WEBVTT - Questlove Supreme Presents: Team Supreme

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<v Speaker 1>Quest Love Supreme is a production of iHeart Radio.

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<v Speaker 2>Primo Supremo, Roll Call, Supremo Supremo, Roll Suprema Supremo, Supremo Supremo.

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<v Speaker 1>These are my peers. Yeah, call me a mirror, yeah,

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<v Speaker 1>or call me quest.

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<v Speaker 3>Yeah.

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<v Speaker 1>We ain't got no guests. My name is.

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<v Speaker 3>Mante Yeah, and I go for dolo. We ain't got

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<v Speaker 3>no guests.

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<v Speaker 4>So we're doing this solo.

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<v Speaker 1>My name is Sugar. Yeah. I'm never scared when it

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<v Speaker 1>comes to roll call. I'm prepared brere roll.

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<v Speaker 5>Whatever up, Hey, Bill, and I'm ready to go. Yeah,

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<v Speaker 5>Lie Steve, Yeah, question f Tickelo come.

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<v Speaker 1>Roll on your bream.

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<v Speaker 6>It's like, yeah, ain't this a trip?

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<v Speaker 1>Yeah?

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<v Speaker 7>I ain't got no guess Yeah, am.

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<v Speaker 1>I had to make it fun.

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<v Speaker 5>That was a music theater move if I've ever heard one.

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<v Speaker 6>Yeah, Hey guys, yeah that one.

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<v Speaker 1>No pressure, man, no pressure. Well done. So again to

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<v Speaker 1>my wishes, my authority figures that this our beloved podcast.

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<v Speaker 1>Brittany and cousin, Jake and light Ya, the producers of

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<v Speaker 1>the show, suggested that we should do something that we

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<v Speaker 1>haven't done in a long time.

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<v Speaker 6>We ain't done it.

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<v Speaker 1>I will admit last month I did the Conan O'Brien podcast,

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<v Speaker 1>and I kind of they kind of thank you, so

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<v Speaker 1>they kind of like I forgot that. While I was

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<v Speaker 1>doing that interview, I was like, damn, I used to

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<v Speaker 1>have that type of energy on on my own podcast,

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<v Speaker 1>Like why don't we go back to that? So, yes,

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<v Speaker 1>we we are. This is not someone didn't stand us up.

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<v Speaker 4>It's intentional.

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<v Speaker 1>If we're with that laugh now this someone stands us up.

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<v Speaker 6>No no, no no no no no no, actually no,

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<v Speaker 6>you just tried to fill in this gap. A lot

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<v Speaker 6>of times. I got confused, but I was like, well.

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<v Speaker 1>Yeah, I was trying. I was trying to go for

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<v Speaker 1>no to Michael Walden and we were trying to go

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<v Speaker 1>with I mean, right now, I'm just dying to get

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<v Speaker 1>to anyone over the age of sixty five because you

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<v Speaker 1>never know.

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<v Speaker 8>So just interviewing yourself then exactly whoa geriatric jokes?

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<v Speaker 1>Damn?

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<v Speaker 4>We all up there?

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<v Speaker 1>H birthday? How was you just keep coming? Steve and

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<v Speaker 1>eight years old? Is incredible? Stay at home? That's good?

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<v Speaker 1>Wait is that good?

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<v Speaker 4>Yeah?

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<v Speaker 1>That seeds. That's what you do on your birthday. That's

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<v Speaker 1>what you do on your birthday. You know what? I

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<v Speaker 1>think I was sick on my birthday? You've ever been

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<v Speaker 1>on sick or on Christmas or your birthday? Yes? What's Christmas? Really?

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<v Speaker 1>Is it too early for people.

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<v Speaker 5>To laugh my jokes? That was actually good jewey Christmas

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<v Speaker 5>jokes at Landing right now?

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<v Speaker 1>Yeah, well done. Maybe I'm supposed to be in Will

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<v Speaker 1>Ferrell's podcast. I'm in the wrong room. Oh yeah, hopefully

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<v Speaker 1>he'll you know, be a mercy laugh for anything. Or

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<v Speaker 1>we could just start over. So we're we're in Los Angeles?

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<v Speaker 6>Yeah?

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<v Speaker 1>Is this is this a vacation of sorts or are

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<v Speaker 1>you guys still this is mine? I feel like he

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<v Speaker 1>was about to go out of his mind. If he doesn't,

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<v Speaker 1>I feel like we're taking away from something really important

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<v Speaker 1>right now. No. No, by the presence, I just meant like,

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<v Speaker 1>you got you got real going on? We all got real,

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<v Speaker 1>but you really got real?

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<v Speaker 4>Shiit?

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<v Speaker 1>No?

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<v Speaker 6>Do you notice that? For real? For real? Bill is

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<v Speaker 6>worse than you when it comes to like the flowers,

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<v Speaker 6>seeing he's all like weird, he's getting he's turned white.

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<v Speaker 1>Really well with flowers. Let's start with buildings. The episodes Phil.

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<v Speaker 5>Last episode of Quest Love Supre Sorry Bill Shervin, know

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<v Speaker 5>what you've been up to?

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<v Speaker 4>Man?

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<v Speaker 1>So the Tony's are over. The Tonys went over.

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<v Speaker 5>I didn't win any Tonies get nominated for a Tony.

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<v Speaker 5>Julia is still running and and it's expanded, and it's expanded.

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<v Speaker 1>It's in Singapore. Let people know what it is. Let

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<v Speaker 1>people know what it is.

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<v Speaker 5>Andreuliette is a musical I worked on. It's the retelling

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<v Speaker 5>of Romeo and Juliette with the songs of Max Martin,

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<v Speaker 5>Swedish pop songwriter extraordinary.

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<v Speaker 6>So basically Brittany and sing Battery Boys.

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<v Speaker 1>Yeah, It's my Life. I didn't know he wrote. So

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<v Speaker 1>was he first?

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<v Speaker 4>Was it first?

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<v Speaker 1>Okay? My analogy is what Bangladesh is the calise for

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<v Speaker 1>Bossy is It's my life? That for for his catalog, Like,

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<v Speaker 1>is that the first big song that he wrote?

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<v Speaker 5>No? He, I mean he did all the Backstory Boys stuff.

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<v Speaker 5>So the first what was his very first joint that

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<v Speaker 5>as the bass I saw the time, but it was

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<v Speaker 5>one of his earlier ones. And then you know Robin

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<v Speaker 5>not rob Rob. Yeah, he wrote and then the all

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<v Speaker 5>the early Backstory Boys. So like any Backstory Boys song

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<v Speaker 5>that was big, quit playing games in My Heart?

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<v Speaker 1>And okay, so I thought the bon Jovie joint came

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<v Speaker 1>way later. Oh so he jumped on the bandwagon, I

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<v Speaker 1>get now, Okay, yeah, I mean like that was like

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<v Speaker 1>a one off for him. He did.

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<v Speaker 5>There's a couple of those that are existing the show too,

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<v Speaker 5>but mostly it's like, you know, it's Battory boys, it's

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<v Speaker 5>some in sync stuff, a lot of stuff, and then

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<v Speaker 5>like Arianna on the weekend, you.

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<v Speaker 1>Know, it's weird. Without me knowing who he was. We

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<v Speaker 1>actually had a Max Martin song during the tipping point period, really,

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<v Speaker 1>and then he scoffed and was sort of like I

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<v Speaker 1>don't want this hit ass song going to this group,

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<v Speaker 1>like who are they? And then I believe he gave

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<v Speaker 1>that song to you remember Tila Tequila Shut It by

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<v Speaker 1>the way, where where Tila at?

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<v Speaker 4>She was the.

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<v Speaker 1>She was like on the Trump bandwagon for a second.

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<v Speaker 1>Yeah yeah, yeah no, but she was the first. She

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<v Speaker 1>was that kind of what influences are now. She was

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<v Speaker 1>kind of the first of that pre yeah, pre Instagram,

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<v Speaker 1>Tom her and Tom Thomas and friends.

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<v Speaker 4>Thomas my space, Thomas my space.

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<v Speaker 1>But it wasn't like we went to him directly. It

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<v Speaker 1>was there was an artist from Philly. I'm forgetting because

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<v Speaker 1>I should know him. Dude was actually incredible. If you

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<v Speaker 1>have are two greatest Hits compilation. Whenever he's like singing

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<v Speaker 1>break you off, do you remember, oh boy do?

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<v Speaker 8>But I just I was just nodding because I love that.

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<v Speaker 8>I love that compilation. The understand Right, So he a

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<v Speaker 8>the time like Rich discovered him. I think his father

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<v Speaker 8>was somehow associated with Bunny Sigaler or like instant Funk

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<v Speaker 8>or whatever.

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<v Speaker 1>But this dude, I mean, he's sort of he he

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<v Speaker 1>was blau Lte or whatever. But he had a joint

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<v Speaker 1>called like all my skater friends, all my hipster friends,

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<v Speaker 1>we all want the same thing. We all want the

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<v Speaker 1>same thing. The song was like we made the song dope.

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<v Speaker 1>But basically Matt max Mart was just like, n word,

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<v Speaker 1>please let me give this to someone that's really going

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<v Speaker 1>to elevate the song. So I think like Tequila used

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<v Speaker 1>it for I guess she had she had a reality

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<v Speaker 1>show on pH.

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<v Speaker 6>One right finding her date or something like that.

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<v Speaker 1>Right, Well that was I guess that was the theme moment.

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<v Speaker 1>So so I hope he's happy with that decision. I

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<v Speaker 1>can't wait to ask it went to the right. Yeah,

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<v Speaker 1>he probably don't remember. He probably didn't know what her

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<v Speaker 1>roots was you know.

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<v Speaker 6>He no NaIO doo.

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<v Speaker 1>Now he is, So let me get into time machine

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<v Speaker 1>and travel back fifteen years and.

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<v Speaker 4>Get this back. Yeah.

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<v Speaker 6>Good play, really good play.

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<v Speaker 1>So what like, what's what's the next for you? Bill?

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<v Speaker 5>Well, let's see, saysmey Street's happening, saysmey Street. Uh is

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<v Speaker 5>not part of the writer strike, which is now over.

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<v Speaker 1>But so it.

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<v Speaker 5>Continues to move on and then I don't know, my

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<v Speaker 5>daughter made the volleyball team as an eighth grader, so

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<v Speaker 5>we go to a lot of volleyball, which is great.

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<v Speaker 1>Do we get new titles for them? Because now they're

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<v Speaker 1>not kids anymore? So before they what we called them

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<v Speaker 1>the Angel and the Devil. Yeah, they still are that,

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<v Speaker 1>but now they're just older and it's different. I don't know, Fanta,

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<v Speaker 1>you can talk to this. Like when kids get older,

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<v Speaker 1>it's like there's like a weird moment where they sort

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<v Speaker 1>of switch into like, uh, you don't have to care

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<v Speaker 1>for them all the time, and they don't really want

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<v Speaker 1>to be around you that much. Yeah, or just like

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<v Speaker 1>can I I know it's we're supposed to be with you,

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<v Speaker 1>but like, can we just not be with you? And

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<v Speaker 1>then weirdly, the other, the younger one, like, she gets

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<v Speaker 1>really empathy, she gets really sad. She's like like, I

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<v Speaker 1>want to go to my friend's house, but I feel

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<v Speaker 1>really bad.

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<v Speaker 5>Leaving you here all alone. As if I'm like this

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<v Speaker 5>like lonely loser that I'm like, you know what, I'm fine, Like,

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<v Speaker 5>don't worry about me.

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<v Speaker 1>I'm good. I'm finishing this Bible. James, I was like,

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<v Speaker 1>I'm good.

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<v Speaker 5>At being alone. Don't worry about it. I'm totally you know,

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<v Speaker 5>But she weirdly feels bad.

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<v Speaker 1>Wait can I ask? All right? So I revisited uh

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<v Speaker 1>doing the strike because there's nothing to watch. I revisited

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<v Speaker 1>a show with a character in a similar situation with

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<v Speaker 1>two daughters. Said character has been alright, it come on.

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<v Speaker 1>I was rewatching Louis and there was an episode where

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<v Speaker 1>they're on a subway train and the youngest one, who

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<v Speaker 1>is sort of the rebel rouser, decides at the last

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<v Speaker 1>minute to run off the train as the train closes.

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<v Speaker 1>And you know, so, so when you're saying the more mischievous one,

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<v Speaker 1>is she that level of devil? Okay, she's she's too

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<v Speaker 1>afraid to do that, Okay.

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<v Speaker 5>Idea of like being like alone on a platform scares

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<v Speaker 5>of the shit, I'm sure, but like she's she's just

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<v Speaker 5>more outspoken. Like, Okay, so we were having dinner the

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<v Speaker 5>other day and she just got a cell phone. She's

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<v Speaker 5>eleven years old and she we were out to dinner

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<v Speaker 5>and I said, can you please put your phone down?

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<v Speaker 5>We're having dinner, and she goes, sure, I just need

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<v Speaker 5>to say goodbye to this person. And I was like, no, no, no, no, no, no, no,

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<v Speaker 5>put the cell phone down. She was like, but like

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<v Speaker 5>she she didn't understand that, like this was the end

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<v Speaker 5>of this conversation, and she got really mad about it.

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<v Speaker 5>And so I then I grabbed her phone and whenever,

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<v Speaker 5>like when you physically do something to a child, it's

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<v Speaker 5>a thing, And so I grabbed the phone I put

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<v Speaker 5>over here, and she was so pissed and like, but then, weirdly,

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<v Speaker 5>I was also out to dinner with my ex wife

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<v Speaker 5>and her husband and so but what weirdly what she

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<v Speaker 5>got remarried, she's about to and then this, yeah, well

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<v Speaker 5>we haven't had a thing here we are now, you know.

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<v Speaker 5>So but we all three of us, weirdly, like without talking,

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<v Speaker 5>agreed that how dare she fucking do that? And we

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<v Speaker 5>all equally got mad at her, which was nice. There

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<v Speaker 5>was like some solid which felt which felt right with

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<v Speaker 5>my ex wife and her soon to be husband, the

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<v Speaker 5>people who I should be in full agreement with at

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<v Speaker 5>all times.

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<v Speaker 1>What the anyway? But yeah, but she's like she's like

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<v Speaker 1>very defiant. I think it's the right word. Another d words.

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<v Speaker 1>She's defiant as opposed to like daredevil.

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<v Speaker 9>Bill.

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<v Speaker 6>Can I ask you a question, what's the last coolest

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<v Speaker 6>thing you did on the street? What would that you remember?

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<v Speaker 4>Like?

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<v Speaker 1>This is cool the street?

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<v Speaker 6>Yeah, I call it the street.

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<v Speaker 5>Well, we were just at a thing with with Higham

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<v Speaker 5>Hyam was on Sesame Street last year and I wrote

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<v Speaker 5>a song for them about the A. B C's and

0:11:47.440 --> 0:11:50.240
<v Speaker 5>they were super. No, I think it's Hime, isn't it

0:11:50.440 --> 0:11:50.640
<v Speaker 5>h A.

0:11:50.760 --> 0:11:58.920
<v Speaker 3>I m that it's not that.

0:12:00.280 --> 0:12:02.920
<v Speaker 1>I believe it's high I think I just said it right.

0:12:03.000 --> 0:12:05.720
<v Speaker 10>And these are this is the two girls sisters sister.

0:12:06.600 --> 0:12:08.520
<v Speaker 5>Yeah, they were, they were they were on touch the street.

0:12:08.520 --> 0:12:10.160
<v Speaker 5>They did great, they had a really good time.

0:12:10.400 --> 0:12:12.360
<v Speaker 1>That was cool. I'm trying to think what else wall

0:12:12.400 --> 0:12:15.200
<v Speaker 1>I have a I think I always asked this. I

0:12:15.240 --> 0:12:19.280
<v Speaker 1>feel as though the late nineties and early aughts was

0:12:19.360 --> 0:12:23.240
<v Speaker 1>Elmo season. You guys went heavy on Elmo and kind

0:12:23.240 --> 0:12:25.560
<v Speaker 1>of laid back on the muppets I grew up with,

0:12:25.679 --> 0:12:29.680
<v Speaker 1>Like Grover wasn't getting no play. Herbert Birdsfoot probably still

0:12:29.679 --> 0:12:35.720
<v Speaker 1>in that exactly. Yeah, guy Smiley, you know what I mean? Like,

0:12:35.720 --> 0:12:37.880
<v Speaker 1>there's not a seven and the third?

0:12:38.080 --> 0:12:39.360
<v Speaker 6>How many people I don't know these?

0:12:41.920 --> 0:12:47.680
<v Speaker 1>Okay, yes, was born in the early nineties. People wink, Wow, Grover,

0:12:48.240 --> 0:12:49.000
<v Speaker 1>that's a grunge.

0:12:49.360 --> 0:12:50.040
<v Speaker 4>It was right.

0:12:50.240 --> 0:12:52.760
<v Speaker 1>But what I'm saying is is that is there a

0:12:52.880 --> 0:12:57.120
<v Speaker 1>development staff that's like, Yo, we got to introduce new

0:12:57.360 --> 0:13:00.000
<v Speaker 1>muppets and new characters and sort of phase old ones out.

0:13:00.559 --> 0:13:02.160
<v Speaker 5>I think it's less about phasing old ones out and

0:13:02.200 --> 0:13:04.520
<v Speaker 5>more about just new ones. So like we have one

0:13:04.559 --> 0:13:07.640
<v Speaker 5>that's like, she's Korean, her name is Young, And there's

0:13:07.679 --> 0:13:10.600
<v Speaker 5>another one who has autism and her name is Julia.

0:13:10.640 --> 0:13:13.040
<v Speaker 3>I have one that like isn't like the kids parents,

0:13:13.200 --> 0:13:14.360
<v Speaker 3>like incarcerated something.

0:13:14.360 --> 0:13:14.720
<v Speaker 4>You got that?

0:13:14.960 --> 0:13:16.680
<v Speaker 6>Yeah, what's that? What's that one name?

0:13:17.080 --> 0:13:20.800
<v Speaker 1>I don't know her. I knew where this is going.

0:13:22.520 --> 0:13:24.600
<v Speaker 4>I couldn't make that.

0:13:25.520 --> 0:13:30.120
<v Speaker 1>I Actually.

0:13:30.080 --> 0:13:30.960
<v Speaker 4>His name is l.

0:13:33.360 --> 0:13:35.120
<v Speaker 8>I actually looked it up the other day for some

0:13:35.240 --> 0:13:39.600
<v Speaker 8>weird reason. There's thirty four hundred muppets in the history

0:13:39.600 --> 0:13:45.160
<v Speaker 8>of muppetry, really four hundreds possible.

0:13:45.160 --> 0:13:46.839
<v Speaker 5>There's the Sesame Street Uppets, right, and then there's like

0:13:46.840 --> 0:13:48.720
<v Speaker 5>the Muppet Mupets, like that's Piggy and Kermit.

0:13:48.800 --> 0:13:54.600
<v Speaker 1>But yeah, I know, but three thousand, four hundred, how.

0:13:54.480 --> 0:13:57.679
<v Speaker 5>Do you well, people are busy making puppets. Chesame Street

0:13:57.720 --> 0:14:01.480
<v Speaker 5>must be like an entire like empire. Yeah, like a whole.

0:14:01.800 --> 0:14:03.520
<v Speaker 1>I mean that whole. It's not a street anymore too.

0:14:05.640 --> 0:14:09.000
<v Speaker 6>It's time for the Big Bird movie, which is really awesome.

0:14:09.600 --> 0:14:11.240
<v Speaker 6>Do you have any ends on that's a movie?

0:14:11.679 --> 0:14:13.920
<v Speaker 5>No, there was, and then I don't know what happened.

0:14:14.520 --> 0:14:17.120
<v Speaker 5>It just disappeared like things. I'm learning that things in

0:14:17.160 --> 0:14:18.959
<v Speaker 5>Hollywood just do they puffing the smoke.

0:14:19.240 --> 0:14:20.240
<v Speaker 1>The Muppets.

0:14:20.480 --> 0:14:22.400
<v Speaker 3>The last one I saw it was the one where

0:14:22.560 --> 0:14:26.160
<v Speaker 3>uh Kermit. It was was the Evil Kermit Constantine.

0:14:26.240 --> 0:14:28.280
<v Speaker 1>Yeah, it was the Muppets most wanted or something.

0:14:28.400 --> 0:14:34.200
<v Speaker 6>Yeah, like in the last Yeah, yeah, that one was good.

0:14:34.240 --> 0:14:37.280
<v Speaker 3>There's a song on there on the soundtrack, because I

0:14:37.280 --> 0:14:41.080
<v Speaker 3>think the guys who do uhcourse, there's a song on

0:14:41.160 --> 0:14:44.600
<v Speaker 3>there that Constantine sings and it sounds like a Jamiroquai song.

0:14:44.640 --> 0:14:46.920
<v Speaker 3>That is a jam that gamin Like here, it's called

0:14:46.920 --> 0:14:48.680
<v Speaker 3>I get you what you want. It's basically a tricking anthem.

0:14:48.680 --> 0:14:51.160
<v Speaker 3>It's like Constantine telling me I value whatever you want.

0:14:52.000 --> 0:14:55.120
<v Speaker 1>And so that's where evil Kermit comes from. Yes, isn't

0:14:55.120 --> 0:14:57.160
<v Speaker 1>it weird that the Jamin no, the song Jamin, Like

0:14:57.200 --> 0:15:00.400
<v Speaker 1>if you guys had meetings about the fact that tea

0:15:01.080 --> 0:15:06.000
<v Speaker 1>comes from you guys and memes you mean, oh yeah,

0:15:06.200 --> 0:15:07.200
<v Speaker 1>like spill the tea.

0:15:08.160 --> 0:15:09.520
<v Speaker 6>But that's not them, that's.

0:15:10.480 --> 0:15:14.280
<v Speaker 1>That's yeah, that's that's the Muppets. So Kermit is officially

0:15:14.440 --> 0:15:17.840
<v Speaker 1>not Team Sesame Street anymore. Y'all haven't done muppet news flash.

0:15:17.960 --> 0:15:20.120
<v Speaker 5>I only worked with Kermit once. There was like a

0:15:20.160 --> 0:15:25.359
<v Speaker 5>season fifty anniversary thing and Kermit saying with Elvis Costello

0:15:25.760 --> 0:15:27.640
<v Speaker 5>being green on the sets. The only time I ever

0:15:27.720 --> 0:15:29.320
<v Speaker 5>hung out with Kermit, And it's the only time there's

0:15:29.320 --> 0:15:30.360
<v Speaker 5>been a cross over in years.

0:15:30.400 --> 0:15:33.080
<v Speaker 1>So who's Grover's foil? If Kermit is no longer on

0:15:33.120 --> 0:15:37.440
<v Speaker 1>the show? Grover's dead son? If you're heard gro versus

0:15:37.520 --> 0:15:42.200
<v Speaker 1>own foot, Like are muppets allowed to get old? Like

0:15:42.200 --> 0:15:47.600
<v Speaker 1>I wasn't the original Elmo? And then y'all you almost

0:15:47.640 --> 0:15:51.520
<v Speaker 1>had colorism issues or something y'all just gave me people

0:15:51.600 --> 0:15:52.880
<v Speaker 1>got neurotic.

0:15:53.240 --> 0:15:54.760
<v Speaker 5>You know what's interesting is like when people come on

0:15:54.800 --> 0:15:58.520
<v Speaker 5>the show who are older than all right whatever, uh,

0:15:58.680 --> 0:16:01.160
<v Speaker 5>they want to they want to be part of like Burton,

0:16:01.240 --> 0:16:04.880
<v Speaker 5>Ernie and Grover and and and like, and they don't

0:16:05.000 --> 0:16:08.720
<v Speaker 5>our people in our generation don't know them, don't understand

0:16:08.720 --> 0:16:10.960
<v Speaker 5>Like Abby and Elmo are the younger generation of puppets.

0:16:10.960 --> 0:16:12.600
<v Speaker 5>They're always by the way, they don't age. They're always

0:16:12.600 --> 0:16:14.440
<v Speaker 5>three years old or five or something like that. And

0:16:14.480 --> 0:16:17.040
<v Speaker 5>so it's it's always interesting to see what people resonate

0:16:17.080 --> 0:16:19.160
<v Speaker 5>with what puppets and why. And it's just because were

0:16:19.160 --> 0:16:21.000
<v Speaker 5>they on the TV more when they were kids or

0:16:21.120 --> 0:16:23.600
<v Speaker 5>is like that's like Harry Styles was like, I need

0:16:23.600 --> 0:16:24.760
<v Speaker 5>to I need to meet big Bird.

0:16:24.760 --> 0:16:27.880
<v Speaker 1>I had a big bird stuff people have like request

0:16:28.040 --> 0:16:30.120
<v Speaker 1>all the time. So you you were like, I want

0:16:30.160 --> 0:16:32.960
<v Speaker 1>to pack. Like y'all stuck me with Prairie. I mean, look,

0:16:33.000 --> 0:16:38.760
<v Speaker 1>I like Prairie doing, but I hope it. Look all

0:16:38.760 --> 0:16:41.160
<v Speaker 1>you're all you're doing is revealing to me that you

0:16:41.200 --> 0:16:43.800
<v Speaker 1>didn't want Sesame Street as a kid. Were you an

0:16:43.840 --> 0:16:45.320
<v Speaker 1>adult soon as he came out the womb?

0:16:45.960 --> 0:16:47.760
<v Speaker 6>No, but I was more electric compan.

0:16:48.480 --> 0:16:51.360
<v Speaker 1>Okay, well that shows a whole other thing. I did

0:16:51.400 --> 0:16:53.200
<v Speaker 1>that show too. I only want to earn him Bert

0:16:53.360 --> 0:16:56.480
<v Speaker 1>because you know, you guys used to end every sketch

0:16:57.120 --> 0:17:00.640
<v Speaker 1>with muppets just falling backwards and again and pression will meet.

0:17:00.960 --> 0:17:04.000
<v Speaker 1>That's also another reason why TV was very monitored, because

0:17:04.600 --> 0:17:06.960
<v Speaker 1>you know, used to just no one told me that

0:17:07.000 --> 0:17:08.640
<v Speaker 1>if you fall backwards on a hard.

0:17:08.480 --> 0:17:13.040
<v Speaker 8>Object, this plains a lot. Actually blood might be drawn. Yeah,

0:17:13.080 --> 0:17:16.720
<v Speaker 8>that's a concussion protocol. Please, why don't they do it?

0:17:16.760 --> 0:17:18.120
<v Speaker 8>Where muppets? Where are they now?

0:17:18.160 --> 0:17:20.160
<v Speaker 1>Like Ernie and Burt moved to Florida and.

0:17:20.080 --> 0:17:23.480
<v Speaker 6>Retire people right, like the voices, they're not with us.

0:17:23.560 --> 0:17:27.000
<v Speaker 1>What doesn't matter? Kind of matter, though it does matter.

0:17:27.040 --> 0:17:28.800
<v Speaker 1>That's why I feel like you do need to develop

0:17:28.840 --> 0:17:31.639
<v Speaker 1>new characters, because like the new Ernie is kind of

0:17:31.680 --> 0:17:35.840
<v Speaker 1>get is maybe knowing the intonations and inflections. But well,

0:17:35.880 --> 0:17:37.479
<v Speaker 1>the diehards like you, you can tell the difference.

0:17:37.480 --> 0:17:39.640
<v Speaker 5>But like to most people, like the newer people who

0:17:39.680 --> 0:17:42.560
<v Speaker 5>have done it, we should be watching it anyway, right.

0:17:44.040 --> 0:17:45.800
<v Speaker 1>I mean that's a much larger question that I don't know.

0:17:45.840 --> 0:17:48.680
<v Speaker 1>We have a time picular the first time you talk

0:17:48.720 --> 0:17:51.240
<v Speaker 1>to me all concerned you were like, wait, are you

0:17:51.280 --> 0:17:53.960
<v Speaker 1>still telling me? You still actively what? I remember that

0:17:54.040 --> 0:17:59.320
<v Speaker 1>conversation and I was like, soldering up. I don't know

0:17:59.359 --> 0:18:00.520
<v Speaker 1>what you talk about?

0:18:00.920 --> 0:18:01.560
<v Speaker 6>Favorite song?

0:18:01.680 --> 0:18:11.240
<v Speaker 10>We were FaceTime and just moved the TV right exactly exactly, So, Lia,

0:18:11.920 --> 0:18:12.560
<v Speaker 10>how's your comedy?

0:18:12.640 --> 0:18:13.679
<v Speaker 1>Wait? Why did you don't do that?

0:18:13.800 --> 0:18:16.439
<v Speaker 6>Don't do it? Don't you do it? Don't ask me

0:18:16.480 --> 0:18:19.520
<v Speaker 6>that question. Literally. I had a podcast listener walk up

0:18:19.560 --> 0:18:21.440
<v Speaker 6>on me in the Mirk Park like two weeks ago

0:18:21.440 --> 0:18:24.960
<v Speaker 6>and was like, Heyliah. I listened to QLs and JD

0:18:25.000 --> 0:18:27.400
<v Speaker 6>I I how's your comedy going? I was like, God,

0:18:28.480 --> 0:18:32.560
<v Speaker 6>why are you paying a fuckingtention? I got three jobs

0:18:32.560 --> 0:18:33.160
<v Speaker 6>to be hard.

0:18:33.320 --> 0:18:36.200
<v Speaker 4>I feel you, but how's the comedy going?

0:18:37.280 --> 0:18:40.000
<v Speaker 8>Maybe it could turn that how you don't want to

0:18:40.000 --> 0:18:42.120
<v Speaker 8>talk about comedy into a comedy routine.

0:18:43.240 --> 0:18:45.760
<v Speaker 6>I write all the time. I have an ongoing little

0:18:45.960 --> 0:18:48.240
<v Speaker 6>notepad in my phone and I just write the jokes

0:18:48.280 --> 0:18:49.960
<v Speaker 6>and I think, one one day.

0:18:50.280 --> 0:18:52.480
<v Speaker 3>Is that something? Is that something that you still want

0:18:52.520 --> 0:18:54.399
<v Speaker 3>to do? Do you really want to do stand up?

0:18:54.480 --> 0:18:55.480
<v Speaker 4>Or is it? You know?

0:18:55.800 --> 0:18:58.040
<v Speaker 6>I don't know. That Ship made me really nervous, and

0:18:58.400 --> 0:19:01.360
<v Speaker 6>Ship every since, ever since you gave me the critique.

0:19:01.400 --> 0:19:02.760
<v Speaker 6>I feel like I don't know, I've been scared to

0:19:02.800 --> 0:19:04.800
<v Speaker 6>go back ever since. That's not your fault, that's me.

0:19:04.880 --> 0:19:06.840
<v Speaker 6>I have to get my confidence together because you gave

0:19:06.880 --> 0:19:09.240
<v Speaker 6>me a nice like you know, this is what you.

0:19:09.200 --> 0:19:09.560
<v Speaker 4>Need to do.

0:19:10.359 --> 0:19:12.720
<v Speaker 8>You don't bring your phone up on the stage with you, Like,

0:19:12.720 --> 0:19:14.920
<v Speaker 8>can we get rid of commedy? I know, can we

0:19:14.960 --> 0:19:16.600
<v Speaker 8>get rid of the ones that do that?

0:19:16.680 --> 0:19:19.720
<v Speaker 3>But I like when Dan Cole does it, like yeah,

0:19:20.680 --> 0:19:23.040
<v Speaker 3>and to just if just to record yourself. Every comedian

0:19:23.080 --> 0:19:26.000
<v Speaker 3>I say, they say, like always record your set.

0:19:26.359 --> 0:19:27.919
<v Speaker 6>I love the way Dion Cole do it like he

0:19:27.960 --> 0:19:30.080
<v Speaker 6>actually is coming out like checking jokes and see if

0:19:30.080 --> 0:19:30.480
<v Speaker 6>they work.

0:19:30.600 --> 0:19:34.080
<v Speaker 3>Like, so, is it something that you still have a

0:19:34.240 --> 0:19:37.000
<v Speaker 3>passion for as from you know, the feedback I gave away,

0:19:37.119 --> 0:19:37.520
<v Speaker 3>I don't know.

0:19:37.440 --> 0:19:39.880
<v Speaker 6>About having a passion for doing stand up per se.

0:19:39.920 --> 0:19:43.000
<v Speaker 6>I have a passion for doing funny things. I have

0:19:43.040 --> 0:19:45.120
<v Speaker 6>a passion for entertaining people, have a passion for making

0:19:45.119 --> 0:19:47.879
<v Speaker 6>people laugh. And I wanted to make sure that I

0:19:47.960 --> 0:19:50.280
<v Speaker 6>even knew the ins and outs and the mechanics of

0:19:50.359 --> 0:19:52.199
<v Speaker 6>comedy before even saying that this is something I want

0:19:52.240 --> 0:19:53.840
<v Speaker 6>to do. So that's what I did when I moved here,

0:19:54.600 --> 0:19:56.000
<v Speaker 6>I was sitting to recoup. It was like, don't tell

0:19:56.000 --> 0:19:58.760
<v Speaker 6>nobody that you took a comedy class. But I did.

0:19:58.800 --> 0:20:01.560
<v Speaker 3>And I'm proud of saying, why shouldn't you tell people

0:20:01.560 --> 0:20:02.040
<v Speaker 3>you took coming?

0:20:02.160 --> 0:20:03.480
<v Speaker 6>Oh though, that's what we told me once when I

0:20:03.520 --> 0:20:04.760
<v Speaker 6>was about to get on stage for.

0:20:04.920 --> 0:20:06.560
<v Speaker 1>Delirious, Mister reluctant.

0:20:06.800 --> 0:20:09.560
<v Speaker 6>No, but I was. I'm proud because I took it

0:20:09.600 --> 0:20:12.159
<v Speaker 6>from a woman who was a writer for Chelsea Handler,

0:20:12.160 --> 0:20:14.680
<v Speaker 6>and it was more about just formulas, because like, if

0:20:14.720 --> 0:20:16.800
<v Speaker 6>you had no idea about comedy, you don't know there

0:20:16.840 --> 0:20:19.760
<v Speaker 6>are formulas. You don't know the call back, you don't

0:20:19.800 --> 0:20:22.560
<v Speaker 6>know the rules of three, you don't know. So yeah,

0:20:22.600 --> 0:20:24.239
<v Speaker 6>so I wanted to make sure that, like if I

0:20:24.280 --> 0:20:26.040
<v Speaker 6>was going to at least to attempt this, that it

0:20:26.080 --> 0:20:28.480
<v Speaker 6>wasn't just like on a whelm.

0:20:28.640 --> 0:20:31.359
<v Speaker 1>You know, how do you I wonder if u c B,

0:20:32.600 --> 0:20:34.800
<v Speaker 1>wonder what level of comedy do you have to be

0:20:34.920 --> 0:20:37.960
<v Speaker 1>to enter a UCB or second city or.

0:20:38.400 --> 0:20:42.840
<v Speaker 6>The different levels. Yeah, I've done improv. I did improv

0:20:42.920 --> 0:20:46.560
<v Speaker 6>in Philly. I was so funny. I forget the things

0:20:46.600 --> 0:20:49.840
<v Speaker 6>I done theater and theater groups and dinner theater and

0:20:49.840 --> 0:20:52.479
<v Speaker 6>stuff like that. So for me, it's just always about

0:20:52.840 --> 0:20:55.280
<v Speaker 6>making sure because you know how well studied you guys

0:20:55.320 --> 0:20:57.920
<v Speaker 6>are your craft. I want to feel like that well

0:20:57.960 --> 0:20:58.679
<v Speaker 6>everything that I do.

0:20:58.800 --> 0:21:00.440
<v Speaker 3>Whatever I was going to say, I mean, I think

0:21:00.560 --> 0:21:03.560
<v Speaker 3>the studying part just I mean, from from my standpoint,

0:21:04.160 --> 0:21:05.639
<v Speaker 3>it wasn't a whole lot of studying. It was just

0:21:05.720 --> 0:21:08.040
<v Speaker 3>doing and kind of learning from there. Because because that

0:21:08.080 --> 0:21:09.520
<v Speaker 3>was my question, I was gonna ask you, So the

0:21:09.560 --> 0:21:12.920
<v Speaker 3>classes that you took, did you feel they were informative

0:21:12.920 --> 0:21:13.240
<v Speaker 3>for you?

0:21:13.280 --> 0:21:14.639
<v Speaker 4>Liked where they were they helpful?

0:21:14.800 --> 0:21:17.399
<v Speaker 6>Yes? Yes, yes, because I had the words, but I

0:21:17.480 --> 0:21:19.320
<v Speaker 6>might not know how to close the joke, you know

0:21:19.359 --> 0:21:20.960
<v Speaker 6>what I mean? So yeah, and a lot, And it

0:21:21.000 --> 0:21:24.160
<v Speaker 6>gave me confidence to say.

0:21:24.280 --> 0:21:26.679
<v Speaker 3>And then after you did that set at uh, was

0:21:26.720 --> 0:21:30.120
<v Speaker 3>that your last time ever going up again the Delirious thing?

0:21:30.920 --> 0:21:33.440
<v Speaker 4>Was that your It's cool?

0:21:33.480 --> 0:21:35.360
<v Speaker 6>No? It been it? No, that was the last time.

0:21:35.880 --> 0:21:38.680
<v Speaker 6>That was the last time. I've been on stage three

0:21:38.680 --> 0:21:41.400
<v Speaker 6>times and it was yep, that was the last time,

0:21:41.600 --> 0:21:46.119
<v Speaker 6>and the first time was at Tarik's original Delirious and Philly.

0:21:46.640 --> 0:21:48.639
<v Speaker 3>Did you feel like you got I won't say, I

0:21:48.640 --> 0:21:50.480
<v Speaker 3>don't know, you got better every time? Did you feel

0:21:50.480 --> 0:21:52.480
<v Speaker 3>more confident like every time you did it, did it

0:21:52.520 --> 0:21:53.439
<v Speaker 3>get a little easier.

0:21:53.520 --> 0:21:55.320
<v Speaker 6>Yeah, Because I'm gonna tell you, like I'm a confident

0:21:55.359 --> 0:21:57.720
<v Speaker 6>person on stage period because I host parties, I host

0:21:57.720 --> 0:22:00.920
<v Speaker 6>events like this is what I do. But that ship

0:22:01.200 --> 0:22:02.800
<v Speaker 6>was nervous as shit, Like I had to make sure

0:22:02.800 --> 0:22:04.359
<v Speaker 6>I empied out my bladder because either way, I'm a

0:22:04.400 --> 0:22:05.840
<v Speaker 6>tt on myself a little bit.

0:22:06.520 --> 0:22:09.280
<v Speaker 5>So did you ever think that you could do stand up?

0:22:10.240 --> 0:22:13.200
<v Speaker 5>Because I think you could absolutely could.

0:22:13.560 --> 0:22:17.120
<v Speaker 3>Nah man, I Nah, I done so when Hannibal when

0:22:17.160 --> 0:22:18.800
<v Speaker 3>he was hit the other day, like I had him

0:22:19.240 --> 0:22:22.199
<v Speaker 3>when he came out to Raleigh. I he hit me

0:22:22.280 --> 0:22:23.960
<v Speaker 3>to like introduce him, you know what I'm saying, like

0:22:23.960 --> 0:22:26.440
<v Speaker 3>to be like EMC or whatever. And I mean I

0:22:26.520 --> 0:22:28.520
<v Speaker 3>might have did like five minutes just kind of warming

0:22:28.640 --> 0:22:29.480
<v Speaker 3>up the crowd whatever.

0:22:29.840 --> 0:22:31.240
<v Speaker 4>But nah man, that's just.

0:22:31.200 --> 0:22:34.600
<v Speaker 6>How to do that. I like doing that. I like hosting,

0:22:34.600 --> 0:22:36.280
<v Speaker 6>warming up crowds and like doing all that.

0:22:36.359 --> 0:22:38.320
<v Speaker 3>Yes, yeah, and that's the ling And that's why I

0:22:38.359 --> 0:22:39.639
<v Speaker 3>asked you, is it something you want to do for

0:22:39.760 --> 0:22:41.720
<v Speaker 3>me like when I did when I've been in those

0:22:41.760 --> 0:22:44.080
<v Speaker 3>spaces like stand up First of all, that's just the

0:22:44.160 --> 0:22:47.280
<v Speaker 3>hardest of all the disciplines. For me, you know what

0:22:47.320 --> 0:22:50.720
<v Speaker 3>I mean, Because it's one thing to just be the

0:22:50.760 --> 0:22:53.399
<v Speaker 3>funny dude at the cookout or the funny dude that

0:22:53.600 --> 0:22:56.240
<v Speaker 3>game night or whatever the fuck sitting in front of

0:22:56.240 --> 0:22:58.640
<v Speaker 3>people who have paid money with the expectation of make

0:22:58.720 --> 0:23:00.520
<v Speaker 3>me laugh. That's something else, you know what I'm saying.

0:23:00.520 --> 0:23:02.280
<v Speaker 3>That's a science, you know what I mean. That's an art,

0:23:02.320 --> 0:23:05.280
<v Speaker 3>you know what I mean. So it's something that I admire,

0:23:05.320 --> 0:23:08.119
<v Speaker 3>and I admire comedians more than anything else for the

0:23:08.160 --> 0:23:10.960
<v Speaker 3>way that they tell the truth about their craft and

0:23:10.960 --> 0:23:13.000
<v Speaker 3>people in it. Like when we had Got It was

0:23:13.080 --> 0:23:15.000
<v Speaker 3>years back. We had Michelle wolf On.

0:23:15.520 --> 0:23:17.679
<v Speaker 4>And I forgot who the girl was that put out the.

0:23:19.600 --> 0:23:23.200
<v Speaker 3>Comedy special that was kind of getting all this supplaint applause.

0:23:23.240 --> 0:23:24.919
<v Speaker 4>It was always just so brave and it's so.

0:23:26.480 --> 0:23:29.280
<v Speaker 1>Yeah, yeah from England or was that Australian?

0:23:29.520 --> 0:23:32.679
<v Speaker 3>Yeah, I can't remember. I can't remember the comedian's name.

0:23:32.760 --> 0:23:34.639
<v Speaker 3>But anyway, we asked some shell wolf like, what do

0:23:34.680 --> 0:23:36.120
<v Speaker 3>you think about it? She was like, Yo, that shit sucks.

0:23:36.160 --> 0:23:39.320
<v Speaker 3>It's unfunny. Like it was no political answer, it was

0:23:39.359 --> 0:23:41.879
<v Speaker 3>just like no. And so that's the thing for me

0:23:41.960 --> 0:23:45.440
<v Speaker 3>with comedy, I more so learned from comedians and admire

0:23:46.520 --> 0:23:49.720
<v Speaker 3>just the way that they're just unapologetic about what's funny

0:23:49.720 --> 0:23:50.199
<v Speaker 3>and what's not.

0:23:50.640 --> 0:23:51.720
<v Speaker 4>And I just can't take from that.

0:23:51.760 --> 0:23:55.160
<v Speaker 3>But actually being a comedian like nah, being the person

0:23:55.200 --> 0:23:58.240
<v Speaker 3>on stage doing it, Nah. Writing it could be cool,

0:23:58.280 --> 0:24:00.639
<v Speaker 3>but performing it is just not something I'd been interested.

0:24:00.840 --> 0:24:03.520
<v Speaker 1>I think we're talking about Hannah Gatsby. Yeah, that's exactly

0:24:03.520 --> 0:24:09.480
<v Speaker 1>what Yep, that was her. I had to type the

0:24:09.480 --> 0:24:14.480
<v Speaker 1>comedian woman. Wow, that's a tough thing to you.

0:24:14.720 --> 0:24:15.720
<v Speaker 4>But not but like like you.

0:24:15.840 --> 0:24:17.159
<v Speaker 3>I mean I gave you when we talked. I mean

0:24:17.160 --> 0:24:19.399
<v Speaker 3>this has been god like five years ago, now you

0:24:19.440 --> 0:24:21.119
<v Speaker 3>know what I mean. But no, I mean it was

0:24:21.440 --> 0:24:23.199
<v Speaker 3>I was just giving you my opinion. But no, you

0:24:23.240 --> 0:24:25.199
<v Speaker 3>were you were good. I mean you have like the

0:24:25.240 --> 0:24:27.479
<v Speaker 3>things you say, like you really do command the crowd,

0:24:27.600 --> 0:24:31.399
<v Speaker 3>Like you have a big voice, and you know people

0:24:32.000 --> 0:24:33.119
<v Speaker 3>you commanded their attention.

0:24:33.280 --> 0:24:33.880
<v Speaker 4>You know what I'm saying.

0:24:33.960 --> 0:24:36.760
<v Speaker 3>So you know, I think you if there's something you

0:24:36.800 --> 0:24:38.240
<v Speaker 3>want to do, I really think you could do it.

0:24:40.560 --> 0:24:42.920
<v Speaker 1>But you also I think the number one ship to

0:24:43.000 --> 0:24:45.959
<v Speaker 1>do in comedy. And this is this is mostly just

0:24:46.000 --> 0:24:52.320
<v Speaker 1>for also as a human being. We have to readjust

0:24:52.600 --> 0:24:57.880
<v Speaker 1>our relationship to rejection, because that's all we're afraid of rejection,

0:24:58.080 --> 0:25:01.080
<v Speaker 1>So that sort of stops us.

0:25:01.000 --> 0:25:04.320
<v Speaker 6>From real here. You know how we I'm just saying

0:25:04.680 --> 0:25:07.399
<v Speaker 6>we're going on the same day. We not really good

0:25:07.560 --> 0:25:09.800
<v Speaker 6>with that, you know what I.

0:25:09.840 --> 0:25:11.679
<v Speaker 1>Used to be. I don't know, I'm going through a

0:25:11.680 --> 0:25:12.560
<v Speaker 1>teftline period now.

0:25:13.000 --> 0:25:14.960
<v Speaker 6>Well, yeah, because look at you now, like you're in

0:25:15.000 --> 0:25:15.679
<v Speaker 6>a different part.

0:25:15.560 --> 0:25:20.720
<v Speaker 3>Of your Yeah I'm going through say yeah, go ahead. No,

0:25:20.840 --> 0:25:22.960
<v Speaker 3>it doesn't like the more you kind of go and

0:25:23.000 --> 0:25:23.800
<v Speaker 3>the more you.

0:25:23.680 --> 0:25:25.760
<v Speaker 4>At least it just from my experience and I let me.

0:25:25.800 --> 0:25:27.919
<v Speaker 3>But like the more you do and kind of the

0:25:27.920 --> 0:25:31.320
<v Speaker 3>more you kind of accomplish, you think like, oh you

0:25:31.400 --> 0:25:32.359
<v Speaker 3>gain more confidence.

0:25:32.480 --> 0:25:35.480
<v Speaker 4>But the more you go, like your challenge has changed.

0:25:35.600 --> 0:25:38.560
<v Speaker 3>So it's like, Okay, I'm confident in doing this thing

0:25:38.640 --> 0:25:40.879
<v Speaker 3>I was doing a year ago, but now it's a

0:25:40.960 --> 0:25:43.040
<v Speaker 3>year or two later, I'm doing some whole other ship

0:25:43.119 --> 0:25:45.600
<v Speaker 3>now that there's still a first. So it's like every

0:25:45.600 --> 0:25:47.800
<v Speaker 3>time you progress and you level up in your career,

0:25:48.359 --> 0:25:50.160
<v Speaker 3>you get to that point where it's like, oh damn,

0:25:50.200 --> 0:25:52.439
<v Speaker 3>I'm having to learn some new ship over.

0:25:55.880 --> 0:25:58.879
<v Speaker 1>Yeah it is, well, I mean you're always worried about

0:25:59.200 --> 0:26:02.240
<v Speaker 1>can you hold them to standard. And you know I

0:26:02.280 --> 0:26:04.919
<v Speaker 1>also all right, So yesterday I think I told one

0:26:04.960 --> 0:26:07.560
<v Speaker 1>of you, maybe it was you, that when you worry,

0:26:08.040 --> 0:26:12.800
<v Speaker 1>you're secretly praying for what you're asking not to happen.

0:26:13.160 --> 0:26:15.000
<v Speaker 8>Yeah, that's that's the shit you throw on me. Yes

0:26:15.000 --> 0:26:16.760
<v Speaker 8>to say I have to think about it all night.

0:26:17.480 --> 0:26:22.200
<v Speaker 1>Yes, not as worry as literally I don't get attacked outside.

0:26:22.520 --> 0:26:24.639
<v Speaker 1>You're you're praying to get attacked outside.

0:26:24.920 --> 0:26:28.280
<v Speaker 3>So it's like, what's the scene in inception like where homiees, Like,

0:26:28.440 --> 0:26:30.560
<v Speaker 3>you know, if I tell you don't think about elephants,

0:26:30.560 --> 0:26:32.159
<v Speaker 3>what are you thinking about elephants?

0:26:32.240 --> 0:26:32.400
<v Speaker 1>Right?

0:26:32.480 --> 0:26:34.160
<v Speaker 4>You know what I mean it? And if you're thinking

0:26:34.160 --> 0:26:36.000
<v Speaker 4>about elephants, wait.

0:26:37.760 --> 0:26:40.520
<v Speaker 1>Right now? Like I think, I don't know if I

0:26:40.520 --> 0:26:44.440
<v Speaker 1>told it Donnie Hathaway's story once, but when he uh,

0:26:44.680 --> 0:26:48.960
<v Speaker 1>when a suicide happened in seventy nine. Uh, My grandma

0:26:49.000 --> 0:26:51.919
<v Speaker 1>was in front of me, and you know, she's one

0:26:51.920 --> 0:26:56.760
<v Speaker 1>of those fine brimstone Southern Baptist Christian women, and so

0:26:57.320 --> 0:26:59.960
<v Speaker 1>you know she's sort of had a dismayed sort of

0:27:00.240 --> 0:27:03.320
<v Speaker 1>mm hmm, that's a sin against God. I was like, huh,

0:27:03.400 --> 0:27:06.040
<v Speaker 1>you know, I was like eight years old, and she said,

0:27:06.080 --> 0:27:09.840
<v Speaker 1>that's blasphemy, like only the Lord should take his children

0:27:09.880 --> 0:27:12.840
<v Speaker 1>away like, and I was like, what's blasphemy? And he's like,

0:27:12.880 --> 0:27:15.199
<v Speaker 1>this is number one sinning against God. I said, so

0:27:15.240 --> 0:27:17.720
<v Speaker 1>what happens? And that's when she told me the and

0:27:17.800 --> 0:27:21.639
<v Speaker 1>she's always cooking food, so she was like, no, I'm zelming.

0:27:21.680 --> 0:27:22.119
<v Speaker 6>I told.

0:27:24.359 --> 0:27:27.679
<v Speaker 1>Full circle. So you know, she turns like she's already cooking.

0:27:27.960 --> 0:27:31.200
<v Speaker 1>She's like, your soul burns in the fiery Firnst when

0:27:31.240 --> 0:27:36.680
<v Speaker 1>you uh committed blasphemy against God. And I was like, well,

0:27:37.480 --> 0:27:40.240
<v Speaker 1>you know, I was trying to understand how Donnie Hathaway

0:27:40.280 --> 0:27:41.159
<v Speaker 1>jumping out the window.

0:27:41.560 --> 0:27:42.679
<v Speaker 4>What the fuck that got to do with me?

0:27:43.320 --> 0:27:45.960
<v Speaker 1>Right? And so she was doing this whole thing about blasphemy,

0:27:46.359 --> 0:27:48.040
<v Speaker 1>and then she also told me that blasphemy he was

0:27:48.040 --> 0:27:50.040
<v Speaker 1>taking the Lord's name in vain. I was like, what's

0:27:50.040 --> 0:27:51.960
<v Speaker 1>the lord's name in vain? And she says, when you

0:27:52.000 --> 0:27:56.600
<v Speaker 1>say the bad word gd God? Right, And then in

0:27:56.640 --> 0:27:59.879
<v Speaker 1>my head that's all I heard. So I was I

0:28:00.080 --> 0:28:02.080
<v Speaker 1>swear to guy. At least for two months, I had

0:28:02.200 --> 0:28:04.680
<v Speaker 1>nightmares of crying, my mom waking me up. I'm going

0:28:04.760 --> 0:28:07.919
<v Speaker 1>all because I can't stop thinking about it. In my

0:28:08.000 --> 0:28:13.480
<v Speaker 1>hands just hurt. God, damn God, god bomb bomb.

0:28:14.920 --> 0:28:16.480
<v Speaker 4>No man noah.

0:28:16.520 --> 0:28:16.760
<v Speaker 1>Yeah.

0:28:16.760 --> 0:28:23.680
<v Speaker 3>Religion, yeah it sucks. It's not for children's yeah, not

0:28:23.720 --> 0:28:24.199
<v Speaker 3>for me.

0:28:24.280 --> 0:28:24.480
<v Speaker 4>You know.

0:28:24.920 --> 0:28:27.600
<v Speaker 3>Yeah, we all had I had them stories as well

0:28:27.680 --> 0:28:30.080
<v Speaker 3>of just like going to I remember I went to

0:28:30.119 --> 0:28:32.560
<v Speaker 3>a god Man. I was probably like twelve, I was

0:28:32.840 --> 0:28:35.720
<v Speaker 3>thirteen years old, and like my church, they sent us

0:28:35.840 --> 0:28:36.639
<v Speaker 3>on like this.

0:28:36.880 --> 0:28:38.640
<v Speaker 4>It was like the youth retreat ship.

0:28:39.360 --> 0:28:42.200
<v Speaker 6>Yeah, the retreat and so hump and retreat.

0:28:44.920 --> 0:28:46.440
<v Speaker 4>So they sent us on this.

0:28:46.440 --> 0:28:49.680
<v Speaker 5>Fucking youth retreating But yeah, there's some things I don't

0:28:49.720 --> 0:28:51.760
<v Speaker 5>know about and there's some things.

0:28:52.240 --> 0:28:53.240
<v Speaker 4>This is what I want to know.

0:28:53.400 --> 0:28:56.040
<v Speaker 1>You go illegal whatever.

0:28:55.720 --> 0:28:59.160
<v Speaker 6>You sounds wrong in twenty twenty three, but nah, I.

0:28:59.080 --> 0:29:00.800
<v Speaker 3>Mean we went to this thing. We went to this

0:29:00.960 --> 0:29:03.040
<v Speaker 3>uh they sent us to this youth for treating ship.

0:29:03.120 --> 0:29:05.600
<v Speaker 3>And so the thing about it is like I'm a

0:29:05.680 --> 0:29:08.200
<v Speaker 3>music guy, so if you can get me with music,

0:29:08.240 --> 0:29:11.320
<v Speaker 3>then you got me. And the thing was it was

0:29:11.400 --> 0:29:13.000
<v Speaker 3>we were black church and they sent us to this

0:29:13.040 --> 0:29:15.640
<v Speaker 3>big things, big Christian thing and it was like mostly

0:29:15.680 --> 0:29:18.640
<v Speaker 3>like white people. So the acts that they had it

0:29:18.760 --> 0:29:20.000
<v Speaker 3>was like DC talk.

0:29:20.880 --> 0:29:22.640
<v Speaker 1>You saw DC talk in person.

0:29:22.760 --> 0:29:26.880
<v Speaker 3>I saw them in person, bro, Like they're like they

0:29:27.000 --> 0:29:29.360
<v Speaker 3>was like the number one, like the.

0:29:29.280 --> 0:29:30.880
<v Speaker 1>Gospel Backstreet Boys, but.

0:29:31.440 --> 0:29:33.440
<v Speaker 4>Kind of they like a boy band.

0:29:34.000 --> 0:29:37.680
<v Speaker 1>DC talked from like eighty seven to like ninety two.

0:29:38.520 --> 0:29:42.280
<v Speaker 1>You were Christian and rat was banned in your household, right,

0:29:42.640 --> 0:29:44.719
<v Speaker 1>you were allowed to listen to DC Talk. Yeah, they

0:29:44.720 --> 0:29:45.720
<v Speaker 1>were Christian rappers.

0:29:45.880 --> 0:29:48.440
<v Speaker 3>Christ yeah, which is like and then again which again

0:29:48.520 --> 0:29:52.160
<v Speaker 3>like Christian rappers is automatic. That's like saying fat free brownie,

0:29:52.160 --> 0:29:55.480
<v Speaker 3>Like you're taking our whole point of why I'm doing.

0:29:55.280 --> 0:29:58.200
<v Speaker 1>This, you know what I mean?

0:29:58.400 --> 0:30:02.600
<v Speaker 3>So so yeah, I want to say the one that

0:30:02.760 --> 0:30:05.680
<v Speaker 3>I did like your girl was there Amy Grant.

0:30:05.440 --> 0:30:09.080
<v Speaker 4>Hey, baby baby, I think this was by pre baby.

0:30:09.080 --> 0:30:10.160
<v Speaker 1>Baby. She didn't do that jam.

0:30:10.280 --> 0:30:13.000
<v Speaker 6>Damn seeing her holy her back.

0:30:13.160 --> 0:30:13.520
<v Speaker 1>She didn't.

0:30:13.680 --> 0:30:14.200
<v Speaker 4>Baby.

0:30:14.240 --> 0:30:21.240
<v Speaker 5>It was Jesus the time Prince Lord d C Talk

0:30:21.360 --> 0:30:22.479
<v Speaker 5>just released that album.

0:30:22.520 --> 0:30:25.400
<v Speaker 1>Of course they did last year. Hit it ten seconds.

0:30:25.400 --> 0:30:26.280
<v Speaker 1>You can play more than.

0:30:29.040 --> 0:30:31.000
<v Speaker 4>I guess that they didn't think twice.

0:30:33.320 --> 0:30:35.600
<v Speaker 3>It's not no, that's them, But I'm just like, no,

0:30:35.760 --> 0:30:37.400
<v Speaker 3>that ain't.

0:30:37.960 --> 0:30:39.760
<v Speaker 6>We had another dude with a Christian dude. He sounded

0:30:39.800 --> 0:30:42.280
<v Speaker 6>like Biggie, remember him. It was like an early man.

0:30:42.440 --> 0:30:47.360
<v Speaker 4>The penal cost the paper was not taking another ship up.

0:30:47.360 --> 0:30:50.000
<v Speaker 4>These are real people. But anyway, okay, we go to

0:30:50.080 --> 0:30:52.960
<v Speaker 4>this thing like it was like the creature.

0:30:52.600 --> 0:30:55.360
<v Speaker 3>And they preaching and they just it's like you were saying,

0:30:55.360 --> 0:30:57.520
<v Speaker 3>they just always talk about just fire and brimstone. You're

0:30:57.520 --> 0:30:58.960
<v Speaker 3>gonna go to hell and you're gonna do this and

0:30:59.720 --> 0:31:02.000
<v Speaker 3>oh years you just look at it's like, yeah, it's all.

0:31:01.880 --> 0:31:03.280
<v Speaker 4>Based in fear and control.

0:31:03.400 --> 0:31:06.680
<v Speaker 3>It's like trying to scare you into being who they

0:31:06.720 --> 0:31:10.880
<v Speaker 3>want you to be, in hope of this wonderful afterlife

0:31:11.480 --> 0:31:13.880
<v Speaker 3>the sky later, just pining the sky and it's like,

0:31:13.880 --> 0:31:16.480
<v Speaker 3>but I got to live here now. And so I

0:31:16.480 --> 0:31:20.000
<v Speaker 3>think I was maybe like thirteen fourteen, and yeah, I

0:31:20.000 --> 0:31:21.680
<v Speaker 3>was like, yo, fuck this, I ain't never going back.

0:31:21.720 --> 0:31:23.240
<v Speaker 3>And I just told I was like, yeah, I ain't

0:31:23.240 --> 0:31:25.800
<v Speaker 3>doing this. This is this is fucking corny and the

0:31:25.880 --> 0:31:28.200
<v Speaker 3>music is wag is nothing like white people here, Like

0:31:28.680 --> 0:31:29.840
<v Speaker 3>it's fucking trash.

0:31:30.040 --> 0:31:31.080
<v Speaker 4>And I just never went back.

0:31:31.480 --> 0:31:32.920
<v Speaker 1>Was there an m c JC.

0:31:33.680 --> 0:31:35.080
<v Speaker 4>There was not an m c j C.

0:31:35.400 --> 0:31:37.480
<v Speaker 3>There is I don't know there is an mc nine

0:31:37.520 --> 0:31:40.120
<v Speaker 3>hundred foot Jesus, I don't know what it is.

0:31:40.240 --> 0:31:40.880
<v Speaker 4>I don't know if he.

0:31:41.120 --> 0:31:44.320
<v Speaker 1>Wasn't that the truth is out of style. That sounds yeah,

0:31:44.360 --> 0:31:46.160
<v Speaker 1>the truth is out of style. Can we talk about

0:31:46.200 --> 0:31:50.200
<v Speaker 1>church games? I don't know about church games. Who were

0:31:50.200 --> 0:31:54.560
<v Speaker 1>just talking about Oh that's when that's when, that's when

0:31:54.760 --> 0:31:55.840
<v Speaker 1>like no one's looking.

0:31:56.600 --> 0:31:58.360
<v Speaker 6>Oh that's like hide and seek.

0:31:58.840 --> 0:32:00.280
<v Speaker 1>God, it advance no.

0:32:04.960 --> 0:32:05.880
<v Speaker 6>Section on porn.

0:32:07.120 --> 0:32:09.000
<v Speaker 1>There's a dry humping report.

0:32:09.680 --> 0:32:10.479
<v Speaker 4>So much about you?

0:32:10.560 --> 0:32:13.760
<v Speaker 1>Like that was next to.

0:32:15.280 --> 0:32:15.320
<v Speaker 7>That?

0:32:15.720 --> 0:32:16.080
<v Speaker 1>You want to?

0:32:18.440 --> 0:32:19.760
<v Speaker 4>I know, I didn't know about.

0:32:19.920 --> 0:32:21.880
<v Speaker 1>Please and the whole category.

0:32:21.920 --> 0:32:24.200
<v Speaker 6>It's an art. I mean where women post these. This

0:32:24.280 --> 0:32:26.120
<v Speaker 6>is one chick. This this my girl that I follow

0:32:26.160 --> 0:32:27.880
<v Speaker 6>and she got a roommate and they always put up

0:32:27.920 --> 0:32:30.520
<v Speaker 6>their videos and literally she'll be in like her panties

0:32:30.520 --> 0:32:32.360
<v Speaker 6>and her bra and he'll be in like his wet

0:32:32.400 --> 0:32:35.560
<v Speaker 6>pants and his shirt and she'll just be riding on him.

0:32:35.920 --> 0:32:40.480
<v Speaker 6>See I like saut I don't is there? Oh yeah,

0:32:40.560 --> 0:32:43.800
<v Speaker 6>he'll and different positions. They do it in the kitchen.

0:32:44.200 --> 0:32:46.040
<v Speaker 6>What did you say? What did you say?

0:32:48.480 --> 0:32:49.600
<v Speaker 1>Only he gets.

0:32:56.680 --> 0:32:57.560
<v Speaker 4>Take what the recordized?

0:32:59.400 --> 0:33:01.720
<v Speaker 6>That's it. I That's all. I was just gonna that's

0:33:01.840 --> 0:33:03.760
<v Speaker 6>I might have revealed too much, but yeah.

0:33:06.080 --> 0:33:08.320
<v Speaker 3>This is all of us and one of our people

0:33:08.680 --> 0:33:12.200
<v Speaker 3>on this cute. She's an intimacy coordinator. We're talking about dad.

0:33:12.240 --> 0:33:13.880
<v Speaker 6>Who's an intimate girls. Shut up?

0:33:15.200 --> 0:33:15.800
<v Speaker 4>Wao many?

0:33:16.760 --> 0:33:21.720
<v Speaker 1>What can we talk about? I can't renumber five's INTMC Yeah.

0:33:21.560 --> 0:33:23.680
<v Speaker 6>Oh my god, you've been in some crazy situation.

0:33:24.200 --> 0:33:25.360
<v Speaker 1>You want to you want to?

0:33:25.720 --> 0:33:29.120
<v Speaker 6>I where do you even start? What did you start?

0:33:29.200 --> 0:33:29.600
<v Speaker 9>As?

0:33:30.040 --> 0:33:30.240
<v Speaker 4>Wait?

0:33:30.240 --> 0:33:32.280
<v Speaker 1>Didn't we want to have six microphones? Yeah?

0:33:32.320 --> 0:33:34.640
<v Speaker 6>Come on, yeah, come on here with me, Come on

0:33:35.840 --> 0:33:37.760
<v Speaker 6>do allright?

0:33:37.840 --> 0:33:39.520
<v Speaker 1>For audience, please give us your name?

0:33:40.160 --> 0:33:41.320
<v Speaker 11>What's my name is? Durren?

0:33:41.640 --> 0:33:42.800
<v Speaker 1>Hello? Duran? How you doing?

0:33:42.880 --> 0:33:43.160
<v Speaker 12>Hello?

0:33:43.640 --> 0:33:44.040
<v Speaker 5>Worry?

0:33:44.240 --> 0:33:48.120
<v Speaker 1>I just say yesterday? Uh uh? We were if we

0:33:48.160 --> 0:33:51.040
<v Speaker 1>can recall the conversation, we're playing guess my age? Yes,

0:33:51.200 --> 0:33:53.920
<v Speaker 1>so I naturally I thought Durham was like just out

0:33:53.960 --> 0:33:55.640
<v Speaker 1>of high school, like maybe in their second year.

0:33:56.040 --> 0:33:57.160
<v Speaker 4>We all did well.

0:33:57.320 --> 0:34:00.440
<v Speaker 1>I was like, you like twenty two? Yeah?

0:34:00.520 --> 0:34:05.120
<v Speaker 11>She was like, no, should I say? I'm thirty four?

0:34:09.520 --> 0:34:11.839
<v Speaker 6>The water didn't do it all right?

0:34:11.920 --> 0:34:13.960
<v Speaker 4>So he got by Jesus will.

0:34:14.120 --> 0:34:18.480
<v Speaker 1>I really was okay, Wait, there's a long as sorry Friday,

0:34:20.320 --> 0:34:22.520
<v Speaker 1>who makes it? Who makes an applause for like twelve minutes?

0:34:23.840 --> 0:34:28.880
<v Speaker 6>That's so intimacy coach? How does one become an intimacy coach?

0:34:29.160 --> 0:34:30.360
<v Speaker 11>Intimacy coordinator?

0:34:30.440 --> 0:34:32.560
<v Speaker 6>Sorry? Yeah? Are there?

0:34:32.600 --> 0:34:32.719
<v Speaker 9>Is it?

0:34:32.800 --> 0:34:34.080
<v Speaker 6>A coach and a coordinator.

0:34:34.120 --> 0:34:35.320
<v Speaker 11>There are two different things.

0:34:35.680 --> 0:34:36.719
<v Speaker 1>I know a thing.

0:34:36.880 --> 0:34:40.919
<v Speaker 12>Okay, Okay, So I'm an intimacy coordinator TV and film.

0:34:41.120 --> 0:34:41.839
<v Speaker 6>What does that mean?

0:34:42.000 --> 0:34:45.680
<v Speaker 11>It means that I chordograph. Yeah, yeah, I.

0:34:46.640 --> 0:34:48.680
<v Speaker 1>Know someone that wants to job. I got to talk

0:34:48.719 --> 0:34:52.440
<v Speaker 1>to you because when they were presenting this to me,

0:34:52.560 --> 0:34:54.400
<v Speaker 1>like I'm want to be intimacy coordinator, I was like,

0:34:54.680 --> 0:34:56.799
<v Speaker 1>huh yeah, And I was like, is that the thing?

0:34:56.840 --> 0:34:58.399
<v Speaker 1>I'm a new director, so I don't know these things.

0:34:58.680 --> 0:34:59.279
<v Speaker 1>This is a thing.

0:34:59.480 --> 0:35:00.719
<v Speaker 11>It's a bit very big thing.

0:35:02.120 --> 0:35:05.080
<v Speaker 4>It's recent, you know what I mean, in the last decade.

0:35:05.320 --> 0:35:07.880
<v Speaker 12>Yeah, it's a it's a new field kind of the

0:35:08.000 --> 0:35:10.640
<v Speaker 12>me too moment is what brought it to America.

0:35:10.680 --> 0:35:12.200
<v Speaker 11>But it was in the UK before that.

0:35:12.520 --> 0:35:14.560
<v Speaker 1>So if you were on the set of Eyes White Shut,

0:35:15.440 --> 0:35:18.440
<v Speaker 1>how would you operate a lot? Was that eventced?

0:35:19.000 --> 0:35:25.200
<v Speaker 11>It's a little bit you know not, I mean like

0:35:25.440 --> 0:35:33.080
<v Speaker 11>barely reference.

0:35:34.560 --> 0:35:39.320
<v Speaker 12>Okay, but she knows it, my love prince, so like

0:35:39.400 --> 0:35:40.719
<v Speaker 12>I dot bit.

0:35:40.680 --> 0:35:42.640
<v Speaker 6>More mild shut.

0:35:42.840 --> 0:35:45.920
<v Speaker 11>So can we like modern it up?

0:35:46.160 --> 0:35:46.359
<v Speaker 9>Sorry?

0:35:46.400 --> 0:35:50.480
<v Speaker 1>Okay, I don't think they make slow jams anymore.

0:35:51.080 --> 0:35:53.399
<v Speaker 6>Fifty gray, thanks Bill.

0:35:53.960 --> 0:35:56.279
<v Speaker 12>I mean that would be a lot of choreography, right,

0:35:56.320 --> 0:35:58.960
<v Speaker 12>A lot of conversations. Honestly, I talk a lot about

0:35:59.080 --> 0:36:02.560
<v Speaker 12>sex and relationship, and I talk a lot about character

0:36:02.600 --> 0:36:06.000
<v Speaker 12>development and character motivation. So it's like, why are we

0:36:06.080 --> 0:36:08.800
<v Speaker 12>touching this person for what reason? Who's giving, who's taking?

0:36:09.080 --> 0:36:11.960
<v Speaker 12>Like you know, who's receiving? Are you touching them the

0:36:12.000 --> 0:36:14.040
<v Speaker 12>way that you want to touch them or the way

0:36:14.080 --> 0:36:15.080
<v Speaker 12>that they want to be touched?

0:36:15.719 --> 0:36:18.719
<v Speaker 1>So do you talk to the screen riner question all

0:36:18.760 --> 0:36:19.200
<v Speaker 1>the time?

0:36:19.440 --> 0:36:22.600
<v Speaker 12>Those should be questioned. Now that's an intimacy coach. That's

0:36:22.600 --> 0:36:24.360
<v Speaker 12>what an intimacy coach would do for you, because they

0:36:24.360 --> 0:36:26.040
<v Speaker 12>would do it on a one on one basis or

0:36:26.160 --> 0:36:28.879
<v Speaker 12>like in a couple basis. But as a coordinator, I'm

0:36:28.920 --> 0:36:31.160
<v Speaker 12>doing that like for a scene with actors.

0:36:31.280 --> 0:36:34.840
<v Speaker 1>Yeah, I've had actor friends and people in the movie

0:36:34.840 --> 0:36:39.360
<v Speaker 1>community actually complain about I have a friend who had

0:36:40.280 --> 0:36:43.880
<v Speaker 1>Often you run into a situation where if one actor

0:36:44.000 --> 0:36:47.680
<v Speaker 1>has a spouse that's really really feeling some sort of

0:36:47.719 --> 0:36:50.839
<v Speaker 1>way about that thing, and then that holds them back

0:36:50.840 --> 0:36:54.040
<v Speaker 1>from the scene. But the director wants the right and

0:36:55.160 --> 0:36:58.400
<v Speaker 1>there was never a person right. There was never a person.

0:36:59.600 --> 0:37:02.319
<v Speaker 12>There like mitigate like it's honestly, it's a lot of

0:37:02.320 --> 0:37:06.120
<v Speaker 12>like mitigating power dynamics because as a as a person

0:37:06.120 --> 0:37:08.600
<v Speaker 12>who's an actor, you just want to do what the

0:37:08.640 --> 0:37:10.560
<v Speaker 12>director tells you to do. You just want to make

0:37:10.600 --> 0:37:13.359
<v Speaker 12>it good for them, like seriously, so you'll you'll say

0:37:13.360 --> 0:37:15.960
<v Speaker 12>you'll do anything. So I talk to them before I

0:37:16.000 --> 0:37:19.600
<v Speaker 12>talk to the director. I break down the script. I

0:37:19.600 --> 0:37:21.960
<v Speaker 12>talk to the director, what's your vision? I talk to

0:37:22.120 --> 0:37:24.680
<v Speaker 12>the actors. What do you want to show? What do

0:37:24.719 --> 0:37:25.359
<v Speaker 12>you not want to show?

0:37:25.760 --> 0:37:28.200
<v Speaker 6>Some of them have contractual things that they like, literally

0:37:28.280 --> 0:37:31.240
<v Speaker 6>in their contract they have body parts, they will writer agreements.

0:37:31.320 --> 0:37:34.319
<v Speaker 11>I only want my nipples shown for three seconds ten.

0:37:34.840 --> 0:37:37.680
<v Speaker 13>You know, I'll.

0:37:36.680 --> 0:37:38.799
<v Speaker 12>Do half a butt, not a full butt, you know,

0:37:39.120 --> 0:37:42.040
<v Speaker 12>like those are those are very real things I'll do,

0:37:42.080 --> 0:37:44.080
<v Speaker 12>butck cleeve, but I don't want to do full rear.

0:37:44.360 --> 0:37:44.560
<v Speaker 9>You know.

0:37:51.040 --> 0:37:54.480
<v Speaker 1>I believe someone was interviewed about the What's what's the

0:37:54.520 --> 0:38:03.000
<v Speaker 1>name of the Weekend? So have you watched that series?

0:38:03.120 --> 0:38:07.799
<v Speaker 12>I refused, Yeah, yeah, I refuse that.

0:38:09.800 --> 0:38:10.359
<v Speaker 11>I've heard things.

0:38:10.400 --> 0:38:13.560
<v Speaker 12>I mean, it's in the icy circles, the intimacy coordinator circles, you.

0:38:13.480 --> 0:38:15.520
<v Speaker 11>Know, like we've talked about it. Okay, that's in the

0:38:15.520 --> 0:38:15.960
<v Speaker 11>group chat.

0:38:16.080 --> 0:38:19.719
<v Speaker 1>Explain this. So the thing was, I guess the first

0:38:19.760 --> 0:38:23.200
<v Speaker 1>shot was fired by the Rolling Stone article that sort

0:38:23.239 --> 0:38:26.239
<v Speaker 1>of spread like talked about trouble on the set, and

0:38:26.280 --> 0:38:28.880
<v Speaker 1>then it just snowballed on. So I kind of missed

0:38:28.920 --> 0:38:32.080
<v Speaker 1>all that part. So what I wound up with was

0:38:32.160 --> 0:38:34.680
<v Speaker 1>everyone was talking about it, and each week it would

0:38:34.760 --> 0:38:38.839
<v Speaker 1>trend and people be making fun of it. Yeah, so

0:38:39.440 --> 0:38:41.920
<v Speaker 1>it's it almost has a show Girl's effect on me

0:38:41.960 --> 0:38:45.719
<v Speaker 1>because it was so I watched it and then I

0:38:45.760 --> 0:38:46.120
<v Speaker 1>was like.

0:38:46.880 --> 0:38:50.520
<v Speaker 12>Oh, yes, shows, I mean they did a lot of

0:38:50.520 --> 0:38:54.560
<v Speaker 12>like what making fun of intimacy coordinator roles in that particular. Yeah,

0:38:54.800 --> 0:38:57.520
<v Speaker 12>they like I don't know, sometimes people want to make

0:38:57.560 --> 0:39:01.839
<v Speaker 12>you be the like the consent, you know, like I'm

0:39:01.880 --> 0:39:04.320
<v Speaker 12>here to make sure you don't say the wrong things

0:39:04.400 --> 0:39:07.560
<v Speaker 12>like the PC police. I'm the most inappropriate on set.

0:39:07.719 --> 0:39:11.120
<v Speaker 12>I just enjoy rules like so I'm just gonna make

0:39:11.160 --> 0:39:16.399
<v Speaker 12>sure say yeah, bound, I'm like, you know, I'm not

0:39:16.440 --> 0:39:18.400
<v Speaker 12>trying to be a hall monitor. I'm an artist.

0:39:20.239 --> 0:39:23.440
<v Speaker 6>Yeah, when they're actually in the bed, do you actually

0:39:23.440 --> 0:39:24.719
<v Speaker 6>have to also be there to go?

0:39:24.960 --> 0:39:25.279
<v Speaker 1>All right?

0:39:25.400 --> 0:39:26.919
<v Speaker 6>So I need you to move a little.

0:39:26.960 --> 0:39:29.440
<v Speaker 12>I love that you were talking about humping, because that's yeah,

0:39:29.520 --> 0:39:30.520
<v Speaker 12>I mean like for sets.

0:39:30.600 --> 0:39:31.920
<v Speaker 11>Yeah, it's like a real thing.

0:39:32.000 --> 0:39:34.919
<v Speaker 12>We put barriers between them or like silicone barriers about

0:39:34.920 --> 0:39:35.680
<v Speaker 12>to say, how do you stop.

0:39:37.040 --> 0:39:39.600
<v Speaker 11>Dulling sensation? You know I heard, I'm sorry.

0:39:41.080 --> 0:39:43.839
<v Speaker 1>Sensation keep him getting erected.

0:39:43.680 --> 0:39:48.440
<v Speaker 12>To keep both of them from feeling their genitalia, like

0:39:48.560 --> 0:39:50.839
<v Speaker 12>literally like making it more adult, like this is like

0:39:51.000 --> 0:39:51.719
<v Speaker 12>not dult.

0:39:51.800 --> 0:39:53.160
<v Speaker 6>Were putting like a real cup.

0:39:53.840 --> 0:39:57.520
<v Speaker 12>Yeah, almost like an athletic cup, but it's much softer,

0:39:58.360 --> 0:40:01.400
<v Speaker 12>made of like medical grade silicone on every color.

0:40:01.600 --> 0:40:05.000
<v Speaker 6>Come on, I got but it holds you down though, Steve,

0:40:05.480 --> 0:40:06.719
<v Speaker 6>it'll it'll, it'll hold you on.

0:40:06.760 --> 0:40:08.120
<v Speaker 1>Pa.

0:40:08.600 --> 0:40:10.560
<v Speaker 6>I'm so glad. They always wondered what do you do

0:40:10.600 --> 0:40:12.799
<v Speaker 6>when he gets aroused? Okay, because I mean you.

0:40:12.760 --> 0:40:16.760
<v Speaker 12>Wouldn't feel it, you know, if I've taped it down proper.

0:40:17.840 --> 0:40:23.120
<v Speaker 1>Yeah, now can I ask? Because of the brown Bunny situation,

0:40:23.640 --> 0:40:38.239
<v Speaker 1>are you familiar with this Welsh done? You are who

0:40:39.280 --> 0:40:43.200
<v Speaker 1>decided to go full throttle with it and perform on.

0:40:44.760 --> 0:40:50.080
<v Speaker 11>That's visit and that's illegal.

0:40:51.560 --> 0:40:52.240
<v Speaker 6>Means it's illegal.

0:40:53.000 --> 0:40:56.319
<v Speaker 12>You're not supposed to give your your co partner head

0:40:56.360 --> 0:40:57.840
<v Speaker 12>on set, like did this happened?

0:40:57.880 --> 0:40:59.680
<v Speaker 11>Like in like you're not.

0:41:01.719 --> 0:41:04.320
<v Speaker 6>Like union rules you're talking about because they didn't.

0:41:04.840 --> 0:41:06.680
<v Speaker 1>I don't know if they showed it or not, but

0:41:06.960 --> 0:41:07.919
<v Speaker 1>she just did it for real.

0:41:09.120 --> 0:41:11.400
<v Speaker 12>It could I mean like illegal as in it. It

0:41:11.480 --> 0:41:14.920
<v Speaker 12>really could be a harassment suit and not just between

0:41:14.960 --> 0:41:18.440
<v Speaker 12>you and the person you did it with, but like everybody.

0:41:17.800 --> 0:41:22.200
<v Speaker 13>Else the house is around.

0:41:23.560 --> 0:41:24.480
<v Speaker 6>That's an interesting thing.

0:41:25.880 --> 0:41:28.080
<v Speaker 1>This is a very controversial a very different times. She

0:41:28.200 --> 0:41:32.400
<v Speaker 1>kind of got like I'm not saying she got blackballed,

0:41:32.800 --> 0:41:36.879
<v Speaker 1>but you know, they kind of scarlet lettered her.

0:41:37.200 --> 0:41:41.719
<v Speaker 9>He didn't well, I mean but he's not acting anyway.

0:41:41.880 --> 0:41:45.520
<v Speaker 6>I mean he's he directed and he acted in that movie, right, and.

0:41:45.440 --> 0:41:49.120
<v Speaker 11>She gave him head like in the That's a lot.

0:41:49.239 --> 0:41:50.960
<v Speaker 12>I wonder if she felt like she had to, like

0:41:51.000 --> 0:41:54.319
<v Speaker 12>if someone like me was there, like because sometimes it's

0:41:54.360 --> 0:41:57.719
<v Speaker 12>like I can get ahead literally on Google.

0:41:57.480 --> 0:42:00.640
<v Speaker 1>Says why was the Brown Bunny so controversial? Sex? The

0:42:00.640 --> 0:42:02.440
<v Speaker 1>film's infamous sex scene, which.

0:42:04.080 --> 0:42:09.440
<v Speaker 13>Performs nice sex bred unsimulated oral sex upon Gallo, received

0:42:09.440 --> 0:42:14.960
<v Speaker 13>an overwhelmingly negative stimulated unsimulated not unstimulated.

0:42:14.520 --> 0:42:15.600
<v Speaker 4>Simulated me.

0:42:15.719 --> 0:42:19.600
<v Speaker 13>Yeah, it's supposed to be simulated sex not I received

0:42:19.600 --> 0:42:23.520
<v Speaker 13>an overwhelmingly negative critical response at its con premiere, and

0:42:23.560 --> 0:42:26.879
<v Speaker 13>it became a media scandal, with many critics speculating whether

0:42:26.960 --> 0:42:29.520
<v Speaker 13>or not she had been pressured into performing a sex

0:42:29.600 --> 0:42:30.320
<v Speaker 13>act with Galla.

0:42:30.480 --> 0:42:33.040
<v Speaker 6>That was yeah, that was the the last thing he directed,

0:42:33.200 --> 0:42:33.959
<v Speaker 6>was right.

0:42:33.880 --> 0:42:35.240
<v Speaker 1>Well, where's her?

0:42:35.440 --> 0:42:37.439
<v Speaker 6>Quick question? So that means like, have you ever seen

0:42:37.440 --> 0:42:38.240
<v Speaker 6>the movie Kids?

0:42:38.520 --> 0:42:38.719
<v Speaker 1>Yes?

0:42:39.120 --> 0:42:43.680
<v Speaker 6>I know you all, but have you seen the movie Kids?

0:42:44.080 --> 0:42:46.840
<v Speaker 6>The first Rosario Dawson. Okay, So I'm just wondering if

0:42:46.880 --> 0:42:48.719
<v Speaker 6>a movie like that could be made in twenty twenty.

0:42:49.000 --> 0:42:51.080
<v Speaker 3>Think so, I don't think a lot of stuff like

0:42:51.320 --> 0:42:54.360
<v Speaker 3>Harmony Korn, Larry Clark, like, I don't think these.

0:42:54.200 --> 0:42:56.880
<v Speaker 6>Are children teenagers happening like that, Karen.

0:42:58.280 --> 0:43:01.399
<v Speaker 12>What's the snippets?

0:43:02.280 --> 0:43:03.240
<v Speaker 6>Choe was in Kids?

0:43:03.560 --> 0:43:03.680
<v Speaker 4>Was?

0:43:04.040 --> 0:43:06.000
<v Speaker 1>Yeah? She wasn't Kids? Yeah, Chloe was in Kids.

0:43:06.200 --> 0:43:09.439
<v Speaker 11>There are a lot of rules around children. Now now

0:43:09.840 --> 0:43:10.480
<v Speaker 11>it's like.

0:43:10.440 --> 0:43:17.560
<v Speaker 6>This, Oh, one more question. Do men do this job?

0:43:17.960 --> 0:43:19.359
<v Speaker 11>Yes? My mentor is a man?

0:43:19.640 --> 0:43:20.360
<v Speaker 6>Straight ones?

0:43:20.760 --> 0:43:23.560
<v Speaker 11>Yes, well I mean straighters, spunk trum.

0:43:23.680 --> 0:43:30.320
<v Speaker 12>Okay, We're a little more fluid these days. Like my mentor,

0:43:31.120 --> 0:43:34.560
<v Speaker 12>Yehuda Dunes is an amazing intimacy coordinator.

0:43:34.600 --> 0:43:38.600
<v Speaker 3>Shout out, how do these these skill sets or do

0:43:38.719 --> 0:43:41.120
<v Speaker 3>these new skill sets and conversations that you have to have,

0:43:41.320 --> 0:43:44.560
<v Speaker 3>how do they show up in your personal life?

0:43:44.680 --> 0:43:47.120
<v Speaker 4>In terms of enforcing boundaries or how do they inform

0:43:47.160 --> 0:43:47.719
<v Speaker 4>you in that way?

0:43:47.800 --> 0:43:48.800
<v Speaker 11>I'm having less sex.

0:43:49.440 --> 0:43:52.319
<v Speaker 12>Really, yeah, I am having less set more people want

0:43:52.360 --> 0:43:53.960
<v Speaker 12>to fuck me, but I'm having less sex.

0:43:54.320 --> 0:43:55.520
<v Speaker 6>Feels clinical or something.

0:43:56.280 --> 0:43:56.360
<v Speaker 7>No.

0:43:56.760 --> 0:43:59.840
<v Speaker 12>I think like the intrigue is there, like everyone is

0:43:59.880 --> 0:44:03.640
<v Speaker 12>in intrigued. It sounds really sexy, but I don't know.

0:44:03.680 --> 0:44:07.040
<v Speaker 12>My communication game is really high. If you is not there,

0:44:07.760 --> 0:44:11.200
<v Speaker 12>I don't I'm not into it. I think, yeah, I

0:44:11.239 --> 0:44:14.040
<v Speaker 12>have a much higher standard of like how we start

0:44:14.080 --> 0:44:16.399
<v Speaker 12>and finish this, and I can be a lot more

0:44:16.400 --> 0:44:21.320
<v Speaker 12>impartial than other people can. And not everybody wants impartial.

0:44:21.800 --> 0:44:23.040
<v Speaker 1>Well, you got to put it out there that you

0:44:23.120 --> 0:44:24.480
<v Speaker 1>find people on your wavelength.

0:44:24.719 --> 0:44:26.560
<v Speaker 6>I don't even know what that means with sex. I'm

0:44:26.560 --> 0:44:27.520
<v Speaker 6>impartial with sex.

0:44:28.000 --> 0:44:31.640
<v Speaker 11>Well, it's like you know, situationships and things. Got you,

0:44:31.680 --> 0:44:33.319
<v Speaker 11>I can come and go got you.

0:44:34.000 --> 0:44:35.040
<v Speaker 1>I can take it or leave it.

0:44:35.160 --> 0:44:38.279
<v Speaker 9>I can take it or you're saying that the other side,

0:44:43.600 --> 0:44:51.600
<v Speaker 9>I hope, can you.

0:44:52.320 --> 0:44:56.480
<v Speaker 1>I have two friends that are really interested in this.

0:44:57.239 --> 0:44:59.959
<v Speaker 1>I'm really in my head. I was slightly dismissive because

0:45:00.000 --> 0:45:01.719
<v Speaker 1>I was like, wait a minute, I'm just doing documentaries.

0:45:01.760 --> 0:45:05.359
<v Speaker 1>I'm not doing real movies yet, and but they were like,

0:45:05.600 --> 0:45:08.400
<v Speaker 1>I want to be the intimacy coordinator. And I was

0:45:08.480 --> 0:45:11.480
<v Speaker 1>just like, what's that? And in my head I kind

0:45:11.480 --> 0:45:14.880
<v Speaker 1>of dismissed it. But this is really ship and people

0:45:16.360 --> 0:45:17.880
<v Speaker 1>actively looking for.

0:45:18.040 --> 0:45:23.080
<v Speaker 12>Yes, yeah, he can be legitimately certified. You can take coursework.

0:45:23.320 --> 0:45:27.600
<v Speaker 1>One of them is taking getting there their sex certificate

0:45:28.239 --> 0:45:28.960
<v Speaker 1>thing of Ajiger.

0:45:34.000 --> 0:45:34.759
<v Speaker 11>That's what I had.

0:45:35.600 --> 0:45:36.280
<v Speaker 1>These things existed.

0:45:36.320 --> 0:45:39.000
<v Speaker 6>You're looking for voices graduate.

0:45:40.440 --> 0:45:42.480
<v Speaker 1>We just got off strike yesterday.

0:45:42.080 --> 0:45:43.720
<v Speaker 6>So I'm just one in my bid and the people

0:45:43.800 --> 0:45:45.560
<v Speaker 6>is telling you they want to job movies and stuff.

0:45:45.560 --> 0:45:47.480
<v Speaker 6>I'm trying that I do voice work job.

0:45:48.160 --> 0:45:49.600
<v Speaker 4>Your voice work is amazing.

0:45:50.320 --> 0:45:55.040
<v Speaker 1>Recently I hired a lot. I've heard that voice, that

0:45:55.160 --> 0:45:58.760
<v Speaker 1>Book of Knowledge, old Book of Track, give good voice.

0:46:02.200 --> 0:46:07.880
<v Speaker 1>Oh wait, i't realize what I said voice, But I

0:46:07.920 --> 0:46:08.640
<v Speaker 1>want to get myself.

0:46:11.680 --> 0:46:14.680
<v Speaker 4>I'm not like your voice of work is really really.

0:46:14.960 --> 0:46:16.400
<v Speaker 6>Working on it every day. Thank you brother. It's a

0:46:16.400 --> 0:46:18.080
<v Speaker 6>big compliment coming from it's worked out.

0:46:18.600 --> 0:46:18.920
<v Speaker 4>You're not.

0:46:19.120 --> 0:46:20.000
<v Speaker 1>You're not working on it.

0:46:20.520 --> 0:46:23.080
<v Speaker 6>I am okay, and I will be featured in the

0:46:23.120 --> 0:46:24.400
<v Speaker 6>new Aristocrats move.

0:46:25.080 --> 0:46:28.759
<v Speaker 1>I'll put you in the Aristocrats.

0:46:29.440 --> 0:46:31.960
<v Speaker 6>Shut up. You're trying to blame me.

0:46:32.840 --> 0:46:35.120
<v Speaker 4>Is that have you well? Is that live action or

0:46:35.160 --> 0:46:35.920
<v Speaker 4>is it animated?

0:46:36.560 --> 0:46:39.399
<v Speaker 1>First thing, I gotta tell people, it's not cats. It's not,

0:46:39.520 --> 0:46:44.000
<v Speaker 1>it's not it's not going to be cats. Right. However,

0:46:44.640 --> 0:46:48.320
<v Speaker 1>right now I'm trying to figure out the degree for

0:46:48.640 --> 0:46:52.040
<v Speaker 1>how real the cats are. So here's the deal. I

0:46:52.080 --> 0:46:58.080
<v Speaker 1>don't have emotional connection to well, I don't have an

0:46:58.280 --> 0:47:03.760
<v Speaker 1>emotional connection to the original Lion King. So thus people

0:47:03.840 --> 0:47:07.279
<v Speaker 1>sort of had guns and knives out for all these

0:47:07.320 --> 0:47:12.600
<v Speaker 1>new animatronic right, because they're mostly attached to what they

0:47:12.600 --> 0:47:16.480
<v Speaker 1>grew up with. And so you know, when I saw

0:47:16.520 --> 0:47:20.040
<v Speaker 1>the Lion King, I was like, oh, okay, no no problem,

0:47:20.120 --> 0:47:24.200
<v Speaker 1>and this is the right right. The only human being

0:47:24.640 --> 0:47:28.120
<v Speaker 1>whose first experience with the Lion King was Beyonce Joins.

0:47:29.280 --> 0:47:32.319
<v Speaker 1>And when everyone started like I was like huh, I

0:47:32.320 --> 0:47:33.960
<v Speaker 1>was like, all right, let me watch this Jowin And

0:47:34.000 --> 0:47:36.160
<v Speaker 1>I watched it and I was like, oh, okay, I

0:47:36.200 --> 0:47:39.120
<v Speaker 1>get it. It would be like me seeing a new

0:47:39.160 --> 0:47:42.200
<v Speaker 1>soul train being like, yo, this is nothing like what

0:47:42.280 --> 0:47:42.759
<v Speaker 1>I grew up with.

0:47:42.800 --> 0:47:45.640
<v Speaker 4>You can't compete with people's nostalgia, like it doesn't.

0:47:45.560 --> 0:47:50.120
<v Speaker 1>Right, especially just now. It's not like you know, Aristicats

0:47:50.200 --> 0:47:55.480
<v Speaker 1>was the last movie of the Disney cannon of that

0:47:55.560 --> 0:47:58.560
<v Speaker 1>of that era, you know, from from thirties till like

0:47:58.760 --> 0:48:02.040
<v Speaker 1>Risticats came on like nineteen sixty nine, seventy, and after

0:48:02.080 --> 0:48:03.799
<v Speaker 1>that then they just went through this like her being

0:48:04.000 --> 0:48:06.960
<v Speaker 1>like the live Joins and then back in the nineties

0:48:07.000 --> 0:48:09.000
<v Speaker 1>they brought uh, you know Ladimer made and.

0:48:08.960 --> 0:48:10.440
<v Speaker 4>They was probably Laddin and all that.

0:48:12.960 --> 0:48:20.280
<v Speaker 1>So I'm trying to figure out the level of reality

0:48:20.440 --> 0:48:23.360
<v Speaker 1>to fantasy. And the thing is with technology now, like

0:48:23.440 --> 0:48:25.719
<v Speaker 1>in seconds, in five minutes, they could be like do

0:48:25.719 --> 0:48:27.000
<v Speaker 1>you want them to look like this? I'm like, ah,

0:48:27.000 --> 0:48:28.840
<v Speaker 1>it's too real. Do you want to look like this?

0:48:29.040 --> 0:48:30.960
<v Speaker 1>It's too cartoonists? Do you want to look like so?

0:48:32.200 --> 0:48:35.000
<v Speaker 6>And at the teenage meeting Turtles that that shit totally changed,

0:48:35.000 --> 0:48:37.759
<v Speaker 6>like the animation and that was kind of like, how.

0:48:37.680 --> 0:48:38.680
<v Speaker 1>Do you say they were cy?

0:48:39.000 --> 0:48:40.760
<v Speaker 12>You know, it just looked a little crazy. It sells

0:48:40.800 --> 0:48:42.719
<v Speaker 12>me out, yeah, carry out just a little bit.

0:48:43.560 --> 0:48:46.680
<v Speaker 1>Yeah. So now what I have to figure out is

0:48:47.239 --> 0:48:49.920
<v Speaker 1>am I going for? And you can weigh in on this.

0:48:50.640 --> 0:48:55.120
<v Speaker 1>Do you go for the new audience or do you

0:48:55.160 --> 0:48:58.160
<v Speaker 1>go with the Disney cult? Because I now find out

0:48:58.200 --> 0:49:02.520
<v Speaker 1>that Disney people are mostly kids that refuse to grow up.

0:49:03.400 --> 0:49:05.040
<v Speaker 1>So I got a bunch of thirty and forty and

0:49:05.040 --> 0:49:06.960
<v Speaker 1>fifty year old people your age that like want to

0:49:06.960 --> 0:49:10.120
<v Speaker 1>put the kids onto it, but they're what, well, I mean,

0:49:10.160 --> 0:49:12.040
<v Speaker 1>you know, I'm talking. I think your job is to

0:49:12.040 --> 0:49:13.759
<v Speaker 1>figure out how to make both of those things work.

0:49:13.800 --> 0:49:16.960
<v Speaker 5>That's the job. The job is is not to appeal

0:49:17.040 --> 0:49:19.719
<v Speaker 5>to either ors to both. That's always been the job.

0:49:19.800 --> 0:49:22.040
<v Speaker 5>That's always should be your job. You can't like, just

0:49:22.120 --> 0:49:25.240
<v Speaker 5>let me ask you because there's ten of us in here. Okay,

0:49:25.280 --> 0:49:27.040
<v Speaker 5>well you looked at me, so I just started.

0:49:26.760 --> 0:49:28.520
<v Speaker 1>Going, Well, because you work on a kids show, I do,

0:49:28.600 --> 0:49:31.520
<v Speaker 1>and we try to peel everybody. Okay, so what was

0:49:31.560 --> 0:49:34.120
<v Speaker 1>everyone's relationship to the original Lion King?

0:49:35.600 --> 0:49:36.160
<v Speaker 4>You want to go for?

0:49:36.840 --> 0:49:39.200
<v Speaker 5>Okay, we're talking about we're talking for those that love

0:49:39.280 --> 0:49:40.279
<v Speaker 5>the original Lion King.

0:49:40.440 --> 0:49:45.080
<v Speaker 3>Raise your hand, yeah I did, yeah, yeah, yeah yeah?

0:49:45.239 --> 0:49:47.279
<v Speaker 11>Did you not love the original Lion King?

0:49:48.040 --> 0:49:51.759
<v Speaker 1>See, the thing was, I was twenty one when the

0:49:51.800 --> 0:49:53.880
<v Speaker 1>Lion King came out, so it wasn't like, yo, I

0:49:53.920 --> 0:49:54.840
<v Speaker 1>gotta see this shit.

0:49:56.400 --> 0:49:56.560
<v Speaker 6>Like.

0:49:57.640 --> 0:49:59.560
<v Speaker 1>But the thing is, then I moved to Europe. Everything

0:49:59.600 --> 0:50:03.279
<v Speaker 1>you see then everything I feel like any adult that

0:50:03.360 --> 0:50:05.960
<v Speaker 1>saw the Lion King at least had to have a

0:50:06.040 --> 0:50:08.120
<v Speaker 1>child in the house that like always watched it on,

0:50:09.080 --> 0:50:12.000
<v Speaker 1>you know, like those videotapes and DVDs were like babysitters

0:50:12.080 --> 0:50:16.279
<v Speaker 1>or whatever. Nah facts, but unlike Pixar, which I'll be like, yeah,

0:50:16.280 --> 0:50:18.280
<v Speaker 1>I want to watch Toy Story, like I was bored

0:50:18.280 --> 0:50:22.000
<v Speaker 1>for that. But like I missed Aladdin, I missed Lion King,

0:50:22.040 --> 0:50:23.719
<v Speaker 1>and I missed Beauty and the Beast.

0:50:23.600 --> 0:50:29.239
<v Speaker 5>Like Milan, that's my hot, like the Aladdin, like I

0:50:29.280 --> 0:50:33.560
<v Speaker 5>watched you were like eleven twelve in what year ninety

0:50:33.600 --> 0:50:35.319
<v Speaker 5>two ninety one? That was exactly right.

0:50:35.480 --> 0:50:37.959
<v Speaker 1>I was twenty one, so it wasn't like I would

0:50:37.960 --> 0:50:39.080
<v Speaker 1>have rather go on to see.

0:50:39.040 --> 0:50:43.400
<v Speaker 3>Boys in the howety four right, ninety four I was fifteen.

0:50:43.440 --> 0:50:44.959
<v Speaker 3>I remember seeing that. I feel like I can't remember

0:50:44.960 --> 0:50:47.239
<v Speaker 3>if I took like my brothers to see it or like, yeah,

0:50:47.239 --> 0:50:50.160
<v Speaker 3>there's someone young that I wasn't like, hey, ma, I

0:50:50.239 --> 0:50:51.720
<v Speaker 3>needed to crank that Lion King.

0:50:52.640 --> 0:50:54.960
<v Speaker 6>Which is because you when you look at the cast, right,

0:50:55.000 --> 0:50:56.680
<v Speaker 6>it kind of is you're right because it's like, look,

0:50:56.680 --> 0:51:00.640
<v Speaker 6>it's Jeremy Irons, James Earl Jones, you know, like Mad Sinclair.

0:51:01.200 --> 0:51:06.960
<v Speaker 4>Yeah you know what I mean, He's like yeah, awareness

0:51:07.040 --> 0:51:07.239
<v Speaker 4>of it.

0:51:07.320 --> 0:51:10.160
<v Speaker 1>I knew, like, oh, they're letting Elton John do the

0:51:10.400 --> 0:51:13.839
<v Speaker 1>scores of this thing. He's napped on that too, right,

0:51:14.000 --> 0:51:17.040
<v Speaker 1>So I knew that, But I really it wasn't until

0:51:17.120 --> 0:51:19.719
<v Speaker 1>people started making you know, what's over Lion King? Who

0:51:19.800 --> 0:51:20.000
<v Speaker 1>is that?

0:51:20.040 --> 0:51:23.319
<v Speaker 4>Who's that hard? Elton John on Lion King? Or Phil

0:51:23.400 --> 0:51:24.480
<v Speaker 4>Collins on Tarzan?

0:51:24.880 --> 0:51:25.399
<v Speaker 1>Or like Alan?

0:51:26.600 --> 0:51:29.920
<v Speaker 3>I mean, I mean I'm always.

0:51:29.600 --> 0:51:32.440
<v Speaker 12>With feel and I love Lion King more than Tarzan

0:51:32.520 --> 0:51:33.280
<v Speaker 12>and Phil Collins?

0:51:33.440 --> 0:51:34.120
<v Speaker 6>Phil Collins?

0:51:34.200 --> 0:51:37.400
<v Speaker 1>What was the joint on Tarzan? The one was it that?

0:51:37.480 --> 0:51:38.759
<v Speaker 1>I wasn't kN you feel the love night? That was

0:51:38.760 --> 0:51:41.440
<v Speaker 1>Elton John? What was Phil's joint on the Tarzan?

0:51:41.520 --> 0:51:41.719
<v Speaker 4>Sound?

0:51:41.719 --> 0:51:42.680
<v Speaker 1>It was a good song, it was.

0:51:43.400 --> 0:51:45.799
<v Speaker 3>She was a jam I did like the Lion King.

0:51:45.880 --> 0:51:48.600
<v Speaker 3>I didn't see the new one. I haven't seen the

0:51:48.640 --> 0:51:50.840
<v Speaker 3>new I saw the Little Mermaid. I like my cousins.

0:51:50.840 --> 0:51:52.640
<v Speaker 3>I like the old one. I haven't seen the new one.

0:51:53.440 --> 0:51:53.719
<v Speaker 1>You know.

0:51:53.960 --> 0:51:55.799
<v Speaker 3>Yeah, It's just I was more I really, I was

0:51:55.840 --> 0:51:58.319
<v Speaker 3>more of a Pixar guy more so than Disney. Like

0:51:58.440 --> 0:52:00.520
<v Speaker 3>a lot of the after the ninety is like after

0:52:00.600 --> 0:52:03.880
<v Speaker 3>like that run of like Little Man, maybe Mulan, Aladdin.

0:52:03.960 --> 0:52:05.520
<v Speaker 3>Aladdin was the jam I did I did a fun

0:52:05.600 --> 0:52:06.960
<v Speaker 3>with Aladdin. A Laddin was my dude.

0:52:07.320 --> 0:52:14.000
<v Speaker 10>But did you like the Latin remake they did?

0:52:14.040 --> 0:52:14.680
<v Speaker 4>I see that one.

0:52:14.719 --> 0:52:17.800
<v Speaker 1>It was not the best thing. My Genie's name.

0:52:17.680 --> 0:52:33.440
<v Speaker 3>Out from Downtown.

0:52:29.880 --> 0:52:33.359
<v Speaker 1>That was amazing, amazing, Nah, I was a pick.

0:52:33.400 --> 0:52:36.239
<v Speaker 4>So like Tour Story, they had a run like they was.

0:52:36.280 --> 0:52:36.960
<v Speaker 4>They was on it.

0:52:37.160 --> 0:52:40.480
<v Speaker 1>And it's just like, I don't think anyone has cracked

0:52:40.480 --> 0:52:47.160
<v Speaker 1>the code on a live remake for kids. I mean

0:52:47.239 --> 0:52:49.840
<v Speaker 1>that at least, I don't know what you would consider, babe.

0:52:50.320 --> 0:52:51.879
<v Speaker 4>But that was one about the pig.

0:52:52.120 --> 0:52:53.480
<v Speaker 1>Yeah, but that's the game.

0:52:53.520 --> 0:52:55.120
<v Speaker 5>The game is to try to figure out how to

0:52:55.120 --> 0:52:58.399
<v Speaker 5>make the perfect like the live because people have tried

0:52:58.400 --> 0:52:59.960
<v Speaker 5>to do it and no one's really nailed it.

0:53:00.320 --> 0:53:03.239
<v Speaker 1>Rule number one is you should never look at the comments.

0:53:03.560 --> 0:53:06.560
<v Speaker 1>But the first thing I did was all the Tom

0:53:06.600 --> 0:53:09.759
<v Speaker 1>and Jerry comments. I looked at all the anyone that's

0:53:09.760 --> 0:53:12.200
<v Speaker 1>done alive, and I just went down there, hold like

0:53:12.239 --> 0:53:17.760
<v Speaker 1>all the YouTube trailer first look things to see like okay,

0:53:17.880 --> 0:53:23.000
<v Speaker 1>the fish from Little Mermaid the yellow one like no

0:53:23.120 --> 0:53:27.640
<v Speaker 1>one liked. I mean that alone from you ruined half

0:53:27.640 --> 0:53:30.719
<v Speaker 1>the momentum of what the Little Mermaids should have done.

0:53:31.160 --> 0:53:33.960
<v Speaker 1>They just nailed in on Flounder. But then again it's

0:53:34.000 --> 0:53:37.839
<v Speaker 1>also like, but you're thirty four years old, like are

0:53:37.880 --> 0:53:41.200
<v Speaker 1>you my audience or is your kids my audience?

0:53:41.360 --> 0:53:44.120
<v Speaker 3>Or what idea is that you want to make some

0:53:44.400 --> 0:53:46.080
<v Speaker 3>or they want you to make something?

0:53:46.080 --> 0:53:47.440
<v Speaker 4>They will speak equally to both.

0:53:48.080 --> 0:53:49.480
<v Speaker 3>That's what they you know, what I mean, that's what

0:53:49.520 --> 0:53:51.400
<v Speaker 3>they want because I mean and for me again, that

0:53:51.480 --> 0:53:54.400
<v Speaker 3>was kind of the Pixar thing and that on his face.

0:53:54.680 --> 0:53:58.440
<v Speaker 4>Yes, they're movies for kids. But Toy Story three, a bro,

0:53:58.600 --> 0:54:00.439
<v Speaker 4>I shed thug tears on this, but.

0:54:00.360 --> 0:54:05.640
<v Speaker 3>I was gonna say the toys was in the motherfucking center.

0:54:06.719 --> 0:54:13.520
<v Speaker 1>Man. Wait, that the only time I've ever seen Richard

0:54:14.040 --> 0:54:19.160
<v Speaker 1>Jeremy Nichols wow shed his tear. Toy Story three's Toy

0:54:19.239 --> 0:54:19.840
<v Speaker 1>Story three.

0:54:20.560 --> 0:54:22.920
<v Speaker 4>Listen, bro hey bro lots of hugging.

0:54:22.960 --> 0:54:27.960
<v Speaker 3>Bear's scared that he was a fun boy yo. Like

0:54:28.080 --> 0:54:29.880
<v Speaker 3>where he had the kids, He had them toys up

0:54:29.880 --> 0:54:33.400
<v Speaker 3>and together, the nursery home fu Yeah, locking them up

0:54:33.440 --> 0:54:34.920
<v Speaker 3>and ship man because he wanted.

0:54:34.760 --> 0:54:36.160
<v Speaker 1>When he came out of the dump truck like he

0:54:36.239 --> 0:54:37.719
<v Speaker 1>on the joy and.

0:54:37.840 --> 0:54:38.520
<v Speaker 4>Running it like.

0:54:40.160 --> 0:54:45.320
<v Speaker 1>Che riche allowed himself ninety seconds of no, it's.

0:54:44.920 --> 0:54:45.680
<v Speaker 4>That's the best one.

0:54:45.680 --> 0:54:46.319
<v Speaker 1>I want to know.

0:54:47.200 --> 0:54:48.239
<v Speaker 4>I want to know.

0:54:48.520 --> 0:54:51.440
<v Speaker 1>How traumatized kids were and watching Toy Story three.

0:54:51.440 --> 0:54:54.640
<v Speaker 4>How about we're still talking about it years ago to

0:54:54.719 --> 0:54:54.960
<v Speaker 4>see it.

0:54:55.000 --> 0:54:57.080
<v Speaker 3>They loved it like they I mean, I granted they

0:54:57.080 --> 0:54:59.560
<v Speaker 3>are for my kids, right you know, but nah, I

0:54:59.600 --> 0:55:01.040
<v Speaker 3>mean they loved it.

0:55:01.120 --> 0:55:02.719
<v Speaker 4>You know what I mean. We we had a great time.

0:55:02.719 --> 0:55:03.360
<v Speaker 1>You still watch it?

0:55:03.440 --> 0:55:09.680
<v Speaker 4>Oh yeah, that's the One Man three like the first.

0:55:11.160 --> 0:55:13.320
<v Speaker 1>Yeah, and I don't have emotions. You almost don't have

0:55:13.360 --> 0:55:16.839
<v Speaker 1>to watch the rest of the movie. That the first

0:55:16.880 --> 0:55:18.120
<v Speaker 1>seventeen minutes and that's it.

0:55:18.320 --> 0:55:20.160
<v Speaker 3>Yeah, but no, that's that's I mean for me, that

0:55:20.360 --> 0:55:22.320
<v Speaker 3>was kind of the formative, like all right, we're gonna

0:55:22.360 --> 0:55:26.279
<v Speaker 3>have this animation that's for children, but the themes are

0:55:26.280 --> 0:55:28.279
<v Speaker 3>really you know, kind of growing up.

0:55:28.360 --> 0:55:31.600
<v Speaker 1>Or animation helps the medicine go down facts, which is

0:55:31.640 --> 0:55:34.319
<v Speaker 1>why family Guy can get away with what it gets

0:55:34.520 --> 0:55:38.360
<v Speaker 1>or Southwes Southwark can get away with you know everything. Wow.

0:55:38.440 --> 0:55:41.160
<v Speaker 1>So okay, so I'm we we gotta connect later because

0:55:41.320 --> 0:55:45.080
<v Speaker 1>I literally didn't know that there was Is there an

0:55:45.080 --> 0:55:46.440
<v Speaker 1>agency or.

0:55:47.160 --> 0:55:54.920
<v Speaker 4>You just run an independent uh yeah called backpage. I've

0:55:54.920 --> 0:55:58.440
<v Speaker 4>heard heard you know what I'm saying, you know, just

0:55:58.440 --> 0:55:58.879
<v Speaker 4>out there.

0:56:00.280 --> 0:56:02.720
<v Speaker 11>Like that's the Facebook.

0:56:04.480 --> 0:56:08.840
<v Speaker 1>No, thank you for having.

0:56:10.760 --> 0:56:13.080
<v Speaker 6>Interpretation step from.

0:56:13.400 --> 0:56:14.280
<v Speaker 1>Give it a long clap.

0:56:14.760 --> 0:56:20.120
<v Speaker 5>Okay, Price is right when that person is running from

0:56:20.120 --> 0:56:21.279
<v Speaker 5>the back of the Prices.

0:56:20.960 --> 0:56:22.440
<v Speaker 1>Right right, exactly?

0:56:27.120 --> 0:56:28.040
<v Speaker 6>We need Wayne Brady.

0:56:28.080 --> 0:56:30.799
<v Speaker 1>I'm sorry. I love Wayne Brady. Why do we need

0:56:30.840 --> 0:56:32.799
<v Speaker 1>Wayne Brady?

0:56:33.080 --> 0:56:34.239
<v Speaker 6>Know? He was just on my wish as you said,

0:56:34.280 --> 0:56:35.719
<v Speaker 6>Price is right on my mind just went to.

0:56:37.719 --> 0:56:40.480
<v Speaker 1>Wayne not playing a group together. I love Wayne. He's

0:56:40.520 --> 0:56:43.799
<v Speaker 1>a freestyle of supreme the other loves. I wait, Wayne

0:56:43.840 --> 0:56:46.880
<v Speaker 1>Brady was once? Is that why he's so good at Yeah.

0:56:47.520 --> 0:56:49.960
<v Speaker 5>Well not one of the ways, way before that, but

0:56:49.960 --> 0:56:53.279
<v Speaker 5>but he's been in freestyle spree forever for years.

0:56:53.440 --> 0:56:56.640
<v Speaker 1>Is that still on? Probably? Okay, no more.

0:56:56.880 --> 0:56:59.759
<v Speaker 5>I mean, uh, it's usually like during Christmas time, but

0:56:59.760 --> 0:57:00.960
<v Speaker 5>I don't think we're doing it this year.

0:57:01.040 --> 0:57:03.920
<v Speaker 1>Have you guys had a bad night where we just

0:57:03.960 --> 0:57:05.319
<v Speaker 1>don't rhyme? Many?

0:57:05.520 --> 0:57:05.759
<v Speaker 4>Yeah?

0:57:06.160 --> 0:57:06.560
<v Speaker 1>Really?

0:57:07.400 --> 0:57:09.560
<v Speaker 5>I think the most famous one is we played it

0:57:09.960 --> 0:57:12.799
<v Speaker 5>the Melbourne Comedy Festival, Australia and it was like in

0:57:12.840 --> 0:57:14.840
<v Speaker 5>there in the Royal Albert Hall where the version of

0:57:14.840 --> 0:57:18.160
<v Speaker 5>that is and it was filmed for whatever, and everybody

0:57:18.280 --> 0:57:21.120
<v Speaker 5>in the group bombed, like everybody. You can see it.

0:57:21.120 --> 0:57:24.280
<v Speaker 5>It's fit on YouTube. No, it was not funny. And

0:57:24.280 --> 0:57:26.560
<v Speaker 5>and the best part is is they made like a

0:57:26.640 --> 0:57:29.959
<v Speaker 5>DVD when we made DVDs years later, and it says

0:57:29.960 --> 0:57:32.400
<v Speaker 5>like this famous person, this famous person, and then says

0:57:32.400 --> 0:57:35.160
<v Speaker 5>and shitloads more and there's a picture of us, and

0:57:35.200 --> 0:57:37.880
<v Speaker 5>we're just like and we were terrible and it was

0:57:38.040 --> 0:57:40.160
<v Speaker 5>and that happens and then like you know, like I'm

0:57:40.200 --> 0:57:42.919
<v Speaker 5>sure like the roots when people started throwing shit because

0:57:42.960 --> 0:57:44.800
<v Speaker 5>we weren't funny and like, you know, throwing it at us.

0:57:45.200 --> 0:57:47.600
<v Speaker 1>Oh wait, it was that sort of bad. That was

0:57:47.600 --> 0:57:48.160
<v Speaker 1>a different gig.

0:57:48.200 --> 0:57:50.160
<v Speaker 5>It was a late night gig and they just started

0:57:50.160 --> 0:57:53.960
<v Speaker 5>throwing ping pong balls at us where in I think

0:57:53.960 --> 0:57:57.680
<v Speaker 5>it was Edinburgh. Wow, yeah, you talk about it. I

0:57:57.720 --> 0:58:00.920
<v Speaker 5>mean I love a good failure story. I mean when

0:58:01.000 --> 0:58:03.640
<v Speaker 5>you when you're an improvised teachable story. There there are

0:58:03.720 --> 0:58:04.960
<v Speaker 5>days where it doesn't go well.

0:58:05.360 --> 0:58:07.920
<v Speaker 1>So there are days where it goes great. There are days

0:58:07.920 --> 0:58:08.440
<v Speaker 1>where it's just like.

0:58:08.440 --> 0:58:10.000
<v Speaker 5>You know, in the same way people pay money, like

0:58:10.040 --> 0:58:12.360
<v Speaker 5>stand up like this is us, but like we're literally

0:58:12.360 --> 0:58:14.840
<v Speaker 5>making up everything, which people to this day also still

0:58:14.880 --> 0:58:17.600
<v Speaker 5>like don't believe it. Yeah, But so there are days

0:58:17.600 --> 0:58:19.400
<v Speaker 5>where it's just not funny and we're trying and it's

0:58:19.440 --> 0:58:20.040
<v Speaker 5>just not happening.

0:58:20.280 --> 0:58:22.640
<v Speaker 1>You know what. I respect a bad show. I don't

0:58:22.720 --> 0:58:25.640
<v Speaker 1>like a mediocre show, not only when people filling it in.

0:58:26.160 --> 0:58:29.840
<v Speaker 1>But I don't know if it's just me when someone

0:58:30.600 --> 0:58:34.880
<v Speaker 1>does something bad, I actually respect. I kind of like that.

0:58:34.760 --> 0:58:37.280
<v Speaker 4>More be wrong strong, Yeah, like commit to it.

0:58:37.360 --> 0:58:39.320
<v Speaker 5>Also, we were doing like thirty shows and thirty days,

0:58:39.360 --> 0:58:41.200
<v Speaker 5>and so it was like by the twenty fifth day,

0:58:41.200 --> 0:58:42.920
<v Speaker 5>it was like I don't know the fuck to do anymore.

0:58:42.640 --> 0:58:45.880
<v Speaker 1>You know, so there's no go to formula, Like.

0:58:46.160 --> 0:58:47.640
<v Speaker 5>I mean, we play this, so we usually play the

0:58:47.680 --> 0:58:50.640
<v Speaker 5>same seven games, right, so it's like this the structure,

0:58:50.680 --> 0:58:52.480
<v Speaker 5>like you were saying about comedy, the structure is always

0:58:52.480 --> 0:58:54.320
<v Speaker 5>the same, but it's like the words that we're getting

0:58:54.320 --> 0:58:55.960
<v Speaker 5>from places are completely made up.

0:58:56.000 --> 0:58:57.960
<v Speaker 6>So it's so is it crazy that I have like

0:58:57.960 --> 0:58:59.640
<v Speaker 6>a hit and dream that one day will like play,

0:58:59.680 --> 0:59:02.080
<v Speaker 6>we'll have some type of improper activity between like all

0:59:02.120 --> 0:59:03.640
<v Speaker 6>of us. I think we would just really have fun.

0:59:03.800 --> 0:59:05.240
<v Speaker 1>I love this is it?

0:59:05.840 --> 0:59:06.000
<v Speaker 6>Yeah?

0:59:06.080 --> 0:59:07.000
<v Speaker 1>I'm like this is it?

0:59:07.440 --> 0:59:12.040
<v Speaker 4>Dude, Warren's an intimacy course and back again.

0:59:12.120 --> 0:59:16.120
<v Speaker 6>Here's more. There's more, ain't no butts, you.

0:59:16.080 --> 0:59:17.240
<v Speaker 4>Know, like I'm with it.

0:59:17.760 --> 0:59:19.040
<v Speaker 1>We'll do this at the next game night.

0:59:20.240 --> 0:59:21.520
<v Speaker 6>You better just bring them cars.

0:59:21.520 --> 0:59:28.840
<v Speaker 13>Next game let's talk about look, because look, here's the deal.

0:59:29.160 --> 0:59:31.280
<v Speaker 1>God, we're talking. Here's the deal. The deal is that

0:59:31.520 --> 0:59:34.320
<v Speaker 1>I've been I've been doing game nights for at least

0:59:34.640 --> 0:59:38.880
<v Speaker 1>five years. Mostly it's no night right.

0:59:39.320 --> 0:59:40.720
<v Speaker 6>Or celebrity used to do that.

0:59:40.760 --> 0:59:42.959
<v Speaker 1>Well, I mean when I come down to West Coast

0:59:43.040 --> 0:59:46.560
<v Speaker 1>down Er Teina, like they want to get right. So,

0:59:46.760 --> 0:59:49.240
<v Speaker 1>but the thing is is that, at least for the

0:59:49.360 --> 0:59:54.240
<v Speaker 1>last ten joints I've done, our sponsor was Mattel in

0:59:54.320 --> 0:59:56.200
<v Speaker 1>terms of like providing us with all the games. We

0:59:56.320 --> 0:59:59.640
<v Speaker 1>just show up and all the joints are there. I

0:59:59.680 --> 1:00:04.400
<v Speaker 1>forget got that we wanted to also play other games. Well,

1:00:04.440 --> 1:00:06.120
<v Speaker 1>the thing was like, are we going to be a

1:00:06.160 --> 1:00:10.360
<v Speaker 1>product of Mattel or or is this just gonna be yeah? Right?

1:00:10.440 --> 1:00:13.200
<v Speaker 1>And that's the thing, like, I don't what will ruin

1:00:13.280 --> 1:00:16.480
<v Speaker 1>game night is when it becomes a thing. So I'm

1:00:16.520 --> 1:00:19.240
<v Speaker 1>trying to now, Yes, you guys came to a really

1:00:19.280 --> 1:00:21.720
<v Speaker 1>swinky atmosphere. It's nothing like that. We had to runt

1:00:21.760 --> 1:00:25.120
<v Speaker 1>out a spot. You know, it so looked nice. Other

1:00:25.160 --> 1:00:27.320
<v Speaker 1>o the other game nights might look like this room.

1:00:27.360 --> 1:00:29.520
<v Speaker 6>That's I didn't think right.

1:00:29.840 --> 1:00:33.760
<v Speaker 1>So the thing was in getting all those games. We

1:00:34.360 --> 1:00:36.280
<v Speaker 1>it's like someone forgot to bring You know, when someone

1:00:36.280 --> 1:00:37.680
<v Speaker 1>forgets to bring ice to.

1:00:41.040 --> 1:00:44.720
<v Speaker 6>We forgot ice or make regular cars. Mattel makes regular cards.

1:00:46.080 --> 1:00:47.880
<v Speaker 6>They really don't.

1:00:49.480 --> 1:00:53.680
<v Speaker 1>Dude, I forgot to bring the ice. She's referring to.

1:00:53.880 --> 1:00:56.680
<v Speaker 6>Was her you and uh, first of all, let's tell

1:00:56.720 --> 1:00:57.520
<v Speaker 6>the story correctly.

1:00:57.720 --> 1:00:59.720
<v Speaker 1>Excuse me, von Orgy got on me.

1:01:00.120 --> 1:01:02.440
<v Speaker 6>Mister love. I was just for the record, the story

1:01:02.480 --> 1:01:06.960
<v Speaker 6>goes Yvonne or She said to me, she walked and

1:01:07.000 --> 1:01:09.920
<v Speaker 6>she said, that's your friend with a space cars that

1:01:10.000 --> 1:01:12.360
<v Speaker 6>you better tell your friend he gets what's up with that.

1:01:12.600 --> 1:01:14.760
<v Speaker 6>She put the pressure on me, and I was like,

1:01:14.760 --> 1:01:17.240
<v Speaker 6>I said to her, you talking to the wrong one

1:01:17.320 --> 1:01:19.400
<v Speaker 6>because he already thinks I'm like the hell of black

1:01:19.440 --> 1:01:20.440
<v Speaker 6>one and he's just not.

1:01:22.760 --> 1:01:26.120
<v Speaker 1>There's the white guy. And I was like, no, then

1:01:26.160 --> 1:01:26.680
<v Speaker 1>you would.

1:01:26.440 --> 1:01:28.560
<v Speaker 6>Have had spades cards.

1:01:28.880 --> 1:01:31.480
<v Speaker 1>First of all, I don't organize my own ship.

1:01:31.600 --> 1:01:34.040
<v Speaker 6>You know, I'm yes, and that's what we That's what

1:01:34.040 --> 1:01:36.280
<v Speaker 6>I'm saying. When we're not in the room, things yo missing.

1:01:36.320 --> 1:01:37.600
<v Speaker 6>That is the lesson in that.

1:01:38.840 --> 1:01:41.320
<v Speaker 1>I just forgot the ice. I forgot to read. Yes,

1:01:41.920 --> 1:01:44.640
<v Speaker 1>I made you a hell a turkey things giving time.

1:01:45.840 --> 1:01:49.040
<v Speaker 1>The cards were there. We found them. Well, no, they

1:01:49.040 --> 1:01:51.120
<v Speaker 1>were there. No, I know there's five cards there. We

1:01:51.200 --> 1:01:54.560
<v Speaker 1>just didn't look hard enough, so the cards were there.

1:01:56.040 --> 1:01:57.960
<v Speaker 1>But I hope you had fun. Despite the fact that

1:01:58.000 --> 1:02:01.280
<v Speaker 1>we didn't please, we did know we had a good time.

1:02:01.320 --> 1:02:03.160
<v Speaker 6>I did not think I would like cheetos on top

1:02:03.200 --> 1:02:05.800
<v Speaker 6>of my macaroni, but you know what I.

1:02:05.760 --> 1:02:08.080
<v Speaker 5>Think to say that, I'll be talking about Game Night

1:02:08.120 --> 1:02:09.120
<v Speaker 5>for quite some time.

1:02:09.320 --> 1:02:12.920
<v Speaker 1>It was ball, you know, from one to five, give

1:02:12.960 --> 1:02:14.400
<v Speaker 1>it a solid three and a half. It was.

1:02:14.440 --> 1:02:16.080
<v Speaker 6>It was really fun, So three and a half for

1:02:16.160 --> 1:02:18.480
<v Speaker 6>everybody else, It was a ten for William Sherman.

1:02:18.800 --> 1:02:21.560
<v Speaker 1>I had a great night. Uh, how great was your night?

1:02:21.720 --> 1:02:25.520
<v Speaker 1>With an scale of one to five, it was fifty eight.

1:02:25.920 --> 1:02:31.880
<v Speaker 1>It was one tonight. It was just my social atmosphere.

1:02:32.160 --> 1:02:34.360
<v Speaker 1>All of my comedy was kidding. It was really no,

1:02:34.640 --> 1:02:36.760
<v Speaker 1>it was it was wild. It was really fun working.

1:02:36.760 --> 1:02:39.280
<v Speaker 1>I'll say that Robin Feede sort of got a kick

1:02:39.360 --> 1:02:43.880
<v Speaker 1>out of Megan making weird out cry, which there you go,

1:02:46.320 --> 1:02:47.720
<v Speaker 1>so I can't say actions.

1:02:47.720 --> 1:02:50.120
<v Speaker 4>You can say a name made him cry about how

1:02:50.160 --> 1:02:51.480
<v Speaker 4>did I don't.

1:02:51.320 --> 1:02:56.400
<v Speaker 1>Know maybe he had to draw sixteen the game each

1:02:56.480 --> 1:02:59.520
<v Speaker 1>take like talking to them, that was me that that

1:02:59.600 --> 1:03:04.760
<v Speaker 1>was no. Each table has various house wolves at my table, saxish,

1:03:04.800 --> 1:03:06.800
<v Speaker 1>you do the whole thing? Did you allow staxy?

1:03:08.440 --> 1:03:09.200
<v Speaker 6>No flex cards?

1:03:09.920 --> 1:03:15.200
<v Speaker 1>It was didn't give nothing regular, We didn't have Can

1:03:15.200 --> 1:03:18.880
<v Speaker 1>I just go like this the first game? Do you go?

1:03:18.920 --> 1:03:19.120
<v Speaker 6>You go?

1:03:19.200 --> 1:03:21.520
<v Speaker 1>You goes? I'm out?

1:03:21.680 --> 1:03:25.040
<v Speaker 4>And we were like what He's like, this, this goes this.

1:03:25.200 --> 1:03:28.760
<v Speaker 5>We were like it was so funny.

1:03:29.960 --> 1:03:36.520
<v Speaker 4>He was like, this is what it was. I was like,

1:03:36.560 --> 1:03:37.720
<v Speaker 4>what just happened? Listen?

1:03:37.760 --> 1:03:37.960
<v Speaker 9>Man?

1:03:38.800 --> 1:03:42.080
<v Speaker 4>First off, I never want to play again with that

1:03:42.120 --> 1:03:42.640
<v Speaker 4>many people.

1:03:43.080 --> 1:03:47.360
<v Speaker 1>It was enjoy ten. I gott down to six. I

1:03:47.400 --> 1:03:49.800
<v Speaker 1>want six people tables get it's two.

1:03:50.200 --> 1:03:52.760
<v Speaker 4>So anyway, so we're sitting there, it was it was

1:03:52.800 --> 1:03:53.360
<v Speaker 4>all of us.

1:03:53.760 --> 1:03:57.800
<v Speaker 3>Brittany shout out to Wheezy or girl Weezy from Horbard

1:03:57.840 --> 1:04:01.400
<v Speaker 3>Decisions podcast. She was there, uh her homegirl that was

1:04:01.440 --> 1:04:03.680
<v Speaker 3>next to her pr I cannot remember her name.

1:04:03.760 --> 1:04:04.680
<v Speaker 1>She was funny too.

1:04:04.760 --> 1:04:06.640
<v Speaker 4>Yeah, Jersey Rid That's what I called it. She was

1:04:06.640 --> 1:04:07.960
<v Speaker 4>some Jersey Jersey Rid.

1:04:08.280 --> 1:04:09.360
<v Speaker 1>She's like a card.

1:04:09.240 --> 1:04:11.920
<v Speaker 3>Shark like she was serious by so shot at them

1:04:11.920 --> 1:04:13.200
<v Speaker 3>and we had an amazing time.

1:04:13.200 --> 1:04:15.680
<v Speaker 4>But anyway, so like you said, everybody got different.

1:04:15.960 --> 1:04:20.840
<v Speaker 6>The ghan gonna feel some that was.

1:04:22.800 --> 1:04:23.400
<v Speaker 1>What the game is.

1:04:23.520 --> 1:04:25.440
<v Speaker 6>Shaan said he got invited because he don't ever he.

1:04:25.400 --> 1:04:27.320
<v Speaker 5>Monitored me the whole night I was. I felt like

1:04:27.320 --> 1:04:29.720
<v Speaker 5>he was always off the president. Anything I was doing

1:04:30.200 --> 1:04:30.680
<v Speaker 5>was right next to.

1:04:32.880 --> 1:04:33.160
<v Speaker 1>Speaking.

1:04:37.160 --> 1:04:39.880
<v Speaker 4>So he comes, it's the mister missus g and like

1:04:39.920 --> 1:04:41.400
<v Speaker 4>we're all the great time.

1:04:41.640 --> 1:04:44.520
<v Speaker 3>So anyway, we're trying to find Uno cards and we're like,

1:04:44.760 --> 1:04:45.600
<v Speaker 3>where's the Uno.

1:04:46.240 --> 1:04:49.560
<v Speaker 4>We old so we're like, all right, we're the old school.

1:04:50.280 --> 1:04:51.240
<v Speaker 1>They had every.

1:04:53.120 --> 1:04:56.840
<v Speaker 3>Bar bar So so finally we settled on Barbie Uno,

1:04:57.280 --> 1:04:59.560
<v Speaker 3>which was also because again we old niggas.

1:04:59.800 --> 1:05:00.480
<v Speaker 1>We we had to.

1:05:00.440 --> 1:05:04.000
<v Speaker 3>Realize that the colors were different because Barbie Uno, so

1:05:04.200 --> 1:05:06.960
<v Speaker 3>like what he is this pink blue and like yellow,

1:05:07.280 --> 1:05:09.600
<v Speaker 3>but the wild cards are still black. All right, cool?

1:05:09.960 --> 1:05:13.840
<v Speaker 3>So Jake cousin, Jake, I deal with a fake faithful dealer.

1:05:13.920 --> 1:05:16.160
<v Speaker 3>He deals with cards, you know what I'm saying. So

1:05:16.240 --> 1:05:19.720
<v Speaker 3>then people start talking house rules and like Buzy Jersey

1:05:19.720 --> 1:05:22.080
<v Speaker 3>with everybody, alright, this we gonna stack put.

1:05:21.960 --> 1:05:24.080
<v Speaker 6>Down because there's too many of us. We got to

1:05:24.120 --> 1:05:24.520
<v Speaker 6>be able to.

1:05:24.440 --> 1:05:24.920
<v Speaker 4>Stack, right.

1:05:24.960 --> 1:05:27.880
<v Speaker 3>And I was like Okay, cool, let me understand the

1:05:27.960 --> 1:05:31.400
<v Speaker 3>rules of the stacking, because for me, when I play, no,

1:05:31.760 --> 1:05:32.560
<v Speaker 3>you never stacked.

1:05:32.600 --> 1:05:34.760
<v Speaker 4>We just put down one fucking card and keep it moving.

1:05:35.280 --> 1:05:37.720
<v Speaker 3>You know, I mean you are old school. Yeah, I'm listen.

1:05:39.440 --> 1:05:41.560
<v Speaker 3>So I'm like, okay, so we stacked. Okay, cool, let

1:05:41.560 --> 1:05:42.600
<v Speaker 3>me make sure I understand this.

1:05:43.000 --> 1:05:43.280
<v Speaker 1>Now.

1:05:43.400 --> 1:05:45.920
<v Speaker 3>The whole part of this is like listen, I'm listening

1:05:45.920 --> 1:05:48.720
<v Speaker 3>to y'all rules. I get my cards and I'm looking

1:05:48.720 --> 1:05:49.880
<v Speaker 3>at this and I'm like.

1:05:49.880 --> 1:05:53.160
<v Speaker 4>Bruh, like one or two cars.

1:05:53.920 --> 1:05:55.840
<v Speaker 3>All of my cards were pink. All of my cars

1:05:55.840 --> 1:05:57.680
<v Speaker 3>were the same colors. So I'm looking at him like

1:05:57.680 --> 1:05:58.680
<v Speaker 3>all right, based on y'all.

1:05:59.640 --> 1:06:05.760
<v Speaker 4>Table went around one time and I was like, okay,

1:06:05.800 --> 1:06:08.160
<v Speaker 4>am I doing this right? Best in your rules? Boom,

1:06:08.360 --> 1:06:09.400
<v Speaker 4>He like everybody to.

1:06:09.440 --> 1:06:12.160
<v Speaker 6>Pink two, three, four, five, gotta pink everything.

1:06:12.200 --> 1:06:19.600
<v Speaker 4>Everybody got to flip the table, shout the dawn, shout

1:06:19.640 --> 1:06:22.160
<v Speaker 4>the don She was there with it. She was tall,

1:06:22.200 --> 1:06:24.720
<v Speaker 4>You're fucking crazy whatever. I'm like, listen, I'm going by

1:06:24.760 --> 1:06:26.680
<v Speaker 4>your rule. So long story short, and we play the

1:06:26.760 --> 1:06:28.440
<v Speaker 4>game and it comes back to me.

1:06:28.520 --> 1:06:30.479
<v Speaker 3>We go around and come back to me, and I'm like, okay,

1:06:30.520 --> 1:06:33.760
<v Speaker 3>am I doing this right to make sure no out

1:06:33.840 --> 1:06:34.640
<v Speaker 3>and I fucking won.

1:06:35.200 --> 1:06:37.360
<v Speaker 4>And so then at the end, you know, they were trying.

1:06:37.120 --> 1:06:39.440
<v Speaker 3>To talk, oh you you you tried to cheat it

1:06:39.480 --> 1:06:41.920
<v Speaker 3>first I said no, no, no, I didn't cheat. I

1:06:41.960 --> 1:06:44.400
<v Speaker 3>was trying to say, you nigga some time because I

1:06:44.440 --> 1:06:46.720
<v Speaker 3>told you motherfuckers, who was gonna win? When I stepped in,

1:06:46.760 --> 1:06:49.800
<v Speaker 3>this brother playing with me, you know what I mean.

1:06:49.960 --> 1:06:53.720
<v Speaker 3>Like it was, I got five pink cars, Nigga is over, okay,

1:06:53.840 --> 1:06:57.840
<v Speaker 3>so I wanted and then we played get Humanity. Shout

1:06:57.880 --> 1:07:00.880
<v Speaker 3>my man Andre Andre power so lect Yes, he wanted

1:07:00.880 --> 1:07:02.440
<v Speaker 3>that one. Yeah, he was great, you know.

1:07:02.800 --> 1:07:05.000
<v Speaker 1>And JJ Abrams read all the cards. That was another

1:07:05.040 --> 1:07:07.760
<v Speaker 1>funny him. There this whole bit that shi it was great.

1:07:07.800 --> 1:07:08.280
<v Speaker 1>It was great.

1:07:08.440 --> 1:07:11.160
<v Speaker 6>But then the story of the Nights that you all

1:07:11.200 --> 1:07:15.920
<v Speaker 6>are waiting for is the story of William Sherman and

1:07:15.960 --> 1:07:19.680
<v Speaker 6>a certain young lady. We are not going to say

1:07:19.680 --> 1:07:21.760
<v Speaker 6>the name, but we are going to talk about William Sherman.

1:07:21.800 --> 1:07:23.640
<v Speaker 6>I didn't even know who this back and forth with

1:07:23.680 --> 1:07:25.040
<v Speaker 6>a certain beautiful.

1:07:25.160 --> 1:07:27.439
<v Speaker 4>Person, and that's why it worked. That's the best.

1:07:28.640 --> 1:07:31.120
<v Speaker 1>So they I didn't tell him no, no hold on.

1:07:31.200 --> 1:07:33.200
<v Speaker 1>So we had a whole I had a whole bit

1:07:33.240 --> 1:07:36.480
<v Speaker 1>with this person. I didn't know who this person was.

1:07:36.960 --> 1:07:37.760
<v Speaker 1>She walks away.

1:07:38.240 --> 1:07:39.960
<v Speaker 4>I said to Brittany, who is that?

1:07:40.280 --> 1:07:42.760
<v Speaker 5>And she goes, You're kidding and I go no, and

1:07:42.760 --> 1:07:44.320
<v Speaker 5>then she told me who it was and then I

1:07:44.320 --> 1:07:48.000
<v Speaker 5>fell over on the floor, and then and then can

1:07:48.000 --> 1:07:50.000
<v Speaker 5>I and then I and then this person went over

1:07:50.080 --> 1:07:51.800
<v Speaker 5>here to another table and told me that I had

1:07:51.800 --> 1:07:54.160
<v Speaker 5>to go with her and then it was her, me

1:07:54.600 --> 1:07:59.760
<v Speaker 5>and Babyface, which is like the perfect trio, the Three Musketeers,

1:08:00.080 --> 1:08:01.800
<v Speaker 5>and I just didn't know what to do. So I went,

1:08:01.920 --> 1:08:03.360
<v Speaker 5>which is what I do when I panic. I went,

1:08:03.440 --> 1:08:07.560
<v Speaker 5>I have the music record of Sessame Street. Like literally,

1:08:07.640 --> 1:08:10.880
<v Speaker 5>I yelled at the baby Face's face and he goes,

1:08:11.040 --> 1:08:13.240
<v Speaker 5>no way, like super come, and I go yeah. And

1:08:13.280 --> 1:08:15.280
<v Speaker 5>then I was talking to baby Face on such street

1:08:15.520 --> 1:08:17.320
<v Speaker 5>while this other person was yelling at me for two

1:08:17.360 --> 1:08:17.760
<v Speaker 5>and whatever.

1:08:19.160 --> 1:08:21.400
<v Speaker 6>We can't say.

1:08:21.439 --> 1:08:22.800
<v Speaker 1>So anyway, it was a hell of a night.

1:08:22.920 --> 1:08:27.280
<v Speaker 5>I said, yeah, did you get the number? No, but

1:08:27.320 --> 1:08:29.000
<v Speaker 5>I dropped into the d MS just to see if

1:08:29.040 --> 1:08:29.559
<v Speaker 5>I could score.

1:08:29.720 --> 1:08:32.320
<v Speaker 1>Didn't happen. I'm real sad about that one night.

1:08:33.760 --> 1:08:33.960
<v Speaker 4>Yeah.

1:08:34.439 --> 1:08:37.080
<v Speaker 5>Yeah, it wasn't even an invitation full stop, but it

1:08:37.160 --> 1:08:38.719
<v Speaker 5>was fucking hilarious going.

1:08:38.600 --> 1:08:40.240
<v Speaker 3>Into and that we was talking on the car right back,

1:08:40.439 --> 1:08:45.280
<v Speaker 3>going into the d MS of somebody that caliber like, yeah, again,

1:08:45.360 --> 1:08:48.840
<v Speaker 3>that's a penny down a waterfall, dog you it's just yeah,

1:08:49.680 --> 1:08:51.640
<v Speaker 3>crazy you stepping into the abyss.

1:08:51.680 --> 1:08:53.960
<v Speaker 5>There's nothing like trying to tell a PG version of

1:08:54.000 --> 1:08:57.000
<v Speaker 5>that story to my kids, which is what I did.

1:08:57.000 --> 1:08:58.800
<v Speaker 5>I was I was like, I guess I have it,

1:08:59.000 --> 1:09:00.960
<v Speaker 5>and they were like, what did you say to this person?

1:09:01.000 --> 1:09:04.160
<v Speaker 5>And I said nothing, But what I'm gonna say is

1:09:04.200 --> 1:09:06.080
<v Speaker 5>she looked good.

1:09:06.400 --> 1:09:09.800
<v Speaker 1>But no, it was cool. Steve, you should have came. Yeah. Sorry,

1:09:10.040 --> 1:09:13.040
<v Speaker 1>I didn't have a plus one. I mean I I

1:09:13.040 --> 1:09:15.400
<v Speaker 1>did have a follow one.

1:09:16.080 --> 1:09:20.520
<v Speaker 5>Apparently Steve only rolls with the plus one.

1:09:19.200 --> 1:09:19.559
<v Speaker 1>Was in town.

1:09:19.560 --> 1:09:19.880
<v Speaker 4>I get it.

1:09:19.920 --> 1:09:22.479
<v Speaker 8>You can't leave you for thirty years. I don't care

1:09:22.560 --> 1:09:23.040
<v Speaker 8>plus one.

1:09:25.560 --> 1:09:27.800
<v Speaker 6>Try forty and you still don't. It's fine. It's good.

1:09:28.920 --> 1:09:32.560
<v Speaker 1>So besides game night and interviewing a bunch of people, yeah,

1:09:32.800 --> 1:09:35.160
<v Speaker 1>have we done anything else interesting in Los Angeles?

1:09:35.320 --> 1:09:40.839
<v Speaker 4>I've had no time. We've been chilling and oh okay,

1:09:41.040 --> 1:09:43.880
<v Speaker 4>I mean like it last night. So give you tips.

1:09:43.920 --> 1:09:46.040
<v Speaker 3>You know what I'm saying, food tips, And these are

1:09:46.080 --> 1:09:48.920
<v Speaker 3>tips that I've learned over my forty four years of

1:09:48.960 --> 1:09:52.439
<v Speaker 3>being a man of husk. So we was at the

1:09:52.880 --> 1:09:54.680
<v Speaker 3>joint and we was at the We was at the

1:09:54.680 --> 1:09:57.000
<v Speaker 3>bar at the hotel last night and we got some

1:09:57.120 --> 1:09:58.920
<v Speaker 3>We got like a salad the hotel were at. They

1:09:58.920 --> 1:10:01.759
<v Speaker 3>make like this artist and salad with like this vinaigrette

1:10:01.880 --> 1:10:03.880
<v Speaker 3>is great, and the way they played.

1:10:03.600 --> 1:10:05.760
<v Speaker 4>It is like it's really dope. But anyway, so we

1:10:05.880 --> 1:10:08.680
<v Speaker 4>was gonna get some wings and he was like, all right,

1:10:09.240 --> 1:10:11.320
<v Speaker 4>which ones we gonna get? Which ones were gonna get?

1:10:11.439 --> 1:10:12.719
<v Speaker 4>You know what I'm saying, I think the lemon pepper

1:10:12.800 --> 1:10:13.240
<v Speaker 4>might be good.

1:10:13.280 --> 1:10:15.760
<v Speaker 3>And I was like, I don't trust lemon pepper in

1:10:15.800 --> 1:10:16.640
<v Speaker 3>Los Angeles.

1:10:16.800 --> 1:10:18.840
<v Speaker 4>I said, what I trust is the.

1:10:18.800 --> 1:10:22.280
<v Speaker 3>Louisiana driver rup because a whole lot of niggas from.

1:10:22.200 --> 1:10:25.680
<v Speaker 4>Louisiana migrated to California. So I trust that, you know.

1:10:25.640 --> 1:10:26.000
<v Speaker 7>What I mean?

1:10:27.000 --> 1:10:28.080
<v Speaker 1>It feels like very good reason.

1:10:29.479 --> 1:10:31.200
<v Speaker 6>Actually it's very genius in the way.

1:10:31.240 --> 1:10:33.600
<v Speaker 1>I was like, we want to be disappointed when the

1:10:33.600 --> 1:10:34.120
<v Speaker 1>story ends.

1:10:34.280 --> 1:10:37.080
<v Speaker 4>No man brought out the limit peppers. Man them holes

1:10:37.160 --> 1:10:37.519
<v Speaker 4>was fine.

1:10:37.560 --> 1:10:41.720
<v Speaker 6>Not the limon peppers up.

1:10:41.760 --> 1:10:42.639
<v Speaker 4>They were amazing.

1:10:42.680 --> 1:10:45.600
<v Speaker 3>They smoked it, and so what the tip of what

1:10:45.760 --> 1:10:48.120
<v Speaker 3>I always kind of use when I go to places

1:10:48.520 --> 1:10:52.400
<v Speaker 3>I eat kind of what whatever the black people cook

1:10:52.560 --> 1:10:55.759
<v Speaker 3>in there was native That's that's what I lean towards.

1:10:55.800 --> 1:10:57.280
<v Speaker 4>So like we went to San.

1:10:57.240 --> 1:10:59.439
<v Speaker 3>Diego, like we we went to we did a lb

1:10:59.520 --> 1:11:02.280
<v Speaker 3>running Santa. This is like in March, and like we

1:11:02.360 --> 1:11:04.680
<v Speaker 3>went to this restaurant and I'm like, all right, I'm

1:11:04.680 --> 1:11:06.880
<v Speaker 3>gonna order a bunch of seafood. Everybody else in the

1:11:06.920 --> 1:11:09.719
<v Speaker 3>crew they was ordering ship like shrimping grits and steak

1:11:09.800 --> 1:11:12.559
<v Speaker 3>and all this, and so they got their plates and

1:11:12.640 --> 1:11:14.479
<v Speaker 3>it was just all sour face and ship.

1:11:14.720 --> 1:11:17.040
<v Speaker 4>Meanwhile, you know what I'm saying, my fishment.

1:11:16.640 --> 1:11:18.679
<v Speaker 6>That because the ocean right there, dumb.

1:11:18.760 --> 1:11:20.960
<v Speaker 3>Yeah, do you live by the water, I trust you,

1:11:21.000 --> 1:11:23.120
<v Speaker 3>the cook ship that come out the water, stay the

1:11:23.160 --> 1:11:24.439
<v Speaker 3>funk away from shrimping grits.

1:11:24.439 --> 1:11:28.280
<v Speaker 4>You're in fucking San Diego from Robinson County, y'all. Don't

1:11:28.280 --> 1:11:28.960
<v Speaker 4>through shrimping grits.

1:11:29.000 --> 1:11:29.400
<v Speaker 1>Is what the fuck?

1:11:29.479 --> 1:11:31.080
<v Speaker 6>We doe got me.

1:11:31.840 --> 1:11:33.720
<v Speaker 4>So, you know, so I just you kind of learned.

1:11:33.760 --> 1:11:35.080
<v Speaker 4>So that's the tip. You know what I mean.

1:11:36.920 --> 1:11:40.599
<v Speaker 1>I found a hole in the wall. Korean barbecue spot

1:11:41.600 --> 1:11:45.400
<v Speaker 1>stays that stays open until here. Yeah, this would be.

1:11:45.439 --> 1:11:47.880
<v Speaker 6>The right place to be for Korean food. What I'm

1:11:47.880 --> 1:11:51.240
<v Speaker 6>saying exactly, this is good Ethiopian food. You go to

1:11:51.280 --> 1:11:54.559
<v Speaker 6>Little Ethiopia. We got places, but yeah, don't try to order.

1:11:54.600 --> 1:11:54.680
<v Speaker 1>No.

1:11:54.920 --> 1:11:58.240
<v Speaker 6>Nothing with crab in California's crazy. It's gonna start with

1:11:58.280 --> 1:11:58.960
<v Speaker 6>a k Yeah.

1:11:59.040 --> 1:12:01.400
<v Speaker 3>Louisan Driver was hard though, and then we had like

1:12:01.439 --> 1:12:03.000
<v Speaker 3>it was like an amaretto, homie.

1:12:03.240 --> 1:12:05.280
<v Speaker 6>We had your classic mere amaretto.

1:12:05.560 --> 1:12:06.280
<v Speaker 4>Remember drink.

1:12:06.720 --> 1:12:08.360
<v Speaker 1>Yeah it was I've had in a second.

1:12:08.400 --> 1:12:09.960
<v Speaker 6>That was a mere first drink when he first started

1:12:10.040 --> 1:12:13.400
<v Speaker 6>drinking alcohol. Yeah, that's good on thirty two years old.

1:12:14.080 --> 1:12:14.280
<v Speaker 4>Yeah.

1:12:14.360 --> 1:12:16.720
<v Speaker 1>Yeah, and I got my license at thirty four.

1:12:16.800 --> 1:12:18.960
<v Speaker 6>I wasn't gonna tell it was just half your business.

1:12:19.400 --> 1:12:23.519
<v Speaker 1>Yeah, dance sung dance, sung sigh And yeah. It looks

1:12:23.560 --> 1:12:30.000
<v Speaker 1>like the men's bathroom and every this is the cb Yeah,

1:12:30.200 --> 1:12:34.360
<v Speaker 1>like we shigned. It is spicy, and the interior feels

1:12:34.360 --> 1:12:38.680
<v Speaker 1>like CBGB's bathroom like this, well without the smell. I

1:12:38.800 --> 1:12:42.000
<v Speaker 1>was like graffiti everywhere. It's very whole in the wall ish.

1:12:42.600 --> 1:12:46.400
<v Speaker 1>But the food they're they're Korean fried chicken wings of course,

1:12:46.479 --> 1:12:50.320
<v Speaker 1>which and I gotta say, man like in the War

1:12:50.520 --> 1:12:57.400
<v Speaker 1>of all right, already, No, do you remember the first Yeah,

1:12:57.680 --> 1:12:59.920
<v Speaker 1>I got to say, like, oh, out of Korean fried chicken,

1:13:00.120 --> 1:13:01.040
<v Speaker 1>Green fried chicken.

1:13:01.280 --> 1:13:01.840
<v Speaker 4>But we all have.

1:13:01.840 --> 1:13:04.080
<v Speaker 6>Learned now that black people talk them about the fried

1:13:04.160 --> 1:13:04.599
<v Speaker 6>chicken and.

1:13:06.439 --> 1:13:09.120
<v Speaker 4>People I'm saying, like, y'all doing this, they are doing

1:13:09.160 --> 1:13:09.519
<v Speaker 4>really good.

1:13:09.560 --> 1:13:10.519
<v Speaker 6>They remixed that nice.

1:13:10.880 --> 1:13:11.120
<v Speaker 4>Yeah.

1:13:11.240 --> 1:13:13.960
<v Speaker 1>So yeah, but that's gonna be my new l a spot.

1:13:13.760 --> 1:13:17.519
<v Speaker 6>In Koreatown, in Koreatown over until four or five miles.

1:13:17.720 --> 1:13:19.360
<v Speaker 4>My theory again, it holds up again.

1:13:19.680 --> 1:13:23.560
<v Speaker 1>So yes, all right, so if we covered everything kids,

1:13:23.960 --> 1:13:28.560
<v Speaker 1>I feel good. We covered intimacy and muppets. I mean, yeah,

1:13:28.880 --> 1:13:32.479
<v Speaker 1>what's your porn herbs and aristocrats? And should I go

1:13:32.479 --> 1:13:35.880
<v Speaker 1>in d MS or not? Humpy McGee over here, ready

1:13:35.920 --> 1:13:36.080
<v Speaker 1>to go.

1:13:36.720 --> 1:13:38.439
<v Speaker 6>All y'all gonna be drying night.

1:13:39.360 --> 1:13:40.720
<v Speaker 1>The first thing gonna do what I get home is

1:13:40.760 --> 1:13:43.400
<v Speaker 1>to put hump into the pornhubs. See what didn't we

1:13:43.439 --> 1:13:48.080
<v Speaker 1>want to see her? Yet? We think on the zoom

1:13:48.240 --> 1:13:48.760
<v Speaker 1>whatever it.

1:13:48.880 --> 1:13:50.639
<v Speaker 3>Didn't we want to see when we was on, when

1:13:50.680 --> 1:13:52.840
<v Speaker 3>we was on, like it was, we talked about this

1:13:52.920 --> 1:13:57.360
<v Speaker 3>up night when you sent something, you sent us a

1:13:57.400 --> 1:14:01.439
<v Speaker 3>screenshot something and I can't remember it was your shirt

1:14:01.560 --> 1:14:04.920
<v Speaker 3>and we saw your port hub search and it was just.

1:14:04.800 --> 1:14:08.720
<v Speaker 1>Like Kanye on the phone with the thing what was

1:14:08.880 --> 1:14:09.120
<v Speaker 1>but it.

1:14:09.160 --> 1:14:11.320
<v Speaker 6>Was something I'm a b person, so I'm not okay,

1:14:11.360 --> 1:14:13.800
<v Speaker 6>I'm not embarrassed. I'm a yahoul.

1:14:15.439 --> 1:14:16.840
<v Speaker 1>I want to say that once, like in the early

1:14:16.920 --> 1:14:19.720
<v Speaker 1>days of Instagram, what I said screen shot and so

1:14:20.240 --> 1:14:23.200
<v Speaker 1>I mean it was showing uh, showing.

1:14:23.280 --> 1:14:24.400
<v Speaker 4>A game question Sean.

1:14:25.560 --> 1:14:28.120
<v Speaker 1>I forget what his post name was. Back Oh damn it,

1:14:28.680 --> 1:14:33.160
<v Speaker 1>damn right. He wants like, hey, uh, in case you

1:14:33.520 --> 1:14:36.080
<v Speaker 1>might want to redo that photo again because we can

1:14:36.120 --> 1:14:40.240
<v Speaker 1>see your your windows, like you know you leave windows.

1:14:40.280 --> 1:14:44.599
<v Speaker 6>I was like, I know y'all should be pray see,

1:14:45.080 --> 1:14:45.680
<v Speaker 6>I should be.

1:14:47.200 --> 1:14:47.519
<v Speaker 3>No time.

1:14:47.520 --> 1:14:49.360
<v Speaker 6>I don't only want to put my search in out there.

1:14:49.520 --> 1:14:51.479
<v Speaker 6>You know what I'm saying. The rest nobody say nothing.

1:14:51.520 --> 1:14:53.600
<v Speaker 3>You put it out, but you did it like accidentally

1:14:53.600 --> 1:14:54.920
<v Speaker 3>when you send us the screenshot.

1:14:54.960 --> 1:14:57.120
<v Speaker 6>It was like, not just mean a conversation today, like

1:14:57.160 --> 1:14:59.719
<v Speaker 6>I said it again and nobody is sitting.

1:15:00.040 --> 1:15:02.680
<v Speaker 1>Gonna tell you something. You know, really I'm gonna tell you.

1:15:03.160 --> 1:15:08.320
<v Speaker 1>I don't want to know what steve my relationship. It's

1:15:08.360 --> 1:15:11.280
<v Speaker 1>almost like the rap game, like I have hip hop

1:15:11.320 --> 1:15:13.639
<v Speaker 1>that I gravitate towards. That was in the late eighties

1:15:13.680 --> 1:15:17.120
<v Speaker 1>and early nineties now sort of like hip hop. It's

1:15:17.120 --> 1:15:19.559
<v Speaker 1>sort of like, all right, there's an occasional Drake song,

1:15:19.600 --> 1:15:23.960
<v Speaker 1>I like Kendrick's Eye. It's just now I.

1:15:23.960 --> 1:15:25.160
<v Speaker 6>Can't see through these metaphors.

1:15:25.200 --> 1:15:30.680
<v Speaker 1>What No, I'm just saying, like, is I think you

1:15:30.720 --> 1:15:31.519
<v Speaker 1>get over.

1:15:33.080 --> 1:15:33.120
<v Speaker 4>It?

1:15:34.000 --> 1:15:34.200
<v Speaker 9>Yeah?

1:15:34.479 --> 1:15:36.240
<v Speaker 1>Yeah, like I'm not. It's old.

1:15:36.280 --> 1:15:38.720
<v Speaker 3>It's not a thing anymore. I mean because it's everywhere

1:15:38.960 --> 1:15:39.599
<v Speaker 3>like it's you know.

1:15:39.680 --> 1:15:41.240
<v Speaker 1>I'm not even saying desensitized.

1:15:41.240 --> 1:15:43.000
<v Speaker 6>I'm just like, I literally just want to know what

1:15:43.040 --> 1:15:45.040
<v Speaker 6>y'all put in the search boxlogist, I don't.

1:15:45.120 --> 1:15:49.679
<v Speaker 4>It's it's okay, fucking that don't.

1:15:49.439 --> 1:15:54.040
<v Speaker 1>Work on apostrophe or are you just saying what you know? Real? Like,

1:15:54.800 --> 1:15:56.000
<v Speaker 1>I'm turned to the classics.

1:15:56.800 --> 1:16:01.320
<v Speaker 5>Okay, it's like Turner movie, but the New Ship is

1:16:01.360 --> 1:16:02.559
<v Speaker 5>like trap music to me.

1:16:02.600 --> 1:16:05.360
<v Speaker 1>And that Look, the thing is, I don't have anything.

1:16:05.600 --> 1:16:08.240
<v Speaker 1>Is that because as a businessman, as a roots picnic guy,

1:16:08.280 --> 1:16:11.880
<v Speaker 1>as a DJ, as a Tonight show person, I'm up

1:16:11.960 --> 1:16:16.960
<v Speaker 1>on today's stuff. But I'm done. I'm done. You know,

1:16:17.560 --> 1:16:21.200
<v Speaker 1>it's run its course. There's not that note. Yeah, so

1:16:21.560 --> 1:16:25.639
<v Speaker 1>I won't be had for that, right? All right about

1:16:25.720 --> 1:16:30.040
<v Speaker 1>take a little nurse search engine and unpaid Bill, and

1:16:30.040 --> 1:16:34.200
<v Speaker 1>and and Sugar Steve and uh you know this course

1:16:34.240 --> 1:16:37.599
<v Speaker 1>Loves Supreme, shout out to our illustri thank you, yeah

1:16:38.000 --> 1:16:42.800
<v Speaker 1>for our crew and our sound about the Brandy and

1:16:43.280 --> 1:16:46.639
<v Speaker 1>Jake and and and Brian and our family at iHeart

1:16:46.760 --> 1:16:49.640
<v Speaker 1>and everyone that makes us happen. We'll see you on

1:16:49.760 --> 1:16:51.640
<v Speaker 1>the next go around, of course, Love Supreme, Thank you.

1:16:55.560 --> 1:16:58.280
<v Speaker 6>Hey, thank you all for listening to cust Love Spreing.

1:16:59.080 --> 1:17:02.080
<v Speaker 6>This podcast is hosted by an Afro, a mouth, a rapper,

1:17:02.800 --> 1:17:05.120
<v Speaker 6>an engineer, and a man with too many jobs aka

1:17:05.400 --> 1:17:07.280
<v Speaker 6>A mere quest Love Thompson, Why are you a Saint

1:17:07.320 --> 1:17:11.439
<v Speaker 6>Clair Fonte Coleman, Sugar, Steve Mandel and unpaid Bill Sherman.

1:17:12.320 --> 1:17:15.880
<v Speaker 6>The executive producers who get paid the big bucks a

1:17:15.960 --> 1:17:19.679
<v Speaker 6>mere quest Love Thompson, Sean g and Brian Calhoun asked

1:17:19.720 --> 1:17:22.640
<v Speaker 6>them for money produced by the people who do all

1:17:22.680 --> 1:17:26.400
<v Speaker 6>the real work Britney Benjamin, Jake Payne. And yes, why

1:17:26.479 --> 1:17:29.280
<v Speaker 6>You're Saint Clair edited by another person who does the

1:17:29.320 --> 1:17:32.800
<v Speaker 6>real work, Alex Conroy and those who approved the real

1:17:32.880 --> 1:17:36.599
<v Speaker 6>work produced for iHeart by Noel Brown and Mike Johnson.

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<v Speaker 6>And don't forget the man is making me sound good,

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<v Speaker 6>right Now because up too. Audio engineering by Graham Gibson

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<v Speaker 6>at Iheart's La Studio, Thanks Sean West.

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<v Speaker 1>Love Supreme is a production of iHeartRadio. For more podcasts

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<v Speaker 1>from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

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<v Speaker 1>or wherever you listen to your favorite shows.