1 00:00:00,240 --> 00:00:04,680 Speaker 1: From UFOs to psychic powers and government conspiracies. History is 2 00:00:04,760 --> 00:00:09,080 Speaker 1: riddled with unexplained events. You can turn back now or 3 00:00:09,200 --> 00:00:19,480 Speaker 1: learn the stuff they don't want you to know. Phil Comman, 4 00:00:19,680 --> 00:00:23,400 Speaker 1: my name is Matt. They called me Ben you are you? 5 00:00:23,600 --> 00:00:26,560 Speaker 1: And that makes this stuff they don't want you to know. 6 00:00:26,720 --> 00:00:28,880 Speaker 1: This is a very special episode. Dan, you really whipped 7 00:00:28,880 --> 00:00:31,320 Speaker 1: on our whole German theme we had going, Okay, I'll 8 00:00:31,360 --> 00:00:35,920 Speaker 1: do um at least do a bad Kennedy German accent. 9 00:00:35,960 --> 00:00:39,400 Speaker 1: When Za called me, that's pretty good. That was good. 10 00:00:40,479 --> 00:00:43,720 Speaker 1: Don't know the Kennedy German thing that you're talking about, 11 00:00:43,920 --> 00:00:49,519 Speaker 1: ben I Bella, the old knit you you heard that story, right, 12 00:00:50,520 --> 00:00:55,280 Speaker 1: I don't know. Uh well, uh well, Mr President. Uh 13 00:00:55,400 --> 00:00:58,080 Speaker 1: The story is that when you were in Berlin, you 14 00:00:58,160 --> 00:01:02,160 Speaker 1: gave a speech where you meant to say, I too 15 00:01:02,440 --> 00:01:05,080 Speaker 1: am a resident of Berlin, but what you did instead 16 00:01:05,400 --> 00:01:11,080 Speaker 1: was I too am a specific type of doughnut. That's awesome. Yeah, 17 00:01:11,120 --> 00:01:13,200 Speaker 1: I can't remember if that's true or if that's just 18 00:01:13,280 --> 00:01:17,640 Speaker 1: a myth. He said he was like a crueler or something. 19 00:01:17,720 --> 00:01:20,760 Speaker 1: I guess I'm staring at no because only used to 20 00:01:20,840 --> 00:01:23,920 Speaker 1: live in draining Yeah, I'm staring you because you used 21 00:01:23,920 --> 00:01:26,800 Speaker 1: to live in Germany. I was a child, so for us, 22 00:01:27,400 --> 00:01:30,000 Speaker 1: I did not consume the news for the purposes of 23 00:01:30,040 --> 00:01:34,360 Speaker 1: this podcast. You are now our official German correspondent and expert. 24 00:01:35,760 --> 00:01:39,000 Speaker 1: I reject that distinction. All right, it's pretty great. So, 25 00:01:39,040 --> 00:01:41,759 Speaker 1: as you guys can see, we have nothing for you today. 26 00:01:43,120 --> 00:01:48,000 Speaker 1: Oh yeah, we have We have nothing ordinary for you. 27 00:01:49,360 --> 00:01:53,880 Speaker 1: Is that good? Because this is uh, this is a big, 28 00:01:54,040 --> 00:01:59,600 Speaker 1: big week for us through um, some accident or or fate, 29 00:02:00,160 --> 00:02:03,840 Speaker 1: some metaphysical clockwork of the heavens and the firmament. Uh. 30 00:02:03,960 --> 00:02:07,680 Speaker 1: It turns out that Matt, Noel and I all have 31 00:02:08,040 --> 00:02:12,639 Speaker 1: a very close birthdays. And as a matter of fact, 32 00:02:12,720 --> 00:02:15,120 Speaker 1: while we are in the studio here along with of 33 00:02:15,120 --> 00:02:20,000 Speaker 1: course our super producer Alex Williams, it is Noel Brown's 34 00:02:20,240 --> 00:02:24,959 Speaker 1: birthday as we record this. Happy birthday, No, happy, happy 35 00:02:25,080 --> 00:02:28,320 Speaker 1: New Year. Man. It's birthdays are super important. It's the 36 00:02:28,360 --> 00:02:31,040 Speaker 1: only New Year person gets. I don't think you're forty. 37 00:02:31,080 --> 00:02:32,560 Speaker 1: That's it. This is what I tell people so that 38 00:02:32,600 --> 00:02:35,360 Speaker 1: they can tell me how good I look. That's a 39 00:02:35,360 --> 00:02:40,040 Speaker 1: great strategy. Four. It's like you look like trash. And 40 00:02:40,800 --> 00:02:42,839 Speaker 1: I'm pretty happy with thirty four. It's been a good. 41 00:02:42,880 --> 00:02:45,079 Speaker 1: It's been a good day. You're great. Yeah. I went 42 00:02:45,120 --> 00:02:47,760 Speaker 1: and had some hangs with friends last night. You were there, yea, 43 00:02:47,960 --> 00:02:50,399 Speaker 1: and you were there. You were there, Alex was there. 44 00:02:50,600 --> 00:02:53,440 Speaker 1: Actually you weren't there. You were you were getting in 45 00:02:53,480 --> 00:02:56,480 Speaker 1: on a flight. Yeah, because I was celebrating my birthday 46 00:02:56,600 --> 00:02:59,919 Speaker 1: in a way. Yeah, we all celebrate in our own 47 00:03:00,360 --> 00:03:04,079 Speaker 1: and that you had a birthday just a few days ago. Yeah, yeah, 48 00:03:04,480 --> 00:03:08,160 Speaker 1: I celebrated mine with some red label. I just won't 49 00:03:08,200 --> 00:03:10,080 Speaker 1: go too much into detail. If you know what that is, 50 00:03:10,120 --> 00:03:14,000 Speaker 1: that's what it is. And uh yeah it was delicious. 51 00:03:14,760 --> 00:03:18,000 Speaker 1: It's very cryptic, mysterious. You know. It was scotch. Is 52 00:03:18,040 --> 00:03:20,400 Speaker 1: it like a Johnny Walker? Yeah, I didn't want to 53 00:03:20,400 --> 00:03:24,520 Speaker 1: say I'm drinking a bunch of scotch. You are a man, 54 00:03:24,520 --> 00:03:27,120 Speaker 1: totally id gender thing, and it's meant you're you know, 55 00:03:27,320 --> 00:03:30,080 Speaker 1: you're of age, you have you have agency, you are, 56 00:03:30,120 --> 00:03:33,320 Speaker 1: in fact forty six, forty six and a half. You 57 00:03:33,320 --> 00:03:36,640 Speaker 1: look great. You what is your secret? Well, the secrets 58 00:03:36,800 --> 00:03:42,839 Speaker 1: mostly sungred day. The youngs oh oh good, okay, that's 59 00:03:42,880 --> 00:03:44,640 Speaker 1: what we had thought it would be. Plus he has 60 00:03:44,640 --> 00:03:47,800 Speaker 1: a touch of the Benjamin button. Yeah, a touch of 61 00:03:47,840 --> 00:03:51,640 Speaker 1: the button and Uh, and so we all have our 62 00:03:51,840 --> 00:03:54,800 Speaker 1: we all have our birthdays going on and in the past, 63 00:03:55,000 --> 00:03:59,280 Speaker 1: during and let's say, momentous occasions like Halloween or something 64 00:03:59,360 --> 00:04:04,760 Speaker 1: that we would get together and typically under the direction 65 00:04:04,840 --> 00:04:08,400 Speaker 1: of our parent company, Illumination Global Unlimited, we would present 66 00:04:08,520 --> 00:04:11,080 Speaker 1: some sort of story or a tale or a listener 67 00:04:11,080 --> 00:04:14,520 Speaker 1: mail that you may have sent in and uh. For 68 00:04:14,600 --> 00:04:19,080 Speaker 1: this episode, we decided to make a little story of 69 00:04:19,120 --> 00:04:22,680 Speaker 1: our own. Used it looks everybody been selling it short 70 00:04:22,720 --> 00:04:25,120 Speaker 1: a little bit. This is a fantastic story that Ben 71 00:04:25,160 --> 00:04:29,200 Speaker 1: specifically wrote to celebrate his birthday and our birthday. Yeah, 72 00:04:29,240 --> 00:04:31,400 Speaker 1: and we had no idea what was coming table read. 73 00:04:31,560 --> 00:04:34,080 Speaker 1: It was very professional. It was a beautiful thing that 74 00:04:34,160 --> 00:04:36,760 Speaker 1: came together two kinds. It was great. And you know, 75 00:04:36,920 --> 00:04:39,840 Speaker 1: I won't say when your birthday is been, but it's 76 00:04:39,960 --> 00:04:44,160 Speaker 1: very close to a time you're listening to right now. 77 00:04:44,240 --> 00:04:47,120 Speaker 1: Now everybody's going to assume it's related to the eclipse. 78 00:04:47,160 --> 00:04:51,320 Speaker 1: It's not. But yes, so yes, we put this together. 79 00:04:51,520 --> 00:04:56,279 Speaker 1: And luckily, Matt Noel, obviously you guys are two of 80 00:04:56,320 --> 00:04:58,279 Speaker 1: my closest friends. And I still don't know how you 81 00:04:58,360 --> 00:05:03,120 Speaker 1: put up with this, uh, with this last second stuff 82 00:05:03,279 --> 00:05:06,680 Speaker 1: that I end up pooling sometime. Well it's mostly on Alex. 83 00:05:06,760 --> 00:05:11,559 Speaker 1: It is a lot. I mean, you're getting some resentful nodes. 84 00:05:12,800 --> 00:05:14,159 Speaker 1: He's like, oh, you want me to do some more 85 00:05:14,240 --> 00:05:20,719 Speaker 1: sound design problem? Right? Uh. So we have this story 86 00:05:20,839 --> 00:05:25,480 Speaker 1: for you and we hope you enjoy it. I also, 87 00:05:25,920 --> 00:05:27,479 Speaker 1: I think we shall also point out that we have 88 00:05:27,600 --> 00:05:32,440 Speaker 1: other stuff we can create. If you guys enjoy fictional stories, 89 00:05:32,440 --> 00:05:34,560 Speaker 1: We're not going to do it all the time, special occasion, 90 00:05:34,680 --> 00:05:36,760 Speaker 1: you know what I mean. And we also have a 91 00:05:36,760 --> 00:05:42,279 Speaker 1: ton of fantastically talented other people coworkers that are featured 92 00:05:42,560 --> 00:05:45,080 Speaker 1: in this. Yeah. I don't know if if anyone's noticed, 93 00:05:45,120 --> 00:05:47,680 Speaker 1: but the stuff they don't want you to know team 94 00:05:47,920 --> 00:05:50,200 Speaker 1: has sort of grown a little bit, well actually the 95 00:05:50,200 --> 00:05:52,560 Speaker 1: whole how stuff works team. But we're lucky enough to 96 00:05:52,560 --> 00:05:55,719 Speaker 1: be able to tap two of these folks, and Alex 97 00:05:55,720 --> 00:05:58,600 Speaker 1: and Tristan they have been helping us out a lot. Yeah, 98 00:05:58,720 --> 00:06:00,920 Speaker 1: you'd probably hear us dropping their names from time to time. 99 00:06:01,000 --> 00:06:05,000 Speaker 1: So you're definitely gonna hear super producer Alex in this story. 100 00:06:05,040 --> 00:06:08,680 Speaker 1: And apparently Tristan tells Ben he loves him. I think 101 00:06:08,720 --> 00:06:13,960 Speaker 1: we cut that part. Yeah, I'm still gonna say so. 102 00:06:14,560 --> 00:06:20,360 Speaker 1: You'll also you'll also hear some other collaborators of ours. Right, 103 00:06:20,440 --> 00:06:24,240 Speaker 1: long time listeners will recognize uh lord, vogel bomb, and 104 00:06:24,320 --> 00:06:27,839 Speaker 1: any recent food stuff fame. You know, you'll probably be 105 00:06:27,960 --> 00:06:33,600 Speaker 1: able to tell who's Yeah, oh boy, we've already said 106 00:06:33,640 --> 00:06:38,120 Speaker 1: too much. So let's let's h cut past the cheesecake 107 00:06:38,640 --> 00:06:45,640 Speaker 1: and let's cut the cheese. That's the most awful like 108 00:06:46,080 --> 00:06:50,880 Speaker 1: euphemism for a fart, because it makes cheese seem gross. Yeah, 109 00:06:50,920 --> 00:06:54,640 Speaker 1: it's really unfair to cheese. Well, I don't know what 110 00:06:54,720 --> 00:06:57,719 Speaker 1: you guys, but I'm getting a little hungry. Is anybody 111 00:06:57,760 --> 00:07:00,520 Speaker 1: interested in I don't know, hitting up a food joining 112 00:07:00,560 --> 00:07:10,400 Speaker 1: or something. Every night in cities and towns across America, 113 00:07:10,480 --> 00:07:15,200 Speaker 1: the same conversation takes place. But where did these hungry 114 00:07:15,280 --> 00:07:19,400 Speaker 1: diners turn for a convenient burger and an easy beverage? 115 00:07:20,000 --> 00:07:23,240 Speaker 1: Standing in front of the fast food friar like the 116 00:07:23,320 --> 00:07:28,080 Speaker 1: ferryman before the river sticks fast food employees, Sam Sullivan 117 00:07:28,200 --> 00:07:32,000 Speaker 1: is about to learn that some combo meal deals come 118 00:07:32,080 --> 00:08:00,960 Speaker 1: with much more than the side of fries and a coke. Hello, Sam, 119 00:08:00,960 --> 00:08:04,240 Speaker 1: it's uncle Roy. Listen. Have you heard from Amanda? No, 120 00:08:04,400 --> 00:08:06,320 Speaker 1: she was supposed to go to your place tonight. Right, 121 00:08:07,040 --> 00:08:08,560 Speaker 1: It's just that I haven't heard from her yet and 122 00:08:08,560 --> 00:08:10,640 Speaker 1: it's getting late. I texted and called, but there was 123 00:08:10,640 --> 00:08:13,520 Speaker 1: no response. Hey, no phones at work, sam Come on, 124 00:08:13,640 --> 00:08:17,400 Speaker 1: keep it moving, do the work. Look, I'm sure she's fine. Okay. 125 00:08:17,440 --> 00:08:19,720 Speaker 1: Maybe she went to a movie or a holiday party 126 00:08:19,840 --> 00:08:21,960 Speaker 1: or something. I hope. So it's just with all the 127 00:08:21,960 --> 00:08:23,960 Speaker 1: stuff in the news lately, you never know what. Because 128 00:08:24,080 --> 00:08:26,320 Speaker 1: she's fine. Look, I have to get going. Could you 129 00:08:26,320 --> 00:08:29,480 Speaker 1: just send me a text when she gets there? Okay, Well, thanks, 130 00:08:29,560 --> 00:08:36,480 Speaker 1: Uncle Roy. Back to work, then, welcome to beasels Burgers. 131 00:08:36,480 --> 00:08:40,960 Speaker 1: How may I help you? Samuel Slim, just the man 132 00:08:41,080 --> 00:08:47,360 Speaker 1: I was looking for. Good evening, sir, evening? Hello? Can 133 00:08:47,400 --> 00:08:52,280 Speaker 1: I help you with your order? Yes, let's see, I'll 134 00:08:52,360 --> 00:08:57,640 Speaker 1: have a blackened goat chord. I'm sorry, I mean I'll 135 00:08:57,720 --> 00:09:02,920 Speaker 1: have an apple cobbler. Yes, if that's also your total 136 00:09:03,080 --> 00:09:11,680 Speaker 1: is dollar ten? Yeah? Please drive around to the second window. Okay, here, sir, 137 00:09:11,760 --> 00:09:17,360 Speaker 1: are you all right? What of the chains? Pay no mind, Samuel, 138 00:09:17,440 --> 00:09:20,720 Speaker 1: I have something very important to tell you. How do 139 00:09:20,800 --> 00:09:24,240 Speaker 1: you know my name? No time? Listen and listen closely. 140 00:09:25,800 --> 00:09:28,720 Speaker 1: Years ago you made a promise and a bargain, and 141 00:09:28,760 --> 00:09:32,640 Speaker 1: now this promise comes due tonight. You will be visited 142 00:09:32,679 --> 00:09:36,280 Speaker 1: by three spirits. Not all wish you well, but you 143 00:09:36,360 --> 00:09:41,440 Speaker 1: must answer each question, each request, and you must remember 144 00:09:42,000 --> 00:09:45,240 Speaker 1: ultimately how you answer is up to you. The choices 145 00:09:45,320 --> 00:09:53,080 Speaker 1: will always and only be your own. Ah okay, yeah sure, pal, 146 00:09:53,200 --> 00:09:55,959 Speaker 1: but spirits or no spirits. The apple cobbler here is 147 00:09:55,960 --> 00:10:02,760 Speaker 1: still a dollar ten. This should suffice, remember, Samuel, the 148 00:10:02,960 --> 00:10:15,520 Speaker 1: choices are your own. Dude. Those real silver dollars? Uh, well, 149 00:10:15,960 --> 00:10:17,560 Speaker 1: you know, I think so? Hey, did you get a 150 00:10:17,559 --> 00:10:19,400 Speaker 1: loaded that guy? No? No, no, I didn't see anyone. 151 00:10:19,480 --> 00:10:22,800 Speaker 1: Was he weird? You know? Christmas man Holidays brings out 152 00:10:22,920 --> 00:10:24,920 Speaker 1: the freaks. He was trying to do some sort of 153 00:10:25,040 --> 00:10:27,959 Speaker 1: bit or something. I guess, Hang on a sex, Sam, 154 00:10:27,960 --> 00:10:31,880 Speaker 1: Those silver dollars from eighteen oh four, well the store 155 00:10:31,920 --> 00:10:35,240 Speaker 1: can still take them, right, Well, yeah, but we should 156 00:10:35,280 --> 00:10:37,400 Speaker 1: totally switch them out. I mean, you got any ones? 157 00:10:37,920 --> 00:10:42,360 Speaker 1: I think so? Yeah? Here's here's two bucks, and as 158 00:10:42,360 --> 00:10:46,520 Speaker 1: assistant manager, I declare that I'll take one consider at 159 00:10:46,520 --> 00:10:49,560 Speaker 1: a finders feed. Are these worth like money? Like money money? 160 00:10:49,880 --> 00:10:52,960 Speaker 1: Keep kidding me? Yes, yes, Sam, these old coins are 161 00:10:53,000 --> 00:10:55,880 Speaker 1: worth at least their weight in silver, probably more. But 162 00:10:55,960 --> 00:10:58,559 Speaker 1: how did that guy know my name? Who cares? Look 163 00:10:58,720 --> 00:11:01,600 Speaker 1: whoever he is? That nut job just paid us hundreds 164 00:11:01,600 --> 00:11:14,120 Speaker 1: of dollars for a preheated cobbler. Welcome to beasels Burgers. 165 00:11:14,160 --> 00:11:18,840 Speaker 1: Would you care to try our spit roasted Bub's glutton grille? Oh? 166 00:11:18,920 --> 00:11:23,400 Speaker 1: That does sound nice, intellectable in fact, yes, I do 167 00:11:23,559 --> 00:11:28,120 Speaker 1: care to try one. Oh and the number three as well. Huh? 168 00:11:28,240 --> 00:11:36,120 Speaker 1: And and to drink or tears milk? No, no, sir, 169 00:11:36,160 --> 00:11:40,960 Speaker 1: I'm afraid we do not. I'll have an orange fan 170 00:11:41,080 --> 00:11:46,000 Speaker 1: to that. Okay, that'll be eight dollars and cents. Please 171 00:11:46,080 --> 00:11:50,920 Speaker 1: drive around to the second wind Sam, Sam Sullivan. It's 172 00:11:50,960 --> 00:11:55,160 Speaker 1: so wonderful to see you again. I'm sorry. Have we met? Oh? Yes, 173 00:11:55,960 --> 00:11:58,319 Speaker 1: but it was a long time ago. I think that's 174 00:11:58,360 --> 00:12:01,800 Speaker 1: the phrase you'd use back before your parents were born 175 00:12:02,360 --> 00:12:07,319 Speaker 1: or their parents, back when everything was dark. I don't 176 00:12:07,320 --> 00:12:09,480 Speaker 1: know if you remember now, but it usually comes back 177 00:12:09,480 --> 00:12:15,040 Speaker 1: to everyone in time. Uh sure, okay, fine, whatever, Here 178 00:12:15,040 --> 00:12:17,960 Speaker 1: we go. One orange fanto, one bub scletton grill, and 179 00:12:18,120 --> 00:12:22,559 Speaker 1: a number three with fries perfect. A one more thing? Yes? 180 00:12:23,360 --> 00:12:26,960 Speaker 1: Could you spit in it? What could you spit in 181 00:12:27,000 --> 00:12:29,920 Speaker 1: the bag as a favor? I'm not sure that's a 182 00:12:29,920 --> 00:12:33,720 Speaker 1: good idea, sir, not idea, so I'm not sure. Spit 183 00:12:33,880 --> 00:12:39,000 Speaker 1: in the bag? Okay, Jesus all right, that'll still be 184 00:12:39,080 --> 00:12:44,560 Speaker 1: eight dollars and cents here keep the change. How about 185 00:12:44,559 --> 00:12:48,240 Speaker 1: I give you something else, Sam, as a tip. Your 186 00:12:48,320 --> 00:12:52,160 Speaker 1: daughter isn't at the movies. She isn't at a holiday party? 187 00:12:52,240 --> 00:12:55,520 Speaker 1: Are you a friend of Amanda's? A friend of everyone's? 188 00:12:55,640 --> 00:13:02,280 Speaker 1: At the end, it's just another beginning. What perfect, my my, 189 00:13:02,760 --> 00:13:08,400 Speaker 1: what a time we're having, remember Sam, that's the thing 190 00:13:08,440 --> 00:13:21,800 Speaker 1: about kids, They're never wear you think. Hey, Tim, Yeah, 191 00:13:21,840 --> 00:13:24,560 Speaker 1: I'm starting to get a weird feeling a little under 192 00:13:24,559 --> 00:13:26,960 Speaker 1: the weather. Is Is there anyone else we could call in? 193 00:13:27,040 --> 00:13:29,360 Speaker 1: And I'm afraid not, Man, it's just you and me 194 00:13:29,720 --> 00:13:33,120 Speaker 1: on the graveyard shift till dawn. You want some ass 195 00:13:33,120 --> 00:13:38,480 Speaker 1: bread and some coffee, some cocaine? Uh? No, I appreciate it, 196 00:13:38,480 --> 00:13:41,040 Speaker 1: but I think I just need to take a restroom break. 197 00:13:41,200 --> 00:13:42,680 Speaker 1: Can you keep your eye on the drive through for 198 00:13:42,720 --> 00:14:09,960 Speaker 1: a second? Yeah? Sure, why not? M Hi, you've reached Amanda. 199 00:14:10,120 --> 00:14:11,680 Speaker 1: I'm not able to get to the phone right now, 200 00:14:11,800 --> 00:14:18,360 Speaker 1: so yeah, leave me a message. Okay, Bye, Hi mandyts Dad. 201 00:14:18,440 --> 00:14:20,800 Speaker 1: I'm just calling to check in. Uncle Roy said he 202 00:14:20,800 --> 00:14:23,040 Speaker 1: hasn't heard from you. Could you send us a text 203 00:14:23,040 --> 00:14:35,160 Speaker 1: when you get this? All right? Bye? Love you. Did 204 00:14:35,200 --> 00:14:39,320 Speaker 1: anyone come through? Nope? I guess the fans are all 205 00:14:39,320 --> 00:14:57,200 Speaker 1: waiting for you, buddy whatever. Welcome to beasls Burgers. May 206 00:14:57,200 --> 00:14:59,040 Speaker 1: I interest you in an as a FROs frapp or 207 00:14:59,080 --> 00:15:06,680 Speaker 1: a pale horseman's moothie. You're in now? Are never bothered out? 208 00:15:06,800 --> 00:15:09,440 Speaker 1: And look, lady, I don't know who you people are, 209 00:15:09,560 --> 00:15:11,680 Speaker 1: what the hell you think is so funny? But I 210 00:15:11,720 --> 00:15:17,240 Speaker 1: am going to call the cops on you tonight. I 211 00:15:17,240 --> 00:15:20,280 Speaker 1: don't think you understand what's happening here. I'll come around. 212 00:15:26,400 --> 00:15:29,720 Speaker 1: That's been here, I'll show you something. Call your manager 213 00:15:29,760 --> 00:15:38,000 Speaker 1: over what's his name? Tim? Hello? Tim? Hey? Tim? Yeah? Here, 214 00:15:38,040 --> 00:15:41,600 Speaker 1: I'll try again, Tim. Oh, Tim, I know what happened 215 00:15:41,640 --> 00:15:44,960 Speaker 1: to your parakeets, Smarty remember her? The feathers were so soft, 216 00:15:45,120 --> 00:15:50,320 Speaker 1: the snaps so surprising. Dude, I said, yeah, you don't 217 00:15:50,360 --> 00:15:54,360 Speaker 1: hear that. No one can hear us, Sam, not unless 218 00:15:54,360 --> 00:15:57,600 Speaker 1: they're already touched by the dark, Unless you mean the 219 00:15:57,640 --> 00:16:01,560 Speaker 1: friar or the a c Then no, Sam, I did 220 00:16:01,600 --> 00:16:04,520 Speaker 1: not hear that. What is up? Come check this out? 221 00:16:05,160 --> 00:16:07,720 Speaker 1: At the window. I'm telling you, Sam, it doesn't matter. 222 00:16:08,000 --> 00:16:11,360 Speaker 1: Watch I'm waving, see me waving? A very human thing 223 00:16:11,400 --> 00:16:14,320 Speaker 1: to do, like remembering to blink? What am I supposed 224 00:16:14,360 --> 00:16:16,920 Speaker 1: to be looking at? Sam? Could you close the window? 225 00:16:17,240 --> 00:16:19,600 Speaker 1: Could you close the window? Please? Don't let all the 226 00:16:19,600 --> 00:16:22,280 Speaker 1: heat out? Are you seriously telling me you're in on this? 227 00:16:22,520 --> 00:16:26,000 Speaker 1: You know what? That is pretty dumb, even for you, man, 228 00:16:26,040 --> 00:16:28,720 Speaker 1: you tell him Sam, Look, man, maybe you really are 229 00:16:28,760 --> 00:16:31,240 Speaker 1: into the weather or something. I know, working on the 230 00:16:31,240 --> 00:16:34,280 Speaker 1: holidays it sucks, but it's time and a half and 231 00:16:34,320 --> 00:16:35,880 Speaker 1: I got no one else to fill in here, So 232 00:16:36,080 --> 00:16:38,520 Speaker 1: just could you try and take it easy for me? Please? 233 00:16:39,000 --> 00:16:41,600 Speaker 1: Giving me a heart attack here? It's been a ghost 234 00:16:41,680 --> 00:16:44,760 Speaker 1: town all night. We haven't seen a single customer since 235 00:16:44,880 --> 00:16:48,240 Speaker 1: what the silver dollar guy. We're basically being paid to 236 00:16:48,280 --> 00:16:50,360 Speaker 1: sit on our butts here for a few hours. Can 237 00:16:50,400 --> 00:16:53,680 Speaker 1: you just hang please? You're telling me that you cannot 238 00:16:53,720 --> 00:16:58,320 Speaker 1: see her. There is no one to see Sam, Jesus, man, 239 00:16:58,360 --> 00:17:00,640 Speaker 1: would you get it together? I'm going to grab a 240 00:17:00,640 --> 00:17:07,000 Speaker 1: smoke now. You can't trust the others, but you can 241 00:17:07,000 --> 00:17:08,919 Speaker 1: trust me. I want to make a deal with you, 242 00:17:08,960 --> 00:17:11,000 Speaker 1: Sam Sullivan, a better deal than the one you made 243 00:17:11,040 --> 00:17:14,280 Speaker 1: before I never made a deal with anyone. Oh, yes, 244 00:17:14,640 --> 00:17:17,080 Speaker 1: yes you did. Maybe you didn't know it, but the 245 00:17:17,080 --> 00:17:19,880 Speaker 1: deal was made nonetheless, and now we'll make a new one. 246 00:17:20,400 --> 00:17:22,360 Speaker 1: I will give you a prophecy, and you will give 247 00:17:22,400 --> 00:17:25,760 Speaker 1: me a keepsake. Hey, look, I'm not sure if I 248 00:17:25,880 --> 00:17:30,880 Speaker 1: understand the reliquary. Yes, that's the word. Your grandfather's pocket watch. 249 00:17:30,920 --> 00:17:32,760 Speaker 1: Do you remember the one you gave Amanda when she 250 00:17:32,800 --> 00:17:35,800 Speaker 1: graduated high school? How did you know about the pocket watch? 251 00:17:35,840 --> 00:17:39,040 Speaker 1: Reach into your pocket, Sam, that's where pocket watches belong, 252 00:17:39,160 --> 00:17:43,320 Speaker 1: isn't it How? Oh my god? Here it is. But 253 00:17:43,320 --> 00:17:45,520 Speaker 1: but it wasn't here a second ago. And there wasn't 254 00:17:45,520 --> 00:17:48,040 Speaker 1: all that blood drying on it either. I imagine. I 255 00:17:48,160 --> 00:17:50,320 Speaker 1: don't know what sort of game you people are playing, 256 00:17:50,359 --> 00:17:53,280 Speaker 1: but I promise you give me the watch, give me 257 00:17:53,440 --> 00:17:59,680 Speaker 1: the reliquary, and I will help you find your daughter. Okay, 258 00:18:00,080 --> 00:18:08,639 Speaker 1: here the agreement is sealed. M heed me close, Oh mortal, 259 00:18:08,960 --> 00:18:12,719 Speaker 1: These three things I prophecy. You will find one thing lost, 260 00:18:13,000 --> 00:18:15,679 Speaker 1: you will lose one thing found, and your choice in 261 00:18:15,760 --> 00:18:20,320 Speaker 1: the end will be wrong. Hey wait, what the hell? 262 00:18:22,119 --> 00:18:27,359 Speaker 1: God damn it. Welcome to beasels Burgher's. How may I 263 00:18:27,440 --> 00:18:32,080 Speaker 1: help you? Mandy, Where where have you been? Your uncle 264 00:18:32,119 --> 00:18:34,840 Speaker 1: Roy and I have been calling you all night. I'm 265 00:18:34,880 --> 00:18:39,040 Speaker 1: not sure where I am at, just sort of floating. 266 00:18:40,560 --> 00:18:43,960 Speaker 1: I can come and ask you for something, yet, just 267 00:18:44,080 --> 00:18:46,480 Speaker 1: drive around and meet me at the window. But I 268 00:18:46,480 --> 00:18:51,879 Speaker 1: can't drive around. I read the car. I'm sorry it 269 00:18:51,920 --> 00:18:54,640 Speaker 1: was a sharp turn and I wasn't drunker or anything 270 00:18:54,720 --> 00:18:57,760 Speaker 1: that I was probably driving too fast and then getting 271 00:18:57,800 --> 00:19:00,960 Speaker 1: down into the lake. I think Vanessa got out, but 272 00:19:01,000 --> 00:19:03,960 Speaker 1: I'm not sure. Amanda, are you open? I only have 273 00:19:04,080 --> 00:19:08,960 Speaker 1: a little time. I wanted to ask you for a memory. 274 00:19:09,760 --> 00:19:12,520 Speaker 1: Do you remember when Mom was alive, back when the 275 00:19:12,600 --> 00:19:15,480 Speaker 1: chemo took over, and we sat by the bedside night 276 00:19:15,680 --> 00:19:22,600 Speaker 1: and day waiting, listening. Remember all those things you thought 277 00:19:22,640 --> 00:19:26,960 Speaker 1: but never told anyone, how death has a sound and 278 00:19:27,000 --> 00:19:31,919 Speaker 1: a smell and an I Do you remember how at 279 00:19:31,960 --> 00:19:35,120 Speaker 1: Granny Hospital used to take me on field trips through 280 00:19:35,160 --> 00:19:39,480 Speaker 1: the cafeteria and to Georgia State and at pizza place 281 00:19:40,200 --> 00:19:42,920 Speaker 1: to keep me from saying Mom right after the latest treatment. 282 00:19:44,920 --> 00:19:48,000 Speaker 1: Remember how we would both fake sleep sometimes just watching her, 283 00:19:48,640 --> 00:19:52,440 Speaker 1: watching a shallow breath, wondering if her chest would rise again, 284 00:19:52,560 --> 00:19:55,840 Speaker 1: or if that in Holly Shan the one we just 285 00:19:55,840 --> 00:20:00,240 Speaker 1: saw would be her last. This isn't real, that's what 286 00:20:00,320 --> 00:20:04,040 Speaker 1: you've said to that part. I remember at the memory. 287 00:20:04,040 --> 00:20:09,679 Speaker 1: I want from you. Where is it there? So I 288 00:20:09,720 --> 00:20:16,320 Speaker 1: am at Mom's bedside and greedy. You're praying, you're praying, 289 00:20:16,560 --> 00:20:22,000 Speaker 1: Dear God, were God's were Hell or whoever's bothering to listen? 290 00:20:23,000 --> 00:20:28,639 Speaker 1: Keep them safe? Please please, at least keep Manty safe. 291 00:20:29,560 --> 00:20:34,640 Speaker 1: I'll do I'll do anything. And there you were alone, 292 00:20:35,840 --> 00:20:39,400 Speaker 1: shot an in a room with flickering a low light, 293 00:20:39,600 --> 00:20:43,480 Speaker 1: fluorescent bulbs that wash everything in a sick green hue, 294 00:20:43,560 --> 00:20:50,119 Speaker 1: watching Mom die. But you weren't. No one ever really is. 295 00:20:51,960 --> 00:20:54,800 Speaker 1: There are ears and eyes and hands all around us 296 00:20:55,040 --> 00:20:59,560 Speaker 1: in the dark. But you reached out Dad, and so 297 00:20:59,720 --> 00:21:12,520 Speaker 1: did the Mandy a choice of now'll be back. I'm 298 00:21:15,960 --> 00:21:24,600 Speaker 1: no wait, Mandy, Amanda, Well, my friend, here we find 299 00:21:24,640 --> 00:21:29,520 Speaker 1: ourselves again, wheels within wheels. I trust you've enjoyed your 300 00:21:29,560 --> 00:21:35,160 Speaker 1: new acquaintances. Listen, you can't leave, Samuel. If you try 301 00:21:35,200 --> 00:21:38,080 Speaker 1: to open the doors, you'll find them stuck fast. Should 302 00:21:38,080 --> 00:21:44,400 Speaker 1: you crawl through the window, you'll find you cannot fit. Listen, Listen, close, 303 00:21:45,520 --> 00:21:51,360 Speaker 1: and listen. Well, your daughter is in the hospital as 304 00:21:51,400 --> 00:21:54,760 Speaker 1: we speak. Three floors down, in fact, from the same 305 00:21:54,880 --> 00:21:59,240 Speaker 1: room where your wife passed into our arms, where you 306 00:21:59,320 --> 00:22:04,160 Speaker 1: and I first met. And I am, as they say, 307 00:22:04,400 --> 00:22:09,159 Speaker 1: a creature of my word? Why can't I move a 308 00:22:09,200 --> 00:22:12,400 Speaker 1: small precaution only to make sure I have your full attention? 309 00:22:13,000 --> 00:22:18,480 Speaker 1: Where where we are? Yes, Amanda Sullivan, currently comatose, brain 310 00:22:18,600 --> 00:22:22,719 Speaker 1: dead and doomed. How many missed calls from Roy? I 311 00:22:22,800 --> 00:22:26,480 Speaker 1: wonder will it haunt you years from now? The calls 312 00:22:26,520 --> 00:22:32,600 Speaker 1: you missed while you were speaking with a ghost. That's 313 00:22:32,600 --> 00:22:37,600 Speaker 1: what your daughter is now. But we can bring her back, Samuel, 314 00:22:38,080 --> 00:22:41,840 Speaker 1: as we agreed, all you have to do is choose, 315 00:22:42,280 --> 00:22:47,040 Speaker 1: Oh God, the phone, choose, choose what choose? Who will 316 00:22:47,080 --> 00:22:51,200 Speaker 1: take her place? Of course nature? After all, the phores 317 00:22:51,240 --> 00:22:55,919 Speaker 1: a vacuum here. I'll make it easy for you. The 318 00:22:56,080 --> 00:23:00,840 Speaker 1: next person who comes to your window can be your sacrifice, 319 00:23:01,680 --> 00:23:06,240 Speaker 1: your tribute to the dark. What do I have to do? 320 00:23:07,680 --> 00:23:13,199 Speaker 1: All you have to do, Samuel is say yes, I 321 00:23:13,240 --> 00:23:22,840 Speaker 1: will hear you. Welcome to beasls Burgers. How many? How 322 00:23:22,880 --> 00:24:22,720 Speaker 1: may I help you? M hm? Another side is FOD 323 00:24:22,840 --> 00:24:30,760 Speaker 1: customer Come around, then, says FOD customer. When well, When well? 324 00:24:34,840 --> 00:24:46,080 Speaker 1: When well? Another size FOD customer coming around thenother side, 325 00:24:46,400 --> 00:25:19,520 Speaker 1: fod customer? When will when? Well? When? Well, yeah, and 326 00:25:19,600 --> 00:25:24,120 Speaker 1: there you have it, a story of morals. I would say, well, 327 00:25:24,160 --> 00:25:31,280 Speaker 1: what do you think Samuel learned? Nol um, don't don't 328 00:25:31,320 --> 00:25:33,840 Speaker 1: spit in the bag. That's what I learned. That's what 329 00:25:33,880 --> 00:25:36,840 Speaker 1: I learned. That was one of my favorite parts. Actually, 330 00:25:36,920 --> 00:25:39,240 Speaker 1: I think it's a great part. But don't spit in 331 00:25:39,280 --> 00:25:41,439 Speaker 1: the bag. If a creeper runs up on you and 332 00:25:41,480 --> 00:25:45,000 Speaker 1: you saw, do it when no one's looking, Like if 333 00:25:45,040 --> 00:25:47,040 Speaker 1: someone asked me to do it, I would. I would 334 00:25:47,080 --> 00:25:49,280 Speaker 1: probably do it. When do you? Yeah, what's when are 335 00:25:49,320 --> 00:25:52,960 Speaker 1: you gonna get that opportunity? Yeah? You gotta live. But 336 00:25:53,119 --> 00:25:55,720 Speaker 1: he was so forceful, like spit in the back. He 337 00:25:55,760 --> 00:25:59,560 Speaker 1: obviously wanted something right, something maybe even more than spit. 338 00:26:00,040 --> 00:26:02,480 Speaker 1: And we just talked about d n A right, that's true. 339 00:26:02,520 --> 00:26:06,840 Speaker 1: That point point that you make come on, well, well, 340 00:26:07,359 --> 00:26:10,000 Speaker 1: you know, I don't know if he learns anything. We 341 00:26:10,040 --> 00:26:12,919 Speaker 1: don't know what he decides to do. That's true. So 342 00:26:12,960 --> 00:26:14,800 Speaker 1: I guess the question for the listeners is what would 343 00:26:14,800 --> 00:26:17,719 Speaker 1: you decide to do if you were if you were 344 00:26:17,840 --> 00:26:21,320 Speaker 1: somehow in that situation, Well, to save your daughter, I 345 00:26:21,359 --> 00:26:24,919 Speaker 1: mean I think unfortunately, I know what I would do. 346 00:26:26,400 --> 00:26:28,920 Speaker 1: Spen the bag, wouldn't you. I've definitely spit in the bag, 347 00:26:29,440 --> 00:26:32,640 Speaker 1: and I would say welcome to Beaselsberger's pull on through 348 00:26:32,680 --> 00:26:34,879 Speaker 1: to the second window, and you know, see what happens, 349 00:26:34,880 --> 00:26:36,760 Speaker 1: although it would probably end up being you know, a 350 00:26:36,880 --> 00:26:41,600 Speaker 1: parent there's got it. You know, there's always a twist. Yeah, exactly, 351 00:26:41,720 --> 00:26:44,359 Speaker 1: Very oh, Henry, I think this may be one of 352 00:26:44,400 --> 00:26:47,159 Speaker 1: the first times you played a villain. Yeah. I was 353 00:26:47,200 --> 00:26:51,800 Speaker 1: feeling it. I was enjoying myself. Although you know, my 354 00:26:51,920 --> 00:26:54,800 Speaker 1: favorite part is when Alex was on this very Mike 355 00:26:55,320 --> 00:26:58,080 Speaker 1: and actually was on our show. I think that that 356 00:26:58,119 --> 00:27:01,200 Speaker 1: made me really happy. Yeah, and we're doing a bang 357 00:27:01,240 --> 00:27:05,600 Speaker 1: up job. No less, Yeah, yeah, no less. And most importantly, 358 00:27:05,760 --> 00:27:09,520 Speaker 1: we hope that you enjoyed the show at least a 359 00:27:09,560 --> 00:27:13,919 Speaker 1: fraction as much as we enjoyed making it. And I 360 00:27:13,960 --> 00:27:16,959 Speaker 1: want to say, Noel, no offense to anyone, but I 361 00:27:17,080 --> 00:27:20,560 Speaker 1: really liked your assistant manager. Yeah. I really try to 362 00:27:20,680 --> 00:27:24,679 Speaker 1: embody the role. Uh, you know, really live out my 363 00:27:24,880 --> 00:27:29,320 Speaker 1: cantankerous curmudgeon lee old man kind of like dream. It's 364 00:27:29,400 --> 00:27:33,639 Speaker 1: just such a it's just such a perfect jerk line 365 00:27:34,160 --> 00:27:37,359 Speaker 1: for someone to be annoyed by having said yeah twice, 366 00:27:37,560 --> 00:27:41,679 Speaker 1: I said, yeah, but it was the it was the 367 00:27:42,000 --> 00:27:45,560 Speaker 1: were the gold coins or silver coins? The silver dollars 368 00:27:45,600 --> 00:27:48,640 Speaker 1: from eighteen o four actually worth a quite a bit 369 00:27:48,640 --> 00:27:54,120 Speaker 1: of money. It's silver dollars. And and of course, uh, this, 370 00:27:54,400 --> 00:27:57,440 Speaker 1: this sort of stuff would not happen without the most 371 00:27:57,520 --> 00:28:01,720 Speaker 1: important part of the show, which is you, not general you, 372 00:28:02,880 --> 00:28:08,000 Speaker 1: specifically you listening to this now, and me yes, also 373 00:28:08,160 --> 00:28:16,760 Speaker 1: specifically you, which reminds us it's time for chat at corners. 374 00:28:17,280 --> 00:28:21,880 Speaker 1: Our first message comes from Luke, who says, I live 375 00:28:22,000 --> 00:28:25,199 Speaker 1: near the beautiful Ocala, Florida, which for years has been 376 00:28:25,240 --> 00:28:28,840 Speaker 1: a prime spot for rainbow gatherings. Oh boy, you guys, 377 00:28:29,000 --> 00:28:32,600 Speaker 1: here we go, all right, saying every February people come 378 00:28:32,640 --> 00:28:34,520 Speaker 1: from all over the US to meet there in the 379 00:28:34,600 --> 00:28:38,560 Speaker 1: National Forest on Valentine's Day. The annual rainbow gathering is 380 00:28:38,600 --> 00:28:42,200 Speaker 1: in full swing to welcome people home to pray, chant 381 00:28:42,440 --> 00:28:46,200 Speaker 1: and send positive vibes towards the mutual goal of world peace. 382 00:28:46,280 --> 00:28:50,440 Speaker 1: Now that is a great goal, I think, I mean 383 00:28:50,560 --> 00:28:54,240 Speaker 1: all the always says you're correcting. Assuming there's no background 384 00:28:54,320 --> 00:28:56,719 Speaker 1: checks to join up on the crew, and there are 385 00:28:56,720 --> 00:28:59,760 Speaker 1: many runaway street kids and people with warrants hanging out 386 00:28:59,840 --> 00:29:02,200 Speaker 1: and in the ranks. There's also a bunch of not 387 00:29:02,360 --> 00:29:05,560 Speaker 1: safe for work nudity, but in my experience it's mostly 388 00:29:05,600 --> 00:29:11,760 Speaker 1: been old hippies and young feral children running around. Oh, 389 00:29:11,920 --> 00:29:16,120 Speaker 1: feral children, fal children. When I last attended to gathering, 390 00:29:16,160 --> 00:29:19,280 Speaker 1: my then girlfriend now wife and I brought oranges as 391 00:29:19,320 --> 00:29:22,680 Speaker 1: a gift to share with those we came in contact with. 392 00:29:23,000 --> 00:29:25,600 Speaker 1: The oranges went quick and we were hugged almost every 393 00:29:25,600 --> 00:29:29,920 Speaker 1: one hundred feet. Everyone we encountered was extremely friendly and welcoming, 394 00:29:30,320 --> 00:29:32,640 Speaker 1: but being an avid listener of the show, I'm suspicious 395 00:29:32,640 --> 00:29:35,760 Speaker 1: of everyone and cautious to not eat anything offered to me. 396 00:29:36,280 --> 00:29:41,040 Speaker 1: But you know, Luke doesn't mind offering out oranges. Well, 397 00:29:41,080 --> 00:29:45,200 Speaker 1: he does, but the other people don't. I love the show, 398 00:29:45,200 --> 00:29:47,280 Speaker 1: and I found the Mars thought experiment very interesting. I 399 00:29:47,320 --> 00:29:51,160 Speaker 1: couldn't help thinking that any colonization attempts on Mars would 400 00:29:51,200 --> 00:29:54,520 Speaker 1: be similar to the PlayStation two game Red Faction, which 401 00:29:54,560 --> 00:29:58,240 Speaker 1: is a fantastic game, Luke, and inevitably there would be 402 00:29:58,520 --> 00:30:01,000 Speaker 1: no equal treatment, just the ruling class in the working 403 00:30:01,000 --> 00:30:02,840 Speaker 1: class on the planet who would find out they are 404 00:30:02,840 --> 00:30:06,040 Speaker 1: seen as expendable stepping stones for the rich. Keep up 405 00:30:06,080 --> 00:30:09,200 Speaker 1: the great work. Luke uh if you guys, have you 406 00:30:09,240 --> 00:30:11,320 Speaker 1: guys ever heard of red faction like red faction back 407 00:30:11,320 --> 00:30:13,200 Speaker 1: in the day. Yeah? Cool. So it's like a sandbox 408 00:30:13,240 --> 00:30:15,520 Speaker 1: he kind of game, right, Yes, exactly, And it's based 409 00:30:15,520 --> 00:30:17,720 Speaker 1: on destruction of buildings. But the whole idea of the 410 00:30:17,720 --> 00:30:20,440 Speaker 1: plot is that on Mars you've basically got miners and 411 00:30:20,480 --> 00:30:24,600 Speaker 1: scrappers and then the wealthy people that control the minds 412 00:30:24,640 --> 00:30:27,640 Speaker 1: and the scrappings. Well, for our next shout out, I 413 00:30:27,720 --> 00:30:30,560 Speaker 1: have one from Kent. Maybe it's ken f It's all 414 00:30:30,640 --> 00:30:32,480 Speaker 1: there's no space, so I'm gonna call him Kent. I 415 00:30:32,560 --> 00:30:34,400 Speaker 1: like it. Let's see how he signed it. Now it's 416 00:30:34,480 --> 00:30:39,560 Speaker 1: ken Man to let down Apollo eleven and Yugoslavian engineers 417 00:30:39,560 --> 00:30:42,320 Speaker 1: as the subject. Guys, I just watched Houston We have 418 00:30:42,320 --> 00:30:45,080 Speaker 1: a problem and never knew there was a conspiracy theory 419 00:30:45,120 --> 00:30:48,320 Speaker 1: regarding the Apollo program and Yugoslavia. The comment that a 420 00:30:48,400 --> 00:30:51,040 Speaker 1: debt was owed to the US with repayment being tied 421 00:30:51,080 --> 00:30:54,680 Speaker 1: to the infamous Ugo automobile was the icing on the cake. 422 00:30:54,920 --> 00:30:57,680 Speaker 1: Have you done or could you investigate this odd claim 423 00:30:57,760 --> 00:31:01,160 Speaker 1: in your typical deep dive fashion? Then we seemed complete. However, 424 00:31:01,200 --> 00:31:04,240 Speaker 1: I suspect there is more to the story. Great show. 425 00:31:04,280 --> 00:31:08,640 Speaker 1: Thanks for years of interesting discussions. Can that's cool? Yeah, 426 00:31:08,840 --> 00:31:10,640 Speaker 1: the UGO in and of itself is a is a 427 00:31:10,680 --> 00:31:16,480 Speaker 1: neat story, right then, Yeah, the the UGO of the vehicle, Yeah, yeah, yeah, 428 00:31:16,600 --> 00:31:18,719 Speaker 1: we have a if you're interested in were the one 429 00:31:18,760 --> 00:31:20,520 Speaker 1: that exploded when you hit it or something like that, 430 00:31:20,600 --> 00:31:22,840 Speaker 1: like it was because of the location of the engine 431 00:31:22,920 --> 00:31:26,760 Speaker 1: or something, location of the gas tank. There maybe a 432 00:31:26,760 --> 00:31:30,360 Speaker 1: couple of those. Yeah. So you can learn more about 433 00:31:30,720 --> 00:31:34,080 Speaker 1: the difficulties with some of the cars produced under the 434 00:31:34,080 --> 00:31:36,400 Speaker 1: communist era if you go to car stuff and check 435 00:31:36,440 --> 00:31:41,320 Speaker 1: out uh, I think cars behind the Iron Curtain. Yeah, 436 00:31:41,360 --> 00:31:44,760 Speaker 1: Iron curtain cars, uh, and they have I have some 437 00:31:44,840 --> 00:31:49,840 Speaker 1: pretty interesting stuff there. But I will say not every 438 00:31:50,080 --> 00:31:52,600 Speaker 1: not every car they put put out during that era 439 00:31:52,760 --> 00:31:54,560 Speaker 1: was bad. Well, I want to know what the connection 440 00:31:54,680 --> 00:31:58,160 Speaker 1: is to Apollo eleven. So yeah, we gotta check out 441 00:31:58,160 --> 00:32:00,479 Speaker 1: this movie and maybe we can. I don't know. I mean, 442 00:32:00,520 --> 00:32:03,400 Speaker 1: we can doing these interviews later, we can get the filmmaker. 443 00:32:03,400 --> 00:32:06,520 Speaker 1: That'd be pretty cool. We shall do. Yeah, thank you 444 00:32:06,640 --> 00:32:10,840 Speaker 1: for that recommendation, and also let us know what you 445 00:32:10,840 --> 00:32:13,840 Speaker 1: guys think of the interviews if if they seem to 446 00:32:13,880 --> 00:32:16,000 Speaker 1: your cup of tea, it seems like people are enjoying them. 447 00:32:16,440 --> 00:32:18,200 Speaker 1: For the most part. We're trying to spread it out 448 00:32:18,280 --> 00:32:21,800 Speaker 1: to where you have kind of a traditional episode that 449 00:32:21,920 --> 00:32:23,480 Speaker 1: we do three of us in the studio and then 450 00:32:23,480 --> 00:32:25,520 Speaker 1: bring somebody else in every once in a while. It's 451 00:32:25,560 --> 00:32:27,680 Speaker 1: fun for us, we have it's fun for you because 452 00:32:27,680 --> 00:32:29,760 Speaker 1: we learned a ton, Like really, we learned so much. 453 00:32:29,760 --> 00:32:31,320 Speaker 1: When we have somebody else in here, and we got 454 00:32:31,360 --> 00:32:33,880 Speaker 1: a couple of real cool ones coming up and then 455 00:32:33,920 --> 00:32:36,400 Speaker 1: near future that are already in they can yeah. Yeah, yeah, 456 00:32:36,440 --> 00:32:39,280 Speaker 1: we've been doing our homework. We've been we have been 457 00:32:39,360 --> 00:32:41,800 Speaker 1: Honors students. You know, we've been. We've been working at it. 458 00:32:41,880 --> 00:32:46,080 Speaker 1: So we have one more shout out for today and 459 00:32:46,240 --> 00:32:50,280 Speaker 1: it is from Michael z. Michael says, Hi, just looking 460 00:32:50,360 --> 00:32:54,080 Speaker 1: up stuff on Instagram and can't remember if you guys 461 00:32:54,080 --> 00:32:56,880 Speaker 1: have done a podcast on the Man from toll Red. 462 00:32:57,240 --> 00:32:59,000 Speaker 1: If not, I think it would make a good show, 463 00:32:59,600 --> 00:33:03,040 Speaker 1: short and sweetened to the point. Michael Z, um, this 464 00:33:03,200 --> 00:33:06,240 Speaker 1: is this is a very interesting tale. Have you guys 465 00:33:06,280 --> 00:33:08,880 Speaker 1: heard of the Man from trod Yes, we did an 466 00:33:08,920 --> 00:33:14,880 Speaker 1: episode video episode on it. Part of THEEO. So the 467 00:33:14,960 --> 00:33:19,560 Speaker 1: legend is there's this guy who lands in Japan. Um. 468 00:33:19,680 --> 00:33:23,080 Speaker 1: I think, Michael, you maybe had perhaps you were inspired 469 00:33:23,120 --> 00:33:26,560 Speaker 1: by our utsuro Bune episode. But there's a guy who 470 00:33:26,640 --> 00:33:29,440 Speaker 1: lands in a Japanese airport. He has a passport that 471 00:33:29,520 --> 00:33:33,600 Speaker 1: no one recognizes. He claims he's from a country called 472 00:33:33,680 --> 00:33:37,880 Speaker 1: tared and all of his according to the story, all 473 00:33:37,920 --> 00:33:44,120 Speaker 1: of his stuff looks real, and the people encountered him 474 00:33:44,200 --> 00:33:48,080 Speaker 1: began to think that perhaps he was from a parallel 475 00:33:48,200 --> 00:33:51,720 Speaker 1: dimension or another universe just slightly tilted to the left 476 00:33:51,720 --> 00:33:57,280 Speaker 1: of our own. But there is no confirmed primary source 477 00:33:57,320 --> 00:34:01,320 Speaker 1: of this. There's no It's of like Barren Stein, Barren 478 00:34:01,440 --> 00:34:05,719 Speaker 1: Stein Bears, you know, Barren stain Um. But it is. 479 00:34:05,840 --> 00:34:09,200 Speaker 1: It is interesting. Michael. I'm gonna dig in and see 480 00:34:09,239 --> 00:34:11,720 Speaker 1: if I can just send you the link to our video, 481 00:34:12,480 --> 00:34:16,759 Speaker 1: maybe the one about mysterious disappearances. So I will send 482 00:34:16,840 --> 00:34:19,520 Speaker 1: that to you, and thanks for asking about it. I 483 00:34:19,560 --> 00:34:23,280 Speaker 1: wonder if we could do an audio podcast about mysterious disappearances. 484 00:34:23,520 --> 00:34:26,840 Speaker 1: It just gets very dark, you know, like Eliza Lamb 485 00:34:27,560 --> 00:34:30,440 Speaker 1: that that bothered me. Yea, that means more so than 486 00:34:30,480 --> 00:34:32,960 Speaker 1: I think almost any we've done, just because it was 487 00:34:33,040 --> 00:34:36,160 Speaker 1: so fresh kind of and like the evidence that's out there, 488 00:34:36,160 --> 00:34:40,640 Speaker 1: like that video is just very chilling. That was a 489 00:34:40,760 --> 00:34:42,680 Speaker 1: that was an interesting one. But then you know, I 490 00:34:42,680 --> 00:34:44,680 Speaker 1: guess we did that. The one of the National Parks 491 00:34:44,760 --> 00:34:49,160 Speaker 1: disappearance one right is dark as well. Um, but yeah, 492 00:34:49,360 --> 00:34:53,000 Speaker 1: I think anytime you're talking about people just vanishing into 493 00:34:53,040 --> 00:34:56,360 Speaker 1: thin air, it's always a little bit disturbing. And send 494 00:34:56,440 --> 00:35:00,520 Speaker 1: us your examples or things that you think your fellow 495 00:35:00,520 --> 00:35:03,520 Speaker 1: listeners would like to hear in the future. This concludes 496 00:35:03,600 --> 00:35:11,840 Speaker 1: ours but not our show, Never Fear. Matt, Noel and 497 00:35:12,080 --> 00:35:17,160 Speaker 1: I will return next week with something completely different, maybe 498 00:35:17,160 --> 00:35:20,680 Speaker 1: an interview, maybe an episode where we dive deep on 499 00:35:20,680 --> 00:35:24,640 Speaker 1: one of your suggestions. There's only one way to find out, well, 500 00:35:24,640 --> 00:35:27,799 Speaker 1: they're they're like probably several ways. I'm sure you could 501 00:35:27,840 --> 00:35:30,400 Speaker 1: ask someone you know who also listens to the show, 502 00:35:31,440 --> 00:35:33,480 Speaker 1: but the easiest way to find out will be to 503 00:35:33,560 --> 00:35:36,280 Speaker 1: tune in wherever you get your podcast. In the meantime, 504 00:35:36,320 --> 00:35:38,399 Speaker 1: you can find every audio or video episode we've ever 505 00:35:38,440 --> 00:35:41,680 Speaker 1: done on our website Deep Breath stuff they don't want 506 00:35:41,680 --> 00:35:44,880 Speaker 1: you to know dot Com not that long, really, it 507 00:35:45,000 --> 00:35:49,239 Speaker 1: feels long. Y'all can also hit me up on my 508 00:35:49,320 --> 00:35:55,759 Speaker 1: beeper at two two two to nine area code, so 509 00:35:55,880 --> 00:35:59,400 Speaker 1: find us right to us. We are conspiracy at how 510 00:35:59,440 --> 00:36:09,520 Speaker 1: stuff works dot com, m