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Speaker 1: That was the most ons. That was the most in

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Speaker 1: sync clap that we have had, and not the boy band,

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Speaker 1: but just actually in time like clapping moment that we've

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Speaker 1: had ever I think we did.

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Speaker 2: Yeah, that was great, except you know, you said in

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Speaker 2: sync and I I twitched. I just got back from

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Speaker 2: My New Kids on the Block Weekend.

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Speaker 1: No, I'm more of an enc you know, I'm an

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Speaker 1: n sync more of an n SYNC girl, you know

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Speaker 1: I am.

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Speaker 2: That's it. The podcast is over.

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Speaker 1: I'm sorry in sync?

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Speaker 2: Really yes, no, no, I see it's because you're five

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Speaker 2: years younger than.

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Speaker 1: I had a crush on Justin from when I when

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Speaker 1: when I did Mickey Mouse Club. Oh yes, okay, and

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Speaker 1: like they were just a little that was that was

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Speaker 1: more my generation. That's yours again, like five six years

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Speaker 1: that it was. We were the Backstreet Boys in zinc

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Speaker 1: and I definitely fell on the in zync side of things,

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Speaker 1: although I don't think I ever bought one of their No,

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Speaker 1: I bought one album.

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Speaker 2: So anyway, okay, well I'm going to make you listen

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Speaker 2: to my my, my little recap of my New Kids

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Speaker 2: on the Block Weekend.

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Speaker 1: Oh my, I can't wait.

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Speaker 2: I just came back. I can't to three concerts in

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Speaker 2: a row. What it was? Yes, it was like my

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Speaker 2: birthday weekend. It was great, like this was just a spectacular,

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Speaker 2: happy plated birthday.

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Speaker 1: Abe, I know, I thank you and I just love you.

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Speaker 2: Happy birthday, thank you. Thanks. I had a great had

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Speaker 2: a great birthday, had a great Fourth of July.

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Speaker 1: And that Lestes, I texted you, you better be drinking Margerita.

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Speaker 1: Do drink.

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Speaker 2: I don't think I did drink. And Mark, you know

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Speaker 2: it was so hot. I did not.

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Speaker 1: It was so hot.

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Speaker 2: Yeah, And because I knew I was going to the

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Speaker 2: desert weekend where it's a and eighteen. Yeah, no, I'm like,

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Speaker 2: I better just hydrate instead of drinking Margarita's so but yeah,

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Speaker 2: but it was a great weekend. My friend's Katie and

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Speaker 2: A two Andrea, we call her A two. I'm abe

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Speaker 2: she's ah.

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Speaker 1: Got it, got it. I was like, oh, is she

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Speaker 1: uh uh like R two D two related? I know,

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Speaker 1: just A two, A two and R two yep.

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Speaker 2: And so they flew in front because they live out

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Speaker 2: of state. So they flew in and we hit La.

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Speaker 2: They were at the Forum on Friday night and then

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Speaker 2: we drove. We did a road trip in the Hyundai,

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Speaker 2: which was fantastic.

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Speaker 1: Oh yeah.

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Speaker 2: We drove to Palm Desert and saw the concert out there,

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Speaker 2: which was indoors, thank.

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Speaker 1: God, Oh my god, and got heat stroke but it was.

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Speaker 2: Yeah, well it was indooration. It was indoors. Thanks.

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Speaker 1: It wasn't Madonna because she doesn't turn the AC on.

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Speaker 1: Oh what, yeah, because of her, because it hurts her

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Speaker 1: voice apparently, and it does a lot of singers like their,

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Speaker 1: like their, like Arena's warmer, because the AC does not

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Speaker 1: do things for you that wouldn't be me.

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Speaker 2: I'd be like crank, I'd like crank.

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Speaker 1: Yeah, we're of an age that no AC is not

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Speaker 1: an option.

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Speaker 2: Well, she's an age too, or I think I.

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Speaker 1: Think that that, you know what I mean, she's pasted

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Speaker 1: the change.

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Speaker 2: And so we went from Palm Desert to Chula Vista.

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Speaker 2: Like I legit drove like four hundred miles.

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Speaker 1: Aw, you drove all over southern California.

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Speaker 2: Which is south of San Diego. For those of you

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Speaker 2: who don't know, it's like you can see Tijuana from

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Speaker 2: Chula Vista. And the Chula Vista concert was outside at

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Speaker 2: an amphitheater, which I'm a little nervous about. But it

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Speaker 2: was beautiful, like it's San Diego, Like it's just they've

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Speaker 2: got the breeze.

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Speaker 1: Little. I was gonna say, you're a little closer to

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Speaker 1: the ocean. Yes, you're not a palm palm desert, which

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Speaker 1: is not anywhere near the ocean and is actually close

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Speaker 1: to Satan's butthole. As far as I understand, as far

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Speaker 1: as the accurate of the earth, yeah, it is.

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Speaker 2: Very aggy hot, but no, San Diego is beautiful that

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Speaker 2: it was such a good show. So Jeff Franklin Jeff

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Speaker 2: Frankly went to the to the show in La with Emily,

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Speaker 2: his fiance. Oh, so I found them and I said

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Speaker 2: hi and gave him big hugs. It took for wonder

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Speaker 2: two minutes because it was crazy and crowded.

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Speaker 1: I was so sad I didn't get to go to

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Speaker 1: his house on the fourth Oh you didn't. I didn't.

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Speaker 2: I didn't get to go easy.

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Speaker 1: No, I was gonna go, but like family stuff just

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Speaker 1: kind of went crazy. So I was like a wet work.

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Speaker 2: I think a lot of people, I think most of

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Speaker 2: the cast couldn't go because of other plans.

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Speaker 1: Yeah, I know, I felt bad. I was like, oh, yeah,

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Speaker 1: he'll have another pot you had an amazing birthday weekend

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Speaker 1: that I can't imagine anything more ab than uh, a

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Speaker 1: road trip that is completely centered around New Kids concert,

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Speaker 1: the whole, the all, and was it three? Was it?

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Speaker 1: Three shows in three days?

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Speaker 2: Three shows in three days?

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Speaker 1: Which also kudos to them, you know what I mean,

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Speaker 1: Hats off to those guys. That is to grind. Yeah,

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Speaker 1: anybody who's touring, anybody who has ever toured, people like,

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Speaker 1: oh my god, it's no, it is a grind. You

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Speaker 1: are exhausted. You don't get like you are doing show

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Speaker 1: after show after show. It's it's like akin to Broadway

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Speaker 1: almost where you're like, there's no off. They've won a

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Speaker 1: week one.

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Speaker 2: Every now and then. But no, these I mean these

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Speaker 2: guys are all in their fifties. They are performing every night.

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Speaker 2: They're doing I don't know fifty stops on this tour

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Speaker 2: around the US, and they're in like jackets and leather pants,

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Speaker 2: performing outside like they were in Phoenix a couple nights ago. Outside.

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Speaker 1: Kids on the block are gonna get eat you. No,

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Speaker 1: new kids are gonna be old kids are gonna be

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Speaker 1: passed out on the block is what's gonna happen. They'n

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Speaker 1: be passed out on the stoop, just like I tried

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Speaker 1: in My love and I can't. It's gonna be dead.

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Speaker 2: Yeah, I'm sure they're well set with their I they

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Speaker 2: like hydration ivys, whatever cooling packs they've got. They're well

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Speaker 2: taken care of. But that's still that's that's a grind.

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Speaker 2: So yes, my hat is off to them. They're fantastic.

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Speaker 2: Great weekend. I loved it. I just I won.

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Speaker 1: Oh I'm so, I'm so glad you enjoyed yourself. So

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Speaker 1: glad you got to take a little road trip too.

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Speaker 2: That's yeah. And I have to give a shout out

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Speaker 2: to my little friend Amy. Katie's daughter is Amy. She's

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Speaker 2: ten years old. She's from Connecticut, and she she's our

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Speaker 2: number one fan, arguably our number one fan of this podcast.

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Speaker 2: And I facetimed her a couple of days.

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Speaker 1: She'll fight anybody who challenges Oh yeah, she's Oh she.

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Speaker 2: Will yeah yeah. But she had to FaceTime her because Katie,

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Speaker 2: what is it, Kati Hatie? Well, Katie's the mom. Hi no, no,

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Speaker 2: Amy is our number one fan.

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Speaker 1: I'm an idiot, So Hi Amy, Amy, Amy.

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Speaker 2: Yes, I wanted to give her a little shout out

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Speaker 2: because I talked her the other day about the episode

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Speaker 2: we did a few weeks ago about the.

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Speaker 1: Tooth Fairy oh right.

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Speaker 2: And Santa Claus and all that stuff, and so we

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Speaker 2: had a little chat about all of that, because you know,

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Speaker 2: she had some feelings about that. So yeah, we had

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Speaker 2: a great chat. And so I just wanted to say, Amy,

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Speaker 2: you are fantastic. You're so smart, smart as a whip,

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Speaker 2: and we love you and thank you for watching our show.

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Speaker 2: And I can't wait to see you in person and

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Speaker 2: give you a big hug and see your forecat.

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Speaker 1: So yeah, Amy, I won't see you or your forecats,

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Speaker 1: but I'm gonna say hi through Andrea and she can

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Speaker 1: give you a hug because yeah, because I don't know you,

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Speaker 1: and to be creepy if I do, she would love it.

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Speaker 1: But yeah, I want holy how old is Amy? Ahead?

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Speaker 1: Ten and a half? Oh yep, ten and a half?

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Speaker 1: God with those halfs they.

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Speaker 2: Oh yeah, drive down to the minute really really yes,

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Speaker 2: it counts yep. Anyways, how are you? I haven't seen

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Speaker 2: you in a couple of weeks because we took we

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Speaker 2: took fourth of July off that whole week.

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Speaker 1: So yeah, we took fourth of July off. You know,

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Speaker 1: I have been. I've been good. I've been crazed. Uh,

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Speaker 1: family has been nutty, life has been in session.

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Speaker 2: We just saw an article. Did you see that David

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Speaker 2: Ducovney article that just came out? Like it just came out? Boy?

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Speaker 1: Did I? Okay?

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Speaker 2: Tell me your thoughts.

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Speaker 1: I loved David Dukeveny. I was obsessed with X files,

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Speaker 1: like that was my my dad and I used to

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Speaker 1: watch X files. But like I loved.

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Speaker 2: Really, I didn't notice about you.

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Speaker 1: Yes, I never knew any of this story that David

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Speaker 1: Duchovney had auditioned for anything having to do with Full House.

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Speaker 1: And I cannot imagine this. I mean, oh my god,

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Speaker 1: the weird fan fit crossover that I have with like

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Speaker 1: Mulder becoming one of like uncle Jesse's friends. It's just

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Speaker 1: it's very strange. But uh, I was thrilled. I read

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Speaker 1: the whole article. It was amazing. David du Coveney.

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Speaker 2: I think he auditioned for all three roles Jesse, Danny,

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Speaker 2: and Joe. I had heard somewhere along the line that

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Speaker 2: he auditioned for one role. I didn't know you auditioned

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Speaker 2: for all three lead roles.

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Speaker 1: I didn't know either. I didn't And he was like

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Speaker 1: I am not a sitcom actor like I'm and it's true,

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Speaker 1: like there are there's some people have that have the switch,

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Speaker 1: but he is so talented. Oh my god, would have that?

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Speaker 1: Like it was so cool to know, like, oh wow,

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Speaker 1: what could have been? I don't know. I always have

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Speaker 1: that weird thing, even now as an adult with as

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Speaker 1: long as this show has been on, where I'm like,

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Speaker 1: oh my god, like they know our show.

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Speaker 2: It's seven years and we're.

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Speaker 1: Like what, Oh my gosh, they know who we are. Yeah,

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Speaker 1: Like that was really I was like, oh my god, wait,

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Speaker 1: David Duke Coveney knows what full House is.

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Speaker 2: Yeah, it's I know, we're fangirling just as much as

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Speaker 2: anyone else would.

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Speaker 1: Yeah, but anyway, as an X Files fan, it was

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Speaker 1: it was really awesome And and yeah, and I think

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Speaker 1: when we do Fuller House that he should come back somehow.

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Speaker 1: I think we write, we write.

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Speaker 2: David, write him David if you're listening, because I'm sure

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Speaker 2: he is, David, if you're listening, please comes well.

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Speaker 1: I mean, he now he knows who we are, so

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Speaker 1: obviously he has been following our careers and is listening

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Speaker 1: to this podcast with with just Love and admiration. I

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Speaker 1: mean he's recommending it to friends.

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Speaker 2: Sure.

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Speaker 1: See, he's actually one of our one of our our

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Speaker 1: number one active people on our social media. It's incredible.

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Speaker 2: Yeah, David, Kenny and Amy are are number one face.

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Speaker 1: I'm true, none of the this is true. I'm really sorry.

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Speaker 1: It was all a lie before I get sued by

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Speaker 1: David Duchomany, thus ending any chance of him being in Fuller.

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Speaker 2: Right now, David to company's filing restraining orders against us, right.

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Speaker 1: Yeah, he's like cease and desist.

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Speaker 2: Oh man, oh man. Well, you know it wouldn't have

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Speaker 2: been the same full House though with if he had

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Speaker 2: gotten one of the roles, if he had been Danny,

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Speaker 2: it wouldn't have been the same show.

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Speaker 1: So you know, no, no, no, it all worked. I

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Speaker 1: definitely I don't think he I don't think he would

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Speaker 1: have fit the show at all, no offense.

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Speaker 2: He admitted that himself, but.

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Speaker 1: He admitted that I just don't there was there was

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Speaker 1: not a world where I would see him fitting into it.

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Speaker 1: And so yeah, it's it's more the absurdity of it,

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Speaker 1: sort of of like the two shows meeting, like if

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Speaker 1: X Files met Full House. Really, I think Mulder and

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Speaker 1: Scully show up to the Tanner household to investigate this

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Speaker 1: strange shape shifting backyard because it's got to be some

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Speaker 1: sort of a poor Yes, there is some sort of

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Speaker 1: alien life here. So that's the thing. Yeah, that's what

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Speaker 1: it is. They show up and hilarity ensues as we

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Speaker 1: look for aliens. So through the backyards. There's my show.

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Speaker 2: I let's right, this show, right, I'll write it.

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Speaker 1: Yeah, direct it, and come to find out the Gibblers

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Speaker 1: are actually possibly aliens that that wouldn't suppress the whole

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Speaker 1: men in black. It's like a whole men in black

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Speaker 1: sm right, that would make sense why they're so weird

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Speaker 1: because they're like they're imitating what they think humans do,

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Speaker 1: but it's just a little bit left of center, Like

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Speaker 1: it's just a little bit not quite what normal humans

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Speaker 1: would do.

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Speaker 2: This fits. This is the crossover that I didn't know

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Speaker 2: we needed, Like.

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Speaker 1: Yeah, this is It explains every crossover I didn't know

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Speaker 1: I needed until halfway through describing it. I don't even

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Speaker 1: know that's where.

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Speaker 2: That's where the best ideas come from, just like randomly.

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Speaker 1: Out of your brain flowing like let's just see.

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Speaker 2: Where the stream of consciousness thoughts. Yeah, then look at

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Speaker 2: this brilliant, brilliant let's let's write it. Let's write it,

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Speaker 2: let's pitch it file X Files House.

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Speaker 1: Oh it's just a whole house of weird paranormal Files house. Yeah, yeah,

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Speaker 1: all of the all of the they all live what's

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Speaker 1: his name, the guy, the smoking guy and the one

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Speaker 1: that smokes with the hole in his throat and all,

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Speaker 1: like all the weird people from that show. They all

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Speaker 1: live in one house. That's what it is.

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Speaker 2: This is also a cautionary tale for sure, right right?

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Speaker 1: Oh? I love it? Oh boy, should we should we

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Speaker 1: get into our show instead of the one that I'm

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Speaker 1: creating and inventing that that people are terribly getting.

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Speaker 2: We'll recap that show in you know.

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Speaker 1: Twenty years our next podcast, right right, that'll be our

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Speaker 1: next podcast, X Files House, right, look for look for

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Speaker 1: it on Hulu, guys. Just let you know. Also, if

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Speaker 1: anyone steals this idea, I will come invite.

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Speaker 2: You all of us in the entire full house cap

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Speaker 2: date it is it is recorded.

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Speaker 1: Don't stand the idea, don't do it, or just give

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Speaker 1: me credit at least, like, just let me.

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Speaker 2: Get a creator. You get created by Jody Sweetens.

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Speaker 1: That's all I want created by.

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Speaker 2: Everybody deserves credit. Yep. Anyways, let me I'll officially start

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Speaker 2: the show. Let's get let me get into it.

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Speaker 1: Let's not don't clap again, because I don't think we

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Speaker 1: could do that twice in a day.

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Speaker 2: That was like a solar eclipse.

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Speaker 1: It only happens once every eighteen months, right, it was

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Speaker 1: once in our lifetime.

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Speaker 2: Okay, Well, welcome back to How Rude tan Ritos. I'm

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Speaker 2: Andrea Barber.

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Speaker 1: And I'm Jody Sweeten.

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Speaker 2: Last I checked, you're still Jody Sweeten. Today we're discussing

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Speaker 2: season three, episode six, titled Star Search.

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Speaker 1: Woo oh boy.

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Speaker 2: This episodere. It originally aired on November third, nineteen eighty nine,

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Speaker 2: and it goes a little something like this. Joey gives

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Speaker 2: his comedy career one last chance after his self imposed

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Speaker 2: ten year deadline and hopes for a big break on

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Speaker 2: Ed McMahon's TV show Star Search. Meanwhile, DJ and Steph

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Speaker 2: try to teach Michelle not to go to sleep with

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Speaker 2: her ballerina skirt on, but Danny allows her to do it. Okay,

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Speaker 2: of course he does think, well, do you have a

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Speaker 2: feeling about this? I have a feeling about this. I

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Speaker 2: have a feeling we'll get it, We'll get there. It

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Speaker 2: was directed by Billy Faust to Coffee Coffee, Coffee Coffee,

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Speaker 2: and it was written by Kim Weissakoff. And we got

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Speaker 2: so many great guest stars this week, none other than

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Speaker 2: Ed McMahon playing himself at.

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Speaker 1: McMahon ed mcfreaking man, which which kids kids these days? No,

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Speaker 1: but truly our generation and older is of the Star Search,

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Speaker 1: of the star the Star Search era right right right, uh.

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Speaker 1: And this was a huge show. You guys, how did

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Speaker 1: we get on you who have never watched it?

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Speaker 2: What's the kind of did Jeff know it?

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Speaker 3: Like?

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Speaker 2: How did we get how did we get on the go?

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Speaker 1: I mean I think by this by this season we

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Speaker 1: had we could, we could go on Star Search.

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Speaker 2: I mean, yeah, we went to Hawaii.

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Speaker 1: We were we were we were big enough we could.

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Speaker 1: We had the poll to get on Stars's. I mean

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Speaker 1: obviously Danny had the poll to get him on Star

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Speaker 1: Search in two weeks. So and we will get to that.

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Speaker 1: Let's just introduce them.

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Speaker 2: But yeah, we know Ed McMahon from the Tonight Show

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Speaker 2: starring Johnny Carson, Dick Clark's super bloopers and practical jokes

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Speaker 2: I missed that show, to be honest, I love that show.

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Speaker 1: I loved that course Star Search.

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Speaker 2: Next we have Steve Otakirk playing Steve Otakirk. Everyone's playing

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Speaker 2: themselves this week. It's fantastic. This guy has an extraordinary career.

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Speaker 1: Yeah, he is an incredible comedy writer.

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Speaker 2: Oh yes, I when I looked like him up, I

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Speaker 2: was like, whoa amaz, he's done. He created Adventures of Jimmy,

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Speaker 2: Neutron Boy Genius. He wrote ace Ventura When Nature Calls,

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Speaker 2: he wrote The Nutty Professor. He wrote for in Living Color.

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Speaker 2: He's got a whole fan base called ODA fans, like

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Speaker 2: I'm an I'm an ODA fan.

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Speaker 1: Yeah, he's an incredible, incredible writer. And weirdly enough, I

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Speaker 1: believe his wife ex wife, I think it was his

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Speaker 1: wife at the time, was a buyer at the Nordstroms

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Speaker 1: I think the nord Stroms Children's department where I used

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Speaker 1: to shop in Orange County, and so like she would

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Speaker 1: always like I just I remember her, and she was like, yeah,

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Speaker 1: my husband was on the show. He was on the

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Speaker 1: starts or something, or she was yeah, I don't know,

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Speaker 1: I feel like you know somehow she.

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Speaker 2: Was You're like the mayor, you know everyone in the

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Speaker 2: most random ways, like from the north Stroom.

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Speaker 1: I really do, I really do. It's the it's move

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Speaker 1: over Kevin Bacon, which after that weird article where he's

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Speaker 1: like it sucks being a normal person, which I don't

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Speaker 1: even know what that means.

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Speaker 2: Like, what do you I didn't hear that.

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Speaker 1: What anyway? Six degrees six degrees of she really has

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Speaker 1: a it has the same, has the same ring to it,

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Speaker 1: the same, got the same cadens.

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Speaker 2: Yeah, okay, six degrees of Jodie.

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Speaker 1: Sweeten and and you get a nice little uh, you know, alliteration.

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Speaker 2: There with the s I'm here for it. I'm here

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Speaker 2: for it.

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Speaker 1: Kevin Bacon, I'm coming for you. Watch out. I'm gonna

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Speaker 1: shut up now so we can get our show.

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Speaker 2: Next, we have Rick Astor as the stage manager full

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Speaker 2: House is his only credit listed. We killed, we killed

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Speaker 2: his killing career, that career. And then we have two

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Speaker 2: uncredited people. We have Christian Alfonso as one of the

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Speaker 2: judges at Star Search. We've talked about her, she was

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Speaker 2: on the show before. She's from Days of Our Lives,

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Speaker 2: The Incredible Hope Lady. And then for some reason, I'm uncredited,

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Speaker 2: Like I'm not credit I'm in this episode, which I

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Speaker 2: completely forgot until I turned it on because I'm not right,

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Speaker 2: I'm not credited. I don't get a credit. I'm like,

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Speaker 2: did they even pay me.

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Speaker 1: For this episode? I don't know. Right, you should go

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Speaker 1: back and look at those residuals. I bet, I bet

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Speaker 1: there's something mess in. There's at least like a dollar

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Speaker 1: eighty five that you have got.

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Speaker 2: They definitely owe me at least a dollar eighty five.

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Speaker 1: Maybe it was maybe they just didn't like people from

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Speaker 1: Days of Our Lives. Maybe that was a discrimination against

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Speaker 1: against duel, so against Yeah, yeah, that's what erazy.

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Speaker 2: Okay, anyways, let's start the show. So we start with

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Speaker 2: the teaser and.

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Speaker 1: Wait, wait, wait, wait, wait, hold on my hearing just

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Speaker 1: heard something. Did you call it dual? Yeah?

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Speaker 2: Days of Our Lives it's dual. That's a very common

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Speaker 2: acronym with all the dual fans. Did you not know that?

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Speaker 3: What?

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Speaker 2: Why are you giving me that?

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Speaker 1: Would I be asking you that question if I didn't?

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Speaker 1: If I did that, well.

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Speaker 2: I know I wouldn't know that if I wasn't on

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Speaker 2: the show Our Days of Our Lives.

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Speaker 1: Dole, it's really dole?

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Speaker 2: Do you O? No, it's it's long. Oh dual got it?

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Speaker 1: I don't know, like zul or whatever from Ghostbusters. Okay,

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Speaker 1: here we go.

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Speaker 2: You learn something new every single day. You teach me things,

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Speaker 2: I teach you things. This is a very symbiotic relationship.

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Speaker 1: It is I feel you feel incredibly connected to the

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Speaker 1: dual crowd now, dual crowd.

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Speaker 2: Now they're probably just as just as as uh excited

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Speaker 2: as the Oda Kirks like these fans are very devoted

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Speaker 2: to the shows. Are foes the Ota Kirks and the

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Speaker 2: dual fans like everyd He's just a rabbit. Rabbit, rabbit

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Speaker 2: in a good way, though in a good way, in

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Speaker 2: a good way.

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Speaker 1: Sorry, I met rabbit in a good like super excited,

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Speaker 1: like super into it. Sorry I should have.

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Speaker 2: Rabbit is good in the right context. I agree with that.

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Speaker 1: Okay, opening and Steph's Room Let's producers are like, really

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Speaker 1: so much time? Okay.

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Speaker 2: The teasers in the Girl's Room, DJ, Steph, and Kimmy

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Speaker 2: are given Michelle a ballerina makeover, complete with a tiara

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Speaker 2: and tou tou. Michelle looks at herself in the mirror

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Speaker 2: and asks, Wow, what is it? DJ explains that these

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Speaker 2: ones belonged to her, and then she passed them down

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Speaker 2: to Steph and now they're Michelle's. Steph excitedly tells her,

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Speaker 2: now you're a ballerina, and Michelle responds, Wow, what's a ballerina?

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Speaker 1: How does how does it? Taller not know what a

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Speaker 1: ballerina is? Are they keeping this child under a rock?

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Speaker 1: Does she get socialized?

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Speaker 2: No? No, We've talked about the lack of socialization of Michelle.

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Speaker 2: She needs friends. They need to let her out of

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Speaker 2: her crib.

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Speaker 1: What is it? She should know what a two two is.

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Speaker 2: Yeah, she sleeps in the crib by herself, in her

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Speaker 2: room with the lights on. That's what they and she's

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Speaker 2: dreaming of Howie, that's what Michelle's been doing.

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Speaker 1: So now they're She's not dreaming about being a ballerina.

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Speaker 1: She didn't even know what that is.

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Speaker 2: So DJ explains that a ballerina is a girl who

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Speaker 2: does beautiful dancing. Then she opens a ballerina music box

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Speaker 2: and the three sisters spin on their tippy toes with

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Speaker 2: their arms over their heads, mimicking a ballerina.

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Speaker 1: Haven't we seen Michelle do this before?

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Speaker 2: I think it's in an we have I think it

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Speaker 2: isn't it an opening shot? I think it's in an

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Speaker 2: opening credit. Some I think so, But you think it's

434
00:20:34,400 --> 00:20:35,840
Speaker 2: been in an episode, I don't.

435
00:20:36,040 --> 00:20:37,719
Speaker 1: I feel I think we've seen her do this.

436
00:20:37,760 --> 00:20:39,760
Speaker 2: It looked really familiar to me, and I assumed it

437
00:20:39,800 --> 00:20:41,000
Speaker 2: was an this.

438
00:20:41,960 --> 00:20:43,600
Speaker 1: No, I feel like we've seen her do this.

439
00:20:44,320 --> 00:20:46,520
Speaker 2: Well, Fan Aurito's please please tell us because they know

440
00:20:46,720 --> 00:20:50,760
Speaker 2: they'll know exactly where we see this before. Kimmy's watching

441
00:20:50,840 --> 00:20:54,000
Speaker 2: this happen and she says, I'm glad I took bowling lessons, Like,

442
00:20:54,080 --> 00:20:56,000
Speaker 2: I don't know why I'm there. There's really no point

443
00:20:56,000 --> 00:20:58,640
Speaker 2: to me being in this episode. But whatever, Well, that's

444
00:20:58,640 --> 00:20:59,520
Speaker 2: why they didn't credit you.

445
00:20:59,520 --> 00:21:00,440
Speaker 1: They're like, you know what.

446
00:21:00,400 --> 00:21:04,360
Speaker 3: We even.

447
00:21:04,960 --> 00:21:07,040
Speaker 1: Really, you were just a plot point to get the

448
00:21:07,119 --> 00:21:07,800
Speaker 1: letter in the house.

449
00:21:07,880 --> 00:21:09,840
Speaker 2: That was it. That was my sole purpose.

450
00:21:10,080 --> 00:21:12,960
Speaker 1: So yeah, yeah, there. But your hair looks good.

451
00:21:13,240 --> 00:21:15,480
Speaker 2: Hair's getting better, the clothes getting worse.

452
00:21:15,480 --> 00:21:17,600
Speaker 1: You might not be credited for this episode, but your

453
00:21:17,640 --> 00:21:20,000
Speaker 1: hair looks good. So that's the trade off. You either

454
00:21:20,040 --> 00:21:21,960
Speaker 1: get paid or your hair looks good. You don't get I.

455
00:21:21,960 --> 00:21:22,560
Speaker 2: Can't have both.

456
00:21:22,640 --> 00:21:24,680
Speaker 1: Yes, you do not get both.

457
00:21:24,760 --> 00:21:29,320
Speaker 2: I can't get greedy now anyways, very cute teaser. Moving

458
00:21:29,359 --> 00:21:32,600
Speaker 2: on to the living room, Danny tells the whole family

459
00:21:32,680 --> 00:21:35,639
Speaker 2: it's time for the big surprise, as he carries a

460
00:21:35,720 --> 00:21:39,960
Speaker 2: VHS tape over to the TV. DJ Stephan Kimmey all

461
00:21:39,960 --> 00:21:41,440
Speaker 2: PLoP themselves on the couch.

462
00:21:41,600 --> 00:21:44,879
Speaker 1: Wow, what a time the VCRs. Just everyone watching a VHS.

463
00:21:45,160 --> 00:21:46,600
Speaker 1: Yeah for a surprise.

464
00:21:47,800 --> 00:21:50,720
Speaker 2: You know, I just I missed these days. I miss

465
00:21:50,800 --> 00:21:51,879
Speaker 2: these days. I do.

466
00:21:52,600 --> 00:21:53,080
Speaker 1: I do so.

467
00:21:53,200 --> 00:21:57,119
Speaker 2: Jesse and Joey run in, literally running in place. This

468
00:21:57,240 --> 00:21:59,720
Speaker 2: better be important. We're working on a commercial for rocket

469
00:21:59,720 --> 00:22:02,960
Speaker 2: Feet running shoes. We're trying to get inspired by running around.

470
00:22:03,840 --> 00:22:07,160
Speaker 2: Danny excitedly says he found one of his old videotapes.

471
00:22:07,680 --> 00:22:09,560
Speaker 2: Jesse and Joey look at each other and then say

472
00:22:09,600 --> 00:22:14,360
Speaker 2: bye in unison before running backwards. Danny says, I come back.

473
00:22:14,400 --> 00:22:16,879
Speaker 2: It's not a whole movie. It's a tape of Joey

474
00:22:16,920 --> 00:22:21,639
Speaker 2: and me on my old college talk show. Oh yes,

475
00:22:22,040 --> 00:22:24,520
Speaker 2: the guys are now intrigued and they want to they

476
00:22:24,560 --> 00:22:27,639
Speaker 2: want to watch this now. The videotape starts by showing

477
00:22:27,640 --> 00:22:31,960
Speaker 2: a young Danny Tanner dancing to disco music and sporting

478
00:22:32,119 --> 00:22:35,480
Speaker 2: big shaggy hair, a mustache, and a green plaid coat.

479
00:22:36,840 --> 00:22:39,640
Speaker 2: Bob Bob boy.

480
00:22:39,800 --> 00:22:41,440
Speaker 1: It was a sight to behold.

481
00:22:42,200 --> 00:22:45,000
Speaker 2: I wonder if, like, if Bob and Dave loved this

482
00:22:45,400 --> 00:22:47,280
Speaker 2: or hated it. I feel like they had so much

483
00:22:47,280 --> 00:22:49,840
Speaker 2: fun with it, you know, it was so bad.

484
00:22:49,840 --> 00:22:52,240
Speaker 1: I feel like, I don't know. I feel like Bob

485
00:22:52,280 --> 00:22:54,400
Speaker 1: probably loved it. I don't know if Dave loved it,

486
00:22:55,119 --> 00:22:56,440
Speaker 1: because he was kind of the butt of the joke

487
00:22:56,480 --> 00:22:58,400
Speaker 1: and he wasn't anyway.

488
00:22:58,080 --> 00:22:59,000
Speaker 2: We'll get it, we'll get there.

489
00:22:59,080 --> 00:23:01,840
Speaker 1: Yeah, yeah, but they probably did. I mean, it was

490
00:23:01,920 --> 00:23:03,520
Speaker 1: It's like you and I am doing a stupid Yeah.

491
00:23:04,160 --> 00:23:06,000
Speaker 1: Can you imagine I showed up in a mustache and

492
00:23:06,000 --> 00:23:10,320
Speaker 1: a green clad coat. You would lose it? Yeah, and

493
00:23:10,359 --> 00:23:12,480
Speaker 1: you rode in on a skateboard with a mullet. I'm well,

494
00:23:12,640 --> 00:23:14,280
Speaker 1: you know what, I think you may have actually, I

495
00:23:14,280 --> 00:23:15,200
Speaker 1: think you actually may.

496
00:23:15,080 --> 00:23:17,320
Speaker 2: Have argued, was so Bubba the turtle?

497
00:23:17,400 --> 00:23:19,600
Speaker 1: Yeah, yeah, no, it was you had the mullet, but

498
00:23:19,640 --> 00:23:21,200
Speaker 1: the turtle was on the skateboard. That's right.

499
00:23:21,280 --> 00:23:25,160
Speaker 2: Never mind, Okay, now we've straightened this out. Good, got it,

500
00:23:25,480 --> 00:23:28,280
Speaker 2: Danny tells tells the camera, Hey, this is Danny Tanner

501
00:23:28,320 --> 00:23:32,199
Speaker 2: reminding you that Disco will never die. Kimmy butts in,

502
00:23:33,440 --> 00:23:35,720
Speaker 2: mister Tanner, don't take this the wrong way, but what

503
00:23:35,800 --> 00:23:36,760
Speaker 2: a geek.

504
00:23:38,200 --> 00:23:38,280
Speaker 1: Like.

505
00:23:38,440 --> 00:23:40,920
Speaker 2: At least that was a nicer delivery. Usually she's sassier

506
00:23:40,960 --> 00:23:42,199
Speaker 2: and a little more sarcastic.

507
00:23:42,240 --> 00:23:42,800
Speaker 1: But that's true.

508
00:23:42,800 --> 00:23:46,400
Speaker 2: You weren't at least like me, So Danny, You're yeah,

509
00:23:46,400 --> 00:23:48,400
Speaker 2: this was That's probably the last time I was nice

510
00:23:48,400 --> 00:23:52,159
Speaker 2: to Danny Tanner. So Disco Danny welcomes viewers to his

511
00:23:52,280 --> 00:23:55,560
Speaker 2: show Campus Rap, where he'll be taking a hard hit

512
00:23:55,640 --> 00:23:57,880
Speaker 2: and look at whatever he wants because it's his show.

513
00:23:58,680 --> 00:24:00,520
Speaker 2: He goes on to show a baby picture of DJ.

514
00:24:01,040 --> 00:24:03,159
Speaker 2: Here's a hard hitting look at a brand new picture

515
00:24:03,160 --> 00:24:05,320
Speaker 2: of my very own little girl, which is a real

516
00:24:05,359 --> 00:24:09,960
Speaker 2: photo of Candice. Of course, yes, so cute, but Steph

517
00:24:10,080 --> 00:24:10,560
Speaker 2: is so cute.

518
00:24:10,600 --> 00:24:12,879
Speaker 1: And it also gives us a timeline that Danny was

519
00:24:13,320 --> 00:24:16,960
Speaker 1: again in college when he had a JA and she

520
00:24:17,200 --> 00:24:20,119
Speaker 1: was looked to be a couple years old three maybe

521
00:24:20,160 --> 00:24:24,000
Speaker 1: in that picture. So yeah, so I remember we decided

522
00:24:24,080 --> 00:24:26,600
Speaker 1: they're right out of high school into college. So yeah,

523
00:24:26,600 --> 00:24:28,680
Speaker 1: So this track is just anyway putting the peace.

524
00:24:28,760 --> 00:24:31,359
Speaker 2: I appreciate continuity because our show is not known for

525
00:24:31,480 --> 00:24:33,760
Speaker 2: good continuity, So I appreciate what is gonna say.

526
00:24:34,080 --> 00:24:36,320
Speaker 1: I was gonna say, well, then I'm sorry for them.

527
00:24:36,680 --> 00:24:39,280
Speaker 2: I appreciate it when I get it because it's rare.

528
00:24:39,560 --> 00:24:40,239
Speaker 1: I are right.

529
00:24:40,640 --> 00:24:44,440
Speaker 2: So Stephanie sees this picture and she exclaims I was adorable,

530
00:24:44,840 --> 00:24:48,080
Speaker 2: and DJ chimes in telling her, Hey, that was actually me.

531
00:24:48,920 --> 00:24:53,000
Speaker 2: Steph is shocked. It is my how you've aged, like

532
00:24:53,040 --> 00:24:54,480
Speaker 2: you're so serious about.

533
00:24:54,320 --> 00:24:56,880
Speaker 1: Like you're just so it's quite concerned.

534
00:24:56,920 --> 00:24:59,200
Speaker 2: Steph is stuck inside a forty year old woman's body

535
00:24:59,280 --> 00:25:01,480
Speaker 2: like she is just She really is, a matter of fact,

536
00:25:01,480 --> 00:25:02,000
Speaker 2: it really is.

537
00:25:02,520 --> 00:25:06,000
Speaker 1: Steph is all of the Golden Girls in one she is. Yeah.

538
00:25:06,560 --> 00:25:09,680
Speaker 2: So young Danny introduces his guest for the episode. It's

539
00:25:09,720 --> 00:25:13,360
Speaker 2: his very best friend, his fraternity brother, and a party animal,

540
00:25:13,800 --> 00:25:18,960
Speaker 2: Joey Gladstone. Young Joey rolls on a skateboard, exclaiming four

541
00:25:19,040 --> 00:25:22,520
Speaker 2: years of college, look what I learned. And Jesse in

542
00:25:22,560 --> 00:25:24,560
Speaker 2: the living room was pointing at the screen and laughing

543
00:25:24,600 --> 00:25:29,320
Speaker 2: hysterically in Joey's face, And then, yeah, I didn't write

544
00:25:29,320 --> 00:25:31,719
Speaker 2: it down because I didn't love these fat jokes that

545
00:25:32,440 --> 00:25:35,360
Speaker 2: I was like the big man on campus.

546
00:25:35,320 --> 00:25:37,879
Speaker 1: Like what, Yeah, I didn't know. I didn't notice at

547
00:25:38,119 --> 00:25:41,240
Speaker 1: all I saw was like a poorly fitting sweater. It

548
00:25:41,280 --> 00:25:43,720
Speaker 1: was just I was like he's not Yeavy. It's just

549
00:25:43,760 --> 00:25:46,240
Speaker 1: a bad fit. He just needs a tailor exactly, you know,

550
00:25:46,480 --> 00:25:46,920
Speaker 1: let's not.

551
00:25:47,240 --> 00:25:50,199
Speaker 2: Yeah, no, these these these fat jokes and what I

552
00:25:50,200 --> 00:25:50,680
Speaker 2: didn't like it.

553
00:25:50,720 --> 00:25:52,600
Speaker 1: I didn't. I didn't like it. I was like, no,

554
00:25:52,720 --> 00:25:55,920
Speaker 1: that's not okay. Didn't age well. And really there was

555
00:25:56,080 --> 00:25:57,440
Speaker 1: enough material there with the hair.

556
00:25:57,520 --> 00:25:59,280
Speaker 2: Yeah, oh there was a lot of material.

557
00:25:59,480 --> 00:26:01,960
Speaker 1: Quite truly, there was a lot of enough material there

558
00:26:01,960 --> 00:26:02,400
Speaker 1: with the hair.

559
00:26:02,440 --> 00:26:05,119
Speaker 2: It was the hair so much yet you could have

560
00:26:05,160 --> 00:26:07,119
Speaker 2: just it was more than a mullet. It was. It

561
00:26:07,160 --> 00:26:08,119
Speaker 2: was just a shack.

562
00:26:08,560 --> 00:26:11,320
Speaker 1: Or the fact that he didn't seem to be doing

563
00:26:11,359 --> 00:26:13,840
Speaker 1: a great job at riding the skateboard after four years.

564
00:26:14,240 --> 00:26:14,600
Speaker 1: I don't know.

565
00:26:14,720 --> 00:26:17,520
Speaker 2: Yeah, he didn't get an a in that, that's for sure.

566
00:26:17,960 --> 00:26:18,200
Speaker 1: Right.

567
00:26:19,280 --> 00:26:21,720
Speaker 2: So on the tape, Danny tells Joey to do his

568
00:26:21,840 --> 00:26:25,119
Speaker 2: Jetson's routine from his act, and Joey does impressions of

569
00:26:25,240 --> 00:26:28,320
Speaker 2: multiple different characters from the Jetsons and then ends his

570
00:26:28,400 --> 00:26:31,160
Speaker 2: act by saying, oh, come on, now, cut it out,

571
00:26:31,520 --> 00:26:35,359
Speaker 2: thank you. Joey watches this younger version of himself with

572
00:26:35,400 --> 00:26:39,480
Speaker 2: a smile. On the tape, young Joey states, I guarantee

573
00:26:39,520 --> 00:26:42,040
Speaker 2: you that in ten years, you'll be seeing this face

574
00:26:42,160 --> 00:26:45,359
Speaker 2: sitting between Ed McMahon and Johnny Carson and then he

575
00:26:45,440 --> 00:26:46,000
Speaker 2: kind of flipped.

576
00:26:46,119 --> 00:26:49,760
Speaker 1: Now, for those that don't know, Johnny Carson hosted The

577
00:26:49,800 --> 00:26:53,399
Speaker 1: Tonight Show forever and Ed McMahon was his sight. Yeah,

578
00:26:53,440 --> 00:26:54,560
Speaker 1: and they always sat next.

579
00:26:54,800 --> 00:26:57,800
Speaker 3: Yeah, I'm sad to say that there are probably a

580
00:26:57,800 --> 00:27:02,440
Speaker 3: lot of people who don't know why Ed McMahon is relevant, Yeah,

581
00:27:02,600 --> 00:27:04,919
Speaker 3: other than Star Search, and probably have never even heard

582
00:27:04,960 --> 00:27:05,440
Speaker 3: of Star Search.

583
00:27:05,560 --> 00:27:07,760
Speaker 1: So hey, it just always like to give a little background. No,

584
00:27:07,840 --> 00:27:09,880
Speaker 1: this is an educational past, kind of a big deal.

585
00:27:10,280 --> 00:27:11,679
Speaker 1: They were kind of a big deal, and they were

586
00:27:11,720 --> 00:27:13,560
Speaker 1: a huge deal in comedy.

587
00:27:13,240 --> 00:27:17,399
Speaker 2: Specifically huge deal in the eighties. Absolutely, like I'm sorry

588
00:27:17,400 --> 00:27:17,840
Speaker 2: to all of.

589
00:27:18,119 --> 00:27:22,160
Speaker 1: Well, I mean Johnny Carson and Ed McMahon from the sixties, oh,

590
00:27:22,359 --> 00:27:24,800
Speaker 1: from the I mean they or maybe I can't remember

591
00:27:24,840 --> 00:27:27,720
Speaker 1: how long he hosted The Tonight Forever. Yeah, and yeah,

592
00:27:27,800 --> 00:27:31,440
Speaker 1: so this was Ed's like second Oh yes, it didn't

593
00:27:31,480 --> 00:27:33,440
Speaker 1: start with star Search, for sure, this was it didn't

594
00:27:33,440 --> 00:27:36,800
Speaker 1: start with star Search. So anyway, just trying to let

595
00:27:36,840 --> 00:27:39,760
Speaker 1: people know why this would be such an important thing

596
00:27:39,800 --> 00:27:43,119
Speaker 1: for a comedian because this was like the epitome of

597
00:27:43,640 --> 00:27:45,120
Speaker 1: like comic success.

598
00:27:45,440 --> 00:27:47,960
Speaker 2: Yep, no, this was it. It was a big deal,

599
00:27:48,400 --> 00:27:50,280
Speaker 2: Like it's a big deal that we got on this show.

600
00:27:50,320 --> 00:27:53,520
Speaker 2: I'm still I'm still stunned by that. Joey quickly stands

601
00:27:53,520 --> 00:27:55,920
Speaker 2: and runs over to check the date on the tape.

602
00:27:56,200 --> 00:27:58,320
Speaker 2: He looks at it and says, I can't believe my

603
00:27:58,440 --> 00:28:01,240
Speaker 2: tenured deadline is almost up. I've got two weeks to

604
00:28:01,240 --> 00:28:05,320
Speaker 2: become a star. Joey asks Jesse to handle the running

605
00:28:05,440 --> 00:28:07,920
Speaker 2: the running Shoe account without him, and Jesse's fine with

606
00:28:08,000 --> 00:28:11,840
Speaker 2: that and encourages Joey to follow his dream. Danny adds

607
00:28:11,880 --> 00:28:13,800
Speaker 2: that all of them are there for Joey, and the

608
00:28:13,800 --> 00:28:17,879
Speaker 2: girls excitedly agree. Joey announces up from now on, Joey

609
00:28:17,880 --> 00:28:21,119
Speaker 2: Gladstone's going to be all comedy all the time, and

610
00:28:21,200 --> 00:28:25,480
Speaker 2: Jesse regretfully asks all the time. Joey responds with an

611
00:28:25,480 --> 00:28:29,280
Speaker 2: impression of the three Stooges. Why certainly yeah yeah. He

612
00:28:29,440 --> 00:28:30,600
Speaker 2: cheerfully exits the room.

613
00:28:30,760 --> 00:28:32,800
Speaker 1: That was so that was so good.

614
00:28:32,880 --> 00:28:37,040
Speaker 2: But Dave or me me, you thinks probably last night

615
00:28:37,040 --> 00:28:38,240
Speaker 2: when I was doing my.

616
00:28:38,240 --> 00:28:42,240
Speaker 1: Fuzing, I wish I could have seen that record that

617
00:28:42,280 --> 00:28:45,120
Speaker 1: next time, okay, because that yeah, yeah, yeah.

618
00:28:45,040 --> 00:28:46,600
Speaker 2: Yeah yeah that's the only one I can do. I

619
00:28:46,640 --> 00:28:48,840
Speaker 2: can't do the Jetsons like I can't do anything else.

620
00:28:49,520 --> 00:28:51,720
Speaker 1: Yeah, why no, I can't even do it.

621
00:28:51,760 --> 00:28:52,640
Speaker 2: See, I haven't read you know.

622
00:28:52,680 --> 00:28:54,200
Speaker 1: I'm gonna go do that. That's what I'm gonna do tonight.

623
00:28:54,200 --> 00:28:55,680
Speaker 1: I'll send you a video, you send me some.

624
00:28:55,760 --> 00:28:58,920
Speaker 2: Well, rehearse. It'll be a rehearsal of this impression.

625
00:28:58,800 --> 00:29:00,280
Speaker 1: And then we can be on startars.

626
00:29:00,120 --> 00:29:10,960
Speaker 2: Yay full circle one. Next, in the kitchen, Michelle runs

627
00:29:10,960 --> 00:29:14,200
Speaker 2: in wearing her new ballerine two two over her pajamas,

628
00:29:14,560 --> 00:29:17,760
Speaker 2: and DJ and Stuff follow directly behind her. Danny asks

629
00:29:17,800 --> 00:29:20,880
Speaker 2: Michelle what's wrong, and Michelle points at DJ and Steph,

630
00:29:20,920 --> 00:29:24,480
Speaker 2: scolding them bad girls. The girls tell Michelle that they're

631
00:29:24,520 --> 00:29:26,960
Speaker 2: supposed to get her ready for bed, which means it's

632
00:29:27,040 --> 00:29:30,040
Speaker 2: time to take off the two two, and Michelle yells no.

633
00:29:31,640 --> 00:29:34,920
Speaker 2: Danny defends Michelle. It's perfectly normal for children to be

634
00:29:34,920 --> 00:29:38,120
Speaker 2: attached to a special something. He tells Michelle that if

635
00:29:38,120 --> 00:29:40,240
Speaker 2: she wants to sleep in her two two, she can.

636
00:29:41,000 --> 00:29:43,800
Speaker 2: Michelle wags her finger at her sister's saying I told

637
00:29:43,840 --> 00:29:47,560
Speaker 2: you so, and I was.

638
00:29:47,520 --> 00:29:51,040
Speaker 1: Like, oh this felt, But then also it was something

639
00:29:51,040 --> 00:29:52,480
Speaker 1: that I went, I know I've done this. I know

640
00:29:52,520 --> 00:29:54,440
Speaker 1: I've done this with my kid. Like you just sort

641
00:29:54,440 --> 00:29:57,200
Speaker 1: of have those moments with the youngest one where you're like, no,

642
00:29:57,400 --> 00:29:59,640
Speaker 1: that's it's fine, They're okay, it can do this.

643
00:30:00,080 --> 00:30:02,640
Speaker 2: I mean, I'm torn because I agree with Danny's sentiment

644
00:30:02,680 --> 00:30:04,720
Speaker 2: that kids get attached to things and then we'll sleep

645
00:30:04,760 --> 00:30:07,200
Speaker 2: with them, and that's fine. My problem is he's undermine

646
00:30:07,320 --> 00:30:10,200
Speaker 2: He sent the girls to put out, and I undermined

647
00:30:10,560 --> 00:30:12,880
Speaker 2: what they were trying to do. And I also know

648
00:30:13,000 --> 00:30:15,720
Speaker 2: that we have several more seasons of Danny's permissive parenting

649
00:30:15,760 --> 00:30:16,800
Speaker 2: of Michelle coming up.

650
00:30:16,960 --> 00:30:19,840
Speaker 1: So yeah, well it's you know what, it's what happens

651
00:30:19,840 --> 00:30:21,840
Speaker 1: with the baby, it's what happens with the youngest. I

652
00:30:21,880 --> 00:30:27,200
Speaker 1: know I have definitely been roped into my youngest's shenanigans

653
00:30:27,200 --> 00:30:30,400
Speaker 1: and you're like, okay, no, leave her alone. Yeah, and

654
00:30:30,400 --> 00:30:31,360
Speaker 1: then you're like, I was wrong.

655
00:30:31,480 --> 00:30:33,200
Speaker 2: I get it. I'm I'm the youngest of three.

656
00:30:33,480 --> 00:30:38,880
Speaker 1: So yes, Michelle, Yeah, you very really work that advantage. Yes,

657
00:30:38,920 --> 00:30:40,320
Speaker 1: you're like, I could write a book.

658
00:30:40,480 --> 00:30:42,400
Speaker 2: We're gonna have my brother on the show at some point,

659
00:30:42,520 --> 00:30:43,400
Speaker 2: so he'll tell you.

660
00:30:43,400 --> 00:30:48,800
Speaker 1: All the stories about I can not wait. Can't wait

661
00:30:48,920 --> 00:30:51,360
Speaker 1: so fun. Oh, I'm going to start writing my questions.

662
00:30:51,360 --> 00:30:54,720
Speaker 2: You should, you should start preparing. No, So, Joey runs

663
00:30:54,720 --> 00:30:58,240
Speaker 2: by the window from outside and does his Yosemite Sam impression.

664
00:30:58,720 --> 00:31:02,000
Speaker 2: Jesse looks at the family and gruffly states, comedy alert.

665
00:31:02,600 --> 00:31:04,160
Speaker 2: Everyone in the kitchen groans.

666
00:31:05,120 --> 00:31:07,280
Speaker 1: Can you imagine if there was a grown man running

667
00:31:07,320 --> 00:31:11,640
Speaker 1: around doing a Yosemite Sam impression in between your houses?

668
00:31:13,560 --> 00:31:15,840
Speaker 1: In San Francisco? The houses are very close together, you

669
00:31:15,920 --> 00:31:20,600
Speaker 1: would you someone would notice this and be really question.

670
00:31:20,440 --> 00:31:23,479
Speaker 2: Yeah, but the neighbors are gibblers, so like, that's probably

671
00:31:23,800 --> 00:31:27,760
Speaker 2: behind the neighbors behind gigglers behind. Maybe he shaped shifted

672
00:31:27,800 --> 00:31:29,640
Speaker 2: the backyard so we had plenty of space to run.

673
00:31:30,320 --> 00:31:32,720
Speaker 1: Well, it's an invisibility cloak. It's what it is. Never mind,

674
00:31:32,840 --> 00:31:33,600
Speaker 1: it's fine.

675
00:31:33,760 --> 00:31:37,320
Speaker 2: That's what it was. So Joey enthusiastically enters the kitchen,

676
00:31:37,400 --> 00:31:40,040
Speaker 2: and the girls frantically make excuses about why they have

677
00:31:40,080 --> 00:31:44,560
Speaker 2: to leave. Joey says, stop, nobody move, and DJ whispers

678
00:31:44,720 --> 00:31:47,400
Speaker 2: or no, Steph whispers to DJ, we were so close.

679
00:31:48,680 --> 00:31:51,720
Speaker 2: Joey grabs a wooden spoon, using it as a fake microphone,

680
00:31:51,760 --> 00:31:55,080
Speaker 2: and announces live from Las Vegas. The song stylings of

681
00:31:55,200 --> 00:31:58,640
Speaker 2: Jimmy Vibrato. He begins to sing, and as he hits

682
00:31:58,680 --> 00:32:01,520
Speaker 2: that last note, he pulled the fake microphone away from

683
00:32:01,520 --> 00:32:03,720
Speaker 2: his body and then quickly brings it back, his voice

684
00:32:03,760 --> 00:32:06,840
Speaker 2: dipping out and then coming back, which Dave like.

685
00:32:06,880 --> 00:32:09,080
Speaker 1: Dave did like a singer would do with a microphone.

686
00:32:09,200 --> 00:32:11,920
Speaker 2: Dave did this all the time, like off stage.

687
00:32:12,240 --> 00:32:16,000
Speaker 1: It's entire all of these bits. I was like, oh,

688
00:32:16,160 --> 00:32:19,080
Speaker 1: I've seen all these not in this scene, but totally

689
00:32:19,160 --> 00:32:20,880
Speaker 1: throughout my knowing.

690
00:32:20,680 --> 00:32:22,880
Speaker 2: Of through our through a thirty seven year history. He

691
00:32:22,920 --> 00:32:24,040
Speaker 2: has done th seven years.

692
00:32:24,080 --> 00:32:26,400
Speaker 1: I've seen I've seen peaking Duck. I've seen that, all

693
00:32:26,440 --> 00:32:27,320
Speaker 1: of it, all of it.

694
00:32:27,960 --> 00:32:29,640
Speaker 2: Yeah, it's so great.

695
00:32:30,320 --> 00:32:32,240
Speaker 1: When he did the thing with the yeah, it's great.

696
00:32:32,680 --> 00:32:35,400
Speaker 2: So he throws the fake mic at Danny, grabs two

697
00:32:35,440 --> 00:32:38,280
Speaker 2: plastic cups. He starts a new act, holds the cups

698
00:32:38,280 --> 00:32:40,160
Speaker 2: to his eyes, saying, I really got to get myself

699
00:32:40,200 --> 00:32:44,400
Speaker 2: some new contacts. He continues with new acts, including peaking Duck.

700
00:32:45,040 --> 00:32:47,160
Speaker 1: Peaking Duck, and the little eye he makes like a

701
00:32:47,200 --> 00:32:49,840
Speaker 1: weird little alien thing with the He used to do

702
00:32:49,880 --> 00:32:52,440
Speaker 1: that voice all the time. Yeah, yeah, the ali alien

703
00:32:52,520 --> 00:32:54,880
Speaker 1: voice with the little I Yeah, this is he would

704
00:32:54,880 --> 00:32:56,480
Speaker 1: put those things in his eyes and do all sorts

705
00:32:56,520 --> 00:32:59,120
Speaker 1: of weird voices and you know, make Bob laugh and

706
00:32:59,120 --> 00:32:59,720
Speaker 1: they'd be doing.

707
00:32:59,640 --> 00:33:02,200
Speaker 2: Stupid Oh this is. This is like the greatest hits

708
00:33:02,200 --> 00:33:03,320
Speaker 2: of Dave Cooler right here.

709
00:33:03,360 --> 00:33:06,440
Speaker 1: And really the greatest hits of what he had figured

710
00:33:06,480 --> 00:33:10,560
Speaker 1: out were jokes in that room, particularly jokes that were

711
00:33:11,680 --> 00:33:14,080
Speaker 1: family friendly enough that he could do him in front

712
00:33:14,080 --> 00:33:17,000
Speaker 1: of us. And so like this was he was like, ah,

713
00:33:17,080 --> 00:33:18,480
Speaker 1: I got it. I know, I know how to work

714
00:33:18,520 --> 00:33:21,200
Speaker 1: this room with props. Oh, it's a great props comedie

715
00:33:21,200 --> 00:33:23,120
Speaker 1: is great props com unmatched.

716
00:33:23,200 --> 00:33:26,760
Speaker 2: Like I just I loved this scene so much. It

717
00:33:26,880 --> 00:33:30,560
Speaker 2: highlighted all of his talents and I was so proud

718
00:33:30,560 --> 00:33:32,240
Speaker 2: of him. I was like, Dave, you just nailed this

719
00:33:32,440 --> 00:33:33,800
Speaker 2: whole scene again.

720
00:33:33,960 --> 00:33:37,440
Speaker 1: Another amazing physical comedy bit in the kitchen. It really

721
00:33:37,560 --> 00:33:39,560
Speaker 1: lends itself to some good I mean it's a big

722
00:33:39,600 --> 00:33:41,400
Speaker 1: set with lots to do in it. So I guess

723
00:33:41,440 --> 00:33:42,200
Speaker 1: lots of props.

724
00:33:42,600 --> 00:33:45,080
Speaker 2: You know, you can use the island. Yeah, there's there's

725
00:33:45,240 --> 00:33:48,160
Speaker 2: lots of lots of comedy in the kitchen. Oh yes,

726
00:33:48,280 --> 00:33:50,360
Speaker 2: So Jesse breaks it to Joey that he's been living

727
00:33:50,360 --> 00:33:52,920
Speaker 2: in Toontown for two days now, and he needs to

728
00:33:52,920 --> 00:33:56,440
Speaker 2: start acting like a human being. Joey responds as peebe herman.

729
00:33:56,720 --> 00:33:59,040
Speaker 2: I know you are, but what am I? I didn't

730
00:33:59,040 --> 00:34:01,440
Speaker 2: do that one as well. He continues to run around.

731
00:34:01,800 --> 00:34:02,960
Speaker 1: You can practice tonight, I will.

732
00:34:03,000 --> 00:34:05,720
Speaker 2: I'll send you my tape. He'll send you myself tape.

733
00:34:06,600 --> 00:34:09,440
Speaker 2: He continues to run around the kitchen doing various impressions,

734
00:34:09,880 --> 00:34:12,680
Speaker 2: and then he grabs the detachable faucet head and sings,

735
00:34:12,800 --> 00:34:16,320
Speaker 2: I'm seeing and in the rain while water is pouring

736
00:34:16,360 --> 00:34:17,919
Speaker 2: onto him.

737
00:34:17,560 --> 00:34:20,759
Speaker 1: And John is laughing, but like genuinely laughing at Dave

738
00:34:20,880 --> 00:34:21,560
Speaker 1: being in John.

739
00:34:21,719 --> 00:34:22,640
Speaker 2: John is breaking.

740
00:34:23,920 --> 00:34:26,239
Speaker 1: John is totally bra He's just like, oh my god,

741
00:34:26,760 --> 00:34:29,759
Speaker 1: because it's also like it, you know, it's not as

742
00:34:29,960 --> 00:34:32,839
Speaker 1: like the extent to which Dave could take it, but

743
00:34:32,960 --> 00:34:36,560
Speaker 1: he he fully commits to the silliness of it. And

744
00:34:36,600 --> 00:34:38,880
Speaker 1: it's just it's great.

745
00:34:39,040 --> 00:34:39,760
Speaker 2: It's so great.

746
00:34:40,719 --> 00:34:46,040
Speaker 1: I love watching them have fun because because it reminds

747
00:34:46,080 --> 00:34:47,799
Speaker 1: me of like you and I doing a scene, or

748
00:34:47,800 --> 00:34:49,239
Speaker 1: you and me and kan Is doing a scene, and

749
00:34:49,320 --> 00:34:51,759
Speaker 1: like us having fun as adults on Fuller and like

750
00:34:51,840 --> 00:34:55,520
Speaker 1: that thing that you see happening between people, and like

751
00:34:55,600 --> 00:34:57,400
Speaker 1: I see it with them, and it's just fun to

752
00:34:57,480 --> 00:35:00,680
Speaker 1: know that they were having just as much fun as

753
00:35:01,000 --> 00:35:02,200
Speaker 1: we were when we didn't.

754
00:35:02,280 --> 00:35:04,960
Speaker 2: Yeah, you're exactly right, Like, there's nothing better than doing

755
00:35:05,160 --> 00:35:08,280
Speaker 2: a bit that you know is so funny. The audience

756
00:35:08,360 --> 00:35:10,919
Speaker 2: is gonna love it. We're cracking ourselves up, we're trying

757
00:35:10,960 --> 00:35:13,120
Speaker 2: not to crack up. We're looking at her foreheads. Yeah,

758
00:35:13,160 --> 00:35:15,160
Speaker 2: it's there's just no better feeling in the world than

759
00:35:15,239 --> 00:35:17,759
Speaker 2: doing funny bits with you, Jody Sweeten, It's my all

760
00:35:17,840 --> 00:35:18,719
Speaker 2: time favorite thing.

761
00:35:18,840 --> 00:35:20,120
Speaker 1: Yes, thanks, Aby.

762
00:35:20,920 --> 00:35:25,000
Speaker 2: So then Joey turns this faucet onto Jesse and so

763
00:35:25,040 --> 00:35:27,960
Speaker 2: now Jesse's getting soaked, and he's very Now he's now

764
00:35:27,960 --> 00:35:31,560
Speaker 2: he's not laughing, he's unamused. Joey turns to his niece

765
00:35:31,600 --> 00:35:34,680
Speaker 2: and exclaims, Michelle, let me show you my Bob Hope impression,

766
00:35:34,800 --> 00:35:37,680
Speaker 2: and Michelle yells no and runs away.

767
00:35:38,800 --> 00:35:41,200
Speaker 1: So she knows who Bob Hope is, but it's unclear

768
00:35:41,239 --> 00:35:45,160
Speaker 1: on Vallerina's I'm just setting the priorities in this.

769
00:35:45,400 --> 00:35:48,080
Speaker 2: That's a very very good point. Yes, how does she

770
00:35:48,160 --> 00:35:51,239
Speaker 2: know who Bob Hope is but not a Ballerina?

771
00:35:51,440 --> 00:35:53,960
Speaker 1: Well, I think I guess it appears at this point,

772
00:35:54,080 --> 00:35:55,879
Speaker 1: It doesn't matter who Bob Hope is. She just doesn't

773
00:35:55,920 --> 00:35:57,000
Speaker 1: want him to do any Yeah.

774
00:35:56,800 --> 00:35:58,960
Speaker 2: Maybe that's it. She's just like I'm taking, which is

775
00:35:58,960 --> 00:35:59,520
Speaker 2: weird because.

776
00:35:59,360 --> 00:36:00,880
Speaker 1: Yeah, maybe's not Bob Hope in particular.

777
00:36:01,040 --> 00:36:03,600
Speaker 2: Yeah, she just doesn't want to hear the impressions. I

778
00:36:03,640 --> 00:36:07,320
Speaker 2: don't know. She seems like his best audience. But okay,

779
00:36:07,360 --> 00:36:09,759
Speaker 2: she doesn't like. She doesn't like this one, so she

780
00:36:09,840 --> 00:36:14,839
Speaker 2: runs away and Dave or Joey runs after her. Jesse

781
00:36:15,000 --> 00:36:17,879
Speaker 2: threatens if he doesn't cheer down, I'm gonna break his

782
00:36:17,920 --> 00:36:20,880
Speaker 2: funny bone. Danny tells the group that he may have

783
00:36:21,000 --> 00:36:24,120
Speaker 2: done something that can help Joey's career, but they have

784
00:36:24,200 --> 00:36:28,080
Speaker 2: to keep it a secret. Everyone turns slowly to look

785
00:36:28,120 --> 00:36:31,560
Speaker 2: at Stephanie, and she pouts, how rude. I can keep

786
00:36:31,600 --> 00:36:34,880
Speaker 2: a secret. No she can't.

787
00:36:35,080 --> 00:36:38,000
Speaker 3: Terrible, although she did, she did, she did, she did,

788
00:36:38,160 --> 00:36:41,600
Speaker 3: But yep, you notoriously track record you.

789
00:36:42,160 --> 00:36:44,120
Speaker 2: You did not have a good track record at this point,

790
00:36:44,560 --> 00:36:47,080
Speaker 2: But you zipped your lips with like pretend to zip

791
00:36:47,080 --> 00:36:49,040
Speaker 2: your lips with the key, So I think maybe that

792
00:36:49,160 --> 00:36:52,080
Speaker 2: was what worked. Danny tells them that he sent a

793
00:36:52,120 --> 00:36:55,280
Speaker 2: recent tape of Joey's act to the people at Star Search,

794
00:36:55,760 --> 00:36:59,359
Speaker 2: and Stephanie exclaims, Joey's going on Star Search. Wait till

795
00:36:59,400 --> 00:37:03,879
Speaker 2: I tell And then she stops herself and says, nobody, See,

796
00:37:04,000 --> 00:37:06,960
Speaker 2: you've learned. I'm very proud, very proud of Stephanie. See

797
00:37:07,000 --> 00:37:07,520
Speaker 2: she's learned.

798
00:37:07,560 --> 00:37:10,120
Speaker 1: Proud of Stephanie. Why didn't Danny do this earlier in

799
00:37:10,200 --> 00:37:14,440
Speaker 1: Joey's career, that's my question. Oh, he's been wanting to

800
00:37:14,440 --> 00:37:16,360
Speaker 1: get on Star Search for ten years.

801
00:37:16,480 --> 00:37:21,160
Speaker 2: Yeah, well, Danny's been busy. He's you know, widowing and

802
00:37:21,320 --> 00:37:25,719
Speaker 2: raising girls and I don't know what else. So next

803
00:37:25,920 --> 00:37:28,399
Speaker 2: we are in the living room and Steph runs in

804
00:37:29,040 --> 00:37:31,560
Speaker 2: from the front door and calls everyone except Joey into

805
00:37:31,600 --> 00:37:33,800
Speaker 2: the room. She tells them that they got a letter

806
00:37:34,120 --> 00:37:37,120
Speaker 2: with Ed McMahon's picture on it and carefully whispers that

807
00:37:37,200 --> 00:37:41,080
Speaker 2: it must be from Star Search. DJ asks if it's

808
00:37:41,120 --> 00:37:44,040
Speaker 2: good news, and Steph exclaims, it's great news. We may

809
00:37:44,080 --> 00:37:46,600
Speaker 2: already be millionaires.

810
00:37:47,200 --> 00:37:49,640
Speaker 1: Now here's another little back piece of information for those

811
00:37:49,680 --> 00:37:51,640
Speaker 1: of you that don't know. Back in the eighties and

812
00:37:51,719 --> 00:37:53,839
Speaker 1: early nineties, there's a thing called.

813
00:37:53,560 --> 00:37:58,440
Speaker 2: The UH Clearings sweep steaks.

814
00:37:58,520 --> 00:38:01,440
Speaker 1: Yep, I will tell you that right now. If anything

815
00:38:01,600 --> 00:38:05,040
Speaker 1: is ever deemed sweepstakes. It is a bull stacks, is

816
00:38:05,040 --> 00:38:07,880
Speaker 1: what it is. It is it's a way for you

817
00:38:08,000 --> 00:38:11,800
Speaker 1: to send in money. And I'm sure someone somewhere one

818
00:38:12,320 --> 00:38:15,719
Speaker 1: maybe I don't know, but it just it was always

819
00:38:16,040 --> 00:38:19,120
Speaker 1: a little efficient. Always anyway there you would get these

820
00:38:19,160 --> 00:38:20,839
Speaker 1: things in the mail that would say, like you might

821
00:38:20,840 --> 00:38:22,600
Speaker 1: already be a millionaire, and you just had to keep

822
00:38:22,680 --> 00:38:26,680
Speaker 1: sending stuff back in in order to keep the game going.

823
00:38:26,719 --> 00:38:29,680
Speaker 1: And basically they just filtered it out to like, you know,

824
00:38:30,040 --> 00:38:32,120
Speaker 1: a few people who were just dumb enough to keep

825
00:38:32,160 --> 00:38:34,880
Speaker 1: sending a bunch of money in anyway, that's my opinion

826
00:38:34,880 --> 00:38:36,959
Speaker 1: on it. But yeah, this was a very big deal

827
00:38:37,080 --> 00:38:40,880
Speaker 1: and sort of the equivalent of like winning the lottery,

828
00:38:40,960 --> 00:38:43,560
Speaker 1: except the lottery ticket got mailed to your house with

829
00:38:43,640 --> 00:38:45,480
Speaker 1: a fake personalization.

830
00:38:45,040 --> 00:38:47,040
Speaker 2: Yes, and a fake promise that you may already be

831
00:38:47,120 --> 00:38:47,600
Speaker 2: a millionaire.

832
00:38:47,680 --> 00:38:47,759
Speaker 3: Ye.

833
00:38:47,800 --> 00:38:49,719
Speaker 1: I know it was right, right, I mean you might,

834
00:38:49,920 --> 00:38:51,880
Speaker 1: but they don't know. They're sending it to everyone you

835
00:38:51,960 --> 00:38:54,719
Speaker 1: might already be a millionaire. For what they know, they're

836
00:38:54,800 --> 00:38:57,400
Speaker 1: sending it to a giant ten thousand square withows. You

837
00:38:57,400 --> 00:39:01,359
Speaker 1: don't know that's true. They didn't sensify that, they didn't slassify, right,

838
00:39:01,360 --> 00:39:03,960
Speaker 1: he didn't lie. You might already be a millionaire. We

839
00:39:04,040 --> 00:39:04,440
Speaker 1: don't know.

840
00:39:05,960 --> 00:39:09,560
Speaker 2: Hey, you know what that those lawyers that that reviewed

841
00:39:09,640 --> 00:39:14,439
Speaker 2: that sweepstakes very crafty, very crafty. Yes, So Joey walks

842
00:39:14,440 --> 00:39:16,440
Speaker 2: into the living room and announces that he's going to

843
00:39:16,520 --> 00:39:20,120
Speaker 2: make some French toast. Jesse asks if he's sick, because

844
00:39:20,120 --> 00:39:24,160
Speaker 2: he isn't acting goofy, and Joey admits, who am I kidding?

845
00:39:24,719 --> 00:39:28,000
Speaker 2: My tenurre deadline is up today. I'm not famous. I'm

846
00:39:28,040 --> 00:39:30,400
Speaker 2: never going to be famous, and the only thing that

847
00:39:30,440 --> 00:39:34,760
Speaker 2: could save my career now is a miracle. Qu Kimmy

848
00:39:34,880 --> 00:39:36,839
Speaker 2: walking through the front door with some mail.

849
00:39:37,960 --> 00:39:43,400
Speaker 1: Miracle appears. I mean you're uncredited, but you're a miraculous.

850
00:39:43,040 --> 00:39:45,520
Speaker 2: Yes, I saved the day, Like this is the only point.

851
00:39:45,680 --> 00:39:49,600
Speaker 2: He saves the day, the only point of my my existency.

852
00:39:49,680 --> 00:39:53,560
Speaker 1: You were without Kimmy, there's no show. Yeah, without Kimmy,

853
00:39:53,600 --> 00:39:56,880
Speaker 1: there's no This doesn't happen without Kimmy. Somebody, one of

854
00:39:56,880 --> 00:39:58,959
Speaker 1: the Giblers is opening this and tossing it in the pit. Yeah,

855
00:39:59,000 --> 00:39:59,920
Speaker 1: and committing mail.

856
00:39:59,719 --> 00:40:02,000
Speaker 2: From Okay, well, I wouldn't put it past them either.

857
00:40:02,040 --> 00:40:06,600
Speaker 2: That's very gibbler ask, so she announces mail call letter

858
00:40:06,680 --> 00:40:09,839
Speaker 2: for Danny Tanner. Danny takes it and Kimmy leaves her

859
00:40:09,840 --> 00:40:14,040
Speaker 2: hand outstretched, asking what no tip. Danny gives her a tip,

860
00:40:14,200 --> 00:40:19,040
Speaker 2: stay out of my mailbox. Danny opens the letter and exclaims, Yes,

861
00:40:19,520 --> 00:40:22,520
Speaker 2: Joey's gonna be on Star Search. Joey runs over and

862
00:40:22,560 --> 00:40:26,000
Speaker 2: grabs the letter enthusiastically. I'm gonna be on Star Search,

863
00:40:26,440 --> 00:40:31,000
Speaker 2: and Kimmy adds as a spokesmodel. Joey continues, this is great.

864
00:40:31,320 --> 00:40:33,880
Speaker 2: How did this happen? Danny admits that they had so

865
00:40:34,000 --> 00:40:36,160
Speaker 2: much faith in him that they sent his tape to

866
00:40:36,280 --> 00:40:40,640
Speaker 2: Star Search. Joey looks around and admires his family, telling

867
00:40:40,680 --> 00:40:43,520
Speaker 2: them they are the best. He assures the group that

868
00:40:43,640 --> 00:40:45,879
Speaker 2: he is gonna win Star Search, He's on his way

869
00:40:45,880 --> 00:40:48,719
Speaker 2: to the top. Before leaving the room, he turns to

870
00:40:48,719 --> 00:40:51,759
Speaker 2: his family and says, thank you people because and then

871
00:40:51,800 --> 00:40:55,160
Speaker 2: he sings I Love and slides across the floor on

872
00:40:55,200 --> 00:40:57,960
Speaker 2: his knees, joining the family as they all sing you

873
00:41:03,200 --> 00:41:05,480
Speaker 2: I love that bit. I just I really love that bit.

874
00:41:07,320 --> 00:41:09,120
Speaker 2: We cut to an exciting commercial break.

875
00:41:09,719 --> 00:41:11,799
Speaker 1: This sorry, but I just have to go back to

876
00:41:11,840 --> 00:41:15,960
Speaker 1: the fact that this is just the most sitcom. Of all,

877
00:41:16,000 --> 00:41:19,759
Speaker 1: it's such I love how things happen get solved in

878
00:41:20,200 --> 00:41:22,560
Speaker 1: a sitcom in twenty twenty is because you're like, oh

879
00:41:22,600 --> 00:41:25,440
Speaker 1: my god, my tenure career, it sucks. Everything's going terribly.

880
00:41:25,520 --> 00:41:29,120
Speaker 1: Oh no, you're like, wait, there's a letter, and it's

881
00:41:29,280 --> 00:41:32,680
Speaker 1: all what I'm getting. I'm going on Star Search, a

882
00:41:32,719 --> 00:41:35,480
Speaker 1: notoriously hard show that you have to like audition for

883
00:41:35,680 --> 00:41:37,839
Speaker 1: go through all these rounds. But Danny pulled it off

884
00:41:37,880 --> 00:41:41,600
Speaker 1: because Danny hosts Wake Up San Francisco and he's got

885
00:41:41,640 --> 00:41:43,600
Speaker 1: strings that he can pull, although he wouldn't pull him

886
00:41:43,680 --> 00:41:46,000
Speaker 1: until the last moment.

887
00:41:45,960 --> 00:41:48,760
Speaker 2: Because otherwise there'd be The show has to work, otherwise

888
00:41:48,760 --> 00:41:52,120
Speaker 2: I'd be the storyline. The storyline has to work, the

889
00:41:52,200 --> 00:41:54,240
Speaker 2: joke has to work, like there's that is the purpose.

890
00:41:54,280 --> 00:41:57,759
Speaker 1: Joke has to work. And most importantly, we're on Star Search. Yeah,

891
00:41:57,800 --> 00:41:58,359
Speaker 1: so that's really all.

892
00:41:58,360 --> 00:42:01,520
Speaker 2: Oh my gosh, Yes, backstage age at Star Search. This

893
00:42:01,680 --> 00:42:03,680
Speaker 2: is very exciting. Although I think this was a set

894
00:42:04,200 --> 00:42:07,040
Speaker 2: on Oh, this was definitely a set. This wasn't startars

895
00:42:07,239 --> 00:42:07,839
Speaker 2: just coming next.

896
00:42:07,920 --> 00:42:09,880
Speaker 1: You can tell by the way it's lit. Nothing in

897
00:42:09,920 --> 00:42:14,839
Speaker 1: the real world is lit uh from above at all?

898
00:42:15,000 --> 00:42:15,160
Speaker 2: Like that?

899
00:42:15,640 --> 00:42:18,879
Speaker 1: Uh if it is it looks like a dressing thing

900
00:42:19,200 --> 00:42:22,120
Speaker 1: and that's not cute on anyway. So yeah, you can

901
00:42:22,160 --> 00:42:24,239
Speaker 1: tell us. It's always tell by the lighting, well on

902
00:42:24,280 --> 00:42:26,240
Speaker 1: a sitcomic, on a sent exactly.

903
00:42:26,960 --> 00:42:29,520
Speaker 2: So DJ and Steph run into the dressing room where

904
00:42:29,600 --> 00:42:31,680
Speaker 2: the rest of the family's waiting, and they announced they

905
00:42:31,840 --> 00:42:35,800
Speaker 2: just saw the tapping Takeyamas tap dancing in the hallway.

906
00:42:36,600 --> 00:42:39,320
Speaker 1: What was Harry? There any relation to Harry?

907
00:42:39,360 --> 00:42:41,520
Speaker 2: Yeah, I don't, I don't know.

908
00:42:41,600 --> 00:42:43,359
Speaker 1: They do not think of another teeming.

909
00:42:43,600 --> 00:42:46,759
Speaker 2: They should have, But maybe they just really wanted.

910
00:42:46,680 --> 00:42:48,560
Speaker 1: Maybe maybe that was maybe they wanted to throw it in.

911
00:42:48,560 --> 00:42:51,000
Speaker 1: Maybe the tapping Takiyamas. Maybe it was a nod to

912
00:42:51,040 --> 00:42:52,480
Speaker 1: Harry since we never saw him on the show.

913
00:42:52,600 --> 00:42:55,000
Speaker 2: Yeah, so they and they, so they coud maybe it

914
00:42:55,040 --> 00:42:59,319
Speaker 2: was like goodbye, yes, sayonara Takeyama. Yeah, they can tap

915
00:42:59,400 --> 00:43:02,480
Speaker 2: dance their way off stage. So yeah, I guess that's it.

916
00:43:03,560 --> 00:43:05,640
Speaker 2: So a stage manager walks in and tells Joey he

917
00:43:05,719 --> 00:43:08,799
Speaker 2: has ten minutes. DJ tells Michelle to show the nice

918
00:43:08,840 --> 00:43:12,720
Speaker 2: producer how good of a ballerina she is. Michelle begins

919
00:43:12,719 --> 00:43:16,200
Speaker 2: to dance, and then Steph seizes this opportunity by running

920
00:43:16,200 --> 00:43:20,200
Speaker 2: in front of her and singing Tomorrow by Annie or

921
00:43:20,200 --> 00:43:23,400
Speaker 2: from from the show Annie This is you were so cute, Like,

922
00:43:24,040 --> 00:43:26,600
Speaker 2: were you like into it or were you embarrassed or

923
00:43:26,600 --> 00:43:27,399
Speaker 2: were I love?

924
00:43:27,520 --> 00:43:30,399
Speaker 1: No, I loved singing. I love yeah, I mean any

925
00:43:30,520 --> 00:43:34,000
Speaker 1: chance to be ethel merman like and do it? You

926
00:43:34,040 --> 00:43:36,319
Speaker 1: know it was I was you loved it? Yeah, I

927
00:43:36,320 --> 00:43:38,200
Speaker 1: loved I always loved music and all that kind.

928
00:43:38,080 --> 00:43:40,160
Speaker 2: Of st Oh you did it so well too.

929
00:43:40,280 --> 00:43:42,719
Speaker 1: It's a hysterical and I didn't you know, I wasn't

930
00:43:42,960 --> 00:43:46,439
Speaker 1: horribly off key, so it wasn't no ear piercing. It

931
00:43:46,480 --> 00:43:49,040
Speaker 1: was not you know, it was great for a seven

932
00:43:49,080 --> 00:43:49,359
Speaker 1: year old.

933
00:43:49,400 --> 00:43:51,000
Speaker 2: Absolutely, No, you were really good.

934
00:43:51,040 --> 00:43:54,120
Speaker 1: I'm no, it was no you know, Sarah Jessica Parker.

935
00:43:53,880 --> 00:43:56,680
Speaker 2: Well, I just didn't know at seven was that embarrassing

936
00:43:56,760 --> 00:43:58,239
Speaker 2: or were you into it? But you were the type of.

937
00:43:58,239 --> 00:44:01,000
Speaker 1: Kid that was very oh yeah at your theater. I

938
00:44:01,000 --> 00:44:03,200
Speaker 1: didn't get embarrassed about things until middle.

939
00:44:02,920 --> 00:44:05,200
Speaker 2: School, okay, which is usually the.

940
00:44:05,160 --> 00:44:07,160
Speaker 1: Case that yeah, yeah, I didn't get I had no

941
00:44:07,200 --> 00:44:10,400
Speaker 1: embarrassment or shame until I was about like eleven or twelve,

942
00:44:10,400 --> 00:44:11,839
Speaker 1: and then I was like, oh my god, I'm late.

943
00:44:11,920 --> 00:44:15,560
Speaker 2: And that's when you become self aware and very self right.

944
00:44:17,160 --> 00:44:20,359
Speaker 2: So the producer gives a half hearted thank you and

945
00:44:20,400 --> 00:44:23,560
Speaker 2: walks out the door as Stuff follows him, continuing this song.

946
00:44:23,960 --> 00:44:26,880
Speaker 1: Because you should let your children follow strange people around

947
00:44:27,000 --> 00:44:30,520
Speaker 1: backstage and sing it though it's without any idea of

948
00:44:30,520 --> 00:44:33,320
Speaker 1: where they're going. That's really how you should like.

949
00:44:34,280 --> 00:44:38,040
Speaker 2: Where is security? H Michelle rips off her too too,

950
00:44:38,080 --> 00:44:41,719
Speaker 2: and says no more ballerina. Joey says why not, to

951
00:44:41,760 --> 00:44:45,839
Speaker 2: which Michelle responds by copying Stuff and singing tomorrow while

952
00:44:45,880 --> 00:44:49,080
Speaker 2: walking out the door. This is where it starts, How

953
00:44:49,120 --> 00:44:51,040
Speaker 2: it starts. This is how it starts.

954
00:44:51,040 --> 00:44:53,680
Speaker 1: First, to start with tomorrow. It started with the there's

955
00:44:53,680 --> 00:44:56,520
Speaker 1: a couple other things that she's stolen, and now tomorrow.

956
00:44:56,719 --> 00:45:01,000
Speaker 1: Oh yeah, she's the best old I little sister, just

957
00:45:01,040 --> 00:45:01,720
Speaker 1: always coming.

958
00:45:01,520 --> 00:45:06,080
Speaker 2: For yes always DJ laughs, Oh little kids, I better

959
00:45:06,120 --> 00:45:09,400
Speaker 2: go get them before they embarrass themselves, and then she

960
00:45:09,560 --> 00:45:12,520
Speaker 2: copies both Michelle and Stuff by singing tomorrow as she

961
00:45:12,760 --> 00:45:16,160
Speaker 2: exits the room. Now, I wonder if Candace might have

962
00:45:16,160 --> 00:45:17,040
Speaker 2: been embarrassed about that.

963
00:45:17,080 --> 00:45:19,880
Speaker 1: I would have been at thirteen. Yeah, she never loved

964
00:45:19,920 --> 00:45:21,120
Speaker 1: singing totally sure.

965
00:45:22,520 --> 00:45:24,719
Speaker 2: Danny and Jesse get up, telling Joey that they better

966
00:45:24,760 --> 00:45:26,799
Speaker 2: get back to their seats. They wish him luck and

967
00:45:26,800 --> 00:45:30,480
Speaker 2: tell him not to be nervous. Joey sarcastically asks, why

968
00:45:30,520 --> 00:45:33,040
Speaker 2: would I be nervous just because the last ten years

969
00:45:33,040 --> 00:45:35,880
Speaker 2: comes down to the next ten minutes, just because my

970
00:45:36,000 --> 00:45:38,120
Speaker 2: entire life is writing on my one and only shot

971
00:45:38,200 --> 00:45:42,240
Speaker 2: at stardom. Jesse shrugs, see nothing to be worried about,

972
00:45:42,520 --> 00:45:52,799
Speaker 2: and he and Danny exit the room. Next we're on

973
00:45:52,840 --> 00:45:57,480
Speaker 2: the Star Search stage. Oh my gosh, this is so

974
00:45:57,719 --> 00:46:00,880
Speaker 2: like do you remember going to the studio?

975
00:46:01,480 --> 00:46:05,800
Speaker 1: I don't remember it exactly. I do remember us getting

976
00:46:05,840 --> 00:46:08,719
Speaker 1: a picture with Ed McMahon at the end. Oh do

977
00:46:08,760 --> 00:46:14,440
Speaker 1: you remember like sitting and watching like Dave's portion of

978
00:46:14,480 --> 00:46:17,640
Speaker 1: the show and doing that? But I seem to remember

979
00:46:18,000 --> 00:46:23,120
Speaker 1: we were kind of like we sort of inserted ourselves

980
00:46:23,440 --> 00:46:27,600
Speaker 1: into an episode of Star Search that was already going

981
00:46:27,760 --> 00:46:31,480
Speaker 1: if I'm correct, or something like. It was like Dave

982
00:46:31,560 --> 00:46:33,960
Speaker 1: had his bit and that, Like I don't know that

983
00:46:34,080 --> 00:46:37,799
Speaker 1: we got Star Search to do a whole I'm not

984
00:46:37,840 --> 00:46:39,920
Speaker 1: sure how it happened, but I do seem to remember.

985
00:46:39,920 --> 00:46:42,240
Speaker 1: I think we sort of fit into their production schedule

986
00:46:42,360 --> 00:46:45,120
Speaker 1: that bit for the live Dabu got it okay, because

987
00:46:45,120 --> 00:46:46,960
Speaker 1: we need they needed an audience and you know all that.

988
00:46:47,160 --> 00:46:49,399
Speaker 2: So it's kind of like the Baseball episode of Fuller House.

989
00:46:49,560 --> 00:46:51,319
Speaker 1: Kind of like the Baseball episode, kind of like the

990
00:46:52,239 --> 00:46:55,200
Speaker 1: like the Hawaii episode at the end when we joined

991
00:46:55,239 --> 00:46:57,040
Speaker 1: the show and what it's sort of like that kind

992
00:46:57,080 --> 00:46:58,640
Speaker 1: of thing when it's like you've got this is it,

993
00:46:58,760 --> 00:46:59,959
Speaker 1: You've got your you've got your.

994
00:46:59,840 --> 00:47:03,040
Speaker 2: Mind, the audience is already there. You just throw the I.

995
00:47:03,000 --> 00:47:05,560
Speaker 1: Don't remember if like Dave got any he might have.

996
00:47:06,280 --> 00:47:08,719
Speaker 1: I think probably at the end. Obviously he comes back

997
00:47:08,719 --> 00:47:11,239
Speaker 1: and is on the stage by himself that I think.

998
00:47:11,520 --> 00:47:14,480
Speaker 1: I'm sure we got pickups of his set during that, yeah,

999
00:47:14,640 --> 00:47:16,200
Speaker 1: which is why you see a close up of him

1000
00:47:16,239 --> 00:47:19,359
Speaker 1: and not with the audience. Probably at some points during

1001
00:47:19,360 --> 00:47:21,680
Speaker 1: a set, but but I think he probably got one

1002
00:47:21,719 --> 00:47:24,080
Speaker 1: pass to go through it during the show. And then

1003
00:47:24,120 --> 00:47:25,000
Speaker 1: that was that was kind of it.

1004
00:47:25,120 --> 00:47:29,000
Speaker 2: That's pressure. That is pressure. He did. Yeah, so good.

1005
00:47:29,320 --> 00:47:30,000
Speaker 1: Oh it's funny.

1006
00:47:30,440 --> 00:47:33,840
Speaker 2: But first Steve Odakirk is on stage concluding his act.

1007
00:47:33,960 --> 00:47:36,920
Speaker 1: Which is funny, Like I was just about to say speaking,

1008
00:47:36,920 --> 00:47:39,759
Speaker 1: if not funny though that which is this?

1009
00:47:39,840 --> 00:47:41,680
Speaker 2: I don't think this was fun What was he was

1010
00:47:41,760 --> 00:47:44,759
Speaker 2: dancing and he had four fake arms, and I don't

1011
00:47:44,920 --> 00:47:47,279
Speaker 2: it was it's a physical comedy bit. It didn't. We

1012
00:47:47,320 --> 00:47:49,719
Speaker 2: didn't see the first part of his act, so I

1013
00:47:49,800 --> 00:47:53,560
Speaker 2: wonder if it was like a call down. I don't know. Well, yeah,

1014
00:47:53,600 --> 00:47:55,640
Speaker 2: it wasn't funny to me either, but I'm like wow.

1015
00:47:55,560 --> 00:47:58,879
Speaker 1: And maybe they were trying to make it slightly think like, oh,

1016
00:47:58,920 --> 00:48:01,120
Speaker 1: there's no way that Joey lose to this guy. And

1017
00:48:01,160 --> 00:48:02,440
Speaker 1: then okay, that's true.

1018
00:48:04,080 --> 00:48:07,440
Speaker 2: So the presenter Ed McMahon mentions that Steve is the

1019
00:48:07,560 --> 00:48:10,520
Speaker 2: champion and now we are going to see the challenger.

1020
00:48:10,880 --> 00:48:13,000
Speaker 1: That's right. It was like it was like Jeopardy, where

1021
00:48:13,040 --> 00:48:15,239
Speaker 1: like one person kept making it week after when they

1022
00:48:15,239 --> 00:48:17,160
Speaker 1: would continue, them come back week after week and they

1023
00:48:17,160 --> 00:48:17,880
Speaker 1: would continue.

1024
00:48:17,960 --> 00:48:20,160
Speaker 2: I forgot about that too until I watched the episode.

1025
00:48:20,800 --> 00:48:24,120
Speaker 2: Joey is introduced and welcome to the stage. Ed McMahon

1026
00:48:24,160 --> 00:48:27,640
Speaker 2: notes he's been doing comedy for ten years. WHOA, that's

1027
00:48:27,680 --> 00:48:32,720
Speaker 2: a long time. Please welcome Joey Gladstone. Everybody cheers. Joey

1028
00:48:32,760 --> 00:48:35,440
Speaker 2: comes out on stage and starts his set. So I

1029
00:48:35,480 --> 00:48:37,920
Speaker 2: played ice hockey for thirteen years and it's great to

1030
00:48:37,960 --> 00:48:40,880
Speaker 2: be alive. Thanks. I'm playing in a league in California,

1031
00:48:40,920 --> 00:48:43,200
Speaker 2: and there are surfers in this ice hockey league, and

1032
00:48:43,239 --> 00:48:46,720
Speaker 2: these guys are thinking, if this ice smelts cool, dude

1033
00:48:46,800 --> 00:48:52,560
Speaker 2: surfs up and the audience laughs. Joey continues mentioning the

1034
00:48:52,640 --> 00:48:55,479
Speaker 2: surfer who keeps talking about ice hockey philosophy to him.

1035
00:48:55,640 --> 00:49:00,319
Speaker 2: Joey impersonates the surfer voice. The audience keeps laughing. Then

1036
00:49:00,400 --> 00:49:04,000
Speaker 2: Joey begins this incredible Jacques Cousteau act, which is like,

1037
00:49:04,320 --> 00:49:06,719
Speaker 2: so good, so great.

1038
00:49:06,960 --> 00:49:11,040
Speaker 1: Jacques Cousteau, for those of you who don't know, was

1039
00:49:11,320 --> 00:49:15,839
Speaker 1: a nature, a marine nature, like a documentarian who did

1040
00:49:15,840 --> 00:49:17,960
Speaker 1: a lot of things in the seventies and eighties that

1041
00:49:18,000 --> 00:49:21,600
Speaker 1: were really cool underwater documentaries that people hadn't seen before. Yeah,

1042
00:49:21,640 --> 00:49:23,160
Speaker 1: and he was French.

1043
00:49:23,280 --> 00:49:26,000
Speaker 2: And we continue and Dave nails it like he nails

1044
00:49:26,000 --> 00:49:29,440
Speaker 2: the voice. My god, he nails the cadence, like the birds,

1045
00:49:29,920 --> 00:49:31,240
Speaker 2: the bird sounds.

1046
00:49:30,880 --> 00:49:33,040
Speaker 1: Yeah, yeah, the birds got yeah. Everything. If you've ever

1047
00:49:33,080 --> 00:49:35,880
Speaker 1: seen a Jacques Custo, which you may have if your

1048
00:49:35,920 --> 00:49:39,440
Speaker 1: our age and watched like a documentary in your science class,

1049
00:49:40,000 --> 00:49:43,240
Speaker 1: it is exactly like a Jacques Cousta.

1050
00:49:43,320 --> 00:49:44,040
Speaker 3: Yep, Dave.

1051
00:49:44,320 --> 00:49:50,600
Speaker 2: Dave absolutely nailed this impression. So He does some more

1052
00:49:50,640 --> 00:49:54,400
Speaker 2: impressions and the audience loves it, and he includes his

1053
00:49:54,440 --> 00:49:57,160
Speaker 2: classic cut it out and gets a big round of applause.

1054
00:49:57,880 --> 00:50:00,520
Speaker 2: He finishes his act by doing Popeye impression and the

1055
00:50:00,560 --> 00:50:04,759
Speaker 2: audience is going crazy for him. Next, Joey and his

1056
00:50:04,760 --> 00:50:09,440
Speaker 2: competitor Steve greet each other on stage. Ed McMahon explains

1057
00:50:09,440 --> 00:50:11,520
Speaker 2: that they are now going to see how the judges

1058
00:50:11,719 --> 00:50:16,560
Speaker 2: rated them. Champion Steve Odokerk gets all four stars a

1059
00:50:16,600 --> 00:50:20,840
Speaker 2: perfect score, and Joey Gladstone gets all four stars another

1060
00:50:21,080 --> 00:50:26,640
Speaker 2: perfect score. Ooh, I was excited. But the way they

1061
00:50:26,640 --> 00:50:29,520
Speaker 2: break ties on Star Search is for the studio audience

1062
00:50:29,600 --> 00:50:32,359
Speaker 2: to vote for their favorite, and once the votes are in,

1063
00:50:32,760 --> 00:50:35,799
Speaker 2: the results will be revealed at the end of the show.

1064
00:50:37,200 --> 00:50:39,920
Speaker 2: A spokeswoman takes us to commercial as Danny stands up

1065
00:50:39,920 --> 00:50:44,479
Speaker 2: in the audience, very smitten with her. A little while later,

1066
00:50:44,560 --> 00:50:46,880
Speaker 2: it's the end of the show and the results are in.

1067
00:50:47,560 --> 00:50:51,000
Speaker 2: Joey's inner monologue reveals that he is terrified and he

1068
00:50:51,480 --> 00:50:55,600
Speaker 2: has his whole career writing on this moment, whereas his

1069
00:50:55,600 --> 00:50:59,000
Speaker 2: competitor competitor's inner monologue is telling us how he's thinking

1070
00:50:59,040 --> 00:51:00,680
Speaker 2: about where to get a good burd after the.

1071
00:51:00,680 --> 00:51:03,040
Speaker 1: Show, which was such a strange. It was sort of

1072
00:51:03,040 --> 00:51:06,200
Speaker 1: a strange, like, oh, we're we can hear people's thoughts

1073
00:51:06,280 --> 00:51:06,880
Speaker 1: now interesting.

1074
00:51:06,920 --> 00:51:09,000
Speaker 2: Yeah, you know, it was just that fits in.

1075
00:51:09,160 --> 00:51:10,080
Speaker 1: Was like okay, I love it.

1076
00:51:10,080 --> 00:51:12,520
Speaker 2: Hey, it fits in with the Aliens, the X Files,

1077
00:51:12,520 --> 00:51:15,360
Speaker 2: the portals, the shape shifting like you know, this is

1078
00:51:16,120 --> 00:51:20,800
Speaker 2: full house is magic. My greeting, of course, Ed McMahon

1079
00:51:20,840 --> 00:51:25,640
Speaker 2: reveals that Steve oda Kirk is the winner and the

1080
00:51:25,760 --> 00:51:33,000
Speaker 2: reigning champion. Wo we no, I felt terrible. We cut

1081
00:51:33,040 --> 00:51:36,520
Speaker 2: to a very disappointed commercial break, and when we come back,

1082
00:51:36,560 --> 00:51:40,800
Speaker 2: we are backstage again at Star Search. The entire family

1083
00:51:40,880 --> 00:51:43,920
Speaker 2: runs into Joey's room, congratulating him on a great show.

1084
00:51:44,239 --> 00:51:47,520
Speaker 2: Everyone's doing their part by telling Joey how wonderful he was,

1085
00:51:47,640 --> 00:51:50,720
Speaker 2: but Steph takes it above and beyond. You were better

1086
00:51:50,760 --> 00:51:53,640
Speaker 2: than the best, You were the bestest, you were super

1087
00:51:53,840 --> 00:51:58,360
Speaker 2: best orama. Joey thanks everyone and tells them he's glad

1088
00:51:58,400 --> 00:52:00,799
Speaker 2: he's getting out of comedy while he's still young enough

1089
00:52:00,840 --> 00:52:05,080
Speaker 2: to laugh about it. I just saw the look on

1090
00:52:05,160 --> 00:52:07,560
Speaker 2: his face and I just, oh, my heart dropped.

1091
00:52:08,600 --> 00:52:09,160
Speaker 1: Yeah.

1092
00:52:09,320 --> 00:52:11,520
Speaker 2: Danny tells his daughters that he and Jesse want to

1093
00:52:11,560 --> 00:52:14,160
Speaker 2: talk to Joey alone for a minute, so he tells

1094
00:52:14,160 --> 00:52:16,400
Speaker 2: the girls to go get ed McMahon's autograph, and the

1095
00:52:16,440 --> 00:52:18,759
Speaker 2: girls leave once again. The girls are and.

1096
00:52:18,880 --> 00:52:21,800
Speaker 1: They've already been. They've already probably figured out where Craft services.

1097
00:52:22,000 --> 00:52:24,000
Speaker 1: And we're all, yeah, they're they're touring the studio a lot.

1098
00:52:24,000 --> 00:52:25,480
Speaker 1: They're fine. They've stolen a golf card.

1099
00:52:25,520 --> 00:52:28,759
Speaker 2: It's like our girls backstage at Fuller. Yeah, they've just yeah,

1100
00:52:28,840 --> 00:52:33,560
Speaker 2: the whole run of the stage right right, Craft Service.

1101
00:52:34,800 --> 00:52:37,799
Speaker 2: So Joey tells Jesse and Danny to save the pep

1102
00:52:37,880 --> 00:52:40,560
Speaker 2: talk because he already knows what they're going to say.

1103
00:52:41,239 --> 00:52:44,040
Speaker 2: He mocks them, keep working at it, it's gonna happen.

1104
00:52:44,160 --> 00:52:46,160
Speaker 2: You got a perfect score in Star Search. If you

1105
00:52:46,200 --> 00:52:49,640
Speaker 2: give up now, you're stupid. Jesse and Danny admit that, Yeah,

1106
00:52:49,680 --> 00:52:52,440
Speaker 2: that's exactly what they were going to say. I mean,

1107
00:52:53,239 --> 00:52:55,839
Speaker 2: I was like, yes, yeah, he nailed all of all

1108
00:52:55,880 --> 00:52:57,160
Speaker 2: of those talking points. Yeah.

1109
00:52:57,239 --> 00:52:59,080
Speaker 1: Right now, He's like, that's exactly what they were going

1110
00:52:59,160 --> 00:53:01,480
Speaker 1: to write. I mean, where we go from here?

1111
00:53:02,880 --> 00:53:06,040
Speaker 2: Joey sighs. There comes a time in every man's life

1112
00:53:06,080 --> 00:53:08,719
Speaker 2: when he's just got to face the music and say

1113
00:53:08,719 --> 00:53:14,160
Speaker 2: to himself, Hey, I'm a failure bro like Joey, But

1114
00:53:14,400 --> 00:53:15,680
Speaker 2: he's breaking my heart.

1115
00:53:15,880 --> 00:53:16,280
Speaker 1: Failure.

1116
00:53:16,880 --> 00:53:17,799
Speaker 2: He's so hard on.

1117
00:53:18,000 --> 00:53:20,440
Speaker 1: If you've been a comedian for ten years, you are

1118
00:53:20,640 --> 00:53:22,960
Speaker 1: very used to rejecting. Yeah, star search does feel it.

1119
00:53:23,040 --> 00:53:26,400
Speaker 1: You've got on Star Search in two weeks. That's like

1120
00:53:26,800 --> 00:53:27,959
Speaker 1: you're it's gonna be okay.

1121
00:53:28,120 --> 00:53:31,799
Speaker 2: He just doesn't have the perspective. But but then Jesse

1122
00:53:32,040 --> 00:53:35,840
Speaker 2: Jesse steps in. Jesse says, nobody calls my friend Joey

1123
00:53:35,840 --> 00:53:38,120
Speaker 2: a failure, especially my friend Joey.

1124
00:53:38,600 --> 00:53:38,799
Speaker 1: Right.

1125
00:53:39,360 --> 00:53:42,240
Speaker 2: Joey argues back. He says, I'm a local nightclub comic.

1126
00:53:42,280 --> 00:53:44,480
Speaker 2: That's all I'm ever gonna be. I've been in the

1127
00:53:44,480 --> 00:53:47,839
Speaker 2: same rut for the last ten years. Jesse tells him

1128
00:53:47,880 --> 00:53:52,640
Speaker 2: that the failure he's experiencing is his attitude. He says,

1129
00:53:52,840 --> 00:53:55,400
Speaker 2: your problem is the way you're looking at success. Do

1130
00:53:55,440 --> 00:53:58,759
Speaker 2: you love being a stand up comic? Joey says, well yeah,

1131
00:53:59,560 --> 00:54:03,200
Speaker 2: Jesse's have you made thousands of people laugh millions tonight?

1132
00:54:03,760 --> 00:54:07,920
Speaker 2: And Joey perks up. Well yeah, Jesse goes on, before

1133
00:54:07,960 --> 00:54:11,000
Speaker 2: this little stupid deadline of yours, were you happy with

1134
00:54:11,080 --> 00:54:14,680
Speaker 2: your life? Joey throws up his hands and admits yes,

1135
00:54:15,640 --> 00:54:19,720
Speaker 2: and Jesse concludes personal happiness and bringing joy to others.

1136
00:54:20,120 --> 00:54:25,319
Speaker 2: That sounds like success to me. Jesse knows that's that's

1137
00:54:25,360 --> 00:54:27,080
Speaker 2: so great. He's so proud of Jesse.

1138
00:54:26,960 --> 00:54:29,840
Speaker 1: Like, you know, for he really in this moment, he

1139
00:54:30,000 --> 00:54:33,520
Speaker 1: really redeemed himself. He shined. I was very proud of

1140
00:54:33,600 --> 00:54:35,839
Speaker 1: how he stood up for his friend and supported him

1141
00:54:35,880 --> 00:54:38,600
Speaker 1: and was like, dude, you're gonna it's gonna be okay.

1142
00:54:38,640 --> 00:54:40,120
Speaker 1: You actually are doing just fine.

1143
00:54:40,200 --> 00:54:42,640
Speaker 2: Yeah. I think I think Jesse's only flaw is in

1144
00:54:42,680 --> 00:54:45,560
Speaker 2: the relationship era of his life. But when it comes

1145
00:54:45,560 --> 00:54:47,920
Speaker 2: to pep talks and building up his friends, like this

1146
00:54:48,160 --> 00:54:50,399
Speaker 2: was Chef's kiss, no notes, it was.

1147
00:54:50,360 --> 00:54:52,520
Speaker 1: Perfect, no notes, and that it was great. You know.

1148
00:54:52,680 --> 00:54:56,120
Speaker 1: I know we are sometimes hard on Uncle Jay and

1149
00:54:56,160 --> 00:54:59,200
Speaker 1: in the in the show, but this was a shining

1150
00:54:59,280 --> 00:55:02,600
Speaker 1: example of Uncle Jesse making you believe in yourself.

1151
00:55:02,640 --> 00:55:04,080
Speaker 2: It was great. It was great. He didn't make it

1152
00:55:04,120 --> 00:55:06,759
Speaker 2: all about himself. He just referred to like, right, it's

1153
00:55:06,760 --> 00:55:08,680
Speaker 2: like I us it career. But he didn't like make

1154
00:55:08,719 --> 00:55:09,440
Speaker 2: it all about him.

1155
00:55:09,440 --> 00:55:11,520
Speaker 1: He didn't make it all exactly. I was, yeah, this

1156
00:55:11,640 --> 00:55:14,879
Speaker 1: is growth people, This yes gross, Joey got a moment

1157
00:55:14,960 --> 00:55:16,280
Speaker 1: to have his own feet.

1158
00:55:16,320 --> 00:55:19,800
Speaker 2: I love it. So Jesse asks Danny if there's anything

1159
00:55:19,800 --> 00:55:22,360
Speaker 2: he'd like to add to this PEP talk, and Danny

1160
00:55:22,400 --> 00:55:24,920
Speaker 2: is staring off in the distance and he says, oh, sorry,

1161
00:55:24,960 --> 00:55:28,000
Speaker 2: I wasn't listening. I was still thinking about that spokes model.

1162
00:55:29,719 --> 00:55:32,600
Speaker 1: And which also does it track for Danny though Danny's

1163
00:55:32,640 --> 00:55:35,439
Speaker 1: not usually that guy. I felt like a Jesse line

1164
00:55:35,480 --> 00:55:36,759
Speaker 1: to me? It did.

1165
00:55:37,040 --> 00:55:38,680
Speaker 2: I guess it did to me too, even the fact

1166
00:55:38,719 --> 00:55:40,360
Speaker 2: that he stood up in the in the audience and

1167
00:55:40,480 --> 00:55:43,160
Speaker 2: was like, oh her, that was I'm like, okay, Danny

1168
00:55:43,200 --> 00:55:43,719
Speaker 2: needs a date.

1169
00:55:43,920 --> 00:55:47,640
Speaker 1: And also, what were spokes models? Why were they usually

1170
00:55:47,680 --> 00:55:50,200
Speaker 1: a spokesperson is like for a product? Why were we

1171
00:55:51,400 --> 00:55:53,839
Speaker 1: I don't know why we. I guess that was kind

1172
00:55:53,840 --> 00:55:57,480
Speaker 1: of what you called like price is right and all

1173
00:55:56,520 --> 00:56:00,800
Speaker 1: those we were usually advertising some sort of product. I

1174
00:56:00,840 --> 00:56:02,600
Speaker 1: guess yeah, yeah, I guess they would just be called

1175
00:56:02,760 --> 00:56:04,840
Speaker 1: because we just don't really have spokes models anymore.

1176
00:56:04,920 --> 00:56:08,160
Speaker 2: No, No, they're just co hosts now, it's you know, it's.

1177
00:56:08,000 --> 00:56:11,799
Speaker 1: They're just anyone with a with a social media.

1178
00:56:11,600 --> 00:56:14,719
Speaker 2: Yeah, yeah, basically. So next we go back to the

1179
00:56:14,760 --> 00:56:18,720
Speaker 2: Star Search stage, which is now devoid of audience members.

1180
00:56:18,719 --> 00:56:22,400
Speaker 2: It's empty. Yes, Joey walks onto the stage and stands

1181
00:56:22,400 --> 00:56:25,920
Speaker 2: at the empty microphone. He begins to do his Wizard

1182
00:56:25,960 --> 00:56:30,200
Speaker 2: of Oz sketch for the empty audience. He shrugs, well,

1183
00:56:30,520 --> 00:56:33,680
Speaker 2: I gave it my best shot ten years. It's been

1184
00:56:33,719 --> 00:56:36,040
Speaker 2: a great ten years. But what do I have to

1185
00:56:36,080 --> 00:56:39,239
Speaker 2: show for it? I do do the best Popeye in

1186
00:56:39,280 --> 00:56:42,799
Speaker 2: the business. And he imitates Popeye's laugh. Just then we

1187
00:56:42,800 --> 00:56:46,200
Speaker 2: hear a giggle. The camera shows Michelle walking onto the stage.

1188
00:56:46,320 --> 00:56:49,600
Speaker 2: She's giggling at Joey's impression. Joey walks.

1189
00:56:49,640 --> 00:56:53,120
Speaker 1: Kind of creepy that she walked. The way she's giggling

1190
00:56:53,120 --> 00:56:56,000
Speaker 1: and walking in it was so for it felt do

1191
00:56:56,120 --> 00:56:57,239
Speaker 1: you see the movie Child's Play?

1192
00:56:57,360 --> 00:57:00,160
Speaker 2: Oh, it felt really creepy me.

1193
00:57:00,360 --> 00:57:03,960
Speaker 1: She was like, I was like stop doing that, Like stop,

1194
00:57:04,120 --> 00:57:05,800
Speaker 1: that's what I'm sorry. I ruined the moment.

1195
00:57:06,280 --> 00:57:07,120
Speaker 2: You didn't ruin the moment.

1196
00:57:07,160 --> 00:57:10,200
Speaker 1: I was like, it just this this it just felt

1197
00:57:10,200 --> 00:57:12,359
Speaker 1: like one of those moments like this episode felt very

1198
00:57:12,440 --> 00:57:15,000
Speaker 1: like again that sort of forcing of Michelle to do stuff,

1199
00:57:15,840 --> 00:57:18,400
Speaker 1: and and again the kids wandering about.

1200
00:57:18,480 --> 00:57:20,720
Speaker 2: Well, well, I mean this is when you have men

1201
00:57:20,840 --> 00:57:23,640
Speaker 2: who don't have children writing for a three year old

1202
00:57:23,720 --> 00:57:25,160
Speaker 2: and you're like, well, I don't think a three year

1203
00:57:25,160 --> 00:57:27,400
Speaker 2: old would do that. And yeah, I mean, I give

1204
00:57:27,440 --> 00:57:29,400
Speaker 2: the Olsen's credit. They did great with what they were

1205
00:57:29,400 --> 00:57:30,240
Speaker 2: give they did great.

1206
00:57:30,280 --> 00:57:31,800
Speaker 1: They did great with what I mean, there were three

1207
00:57:32,600 --> 00:57:34,840
Speaker 1: but it just I was like this, it just anyway.

1208
00:57:34,960 --> 00:57:38,920
Speaker 1: But but but she has to be there for the

1209
00:57:38,960 --> 00:57:42,600
Speaker 1: next part, which is of course makes so much sense,

1210
00:57:43,000 --> 00:57:45,840
Speaker 1: which is which is the emotional unload on the top,

1211
00:57:46,200 --> 00:57:48,480
Speaker 1: which we seem to do a lot.

1212
00:57:48,600 --> 00:57:50,840
Speaker 2: She's the therapist of the family, so.

1213
00:57:51,480 --> 00:57:53,560
Speaker 1: This family needs somebody to talk to.

1214
00:57:54,280 --> 00:57:56,880
Speaker 2: Yeah, joe Joey picks her up and tells her that

1215
00:57:56,920 --> 00:57:59,480
Speaker 2: he has been on so many stages and told so

1216
00:57:59,560 --> 00:58:03,240
Speaker 2: many joke but he never gets tired of hearing people laugh.

1217
00:58:04,040 --> 00:58:08,320
Speaker 2: He asks himself, So why am I walking away? Michelle responds,

1218
00:58:08,680 --> 00:58:13,040
Speaker 2: I don't know. Joey sighs. I did have that deadline,

1219
00:58:13,640 --> 00:58:15,840
Speaker 2: but let's face it, I've never been on time for

1220
00:58:15,880 --> 00:58:18,400
Speaker 2: anything in my entire life, so why start now.

1221
00:58:19,680 --> 00:58:22,640
Speaker 1: You're a comedian. That's a hallmark of meeting a comedian

1222
00:58:22,720 --> 00:58:23,800
Speaker 1: is never being on time.

1223
00:58:24,040 --> 00:58:25,000
Speaker 2: You're never on time.

1224
00:58:25,480 --> 00:58:30,000
Speaker 1: You get rejected time blindness, rejecting it. Yeah, you're either

1225
00:58:30,200 --> 00:58:32,880
Speaker 1: two hours early and stressing about that, or you're two

1226
00:58:32,920 --> 00:58:36,440
Speaker 1: hours late, and you're like, I'm an idiot, Like, yeah.

1227
00:58:35,680 --> 00:58:41,680
Speaker 2: Yeah, he's got a normal life for a comic, very successful.

1228
00:58:41,720 --> 00:58:44,800
Speaker 2: But you know, the joke's gotta work. So Joey decides

1229
00:58:44,840 --> 00:58:47,800
Speaker 2: to make a new deadline. He declares, if I'm not

1230
00:58:47,880 --> 00:58:50,560
Speaker 2: on the Carson Show in sixty years, I'm going to

1231
00:58:50,640 --> 00:58:55,200
Speaker 2: seriously consider changing my career. He does a porky pig impression,

1232
00:58:55,320 --> 00:59:00,720
Speaker 2: concluding that ain't all folks. Just then, Danny, Jesse, DJ

1233
00:59:00,840 --> 00:59:04,080
Speaker 2: and Steph walk onto the stage, applauding Joey and singing,

1234
00:59:04,320 --> 00:59:05,880
Speaker 2: oh a slow clap, Oh yeah, Oh.

1235
00:59:05,840 --> 00:59:10,000
Speaker 1: Got a slow clap, the slow yeah clap.

1236
00:59:10,840 --> 00:59:12,320
Speaker 2: Just I love the slow clap.

1237
00:59:13,120 --> 00:59:17,080
Speaker 1: Yeah, it's it was a staple of eighties movies and

1238
00:59:17,240 --> 00:59:18,160
Speaker 1: film and television.

1239
00:59:18,440 --> 00:59:18,560
Speaker 2: Uh.

1240
00:59:18,960 --> 00:59:21,560
Speaker 1: It still happens occasionally today, but I think we now

1241
00:59:21,600 --> 00:59:25,360
Speaker 1: do it more of an ironic, true, true satire esque way.

1242
00:59:25,400 --> 00:59:25,960
Speaker 1: But no, it was.

1243
00:59:26,000 --> 00:59:26,920
Speaker 2: They weren't mocking him.

1244
00:59:27,520 --> 00:59:30,840
Speaker 1: Walk around the corner slow clap, where you've heard something

1245
00:59:30,880 --> 00:59:32,400
Speaker 1: and you're giving someone their applause.

1246
00:59:32,480 --> 00:59:35,320
Speaker 2: It's a very you're building to a bigger applause, a.

1247
00:59:35,560 --> 00:59:40,440
Speaker 1: Moving moment in many an eighties uh film or show,

1248
00:59:41,080 --> 00:59:43,560
Speaker 1: Oh it's great here we're here for the slow.

1249
00:59:43,960 --> 00:59:47,680
Speaker 2: The family is so supportive. They applaud him and they

1250
00:59:47,720 --> 00:59:53,720
Speaker 2: sing we love you, and Joey tells them to cut

1251
00:59:53,840 --> 00:59:57,400
Speaker 2: it out, and that is our show, ladies and gentlemen, Hey,

1252
00:59:58,520 --> 01:00:00,560
Speaker 2: I love it. Oh, this was such a good.

1253
01:00:00,440 --> 01:00:05,040
Speaker 1: You know what's actually really funny is Dave says, well,

1254
01:00:05,120 --> 01:00:07,360
Speaker 1: Joey says, if I'm not in the Carson on the

1255
01:00:07,360 --> 01:00:12,280
Speaker 1: Carson Show in sixty years and when we came back

1256
01:00:12,320 --> 01:00:17,720
Speaker 1: and did Fuller House, we did the Tonight Show, Jimmy Allen,

1257
01:00:17,800 --> 01:00:21,760
Speaker 1: that's right, and that was that was only the Tonight

1258
01:00:21,760 --> 01:00:26,080
Speaker 1: Show with Johnny Carson. Yeah, so we did the entire cast,

1259
01:00:26,360 --> 01:00:30,160
Speaker 1: did do the Carson Show technically, yes, the Tonight Show

1260
01:00:30,920 --> 01:00:36,080
Speaker 1: within Joey's Yeah, so Joey, I just want to point out, Joey,

1261
01:00:36,880 --> 01:00:37,400
Speaker 1: Joey made.

1262
01:00:37,320 --> 01:00:41,280
Speaker 2: Up Joey manifested that moment. It had it on the

1263
01:00:41,320 --> 01:00:44,240
Speaker 2: Tonight Show and the whole family Joey him, I didn't

1264
01:00:44,240 --> 01:00:45,120
Speaker 2: even put that together.

1265
01:00:45,200 --> 01:00:46,960
Speaker 1: Well, the whole family except for Michelle.

1266
01:00:47,120 --> 01:00:51,440
Speaker 2: Well, wasn't Johnny, wasn't Jemmy Jimmy Fallon? He was Michelle

1267
01:00:51,440 --> 01:00:53,680
Speaker 2: in the pencil bed, Yes, yes, he was playing the

1268
01:00:53,760 --> 01:00:54,080
Speaker 2: role with.

1269
01:00:54,640 --> 01:00:56,960
Speaker 1: Yeah, while Michelle's like, look, I've heard enough out of

1270
01:00:56,960 --> 01:00:57,320
Speaker 1: his family.

1271
01:00:57,800 --> 01:01:02,160
Speaker 2: Yeah, Michelle still healing her trauma.

1272
01:01:01,840 --> 01:01:06,160
Speaker 1: Had been everyone's therapist for long enough. But yeah, we

1273
01:01:06,160 --> 01:01:09,760
Speaker 1: we went on uh when on the Tonight show So

1274
01:01:11,240 --> 01:01:13,920
Speaker 1: I did, which was so amazing and so fun, and this.

1275
01:01:14,040 --> 01:01:17,280
Speaker 2: Showcase David talents so well. My only note is I

1276
01:01:17,280 --> 01:01:19,800
Speaker 2: feel like we've kind of done this episode before in

1277
01:01:19,840 --> 01:01:24,520
Speaker 2: season one with businessman Joey with the Philistiller episode, I

1278
01:01:24,520 --> 01:01:27,080
Speaker 2: feel like that he was also having a crisis of

1279
01:01:27,120 --> 01:01:28,480
Speaker 2: his career crisis.

1280
01:01:28,640 --> 01:01:31,280
Speaker 1: Well, but but Jesse's also had this moment.

1281
01:01:31,080 --> 01:01:32,320
Speaker 2: A couple of true, very true.

1282
01:01:32,360 --> 01:01:35,160
Speaker 1: I feel like the guys kind of like every few

1283
01:01:35,280 --> 01:01:39,320
Speaker 1: seasons there's kind of this moment. The only one I

1284
01:01:39,440 --> 01:01:43,280
Speaker 1: really feel like, never well at least that I remember,

1285
01:01:43,320 --> 01:01:45,200
Speaker 1: But again I have not seen the show. I don't

1286
01:01:45,240 --> 01:01:47,280
Speaker 1: think Danny ever had like a crisis of like, oh,

1287
01:01:47,360 --> 01:01:49,120
Speaker 1: wake up San Francisco, what am I doing with my life?

1288
01:01:49,160 --> 01:01:51,480
Speaker 1: He was usually pretty okay, but it consistently. I feel

1289
01:01:51,480 --> 01:01:54,440
Speaker 1: like Jesse and Joey definitely throughout the seasons had a

1290
01:01:54,440 --> 01:01:56,920
Speaker 1: lot of like what am I doing? And then they

1291
01:01:56,920 --> 01:02:00,120
Speaker 1: would change careers and then they would start an ad agency.

1292
01:02:00,560 --> 01:02:02,800
Speaker 2: I do wish we could see more. I want to

1293
01:02:02,800 --> 01:02:07,040
Speaker 2: see some another side of Joey, not just Joey finding

1294
01:02:07,360 --> 01:02:10,520
Speaker 2: finding a date or Joey you know, figuring out his career, Like,

1295
01:02:10,600 --> 01:02:12,880
Speaker 2: let's get some more, let's involve him a little bit more.

1296
01:02:12,880 --> 01:02:16,120
Speaker 1: But I do feel that Joey uh in some ways

1297
01:02:16,200 --> 01:02:19,040
Speaker 1: was a little one dimensional, which although which gives me

1298
01:02:19,440 --> 01:02:23,440
Speaker 1: a lot of hope because I think in season three,

1299
01:02:23,800 --> 01:02:27,240
Speaker 1: not too long from this one, we have Joey as

1300
01:02:27,760 --> 01:02:29,080
Speaker 1: the honeybeemm.

1301
01:02:28,800 --> 01:02:30,640
Speaker 2: Oh is that coming up? Okay? Cool?

1302
01:02:31,160 --> 01:02:34,240
Speaker 1: I think that comes up in the third season, and

1303
01:02:34,440 --> 01:02:36,920
Speaker 1: so that's a bit great where we get to definitely

1304
01:02:36,920 --> 01:02:40,880
Speaker 1: see another side of Joey. So we'll see more. But

1305
01:02:40,960 --> 01:02:44,440
Speaker 1: you're right, we do. It's it's he doesn't get a

1306
01:02:44,480 --> 01:02:49,960
Speaker 1: lot of his only life outside of the house is

1307
01:02:51,160 --> 01:02:54,439
Speaker 1: like comedy club, right, or being tied to Justin, which

1308
01:02:54,480 --> 01:02:56,560
Speaker 1: I guess again it comes that you have to do that,

1309
01:02:56,640 --> 01:02:59,160
Speaker 1: like you don't show everyone's life, you show little slices

1310
01:02:59,200 --> 01:02:59,520
Speaker 1: of life.

1311
01:02:59,600 --> 01:03:01,800
Speaker 2: But well, we had a big cast too, like the

1312
01:03:01,840 --> 01:03:04,280
Speaker 2: house was very full, so the writers had a hard

1313
01:03:04,360 --> 01:03:07,480
Speaker 2: job writing for each giving each character their moment, and

1314
01:03:07,320 --> 01:03:10,960
Speaker 2: they're kept adding more. Yeah, it never stopped getting fuller

1315
01:03:11,040 --> 01:03:11,919
Speaker 2: and fuller, like we.

1316
01:03:11,800 --> 01:03:13,920
Speaker 1: Were like mob wise, you just fed us after midnight

1317
01:03:13,960 --> 01:03:15,640
Speaker 1: and there were more of us.

1318
01:03:16,520 --> 01:03:18,560
Speaker 2: We got to talk about the everwherey look moments?

1319
01:03:18,960 --> 01:03:20,600
Speaker 1: Did you have an everywhere you look moment? Oh?

1320
01:03:20,720 --> 01:03:24,240
Speaker 2: God, yes, like major Oneska, did you? I assumed you

1321
01:03:24,280 --> 01:03:25,160
Speaker 2: have the same ones.

1322
01:03:25,640 --> 01:03:27,120
Speaker 1: Like I said, I, I had a bit of a

1323
01:03:27,160 --> 01:03:29,120
Speaker 1: panic this morning after realizing I.

1324
01:03:29,080 --> 01:03:31,080
Speaker 2: Had almost watched the episode.

1325
01:03:31,720 --> 01:03:34,000
Speaker 1: Let me tell you then, so let me let me

1326
01:03:34,040 --> 01:03:35,960
Speaker 1: tell yeah, let me please tell me because I look,

1327
01:03:36,000 --> 01:03:38,720
Speaker 1: I think there are a couple that I that I remember,

1328
01:03:38,840 --> 01:03:40,880
Speaker 1: but it's all in the star Search audience.

1329
01:03:40,920 --> 01:03:41,360
Speaker 2: Obviously.

1330
01:03:41,400 --> 01:03:46,040
Speaker 1: That was just like oh yeah, yeah, I think that

1331
01:03:46,120 --> 01:03:47,800
Speaker 1: was where I didn't see a lot of people, but

1332
01:03:47,920 --> 01:03:48,360
Speaker 1: I was not.

1333
01:03:48,440 --> 01:03:50,960
Speaker 2: I had to pause it and like walk because I

1334
01:03:50,960 --> 01:03:52,320
Speaker 2: can't say I had to walk up to my TV

1335
01:03:52,360 --> 01:03:54,480
Speaker 2: and like look and pause because it is quick and

1336
01:03:54,520 --> 01:03:57,120
Speaker 2: so it's really hard to catch, right I did it.

1337
01:03:57,360 --> 01:03:59,040
Speaker 2: I pause specifical because I'm like, I'm gonna have to

1338
01:03:59,040 --> 01:04:02,400
Speaker 2: find it everywhere he looks so sitting behind you guys.

1339
01:04:02,120 --> 01:04:05,240
Speaker 1: So maybe so maybe I'm wrong. We did not then

1340
01:04:05,640 --> 01:04:07,240
Speaker 1: if it's a bunch of our people in the.

1341
01:04:07,440 --> 01:04:09,680
Speaker 2: Not everybody, not every there's only a few, but still

1342
01:04:09,760 --> 01:04:10,240
Speaker 2: there's a.

1343
01:04:10,200 --> 01:04:11,880
Speaker 1: Lot of our people in the audience. Then I would

1344
01:04:11,920 --> 01:04:15,880
Speaker 1: think that maybe we didn't just jump in on a

1345
01:04:15,920 --> 01:04:16,360
Speaker 1: taping it.

1346
01:04:16,600 --> 01:04:18,880
Speaker 2: Well, there's a lot of it that I didn't recognize too,

1347
01:04:18,960 --> 01:04:20,280
Speaker 2: So it could have been you know.

1348
01:04:20,240 --> 01:04:23,080
Speaker 1: We got the could have been like those two rows

1349
01:04:23,280 --> 01:04:25,920
Speaker 1: for that well, and it could have been our people

1350
01:04:25,960 --> 01:04:27,120
Speaker 1: in the back when we're getting close.

1351
01:04:27,480 --> 01:04:30,040
Speaker 2: Maybe yeah, oh, that's exactly what is sitting by. Oh

1352
01:04:30,160 --> 01:04:35,280
Speaker 2: so sitting behind you is Bridget and Melissa Cameron DJ

1353
01:04:35,400 --> 01:04:38,400
Speaker 2: Candice's sisters. But Bridget kind of moves around like she's

1354
01:04:38,520 --> 01:04:40,280
Speaker 2: in this section at one point and then she's in

1355
01:04:40,320 --> 01:04:42,520
Speaker 2: a different section. So they used her. They used her

1356
01:04:42,560 --> 01:04:45,520
Speaker 2: a lot. I think Janice is there. I couldn't tell.

1357
01:04:45,600 --> 01:04:48,280
Speaker 2: Janie was always like on the edge of the frame,

1358
01:04:48,640 --> 01:04:51,040
Speaker 2: but I swear because she hated to.

1359
01:04:51,040 --> 01:04:53,960
Speaker 1: Be on camera more than any Like as much as

1360
01:04:53,960 --> 01:04:56,280
Speaker 1: I'm like, yeah, sure, this is easy, like whatever, she's like,

1361
01:04:56,320 --> 01:04:58,320
Speaker 1: please hide me, please don't please, don't make me go

1362
01:04:58,320 --> 01:05:00,440
Speaker 1: in front of the camera, she'd always be like, is

1363
01:05:00,440 --> 01:05:03,040
Speaker 1: Sherry doing it? Usually it was if Sherry's doing it

1364
01:05:03,080 --> 01:05:06,120
Speaker 1: and Barbara's doing it, or at least if Sherry's doing it.

1365
01:05:06,400 --> 01:05:08,040
Speaker 1: My mom would get roped. It fine, I'll do it,

1366
01:05:08,040 --> 01:05:09,120
Speaker 1: but I want to be on the edge. So she'd

1367
01:05:09,120 --> 01:05:11,400
Speaker 1: always tell our stage managers like, put me on the

1368
01:05:11,520 --> 01:05:13,480
Speaker 1: very edge. I don't like, cut me out if you can,

1369
01:05:13,720 --> 01:05:15,360
Speaker 1: I only I don't want to see much of me,

1370
01:05:15,480 --> 01:05:17,880
Speaker 1: like an ear is fine. So yeah, I seem to

1371
01:05:17,880 --> 01:05:20,880
Speaker 1: remember after my mom having her one line that that

1372
01:05:21,080 --> 01:05:24,280
Speaker 1: episode in like season one or two, she was like, yeah, no, done,

1373
01:05:24,440 --> 01:05:25,560
Speaker 1: I don't never want to do that again.

1374
01:05:25,800 --> 01:05:29,000
Speaker 2: Yeah, she that explains why she is literally like literally

1375
01:05:29,000 --> 01:05:31,080
Speaker 2: her her face is cut in half. That's why I

1376
01:05:31,120 --> 01:05:33,760
Speaker 2: was like, Yeah, she was probably like thrilled.

1377
01:05:33,760 --> 01:05:36,040
Speaker 1: She was arob like great, leave, yeah, just I'll be

1378
01:05:36,080 --> 01:05:37,960
Speaker 1: a body here, but please don't get me involved in this.

1379
01:05:38,760 --> 01:05:42,000
Speaker 2: Yeah. And then the last the last ever where you look,

1380
01:05:42,640 --> 01:05:45,360
Speaker 2: I did notice that Christian Alfonso was one of the judges.

1381
01:05:45,360 --> 01:05:46,439
Speaker 2: I spotted her right away.

1382
01:05:47,040 --> 01:05:48,960
Speaker 1: But which that's what makes me think that they were

1383
01:05:49,000 --> 01:05:52,200
Speaker 1: already shooting an episode because they would have oh judges,

1384
01:05:52,400 --> 01:05:54,120
Speaker 1: and the fact that she was there and not credited

1385
01:05:54,480 --> 01:05:56,760
Speaker 1: makes me feel like we didn't pay her to be

1386
01:05:56,840 --> 01:05:59,160
Speaker 1: on the show. That's why she just happened to have

1387
01:05:59,200 --> 01:06:01,040
Speaker 1: gotten maybe in the you know, what I mean. That

1388
01:06:01,200 --> 01:06:02,400
Speaker 1: was kind of how what I felt about it.

1389
01:06:02,440 --> 01:06:04,200
Speaker 2: That makes a lot of sense. Okay, I bet you

1390
01:06:04,280 --> 01:06:05,680
Speaker 2: that's it. I bet you that's it. But you know

1391
01:06:05,720 --> 01:06:08,040
Speaker 2: who's next to her, and I didn't. I didn't catch

1392
01:06:08,040 --> 01:06:11,560
Speaker 2: it until my second rewatch. Jeff Jeff Franklin.

1393
01:06:11,200 --> 01:06:16,320
Speaker 1: Is the other judge. Oh my god, yes, oh yes,

1394
01:06:16,400 --> 01:06:18,560
Speaker 1: split second. I can't believe I didn't know. It's a

1395
01:06:18,720 --> 01:06:20,120
Speaker 1: split second thing set up.

1396
01:06:20,680 --> 01:06:22,360
Speaker 2: I didn't. I didn't catch it the first time, only

1397
01:06:22,360 --> 01:06:25,280
Speaker 2: on the second rewatch when I freeze framed every single frame.

1398
01:06:26,280 --> 01:06:29,200
Speaker 1: Jeff is Has he been on the show rarely?

1399
01:06:29,280 --> 01:06:31,600
Speaker 2: He rarely is on on the show because he's too

1400
01:06:31,640 --> 01:06:32,200
Speaker 2: busy running.

1401
01:06:32,360 --> 01:06:34,880
Speaker 1: She heard his voice? Did we not hear his voice?

1402
01:06:35,040 --> 01:06:37,560
Speaker 1: In one? We did one thing as an announcer or

1403
01:06:37,600 --> 01:06:39,200
Speaker 1: stage manager that we heard his voice?

1404
01:06:39,200 --> 01:06:40,360
Speaker 2: We did, yes, But.

1405
01:06:40,480 --> 01:06:45,200
Speaker 1: Other than that, he's he's been name only. We've never

1406
01:06:45,320 --> 01:06:47,880
Speaker 1: seen him on the show. Yep.

1407
01:06:48,000 --> 01:06:49,560
Speaker 2: And this is one of the rare times.

1408
01:06:49,640 --> 01:06:50,120
Speaker 1: This is it.

1409
01:06:50,320 --> 01:06:52,560
Speaker 2: You see Jeff, but don't blink because you'll miss it.

1410
01:06:52,640 --> 01:06:54,840
Speaker 2: But he's sitting just to the right of Christian Alfonso.

1411
01:06:54,960 --> 01:06:56,760
Speaker 2: I was like, oh my god. It was a very

1412
01:06:56,760 --> 01:06:58,200
Speaker 2: exciting moment for me.

1413
01:06:58,280 --> 01:07:01,240
Speaker 1: So get yourself in there, Jeff, oh, Jeff, write yourself

1414
01:07:01,240 --> 01:07:01,600
Speaker 1: apart and.

1415
01:07:01,720 --> 01:07:02,520
Speaker 2: Get a credit either.

1416
01:07:03,040 --> 01:07:05,800
Speaker 1: Also, I was gonna say also uncredited, so that's that's

1417
01:07:05,840 --> 01:07:06,160
Speaker 1: his all.

1418
01:07:08,480 --> 01:07:10,880
Speaker 2: But yeah, that was This was so fun, such a

1419
01:07:10,920 --> 01:07:13,120
Speaker 2: classic episode that people remember.

1420
01:07:13,360 --> 01:07:14,880
Speaker 1: For a second. When I started watching, I was like,

1421
01:07:14,920 --> 01:07:17,400
Speaker 1: oh my gosh, Star Search. For some reason, the Star

1422
01:07:17,480 --> 01:07:21,040
Speaker 1: Search episode and the Wayne Newton Vegas episode started to

1423
01:07:21,120 --> 01:07:22,080
Speaker 1: morph together for me.

1424
01:07:22,320 --> 01:07:23,880
Speaker 2: Oh yeah, which I.

1425
01:07:23,840 --> 01:07:29,160
Speaker 1: Think may eventually something like I know that eventually we

1426
01:07:29,200 --> 01:07:31,840
Speaker 1: go to Vegas and Joey plays Way Newton, isn't it.

1427
01:07:32,200 --> 01:07:34,640
Speaker 1: I feel like it's something I don't know. For some reason,

1428
01:07:34,680 --> 01:07:37,040
Speaker 1: I had it tied that like it came about from

1429
01:07:37,160 --> 01:07:39,640
Speaker 1: Joey being on Star Search, so maybe it's referenced like

1430
01:07:39,680 --> 01:07:42,240
Speaker 1: hey I saw you on Star Search and blah blah blah.

1431
01:07:42,320 --> 01:07:44,360
Speaker 1: I don't know. I could be making things up like

1432
01:07:44,760 --> 01:07:47,840
Speaker 1: the X Files Full House show, but who knows. I

1433
01:07:47,880 --> 01:07:48,680
Speaker 1: always confused.

1434
01:07:48,840 --> 01:07:53,840
Speaker 2: Yeah, I had a fabulous Ali Baba Casino with the

1435
01:07:53,840 --> 01:07:55,520
Speaker 2: the Way Newton was a Vegas.

1436
01:07:55,760 --> 01:07:59,520
Speaker 1: Well, a lot of people confuse Reno and Vegas and

1437
01:07:59,560 --> 01:08:01,840
Speaker 1: then they go to Reno and they go, this is

1438
01:08:01,880 --> 01:08:05,520
Speaker 1: not Vegas. Yes, And it's usually pretty clear at that point,

1439
01:08:05,600 --> 01:08:10,120
Speaker 1: but yeah, I because I have a great story for

1440
01:08:10,160 --> 01:08:10,760
Speaker 1: the Vegas one.

1441
01:08:10,760 --> 01:08:12,520
Speaker 2: Oh I can't wait, I can't wait.

1442
01:08:12,800 --> 01:08:14,960
Speaker 1: Yay, Yeah, Okay. I don't know what season that, but

1443
01:08:15,000 --> 01:08:18,200
Speaker 1: this was this brought back memories of watching Star Search

1444
01:08:18,240 --> 01:08:21,560
Speaker 1: with my family. I loved it and four Stars and

1445
01:08:21,760 --> 01:08:26,559
Speaker 1: like the whole the spokes models, everything on the screen said,

1446
01:08:26,680 --> 01:08:28,920
Speaker 1: you know, Joey Gladstone. I'm like, yes, but yeah, I

1447
01:08:28,960 --> 01:08:31,760
Speaker 1: loved I loved Star Search. I loved this episode. And

1448
01:08:31,840 --> 01:08:34,840
Speaker 1: it was fun to see Dave do a bit of

1449
01:08:34,840 --> 01:08:36,679
Speaker 1: his stand up, like when he was on stage doing

1450
01:08:36,680 --> 01:08:40,400
Speaker 1: his Star Search thing that was Dave's stand up and

1451
01:08:40,400 --> 01:08:42,320
Speaker 1: you could kind of tell his rhythm was a little

1452
01:08:42,320 --> 01:08:46,880
Speaker 1: different doing stand up, Like it wasn't his full house

1453
01:08:46,960 --> 01:08:49,320
Speaker 1: show scripted, but it was, you know, it was his

1454
01:08:49,640 --> 01:08:52,080
Speaker 1: bits of his set. He's always done the clean guy

1455
01:08:52,080 --> 01:08:54,320
Speaker 1: comedy stuff. He's always done a lot of like very

1456
01:08:54,360 --> 01:08:56,000
Speaker 1: family friendly comedy.

1457
01:08:56,000 --> 01:08:57,000
Speaker 2: Stuff, very opposite of.

1458
01:08:58,760 --> 01:09:03,479
Speaker 1: Right, very right. Went one way and he went two

1459
01:09:03,520 --> 01:09:08,280
Speaker 1: forks in the road, and uh, it was just cool

1460
01:09:08,320 --> 01:09:12,040
Speaker 1: to see Dave like do his to kind of shine

1461
01:09:12,080 --> 01:09:13,439
Speaker 1: as himself there.

1462
01:09:13,720 --> 01:09:16,160
Speaker 2: I'm just I'm so out of him and I'm just

1463
01:09:16,280 --> 01:09:20,160
Speaker 2: I love Dave so much and he just shine this episode.

1464
01:09:20,920 --> 01:09:26,320
Speaker 1: I don't know how Steve Odekirk one with these four.

1465
01:09:26,800 --> 01:09:29,920
Speaker 2: Arms flailing around right, although.

1466
01:09:29,600 --> 01:09:32,920
Speaker 1: I do feel like that was in a spina, was

1467
01:09:32,960 --> 01:09:34,960
Speaker 1: it not? Didn't he do some weird thing with his

1468
01:09:35,120 --> 01:09:37,920
Speaker 1: arms or like flas them around his Jim Carrey is

1469
01:09:37,960 --> 01:09:40,840
Speaker 1: like a great yeah. So I'm just saying so that

1470
01:09:40,840 --> 01:09:44,000
Speaker 1: that originated on the Sticarge episode of Full House.

1471
01:09:44,160 --> 01:09:46,040
Speaker 2: Okay, yes, I love it.

1472
01:09:46,720 --> 01:09:49,800
Speaker 1: I wonder if Jim Carrey would have auditioned for Joey Gladstone.

1473
01:09:50,439 --> 01:09:52,880
Speaker 1: You imagine that.

1474
01:09:51,920 --> 01:09:54,360
Speaker 2: That would have been unhinged. That would have been so

1475
01:09:54,880 --> 01:09:56,439
Speaker 2: I mean, it would have been a different show again,

1476
01:09:56,600 --> 01:09:59,479
Speaker 2: but he would have been even even more unhinged?

1477
01:10:00,080 --> 01:10:00,160
Speaker 3: Was it?

1478
01:10:00,200 --> 01:10:01,680
Speaker 1: Because I was a huge in Living Color fan? You

1479
01:10:01,720 --> 01:10:05,400
Speaker 1: were oh yeah, oh probably a young age when I

1480
01:10:05,520 --> 01:10:09,440
Speaker 1: most of the jokes went over my head again, But yeah,

1481
01:10:09,680 --> 01:10:13,040
Speaker 1: so cool David du Coveney, Jim Carrey and uh yeah,

1482
01:10:13,400 --> 01:10:13,720
Speaker 1: we can.

1483
01:10:13,880 --> 01:10:14,920
Speaker 2: Also are we recasting?

1484
01:10:15,000 --> 01:10:17,080
Speaker 1: Yeah? Like who else do we want to just like

1485
01:10:17,160 --> 01:10:20,160
Speaker 1: start making it? That's that's there we go, there's a

1486
01:10:20,240 --> 01:10:22,000
Speaker 1: there's a fun mini. So that's one of our next

1487
01:10:22,040 --> 01:10:25,680
Speaker 1: minisotes is who who would we? Did we do? This,

1488
01:10:25,920 --> 01:10:28,640
Speaker 1: who would we see here I go? Who would we recast?

1489
01:10:29,320 --> 01:10:29,400
Speaker 2: Like?

1490
01:10:29,479 --> 01:10:32,439
Speaker 1: Okay, if if if David du Coveney, who was he?

1491
01:10:32,640 --> 01:10:32,840
Speaker 2: Yeah?

1492
01:10:32,880 --> 01:10:36,080
Speaker 1: And then who? And then Jim Carrey was Joey. So

1493
01:10:36,280 --> 01:10:38,640
Speaker 1: let's recast the whole who plays who? I love this

1494
01:10:38,720 --> 01:10:42,599
Speaker 1: idea with random stars from around then who were maybe

1495
01:10:42,880 --> 01:10:45,000
Speaker 1: starting their careers or were well established.

1496
01:10:45,160 --> 01:10:47,479
Speaker 2: Yeah, let's do That'd be a really fun one. Okay,

1497
01:10:47,560 --> 01:10:48,360
Speaker 2: let's do it. Okay.

1498
01:10:48,760 --> 01:10:51,400
Speaker 1: Maddy Moore Matty ourducer, amazing producer.

1499
01:10:51,120 --> 01:10:52,960
Speaker 2: Just said gay, Okay, yeah.

1500
01:10:53,040 --> 01:10:55,640
Speaker 1: Okay, I'm I'm so happy I came up with a

1501
01:10:55,640 --> 01:10:58,880
Speaker 1: minisota idea. That's it. I'm not okay, I'm done for

1502
01:10:58,920 --> 01:11:03,879
Speaker 1: six months. Yeah, thank you guys so much for listening

1503
01:11:03,880 --> 01:11:10,400
Speaker 1: to our unhinged rambling. Uh ridiculousness. We have too much fun. Really,

1504
01:11:10,439 --> 01:11:11,320
Speaker 1: we would do.

1505
01:11:11,280 --> 01:11:13,760
Speaker 2: This if no one was right, we would just keep

1506
01:11:13,760 --> 01:11:14,800
Speaker 2: doing this. This is us.

1507
01:11:15,800 --> 01:11:18,680
Speaker 1: Yeah, yeah, we do this with Actually, every show that

1508
01:11:18,720 --> 01:11:21,200
Speaker 1: we watch, we just review it and we record ourselves

1509
01:11:21,240 --> 01:11:23,679
Speaker 1: talking about it and uh and Eric to no one.

1510
01:11:23,880 --> 01:11:28,800
Speaker 1: So yeah, yes, these are the files. Is next that's

1511
01:11:28,840 --> 01:11:29,719
Speaker 1: our next show that we're.

1512
01:11:29,560 --> 01:11:32,320
Speaker 2: Gonnah, well this is this is This podcast is like

1513
01:11:32,320 --> 01:11:35,080
Speaker 2: one big blooper reel, like, honestly, this is just we

1514
01:11:35,120 --> 01:11:36,840
Speaker 2: don't cut things out like this is just.

1515
01:11:36,880 --> 01:11:40,040
Speaker 1: Podcast my life. That's my life is just a big

1516
01:11:40,240 --> 01:11:43,479
Speaker 1: just It's segments of meat, tripping over things that aren't there,

1517
01:11:43,920 --> 01:11:48,360
Speaker 1: losing my keys, and making jokes out of horribly maybe

1518
01:11:48,479 --> 01:11:51,360
Speaker 1: unfunny things. That's I mean. My life is a blue pet.

1519
01:11:51,520 --> 01:11:57,240
Speaker 1: It is great, especially this week. It's going well. Anyway,

1520
01:11:58,280 --> 01:12:00,799
Speaker 1: fan of Rito's, we love you. Thank you for listening.

1521
01:12:00,920 --> 01:12:04,880
Speaker 1: We hope that you enjoy our craziness as much as

1522
01:12:04,880 --> 01:12:06,519
Speaker 1: we do, because we're having a great We are if

1523
01:12:06,560 --> 01:12:10,799
Speaker 1: you couldn't tell. But if you guys want to follow

1524
01:12:10,880 --> 01:12:13,800
Speaker 1: more of our unhingedness, no, if you guys want to

1525
01:12:13,800 --> 01:12:17,000
Speaker 1: follow us on social media, where we're actually pretty well

1526
01:12:17,040 --> 01:12:20,160
Speaker 1: put together, you can follow us at how Rude podcast,

1527
01:12:20,280 --> 01:12:22,479
Speaker 1: or you can send us an email at Howard podcast

1528
01:12:22,560 --> 01:12:25,559
Speaker 1: at gmail dot com. Make sure that wherever you're listening

1529
01:12:25,560 --> 01:12:27,760
Speaker 1: to the show, that you are liking and subscribing to

1530
01:12:27,800 --> 01:12:29,280
Speaker 1: it so that you can make sure and get all

1531
01:12:29,280 --> 01:12:31,559
Speaker 1: of our ridiculous ramblings as soon as they come out,

1532
01:12:31,600 --> 01:12:37,760
Speaker 1: so that you two can wonder what is us? You

1533
01:12:37,800 --> 01:12:40,439
Speaker 1: can write, You can write to Jana Sweet she'll yeah,

1534
01:12:40,479 --> 01:12:41,240
Speaker 1: she'll be like I have.

1535
01:12:41,160 --> 01:12:44,559
Speaker 2: Some notes dain notes, yes, yes.

1536
01:12:44,400 --> 01:12:46,559
Speaker 1: But thank you guys so much for listening. We love you,

1537
01:12:46,720 --> 01:12:50,360
Speaker 1: We love you Fanarritos, and uh, I think I would

1538
01:12:50,360 --> 01:12:53,320
Speaker 1: give I would give our Fanaritos four stars. They get

1539
01:12:53,360 --> 01:12:55,840
Speaker 1: on stars, they get all the stars, they get all

1540
01:12:55,960 --> 01:12:59,479
Speaker 1: the stars, they get all the stars. Steve Odakirk's got

1541
01:12:59,479 --> 01:13:01,400
Speaker 1: nothing on you guys, so right, So.

1542
01:13:01,479 --> 01:13:04,000
Speaker 2: Just remember Oda fans have nothing on the fan Ritos.

1543
01:13:04,240 --> 01:13:08,280
Speaker 1: Yeah, that's that's our closing for that. Just remember the

1544
01:13:08,760 --> 01:13:09,639
Speaker 1: Oda fan.

1545
01:13:09,680 --> 01:13:10,639
Speaker 2: I think it's Oda fans.

1546
01:13:10,920 --> 01:13:14,479
Speaker 1: The Oda fans have nothing on the fan of Rito's boom.

1547
01:13:14,520 --> 01:13:16,040
Speaker 1: But the door is always open.

1548
01:13:16,400 --> 01:13:16,720
Speaker 2: Love it.

1549
01:13:17,680 --> 01:13:18,120
Speaker 1: Watch out.

1550
01:13:18,160 --> 01:13:19,719
Speaker 2: I'm making a new bracelet right now.

1551
01:13:23,240 --> 01:13:25,840
Speaker 1: That was great. That was smooth as gott it.

1552
01:13:29,120 --> 01:13:32,200
Speaker 2: Hey, mix it up, you gotta mix it up. Keep

1553
01:13:32,240 --> 01:13:33,679
Speaker 2: these fan Aritos on their tooths.