Speaker 1>really feel like, never well at least that I remember,

1:01:43.320 --> 1:01:45.200
<v Speaker 1>But again I have not seen the show. I don't

1:01:45.240 --> 1:01:47.280
<v Speaker 1>think Danny ever had like a crisis of like, oh,

1:01:47.360 --> 1:01:49.120
<v Speaker 1>wake up San Francisco, what am I doing with my life?

1:01:49.160 --> 1:01:51.480
<v Speaker 1>He was usually pretty okay, but it consistently. I feel

1:01:51.480 --> 1:01:54.440
<v Speaker 1>like Jesse and Joey definitely throughout the seasons had a

1:01:54.440 --> 1:01:56.920
<v Speaker 1>lot of like what am I doing? And then they

1:01:56.920 --> 1:02:00.120
<v Speaker 1>would change careers and then they would start an ad agency.

1:02:00.560 --> 1:02:02.800
<v Speaker 2>I do wish we could see more. I want to

1:02:02.800 --> 1:02:07.040
<v Speaker 2>see some another side of Joey, not just Joey finding

1:02:07.360 --> 1:02:10.520
<v Speaker 2>finding a date or Joey you know, figuring out his career, Like,

1:02:10.600 --> 1:02:12.880
<v Speaker 2>let's get some more, let's involve him a little bit more.

1:02:12.880 --> 1:02:16.120
<v Speaker 1>But I do feel that Joey uh in some ways

1:02:16.200 --> 1:02:19.040
<v Speaker 1>was a little one dimensional, which although which gives me

1:02:19.440 --> 1:02:23.440
<v Speaker 1>a lot of hope because I think in season three,

1:02:23.800 --> 1:02:27.240
<v Speaker 1>not too long from this one, we have Joey as

1:02:27.760 --> 1:02:29.080
<v Speaker 1>the honeybeemm.

1:02:28.800 --> 1:02:30.640
<v Speaker 2>Oh is that coming up? Okay? Cool?

1:02:31.160 --> 1:02:34.240
<v Speaker 1>I think that comes up in the third season, and

1:02:34.440 --> 1:02:36.920
<v Speaker 1>so that's a bit great where we get to definitely

1:02:36.920 --> 1:02:40.880
<v Speaker 1>see another side of Joey. So we'll see more. But

1:02:40.960 --> 1:02:44.440
<v Speaker 1>you're right, we do. It's it's he doesn't get a

1:02:44.480 --> 1:02:49.960
<v Speaker 1>lot of his only life outside of the house is

1:02:51.160 --> 1:02:54.439
<v Speaker 1>like comedy club, right, or being tied to Justin, which

1:02:54.480 --> 1:02:56.560
<v Speaker 1>I guess again it comes that you have to do that,

1:02:56.640 --> 1:02:59.160
<v Speaker 1>like you don't show everyone's life, you show little slices

1:02:59.200 --> 1:02:59.520
<v Speaker 1>of life.

1:02:59.600 --> 1:03:01.800
<v Speaker 2>But well, we had a big cast too, like the

1:03:01.840 --> 1:03:04.280
<v Speaker 2>house was very full, so the writers had a hard

1:03:04.360 --> 1:03:07.480
<v Speaker 2>job writing for each giving each character their moment, and

1:03:07.320 --> 1:03:10.960
<v Speaker 2>they're kept adding more. Yeah, it never stopped getting fuller

1:03:11.040 --> 1:03:11.919
<v Speaker 2>and fuller, like we.

1:03:11.800 --> 1:03:13.920
<v Speaker 1>Were like mob wise, you just fed us after midnight

1:03:13.960 --> 1:03:15.640
<v Speaker 1>and there were more of us.

1:03:16.520 --> 1:03:18.560
<v Speaker 2>We got to talk about the everwherey look moments?

1:03:18.960 --> 1:03:20.600
<v Speaker 1>Did you have an everywhere you look moment? Oh?

1:03:20.720 --> 1:03:24.240
<v Speaker 2>God, yes, like major Oneska, did you? I assumed you

1:03:24.280 --> 1:03:25.160
<v Speaker 2>have the same ones.

1:03:25.640 --> 1:03:27.120
<v Speaker 1>Like I said, I, I had a bit of a

1:03:27.160 --> 1:03:29.120
<v Speaker 1>panic this morning after realizing I.

1:03:29.080 --> 1:03:31.080
<v Speaker 2>Had almost watched the episode.

1:03:31.720 --> 1:03:34.000
<v Speaker 1>Let me tell you then, so let me let me

1:03:34.040 --> 1:03:35.960
<v Speaker 1>tell yeah, let me please tell me because I look,

1:03:36.000 --> 1:03:38.720
<v Speaker 1>I think there are a couple that I that I remember,

1:03:38.840 --> 1:03:40.880
<v Speaker 1>but it's all in the star Search audience.

1:03:40.920 --> 1:03:41.360
<v Speaker 2>Obviously.

1:03:41.400 --> 1:03:46.040
<v Speaker 1>That was just like oh yeah, yeah, I think that

1:03:46.120 --> 1:03:47.800
<v Speaker 1>was where I didn't see a lot of people, but

1:03:47.920 --> 1:03:48.360
<v Speaker 1>I was not.

1:03:48.440 --> 1:03:50.960
<v Speaker 2>I had to pause it and like walk because I

1:03:50.960 --> 1:03:52.320
<v Speaker 2>can't say I had to walk up to my TV

1:03:52.360 --> 1:03:54.480
<v Speaker 2>and like look and pause because it is quick and

1:03:54.520 --> 1:03:57.120
<v Speaker 2>so it's really hard to catch, right I did it.

1:03:57.360 --> 1:03:59.040
<v Speaker 2>I pause specifical because I'm like, I'm gonna have to

1:03:59.040 --> 1:04:02.400
<v Speaker 2>find it everywhere he looks so sitting behind you guys.

1:04:02.120 --> 1:04:05.240
<v Speaker 1>So maybe so maybe I'm wrong. We did not then

1:04:05.640 --> 1:04:07.240
<v Speaker 1>if it's a bunch of our people in the.

1:04:07.440 --> 1:04:09.680
<v Speaker 2>Not everybody, not every there's only a few, but still

1:04:09.760 --> 1:04:10.240
<v Speaker 2>there's a.

1:04:10.200 --> 1:04:11.880
<v Speaker 1>Lot of our people in the audience. Then I would

1:04:11.920 --> 1:04:15.880
<v Speaker 1>think that maybe we didn't just jump in on a

1:04:15.920 --> 1:04:16.360
<v Speaker 1>taping it.

1:04:16.600 --> 1:04:18.880
<v Speaker 2>Well, there's a lot of it that I didn't recognize too,

1:04:18.960 --> 1:04:20.280
<v Speaker 2>So it could have been you know.

1:04:20.240 --> 1:04:23.080
<v Speaker 1>We got the could have been like those two rows

1:04:23.280 --> 1:04:25.920
<v Speaker 1>for that well, and it could have been our people

1:04:25.960 --> 1:04:27.120
<v Speaker 1>in the back when we're getting close.

1:04:27.480 --> 1:04:30.040
<v Speaker 2>Maybe yeah, oh, that's exactly what is sitting by. Oh

1:04:30.160 --> 1:04:35.280
<v Speaker 2>so sitting behind you is Bridget and Melissa Cameron DJ

1:04:35.400 --> 1:04:38.400
<v Speaker 2>Candice's sisters. But Bridget kind of moves around like she's

1:04:38.520 --> 1:04:40.280
<v Speaker 2>in this section at one point and then she's in

1:04:40.320 --> 1:04:42.520
<v Speaker 2>a different section. So they used her. They used her

1:04:42.560 --> 1:04:45.520
<v Speaker 2>a lot. I think Janice is there. I couldn't tell.

1:04:45.600 --> 1:04:48.280
<v Speaker 2>Janie was always like on the edge of the frame,

1:04:48.640 --> 1:04:51.040
<v Speaker 2>but I swear because she hated to.

1:04:51.040 --> 1:04:53.960
<v Speaker 1>Be on camera more than any Like as much as

1:04:53.960 --> 1:04:56.280
<v Speaker 1>I'm like, yeah, sure, this is easy, like whatever, she's like,

1:04:56.320 --> 1:04:58.320
<v Speaker 1>please hide me, please don't please, don't make me go

1:04:58.320 --> 1:05:00.440
<v Speaker 1>in front of the camera, she'd always be like, is

1:05:00.440 --> 1:05:03.040
<v Speaker 1>Sherry doing it? Usually it was if Sherry's doing it

1:05:03.080 --> 1:05:06.120
<v Speaker 1>and Barbara's doing it, or at least if Sherry's doing it.

1:05:06.400 --> 1:05:08.040
<v Speaker 1>My mom would get roped. It fine, I'll do it,

1:05:08.040 --> 1:05:09.120
<v Speaker 1>but I want to be on the edge. So she'd

1:05:09.120 --> 1:05:11.400
<v Speaker 1>always tell our stage managers like, put me on the

1:05:11.520 --> 1:05:13.480
<v Speaker 1>very edge. I don't like, cut me out if you can,

1:05:13.720 --> 1:05:15.360
<v Speaker 1>I only I don't want to see much of me,

1:05:15.480 --> 1:05:17.880
<v Speaker 1>like an ear is fine. So yeah, I seem to

1:05:17.880 --> 1:05:20.880
<v Speaker 1>remember after my mom having her one line that that

1:05:21.080 --> 1:05:24.280
<v Speaker 1>episode in like season one or two, she was like, yeah, no, done,

1:05:24.440 --> 1:05:25.560
<v Speaker 1>I don't never want to do that again.

1:05:25.800 --> 1:05:29.000
<v Speaker 2>Yeah, she that explains why she is literally like literally

1:05:29.000 --> 1:05:31.080
<v Speaker 2>her her face is cut in half. That's why I

1:05:31.120 --> 1:05:33.760
<v Speaker 2>was like, Yeah, she was probably like thrilled.

1:05:33.760 --> 1:05:36.040
<v Speaker 1>She was arob like great, leave, yeah, just I'll be

1:05:36.080 --> 1:05:37.960
<v Speaker 1>a body here, but please don't get me involved in this.

1:05:38.760 --> 1:05:42.000
<v Speaker 2>Yeah. And then the last the last ever where you look,

1:05:42.640 --> 1:05:45.360
<v Speaker 2>I did notice that Christian Alfonso was one of the judges.

1:05:45.360 --> 1:05:46.439
<v Speaker 2>I spotted her right away.

1:05:47.040 --> 1:05:48.960
<v Speaker 1>But which that's what makes me think that they were

1:05:49.000 --> 1:05:52.200
<v Speaker 1>already shooting an episode because they would have oh judges,

1:05:52.400 --> 1:05:54.120
<v Speaker 1>and the fact that she was there and not credited

1:05:54.480 --> 1:05:56.760
<v Speaker 1>makes me feel like we didn't pay her to be

1:05:56.840 --> 1:05:59.160
<v Speaker 1>on the show. That's why she just happened to have

1:05:59.200 --> 1:06:01.040
<v Speaker 1>gotten maybe in the you know, what I mean. That

1:06:01.200 --> 1:06:02.400
<v Speaker 1>was kind of how what I felt about it.

1:06:02.440 --> 1:06:04.200
<v Speaker 2>That makes a lot of sense. Okay, I bet you

1:06:04.280 --> 1:06:05.680
<v Speaker 2>that's it. I bet you that's it. But you know

1:06:05.720 --> 1:06:08.040
<v Speaker 2>who's next to her, and I didn't. I didn't catch

1:06:08.040 --> 1:06:11.560
<v Speaker 2>it until my second rewatch. Jeff Jeff Franklin.

1:06:11.200 --> 1:06:16.320
<v Speaker 1>Is the other judge. Oh my god, yes, oh yes,

1:06:16.400 --> 1:06:18.560
<v Speaker 1>split second. I can't believe I didn't know. It's a

1:06:18.720 --> 1:06:20.120
<v Speaker 1>split second thing set up.

1:06:20.680 --> 1:06:22.360
<v Speaker 2>I didn't. I didn't catch it the first time, only

1:06:22.360 --> 1:06:25.280
<v Speaker 2>on the second rewatch when I freeze framed every single frame.

1:06:26.280 --> 1:06:29.200
<v Speaker 1>Jeff is Has he been on the show rarely?

1:06:29.280 --> 1:06:31.600
<v Speaker 2>He rarely is on on the show because he's too

1:06:31.640 --> 1:06:32.200
<v Speaker 2>busy running.

1:06:32.360 --> 1:06:34.880
<v Speaker 1>She heard his voice? Did we not hear his voice?

1:06:35.040 --> 1:06:37.560
<v Speaker 1>In one? We did one thing as an announcer or

1:06:37.600 --> 1:06:39.200
<v Speaker 1>stage manager that we heard his voice?

1:06:39.200 --> 1:06:40.360
<v Speaker 2>We did, yes, But.

1:06:40.480 --> 1:06:45.200
<v Speaker 1>Other than that, he's he's been name only. We've never

1:06:45.320 --> 1:06:47.880
<v Speaker 1>seen him on the show. Yep.

1:06:48.000 --> 1:06:49.560
<v Speaker 2>And this is one of the rare times.

1:06:49.640 --> 1:06:50.120
<v Speaker 1>This is it.

1:06:50.320 --> 1:06:52.560
<v Speaker 2>You see Jeff, but don't blink because you'll miss it.

1:06:52.640 --> 1:06:54.840
<v Speaker 2>But he's sitting just to the right of Christian Alfonso.

1:06:54.960 --> 1:06:56.760
<v Speaker 2>I was like, oh my god. It was a very

1:06:56.760 --> 1:06:58.200
<v Speaker 2>exciting moment for me.

1:06:58.280 --> 1:07:01.240
<v Speaker 1>So get yourself in there, Jeff, oh, Jeff, write yourself

1:07:01.240 --> 1:07:01.600
<v Speaker 1>apart and.

1:07:01.720 --> 1:07:02.520
<v Speaker 2>Get a credit either.

1:07:03.040 --> 1:07:05.800
<v Speaker 1>Also, I was gonna say also uncredited, so that's that's

1:07:05.840 --> 1:07:06.160
<v Speaker 1>his all.

1:07:08.480 --> 1:07:10.880
<v Speaker 2>But yeah, that was This was so fun, such a

1:07:10.920 --> 1:07:13.120
<v Speaker 2>classic episode that people remember.

1:07:13.360 --> 1:07:14.880
<v Speaker 1>For a second. When I started watching, I was like,

1:07:14.920 --> 1:07:17.400
<v Speaker 1>oh my gosh, Star Search. For some reason, the Star

1:07:17.480 --> 1:07:21.040
<v Speaker 1>Search episode and the Wayne Newton Vegas episode started to

1:07:21.120 --> 1:07:22.080
<v Speaker 1>morph together for me.

1:07:22.320 --> 1:07:23.880
<v Speaker 2>Oh yeah, which I.

1:07:23.840 --> 1:07:29.160
<v Speaker 1>Think may eventually something like I know that eventually we

1:07:29.200 --> 1:07:31.840
<v Speaker 1>go to Vegas and Joey plays Way Newton, isn't it.

1:07:32.200 --> 1:07:34.640
<v Speaker 1>I feel like it's something I don't know. For some reason,

1:07:34.680 --> 1:07:37.040
<v Speaker 1>I had it tied that like it came about from

1:07:37.160 --> 1:07:39.640
<v Speaker 1>Joey being on Star Search, so maybe it's referenced like

1:07:39.680 --> 1:07:42.240
<v Speaker 1>hey I saw you on Star Search and blah blah blah.

1:07:42.320 --> 1:07:44.360
<v Speaker 1>I don't know. I could be making things up like

1:07:44.760 --> 1:07:47.840
<v Speaker 1>the X Files Full House show, but who knows. I

1:07:47.880 --> 1:07:48.680
<v Speaker 1>always confused.

1:07:48.840 --> 1:07:53.840
<v Speaker 2>Yeah, I had a fabulous Ali Baba Casino with the

1:07:53.840 --> 1:07:55.520
<v Speaker 2>the Way Newton was a Vegas.

1:07:55.760 --> 1:07:59.520
<v Speaker 1>Well, a lot of people confuse Reno and Vegas and

1:07:59.560 --> 1:08:01.840
<v Speaker 1>then they go to Reno and they go, this is

1:08:01.880 --> 1:08:05.520
<v Speaker 1>not Vegas. Yes, And it's usually pretty clear at that point,

1:08:05.600 --> 1:08:10.120
<v Speaker 1>but yeah, I because I have a great story for

1:08:10.160 --> 1:08:10.760
<v Speaker 1>the Vegas one.

1:08:10.760 --> 1:08:12.520
<v Speaker 2>Oh I can't wait, I can't wait.

1:08:12.800 --> 1:08:14.960
<v Speaker 1>Yay, Yeah, Okay. I don't know what season that, but

1:08:15.000 --> 1:08:18.200
<v Speaker 1>this was this brought back memories of watching Star Search

1:08:18.240 --> 1:08:21.560
<v Speaker 1>with my family. I loved it and four Stars and

1:08:21.760 --> 1:08:26.559
<v Speaker 1>like the whole the spokes models, everything on the screen said,

1:08:26.680 --> 1:08:28.920
<v Speaker 1>you know, Joey Gladstone. I'm like, yes, but yeah, I

1:08:28.960 --> 1:08:31.760
<v Speaker 1>loved I loved Star Search. I loved this episode. And

1:08:31.840 --> 1:08:34.840
<v Speaker 1>it was fun to see Dave do a bit of

1:08:34.840 --> 1:08:36.679
<v Speaker 1>his stand up, like when he was on stage doing

1:08:36.680 --> 1:08:40.400
<v Speaker 1>his Star Search thing that was Dave's stand up and

1:08:40.400 --> 1:08:42.320
<v Speaker 1>you could kind of tell his rhythm was a little

1:08:42.320 --> 1:08:46.880
<v Speaker 1>different doing stand up, Like it wasn't his full house

1:08:46.960 --> 1:08:49.320
<v Speaker 1>show scripted, but it was, you know, it was his

1:08:49.640 --> 1:08:52.080
<v Speaker 1>bits of his set. He's always done the clean guy

1:08:52.080 --> 1:08:54.320
<v Speaker 1>comedy stuff. He's always done a lot of like very

1:08:54.360 --> 1:08:56.000
<v Speaker 1>family friendly comedy.

1:08:56.000 --> 1:08:57.000
<v Speaker 2>Stuff, very opposite of.

1:08:58.760 --> 1:09:03.479
<v Speaker 1>Right, very right. Went one way and he went two

1:09:03.520 --> 1:09:08.280
<v Speaker 1>forks in the road, and uh, it was just cool

1:09:08.320 --> 1:09:12.040
<v Speaker 1>to see Dave like do his to kind of shine

1:09:12.080 --> 1:09:13.439
<v Speaker 1>as himself there.

1:09:13.720 --> 1:09:16.160
<v Speaker 2>I'm just I'm so out of him and I'm just

1:09:16.280 --> 1:09:20.160
<v Speaker 2>I love Dave so much and he just shine this episode.

1:09:20.920 --> 1:09:26.320
<v Speaker 1>I don't know how Steve Odekirk one with these four.

1:09:26.800 --> 1:09:29.920
<v Speaker 2>Arms flailing around right, although.

1:09:29.600 --> 1:09:32.920
<v Speaker 1>I do feel like that was in a spina, was

1:09:32.960 --> 1:09:34.960
<v Speaker 1>it not? Didn't he do some weird thing with his

1:09:35.120 --> 1:09:37.920
<v Speaker 1>arms or like flas them around his Jim Carrey is

1:09:37.960 --> 1:09:40.840
<v Speaker 1>like a great yeah. So I'm just saying so that

1:09:40.840 --> 1:09:44.000
<v Speaker 1>that originated on the Sticarge episode of Full House.

1:09:44.160 --> 1:09:46.040
<v Speaker 2>Okay, yes, I love it.

1:09:46.720 --> 1:09:49.800
<v Speaker 1>I wonder if Jim Carrey would have auditioned for Joey Gladstone.

1:09:50.439 --> 1:09:52.880
<v Speaker 1>You imagine that.

1:09:51.920 --> 1:09:54.360
<v Speaker 2>That would have been unhinged. That would have been so

1:09:54.880 --> 1:09:56.439
<v Speaker 2>I mean, it would have been a different show again,

1:09:56.600 --> 1:09:59.479
<v Speaker 2>but he would have been even even more unhinged?

1:10:00.080 --> 1:10:00.160
<v Speaker 3>Was it?

1:10:00.200 --> 1:10:01.680
<v Speaker 1>Because I was a huge in Living Color fan? You

1:10:01.720 --> 1:10:05.400
<v Speaker 1>were oh yeah, oh probably a young age when I

1:10:05.520 --> 1:10:09.440
<v Speaker 1>most of the jokes went over my head again, But yeah,

1:10:09.680 --> 1:10:13.040
<v Speaker 1>so cool David du Coveney, Jim Carrey and uh yeah,

1:10:13.400 --> 1:10:13.720
<v Speaker 1>we can.

1:10:13.880 --> 1:10:14.920
<v Speaker 2>Also are we recasting?

1:10:15.000 --> 1:10:17.080
<v Speaker 1>Yeah? Like who else do we want to just like

1:10:17.160 --> 1:10:20.160
<v Speaker 1>start making it? That's that's there we go, there's a

1:10:20.240 --> 1:10:22.000
<v Speaker 1>there's a fun mini. So that's one of our next

1:10:22.040 --> 1:10:25.680
<v Speaker 1>minisotes is who who would we? Did we do? This,

1:10:25.920 --> 1:10:28.640
<v Speaker 1>who would we see here I go? Who would we recast?

1:10:29.320 --> 1:10:29.400
<v Speaker 2>Like?

1:10:29.479 --> 1:10:32.439
<v Speaker 1>Okay, if if if David du Coveney, who was he?

1:10:32.640 --> 1:10:32.840
<v Speaker 2>Yeah?

1:10:32.880 --> 1:10:36.080
<v Speaker 1>And then who? And then Jim Carrey was Joey. So

1:10:36.280 --> 1:10:38.640
<v Speaker 1>let's recast the whole who plays who? I love this

1:10:38.720 --> 1:10:42.599
<v Speaker 1>idea with random stars from around then who were maybe

1:10:42.880 --> 1:10:45.000
<v Speaker 1>starting their careers or were well established.

1:10:45.160 --> 1:10:47.479
<v Speaker 2>Yeah, let's do That'd be a really fun one. Okay,

1:10:47.560 --> 1:10:48.360
<v Speaker 2>let's do it. Okay.

1:10:48.760 --> 1:10:51.400
<v Speaker 1>Maddy Moore Matty ourducer, amazing producer.

1:10:51.120 --> 1:10:52.960
<v Speaker 2>Just said gay, Okay, yeah.

1:10:53.040 --> 1:10:55.640
<v Speaker 1>Okay, I'm I'm so happy I came up with a

1:10:55.640 --> 1:10:58.880
<v Speaker 1>minisota idea. That's it. I'm not okay, I'm done for

1:10:58.920 --> 1:11:03.879
<v Speaker 1>six months. Yeah, thank you guys so much for listening

1:11:03.880 --> 1:11:10.400
<v Speaker 1>to our unhinged rambling. Uh ridiculousness. We have too much fun. Really,

1:11:10.439 --> 1:11:11.320
<v Speaker 1>we would do.

1:11:11.280 --> 1:11:13.760
<v Speaker 2>This if no one was right, we would just keep

1:11:13.760 --> 1:11:14.800
<v Speaker 2>doing this. This is us.

1:11:15.800 --> 1:11:18.680
<v Speaker 1>Yeah, yeah, we do this with Actually, every show that

1:11:18.720 --> 1:11:21.200
<v Speaker 1>we watch, we just review it and we record ourselves

1:11:21.240 --> 1:11:23.679
<v Speaker 1>talking about it and uh and Eric to no one.

1:11:23.880 --> 1:11:28.800
<v Speaker 1>So yeah, yes, these are the files. Is next that's

1:11:28.840 --> 1:11:29.719
<v Speaker 1>our next show that we're.

1:11:29.560 --> 1:11:32.320
<v Speaker 2>Gonnah, well this is this is This podcast is like

1:11:32.320 --> 1:11:35.080
<v Speaker 2>one big blooper reel, like, honestly, this is just we

1:11:35.120 --> 1:11:36.840
<v Speaker 2>don't cut things out like this is just.

1:11:36.880 --> 1:11:40.040
<v Speaker 1>Podcast my life. That's my life is just a big

1:11:40.240 --> 1:11:43.479
<v Speaker 1>just It's segments of meat, tripping over things that aren't there,

1:11:43.920 --> 1:11:48.360
<v Speaker 1>losing my keys, and making jokes out of horribly maybe

1:11:48.479 --> 1:11:51.360
<v Speaker 1>unfunny things. That's I mean. My life is a blue pet.

1:11:51.520 --> 1:11:57.240
<v Speaker 1>It is great, especially this week. It's going well. Anyway,

1:11:58.280 --> 1:12:00.799
<v Speaker 1>fan of Rito's, we love you. Thank you for listening.

1:12:00.920 --> 1:12:04.880
<v Speaker 1>We hope that you enjoy our craziness as much as

1:12:04.880 --> 1:12:06.519
<v Speaker 1>we do, because we're having a great We are if

1:12:06.560 --> 1:12:10.799
<v Speaker 1>you couldn't tell. But if you guys want to follow

1:12:10.880 --> 1:12:13.800
<v Speaker 1>more of our unhingedness, no, if you guys want to

1:12:13.800 --> 1:12:17.000
<v Speaker 1>follow us on social media, where we're actually pretty well

1:12:17.040 --> 1:12:20.160
<v Speaker 1>put together, you can follow us at how Rude podcast,

1:12:20.280 --> 1:12:22.479
<v Speaker 1>or you can send us an email at Howard podcast

1:12:22.560 --> 1:12:25.559
<v Speaker 1>at gmail dot com. Make sure that wherever you're listening

1:12:25.560 --> 1:12:27.760
<v Speaker 1>to the show, that you are liking and subscribing to

1:12:27.800 --> 1:12:29.280
<v Speaker 1>it so that you can make sure and get all

1:12:29.280 --> 1:12:31.559
<v Speaker 1>of our ridiculous ramblings as soon as they come out,

1:12:31.600 --> 1:12:37.760
<v Speaker 1>so that you two can wonder what is us? You

1:12:37.800 --> 1:12:40.439
<v Speaker 1>can write, You can write to Jana Sweet she'll yeah,

1:12:40.479 --> 1:12:41.240
<v Speaker 1>she'll be like I have.

1:12:41.160 --> 1:12:44.559
<v Speaker 2>Some notes dain notes, yes, yes.

1:12:44.400 --> 1:12:46.559
<v Speaker 1>But thank you guys so much for listening. We love you,

1:12:46.720 --> 1:12:50.360
<v Speaker 1>We love you Fanarritos, and uh, I think I would

1:12:50.360 --> 1:12:53.320
<v Speaker 1>give I would give our Fanaritos four stars. They get

1:12:53.360 --> 1:12:55.840
<v Speaker 1>on stars, they get all the stars, they get all

1:12:55.960 --> 1:12:59.479
<v Speaker 1>the stars, they get all the stars. Steve Odakirk's got

1:12:59.479 --> 1:13:01.400
<v Speaker 1>nothing on you guys, so right, So.

1:13:01.479 --> 1:13:04.000
<v Speaker 2>Just remember Oda fans have nothing on the fan Ritos.

1:13:04.240 --> 1:13:08.280
<v Speaker 1>Yeah, that's that's our closing for that. Just remember the

1:13:08.760 --> 1:13:09.639
<v Speaker 1>Oda fan.

1:13:09.680 --> 1:13:10.639
<v Speaker 2>I think it's Oda fans.

1:13:10.920 --> 1:13:14.479
<v Speaker 1>The Oda fans have nothing on the fan of Rito's boom.

1:13:14.520 --> 1:13:16.040
<v Speaker 1>But the door is always open.

1:13:16.400 --> 1:13:16.720
<v Speaker 2>Love it.

1:13:17.680 --> 1:13:18.120
<v Speaker 1>Watch out.

1:13:18.160 --> 1:13:19.719
<v Speaker 2>I'm making a new bracelet right now.

1:13:23.240 --> 1:13:25.840
<v Speaker 1>That was great. That was smooth as gott it.

1:13:29.120 --> 1:13:32.200
<v Speaker 2>Hey, mix it up, you gotta mix it up. Keep

1:13:32.240 --> 1:13:33.679
<v Speaker 2>these fan Aritos on their tooths.