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Speaker 1: Quest Love Supreme is a production of iHeart Radio.

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Speaker 2: Primo Supremo, Roll Call, Supremo Supremo, Roll Suprema Supremo, Supremo Supremo.

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Speaker 1: These are my peers. Yeah, call me a mirror, yeah,

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Speaker 1: or call me quest.

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Speaker 3: Yeah.

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Speaker 1: We ain't got no guests. My name is.

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Speaker 3: Mante Yeah, and I go for dolo. We ain't got

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Speaker 3: no guests.

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Speaker 4: So we're doing this solo.

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Speaker 1: My name is Sugar. Yeah. I'm never scared when it

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Speaker 1: comes to roll call. I'm prepared brere roll.

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Speaker 5: Whatever up, Hey, Bill, and I'm ready to go. Yeah,

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Speaker 5: Lie Steve, Yeah, question f Tickelo come.

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Speaker 1: Roll on your bream.

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Speaker 6: It's like, yeah, ain't this a trip?

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Speaker 1: Yeah?

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Speaker 7: I ain't got no guess Yeah, am.

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Speaker 1: I had to make it fun.

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Speaker 5: That was a music theater move if I've ever heard one.

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Speaker 6: Yeah, Hey guys, yeah that one.

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Speaker 1: No pressure, man, no pressure. Well done. So again to

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Speaker 1: my wishes, my authority figures that this our beloved podcast.

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Speaker 1: Brittany and cousin, Jake and light Ya, the producers of

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Speaker 1: the show, suggested that we should do something that we

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Speaker 1: haven't done in a long time.

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Speaker 6: We ain't done it.

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Speaker 1: I will admit last month I did the Conan O'Brien podcast,

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Speaker 1: and I kind of they kind of thank you, so

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Speaker 1: they kind of like I forgot that. While I was

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Speaker 1: doing that interview, I was like, damn, I used to

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Speaker 1: have that type of energy on on my own podcast,

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Speaker 1: Like why don't we go back to that? So, yes,

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Speaker 1: we we are. This is not someone didn't stand us up.

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Speaker 4: It's intentional.

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Speaker 1: If we're with that laugh now this someone stands us up.

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Speaker 6: No no, no no no no no no, actually no,

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Speaker 6: you just tried to fill in this gap. A lot

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Speaker 6: of times. I got confused, but I was like, well.

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Speaker 1: Yeah, I was trying. I was trying to go for

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Speaker 1: no to Michael Walden and we were trying to go

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Speaker 1: with I mean, right now, I'm just dying to get

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Speaker 1: to anyone over the age of sixty five because you

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Speaker 1: never know.

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Speaker 8: So just interviewing yourself then exactly whoa geriatric jokes?

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Speaker 1: Damn?

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Speaker 4: We all up there?

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Speaker 1: H birthday? How was you just keep coming? Steve and

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Speaker 1: eight years old? Is incredible? Stay at home? That's good?

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Speaker 1: Wait is that good?

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Speaker 4: Yeah?

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Speaker 1: That seeds. That's what you do on your birthday. That's

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Speaker 1: what you do on your birthday. You know what? I

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Speaker 1: think I was sick on my birthday? You've ever been

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Speaker 1: on sick or on Christmas or your birthday? Yes? What's Christmas? Really?

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Speaker 1: Is it too early for people.

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Speaker 5: To laugh my jokes? That was actually good jewey Christmas

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Speaker 5: jokes at Landing right now?

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Speaker 1: Yeah, well done. Maybe I'm supposed to be in Will

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Speaker 1: Ferrell's podcast. I'm in the wrong room. Oh yeah, hopefully

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Speaker 1: he'll you know, be a mercy laugh for anything. Or

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Speaker 1: we could just start over. So we're we're in Los Angeles?

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Speaker 6: Yeah?

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Speaker 1: Is this is this a vacation of sorts or are

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Speaker 1: you guys still this is mine? I feel like he

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Speaker 1: was about to go out of his mind. If he doesn't,

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Speaker 1: I feel like we're taking away from something really important

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Speaker 1: right now. No. No, by the presence, I just meant like,

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Speaker 1: you got you got real going on? We all got real,

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Speaker 1: but you really got real?

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Speaker 4: Shiit?

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Speaker 1: No?

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Speaker 6: Do you notice that? For real? For real? Bill is

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Speaker 6: worse than you when it comes to like the flowers,

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Speaker 6: seeing he's all like weird, he's getting he's turned white.

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Speaker 1: Really well with flowers. Let's start with buildings. The episodes Phil.

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Speaker 5: Last episode of Quest Love Supre Sorry Bill Shervin, know

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Speaker 5: what you've been up to?

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Speaker 4: Man?

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Speaker 1: So the Tony's are over. The Tonys went over.

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Speaker 5: I didn't win any Tonies get nominated for a Tony.

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Speaker 5: Julia is still running and and it's expanded, and it's expanded.

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Speaker 1: It's in Singapore. Let people know what it is. Let

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Speaker 1: people know what it is.

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Speaker 5: Andreuliette is a musical I worked on. It's the retelling

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Speaker 5: of Romeo and Juliette with the songs of Max Martin,

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Speaker 5: Swedish pop songwriter extraordinary.

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Speaker 6: So basically Brittany and sing Battery Boys.

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Speaker 1: Yeah, It's my Life. I didn't know he wrote. So

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Speaker 1: was he first?

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Speaker 4: Was it first?

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Speaker 1: Okay? My analogy is what Bangladesh is the calise for

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Speaker 1: Bossy is It's my life? That for for his catalog, Like,

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Speaker 1: is that the first big song that he wrote?

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Speaker 5: No? He, I mean he did all the Backstory Boys stuff.

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Speaker 5: So the first what was his very first joint that

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Speaker 5: as the bass I saw the time, but it was

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Speaker 5: one of his earlier ones. And then you know Robin

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Speaker 5: not rob Rob. Yeah, he wrote and then the all

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Speaker 5: the early Backstory Boys. So like any Backstory Boys song

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Speaker 5: that was big, quit playing games in My Heart?

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Speaker 1: And okay, so I thought the bon Jovie joint came

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Speaker 1: way later. Oh so he jumped on the bandwagon, I

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Speaker 1: get now, Okay, yeah, I mean like that was like

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Speaker 1: a one off for him. He did.

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Speaker 5: There's a couple of those that are existing the show too,

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Speaker 5: but mostly it's like, you know, it's Battory boys, it's

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Speaker 5: some in sync stuff, a lot of stuff, and then

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Speaker 5: like Arianna on the weekend, you.

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Speaker 1: Know, it's weird. Without me knowing who he was. We

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Speaker 1: actually had a Max Martin song during the tipping point period, really,

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Speaker 1: and then he scoffed and was sort of like I

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Speaker 1: don't want this hit ass song going to this group,

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Speaker 1: like who are they? And then I believe he gave

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Speaker 1: that song to you remember Tila Tequila Shut It by

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Speaker 1: the way, where where Tila at?

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Speaker 4: She was the.

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Speaker 1: She was like on the Trump bandwagon for a second.

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Speaker 1: Yeah yeah, yeah no, but she was the first. She

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Speaker 1: was that kind of what influences are now. She was

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Speaker 1: kind of the first of that pre yeah, pre Instagram,

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Speaker 1: Tom her and Tom Thomas and friends.

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Speaker 4: Thomas my space, Thomas my space.

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Speaker 1: But it wasn't like we went to him directly. It

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Speaker 1: was there was an artist from Philly. I'm forgetting because

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Speaker 1: I should know him. Dude was actually incredible. If you

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Speaker 1: have are two greatest Hits compilation. Whenever he's like singing

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Speaker 1: break you off, do you remember, oh boy do?

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Speaker 8: But I just I was just nodding because I love that.

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Speaker 8: I love that compilation. The understand Right, So he a

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Speaker 8: the time like Rich discovered him. I think his father

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Speaker 8: was somehow associated with Bunny Sigaler or like instant Funk

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Speaker 8: or whatever.

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Speaker 1: But this dude, I mean, he's sort of he he

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Speaker 1: was blau Lte or whatever. But he had a joint

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Speaker 1: called like all my skater friends, all my hipster friends,

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Speaker 1: we all want the same thing. We all want the

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Speaker 1: same thing. The song was like we made the song dope.

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Speaker 1: But basically Matt max Mart was just like, n word,

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Speaker 1: please let me give this to someone that's really going

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Speaker 1: to elevate the song. So I think like Tequila used

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Speaker 1: it for I guess she had she had a reality

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Speaker 1: show on pH.

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Speaker 6: One right finding her date or something like that.

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Speaker 1: Right, Well that was I guess that was the theme moment.

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Speaker 1: So so I hope he's happy with that decision. I

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Speaker 1: can't wait to ask it went to the right. Yeah,

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Speaker 1: he probably don't remember. He probably didn't know what her

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Speaker 1: roots was you know.

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Speaker 6: He no NaIO doo.

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Speaker 1: Now he is, So let me get into time machine

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Speaker 1: and travel back fifteen years and.

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Speaker 4: Get this back. Yeah.

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Speaker 6: Good play, really good play.

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Speaker 1: So what like, what's what's the next for you? Bill?

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Speaker 5: Well, let's see, saysmey Street's happening, saysmey Street. Uh is

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Speaker 5: not part of the writer strike, which is now over.

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Speaker 1: But so it.

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Speaker 5: Continues to move on and then I don't know, my

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Speaker 5: daughter made the volleyball team as an eighth grader, so

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Speaker 5: we go to a lot of volleyball, which is great.

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Speaker 1: Do we get new titles for them? Because now they're

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Speaker 1: not kids anymore? So before they what we called them

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Speaker 1: the Angel and the Devil. Yeah, they still are that,

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Speaker 1: but now they're just older and it's different. I don't know, Fanta,

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Speaker 1: you can talk to this. Like when kids get older,

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Speaker 1: it's like there's like a weird moment where they sort

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Speaker 1: of switch into like, uh, you don't have to care

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Speaker 1: for them all the time, and they don't really want

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Speaker 1: to be around you that much. Yeah, or just like

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Speaker 1: can I I know it's we're supposed to be with you,

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Speaker 1: but like, can we just not be with you? And

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Speaker 1: then weirdly, the other, the younger one, like, she gets

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Speaker 1: really empathy, she gets really sad. She's like like, I

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Speaker 1: want to go to my friend's house, but I feel

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Speaker 1: really bad.

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Speaker 5: Leaving you here all alone. As if I'm like this

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Speaker 5: like lonely loser that I'm like, you know what, I'm fine, Like,

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Speaker 5: don't worry about me.

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Speaker 1: I'm good. I'm finishing this Bible. James, I was like,

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Speaker 1: I'm good.

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Speaker 5: At being alone. Don't worry about it. I'm totally you know,

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Speaker 5: But she weirdly feels bad.

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Speaker 1: Wait can I ask? All right? So I revisited uh

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Speaker 1: doing the strike because there's nothing to watch. I revisited

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Speaker 1: a show with a character in a similar situation with

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Speaker 1: two daughters. Said character has been alright, it come on.

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Speaker 1: I was rewatching Louis and there was an episode where

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Speaker 1: they're on a subway train and the youngest one, who

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Speaker 1: is sort of the rebel rouser, decides at the last

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Speaker 1: minute to run off the train as the train closes.

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Speaker 1: And you know, so, so when you're saying the more mischievous one,

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Speaker 1: is she that level of devil? Okay, she's she's too

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Speaker 1: afraid to do that, Okay.

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Speaker 5: Idea of like being like alone on a platform scares

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Speaker 5: of the shit, I'm sure, but like she's she's just

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Speaker 5: more outspoken. Like, Okay, so we were having dinner the

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Speaker 5: other day and she just got a cell phone. She's

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Speaker 5: eleven years old and she we were out to dinner

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Speaker 5: and I said, can you please put your phone down?

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Speaker 5: We're having dinner, and she goes, sure, I just need

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Speaker 5: to say goodbye to this person. And I was like, no, no, no, no, no, no, no,

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Speaker 5: put the cell phone down. She was like, but like

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Speaker 5: she she didn't understand that, like this was the end

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Speaker 5: of this conversation, and she got really mad about it.

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Speaker 5: And so I then I grabbed her phone and whenever,

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Speaker 5: like when you physically do something to a child, it's

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Speaker 5: a thing, And so I grabbed the phone I put

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Speaker 5: over here, and she was so pissed and like, but then, weirdly,

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Speaker 5: I was also out to dinner with my ex wife

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Speaker 5: and her husband and so but what weirdly what she

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Speaker 5: got remarried, she's about to and then this, yeah, well

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Speaker 5: we haven't had a thing here we are now, you know.

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Speaker 5: So but we all three of us, weirdly, like without talking,

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Speaker 5: agreed that how dare she fucking do that? And we

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Speaker 5: all equally got mad at her, which was nice. There

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Speaker 5: was like some solid which felt which felt right with

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Speaker 5: my ex wife and her soon to be husband, the

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Speaker 5: people who I should be in full agreement with at

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Speaker 5: all times.

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Speaker 1: What the anyway? But yeah, but she's like she's like

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Speaker 1: very defiant. I think it's the right word. Another d words.

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Speaker 1: She's defiant as opposed to like daredevil.

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Speaker 9: Bill.

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Speaker 6: Can I ask you a question, what's the last coolest

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Speaker 6: thing you did on the street? What would that you remember?

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Speaker 4: Like?

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Speaker 1: This is cool the street?

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Speaker 6: Yeah, I call it the street.

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Speaker 5: Well, we were just at a thing with with Higham

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Speaker 5: Hyam was on Sesame Street last year and I wrote

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Speaker 5: a song for them about the A. B C's and

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Speaker 5: they were super. No, I think it's Hime, isn't it

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Speaker 5: h A.

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Speaker 3: I m that it's not that.

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Speaker 1: I believe it's high I think I just said it right.

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Speaker 10: And these are this is the two girls sisters sister.

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Speaker 5: Yeah, they were, they were they were on touch the street.

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Speaker 5: They did great, they had a really good time.

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Speaker 1: That was cool. I'm trying to think what else wall

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Speaker 1: I have a I think I always asked this. I

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Speaker 1: feel as though the late nineties and early aughts was

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Speaker 1: Elmo season. You guys went heavy on Elmo and kind

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Speaker 1: of laid back on the muppets I grew up with,

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Speaker 1: Like Grover wasn't getting no play. Herbert Birdsfoot probably still

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Speaker 1: in that exactly. Yeah, guy Smiley, you know what I mean? Like,

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Speaker 1: there's not a seven and the third?

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Speaker 6: How many people I don't know these?

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Speaker 1: Okay, yes, was born in the early nineties. People wink, Wow, Grover,

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Speaker 1: that's a grunge.

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Speaker 4: It was right.

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Speaker 1: But what I'm saying is is that is there a

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Speaker 1: development staff that's like, Yo, we got to introduce new

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Speaker 1: muppets and new characters and sort of phase old ones out.

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Speaker 5: I think it's less about phasing old ones out and

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Speaker 5: more about just new ones. So like we have one

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Speaker 5: that's like, she's Korean, her name is Young, And there's

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Speaker 5: another one who has autism and her name is Julia.

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Speaker 3: I have one that like isn't like the kids parents,

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Speaker 3: like incarcerated something.

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Speaker 4: You got that?

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Speaker 6: Yeah, what's that? What's that one name?

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Speaker 1: I don't know her. I knew where this is going.

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Speaker 4: I couldn't make that.

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Speaker 1: I Actually.

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Speaker 4: His name is l.

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Speaker 8: I actually looked it up the other day for some

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Speaker 8: weird reason. There's thirty four hundred muppets in the history

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Speaker 8: of muppetry, really four hundreds possible.

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Speaker 5: There's the Sesame Street Uppets, right, and then there's like

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Speaker 5: the Muppet Mupets, like that's Piggy and Kermit.

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Speaker 1: But yeah, I know, but three thousand, four hundred, how.

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Speaker 5: Do you well, people are busy making puppets. Chesame Street

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Speaker 5: must be like an entire like empire. Yeah, like a whole.

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Speaker 1: I mean that whole. It's not a street anymore too.

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Speaker 6: It's time for the Big Bird movie, which is really awesome.

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Speaker 6: Do you have any ends on that's a movie?

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Speaker 5: No, there was, and then I don't know what happened.

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Speaker 5: It just disappeared like things. I'm learning that things in

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Speaker 5: Hollywood just do they puffing the smoke.

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Speaker 1: The Muppets.

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Speaker 3: The last one I saw it was the one where

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Speaker 3: uh Kermit. It was was the Evil Kermit Constantine.

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Speaker 1: Yeah, it was the Muppets most wanted or something.

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Speaker 6: Yeah, like in the last Yeah, yeah, that one was good.

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Speaker 3: There's a song on there on the soundtrack, because I

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Speaker 3: think the guys who do uhcourse, there's a song on

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Speaker 3: there that Constantine sings and it sounds like a Jamiroquai song.

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Speaker 3: That is a jam that gamin Like here, it's called

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Speaker 3: I get you what you want. It's basically a tricking anthem.

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Speaker 3: It's like Constantine telling me I value whatever you want.

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Speaker 1: And so that's where evil Kermit comes from. Yes, isn't

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Speaker 1: it weird that the Jamin no, the song Jamin, Like

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Speaker 1: if you guys had meetings about the fact that tea

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Speaker 1: comes from you guys and memes you mean, oh yeah,

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Speaker 1: like spill the tea.

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Speaker 6: But that's not them, that's.

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Speaker 1: That's yeah, that's that's the Muppets. So Kermit is officially

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Speaker 1: not Team Sesame Street anymore. Y'all haven't done muppet news flash.

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Speaker 5: I only worked with Kermit once. There was like a

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Speaker 5: season fifty anniversary thing and Kermit saying with Elvis Costello

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Speaker 5: being green on the sets. The only time I ever

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Speaker 5: hung out with Kermit, And it's the only time there's

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Speaker 5: been a cross over in years.

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Speaker 1: So who's Grover's foil? If Kermit is no longer on

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Speaker 1: the show? Grover's dead son? If you're heard gro versus

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Speaker 1: own foot, Like are muppets allowed to get old? Like

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Speaker 1: I wasn't the original Elmo? And then y'all you almost

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Speaker 1: had colorism issues or something y'all just gave me people

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Speaker 1: got neurotic.

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Speaker 5: You know what's interesting is like when people come on

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Speaker 5: the show who are older than all right whatever, uh,

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Speaker 5: they want to they want to be part of like Burton,

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Speaker 5: Ernie and Grover and and and like, and they don't

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Speaker 5: our people in our generation don't know them, don't understand

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Speaker 5: Like Abby and Elmo are the younger generation of puppets.

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Speaker 5: They're always by the way, they don't age. They're always

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Speaker 5: three years old or five or something like that. And

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Speaker 5: so it's it's always interesting to see what people resonate

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Speaker 5: with what puppets and why. And it's just because were

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Speaker 5: they on the TV more when they were kids or

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Speaker 5: is like that's like Harry Styles was like, I need

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Speaker 5: to I need to meet big Bird.

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Speaker 1: I had a big bird stuff people have like request

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Speaker 1: all the time. So you you were like, I want

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Speaker 1: to pack. Like y'all stuck me with Prairie. I mean, look,

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Speaker 1: I like Prairie doing, but I hope it. Look all

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Speaker 1: you're all you're doing is revealing to me that you

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Speaker 1: didn't want Sesame Street as a kid. Were you an

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Speaker 1: adult soon as he came out the womb?

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Speaker 6: No, but I was more electric compan.

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Speaker 1: Okay, well that shows a whole other thing. I did

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Speaker 1: that show too. I only want to earn him Bert

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Speaker 1: because you know, you guys used to end every sketch

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Speaker 1: with muppets just falling backwards and again and pression will meet.

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Speaker 1: That's also another reason why TV was very monitored, because

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Speaker 1: you know, used to just no one told me that

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Speaker 1: if you fall backwards on a hard.

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Speaker 8: Object, this plains a lot. Actually blood might be drawn. Yeah,

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Speaker 8: that's a concussion protocol. Please, why don't they do it?

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Speaker 8: Where muppets? Where are they now?

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Speaker 1: Like Ernie and Burt moved to Florida and.

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Speaker 6: Retire people right, like the voices, they're not with us.

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Speaker 1: What doesn't matter? Kind of matter, though it does matter.

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Speaker 1: That's why I feel like you do need to develop

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Speaker 1: new characters, because like the new Ernie is kind of

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Speaker 1: get is maybe knowing the intonations and inflections. But well,

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Speaker 1: the diehards like you, you can tell the difference.

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Speaker 5: But like to most people, like the newer people who

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Speaker 5: have done it, we should be watching it anyway, right.

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Speaker 1: I mean that's a much larger question that I don't know.

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Speaker 1: We have a time picular the first time you talk

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Speaker 1: to me all concerned you were like, wait, are you

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Speaker 1: still telling me? You still actively what? I remember that

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Speaker 1: conversation and I was like, soldering up. I don't know

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Speaker 1: what you talk about?

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Speaker 6: Favorite song?

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Speaker 10: We were FaceTime and just moved the TV right exactly exactly, So, Lia,

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Speaker 10: how's your comedy?

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Speaker 1: Wait? Why did you don't do that?

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Speaker 6: Don't do it? Don't you do it? Don't ask me

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Speaker 6: that question. Literally. I had a podcast listener walk up

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Speaker 6: on me in the Mirk Park like two weeks ago

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Speaker 6: and was like, Heyliah. I listened to QLs and JD

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Speaker 6: I I how's your comedy going? I was like, God,

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Speaker 6: why are you paying a fuckingtention? I got three jobs

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Speaker 6: to be hard.

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Speaker 4: I feel you, but how's the comedy going?

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Speaker 8: Maybe it could turn that how you don't want to

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Speaker 8: talk about comedy into a comedy routine.

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Speaker 6: I write all the time. I have an ongoing little

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Speaker 6: notepad in my phone and I just write the jokes

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Speaker 6: and I think, one one day.

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Speaker 3: Is that something? Is that something that you still want

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Speaker 3: to do? Do you really want to do stand up?

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Speaker 4: Or is it? You know?

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Speaker 6: I don't know. That Ship made me really nervous, and

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Speaker 6: Ship every since, ever since you gave me the critique.

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Speaker 6: I feel like I don't know, I've been scared to

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Speaker 6: go back ever since. That's not your fault, that's me.

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Speaker 6: I have to get my confidence together because you gave

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Speaker 6: me a nice like you know, this is what you.

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Speaker 4: Need to do.

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Speaker 8: You don't bring your phone up on the stage with you, Like,

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Speaker 8: can we get rid of commedy? I know, can we

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Speaker 8: get rid of the ones that do that?

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Speaker 3: But I like when Dan Cole does it, like yeah,

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Speaker 3: and to just if just to record yourself. Every comedian

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Speaker 3: I say, they say, like always record your set.

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Speaker 6: I love the way Dion Cole do it like he

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Speaker 6: actually is coming out like checking jokes and see if

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Speaker 6: they work.

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Speaker 3: Like, so, is it something that you still have a

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Speaker 3: passion for as from you know, the feedback I gave away,

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Speaker 3: I don't know.

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Speaker 6: About having a passion for doing stand up per se.

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Speaker 6: I have a passion for doing funny things. I have

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Speaker 6: a passion for entertaining people, have a passion for making

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Speaker 6: people laugh. And I wanted to make sure that I

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Speaker 6: even knew the ins and outs and the mechanics of

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Speaker 6: comedy before even saying that this is something I want

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Speaker 6: to do. So that's what I did when I moved here,

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Speaker 6: I was sitting to recoup. It was like, don't tell

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Speaker 6: nobody that you took a comedy class. But I did.

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Speaker 3: And I'm proud of saying, why shouldn't you tell people

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Speaker 3: you took coming?

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Speaker 6: Oh though, that's what we told me once when I

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Speaker 6: was about to get on stage for.

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Speaker 1: Delirious, Mister reluctant.

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Speaker 6: No, but I was. I'm proud because I took it

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Speaker 6: from a woman who was a writer for Chelsea Handler,

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Speaker 6: and it was more about just formulas, because like, if

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Speaker 6: you had no idea about comedy, you don't know there

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Speaker 6: are formulas. You don't know the call back, you don't

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Speaker 6: know the rules of three, you don't know. So yeah,

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Speaker 6: so I wanted to make sure that, like if I

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Speaker 6: was going to at least to attempt this, that it

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Speaker 6: wasn't just like on a whelm.

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Speaker 1: You know, how do you I wonder if u c B,

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Speaker 1: wonder what level of comedy do you have to be

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Speaker 1: to enter a UCB or second city or.

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Speaker 6: The different levels. Yeah, I've done improv. I did improv

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Speaker 6: in Philly. I was so funny. I forget the things

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Speaker 6: I done theater and theater groups and dinner theater and

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Speaker 6: stuff like that. So for me, it's just always about

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Speaker 6: making sure because you know how well studied you guys

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Speaker 6: are your craft. I want to feel like that well

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Speaker 6: everything that I do.

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Speaker 3: Whatever I was going to say, I mean, I think

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Speaker 3: the studying part just I mean, from from my standpoint,

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Speaker 3: it wasn't a whole lot of studying. It was just

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Speaker 3: doing and kind of learning from there. Because because that

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Speaker 3: was my question, I was gonna ask you, So the

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Speaker 3: classes that you took, did you feel they were informative

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Speaker 3: for you?

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Speaker 4: Liked where they were they helpful?

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Speaker 6: Yes? Yes, yes, because I had the words, but I

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Speaker 6: might not know how to close the joke, you know

438
00:21:19,359 --> 00:21:20,960
Speaker 6: what I mean? So yeah, and a lot, And it

439
00:21:21,000 --> 00:21:24,160
Speaker 6: gave me confidence to say.

440
00:21:24,280 --> 00:21:26,679
Speaker 3: And then after you did that set at uh, was

441
00:21:26,720 --> 00:21:30,120
Speaker 3: that your last time ever going up again the Delirious thing?

442
00:21:30,920 --> 00:21:33,440
Speaker 4: Was that your It's cool?

443
00:21:33,480 --> 00:21:35,360
Speaker 6: No? It been it? No, that was the last time.

444
00:21:35,880 --> 00:21:38,680
Speaker 6: That was the last time. I've been on stage three

445
00:21:38,680 --> 00:21:41,400
Speaker 6: times and it was yep, that was the last time,

446
00:21:41,600 --> 00:21:46,119
Speaker 6: and the first time was at Tarik's original Delirious and Philly.

447
00:21:46,640 --> 00:21:48,639
Speaker 3: Did you feel like you got I won't say, I

448
00:21:48,640 --> 00:21:50,480
Speaker 3: don't know, you got better every time? Did you feel

449
00:21:50,480 --> 00:21:52,480
Speaker 3: more confident like every time you did it, did it

450
00:21:52,520 --> 00:21:53,439
Speaker 3: get a little easier.

451
00:21:53,520 --> 00:21:55,320
Speaker 6: Yeah, Because I'm gonna tell you, like I'm a confident

452
00:21:55,359 --> 00:21:57,720
Speaker 6: person on stage period because I host parties, I host

453
00:21:57,720 --> 00:22:00,920
Speaker 6: events like this is what I do. But that ship

454
00:22:01,200 --> 00:22:02,800
Speaker 6: was nervous as shit, Like I had to make sure

455
00:22:02,800 --> 00:22:04,359
Speaker 6: I empied out my bladder because either way, I'm a

456
00:22:04,400 --> 00:22:05,840
Speaker 6: tt on myself a little bit.

457
00:22:06,520 --> 00:22:09,280
Speaker 5: So did you ever think that you could do stand up?

458
00:22:10,240 --> 00:22:13,200
Speaker 5: Because I think you could absolutely could.

459
00:22:13,560 --> 00:22:17,120
Speaker 3: Nah man, I Nah, I done so when Hannibal when

460
00:22:17,160 --> 00:22:18,800
Speaker 3: he was hit the other day, like I had him

461
00:22:19,240 --> 00:22:22,199
Speaker 3: when he came out to Raleigh. I he hit me

462
00:22:22,280 --> 00:22:23,960
Speaker 3: to like introduce him, you know what I'm saying, like

463
00:22:23,960 --> 00:22:26,440
Speaker 3: to be like EMC or whatever. And I mean I

464
00:22:26,520 --> 00:22:28,520
Speaker 3: might have did like five minutes just kind of warming

465
00:22:28,640 --> 00:22:29,480
Speaker 3: up the crowd whatever.

466
00:22:29,840 --> 00:22:31,240
Speaker 4: But nah man, that's just.

467
00:22:31,200 --> 00:22:34,600
Speaker 6: How to do that. I like doing that. I like hosting,

468
00:22:34,600 --> 00:22:36,280
Speaker 6: warming up crowds and like doing all that.

469
00:22:36,359 --> 00:22:38,320
Speaker 3: Yes, yeah, and that's the ling And that's why I

470
00:22:38,359 --> 00:22:39,639
Speaker 3: asked you, is it something you want to do for

471
00:22:39,760 --> 00:22:41,720
Speaker 3: me like when I did when I've been in those

472
00:22:41,760 --> 00:22:44,080
Speaker 3: spaces like stand up First of all, that's just the

473
00:22:44,160 --> 00:22:47,280
Speaker 3: hardest of all the disciplines. For me, you know what

474
00:22:47,320 --> 00:22:50,720
Speaker 3: I mean, Because it's one thing to just be the

475
00:22:50,760 --> 00:22:53,399
Speaker 3: funny dude at the cookout or the funny dude that

476
00:22:53,600 --> 00:22:56,240
Speaker 3: game night or whatever the fuck sitting in front of

477
00:22:56,240 --> 00:22:58,640
Speaker 3: people who have paid money with the expectation of make

478
00:22:58,720 --> 00:23:00,520
Speaker 3: me laugh. That's something else, you know what I'm saying.

479
00:23:00,520 --> 00:23:02,280
Speaker 3: That's a science, you know what I mean. That's an art,

480
00:23:02,320 --> 00:23:05,280
Speaker 3: you know what I mean. So it's something that I admire,

481
00:23:05,320 --> 00:23:08,119
Speaker 3: and I admire comedians more than anything else for the

482
00:23:08,160 --> 00:23:10,960
Speaker 3: way that they tell the truth about their craft and

483
00:23:10,960 --> 00:23:13,000
Speaker 3: people in it. Like when we had Got It was

484
00:23:13,080 --> 00:23:15,000
Speaker 3: years back. We had Michelle wolf On.

485
00:23:15,520 --> 00:23:17,679
Speaker 4: And I forgot who the girl was that put out the.

486
00:23:19,600 --> 00:23:23,200
Speaker 3: Comedy special that was kind of getting all this supplaint applause.

487
00:23:23,240 --> 00:23:24,919
Speaker 4: It was always just so brave and it's so.

488
00:23:26,480 --> 00:23:29,280
Speaker 1: Yeah, yeah from England or was that Australian?

489
00:23:29,520 --> 00:23:32,679
Speaker 3: Yeah, I can't remember. I can't remember the comedian's name.

490
00:23:32,760 --> 00:23:34,639
Speaker 3: But anyway, we asked some shell wolf like, what do

491
00:23:34,680 --> 00:23:36,120
Speaker 3: you think about it? She was like, Yo, that shit sucks.

492
00:23:36,160 --> 00:23:39,320
Speaker 3: It's unfunny. Like it was no political answer, it was

493
00:23:39,359 --> 00:23:41,879
Speaker 3: just like no. And so that's the thing for me

494
00:23:41,960 --> 00:23:45,440
Speaker 3: with comedy, I more so learned from comedians and admire

495
00:23:46,520 --> 00:23:49,720
Speaker 3: just the way that they're just unapologetic about what's funny

496
00:23:49,720 --> 00:23:50,199
Speaker 3: and what's not.

497
00:23:50,640 --> 00:23:51,720
Speaker 4: And I just can't take from that.

498
00:23:51,760 --> 00:23:55,160
Speaker 3: But actually being a comedian like nah, being the person

499
00:23:55,200 --> 00:23:58,240
Speaker 3: on stage doing it, Nah. Writing it could be cool,

500
00:23:58,280 --> 00:24:00,639
Speaker 3: but performing it is just not something I'd been interested.

501
00:24:00,840 --> 00:24:03,520
Speaker 1: I think we're talking about Hannah Gatsby. Yeah, that's exactly

502
00:24:03,520 --> 00:24:09,480
Speaker 1: what Yep, that was her. I had to type the

503
00:24:09,480 --> 00:24:14,480
Speaker 1: comedian woman. Wow, that's a tough thing to you.

504
00:24:14,720 --> 00:24:15,720
Speaker 4: But not but like like you.

505
00:24:15,840 --> 00:24:17,159
Speaker 3: I mean I gave you when we talked. I mean

506
00:24:17,160 --> 00:24:19,399
Speaker 3: this has been god like five years ago, now you

507
00:24:19,440 --> 00:24:21,119
Speaker 3: know what I mean. But no, I mean it was

508
00:24:21,440 --> 00:24:23,199
Speaker 3: I was just giving you my opinion. But no, you

509
00:24:23,240 --> 00:24:25,199
Speaker 3: were you were good. I mean you have like the

510
00:24:25,240 --> 00:24:27,479
Speaker 3: things you say, like you really do command the crowd,

511
00:24:27,600 --> 00:24:31,399
Speaker 3: Like you have a big voice, and you know people

512
00:24:32,000 --> 00:24:33,119
Speaker 3: you commanded their attention.

513
00:24:33,280 --> 00:24:33,880
Speaker 4: You know what I'm saying.

514
00:24:33,960 --> 00:24:36,760
Speaker 3: So you know, I think you if there's something you

515
00:24:36,800 --> 00:24:38,240
Speaker 3: want to do, I really think you could do it.

516
00:24:40,560 --> 00:24:42,920
Speaker 1: But you also I think the number one ship to

517
00:24:43,000 --> 00:24:45,959
Speaker 1: do in comedy. And this is this is mostly just

518
00:24:46,000 --> 00:24:52,320
Speaker 1: for also as a human being. We have to readjust

519
00:24:52,600 --> 00:24:57,880
Speaker 1: our relationship to rejection, because that's all we're afraid of rejection,

520
00:24:58,080 --> 00:25:01,080
Speaker 1: So that sort of stops us.

521
00:25:01,000 --> 00:25:04,320
Speaker 6: From real here. You know how we I'm just saying

522
00:25:04,680 --> 00:25:07,399
Speaker 6: we're going on the same day. We not really good

523
00:25:07,560 --> 00:25:09,800
Speaker 6: with that, you know what I.

524
00:25:09,840 --> 00:25:11,679
Speaker 1: Used to be. I don't know, I'm going through a

525
00:25:11,680 --> 00:25:12,560
Speaker 1: teftline period now.

526
00:25:13,000 --> 00:25:14,960
Speaker 6: Well, yeah, because look at you now, like you're in

527
00:25:15,000 --> 00:25:15,679
Speaker 6: a different part.

528
00:25:15,560 --> 00:25:20,720
Speaker 3: Of your Yeah I'm going through say yeah, go ahead. No,

529
00:25:20,840 --> 00:25:22,960
Speaker 3: it doesn't like the more you kind of go and

530
00:25:23,000 --> 00:25:23,800
Speaker 3: the more you.

531
00:25:23,680 --> 00:25:25,760
Speaker 4: At least it just from my experience and I let me.

532
00:25:25,800 --> 00:25:27,919
Speaker 3: But like the more you do and kind of the

533
00:25:27,920 --> 00:25:31,320
Speaker 3: more you kind of accomplish, you think like, oh you

534
00:25:31,400 --> 00:25:32,359
Speaker 3: gain more confidence.

535
00:25:32,480 --> 00:25:35,480
Speaker 4: But the more you go, like your challenge has changed.

536
00:25:35,600 --> 00:25:38,560
Speaker 3: So it's like, Okay, I'm confident in doing this thing

537
00:25:38,640 --> 00:25:40,879
Speaker 3: I was doing a year ago, but now it's a

538
00:25:40,960 --> 00:25:43,040
Speaker 3: year or two later, I'm doing some whole other ship

539
00:25:43,119 --> 00:25:45,600
Speaker 3: now that there's still a first. So it's like every

540
00:25:45,600 --> 00:25:47,800
Speaker 3: time you progress and you level up in your career,

541
00:25:48,359 --> 00:25:50,160
Speaker 3: you get to that point where it's like, oh damn,

542
00:25:50,200 --> 00:25:52,439
Speaker 3: I'm having to learn some new ship over.

543
00:25:55,880 --> 00:25:58,879
Speaker 1: Yeah it is, well, I mean you're always worried about

544
00:25:59,200 --> 00:26:02,240
Speaker 1: can you hold them to standard. And you know I

545
00:26:02,280 --> 00:26:04,919
Speaker 1: also all right, So yesterday I think I told one

546
00:26:04,960 --> 00:26:07,560
Speaker 1: of you, maybe it was you, that when you worry,

547
00:26:08,040 --> 00:26:12,800
Speaker 1: you're secretly praying for what you're asking not to happen.

548
00:26:13,160 --> 00:26:15,000
Speaker 8: Yeah, that's that's the shit you throw on me. Yes

549
00:26:15,000 --> 00:26:16,760
Speaker 8: to say I have to think about it all night.

550
00:26:17,480 --> 00:26:22,200
Speaker 1: Yes, not as worry as literally I don't get attacked outside.

551
00:26:22,520 --> 00:26:24,639
Speaker 1: You're you're praying to get attacked outside.

552
00:26:24,920 --> 00:26:28,280
Speaker 3: So it's like, what's the scene in inception like where homiees, Like,

553
00:26:28,440 --> 00:26:30,560
Speaker 3: you know, if I tell you don't think about elephants,

554
00:26:30,560 --> 00:26:32,159
Speaker 3: what are you thinking about elephants?

555
00:26:32,240 --> 00:26:32,400
Speaker 1: Right?

556
00:26:32,480 --> 00:26:34,160
Speaker 4: You know what I mean it? And if you're thinking

557
00:26:34,160 --> 00:26:36,000
Speaker 4: about elephants, wait.

558
00:26:37,760 --> 00:26:40,520
Speaker 1: Right now? Like I think, I don't know if I

559
00:26:40,520 --> 00:26:44,440
Speaker 1: told it Donnie Hathaway's story once, but when he uh,

560
00:26:44,680 --> 00:26:48,960
Speaker 1: when a suicide happened in seventy nine. Uh, My grandma

561
00:26:49,000 --> 00:26:51,919
Speaker 1: was in front of me, and you know, she's one

562
00:26:51,920 --> 00:26:56,760
Speaker 1: of those fine brimstone Southern Baptist Christian women, and so

563
00:26:57,320 --> 00:26:59,960
Speaker 1: you know she's sort of had a dismayed sort of

564
00:27:00,240 --> 00:27:03,320
Speaker 1: mm hmm, that's a sin against God. I was like, huh,

565
00:27:03,400 --> 00:27:06,040
Speaker 1: you know, I was like eight years old, and she said,

566
00:27:06,080 --> 00:27:09,840
Speaker 1: that's blasphemy, like only the Lord should take his children

567
00:27:09,880 --> 00:27:12,840
Speaker 1: away like, and I was like, what's blasphemy? And he's like,

568
00:27:12,880 --> 00:27:15,199
Speaker 1: this is number one sinning against God. I said, so

569
00:27:15,240 --> 00:27:17,720
Speaker 1: what happens? And that's when she told me the and

570
00:27:17,800 --> 00:27:21,639
Speaker 1: she's always cooking food, so she was like, no, I'm zelming.

571
00:27:21,680 --> 00:27:22,119
Speaker 6: I told.

572
00:27:24,359 --> 00:27:27,679
Speaker 1: Full circle. So you know, she turns like she's already cooking.

573
00:27:27,960 --> 00:27:31,200
Speaker 1: She's like, your soul burns in the fiery Firnst when

574
00:27:31,240 --> 00:27:36,680
Speaker 1: you uh committed blasphemy against God. And I was like, well,

575
00:27:37,480 --> 00:27:40,240
Speaker 1: you know, I was trying to understand how Donnie Hathaway

576
00:27:40,280 --> 00:27:41,159
Speaker 1: jumping out the window.

577
00:27:41,560 --> 00:27:42,679
Speaker 4: What the fuck that got to do with me?

578
00:27:43,320 --> 00:27:45,960
Speaker 1: Right? And so she was doing this whole thing about blasphemy,

579
00:27:46,359 --> 00:27:48,040
Speaker 1: and then she also told me that blasphemy he was

580
00:27:48,040 --> 00:27:50,040
Speaker 1: taking the Lord's name in vain. I was like, what's

581
00:27:50,040 --> 00:27:51,960
Speaker 1: the lord's name in vain? And she says, when you

582
00:27:52,000 --> 00:27:56,600
Speaker 1: say the bad word gd God? Right, And then in

583
00:27:56,640 --> 00:27:59,879
Speaker 1: my head that's all I heard. So I was I

584
00:28:00,080 --> 00:28:02,080
Speaker 1: swear to guy. At least for two months, I had

585
00:28:02,200 --> 00:28:04,680
Speaker 1: nightmares of crying, my mom waking me up. I'm going

586
00:28:04,760 --> 00:28:07,919
Speaker 1: all because I can't stop thinking about it. In my

587
00:28:08,000 --> 00:28:13,480
Speaker 1: hands just hurt. God, damn God, god bomb bomb.

588
00:28:14,920 --> 00:28:16,480
Speaker 4: No man noah.

589
00:28:16,520 --> 00:28:16,760
Speaker 1: Yeah.

590
00:28:16,760 --> 00:28:23,680
Speaker 3: Religion, yeah it sucks. It's not for children's yeah, not

591
00:28:23,720 --> 00:28:24,199
Speaker 3: for me.

592
00:28:24,280 --> 00:28:24,480
Speaker 4: You know.

593
00:28:24,920 --> 00:28:27,600
Speaker 3: Yeah, we all had I had them stories as well

594
00:28:27,680 --> 00:28:30,080
Speaker 3: of just like going to I remember I went to

595
00:28:30,119 --> 00:28:32,560
Speaker 3: a god Man. I was probably like twelve, I was

596
00:28:32,840 --> 00:28:35,720
Speaker 3: thirteen years old, and like my church, they sent us

597
00:28:35,840 --> 00:28:36,639
Speaker 3: on like this.

598
00:28:36,880 --> 00:28:38,640
Speaker 4: It was like the youth retreat ship.

599
00:28:39,360 --> 00:28:42,200
Speaker 6: Yeah, the retreat and so hump and retreat.

600
00:28:44,920 --> 00:28:46,440
Speaker 4: So they sent us on this.

601
00:28:46,440 --> 00:28:49,680
Speaker 5: Fucking youth retreating But yeah, there's some things I don't

602
00:28:49,720 --> 00:28:51,760
Speaker 5: know about and there's some things.

603
00:28:52,240 --> 00:28:53,240
Speaker 4: This is what I want to know.

604
00:28:53,400 --> 00:28:56,040
Speaker 1: You go illegal whatever.

605
00:28:55,720 --> 00:28:59,160
Speaker 6: You sounds wrong in twenty twenty three, but nah, I.

606
00:28:59,080 --> 00:29:00,800
Speaker 3: Mean we went to this thing. We went to this

607
00:29:00,960 --> 00:29:03,040
Speaker 3: uh they sent us to this youth for treating ship.

608
00:29:03,120 --> 00:29:05,600
Speaker 3: And so the thing about it is like I'm a

609
00:29:05,680 --> 00:29:08,200
Speaker 3: music guy, so if you can get me with music,

610
00:29:08,240 --> 00:29:11,320
Speaker 3: then you got me. And the thing was it was

611
00:29:11,400 --> 00:29:13,000
Speaker 3: we were black church and they sent us to this

612
00:29:13,040 --> 00:29:15,640
Speaker 3: big things, big Christian thing and it was like mostly

613
00:29:15,680 --> 00:29:18,640
Speaker 3: like white people. So the acts that they had it

614
00:29:18,760 --> 00:29:20,000
Speaker 3: was like DC talk.

615
00:29:20,880 --> 00:29:22,640
Speaker 1: You saw DC talk in person.

616
00:29:22,760 --> 00:29:26,880
Speaker 3: I saw them in person, bro, Like they're like they

617
00:29:27,000 --> 00:29:29,360
Speaker 3: was like the number one, like the.

618
00:29:29,280 --> 00:29:30,880
Speaker 1: Gospel Backstreet Boys, but.

619
00:29:31,440 --> 00:29:33,440
Speaker 4: Kind of they like a boy band.

620
00:29:34,000 --> 00:29:37,680
Speaker 1: DC talked from like eighty seven to like ninety two.

621
00:29:38,520 --> 00:29:42,280
Speaker 1: You were Christian and rat was banned in your household, right,

622
00:29:42,640 --> 00:29:44,719
Speaker 1: you were allowed to listen to DC Talk. Yeah, they

623
00:29:44,720 --> 00:29:45,720
Speaker 1: were Christian rappers.

624
00:29:45,880 --> 00:29:48,440
Speaker 3: Christ yeah, which is like and then again which again

625
00:29:48,520 --> 00:29:52,160
Speaker 3: like Christian rappers is automatic. That's like saying fat free brownie,

626
00:29:52,160 --> 00:29:55,480
Speaker 3: Like you're taking our whole point of why I'm doing.

627
00:29:55,280 --> 00:29:58,200
Speaker 1: This, you know what I mean?

628
00:29:58,400 --> 00:30:02,600
Speaker 3: So so yeah, I want to say the one that

629
00:30:02,760 --> 00:30:05,680
Speaker 3: I did like your girl was there Amy Grant.

630
00:30:05,440 --> 00:30:09,080
Speaker 4: Hey, baby baby, I think this was by pre baby.

631
00:30:09,080 --> 00:30:10,160
Speaker 1: Baby. She didn't do that jam.

632
00:30:10,280 --> 00:30:13,000
Speaker 6: Damn seeing her holy her back.

633
00:30:13,160 --> 00:30:13,520
Speaker 1: She didn't.

634
00:30:13,680 --> 00:30:14,200
Speaker 4: Baby.

635
00:30:14,240 --> 00:30:21,240
Speaker 5: It was Jesus the time Prince Lord d C Talk

636
00:30:21,360 --> 00:30:22,479
Speaker 5: just released that album.

637
00:30:22,520 --> 00:30:25,400
Speaker 1: Of course they did last year. Hit it ten seconds.

638
00:30:25,400 --> 00:30:26,280
Speaker 1: You can play more than.

639
00:30:29,040 --> 00:30:31,000
Speaker 4: I guess that they didn't think twice.

640
00:30:33,320 --> 00:30:35,600
Speaker 3: It's not no, that's them, But I'm just like, no,

641
00:30:35,760 --> 00:30:37,400
Speaker 3: that ain't.

642
00:30:37,960 --> 00:30:39,760
Speaker 6: We had another dude with a Christian dude. He sounded

643
00:30:39,800 --> 00:30:42,280
Speaker 6: like Biggie, remember him. It was like an early man.

644
00:30:42,440 --> 00:30:47,360
Speaker 4: The penal cost the paper was not taking another ship up.

645
00:30:47,360 --> 00:30:50,000
Speaker 4: These are real people. But anyway, okay, we go to

646
00:30:50,080 --> 00:30:52,960
Speaker 4: this thing like it was like the creature.

647
00:30:52,600 --> 00:30:55,360
Speaker 3: And they preaching and they just it's like you were saying,

648
00:30:55,360 --> 00:30:57,520
Speaker 3: they just always talk about just fire and brimstone. You're

649
00:30:57,520 --> 00:30:58,960
Speaker 3: gonna go to hell and you're gonna do this and

650
00:30:59,720 --> 00:31:02,000
Speaker 3: oh years you just look at it's like, yeah, it's all.

651
00:31:01,880 --> 00:31:03,280
Speaker 4: Based in fear and control.

652
00:31:03,400 --> 00:31:06,680
Speaker 3: It's like trying to scare you into being who they

653
00:31:06,720 --> 00:31:10,880
Speaker 3: want you to be, in hope of this wonderful afterlife

654
00:31:11,480 --> 00:31:13,880
Speaker 3: the sky later, just pining the sky and it's like,

655
00:31:13,880 --> 00:31:16,480
Speaker 3: but I got to live here now. And so I

656
00:31:16,480 --> 00:31:20,000
Speaker 3: think I was maybe like thirteen fourteen, and yeah, I

657
00:31:20,000 --> 00:31:21,680
Speaker 3: was like, yo, fuck this, I ain't never going back.

658
00:31:21,720 --> 00:31:23,240
Speaker 3: And I just told I was like, yeah, I ain't

659
00:31:23,240 --> 00:31:25,800
Speaker 3: doing this. This is this is fucking corny and the

660
00:31:25,880 --> 00:31:28,200
Speaker 3: music is wag is nothing like white people here, Like

661
00:31:28,680 --> 00:31:29,840
Speaker 3: it's fucking trash.

662
00:31:30,040 --> 00:31:31,080
Speaker 4: And I just never went back.

663
00:31:31,480 --> 00:31:32,920
Speaker 1: Was there an m c JC.

664
00:31:33,680 --> 00:31:35,080
Speaker 4: There was not an m c j C.

665
00:31:35,400 --> 00:31:37,480
Speaker 3: There is I don't know there is an mc nine

666
00:31:37,520 --> 00:31:40,120
Speaker 3: hundred foot Jesus, I don't know what it is.

667
00:31:40,240 --> 00:31:40,880
Speaker 4: I don't know if he.

668
00:31:41,120 --> 00:31:44,320
Speaker 1: Wasn't that the truth is out of style. That sounds yeah,

669
00:31:44,360 --> 00:31:46,160
Speaker 1: the truth is out of style. Can we talk about

670
00:31:46,200 --> 00:31:50,200
Speaker 1: church games? I don't know about church games. Who were

671
00:31:50,200 --> 00:31:54,560
Speaker 1: just talking about Oh that's when that's when, that's when

672
00:31:54,760 --> 00:31:55,840
Speaker 1: like no one's looking.

673
00:31:56,600 --> 00:31:58,360
Speaker 6: Oh that's like hide and seek.

674
00:31:58,840 --> 00:32:00,280
Speaker 1: God, it advance no.

675
00:32:04,960 --> 00:32:05,880
Speaker 6: Section on porn.

676
00:32:07,120 --> 00:32:09,000
Speaker 1: There's a dry humping report.

677
00:32:09,680 --> 00:32:10,479
Speaker 4: So much about you?

678
00:32:10,560 --> 00:32:13,760
Speaker 1: Like that was next to.

679
00:32:15,280 --> 00:32:15,320
Speaker 7: That?

680
00:32:15,720 --> 00:32:16,080
Speaker 1: You want to?

681
00:32:18,440 --> 00:32:19,760
Speaker 4: I know, I didn't know about.

682
00:32:19,920 --> 00:32:21,880
Speaker 1: Please and the whole category.

683
00:32:21,920 --> 00:32:24,200
Speaker 6: It's an art. I mean where women post these. This

684
00:32:24,280 --> 00:32:26,120
Speaker 6: is one chick. This this my girl that I follow

685
00:32:26,160 --> 00:32:27,880
Speaker 6: and she got a roommate and they always put up

686
00:32:27,920 --> 00:32:30,520
Speaker 6: their videos and literally she'll be in like her panties

687
00:32:30,520 --> 00:32:32,360
Speaker 6: and her bra and he'll be in like his wet

688
00:32:32,400 --> 00:32:35,560
Speaker 6: pants and his shirt and she'll just be riding on him.

689
00:32:35,920 --> 00:32:40,480
Speaker 6: See I like saut I don't is there? Oh yeah,

690
00:32:40,560 --> 00:32:43,800
Speaker 6: he'll and different positions. They do it in the kitchen.

691
00:32:44,200 --> 00:32:46,040
Speaker 6: What did you say? What did you say?

692
00:32:48,480 --> 00:32:49,600
Speaker 1: Only he gets.

693
00:32:56,680 --> 00:32:57,560
Speaker 4: Take what the recordized?

694
00:32:59,400 --> 00:33:01,720
Speaker 6: That's it. I That's all. I was just gonna that's

695
00:33:01,840 --> 00:33:03,760
Speaker 6: I might have revealed too much, but yeah.

696
00:33:06,080 --> 00:33:08,320
Speaker 3: This is all of us and one of our people

697
00:33:08,680 --> 00:33:12,200
Speaker 3: on this cute. She's an intimacy coordinator. We're talking about dad.

698
00:33:12,240 --> 00:33:13,880
Speaker 6: Who's an intimate girls. Shut up?

699
00:33:15,200 --> 00:33:15,800
Speaker 4: Wao many?

700
00:33:16,760 --> 00:33:21,720
Speaker 1: What can we talk about? I can't renumber five's INTMC Yeah.

701
00:33:21,560 --> 00:33:23,680
Speaker 6: Oh my god, you've been in some crazy situation.

702
00:33:24,200 --> 00:33:25,360
Speaker 1: You want to you want to?

703
00:33:25,720 --> 00:33:29,120
Speaker 6: I where do you even start? What did you start?

704
00:33:29,200 --> 00:33:29,600
Speaker 9: As?

705
00:33:30,040 --> 00:33:30,240
Speaker 4: Wait?

706
00:33:30,240 --> 00:33:32,280
Speaker 1: Didn't we want to have six microphones? Yeah?

707
00:33:32,320 --> 00:33:34,640
Speaker 6: Come on, yeah, come on here with me, Come on

708
00:33:35,840 --> 00:33:37,760
Speaker 6: do allright?

709
00:33:37,840 --> 00:33:39,520
Speaker 1: For audience, please give us your name?

710
00:33:40,160 --> 00:33:41,320
Speaker 11: What's my name is? Durren?

711
00:33:41,640 --> 00:33:42,800
Speaker 1: Hello? Duran? How you doing?

712
00:33:42,880 --> 00:33:43,160
Speaker 12: Hello?

713
00:33:43,640 --> 00:33:44,040
Speaker 5: Worry?

714
00:33:44,240 --> 00:33:48,120
Speaker 1: I just say yesterday? Uh uh? We were if we

715
00:33:48,160 --> 00:33:51,040
Speaker 1: can recall the conversation, we're playing guess my age? Yes,

716
00:33:51,200 --> 00:33:53,920
Speaker 1: so I naturally I thought Durham was like just out

717
00:33:53,960 --> 00:33:55,640
Speaker 1: of high school, like maybe in their second year.

718
00:33:56,040 --> 00:33:57,160
Speaker 4: We all did well.

719
00:33:57,320 --> 00:34:00,440
Speaker 1: I was like, you like twenty two? Yeah?

720
00:34:00,520 --> 00:34:05,120
Speaker 11: She was like, no, should I say? I'm thirty four?

721
00:34:09,520 --> 00:34:11,839
Speaker 6: The water didn't do it all right?

722
00:34:11,920 --> 00:34:13,960
Speaker 4: So he got by Jesus will.

723
00:34:14,120 --> 00:34:18,480
Speaker 1: I really was okay, Wait, there's a long as sorry Friday,

724
00:34:20,320 --> 00:34:22,520
Speaker 1: who makes it? Who makes an applause for like twelve minutes?

725
00:34:23,840 --> 00:34:28,880
Speaker 6: That's so intimacy coach? How does one become an intimacy coach?

726
00:34:29,160 --> 00:34:30,360
Speaker 11: Intimacy coordinator?

727
00:34:30,440 --> 00:34:32,560
Speaker 6: Sorry? Yeah? Are there?

728
00:34:32,600 --> 00:34:32,719
Speaker 9: Is it?

729
00:34:32,800 --> 00:34:34,080
Speaker 6: A coach and a coordinator.

730
00:34:34,120 --> 00:34:35,320
Speaker 11: There are two different things.

731
00:34:35,680 --> 00:34:36,719
Speaker 1: I know a thing.

732
00:34:36,880 --> 00:34:40,919
Speaker 12: Okay, Okay, So I'm an intimacy coordinator TV and film.

733
00:34:41,120 --> 00:34:41,839
Speaker 6: What does that mean?

734
00:34:42,000 --> 00:34:45,680
Speaker 11: It means that I chordograph. Yeah, yeah, I.

735
00:34:46,640 --> 00:34:48,680
Speaker 1: Know someone that wants to job. I got to talk

736
00:34:48,719 --> 00:34:52,440
Speaker 1: to you because when they were presenting this to me,

737
00:34:52,560 --> 00:34:54,400
Speaker 1: like I'm want to be intimacy coordinator, I was like,

738
00:34:54,680 --> 00:34:56,799
Speaker 1: huh yeah, And I was like, is that the thing?

739
00:34:56,840 --> 00:34:58,399
Speaker 1: I'm a new director, so I don't know these things.

740
00:34:58,680 --> 00:34:59,279
Speaker 1: This is a thing.

741
00:34:59,480 --> 00:35:00,719
Speaker 11: It's a bit very big thing.

742
00:35:02,120 --> 00:35:05,080
Speaker 4: It's recent, you know what I mean, in the last decade.

743
00:35:05,320 --> 00:35:07,880
Speaker 12: Yeah, it's a it's a new field kind of the

744
00:35:08,000 --> 00:35:10,640
Speaker 12: me too moment is what brought it to America.

745
00:35:10,680 --> 00:35:12,200
Speaker 11: But it was in the UK before that.

746
00:35:12,520 --> 00:35:14,560
Speaker 1: So if you were on the set of Eyes White Shut,

747
00:35:15,440 --> 00:35:18,440
Speaker 1: how would you operate a lot? Was that eventced?

748
00:35:19,000 --> 00:35:25,200
Speaker 11: It's a little bit you know not, I mean like

749
00:35:25,440 --> 00:35:33,080
Speaker 11: barely reference.

750
00:35:34,560 --> 00:35:39,320
Speaker 12: Okay, but she knows it, my love prince, so like

751
00:35:39,400 --> 00:35:40,719
Speaker 12: I dot bit.

752
00:35:40,680 --> 00:35:42,640
Speaker 6: More mild shut.

753
00:35:42,840 --> 00:35:45,920
Speaker 11: So can we like modern it up?

754
00:35:46,160 --> 00:35:46,359
Speaker 9: Sorry?

755
00:35:46,400 --> 00:35:50,480
Speaker 1: Okay, I don't think they make slow jams anymore.

756
00:35:51,080 --> 00:35:53,399
Speaker 6: Fifty gray, thanks Bill.

757
00:35:53,960 --> 00:35:56,279
Speaker 12: I mean that would be a lot of choreography, right,

758
00:35:56,320 --> 00:35:58,960
Speaker 12: A lot of conversations. Honestly, I talk a lot about

759
00:35:59,080 --> 00:36:02,560
Speaker 12: sex and relationship, and I talk a lot about character

760
00:36:02,600 --> 00:36:06,000
Speaker 12: development and character motivation. So it's like, why are we

761
00:36:06,080 --> 00:36:08,800
Speaker 12: touching this person for what reason? Who's giving, who's taking?

762
00:36:09,080 --> 00:36:11,960
Speaker 12: Like you know, who's receiving? Are you touching them the

763
00:36:12,000 --> 00:36:14,040
Speaker 12: way that you want to touch them or the way

764
00:36:14,080 --> 00:36:15,080
Speaker 12: that they want to be touched?

765
00:36:15,719 --> 00:36:18,719
Speaker 1: So do you talk to the screen riner question all

766
00:36:18,760 --> 00:36:19,200
Speaker 1: the time?

767
00:36:19,440 --> 00:36:22,600
Speaker 12: Those should be questioned. Now that's an intimacy coach. That's

768
00:36:22,600 --> 00:36:24,360
Speaker 12: what an intimacy coach would do for you, because they

769
00:36:24,360 --> 00:36:26,040
Speaker 12: would do it on a one on one basis or

770
00:36:26,160 --> 00:36:28,879
Speaker 12: like in a couple basis. But as a coordinator, I'm

771
00:36:28,920 --> 00:36:31,160
Speaker 12: doing that like for a scene with actors.

772
00:36:31,280 --> 00:36:34,840
Speaker 1: Yeah, I've had actor friends and people in the movie

773
00:36:34,840 --> 00:36:39,360
Speaker 1: community actually complain about I have a friend who had

774
00:36:40,280 --> 00:36:43,880
Speaker 1: Often you run into a situation where if one actor

775
00:36:44,000 --> 00:36:47,680
Speaker 1: has a spouse that's really really feeling some sort of

776
00:36:47,719 --> 00:36:50,839
Speaker 1: way about that thing, and then that holds them back

777
00:36:50,840 --> 00:36:54,040
Speaker 1: from the scene. But the director wants the right and

778
00:36:55,160 --> 00:36:58,400
Speaker 1: there was never a person right. There was never a person.

779
00:36:59,600 --> 00:37:02,319
Speaker 12: There like mitigate like it's honestly, it's a lot of

780
00:37:02,320 --> 00:37:06,120
Speaker 12: like mitigating power dynamics because as a as a person

781
00:37:06,120 --> 00:37:08,600
Speaker 12: who's an actor, you just want to do what the

782
00:37:08,640 --> 00:37:10,560
Speaker 12: director tells you to do. You just want to make

783
00:37:10,600 --> 00:37:13,359
Speaker 12: it good for them, like seriously, so you'll you'll say

784
00:37:13,360 --> 00:37:15,960
Speaker 12: you'll do anything. So I talk to them before I

785
00:37:16,000 --> 00:37:19,600
Speaker 12: talk to the director. I break down the script. I

786
00:37:19,600 --> 00:37:21,960
Speaker 12: talk to the director, what's your vision? I talk to

787
00:37:22,120 --> 00:37:24,680
Speaker 12: the actors. What do you want to show? What do

788
00:37:24,719 --> 00:37:25,359
Speaker 12: you not want to show?

789
00:37:25,760 --> 00:37:28,200
Speaker 6: Some of them have contractual things that they like, literally

790
00:37:28,280 --> 00:37:31,240
Speaker 6: in their contract they have body parts, they will writer agreements.

791
00:37:31,320 --> 00:37:34,319
Speaker 11: I only want my nipples shown for three seconds ten.

792
00:37:34,840 --> 00:37:37,680
Speaker 13: You know, I'll.

793
00:37:36,680 --> 00:37:38,799
Speaker 12: Do half a butt, not a full butt, you know,

794
00:37:39,120 --> 00:37:42,040
Speaker 12: like those are those are very real things I'll do,

795
00:37:42,080 --> 00:37:44,080
Speaker 12: butck cleeve, but I don't want to do full rear.

796
00:37:44,360 --> 00:37:44,560
Speaker 9: You know.

797
00:37:51,040 --> 00:37:54,480
Speaker 1: I believe someone was interviewed about the What's what's the

798
00:37:54,520 --> 00:38:03,000
Speaker 1: name of the Weekend? So have you watched that series?

799
00:38:03,120 --> 00:38:07,799
Speaker 12: I refused, Yeah, yeah, I refuse that.

800
00:38:09,800 --> 00:38:10,359
Speaker 11: I've heard things.

801
00:38:10,400 --> 00:38:13,560
Speaker 12: I mean, it's in the icy circles, the intimacy coordinator circles, you.

802
00:38:13,480 --> 00:38:15,520
Speaker 11: Know, like we've talked about it. Okay, that's in the

803
00:38:15,520 --> 00:38:15,960
Speaker 11: group chat.

804
00:38:16,080 --> 00:38:19,719
Speaker 1: Explain this. So the thing was, I guess the first

805
00:38:19,760 --> 00:38:23,200
Speaker 1: shot was fired by the Rolling Stone article that sort

806
00:38:23,239 --> 00:38:26,239
Speaker 1: of spread like talked about trouble on the set, and

807
00:38:26,280 --> 00:38:28,880
Speaker 1: then it just snowballed on. So I kind of missed

808
00:38:28,920 --> 00:38:32,080
Speaker 1: all that part. So what I wound up with was

809
00:38:32,160 --> 00:38:34,680
Speaker 1: everyone was talking about it, and each week it would

810
00:38:34,760 --> 00:38:38,839
Speaker 1: trend and people be making fun of it. Yeah, so

811
00:38:39,440 --> 00:38:41,920
Speaker 1: it's it almost has a show Girl's effect on me

812
00:38:41,960 --> 00:38:45,719
Speaker 1: because it was so I watched it and then I

813
00:38:45,760 --> 00:38:46,120
Speaker 1: was like.

814
00:38:46,880 --> 00:38:50,520
Speaker 12: Oh, yes, shows, I mean they did a lot of

815
00:38:50,520 --> 00:38:54,560
Speaker 12: like what making fun of intimacy coordinator roles in that particular. Yeah,

816
00:38:54,800 --> 00:38:57,520
Speaker 12: they like I don't know, sometimes people want to make

817
00:38:57,560 --> 00:39:01,839
Speaker 12: you be the like the consent, you know, like I'm

818
00:39:01,880 --> 00:39:04,320
Speaker 12: here to make sure you don't say the wrong things

819
00:39:04,400 --> 00:39:07,560
Speaker 12: like the PC police. I'm the most inappropriate on set.

820
00:39:07,719 --> 00:39:11,120
Speaker 12: I just enjoy rules like so I'm just gonna make

821
00:39:11,160 --> 00:39:16,399
Speaker 12: sure say yeah, bound, I'm like, you know, I'm not

822
00:39:16,440 --> 00:39:18,400
Speaker 12: trying to be a hall monitor. I'm an artist.

823
00:39:20,239 --> 00:39:23,440
Speaker 6: Yeah, when they're actually in the bed, do you actually

824
00:39:23,440 --> 00:39:24,719
Speaker 6: have to also be there to go?

825
00:39:24,960 --> 00:39:25,279
Speaker 1: All right?

826
00:39:25,400 --> 00:39:26,919
Speaker 6: So I need you to move a little.

827
00:39:26,960 --> 00:39:29,440
Speaker 12: I love that you were talking about humping, because that's yeah,

828
00:39:29,520 --> 00:39:30,520
Speaker 12: I mean like for sets.

829
00:39:30,600 --> 00:39:31,920
Speaker 11: Yeah, it's like a real thing.

830
00:39:32,000 --> 00:39:34,919
Speaker 12: We put barriers between them or like silicone barriers about

831
00:39:34,920 --> 00:39:35,680
Speaker 12: to say, how do you stop.

832
00:39:37,040 --> 00:39:39,600
Speaker 11: Dulling sensation? You know I heard, I'm sorry.

833
00:39:41,080 --> 00:39:43,839
Speaker 1: Sensation keep him getting erected.

834
00:39:43,680 --> 00:39:48,440
Speaker 12: To keep both of them from feeling their genitalia, like

835
00:39:48,560 --> 00:39:50,839
Speaker 12: literally like making it more adult, like this is like

836
00:39:51,000 --> 00:39:51,719
Speaker 12: not dult.

837
00:39:51,800 --> 00:39:53,160
Speaker 6: Were putting like a real cup.

838
00:39:53,840 --> 00:39:57,520
Speaker 12: Yeah, almost like an athletic cup, but it's much softer,

839
00:39:58,360 --> 00:40:01,400
Speaker 12: made of like medical grade silicone on every color.

840
00:40:01,600 --> 00:40:05,000
Speaker 6: Come on, I got but it holds you down though, Steve,

841
00:40:05,480 --> 00:40:06,719
Speaker 6: it'll it'll, it'll hold you on.

842
00:40:06,760 --> 00:40:08,120
Speaker 1: Pa.

843
00:40:08,600 --> 00:40:10,560
Speaker 6: I'm so glad. They always wondered what do you do

844
00:40:10,600 --> 00:40:12,799
Speaker 6: when he gets aroused? Okay, because I mean you.

845
00:40:12,760 --> 00:40:16,760
Speaker 12: Wouldn't feel it, you know, if I've taped it down proper.

846
00:40:17,840 --> 00:40:23,120
Speaker 1: Yeah, now can I ask? Because of the brown Bunny situation,

847
00:40:23,640 --> 00:40:38,239
Speaker 1: are you familiar with this Welsh done? You are who

848
00:40:39,280 --> 00:40:43,200
Speaker 1: decided to go full throttle with it and perform on.

849
00:40:44,760 --> 00:40:50,080
Speaker 11: That's visit and that's illegal.

850
00:40:51,560 --> 00:40:52,240
Speaker 6: Means it's illegal.

851
00:40:53,000 --> 00:40:56,319
Speaker 12: You're not supposed to give your your co partner head

852
00:40:56,360 --> 00:40:57,840
Speaker 12: on set, like did this happened?

853
00:40:57,880 --> 00:40:59,680
Speaker 11: Like in like you're not.

854
00:41:01,719 --> 00:41:04,320
Speaker 6: Like union rules you're talking about because they didn't.

855
00:41:04,840 --> 00:41:06,680
Speaker 1: I don't know if they showed it or not, but

856
00:41:06,960 --> 00:41:07,919
Speaker 1: she just did it for real.

857
00:41:09,120 --> 00:41:11,400
Speaker 12: It could I mean like illegal as in it. It

858
00:41:11,480 --> 00:41:14,920
Speaker 12: really could be a harassment suit and not just between

859
00:41:14,960 --> 00:41:18,440
Speaker 12: you and the person you did it with, but like everybody.

860
00:41:17,800 --> 00:41:22,200
Speaker 13: Else the house is around.

861
00:41:23,560 --> 00:41:24,480
Speaker 6: That's an interesting thing.

862
00:41:25,880 --> 00:41:28,080
Speaker 1: This is a very controversial a very different times. She

863
00:41:28,200 --> 00:41:32,400
Speaker 1: kind of got like I'm not saying she got blackballed,

864
00:41:32,800 --> 00:41:36,879
Speaker 1: but you know, they kind of scarlet lettered her.

865
00:41:37,200 --> 00:41:41,719
Speaker 9: He didn't well, I mean but he's not acting anyway.

866
00:41:41,880 --> 00:41:45,520
Speaker 6: I mean he's he directed and he acted in that movie, right, and.

867
00:41:45,440 --> 00:41:49,120
Speaker 11: She gave him head like in the That's a lot.

868
00:41:49,239 --> 00:41:50,960
Speaker 12: I wonder if she felt like she had to, like

869
00:41:51,000 --> 00:41:54,319
Speaker 12: if someone like me was there, like because sometimes it's

870
00:41:54,360 --> 00:41:57,719
Speaker 12: like I can get ahead literally on Google.

871
00:41:57,480 --> 00:42:00,640
Speaker 1: Says why was the Brown Bunny so controversial? Sex? The

872
00:42:00,640 --> 00:42:02,440
Speaker 1: film's infamous sex scene, which.

873
00:42:04,080 --> 00:42:09,440
Speaker 13: Performs nice sex bred unsimulated oral sex upon Gallo, received

874
00:42:09,440 --> 00:42:14,960
Speaker 13: an overwhelmingly negative stimulated unsimulated not unstimulated.

875
00:42:14,520 --> 00:42:15,600
Speaker 4: Simulated me.

876
00:42:15,719 --> 00:42:19,600
Speaker 13: Yeah, it's supposed to be simulated sex not I received

877
00:42:19,600 --> 00:42:23,520
Speaker 13: an overwhelmingly negative critical response at its con premiere, and

878
00:42:23,560 --> 00:42:26,879
Speaker 13: it became a media scandal, with many critics speculating whether

879
00:42:26,960 --> 00:42:29,520
Speaker 13: or not she had been pressured into performing a sex

880
00:42:29,600 --> 00:42:30,320
Speaker 13: act with Galla.

881
00:42:30,480 --> 00:42:33,040
Speaker 6: That was yeah, that was the the last thing he directed,

882
00:42:33,200 --> 00:42:33,959
Speaker 6: was right.

883
00:42:33,880 --> 00:42:35,240
Speaker 1: Well, where's her?

884
00:42:35,440 --> 00:42:37,439
Speaker 6: Quick question? So that means like, have you ever seen

885
00:42:37,440 --> 00:42:38,240
Speaker 6: the movie Kids?

886
00:42:38,520 --> 00:42:38,719
Speaker 1: Yes?

887
00:42:39,120 --> 00:42:43,680
Speaker 6: I know you all, but have you seen the movie Kids?

888
00:42:44,080 --> 00:42:46,840
Speaker 6: The first Rosario Dawson. Okay, So I'm just wondering if

889
00:42:46,880 --> 00:42:48,719
Speaker 6: a movie like that could be made in twenty twenty.

890
00:42:49,000 --> 00:42:51,080
Speaker 3: Think so, I don't think a lot of stuff like

891
00:42:51,320 --> 00:42:54,360
Speaker 3: Harmony Korn, Larry Clark, like, I don't think these.

892
00:42:54,200 --> 00:42:56,880
Speaker 6: Are children teenagers happening like that, Karen.

893
00:42:58,280 --> 00:43:01,399
Speaker 12: What's the snippets?

894
00:43:02,280 --> 00:43:03,240
Speaker 6: Choe was in Kids?

895
00:43:03,560 --> 00:43:03,680
Speaker 4: Was?

896
00:43:04,040 --> 00:43:06,000
Speaker 1: Yeah? She wasn't Kids? Yeah, Chloe was in Kids.

897
00:43:06,200 --> 00:43:09,439
Speaker 11: There are a lot of rules around children. Now now

898
00:43:09,840 --> 00:43:10,480
Speaker 11: it's like.

899
00:43:10,440 --> 00:43:17,560
Speaker 6: This, Oh, one more question. Do men do this job?

900
00:43:17,960 --> 00:43:19,359
Speaker 11: Yes? My mentor is a man?

901
00:43:19,640 --> 00:43:20,360
Speaker 6: Straight ones?

902
00:43:20,760 --> 00:43:23,560
Speaker 11: Yes, well I mean straighters, spunk trum.

903
00:43:23,680 --> 00:43:30,320
Speaker 12: Okay, We're a little more fluid these days. Like my mentor,

904
00:43:31,120 --> 00:43:34,560
Speaker 12: Yehuda Dunes is an amazing intimacy coordinator.

905
00:43:34,600 --> 00:43:38,600
Speaker 3: Shout out, how do these these skill sets or do

906
00:43:38,719 --> 00:43:41,120
Speaker 3: these new skill sets and conversations that you have to have,

907
00:43:41,320 --> 00:43:44,560
Speaker 3: how do they show up in your personal life?

908
00:43:44,680 --> 00:43:47,120
Speaker 4: In terms of enforcing boundaries or how do they inform

909
00:43:47,160 --> 00:43:47,719
Speaker 4: you in that way?

910
00:43:47,800 --> 00:43:48,800
Speaker 11: I'm having less sex.

911
00:43:49,440 --> 00:43:52,319
Speaker 12: Really, yeah, I am having less set more people want

912
00:43:52,360 --> 00:43:53,960
Speaker 12: to fuck me, but I'm having less sex.

913
00:43:54,320 --> 00:43:55,520
Speaker 6: Feels clinical or something.

914
00:43:56,280 --> 00:43:56,360
Speaker 7: No.

915
00:43:56,760 --> 00:43:59,840
Speaker 12: I think like the intrigue is there, like everyone is

916
00:43:59,880 --> 00:44:03,640
Speaker 12: in intrigued. It sounds really sexy, but I don't know.

917
00:44:03,680 --> 00:44:07,040
Speaker 12: My communication game is really high. If you is not there,

918
00:44:07,760 --> 00:44:11,200
Speaker 12: I don't I'm not into it. I think, yeah, I

919
00:44:11,239 --> 00:44:14,040
Speaker 12: have a much higher standard of like how we start

920
00:44:14,080 --> 00:44:16,399
Speaker 12: and finish this, and I can be a lot more

921
00:44:16,400 --> 00:44:21,320
Speaker 12: impartial than other people can. And not everybody wants impartial.

922
00:44:21,800 --> 00:44:23,040
Speaker 1: Well, you got to put it out there that you

923
00:44:23,120 --> 00:44:24,480
Speaker 1: find people on your wavelength.

924
00:44:24,719 --> 00:44:26,560
Speaker 6: I don't even know what that means with sex. I'm

925
00:44:26,560 --> 00:44:27,520
Speaker 6: impartial with sex.

926
00:44:28,000 --> 00:44:31,640
Speaker 11: Well, it's like you know, situationships and things. Got you,

927
00:44:31,680 --> 00:44:33,319
Speaker 11: I can come and go got you.

928
00:44:34,000 --> 00:44:35,040
Speaker 1: I can take it or leave it.

929
00:44:35,160 --> 00:44:38,279
Speaker 9: I can take it or you're saying that the other side,

930
00:44:43,600 --> 00:44:51,600
Speaker 9: I hope, can you.

931
00:44:52,320 --> 00:44:56,480
Speaker 1: I have two friends that are really interested in this.

932
00:44:57,239 --> 00:44:59,959
Speaker 1: I'm really in my head. I was slightly dismissive because

933
00:45:00,000 --> 00:45:01,719
Speaker 1: I was like, wait a minute, I'm just doing documentaries.

934
00:45:01,760 --> 00:45:05,359
Speaker 1: I'm not doing real movies yet, and but they were like,

935
00:45:05,600 --> 00:45:08,400
Speaker 1: I want to be the intimacy coordinator. And I was

936
00:45:08,480 --> 00:45:11,480
Speaker 1: just like, what's that? And in my head I kind

937
00:45:11,480 --> 00:45:14,880
Speaker 1: of dismissed it. But this is really ship and people

938
00:45:16,360 --> 00:45:17,880
Speaker 1: actively looking for.

939
00:45:18,040 --> 00:45:23,080
Speaker 12: Yes, yeah, he can be legitimately certified. You can take coursework.

940
00:45:23,320 --> 00:45:27,600
Speaker 1: One of them is taking getting there their sex certificate

941
00:45:28,239 --> 00:45:28,960
Speaker 1: thing of Ajiger.

942
00:45:34,000 --> 00:45:34,759
Speaker 11: That's what I had.

943
00:45:35,600 --> 00:45:36,280
Speaker 1: These things existed.

944
00:45:36,320 --> 00:45:39,000
Speaker 6: You're looking for voices graduate.

945
00:45:40,440 --> 00:45:42,480
Speaker 1: We just got off strike yesterday.

946
00:45:42,080 --> 00:45:43,720
Speaker 6: So I'm just one in my bid and the people

947
00:45:43,800 --> 00:45:45,560
Speaker 6: is telling you they want to job movies and stuff.

948
00:45:45,560 --> 00:45:47,480
Speaker 6: I'm trying that I do voice work job.

949
00:45:48,160 --> 00:45:49,600
Speaker 4: Your voice work is amazing.

950
00:45:50,320 --> 00:45:55,040
Speaker 1: Recently I hired a lot. I've heard that voice, that

951
00:45:55,160 --> 00:45:58,760
Speaker 1: Book of Knowledge, old Book of Track, give good voice.

952
00:46:02,200 --> 00:46:07,880
Speaker 1: Oh wait, i't realize what I said voice, But I

953
00:46:07,920 --> 00:46:08,640
Speaker 1: want to get myself.

954
00:46:11,680 --> 00:46:14,680
Speaker 4: I'm not like your voice of work is really really.

955
00:46:14,960 --> 00:46:16,400
Speaker 6: Working on it every day. Thank you brother. It's a

956
00:46:16,400 --> 00:46:18,080
Speaker 6: big compliment coming from it's worked out.

957
00:46:18,600 --> 00:46:18,920
Speaker 4: You're not.

958
00:46:19,120 --> 00:46:20,000
Speaker 1: You're not working on it.

959
00:46:20,520 --> 00:46:23,080
Speaker 6: I am okay, and I will be featured in the

960
00:46:23,120 --> 00:46:24,400
Speaker 6: new Aristocrats move.

961
00:46:25,080 --> 00:46:28,759
Speaker 1: I'll put you in the Aristocrats.

962
00:46:29,440 --> 00:46:31,960
Speaker 6: Shut up. You're trying to blame me.

963
00:46:32,840 --> 00:46:35,120
Speaker 4: Is that have you well? Is that live action or

964
00:46:35,160 --> 00:46:35,920
Speaker 4: is it animated?

965
00:46:36,560 --> 00:46:39,399
Speaker 1: First thing, I gotta tell people, it's not cats. It's not,

966
00:46:39,520 --> 00:46:44,000
Speaker 1: it's not it's not going to be cats. Right. However,

967
00:46:44,640 --> 00:46:48,320
Speaker 1: right now I'm trying to figure out the degree for

968
00:46:48,640 --> 00:46:52,040
Speaker 1: how real the cats are. So here's the deal. I

969
00:46:52,080 --> 00:46:58,080
Speaker 1: don't have emotional connection to well, I don't have an

970
00:46:58,280 --> 00:47:03,760
Speaker 1: emotional connection to the original Lion King. So thus people

971
00:47:03,840 --> 00:47:07,279
Speaker 1: sort of had guns and knives out for all these

972
00:47:07,320 --> 00:47:12,600
Speaker 1: new animatronic right, because they're mostly attached to what they

973
00:47:12,600 --> 00:47:16,480
Speaker 1: grew up with. And so you know, when I saw

974
00:47:16,520 --> 00:47:20,040
Speaker 1: the Lion King, I was like, oh, okay, no no problem,

975
00:47:20,120 --> 00:47:24,200
Speaker 1: and this is the right right. The only human being

976
00:47:24,640 --> 00:47:28,120
Speaker 1: whose first experience with the Lion King was Beyonce Joins.

977
00:47:29,280 --> 00:47:32,319
Speaker 1: And when everyone started like I was like huh, I

978
00:47:32,320 --> 00:47:33,960
Speaker 1: was like, all right, let me watch this Jowin And

979
00:47:34,000 --> 00:47:36,160
Speaker 1: I watched it and I was like, oh, okay, I

980
00:47:36,200 --> 00:47:39,120
Speaker 1: get it. It would be like me seeing a new

981
00:47:39,160 --> 00:47:42,200
Speaker 1: soul train being like, yo, this is nothing like what

982
00:47:42,280 --> 00:47:42,759
Speaker 1: I grew up with.

983
00:47:42,800 --> 00:47:45,640
Speaker 4: You can't compete with people's nostalgia, like it doesn't.

984
00:47:45,560 --> 00:47:50,120
Speaker 1: Right, especially just now. It's not like you know, Aristicats

985
00:47:50,200 --> 00:47:55,480
Speaker 1: was the last movie of the Disney cannon of that

986
00:47:55,560 --> 00:47:58,560
Speaker 1: of that era, you know, from from thirties till like

987
00:47:58,760 --> 00:48:02,040
Speaker 1: Risticats came on like nineteen sixty nine, seventy, and after

988
00:48:02,080 --> 00:48:03,799
Speaker 1: that then they just went through this like her being

989
00:48:04,000 --> 00:48:06,960
Speaker 1: like the live Joins and then back in the nineties

990
00:48:07,000 --> 00:48:09,000
Speaker 1: they brought uh, you know Ladimer made and.

991
00:48:08,960 --> 00:48:10,440
Speaker 4: They was probably Laddin and all that.

992
00:48:12,960 --> 00:48:20,280
Speaker 1: So I'm trying to figure out the level of reality

993
00:48:20,440 --> 00:48:23,360
Speaker 1: to fantasy. And the thing is with technology now, like

994
00:48:23,440 --> 00:48:25,719
Speaker 1: in seconds, in five minutes, they could be like do

995
00:48:25,719 --> 00:48:27,000
Speaker 1: you want them to look like this? I'm like, ah,

996
00:48:27,000 --> 00:48:28,840
Speaker 1: it's too real. Do you want to look like this?

997
00:48:29,040 --> 00:48:30,960
Speaker 1: It's too cartoonists? Do you want to look like so?

998
00:48:32,200 --> 00:48:35,000
Speaker 6: And at the teenage meeting Turtles that that shit totally changed,

999
00:48:35,000 --> 00:48:37,759
Speaker 6: like the animation and that was kind of like, how.

1000
00:48:37,680 --> 00:48:38,680
Speaker 1: Do you say they were cy?

1001
00:48:39,000 --> 00:48:40,760
Speaker 12: You know, it just looked a little crazy. It sells

1002
00:48:40,800 --> 00:48:42,719
Speaker 12: me out, yeah, carry out just a little bit.

1003
00:48:43,560 --> 00:48:46,680
Speaker 1: Yeah. So now what I have to figure out is

1004
00:48:47,239 --> 00:48:49,920
Speaker 1: am I going for? And you can weigh in on this.

1005
00:48:50,640 --> 00:48:55,120
Speaker 1: Do you go for the new audience or do you

1006
00:48:55,160 --> 00:48:58,160
Speaker 1: go with the Disney cult? Because I now find out

1007
00:48:58,200 --> 00:49:02,520
Speaker 1: that Disney people are mostly kids that refuse to grow up.

1008
00:49:03,400 --> 00:49:05,040
Speaker 1: So I got a bunch of thirty and forty and

1009
00:49:05,040 --> 00:49:06,960
Speaker 1: fifty year old people your age that like want to

1010
00:49:06,960 --> 00:49:10,120
Speaker 1: put the kids onto it, but they're what, well, I mean,

1011
00:49:10,160 --> 00:49:12,040
Speaker 1: you know, I'm talking. I think your job is to

1012
00:49:12,040 --> 00:49:13,759
Speaker 1: figure out how to make both of those things work.

1013
00:49:13,800 --> 00:49:16,960
Speaker 5: That's the job. The job is is not to appeal

1014
00:49:17,040 --> 00:49:19,719
Speaker 5: to either ors to both. That's always been the job.

1015
00:49:19,800 --> 00:49:22,040
Speaker 5: That's always should be your job. You can't like, just

1016
00:49:22,120 --> 00:49:25,240
Speaker 5: let me ask you because there's ten of us in here. Okay,

1017
00:49:25,280 --> 00:49:27,040
Speaker 5: well you looked at me, so I just started.

1018
00:49:26,760 --> 00:49:28,520
Speaker 1: Going, Well, because you work on a kids show, I do,

1019
00:49:28,600 --> 00:49:31,520
Speaker 1: and we try to peel everybody. Okay, so what was

1020
00:49:31,560 --> 00:49:34,120
Speaker 1: everyone's relationship to the original Lion King?

1021
00:49:35,600 --> 00:49:36,160
Speaker 4: You want to go for?

1022
00:49:36,840 --> 00:49:39,200
Speaker 5: Okay, we're talking about we're talking for those that love

1023
00:49:39,280 --> 00:49:40,279
Speaker 5: the original Lion King.

1024
00:49:40,440 --> 00:49:45,080
Speaker 3: Raise your hand, yeah I did, yeah, yeah, yeah yeah?

1025
00:49:45,239 --> 00:49:47,279
Speaker 11: Did you not love the original Lion King?

1026
00:49:48,040 --> 00:49:51,759
Speaker 1: See, the thing was, I was twenty one when the

1027
00:49:51,800 --> 00:49:53,880
Speaker 1: Lion King came out, so it wasn't like, yo, I

1028
00:49:53,920 --> 00:49:54,840
Speaker 1: gotta see this shit.

1029
00:49:56,400 --> 00:49:56,560
Speaker 6: Like.

1030
00:49:57,640 --> 00:49:59,560
Speaker 1: But the thing is, then I moved to Europe. Everything

1031
00:49:59,600 --> 00:50:03,279
Speaker 1: you see then everything I feel like any adult that

1032
00:50:03,360 --> 00:50:05,960
Speaker 1: saw the Lion King at least had to have a

1033
00:50:06,040 --> 00:50:08,120
Speaker 1: child in the house that like always watched it on,

1034
00:50:09,080 --> 00:50:12,000
Speaker 1: you know, like those videotapes and DVDs were like babysitters

1035
00:50:12,080 --> 00:50:16,279
Speaker 1: or whatever. Nah facts, but unlike Pixar, which I'll be like, yeah,

1036
00:50:16,280 --> 00:50:18,280
Speaker 1: I want to watch Toy Story, like I was bored

1037
00:50:18,280 --> 00:50:22,000
Speaker 1: for that. But like I missed Aladdin, I missed Lion King,

1038
00:50:22,040 --> 00:50:23,719
Speaker 1: and I missed Beauty and the Beast.

1039
00:50:23,600 --> 00:50:29,239
Speaker 5: Like Milan, that's my hot, like the Aladdin, like I

1040
00:50:29,280 --> 00:50:33,560
Speaker 5: watched you were like eleven twelve in what year ninety

1041
00:50:33,600 --> 00:50:35,319
Speaker 5: two ninety one? That was exactly right.

1042
00:50:35,480 --> 00:50:37,959
Speaker 1: I was twenty one, so it wasn't like I would

1043
00:50:37,960 --> 00:50:39,080
Speaker 1: have rather go on to see.

1044
00:50:39,040 --> 00:50:43,400
Speaker 3: Boys in the howety four right, ninety four I was fifteen.

1045
00:50:43,440 --> 00:50:44,959
Speaker 3: I remember seeing that. I feel like I can't remember

1046
00:50:44,960 --> 00:50:47,239
Speaker 3: if I took like my brothers to see it or like, yeah,

1047
00:50:47,239 --> 00:50:50,160
Speaker 3: there's someone young that I wasn't like, hey, ma, I

1048
00:50:50,239 --> 00:50:51,720
Speaker 3: needed to crank that Lion King.

1049
00:50:52,640 --> 00:50:54,960
Speaker 6: Which is because you when you look at the cast, right,

1050
00:50:55,000 --> 00:50:56,680
Speaker 6: it kind of is you're right because it's like, look,

1051
00:50:56,680 --> 00:51:00,640
Speaker 6: it's Jeremy Irons, James Earl Jones, you know, like Mad Sinclair.

1052
00:51:01,200 --> 00:51:06,960
Speaker 4: Yeah you know what I mean, He's like yeah, awareness

1053
00:51:07,040 --> 00:51:07,239
Speaker 4: of it.

1054
00:51:07,320 --> 00:51:10,160
Speaker 1: I knew, like, oh, they're letting Elton John do the

1055
00:51:10,400 --> 00:51:13,839
Speaker 1: scores of this thing. He's napped on that too, right,

1056
00:51:14,000 --> 00:51:17,040
Speaker 1: So I knew that, But I really it wasn't until

1057
00:51:17,120 --> 00:51:19,719
Speaker 1: people started making you know, what's over Lion King? Who

1058
00:51:19,800 --> 00:51:20,000
Speaker 1: is that?

1059
00:51:20,040 --> 00:51:23,319
Speaker 4: Who's that hard? Elton John on Lion King? Or Phil

1060
00:51:23,400 --> 00:51:24,480
Speaker 4: Collins on Tarzan?

1061
00:51:24,880 --> 00:51:25,399
Speaker 1: Or like Alan?

1062
00:51:26,600 --> 00:51:29,920
Speaker 3: I mean, I mean I'm always.

1063
00:51:29,600 --> 00:51:32,440
Speaker 12: With feel and I love Lion King more than Tarzan

1064
00:51:32,520 --> 00:51:33,280
Speaker 12: and Phil Collins?

1065
00:51:33,440 --> 00:51:34,120
Speaker 6: Phil Collins?

1066
00:51:34,200 --> 00:51:37,400
Speaker 1: What was the joint on Tarzan? The one was it that?

1067
00:51:37,480 --> 00:51:38,759
Speaker 1: I wasn't kN you feel the love night? That was

1068
00:51:38,760 --> 00:51:41,440
Speaker 1: Elton John? What was Phil's joint on the Tarzan?

1069
00:51:41,520 --> 00:51:41,719
Speaker 4: Sound?

1070
00:51:41,719 --> 00:51:42,680
Speaker 1: It was a good song, it was.

1071
00:51:43,400 --> 00:51:45,799
Speaker 3: She was a jam I did like the Lion King.

1072
00:51:45,880 --> 00:51:48,600
Speaker 3: I didn't see the new one. I haven't seen the

1073
00:51:48,640 --> 00:51:50,840
Speaker 3: new I saw the Little Mermaid. I like my cousins.

1074
00:51:50,840 --> 00:51:52,640
Speaker 3: I like the old one. I haven't seen the new one.

1075
00:51:53,440 --> 00:51:53,719
Speaker 1: You know.

1076
00:51:53,960 --> 00:51:55,799
Speaker 3: Yeah, It's just I was more I really, I was

1077
00:51:55,840 --> 00:51:58,319
Speaker 3: more of a Pixar guy more so than Disney. Like

1078
00:51:58,440 --> 00:52:00,520
Speaker 3: a lot of the after the ninety is like after

1079
00:52:00,600 --> 00:52:03,880
Speaker 3: like that run of like Little Man, maybe Mulan, Aladdin.

1080
00:52:03,960 --> 00:52:05,520
Speaker 3: Aladdin was the jam I did I did a fun

1081
00:52:05,600 --> 00:52:06,960
Speaker 3: with Aladdin. A Laddin was my dude.

1082
00:52:07,320 --> 00:52:14,000
Speaker 10: But did you like the Latin remake they did?

1083
00:52:14,040 --> 00:52:14,680
Speaker 4: I see that one.

1084
00:52:14,719 --> 00:52:17,800
Speaker 1: It was not the best thing. My Genie's name.

1085
00:52:17,680 --> 00:52:33,440
Speaker 3: Out from Downtown.

1086
00:52:29,880 --> 00:52:33,359
Speaker 1: That was amazing, amazing, Nah, I was a pick.

1087
00:52:33,400 --> 00:52:36,239
Speaker 4: So like Tour Story, they had a run like they was.

1088
00:52:36,280 --> 00:52:36,960
Speaker 4: They was on it.

1089
00:52:37,160 --> 00:52:40,480
Speaker 1: And it's just like, I don't think anyone has cracked

1090
00:52:40,480 --> 00:52:47,160
Speaker 1: the code on a live remake for kids. I mean

1091
00:52:47,239 --> 00:52:49,840
Speaker 1: that at least, I don't know what you would consider, babe.

1092
00:52:50,320 --> 00:52:51,879
Speaker 4: But that was one about the pig.

1093
00:52:52,120 --> 00:52:53,480
Speaker 1: Yeah, but that's the game.

1094
00:52:53,520 --> 00:52:55,120
Speaker 5: The game is to try to figure out how to

1095
00:52:55,120 --> 00:52:58,399
Speaker 5: make the perfect like the live because people have tried

1096
00:52:58,400 --> 00:52:59,960
Speaker 5: to do it and no one's really nailed it.

1097
00:53:00,320 --> 00:53:03,239
Speaker 1: Rule number one is you should never look at the comments.

1098
00:53:03,560 --> 00:53:06,560
Speaker 1: But the first thing I did was all the Tom

1099
00:53:06,600 --> 00:53:09,759
Speaker 1: and Jerry comments. I looked at all the anyone that's

1100
00:53:09,760 --> 00:53:12,200
Speaker 1: done alive, and I just went down there, hold like

1101
00:53:12,239 --> 00:53:17,760
Speaker 1: all the YouTube trailer first look things to see like okay,

1102
00:53:17,880 --> 00:53:23,000
Speaker 1: the fish from Little Mermaid the yellow one like no

1103
00:53:23,120 --> 00:53:27,640
Speaker 1: one liked. I mean that alone from you ruined half

1104
00:53:27,640 --> 00:53:30,719
Speaker 1: the momentum of what the Little Mermaids should have done.

1105
00:53:31,160 --> 00:53:33,960
Speaker 1: They just nailed in on Flounder. But then again it's

1106
00:53:34,000 --> 00:53:37,839
Speaker 1: also like, but you're thirty four years old, like are

1107
00:53:37,880 --> 00:53:41,200
Speaker 1: you my audience or is your kids my audience?

1108
00:53:41,360 --> 00:53:44,120
Speaker 3: Or what idea is that you want to make some

1109
00:53:44,400 --> 00:53:46,080
Speaker 3: or they want you to make something?

1110
00:53:46,080 --> 00:53:47,440
Speaker 4: They will speak equally to both.

1111
00:53:48,080 --> 00:53:49,480
Speaker 3: That's what they you know, what I mean, that's what

1112
00:53:49,520 --> 00:53:51,400
Speaker 3: they want because I mean and for me again, that

1113
00:53:51,480 --> 00:53:54,400
Speaker 3: was kind of the Pixar thing and that on his face.

1114
00:53:54,680 --> 00:53:58,440
Speaker 4: Yes, they're movies for kids. But Toy Story three, a bro,

1115
00:53:58,600 --> 00:54:00,439
Speaker 4: I shed thug tears on this, but.

1116
00:54:00,360 --> 00:54:05,640
Speaker 3: I was gonna say the toys was in the motherfucking center.

1117
00:54:06,719 --> 00:54:13,520
Speaker 1: Man. Wait, that the only time I've ever seen Richard

1118
00:54:14,040 --> 00:54:19,160
Speaker 1: Jeremy Nichols wow shed his tear. Toy Story three's Toy

1119
00:54:19,239 --> 00:54:19,840
Speaker 1: Story three.

1120
00:54:20,560 --> 00:54:22,920
Speaker 4: Listen, bro hey bro lots of hugging.

1121
00:54:22,960 --> 00:54:27,960
Speaker 3: Bear's scared that he was a fun boy yo. Like

1122
00:54:28,080 --> 00:54:29,880
Speaker 3: where he had the kids, He had them toys up

1123
00:54:29,880 --> 00:54:33,400
Speaker 3: and together, the nursery home fu Yeah, locking them up

1124
00:54:33,440 --> 00:54:34,920
Speaker 3: and ship man because he wanted.

1125
00:54:34,760 --> 00:54:36,160
Speaker 1: When he came out of the dump truck like he

1126
00:54:36,239 --> 00:54:37,719
Speaker 1: on the joy and.

1127
00:54:37,840 --> 00:54:38,520
Speaker 4: Running it like.

1128
00:54:40,160 --> 00:54:45,320
Speaker 1: Che riche allowed himself ninety seconds of no, it's.

1129
00:54:44,920 --> 00:54:45,680
Speaker 4: That's the best one.

1130
00:54:45,680 --> 00:54:46,319
Speaker 1: I want to know.

1131
00:54:47,200 --> 00:54:48,239
Speaker 4: I want to know.

1132
00:54:48,520 --> 00:54:51,440
Speaker 1: How traumatized kids were and watching Toy Story three.

1133
00:54:51,440 --> 00:54:54,640
Speaker 4: How about we're still talking about it years ago to

1134
00:54:54,719 --> 00:54:54,960
Speaker 4: see it.

1135
00:54:55,000 --> 00:54:57,080
Speaker 3: They loved it like they I mean, I granted they

1136
00:54:57,080 --> 00:54:59,560
Speaker 3: are for my kids, right you know, but nah, I

1137
00:54:59,600 --> 00:55:01,040
Speaker 3: mean they loved it.

1138
00:55:01,120 --> 00:55:02,719
Speaker 4: You know what I mean. We we had a great time.

1139
00:55:02,719 --> 00:55:03,360
Speaker 1: You still watch it?

1140
00:55:03,440 --> 00:55:09,680
Speaker 4: Oh yeah, that's the One Man three like the first.

1141
00:55:11,160 --> 00:55:13,320
Speaker 1: Yeah, and I don't have emotions. You almost don't have

1142
00:55:13,360 --> 00:55:16,839
Speaker 1: to watch the rest of the movie. That the first

1143
00:55:16,880 --> 00:55:18,120
Speaker 1: seventeen minutes and that's it.

1144
00:55:18,320 --> 00:55:20,160
Speaker 3: Yeah, but no, that's that's I mean for me, that

1145
00:55:20,360 --> 00:55:22,320
Speaker 3: was kind of the formative, like all right, we're gonna

1146
00:55:22,360 --> 00:55:26,279
Speaker 3: have this animation that's for children, but the themes are

1147
00:55:26,280 --> 00:55:28,279
Speaker 3: really you know, kind of growing up.

1148
00:55:28,360 --> 00:55:31,600
Speaker 1: Or animation helps the medicine go down facts, which is

1149
00:55:31,640 --> 00:55:34,319
Speaker 1: why family Guy can get away with what it gets

1150
00:55:34,520 --> 00:55:38,360
Speaker 1: or Southwes Southwark can get away with you know everything. Wow.

1151
00:55:38,440 --> 00:55:41,160
Speaker 1: So okay, so I'm we we gotta connect later because

1152
00:55:41,320 --> 00:55:45,080
Speaker 1: I literally didn't know that there was Is there an

1153
00:55:45,080 --> 00:55:46,440
Speaker 1: agency or.

1154
00:55:47,160 --> 00:55:54,920
Speaker 4: You just run an independent uh yeah called backpage. I've

1155
00:55:54,920 --> 00:55:58,440
Speaker 4: heard heard you know what I'm saying, you know, just

1156
00:55:58,440 --> 00:55:58,879
Speaker 4: out there.

1157
00:56:00,280 --> 00:56:02,720
Speaker 11: Like that's the Facebook.

1158
00:56:04,480 --> 00:56:08,840
Speaker 1: No, thank you for having.

1159
00:56:10,760 --> 00:56:13,080
Speaker 6: Interpretation step from.

1160
00:56:13,400 --> 00:56:14,280
Speaker 1: Give it a long clap.

1161
00:56:14,760 --> 00:56:20,120
Speaker 5: Okay, Price is right when that person is running from

1162
00:56:20,120 --> 00:56:21,279
Speaker 5: the back of the Prices.

1163
00:56:20,960 --> 00:56:22,440
Speaker 1: Right right, exactly?

1164
00:56:27,120 --> 00:56:28,040
Speaker 6: We need Wayne Brady.

1165
00:56:28,080 --> 00:56:30,799
Speaker 1: I'm sorry. I love Wayne Brady. Why do we need

1166
00:56:30,840 --> 00:56:32,799
Speaker 1: Wayne Brady?

1167
00:56:33,080 --> 00:56:34,239
Speaker 6: Know? He was just on my wish as you said,

1168
00:56:34,280 --> 00:56:35,719
Speaker 6: Price is right on my mind just went to.

1169
00:56:37,719 --> 00:56:40,480
Speaker 1: Wayne not playing a group together. I love Wayne. He's

1170
00:56:40,520 --> 00:56:43,799
Speaker 1: a freestyle of supreme the other loves. I wait, Wayne

1171
00:56:43,840 --> 00:56:46,880
Speaker 1: Brady was once? Is that why he's so good at Yeah.

1172
00:56:47,520 --> 00:56:49,960
Speaker 5: Well not one of the ways, way before that, but

1173
00:56:49,960 --> 00:56:53,279
Speaker 5: but he's been in freestyle spree forever for years.

1174
00:56:53,440 --> 00:56:56,640
Speaker 1: Is that still on? Probably? Okay, no more.

1175
00:56:56,880 --> 00:56:59,759
Speaker 5: I mean, uh, it's usually like during Christmas time, but

1176
00:56:59,760 --> 00:57:00,960
Speaker 5: I don't think we're doing it this year.

1177
00:57:01,040 --> 00:57:03,920
Speaker 1: Have you guys had a bad night where we just

1178
00:57:03,960 --> 00:57:05,319
Speaker 1: don't rhyme? Many?

1179
00:57:05,520 --> 00:57:05,759
Speaker 4: Yeah?

1180
00:57:06,160 --> 00:57:06,560
Speaker 1: Really?

1181
00:57:07,400 --> 00:57:09,560
Speaker 5: I think the most famous one is we played it

1182
00:57:09,960 --> 00:57:12,799
Speaker 5: the Melbourne Comedy Festival, Australia and it was like in

1183
00:57:12,840 --> 00:57:14,840
Speaker 5: there in the Royal Albert Hall where the version of

1184
00:57:14,840 --> 00:57:18,160
Speaker 5: that is and it was filmed for whatever, and everybody

1185
00:57:18,280 --> 00:57:21,120
Speaker 5: in the group bombed, like everybody. You can see it.

1186
00:57:21,120 --> 00:57:24,280
Speaker 5: It's fit on YouTube. No, it was not funny. And

1187
00:57:24,280 --> 00:57:26,560
Speaker 5: and the best part is is they made like a

1188
00:57:26,640 --> 00:57:29,959
Speaker 5: DVD when we made DVDs years later, and it says

1189
00:57:29,960 --> 00:57:32,400
Speaker 5: like this famous person, this famous person, and then says

1190
00:57:32,400 --> 00:57:35,160
Speaker 5: and shitloads more and there's a picture of us, and

1191
00:57:35,200 --> 00:57:37,880
Speaker 5: we're just like and we were terrible and it was

1192
00:57:38,040 --> 00:57:40,160
Speaker 5: and that happens and then like you know, like I'm

1193
00:57:40,200 --> 00:57:42,919
Speaker 5: sure like the roots when people started throwing shit because

1194
00:57:42,960 --> 00:57:44,800
Speaker 5: we weren't funny and like, you know, throwing it at us.

1195
00:57:45,200 --> 00:57:47,600
Speaker 1: Oh wait, it was that sort of bad. That was

1196
00:57:47,600 --> 00:57:48,160
Speaker 1: a different gig.

1197
00:57:48,200 --> 00:57:50,160
Speaker 5: It was a late night gig and they just started

1198
00:57:50,160 --> 00:57:53,960
Speaker 5: throwing ping pong balls at us where in I think

1199
00:57:53,960 --> 00:57:57,680
Speaker 5: it was Edinburgh. Wow, yeah, you talk about it. I

1200
00:57:57,720 --> 00:58:00,920
Speaker 5: mean I love a good failure story. I mean when

1201
00:58:01,000 --> 00:58:03,640
Speaker 5: you when you're an improvised teachable story. There there are

1202
00:58:03,720 --> 00:58:04,960
Speaker 5: days where it doesn't go well.

1203
00:58:05,360 --> 00:58:07,920
Speaker 1: So there are days where it goes great. There are days

1204
00:58:07,920 --> 00:58:08,440
Speaker 1: where it's just like.

1205
00:58:08,440 --> 00:58:10,000
Speaker 5: You know, in the same way people pay money, like

1206
00:58:10,040 --> 00:58:12,360
Speaker 5: stand up like this is us, but like we're literally

1207
00:58:12,360 --> 00:58:14,840
Speaker 5: making up everything, which people to this day also still

1208
00:58:14,880 --> 00:58:17,600
Speaker 5: like don't believe it. Yeah, But so there are days

1209
00:58:17,600 --> 00:58:19,400
Speaker 5: where it's just not funny and we're trying and it's

1210
00:58:19,440 --> 00:58:20,040
Speaker 5: just not happening.

1211
00:58:20,280 --> 00:58:22,640
Speaker 1: You know what. I respect a bad show. I don't

1212
00:58:22,720 --> 00:58:25,640
Speaker 1: like a mediocre show, not only when people filling it in.

1213
00:58:26,160 --> 00:58:29,840
Speaker 1: But I don't know if it's just me when someone

1214
00:58:30,600 --> 00:58:34,880
Speaker 1: does something bad, I actually respect. I kind of like that.

1215
00:58:34,760 --> 00:58:37,280
Speaker 4: More be wrong strong, Yeah, like commit to it.

1216
00:58:37,360 --> 00:58:39,320
Speaker 5: Also, we were doing like thirty shows and thirty days,

1217
00:58:39,360 --> 00:58:41,200
Speaker 5: and so it was like by the twenty fifth day,

1218
00:58:41,200 --> 00:58:42,920
Speaker 5: it was like I don't know the fuck to do anymore.

1219
00:58:42,640 --> 00:58:45,880
Speaker 1: You know, so there's no go to formula, Like.

1220
00:58:46,160 --> 00:58:47,640
Speaker 5: I mean, we play this, so we usually play the

1221
00:58:47,680 --> 00:58:50,640
Speaker 5: same seven games, right, so it's like this the structure,

1222
00:58:50,680 --> 00:58:52,480
Speaker 5: like you were saying about comedy, the structure is always

1223
00:58:52,480 --> 00:58:54,320
Speaker 5: the same, but it's like the words that we're getting

1224
00:58:54,320 --> 00:58:55,960
Speaker 5: from places are completely made up.

1225
00:58:56,000 --> 00:58:57,960
Speaker 6: So it's so is it crazy that I have like

1226
00:58:57,960 --> 00:58:59,640
Speaker 6: a hit and dream that one day will like play,

1227
00:58:59,680 --> 00:59:02,080
Speaker 6: we'll have some type of improper activity between like all

1228
00:59:02,120 --> 00:59:03,640
Speaker 6: of us. I think we would just really have fun.

1229
00:59:03,800 --> 00:59:05,240
Speaker 1: I love this is it?

1230
00:59:05,840 --> 00:59:06,000
Speaker 6: Yeah?

1231
00:59:06,080 --> 00:59:07,000
Speaker 1: I'm like this is it?

1232
00:59:07,440 --> 00:59:12,040
Speaker 4: Dude, Warren's an intimacy course and back again.

1233
00:59:12,120 --> 00:59:16,120
Speaker 6: Here's more. There's more, ain't no butts, you.

1234
00:59:16,080 --> 00:59:17,240
Speaker 4: Know, like I'm with it.

1235
00:59:17,760 --> 00:59:19,040
Speaker 1: We'll do this at the next game night.

1236
00:59:20,240 --> 00:59:21,520
Speaker 6: You better just bring them cars.

1237
00:59:21,520 --> 00:59:28,840
Speaker 13: Next game let's talk about look, because look, here's the deal.

1238
00:59:29,160 --> 00:59:31,280
Speaker 1: God, we're talking. Here's the deal. The deal is that

1239
00:59:31,520 --> 00:59:34,320
Speaker 1: I've been I've been doing game nights for at least

1240
00:59:34,640 --> 00:59:38,880
Speaker 1: five years. Mostly it's no night right.

1241
00:59:39,320 --> 00:59:40,720
Speaker 6: Or celebrity used to do that.

1242
00:59:40,760 --> 00:59:42,959
Speaker 1: Well, I mean when I come down to West Coast

1243
00:59:43,040 --> 00:59:46,560
Speaker 1: down Er Teina, like they want to get right. So,

1244
00:59:46,760 --> 00:59:49,240
Speaker 1: but the thing is is that, at least for the

1245
00:59:49,360 --> 00:59:54,240
Speaker 1: last ten joints I've done, our sponsor was Mattel in

1246
00:59:54,320 --> 00:59:56,200
Speaker 1: terms of like providing us with all the games. We

1247
00:59:56,320 --> 00:59:59,640
Speaker 1: just show up and all the joints are there. I

1248
00:59:59,680 --> 01:00:04,400
Speaker 1: forget got that we wanted to also play other games. Well,

1249
01:00:04,440 --> 01:00:06,120
Speaker 1: the thing was like, are we going to be a

1250
01:00:06,160 --> 01:00:10,360
Speaker 1: product of Mattel or or is this just gonna be yeah? Right?

1251
01:00:10,440 --> 01:00:13,200
Speaker 1: And that's the thing, like, I don't what will ruin

1252
01:00:13,280 --> 01:00:16,480
Speaker 1: game night is when it becomes a thing. So I'm

1253
01:00:16,520 --> 01:00:19,240
Speaker 1: trying to now, Yes, you guys came to a really

1254
01:00:19,280 --> 01:00:21,720
Speaker 1: swinky atmosphere. It's nothing like that. We had to runt

1255
01:00:21,760 --> 01:00:25,120
Speaker 1: out a spot. You know, it so looked nice. Other

1256
01:00:25,160 --> 01:00:27,320
Speaker 1: o the other game nights might look like this room.

1257
01:00:27,360 --> 01:00:29,520
Speaker 6: That's I didn't think right.

1258
01:00:29,840 --> 01:00:33,760
Speaker 1: So the thing was in getting all those games. We

1259
01:00:34,360 --> 01:00:36,280
Speaker 1: it's like someone forgot to bring You know, when someone

1260
01:00:36,280 --> 01:00:37,680
Speaker 1: forgets to bring ice to.

1261
01:00:41,040 --> 01:00:44,720
Speaker 6: We forgot ice or make regular cars. Mattel makes regular cards.

1262
01:00:46,080 --> 01:00:47,880
Speaker 6: They really don't.

1263
01:00:49,480 --> 01:00:53,680
Speaker 1: Dude, I forgot to bring the ice. She's referring to.

1264
01:00:53,880 --> 01:00:56,680
Speaker 6: Was her you and uh, first of all, let's tell

1265
01:00:56,720 --> 01:00:57,520
Speaker 6: the story correctly.

1266
01:00:57,720 --> 01:00:59,720
Speaker 1: Excuse me, von Orgy got on me.

1267
01:01:00,120 --> 01:01:02,440
Speaker 6: Mister love. I was just for the record, the story

1268
01:01:02,480 --> 01:01:06,960
Speaker 6: goes Yvonne or She said to me, she walked and

1269
01:01:07,000 --> 01:01:09,920
Speaker 6: she said, that's your friend with a space cars that

1270
01:01:10,000 --> 01:01:12,360
Speaker 6: you better tell your friend he gets what's up with that.

1271
01:01:12,600 --> 01:01:14,760
Speaker 6: She put the pressure on me, and I was like,

1272
01:01:14,760 --> 01:01:17,240
Speaker 6: I said to her, you talking to the wrong one

1273
01:01:17,320 --> 01:01:19,400
Speaker 6: because he already thinks I'm like the hell of black

1274
01:01:19,440 --> 01:01:20,440
Speaker 6: one and he's just not.

1275
01:01:22,760 --> 01:01:26,120
Speaker 1: There's the white guy. And I was like, no, then

1276
01:01:26,160 --> 01:01:26,680
Speaker 1: you would.

1277
01:01:26,440 --> 01:01:28,560
Speaker 6: Have had spades cards.

1278
01:01:28,880 --> 01:01:31,480
Speaker 1: First of all, I don't organize my own ship.

1279
01:01:31,600 --> 01:01:34,040
Speaker 6: You know, I'm yes, and that's what we That's what

1280
01:01:34,040 --> 01:01:36,280
Speaker 6: I'm saying. When we're not in the room, things yo missing.

1281
01:01:36,320 --> 01:01:37,600
Speaker 6: That is the lesson in that.

1282
01:01:38,840 --> 01:01:41,320
Speaker 1: I just forgot the ice. I forgot to read. Yes,

1283
01:01:41,920 --> 01:01:44,640
Speaker 1: I made you a hell a turkey things giving time.

1284
01:01:45,840 --> 01:01:49,040
Speaker 1: The cards were there. We found them. Well, no, they

1285
01:01:49,040 --> 01:01:51,120
Speaker 1: were there. No, I know there's five cards there. We

1286
01:01:51,200 --> 01:01:54,560
Speaker 1: just didn't look hard enough, so the cards were there.

1287
01:01:56,040 --> 01:01:57,960
Speaker 1: But I hope you had fun. Despite the fact that

1288
01:01:58,000 --> 01:02:01,280
Speaker 1: we didn't please, we did know we had a good time.

1289
01:02:01,320 --> 01:02:03,160
Speaker 6: I did not think I would like cheetos on top

1290
01:02:03,200 --> 01:02:05,800
Speaker 6: of my macaroni, but you know what I.

1291
01:02:05,760 --> 01:02:08,080
Speaker 5: Think to say that, I'll be talking about Game Night

1292
01:02:08,120 --> 01:02:09,120
Speaker 5: for quite some time.

1293
01:02:09,320 --> 01:02:12,920
Speaker 1: It was ball, you know, from one to five, give

1294
01:02:12,960 --> 01:02:14,400
Speaker 1: it a solid three and a half. It was.

1295
01:02:14,440 --> 01:02:16,080
Speaker 6: It was really fun, So three and a half for

1296
01:02:16,160 --> 01:02:18,480
Speaker 6: everybody else, It was a ten for William Sherman.

1297
01:02:18,800 --> 01:02:21,560
Speaker 1: I had a great night. Uh, how great was your night?

1298
01:02:21,720 --> 01:02:25,520
Speaker 1: With an scale of one to five, it was fifty eight.

1299
01:02:25,920 --> 01:02:31,880
Speaker 1: It was one tonight. It was just my social atmosphere.

1300
01:02:32,160 --> 01:02:34,360
Speaker 1: All of my comedy was kidding. It was really no,

1301
01:02:34,640 --> 01:02:36,760
Speaker 1: it was it was wild. It was really fun working.

1302
01:02:36,760 --> 01:02:39,280
Speaker 1: I'll say that Robin Feede sort of got a kick

1303
01:02:39,360 --> 01:02:43,880
Speaker 1: out of Megan making weird out cry, which there you go,

1304
01:02:46,320 --> 01:02:47,720
Speaker 1: so I can't say actions.

1305
01:02:47,720 --> 01:02:50,120
Speaker 4: You can say a name made him cry about how

1306
01:02:50,160 --> 01:02:51,480
Speaker 4: did I don't.

1307
01:02:51,320 --> 01:02:56,400
Speaker 1: Know maybe he had to draw sixteen the game each

1308
01:02:56,480 --> 01:02:59,520
Speaker 1: take like talking to them, that was me that that

1309
01:02:59,600 --> 01:03:04,760
Speaker 1: was no. Each table has various house wolves at my table, saxish,

1310
01:03:04,800 --> 01:03:06,800
Speaker 1: you do the whole thing? Did you allow staxy?

1311
01:03:08,440 --> 01:03:09,200
Speaker 6: No flex cards?

1312
01:03:09,920 --> 01:03:15,200
Speaker 1: It was didn't give nothing regular, We didn't have Can

1313
01:03:15,200 --> 01:03:18,880
Speaker 1: I just go like this the first game? Do you go?

1314
01:03:18,920 --> 01:03:19,120
Speaker 6: You go?

1315
01:03:19,200 --> 01:03:21,520
Speaker 1: You goes? I'm out?

1316
01:03:21,680 --> 01:03:25,040
Speaker 4: And we were like what He's like, this, this goes this.

1317
01:03:25,200 --> 01:03:28,760
Speaker 5: We were like it was so funny.

1318
01:03:29,960 --> 01:03:36,520
Speaker 4: He was like, this is what it was. I was like,

1319
01:03:36,560 --> 01:03:37,720
Speaker 4: what just happened? Listen?

1320
01:03:37,760 --> 01:03:37,960
Speaker 9: Man?

1321
01:03:38,800 --> 01:03:42,080
Speaker 4: First off, I never want to play again with that

1322
01:03:42,120 --> 01:03:42,640
Speaker 4: many people.

1323
01:03:43,080 --> 01:03:47,360
Speaker 1: It was enjoy ten. I gott down to six. I

1324
01:03:47,400 --> 01:03:49,800
Speaker 1: want six people tables get it's two.

1325
01:03:50,200 --> 01:03:52,760
Speaker 4: So anyway, so we're sitting there, it was it was

1326
01:03:52,800 --> 01:03:53,360
Speaker 4: all of us.

1327
01:03:53,760 --> 01:03:57,800
Speaker 3: Brittany shout out to Wheezy or girl Weezy from Horbard

1328
01:03:57,840 --> 01:04:01,400
Speaker 3: Decisions podcast. She was there, uh her homegirl that was

1329
01:04:01,440 --> 01:04:03,680
Speaker 3: next to her pr I cannot remember her name.

1330
01:04:03,760 --> 01:04:04,680
Speaker 1: She was funny too.

1331
01:04:04,760 --> 01:04:06,640
Speaker 4: Yeah, Jersey Rid That's what I called it. She was

1332
01:04:06,640 --> 01:04:07,960
Speaker 4: some Jersey Jersey Rid.

1333
01:04:08,280 --> 01:04:09,360
Speaker 1: She's like a card.

1334
01:04:09,240 --> 01:04:11,920
Speaker 3: Shark like she was serious by so shot at them

1335
01:04:11,920 --> 01:04:13,200
Speaker 3: and we had an amazing time.

1336
01:04:13,200 --> 01:04:15,680
Speaker 4: But anyway, so like you said, everybody got different.

1337
01:04:15,960 --> 01:04:20,840
Speaker 6: The ghan gonna feel some that was.

1338
01:04:22,800 --> 01:04:23,400
Speaker 1: What the game is.

1339
01:04:23,520 --> 01:04:25,440
Speaker 6: Shaan said he got invited because he don't ever he.

1340
01:04:25,400 --> 01:04:27,320
Speaker 5: Monitored me the whole night I was. I felt like

1341
01:04:27,320 --> 01:04:29,720
Speaker 5: he was always off the president. Anything I was doing

1342
01:04:30,200 --> 01:04:30,680
Speaker 5: was right next to.

1343
01:04:32,880 --> 01:04:33,160
Speaker 1: Speaking.

1344
01:04:37,160 --> 01:04:39,880
Speaker 4: So he comes, it's the mister missus g and like

1345
01:04:39,920 --> 01:04:41,400
Speaker 4: we're all the great time.

1346
01:04:41,640 --> 01:04:44,520
Speaker 3: So anyway, we're trying to find Uno cards and we're like,

1347
01:04:44,760 --> 01:04:45,600
Speaker 3: where's the Uno.

1348
01:04:46,240 --> 01:04:49,560
Speaker 4: We old so we're like, all right, we're the old school.

1349
01:04:50,280 --> 01:04:51,240
Speaker 1: They had every.

1350
01:04:53,120 --> 01:04:56,840
Speaker 3: Bar bar So so finally we settled on Barbie Uno,

1351
01:04:57,280 --> 01:04:59,560
Speaker 3: which was also because again we old niggas.

1352
01:04:59,800 --> 01:05:00,480
Speaker 1: We we had to.

1353
01:05:00,440 --> 01:05:04,000
Speaker 3: Realize that the colors were different because Barbie Uno, so

1354
01:05:04,200 --> 01:05:06,960
Speaker 3: like what he is this pink blue and like yellow,

1355
01:05:07,280 --> 01:05:09,600
Speaker 3: but the wild cards are still black. All right, cool?

1356
01:05:09,960 --> 01:05:13,840
Speaker 3: So Jake cousin, Jake, I deal with a fake faithful dealer.

1357
01:05:13,920 --> 01:05:16,160
Speaker 3: He deals with cards, you know what I'm saying. So

1358
01:05:16,240 --> 01:05:19,720
Speaker 3: then people start talking house rules and like Buzy Jersey

1359
01:05:19,720 --> 01:05:22,080
Speaker 3: with everybody, alright, this we gonna stack put.

1360
01:05:21,960 --> 01:05:24,080
Speaker 6: Down because there's too many of us. We got to

1361
01:05:24,120 --> 01:05:24,520
Speaker 6: be able to.

1362
01:05:24,440 --> 01:05:24,920
Speaker 4: Stack, right.

1363
01:05:24,960 --> 01:05:27,880
Speaker 3: And I was like Okay, cool, let me understand the

1364
01:05:27,960 --> 01:05:31,400
Speaker 3: rules of the stacking, because for me, when I play, no,

1365
01:05:31,760 --> 01:05:32,560
Speaker 3: you never stacked.

1366
01:05:32,600 --> 01:05:34,760
Speaker 4: We just put down one fucking card and keep it moving.

1367
01:05:35,280 --> 01:05:37,720
Speaker 3: You know, I mean you are old school. Yeah, I'm listen.

1368
01:05:39,440 --> 01:05:41,560
Speaker 3: So I'm like, okay, so we stacked. Okay, cool, let

1369
01:05:41,560 --> 01:05:42,600
Speaker 3: me make sure I understand this.

1370
01:05:43,000 --> 01:05:43,280
Speaker 1: Now.

1371
01:05:43,400 --> 01:05:45,920
Speaker 3: The whole part of this is like listen, I'm listening

1372
01:05:45,920 --> 01:05:48,720
Speaker 3: to y'all rules. I get my cards and I'm looking

1373
01:05:48,720 --> 01:05:49,880
Speaker 3: at this and I'm like.

1374
01:05:49,880 --> 01:05:53,160
Speaker 4: Bruh, like one or two cars.

1375
01:05:53,920 --> 01:05:55,840
Speaker 3: All of my cards were pink. All of my cars

1376
01:05:55,840 --> 01:05:57,680
Speaker 3: were the same colors. So I'm looking at him like

1377
01:05:57,680 --> 01:05:58,680
Speaker 3: all right, based on y'all.

1378
01:05:59,640 --> 01:06:05,760
Speaker 4: Table went around one time and I was like, okay,

1379
01:06:05,800 --> 01:06:08,160
Speaker 4: am I doing this right? Best in your rules? Boom,

1380
01:06:08,360 --> 01:06:09,400
Speaker 4: He like everybody to.

1381
01:06:09,440 --> 01:06:12,160
Speaker 6: Pink two, three, four, five, gotta pink everything.

1382
01:06:12,200 --> 01:06:19,600
Speaker 4: Everybody got to flip the table, shout the dawn, shout

1383
01:06:19,640 --> 01:06:22,160
Speaker 4: the don She was there with it. She was tall,

1384
01:06:22,200 --> 01:06:24,720
Speaker 4: You're fucking crazy whatever. I'm like, listen, I'm going by

1385
01:06:24,760 --> 01:06:26,680
Speaker 4: your rule. So long story short, and we play the

1386
01:06:26,760 --> 01:06:28,440
Speaker 4: game and it comes back to me.

1387
01:06:28,520 --> 01:06:30,479
Speaker 3: We go around and come back to me, and I'm like, okay,

1388
01:06:30,520 --> 01:06:33,760
Speaker 3: am I doing this right to make sure no out

1389
01:06:33,840 --> 01:06:34,640
Speaker 3: and I fucking won.

1390
01:06:35,200 --> 01:06:37,360
Speaker 4: And so then at the end, you know, they were trying.

1391
01:06:37,120 --> 01:06:39,440
Speaker 3: To talk, oh you you you tried to cheat it

1392
01:06:39,480 --> 01:06:41,920
Speaker 3: first I said no, no, no, I didn't cheat. I

1393
01:06:41,960 --> 01:06:44,400
Speaker 3: was trying to say, you nigga some time because I

1394
01:06:44,440 --> 01:06:46,720
Speaker 3: told you motherfuckers, who was gonna win? When I stepped in,

1395
01:06:46,760 --> 01:06:49,800
Speaker 3: this brother playing with me, you know what I mean.

1396
01:06:49,960 --> 01:06:53,720
Speaker 3: Like it was, I got five pink cars, Nigga is over, okay,

1397
01:06:53,840 --> 01:06:57,840
Speaker 3: so I wanted and then we played get Humanity. Shout

1398
01:06:57,880 --> 01:07:00,880
Speaker 3: my man Andre Andre power so lect Yes, he wanted

1399
01:07:00,880 --> 01:07:02,440
Speaker 3: that one. Yeah, he was great, you know.

1400
01:07:02,800 --> 01:07:05,000
Speaker 1: And JJ Abrams read all the cards. That was another

1401
01:07:05,040 --> 01:07:07,760
Speaker 1: funny him. There this whole bit that shi it was great.

1402
01:07:07,800 --> 01:07:08,280
Speaker 1: It was great.

1403
01:07:08,440 --> 01:07:11,160
Speaker 6: But then the story of the Nights that you all

1404
01:07:11,200 --> 01:07:15,920
Speaker 6: are waiting for is the story of William Sherman and

1405
01:07:15,960 --> 01:07:19,680
Speaker 6: a certain young lady. We are not going to say

1406
01:07:19,680 --> 01:07:21,760
Speaker 6: the name, but we are going to talk about William Sherman.

1407
01:07:21,800 --> 01:07:23,640
Speaker 6: I didn't even know who this back and forth with

1408
01:07:23,680 --> 01:07:25,040
Speaker 6: a certain beautiful.

1409
01:07:25,160 --> 01:07:27,439
Speaker 4: Person, and that's why it worked. That's the best.

1410
01:07:28,640 --> 01:07:31,120
Speaker 1: So they I didn't tell him no, no hold on.

1411
01:07:31,200 --> 01:07:33,200
Speaker 1: So we had a whole I had a whole bit

1412
01:07:33,240 --> 01:07:36,480
Speaker 1: with this person. I didn't know who this person was.

1413
01:07:36,960 --> 01:07:37,760
Speaker 1: She walks away.

1414
01:07:38,240 --> 01:07:39,960
Speaker 4: I said to Brittany, who is that?

1415
01:07:40,280 --> 01:07:42,760
Speaker 5: And she goes, You're kidding and I go no, and

1416
01:07:42,760 --> 01:07:44,320
Speaker 5: then she told me who it was and then I

1417
01:07:44,320 --> 01:07:48,000
Speaker 5: fell over on the floor, and then and then can

1418
01:07:48,000 --> 01:07:50,000
Speaker 5: I and then I and then this person went over

1419
01:07:50,080 --> 01:07:51,800
Speaker 5: here to another table and told me that I had

1420
01:07:51,800 --> 01:07:54,160
Speaker 5: to go with her and then it was her, me

1421
01:07:54,600 --> 01:07:59,760
Speaker 5: and Babyface, which is like the perfect trio, the Three Musketeers,

1422
01:08:00,080 --> 01:08:01,800
Speaker 5: and I just didn't know what to do. So I went,

1423
01:08:01,920 --> 01:08:03,360
Speaker 5: which is what I do when I panic. I went,

1424
01:08:03,440 --> 01:08:07,560
Speaker 5: I have the music record of Sessame Street. Like literally,

1425
01:08:07,640 --> 01:08:10,880
Speaker 5: I yelled at the baby Face's face and he goes,

1426
01:08:11,040 --> 01:08:13,240
Speaker 5: no way, like super come, and I go yeah. And

1427
01:08:13,280 --> 01:08:15,280
Speaker 5: then I was talking to baby Face on such street

1428
01:08:15,520 --> 01:08:17,320
Speaker 5: while this other person was yelling at me for two

1429
01:08:17,360 --> 01:08:17,760
Speaker 5: and whatever.

1430
01:08:19,160 --> 01:08:21,400
Speaker 6: We can't say.

1431
01:08:21,439 --> 01:08:22,800
Speaker 1: So anyway, it was a hell of a night.

1432
01:08:22,920 --> 01:08:27,280
Speaker 5: I said, yeah, did you get the number? No, but

1433
01:08:27,320 --> 01:08:29,000
Speaker 5: I dropped into the d MS just to see if

1434
01:08:29,040 --> 01:08:29,559
Speaker 5: I could score.

1435
01:08:29,720 --> 01:08:32,320
Speaker 1: Didn't happen. I'm real sad about that one night.

1436
01:08:33,760 --> 01:08:33,960
Speaker 4: Yeah.

1437
01:08:34,439 --> 01:08:37,080
Speaker 5: Yeah, it wasn't even an invitation full stop, but it

1438
01:08:37,160 --> 01:08:38,719
Speaker 5: was fucking hilarious going.

1439
01:08:38,600 --> 01:08:40,240
Speaker 3: Into and that we was talking on the car right back,

1440
01:08:40,439 --> 01:08:45,280
Speaker 3: going into the d MS of somebody that caliber like, yeah, again,

1441
01:08:45,360 --> 01:08:48,840
Speaker 3: that's a penny down a waterfall, dog you it's just yeah,

1442
01:08:49,680 --> 01:08:51,640
Speaker 3: crazy you stepping into the abyss.

1443
01:08:51,680 --> 01:08:53,960
Speaker 5: There's nothing like trying to tell a PG version of

1444
01:08:54,000 --> 01:08:57,000
Speaker 5: that story to my kids, which is what I did.

1445
01:08:57,000 --> 01:08:58,800
Speaker 5: I was I was like, I guess I have it,

1446
01:08:59,000 --> 01:09:00,960
Speaker 5: and they were like, what did you say to this person?

1447
01:09:01,000 --> 01:09:04,160
Speaker 5: And I said nothing, But what I'm gonna say is

1448
01:09:04,200 --> 01:09:06,080
Speaker 5: she looked good.

1449
01:09:06,400 --> 01:09:09,800
Speaker 1: But no, it was cool. Steve, you should have came. Yeah. Sorry,

1450
01:09:10,040 --> 01:09:13,040
Speaker 1: I didn't have a plus one. I mean I I

1451
01:09:13,040 --> 01:09:15,400
Speaker 1: did have a follow one.

1452
01:09:16,080 --> 01:09:20,520
Speaker 5: Apparently Steve only rolls with the plus one.

1453
01:09:19,200 --> 01:09:19,559
Speaker 1: Was in town.

1454
01:09:19,560 --> 01:09:19,880
Speaker 4: I get it.

1455
01:09:19,920 --> 01:09:22,479
Speaker 8: You can't leave you for thirty years. I don't care

1456
01:09:22,560 --> 01:09:23,040
Speaker 8: plus one.

1457
01:09:25,560 --> 01:09:27,800
Speaker 6: Try forty and you still don't. It's fine. It's good.

1458
01:09:28,920 --> 01:09:32,560
Speaker 1: So besides game night and interviewing a bunch of people, yeah,

1459
01:09:32,800 --> 01:09:35,160
Speaker 1: have we done anything else interesting in Los Angeles?

1460
01:09:35,320 --> 01:09:40,839
Speaker 4: I've had no time. We've been chilling and oh okay,

1461
01:09:41,040 --> 01:09:43,880
Speaker 4: I mean like it last night. So give you tips.

1462
01:09:43,920 --> 01:09:46,040
Speaker 3: You know what I'm saying, food tips, And these are

1463
01:09:46,080 --> 01:09:48,920
Speaker 3: tips that I've learned over my forty four years of

1464
01:09:48,960 --> 01:09:52,439
Speaker 3: being a man of husk. So we was at the

1465
01:09:52,880 --> 01:09:54,680
Speaker 3: joint and we was at the We was at the

1466
01:09:54,680 --> 01:09:57,000
Speaker 3: bar at the hotel last night and we got some

1467
01:09:57,120 --> 01:09:58,920
Speaker 3: We got like a salad the hotel were at. They

1468
01:09:58,920 --> 01:10:01,759
Speaker 3: make like this artist and salad with like this vinaigrette

1469
01:10:01,880 --> 01:10:03,880
Speaker 3: is great, and the way they played.

1470
01:10:03,600 --> 01:10:05,760
Speaker 4: It is like it's really dope. But anyway, so we

1471
01:10:05,880 --> 01:10:08,680
Speaker 4: was gonna get some wings and he was like, all right,

1472
01:10:09,240 --> 01:10:11,320
Speaker 4: which ones we gonna get? Which ones were gonna get?

1473
01:10:11,439 --> 01:10:12,719
Speaker 4: You know what I'm saying, I think the lemon pepper

1474
01:10:12,800 --> 01:10:13,240
Speaker 4: might be good.

1475
01:10:13,280 --> 01:10:15,760
Speaker 3: And I was like, I don't trust lemon pepper in

1476
01:10:15,800 --> 01:10:16,640
Speaker 3: Los Angeles.

1477
01:10:16,800 --> 01:10:18,840
Speaker 4: I said, what I trust is the.

1478
01:10:18,800 --> 01:10:22,280
Speaker 3: Louisiana driver rup because a whole lot of niggas from.

1479
01:10:22,200 --> 01:10:25,680
Speaker 4: Louisiana migrated to California. So I trust that, you know.

1480
01:10:25,640 --> 01:10:26,000
Speaker 7: What I mean?

1481
01:10:27,000 --> 01:10:28,080
Speaker 1: It feels like very good reason.

1482
01:10:29,479 --> 01:10:31,200
Speaker 6: Actually it's very genius in the way.

1483
01:10:31,240 --> 01:10:33,600
Speaker 1: I was like, we want to be disappointed when the

1484
01:10:33,600 --> 01:10:34,120
Speaker 1: story ends.

1485
01:10:34,280 --> 01:10:37,080
Speaker 4: No man brought out the limit peppers. Man them holes

1486
01:10:37,160 --> 01:10:37,519
Speaker 4: was fine.

1487
01:10:37,560 --> 01:10:41,720
Speaker 6: Not the limon peppers up.

1488
01:10:41,760 --> 01:10:42,639
Speaker 4: They were amazing.

1489
01:10:42,680 --> 01:10:45,600
Speaker 3: They smoked it, and so what the tip of what

1490
01:10:45,760 --> 01:10:48,120
Speaker 3: I always kind of use when I go to places

1491
01:10:48,520 --> 01:10:52,400
Speaker 3: I eat kind of what whatever the black people cook

1492
01:10:52,560 --> 01:10:55,759
Speaker 3: in there was native That's that's what I lean towards.

1493
01:10:55,800 --> 01:10:57,280
Speaker 4: So like we went to San.

1494
01:10:57,240 --> 01:10:59,439
Speaker 3: Diego, like we we went to we did a lb

1495
01:10:59,520 --> 01:11:02,280
Speaker 3: running Santa. This is like in March, and like we

1496
01:11:02,360 --> 01:11:04,680
Speaker 3: went to this restaurant and I'm like, all right, I'm

1497
01:11:04,680 --> 01:11:06,880
Speaker 3: gonna order a bunch of seafood. Everybody else in the

1498
01:11:06,920 --> 01:11:09,719
Speaker 3: crew they was ordering ship like shrimping grits and steak

1499
01:11:09,800 --> 01:11:12,559
Speaker 3: and all this, and so they got their plates and

1500
01:11:12,640 --> 01:11:14,479
Speaker 3: it was just all sour face and ship.

1501
01:11:14,720 --> 01:11:17,040
Speaker 4: Meanwhile, you know what I'm saying, my fishment.

1502
01:11:16,640 --> 01:11:18,679
Speaker 6: That because the ocean right there, dumb.

1503
01:11:18,760 --> 01:11:20,960
Speaker 3: Yeah, do you live by the water, I trust you,

1504
01:11:21,000 --> 01:11:23,120
Speaker 3: the cook ship that come out the water, stay the

1505
01:11:23,160 --> 01:11:24,439
Speaker 3: funk away from shrimping grits.

1506
01:11:24,439 --> 01:11:28,280
Speaker 4: You're in fucking San Diego from Robinson County, y'all. Don't

1507
01:11:28,280 --> 01:11:28,960
Speaker 4: through shrimping grits.

1508
01:11:29,000 --> 01:11:29,400
Speaker 1: Is what the fuck?

1509
01:11:29,479 --> 01:11:31,080
Speaker 6: We doe got me.

1510
01:11:31,840 --> 01:11:33,720
Speaker 4: So, you know, so I just you kind of learned.

1511
01:11:33,760 --> 01:11:35,080
Speaker 4: So that's the tip. You know what I mean.

1512
01:11:36,920 --> 01:11:40,599
Speaker 1: I found a hole in the wall. Korean barbecue spot

1513
01:11:41,600 --> 01:11:45,400
Speaker 1: stays that stays open until here. Yeah, this would be.

1514
01:11:45,439 --> 01:11:47,880
Speaker 6: The right place to be for Korean food. What I'm

1515
01:11:47,880 --> 01:11:51,240
Speaker 6: saying exactly, this is good Ethiopian food. You go to

1516
01:11:51,280 --> 01:11:54,559
Speaker 6: Little Ethiopia. We got places, but yeah, don't try to order.

1517
01:11:54,600 --> 01:11:54,680
Speaker 1: No.

1518
01:11:54,920 --> 01:11:58,240
Speaker 6: Nothing with crab in California's crazy. It's gonna start with

1519
01:11:58,280 --> 01:11:58,960
Speaker 6: a k Yeah.

1520
01:11:59,040 --> 01:12:01,400
Speaker 3: Louisan Driver was hard though, and then we had like

1521
01:12:01,439 --> 01:12:03,000
Speaker 3: it was like an amaretto, homie.

1522
01:12:03,240 --> 01:12:05,280
Speaker 6: We had your classic mere amaretto.

1523
01:12:05,560 --> 01:12:06,280
Speaker 4: Remember drink.

1524
01:12:06,720 --> 01:12:08,360
Speaker 1: Yeah it was I've had in a second.

1525
01:12:08,400 --> 01:12:09,960
Speaker 6: That was a mere first drink when he first started

1526
01:12:10,040 --> 01:12:13,400
Speaker 6: drinking alcohol. Yeah, that's good on thirty two years old.

1527
01:12:14,080 --> 01:12:14,280
Speaker 4: Yeah.

1528
01:12:14,360 --> 01:12:16,720
Speaker 1: Yeah, and I got my license at thirty four.

1529
01:12:16,800 --> 01:12:18,960
Speaker 6: I wasn't gonna tell it was just half your business.

1530
01:12:19,400 --> 01:12:23,519
Speaker 1: Yeah, dance sung dance, sung sigh And yeah. It looks

1531
01:12:23,560 --> 01:12:30,000
Speaker 1: like the men's bathroom and every this is the cb Yeah,

1532
01:12:30,200 --> 01:12:34,360
Speaker 1: like we shigned. It is spicy, and the interior feels

1533
01:12:34,360 --> 01:12:38,680
Speaker 1: like CBGB's bathroom like this, well without the smell. I

1534
01:12:38,800 --> 01:12:42,000
Speaker 1: was like graffiti everywhere. It's very whole in the wall ish.

1535
01:12:42,600 --> 01:12:46,400
Speaker 1: But the food they're they're Korean fried chicken wings of course,

1536
01:12:46,479 --> 01:12:50,320
Speaker 1: which and I gotta say, man like in the War

1537
01:12:50,520 --> 01:12:57,400
Speaker 1: of all right, already, No, do you remember the first Yeah,

1538
01:12:57,680 --> 01:12:59,920
Speaker 1: I got to say, like, oh, out of Korean fried chicken,

1539
01:13:00,120 --> 01:13:01,040
Speaker 1: Green fried chicken.

1540
01:13:01,280 --> 01:13:01,840
Speaker 4: But we all have.

1541
01:13:01,840 --> 01:13:04,080
Speaker 6: Learned now that black people talk them about the fried

1542
01:13:04,160 --> 01:13:04,599
Speaker 6: chicken and.

1543
01:13:06,439 --> 01:13:09,120
Speaker 4: People I'm saying, like, y'all doing this, they are doing

1544
01:13:09,160 --> 01:13:09,519
Speaker 4: really good.

1545
01:13:09,560 --> 01:13:10,519
Speaker 6: They remixed that nice.

1546
01:13:10,880 --> 01:13:11,120
Speaker 4: Yeah.

1547
01:13:11,240 --> 01:13:13,960
Speaker 1: So yeah, but that's gonna be my new l a spot.

1548
01:13:13,760 --> 01:13:17,519
Speaker 6: In Koreatown, in Koreatown over until four or five miles.

1549
01:13:17,720 --> 01:13:19,360
Speaker 4: My theory again, it holds up again.

1550
01:13:19,680 --> 01:13:23,560
Speaker 1: So yes, all right, so if we covered everything kids,

1551
01:13:23,960 --> 01:13:28,560
Speaker 1: I feel good. We covered intimacy and muppets. I mean, yeah,

1552
01:13:28,880 --> 01:13:32,479
Speaker 1: what's your porn herbs and aristocrats? And should I go

1553
01:13:32,479 --> 01:13:35,880
Speaker 1: in d MS or not? Humpy McGee over here, ready

1554
01:13:35,920 --> 01:13:36,080
Speaker 1: to go.

1555
01:13:36,720 --> 01:13:38,439
Speaker 6: All y'all gonna be drying night.

1556
01:13:39,360 --> 01:13:40,720
Speaker 1: The first thing gonna do what I get home is

1557
01:13:40,760 --> 01:13:43,400
Speaker 1: to put hump into the pornhubs. See what didn't we

1558
01:13:43,439 --> 01:13:48,080
Speaker 1: want to see her? Yet? We think on the zoom

1559
01:13:48,240 --> 01:13:48,760
Speaker 1: whatever it.

1560
01:13:48,880 --> 01:13:50,639
Speaker 3: Didn't we want to see when we was on, when

1561
01:13:50,680 --> 01:13:52,840
Speaker 3: we was on, like it was, we talked about this

1562
01:13:52,920 --> 01:13:57,360
Speaker 3: up night when you sent something, you sent us a

1563
01:13:57,400 --> 01:14:01,439
Speaker 3: screenshot something and I can't remember it was your shirt

1564
01:14:01,560 --> 01:14:04,920
Speaker 3: and we saw your port hub search and it was just.

1565
01:14:04,800 --> 01:14:08,720
Speaker 1: Like Kanye on the phone with the thing what was

1566
01:14:08,880 --> 01:14:09,120
Speaker 1: but it.

1567
01:14:09,160 --> 01:14:11,320
Speaker 6: Was something I'm a b person, so I'm not okay,

1568
01:14:11,360 --> 01:14:13,800
Speaker 6: I'm not embarrassed. I'm a yahoul.

1569
01:14:15,439 --> 01:14:16,840
Speaker 1: I want to say that once, like in the early

1570
01:14:16,920 --> 01:14:19,720
Speaker 1: days of Instagram, what I said screen shot and so

1571
01:14:20,240 --> 01:14:23,200
Speaker 1: I mean it was showing uh, showing.

1572
01:14:23,280 --> 01:14:24,400
Speaker 4: A game question Sean.

1573
01:14:25,560 --> 01:14:28,120
Speaker 1: I forget what his post name was. Back Oh damn it,

1574
01:14:28,680 --> 01:14:33,160
Speaker 1: damn right. He wants like, hey, uh, in case you

1575
01:14:33,520 --> 01:14:36,080
Speaker 1: might want to redo that photo again because we can

1576
01:14:36,120 --> 01:14:40,240
Speaker 1: see your your windows, like you know you leave windows.

1577
01:14:40,280 --> 01:14:44,599
Speaker 6: I was like, I know y'all should be pray see,

1578
01:14:45,080 --> 01:14:45,680
Speaker 6: I should be.

1579
01:14:47,200 --> 01:14:47,519
Speaker 3: No time.

1580
01:14:47,520 --> 01:14:49,360
Speaker 6: I don't only want to put my search in out there.

1581
01:14:49,520 --> 01:14:51,479
Speaker 6: You know what I'm saying. The rest nobody say nothing.

1582
01:14:51,520 --> 01:14:53,600
Speaker 3: You put it out, but you did it like accidentally

1583
01:14:53,600 --> 01:14:54,920
Speaker 3: when you send us the screenshot.

1584
01:14:54,960 --> 01:14:57,120
Speaker 6: It was like, not just mean a conversation today, like

1585
01:14:57,160 --> 01:14:59,719
Speaker 6: I said it again and nobody is sitting.

1586
01:15:00,040 --> 01:15:02,680
Speaker 1: Gonna tell you something. You know, really I'm gonna tell you.

1587
01:15:03,160 --> 01:15:08,320
Speaker 1: I don't want to know what steve my relationship. It's

1588
01:15:08,360 --> 01:15:11,280
Speaker 1: almost like the rap game, like I have hip hop

1589
01:15:11,320 --> 01:15:13,639
Speaker 1: that I gravitate towards. That was in the late eighties

1590
01:15:13,680 --> 01:15:17,120
Speaker 1: and early nineties now sort of like hip hop. It's

1591
01:15:17,120 --> 01:15:19,559
Speaker 1: sort of like, all right, there's an occasional Drake song,

1592
01:15:19,600 --> 01:15:23,960
Speaker 1: I like Kendrick's Eye. It's just now I.

1593
01:15:23,960 --> 01:15:25,160
Speaker 6: Can't see through these metaphors.

1594
01:15:25,200 --> 01:15:30,680
Speaker 1: What No, I'm just saying, like, is I think you

1595
01:15:30,720 --> 01:15:31,519
Speaker 1: get over.

1596
01:15:33,080 --> 01:15:33,120
Speaker 4: It?

1597
01:15:34,000 --> 01:15:34,200
Speaker 9: Yeah?

1598
01:15:34,479 --> 01:15:36,240
Speaker 1: Yeah, like I'm not. It's old.

1599
01:15:36,280 --> 01:15:38,720
Speaker 3: It's not a thing anymore. I mean because it's everywhere

1600
01:15:38,960 --> 01:15:39,599
Speaker 3: like it's you know.

1601
01:15:39,680 --> 01:15:41,240
Speaker 1: I'm not even saying desensitized.

1602
01:15:41,240 --> 01:15:43,000
Speaker 6: I'm just like, I literally just want to know what

1603
01:15:43,040 --> 01:15:45,040
Speaker 6: y'all put in the search boxlogist, I don't.

1604
01:15:45,120 --> 01:15:49,679
Speaker 4: It's it's okay, fucking that don't.

1605
01:15:49,439 --> 01:15:54,040
Speaker 1: Work on apostrophe or are you just saying what you know? Real? Like,

1606
01:15:54,800 --> 01:15:56,000
Speaker 1: I'm turned to the classics.

1607
01:15:56,800 --> 01:16:01,320
Speaker 5: Okay, it's like Turner movie, but the New Ship is

1608
01:16:01,360 --> 01:16:02,559
Speaker 5: like trap music to me.

1609
01:16:02,600 --> 01:16:05,360
Speaker 1: And that Look, the thing is, I don't have anything.

1610
01:16:05,600 --> 01:16:08,240
Speaker 1: Is that because as a businessman, as a roots picnic guy,

1611
01:16:08,280 --> 01:16:11,880
Speaker 1: as a DJ, as a Tonight show person, I'm up

1612
01:16:11,960 --> 01:16:16,960
Speaker 1: on today's stuff. But I'm done. I'm done. You know,

1613
01:16:17,560 --> 01:16:21,200
Speaker 1: it's run its course. There's not that note. Yeah, so

1614
01:16:21,560 --> 01:16:25,639
Speaker 1: I won't be had for that, right? All right about

1615
01:16:25,720 --> 01:16:30,040
Speaker 1: take a little nurse search engine and unpaid Bill, and

1616
01:16:30,040 --> 01:16:34,200
Speaker 1: and and Sugar Steve and uh you know this course

1617
01:16:34,240 --> 01:16:37,599
Speaker 1: Loves Supreme, shout out to our illustri thank you, yeah

1618
01:16:38,000 --> 01:16:42,800
Speaker 1: for our crew and our sound about the Brandy and

1619
01:16:43,280 --> 01:16:46,639
Speaker 1: Jake and and and Brian and our family at iHeart

1620
01:16:46,760 --> 01:16:49,640
Speaker 1: and everyone that makes us happen. We'll see you on

1621
01:16:49,760 --> 01:16:51,640
Speaker 1: the next go around, of course, Love Supreme, Thank you.

1622
01:16:55,560 --> 01:16:58,280
Speaker 6: Hey, thank you all for listening to cust Love Spreing.

1623
01:16:59,080 --> 01:17:02,080
Speaker 6: This podcast is hosted by an Afro, a mouth, a rapper,

1624
01:17:02,800 --> 01:17:05,120
Speaker 6: an engineer, and a man with too many jobs aka

1625
01:17:05,400 --> 01:17:07,280
Speaker 6: A mere quest Love Thompson, Why are you a Saint

1626
01:17:07,320 --> 01:17:11,439
Speaker 6: Clair Fonte Coleman, Sugar, Steve Mandel and unpaid Bill Sherman.

1627
01:17:12,320 --> 01:17:15,880
Speaker 6: The executive producers who get paid the big bucks a

1628
01:17:15,960 --> 01:17:19,679
Speaker 6: mere quest Love Thompson, Sean g and Brian Calhoun asked

1629
01:17:19,720 --> 01:17:22,640
Speaker 6: them for money produced by the people who do all

1630
01:17:22,680 --> 01:17:26,400
Speaker 6: the real work Britney Benjamin, Jake Payne. And yes, why

1631
01:17:26,479 --> 01:17:29,280
Speaker 6: You're Saint Clair edited by another person who does the

1632
01:17:29,320 --> 01:17:32,800
Speaker 6: real work, Alex Conroy and those who approved the real

1633
01:17:32,880 --> 01:17:36,599
Speaker 6: work produced for iHeart by Noel Brown and Mike Johnson.

1634
01:17:37,320 --> 01:17:39,880
Speaker 6: And don't forget the man is making me sound good,

1635
01:17:40,000 --> 01:17:43,960
Speaker 6: right Now because up too. Audio engineering by Graham Gibson

1636
01:17:44,000 --> 01:17:47,960
Speaker 6: at Iheart's La Studio, Thanks Sean West.

1637
01:17:48,040 --> 01:17:53,960
Speaker 1: Love Supreme is a production of iHeartRadio. For more podcasts

1638
01:17:54,000 --> 01:17:57,560
Speaker 1: from iHeart Radio, visit the iHeart Radio app, Apple Podcasts,

1639
01:17:57,960 --> 01:17:59,679
Speaker 1: or wherever you listen to your favorite shows.