1 00:00:00,200 --> 00:00:03,520 Speaker 1: Hello the Internet, and welcome to this episode of Rick 2 00:00:03,560 --> 00:00:07,920 Speaker 1: Trender The Zeiten's another one from Fighter of the Nightman, 3 00:00:09,000 --> 00:00:15,120 Speaker 1: which is a always sunny ref Yeah, yeah, yeah, I'm 4 00:00:15,160 --> 00:00:25,200 Speaker 1: just you know, encyclopedic knowledge. YEA, well I'm Jack. I'm 5 00:00:25,239 --> 00:00:29,040 Speaker 1: the old one and that there, well that is mild, 6 00:00:28,440 --> 00:00:33,080 Speaker 1: the less old one. Anyways, Uh, some things that are trending. 7 00:00:33,200 --> 00:00:37,360 Speaker 1: Some horrifying ship in New York this morning. Um, there's 8 00:00:37,400 --> 00:00:44,080 Speaker 1: a shooting in uh Brooklyn and Sunset Park on the subway. Um, 9 00:00:44,520 --> 00:00:50,199 Speaker 1: and the NYPD really dropping the funk out of the 10 00:00:50,240 --> 00:00:55,840 Speaker 1: ball on this one. Um my god. I mean Alec 11 00:00:55,880 --> 00:00:57,960 Speaker 1: Carri Katsanis, who has been on the show, he just did. 12 00:00:58,120 --> 00:00:59,960 Speaker 1: He just did a whole threat on Twitter. He's like, 13 00:01:00,280 --> 00:01:03,560 Speaker 1: check out the coppaganda on the New York Times already 14 00:01:03,680 --> 00:01:06,880 Speaker 1: as a result of this, And I think, yeah, this 15 00:01:07,000 --> 00:01:09,880 Speaker 1: is this is based on like the all of the 16 00:01:09,920 --> 00:01:12,240 Speaker 1: write ups and Twitter and ship. You can tell that 17 00:01:12,319 --> 00:01:15,680 Speaker 1: this has just sparked a whole other conversation of y'all 18 00:01:15,720 --> 00:01:19,400 Speaker 1: have basically an eleven billion dollar budget, which would be 19 00:01:19,440 --> 00:01:22,399 Speaker 1: considered in the top ten of mill if it was 20 00:01:22,400 --> 00:01:25,600 Speaker 1: a military. The top ten most well funded militaries on 21 00:01:25,640 --> 00:01:31,120 Speaker 1: the planet and what's happening with crime? Um, Like, I 22 00:01:31,160 --> 00:01:34,119 Speaker 1: think the broader question is, how do you spend the 23 00:01:34,200 --> 00:01:38,199 Speaker 1: eighth largest army's worth of money in a year and 24 00:01:38,360 --> 00:01:41,080 Speaker 1: you have crime just in general does not go down. 25 00:01:41,520 --> 00:01:44,720 Speaker 1: In fact, it goes up. And then the solution that 26 00:01:44,760 --> 00:01:47,800 Speaker 1: seems to be constantly paraded out, which is, oh, well, 27 00:01:47,840 --> 00:01:51,320 Speaker 1: we just need more cops. Um. People already saying that 28 00:01:52,080 --> 00:01:56,480 Speaker 1: at any given time there could be thirty NYPD officers 29 00:01:56,800 --> 00:01:59,680 Speaker 1: in the subways, Like that's just part of their the 30 00:01:59,720 --> 00:02:03,000 Speaker 1: divis of manpower, and we're I don't know, I mean, 31 00:02:03,000 --> 00:02:05,560 Speaker 1: like that's why this is such a like it just 32 00:02:05,600 --> 00:02:08,160 Speaker 1: intersects with so many issues we're having, whether it's guns 33 00:02:08,360 --> 00:02:12,800 Speaker 1: or fucking you know, the police budgets or even Eric Adams, 34 00:02:12,840 --> 00:02:14,680 Speaker 1: who I'm sure would have loved to have been there, 35 00:02:14,720 --> 00:02:16,519 Speaker 1: but I think he recently had COVID so he can't 36 00:02:16,560 --> 00:02:20,040 Speaker 1: go out in public yet. Um yeah. Yeah, And police 37 00:02:20,080 --> 00:02:23,880 Speaker 1: are still searching for the suspect. Yeah, and local schools 38 00:02:24,160 --> 00:02:28,799 Speaker 1: have activated a shelter in place order. Um. So just 39 00:02:29,160 --> 00:02:36,120 Speaker 1: a real nightmare. Uh that spending a large nations military 40 00:02:36,120 --> 00:02:40,800 Speaker 1: budget on police is not assuaging, you, don't I don't. Yeah, 41 00:02:41,560 --> 00:02:43,480 Speaker 1: it seems it seems like one of those things that 42 00:02:43,680 --> 00:02:48,760 Speaker 1: should shouldn't be easy to escape, mass shooting to perpetuation. 43 00:02:49,320 --> 00:02:51,040 Speaker 1: You know when you talk about it, like New York 44 00:02:51,080 --> 00:02:53,840 Speaker 1: they brag a lot there, like r CCTV camera now 45 00:02:53,880 --> 00:02:57,960 Speaker 1: works only second to fucking London And you're like, ship, okay, 46 00:02:58,080 --> 00:03:01,400 Speaker 1: so that's it's locked down on video. Um. And I'm 47 00:03:01,440 --> 00:03:03,800 Speaker 1: sure you know whatever, they'll find them. But again, like 48 00:03:04,800 --> 00:03:07,080 Speaker 1: this is why I think Carrick it's on this was 49 00:03:07,320 --> 00:03:11,359 Speaker 1: you know, pointing this out that I think if people 50 00:03:11,400 --> 00:03:14,840 Speaker 1: had the airtime or the platform to say, this incident 51 00:03:14,960 --> 00:03:18,480 Speaker 1: right now needs to actually begin a larger discussion of 52 00:03:18,520 --> 00:03:21,320 Speaker 1: what it means, what public safety is and how we 53 00:03:21,360 --> 00:03:25,440 Speaker 1: achieve that because throwing all this money at it does 54 00:03:25,440 --> 00:03:28,800 Speaker 1: not seem to be working at all. Um, So you know, 55 00:03:28,919 --> 00:03:34,120 Speaker 1: we shall see huh and Tricia superducer Tricia saying that 56 00:03:34,160 --> 00:03:36,720 Speaker 1: some of the security cameras in the subway station were down. 57 00:03:37,640 --> 00:03:41,960 Speaker 1: Huh what are they spending that money on? Um? I 58 00:03:41,960 --> 00:03:44,880 Speaker 1: don't know, dude, sick gass wind breakers, that's ay, NYPD 59 00:03:44,880 --> 00:03:48,720 Speaker 1: on it. Uh. Stranger Things is trending because the new 60 00:03:48,760 --> 00:03:53,720 Speaker 1: trailer is out for season four Um, the everybody's too 61 00:03:53,760 --> 00:03:57,960 Speaker 1: old to make sense anymore, although they're doing good. Like 62 00:03:58,000 --> 00:04:00,280 Speaker 1: I didn't look at the trailer and be like, yo, 63 00:04:00,560 --> 00:04:02,680 Speaker 1: what what are all these middle aged It's not like 64 00:04:02,800 --> 00:04:07,640 Speaker 1: Dawson's Creek where it's like that person has a five 65 00:04:07,640 --> 00:04:12,840 Speaker 1: o'clock shadow, right, exactly like damn Finn wolf Heart. Wolfard 66 00:04:12,880 --> 00:04:17,240 Speaker 1: looks like kicking heroin between happened to him looking all 67 00:04:17,240 --> 00:04:23,719 Speaker 1: gaunt and ship. Ye. I've the first first season, Um, yeah, 68 00:04:23,720 --> 00:04:27,520 Speaker 1: I like that. I thought it was like a fun homage. 69 00:04:27,760 --> 00:04:29,719 Speaker 1: I did not feel like there was enough there that 70 00:04:29,839 --> 00:04:33,000 Speaker 1: was like, oh, I want to see what they do 71 00:04:33,200 --> 00:04:35,560 Speaker 1: with the rest of this, because it just felt like 72 00:04:35,600 --> 00:04:38,080 Speaker 1: it was like, oh, yeah, I've seen e T like 73 00:04:38,200 --> 00:04:41,479 Speaker 1: EA and oh jellop cn e T and you played 74 00:04:41,480 --> 00:04:44,760 Speaker 1: in that sandbox right, ET is just this shaved headed 75 00:04:44,880 --> 00:04:48,200 Speaker 1: Australian little girl. Now, I say that's what it is now, 76 00:04:48,560 --> 00:04:50,880 Speaker 1: But yeah, that's and you know, I watched I've watched 77 00:04:50,920 --> 00:04:53,920 Speaker 1: all the seasons, and they each season kind of has 78 00:04:53,920 --> 00:04:55,640 Speaker 1: its own tone to it, and I like, you know, 79 00:04:55,680 --> 00:04:58,080 Speaker 1: the last one was all like, you know, mall centric 80 00:04:58,160 --> 00:05:02,080 Speaker 1: and like them and they're burgeoning romantic relationships and ship 81 00:05:02,160 --> 00:05:05,440 Speaker 1: like that. And whatever. It was cool. I was like, non, 82 00:05:05,480 --> 00:05:10,159 Speaker 1: not my favorite of the three this trailer. I'm I'm not. 83 00:05:11,080 --> 00:05:14,560 Speaker 1: I don't want to say I'm not giving a funk 84 00:05:14,600 --> 00:05:18,680 Speaker 1: about it, But I didn't get really hooked. Like I 85 00:05:18,360 --> 00:05:21,279 Speaker 1: I was saying more snarky ship to myself watching it 86 00:05:21,320 --> 00:05:22,960 Speaker 1: than when I was being like, oh ship, that was 87 00:05:23,000 --> 00:05:27,080 Speaker 1: cool and you were sucking cracking up when you were 88 00:05:27,120 --> 00:05:28,960 Speaker 1: saying that ship to yourself. It was kind of wild 89 00:05:28,960 --> 00:05:33,480 Speaker 1: to sitting there watching Santa snarky thing and then just rolling. 90 00:05:34,000 --> 00:05:36,640 Speaker 1: I'm like this dude playing a guitar and the upside 91 00:05:36,680 --> 00:05:41,560 Speaker 1: down for what? For what? I really need to know? 92 00:05:41,839 --> 00:05:43,640 Speaker 1: So the aesthetic of the first one would be like 93 00:05:43,720 --> 00:05:51,719 Speaker 1: Spielberg suburban like wilderness type ship. What what was three? 94 00:05:51,920 --> 00:05:54,680 Speaker 1: Was like sort of eightiesmall culture? What was number? What 95 00:05:54,800 --> 00:05:59,920 Speaker 1: was two? Mmm? How would I sum up the set? 96 00:06:00,080 --> 00:06:03,840 Speaker 1: In season? It was like just summary, right, Wasn't that 97 00:06:04,080 --> 00:06:06,920 Speaker 1: like a thing? Yeah? Yeah, yeah, It's like it's more 98 00:06:07,000 --> 00:06:09,839 Speaker 1: just like seeing them now grow up a little bit more. 99 00:06:10,120 --> 00:06:11,800 Speaker 1: That was like because they were you know, we went 100 00:06:11,839 --> 00:06:14,640 Speaker 1: from kids season one to two. They're like that, look 101 00:06:14,680 --> 00:06:18,960 Speaker 1: at these little you know, these like three, three, You're like, Okay, 102 00:06:19,000 --> 00:06:23,159 Speaker 1: then some teenagers four were like freshmen in high school. Um, 103 00:06:23,279 --> 00:06:25,960 Speaker 1: but all that to say is like, I'm just it 104 00:06:26,080 --> 00:06:28,840 Speaker 1: seems like they're doing a lot is happening in this trailer, 105 00:06:29,120 --> 00:06:30,960 Speaker 1: and that's why it kind of worries me. But not 106 00:06:31,000 --> 00:06:33,080 Speaker 1: to say that it has to be so minimal or whatever, 107 00:06:33,120 --> 00:06:36,039 Speaker 1: but they're like so many tropes that like I was 108 00:06:36,120 --> 00:06:38,120 Speaker 1: visually seeing in this thing, and I'm like, wow, y'all 109 00:06:38,120 --> 00:06:43,159 Speaker 1: are okay? Maybe every episode's like a weird little movie. Yeah, 110 00:06:43,240 --> 00:06:47,240 Speaker 1: it felt I I got like eighties metal video vibes 111 00:06:47,400 --> 00:06:50,520 Speaker 1: from this one. There was a fucking guy doing it. 112 00:06:50,560 --> 00:06:54,200 Speaker 1: There's a solo on an electric guitar doing the slash 113 00:06:54,240 --> 00:06:58,479 Speaker 1: from November Rain solo but like in a in the 114 00:06:58,600 --> 00:07:04,000 Speaker 1: upside down. So there's some like white walker looking dude 115 00:07:04,240 --> 00:07:10,280 Speaker 1: like night King figure. Mh. So whatever. Cool. Um, I think, 116 00:07:10,640 --> 00:07:13,680 Speaker 1: what'll it probably inevitably happened is it comes out. I 117 00:07:13,760 --> 00:07:16,720 Speaker 1: wait to see what everybody on the internet says, and 118 00:07:16,760 --> 00:07:20,000 Speaker 1: then like four weeks later, I'll be like super bored 119 00:07:20,040 --> 00:07:21,400 Speaker 1: and I'll be like fuck it, let me just throw 120 00:07:21,440 --> 00:07:23,840 Speaker 1: this on. Yeah. Speaking of waiting to see what everyone 121 00:07:23,880 --> 00:07:27,520 Speaker 1: on the internet says, uh, everything everywhere, all at once. 122 00:07:27,640 --> 00:07:30,360 Speaker 1: Still haven't seen it, but I'm gonna try and see 123 00:07:30,360 --> 00:07:33,080 Speaker 1: that in the next week. But like that is that's 124 00:07:33,120 --> 00:07:37,600 Speaker 1: the most like effusively praised uh, like movie that's that's 125 00:07:37,640 --> 00:07:40,800 Speaker 1: hit in a while Northman the I don't know anyone 126 00:07:40,800 --> 00:07:42,920 Speaker 1: who's seen it yet, but some critics have seen it, 127 00:07:43,000 --> 00:07:47,160 Speaker 1: and that's getting a lot of praise. Pachenko Uh is 128 00:07:47,640 --> 00:07:53,600 Speaker 1: a new Apple TV series based on a novel my 129 00:07:53,640 --> 00:07:57,960 Speaker 1: wife just read about, like Korean history and culture and uh, 130 00:07:58,160 --> 00:08:01,320 Speaker 1: that's supposed to be very good and it's bally like 131 00:08:01,440 --> 00:08:06,440 Speaker 1: Korean discrimination in Japan. Yeah, yeah, yeah. And then Severance. 132 00:08:06,480 --> 00:08:11,680 Speaker 1: Everyone says Severance is really good, Like suddenly Apple became 133 00:08:11,720 --> 00:08:15,200 Speaker 1: like the new fucking HBO Max or some ship out 134 00:08:15,240 --> 00:08:17,280 Speaker 1: of nowhere. I think they just probably had to figure 135 00:08:17,280 --> 00:08:21,440 Speaker 1: out their development like schedule or whatever here. But um, 136 00:08:21,720 --> 00:08:25,400 Speaker 1: I'm like fun man. I heard from six months we're 137 00:08:25,400 --> 00:08:28,200 Speaker 1: going on a show early for them that they were 138 00:08:28,360 --> 00:08:32,760 Speaker 1: very that Apple was like real hard to work with. Yeah, yeah, exactly. No, Uh, 139 00:08:32,800 --> 00:08:36,000 Speaker 1: they're every person. I think in those like that first 140 00:08:36,040 --> 00:08:39,520 Speaker 1: set of shows that they had announced, like constant butting 141 00:08:39,520 --> 00:08:42,400 Speaker 1: of heads because you had a content of basically a 142 00:08:42,400 --> 00:08:47,600 Speaker 1: product manufacturer getting into content and like the reconciliation process 143 00:08:47,640 --> 00:08:51,200 Speaker 1: of you know, um notes, I think was probably a 144 00:08:51,200 --> 00:08:53,160 Speaker 1: bit of a headache. But yeah, look come now look 145 00:08:53,160 --> 00:08:56,959 Speaker 1: at them. Now, look at them. Love to see Apple winning, 146 00:08:57,040 --> 00:08:59,600 Speaker 1: you know what I mean. Finally, you know they needed 147 00:08:59,600 --> 00:09:04,880 Speaker 1: to they needed a dub since that iPod. Yeah. Um. 148 00:09:04,960 --> 00:09:09,160 Speaker 1: And also you know, Gilbert Godfrey is trending because he 149 00:09:09,240 --> 00:09:14,280 Speaker 1: passed too young, age sixty seven, after a long term illness. Um. 150 00:09:14,400 --> 00:09:19,840 Speaker 1: But you know, comedy legend, voice acting legend. The only 151 00:09:19,880 --> 00:09:22,760 Speaker 1: celebrity when I lived in Missouri for three years, the 152 00:09:22,760 --> 00:09:26,800 Speaker 1: only celebrity I saw while I lived there. Um, so 153 00:09:26,960 --> 00:09:32,720 Speaker 1: he was out here, you know, touring getting in his paper. Um. 154 00:09:32,760 --> 00:09:37,320 Speaker 1: But uh yeah, I supposed supposedly just a super nice guy. 155 00:09:37,559 --> 00:09:42,400 Speaker 1: So um shot to his family and was he Zazoo 156 00:09:42,400 --> 00:09:47,120 Speaker 1: and Aladdin? No, y'allgo right? Or yago? Which one's zazo? 157 00:09:48,600 --> 00:09:51,439 Speaker 1: I don't know. I think you just made those Maybe 158 00:09:51,440 --> 00:09:57,360 Speaker 1: that's yea Zazo. I feel it feels like lion King. Um, 159 00:09:57,400 --> 00:09:59,480 Speaker 1: just just just just let me just leave me to 160 00:09:59,600 --> 00:10:03,559 Speaker 1: rocky old age. All right, let's take a quick break. 161 00:10:03,600 --> 00:10:18,200 Speaker 1: We'll be right back, and we're back. Britney Grinder is 162 00:10:18,240 --> 00:10:21,760 Speaker 1: still in Russia. W NBA has been doing what they can, 163 00:10:21,840 --> 00:10:25,840 Speaker 1: but say the situation is very difficult. Yeah, they because 164 00:10:25,880 --> 00:10:28,200 Speaker 1: the draft just happened. The commissioner of the league was 165 00:10:28,280 --> 00:10:31,040 Speaker 1: you know, made a point to like say, like, we're 166 00:10:31,120 --> 00:10:34,040 Speaker 1: really trying to get Britney grinder out of there. Yeah, 167 00:10:34,080 --> 00:10:36,679 Speaker 1: and it's just uh where we've yet to see. I mean, 168 00:10:36,720 --> 00:10:38,559 Speaker 1: I think a lot of people are concerned that her 169 00:10:39,120 --> 00:10:42,439 Speaker 1: detention would possibly use it some kind of like leveraged 170 00:10:42,960 --> 00:10:46,520 Speaker 1: negotiating peace um at some point, or maybe that it 171 00:10:46,640 --> 00:10:50,240 Speaker 1: maybe that's happening now, who knows, um. But yeah, still 172 00:10:50,559 --> 00:10:54,200 Speaker 1: in Russia because they said you have vape cartridges and 173 00:10:54,440 --> 00:10:58,520 Speaker 1: could potentially look at a ten year sentence um if 174 00:10:58,559 --> 00:11:00,839 Speaker 1: they you know, if she's found it unquot guilty or 175 00:11:00,840 --> 00:11:03,839 Speaker 1: whatever the fund is going on over there. Jesus, Yeah, 176 00:11:03,960 --> 00:11:06,120 Speaker 1: it's I mean, it's awful. I mean, like it's I 177 00:11:06,200 --> 00:11:09,600 Speaker 1: can't even imagine you any other time, right, You're like, man, 178 00:11:09,679 --> 00:11:13,400 Speaker 1: fucking I'm too visible. Uh, Like this seems like something 179 00:11:13,640 --> 00:11:15,600 Speaker 1: who knows what the funk actually happened here? But I 180 00:11:15,640 --> 00:11:18,679 Speaker 1: feel like, you know, potentially the government can figure out 181 00:11:18,720 --> 00:11:22,120 Speaker 1: a way to get me out of here. Um. But yeah, 182 00:11:22,120 --> 00:11:26,360 Speaker 1: now with like basically, so many diplomatic channels closed. Uh, 183 00:11:26,600 --> 00:11:28,199 Speaker 1: it seems like people are trying to do what they can, 184 00:11:28,320 --> 00:11:30,880 Speaker 1: like with their own networks, to see what can happen. 185 00:11:30,960 --> 00:11:36,360 Speaker 1: But let's see, I haven't really followed her w NBA career, 186 00:11:36,440 --> 00:11:41,960 Speaker 1: but um, damn, she's she's really fucking good. Yeah. Her 187 00:11:42,000 --> 00:11:45,320 Speaker 1: stats are crazy. Oh yeah, yeah. I mean I knew 188 00:11:45,360 --> 00:11:49,560 Speaker 1: she could like dunk and like I remember her Baylor years, 189 00:11:49,640 --> 00:11:55,200 Speaker 1: but damn putting up twenty points a game shooting from 190 00:11:55,240 --> 00:11:59,240 Speaker 1: the stripe nine boards, which but you I mean, which 191 00:11:59,240 --> 00:12:01,320 Speaker 1: also brings up the point, right is why does she 192 00:12:01,520 --> 00:12:05,920 Speaker 1: need have the need financially to go play abroad? You 193 00:12:05,960 --> 00:12:09,000 Speaker 1: know that is wild. It's because she's only in Russia 194 00:12:09,120 --> 00:12:11,720 Speaker 1: because they you know, you can make a lot more 195 00:12:11,800 --> 00:12:14,480 Speaker 1: money playing abroad. And I get that. The w n 196 00:12:14,480 --> 00:12:16,320 Speaker 1: B a is like, you know, obviously they'd have more 197 00:12:16,360 --> 00:12:18,880 Speaker 1: money if more advertisers were supporting the league and things 198 00:12:18,920 --> 00:12:21,400 Speaker 1: like that, but there has to be uh you know 199 00:12:21,760 --> 00:12:24,040 Speaker 1: like that that's part of the equation, is that like, 200 00:12:24,120 --> 00:12:28,080 Speaker 1: for how talented these people are, they're still I feel 201 00:12:28,120 --> 00:12:31,080 Speaker 1: like they can still earn a lot more based on 202 00:12:31,160 --> 00:12:33,200 Speaker 1: what they're worth. Is especially when you compare that to 203 00:12:33,240 --> 00:12:37,720 Speaker 1: the men in the NBA. Mm hmm. Yeah, they're almost 204 00:12:37,720 --> 00:12:40,599 Speaker 1: like they should, you know, help the w n B 205 00:12:40,720 --> 00:12:44,400 Speaker 1: at a little bit, huh. Anyways, if only they were 206 00:12:44,440 --> 00:12:48,240 Speaker 1: associated with a major corporation, that could I don't know 207 00:12:48,360 --> 00:12:54,280 Speaker 1: anyways be real. Yeah, half that we're all buzzing about 208 00:12:56,679 --> 00:12:59,800 Speaker 1: you watching it, you heard of it? No, I think 209 00:12:59,800 --> 00:13:04,120 Speaker 1: it's seemed like ads for it. It's okay. A few 210 00:13:04,160 --> 00:13:06,240 Speaker 1: people have written up this app now because it's a 211 00:13:06,280 --> 00:13:09,360 Speaker 1: social media platform, and that's trying to they're emphasizing the real. Okay, 212 00:13:09,400 --> 00:13:11,680 Speaker 1: they want you to be real. It's not some Cypress 213 00:13:11,760 --> 00:13:14,520 Speaker 1: Hill offshoot app. This is just about you know, being 214 00:13:14,600 --> 00:13:17,600 Speaker 1: your authentic self because the makers of it are like 215 00:13:17,880 --> 00:13:21,200 Speaker 1: everything so sanitized, and when you're posting, like when you're ready, 216 00:13:21,360 --> 00:13:24,120 Speaker 1: it's just you're you're showing very much a like not 217 00:13:24,200 --> 00:13:27,440 Speaker 1: a spontaneous version of yourself. And so the way the 218 00:13:27,440 --> 00:13:30,760 Speaker 1: app works is basically like you can only post when 219 00:13:30,760 --> 00:13:33,760 Speaker 1: the app prompts you to say, Okay, you got two 220 00:13:33,800 --> 00:13:36,480 Speaker 1: minutes to post whatever you're doing right now, like take 221 00:13:36,520 --> 00:13:38,680 Speaker 1: your like let us know what you're doing right now 222 00:13:38,840 --> 00:13:42,840 Speaker 1: like that, yeah, yeah, okay, just to kind of give 223 00:13:42,840 --> 00:13:44,880 Speaker 1: people more of an idea. It's like, yeah, man, I'm 224 00:13:45,000 --> 00:13:49,720 Speaker 1: fucking not in Barbados, you know, like riding a turtle 225 00:13:49,800 --> 00:13:53,640 Speaker 1: through the fucking crystal clear water, Like yeah, I'm at 226 00:13:53,720 --> 00:13:58,000 Speaker 1: fucking work. Yes, I'm sitting at my desk working, I'm 227 00:13:58,000 --> 00:14:00,480 Speaker 1: playing with my pets or whatever. And you know that's 228 00:14:00,480 --> 00:14:03,040 Speaker 1: their hope. I think the not the effect of it 229 00:14:03,120 --> 00:14:08,000 Speaker 1: is like not the most stimulating or visually stunning pictures, 230 00:14:08,000 --> 00:14:10,320 Speaker 1: But I like that there's like the pressures. There's not 231 00:14:10,360 --> 00:14:11,920 Speaker 1: really pressure to be like, oh, how many likes you 232 00:14:11,960 --> 00:14:13,480 Speaker 1: gonna get more than be like, hey, where are you 233 00:14:13,480 --> 00:14:16,600 Speaker 1: at right now? What you're doing right now? But yeah, 234 00:14:17,640 --> 00:14:20,120 Speaker 1: enough people who use it, Yeah, I mean that's like 235 00:14:20,160 --> 00:14:26,120 Speaker 1: a cool sociological experiment. Um, that's why I don't I 236 00:14:26,160 --> 00:14:28,760 Speaker 1: don't see I don't see that this thing blowing up. 237 00:14:29,000 --> 00:14:31,960 Speaker 1: But I just like that there's a like hopefully, like 238 00:14:31,960 --> 00:14:33,960 Speaker 1: I'm sure there's a movement of people who are trying 239 00:14:34,000 --> 00:14:35,560 Speaker 1: to be like, how can we get people to like 240 00:14:35,640 --> 00:14:38,480 Speaker 1: interact with each other but like take out the like 241 00:14:38,600 --> 00:14:42,200 Speaker 1: ego emphasis of it all and just get people to 242 00:14:42,280 --> 00:14:45,040 Speaker 1: sort of see each other in a more normal way 243 00:14:45,240 --> 00:14:50,600 Speaker 1: and not cause people anxiety from looking at someone's manicured life. Yeah, 244 00:14:50,840 --> 00:14:53,200 Speaker 1: so like as a consumer, I'm not sure I wanna 245 00:14:53,480 --> 00:14:56,880 Speaker 1: necessarily see that. I do want to see the overall 246 00:14:56,920 --> 00:15:00,760 Speaker 1: results and be like, damn, Americans do work way too much, 247 00:15:01,000 --> 00:15:05,640 Speaker 1: like this is a great like data gap, uh idea, 248 00:15:06,040 --> 00:15:08,600 Speaker 1: but like nobody, nobody's gonna want to look at that, 249 00:15:08,720 --> 00:15:10,280 Speaker 1: right well, not with the Yeah, I mean, I think 250 00:15:10,400 --> 00:15:12,920 Speaker 1: because again the reason why I think, I mean not 251 00:15:13,040 --> 00:15:15,320 Speaker 1: the reason why I think it's clear why social media 252 00:15:15,480 --> 00:15:19,000 Speaker 1: is so popular is that because it feeds into like 253 00:15:19,040 --> 00:15:21,960 Speaker 1: this like hey, look at me ship and also connects 254 00:15:22,000 --> 00:15:24,440 Speaker 1: you with people and like it has all that there, 255 00:15:25,040 --> 00:15:28,240 Speaker 1: but with something so visual and people being probably concerned 256 00:15:28,240 --> 00:15:30,480 Speaker 1: about what they look like or how they're presenting themselves 257 00:15:30,520 --> 00:15:33,960 Speaker 1: on social media, that that might not appeal to them. Um, 258 00:15:34,040 --> 00:15:38,120 Speaker 1: but you know again, let's a uh it's a worthwhile 259 00:15:38,240 --> 00:15:40,680 Speaker 1: endeavor to try and just be like, hey man, you 260 00:15:40,800 --> 00:15:43,880 Speaker 1: just fucking man, you at work all day? That's fucked. Yeah, 261 00:15:43,920 --> 00:15:47,680 Speaker 1: that sucks. Um hey man, you always you know, like damn, 262 00:15:47,720 --> 00:15:50,120 Speaker 1: or you start to start like talking, She're like, dude, 263 00:15:50,400 --> 00:15:53,280 Speaker 1: every time they post there on this couch like laying down, 264 00:15:54,680 --> 00:15:57,360 Speaker 1: and do you like what happens if you just ignore 265 00:15:57,560 --> 00:16:01,800 Speaker 1: the prompt you're not you skip your and Okay, yeah, 266 00:16:01,840 --> 00:16:04,280 Speaker 1: I don't. I don't like the idea of being involved 267 00:16:04,280 --> 00:16:08,080 Speaker 1: with that. That sounds stressful, but that's well, I mean 268 00:16:08,120 --> 00:16:12,320 Speaker 1: for people like us who are obviously prolific on social media. Yeah, 269 00:16:12,360 --> 00:16:15,000 Speaker 1: I mean, it's just like I'm already like, I've tweeted 270 00:16:15,080 --> 00:16:17,840 Speaker 1: five times since we started recording, and you won't even look. 271 00:16:18,280 --> 00:16:20,320 Speaker 1: People don't know this. When we record this episode, Jack 272 00:16:20,360 --> 00:16:22,480 Speaker 1: doesn't look at me because he's on his phone posting 273 00:16:22,520 --> 00:16:28,680 Speaker 1: all the time. Yeah. Yeah, and I'm like just lashing 274 00:16:28,760 --> 00:16:31,640 Speaker 1: at different Yeah, like in Waynes World too and Harry 275 00:16:31,680 --> 00:16:39,600 Speaker 1: Shears huh yep, okay, yep, and you would know that 276 00:16:39,640 --> 00:16:46,960 Speaker 1: because you're a major tool. Yep. That's a good bit. Uh. Well, 277 00:16:47,520 --> 00:16:51,280 Speaker 1: we talked about some things that we want to watch, 278 00:16:51,960 --> 00:16:56,120 Speaker 1: but now we're talking something that we gotta watch. It's 279 00:16:56,160 --> 00:17:03,360 Speaker 1: called Father stu Um. It's written and directed by Mel 280 00:17:03,400 --> 00:17:09,880 Speaker 1: Gibson's uh significant other um who her name is Rosallyin 281 00:17:10,000 --> 00:17:14,399 Speaker 1: ross Um and that there's an interesting a V club 282 00:17:14,520 --> 00:17:18,000 Speaker 1: like profile of her where it opens with her just 283 00:17:18,040 --> 00:17:20,840 Speaker 1: being like, yeah, I don't like. I was surprised that 284 00:17:20,960 --> 00:17:24,320 Speaker 1: he asked me to write the script. In the first place, 285 00:17:24,760 --> 00:17:27,720 Speaker 1: and then I turned it in and he was like, Yo, 286 00:17:27,840 --> 00:17:29,800 Speaker 1: do you want to direct this? And I was like, 287 00:17:29,920 --> 00:17:33,159 Speaker 1: what does that even mean? Um, that shouldn't say that. 288 00:17:33,200 --> 00:17:37,320 Speaker 1: But she was just like it was very unexpected. Um. 289 00:17:37,680 --> 00:17:41,000 Speaker 1: He had he'd been developing it with David O. Russell 290 00:17:41,280 --> 00:17:46,200 Speaker 1: for uh like six years and then now was just like, 291 00:17:46,880 --> 00:17:50,240 Speaker 1: not fuck it, bro, I can I can do this? Um. 292 00:17:50,880 --> 00:17:54,320 Speaker 1: The story of a priest. So Mark Wahlberg, as we've 293 00:17:54,320 --> 00:17:59,080 Speaker 1: talked about before on the show America's Favorite Catholic was 294 00:17:59,760 --> 00:18:03,800 Speaker 1: uh tapped to m c the an appearance of the 295 00:18:03,840 --> 00:18:08,199 Speaker 1: Pope in Philadelphia, a city he is famously not associated with, 296 00:18:08,680 --> 00:18:15,720 Speaker 1: and it's not getting great reviews, um, but really well. 297 00:18:15,760 --> 00:18:19,320 Speaker 1: The review I read was like, so, if you've watched 298 00:18:19,320 --> 00:18:23,280 Speaker 1: a lot of like Christian movies that are like, you know, 299 00:18:23,640 --> 00:18:27,040 Speaker 1: basically made not because they have a story to tell, 300 00:18:27,119 --> 00:18:32,800 Speaker 1: but because they are trying to like get Christianity, uh, 301 00:18:32,960 --> 00:18:38,280 Speaker 1: to expose the world to Christianity, the most underrepresented, underrated 302 00:18:38,359 --> 00:18:41,919 Speaker 1: religion out there. You know, if if you're familiar with 303 00:18:41,960 --> 00:18:45,919 Speaker 1: those faith based the faith based genre, you'll be like, 304 00:18:46,119 --> 00:18:51,480 Speaker 1: damn okay. But if you are not familiar with that 305 00:18:51,600 --> 00:18:56,399 Speaker 1: and are coming in with the expectations that this is 306 00:18:56,440 --> 00:19:01,600 Speaker 1: going to be a good movie. Um, you'll probably be underwhelmed, 307 00:19:01,920 --> 00:19:06,640 Speaker 1: is the is the kind of impression I've gotten from 308 00:19:06,680 --> 00:19:11,120 Speaker 1: the three reviews. So, I mean, you know, it's those 309 00:19:11,680 --> 00:19:15,320 Speaker 1: those church films aren't great, buddy of mine work. I 310 00:19:15,359 --> 00:19:18,560 Speaker 1: remember edited a church movie that Jaw Rule was in 311 00:19:18,680 --> 00:19:22,879 Speaker 1: with Adrian Violin, Like the look like the Premier, that 312 00:19:22,920 --> 00:19:26,720 Speaker 1: ship this was the Ship wasn't not a great movie. Um, 313 00:19:26,760 --> 00:19:28,320 Speaker 1: and so I get that the bar is a little 314 00:19:28,320 --> 00:19:30,480 Speaker 1: bit different, But I mean I feel like Catholic priest 315 00:19:30,480 --> 00:19:36,840 Speaker 1: stars just such compelling, interesting, relatable, sympathetic characters. Uh. People 316 00:19:36,880 --> 00:19:39,919 Speaker 1: aren't just planning up to see this, Huh, They're like, 317 00:19:39,960 --> 00:19:43,159 Speaker 1: what if there was one who was not a creep? 318 00:19:43,480 --> 00:19:47,440 Speaker 1: I think is the is the premise of this? It's 319 00:19:47,520 --> 00:19:49,320 Speaker 1: like you think like Mark Walkers, like we need a 320 00:19:49,359 --> 00:19:54,320 Speaker 1: movie where the priests look cool man exactly like the 321 00:19:54,359 --> 00:19:58,440 Speaker 1: Big Hit, but with priests. That's wild. You said, Rule, 322 00:19:58,480 --> 00:20:02,440 Speaker 1: because I had been singing I'm real in my head 323 00:20:02,480 --> 00:20:05,760 Speaker 1: since we talked about be real and now here we 324 00:20:05,880 --> 00:20:10,200 Speaker 1: are back at John look at us. That is our 325 00:20:10,240 --> 00:20:12,760 Speaker 1: promise as a podcast. We will always bring it back 326 00:20:13,040 --> 00:20:19,960 Speaker 1: to bring him back to Rule to run. Let's use 327 00:20:20,000 --> 00:20:24,840 Speaker 1: his proper name, Jeffrey Atkins. Jeffrey Atkins Rule. Isn't that 328 00:20:24,920 --> 00:20:27,560 Speaker 1: his name? I think? Yeah, that's what the jaw is for. 329 00:20:28,560 --> 00:20:37,040 Speaker 1: Oh yeah better jah jahr Yeah, oh John Rule, Baby, 330 00:20:39,520 --> 00:20:42,399 Speaker 1: I want to see, I want to I got love 331 00:20:42,480 --> 00:20:44,600 Speaker 1: for you, John Morant. But if you don't go toe 332 00:20:44,600 --> 00:20:46,840 Speaker 1: to toe a fifty cent and actually and get absolutely 333 00:20:46,920 --> 00:20:52,879 Speaker 1: destroyed and then do a scam festival, then try and 334 00:20:52,960 --> 00:20:58,000 Speaker 1: hot crypto. I mean yeah, it's hard, John Morant Rule. 335 00:20:58,480 --> 00:21:01,720 Speaker 1: We'll see how these playoffs go. Yeah, yeah, yeah, and 336 00:21:01,760 --> 00:21:04,159 Speaker 1: but yeah, job Rule is like a pop culture of cockroach, 337 00:21:04,359 --> 00:21:07,639 Speaker 1: you know what I mean. Like you kind of impressive, 338 00:21:09,160 --> 00:21:11,880 Speaker 1: I think because he also like he was so popular 339 00:21:12,000 --> 00:21:13,800 Speaker 1: at like the right time for a bunch of people 340 00:21:13,800 --> 00:21:19,200 Speaker 1: who are wealthy now right, dude, Dude, your first fucking 341 00:21:19,240 --> 00:21:23,480 Speaker 1: album Vinni Vidi Vici Bro Actually fucking that ship was 342 00:21:23,560 --> 00:21:25,960 Speaker 1: so sick. Dude. Yeah, dude, I got this crypto start up, 343 00:21:26,040 --> 00:21:29,040 Speaker 1: man like, and we're thinking about doing like just like 344 00:21:29,040 --> 00:21:31,680 Speaker 1: like sucking really exclusive club in New York. Dude, you 345 00:21:31,680 --> 00:21:34,080 Speaker 1: need a card to get in and ship. Um, I 346 00:21:34,119 --> 00:21:36,920 Speaker 1: don't know. Let me like, if you're feeling it or not. Yeah, 347 00:21:37,560 --> 00:21:42,160 Speaker 1: Bradley Cooper's character from Wedding Crashers. Man I bought Vinnie 348 00:21:42,240 --> 00:21:49,520 Speaker 1: Vidi Vici in historic Jamestown. Ha wait, isn't that like 349 00:21:49,560 --> 00:21:53,640 Speaker 1: where they only only sell like like hand woven hands. 350 00:21:54,480 --> 00:21:58,960 Speaker 1: Like there was like town that like time that takes 351 00:21:59,000 --> 00:22:01,239 Speaker 1: you back in time. And then there was just some 352 00:22:01,400 --> 00:22:05,400 Speaker 1: dude like hawking c d s. There was like it's 353 00:22:05,440 --> 00:22:08,560 Speaker 1: either a historic Jamestown or another like so I remember 354 00:22:09,160 --> 00:22:12,000 Speaker 1: colonial towns. Yeah, we went to like a colonial town 355 00:22:12,040 --> 00:22:15,120 Speaker 1: in eighth grade to be like, wow, look at how 356 00:22:15,280 --> 00:22:19,040 Speaker 1: like like we won't talk about slaves at this place, right, 357 00:22:19,160 --> 00:22:21,560 Speaker 1: just like check this check out how they lived in 358 00:22:21,600 --> 00:22:25,320 Speaker 1: the eighteen hundreds. Um. And there was like in this 359 00:22:25,359 --> 00:22:27,920 Speaker 1: town there was a music shop and Vinny vd vich 360 00:22:28,480 --> 00:22:31,560 Speaker 1: okay his day or the album the ha Halla on 361 00:22:31,680 --> 00:22:34,320 Speaker 1: it just dropped and me and my boy were like, yo, 362 00:22:34,440 --> 00:22:38,480 Speaker 1: we gotta go get that sh We were like we 363 00:22:38,640 --> 00:22:40,800 Speaker 1: like snuck away because he saw this place was a 364 00:22:40,880 --> 00:22:46,040 Speaker 1: music shop cop the CD. So wow, I've I've paid 365 00:22:46,040 --> 00:22:50,320 Speaker 1: my dues to the Temple of Rule. Um, oh there 366 00:22:50,320 --> 00:22:54,520 Speaker 1: it is Vinny Vidy Vici. Um, I don't know what 367 00:22:54,600 --> 00:23:01,560 Speaker 1: that life pasta death, even I came, I saw I conquered. Yeah, 368 00:23:01,560 --> 00:23:06,400 Speaker 1: that's what that's what it is. That sounds better um 369 00:23:07,200 --> 00:23:13,240 Speaker 1: Costa Gary Peede, the old Busio from the Lakers and 370 00:23:13,680 --> 00:23:17,640 Speaker 1: a Vici the DJ there it is all right, well 371 00:23:17,720 --> 00:23:21,400 Speaker 1: that is what is trending, sort of what's trending. Also 372 00:23:21,400 --> 00:23:24,720 Speaker 1: a lot of ship about John Rule uh for Tuesday, 373 00:23:24,840 --> 00:23:28,760 Speaker 1: April twelve. We are back tomorrow with the whole last 374 00:23:28,800 --> 00:23:31,360 Speaker 1: episode of the show. Until then, be kind to each other, 375 00:23:31,760 --> 00:23:35,280 Speaker 1: be kind to yourselves, get the vaccine, don't do nothing 376 00:23:35,320 --> 00:23:37,600 Speaker 1: about white supremacy, and we will talk to you all tomorrow. 377 00:23:37,720 --> 00:23:38,480 Speaker 1: Bite