WEBVTT - #253 - Mount Westmore (Ice Cube, E-40 & Too $hort)

0:00:00.120 --> 0:00:04.040
<v Speaker 1>Boulet Cap Show, Special Guests in Here, Mount Wes Moore Yay,

0:00:04.280 --> 0:00:07.480
<v Speaker 1>Cube Sure, three quarters in three Quarter, Miss Snoop Dogg,

0:00:07.640 --> 0:00:12.920
<v Speaker 1>Mister Snoopy Dogg, Somewhere Mining Cryptog, Miss and Snoopy, Missus

0:00:12.920 --> 0:00:16.240
<v Speaker 1>Snoopy Missing Snoop. Hey, Well, look, I'm so glad that

0:00:16.320 --> 0:00:18.680
<v Speaker 1>this album is actually here, because you know, it felt

0:00:18.760 --> 0:00:21.959
<v Speaker 1>like one of these like miss methodical albums that we

0:00:21.960 --> 0:00:25.120
<v Speaker 1>always hear about and then it never ends up coming out. Yeah,

0:00:25.160 --> 0:00:26.840
<v Speaker 1>how hard was it to everybody to like, you know,

0:00:27.040 --> 0:00:28.520
<v Speaker 1>this one was coming out? This ain't none of that,

0:00:28.760 --> 0:00:30.560
<v Speaker 1>this is this is for real, for real, for real,

0:00:30.600 --> 0:00:32.760
<v Speaker 1>for real. I was hoping it wasn't like Detok's two

0:00:32.680 --> 0:00:35.640
<v Speaker 1>time and thing. Man Like. We had many opportunities to

0:00:35.680 --> 0:00:38.159
<v Speaker 1>pull the trigger, but it was like should we right

0:00:38.320 --> 0:00:42.280
<v Speaker 1>And we discussed it as like you know, for intelligent minds,

0:00:42.320 --> 0:00:44.919
<v Speaker 1>you know, pow wow, and then we're like, what's that day?

0:00:45.000 --> 0:00:47.480
<v Speaker 1>That day could have been October twenty twenty. You could

0:00:47.479 --> 0:00:49.120
<v Speaker 1>have dropped the album. We could have dropped it all

0:00:49.159 --> 0:00:51.960
<v Speaker 1>of last year, anytime earlier this year. We just we

0:00:52.080 --> 0:00:54.959
<v Speaker 1>just felt like, let's do some things like get all

0:00:55.000 --> 0:00:57.000
<v Speaker 1>the merch together, get all the duction rug Get, you know,

0:00:58.000 --> 0:01:04.600
<v Speaker 1>and we did an NFT play, which you know, once

0:01:04.640 --> 0:01:08.160
<v Speaker 1>we put it out on the n f T, we

0:01:08.200 --> 0:01:10.280
<v Speaker 1>had to wait a certain amount of time before we

0:01:10.319 --> 0:01:13.720
<v Speaker 1>can actually put a different record out on the street.

0:01:14.200 --> 0:01:17.600
<v Speaker 1>This is a different record than than the n f T. Uh.

0:01:17.760 --> 0:01:20.520
<v Speaker 1>Some of the songs are the same, but most of

0:01:20.520 --> 0:01:23.760
<v Speaker 1>these are new. How how lucrative is the NFT play

0:01:23.840 --> 0:01:25.160
<v Speaker 1>is that? I mean because a lot of artists are

0:01:25.200 --> 0:01:27.360
<v Speaker 1>going in that direction. I mean Snoop pulled Doggie style

0:01:27.400 --> 0:01:29.840
<v Speaker 1>and all the death real stuff off of DSPs. Like,

0:01:31.280 --> 0:01:33.640
<v Speaker 1>you know, it's a thing where it was great for

0:01:33.840 --> 0:01:39.440
<v Speaker 1>us because we you know, got a great deal. But

0:01:40.080 --> 0:01:42.880
<v Speaker 1>you know, the n f T market, the whole crypto

0:01:43.040 --> 0:01:48.480
<v Speaker 1>market has been like going backwards ever since like Mother's Day.

0:01:48.600 --> 0:01:53.320
<v Speaker 1>So it just was not great timing for the group,

0:01:53.800 --> 0:01:57.040
<v Speaker 1>but it was lucrative for the group. So you know,

0:01:57.200 --> 0:01:58.960
<v Speaker 1>in a lot of ways. It worked in a lot

0:01:59.000 --> 0:02:01.240
<v Speaker 1>of ways. If we did it when it was a

0:02:01.280 --> 0:02:05.080
<v Speaker 1>bull market instead of a bear market, then it would

0:02:05.080 --> 0:02:08.800
<v Speaker 1>have did a lot better. You know, we always plan

0:02:09.280 --> 0:02:11.920
<v Speaker 1>to make sure it hit the street though, you know,

0:02:12.240 --> 0:02:15.440
<v Speaker 1>that was that was a you know, one of our

0:02:15.720 --> 0:02:19.040
<v Speaker 1>demands that yeah, we can do this NFT play. But

0:02:19.240 --> 0:02:25.600
<v Speaker 1>at some point this music gotta hit all platforms, you know, CDs,

0:02:25.680 --> 0:02:30.080
<v Speaker 1>We're making albums, We're doing everything you can do to

0:02:30.200 --> 0:02:34.240
<v Speaker 1>get this to the streets. And December nine is the date, Yeah, Friday.

0:02:35.120 --> 0:02:39.040
<v Speaker 1>I'm curious, man, because you guys all have very unique journeys.

0:02:39.080 --> 0:02:41.079
<v Speaker 1>Obviously both y'all are on Jive for a very long time.

0:02:42.360 --> 0:02:46.560
<v Speaker 1>Cube you've been a major label artist, you've gone independent. Nowadays,

0:02:46.880 --> 0:02:51.000
<v Speaker 1>it feels like the transparency of record deals is higher.

0:02:51.280 --> 0:02:53.440
<v Speaker 1>People are talking about it more in terms of like

0:02:54.160 --> 0:02:55.840
<v Speaker 1>some of these shitty deals that are getting offered. Our

0:02:55.960 --> 0:02:58.919
<v Speaker 1>Meek Mills talked about it a lot recently. What is

0:02:59.000 --> 0:03:02.440
<v Speaker 1>your guys is like, uh, thoughts on just like where

0:03:02.440 --> 0:03:04.240
<v Speaker 1>the game is and like artists becoming a lot more

0:03:04.240 --> 0:03:06.000
<v Speaker 1>self aware on some of the deals they're signing, because

0:03:06.000 --> 0:03:08.760
<v Speaker 1>I'm assuming like everybody's probably signed a deal that they're

0:03:08.760 --> 0:03:10.920
<v Speaker 1>not the craziest about, you know what I mean. And

0:03:10.919 --> 0:03:13.079
<v Speaker 1>you guys have seen all sides of the game, whether

0:03:13.120 --> 0:03:15.359
<v Speaker 1>it's doing the independent ship, doing the major label ship.

0:03:16.360 --> 0:03:18.880
<v Speaker 1>Well you know, my Westmore, we're doing it like one

0:03:18.919 --> 0:03:22.880
<v Speaker 1>at a time, so uh, we're not really like getting

0:03:23.040 --> 0:03:25.840
<v Speaker 1>buried up under contracts anything anything like that. We we

0:03:25.960 --> 0:03:28.440
<v Speaker 1>definitely the group has definitely gross quite a bit of

0:03:28.440 --> 0:03:31.640
<v Speaker 1>money before any anything ever. Drive Well, the tour has

0:03:31.639 --> 0:03:33.440
<v Speaker 1>been going cool. You guys a lot of tour d

0:03:33.639 --> 0:03:35.960
<v Speaker 1>show shows. We did really good on merch We did

0:03:36.680 --> 0:03:39.839
<v Speaker 1>really good with uh, you know, some early stuff we did,

0:03:39.880 --> 0:03:42.760
<v Speaker 1>like we appeared at the Triller event when Jake I

0:03:42.800 --> 0:03:45.480
<v Speaker 1>remember that. Yeah, that was a big payday. And you know,

0:03:45.520 --> 0:03:48.160
<v Speaker 1>we just kind of at the same fight Nate Robinson

0:03:48.160 --> 0:03:50.440
<v Speaker 1>took to the No. No, it was the one after, right,

0:03:50.640 --> 0:03:53.040
<v Speaker 1>it was one before he took the he took the

0:03:53.240 --> 0:03:56.080
<v Speaker 1>l before that fight, I believe, I can't remember, but

0:03:56.120 --> 0:03:58.120
<v Speaker 1>it was. It was, yeah, and I remember that was

0:03:58.240 --> 0:04:00.160
<v Speaker 1>it was in Atlanta. But you guys have been building this,

0:04:00.280 --> 0:04:02.400
<v Speaker 1>I mean, big has been out over a year. So yeah,

0:04:02.440 --> 0:04:04.880
<v Speaker 1>So it's it's like a it's like a business play man.

0:04:04.960 --> 0:04:07.760
<v Speaker 1>Everything is thought out in advance. When we're gonna drop

0:04:07.760 --> 0:04:09.760
<v Speaker 1>the album, when's the next album coming, what are the

0:04:09.840 --> 0:04:12.120
<v Speaker 1>visual is gonna do? Like, you know, what's the next

0:04:12.160 --> 0:04:14.200
<v Speaker 1>money plays. It's more like a business. And I think

0:04:14.200 --> 0:04:18.080
<v Speaker 1>that I think that this market right now for a

0:04:18.160 --> 0:04:20.640
<v Speaker 1>young artists, they don't have to just go sign to

0:04:20.680 --> 0:04:22.560
<v Speaker 1>a major label and get buried or do a three

0:04:22.680 --> 0:04:25.120
<v Speaker 1>sixty deal. They could really like go do deals with

0:04:25.160 --> 0:04:28.240
<v Speaker 1>different platforms in different type of spaces where the music

0:04:28.240 --> 0:04:31.120
<v Speaker 1>could live. It's so much, it's so many different places

0:04:31.120 --> 0:04:33.280
<v Speaker 1>that a song or an album, a project can go

0:04:33.360 --> 0:04:35.680
<v Speaker 1>right now. So you know you gotta just factor all

0:04:35.720 --> 0:04:38.600
<v Speaker 1>that in and not just do that old conventional one

0:04:38.640 --> 0:04:42.120
<v Speaker 1>street you know, like get it to the physical. You

0:04:42.160 --> 0:04:44.040
<v Speaker 1>can't do that, Like you gotta do a lot of stuff.

0:04:44.080 --> 0:04:47.360
<v Speaker 1>So I think it's a good time to like, uh,

0:04:47.480 --> 0:04:49.200
<v Speaker 1>you know, we got good leverage on this being is

0:04:49.200 --> 0:04:51.760
<v Speaker 1>that it's snoop and Cube forty is short and we

0:04:51.880 --> 0:04:53.760
<v Speaker 1>OG's and we solid. We didn't have we didn't have

0:04:53.800 --> 0:04:55.200
<v Speaker 1>to go in there and they're like, wh'll give you

0:04:55.279 --> 0:04:56.760
<v Speaker 1>a deal, but you got to sign on for like

0:04:56.800 --> 0:04:59.800
<v Speaker 1>seven albums, Like it wasn't that with us. What would you, Cube,

0:05:00.000 --> 0:05:02.320
<v Speaker 1>would you advise like a younger artist who's maybe got

0:05:02.320 --> 0:05:05.000
<v Speaker 1>like a like a solid local buzz they get you,

0:05:05.120 --> 0:05:09.000
<v Speaker 1>would you would you you know, give them advice to

0:05:09.120 --> 0:05:12.560
<v Speaker 1>explore the major label route or or try to stay

0:05:12.560 --> 0:05:16.040
<v Speaker 1>as independent as long as possible. Stay as independent as

0:05:16.080 --> 0:05:19.159
<v Speaker 1>long as possible, as long as you can you know,

0:05:19.240 --> 0:05:22.479
<v Speaker 1>when you do your music without a record label, you

0:05:22.600 --> 0:05:25.719
<v Speaker 1>own one hundred percent of it, and once you sign

0:05:25.800 --> 0:05:30.919
<v Speaker 1>with a record label, you're basically given them a percentage

0:05:30.960 --> 0:05:36.560
<v Speaker 1>of your work. So if you have the the discipline

0:05:37.560 --> 0:05:43.479
<v Speaker 1>and the resources to be an independent artist, then you

0:05:43.520 --> 0:05:45.800
<v Speaker 1>should do it. A lot of guys are and I

0:05:45.920 --> 0:05:48.839
<v Speaker 1>let forty speak on it, but a lot of guys are.

0:05:50.560 --> 0:05:53.800
<v Speaker 1>You know, they signed three sixty deals and that's like

0:05:53.880 --> 0:05:59.480
<v Speaker 1>one of the worst deals ever invented in man, So

0:05:59.520 --> 0:06:03.320
<v Speaker 1>some of them start. You know, you get real educated

0:06:03.400 --> 0:06:05.479
<v Speaker 1>on deals once you sign a bad one because you

0:06:05.560 --> 0:06:09.120
<v Speaker 1>realize why, why the money is not making it to me? Yeah,

0:06:09.120 --> 0:06:11.120
<v Speaker 1>well I haven't gotten any royalty checks. It's almost like

0:06:11.120 --> 0:06:13.359
<v Speaker 1>the last check you ever see is the advance. And

0:06:13.960 --> 0:06:18.160
<v Speaker 1>so they start to you know, nothing will teach you

0:06:18.240 --> 0:06:22.599
<v Speaker 1>more about the music business than signing a bad deal

0:06:22.720 --> 0:06:26.159
<v Speaker 1>and you figuring out why it's bad, right, and then

0:06:26.200 --> 0:06:29.000
<v Speaker 1>you become an expert. And I'll kick it over the

0:06:29.080 --> 0:06:33.400
<v Speaker 1>forty to give a few comments on it. Well, nowadays,

0:06:33.600 --> 0:06:39.320
<v Speaker 1>you know, the new era, the new generation has a

0:06:39.320 --> 0:06:42.679
<v Speaker 1>pretty damn good and I'm happy for him. And they're smart.

0:06:42.760 --> 0:06:44.919
<v Speaker 1>A lot of these junsters are smart. They don't have

0:06:45.000 --> 0:06:47.720
<v Speaker 1>to sign with a major major give you a good

0:06:47.920 --> 0:06:51.480
<v Speaker 1>if you like. I can't. I can't really put a

0:06:51.480 --> 0:06:53.160
<v Speaker 1>age group on am I talking to the mic, I

0:06:53.200 --> 0:06:56.440
<v Speaker 1>can't put an age on it. But just say you

0:06:56.480 --> 0:06:59.240
<v Speaker 1>just say you're eighteen or nineteen and you sign a

0:06:59.240 --> 0:07:03.560
<v Speaker 1>deal for three years and that label blow you up.

0:07:04.480 --> 0:07:06.240
<v Speaker 1>It might be it might be good for you. It

0:07:06.320 --> 0:07:08.520
<v Speaker 1>might be like they put they put the whole house

0:07:08.560 --> 0:07:11.400
<v Speaker 1>behind you. That might be cool because that's what you

0:07:11.480 --> 0:07:15.360
<v Speaker 1>need because you don't have the funding for it, the

0:07:15.440 --> 0:07:17.200
<v Speaker 1>financials for it. You don't have you don't have it.

0:07:17.280 --> 0:07:19.480
<v Speaker 1>So you you you know, you let you let them,

0:07:19.600 --> 0:07:21.160
<v Speaker 1>you know, do what they need to do with you.

0:07:22.920 --> 0:07:26.800
<v Speaker 1>Be smarter and make sure that you know, you negotiate

0:07:26.800 --> 0:07:29.600
<v Speaker 1>your masters and all that stuff. You know, how quick

0:07:29.600 --> 0:07:31.440
<v Speaker 1>you get them back and whatnot. You know what I'm saying.

0:07:31.480 --> 0:07:34.320
<v Speaker 1>But that can be that could be an advantage for

0:07:34.360 --> 0:07:38.280
<v Speaker 1>you if you're really young, you know what I mean.

0:07:38.440 --> 0:07:41.000
<v Speaker 1>And because because then once you get off that label,

0:07:41.200 --> 0:07:43.840
<v Speaker 1>then you got the districal kids of the world and

0:07:44.240 --> 0:07:47.320
<v Speaker 1>just distribution deals, you know, ninety ten and you know

0:07:47.360 --> 0:07:50.360
<v Speaker 1>what I'm saying. Those yeah, that kind of stuff, you know,

0:07:50.400 --> 0:07:52.200
<v Speaker 1>and that way you can control your own destiny and

0:07:52.240 --> 0:07:55.560
<v Speaker 1>you're getting all the gouda. You understand me. Keep your

0:07:55.560 --> 0:08:00.280
<v Speaker 1>masters right, you keep your masters care yeah, because it

0:08:00.360 --> 0:08:03.240
<v Speaker 1>could go the other way too. Some people sign you

0:08:03.600 --> 0:08:06.200
<v Speaker 1>and they don't do ship. You go out there and

0:08:06.240 --> 0:08:09.560
<v Speaker 1>do all the work and they get paid. You your

0:08:09.600 --> 0:08:12.840
<v Speaker 1>sofa and now they then they come out the world

0:08:13.880 --> 0:08:16.560
<v Speaker 1>and won't want won't they cut? And you feel like, man,

0:08:16.640 --> 0:08:18.880
<v Speaker 1>y'all didn't do nothing. But so you got to just

0:08:18.920 --> 0:08:22.400
<v Speaker 1>be careful. You got to really know who you getting

0:08:22.440 --> 0:08:26.240
<v Speaker 1>in business with and and not just be happy to

0:08:26.280 --> 0:08:30.120
<v Speaker 1>be signed. To understand that this is a business that's

0:08:30.160 --> 0:08:32.480
<v Speaker 1>a lot of a lot of minds, a lot of

0:08:32.880 --> 0:08:36.160
<v Speaker 1>land mines in the major industry, the major label industry

0:08:36.160 --> 0:08:38.840
<v Speaker 1>with a You come in that door with those smiles

0:08:38.840 --> 0:08:41.400
<v Speaker 1>and those meetings, and they bring out the whole staff

0:08:41.440 --> 0:08:43.959
<v Speaker 1>and it's like catering and they love you and they

0:08:44.000 --> 0:08:46.160
<v Speaker 1>sign it out and the check is big and you're

0:08:46.200 --> 0:08:49.120
<v Speaker 1>happy and celebrating and the product comes out and it

0:08:49.160 --> 0:08:52.680
<v Speaker 1>does whatever. But somewhere, you know, when I say land mines,

0:08:53.679 --> 0:08:56.680
<v Speaker 1>you can't really get mad at the right person. You

0:08:56.720 --> 0:08:59.080
<v Speaker 1>call up there yelling and screaming, they're gonna cheve you.

0:08:59.080 --> 0:09:01.720
<v Speaker 1>You go up there at the ads, they're gonna chef you.

0:09:01.720 --> 0:09:03.480
<v Speaker 1>You sit there, your next single come out of your

0:09:03.520 --> 0:09:06.360
<v Speaker 1>second album and it's stellar. They gonna shove you, and

0:09:06.360 --> 0:09:08.400
<v Speaker 1>it's like you're still a really good artist, and you

0:09:08.440 --> 0:09:10.120
<v Speaker 1>get a lot of really good artists lost in that

0:09:10.160 --> 0:09:12.840
<v Speaker 1>major label saw. So if you go there, know what

0:09:12.840 --> 0:09:15.240
<v Speaker 1>you're doing, stay independent, you in charge of me, You

0:09:15.840 --> 0:09:18.760
<v Speaker 1>stay independent. You know. That's another thing. That's the advantage

0:09:18.840 --> 0:09:23.559
<v Speaker 1>I had over many people that started off on major labels.

0:09:23.960 --> 0:09:26.640
<v Speaker 1>I was independent for many moons. I was independent six

0:09:26.720 --> 0:09:30.000
<v Speaker 1>years before I even you know, I unsigned my major

0:09:30.040 --> 0:09:35.600
<v Speaker 1>distribution deal into nineteen ninety four with Jive. I came

0:09:35.640 --> 0:09:38.120
<v Speaker 1>in the game in nineteen eighty eight independent, so it

0:09:38.160 --> 0:09:41.600
<v Speaker 1>was six years I had to you know, I went

0:09:41.600 --> 0:09:43.600
<v Speaker 1>to college to learn. When I say college, I'm talking

0:09:43.640 --> 0:09:47.880
<v Speaker 1>about just music industry college, you know, unwillingly, you know

0:09:47.920 --> 0:09:49.360
<v Speaker 1>what I'm saying. So I just went and I had

0:09:49.360 --> 0:09:51.920
<v Speaker 1>to learn. I was in it by force, not by choice.

0:09:52.240 --> 0:09:54.040
<v Speaker 1>So then when I sign my distribution deal, it was

0:09:54.040 --> 0:09:57.079
<v Speaker 1>great because I already had to demand. You know what

0:09:57.120 --> 0:09:59.520
<v Speaker 1>I'm saying. I knew what I wanted and it was great.

0:09:59.640 --> 0:10:05.240
<v Speaker 1>So I'm independent still right now, I control my own destiny.

0:10:05.600 --> 0:10:08.760
<v Speaker 1>But my whole thing is is this. Nowadays, you could

0:10:08.760 --> 0:10:10.880
<v Speaker 1>do what the majors do as a as an independent

0:10:10.920 --> 0:10:13.360
<v Speaker 1>young artist. All you gotta do is hire indis. You

0:10:13.400 --> 0:10:16.720
<v Speaker 1>can hire indie radio people. You know, it's all kinds

0:10:16.720 --> 0:10:18.720
<v Speaker 1>of stuff you can do and it's really up to you.

0:10:18.720 --> 0:10:22.920
<v Speaker 1>You can. You can promote your sec social media. Is

0:10:22.960 --> 0:10:26.240
<v Speaker 1>there content? All that work? Your content on the social

0:10:26.280 --> 0:10:29.199
<v Speaker 1>media is the biggest playfor your directs a consumer. Now exactly,

0:10:29.800 --> 0:10:31.800
<v Speaker 1>you needed to deal to get into the records. Now

0:10:31.840 --> 0:10:33.760
<v Speaker 1>you're locked in. You don't have to press up hard

0:10:33.760 --> 0:10:36.440
<v Speaker 1>CDs and all that stuff. You just you can. We

0:10:36.480 --> 0:10:38.520
<v Speaker 1>can go in there right right now, make a song

0:10:38.640 --> 0:10:41.439
<v Speaker 1>right now today, right now, put the beat up, make

0:10:41.480 --> 0:10:44.120
<v Speaker 1>a slap. Had it shit on iTunes in twenty four hours.

0:10:44.320 --> 0:10:48.199
<v Speaker 1>So you got too done. Joint project together Cube, you're

0:10:48.240 --> 0:10:50.920
<v Speaker 1>part of I mean we're talking about groups. I mean

0:10:51.320 --> 0:10:53.800
<v Speaker 1>West Side Connection, NWA. West Sid Connection to me was

0:10:53.840 --> 0:10:57.520
<v Speaker 1>like the first like super group. I mean, NWA y'all

0:10:57.520 --> 0:10:59.760
<v Speaker 1>started together, So I don't consider like y'all pulling together.

0:11:00.120 --> 0:11:05.520
<v Speaker 1>But West Side Connection was a supergroup for real? What

0:11:05.640 --> 0:11:09.040
<v Speaker 1>is for you being a part of these group situations

0:11:09.040 --> 0:11:12.000
<v Speaker 1>and these group albums that are historical. What is the

0:11:12.120 --> 0:11:15.840
<v Speaker 1>process like now with Mount Westmore? How different is it?

0:11:16.160 --> 0:11:18.679
<v Speaker 1>I mean, I've been with groups, but nobody's been as

0:11:18.720 --> 0:11:22.920
<v Speaker 1>big as the group. I mean now, of course, you know,

0:11:23.000 --> 0:11:28.640
<v Speaker 1>these guys are platinum selling artists that's been in the

0:11:28.720 --> 0:11:35.520
<v Speaker 1>game over thirty years, some thirty five, and they're superstars.

0:11:36.080 --> 0:11:39.319
<v Speaker 1>And so you know, with n WA, we were all

0:11:39.360 --> 0:11:45.160
<v Speaker 1>starting together. Nobody was a superstar Mount Wesmore, I mean,

0:11:44.880 --> 0:11:49.320
<v Speaker 1>I mean west Side connection. We were all kind of

0:11:49.320 --> 0:11:53.440
<v Speaker 1>in the same clique, and it all made sense. Here.

0:11:54.800 --> 0:12:01.400
<v Speaker 1>These are guys that we're friends, and it started with

0:12:01.440 --> 0:12:07.880
<v Speaker 1>a friendship and respect and thirty years of admiring each other.

0:12:08.720 --> 0:12:11.000
<v Speaker 1>And to get in a group with those guys like

0:12:11.640 --> 0:12:16.400
<v Speaker 1>I feel like I can rely on them, you know,

0:12:16.520 --> 0:12:20.520
<v Speaker 1>more than I even relied in NWA. You know, it

0:12:20.600 --> 0:12:23.240
<v Speaker 1>was a lot of you know, Dre's the ship now,

0:12:23.320 --> 0:12:27.080
<v Speaker 1>but back then it was arguing. You know, we was

0:12:27.160 --> 0:12:30.560
<v Speaker 1>trying to get it right. We're seeing the movie. Yeah,

0:12:29.480 --> 0:12:34.760
<v Speaker 1>so uh, you know, it's it's been great to just

0:12:35.640 --> 0:12:39.720
<v Speaker 1>relax and not have to, you know, spearhead everything and

0:12:39.800 --> 0:12:43.480
<v Speaker 1>be the front thinker or the one coming up with

0:12:43.520 --> 0:12:46.240
<v Speaker 1>all the ideas or this or that, you know, not

0:12:46.360 --> 0:12:48.440
<v Speaker 1>saying that I had to do it with those other groups,

0:12:48.480 --> 0:12:52.080
<v Speaker 1>but I trust these guys more than I trusted the

0:12:52.120 --> 0:12:55.400
<v Speaker 1>other guys because we were kind of in the trenches together,

0:12:55.520 --> 0:13:00.480
<v Speaker 1>except for MAYBEWC, who's obviously still comes out on state is.

0:13:00.600 --> 0:13:03.360
<v Speaker 1>You know, we grew up in the same neighborhood, so

0:13:03.840 --> 0:13:06.040
<v Speaker 1>we grew up rapping against each other. We grew up

0:13:06.080 --> 0:13:12.119
<v Speaker 1>playing football against each other. Yeah, you know, Duve is amazing,

0:13:13.880 --> 0:13:19.200
<v Speaker 1>you know, but you know he you know, he's a

0:13:19.360 --> 0:13:23.080
<v Speaker 1>He's an artist that I'm friends with from from childhood.

0:13:23.440 --> 0:13:27.120
<v Speaker 1>These are artists that I grew up buying their records,

0:13:27.120 --> 0:13:29.240
<v Speaker 1>you know, dub I help them put together some of

0:13:29.320 --> 0:13:33.480
<v Speaker 1>his records. So it's a difference. I'm a fan of

0:13:33.600 --> 0:13:39.240
<v Speaker 1>these guys, and I wasn't necessarily just a fan of

0:13:39.600 --> 0:13:42.560
<v Speaker 1>those guys. I was friends and I like what they do.

0:13:43.080 --> 0:13:48.479
<v Speaker 1>So it's different and it's easier to be with superstars

0:13:48.640 --> 0:13:51.920
<v Speaker 1>then than just guys that you just put a group

0:13:51.960 --> 0:13:53.959
<v Speaker 1>together with. What up, y'all? We got to stop the

0:13:54.000 --> 0:13:55.560
<v Speaker 1>interview real quick, tell you about our partners at my

0:13:55.640 --> 0:13:58.439
<v Speaker 1>BOOKIY man, Look, it's so much to gamble on right now.

0:13:58.480 --> 0:14:00.920
<v Speaker 1>We got World Cup soccer, we got games coming up,

0:14:01.040 --> 0:14:05.040
<v Speaker 1>NBA basketball, of course, NFL man, we're getting into the

0:14:05.080 --> 0:14:07.800
<v Speaker 1>playoffs in a few weeks, well in like six weeks

0:14:07.880 --> 0:14:10.600
<v Speaker 1>or something like that. With that being said, this win

0:14:10.720 --> 0:14:13.280
<v Speaker 1>some money, all right, Go to my bookie right now,

0:14:13.400 --> 0:14:15.920
<v Speaker 1>sign up with that promo code Bootleg, and they will

0:14:15.960 --> 0:14:19.920
<v Speaker 1>match your deposit up to one thousand dollars. That's free

0:14:19.960 --> 0:14:22.200
<v Speaker 1>money to gamble with. That's free money. What are we

0:14:22.280 --> 0:14:26.360
<v Speaker 1>talking about, my bookie. Let's talk about the props. You

0:14:26.360 --> 0:14:29.120
<v Speaker 1>could bet on all kinds of player props, NBA points,

0:14:29.640 --> 0:14:32.200
<v Speaker 1>will Yanni's win the MVP, you could do futures on

0:14:32.240 --> 0:14:34.680
<v Speaker 1>the awards season for the NBA, so much going on.

0:14:34.680 --> 0:14:36.640
<v Speaker 1>You could also still bet on the NFL MVP odds

0:14:36.680 --> 0:14:38.720
<v Speaker 1>as well. There's just so much ways to get money

0:14:38.720 --> 0:14:40.960
<v Speaker 1>on my bookie. But what's most important is that they're

0:14:41.000 --> 0:14:43.560
<v Speaker 1>giving you free money. You sign up in my bookie

0:14:43.600 --> 0:14:46.160
<v Speaker 1>right now, you use the promo code Bootleg, and they

0:14:46.160 --> 0:14:50.320
<v Speaker 1>won't match your first deposit up to one thousand dollars.

0:14:50.520 --> 0:14:53.720
<v Speaker 1>That's right, free money. What are we doing? Head over there,

0:14:54.200 --> 0:14:56.520
<v Speaker 1>put us some bets and let's try to win some

0:14:56.560 --> 0:14:59.000
<v Speaker 1>fucking money together. All right, my bookie, use the promo

0:14:59.040 --> 0:15:01.600
<v Speaker 1>code Bootleg. Let's get back to the interview. Can you

0:15:01.640 --> 0:15:05.960
<v Speaker 1>guys speak to like there's always like an told like

0:15:06.120 --> 0:15:09.280
<v Speaker 1>rivalry between Northern California and Southern California, and I'm not

0:15:10.120 --> 0:15:13.560
<v Speaker 1>I never heard of one ever in my life. Like,

0:15:13.560 --> 0:15:16.040
<v Speaker 1>out of my thirty five years in hip hop music

0:15:16.040 --> 0:15:18.480
<v Speaker 1>putting music on the ship, I have never Now, if

0:15:18.480 --> 0:15:21.040
<v Speaker 1>you want to talk about br before that, before Wrap

0:15:21.600 --> 0:15:23.560
<v Speaker 1>for streets, I don't think it was a rival. It

0:15:23.640 --> 0:15:26.360
<v Speaker 1>was just the game the streets, you know what I mean.

0:15:26.480 --> 0:15:31.040
<v Speaker 1>That's a fun going on in prisons and not hip

0:15:31.080 --> 0:15:33.200
<v Speaker 1>hop has never been in hip hop, not hip hop.

0:15:33.240 --> 0:15:37.480
<v Speaker 1>It's always been supportive. I think, Uh, I think we

0:15:37.560 --> 0:15:42.120
<v Speaker 1>admire each other for what we don't do. You know. Uh,

0:15:43.360 --> 0:15:50.720
<v Speaker 1>the energy, the flavor that that Northern California Bay Area

0:15:51.200 --> 0:15:56.400
<v Speaker 1>artists bring is something different, new fresh. I'm always looking

0:15:56.440 --> 0:15:59.920
<v Speaker 1>forward to seeing what it is. And it's different than

0:16:00.120 --> 0:16:05.040
<v Speaker 1>than the Southern California flavor. And I think vice versa.

0:16:05.120 --> 0:16:08.720
<v Speaker 1>You know, they hear stuff from from down here that

0:16:08.800 --> 0:16:11.320
<v Speaker 1>they like, Oh damn, now, don't they on the whole

0:16:11.400 --> 0:16:15.760
<v Speaker 1>new new page. You know, we we're so similar. But

0:16:15.800 --> 0:16:20.360
<v Speaker 1>we were different. It's like cousins. You know, y'all blood related,

0:16:20.440 --> 0:16:23.760
<v Speaker 1>but your household is a little different than your cousin's household.

0:16:23.840 --> 0:16:26.080
<v Speaker 1>I do feel like the Bay is like the I mean,

0:16:26.240 --> 0:16:29.720
<v Speaker 1>the most underratedly influential region in all of rap. If

0:16:29.760 --> 0:16:33.160
<v Speaker 1>you just think of like we got sonically slang, I mean,

0:16:33.400 --> 0:16:36.200
<v Speaker 1>you know, I think of like guys like the Pack,

0:16:36.440 --> 0:16:38.520
<v Speaker 1>how they influenced the whole generation, like twelve ten or

0:16:38.560 --> 0:16:41.240
<v Speaker 1>twelve years ago, like obviously forty short you guys, are

0:16:41.760 --> 0:16:46.200
<v Speaker 1>you know on the Mount West Moore? For sure? Obviously

0:16:46.200 --> 0:16:50.760
<v Speaker 1>the record with p Low on it very Bay Area.

0:16:50.880 --> 0:16:54.280
<v Speaker 1>I feel like I'm like, who's kind of picking the beats,

0:16:54.520 --> 0:16:56.240
<v Speaker 1>who's kind of helped A and R in it? And like,

0:16:56.280 --> 0:16:59.960
<v Speaker 1>would you guys say it is like a which region

0:17:00.160 --> 0:17:02.400
<v Speaker 1>sonically is winning? The Bay or La on the album?

0:17:03.000 --> 0:17:05.520
<v Speaker 1>We had to have a balance, It had to come

0:17:05.560 --> 0:17:07.720
<v Speaker 1>from different ways. So you listen to if you heard

0:17:07.720 --> 0:17:10.040
<v Speaker 1>the album, you listen to the song have a Nice Day,

0:17:10.760 --> 0:17:13.879
<v Speaker 1>fuck You song. It's definitely that's definitely like Doctor dre

0:17:14.040 --> 0:17:19.000
<v Speaker 1>Influence produced by Fred Records, Lace You Up, definitely like

0:17:19.280 --> 0:17:23.280
<v Speaker 1>SoCal All Day Activated. You know, it's it's on there

0:17:23.320 --> 0:17:24.800
<v Speaker 1>and then you know, you got songs that are on

0:17:24.840 --> 0:17:28.280
<v Speaker 1>the extreme other spectrum of like a free game, and

0:17:28.280 --> 0:17:31.680
<v Speaker 1>and and yeah the baby basically mean the two big

0:17:31.720 --> 0:17:33.920
<v Speaker 1>records a strip shout out to Plow, that's my bro.

0:17:34.400 --> 0:17:36.400
<v Speaker 1>But at the same time, if you leave the state

0:17:36.440 --> 0:17:39.919
<v Speaker 1>of California, we're here. If you leave here, their ears

0:17:40.000 --> 0:17:43.399
<v Speaker 1>just here. West Coast. Don't hear that a little distinct

0:17:43.400 --> 0:17:45.680
<v Speaker 1>that a Bayary person and an l A person would

0:17:45.720 --> 0:17:49.320
<v Speaker 1>hear in the song. And I think that the West

0:17:49.320 --> 0:17:51.840
<v Speaker 1>Coast when you get us all in the same room,

0:17:52.400 --> 0:17:55.720
<v Speaker 1>we stand up together. We always have. You put Warren

0:17:55.760 --> 0:17:57.800
<v Speaker 1>g and DJ Quick in the room that we all

0:17:57.640 --> 0:18:00.680
<v Speaker 1>we West Coast, we California boys. We like we ride together.

0:18:00.720 --> 0:18:04.080
<v Speaker 1>Like for us, it's not on basketball obviously, it's sports

0:18:04.119 --> 0:18:06.719
<v Speaker 1>and stuff. You know, you gotta you gotta have. We're

0:18:06.720 --> 0:18:08.560
<v Speaker 1>all riding with the Big three. But when it comes

0:18:08.560 --> 0:18:12.120
<v Speaker 1>to like you know, the professional teams. But we definitely

0:18:13.280 --> 0:18:15.680
<v Speaker 1>feed off each other off the Bay. In the Bay

0:18:15.760 --> 0:18:18.880
<v Speaker 1>we got a lot of Doctor Drem's in Bay Area music.

0:18:18.920 --> 0:18:21.760
<v Speaker 1>We got a lot from Drey, you know what I'm saying. Recently,

0:18:22.280 --> 0:18:26.199
<v Speaker 1>I think you know producers like like like Mustard, he

0:18:26.280 --> 0:18:28.000
<v Speaker 1>kind of like, you know, grabbed a little bit of

0:18:28.000 --> 0:18:30.680
<v Speaker 1>that Bay energy and his way. Of course, we don't

0:18:30.720 --> 0:18:33.359
<v Speaker 1>got a gang of lingo from the Bay. Yeah, but

0:18:33.640 --> 0:18:37.120
<v Speaker 1>you know so it's like it's just we we are one.

0:18:37.160 --> 0:18:39.359
<v Speaker 1>But like he said, we like cousins and there is

0:18:39.400 --> 0:18:42.800
<v Speaker 1>no feud, don't I have not seen the feud or

0:18:42.840 --> 0:18:45.679
<v Speaker 1>the competition who could come with the hottest records. We

0:18:45.760 --> 0:18:48.520
<v Speaker 1>really and our young rappers when you get to the

0:18:48.640 --> 0:18:50.600
<v Speaker 1>gass and all of them come out, they hanging out

0:18:50.640 --> 0:18:53.320
<v Speaker 1>with the Kendricks. Ain't no, it ain't no animis. I

0:18:53.320 --> 0:18:56.840
<v Speaker 1>ain't heard of no animosity ever. Out of my whole history,

0:18:56.960 --> 0:18:59.480
<v Speaker 1>every era when the game came in l A, it's

0:18:59.520 --> 0:19:01.560
<v Speaker 1>never been you guys. I wasna say, have you guys

0:19:01.560 --> 0:19:03.359
<v Speaker 1>had the bipp and talk with Snoop and Cube about

0:19:03.359 --> 0:19:04.840
<v Speaker 1>when you guys go do promo in the bay, like,

0:19:04.880 --> 0:19:07.199
<v Speaker 1>don't leave nothing in the car. They know, they already

0:19:07.200 --> 0:19:11.359
<v Speaker 1>know because they besides us Cuban Snoop, they got Barrier

0:19:11.440 --> 0:19:14.120
<v Speaker 1>fam too. We all, we all, we all locked in.

0:19:14.160 --> 0:19:17.960
<v Speaker 1>We all. Yeah, that's nothing. What I'm saying the warrant

0:19:18.000 --> 0:19:20.960
<v Speaker 1>she got real blood cousins in the field on the

0:19:21.119 --> 0:19:25.480
<v Speaker 1>vill from Oville in Oakland. Yeah, you know, going on, man, Yeah,

0:19:26.080 --> 0:19:28.399
<v Speaker 1>I was. I got cousin, and I got cousin in Anglewood,

0:19:28.400 --> 0:19:29.960
<v Speaker 1>like I got cousin all over the place. I was

0:19:29.960 --> 0:19:32.639
<v Speaker 1>born on Sunset Boulevard. Man, that's crazy. I got a

0:19:32.680 --> 0:19:35.520
<v Speaker 1>whole million first cousins in LA. Not only are you

0:19:35.520 --> 0:19:40.080
<v Speaker 1>guys obviously historical artists, great discographies, uh, but you guys

0:19:40.119 --> 0:19:43.720
<v Speaker 1>are all moguls within your own right and like I

0:19:43.760 --> 0:19:46.440
<v Speaker 1>mean some of the biggest moguls and music Snoop Dogg

0:19:46.560 --> 0:19:49.000
<v Speaker 1>is killing the crypto space. He's just killing everything. He

0:19:49.040 --> 0:19:51.119
<v Speaker 1>bought that a bunch of movies too, Yeah, he on

0:19:51.200 --> 0:19:54.080
<v Speaker 1>his movie. So speaking of movies, Cube Vision, speaking of

0:19:54.160 --> 0:19:56.760
<v Speaker 1>locked In, all of the liquor we're drinking, speaking of

0:19:56.760 --> 0:19:59.760
<v Speaker 1>the Big Three, the goon with the spoon, ice cream Man,

0:20:00.840 --> 0:20:03.679
<v Speaker 1>what is you guys? Are you guys like passing ideas

0:20:03.680 --> 0:20:06.000
<v Speaker 1>around in terms of just like business opportunities and shit,

0:20:06.040 --> 0:20:09.359
<v Speaker 1>because I do feel like, you know, there's there's this.

0:20:09.520 --> 0:20:11.800
<v Speaker 1>It's kind of a very unicorn situation. And not only

0:20:11.840 --> 0:20:14.480
<v Speaker 1>have historical artists, but historical businessmen in the group together

0:20:15.080 --> 0:20:18.439
<v Speaker 1>without a doubt. You know, we we started, you know,

0:20:18.560 --> 0:20:21.720
<v Speaker 1>not just a group. We gotta Mound wes Moore LLC.

0:20:22.359 --> 0:20:26.160
<v Speaker 1>So it's a business, and you know, we funnel great

0:20:26.240 --> 0:20:29.280
<v Speaker 1>ideas into the business. You know when it's when it's right.

0:20:30.040 --> 0:20:32.520
<v Speaker 1>We let everybody know this is something that we should

0:20:32.560 --> 0:20:36.800
<v Speaker 1>all attack that as a group and do it. But

0:20:36.840 --> 0:20:39.959
<v Speaker 1>I know, I know we all involved in investment groups.

0:20:40.440 --> 0:20:42.280
<v Speaker 1>I get to hint, hint, we should start them Mount

0:20:42.320 --> 0:20:46.280
<v Speaker 1>wes More Investment Group. Yeah, well, DC, let's do it.

0:20:46.280 --> 0:20:48.000
<v Speaker 1>Take him out wes Moore profits and put them in

0:20:48.040 --> 0:20:53.080
<v Speaker 1>some businesses. Real talk, any new stuff coming from you? Forty?

0:20:53.119 --> 0:20:54.760
<v Speaker 1>I feel like every other month there's like a new

0:20:54.960 --> 0:20:57.960
<v Speaker 1>product I can eat or drink. So since the plandemic,

0:20:58.000 --> 0:21:01.640
<v Speaker 1>I recorded over seventy songs since since I'm talking about

0:21:01.680 --> 0:21:04.600
<v Speaker 1>since we finished the Mount wes Moore album because the

0:21:04.640 --> 0:21:06.960
<v Speaker 1>grit done quick. But anyway, yeah, I got a Rule

0:21:06.960 --> 0:21:10.760
<v Speaker 1>of Thumb coming. That's that's my that's two albums, oh

0:21:11.000 --> 0:21:13.359
<v Speaker 1>Rule of Thumb. And I talked to Cban. I'm a

0:21:13.359 --> 0:21:15.000
<v Speaker 1>team player. I don't know if it's possible for you

0:21:15.040 --> 0:21:17.560
<v Speaker 1>to not drop a double album. I know every time

0:21:18.119 --> 0:21:20.240
<v Speaker 1>drops it's a double album, it's a triple album. It's

0:21:20.320 --> 0:21:22.679
<v Speaker 1>it's I think you put an EP out during the

0:21:22.720 --> 0:21:24.600
<v Speaker 1>pandemic and I was surprised that you had an EP

0:21:24.760 --> 0:21:27.200
<v Speaker 1>and not like a full project, right right right, Yeah, no,

0:21:27.200 --> 0:21:29.680
<v Speaker 1>no EPs, no more. I did EPs when I was young,

0:21:29.720 --> 0:21:31.440
<v Speaker 1>and I dropped one. I dropped one that I felt

0:21:31.440 --> 0:21:33.040
<v Speaker 1>I needed to put out because it was on my heart.

0:21:33.080 --> 0:21:34.879
<v Speaker 1>It was my real assignment. Before they were saying he

0:21:34.960 --> 0:21:39.840
<v Speaker 1>understood the assignment, it was really my assignment to drop it.

0:21:39.840 --> 0:21:42.000
<v Speaker 1>It was me as a little two year old kid,

0:21:42.400 --> 0:21:46.000
<v Speaker 1>three year old kid, standing standing in front of a

0:21:46.040 --> 0:21:48.959
<v Speaker 1>garbage can. It was a EP, but it was had

0:21:49.000 --> 0:21:50.719
<v Speaker 1>some great songs on there, and it was rule of

0:21:50.720 --> 0:21:53.679
<v Speaker 1>Thumb's next rule of Thumb is next rule of Thumb

0:21:54.040 --> 0:21:56.320
<v Speaker 1>to two albums. And I don't know if I'm gonna

0:21:56.400 --> 0:21:58.520
<v Speaker 1>drop him exactly at the same time or a week apart,

0:21:58.880 --> 0:22:04.000
<v Speaker 1>but slaps, I got a couple more features I need.

0:22:04.040 --> 0:22:06.720
<v Speaker 1>I need one. I already told Mount Westmore, I'm taking

0:22:06.720 --> 0:22:09.080
<v Speaker 1>over this one song that I wanted, and they they

0:22:09.080 --> 0:22:11.720
<v Speaker 1>agreed that I can have it, So I'm slapping that

0:22:11.880 --> 0:22:15.680
<v Speaker 1>on it, and then I mean it slaps. I got

0:22:15.720 --> 0:22:18.040
<v Speaker 1>features I got and I'm on their hold of my own.

0:22:18.240 --> 0:22:20.520
<v Speaker 1>So you always have the features online and you always

0:22:20.520 --> 0:22:22.719
<v Speaker 1>tapped in with the younger generation for always tapped in

0:22:22.760 --> 0:22:25.600
<v Speaker 1>with the younger generation, you know, And I ain't no

0:22:25.680 --> 0:22:27.560
<v Speaker 1>slacking in my mac and my lingos up to par

0:22:27.680 --> 0:22:29.119
<v Speaker 1>I'm not trying to be young. I ain't trying to

0:22:29.119 --> 0:22:30.560
<v Speaker 1>be young, and I'm just trying to have a happy

0:22:30.640 --> 0:22:33.399
<v Speaker 1>medium while I'm right there and I'm gassing and I'm

0:22:33.440 --> 0:22:35.320
<v Speaker 1>ahead of my time, you know what I'm saying. I'm

0:22:35.320 --> 0:22:38.400
<v Speaker 1>gonna ask y'all, because you guys all have classic bodies

0:22:38.400 --> 0:22:41.520
<v Speaker 1>of work, solo cube, what is if you had to,

0:22:41.800 --> 0:22:45.199
<v Speaker 1>what is your your magnum opus of your discography? What's

0:22:45.240 --> 0:22:49.240
<v Speaker 1>your favorite album in your discography? Who do you think

0:22:49.320 --> 0:22:51.920
<v Speaker 1>is the best? Obviously America's most one, got five mics

0:22:51.920 --> 0:22:54.080
<v Speaker 1>in the sore Predator, you got Letho a jection. I

0:22:54.119 --> 0:22:56.680
<v Speaker 1>mean we're going. I would say Death Certificate that you're

0:22:56.760 --> 0:23:04.199
<v Speaker 1>probably the one because it's it's the most dynamic, you know.

0:23:04.320 --> 0:23:07.800
<v Speaker 1>I think that's a great record. Uh, Predator is a

0:23:07.800 --> 0:23:11.040
<v Speaker 1>pretty good record, Laugh Now, Cry Later is a good one,

0:23:11.240 --> 0:23:14.240
<v Speaker 1>but Death Certificate is probably the cream of the crop.

0:23:14.480 --> 0:23:19.200
<v Speaker 1>What about for your short album? That's the album probably

0:23:19.240 --> 0:23:21.680
<v Speaker 1>the best too short album is probably Getting It album

0:23:21.720 --> 0:23:25.640
<v Speaker 1>number ten, that's my favorite that's the that's the WHOA

0:23:26.160 --> 0:23:27.840
<v Speaker 1>Got Orange cover that was on my man I had

0:23:28.119 --> 0:23:30.560
<v Speaker 1>when I was a kid. Production team that had been

0:23:30.560 --> 0:23:33.840
<v Speaker 1>working together for like five albums. Shorty b At Banks

0:23:33.880 --> 0:23:37.199
<v Speaker 1>Pee Wee myself, we were the core of like a

0:23:37.240 --> 0:23:40.280
<v Speaker 1>production team that made a lot of music. It was

0:23:40.320 --> 0:23:46.240
<v Speaker 1>a cohesive sound, it was. And before that, my top

0:23:46.280 --> 0:23:49.080
<v Speaker 1>seller was Life Is Too Short. That's like classics. That's like,

0:23:49.160 --> 0:23:52.280
<v Speaker 1>that's the only double platinum I had. But me, when

0:23:52.280 --> 0:23:54.480
<v Speaker 1>I listened to music and the production, it's definitely getting it.

0:23:54.480 --> 0:23:57.000
<v Speaker 1>That's the I was gonna ask you because you also

0:23:57.119 --> 0:24:00.640
<v Speaker 1>like over the year short, like because you you guys

0:24:00.680 --> 0:24:02.480
<v Speaker 1>have all been in this shit since the eighties, right,

0:24:03.440 --> 0:24:07.000
<v Speaker 1>But like it's crazy when you listen to Life's Too Short,

0:24:07.359 --> 0:24:11.879
<v Speaker 1>and I can't imagine like the shit you were saying

0:24:11.920 --> 0:24:14.040
<v Speaker 1>on some of them records. Well, I used to have

0:24:14.080 --> 0:24:16.919
<v Speaker 1>a technique where I kind of still do it. But

0:24:16.960 --> 0:24:19.280
<v Speaker 1>I had a technique where before I would like write songs,

0:24:19.600 --> 0:24:21.639
<v Speaker 1>I would just write down the craziest stuff I can

0:24:21.680 --> 0:24:23.840
<v Speaker 1>think of, and just like you know, I guess it

0:24:23.840 --> 0:24:25.800
<v Speaker 1>would be like the shock value of like a song,

0:24:25.840 --> 0:24:27.400
<v Speaker 1>like cuss words had to be like at the time,

0:24:27.440 --> 0:24:29.359
<v Speaker 1>like what the fuck or blow jow Betty had to

0:24:29.400 --> 0:24:31.080
<v Speaker 1>be like people were like, what is going on? So

0:24:31.240 --> 0:24:33.240
<v Speaker 1>was like really long and there's like a lot of

0:24:33.320 --> 0:24:35.199
<v Speaker 1>rapping in like there's no hook on the ye the

0:24:35.240 --> 0:24:38.360
<v Speaker 1>hook don't come like forty eight bars and you said,

0:24:38.400 --> 0:24:41.480
<v Speaker 1>blow jow Betty's a true story. Yeah, I killed her.

0:24:41.880 --> 0:24:44.320
<v Speaker 1>Oh that's terrible. She chunked on thespierm and died. But

0:24:44.359 --> 0:24:46.440
<v Speaker 1>it was like so far back before social media and

0:24:46.480 --> 0:24:48.200
<v Speaker 1>all that stuff. It didn't really get out there like that.

0:24:48.240 --> 0:24:50.359
<v Speaker 1>Are you saying the Statute of Limitations is past? I

0:24:50.400 --> 0:24:53.239
<v Speaker 1>mean didn't. It doesn't exist. There's no victim, there's no

0:24:53.880 --> 0:24:58.640
<v Speaker 1>case to it. You have to go do some super forensics. Man,

0:24:58.880 --> 0:25:02.240
<v Speaker 1>forty what's your best this album? Because you got a

0:25:02.280 --> 0:25:03.920
<v Speaker 1>couple you could go with. There's a couple of errors

0:25:03.920 --> 0:25:06.000
<v Speaker 1>we could go with. Yeah, can I say, can I

0:25:06.040 --> 0:25:08.760
<v Speaker 1>go by the errors? Yeah? Of course. In the nineties

0:25:09.359 --> 0:25:22.320
<v Speaker 1>it was okay, all right, one you might tell you

0:25:21.400 --> 0:25:25.840
<v Speaker 1>what your favorite you album? Come on, man, it's easy. No,

0:25:25.960 --> 0:25:28.119
<v Speaker 1>it ain't. No, it's not I have got two favorites.

0:25:28.359 --> 0:25:32.120
<v Speaker 1>Then keep saying two favorites I got like I got hello,

0:25:32.480 --> 0:25:34.880
<v Speaker 1>Come on, man, you're dealing with a dude that got

0:25:34.920 --> 0:25:39.159
<v Speaker 1>more top two hundred Billboard the album entries in the

0:25:39.200 --> 0:25:44.560
<v Speaker 1>history of hip hop. Listen, listen, listen, listen, listen, use

0:25:44.600 --> 0:25:46.919
<v Speaker 1>your ears and listen. Let me ask you for him,

0:25:46.960 --> 0:25:49.520
<v Speaker 1>let me answer you for him. His favorite forty album

0:25:49.760 --> 0:25:53.080
<v Speaker 1>is all the forty albums. Give me one, give me one.

0:25:53.119 --> 0:25:56.399
<v Speaker 1>That's let me tell you the one you want me

0:25:56.440 --> 0:25:59.600
<v Speaker 1>you I've can tell you something, The Game album. Give

0:25:59.640 --> 0:26:01.920
<v Speaker 1>me two of them. I'm gonna give you two. Okay,

0:26:01.960 --> 0:26:07.440
<v Speaker 1>give you two in a major way. Okay, and Element

0:26:07.440 --> 0:26:12.800
<v Speaker 1>of Surprise double album them the sickest albums ever did

0:26:12.840 --> 0:26:16.680
<v Speaker 1>and and uh and don't not not not excluding get

0:26:16.680 --> 0:26:19.679
<v Speaker 1>a report. Cars in the two in the two thousands

0:26:20.240 --> 0:26:23.280
<v Speaker 1>was like, in a major way, my favorite artwork. You

0:26:23.359 --> 0:26:25.800
<v Speaker 1>got some legendary favorite art work was in a major

0:26:25.840 --> 0:26:27.840
<v Speaker 1>way artwork when I was in I was, you know,

0:26:27.880 --> 0:26:31.000
<v Speaker 1>cooking your on the gumbo pot, you know, making soup

0:26:31.320 --> 0:26:36.320
<v Speaker 1>between all of us and Snoop Dogg. Amazing. Oh for sure,

0:26:36.480 --> 0:26:39.440
<v Speaker 1>artwork has been amazing. For sure. Just forget about the

0:26:39.520 --> 0:26:42.040
<v Speaker 1>music and just the album covers of like legendary hundred

0:26:43.040 --> 0:26:45.959
<v Speaker 1>bootleg keV gotta interrupt the interview shout out to our

0:26:46.000 --> 0:26:48.600
<v Speaker 1>good friends at blue Chew. It is cuffing season. It's

0:26:48.600 --> 0:26:51.399
<v Speaker 1>getting cold as a bit outside right now, and you

0:26:51.440 --> 0:26:54.680
<v Speaker 1>could definitely use a little extra umph fellas. All right,

0:26:54.800 --> 0:26:58.880
<v Speaker 1>Blue Chew will have your dick harder than goddamn triggonometry

0:26:59.000 --> 0:27:02.200
<v Speaker 1>all right. So if you're really, really, you know, trying

0:27:02.200 --> 0:27:04.480
<v Speaker 1>to get your dick game right, trying to make sure

0:27:04.600 --> 0:27:07.879
<v Speaker 1>your performance is at an all time high, go to

0:27:07.920 --> 0:27:11.159
<v Speaker 1>blue Cheo right now blue choo dot com. Use the

0:27:11.160 --> 0:27:14.320
<v Speaker 1>promo code Bootleg. They're gonna give you a month supply

0:27:14.560 --> 0:27:19.600
<v Speaker 1>for free. That's right, a whole month for free. Blue

0:27:19.640 --> 0:27:22.400
<v Speaker 1>Cheo dot Com. Use that promo code Bootleg. Get your

0:27:22.440 --> 0:27:25.679
<v Speaker 1>first month for free. My friend Adam Wade can use

0:27:25.680 --> 0:27:28.720
<v Speaker 1>some blue Choo, that's for sure. There he is. So

0:27:29.119 --> 0:27:30.520
<v Speaker 1>this is what it is, man. It's got the same

0:27:30.520 --> 0:27:35.440
<v Speaker 1>active ingredients as Viagra and Sialis in a chewable pill form.

0:27:35.680 --> 0:27:39.280
<v Speaker 1>It gets delivered right to your doorstep in discrete packaging.

0:27:39.920 --> 0:27:41.720
<v Speaker 1>You don't have to go to the doctor to get

0:27:41.760 --> 0:27:44.359
<v Speaker 1>blue Chew. It's all online, all right, and you can

0:27:44.359 --> 0:27:47.159
<v Speaker 1>get your first month for free. Try it out and

0:27:47.200 --> 0:27:50.119
<v Speaker 1>then think me later. Bluetoo dot com promo code Bootleg. Plus,

0:27:50.160 --> 0:27:53.400
<v Speaker 1>they just dropped the new blue Chew Mint Chewable, which

0:27:53.440 --> 0:27:56.400
<v Speaker 1>has the same active ingredients as Levitra and that shit.

0:27:56.480 --> 0:27:58.840
<v Speaker 1>I have you fucking rocked up and stocked up bud.

0:27:58.920 --> 0:28:02.080
<v Speaker 1>All right, so one more time bluetoo dot com use

0:28:02.119 --> 0:28:05.720
<v Speaker 1>that promo code bootleg get your first month for free.

0:28:05.760 --> 0:28:08.359
<v Speaker 1>Let's get back to the interview. Uh, give me you

0:28:08.359 --> 0:28:10.440
<v Speaker 1>guys each give me a new young, up and coming

0:28:10.520 --> 0:28:12.440
<v Speaker 1>artist that y'all are fans of. That y'all respect you

0:28:12.480 --> 0:28:14.520
<v Speaker 1>guys are actually listening to in your car when you're

0:28:14.600 --> 0:28:19.440
<v Speaker 1>riding around. If any I would say, uh, the boyfriend this,

0:28:20.280 --> 0:28:22.560
<v Speaker 1>it's two times on some pimp and Ship. He going crazy.

0:28:22.720 --> 0:28:25.240
<v Speaker 1>His whole album is about pimping, is it. I interviewed

0:28:25.320 --> 0:28:27.480
<v Speaker 1>him and he's like, I'm bringing the pimp and Ship back. Well,

0:28:27.640 --> 0:28:32.280
<v Speaker 1>he's his gas that he's spitting his gas sugar free. Yeah,

0:28:32.760 --> 0:28:34.760
<v Speaker 1>rather give you my bitch during the interviewer because he

0:28:34.840 --> 0:28:36.920
<v Speaker 1>never heard of sugar Free and his whole his whole

0:28:36.920 --> 0:28:39.720
<v Speaker 1>album is about pimping. Bro let me play something. Yeah.

0:28:39.720 --> 0:28:42.200
<v Speaker 1>I like him. He carrying himself. Well, he's doing a

0:28:42.240 --> 0:28:44.840
<v Speaker 1>great job. I got a couple of casts out of

0:28:44.880 --> 0:28:49.640
<v Speaker 1>my area. I like a lot Russell, not just man.

0:28:49.640 --> 0:28:53.640
<v Speaker 1>I was staying right outside the crest. Okay, yeah, for

0:28:53.680 --> 0:28:58.080
<v Speaker 1>sure was active over there. That's seven eleven and Dad

0:28:58.440 --> 0:28:59.960
<v Speaker 1>I was. I would have to say, it's a bunch

0:29:00.040 --> 0:29:03.440
<v Speaker 1>trouble from the Bay. It's you know, Uh Simba killed

0:29:03.480 --> 0:29:05.760
<v Speaker 1>him with the free you got Simba, you got, uh,

0:29:05.840 --> 0:29:10.200
<v Speaker 1>you got, uh, the boys bank you got? You got?

0:29:10.520 --> 0:29:14.320
<v Speaker 1>Who else? You got? What you got? Blast out of

0:29:14.640 --> 0:29:16.760
<v Speaker 1>rich Man, shout out too short and have my favorite

0:29:16.800 --> 0:29:18.880
<v Speaker 1>line on the Pilo album. There's so many you talk

0:29:18.960 --> 0:29:20.920
<v Speaker 1>about having a bitch make money off for pee hoole.

0:29:21.160 --> 0:29:24.520
<v Speaker 1>Oh yeah. I was riding on the Bay Bridge listening

0:29:24.560 --> 0:29:26.040
<v Speaker 1>to the Plow album and I was like, that is

0:29:26.040 --> 0:29:29.760
<v Speaker 1>the most classic nineteen eighty nine too short shit to

0:29:29.760 --> 0:29:33.960
<v Speaker 1>say in twenty twenty two. But you know, I got

0:29:33.960 --> 0:29:35.720
<v Speaker 1>so many people to say, but we got it. Like

0:29:35.760 --> 0:29:39.120
<v Speaker 1>you know, Kendrick is another level of like what hip

0:29:39.160 --> 0:29:42.520
<v Speaker 1>hop should be doing. And he's like never cease to

0:29:42.600 --> 0:29:45.720
<v Speaker 1>amaze with his visuals, with his stage performance and with

0:29:45.800 --> 0:29:50.160
<v Speaker 1>his songs. Like he's just prolific period. So he's he's

0:29:50.160 --> 0:29:52.719
<v Speaker 1>on another I'm proud of the West Coast for creating

0:29:52.760 --> 0:29:56.960
<v Speaker 1>that guy. Yeah, what about you, QB nobody nobody. I

0:29:57.040 --> 0:29:58.840
<v Speaker 1>like that. I mean shit, I respect that room. I

0:29:58.920 --> 0:30:02.040
<v Speaker 1>only fuck with you know, when I'm making music, I

0:30:02.080 --> 0:30:06.520
<v Speaker 1>don't need I only listen to what I'm making. I

0:30:06.560 --> 0:30:10.800
<v Speaker 1>respect that old I don't want to be influenced by nobody. Yeah,

0:30:11.320 --> 0:30:14.479
<v Speaker 1>little babies and ships. It's a bunch of artists out there.

0:30:14.880 --> 0:30:16.840
<v Speaker 1>All I want to do is just screaming shout people

0:30:16.840 --> 0:30:19.120
<v Speaker 1>out because I'm letting letting them know I recognize them.

0:30:19.280 --> 0:30:20.960
<v Speaker 1>It's a whole bunch of people. I want to say.

0:30:21.080 --> 0:30:24.000
<v Speaker 1>But I can't be money bag. I can't be influenced

0:30:24.000 --> 0:30:26.480
<v Speaker 1>because I'm forty and there's on one of one. There's

0:30:26.520 --> 0:30:29.240
<v Speaker 1>no one on this planet that throw like a frisbee

0:30:29.480 --> 0:30:32.280
<v Speaker 1>that wrapped in caligraphy. Have you heard about West Moore album?

0:30:32.480 --> 0:30:33.960
<v Speaker 1>I have not heard it yet. So when you listen,

0:30:34.040 --> 0:30:36.040
<v Speaker 1>I heard like the singles, you know, I haven't heard

0:30:36.080 --> 0:30:38.400
<v Speaker 1>the album. It's crazy, man, When you listen to the album,

0:30:38.440 --> 0:30:40.760
<v Speaker 1>give me an email address. I see. When you listen

0:30:40.840 --> 0:30:43.800
<v Speaker 1>to the album, it's gonna feel really good as you

0:30:43.880 --> 0:30:45.920
<v Speaker 1>listen to it. But the one thing you will notice

0:30:46.000 --> 0:30:49.600
<v Speaker 1>is that we're not pandering to the new sound I'm

0:30:49.640 --> 0:30:52.080
<v Speaker 1>so happy you did not do that trying to be

0:30:52.120 --> 0:30:54.640
<v Speaker 1>something that we're not, and we're alome. Imagine if I,

0:30:54.760 --> 0:30:56.880
<v Speaker 1>like if I got the Mount wes Moore album and

0:30:56.920 --> 0:30:59.000
<v Speaker 1>there was like some trapped out seventy four bps, I

0:30:59.000 --> 0:31:01.520
<v Speaker 1>would be disgusted. We're also not trying to be nineteen

0:31:01.560 --> 0:31:05.080
<v Speaker 1>ninety four. We're in there where it's like this. I

0:31:05.120 --> 0:31:08.080
<v Speaker 1>want to hear these guys sound like this right now. Yo,

0:31:08.440 --> 0:31:10.239
<v Speaker 1>Between the three of y'all, I'm not sure there's an

0:31:10.280 --> 0:31:13.040
<v Speaker 1>artist that you guys haven't worked with. Obviously, you've worked

0:31:13.080 --> 0:31:15.760
<v Speaker 1>with Pac before, You've worked with Hove Biggie. I mean,

0:31:15.800 --> 0:31:18.640
<v Speaker 1>we go on and on. I mean Cube shit. I

0:31:18.680 --> 0:31:20.960
<v Speaker 1>was just listening to the grand finale on the Little

0:31:21.000 --> 0:31:23.280
<v Speaker 1>John on the East Side Boys album and I forgot

0:31:23.320 --> 0:31:25.120
<v Speaker 1>Cube was on this ship and I was working out

0:31:25.760 --> 0:31:27.920
<v Speaker 1>is there for each of you guys? Is there a

0:31:27.960 --> 0:31:31.000
<v Speaker 1>feature that has not happened yet that just for whatever reason,

0:31:31.040 --> 0:31:34.440
<v Speaker 1>the planets didn't align and you didn't You don't have

0:31:34.480 --> 0:31:40.560
<v Speaker 1>a song with them yet. Nas. I love to do

0:31:40.640 --> 0:31:46.440
<v Speaker 1>a song with Nas and Cube Crazy. You know, Rock Kim.

0:31:46.880 --> 0:31:50.320
<v Speaker 1>I think everybody in the MC life wanted to do

0:31:50.440 --> 0:31:54.840
<v Speaker 1>a song with Rock Kim at some point. You know,

0:31:54.880 --> 0:31:56.560
<v Speaker 1>these are the ogs I think I could do a

0:31:56.600 --> 0:32:01.240
<v Speaker 1>good song with Buster, Yeah, do a dope song together.

0:32:03.640 --> 0:32:06.360
<v Speaker 1>You know, these are the ones that I think about

0:32:06.960 --> 0:32:10.000
<v Speaker 1>that I know we could probably do something crazy. For me,

0:32:10.080 --> 0:32:12.880
<v Speaker 1>it was always uh, it's just one answer. It was

0:32:12.920 --> 0:32:15.520
<v Speaker 1>always like me Missy and timbling on the same record.

0:32:16.400 --> 0:32:19.680
<v Speaker 1>I wanted that that would still possible. Yeah, that would

0:32:19.680 --> 0:32:24.040
<v Speaker 1>have been in what About You forty? I would say, uh,

0:32:24.560 --> 0:32:33.960
<v Speaker 1>jay Z nas Q, Tip karras one, Uh, Missy, who else?

0:32:34.000 --> 0:32:37.160
<v Speaker 1>I love to do a song with Eminem people trick Daddy.

0:32:37.920 --> 0:32:40.400
<v Speaker 1>I love trick Daddy. He's ready to trick. That would

0:32:40.400 --> 0:32:43.000
<v Speaker 1>have been Yeah. And also, and like I said, I

0:32:43.040 --> 0:32:45.920
<v Speaker 1>wanted to just address the Eminem situation. A lot of

0:32:45.920 --> 0:32:48.000
<v Speaker 1>his fans thought that I was dissing him. No, I

0:32:48.000 --> 0:32:49.840
<v Speaker 1>can never do that. He's one of the greatest MC's

0:32:49.840 --> 0:32:51.680
<v Speaker 1>that ever did it and got away with it. Then

0:32:51.720 --> 0:32:54.600
<v Speaker 1>he do his job right. But I was dating Somebody

0:32:54.600 --> 0:32:59.680
<v Speaker 1>had asked me who would win in a versus battle,

0:32:59.760 --> 0:33:03.320
<v Speaker 1>but Eminem and bust the rhyme, And I said, bust

0:33:03.320 --> 0:33:09.240
<v Speaker 1>the rhyme versus just because versus just performers. Yeah, that's

0:33:09.240 --> 0:33:11.880
<v Speaker 1>all I'm saying I wasn't knocking imminent. This is like

0:33:11.920 --> 0:33:15.080
<v Speaker 1>a top got a lot of his so, you know,

0:33:15.120 --> 0:33:17.640
<v Speaker 1>he get the party going here. It's crazy like live

0:33:17.720 --> 0:33:19.680
<v Speaker 1>Bust is like it's like him tech dying and like,

0:33:19.720 --> 0:33:21.480
<v Speaker 1>I don't know, that's all. That's all I meant a

0:33:21.480 --> 0:33:23.880
<v Speaker 1>lot of sweat. Yeah, that's what I meant. I wasn't trying.

0:33:23.920 --> 0:33:26.840
<v Speaker 1>I would never just eminem. He one of the greats,

0:33:26.880 --> 0:33:29.000
<v Speaker 1>if not. I went to a Bust the show and

0:33:29.040 --> 0:33:32.000
<v Speaker 1>he called me on stage and hugged me. I'm still man,

0:33:32.880 --> 0:33:36.600
<v Speaker 1>you guys a sweat hood. He just hugged me. His

0:33:36.800 --> 0:33:39.560
<v Speaker 1>energy is his energy is incredible. He's a great guy.

0:33:39.640 --> 0:33:43.000
<v Speaker 1>He just drenched me. But I got a wrong with him. Yeah,

0:33:43.040 --> 0:33:46.840
<v Speaker 1>we had a great versus right. It's amazing you were

0:33:46.880 --> 0:33:51.720
<v Speaker 1>fucking I was on Mango scout off, drinking out the bottle.

0:33:52.120 --> 0:33:54.880
<v Speaker 1>Nobody has decided to have fun like we did. Nobody

0:33:55.240 --> 0:33:56.920
<v Speaker 1>it was my brother. It was the fun is doing

0:33:56.920 --> 0:34:00.240
<v Speaker 1>this with my brother. Man, everybody got this different energy.

0:34:00.520 --> 0:34:05.280
<v Speaker 1>It was the funnest to watch. I really really enjoyed

0:34:05.680 --> 0:34:08.239
<v Speaker 1>their verse. It feels like the versus thing's over, right,

0:34:08.280 --> 0:34:10.640
<v Speaker 1>But did they ever approach you to do something. Yeah,

0:34:11.200 --> 0:34:14.400
<v Speaker 1>who was it against or who were they proposing? I

0:34:14.440 --> 0:34:17.080
<v Speaker 1>think they was talking LL at one point. They was

0:34:17.120 --> 0:34:23.360
<v Speaker 1>talking Scarface at one point he said no, Yeah, I

0:34:23.360 --> 0:34:29.160
<v Speaker 1>said no. I said, I wouldn't know. Versus is good,

0:34:30.440 --> 0:34:35.560
<v Speaker 1>but my concept would have been, Yo, I'm a fan,

0:34:37.520 --> 0:34:42.120
<v Speaker 1>you do this song? You know what I mean? Yeah, Like, okay,

0:34:42.320 --> 0:34:45.080
<v Speaker 1>I get to have LLL do my favorite LL songs

0:34:45.120 --> 0:34:48.759
<v Speaker 1>and he gonna have me do his favorite ice cube songs, right,

0:34:48.960 --> 0:34:53.600
<v Speaker 1>and it's not versus, but it's it's love. It's like, yo,

0:34:53.760 --> 0:34:56.800
<v Speaker 1>do do this? And then he do rock to bells

0:34:56.840 --> 0:34:58.719
<v Speaker 1>And he asked me, Yo, do once upon a time

0:34:58.760 --> 0:35:00.879
<v Speaker 1>of the projects? And now do it? You know It's

0:35:00.920 --> 0:35:04.280
<v Speaker 1>like that's that would have been my concept. I can't

0:35:04.320 --> 0:35:07.840
<v Speaker 1>go against you know, people admire you know, L is

0:35:07.880 --> 0:35:10.360
<v Speaker 1>a o G to me of course in the game,

0:35:11.200 --> 0:35:14.400
<v Speaker 1>so I can't see it. Me and Scarface, you know,

0:35:16.960 --> 0:35:19.560
<v Speaker 1>I know they love each other. Me and Scarface love

0:35:19.560 --> 0:35:23.680
<v Speaker 1>each other, but we don't we don't communicate enough to

0:35:23.719 --> 0:35:26.600
<v Speaker 1>do it versus together. Well, when they when they get

0:35:26.600 --> 0:35:29.680
<v Speaker 1>there to competent, I was like, this is just gonna

0:35:29.680 --> 0:35:33.360
<v Speaker 1>be too fast for They had to talk me into it.

0:35:33.440 --> 0:35:35.040
<v Speaker 1>I wouldn't do it. I refuse to do it. We

0:35:35.080 --> 0:35:37.640
<v Speaker 1>talked with Versus first came out. He's like, hey man,

0:35:37.640 --> 0:35:39.439
<v Speaker 1>we talked about all kinds of stuff. He's like, would

0:35:39.480 --> 0:35:42.000
<v Speaker 1>you do a versus. I'm like, nah, would never do that.

0:35:42.040 --> 0:35:44.960
<v Speaker 1>Like I'm not like and and and and sort of

0:35:44.960 --> 0:35:49.520
<v Speaker 1>what C was saying, My catalog is too it's too

0:35:49.560 --> 0:35:52.280
<v Speaker 1>sacred to even like put it up for a debate

0:35:52.360 --> 0:35:54.759
<v Speaker 1>on like a battle or like let me battle my

0:35:54.800 --> 0:35:56.640
<v Speaker 1>catalog again. She's like, get out of here, man, Like

0:35:57.040 --> 0:36:00.000
<v Speaker 1>this is this is like a sacred Indian burial ground.

0:36:00.120 --> 0:36:02.680
<v Speaker 1>Like you can't walk on this, you can't put this

0:36:02.880 --> 0:36:05.759
<v Speaker 1>up for competition. So I could be up there having

0:36:05.800 --> 0:36:09.400
<v Speaker 1>one of my favorite mc is talking greasy and ship.

0:36:09.520 --> 0:36:12.000
<v Speaker 1>You know what I'm saying, just or if you just

0:36:12.000 --> 0:36:15.320
<v Speaker 1>had to smash him, I don't want to because you

0:36:15.400 --> 0:36:19.120
<v Speaker 1>got a lot of hits. Yeah, we agreed on it.

0:36:19.200 --> 0:36:21.920
<v Speaker 1>We agreed on it, and a celebration. It's gonna be

0:36:21.960 --> 0:36:24.319
<v Speaker 1>a celebration. So we just went up there and have fun.

0:36:24.440 --> 0:36:27.319
<v Speaker 1>We was We wasn't and that's what it felt liked.

0:36:27.719 --> 0:36:30.759
<v Speaker 1>X had a good spirit. Yeah, but you know you

0:36:30.760 --> 0:36:36.560
<v Speaker 1>got crazy, you know after that, you know the three six.

0:36:37.040 --> 0:36:38.920
<v Speaker 1>My favorite was Guccy and Jeezy because I know that

0:36:38.960 --> 0:36:42.319
<v Speaker 1>Atlanta history that it was crazy. That was dope. I

0:36:42.360 --> 0:36:44.640
<v Speaker 1>was just you know, had that butter knife cutting attention

0:36:44.760 --> 0:36:47.160
<v Speaker 1>in the air. That was that was thick. I think

0:36:47.239 --> 0:36:49.239
<v Speaker 1>Jada that was like the m v P of Versus

0:36:49.320 --> 0:36:51.919
<v Speaker 1>because he kind of like single handedly like when Sad

0:36:52.000 --> 0:36:55.520
<v Speaker 1>showed everybody like, look you gotta because he under oh

0:36:55.560 --> 0:36:57.319
<v Speaker 1>that's another person. I want to do a song with

0:36:58.600 --> 0:37:01.400
<v Speaker 1>Jadakiss is the song kiss all these years because I

0:37:01.440 --> 0:37:03.400
<v Speaker 1>want to do a song with the Locks period. My

0:37:03.400 --> 0:37:06.879
<v Speaker 1>folks they ain't respect every time we see each other.

0:37:06.960 --> 0:37:11.000
<v Speaker 1>I respect them all. Yeah, Hey, what up, y'all? We

0:37:11.000 --> 0:37:12.560
<v Speaker 1>got to stop the interview real quick to tell you

0:37:12.560 --> 0:37:15.719
<v Speaker 1>about our folks at Hard Dean, Las Vegas. You see

0:37:15.719 --> 0:37:17.160
<v Speaker 1>them right there, you know what I mean. Shout the

0:37:17.160 --> 0:37:19.040
<v Speaker 1>Hard Dean man. Shout out to everybody over there. It's

0:37:19.040 --> 0:37:21.560
<v Speaker 1>the it was dispensary in the world number one. They

0:37:21.600 --> 0:37:23.880
<v Speaker 1>got the craziest selection of weed you'll ever go to.

0:37:24.320 --> 0:37:26.319
<v Speaker 1>When you're in Las Vegas, there's only one place to

0:37:26.320 --> 0:37:27.920
<v Speaker 1>go that's Hardy and you pull up, you say, hey,

0:37:27.960 --> 0:37:30.600
<v Speaker 1>I heard about this place on the Bluelet Cap podcast.

0:37:30.920 --> 0:37:32.759
<v Speaker 1>And they're gonna get you hooked up with some fucking weed,

0:37:32.760 --> 0:37:35.960
<v Speaker 1>all right. So go to hard Dean Las Vegas right now.

0:37:36.280 --> 0:37:38.520
<v Speaker 1>If you're in the city of a sin or you're

0:37:38.520 --> 0:37:41.200
<v Speaker 1>going make sure you you know, put it put together

0:37:41.239 --> 0:37:43.000
<v Speaker 1>a little hour off to the side to make sure

0:37:43.000 --> 0:37:45.279
<v Speaker 1>you go get your nice fucking Harding bag full of

0:37:46.000 --> 0:37:48.719
<v Speaker 1>just the premium weed, all right. And not only that,

0:37:48.760 --> 0:37:51.480
<v Speaker 1>you got to shoot them a follow Hardening Underscore Las Vegas.

0:37:51.520 --> 0:37:55.120
<v Speaker 1>I wanna shot them out though, because Harding smells the best.

0:37:55.280 --> 0:37:57.920
<v Speaker 1>The dispensary is just it's not only the best dispensary

0:37:57.920 --> 0:37:59.680
<v Speaker 1>in the world, it's the best smelling dispensary in the world.

0:37:59.840 --> 0:38:03.040
<v Speaker 1>And look now the bootleg cap podcast smells like Harden

0:38:03.120 --> 0:38:05.919
<v Speaker 1>because I have the Harden signature scent candle. You could

0:38:05.920 --> 0:38:09.240
<v Speaker 1>have one too. You could go to fucking Harding Las Vegas.

0:38:09.520 --> 0:38:13.440
<v Speaker 1>Just saying. Also, make sure you follow them online Hardan

0:38:14.000 --> 0:38:17.880
<v Speaker 1>Underscore Las Vegas. That is important. You have to follow

0:38:17.920 --> 0:38:21.120
<v Speaker 1>them because there's some bullshit accounts out there. We appreciate Hardan.

0:38:21.520 --> 0:38:23.880
<v Speaker 1>When you're in Vegas, pull up, go get you some smoke,

0:38:24.040 --> 0:38:27.080
<v Speaker 1>get you some edibles, go get you some fucking carts. Whatever,

0:38:27.120 --> 0:38:29.120
<v Speaker 1>it is. They got it, and they got it at

0:38:29.120 --> 0:38:31.959
<v Speaker 1>the highest quality. It's the only place I'm smoking from.

0:38:32.160 --> 0:38:34.360
<v Speaker 1>That's Hardan, Los Vegas. Let's get back to the interview.

0:38:35.320 --> 0:38:37.879
<v Speaker 1>H cbe I saw, I saw you talk about Big

0:38:37.920 --> 0:38:41.720
<v Speaker 1>Three and kind of Adam Silver's like lack of support. Yeah,

0:38:41.760 --> 0:38:44.799
<v Speaker 1>he need to go. I saw you. I mean yeah,

0:38:44.880 --> 0:38:48.239
<v Speaker 1>I mean you're obviously a big NBA fan historically, you've

0:38:48.239 --> 0:38:51.040
<v Speaker 1>been one of the biggest Laker fans. Yes, sitting court

0:38:51.080 --> 0:38:54.320
<v Speaker 1>side all the years. Yeah, well I was in my suite.

0:38:54.920 --> 0:38:57.959
<v Speaker 1>I wouldn't foot on the wood, but I was. Would

0:38:58.000 --> 0:39:01.120
<v Speaker 1>you say your lack of approval of a guy like

0:39:01.120 --> 0:39:04.719
<v Speaker 1>Adam Silver has affected you watching the product as a fan,

0:39:05.000 --> 0:39:09.360
<v Speaker 1>of course, you know, understanding the things that they're doing

0:39:09.600 --> 0:39:15.200
<v Speaker 1>to prevent the Big Three from growing, mainly considering our

0:39:15.280 --> 0:39:20.880
<v Speaker 1>league as competition, which is fucking ridiculous. We're three on three,

0:39:21.120 --> 0:39:25.040
<v Speaker 1>we've been around six years. They're five on five, they've

0:39:25.080 --> 0:39:30.480
<v Speaker 1>been around seventy six years. Right, it's no competition. We're complementary,

0:39:31.360 --> 0:39:36.480
<v Speaker 1>and but label on us. Competition prevents other NBA owners

0:39:36.480 --> 0:39:40.600
<v Speaker 1>from investing, and if you even think you want to

0:39:40.680 --> 0:39:45.280
<v Speaker 1>own an NBA team, you won't invest because this would

0:39:45.320 --> 0:39:49.040
<v Speaker 1>disqualify you if you invest in a Big Three before

0:39:49.080 --> 0:39:52.960
<v Speaker 1>you bought your NBA team, So it eliminates a lot

0:39:53.000 --> 0:39:58.360
<v Speaker 1>of potential investors. They also are you know, going to

0:39:58.640 --> 0:40:03.160
<v Speaker 1>sponsors that they work with and telling them don't work

0:40:03.200 --> 0:40:07.279
<v Speaker 1>with them the Big Three. So it's a major issue.

0:40:07.840 --> 0:40:11.840
<v Speaker 1>All he has to do is is not include the

0:40:11.880 --> 0:40:17.040
<v Speaker 1>Big Three in that clause as a competing league and

0:40:17.080 --> 0:40:20.560
<v Speaker 1>then we can work with a lot of the same people.

0:40:21.440 --> 0:40:25.880
<v Speaker 1>But you know, this is a black owned league. It

0:40:26.000 --> 0:40:29.720
<v Speaker 1>has you know, some of the greatest Hall of famers

0:40:29.719 --> 0:40:33.560
<v Speaker 1>that ever played involved in the league as coaches, you know,

0:40:33.600 --> 0:40:36.359
<v Speaker 1>from Doctor j to Rick Berry to also people who

0:40:36.360 --> 0:40:38.960
<v Speaker 1>are actively involved in like the NBA culture who commentated

0:40:39.040 --> 0:40:42.399
<v Speaker 1>on TV and all all that. Yeah, so these are

0:40:43.400 --> 0:40:47.720
<v Speaker 1>you know, NBA legends who helped us form this league,

0:40:47.840 --> 0:40:51.080
<v Speaker 1>NBA family, and for them to shiit on it like that,

0:40:51.600 --> 0:40:58.319
<v Speaker 1>I think is very disrespectful. You know, Doctor j Iceman,

0:40:58.920 --> 0:41:02.040
<v Speaker 1>Rick Berry, they didn't make a lot of money in

0:41:02.120 --> 0:41:05.040
<v Speaker 1>the NBA, but the NBA made a lot of money

0:41:05.239 --> 0:41:08.760
<v Speaker 1>off them, and for them to shoot on the league

0:41:08.760 --> 0:41:14.160
<v Speaker 1>that they're involved in, it's three on three to me

0:41:14.400 --> 0:41:17.840
<v Speaker 1>shows that Adam Silver is out of touch. He was

0:41:17.840 --> 0:41:20.480
<v Speaker 1>supposed to bring Ice Cuban say, I would love to

0:41:20.480 --> 0:41:21.960
<v Speaker 1>be a part of it, and I want you to

0:41:22.000 --> 0:41:24.719
<v Speaker 1>be the president of the jolly took. We offered the

0:41:24.840 --> 0:41:28.279
<v Speaker 1>NBA ten percent of the league before we started, so

0:41:28.320 --> 0:41:32.920
<v Speaker 1>we went in bearing gifts. He told us thank you,

0:41:33.000 --> 0:41:36.960
<v Speaker 1>but no thank you, and then proceeded to fuck with

0:41:37.080 --> 0:41:40.080
<v Speaker 1>us for these last six years. What's crazy because it's

0:41:40.480 --> 0:41:42.719
<v Speaker 1>the competition part is wild. It's like you guys are

0:41:42.760 --> 0:41:47.600
<v Speaker 1>obviously it's a different time of the year and all

0:41:47.719 --> 0:41:50.719
<v Speaker 1>it's all players who are known through the NBA. So

0:41:50.920 --> 0:41:53.600
<v Speaker 1>it just raises brand awareness for the NBA players that

0:41:53.640 --> 0:41:57.640
<v Speaker 1>the NBA have overlooked. And you know they come and

0:41:57.640 --> 0:42:00.000
<v Speaker 1>get our players and invite it. I mean Joe Johnson

0:42:00.080 --> 0:42:02.560
<v Speaker 1>and got signed off of his running the Big Three again,

0:42:02.800 --> 0:42:07.200
<v Speaker 1>they invite him to the NBA camps. We have general

0:42:07.239 --> 0:42:12.960
<v Speaker 1>managers coming to the game owners. Everybody comes to embraced

0:42:12.960 --> 0:42:17.399
<v Speaker 1>it worse, I don't think so. But David Stern did

0:42:17.600 --> 0:42:21.000
<v Speaker 1>like what we were doing, but he couldn't get involved

0:42:21.040 --> 0:42:25.520
<v Speaker 1>because he's you know, ex commissioner, your ex commissioner with

0:42:25.600 --> 0:42:28.799
<v Speaker 1>the NBA and Adam silverst they just lawyers when it

0:42:28.800 --> 0:42:30.279
<v Speaker 1>comes down to it. Right at the end of the day,

0:42:30.320 --> 0:42:33.560
<v Speaker 1>they are just lawyers. And I think he's making a

0:42:33.600 --> 0:42:38.239
<v Speaker 1>big mistake, and I think not embracing the Big Three

0:42:38.360 --> 0:42:41.760
<v Speaker 1>will be his downfall. Let me ask you this, because

0:42:42.160 --> 0:42:45.400
<v Speaker 1>do you think it could take somebody like a Steph

0:42:45.520 --> 0:42:49.360
<v Speaker 1>Curry or like a Lebron to kind of step in

0:42:49.480 --> 0:42:51.640
<v Speaker 1>and fully embrace the league like that to kind of

0:42:51.719 --> 0:42:55.920
<v Speaker 1>change someone like Adam Silver's perspective on it. Maybe, you know,

0:42:56.320 --> 0:42:58.680
<v Speaker 1>Lebron has come to our games. You know, he went

0:42:58.719 --> 0:43:05.920
<v Speaker 1>to the championship and twenty nineteen Michael Jordan loves our league. Ship. Yeah,

0:43:06.160 --> 0:43:08.120
<v Speaker 1>I'm surprised he ain't just say give me one. I'll

0:43:08.120 --> 0:43:11.120
<v Speaker 1>go one round with y'all. No, I don't think you

0:43:11.160 --> 0:43:12.919
<v Speaker 1>want to get out there, you know, I think that's

0:43:13.040 --> 0:43:16.000
<v Speaker 1>the past. But but for the most part, he loves

0:43:16.000 --> 0:43:19.080
<v Speaker 1>the league, and uh, you know, people like Adam told

0:43:19.160 --> 0:43:21.840
<v Speaker 1>him not to work with us, and so it's just

0:43:23.120 --> 0:43:25.760
<v Speaker 1>it's time for this dude to go because he's shown

0:43:25.840 --> 0:43:30.200
<v Speaker 1>that he's not really down with the culture. What are

0:43:30.239 --> 0:43:32.400
<v Speaker 1>the things you are are going to try to do

0:43:32.440 --> 0:43:37.279
<v Speaker 1>to grow the Big Three? Put a better product on

0:43:37.320 --> 0:43:45.880
<v Speaker 1>the court, you know, take care of our sponsors. You know,

0:43:46.000 --> 0:43:49.759
<v Speaker 1>be the best innovative new league that the world have seen,

0:43:51.239 --> 0:43:54.839
<v Speaker 1>and you know, get the fans what they pay for.

0:43:55.000 --> 0:43:59.560
<v Speaker 1>You know, it's like, just just do better, and you

0:43:59.600 --> 0:44:02.840
<v Speaker 1>know tried to, you know, get from under these grips

0:44:02.840 --> 0:44:05.560
<v Speaker 1>that the NBA has us under because it is hurting

0:44:05.640 --> 0:44:09.919
<v Speaker 1>us in more ways than one. Yeah. Yeah, man, shit,

0:44:10.480 --> 0:44:12.719
<v Speaker 1>I was telling you, it's an entertaining product. For me.

0:44:12.760 --> 0:44:15.279
<v Speaker 1>I'm like a basketball fanatic, so like I'm just like, shit,

0:44:15.320 --> 0:44:18.479
<v Speaker 1>I could watch I don't know Stephen Jackson still player,

0:44:18.520 --> 0:44:20.359
<v Speaker 1>whoever it is. You know, like three games are fun.

0:44:20.400 --> 0:44:23.920
<v Speaker 1>They're fun. They are what's the OG's name? Who had?

0:44:23.960 --> 0:44:25.680
<v Speaker 1>Who changed his name? And he was on the Nuggets,

0:44:26.640 --> 0:44:29.759
<v Speaker 1>who's balling out for y'all? He changed his name? He

0:44:29.840 --> 0:44:31.360
<v Speaker 1>remember he was number one on the Nuggets back in

0:44:31.440 --> 0:44:33.520
<v Speaker 1>the day and he got in trouble because he changed

0:44:33.560 --> 0:44:37.000
<v Speaker 1>his name to his Muslim name. Oh uh my Mood

0:44:37.000 --> 0:44:41.239
<v Speaker 1>abdul Rauf. Yeah, it's like dope to see him get

0:44:41.320 --> 0:44:44.040
<v Speaker 1>buckets on, like your way, younger dudes, because he had

0:44:44.040 --> 0:44:46.239
<v Speaker 1>a bad shaking the NBA because of that. Yeah. You

0:44:46.280 --> 0:44:48.760
<v Speaker 1>know what what people don't realize about the Big Three

0:44:49.080 --> 0:44:52.600
<v Speaker 1>is it's its own game. So just because you got

0:44:52.640 --> 0:44:55.680
<v Speaker 1>loose in the NBA and you was the ship in

0:44:55.680 --> 0:44:58.080
<v Speaker 1>the NBA, don't mean you're gonna come into Big three

0:44:58.120 --> 0:45:02.040
<v Speaker 1>and get loose and vice versa. Just because people overlooked

0:45:02.040 --> 0:45:04.719
<v Speaker 1>you in the NBA don't mean you can't come into

0:45:04.719 --> 0:45:07.800
<v Speaker 1>Big three and make an impact. And that's what's been happening.

0:45:08.160 --> 0:45:12.239
<v Speaker 1>You know, some dudes think it's easy, but in three

0:45:12.320 --> 0:45:15.839
<v Speaker 1>on three you have to have all skills. You can't

0:45:15.920 --> 0:45:19.120
<v Speaker 1>have no weaknesses. You can be a specialist, can't be

0:45:19.160 --> 0:45:24.680
<v Speaker 1>a three point specialist and be effective in three on three. Hey,

0:45:24.719 --> 0:45:26.279
<v Speaker 1>we got to stop the interview to tell you about

0:45:26.320 --> 0:45:29.000
<v Speaker 1>our family at odds Socks. That's right, the most comfortable

0:45:29.080 --> 0:45:32.120
<v Speaker 1>socks in the motherfucking world. Go to odd socksofficial dot

0:45:32.160 --> 0:45:35.600
<v Speaker 1>com right now, use that promo code Bootleg and you'll

0:45:35.600 --> 0:45:38.040
<v Speaker 1>save twenty percent off. Christmas time is a coming, And

0:45:38.120 --> 0:45:40.040
<v Speaker 1>let me tell you something their Black Friday sale. If

0:45:40.040 --> 0:45:42.080
<v Speaker 1>you're watching this before Black Friday, you might be watching

0:45:42.080 --> 0:45:45.240
<v Speaker 1>it after Black Friday. But if Black Friday hasn't came yet,

0:45:45.640 --> 0:45:47.640
<v Speaker 1>just like Cyrus hasn't came yet, it's been a while.

0:45:47.680 --> 0:45:51.080
<v Speaker 1>He's on a drought, guess what odd sooxsoficial dot com

0:45:51.120 --> 0:45:53.799
<v Speaker 1>promo code Bootleg twenty percent off plus whatever the fuck

0:45:53.840 --> 0:45:56.360
<v Speaker 1>else is going on with their Black Friday sale. And

0:45:56.440 --> 0:45:58.160
<v Speaker 1>let me tell you, they got some new licenses. We

0:45:58.200 --> 0:46:03.640
<v Speaker 1>got to talk about boys, my particular favorites. One of

0:46:03.640 --> 0:46:05.960
<v Speaker 1>the greatest shows of all time. They got the beaves

0:46:05.960 --> 0:46:08.799
<v Speaker 1>and butteads, you know what I mean. And this is

0:46:08.880 --> 0:46:13.200
<v Speaker 1>really a big deal, The Big Lebowski. That's right, the

0:46:13.239 --> 0:46:16.319
<v Speaker 1>greatest movie to ever exist. And shout out to all

0:46:16.320 --> 0:46:18.359
<v Speaker 1>you rappers and people who be pouring your lean into

0:46:18.360 --> 0:46:23.920
<v Speaker 1>this bullshit some Mountain de Baja Blast socks casino, great

0:46:23.960 --> 0:46:27.400
<v Speaker 1>fucking movie, you know what I mean. These are pretty

0:46:27.400 --> 0:46:32.920
<v Speaker 1>fly bubblicious. Yeah, that's right, little bubblicious. And this is

0:46:32.920 --> 0:46:37.640
<v Speaker 1>the big, one, big deal here. We got Coca Cola socks. Baby,

0:46:38.000 --> 0:46:42.440
<v Speaker 1>that's right. Coke's on board. Coke is on board, you

0:46:42.440 --> 0:46:43.600
<v Speaker 1>know what I mean. We got to put the coke

0:46:43.640 --> 0:46:46.440
<v Speaker 1>hat on. This hat doesn't work for me, does It

0:46:46.480 --> 0:46:49.080
<v Speaker 1>doesn't work for me? Anyway? You could get you this

0:46:49.120 --> 0:46:52.040
<v Speaker 1>hat though, Hey, Cyrus, take a Coke hat. There you

0:46:52.080 --> 0:46:55.280
<v Speaker 1>go go to odd socksofficial dot com use the promo

0:46:55.320 --> 0:46:59.040
<v Speaker 1>code Bootleg right now, save twenty percent off and go

0:46:59.120 --> 0:47:02.480
<v Speaker 1>purge their website for Black Friday. Get gifts for your family.

0:47:02.840 --> 0:47:05.319
<v Speaker 1>Your fucking family will love you if you buy them

0:47:05.320 --> 0:47:07.560
<v Speaker 1>the most comfortable socks in the world. It's that simple.

0:47:07.800 --> 0:47:10.400
<v Speaker 1>Or you could buy them some fucking bullshit socks. You

0:47:10.400 --> 0:47:13.120
<v Speaker 1>could go buy them some garbage ass fucking Ethhica or

0:47:13.160 --> 0:47:16.920
<v Speaker 1>some bullshit ass fucking Nike socks. Fuck them, get odd socks.

0:47:17.160 --> 0:47:21.480
<v Speaker 1>Let's get back to the interview. You spoke recently about

0:47:21.719 --> 0:47:25.439
<v Speaker 1>Warner Brothers having the rights to distribute the Friday series. Yeah,

0:47:25.520 --> 0:47:28.560
<v Speaker 1>and that's obviously your intellectual property right. You came up

0:47:28.560 --> 0:47:31.640
<v Speaker 1>with that movie. Yeah, the most impactful movie my entire life.

0:47:31.680 --> 0:47:34.640
<v Speaker 1>I was talking like Smokey from like age eight to twelve,

0:47:34.800 --> 0:47:36.960
<v Speaker 1>my favorite, that's my favorite movie, one of my favorites.

0:47:37.160 --> 0:47:39.680
<v Speaker 1>I know that entire movie by heart, like it's bad,

0:47:39.880 --> 0:47:41.840
<v Speaker 1>Like I could recite it when I watch it. I

0:47:41.880 --> 0:47:44.040
<v Speaker 1>watched it so much as a kid. By the way,

0:47:44.080 --> 0:47:47.520
<v Speaker 1>Top three soundtrack ever too, Yeah, one of the best

0:47:47.520 --> 0:47:52.160
<v Speaker 1>soundtracks ever is would you say, because you know you're

0:47:52.239 --> 0:47:56.960
<v Speaker 1>somebody who's been revolutionary in so many ways, is that

0:47:57.040 --> 0:47:59.920
<v Speaker 1>a like what lessons did you learn from the Friday

0:48:00.080 --> 0:48:03.080
<v Speaker 1>series of not retaining ownership or not necessarily being you know,

0:48:03.880 --> 0:48:07.960
<v Speaker 1>in charge of the destination of where it goes when

0:48:07.960 --> 0:48:11.360
<v Speaker 1>you're doing movies. Now, is that something that's front of

0:48:11.360 --> 0:48:13.600
<v Speaker 1>the mind, you know, like if you that's part of

0:48:13.600 --> 0:48:17.000
<v Speaker 1>the game. You know, when you do a movie, you

0:48:17.120 --> 0:48:19.879
<v Speaker 1>have to get it distributed, and if you want your

0:48:19.960 --> 0:48:26.759
<v Speaker 1>movie to be taken you know, as you know high

0:48:26.840 --> 0:48:33.200
<v Speaker 1>level entertainment, there's only a few houses and studios that

0:48:33.280 --> 0:48:36.480
<v Speaker 1>can the right of thatt So at the time we

0:48:36.520 --> 0:48:42.120
<v Speaker 1>didn't have you know, it wasn't no streaming, so we

0:48:42.320 --> 0:48:47.480
<v Speaker 1>had to assign a movie the New Line to distribute it.

0:48:48.000 --> 0:48:53.840
<v Speaker 1>And New Line is connected with Warner Brothers. So you know,

0:48:53.920 --> 0:48:57.640
<v Speaker 1>sometimes when you do one movie with a company, they

0:48:57.719 --> 0:49:01.239
<v Speaker 1>have the rights to release the sequels. That's part of

0:49:01.280 --> 0:49:04.239
<v Speaker 1>the deal, and that's the clause that we're called in.

0:49:04.840 --> 0:49:08.240
<v Speaker 1>You know, they have the right to release the sequels.

0:49:08.560 --> 0:49:12.080
<v Speaker 1>And so the way to stellmate is to not release,

0:49:12.960 --> 0:49:15.239
<v Speaker 1>you know, to do a few and stop, and that's

0:49:15.239 --> 0:49:19.200
<v Speaker 1>what they did. They did three and they stopped, and

0:49:19.239 --> 0:49:22.120
<v Speaker 1>we've been asking them to get the movie back. Here's

0:49:22.120 --> 0:49:26.600
<v Speaker 1>why they won't get a movie back. Right along, straight

0:49:26.600 --> 0:49:29.920
<v Speaker 1>out of Compton New Line had both of those movies.

0:49:30.719 --> 0:49:32.879
<v Speaker 1>They told me both of those movies would not work

0:49:32.920 --> 0:49:36.160
<v Speaker 1>on a major scale. We took those movies out of

0:49:36.239 --> 0:49:41.040
<v Speaker 1>Warner Brothers, took them to Universal, you know. So they

0:49:41.080 --> 0:49:44.360
<v Speaker 1>worked one hundred and fifty million dollars from Ride Along,

0:49:44.800 --> 0:49:47.480
<v Speaker 1>two hundred million from Straight Out of two hundred and

0:49:47.520 --> 0:49:50.640
<v Speaker 1>fifty from Straight out of Compton. So we really embarrassed

0:49:51.000 --> 0:49:54.680
<v Speaker 1>embarrassed them. So they was like, man, you really embarrassed

0:49:54.719 --> 0:49:57.080
<v Speaker 1>us on that, you know what I mean, Like damn.

0:49:57.680 --> 0:50:00.000
<v Speaker 1>So we was like, man, y'all, don't believe in us,

0:50:00.160 --> 0:50:02.759
<v Speaker 1>give us the ship back. And they like, we can't

0:50:02.760 --> 0:50:04.960
<v Speaker 1>give you another movie back because I'll get fired, you know.

0:50:05.400 --> 0:50:07.839
<v Speaker 1>So it was on that tip. You know, they didn't

0:50:07.840 --> 0:50:11.160
<v Speaker 1>want to be embarrassed, so they didn't want to let Friday. Yeah,

0:50:11.320 --> 0:50:13.200
<v Speaker 1>as a fight, I was. I always just assume Chris

0:50:13.280 --> 0:50:15.799
<v Speaker 1>Tucker was just not wanting to do it because because

0:50:15.800 --> 0:50:17.279
<v Speaker 1>after the third win, it was like, Okay, if they

0:50:17.280 --> 0:50:20.600
<v Speaker 1>do a fourth, Smokey gotta come back. Yeah, And obviously,

0:50:20.640 --> 0:50:25.120
<v Speaker 1>rest in peace to John Witherspoon. Tiny Lister, Tiny Lister

0:50:25.239 --> 0:50:30.120
<v Speaker 1>pass There's some very big parts of that universe that

0:50:30.200 --> 0:50:32.600
<v Speaker 1>have passed. Yeah, man, And that's why I hate you

0:50:32.640 --> 0:50:35.719
<v Speaker 1>Warner Brothers, because they they let that happen. We could

0:50:35.719 --> 0:50:39.160
<v Speaker 1>have shot those movies way before those guys passed away.

0:50:41.080 --> 0:50:44.560
<v Speaker 1>I'll never forgive Toby Emrick and the guys that was

0:50:44.640 --> 0:50:51.319
<v Speaker 1>running the show at the time. Uh you know they

0:50:51.400 --> 0:50:55.399
<v Speaker 1>let guys pass away who was counting on this movie. Yeah,

0:50:55.400 --> 0:50:57.759
<v Speaker 1>and that universe like fed fed a lot of Like, dude,

0:50:57.800 --> 0:50:59.920
<v Speaker 1>I remember you would just go to like the Monster

0:51:00.080 --> 0:51:02.480
<v Speaker 1>up show and Tiny Lister would be just there with

0:51:02.560 --> 0:51:06.160
<v Speaker 1>his bike, yeah, taking thick like no. I think it

0:51:06.239 --> 0:51:09.440
<v Speaker 1>was the most his most recognizable character, of course, one

0:51:09.480 --> 0:51:12.160
<v Speaker 1>of the most recognizable characters ever. He and braced being

0:51:12.160 --> 0:51:14.680
<v Speaker 1>called Debo first, What like if you say, like, you know,

0:51:14.760 --> 0:51:16.880
<v Speaker 1>that's not his name, but I feel like that's also

0:51:17.000 --> 0:51:20.239
<v Speaker 1>like a like a people call you Craig. Yeah, it's

0:51:20.280 --> 0:51:22.359
<v Speaker 1>like a verb. You could be like yo id boed him,

0:51:22.360 --> 0:51:26.279
<v Speaker 1>you know what I mean, Like Chris Wait who called

0:51:26.320 --> 0:51:29.360
<v Speaker 1>him Craig my youngest son. He came to the house

0:51:29.760 --> 0:51:31.799
<v Speaker 1>and my little my youngest son. He's twenty eight now,

0:51:32.239 --> 0:51:40.880
<v Speaker 1>he's a little boy. He just Craig. Oh man, you

0:51:41.280 --> 0:51:46.120
<v Speaker 1>are Mount wes Moore. The album it comes out Friday.

0:51:46.920 --> 0:51:49.040
<v Speaker 1>I'm very excited this is I'm so glad you guys

0:51:49.160 --> 0:51:51.799
<v Speaker 1>put this together. I'm so glad it's actually coming out,

0:51:51.960 --> 0:51:54.359
<v Speaker 1>because I really I didn't believe it was gonnappen until

0:51:54.400 --> 0:51:57.359
<v Speaker 1>y'all did the Triller Ship and then that song came out,

0:51:57.600 --> 0:52:00.239
<v Speaker 1>and then it was quiet, and I was like, we

0:52:00.280 --> 0:52:04.440
<v Speaker 1>got one record, you know. Yeah, well, uh now you

0:52:04.480 --> 0:52:06.640
<v Speaker 1>could like not believe that the second album is coming out.

0:52:07.680 --> 0:52:09.680
<v Speaker 1>There's plans to do a second album is already done.

0:52:09.680 --> 0:52:13.239
<v Speaker 1>We did like we did songs fifty is this all

0:52:13.239 --> 0:52:15.279
<v Speaker 1>happening at the compound and snoop spot like where you

0:52:15.320 --> 0:52:18.239
<v Speaker 1>guys recording? We did it all over the studios. So

0:52:18.400 --> 0:52:20.440
<v Speaker 1>and we might add a few more new ones to us,

0:52:21.160 --> 0:52:22.960
<v Speaker 1>you know what I mean, because we we we in

0:52:23.000 --> 0:52:25.359
<v Speaker 1>that mode. It's easy. It's so simple, I can tell

0:52:25.400 --> 0:52:29.000
<v Speaker 1>you person. You know, second album is hope as fuck.

0:52:29.560 --> 0:52:31.920
<v Speaker 1>It's hard slaps. It's hard for us to make a

0:52:31.920 --> 0:52:36.319
<v Speaker 1>bad record together. Yeah, of course, so we gotta kind

0:52:36.360 --> 0:52:39.680
<v Speaker 1>of work hard to make a bad record. Did you

0:52:39.680 --> 0:52:41.279
<v Speaker 1>guys try to kick the doctor Dre Tree to get

0:52:41.280 --> 0:52:43.279
<v Speaker 1>a beat or something like one of those millions of

0:52:43.280 --> 0:52:45.960
<v Speaker 1>Detok songs that he didn't doesn't ever plan on releasing.

0:52:46.560 --> 0:52:49.640
<v Speaker 1>I think I think droped doctor Dre is the greatest

0:52:49.640 --> 0:52:52.920
<v Speaker 1>producer in hip hop of all time. I think sometime

0:52:53.000 --> 0:52:55.760
<v Speaker 1>we can overthink. You know, you know when we played Dominos,

0:52:55.800 --> 0:52:58.120
<v Speaker 1>we placed, we say steady wrong, steady long, steady wrong.

0:52:58.160 --> 0:53:00.160
<v Speaker 1>Wh when you take too long to play it. I'm

0:53:00.160 --> 0:53:03.359
<v Speaker 1>gonna I'm not saying he steady wrong. It's just he's

0:53:03.360 --> 0:53:08.319
<v Speaker 1>a perfectionist. And album he is on here, he one

0:53:08.360 --> 0:53:11.000
<v Speaker 1>of the songs. Yeah he did well, that's all that matters.

0:53:11.080 --> 0:53:12.759
<v Speaker 1>But we will. I think we're going to get a

0:53:12.800 --> 0:53:14.640
<v Speaker 1>song out of Dre. I think he just gonna get

0:53:14.640 --> 0:53:17.200
<v Speaker 1>a few. We loved Dray, you know it's the only

0:53:17.320 --> 0:53:19.719
<v Speaker 1>song well. I mean, you know what I was gonna say,

0:53:19.719 --> 0:53:24.120
<v Speaker 1>I forgot about like you. But I think in like

0:53:24.239 --> 0:53:27.080
<v Speaker 1>peak like nineties hip hop like it was, was it

0:53:27.120 --> 0:53:29.799
<v Speaker 1>only natural Born Killers that y'all did together? Like after

0:53:29.920 --> 0:53:33.320
<v Speaker 1>n w A happened natural Born Killers, we did that?

0:53:33.400 --> 0:53:41.239
<v Speaker 1>The check chack? What about the hello was a slap? Hello?

0:53:41.480 --> 0:53:45.439
<v Speaker 1>This was hard? Yo? What's yeah? How close were y'all

0:53:45.560 --> 0:53:47.600
<v Speaker 1>doing the fucking new n w A with Snoop? Was that? Like?

0:53:47.640 --> 0:53:50.560
<v Speaker 1>How where those songs at? Not close? At all. It's

0:53:50.600 --> 0:53:52.920
<v Speaker 1>like you heard the songs they came out. We were

0:53:52.960 --> 0:53:55.600
<v Speaker 1>about to get into it, and then he he met

0:53:55.640 --> 0:53:58.280
<v Speaker 1>him and them, and then he met he met a

0:53:58.440 --> 0:54:01.600
<v Speaker 1>fifty and it was like chin check was fire. Yeah,

0:54:01.760 --> 0:54:04.160
<v Speaker 1>he met he met those two dudes, and that just

0:54:04.719 --> 0:54:07.840
<v Speaker 1>took his attention. I mean, listen, Drea is a genius.

0:54:08.320 --> 0:54:12.120
<v Speaker 1>Hopefully we get something well the album. He's been sending

0:54:12.160 --> 0:54:14.120
<v Speaker 1>me a lot of He was an early on Mount

0:54:14.120 --> 0:54:16.560
<v Speaker 1>wes Moore supporter. He got caught wind of the project

0:54:16.560 --> 0:54:19.360
<v Speaker 1>early through Snoop. He put up the Snoop studio, he

0:54:19.440 --> 0:54:21.080
<v Speaker 1>put a stamp of approval on it. He jumped on

0:54:21.120 --> 0:54:22.759
<v Speaker 1>the song. We got a song with him, but it's

0:54:22.760 --> 0:54:25.000
<v Speaker 1>not it didn't make this album on the second album.

0:54:25.360 --> 0:54:29.399
<v Speaker 1>And then the rivalry within the crew obviously the NBA,

0:54:29.560 --> 0:54:33.320
<v Speaker 1>but you know, uh, Warriors Lakers, right sports, Yeah, Warriors

0:54:33.360 --> 0:54:36.640
<v Speaker 1>is new money. Forty nine ers, Raiders Lakers is own money.

0:54:36.800 --> 0:54:41.000
<v Speaker 1>Our biggest argument with our debate Giants, Yeah, Dodgers and

0:54:41.080 --> 0:54:44.360
<v Speaker 1>Giants and then the Raiders. And for we know, we

0:54:44.400 --> 0:54:46.320
<v Speaker 1>don't be messing, we don't even be tripping on Lakers

0:54:46.360 --> 0:54:49.239
<v Speaker 1>and the Warriors because we know the Warriors is you know,

0:54:49.280 --> 0:54:52.719
<v Speaker 1>it's just it, you know, so we don't even then y'all.

0:54:53.400 --> 0:54:56.719
<v Speaker 1>Y'all got the most. Y'all definitely got all the rings.

0:54:56.760 --> 0:54:59.800
<v Speaker 1>Y'all definitely do Yeah. Yeah, so we just it's Jimmy

0:54:59.840 --> 0:55:03.000
<v Speaker 1>g out as fuck. Y'all are done. You think we're done.

0:55:03.160 --> 0:55:04.640
<v Speaker 1>I mean you guys are making the super Bowl. We

0:55:04.719 --> 0:55:07.480
<v Speaker 1>got it's gonna win. You just gotta let let let

0:55:07.680 --> 0:55:10.319
<v Speaker 1>let the check out. He's gonna win the game. New

0:55:10.400 --> 0:55:12.640
<v Speaker 1>Year's Day Raiders play the forty nine Ers in Vegas.

0:55:13.560 --> 0:55:16.080
<v Speaker 1>You put your money on if the waters in the

0:55:16.120 --> 0:55:18.279
<v Speaker 1>building of forty nine ers is gonna know, Jimmy g

0:55:18.560 --> 0:55:20.320
<v Speaker 1>putting your money on. I don't know about that party.

0:55:20.360 --> 0:55:22.000
<v Speaker 1>Are they gonna sign Baker Mayfield? I don't know. We're

0:55:22.000 --> 0:55:24.360
<v Speaker 1>gonna You know what if you don't know about party,

0:55:24.400 --> 0:55:27.080
<v Speaker 1>that wouldn't pick somebody up from Yes, we did, Josh.

0:55:27.400 --> 0:55:30.400
<v Speaker 1>We got it here. We got Josh. Yeah, yeah, we

0:55:30.440 --> 0:55:33.160
<v Speaker 1>got him too. We're good. We're not worried about anything.

0:55:33.200 --> 0:55:36.239
<v Speaker 1>We are. Running game. Ain't no New Day's plain. We

0:55:36.360 --> 0:55:40.759
<v Speaker 1>got running game. We got defense, defense wins games ain't

0:55:40.760 --> 0:55:43.360
<v Speaker 1>on J's playing. We got running games on the table. Man,

0:55:43.360 --> 0:55:45.240
<v Speaker 1>it's gonna it's bleeding through the microphone. Are you are

0:55:45.280 --> 0:55:49.600
<v Speaker 1>you a Raider fan? Cube? Yeah? I mean this is

0:55:49.640 --> 0:55:55.080
<v Speaker 1>Ice Cube, the president of Raider Nation. What four four?

0:55:55.840 --> 0:55:58.759
<v Speaker 1>The Raiders can go one? The Raiders could go one

0:55:58.840 --> 0:56:02.279
<v Speaker 1>in sixteen the whole year. You understand me, through the

0:56:02.360 --> 0:56:04.960
<v Speaker 1>whole year. Have you guys been have let's been to

0:56:04.960 --> 0:56:07.759
<v Speaker 1>a Rams game and listen to me. I hear I

0:56:07.760 --> 0:56:09.880
<v Speaker 1>need you to hear me on this. I need you

0:56:09.920 --> 0:56:12.880
<v Speaker 1>to hear this. I need you to hear this. I

0:56:12.920 --> 0:56:16.439
<v Speaker 1>need you to hear this. The Raiders. Look, I don't

0:56:16.440 --> 0:56:19.040
<v Speaker 1>hate the Raiders. This the fans. I don't hate the fans.

0:56:19.719 --> 0:56:22.480
<v Speaker 1>It's just certain. It's l A radio. I know. I

0:56:22.520 --> 0:56:25.520
<v Speaker 1>love this, the l A radio. They're trying to sell

0:56:25.560 --> 0:56:28.320
<v Speaker 1>some records. Let me talk. Let me talk. They've supported

0:56:28.360 --> 0:56:31.879
<v Speaker 1>me more just as much as the Bay Area if not. So,

0:56:31.920 --> 0:56:35.919
<v Speaker 1>it's not about that. It's nothing nothing against there's nothing

0:56:36.120 --> 0:56:40.280
<v Speaker 1>you wearing silver and black man listens? Are you talking

0:56:40.280 --> 0:56:42.440
<v Speaker 1>over me? Because this guy's always talking and ship I'm

0:56:42.440 --> 0:56:44.400
<v Speaker 1>a fucking Cardinal fan. He's a Niner fan in the

0:56:44.400 --> 0:56:47.400
<v Speaker 1>same division. I hate. Let me say this. Let me

0:56:47.480 --> 0:56:52.200
<v Speaker 1>just let me say this. The Raider fans Okay, it

0:56:52.320 --> 0:56:55.239
<v Speaker 1>could be they could be the Raiders. The Raiders do great.

0:56:55.320 --> 0:56:59.040
<v Speaker 1>I like they be. They be bowing their own quarterback car.

0:56:59.800 --> 0:57:02.040
<v Speaker 1>I'm I'm like, why are you? Why are you boring

0:57:02.120 --> 0:57:07.680
<v Speaker 1>the beloved car? See they get upset and we love

0:57:09.840 --> 0:57:13.239
<v Speaker 1>thanks for fucking TRAI laders. Listen, listen, listen. Yeah, we're

0:57:13.239 --> 0:57:15.200
<v Speaker 1>gonna rap. That's why. That's why we're gonna win this

0:57:15.239 --> 0:57:18.440
<v Speaker 1>whole thing. But listen, let me say this. This, This

0:57:18.480 --> 0:57:20.600
<v Speaker 1>is the common denominator of my whole thing from this,

0:57:20.720 --> 0:57:22.840
<v Speaker 1>the whole reason I got on the microphone. Okay, go ahead,

0:57:22.840 --> 0:57:26.760
<v Speaker 1>get it out. The Raider fans. Look, could the Raiders

0:57:26.760 --> 0:57:29.200
<v Speaker 1>could be one and the Raiders could be one in sixteen,

0:57:29.200 --> 0:57:32.160
<v Speaker 1>you drunk, stop drinking my wine one sixteen. The readis

0:57:32.360 --> 0:57:35.400
<v Speaker 1>go one in sixteen and be like Raider name shot

0:57:36.440 --> 0:57:39.520
<v Speaker 1>one in sixteen, bro, like they won the fucking super Bowl.

0:57:39.560 --> 0:57:41.560
<v Speaker 1>It's all good man. Hey, look, most overrated dynasty of

0:57:41.600 --> 0:57:45.760
<v Speaker 1>all time. The Warriors appreciate you guys coming through your team.

0:57:45.800 --> 0:57:48.360
<v Speaker 1>Who's your team? Don't worry about me? Oh, y'all stop

0:57:48.400 --> 0:57:52.760
<v Speaker 1>it man, floor, go run that ship up, hey, go by, Hey,

0:57:52.760 --> 0:57:55.080
<v Speaker 1>I love y'all in l A I love y'all, Thank

0:57:55.120 --> 0:57:55.680
<v Speaker 1>you for everything.