WEBVTT - Reed C. Waddell and the Goldbrick Game

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<v Speaker 1>Welcome to Criminalia, a production of shondaland Audio in partnership

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<v Speaker 1>with iHeartRadio. The world wants to be deceived, so let

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<v Speaker 1>it be deceived. That quote is attributed to Petronius, first

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<v Speaker 1>century Roman author and satirist during the reign of Nero,

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<v Speaker 1>and at least for this season, he sure was right.

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<v Speaker 1>There are three things to know before we begin this episode. One,

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<v Speaker 1>a gold brick is a thing that looks valuable but

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<v Speaker 1>is in fact a fraudulent, worthless substitute. Two. Gold bricking

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<v Speaker 1>is a term that originates from confidence artists. When a

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<v Speaker 1>gold coating is applied to a brick of worthless metal,

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<v Speaker 1>usually lead, it may appear to be a gold bar

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<v Speaker 1>on the surface, but in reality it's something far less valuable.

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<v Speaker 1>And Three. American read See Bottle is credited with one

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<v Speaker 1>of the most celebrated cons among cons, the gold brick swindle,

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<v Speaker 1>and you can thank his work with that swindle for

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<v Speaker 1>the origin of the term gold bricker, which today is

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<v Speaker 1>frequently used to describe a person who maintains appearances but

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<v Speaker 1>is actually totally lazy or incompetent. Welcome to Criminalia, So

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<v Speaker 1>let's talk about gold. I'm Maria tram Marquis and I'm

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<v Speaker 1>Holly Fry. Reid Sea Waddle was born to Absalom and

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<v Speaker 1>Nancy Waddle in Springfield, Illinois, in eighteen sixty, give or

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<v Speaker 1>take a year. Absalom was a horse dealer and frequently

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<v Speaker 1>entered horses in races and shows around the region, and

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<v Speaker 1>when he died, a brief obituary in the Illinois State

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<v Speaker 1>Journal described him as quote an old and well known

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<v Speaker 1>citizen that sounds pretty benign, But his son was a

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<v Speaker 1>budding criminal, and by the time Reid was seven or

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<v Speaker 1>eight years old, newspapers had already started reporting on his conduct.

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<v Speaker 1>Relieved his misconduct from one report quote, he was known

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<v Speaker 1>in the neighborhood of Washington at eleven Streets East as

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<v Speaker 1>about the toughest foulmouthed boy in the section. The gamblers,

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<v Speaker 1>who all knew him did not care to talk to

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<v Speaker 1>a stranger about him. All the men here, who ever

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<v Speaker 1>used to follow the races in the time when the

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<v Speaker 1>elder Waddle was in business, unite in saying that he

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<v Speaker 1>was the meanest man they ever knew. In that line,

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<v Speaker 1>he had not the first redeeming manly quality. The boy, however,

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<v Speaker 1>had he dressed well and could on occasion go into

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<v Speaker 1>any society. But jump ahead a few years and newspaper

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<v Speaker 1>records report Read was indicted at age seventeen in connection

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<v Speaker 1>with a confidence game he ran in Carlinville, Illinois. What

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<v Speaker 1>that game is, though, we don't know, it's lost to history.

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<v Speaker 1>By eighteen eighty, when Waddle was twenty years old, the

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<v Speaker 1>Illinois State Register reported on another of his arrest, this

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<v Speaker 1>time on a gambling warrant out of Tolono, Illinois. Quoting

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<v Speaker 1>from the article, Waddle is notorious among police circles here,

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<v Speaker 1>and they will be glad to hear that he receives

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<v Speaker 1>the full penalty of the law at his trial in Tolono.

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<v Speaker 1>Waddle two is mentioned in the memoir of Illinois State

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<v Speaker 1>Journal history columnist John ey Vaughn, published years later in

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<v Speaker 1>September of nineteen twenty one. Quote Commercial Alley. The alley

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<v Speaker 1>behind the west side of the two hundred block of

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<v Speaker 1>South sixth Street, Harvard public gaming houses and was a

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<v Speaker 1>hangout for confidence operators. Read Waddle, who became internationally notorious

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<v Speaker 1>as a gold brick man, had his training in this environment.

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<v Speaker 1>Waddle enjoyed cards and horses, but he didn't start his

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<v Speaker 1>criminal career as a con artist. He was kind of

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<v Speaker 1>a jack of all trades hustler, and his repertoire included

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<v Speaker 1>things like a rigged form of the dice game Bunco.

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<v Speaker 1>At that time, that was a really popular con, and

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<v Speaker 1>as any good confidence man, Waddle would have taken part

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<v Speaker 1>in Bunko. Sometime in the early eighteen eighties, Wattle moved

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<v Speaker 1>to New York City. He reported they began running scams

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<v Speaker 1>known as green goods scams, which were common cons in

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<v Speaker 1>nineteenth century America. These scams tricked people into paying for

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<v Speaker 1>worthless counterfeit currency and left them literally holding a bag

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<v Speaker 1>containing sawdust and a wad of fake currency on top.

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<v Speaker 1>Actually not too dissimilar to the gold brick con. Really, basically,

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<v Speaker 1>the gold brick scam really simply put involved selling a

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<v Speaker 1>tangible good for more than it's worth to a person

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<v Speaker 1>unaware that the item has been switched to one of

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<v Speaker 1>lesser value, and Waddle's marks were usually people on the

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<v Speaker 1>street who just couldn't resist a good deal. We're going

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<v Speaker 1>to take a quick break for a word from our sponsors,

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<v Speaker 1>and when we're back we will talk about a man

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<v Speaker 1>named Robert Pinkerton who refused to give credit to Waddle

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<v Speaker 1>for the old brick game, and probably for good reason.

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<v Speaker 1>Welcome back to Criminalia. Let's talk about how the gold

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<v Speaker 1>brick game works and how Waddle convinced his marks that

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<v Speaker 1>his gold was good. Waddle happened to be in the

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<v Speaker 1>gold business at a time when the United States was

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<v Speaker 1>reforming the US Mint, and that meant that there were

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<v Speaker 1>some changes happening with US currency. Here's what was going

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<v Speaker 1>on around eighteen sixty nine. The Mint Act of eighteen

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<v Speaker 1>thirty seven, which was enacted, of course, before both the

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<v Speaker 1>California Gold Rush and the American Civil War, was determined

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<v Speaker 1>by the federal government to be outdated. Four years later,

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<v Speaker 1>a revised act known as the Mint Act of eighteen

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<v Speaker 1>seventy three, or you'll also see it as the Act

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<v Speaker 1>of eighteen seventy three went into effect, and it was

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<v Speaker 1>a general revision of laws relating to the Mint. When

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<v Speaker 1>it came to gold, it allowed for anyone holding that

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<v Speaker 1>precious metal to continue to have their bullion made into

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<v Speaker 1>money if they desired, and the Act created a gold standard,

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<v Speaker 1>but it did not do the same for other precious metals.

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<v Speaker 1>When silver's market price fell in eighteen seventy six. For example,

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<v Speaker 1>those who brought silver bullion to the mint were turned away.

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<v Speaker 1>The mint, under the new laws, was no longer authorized

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<v Speaker 1>to coin it. While this kicked off some major political

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<v Speaker 1>controversy regarding the gold standard and the belief of free

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<v Speaker 1>coinage for silver, we won't get into that too deeply

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<v Speaker 1>because the important thing to know in waddle story is

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<v Speaker 1>that there was change regarding the United States and people

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<v Speaker 1>who lived there and their money and their medals. Confidence

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<v Speaker 1>artist involved in this game also often tried to best

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<v Speaker 1>each other with stories of how they encourage their targets

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<v Speaker 1>to believe that the tables were turned and that they

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<v Speaker 1>the mark, were actually swindling the sellers into selling something

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<v Speaker 1>for a price far below it's worth. Greed can get tricky,

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<v Speaker 1>can't it. The Gold Brick con had a few moving pieces.

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<v Speaker 1>It involved printing brochures to sparkle mark's interest in the

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<v Speaker 1>sale of what confidence artists would call perfect counterfeit money.

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<v Speaker 1>This really wasn't the kind of con where you would

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<v Speaker 1>go up to a stranger on the street and say, buddy,

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<v Speaker 1>want to buy my gold, But it was the kind

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<v Speaker 1>of Cohn where you wanted to attract some attention to

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<v Speaker 1>your goods. Buy these bricks now at amazingly low prices.

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<v Speaker 1>Take them off my hands. You'll never get a better deal.

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<v Speaker 1>There would be a story too, as to why these

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<v Speaker 1>bricks were for sale and on sale, something legit, of course,

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<v Speaker 1>like someone selling bars that are unable to take on

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<v Speaker 1>a voyage for whatever reason that might have been. But

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<v Speaker 1>this scam all so involved non precious metal bars, usually lead,

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<v Speaker 1>sometimes brass. Wattle fashioned his lead bars into I'm going

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<v Speaker 1>to go air quoted gold, with layer upon layer of

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<v Speaker 1>gold plate coating applied to each bar. His fake gold

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<v Speaker 1>ingot always included small details that could make or break

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<v Speaker 1>the scam. He was known to apply stampings with the

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<v Speaker 1>markings of a bank or the United States government, for instance.

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<v Speaker 1>Assay offices are set up to essay precious metals, and

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<v Speaker 1>they're in place to help protect consumers from buying fake items.

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<v Speaker 1>During successful essays, the assayer typically stamps a hallmark on

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<v Speaker 1>the item to certify its metallurgical content. Wattle included such

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<v Speaker 1>details and that lad Waddle's targets to falsely believe that

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<v Speaker 1>he was offering bricks that had been evaluated by the

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<v Speaker 1>federal government and just in case. Waddle also inserted a

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<v Speaker 1>plug of real gold into the fake bar. One spot

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<v Speaker 1>on the brick was planted with genuine gold that he

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<v Speaker 1>could easily remove an offer as a way for a

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<v Speaker 1>doubting mark to authenticate the bar, like scrape a little

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<v Speaker 1>piece off and go, oh, have this tested. Little did

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<v Speaker 1>the victim know. Waddle always set up an accomplice as

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<v Speaker 1>his assayer with all of the necessary accoutrement of the trade,

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<v Speaker 1>including scales, weights, and chemicals, so everything appeared to be

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<v Speaker 1>on the up and up. The pitch was also aimed

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<v Speaker 1>at gamblers, but they didn't need all the smoke and mirrors.

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<v Speaker 1>They were interested in the bricks because they wanted to

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<v Speaker 1>be using phony money or they wanted to use it

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<v Speaker 1>up to cover their previous losses. In that scenario, the gamblers,

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<v Speaker 1>just as other targets, never got the gold. But for

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<v Speaker 1>them it wasn't like they could turn to the police

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<v Speaker 1>for help. Some reports suggest that Waddle was able to

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<v Speaker 1>sell his gold bricks for thousands of dollars apiece, the

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<v Speaker 1>first for four thousand dollars. According to some reports, selling

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<v Speaker 1>gold plated lead bricks for prices ranging from five hundred

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<v Speaker 1>to seventy five hundred per bar, made Waddle more than

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<v Speaker 1>a quarter of a million dollars by the end of

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<v Speaker 1>the decade, and that is not adjusted for today's values.

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<v Speaker 1>Waddle ran his gold brick con for years, and no

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<v Speaker 1>one debates his success using that game. Some people say

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<v Speaker 1>that Waddle invented it, but others disagree with that. Robert

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<v Speaker 1>Pinkerton was the son of Alan Pinkerton, who was the

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<v Speaker 1>founder of Pinkerton's National Detective Agency, and Robert was reluctant

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<v Speaker 1>to credit Waddle with its invention. In the May twenty eighth,

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<v Speaker 1>nineteen o one edition of the Los Angeles Herald, he

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<v Speaker 1>was quoted saying, and bear with me, it's a long quote,

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<v Speaker 1>so here we go. The gold brick business is an

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<v Speaker 1>American institution, but its earliest promoters were Spaniards and Italians.

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<v Speaker 1>About forty years ago, the game was played with gold

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<v Speaker 1>dust or gold filings. Among the pioneers were Emil Rodriguez

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<v Speaker 1>and Adolph Superbello. Their game was to find some man

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<v Speaker 1>who had a few thousand dollars and then tell him

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<v Speaker 1>about their having a bag full of gold filings or

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<v Speaker 1>gold dust which had been stolen. They must get rid

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<v Speaker 1>of the property and would be willing to sell it

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<v Speaker 1>at a great sacrifice. After getting him interested, they would

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<v Speaker 1>take the intended victim to an essay office, which was

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<v Speaker 1>a bogus concern, and then they would receive the assurance

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<v Speaker 1>that the yellow metal was all that was claimed for it,

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<v Speaker 1>and the man who gave this information would usually make

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<v Speaker 1>the owner a liberal offer for his plunder. The bag,

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<v Speaker 1>securely sealed, was then sold to the victim, who received

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<v Speaker 1>strict instructions to say nothing about his purchase for a

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<v Speaker 1>little while until the loss of the gold was less

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<v Speaker 1>fresh in the minds of the people. In order to

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<v Speaker 1>be perfectly secure, some of the victims packed up and

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<v Speaker 1>went abroad, and only when they were ready to enjoy

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<v Speaker 1>their new wealth they discovered that the treasure bag contained

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<v Speaker 1>base metal and not gold. I arrested these men in

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<v Speaker 1>Cincinnati more than thirty five years ago, and they were

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<v Speaker 1>tried in Chicago and convicted. So there's a long winded

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<v Speaker 1>way of saying that. Back in eighteen sixty six, Robert

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<v Speaker 1>Pinkerton apprehended two swindlers who gave the names of H.

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<v Speaker 1>Welton and Richard Bishop, trying to run the gold brick

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<v Speaker 1>game on banks and brokers in Ohio. His point Waddle

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<v Speaker 1>ran green goods scams and gold brick swindles, but he

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<v Speaker 1>did not do it. First, we are going to take

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<v Speaker 1>a quick break for a word from our sponsors, and

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<v Speaker 1>when we're back we will talk about forres, the world's

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<v Speaker 1>second oldest profession and an argument that led to the

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<v Speaker 1>death of a con artist. Welcome back to Criminalia. Before

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<v Speaker 1>the break, we were talking about a man who insisted

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<v Speaker 1>Read Waddle could not have invented the gold brick swindle.

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<v Speaker 1>So now let's talk about a guy who disagrees with him.

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<v Speaker 1>A man named Herbert Asbury disagrees with Robert Pinkerton's assessment

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<v Speaker 1>that Waddle couldn't be the origin of the gold brick swindle.

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<v Speaker 1>In his research and study of the New York City

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<v Speaker 1>Underworld while writing the nineteen twenty eight book Gangs of

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<v Speaker 1>New York and Informal History of the New York Underworld,

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<v Speaker 1>Asbury gives Waddle credit for inventing the scam. But he's

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<v Speaker 1>kind of the only one though. See Waddle became famous

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<v Speaker 1>because of this con game, and it's highly likely that

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<v Speaker 1>he really popularized it. Perhaps he was the first to

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<v Speaker 1>bring the game to New York. Perhaps he was great

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<v Speaker 1>at this swindle so great it was hard for any

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<v Speaker 1>of his contemporaries to remember anyone else ever doing it.

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<v Speaker 1>When it comes to its origin, though, there are reports

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<v Speaker 1>of the first known use of the term gold brick

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<v Speaker 1>in a fraudulent way dating back to eighteen sixty five,

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<v Speaker 1>and in eighteen sixty five, Waddle was still just a

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<v Speaker 1>kid growing up in Illinois. While he may have been

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<v Speaker 1>in the first generation of confidence artists to employ the

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<v Speaker 1>gold brick game, Waddle worked on and off with four

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<v Speaker 1>other older and more experienced men who all worked the

0:14:11.800 --> 0:14:15.640
<v Speaker 1>same scam. They were William Emory Train who went by Bill,

0:14:15.840 --> 0:14:19.080
<v Speaker 1>John Leary, who went by Red van Buren, Triplet, and

0:14:19.520 --> 0:14:24.640
<v Speaker 1>Tom O'Brien. The first known published mention of the swindle

0:14:24.760 --> 0:14:27.960
<v Speaker 1>dates to a newspaper clipping from eighteen seventy nine where

0:14:27.960 --> 0:14:32.080
<v Speaker 1>the Khan was conducted in Chicago and possibly Kansas City

0:14:32.160 --> 0:14:35.800
<v Speaker 1>by two men calling themselves Walker and Thomas A. Lewis,

0:14:36.120 --> 0:14:38.680
<v Speaker 1>and it is highly likely that these were aliases of

0:14:38.840 --> 0:14:41.760
<v Speaker 1>one or two of the men Waddle worked with who

0:14:41.840 --> 0:14:45.960
<v Speaker 1>we just mentioned previously. So, whether you believe Pinkerton or

0:14:46.080 --> 0:14:50.240
<v Speaker 1>you believe Asbury, we know this one thing from history.

0:14:50.320 --> 0:14:53.800
<v Speaker 1>It's assumed that gold and silver coinage was invented around

0:14:53.920 --> 0:14:57.520
<v Speaker 1>six to fifty BC, and pretty much ever since it

0:14:57.560 --> 0:15:01.000
<v Speaker 1>appeared it has been tampered with and fake, and as

0:15:01.040 --> 0:15:03.160
<v Speaker 1>far as we could tell, it was probably the very

0:15:03.240 --> 0:15:06.160
<v Speaker 1>next day that counterfeit coins were passed on the streets.

0:15:07.040 --> 0:15:10.480
<v Speaker 1>Real gold bars and coins are made from pouring molten

0:15:10.560 --> 0:15:15.360
<v Speaker 1>gold into molds. Ancient counterfeiters, just like today's, would use

0:15:15.400 --> 0:15:18.480
<v Speaker 1>a base metal core such as lead, and then cover

0:15:18.560 --> 0:15:21.240
<v Speaker 1>it with a thin layer of precious metal such as gold.

0:15:21.640 --> 0:15:24.720
<v Speaker 1>This all sounds very familiar so far, and then they

0:15:24.720 --> 0:15:29.440
<v Speaker 1>would strike it between engraved dyes. A counterfeitter who could

0:15:29.480 --> 0:15:32.880
<v Speaker 1>produce works with seamless coding and who used dyes of

0:15:32.920 --> 0:15:36.480
<v Speaker 1>good quality could produce lookalike fakes that felt real in

0:15:36.600 --> 0:15:40.520
<v Speaker 1>terms of their size and their weight. These types of

0:15:40.560 --> 0:15:43.160
<v Speaker 1>fake coins, which could often pass as genuine, are known

0:15:43.240 --> 0:15:46.800
<v Speaker 1>as ferrets, which comes from a French word meaning stuffed.

0:15:47.680 --> 0:15:52.120
<v Speaker 1>The idiom, world's second oldest profession, is often used in

0:15:52.160 --> 0:15:56.120
<v Speaker 1>reference to counterfeiting, and it indeed has been going on

0:15:56.240 --> 0:16:01.040
<v Speaker 1>for a very long time. Historians have founded base metal

0:16:01.080 --> 0:16:04.400
<v Speaker 1>bars made to imitate gold ingots that were used as

0:16:04.480 --> 0:16:09.840
<v Speaker 1>currency before the introduction of coins, counterfeit precious metals were

0:16:09.880 --> 0:16:15.600
<v Speaker 1>hardly new to nineteenth century America. They were an international problem. Wattle,

0:16:15.960 --> 0:16:18.800
<v Speaker 1>of course, did not invent any of this, although he

0:16:18.840 --> 0:16:21.040
<v Speaker 1>may have told a good story or two that he did.

0:16:21.920 --> 0:16:24.040
<v Speaker 1>Of course, at the end of the day, it's really

0:16:24.080 --> 0:16:27.720
<v Speaker 1>not about who invented this type of counterfeiting and when,

0:16:27.960 --> 0:16:30.800
<v Speaker 1>but rather how much money you could get from a

0:16:30.880 --> 0:16:35.520
<v Speaker 1>mark who was willing to hand it over. So in

0:16:35.680 --> 0:16:39.240
<v Speaker 1>March of eighteen ninety five, Waddle was working with one

0:16:39.280 --> 0:16:42.440
<v Speaker 1>of his New York mentors, a Nanuel recognized from earlier

0:16:42.520 --> 0:16:46.680
<v Speaker 1>in the episode, Tom O'Brien. Tom had made an estimated

0:16:46.760 --> 0:16:50.000
<v Speaker 1>half million dollars over a five month period using the

0:16:50.000 --> 0:16:54.040
<v Speaker 1>gold brick game at the Colombian Exposition. The Exposition was

0:16:54.160 --> 0:16:57.040
<v Speaker 1>a world's fair held in Chicago in eighteen ninety three

0:16:57.120 --> 0:17:00.440
<v Speaker 1>to celebrate the four hundredth anniversary of Christopher with US's

0:17:00.560 --> 0:17:04.200
<v Speaker 1>arrival in the New World. The fair ended in tragedy

0:17:04.280 --> 0:17:07.720
<v Speaker 1>when a cold storage structure dubbed the Greatest refrigerator on

0:17:07.840 --> 0:17:11.320
<v Speaker 1>Earth went up in flames and claimed sixteen lives. But

0:17:11.440 --> 0:17:14.280
<v Speaker 1>for the con artists who had descended upon the crowds

0:17:14.280 --> 0:17:18.119
<v Speaker 1>of the expo before the accident, it was an opportunity

0:17:18.200 --> 0:17:23.439
<v Speaker 1>to make a whole lot of money. Anyway, back to

0:17:23.480 --> 0:17:26.160
<v Speaker 1>reading Tom. Two years later in France, the men were

0:17:26.240 --> 0:17:28.920
<v Speaker 1>running cons in Paris when they had a falling out.

0:17:29.600 --> 0:17:33.480
<v Speaker 1>There are three versions of this story, so it may

0:17:33.520 --> 0:17:37.480
<v Speaker 1>have been jealousy over a love interest but probably not.

0:17:38.600 --> 0:17:41.680
<v Speaker 1>Or it may have been over a loan or loan

0:17:41.760 --> 0:17:47.080
<v Speaker 1>repayment for reported ten thousand dollars that sounds plausible, or,

0:17:47.560 --> 0:17:51.000
<v Speaker 1>and this is the most popular telling, it was most

0:17:51.160 --> 0:17:55.399
<v Speaker 1>likely overshares of a bunko swindle. Heated words were exchanged,

0:17:55.560 --> 0:17:58.359
<v Speaker 1>things got physical, and while the men fought in the cafe,

0:17:58.400 --> 0:18:02.240
<v Speaker 1>American Waddled hit O'Brien over the head with a bottle

0:18:02.280 --> 0:18:07.560
<v Speaker 1>and fled. The next day, March twenty seventh, O'Brien encountered

0:18:07.560 --> 0:18:12.920
<v Speaker 1>Waddle at the Gausdun train station and shot him several times,

0:18:12.960 --> 0:18:17.280
<v Speaker 1>including twice in the back and chest. Waddle died of

0:18:17.320 --> 0:18:21.119
<v Speaker 1>his wounds. O'Brien was arrested by French authorities, but his

0:18:21.200 --> 0:18:25.159
<v Speaker 1>trial was temporarily postponed when the United States Department of

0:18:25.160 --> 0:18:29.359
<v Speaker 1>State requested that he be extradited to the US. During

0:18:29.440 --> 0:18:33.800
<v Speaker 1>his subsequent trial, which was held in France. O'Brien testified

0:18:33.800 --> 0:18:36.199
<v Speaker 1>that he'd killed Waddle, yes, but that it was in

0:18:36.280 --> 0:18:43.320
<v Speaker 1>self defense. O'Brien's attorney, identified as French jurist Metre Edgar Damanes, argued,

0:18:43.400 --> 0:18:46.000
<v Speaker 1>according to The New York Times quote that there had

0:18:46.040 --> 0:18:49.280
<v Speaker 1>been an exchange of shots, which was an ordinary way

0:18:49.320 --> 0:18:53.679
<v Speaker 1>of settling quarrels in America. Famous former New York police

0:18:53.680 --> 0:18:57.320
<v Speaker 1>detective Thomas F. Burns had referred to O'Brien as quote

0:18:57.600 --> 0:19:01.680
<v Speaker 1>king of the Bunkomen in his book Professional Criminals of America,

0:19:01.760 --> 0:19:05.800
<v Speaker 1>published in eighteen eighty six, nine years before the argument

0:19:05.880 --> 0:19:09.800
<v Speaker 1>that ended with Waddle dead and O'Brien in prison. Burns

0:19:09.880 --> 0:19:13.760
<v Speaker 1>claimed that O'Brien had been apprehended in almost every city

0:19:13.800 --> 0:19:16.440
<v Speaker 1>across the United States, and he had spent at least

0:19:16.480 --> 0:19:22.000
<v Speaker 1>twenty years on and off in prison during his criminal career. Also,

0:19:22.119 --> 0:19:25.800
<v Speaker 1>according to Burns, O'Brien was perhaps most infamous as a

0:19:25.800 --> 0:19:29.840
<v Speaker 1>bunco steerer, not as a gold brick swindler. So a

0:19:29.920 --> 0:19:33.880
<v Speaker 1>bunco steerer is someone who entices a mark into the swimmle.

0:19:34.520 --> 0:19:38.400
<v Speaker 1>O'Brien could not, no matter how good his acting, smooth,

0:19:38.440 --> 0:19:41.119
<v Speaker 1>talk himself out of his sentence, though he died in

0:19:41.200 --> 0:19:44.600
<v Speaker 1>prison in France. By the time he was gunned down

0:19:44.600 --> 0:19:47.240
<v Speaker 1>in Paris, Waddle had become one of the best known

0:19:47.359 --> 0:19:51.520
<v Speaker 1>confidence artists of the late nineteenth century. Nancy Waddle had

0:19:51.520 --> 0:19:54.199
<v Speaker 1>her son's body returned to Illinois, where he is today

0:19:54.280 --> 0:19:57.680
<v Speaker 1>buried next to his parents in Oak Ridge Cemetery in Springfield.

0:20:00.359 --> 0:20:03.359
<v Speaker 1>Like a little scam sauce, so we can raise a

0:20:03.359 --> 0:20:08.560
<v Speaker 1>glass to read, I suppose scammer extraordinaire. If we want

0:20:08.600 --> 0:20:13.080
<v Speaker 1>to toast to him. His demise was terrible, let's toast

0:20:13.080 --> 0:20:21.320
<v Speaker 1>to him. I went with a very obvious name. But

0:20:21.359 --> 0:20:23.560
<v Speaker 1>I'm just calling this one the gold brick. But there's

0:20:23.600 --> 0:20:27.919
<v Speaker 1>a trick to it. It may not be what it

0:20:28.040 --> 0:20:32.240
<v Speaker 1>initially appears. And this kind of becomes also a combination

0:20:32.320 --> 0:20:35.920
<v Speaker 1>of a few drink ideas. It shares DNA with various ones.

0:20:36.080 --> 0:20:40.000
<v Speaker 1>But the bass drink I wanted to reference the French

0:20:40.280 --> 0:20:43.399
<v Speaker 1>finish of his life. And the bass drink is similar to,

0:20:43.560 --> 0:20:46.000
<v Speaker 1>but not exactly the same as, a drink called a

0:20:46.080 --> 0:20:50.119
<v Speaker 1>monkey gland, which was invented in France in nineteen twenty.

0:20:50.840 --> 0:20:53.000
<v Speaker 1>Why do I feel like we've had a conversation about

0:20:53.000 --> 0:20:58.800
<v Speaker 1>the monkey gland before? Maybe not on the show. Mine

0:20:58.880 --> 0:21:00.720
<v Speaker 1>is a little different, but that was the drink I

0:21:00.720 --> 0:21:03.040
<v Speaker 1>started thinking about as a base, and then I went

0:21:03.080 --> 0:21:07.359
<v Speaker 1>from there. This involves several steps, none of them are hard,

0:21:07.400 --> 0:21:09.280
<v Speaker 1>but just be ready. There are a few different things

0:21:09.280 --> 0:21:13.879
<v Speaker 1>going on here. The main drink itself is an ounce

0:21:13.920 --> 0:21:16.359
<v Speaker 1>and a half of orange juice, an ounce and a

0:21:16.359 --> 0:21:20.000
<v Speaker 1>half of gin, a splash of simple syrup to taste

0:21:20.280 --> 0:21:22.119
<v Speaker 1>a little to like half an ounce. You don't need

0:21:22.160 --> 0:21:24.159
<v Speaker 1>a ton. It depends on the acidity of your orange

0:21:24.240 --> 0:21:26.760
<v Speaker 1>juice and what you like. That is going to get

0:21:26.800 --> 0:21:31.399
<v Speaker 1>shaken with ice so it's nice and cold. Then you

0:21:31.440 --> 0:21:34.480
<v Speaker 1>are going to take a quarter of an ounce I

0:21:34.480 --> 0:21:38.240
<v Speaker 1>would say, of absinthe and another quarter of an ounce

0:21:38.280 --> 0:21:40.600
<v Speaker 1>of simple syrup, and you're just going to combine those

0:21:40.680 --> 0:21:43.840
<v Speaker 1>and then pour them into your pre chilled glass and

0:21:43.960 --> 0:21:46.919
<v Speaker 1>glaze the glass with it. So that also is you

0:21:46.960 --> 0:21:50.439
<v Speaker 1>know how sassare has often made, so you're similar to that,

0:21:50.480 --> 0:21:53.560
<v Speaker 1>but you just want to get that flavor shift that

0:21:53.600 --> 0:21:55.919
<v Speaker 1>happens from the absinthe. Then you'll put your ice in

0:21:56.080 --> 0:22:00.119
<v Speaker 1>strain that drink over it. The third step though, and

0:22:00.280 --> 0:22:04.720
<v Speaker 1>also I will tell you at the end, I recommend

0:22:04.800 --> 0:22:07.040
<v Speaker 1>if you really want to buy into the storyline of

0:22:07.040 --> 0:22:10.919
<v Speaker 1>it not using a glass but using some vessel that

0:22:11.080 --> 0:22:14.680
<v Speaker 1>is not clear, like a mug or a like a

0:22:14.720 --> 0:22:18.439
<v Speaker 1>carved cocktail glass or something. Because your third thing that

0:22:18.480 --> 0:22:21.399
<v Speaker 1>you're gonna do is take about two ounces of heavy

0:22:21.440 --> 0:22:26.480
<v Speaker 1>cream and I don't know, like a half teaspoon of turmeric,

0:22:27.080 --> 0:22:29.760
<v Speaker 1>and you're gonna blend those together. Like if you have

0:22:29.840 --> 0:22:33.520
<v Speaker 1>a blendy thing, great, you could throw in turmeric until

0:22:33.560 --> 0:22:38.880
<v Speaker 1>you get it nice and spoon that on top so

0:22:38.920 --> 0:22:44.840
<v Speaker 1>it looks like a golden yummy delicious, like perhaps creamy drink.

0:22:44.880 --> 0:22:49.320
<v Speaker 1>But under it is this like whamity lamb in an absence.

0:22:52.920 --> 0:22:55.359
<v Speaker 1>Here's the thing though, So I was a little worried.

0:22:55.400 --> 0:22:56.920
<v Speaker 1>I was like, always this gonna work. Is this I'm

0:22:56.960 --> 0:23:00.560
<v Speaker 1>gonna play nice together? And you can also, depending on

0:23:00.600 --> 0:23:04.959
<v Speaker 1>your flavor desires, add a little bit of simple syrup

0:23:05.040 --> 0:23:08.440
<v Speaker 1>to that heavy cream and turmeric mixture if you want

0:23:08.440 --> 0:23:10.760
<v Speaker 1>it to really be whip creamy. But if you then

0:23:10.840 --> 0:23:13.520
<v Speaker 1>just stir it all together in the glass after your

0:23:13.600 --> 0:23:19.040
<v Speaker 1>moment of presentation, what no one can tell is the

0:23:19.080 --> 0:23:24.960
<v Speaker 1>look on her face. Delicious. It becomes like, I don't know,

0:23:25.200 --> 0:23:30.879
<v Speaker 1>like a creamsicle has a baby with the absinthe Green Fairy.

0:23:30.960 --> 0:23:37.520
<v Speaker 1>It's just delicious. It's so delicious, it is unconscionably delicious.

0:23:37.600 --> 0:23:41.240
<v Speaker 1>I don't even know that maybe my favorite drink description

0:23:41.920 --> 0:23:47.080
<v Speaker 1>of ever. I loved this drink. It's oh man, now

0:23:47.080 --> 0:23:49.400
<v Speaker 1>I'm like. My brain immediately was like, we should start

0:23:49.400 --> 0:23:53.280
<v Speaker 1>working on absentthe milk. I had never really thought about

0:23:53.320 --> 0:23:56.760
<v Speaker 1>combining absinthe and a cream in quite that way. There

0:23:56.800 --> 0:24:00.760
<v Speaker 1>are some absinthe and milk drinks, but like that heavy cream,

0:24:00.800 --> 0:24:02.560
<v Speaker 1>I didn't know if the cream was going to play

0:24:02.640 --> 0:24:05.520
<v Speaker 1>nice with the acidity of the orange juice and gin,

0:24:05.680 --> 0:24:08.720
<v Speaker 1>which sometimes they can bite each other. Dairy doesn't always

0:24:08.720 --> 0:24:11.800
<v Speaker 1>love all these things. But oh mamma, yeah no, I'm

0:24:11.840 --> 0:24:16.639
<v Speaker 1>coming over for the absence milk chair. Holy Moses. Yes,

0:24:17.720 --> 0:24:19.720
<v Speaker 1>I'll space it out so it's not too absence in

0:24:19.720 --> 0:24:22.560
<v Speaker 1>a row. But to make the mocktail, this is super easy.

0:24:23.359 --> 0:24:27.359
<v Speaker 1>You're gonna use an Anna set syrup in lieu of absinthe.

0:24:28.040 --> 0:24:30.159
<v Speaker 1>If you do that, you don't really have to combine

0:24:30.200 --> 0:24:32.720
<v Speaker 1>it with simple syrup. You can just use the syrup

0:24:32.800 --> 0:24:36.240
<v Speaker 1>itself and put glass to make the glaze, and then

0:24:36.480 --> 0:24:39.040
<v Speaker 1>you're gonna skip the gin and you can sub that

0:24:39.119 --> 0:24:42.240
<v Speaker 1>out with any of the things we've talked about using

0:24:42.359 --> 0:24:45.760
<v Speaker 1>for gin, like a camomile tea there with some pepper

0:24:45.800 --> 0:24:50.359
<v Speaker 1>in it, or you could do another juice. I actually

0:24:50.359 --> 0:24:53.359
<v Speaker 1>think it would change the flavor profile so much, but

0:24:53.400 --> 0:24:57.520
<v Speaker 1>it would also be delicious. If you did pineapple juice

0:24:57.520 --> 0:25:02.440
<v Speaker 1>and an orange juice with that subtle and a set

0:25:03.160 --> 0:25:06.720
<v Speaker 1>flavor of the glaze and then the termuric cream on top,

0:25:07.080 --> 0:25:11.200
<v Speaker 1>that would be like making a tropical like lookout people,

0:25:11.840 --> 0:25:14.400
<v Speaker 1>this will replace it. Yeah, And that's how I would

0:25:14.400 --> 0:25:17.159
<v Speaker 1>do the mocktail on this. And that is called the

0:25:17.200 --> 0:25:20.000
<v Speaker 1>gold brick because it's not quite what you think it's

0:25:20.000 --> 0:25:23.080
<v Speaker 1>gonna be, but in this case, it's quite delicious and

0:25:23.680 --> 0:25:27.840
<v Speaker 1>not oh man, I got this instead. I hope, I

0:25:27.920 --> 0:25:31.760
<v Speaker 1>hope it's not a bait and switch. I'm gonna bait

0:25:31.800 --> 0:25:35.320
<v Speaker 1>and switch myself some more of it. This is very yummy.

0:25:35.520 --> 0:25:41.600
<v Speaker 1>It's so yummy like the Shamrock shake except for adults. Yes,

0:25:42.920 --> 0:25:46.960
<v Speaker 1>absentthe does sometimes have a subtle mint note, but the

0:25:47.560 --> 0:25:51.280
<v Speaker 1>licorice flavor is really driving the bus. But I do

0:25:51.440 --> 0:25:53.919
<v Speaker 1>know from a bar that I love to go to,

0:25:54.280 --> 0:25:57.040
<v Speaker 1>they took their absentthe cocktail which was kind of a

0:25:57.080 --> 0:26:00.320
<v Speaker 1>signature when they opened off the menu. You can still

0:26:00.359 --> 0:26:03.560
<v Speaker 1>get it, but people that go there will order it

0:26:03.640 --> 0:26:06.280
<v Speaker 1>thinking it's gonna taste minty, and when it tastes of liquorice,

0:26:06.320 --> 0:26:08.200
<v Speaker 1>they're like, I don't want this. And they were having

0:26:08.240 --> 0:26:10.680
<v Speaker 1>to throw out hundreds of dollars of absinthe every day.

0:26:11.280 --> 0:26:13.480
<v Speaker 1>So a lot of people don't like a liquorice too.

0:26:13.480 --> 0:26:15.320
<v Speaker 1>So if you get it and you weren't surprised and

0:26:15.400 --> 0:26:18.000
<v Speaker 1>you're surprised that it's there, you may actually not like

0:26:18.119 --> 0:26:20.880
<v Speaker 1>it as well. And I wish I could just hang

0:26:20.920 --> 0:26:22.600
<v Speaker 1>out and be like, I'll drink your drink to all

0:26:22.640 --> 0:26:27.360
<v Speaker 1>of those people, because I love absence, love it. I

0:26:27.440 --> 0:26:29.760
<v Speaker 1>do want to make an absence milkshake. We can workshop

0:26:29.800 --> 0:26:33.120
<v Speaker 1>that on the side, and somehow we will make it.

0:26:33.600 --> 0:26:36.760
<v Speaker 1>We will also make more episodes. We'll be right back

0:26:36.760 --> 0:26:40.000
<v Speaker 1>here next week to share them with you and subsequent weeks,

0:26:40.000 --> 0:26:41.720
<v Speaker 1>and we are so thankful that you spent this time

0:26:41.760 --> 0:26:44.000
<v Speaker 1>with us, so we will see you soon with more

0:26:44.040 --> 0:26:57.119
<v Speaker 1>scam sauce and more scammers. Criminalia is a production of

0:26:57.160 --> 0:27:01.479
<v Speaker 1>Shondaland Audio in partnership with iHeartRadio. For more podcasts from

0:27:01.520 --> 0:27:05.879
<v Speaker 1>Shondaland Audio, Please visit the iHeartRadio app, Apple podcasts, or

0:27:05.880 --> 0:27:07.760
<v Speaker 1>wherever you listen to your favorite shows.