WEBVTT - Lio Tipton

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<v Speaker 1>I mean, it's confusing. I didn't mean to be an actor,

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<v Speaker 1>and I don't want to say that lightly because I'm

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<v Speaker 1>very happy to be one now. But it was never

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<v Speaker 1>the plan. I was always going to be a filmmaker

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<v Speaker 1>and a director, a writer, and I think as I

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<v Speaker 1>began getting roles, it took me like three films to

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<v Speaker 1>finally on a press junket be like, I guess, yeah,

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<v Speaker 1>I'm an actor. Hi, my name is Leo Tipton and

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<v Speaker 1>I'm after hello everybody, and it is Tuesday, which means

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<v Speaker 1>that's right. Another episode of Off the Beat is here.

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<v Speaker 1>As always, I'm your host, Brian baum Gartner. You just

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<v Speaker 1>heard from Leo Totin, an incredible person. I so enjoyed

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<v Speaker 1>my conversation with them. They got their start on America's

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<v Speaker 1>Next Top Model being contacted on my Space, by the way,

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<v Speaker 1>before getting their big break on Crazy Stupid Love. You

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<v Speaker 1>also may know them from Manhattan Love Story, Warm Bodies, Vengeance.

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<v Speaker 1>Are you starting to notice a trend here? Steve Carrell

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<v Speaker 1>in Crazy Stupid Love. Vengeance is BJ Novak's new film. Now,

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<v Speaker 1>what to Steve b J and I have in common? Well,

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<v Speaker 1>that my friends is a riddle even I could solve.

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<v Speaker 1>Leo also has another project, an exciting new show on Peacock.

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<v Speaker 1>It's coming out this week in fact, and if you've

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<v Speaker 1>watched Peacock at all lately, and I do mean at all,

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<v Speaker 1>I'm sure you've seen the promos for it. It's called

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<v Speaker 1>Friend of the Family. Leo stars alongside my other old

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<v Speaker 1>friend Jake Lacey in what Leo calls a star making

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<v Speaker 1>performance and Anna pack when. I'm so excited to watch it,

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<v Speaker 1>and I'm also pretty excited for you to hear my

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<v Speaker 1>conversation with Leo today. Let's have at it. I had

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<v Speaker 1>so much fun with them. Leo tipton everyone, Bubble and Squeak.

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<v Speaker 1>I love it. Bubble and Squeak, Bubble and Squeaker cookie

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<v Speaker 1>every month left over from the nut before. Hi Leo, Hi,

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<v Speaker 1>how are you man? I am I'm pretty good. Little

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<v Speaker 1>jet lags, but me too. This is yet another thing

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<v Speaker 1>we have in common. I am jet lagged today as well.

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<v Speaker 1>Where did you come from Los Angeles? You're in New

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<v Speaker 1>York now, I am? Yeah? Okay? Are you what they

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<v Speaker 1>called bi coastal? Yeah? I wish um not so much

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<v Speaker 1>depends on what job I have at the time. Yes,

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<v Speaker 1>I hear you eight planes in six days for me?

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<v Speaker 1>Eight planes? It's not a joke. How where? Why? What

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<v Speaker 1>are you? Are you what they called the know? How? Where? What? Why?

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<v Speaker 1>That's a great question. I don't know. I just it

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<v Speaker 1>was just one of those crazy weeks, lots of two

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<v Speaker 1>plane trips and so forth. Um, but I'm so excited

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<v Speaker 1>to be talking to I just I found I found

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<v Speaker 1>energy like thirty minutes ago, knowing that I was going

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<v Speaker 1>to talk to you. I'm finding mine. Oh there you go. Nice.

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<v Speaker 1>I got pressed today. And press makes me so anxious

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<v Speaker 1>that oh god, yeah, why why? Why does to make

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<v Speaker 1>you anxious? Doesn't? I mean, I feel like I have

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<v Speaker 1>a difficult time socializing in general, and I think my

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<v Speaker 1>the way that my words come out is not always

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<v Speaker 1>in a sentence. Uh. They more just kind of like

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<v Speaker 1>fall out of my mouth and they roll around and

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<v Speaker 1>I'm hopefully I can pick them up quick enough that

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<v Speaker 1>no one notices and gleaning together and like throw them back. Um,

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<v Speaker 1>but no, I just get really nervous, and uh, eye

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<v Speaker 1>contact is hard for me, and remembering what I'm saying

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<v Speaker 1>is hard for me, and so it's I got to

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<v Speaker 1>kind of put on a mask when I'm doing press,

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<v Speaker 1>but it's you much prefer this. I yeah, I hear you.

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<v Speaker 1>I definitely early on it was. It was a struggle

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<v Speaker 1>bus for me. I can't believe I just used the

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<v Speaker 1>phrase struggle bus, but yes, yeah it was. It was

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<v Speaker 1>also tough for me, and I think I eventually decided

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<v Speaker 1>I just don't care. So if I if that's a

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<v Speaker 1>help for you at all, I just was like, you

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<v Speaker 1>know what, it's all, it's all a game. Let's do

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<v Speaker 1>the best we can. We're all humans on this planet

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<v Speaker 1>and and that's it. Because I think I've got so

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<v Speaker 1>precious about it, but like I couldn't. I can't screw up.

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<v Speaker 1>I have to do this right. And I don't know. No,

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<v Speaker 1>I mean that is good advice. And I think the

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<v Speaker 1>older I get, the I am finally at the point

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<v Speaker 1>where I despise it so much that then I can

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<v Speaker 1>kind of not care about it in that way. So

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<v Speaker 1>it's it's less like it's less pressure going in, right,

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<v Speaker 1>and I can coast coming out a little bit. Ye,

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<v Speaker 1>Or it's just now when you when you start out

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<v Speaker 1>trying to be exactly what you think that they want

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<v Speaker 1>you to be was exhausted for me. Yes, no, I

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<v Speaker 1>know it is and and it's so it's so different, right,

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<v Speaker 1>and you you have an impression of who you are.

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<v Speaker 1>I mean, well, you know who you are, but everybody,

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<v Speaker 1>everybody is something different depending on what the circumstances is.

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<v Speaker 1>The circumstances are I think that would be English. Um,

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<v Speaker 1>and and you have like there's like such a decided

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<v Speaker 1>difference between like morning show and late and and you go, well,

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<v Speaker 1>that's not really me, but like what how do you

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<v Speaker 1>tap into that version? Now? I know, I hear you.

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<v Speaker 1>I hear you. I could tell you some stories. Yeah,

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<v Speaker 1>it's it's brutal. Um. Well, good luck with that. I

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<v Speaker 1>hope this is not so painful with me today again,

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<v Speaker 1>this is this is a good part of the day.

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<v Speaker 1>This is a good part of the day. Okay, good,

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<v Speaker 1>Well that makes me feel better. Um, I want to

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<v Speaker 1>go back. Um do they call it the mini Apple?

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<v Speaker 1>I don't even know if that's true. You were born

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<v Speaker 1>in Minneapolis? I lived there? Did you know this about me?

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<v Speaker 1>The Minnie Apple? I lived there? No? Did you do

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<v Speaker 1>theater there? I did? Well? Were you did you do

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<v Speaker 1>theater with? Um? No, I'm forgetting his name. I can't

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<v Speaker 1>forget his name. He played my dad increased. Um, oh,

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<v Speaker 1>your dad in Crazy Stupid Love. John Carroll Lynch, John

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<v Speaker 1>Carol Lynch, John Carroll Lynch and I have not surprisingly

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<v Speaker 1>been up for some of the same roles. So, yes,

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<v Speaker 1>I know John. I know John well, though to be fair,

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<v Speaker 1>he is significantly older than me. Let's be clear about

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<v Speaker 1>umificantly older than me, that we both looked timeless. Um, yes,

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<v Speaker 1>I know I know John. Um. You so you grew

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<v Speaker 1>up in Minneapolis, but you were not participating in the

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<v Speaker 1>theater scene at this point. My understanding is you were

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<v Speaker 1>a skater. I was a figure skater. Yeah, that is

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<v Speaker 1>incredible because in Minnesota you you learn how to tie

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<v Speaker 1>skates before you learn how to walk. That is true,

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<v Speaker 1>which may which is why I didn't get along so

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<v Speaker 1>well in Minneapolis. I was not. I was not a skater.

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<v Speaker 1>Now were you one of the did you go? Did

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<v Speaker 1>you learn like skating on the lay? Um? We skated

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<v Speaker 1>in the backyard. We skated in the backyard and my

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<v Speaker 1>mom would freeze down the you know, put water and

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<v Speaker 1>freeze down there at the pavement and we'd ruin our skates.

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<v Speaker 1>But we have videos of of us skating in our yard,

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<v Speaker 1>which is just obscene to me. And I actually I

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<v Speaker 1>don't think I ever skated on a lake, which is

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<v Speaker 1>really sad. But I guess if you're serious, that might

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<v Speaker 1>be dangerous, Like if you're a serious skater, like bad

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<v Speaker 1>things could happen right on a lake, you would think,

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<v Speaker 1>although in your backyard you would think bad things could

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<v Speaker 1>happen too. This is true. Although you know have in

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<v Speaker 1>what is it in Norway where they the river freezes

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<v Speaker 1>over and then people just like commute to work on

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<v Speaker 1>ice skates and just go down the river. I have

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<v Speaker 1>this fantasy of doing that someday. That would be Yes,

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<v Speaker 1>that would be great, and I do you know, I

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<v Speaker 1>don't know if you know this, we'll talk about crazy

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<v Speaker 1>stupid love. But your favorite co star in mind, Steve Carroll.

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<v Speaker 1>You know he's a skater too, and his daughter was

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<v Speaker 1>taking lessons um at the time. That's what I remember.

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<v Speaker 1>He does hockey, right, he does hockey. He doesn't do

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<v Speaker 1>figure skating. To be clear, hockey is a lot easier.

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<v Speaker 1>That sounds like the gauntlet has been thrown. Are you

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<v Speaker 1>still skating? You know? I stopped probably around twenty two,

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<v Speaker 1>I think I did. I did a benefit show around

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<v Speaker 1>and I do skate sometimes. I don't know how I

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<v Speaker 1>did some of the things I did, like getting up

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<v Speaker 1>and down from a chair already is that's you know,

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<v Speaker 1>that's that's something getting like squatting with one leg sticking

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<v Speaker 1>out and then standing again. Forget about it. I for

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<v Speaker 1>the life of me, I don't know how I did it.

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<v Speaker 1>How anyone doesn't know. Well, I don't know how it's

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<v Speaker 1>done either, clearly. But he still like plays in the league, Steve.

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<v Speaker 1>He's still like skates around. Yeah, but again I guess

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<v Speaker 1>that's easier. Yeah. Actually I thought about going into going

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<v Speaker 1>into hockey because it's I've never really done a team sport,

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<v Speaker 1>and um, there's a lot of fun to be had

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<v Speaker 1>in leagues. I don't think that I could make that.

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<v Speaker 1>I'd have to do it in figure skates though, because

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<v Speaker 1>without a topic, I don't know, it's like skating on

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<v Speaker 1>butter knives. You couldn't do it. No, probably not, but

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<v Speaker 1>you know, but it's easier. It's easier. Did you do

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<v Speaker 1>could you do the jumps, like the turns, the triple

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<v Speaker 1>sal cows, double sal cows? I'm saying that word right,

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<v Speaker 1>you are? Uh? Could I do them? Or did I

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<v Speaker 1>do them? He's a two different things. I could you them,

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<v Speaker 1>and I did. Um, I wasn't good at them. I

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<v Speaker 1>was really bad. And I was very tall. Um, I'm

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<v Speaker 1>I'm just shive five ten and yeah, and I hit

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<v Speaker 1>that growth spurt in high school and I realized, like

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<v Speaker 1>everyone I was competing against is like gymnasts five two.

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<v Speaker 1>And I'd come on the ice and just look like

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<v Speaker 1>George the Jungle, swinging in divines and the walls and

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<v Speaker 1>just back and forth, and I'd fall and everyone we

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<v Speaker 1>like timber and I just slide across the ice and

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<v Speaker 1>take out children, and um, I got to be a hazard.

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<v Speaker 1>They made me wear an orange vest when I skated.

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<v Speaker 1>I'm kidding, because you were so tall. Uh No, we

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<v Speaker 1>did actually have to wear vest sometimes, but not not

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<v Speaker 1>necessarily for that, not that they told me outright, Okay,

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<v Speaker 1>but you, let's be clear to anyone listening, you were

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<v Speaker 1>very serious about this. You moved to Sacramento, I'm told,

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<v Speaker 1>like an age a eat and you lived for a

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<v Speaker 1>time with your skating coach. Is that is that right,

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<v Speaker 1>so that you could train as much as possible. Yeah,

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<v Speaker 1>And I mean I went into home schooling, and for

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<v Speaker 1>various reasons. I bullies are a thing, and it was tricky,

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<v Speaker 1>and so I had skating where it's I mean, honestly,

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<v Speaker 1>figure skaters are very much performers. It's kind of like

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<v Speaker 1>a circus. Especially show skating. There's not a whole lot

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<v Speaker 1>of difference behind stage at a skating show and a theater.

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<v Speaker 1>It's just as chaotic, and I think that's probably where

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<v Speaker 1>I fell in love with it. But um, because ice

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<v Speaker 1>drinks are so far and few between in um Sacramento,

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<v Speaker 1>I had to live with my coach or my my

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<v Speaker 1>mother would be driving for like hours, four hours a

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<v Speaker 1>day at some point she did to get me to

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<v Speaker 1>different rinks for different lessons and all the things that

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<v Speaker 1>go into it. Less my parents hearts for doing that. Um. Yeah, yeah,

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<v Speaker 1>it was intense. You you mentioned before you didn't you've

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<v Speaker 1>never done team sports. Did you feel like there was

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<v Speaker 1>a sense of community though there, even though it was

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<v Speaker 1>individualized like before the show or was it? Was it

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<v Speaker 1>very solo? I didn't do show skating really until later,

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<v Speaker 1>and I think that was my favorite part of it growing.

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<v Speaker 1>I mean, as I for the majority of my skating

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<v Speaker 1>career was solo, and it's it's really terrifying. I was

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<v Speaker 1>talking to someone today about it who their child wasn't skating,

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<v Speaker 1>And now that I recalled this conversation, I realized maybe

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<v Speaker 1>I shouldn't have said this um to them. I was like, yeah, no,

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<v Speaker 1>skating is great. I think I've been maybe scarred a

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<v Speaker 1>little bit by being like shoved on the ice in

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<v Speaker 1>a spotlight at you know, nine, and then just falling

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<v Speaker 1>all over of the ice and then being judged for

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<v Speaker 1>it over and over and over. You're alone and you

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<v Speaker 1>can't get off the ice, and it just and I

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<v Speaker 1>always felt I was not a performer when it came

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<v Speaker 1>to the athleticism of it. It was very artistic and

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<v Speaker 1>I had nice lines, but I mean my coach would

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<v Speaker 1>just like walk off, walk at, walk away from the boards,

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<v Speaker 1>and I would sit there and end the program and

0:15:28.000 --> 0:15:34.200
<v Speaker 1>just be like, I'm gonna get a talking to. Yeah,

0:15:34.760 --> 0:15:37.280
<v Speaker 1>you just like failed over and over and over in

0:15:37.360 --> 0:15:42.320
<v Speaker 1>the public eye, and I think that's what acting is. Yeah, No,

0:15:42.560 --> 0:15:45.440
<v Speaker 1>there is. There's a lot of similarities. And but let

0:15:45.480 --> 0:15:48.880
<v Speaker 1>me be clear. You were a two time regional champion

0:15:49.000 --> 0:15:53.040
<v Speaker 1>and you competed in four synchronized skating championships. This it

0:15:53.160 --> 0:15:55.920
<v Speaker 1>sounds like you may have been falling a lot, but

0:15:56.000 --> 0:15:59.960
<v Speaker 1>you also had a lot of success. You mentioned before

0:16:00.040 --> 0:16:03.720
<v Speaker 1>you hit a grossbert and my understanding is that's sixteen

0:16:03.920 --> 0:16:06.840
<v Speaker 1>you decided to retire. Is that is that? Why did

0:16:06.840 --> 0:16:12.240
<v Speaker 1>you just get too tall physically for it? Or well?

0:16:12.280 --> 0:16:15.320
<v Speaker 1>I knew that I would have loved to go into

0:16:15.320 --> 0:16:19.680
<v Speaker 1>show skating. Um, a lot of my friends have been

0:16:19.800 --> 0:16:24.440
<v Speaker 1>in Disney on ice and holiday holiday and ice in

0:16:24.480 --> 0:16:32.240
<v Speaker 1>Europe like and yes, and it's I mean, the life

0:16:32.520 --> 0:16:35.600
<v Speaker 1>is fascinating to me. But I didn't think I would

0:16:35.680 --> 0:16:39.360
<v Speaker 1>be able to cut it for that long. And so

0:16:40.160 --> 0:16:43.320
<v Speaker 1>I also kind of got obsessed with filmmaking at that

0:16:43.360 --> 0:16:49.440
<v Speaker 1>time and realized, Okay, I can continue to focus on skating,

0:16:50.640 --> 0:16:52.160
<v Speaker 1>but what am I gonna do. I'm not going to

0:16:52.240 --> 0:16:55.280
<v Speaker 1>make it to the Olympics. I'm not. I just am not,

0:16:55.400 --> 0:16:59.280
<v Speaker 1>and I don't think I want to figure out where

0:16:59.280 --> 0:17:03.600
<v Speaker 1>else I go in this sport. So I became obsessed

0:17:03.640 --> 0:17:07.439
<v Speaker 1>with filmmaking and I kind of slowly transitioned into into that.

0:17:08.520 --> 0:17:13.080
<v Speaker 1>You started a film club in high school, Yeah, so

0:17:13.240 --> 0:17:17.400
<v Speaker 1>you were really into it. What was it about film?

0:17:17.760 --> 0:17:20.439
<v Speaker 1>Why did you love it or what? What started your

0:17:20.440 --> 0:17:24.680
<v Speaker 1>obsession with it? I think I was always found with

0:17:24.800 --> 0:17:27.119
<v Speaker 1>a camera in my hands, like a video camera in

0:17:27.119 --> 0:17:30.600
<v Speaker 1>my hands. And I think I know it's because social

0:17:31.280 --> 0:17:38.159
<v Speaker 1>skills are not my strong point. Um too. You know,

0:17:38.200 --> 0:17:43.359
<v Speaker 1>I was in high school before social media, and um,

0:17:43.359 --> 0:17:48.400
<v Speaker 1>it wasn't normal to be filmed exactly. So I would

0:17:48.400 --> 0:17:51.720
<v Speaker 1>walk around with my video camera and I was a

0:17:51.760 --> 0:17:55.359
<v Speaker 1>student body officer again, like I really kind of placed

0:17:55.359 --> 0:18:01.119
<v Speaker 1>myself outside. You know, students are interacting, um, but with

0:18:01.200 --> 0:18:05.760
<v Speaker 1>a camera, everyone wanted to be on camera. And I

0:18:05.800 --> 0:18:08.439
<v Speaker 1>was allowed in these circles that I never was allowed

0:18:08.480 --> 0:18:13.080
<v Speaker 1>in before, and people wanted wanted me to be around them.

0:18:13.080 --> 0:18:15.879
<v Speaker 1>They wanted to be filmed. Um. They liked the little

0:18:16.000 --> 0:18:20.240
<v Speaker 1>like movies that I put together for assemblies, and it

0:18:20.359 --> 0:18:22.879
<v Speaker 1>kind of it gave me. It gave me an inn

0:18:23.040 --> 0:18:29.159
<v Speaker 1>and it gave me a shield and I could. I mean,

0:18:29.200 --> 0:18:31.800
<v Speaker 1>I I love looking through lens. There's to me, there's

0:18:31.880 --> 0:18:34.040
<v Speaker 1>nothing like it. I feel like the world just takes

0:18:34.040 --> 0:18:36.199
<v Speaker 1>on a different color, in a different shape, and I

0:18:36.680 --> 0:18:40.320
<v Speaker 1>see things in slow motion and it's I love catching

0:18:40.359 --> 0:18:44.359
<v Speaker 1>someone laughing or just those little moments. And um, my

0:18:44.400 --> 0:18:46.680
<v Speaker 1>friends probably didn't know that that's what I was looking at,

0:18:46.680 --> 0:18:50.960
<v Speaker 1>mind you. Um, but it really really gave me a

0:18:51.000 --> 0:18:56.000
<v Speaker 1>sense of belonging and purpose where I think I really

0:18:56.040 --> 0:19:01.119
<v Speaker 1>struggled to have that outside of it. It's so interesting

0:19:01.320 --> 0:19:04.159
<v Speaker 1>to me. And just hearing you talk right there, it

0:19:04.200 --> 0:19:06.720
<v Speaker 1>occurs to me. You know, you're someone who has a

0:19:06.760 --> 0:19:11.320
<v Speaker 1>difficult time in social settings, and you know, if I

0:19:11.359 --> 0:19:13.840
<v Speaker 1>distill that down, it's like, why, well, it's it can

0:19:13.880 --> 0:19:17.359
<v Speaker 1>be very chaotic. There's lots going on, there's different people

0:19:17.440 --> 0:19:20.720
<v Speaker 1>who want different things from you, etcetera, etcetera. But it's

0:19:20.760 --> 0:19:23.960
<v Speaker 1>it occurs to me that with a lens you can

0:19:24.040 --> 0:19:28.040
<v Speaker 1>frame exactly what you want to frame, and you can

0:19:28.040 --> 0:19:33.080
<v Speaker 1>examine and look at exactly what you choose to look

0:19:33.119 --> 0:19:37.240
<v Speaker 1>at and interact with, which I think for someone who

0:19:37.320 --> 0:19:42.240
<v Speaker 1>has a difficult time in in chaotic social situations, that

0:19:42.359 --> 0:19:46.400
<v Speaker 1>must be very freeing, right Is that was that part

0:19:46.440 --> 0:19:49.880
<v Speaker 1>of it? Oh? Yes, yeah, absolutely. I mean even red

0:19:49.920 --> 0:19:52.879
<v Speaker 1>carpets today you can see me usually carrying a camera

0:19:53.800 --> 0:19:55.560
<v Speaker 1>and if I get really nervous, I'll take a picture

0:19:55.600 --> 0:20:00.479
<v Speaker 1>of you know, people taking pictures, and I use it

0:20:00.800 --> 0:20:05.119
<v Speaker 1>a lot. And yeah and and and no one, I

0:20:05.119 --> 0:20:07.639
<v Speaker 1>don't bug people like I don't. I'm not self conscious

0:20:07.680 --> 0:20:11.440
<v Speaker 1>behind a camera. I know I know my camera and

0:20:11.480 --> 0:20:18.040
<v Speaker 1>that's I'm confident where talking or walking or moving in general.

0:20:18.320 --> 0:20:22.080
<v Speaker 1>Like I'm I'm always trying to I'm very aware of

0:20:22.520 --> 0:20:25.879
<v Speaker 1>my movements in my face and things and behind a

0:20:25.960 --> 0:20:30.680
<v Speaker 1>camera just to do that and I'm sure of myself.

0:20:49.640 --> 0:20:52.080
<v Speaker 1>You wanted to go to film school? Yeah, is that right?

0:20:52.800 --> 0:20:57.600
<v Speaker 1>So the story I hear is you got into USC,

0:20:58.720 --> 0:21:02.480
<v Speaker 1>and you are having a party congratulating you for getting

0:21:02.480 --> 0:21:06.960
<v Speaker 1>into USC, and then what you found out that there

0:21:07.040 --> 0:21:12.640
<v Speaker 1>was like an issue with the acceptance. What what happened? Yeah?

0:21:12.800 --> 0:21:15.960
<v Speaker 1>And my sister was applying for law school at the time.

0:21:16.040 --> 0:21:18.720
<v Speaker 1>She had gotten into UC, the USC, the law school,

0:21:18.800 --> 0:21:23.760
<v Speaker 1>she got in everywhere. Um, And I had a letter

0:21:23.840 --> 0:21:26.159
<v Speaker 1>from the dean of the film school because I had

0:21:26.200 --> 0:21:31.119
<v Speaker 1>taken summer courses there and I was very excited and

0:21:31.160 --> 0:21:34.639
<v Speaker 1>I only applied to film schools. I was very sure

0:21:34.840 --> 0:21:36.960
<v Speaker 1>that's what I was doing. And I got a letter

0:21:36.960 --> 0:21:38.359
<v Speaker 1>about a week and a half letter I called. I

0:21:38.400 --> 0:21:40.680
<v Speaker 1>got a call a week and a half later because

0:21:40.720 --> 0:21:42.720
<v Speaker 1>we were waiting for, you know, the packet to arrive

0:21:42.760 --> 0:21:47.040
<v Speaker 1>and stuff. And there have been a mistake. It happens

0:21:47.119 --> 0:21:51.920
<v Speaker 1>sometimes they released because the schools roll out their acceptances

0:21:52.560 --> 0:21:55.639
<v Speaker 1>at different times sometimes. And I was an early applicant.

0:21:56.119 --> 0:22:01.879
<v Speaker 1>They hadn't gone. I mean something ires crossed and my

0:22:02.040 --> 0:22:04.919
<v Speaker 1>S A T scores in the math section. We're not

0:22:07.560 --> 0:22:09.399
<v Speaker 1>I hear they're they're not having S A T s

0:22:09.440 --> 0:22:13.920
<v Speaker 1>anymore or putting a lot less emphasis on it, which, um,

0:22:13.960 --> 0:22:16.199
<v Speaker 1>I'm very jealous of because out of all the schools

0:22:16.200 --> 0:22:18.320
<v Speaker 1>that I applied to, I didn't get into a single college.

0:22:18.840 --> 0:22:20.840
<v Speaker 1>And I had a very good d p A. And

0:22:20.840 --> 0:22:23.840
<v Speaker 1>it was traumatizing. And I remember hugging my dad and

0:22:24.000 --> 0:22:26.000
<v Speaker 1>be like, you know, I'm so sorry I didn't get

0:22:26.040 --> 0:22:29.600
<v Speaker 1>into college. My family is very, very academically driven, and

0:22:29.800 --> 0:22:31.720
<v Speaker 1>I remember my dad hugging me and just going to

0:22:31.760 --> 0:22:34.879
<v Speaker 1>prove them wrong. I don't know what that means. Uh really,

0:22:35.000 --> 0:22:37.040
<v Speaker 1>but you know it's not It's not the end all

0:22:37.240 --> 0:22:42.640
<v Speaker 1>be all, I'm telling myself still fifteen years later. Obviously

0:22:42.760 --> 0:22:45.199
<v Speaker 1>for you it wasn't. But you decided to move to

0:22:45.320 --> 0:22:49.399
<v Speaker 1>l A anyway, why you just want you wanted to

0:22:49.440 --> 0:22:53.719
<v Speaker 1>be there. Yeah. And I had friends that were in

0:22:53.840 --> 0:22:55.919
<v Speaker 1>film that we're going to USC and we're going to

0:22:55.960 --> 0:22:59.040
<v Speaker 1>other schools. Um, and I knew I still wanted to

0:22:59.080 --> 0:23:01.640
<v Speaker 1>be a filmmaker. There was no plan B. I mean,

0:23:01.720 --> 0:23:05.040
<v Speaker 1>this was my life and I moved down and I

0:23:05.080 --> 0:23:09.119
<v Speaker 1>was going to finish my g S at Santa Monica

0:23:09.200 --> 0:23:13.560
<v Speaker 1>Community College, and um, I went to Marymount College and

0:23:13.600 --> 0:23:16.160
<v Speaker 1>then I was going to transfer, but I was on

0:23:16.280 --> 0:23:22.600
<v Speaker 1>an academic scholarship and I didn't finish my classes. I

0:23:22.720 --> 0:23:28.080
<v Speaker 1>lost my scholarship. Um, and I needed money and I

0:23:28.119 --> 0:23:30.600
<v Speaker 1>never went back, and then I didn't have time to

0:23:30.600 --> 0:23:38.199
<v Speaker 1>go back. Right, You started getting approached by modeling recruiters. Yeah,

0:23:38.359 --> 0:23:40.720
<v Speaker 1>Now what does that mean? Are you putting your photo

0:23:41.000 --> 0:23:44.080
<v Speaker 1>out there or people are stopping you on the street. Now,

0:23:44.080 --> 0:23:46.480
<v Speaker 1>I heard the MySpace story. We're going to talk about

0:23:46.480 --> 0:23:50.200
<v Speaker 1>that in a second, but like, how how does that happen?

0:23:50.600 --> 0:23:54.040
<v Speaker 1>No one's ever approached me. A modeling recruiter has never

0:23:54.160 --> 0:23:56.240
<v Speaker 1>reached out to me, So tell me how how does

0:23:56.280 --> 0:24:01.679
<v Speaker 1>this happen? Um at malls. At malls, they just come

0:24:01.760 --> 0:24:03.080
<v Speaker 1>up to you. Yeah, I mean, I don't know if

0:24:03.119 --> 0:24:06.320
<v Speaker 1>it's as common nowadays. Actually I'm sure it is. But

0:24:07.320 --> 0:24:10.320
<v Speaker 1>mostly through it was. It was a lot through like

0:24:10.400 --> 0:24:13.119
<v Speaker 1>my space and things when we were putting it, you know,

0:24:13.200 --> 0:24:16.720
<v Speaker 1>and everything was open to people, which is really terrifying

0:24:16.760 --> 0:24:19.639
<v Speaker 1>to think of now that now that we know so

0:24:19.720 --> 0:24:22.639
<v Speaker 1>much about it. But I would get Um, someone from

0:24:22.680 --> 0:24:26.399
<v Speaker 1>Top Model recruited me through that, But yet happen't malls

0:24:26.680 --> 0:24:29.639
<v Speaker 1>and um, and they're saying they're saying, like, you have

0:24:29.680 --> 0:24:32.440
<v Speaker 1>a good look, you should be a model, call me

0:24:32.720 --> 0:24:36.399
<v Speaker 1>or come here. Now? Were these sketchy people ever? Or

0:24:36.520 --> 0:24:42.640
<v Speaker 1>was this like legit? This is like what legit people did? Um?

0:24:42.800 --> 0:24:47.040
<v Speaker 1>People legit did this, and I think it was you

0:24:47.080 --> 0:24:49.720
<v Speaker 1>know I they were doing it in fuls of my

0:24:50.000 --> 0:24:54.720
<v Speaker 1>where I was living. Um, and I I'm not exactly

0:24:54.760 --> 0:24:57.679
<v Speaker 1>sure of how legit that was. But I did some

0:24:57.760 --> 0:25:01.879
<v Speaker 1>local things in Sacramento and it seemed fun and I

0:25:01.920 --> 0:25:04.760
<v Speaker 1>had such low confidence, had such low com I mean

0:25:06.040 --> 0:25:09.000
<v Speaker 1>that in a way, even though it did not give

0:25:09.000 --> 0:25:13.719
<v Speaker 1>me confidence at all. Um, I was really trying to

0:25:13.760 --> 0:25:19.480
<v Speaker 1>find some sort of acceptance or coolness. I mean, this

0:25:19.520 --> 0:25:21.439
<v Speaker 1>is someone again and who like lived behind the camera

0:25:21.920 --> 0:25:26.640
<v Speaker 1>because I couldn't say hi to people right now, I

0:25:26.680 --> 0:25:29.440
<v Speaker 1>was on my Space. I don't know if you've heard

0:25:29.480 --> 0:25:33.000
<v Speaker 1>this story. The office was well, we were almost canceled

0:25:33.359 --> 0:25:36.000
<v Speaker 1>very early on, and so as a way to try

0:25:36.040 --> 0:25:40.560
<v Speaker 1>to drive audience, several of us at the time, it

0:25:40.640 --> 0:25:42.959
<v Speaker 1>was my Space, right, So this is before Twitter or

0:25:42.960 --> 0:25:47.119
<v Speaker 1>Facebook or anything else. We were like, what do people

0:25:47.119 --> 0:25:50.399
<v Speaker 1>in offices do? Well, they're on this thing called my space.

0:25:50.640 --> 0:25:54.440
<v Speaker 1>And so as our characters, we got onto my space

0:25:54.600 --> 0:25:58.960
<v Speaker 1>and started communicating with people as though we were working

0:25:59.320 --> 0:26:04.840
<v Speaker 1>in off So that's my experience. Kevin Malone was on

0:26:05.040 --> 0:26:07.760
<v Speaker 1>my space. I was never on my spit. Brian was

0:26:07.840 --> 0:26:10.359
<v Speaker 1>never on my space, but Kevin Malone was and wrote

0:26:10.400 --> 0:26:13.719
<v Speaker 1>blogs in character about the people that were around me.

0:26:14.640 --> 0:26:18.800
<v Speaker 1>Again as a very early way to try to attract

0:26:18.920 --> 0:26:23.640
<v Speaker 1>interested in the show from early Gerrilla advertisement. That's amazing.

0:26:23.960 --> 0:26:26.920
<v Speaker 1>This was early. Yes, this was us or we thought

0:26:26.960 --> 0:26:29.280
<v Speaker 1>we were going to be canceled like we were. So

0:26:29.359 --> 0:26:32.440
<v Speaker 1>there were four or five of us. Bj Novak included,

0:26:32.480 --> 0:26:34.719
<v Speaker 1>he was one of the early adopters of that too,

0:26:35.119 --> 0:26:38.960
<v Speaker 1>And yes, so we so we did that. I you know,

0:26:39.040 --> 0:26:43.200
<v Speaker 1>I don't even remember a lot of function Occasionally someone

0:26:43.240 --> 0:26:45.119
<v Speaker 1>will come up to me and say we used to

0:26:45.119 --> 0:26:48.640
<v Speaker 1>message on my space or something like this, and I'm like, Okay,

0:26:48.680 --> 0:26:52.040
<v Speaker 1>I don't even remember how that functionality worked. It's been

0:26:52.119 --> 0:26:56.840
<v Speaker 1>so long. But so you're on there, are you posting

0:26:56.920 --> 0:27:00.800
<v Speaker 1>pictures in terms of trying to get work, or you're

0:27:00.880 --> 0:27:04.560
<v Speaker 1>just on You're just on my space? You know, enjoying

0:27:04.640 --> 0:27:07.040
<v Speaker 1>because it was mostly music. I think that was like

0:27:07.119 --> 0:27:11.840
<v Speaker 1>it's core focus. And then people would see pictures and

0:27:11.880 --> 0:27:15.119
<v Speaker 1>start messaging you. Yeah, I mean I was that was

0:27:15.280 --> 0:27:17.760
<v Speaker 1>it was a pretty normal thing to be on in

0:27:18.200 --> 0:27:21.520
<v Speaker 1>uh in high school that was like, you know, my

0:27:21.560 --> 0:27:25.439
<v Speaker 1>Space was still just college only. Um okay, So I

0:27:25.480 --> 0:27:27.359
<v Speaker 1>think that was the That was the early days of

0:27:28.800 --> 0:27:31.320
<v Speaker 1>kind of like an Instagram nowadays in a way a

0:27:31.320 --> 0:27:36.080
<v Speaker 1>lot less, a lot less. But yeah, so I think

0:27:36.119 --> 0:27:38.919
<v Speaker 1>I like all my friends were on my Space and

0:27:38.920 --> 0:27:44.280
<v Speaker 1>stuff and no, no, not not posting to find anything, right,

0:27:44.560 --> 0:27:48.840
<v Speaker 1>you were just there. And so someone from America's Next

0:27:48.880 --> 0:27:53.400
<v Speaker 1>Top Model approaches you about coming on the show. Now,

0:27:53.440 --> 0:27:57.280
<v Speaker 1>do you have modeling experience at this point through these

0:27:57.520 --> 0:28:03.160
<v Speaker 1>other recruiters and stuff, or are aware that you're a model? Uh? Yes?

0:28:03.200 --> 0:28:06.280
<v Speaker 1>And I mean that's such a broad term too. It's

0:28:06.440 --> 0:28:10.880
<v Speaker 1>but I did some like really little things around Sacramento,

0:28:11.040 --> 0:28:16.040
<v Speaker 1>and no, they they hadn't and taught more like reality

0:28:16.080 --> 0:28:25.399
<v Speaker 1>television hadn't fully become what it is, and it still

0:28:25.520 --> 0:28:30.440
<v Speaker 1>had this edge of oh cool, Like someone else from

0:28:30.480 --> 0:28:34.040
<v Speaker 1>my school was on Top Model and it seemed just

0:28:34.440 --> 0:28:36.720
<v Speaker 1>really really cool. And I went and I auditioned and

0:28:36.720 --> 0:28:39.400
<v Speaker 1>I didn't get in. And then like six months later,

0:28:39.480 --> 0:28:44.719
<v Speaker 1>seven months later, the same woman contacted again and asked, UM,

0:28:45.200 --> 0:28:49.520
<v Speaker 1>asked I would come back in and I yeah, and

0:28:49.560 --> 0:28:52.080
<v Speaker 1>then I got on the show. And so at that

0:28:52.160 --> 0:28:55.440
<v Speaker 1>point it was cool. It was it was cool. I

0:28:55.480 --> 0:28:57.200
<v Speaker 1>had some friends that were actually disappointed, Like some of

0:28:57.200 --> 0:29:02.480
<v Speaker 1>my film friends were not okay with it. They're just like,

0:29:02.520 --> 0:29:07.600
<v Speaker 1>that's not um. My parents were really scared. I was excited.

0:29:07.760 --> 0:29:14.600
<v Speaker 1>I was really excited. Was it a positive experience? Yes, yes,

0:29:14.680 --> 0:29:18.320
<v Speaker 1>I think it was. Um. So it's what's interesting is

0:29:18.360 --> 0:29:20.080
<v Speaker 1>you have to take a lot of tests, right, You

0:29:20.160 --> 0:29:21.640
<v Speaker 1>have to take a lot of personality tests. You have

0:29:21.640 --> 0:29:23.760
<v Speaker 1>to take a lot of like the intelligent tests that

0:29:23.800 --> 0:29:25.440
<v Speaker 1>like it just a bunch of tests, and you have

0:29:25.480 --> 0:29:28.880
<v Speaker 1>to sit down with a psychiatrist or therapist and they

0:29:29.160 --> 0:29:31.800
<v Speaker 1>go over your answers and try to get what kind

0:29:31.800 --> 0:29:36.800
<v Speaker 1>of person you are. And early on in the elimination process,

0:29:37.400 --> 0:29:39.080
<v Speaker 1>one of the producers came in and kind of they

0:29:39.080 --> 0:29:42.920
<v Speaker 1>were like thirty of us left and said, you know

0:29:43.680 --> 0:29:46.680
<v Speaker 1>this is this is television. We need you guys to

0:29:46.760 --> 0:29:49.720
<v Speaker 1>start talking about each other. You know that you guys

0:29:49.720 --> 0:29:52.320
<v Speaker 1>are all being polite and everything and too afraid, don't

0:29:52.320 --> 0:29:54.240
<v Speaker 1>want to say anything bad, but we need you guys

0:29:54.280 --> 0:30:00.080
<v Speaker 1>to be more honest. We want people to watch, and

0:30:00.080 --> 0:30:04.200
<v Speaker 1>and they were very honest about it, like, um, I

0:30:04.240 --> 0:30:06.440
<v Speaker 1>went back to my hotel room and a panic attack,

0:30:07.160 --> 0:30:12.120
<v Speaker 1>and I went and found the producer and they brought

0:30:12.160 --> 0:30:16.760
<v Speaker 1>me in and I was like, look, I know, I

0:30:16.800 --> 0:30:20.160
<v Speaker 1>know what you just said. I can't I don't think

0:30:20.200 --> 0:30:23.160
<v Speaker 1>like that. I can't say those things because they're not

0:30:23.320 --> 0:30:27.120
<v Speaker 1>in my head, Like I don't process information like that,

0:30:27.160 --> 0:30:31.520
<v Speaker 1>and they don't process in like individual interactions like that.

0:30:32.200 --> 0:30:35.040
<v Speaker 1>And she said, you know, I know, and you don't

0:30:35.040 --> 0:30:38.400
<v Speaker 1>have to because we've talked about it with the doctors

0:30:38.720 --> 0:30:42.600
<v Speaker 1>and you. That is clear and lines up with who

0:30:42.680 --> 0:30:47.000
<v Speaker 1>you are, so you shouldn't feel pressure to do so.

0:30:47.920 --> 0:30:52.280
<v Speaker 1>And I didn't, And in that way, I think I

0:30:53.200 --> 0:30:58.400
<v Speaker 1>one got too. I had the fortune of avoiding maybe

0:30:58.440 --> 0:31:04.320
<v Speaker 1>some strange editing moves or specific editing things, and and

0:31:04.360 --> 0:31:11.320
<v Speaker 1>I knew my my role. I was the peace loving hip.

0:31:11.440 --> 0:31:13.840
<v Speaker 1>I wore peace sign the entire time and that was

0:31:13.960 --> 0:31:18.200
<v Speaker 1>kind of don't you wish that your nineteen year old

0:31:18.240 --> 0:31:30.680
<v Speaker 1>self was recorded doing things for the world to see? Yeah,

0:31:30.880 --> 0:31:35.680
<v Speaker 1>do you think the show gave you any extra confidence? No, no,

0:31:35.840 --> 0:31:39.640
<v Speaker 1>I'm a performance level. No you know actually someone um,

0:31:39.720 --> 0:31:41.560
<v Speaker 1>one of the judges, was like, you should be an actor,

0:31:42.120 --> 0:31:46.640
<v Speaker 1>and I had ahead, I had, I had the best

0:31:46.680 --> 0:31:49.600
<v Speaker 1>cover cover girl commercial. And then I was voted off

0:31:49.720 --> 0:31:54.440
<v Speaker 1>later for not being able to speak Dutch. Not not

0:31:54.560 --> 0:31:57.600
<v Speaker 1>that I've had like twenty years of bitterness almost but no,

0:31:57.880 --> 0:32:02.360
<v Speaker 1>not at all, Um, And that was that was that

0:32:02.440 --> 0:32:05.000
<v Speaker 1>was nice to hear kind of point in that direct?

0:32:05.040 --> 0:32:06.600
<v Speaker 1>Did you want to be an actress? At that point?

0:32:06.960 --> 0:32:09.360
<v Speaker 1>I did theater in high school and I loved performing

0:32:10.000 --> 0:32:12.520
<v Speaker 1>because it was similar in a way to being behind

0:32:12.560 --> 0:32:15.680
<v Speaker 1>the camera, at least when it came to not being

0:32:15.720 --> 0:32:20.800
<v Speaker 1>able to interact, but being so I could live as

0:32:20.840 --> 0:32:22.760
<v Speaker 1>someone else in a lot of a lot of my

0:32:22.840 --> 0:32:28.840
<v Speaker 1>own internal turmoil would calm down and quiet while I

0:32:28.880 --> 0:32:32.760
<v Speaker 1>was playing someone else. I played a sneezing tree, and Um,

0:32:32.760 --> 0:32:38.840
<v Speaker 1>I played crow. I played one of the Indians in

0:32:39.120 --> 0:32:44.240
<v Speaker 1>uh I say this Peter Pan the musical nowadays, I

0:32:44.280 --> 0:32:46.640
<v Speaker 1>don't even know how that would fly in high school,

0:32:46.680 --> 0:32:51.120
<v Speaker 1>but I you said, fly by the way in Peter Pan. Anyway,

0:32:51.200 --> 0:32:55.080
<v Speaker 1>keep going? That was that was nice? Um, So clearly

0:32:55.360 --> 0:32:59.640
<v Speaker 1>I mean I figured I'd have a great path in

0:32:59.680 --> 0:33:04.280
<v Speaker 1>front of me. Um, how can you not with sneezing

0:33:04.320 --> 0:33:10.760
<v Speaker 1>Tree number three. But in in college before Top Model,

0:33:10.840 --> 0:33:15.440
<v Speaker 1>I actually did. I was in theater and that theater

0:33:15.880 --> 0:33:19.120
<v Speaker 1>director loved my work like I did a model, like

0:33:19.120 --> 0:33:21.400
<v Speaker 1>I read a monologue of a book to audition. I mean,

0:33:21.400 --> 0:33:25.040
<v Speaker 1>we didn't really have a serious theater thing. It was

0:33:25.080 --> 0:33:28.680
<v Speaker 1>a two year college, so it was very small and

0:33:28.680 --> 0:33:32.160
<v Speaker 1>and he was really excited, and I was so baffled

0:33:32.360 --> 0:33:35.960
<v Speaker 1>because I had never gotten a lead at school. I'd

0:33:35.960 --> 0:33:41.560
<v Speaker 1>never gotten much of a speaking role. And I played

0:33:41.920 --> 0:33:48.320
<v Speaker 1>Billy Bibbett in the theater program. We went to a

0:33:48.520 --> 0:33:52.400
<v Speaker 1>theater called like a United States Theater competition, and then

0:33:52.440 --> 0:33:54.040
<v Speaker 1>I came back and I got the lead of the

0:33:54.360 --> 0:33:57.360
<v Speaker 1>of Picnic. And in the middle of that, about two

0:33:57.400 --> 0:34:01.040
<v Speaker 1>weeks before we opened, that's when I got the call

0:34:01.120 --> 0:34:04.920
<v Speaker 1>that I would be going to the show and I

0:34:04.960 --> 0:34:08.560
<v Speaker 1>had I had to. I had to train someone else

0:34:08.680 --> 0:34:11.960
<v Speaker 1>very quickly, and I think, thank God, she was amazing,

0:34:12.160 --> 0:34:15.839
<v Speaker 1>But I didn't realize I've devastated I would be, and

0:34:15.880 --> 0:34:18.680
<v Speaker 1>how much I loved it. So that was there, planted

0:34:18.920 --> 0:34:23.279
<v Speaker 1>from right before Top Model, and an experience that I

0:34:23.320 --> 0:34:26.759
<v Speaker 1>had not understood that I would love so much and

0:34:26.960 --> 0:34:32.399
<v Speaker 1>feel welcomed to right when you left Top Model, were

0:34:32.440 --> 0:34:37.080
<v Speaker 1>you on that path to try to begin auditioning and

0:34:37.160 --> 0:34:40.400
<v Speaker 1>get roles. I know you had a fairly big break

0:34:41.239 --> 0:34:44.440
<v Speaker 1>the role of hot Chick in The Green Hornet with

0:34:44.480 --> 0:34:48.000
<v Speaker 1>Seth Rogan. Yes. Yeah, although although my character got a name,

0:34:48.480 --> 0:34:54.800
<v Speaker 1>Oh what was the name, Anna Lee? It's but well honortly,

0:34:55.320 --> 0:35:01.720
<v Speaker 1>but Michelle Condrey couldn't say yes, which was my previous name. Um,

0:35:01.760 --> 0:35:03.440
<v Speaker 1>I never know how to say that, but it was

0:35:03.480 --> 0:35:07.839
<v Speaker 1>because Michelle uh Gonere, the director couldn't pronounce my name

0:35:07.880 --> 0:35:10.520
<v Speaker 1>on set, and he'd come up and go and uh

0:35:10.640 --> 0:35:13.920
<v Speaker 1>and and and Seth was like, it's Onnoly And they

0:35:13.960 --> 0:35:16.279
<v Speaker 1>thought that was funny. So in the movie they say

0:35:16.320 --> 0:35:18.960
<v Speaker 1>my name, they say, or I say, you know, it's

0:35:19.000 --> 0:35:21.840
<v Speaker 1>Anoly because Seth can't remember either, And they gave me

0:35:22.400 --> 0:35:25.040
<v Speaker 1>a title. And I felt so much better because my

0:35:25.040 --> 0:35:28.839
<v Speaker 1>family was not letting me live down. Hot Chick, Hot Chick, Okay,

0:35:29.080 --> 0:35:32.520
<v Speaker 1>all right, I apologize, No, no, it's it's a good

0:35:32.560 --> 0:35:36.040
<v Speaker 1>it turned out, really, I mean hot Chick. I can

0:35:36.080 --> 0:35:40.839
<v Speaker 1>think now you can thank yes. Did you feel like

0:35:40.920 --> 0:35:45.000
<v Speaker 1>that was was that your first break. So a break

0:35:45.000 --> 0:35:47.880
<v Speaker 1>in terms of film. Yeah. After Top Model, Um, I

0:35:47.920 --> 0:35:49.759
<v Speaker 1>didn't know what to do and I lost my scholarship,

0:35:50.520 --> 0:35:56.120
<v Speaker 1>and I decided to put filmmaking on hold and see

0:35:56.120 --> 0:35:59.640
<v Speaker 1>what would happen. And my cousin was down here, down

0:35:59.640 --> 0:36:03.640
<v Speaker 1>in l who introduced me to an agent at Abrams

0:36:04.760 --> 0:36:09.239
<v Speaker 1>Agency and they decided to take me on commercially, not

0:36:09.320 --> 0:36:13.040
<v Speaker 1>theatrically at all. Um. Turns out I'm terrible at commercials.

0:36:13.080 --> 0:36:16.200
<v Speaker 1>My face just moves a lot, and the way that

0:36:16.239 --> 0:36:21.280
<v Speaker 1>I speak, I'm not a commercial individual. Turns out. Um.

0:36:21.320 --> 0:36:24.600
<v Speaker 1>But there was a show about models on the c W,

0:36:25.800 --> 0:36:28.360
<v Speaker 1>and because I had just gotten off the show, Abrams

0:36:28.400 --> 0:36:31.200
<v Speaker 1>was like, yeah, you know you're a model, go ahead

0:36:33.280 --> 0:36:39.680
<v Speaker 1>and close. Before this Big Bang, Theory was doing a

0:36:40.440 --> 0:36:44.759
<v Speaker 1>episode where they broke into the Top Model house and

0:36:44.840 --> 0:36:47.040
<v Speaker 1>so I had auditioned for that with other girls from

0:36:47.080 --> 0:36:50.960
<v Speaker 1>Top Model and I got the speaking part um, and

0:36:51.000 --> 0:36:55.319
<v Speaker 1>so taffed hearted into SAG, which allowed me to then

0:36:55.840 --> 0:37:00.200
<v Speaker 1>audition for things. So I went up for this this

0:37:00.320 --> 0:37:04.360
<v Speaker 1>modeling show and I tested and I didn't know what

0:37:04.440 --> 0:37:10.160
<v Speaker 1>testing was, um. And it's a terrifying experience where you

0:37:10.800 --> 0:37:13.400
<v Speaker 1>do your scenes and new audition live in front of

0:37:14.360 --> 0:37:18.560
<v Speaker 1>a bunch of people wearing suits, um, with grave expressions

0:37:18.600 --> 0:37:23.439
<v Speaker 1>on their face. Always it's terrifying. There's there's nobody, nobody. Yeah,

0:37:23.440 --> 0:37:26.759
<v Speaker 1>it's awful. It's awful. It is. But because of that

0:37:27.200 --> 0:37:30.160
<v Speaker 1>I was they were like, oh, well you act here,

0:37:30.200 --> 0:37:33.240
<v Speaker 1>we'll start sending you out on something. The first audition

0:37:33.280 --> 0:37:36.760
<v Speaker 1>that I went out for after was per Stephanie um

0:37:36.960 --> 0:37:41.719
<v Speaker 1>in uh Percy Jackson, and I wore I dressed up

0:37:41.760 --> 0:37:46.640
<v Speaker 1>as Persephone and I wore like this long black dress

0:37:46.719 --> 0:37:50.320
<v Speaker 1>and I had this makeup and everything, and I I

0:37:50.360 --> 0:37:54.360
<v Speaker 1>couldn't remember my lines and I was so nervous that

0:37:54.400 --> 0:37:57.960
<v Speaker 1>I started stuttering. And the casting woman was like, you

0:37:57.960 --> 0:37:59.880
<v Speaker 1>can you can hold the paper and I was like no, no, no,

0:37:59.880 --> 0:38:02.960
<v Speaker 1>I can't, No, I can't. And I got out of

0:38:03.000 --> 0:38:07.360
<v Speaker 1>that audition and just hysterically crying. It was so bad

0:38:07.440 --> 0:38:12.520
<v Speaker 1>and it was so bad. Um And so the Big

0:38:12.560 --> 0:38:15.000
<v Speaker 1>Bang theory came out and I got hot Chick on

0:38:15.160 --> 0:38:18.000
<v Speaker 1>Green Hornet. I think because I did some sort of

0:38:18.040 --> 0:38:20.279
<v Speaker 1>improv at the end and it came really fast and

0:38:20.280 --> 0:38:23.480
<v Speaker 1>it went really fast. And during that time I I

0:38:23.520 --> 0:38:27.160
<v Speaker 1>was in acting class and they gave me a scene

0:38:28.239 --> 0:38:31.680
<v Speaker 1>for crazy stupid love for Jessica. Yes, now I don't

0:38:31.760 --> 0:38:34.759
<v Speaker 1>understand this story, so help me out here. Why do

0:38:34.880 --> 0:38:39.080
<v Speaker 1>they have Why are they giving you scenes from something

0:38:39.120 --> 0:38:41.840
<v Speaker 1>that hasn't been shot, like I'm used to like either

0:38:42.040 --> 0:38:46.040
<v Speaker 1>a play or even a film that exists. Why are

0:38:46.080 --> 0:38:49.239
<v Speaker 1>you getting the sides for this movie that isn't out yet?

0:38:49.280 --> 0:38:51.239
<v Speaker 1>Can you explain this to I think I did. I

0:38:51.680 --> 0:38:54.080
<v Speaker 1>think I had a man like a brand new manager

0:38:54.120 --> 0:38:57.080
<v Speaker 1>at the time, not brand new. My first gave you side? Yeah,

0:38:57.120 --> 0:38:59.000
<v Speaker 1>who was? And I needed something for class and I

0:38:59.080 --> 0:39:00.840
<v Speaker 1>was like, is there anything I could work on? And

0:39:00.880 --> 0:39:03.680
<v Speaker 1>they sent and I really loved it. And my my

0:39:03.719 --> 0:39:06.799
<v Speaker 1>acting coach was like, you know, you shot audition for

0:39:06.800 --> 0:39:10.320
<v Speaker 1>this and they called and they didn't want me to audition.

0:39:10.600 --> 0:39:17.000
<v Speaker 1>They said I was too old. Um I was twenty um.

0:39:17.040 --> 0:39:19.880
<v Speaker 1>And it was really hard to get an audition for it.

0:39:19.920 --> 0:39:22.839
<v Speaker 1>But I had no pressure on me because I figured that,

0:39:23.719 --> 0:39:25.680
<v Speaker 1>I mean, this is just a role that I really

0:39:25.680 --> 0:39:29.239
<v Speaker 1>love doing, and I don't have to try to be

0:39:29.320 --> 0:39:32.359
<v Speaker 1>what they're looking for since I'm not what they're looking for.

0:39:32.400 --> 0:39:36.200
<v Speaker 1>In general, I wish I could apply that to everything

0:39:36.239 --> 0:39:40.360
<v Speaker 1>I do. It's not always that easy to have that

0:39:40.440 --> 0:39:43.560
<v Speaker 1>kind of freedom going into a role. But yeah, and

0:39:43.600 --> 0:39:48.080
<v Speaker 1>so they eventually say yes and you go in and

0:39:48.360 --> 0:39:51.959
<v Speaker 1>you you get the role of Jessica. Did you watch

0:39:52.040 --> 0:39:55.920
<v Speaker 1>The Office at that time? I hadn't, but my my

0:39:55.960 --> 0:40:00.160
<v Speaker 1>whole family had. Okay, so you don't know who's Steve

0:40:00.200 --> 0:40:03.760
<v Speaker 1>carrells or you know, peripherally, I didn't know who Steve

0:40:03.840 --> 0:40:10.160
<v Speaker 1>Carrell was or Julianne Moore or Ryan Gosling. I knew

0:40:10.160 --> 0:40:12.680
<v Speaker 1>who Kevin Bacon was, and that was My family was

0:40:12.760 --> 0:40:15.560
<v Speaker 1>just so excited that I was a few degrees from

0:40:15.640 --> 0:40:20.359
<v Speaker 1>the two degrees from Kevin Bacon. I remember when we

0:40:20.520 --> 0:40:24.600
<v Speaker 1>when my mom and I were googling these these these names,

0:40:24.640 --> 0:40:28.399
<v Speaker 1>being like, oh yeah, okay, I recognized them. Looking back,

0:40:28.480 --> 0:40:35.239
<v Speaker 1>it's just it's I can't believe that. Yeah, that was Yeah,

0:40:35.360 --> 0:40:40.480
<v Speaker 1>you were stored. That is crazy that you didn't know

0:40:40.760 --> 0:40:43.239
<v Speaker 1>any of those people. Did you think that took the

0:40:43.280 --> 0:40:46.680
<v Speaker 1>pressure off you? Do you think you would have felt

0:40:46.719 --> 0:40:50.760
<v Speaker 1>more pressure if you had known. I mean, at the time,

0:40:51.080 --> 0:40:53.680
<v Speaker 1>and I'm saying this, this is not like The Office

0:40:53.719 --> 0:40:56.719
<v Speaker 1>is the biggest show on television at this point, and

0:40:56.920 --> 0:41:01.280
<v Speaker 1>he has after forty year old virgin become like essentially

0:41:01.360 --> 0:41:06.200
<v Speaker 1>the biggest comedy star on the planet and and you

0:41:06.360 --> 0:41:09.000
<v Speaker 1>just don't you just don't know. I mean, that's got

0:41:09.080 --> 0:41:11.680
<v Speaker 1>to have helped you, right, I mean, I like, I

0:41:11.719 --> 0:41:14.640
<v Speaker 1>had no idea who Seth Rogan was, but I loved

0:41:15.160 --> 0:41:19.799
<v Speaker 1>Michelle Gondry's films, so like filmmakers, I could kind of

0:41:19.880 --> 0:41:22.560
<v Speaker 1>you know, I was I was into and I think, yes,

0:41:22.640 --> 0:41:25.160
<v Speaker 1>I think it it was really everyone around me being

0:41:25.200 --> 0:41:30.000
<v Speaker 1>so anxious. That was the confusing factor. Honestly, at the

0:41:30.000 --> 0:41:33.480
<v Speaker 1>beginning of my career. I think I was very confused

0:41:33.560 --> 0:41:39.360
<v Speaker 1>as to what was happening most of the time, um,

0:41:39.360 --> 0:41:45.319
<v Speaker 1>and it just kept happening um, and I I was

0:41:45.400 --> 0:41:47.960
<v Speaker 1>just trying to take it all like it really wasn't.

0:41:49.040 --> 0:41:51.600
<v Speaker 1>I mean, it's confusing. I didn't mean to be an actor,

0:41:51.600 --> 0:41:53.479
<v Speaker 1>and I don't want to say that lightly because I'm

0:41:53.600 --> 0:41:56.160
<v Speaker 1>very happy to be one now. But it was never

0:41:56.200 --> 0:41:59.440
<v Speaker 1>the plan. I was always going to be a filmmaker,

0:42:00.040 --> 0:42:05.080
<v Speaker 1>the director, writer, and I think as I began getting roles,

0:42:05.640 --> 0:42:12.080
<v Speaker 1>it took me like three films to finally on press

0:42:12.120 --> 0:42:17.359
<v Speaker 1>junket be like, I guess, yeah, I'm an actor, because

0:42:17.400 --> 0:42:20.160
<v Speaker 1>they'd say, like, your model turned actress was like one

0:42:20.200 --> 0:42:23.080
<v Speaker 1>I was not a model. That did not happen. You

0:42:23.120 --> 0:42:27.400
<v Speaker 1>can ask Ford about that for firing me instantly. And uh,

0:42:27.480 --> 0:42:31.480
<v Speaker 1>and no, I'm not an actor like you are in

0:42:31.480 --> 0:42:35.160
<v Speaker 1>a movie. Yeah, I don't know how, but now I'm

0:42:35.160 --> 0:42:39.240
<v Speaker 1>not an actor. That's fascinating you. You you once said

0:42:40.280 --> 0:42:43.640
<v Speaker 1>that Steve taught you more about how to be on

0:42:43.760 --> 0:42:47.040
<v Speaker 1>set than anybody you've ever worked with. What what do

0:42:47.080 --> 0:42:48.759
<v Speaker 1>you what do you mean by the Thames down? I

0:42:48.760 --> 0:42:53.040
<v Speaker 1>mean before that again, Like besides Big Bang Theory, which

0:42:53.040 --> 0:42:56.920
<v Speaker 1>was a very studio, very different grade, Hornet was the

0:42:56.960 --> 0:43:00.920
<v Speaker 1>only films that I'd ever been on student films, I

0:43:00.960 --> 0:43:04.120
<v Speaker 1>didn't know what a mark was. On the way to rehearsal.

0:43:04.200 --> 0:43:07.319
<v Speaker 1>I actually I remember asking a p A being like

0:43:07.719 --> 0:43:09.759
<v Speaker 1>what are you supposed to do in rehearsal? And they

0:43:09.800 --> 0:43:13.640
<v Speaker 1>looked at me and they were like, rehearse whatever that means.

0:43:14.160 --> 0:43:19.000
<v Speaker 1>And getting on set with on Crazy Stupid Love, I

0:43:19.080 --> 0:43:23.600
<v Speaker 1>learned everything. I mean one Steve would watch himself, so

0:43:23.680 --> 0:43:26.560
<v Speaker 1>we would do some takes and we'd go back and

0:43:26.840 --> 0:43:32.239
<v Speaker 1>I would watch our scenes, watch how he analyzed it,

0:43:32.719 --> 0:43:38.680
<v Speaker 1>how he would tweak things. And I think my skill

0:43:38.760 --> 0:43:41.880
<v Speaker 1>at that time, if you could call it, that was

0:43:42.200 --> 0:43:46.960
<v Speaker 1>observing someone else and working off of that because I

0:43:47.760 --> 0:43:52.000
<v Speaker 1>didn't have any ideas. Really, I again, I had no

0:43:52.040 --> 0:43:56.640
<v Speaker 1>idea what was happening, but I could react, and you know,

0:43:56.800 --> 0:44:00.920
<v Speaker 1>Steve was so giving and so kind I don't think,

0:44:01.360 --> 0:44:03.160
<v Speaker 1>I mean, to this day, I think that's kind of

0:44:03.160 --> 0:44:08.040
<v Speaker 1>the gold standard for my experience in general. Looking back.

0:44:08.280 --> 0:44:13.160
<v Speaker 1>It was such an incredible set and group of people

0:44:14.040 --> 0:44:19.720
<v Speaker 1>and so loving and warm that I really owe everything

0:44:19.760 --> 0:44:24.040
<v Speaker 1>going forward to that experience. It was very much acting

0:44:24.080 --> 0:44:26.120
<v Speaker 1>one on one. Well, I mean, as it said, as

0:44:26.160 --> 0:44:28.680
<v Speaker 1>it sounds like you know by now, I mean, how

0:44:28.880 --> 0:44:33.160
<v Speaker 1>incredibly lucky you were because and I say this with

0:44:33.239 --> 0:44:38.200
<v Speaker 1>all respect to most of the people that I've worked

0:44:38.239 --> 0:44:42.279
<v Speaker 1>with since it doesn't get any better than him. It

0:44:42.960 --> 0:44:47.719
<v Speaker 1>just doesn't. In terms of as a person to work with,

0:44:47.920 --> 0:44:52.280
<v Speaker 1>as a professional on set, someone who's generous and giving

0:44:52.560 --> 0:44:57.080
<v Speaker 1>and always willing if you have something funny or better

0:44:57.400 --> 0:45:00.560
<v Speaker 1>to step back and allow that to go for I mean,

0:45:01.000 --> 0:45:04.880
<v Speaker 1>it just doesn't get any better. So, yeah, that's just

0:45:04.920 --> 0:45:08.000
<v Speaker 1>an incredible gift you were. And because I had never

0:45:08.040 --> 0:45:13.440
<v Speaker 1>i mean done comedy or or anything. Um, now I

0:45:13.560 --> 0:45:18.719
<v Speaker 1>realize what what a gift. Some of that experience was

0:45:19.680 --> 0:45:24.960
<v Speaker 1>learning for instance, to give and receive in comedy and

0:45:25.160 --> 0:45:30.279
<v Speaker 1>be open and listen to the other actor, I think

0:45:31.600 --> 0:45:36.719
<v Speaker 1>is something that is priceless to me, and I have

0:45:37.600 --> 0:45:42.000
<v Speaker 1>had other jobs where that has not been the case.

0:45:42.840 --> 0:45:47.080
<v Speaker 1>I didn't realize that isn't the case for everyone. You know.

0:45:47.680 --> 0:45:50.239
<v Speaker 1>It made it a little It made it challenging to

0:45:50.360 --> 0:45:52.919
<v Speaker 1>sometimes be like, there's a better there's a better way

0:45:52.920 --> 0:45:58.600
<v Speaker 1>to do this, there's a better way to interact. Like

0:45:58.680 --> 0:46:04.719
<v Speaker 1>if you listen to what I'm saying. I heard you

0:46:04.800 --> 0:46:07.480
<v Speaker 1>had you had a solo scene with Steve in a

0:46:07.600 --> 0:46:11.040
<v Speaker 1>car and you were you were having a rough time

0:46:11.160 --> 0:46:14.440
<v Speaker 1>right before that scene started shooting, and he told you

0:46:14.480 --> 0:46:17.720
<v Speaker 1>a story or you guys started started talking about figure skating.

0:46:17.760 --> 0:46:21.720
<v Speaker 1>Is that right? Yeah, figure skating in space camp um.

0:46:21.760 --> 0:46:24.640
<v Speaker 1>And then I had a panic attack outside of the

0:46:24.640 --> 0:46:27.320
<v Speaker 1>car and the directors took me back into the trailer

0:46:27.440 --> 0:46:30.960
<v Speaker 1>and getting me a shot of whiskey. And because it

0:46:31.000 --> 0:46:32.600
<v Speaker 1>was the first it was like the first big scene

0:46:32.600 --> 0:46:34.640
<v Speaker 1>I was doing with Steve. I had never been on

0:46:34.640 --> 0:46:37.800
<v Speaker 1>a ride before, and it was just it was so purpouse.

0:46:38.840 --> 0:46:41.840
<v Speaker 1>But yeah, no, I mean, Steve was absolutely wonderful and

0:46:41.920 --> 0:46:48.479
<v Speaker 1>kind and calming and Whiskey helped and we go through it. Yeah,

0:47:07.719 --> 0:47:10.480
<v Speaker 1>you moved to New York City or you were in

0:47:10.520 --> 0:47:13.440
<v Speaker 1>New York City a lot. You do a bunch of

0:47:13.560 --> 0:47:19.800
<v Speaker 1>other projects at this point, Hbos, hung Warm Bodies, Manhattan,

0:47:19.880 --> 0:47:24.680
<v Speaker 1>Love Story, Why Women Kill, etcetera, etcetera, etcetera. I do

0:47:24.840 --> 0:47:31.520
<v Speaker 1>want to talk about and congratulate you on Vengeance, just out,

0:47:32.480 --> 0:47:40.080
<v Speaker 1>very very very popular, excellent movie with my other coworker

0:47:40.440 --> 0:47:43.239
<v Speaker 1>bj Novak. And now did you get an offer? Did you?

0:47:43.400 --> 0:47:45.880
<v Speaker 1>Did you audition for? I did audition? Um? I did

0:47:45.920 --> 0:47:48.640
<v Speaker 1>audition and I felt you know, you know when you

0:47:48.680 --> 0:47:50.520
<v Speaker 1>go into an audition and you're like, Okay, I feel

0:47:50.520 --> 0:47:54.279
<v Speaker 1>like I feel like this is gonna work out. Um. Yes,

0:47:54.719 --> 0:48:02.200
<v Speaker 1>And it did and uh and it was quite a whirlwind.

0:48:02.280 --> 0:48:05.759
<v Speaker 1>It was around the pandemic I die, and it was

0:48:05.960 --> 0:48:09.279
<v Speaker 1>held to film I will have I have one story there.

0:48:09.600 --> 0:48:14.160
<v Speaker 1>We're filming out in the oil fields, uh, in New Mexico.

0:48:14.320 --> 0:48:16.760
<v Speaker 1>And it was like it was really late and cold,

0:48:16.840 --> 0:48:19.719
<v Speaker 1>and I was in a dress with nothing like it

0:48:19.800 --> 0:48:21.520
<v Speaker 1>was like a sheet. It was like a thin dress.

0:48:22.160 --> 0:48:24.600
<v Speaker 1>And I'm on the ground in these oil fields which

0:48:25.200 --> 0:48:28.800
<v Speaker 1>are fit. There's no ground. It's birds and thorns, all

0:48:29.080 --> 0:48:34.560
<v Speaker 1>it is is thorns and dry, itchy, painful stuff. And

0:48:34.640 --> 0:48:37.759
<v Speaker 1>they put the gurney down, um and line up the

0:48:37.800 --> 0:48:41.239
<v Speaker 1>shot and it would be fun because the gurney was there,

0:48:41.280 --> 0:48:45.040
<v Speaker 1>but then they've removed the gurney and it would happen

0:48:45.120 --> 0:48:48.120
<v Speaker 1>to be like on you know, hopefully. We tried to

0:48:48.200 --> 0:48:51.279
<v Speaker 1>kind of make a path. But one of the last

0:48:51.280 --> 0:48:53.719
<v Speaker 1>shots was a wide shot the camera. I couldn't even

0:48:53.800 --> 0:48:57.520
<v Speaker 1>see the camera right. It was like mile away. And

0:48:57.800 --> 0:49:00.480
<v Speaker 1>they put down the bourney and they brought up and

0:49:00.520 --> 0:49:03.840
<v Speaker 1>I mean there, it's a tumbleweed. It is like a

0:49:04.480 --> 0:49:11.480
<v Speaker 1>three ft high bush of pointy, pointy sharp things. And

0:49:12.120 --> 0:49:14.680
<v Speaker 1>I sit there and I'm and I have to crawl

0:49:14.840 --> 0:49:18.200
<v Speaker 1>on my I'm dying, so I'm crawling. Um, not really

0:49:18.200 --> 0:49:20.480
<v Speaker 1>a spoiler. It's in the first like three minutes. I'm

0:49:20.520 --> 0:49:23.440
<v Speaker 1>crawling on my on my belly and my hands and knees,

0:49:23.480 --> 0:49:27.240
<v Speaker 1>and I'm having a drug overdose. I'm like spitalling and everything,

0:49:27.880 --> 0:49:30.879
<v Speaker 1>and I'm pretty bruised by this time. And BJ goes,

0:49:30.960 --> 0:49:34.839
<v Speaker 1>what what what is it? Just right like there's a

0:49:34.840 --> 0:49:38.279
<v Speaker 1>lot of thorns right here. And he pauses and he goes,

0:49:39.440 --> 0:49:48.920
<v Speaker 1>there's thorns everywhere, like okay, my god, damn. And at

0:49:48.920 --> 0:49:51.000
<v Speaker 1>the end, and I mean I never, I never. I

0:49:51.080 --> 0:49:52.680
<v Speaker 1>think I might have told this to b J later,

0:49:53.080 --> 0:49:56.080
<v Speaker 1>But I got back to the hotel and I was

0:49:56.239 --> 0:49:59.759
<v Speaker 1>just bloody and I had an allergic reaction and I

0:50:00.160 --> 0:50:05.080
<v Speaker 1>just cut and laced all over and I put it

0:50:05.080 --> 0:50:06.799
<v Speaker 1>in a script that I was writing later, I put

0:50:06.840 --> 0:50:13.160
<v Speaker 1>a very similar scene. Good make him play storms everywhere,

0:50:14.520 --> 0:50:18.839
<v Speaker 1>storns everywhere and uh. And I worked with Jake Lacey.

0:50:19.000 --> 0:50:21.560
<v Speaker 1>I know when when is our turn a friend of

0:50:21.560 --> 0:50:27.120
<v Speaker 1>the family peacock. This is coming out eminently, yes here

0:50:27.239 --> 0:50:34.040
<v Speaker 1>right October six, It's coming out like almost immediately after

0:50:34.160 --> 0:50:38.120
<v Speaker 1>we finished talking. This is the true story of the

0:50:38.160 --> 0:50:44.279
<v Speaker 1>Broburg family. You played the wife of Jake Lacy. How

0:50:44.400 --> 0:50:50.120
<v Speaker 1>is Jake Um? Well, he plays a terrifying role in this,

0:50:50.400 --> 0:50:56.480
<v Speaker 1>which is a pit of children and people alike. Um.

0:50:56.760 --> 0:51:01.080
<v Speaker 1>And it's funny because I mean, he's just he's so nice.

0:51:01.719 --> 0:51:04.880
<v Speaker 1>Jake is like one of the He's so nice and

0:51:04.920 --> 0:51:08.359
<v Speaker 1>he's just he's She was so great to work with

0:51:08.440 --> 0:51:12.640
<v Speaker 1>and so thoughtful. On set. I had a baby, which

0:51:13.200 --> 0:51:17.960
<v Speaker 1>I don't think i'd have worked with before. Um, and

0:51:18.000 --> 0:51:21.880
<v Speaker 1>I every time the baby would just start hysterically crying

0:51:21.920 --> 0:51:24.240
<v Speaker 1>like it was not. It started to not be funny

0:51:24.280 --> 0:51:26.520
<v Speaker 1>for me because the we had like twins one time

0:51:26.680 --> 0:51:28.160
<v Speaker 1>and they put the baby in my arm and it

0:51:28.160 --> 0:51:29.960
<v Speaker 1>would be fine. It would have been fine for like

0:51:30.040 --> 0:51:33.160
<v Speaker 1>forty five minutes setting up everything. People were passing around

0:51:33.200 --> 0:51:36.759
<v Speaker 1>the baby. The baby like barely touched my hands and

0:51:36.880 --> 0:51:39.239
<v Speaker 1>would break out into hysterics, and they bring the other

0:51:39.280 --> 0:51:41.040
<v Speaker 1>baby and the baby would be fine for about three

0:51:41.040 --> 0:51:43.959
<v Speaker 1>minutes until it broke out into hysterics every single time.

0:51:44.440 --> 0:51:48.720
<v Speaker 1>And Jake was just so kind during that and making

0:51:48.800 --> 0:51:52.000
<v Speaker 1>short like I was okay and that you know I

0:51:52.000 --> 0:51:56.919
<v Speaker 1>could act and whatnot. Um, now he's he's wonderful. I'm

0:51:56.960 --> 0:52:00.520
<v Speaker 1>so excited for him for this show because man, what

0:52:00.640 --> 0:52:04.360
<v Speaker 1>a performance. I'm so excited to see it. Obviously I

0:52:04.440 --> 0:52:07.080
<v Speaker 1>haven't yet it has it's not out, but this is

0:52:07.280 --> 0:52:13.640
<v Speaker 1>also produced by the real life mother and daughter who

0:52:13.719 --> 0:52:17.640
<v Speaker 1>who was kidnapped. Did you did you find yourself doing

0:52:17.680 --> 0:52:21.000
<v Speaker 1>a lot of research to the original stories or talking

0:52:21.000 --> 0:52:23.640
<v Speaker 1>to them about their experience going through it? How was that?

0:52:23.800 --> 0:52:26.160
<v Speaker 1>I mean that was priceless. That was priceless to have

0:52:26.200 --> 0:52:29.160
<v Speaker 1>them there, and I think that it wouldn't have the

0:52:29.160 --> 0:52:31.480
<v Speaker 1>show would not have happened had we not had that

0:52:32.040 --> 0:52:35.080
<v Speaker 1>support from them, truly, because you can't tell a story

0:52:35.160 --> 0:52:39.080
<v Speaker 1>this harrowing and do it justice and not have the

0:52:39.160 --> 0:52:43.680
<v Speaker 1>victims involved. And I'm sure you could, but we really

0:52:43.680 --> 0:52:45.759
<v Speaker 1>thought it was important because she wants to tell her

0:52:45.800 --> 0:52:49.000
<v Speaker 1>story jan Um, since this is a story of a

0:52:49.040 --> 0:52:55.280
<v Speaker 1>predator and grooming. He didn't only groom the little girl

0:52:55.440 --> 0:52:59.480
<v Speaker 1>and and her family, but also his own family, Gail

0:53:00.120 --> 0:53:04.680
<v Speaker 1>and his children. Really and when you're doing something that deep.

0:53:04.920 --> 0:53:06.880
<v Speaker 1>I know for Jake it was really important too, because

0:53:06.960 --> 0:53:09.840
<v Speaker 1>jan got on and was like, look, I've I have healed,

0:53:10.760 --> 0:53:13.960
<v Speaker 1>I have gone through this, I've come out the other side.

0:53:14.080 --> 0:53:19.200
<v Speaker 1>I'm good. I want you to then feel free to

0:53:19.360 --> 0:53:21.839
<v Speaker 1>take this where you need to take it and how

0:53:21.840 --> 0:53:24.480
<v Speaker 1>it was. And I think the important thing is like

0:53:24.560 --> 0:53:28.960
<v Speaker 1>how not only is the storage sponkers and it it's

0:53:29.400 --> 0:53:34.520
<v Speaker 1>it just gets more and more bonker. She was abducted twice, Um,

0:53:34.719 --> 0:53:37.520
<v Speaker 1>twice the same girl by the same person. And I

0:53:37.560 --> 0:53:40.799
<v Speaker 1>think jan looks and was like, people look at my

0:53:40.840 --> 0:53:44.200
<v Speaker 1>parents and say, how could that have happened? And she

0:53:44.320 --> 0:53:48.360
<v Speaker 1>wants people to know that it very much is not

0:53:48.400 --> 0:53:53.000
<v Speaker 1>her parents that this happens, that grooming happens right under

0:53:53.040 --> 0:53:56.640
<v Speaker 1>your nose, and that children and adults are like are susceptible,

0:53:57.239 --> 0:54:01.160
<v Speaker 1>and trying to get that out her, I'd out, yeah,

0:54:02.719 --> 0:54:05.560
<v Speaker 1>so I don't. I don't want to. I'm not asking

0:54:05.560 --> 0:54:10.000
<v Speaker 1>for any spoilers here. But you play the abductor played

0:54:10.000 --> 0:54:13.799
<v Speaker 1>by Jake Lacy, you play his wife. Are you a

0:54:13.920 --> 0:54:16.760
<v Speaker 1>victim or you a perpetrator? So that's a really good question.

0:54:17.160 --> 0:54:21.240
<v Speaker 1>The real, the real Gail Um chose not to sign

0:54:21.239 --> 0:54:23.600
<v Speaker 1>off on, you know, with her rights, didn't want to

0:54:23.600 --> 0:54:26.600
<v Speaker 1>be involved. And I totally understand and respect that. Um.

0:54:26.640 --> 0:54:29.280
<v Speaker 1>I didn't even see a photo of her. I listened

0:54:29.320 --> 0:54:32.040
<v Speaker 1>to tape, and I got to read a lot of

0:54:32.120 --> 0:54:36.600
<v Speaker 1>letters and obviously speak with Jane and kind of form

0:54:36.719 --> 0:54:40.520
<v Speaker 1>the fictionalized version that I brought since I didn't have

0:54:40.640 --> 0:54:46.720
<v Speaker 1>that first interaction. And the way that Gails comes across

0:54:47.080 --> 0:54:51.920
<v Speaker 1>is especially on paper, is you just I can't imagine

0:54:51.920 --> 0:54:56.320
<v Speaker 1>anyone not asking themselves how did she let this happen?

0:54:57.560 --> 0:55:00.560
<v Speaker 1>How did she let her husband? How did she protect

0:55:00.600 --> 0:55:04.479
<v Speaker 1>her husband when this was happening? She must have known

0:55:05.880 --> 0:55:11.200
<v Speaker 1>and instead of looking at each scene and going okay,

0:55:11.239 --> 0:55:15.560
<v Speaker 1>this is where she knew, this is where she was ignorant. Um.

0:55:15.600 --> 0:55:19.640
<v Speaker 1>I tried to take that completely out of it and

0:55:19.680 --> 0:55:23.440
<v Speaker 1>do it through one simplify it and go through one

0:55:23.480 --> 0:55:28.759
<v Speaker 1>filter of I'm not a parent, yeah, but um, my

0:55:28.840 --> 0:55:33.239
<v Speaker 1>mother is a is a fierce mother, mama, mama bear.

0:55:34.120 --> 0:55:39.440
<v Speaker 1>And I thought about what she would do for her

0:55:39.480 --> 0:55:43.840
<v Speaker 1>girls and for me, and realizing like the depths that

0:55:43.920 --> 0:55:49.240
<v Speaker 1>I believe she would go to protect me, protect them.

0:55:49.280 --> 0:55:52.520
<v Speaker 1>I use that as as like a template for Gail,

0:55:53.120 --> 0:55:58.080
<v Speaker 1>and every decision, everything that she did to me was

0:55:58.880 --> 0:56:03.520
<v Speaker 1>through love protecting her family because it's the seventies and

0:56:03.520 --> 0:56:06.560
<v Speaker 1>there are in a Mormon community and there is no divorce,

0:56:06.640 --> 0:56:09.040
<v Speaker 1>and she doesn't have a job, and she has four children,

0:56:09.640 --> 0:56:14.080
<v Speaker 1>and something like this coming out would not only ruin

0:56:14.840 --> 0:56:18.000
<v Speaker 1>her and her family. I mean, I think to Gail,

0:56:18.040 --> 0:56:23.440
<v Speaker 1>there was no option, and I really wanted to take

0:56:23.719 --> 0:56:28.040
<v Speaker 1>kind of that. I wanted that to play out at least,

0:56:28.120 --> 0:56:31.400
<v Speaker 1>and people are going to make their own judgment either way.

0:56:31.440 --> 0:56:34.880
<v Speaker 1>But for me, I it was what would I do

0:56:35.560 --> 0:56:42.120
<v Speaker 1>to protect my family even though this horrific thing is happening. Um. Obviously,

0:56:42.160 --> 0:56:44.280
<v Speaker 1>I don't think Gail wanted any of it to happen,

0:56:45.000 --> 0:56:49.560
<v Speaker 1>and I think she was probably pretty traumatized by it

0:56:49.640 --> 0:56:53.000
<v Speaker 1>as well. And things aren't black and white. Things are

0:56:53.040 --> 0:56:56.280
<v Speaker 1>not black and white when when it comes to this stuff. Yeah,

0:56:56.800 --> 0:57:01.399
<v Speaker 1>I'm super super interested in it. I love Jake. I've

0:57:01.440 --> 0:57:07.279
<v Speaker 1>seen all the trailers, and congratulations on that as well.

0:57:07.360 --> 0:57:10.239
<v Speaker 1>And yeah, you're just going through the office capt one

0:57:10.280 --> 0:57:14.120
<v Speaker 1>by one, you're just picking everybody off. Eventually it will

0:57:14.120 --> 0:57:17.880
<v Speaker 1>be my turn, and it will be my absolute pleasure.

0:57:18.000 --> 0:57:23.400
<v Speaker 1>I find your story amazing and so unique and rare,

0:57:24.360 --> 0:57:30.600
<v Speaker 1>and you to be such an interesting, special person. I

0:57:30.680 --> 0:57:35.760
<v Speaker 1>wish you truly nothing but the best moving forward. Um,

0:57:35.880 --> 0:57:39.280
<v Speaker 1>is there any other projects you have? I heard rumor

0:57:39.400 --> 0:57:41.520
<v Speaker 1>of one. I don't know if we can discuss it

0:57:41.600 --> 0:57:45.960
<v Speaker 1>or not. An adaptation of a podcast. Yes, it is

0:57:46.120 --> 0:57:51.440
<v Speaker 1>actually hopefully going to be out. It's a very popular podcast.

0:57:52.360 --> 0:57:54.280
<v Speaker 1>We'll see if they're they're in the middle of trying

0:57:54.280 --> 0:57:56.680
<v Speaker 1>to sell it. But that was that's with New Regency.

0:57:56.800 --> 0:58:01.360
<v Speaker 1>I'm letting in my fiance, which I get married. Um

0:58:01.440 --> 0:58:10.400
<v Speaker 1>the two days after the show comes out, Oh, congratulations, congratulations,

0:58:10.560 --> 0:58:15.040
<v Speaker 1>thank you, that's that's awesome. A friend two days after

0:58:15.080 --> 0:58:17.720
<v Speaker 1>a friend of the family premier. Yes, so you you've

0:58:17.720 --> 0:58:20.960
<v Speaker 1>been on flights. I came I got in yesterday. I

0:58:21.120 --> 0:58:25.760
<v Speaker 1>fly back to l A on Friday. Then on Sunday

0:58:26.000 --> 0:58:31.720
<v Speaker 1>or Sunday night at midnight, I fly to Wisconsin and

0:58:31.760 --> 0:58:34.959
<v Speaker 1>then back. So it's I I am going to feel

0:58:34.960 --> 0:58:40.480
<v Speaker 1>you on the flights. Well, congratulations to you on your

0:58:40.840 --> 0:58:45.960
<v Speaker 1>upcoming nuptials. Congratulations on the show. Do out later this week.

0:58:46.200 --> 0:58:49.160
<v Speaker 1>I'm so happy for you, and I'm so thankful that

0:58:49.200 --> 0:58:52.080
<v Speaker 1>you took some time to talk to me. It truly

0:58:52.080 --> 0:58:54.920
<v Speaker 1>has been my pleasure. Likewise, honestly, it's it's an honor.

0:58:55.400 --> 0:58:58.200
<v Speaker 1>I'm so excited. Let's let's find something to work on together.

0:58:58.240 --> 0:59:01.280
<v Speaker 1>That would be amazing. I would love to do that. Leo.

0:59:01.440 --> 0:59:17.440
<v Speaker 1>Thank you so much, Leo, thank you for stopping by

0:59:17.480 --> 0:59:21.320
<v Speaker 1>the podcast. Uh such a pleasure getting to know you.

0:59:21.600 --> 0:59:25.200
<v Speaker 1>I can't wait to see which of the office cast

0:59:25.480 --> 0:59:31.320
<v Speaker 1>you work with next, hopefully it will be me And

0:59:31.440 --> 0:59:34.120
<v Speaker 1>to everyone out there listening, I will see you again,

0:59:34.480 --> 0:59:38.720
<v Speaker 1>same time, same place, next week. But until then, I

0:59:38.760 --> 0:59:42.000
<v Speaker 1>hope you get out there and enjoy yourself. What a

0:59:42.040 --> 0:59:45.960
<v Speaker 1>beautiful time of year is fall and a new episode

0:59:46.440 --> 0:59:56.360
<v Speaker 1>will be falling next Tuesday. We'll see you soon. Off

0:59:56.400 --> 1:00:00.440
<v Speaker 1>the Beat is hosted an executive produced by me Brian Gartner,

1:00:00.680 --> 1:00:05.840
<v Speaker 1>alongside our executive producer Lang Lee. Our producers are Diego Tapia,

1:00:06.080 --> 1:00:10.320
<v Speaker 1>Liz Hayes, Hannah Harris and Emily Carr. Our talent producer

1:00:10.600 --> 1:00:14.800
<v Speaker 1>is Ryan Papa Zachary and our intern is Sammy Cats.

1:00:15.200 --> 1:00:18.800
<v Speaker 1>Our theme song Bubble and Squeak, performed by my great

1:00:18.840 --> 1:00:20.160
<v Speaker 1>friend Creed Bratton,