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Speaker 1: To hear past episodes of the Rap Rate Our podcast.

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Speaker 1: What they Gotta do be that you gotta signed it

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Speaker 1: for Title at title dot Com back Slash on their

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Speaker 1: Yeah That'll get your ninety day complimentary membership access to

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Speaker 1: fifty million tracks and two d videos. Title dot Com

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Speaker 1: on their Yeah rapp Right Up podcast. Elliot Wilson, what's

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Speaker 1: up baby? Bad boy for life of course, right now

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Speaker 1: we're with the hottest producer in the world. He called

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Speaker 1: himself the sauciest white boy in the game. I'm the

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Speaker 1: SAA I don't know, best producers. That's what the fans decide.

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Speaker 1: You know what I'm saying. You're hot out here, thought, Yeah,

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Speaker 1: we definitely hot. Murder beats us here and what's up murder?

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Speaker 1: What's up baby? Now? I'm just chilling, you know what

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Speaker 1: I'm saying. Beautiful weather l A. Shane is looking lovely.

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Speaker 1: Thank you both. Change Ice traded game Man to change.

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Speaker 1: I'm gonna need three change man. You shut up with

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Speaker 1: the Badley numbers four man, four weeks at number one.

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Speaker 1: Nice for what that comes from? The the murder beats like, like,

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Speaker 1: that's that's a really atypical you know. Lauren Hill sped

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Speaker 1: up Bounce, Like, how how does that song come together?

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Speaker 1: I feel like I just feel like music needed a

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Speaker 1: record like that. I feel like it was like very refreshing,

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Speaker 1: you know what I'm saying. Even feel like a lot

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Speaker 1: of like older hip hop people like you know what

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Speaker 1: I'm saying, It's just like brought like I feel like

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Speaker 1: the young generation and new generation together to like funk

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Speaker 1: with one record. Because you know a lot of people

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Speaker 1: nowadays like, oh, like I funk with these hip hop people.

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Speaker 1: I fuk with these old heads. I don't sunk with

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Speaker 1: these new guys, you know what I'm saying. So just

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Speaker 1: like classic Drake Young murder On like you know what

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Speaker 1: I'm saying, old school record, put it all together, you

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Speaker 1: know what I'm saying. It's just it was crazy record.

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Speaker 1: But why Lauren Hill? Actually, so we were chilling. We

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Speaker 1: were chilling at Drake's house. We're playing two K, and

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Speaker 1: we came up with the idea to get like a

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Speaker 1: female artist, like like the sample female artist. So I

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Speaker 1: asked my manager Corn like, yo, what do you think

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Speaker 1: like he's like a X factor? And then Jim was like, oh, apart,

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Speaker 1: And then we picked apart, chopped it up. I made

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Speaker 1: the beat and he was playing two kids. You know

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Speaker 1: what I'm saying, to be playing it's like my player

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Speaker 1: and all that ship like this far you know what

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Speaker 1: I'm saying, Like ball made to be right there and

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Speaker 1: now he sat there, wrote the ship in front of me,

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Speaker 1: cut the ship in front of me, and yeah, we'd

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Speaker 1: this ship done and like like b and song probably

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Speaker 1: like hour and a half and then I think he

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Speaker 1: finished like the second verse later on. Yeah. That was

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Speaker 1: like that was in Toronto and stuff too, So that's

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Speaker 1: not it not It's not often we're like I'll make

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Speaker 1: I'll sit with an artists and like make a lot

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Speaker 1: of records in person with the beginning with a Canadian artist,

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Speaker 1: you know what I'm saying. So I feel like that

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Speaker 1: was a special moment. I've made like a lot of

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Speaker 1: beats in Canada, you know what I mean. Like I

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Speaker 1: made like the Motorsport beat at my boys careb he

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Speaker 1: said little yeah, you know what I'm saying, So like yeah,

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Speaker 1: but the whole bounce feel of it, like it's such

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Speaker 1: an a typical sound, Like I mean, you know, you're

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Speaker 1: a master drums and all that, but just the fact

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Speaker 1: that it's it's such a oh Master, like the New

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Speaker 1: Orleans sound right there announced where he's from, with Wayne

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Speaker 1: being the guy who helped put Drake on obviously. Yeah see,

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Speaker 1: I just I don't know. I just do my thing

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Speaker 1: and put the murder sauce on it and then just

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Speaker 1: how it figures out to be. You know, like even

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Speaker 1: like when we made with you on views, It's like

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Speaker 1: I was a party and like we were like cooking

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Speaker 1: up and stuff, and I didn't even know I was

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Speaker 1: making an Afro drum beat, like you know, with you

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Speaker 1: on Visa Party, Drake, I didn't even know I was

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Speaker 1: making an Afro drum beat. And you know what I'm saying,

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Speaker 1: I was just making some hard ship and it just

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Speaker 1: sounded fire. I thought I was like some dance song

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Speaker 1: or whatever. But well he's like he's like, you know,

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Speaker 1: I don't even think you even know you're making an

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Speaker 1: aff for drum. I'm like that's crazy. But then people

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Speaker 1: look at you like you're the ultimate these saucis white.

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Speaker 1: But but you also like the ultimate trap music producer

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Speaker 1: in a sense, right, like does that does that title

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Speaker 1: or that type of like you know, uh, tag bother

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Speaker 1: you at all? Like the babies in limiting your time

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Speaker 1: to be like this is a trap producer. It doesn't

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Speaker 1: bother me, but I don't want to be like boxed in,

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Speaker 1: you know what I'm saying. Like last year, and you

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Speaker 1: can ask anyone last year in the industry, I was

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Speaker 1: telling everyone, I'm like, yo, I want to have the

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Speaker 1: biggest part record with Selena Gomez and have the biggest

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Speaker 1: underground record out at one time. So m a year later,

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Speaker 1: at the same time, I had a number one with

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Speaker 1: Drake I dropped your trapping smoke perp. So I'm what

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Speaker 1: I'm saying, Like that, That's how I want to be,

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Speaker 1: and that's how all my whole career to be. I

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Speaker 1: want to be able to touch all age groups, all

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Speaker 1: genres of music, you know what I'm saying, and just

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Speaker 1: like be a real producer and show people how to

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Speaker 1: like actually be a producer, not just like make beats

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Speaker 1: and like send me to email. Get a couple year

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Speaker 1: in there, you know what I'm saying. So you pay

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Speaker 1: so many dudes when they like with the smoke perp thing,

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Speaker 1: Like I know you were saying, Like obviously there was

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Speaker 1: a lot of trend of like a producer and MC

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Speaker 1: getting together, right, but it seems like you really was

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Speaker 1: embracing it more like I felt like you guys were

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Speaker 1: really forming a real rap group, you know what I mean,

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Speaker 1: Like the way you would carry yourself for you know,

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Speaker 1: like what we were going out and we're gonna put

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Speaker 1: yourself like in the forefront, you know, because you've done

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Speaker 1: so much behind the scenes. Yeah, you know, Like I

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Speaker 1: don't know, Like I'm definitely like more of a guy

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Speaker 1: that's like I want to be like I want you

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Speaker 1: to know who murder is, you know what I'm saying.

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Speaker 1: That's I've always been like when people are coming up

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Speaker 1: on Twitter, like producers and stuff that you usually don't

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Speaker 1: show themselves and ship and like that's like at an

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Speaker 1: early age, I was like sixteen going to Chicago. You

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Speaker 1: know what I'm saying. I found Yeah, I found amigoes

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Speaker 1: seventeen years old in Atlanta, Like you know what I'm saying,

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Speaker 1: offer social media and ship. They're like, oh this a

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Speaker 1: white boy, Like you know what I'm saying, coach and

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Speaker 1: they're like, yo, you can fly you out, you know

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Speaker 1: what I'm saying. So yeah, man, getting back to a

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Speaker 1: nice for what with the sample? Were you a fan

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Speaker 1: of Lauren Hills music prior to getting into that record.

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Speaker 1: I funked with the music. I never like grew up

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Speaker 1: with it, you know what I'm saying, Because like coming

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Speaker 1: from my background, I grew up around like classic rock

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Speaker 1: and like rock music and stuff like that. So I

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Speaker 1: feel like that's what gives me like a different edge

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Speaker 1: on like producing as well, because I just have like

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Speaker 1: that different like like a lot of a lot of

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Speaker 1: trap producers and a lot of producers in my lane

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Speaker 1: right now come up on like jazz and blues and

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Speaker 1: like soulcial music and stuff like that, and I came

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Speaker 1: up on rock music. So I feel like that's what

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Speaker 1: gives me an advantage of my drums and stuff. Did

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Speaker 1: you did she have to give you her blessing for

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Speaker 1: the record to she did a little remix at the

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Speaker 1: one of her shows, was that the Apollo? Yeah? I think.

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Speaker 1: So what do you think about the way Drake approached

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Speaker 1: the record lyrics? Because I saw some people that he

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Speaker 1: was even trying to be critical of, saying like that

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Speaker 1: track is just so like dope as it's instrumental, like

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Speaker 1: anybody could have like a lot of m c s

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Speaker 1: could have won with that track. Why do you think

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Speaker 1: Drake the way Drake navigated that track was the perfect

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Speaker 1: on One thing is though, is if is if me

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Speaker 1: and Drake were together, that be with nerv and mad

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Speaker 1: and that's and that's for a lot of music too.

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Speaker 1: That's what people gotta understand, even like people like currate vibes,

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Speaker 1: like like me and you might go in the studio

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Speaker 1: right now and I might make it hit in front

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Speaker 1: of you and it might be fucking hoes next single,

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Speaker 1: you know what I'm saying. But if you weren't there,

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Speaker 1: that'd be when the nervan made you know what I'm saying.

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Speaker 1: So people gotta remember that too. It's like people bring

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Speaker 1: the vibe and just like me and Drake being together

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Speaker 1: sparked that energy to make a record like that, did

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Speaker 1: you know it's gonna go number one? We knew it

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Speaker 1: was gonna be honestly, like I think, yeah, Like that's

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Speaker 1: just like I'm dead serious, that's just actually crazy, like

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Speaker 1: like we made this. He's like this is this is

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Speaker 1: one of them. I was like, and I was like, yo,

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Speaker 1: like this is that ship? Like this ain't no trap,

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Speaker 1: you know what I'm saying. This isn't like I like

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Speaker 1: hitting people like with the left I'm left handed, so

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Speaker 1: I like hitting people left job, you know what I'm saying,

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Speaker 1: because like even like the witty thing like when when

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Speaker 1: they when they dropped that views trackolates, Everyone's like, oh ship, yeah,

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Speaker 1: you know what I'm saying. And then they dropped that

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Speaker 1: Like what the fun is this? Like some people work confused,

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Speaker 1: some people didn't like it. Some people like, oh this

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Speaker 1: is what is it like being behind like this? Also

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Speaker 1: the way Drake played the angle of it with the

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Speaker 1: lyrics and even in the visual like such like a

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Speaker 1: woman empowerment type of vibe to it. Amen, shout out

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Speaker 1: to Drake. Man. You love the ladies? Yeah, you know,

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Speaker 1: like I don't know, like the ladies love motor sport

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Speaker 1: than the ladies like nothing nice for the ladies are

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Speaker 1: gonna love my album when it comes out, Like you

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Speaker 1: know what I'm saying, I have records. I don't know.

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Speaker 1: Was it this idea to put Big Freed on it

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Speaker 1: or was it yours? This guy's a genius. Yeah, I

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Speaker 1: was gonna say, what's it like? Because I mean we've

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Speaker 1: used That was the first time you really got really

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Speaker 1: started connecting. You did Portland too, obviously I didn't Portland

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Speaker 1: long long time. No shopping Yeah, the whole drop comes

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Speaker 1: from Baca right out on Bacca. That's how that's how

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Speaker 1: we really tapped in. You know what I'm saying, Like

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Speaker 1: we like we like kind of like in the clubs

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Speaker 1: back all the time, like yo, man, he should be

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Speaker 1: should be a robber, Like you know what I'm saying

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Speaker 1: Me Guiller and my manager like, yo, you should be

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Speaker 1: a robber. Put out of your got this guy in

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Speaker 1: the studio, and like you know what I'm saying, he

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Speaker 1: was just like amped up, one of those guys that's

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Speaker 1: always like pumped up and ship and started we started

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Speaker 1: making music with him and stuff, going to going to

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Speaker 1: the club, being like, yo, you can go to the

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Speaker 1: club and play your music. Is I just like turning

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Speaker 1: up and ship right started going to the club playing

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Speaker 1: his music and one day on the song he said,

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Speaker 1: boka a k not nice murder on the beach, so

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Speaker 1: it's not nice. And Drake was really working with that

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Speaker 1: from there, so then you know what I'm saying, That's

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Speaker 1: where I got the tag from. And I think even

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Speaker 1: the first person I asked was Sunny Digital too in Toronto.

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Speaker 1: I was like yo Butt in the song, like Yo,

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Speaker 1: what do you what do you think if I like

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Speaker 1: used as a tag because I just had the moment

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Speaker 1: murder and he's like, hey man, you never know him,

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Speaker 1: he should try it out one day, you know what

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Speaker 1: I'm saying, shut out Sunny Digital. Yeah, that was literally

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Speaker 1: the first time that I like, I really like thought

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Speaker 1: him used the BAKA tag too. So yeah, so when

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Speaker 1: did you first really get to work with Portland Joint?

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Speaker 1: I guess, like when did you guys really first lock

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Speaker 1: in UM? After with you that's him like we're certain

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Speaker 1: to like kind of like more like he invited me

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Speaker 1: to his house and he played me back on roading,

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Speaker 1: no shopping and like one sitting and I was like,

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Speaker 1: holy ship, Like you know what I'm saying. I think

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Speaker 1: we're going to watch like a Raptors game or something.

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Speaker 1: He's like, come, come my career or whatever. Play me

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Speaker 1: those two records. So I was like, damn crazy, you

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Speaker 1: know what I'm saying. So sup, the six guy, you know,

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Speaker 1: crazy out here snapping like obviously him being the biggest

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Speaker 1: and from Canada, like you know somebody dope producers are

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Speaker 1: from Canada. Um, But like I think I think I

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Speaker 1: saw theeview you were saying, like let's not get Let's

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Speaker 1: not get complacent though, Like we have an opportunity right

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Speaker 1: now where Drake's at this position, like we have to

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Speaker 1: go for it. Like we can't just get comfortable, like

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Speaker 1: you know that the vibes with Toronto producers that we

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Speaker 1: have to go out there and get it right. Yeah,

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Speaker 1: and then just like not even producers as well, Like

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Speaker 1: I feel like artists, like there's such like a crazy

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Speaker 1: underground music like music based right now in Toronto that's

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Speaker 1: like needs to be more capitalized on. Like there's so many,

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Speaker 1: like there's so many like talented artists, like you know

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Speaker 1: you guys know if you like you know, like Press,

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Speaker 1: You've got like Achilles, You've got like prim Boys, You've

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Speaker 1: got like a bunch of people, right And I just

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Speaker 1: feel like people have got to learn to use the

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Speaker 1: resources more and just like really pipe up the whole scene,

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Speaker 1: you know, and the whole the whole thing, like you know,

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Speaker 1: like like we're from a different country too, So if

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Speaker 1: we get it, if I get the rested right now,

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Speaker 1: for like some dumb ship, I can't come back to

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Speaker 1: the States for five years. That's something I had to

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Speaker 1: risk coming up, you know what I'm saying, Being around

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Speaker 1: all these hood rap stars, trap stars in Atlanta. You

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Speaker 1: know what I'm saying. There was a lot to risk,

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Speaker 1: So it's like people got to figure out how to

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Speaker 1: capitalize that and like monetize the industry more on the

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Speaker 1: underground standpoint in Toronto, and it seems like you talk

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Speaker 1: about capitalizing and monetizing You're from Canada, but you just

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Speaker 1: blindly went to Chicago and trying to get it. Yeah,

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Speaker 1: you know, honestly, I wouldn't tell any of like that.

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Speaker 1: I wouldn't tell a lot of people that do what

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Speaker 1: I did. But I was just yeah, like I was,

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Speaker 1: I don't know, I don't know, did you know I

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Speaker 1: was scared. I knew. I hit up some people on

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Speaker 1: the internet when that went down, went went down to

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Speaker 1: the like the one hunters like you landing like Chicago

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Speaker 1: old hair, right, Yeah, I went downtown like the hood,

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Speaker 1: the red red roof and red some ship hotel, fucking.

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Speaker 1: I had some guys like like I was, like like

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Speaker 1: some people that were around for the time. They picked

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Speaker 1: me up. Took me a year of blah blah, he said.

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Speaker 1: The guy scooped me, went downtown, went shopping, went to

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Speaker 1: the water time saw that's for the first time then

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Speaker 1: went down on the Wild one Hunters and ship. Yeah,

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Speaker 1: she was pretty crazy. Like I wouldn't I wouldn't tell

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Speaker 1: the way you know what I'm saying, Like, I don't know,

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Speaker 1: but you were just like on the internet and like

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Speaker 1: I discovered the whole drill music thing, and I got

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Speaker 1: and I got and I built relationships with some guys

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Speaker 1: that like I could trust and like when I went

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Speaker 1: out there, you know, they had me. They took me around,

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Speaker 1: took me the exclusives, like like I did all that ship,

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Speaker 1: you know what I'm saying, So by yourself, everybody from Yeah,

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Speaker 1: by myself. Yeah that's crazy. So what was she keep? Like?

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Speaker 1: I mean, I don't know if I ever give him

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Speaker 1: his dude, Like, like he's such a legend in certain

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Speaker 1: certain sectors, Like did he live up to the hype

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Speaker 1: of working with them and getting to know that whole scene? Um? Yeah,

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Speaker 1: I feel like you keep like like the whole like

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Speaker 1: drum music scene that he created, and like I feel

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Speaker 1: like he even then just like birth, the whole like

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Speaker 1: ignorance of you throughout. I feel like a lot of

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Speaker 1: ship wouldn't be happening right now if it wasn't for him,

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Speaker 1: right and especially the megos too. I feel like I

295
00:12:29,360 --> 00:12:30,960
Speaker 1: feel like the Megoes and Chief keep for like the

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Speaker 1: top influential people of like right now in music, like overall,

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Speaker 1: but from Chicago, you moved to Atlanta, you like live

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Speaker 1: with I stayed, I like went to Chicago because some

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Speaker 1: people on the internet they said I lived in Chicago.

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Speaker 1: I went to Chicago. You know, Okay, I did not

301
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Speaker 1: move to Chicago, Canada six years old going to live

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Speaker 1: and then you know what I'm saying. But then when

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Speaker 1: I like then I was like, yeah, I need to

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Speaker 1: get my my my music into the Atlanta music scene.

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Speaker 1: Like I felt like was like the presence of just

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Speaker 1: being in Atlanta and just getting your music out there

307
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Speaker 1: so strong, right, and it's such an important part of music.

308
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Speaker 1: So that's when I found these guys, the meges on

309
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Speaker 1: love mixtapes before they blew up like fire like at first,

310
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Speaker 1: like I was listening to the Ship and I'm like,

311
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Speaker 1: it's just so different. I honestly I didn't know if

312
00:13:17,040 --> 00:13:19,760
Speaker 1: I like like the music at first, but I was like, yo,

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Speaker 1: like this is so different, Like I know this is

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Speaker 1: gonna be something. Like I felt like I caught a

315
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Speaker 1: wave before it was the wave. You know what I'm saying.

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Speaker 1: Remember what song it was? Um, it might have been

317
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Speaker 1: like even like no label like packs, um lean like

318
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Speaker 1: this some ship like some like way back like like

319
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Speaker 1: the old no label, you know what I'm saying. And

320
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Speaker 1: then like I started like working with them, Um I contacted.

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Speaker 1: I used to have like this little method I do

322
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Speaker 1: on Twitter and like like if I if I want

323
00:13:51,760 --> 00:13:53,960
Speaker 1: to hit up Elliott Wilson, I would type in Ellie

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Speaker 1: Wilson and find like your cousin and hit up your

325
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Speaker 1: cousin you like a skip of the flip of it. Yeah,

326
00:14:00,040 --> 00:14:01,719
Speaker 1: Like I just that's why, That's why I did that

327
00:14:01,880 --> 00:14:04,439
Speaker 1: type of meigo. And I see all the mego guys

328
00:14:04,760 --> 00:14:06,800
Speaker 1: and I just hit up skipped with the flipper. You know.

329
00:14:12,080 --> 00:14:14,079
Speaker 1: I'm like, Yo, I'm gonna give you. I'm gonna give

330
00:14:14,080 --> 00:14:16,440
Speaker 1: you a pack of beasts. Just give just let just

331
00:14:16,559 --> 00:14:19,640
Speaker 1: let Cuavon take off and hear these beats because obviously

332
00:14:19,720 --> 00:14:22,520
Speaker 1: was locked up at the time, so these guys, so

333
00:14:22,600 --> 00:14:25,240
Speaker 1: he played them. He's like yo right now, Like he

334
00:14:25,320 --> 00:14:27,520
Speaker 1: was just like he was like engineering for them and stuff,

335
00:14:27,520 --> 00:14:29,640
Speaker 1: like they're the boys. You know what I'm saying, Help

336
00:14:29,680 --> 00:14:31,240
Speaker 1: with your boys. You work with the music and ship

337
00:14:31,320 --> 00:14:33,600
Speaker 1: all that. He played them on the beach and they're like, Yo,

338
00:14:33,640 --> 00:14:36,120
Speaker 1: these beach are fire, like they've made a smash. Keep

339
00:14:36,200 --> 00:14:38,640
Speaker 1: keep sending them. And then that's when they get They

340
00:14:38,640 --> 00:14:40,520
Speaker 1: called me like yo, you can get down there, and

341
00:14:40,520 --> 00:14:43,040
Speaker 1: they flew me out there, and then my mom was

342
00:14:43,080 --> 00:14:45,840
Speaker 1: scared again. You know what I'm saying, Fine, dough to Atlanta,

343
00:14:45,960 --> 00:14:48,200
Speaker 1: you know. And then that's like that was like a

344
00:14:48,240 --> 00:14:50,520
Speaker 1: long time ago. They were like they were like they're

345
00:14:50,560 --> 00:14:53,520
Speaker 1: like staying in the studio on Metropolitan and Ship in Atlanta,

346
00:14:53,560 --> 00:14:56,120
Speaker 1: Like this is like like back in the day ship,

347
00:14:56,200 --> 00:14:58,200
Speaker 1: you know what I'm saying, with p and stuff. So

348
00:14:58,240 --> 00:15:02,160
Speaker 1: they shut up, shut up, coach up me Like which

349
00:15:02,200 --> 00:15:04,080
Speaker 1: the kid was there. You know what I'm saying, shut up,

350
00:15:05,240 --> 00:15:11,760
Speaker 1: you risk the kid. I don't know it's me. It

351
00:15:11,800 --> 00:15:13,720
Speaker 1: wasn't like a real workshop you guys are just working.

352
00:15:13,880 --> 00:15:15,680
Speaker 1: It was a workshop. These guys were living in there

353
00:15:16,200 --> 00:15:18,680
Speaker 1: like making music though. You know what I'm saying, Like

354
00:15:19,040 --> 00:15:20,720
Speaker 1: we made em Smith in there, like you know what

355
00:15:20,760 --> 00:15:23,360
Speaker 1: I'm saying. That's when like the dad was like really

356
00:15:23,400 --> 00:15:26,400
Speaker 1: created you know what I'm saying. He said, Miss Smith

357
00:15:26,440 --> 00:15:28,640
Speaker 1: record before pipe it up was the Birth of the Dad.

358
00:15:28,720 --> 00:15:31,040
Speaker 1: Oh yeah, you can look it up. You look that

359
00:15:31,040 --> 00:15:35,240
Speaker 1: ship and I was like, what two twelve two and

360
00:15:35,320 --> 00:15:38,320
Speaker 1: they're dabbing in that video, so people can't you know

361
00:15:38,360 --> 00:15:41,200
Speaker 1: what I'm saying. He said that was just quite more excited, right, Yeah,

362
00:15:41,240 --> 00:15:43,840
Speaker 1: he was just excited. That was just like emphasizing just

363
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Speaker 1: like how hard the beat was when the beat dropped,

364
00:15:46,360 --> 00:15:49,000
Speaker 1: just going oh, you know what I'm saying, That's how

365
00:15:49,000 --> 00:15:50,920
Speaker 1: it started. Wasn't called the Dad, But how does it

366
00:15:50,960 --> 00:15:52,520
Speaker 1: go from like working with him at first and then

367
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Speaker 1: you actually just live with them? Like what was it?

368
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Speaker 1: Just the chemistry from jump just felt like I just

369
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Speaker 1: just grinding, you know what I'm saying, want to be around,

370
00:16:00,840 --> 00:16:04,320
Speaker 1: like really hungry and focus and really being like driven

371
00:16:04,320 --> 00:16:06,920
Speaker 1: on what I'm trying to do. Like I really wanted

372
00:16:06,960 --> 00:16:09,000
Speaker 1: this to happen, you know, and I really didn't want

373
00:16:09,000 --> 00:16:11,520
Speaker 1: anything else. I didn't there was no plan B. This

374
00:16:11,600 --> 00:16:14,280
Speaker 1: was all I wanted to do, you know, and I

375
00:16:14,320 --> 00:16:16,280
Speaker 1: had to make it happen. So, like, you know, I

376
00:16:16,320 --> 00:16:18,120
Speaker 1: just kept going down to Atlanta and then I started

377
00:16:18,120 --> 00:16:20,360
Speaker 1: staying with them, started going on tour with them, started

378
00:16:20,400 --> 00:16:22,400
Speaker 1: being the sprinter with these guys. All the time, like

379
00:16:22,520 --> 00:16:24,680
Speaker 1: really really built, like really built like a like a

380
00:16:24,760 --> 00:16:27,480
Speaker 1: like a relationship in a bond, like like with their

381
00:16:27,560 --> 00:16:30,800
Speaker 1: families like everything. You know, So these are like like

382
00:16:30,960 --> 00:16:33,600
Speaker 1: family to me, you know, like my mom knows these guys,

383
00:16:33,640 --> 00:16:36,360
Speaker 1: their moms knowing me. It's that was a tough time

384
00:16:36,400 --> 00:16:39,080
Speaker 1: because Offset and concerated and the drama with the label

385
00:16:39,160 --> 00:16:42,360
Speaker 1: and stuff like that was a tough time. And I'm like, yeah,

386
00:16:42,640 --> 00:16:44,840
Speaker 1: a little bit when when I started when I started

387
00:16:44,840 --> 00:16:46,920
Speaker 1: seeing these guys too, that's like like around the time

388
00:16:46,960 --> 00:16:49,840
Speaker 1: when Officet got out, so they were starting to get

389
00:16:49,840 --> 00:16:52,080
Speaker 1: piped up to and Off said all the time, you

390
00:16:52,200 --> 00:16:53,800
Speaker 1: look at me and you always have his mugg And

391
00:16:53,960 --> 00:16:56,800
Speaker 1: I thought I didn't think he didn't like me as adjustment.

392
00:16:56,960 --> 00:17:00,880
Speaker 1: I think he likes me. I was like, I was

393
00:17:00,880 --> 00:17:02,280
Speaker 1: like more shy at the time. But you know what

394
00:17:02,280 --> 00:17:04,960
Speaker 1: I was like, I was like seventeen years old. You

395
00:17:04,960 --> 00:17:06,600
Speaker 1: know what I'm saying, No chains, nothing like you know

396
00:17:06,600 --> 00:17:09,399
Speaker 1: what I'm saying, white boy, I was around me. I

397
00:17:09,440 --> 00:17:11,280
Speaker 1: was around these guys like, ye know, I need some change, man,

398
00:17:11,560 --> 00:17:13,119
Speaker 1: got stage with these guys. Need to go buy some

399
00:17:13,280 --> 00:17:15,359
Speaker 1: little chains or whatever. I need to do something, you know,

400
00:17:15,920 --> 00:17:17,560
Speaker 1: because you guys have me on tour there pushing me

401
00:17:17,600 --> 00:17:20,000
Speaker 1: on stage. It was my songs and trying to get

402
00:17:20,040 --> 00:17:22,000
Speaker 1: me like used to like, you know, it's your song.

403
00:17:22,359 --> 00:17:24,800
Speaker 1: You know what I'm saying. So how long were you

404
00:17:24,880 --> 00:17:27,199
Speaker 1: staying in Atlanta for? I would just I would go

405
00:17:27,280 --> 00:17:28,800
Speaker 1: for a couple of months at a time. We'll stay

406
00:17:28,800 --> 00:17:31,239
Speaker 1: with them, go back home, go go back out there,

407
00:17:31,280 --> 00:17:33,159
Speaker 1: and go back home. But it was like I was

408
00:17:33,160 --> 00:17:34,800
Speaker 1: out there for mint like minutes at the time, like

409
00:17:34,880 --> 00:17:37,360
Speaker 1: a good time, you know. Then, But did your mom

410
00:17:37,440 --> 00:17:41,359
Speaker 1: realized Okay, he's okay, Like yeah, I don't know. I

411
00:17:41,760 --> 00:17:43,520
Speaker 1: don't know, because that's when they were on like you

412
00:17:43,520 --> 00:17:45,119
Speaker 1: know what I'm saying. I'm not gonna say they're on

413
00:17:45,119 --> 00:17:47,240
Speaker 1: their bullshit, but you know they were in the news.

414
00:17:48,960 --> 00:17:50,600
Speaker 1: They were they were in their news for like like

415
00:17:51,040 --> 00:17:53,440
Speaker 1: little stuff all the time. So like she'd probably worried,

416
00:17:54,040 --> 00:17:56,040
Speaker 1: But you know they're good guys and my dogs, you know.

417
00:17:56,119 --> 00:17:58,000
Speaker 1: But you said your dad believe in you from jump.

418
00:17:58,040 --> 00:18:01,160
Speaker 1: I know he passed away a few years ago. My po, Yeah,

419
00:18:01,200 --> 00:18:03,119
Speaker 1: he believes me from the jump. He was telling me yo,

420
00:18:03,280 --> 00:18:05,879
Speaker 1: like don't quick, keep going, don't stop. You know what

421
00:18:05,920 --> 00:18:08,760
Speaker 1: I'm saying. Everyone wants me to go to college do

422
00:18:08,840 --> 00:18:10,359
Speaker 1: this to that. I was gonna go to college for

423
00:18:10,400 --> 00:18:13,199
Speaker 1: business because like making money. I didn't know what how

424
00:18:13,200 --> 00:18:14,720
Speaker 1: I was going to do that. I didn't you know

425
00:18:14,760 --> 00:18:16,840
Speaker 1: what I'm saying, Like, I don't know. Everyone had a

426
00:18:16,840 --> 00:18:18,960
Speaker 1: little ways of making money back in the day, you

427
00:18:18,960 --> 00:18:20,280
Speaker 1: know what I'm saying. I was making a little bit

428
00:18:20,280 --> 00:18:22,359
Speaker 1: of bread. But like there was a point where I

429
00:18:22,359 --> 00:18:24,159
Speaker 1: was like, I gotta I gotta stop everything. You just

430
00:18:24,160 --> 00:18:26,800
Speaker 1: start making music because this music is gonna take me

431
00:18:26,840 --> 00:18:28,840
Speaker 1: a lot farther than anything else would. Right, You didn't

432
00:18:28,880 --> 00:18:32,240
Speaker 1: want no job. No, I never had a job, never

433
00:18:32,280 --> 00:18:34,680
Speaker 1: had never. I'm left handed. I told my mom I

434
00:18:34,760 --> 00:18:38,440
Speaker 1: was grade seven. I was different some weird show, like

435
00:18:38,480 --> 00:18:40,520
Speaker 1: your mom different. I'm left handed, Like I'm not like

436
00:18:40,680 --> 00:18:42,960
Speaker 1: all these other kids in class. Like I can't work

437
00:18:42,960 --> 00:18:45,120
Speaker 1: a job, I can't have a ball, Like I can't

438
00:18:45,160 --> 00:18:48,440
Speaker 1: do that. Equables left handed to right? Yea me equival

439
00:18:48,520 --> 00:18:53,160
Speaker 1: and Barack Obama. I don't know anyone else's special about

440
00:18:53,200 --> 00:18:55,920
Speaker 1: being left sided. Wait you love handed to wait, there's

441
00:18:55,920 --> 00:19:00,440
Speaker 1: someone else to wait someone you know. Someone just told

442
00:19:00,440 --> 00:19:02,240
Speaker 1: me someone else was left hand the other day too,

443
00:19:02,240 --> 00:19:03,879
Speaker 1: And I was like what And it's something like you

444
00:19:03,920 --> 00:19:06,399
Speaker 1: can't cut paper or something like what's the what's what?

445
00:19:06,600 --> 00:19:08,960
Speaker 1: I couldn't cut paper in grade two that I did

446
00:19:09,160 --> 00:19:13,080
Speaker 1: order me left handed scissors because like, no, I'm that serious,

447
00:19:13,080 --> 00:19:15,760
Speaker 1: because like the way I don't know that the scissors

448
00:19:15,800 --> 00:19:18,479
Speaker 1: are like opposite ways. I was like, I was like

449
00:19:18,640 --> 00:19:20,760
Speaker 1: I remember being great too, like man, the fun that

450
00:19:20,800 --> 00:19:23,639
Speaker 1: can't cut Like I can't cut paper and ship this

451
00:19:23,680 --> 00:19:26,240
Speaker 1: ship now you can maybe exactly. Maybe that's why I

452
00:19:26,240 --> 00:19:28,199
Speaker 1: didn't want a job. But music was always on. You

453
00:19:28,200 --> 00:19:30,280
Speaker 1: said your pop was a guitar? Did he have a

454
00:19:30,320 --> 00:19:32,720
Speaker 1: game basement? Was he like? Was he he just like

455
00:19:32,760 --> 00:19:34,240
Speaker 1: you know what I'm saying, Like back in the day,

456
00:19:34,280 --> 00:19:36,040
Speaker 1: he was like in bands and doing all that ship

457
00:19:36,119 --> 00:19:39,760
Speaker 1: you know. Unfortunately, back in that generation, you know, like

458
00:19:39,960 --> 00:19:42,719
Speaker 1: people were like kids and stuff and more like independent

459
00:19:43,240 --> 00:19:45,199
Speaker 1: by the age of seventeen on their own and stuff,

460
00:19:45,520 --> 00:19:47,359
Speaker 1: like you guys, did you know that? You know, so

461
00:19:47,440 --> 00:19:50,520
Speaker 1: that he didn't really have the opportunity to like chase

462
00:19:50,600 --> 00:19:52,959
Speaker 1: his dream kind of how to like stay focused just

463
00:19:53,000 --> 00:19:54,960
Speaker 1: like maintaining like get the money, you know what I'm saying.

464
00:19:54,960 --> 00:19:57,119
Speaker 1: I was more like, yeah, I was more like I

465
00:19:57,160 --> 00:19:59,119
Speaker 1: come from a middle class family I had, Like, so

466
00:19:59,200 --> 00:20:01,800
Speaker 1: I knew that, Like that's why I took advantage of

467
00:20:01,800 --> 00:20:03,920
Speaker 1: my of my opportunity. I was like, you, I'm sixteen

468
00:20:04,240 --> 00:20:06,879
Speaker 1: and everyone's going to high school and college and this

469
00:20:06,960 --> 00:20:11,000
Speaker 1: and that. Instead of like going to college for five years,

470
00:20:11,040 --> 00:20:13,440
Speaker 1: coming out and being in debt fifty k, I can

471
00:20:13,480 --> 00:20:15,600
Speaker 1: literally just make beats and work hard and it's just

472
00:20:15,600 --> 00:20:18,080
Speaker 1: gonna work. Like I was even thinking about it at

473
00:20:18,160 --> 00:20:20,560
Speaker 1: that time like that, but like, yeah, it's crazy though,

474
00:20:21,240 --> 00:20:24,000
Speaker 1: crazy to me, But how did you go from like easy,

475
00:20:24,240 --> 00:20:26,480
Speaker 1: like a pearl Jam drum kit to like hip hop?

476
00:20:26,520 --> 00:20:28,240
Speaker 1: I think he said something like you saw the game,

477
00:20:28,320 --> 00:20:31,160
Speaker 1: hated a loved video and that impacted you. That impacted

478
00:20:31,160 --> 00:20:33,240
Speaker 1: me a lot to like start listening to rap music.

479
00:20:33,240 --> 00:20:35,159
Speaker 1: I was like, this is fire, like you know, and

480
00:20:35,160 --> 00:20:37,199
Speaker 1: then I started I started like playing on drums like

481
00:20:37,680 --> 00:20:41,159
Speaker 1: Travis Sparker remixes and Ship. And then that's what kind

482
00:20:41,160 --> 00:20:43,760
Speaker 1: of got me from drums to electric drums. And then

483
00:20:44,640 --> 00:20:46,840
Speaker 1: and then one of my boys introduced me to fl

484
00:20:46,880 --> 00:20:49,560
Speaker 1: Studio and I was like Ship, but I was like

485
00:20:49,720 --> 00:20:51,919
Speaker 1: trying to use it stuff. Taught myself how to use it,

486
00:20:52,119 --> 00:20:53,919
Speaker 1: and that's when I sold my electric drums for an

487
00:20:54,000 --> 00:20:56,639
Speaker 1: mp K forty nine keyboard and then just started. I

488
00:20:56,640 --> 00:20:58,200
Speaker 1: didn't know how to play piano. I was just like

489
00:20:58,440 --> 00:21:00,000
Speaker 1: I remember being in a music class. It wouldn't have

490
00:21:00,000 --> 00:21:02,200
Speaker 1: you played the piano. They wanted me always played the trumpets.

491
00:21:02,200 --> 00:21:04,320
Speaker 1: So I dropped out of music class in high school,

492
00:21:04,800 --> 00:21:06,760
Speaker 1: and like I would always just go on the piano

493
00:21:06,800 --> 00:21:08,800
Speaker 1: and just like randomly be a president. Ship. My boy

494
00:21:08,800 --> 00:21:10,680
Speaker 1: told me, was like, yo, you'd be playing like Beethoven

495
00:21:10,720 --> 00:21:12,919
Speaker 1: and ship, like you know what I'm saying. I was like,

496
00:21:13,040 --> 00:21:14,960
Speaker 1: randomly hitt and shild not even know what I'm hitting,

497
00:21:14,960 --> 00:21:17,560
Speaker 1: but just like music's patterns to me, Like so they

498
00:21:17,680 --> 00:21:19,320
Speaker 1: just like I don't know, you just hit the right

499
00:21:19,320 --> 00:21:21,680
Speaker 1: patterns and it makes it sound good. You started isolating

500
00:21:21,720 --> 00:21:24,760
Speaker 1: yourself too, right, Like yeah, people were making fun of

501
00:21:24,760 --> 00:21:27,600
Speaker 1: me making beats. People kind of like the script, oh

502
00:21:27,640 --> 00:21:30,480
Speaker 1: you why you can't make rap music? Like it was

503
00:21:30,520 --> 00:21:31,879
Speaker 1: like a lot of ships. So I was like, yo,

504
00:21:32,119 --> 00:21:33,640
Speaker 1: like I just like cut a lot of people off,

505
00:21:34,200 --> 00:21:37,280
Speaker 1: stayed at home during Christmas making beats by myself the

506
00:21:37,320 --> 00:21:39,359
Speaker 1: whole Christmas break, two weeks come back school and was

507
00:21:39,400 --> 00:21:42,719
Speaker 1: like I didn't see you whatever. When I was like yeo,

508
00:21:43,640 --> 00:21:45,800
Speaker 1: making beats man. I don't know, but your first placement

509
00:21:45,840 --> 00:21:49,320
Speaker 1: was with Soldier Boy, right, My first my first technical

510
00:21:49,480 --> 00:21:51,880
Speaker 1: placement was with why Be the rock Star? Your boy

511
00:21:52,320 --> 00:21:54,360
Speaker 1: the guy from the bank, he was signed a con

512
00:21:54,440 --> 00:21:58,000
Speaker 1: at the time. That was like so like people people

513
00:21:58,000 --> 00:21:59,600
Speaker 1: at first were telling me, oh, like wait till your

514
00:21:59,600 --> 00:22:01,439
Speaker 1: beats are better to like start getting placement. So I

515
00:22:01,440 --> 00:22:03,359
Speaker 1: was like, yo, fun this ship. I was like three

516
00:22:03,359 --> 00:22:05,440
Speaker 1: months and I was I was like three months into

517
00:22:05,520 --> 00:22:07,880
Speaker 1: making beats, sending people beats on Twitter, and my beat

518
00:22:07,920 --> 00:22:10,640
Speaker 1: sounded like ship like yeah, said even the Soldier Boy

519
00:22:10,680 --> 00:22:12,200
Speaker 1: that they said that was first one. You you hate

520
00:22:12,240 --> 00:22:13,960
Speaker 1: that track, right, You think that wasn't like one of

521
00:22:14,000 --> 00:22:18,200
Speaker 1: your best stories as well. No, it's like my bet

522
00:22:18,240 --> 00:22:20,560
Speaker 1: at me and not not definitely my best. But when

523
00:22:20,560 --> 00:22:22,720
Speaker 1: you're getting money from that, like what was I wasn't

524
00:22:22,720 --> 00:22:25,760
Speaker 1: getting money for a while because people gotta understand people

525
00:22:25,880 --> 00:22:29,120
Speaker 1: like people nowadays, Like it's like like you definitely gotta

526
00:22:29,160 --> 00:22:31,280
Speaker 1: know you're worth but like you definitely got to pay

527
00:22:31,320 --> 00:22:34,560
Speaker 1: your dues and like understand the game, and like you

528
00:22:34,640 --> 00:22:37,239
Speaker 1: gotta you gotta play the game and work, work and

529
00:22:37,280 --> 00:22:40,000
Speaker 1: play your cards properly to be able to get in

530
00:22:40,000 --> 00:22:42,520
Speaker 1: the position to make money. Like like I feel like

531
00:22:42,520 --> 00:22:44,280
Speaker 1: like I was financially starting to make money probably like

532
00:22:44,600 --> 00:22:45,960
Speaker 1: a year and a half, two years ago, you know

533
00:22:45,960 --> 00:22:48,200
Speaker 1: what I'm saying. People thought I was rich five years

534
00:22:48,240 --> 00:22:50,600
Speaker 1: ago making a smith, you know what I'm saying. But

535
00:22:50,640 --> 00:22:52,560
Speaker 1: like it's just like that's moving with the times. I

536
00:22:52,600 --> 00:22:55,960
Speaker 1: was like those times, I was like jugging Western Union money. Graham,

537
00:22:56,040 --> 00:22:58,320
Speaker 1: Like you know what I'm saying. You want you want?

538
00:22:58,560 --> 00:23:00,400
Speaker 1: You want to be beat for a thousand and send

539
00:23:00,440 --> 00:23:02,720
Speaker 1: me that. I wasn't even sending snippets because I found

540
00:23:02,720 --> 00:23:04,720
Speaker 1: out like people like Lex Lukeen, these guys were sending

541
00:23:04,720 --> 00:23:07,480
Speaker 1: people snippets and people just loop the snippet. So I

542
00:23:07,520 --> 00:23:09,160
Speaker 1: was like, yo, funk that if people want my beat,

543
00:23:09,200 --> 00:23:11,040
Speaker 1: you gotta send me the money, and I'm gonna sending

544
00:23:11,040 --> 00:23:12,439
Speaker 1: you like a couple of beats and you can just

545
00:23:12,480 --> 00:23:14,240
Speaker 1: pick from the beat. I just wanted the money, like

546
00:23:14,280 --> 00:23:17,120
Speaker 1: I was like, yo, Like my my Western Union was flagged.

547
00:23:17,119 --> 00:23:19,560
Speaker 1: They thought I was doing fraud and ship. It was

548
00:23:19,640 --> 00:23:21,320
Speaker 1: like I was like young, I was like, you know

549
00:23:21,359 --> 00:23:22,840
Speaker 1: what I'm saying. I was always going to the West

550
00:23:22,920 --> 00:23:25,240
Speaker 1: Union picking up money. That's how I like I started

551
00:23:25,240 --> 00:23:27,159
Speaker 1: everything because I see that now, like a lot of

552
00:23:27,160 --> 00:23:29,520
Speaker 1: producers are complaining that, you know, they're not getting credit

553
00:23:29,640 --> 00:23:33,720
Speaker 1: or the mixtape paperwork. Right Hey, back in the day,

554
00:23:33,840 --> 00:23:36,920
Speaker 1: nobody's getting paid off no mixtape. So like, you know

555
00:23:36,960 --> 00:23:38,480
Speaker 1: what I'm saying, I don't know, you almost have to

556
00:23:38,480 --> 00:23:40,760
Speaker 1: pay dudes in that sense. And that's what I felt like,

557
00:23:40,760 --> 00:23:42,600
Speaker 1: I paid enough dudes, like I did my thing, you

558
00:23:42,600 --> 00:23:44,919
Speaker 1: know what I'm saying. So, but yeah, you definitely have

559
00:23:44,960 --> 00:23:46,760
Speaker 1: to pay your dudes. People got I don't know, it

560
00:23:46,840 --> 00:23:48,919
Speaker 1: was piping up. The first one where you felt like

561
00:23:49,000 --> 00:23:50,800
Speaker 1: that was like that was probably like the first record,

562
00:23:50,800 --> 00:23:53,520
Speaker 1: like I really got yeah, and that was like probably

563
00:23:53,600 --> 00:23:55,560
Speaker 1: the first record where like they got paid for like

564
00:23:55,880 --> 00:23:58,560
Speaker 1: a beat from like a major and then like, yeah,

565
00:23:58,680 --> 00:24:01,359
Speaker 1: record that like made like money because it was that

566
00:24:01,440 --> 00:24:03,480
Speaker 1: was a big I feel like that that record was

567
00:24:03,520 --> 00:24:05,520
Speaker 1: like a big moment in itself just for music and

568
00:24:05,560 --> 00:24:08,520
Speaker 1: just like just like rapp in general, and just like

569
00:24:08,720 --> 00:24:11,520
Speaker 1: how the dad blew up and kids were dabbing, Hillary

570
00:24:11,560 --> 00:24:14,639
Speaker 1: Clinton was dabbing and went and went to like and

571
00:24:14,720 --> 00:24:17,119
Speaker 1: went to like football, Cam Newton and went to like it,

572
00:24:17,160 --> 00:24:19,159
Speaker 1: went to like soccer over in Europe and went to

573
00:24:19,240 --> 00:24:21,960
Speaker 1: like hockey it's just like it was just like it

574
00:24:22,040 --> 00:24:23,600
Speaker 1: was crazy, Like you know what I'm saying now, Like

575
00:24:23,640 --> 00:24:26,000
Speaker 1: there's like you could dab on Fortnite, you know what

576
00:24:26,040 --> 00:24:27,800
Speaker 1: I'm saying, Like it's just crazy. What do you what

577
00:24:27,840 --> 00:24:29,879
Speaker 1: are you making? The meagles? Like obviously you respect for

578
00:24:29,920 --> 00:24:31,720
Speaker 1: them and it was part of their journey of wanting

579
00:24:31,760 --> 00:24:34,280
Speaker 1: to be stars, but then bad and boujee happens and

580
00:24:34,280 --> 00:24:36,199
Speaker 1: then they go to a whole of the level. Like

581
00:24:36,240 --> 00:24:38,119
Speaker 1: what's it like to witness and how how do you

582
00:24:38,160 --> 00:24:40,520
Speaker 1: feel they've changed and not changed with all the success

583
00:24:40,520 --> 00:24:43,320
Speaker 1: they've had recently. I don't think they've changed. I think

584
00:24:43,359 --> 00:24:47,440
Speaker 1: the money's changed, the Jewelish jewels changed, the car lots

585
00:24:47,440 --> 00:24:49,320
Speaker 1: have changed, you know what I'm saying. But I don't

586
00:24:49,359 --> 00:24:51,240
Speaker 1: think they've changed. What I'm saying. Those are my dogs,

587
00:24:51,280 --> 00:24:53,280
Speaker 1: you know, And just to see that come up was

588
00:24:53,320 --> 00:24:55,359
Speaker 1: like really good because like around that time, it's like

589
00:24:55,680 --> 00:24:57,760
Speaker 1: that's when I kind of like I didn't like separate

590
00:24:57,800 --> 00:25:00,320
Speaker 1: myself from them, like we're family for life. But that's

591
00:25:00,359 --> 00:25:02,720
Speaker 1: like when I kind of like took some steps to

592
00:25:02,760 --> 00:25:05,480
Speaker 1: the left and men like yo, like I'm gonna i

593
00:25:05,760 --> 00:25:08,720
Speaker 1: gotta build like my own I'm like at the end

594
00:25:08,720 --> 00:25:10,800
Speaker 1: of the day, like I want you to remember me

595
00:25:10,920 --> 00:25:13,480
Speaker 1: like murder beats, you know. I started like go do

596
00:25:13,560 --> 00:25:15,040
Speaker 1: my own thing. That's like when I first came to

597
00:25:15,119 --> 00:25:16,879
Speaker 1: l A for the first time and stuff. So I

598
00:25:16,880 --> 00:25:19,199
Speaker 1: was like getting in the studio different artists. I was

599
00:25:19,240 --> 00:25:20,840
Speaker 1: only in the studio with the mego was like all

600
00:25:20,840 --> 00:25:23,000
Speaker 1: the time. So like when I even saw like different

601
00:25:23,040 --> 00:25:26,360
Speaker 1: artists process in the studio, I was like, Fuck, why

602
00:25:26,400 --> 00:25:29,680
Speaker 1: they're writing ship, like you know, saying the mego's freestyle everything.

603
00:25:29,720 --> 00:25:33,080
Speaker 1: I didn't I don't know. I didn't know. I didn't

604
00:25:33,119 --> 00:25:34,960
Speaker 1: know people had songs like I didn't know any of

605
00:25:34,960 --> 00:25:37,760
Speaker 1: this ship like the egos like freestyle everything. So just

606
00:25:37,920 --> 00:25:40,399
Speaker 1: so just like for me to be be coming up

607
00:25:40,440 --> 00:25:42,399
Speaker 1: in my little lane that when I moved off, and

608
00:25:42,400 --> 00:25:44,280
Speaker 1: then like just to see them come up and now

609
00:25:44,400 --> 00:25:46,800
Speaker 1: like we're both just like on top of ship right now.

610
00:25:46,880 --> 00:25:48,879
Speaker 1: Like I just feel like that's the best blessing ever.

611
00:25:49,359 --> 00:25:51,240
Speaker 1: Felt like pressure to be like an in house producer

612
00:25:51,280 --> 00:25:53,400
Speaker 1: for them or like that whole camp like I kind

613
00:25:53,440 --> 00:25:54,840
Speaker 1: of was for like a couple of years, you know

614
00:25:54,840 --> 00:25:56,680
Speaker 1: what I'm saying. But then I felt like I wanted

615
00:25:56,720 --> 00:25:59,480
Speaker 1: to be like more. I wanted just like Murder Beats

616
00:25:59,520 --> 00:26:03,080
Speaker 1: to be known as Murder Beats and stuff. Yeah, because

617
00:26:03,119 --> 00:26:05,080
Speaker 1: I wondered, I'm always going to be attached to the

618
00:26:05,119 --> 00:26:07,679
Speaker 1: meges like like we got more sport, we got more coming.

619
00:26:07,960 --> 00:26:11,040
Speaker 1: We're always making music. They're gonna be all over my album,

620
00:26:11,119 --> 00:26:13,760
Speaker 1: always gonna be on theirs. I'm always gonna have ship

621
00:26:13,800 --> 00:26:16,159
Speaker 1: with QC artist, you know what I'm saying, little baby Yaddie,

622
00:26:16,200 --> 00:26:18,119
Speaker 1: all these guys. You know what I'm saying. I'm always

623
00:26:18,119 --> 00:26:22,320
Speaker 1: gonna like coaching them, you know, like QC. Like that's

624
00:26:22,359 --> 00:26:25,440
Speaker 1: like they really did. They really did this ship like

625
00:26:25,440 --> 00:26:28,600
Speaker 1: like a growth overwall to see happened. Yeah, Like like

626
00:26:28,640 --> 00:26:30,359
Speaker 1: you know, like my come up story is like very

627
00:26:30,440 --> 00:26:32,680
Speaker 1: unique in the way that I came up from Canada

628
00:26:32,840 --> 00:26:34,520
Speaker 1: like a white boy trying music all that ship. But

629
00:26:34,560 --> 00:26:38,040
Speaker 1: like just for them to be like as successful as

630
00:26:38,040 --> 00:26:40,719
Speaker 1: they are as an independent label, it's like a crazy

631
00:26:40,760 --> 00:26:43,840
Speaker 1: success story too, because then back in the day, everyone

632
00:26:43,880 --> 00:26:47,240
Speaker 1: was down in them, the majors didn't want to help them.

633
00:26:47,480 --> 00:26:49,560
Speaker 1: Look at what look at what they did now, like

634
00:26:49,640 --> 00:26:52,280
Speaker 1: that's crazy. You know, it's hard to do that. It

635
00:26:52,320 --> 00:26:54,800
Speaker 1: makes it makes everyone think they can do it, you know.

636
00:26:54,920 --> 00:26:56,720
Speaker 1: So what was that transition going to l a Like,

637
00:26:56,720 --> 00:26:58,119
Speaker 1: why did you decide that was the home base? And

638
00:26:58,160 --> 00:26:59,800
Speaker 1: then who did you first start working with out there

639
00:26:59,840 --> 00:27:02,040
Speaker 1: that did you feel like this is like the right move?

640
00:27:02,480 --> 00:27:06,360
Speaker 1: The first person I started working with in l a Ah,

641
00:27:07,480 --> 00:27:10,760
Speaker 1: maybe Nipsy. Also, I hadn't move on Twitter, Like three am,

642
00:27:12,320 --> 00:27:14,760
Speaker 1: some beats. He was like, yo put dm yo put

643
00:27:14,840 --> 00:27:17,600
Speaker 1: the studio tomorrow, three pm. Pulled up his studio. He

644
00:27:17,880 --> 00:27:23,520
Speaker 1: ordered pizza. This was like, this was like three like

645
00:27:23,600 --> 00:27:26,160
Speaker 1: three and a half years ago. Okay, so we made

646
00:27:26,200 --> 00:27:28,879
Speaker 1: one song that night. And the song we made that

647
00:27:29,000 --> 00:27:33,400
Speaker 1: night was Grind Grind Grind, which made the album which

648
00:27:33,440 --> 00:27:36,840
Speaker 1: came out what what like this four months ago? Yeah,

649
00:27:36,960 --> 00:27:38,960
Speaker 1: so that's why I like, I didn't even I was like, fun,

650
00:27:39,040 --> 00:27:41,760
Speaker 1: I hate this beat, like I made the beat. And

651
00:27:41,800 --> 00:27:45,320
Speaker 1: two that was four game or something like that, right,

652
00:27:45,320 --> 00:27:48,360
Speaker 1: the Tom Clancy video game? Was it? Yeah? I think

653
00:27:48,400 --> 00:27:50,320
Speaker 1: it was, but then it kind of got like remixed

654
00:27:50,400 --> 00:27:52,480
Speaker 1: or something. Yeah, it was just like it was like

655
00:27:52,960 --> 00:27:55,520
Speaker 1: he put it on streaming and took it off. Yeah,

656
00:27:55,720 --> 00:27:57,639
Speaker 1: it made his album and and then and then and

657
00:27:57,680 --> 00:28:00,439
Speaker 1: then they told me it didn't make his album. Was like,

658
00:28:00,720 --> 00:28:03,040
Speaker 1: oh ship and then it made his album, and then

659
00:28:03,119 --> 00:28:04,880
Speaker 1: it didn't make his album, and then like it made

660
00:28:04,880 --> 00:28:06,679
Speaker 1: his album, and then I was like, I don't even

661
00:28:06,720 --> 00:28:08,160
Speaker 1: know if like I want this beat to come out

662
00:28:08,520 --> 00:28:10,080
Speaker 1: like this song was far, but I don't know like

663
00:28:10,160 --> 00:28:11,920
Speaker 1: the beat like you know what I'm saying is that

664
00:28:13,480 --> 00:28:14,960
Speaker 1: And they even want to, like you know, you can

665
00:28:15,000 --> 00:28:16,520
Speaker 1: touch it up you want to. I was like, like,

666
00:28:16,560 --> 00:28:18,359
Speaker 1: I don't want record. I don't want to touch it up.

667
00:28:18,359 --> 00:28:20,800
Speaker 1: But I remember I went this to you. I was like, Yo,

668
00:28:21,040 --> 00:28:23,520
Speaker 1: we need to make you some club shit like and

669
00:28:23,560 --> 00:28:25,800
Speaker 1: that's that's that's how I made that record too. So

670
00:28:25,840 --> 00:28:28,679
Speaker 1: that's a whole another story. But yeah, I don't know

671
00:28:28,720 --> 00:28:30,320
Speaker 1: who else though I worked with out here for the

672
00:28:30,359 --> 00:28:32,240
Speaker 1: first time, but you like the vibe of it, like

673
00:28:32,240 --> 00:28:36,120
Speaker 1: because your base now, isn't that right? It's just like

674
00:28:36,440 --> 00:28:38,560
Speaker 1: it's just good because all the studios are out here,

675
00:28:38,640 --> 00:28:41,000
Speaker 1: you know what I'm saying. Everyone comes out here for work,

676
00:28:41,280 --> 00:28:43,200
Speaker 1: like I don't. I don't go to Atlanta to see

677
00:28:43,200 --> 00:28:45,080
Speaker 1: the boys anymore. Like I see them, I see the

678
00:28:45,120 --> 00:28:46,760
Speaker 1: meat goes out here like like probably a couple of

679
00:28:46,800 --> 00:28:48,400
Speaker 1: times a week, a couple of times every other week.

680
00:28:48,960 --> 00:28:50,880
Speaker 1: I see them all the time, Like everyone's out here,

681
00:28:50,920 --> 00:28:53,400
Speaker 1: you know, like I just go go see go see

682
00:28:53,440 --> 00:28:56,000
Speaker 1: two Chains, go see anyone from Atlanta out here. Right,

683
00:28:56,680 --> 00:28:59,120
Speaker 1: So do you make records for people in mind, because

684
00:28:59,160 --> 00:29:02,040
Speaker 1: like the Travis Butterfly effect, it sounds like it was

685
00:29:02,080 --> 00:29:03,960
Speaker 1: tailored for him or was it that's just something you

686
00:29:04,000 --> 00:29:05,520
Speaker 1: had in the it was it was like when I

687
00:29:05,560 --> 00:29:07,120
Speaker 1: made that beat, it was like I had a couple

688
00:29:07,120 --> 00:29:09,120
Speaker 1: of people in mind, you know, but you had Travis.

689
00:29:09,320 --> 00:29:11,440
Speaker 1: When I said in the Travis that was a smash,

690
00:29:12,200 --> 00:29:14,360
Speaker 1: like we knew the smash, Like I like something to

691
00:29:14,400 --> 00:29:17,160
Speaker 1: beat us recording that ship like FaceTime him he was

692
00:29:17,200 --> 00:29:19,600
Speaker 1: like we were he was, he were like on FaceTime

693
00:29:19,600 --> 00:29:21,480
Speaker 1: when he was like finishing the record, like recording and

694
00:29:21,480 --> 00:29:23,960
Speaker 1: ship in Houston, and he just put that ship out

695
00:29:24,000 --> 00:29:26,280
Speaker 1: and I was like that was crazy because like that

696
00:29:26,320 --> 00:29:30,280
Speaker 1: record got like twelve million views and under twenty four

697
00:29:30,320 --> 00:29:32,760
Speaker 1: hours or had like some crazy amount of views in

698
00:29:32,800 --> 00:29:35,000
Speaker 1: like two days. And then he's like they just they

699
00:29:35,040 --> 00:29:37,680
Speaker 1: just went with it, like they just they started. They pushed.

700
00:29:37,760 --> 00:29:40,640
Speaker 1: They pushed the version off of YouTube, I mean off

701
00:29:40,680 --> 00:29:44,120
Speaker 1: of SoundCloud. That was really just my two track and

702
00:29:44,120 --> 00:29:47,320
Speaker 1: then Travis recording himself bouncing it and putting on the Internet,

703
00:29:47,480 --> 00:29:50,160
Speaker 1: and that was like the record that got out there,

704
00:29:50,560 --> 00:29:52,640
Speaker 1: so like we didn't even get really to like fully

705
00:29:52,680 --> 00:29:54,960
Speaker 1: mixing mass with the record and like get like a

706
00:29:55,000 --> 00:29:58,800
Speaker 1: really like super radio cleaner like mixed version and all

707
00:29:58,800 --> 00:30:00,880
Speaker 1: that ship. You know. So I saw someone you were

708
00:30:00,920 --> 00:30:04,040
Speaker 1: saying that you respect Travis that sonically he's so sound

709
00:30:04,080 --> 00:30:06,760
Speaker 1: with how he approaches his music makes it really unique. Right, Well, Yeah,

710
00:30:06,760 --> 00:30:09,040
Speaker 1: sonically I feel like Travis is the best. Like like

711
00:30:09,080 --> 00:30:10,719
Speaker 1: I feel like I feel like that's what like Kanye

712
00:30:10,720 --> 00:30:12,960
Speaker 1: is really good at. Like there's like sonics of music,

713
00:30:13,040 --> 00:30:15,760
Speaker 1: you know, and like Travis just like with the way

714
00:30:15,760 --> 00:30:18,120
Speaker 1: he uses auto tune, with the way he uses other plugins,

715
00:30:18,480 --> 00:30:19,760
Speaker 1: you know what I'm saying. It's just like it's just

716
00:30:19,800 --> 00:30:22,440
Speaker 1: like coming together like with like his sound of beats,

717
00:30:22,880 --> 00:30:25,840
Speaker 1: it just sounds like amazing. You know. To talk about

718
00:30:25,880 --> 00:30:27,920
Speaker 1: Quabo because like it seems like you you both have

719
00:30:28,000 --> 00:30:30,400
Speaker 1: the reputation of being able to work really fast, right

720
00:30:30,440 --> 00:30:33,120
Speaker 1: Like it's it's Quabo. What what is it about Quabo

721
00:30:33,200 --> 00:30:34,880
Speaker 1: to make some specially when like why are you are

722
00:30:34,880 --> 00:30:37,640
Speaker 1: you guys able to create content so fast? Like in

723
00:30:37,680 --> 00:30:42,920
Speaker 1: the studio Quabos a genius man um I don't know.

724
00:30:43,480 --> 00:30:46,560
Speaker 1: I can't really explains too much, too much ship, you know,

725
00:30:47,360 --> 00:30:50,040
Speaker 1: but yeah, Quive was just like a great artist, just

726
00:30:50,160 --> 00:30:52,080
Speaker 1: going freestyle, like you know what I mean. It's like

727
00:30:52,120 --> 00:30:53,600
Speaker 1: play a beat, but go pull that, s it up.

728
00:30:54,400 --> 00:30:56,760
Speaker 1: That's what this lays a quick melody or something down

729
00:30:56,760 --> 00:30:58,680
Speaker 1: and make it like that's how he made pipe of.

730
00:30:58,920 --> 00:31:01,440
Speaker 1: He's like, yo, like I like skipped over the beat.

731
00:31:01,480 --> 00:31:03,440
Speaker 1: He's like, wait, go back. I'm like I didn't even

732
00:31:03,440 --> 00:31:05,080
Speaker 1: like to beat. I was like no, like no, Like

733
00:31:05,280 --> 00:31:07,200
Speaker 1: he's like, no, go back that beat and he's like,

734
00:31:07,200 --> 00:31:09,400
Speaker 1: pipe it up, pipe it up. I'm like, yo, go

735
00:31:09,400 --> 00:31:11,600
Speaker 1: go cut that. Go cut that. He pulls up. The

736
00:31:11,640 --> 00:31:14,080
Speaker 1: beat goes in the booth like this is like in

737
00:31:14,360 --> 00:31:16,600
Speaker 1: the house, you know what I'm saying, cuts, it comes

738
00:31:16,640 --> 00:31:19,240
Speaker 1: up studios like yo. I felt like this is like

739
00:31:19,280 --> 00:31:21,800
Speaker 1: how I felt when we made for Sacchi and I

740
00:31:21,840 --> 00:31:23,680
Speaker 1: was like, yeah, that's a special that's a special one

741
00:31:23,760 --> 00:31:25,520
Speaker 1: right there, Like you just knew it, you know if

742
00:31:25,520 --> 00:31:28,920
Speaker 1: you're saying that that's special. Quit was really talented, like melodies,

743
00:31:29,000 --> 00:31:32,280
Speaker 1: wrap everything. I feel like all the megos are like

744
00:31:32,320 --> 00:31:33,560
Speaker 1: take off. I feel like he's like one of the

745
00:31:33,560 --> 00:31:35,560
Speaker 1: best rappers in the game. You know what I'm saying,

746
00:31:35,560 --> 00:31:39,120
Speaker 1: He's like crazy flows and bars and all that and

747
00:31:39,200 --> 00:31:41,760
Speaker 1: offsets snapping right now to office is going crazy too.

748
00:31:41,960 --> 00:31:44,200
Speaker 1: I don't really have a favorite mego. You know, you know,

749
00:31:44,360 --> 00:31:46,200
Speaker 1: if you'all were going to ask that question, you know what, No,

750
00:31:46,240 --> 00:31:47,640
Speaker 1: but they started doing it, and it was like they

751
00:31:47,640 --> 00:31:50,240
Speaker 1: started loving offset gets. Like Quabo looked at got the

752
00:31:50,280 --> 00:31:52,520
Speaker 1: first recognition and then all of a sudden was like

753
00:31:52,520 --> 00:31:55,560
Speaker 1: all offset offsets gets features a dope and then now

754
00:31:55,640 --> 00:31:58,120
Speaker 1: but take off the quiet storm like nobody because like

755
00:31:58,160 --> 00:31:59,480
Speaker 1: you know, when the megos first came out, it was

756
00:31:59,480 --> 00:32:01,680
Speaker 1: always like they were like ashut taking Quaval on the hook,

757
00:32:01,840 --> 00:32:04,040
Speaker 1: because it was always Quavo on the hook, and I

758
00:32:04,080 --> 00:32:06,600
Speaker 1: think offsets. First time he laid a hook was on

759
00:32:06,640 --> 00:32:09,440
Speaker 1: my beat. It was called Trenches. It was like I

760
00:32:09,480 --> 00:32:13,000
Speaker 1: think it was. It was offset take off and skip

761
00:32:13,560 --> 00:32:15,080
Speaker 1: and like we made I made that beat in like

762
00:32:15,160 --> 00:32:17,520
Speaker 1: the back room, on like a cordboard cardboard box, like

763
00:32:17,560 --> 00:32:19,680
Speaker 1: in the basement on their old house, and like we

764
00:32:19,760 --> 00:32:22,000
Speaker 1: made that record right there, and like that was like offsets.

765
00:32:22,040 --> 00:32:24,720
Speaker 1: Like I think Quaval was actually sick at the time

766
00:32:24,800 --> 00:32:26,440
Speaker 1: or something. That's why he didn't get on it, but

767
00:32:26,560 --> 00:32:29,640
Speaker 1: like that was offsets, like first hook on the record,

768
00:32:29,640 --> 00:32:33,040
Speaker 1: like that's on YouTube and ships and that was hard,

769
00:32:33,120 --> 00:32:35,400
Speaker 1: Like you know what I'm saying. So yeah, now offset

770
00:32:35,400 --> 00:32:37,400
Speaker 1: looking he's crushing it and doing a bunch of hooks

771
00:32:37,800 --> 00:32:39,760
Speaker 1: the Atlanta m C. You have a lot of success

772
00:32:39,800 --> 00:32:42,880
Speaker 1: with his two Chains, you know, four am minutes of

773
00:32:43,000 --> 00:32:44,840
Speaker 1: vibe like those are the two to staying out records

774
00:32:44,880 --> 00:32:46,760
Speaker 1: from his last album, like he had shot out to

775
00:32:46,920 --> 00:32:48,720
Speaker 1: chains Man. We got we got some new shot on

776
00:32:48,760 --> 00:32:52,240
Speaker 1: his album too. Yeah yeah, but just so you recently

777
00:32:52,280 --> 00:32:55,000
Speaker 1: like your mom's and two Chains to everybody altogether, Like

778
00:32:55,040 --> 00:32:57,440
Speaker 1: what was that? I saw? Well to change in right

779
00:32:57,480 --> 00:32:58,680
Speaker 1: of me too? Was I was last week? You know

780
00:32:58,720 --> 00:33:01,200
Speaker 1: what I'm saying. He ex into music, album and stuff.

781
00:33:01,320 --> 00:33:04,080
Speaker 1: So I was like, yo, like I'm definitely gonna give

782
00:33:04,120 --> 00:33:06,680
Speaker 1: you some crazy ship to pipe up this album. You

783
00:33:06,720 --> 00:33:08,680
Speaker 1: know what I'm saying, Give him a pack of beats

784
00:33:08,680 --> 00:33:09,920
Speaker 1: to sit on and all that stuff, you know what

785
00:33:09,920 --> 00:33:12,360
Speaker 1: I'm saying. And then we ended up making a little play.

786
00:33:12,400 --> 00:33:14,600
Speaker 1: You know you're gonna see what that is. But you know,

787
00:33:15,000 --> 00:33:16,880
Speaker 1: we got a nice little record on there. But you

788
00:33:16,960 --> 00:33:19,280
Speaker 1: had to change, you know. He was I was performing

789
00:33:19,360 --> 00:33:22,000
Speaker 1: with him. I was opening up for him in Toronto

790
00:33:22,160 --> 00:33:24,320
Speaker 1: Mother's Day and stuff, so I brought my mom. You

791
00:33:24,360 --> 00:33:25,800
Speaker 1: know what I'm saying, He's got to make make his

792
00:33:25,880 --> 00:33:29,080
Speaker 1: MoMA proud. So so probably on backstage me to change,

793
00:33:29,080 --> 00:33:32,600
Speaker 1: he was happy and stuff, congratulated him on his proposal

794
00:33:32,640 --> 00:33:35,480
Speaker 1: and all that ship. So yeah, shut up to change.

795
00:33:35,520 --> 00:33:37,360
Speaker 1: To work with him with those two records was like

796
00:33:37,440 --> 00:33:38,920
Speaker 1: just to see what says it was with the me

797
00:33:39,040 --> 00:33:41,960
Speaker 1: Goes and these other guys like the Chemistry. Yeah, I

798
00:33:42,000 --> 00:33:48,080
Speaker 1: sent those beats. I sent those beats to him. Actually,

799
00:33:48,120 --> 00:33:51,040
Speaker 1: I made the It's off I beat here at no

800
00:33:51,240 --> 00:33:55,360
Speaker 1: Name because when I and that's when I kept seeing

801
00:33:55,400 --> 00:34:00,120
Speaker 1: all them, um those calub basses overo. Kanye billboard was

802
00:34:00,360 --> 00:34:02,640
Speaker 1: popping up everywhere. I was like, Yo, if they're actually

803
00:34:02,640 --> 00:34:06,160
Speaker 1: making this out, I'm gonna make some hard dedication type ship.

804
00:34:06,400 --> 00:34:07,960
Speaker 1: So that's when I made the beat. You know what

805
00:34:08,000 --> 00:34:11,160
Speaker 1: I'm saying. I made the beat and then um, I

806
00:34:11,200 --> 00:34:15,400
Speaker 1: just left it with J Pope and then Jake Jet

807
00:34:15,520 --> 00:34:17,640
Speaker 1: gave the Holly even gave the beat to Chains. I go,

808
00:34:18,200 --> 00:34:20,359
Speaker 1: this might be a dopebet for you, and he said

809
00:34:20,440 --> 00:34:22,680
Speaker 1: to him, so shut out, J Pope. He's a legend.

810
00:34:22,719 --> 00:34:24,160
Speaker 1: You know, he's a good mentor to me right now.

811
00:34:24,200 --> 00:34:27,160
Speaker 1: Two and shipped too, So absolutely, I know you got

812
00:34:27,200 --> 00:34:29,520
Speaker 1: somebody really bossing you around. Man, this guy's a side

813
00:34:29,560 --> 00:34:35,200
Speaker 1: Calige Man. Yeah, the man's record with that man. You know,

814
00:34:35,280 --> 00:34:40,200
Speaker 1: he's like he's a he's definitely a boss baby. He's

815
00:34:40,239 --> 00:34:45,000
Speaker 1: the he's the baby of all bosses mix. So yeah,

816
00:34:45,280 --> 00:34:47,400
Speaker 1: I don't know. Me and Cow sat down with the side.

817
00:34:47,560 --> 00:34:49,480
Speaker 1: He went to Miami for that right now, I was here,

818
00:34:49,960 --> 00:34:51,760
Speaker 1: you know what I'm saying. We sat down with the side.

819
00:34:51,800 --> 00:34:54,640
Speaker 1: You know I'm talking with had him on fake time.

820
00:34:54,680 --> 00:34:56,560
Speaker 1: He was giving me some pointers and ship. You know,

821
00:34:56,719 --> 00:34:59,000
Speaker 1: so shut up to the side, shut out the Cow.

822
00:34:59,440 --> 00:35:02,680
Speaker 1: But what about your own project? Keep God? Keep God? First? Two?

823
00:35:02,840 --> 00:35:05,319
Speaker 1: Is there still coming? Keep so? Keep God? First was

824
00:35:05,760 --> 00:35:08,200
Speaker 1: a mixtape that I leaked on the internet. Everyone kind

825
00:35:08,200 --> 00:35:09,799
Speaker 1: of got mad at me, but it had a lot

826
00:35:09,800 --> 00:35:12,920
Speaker 1: of big names in it. That's why, right like labels success,

827
00:35:14,000 --> 00:35:16,319
Speaker 1: it was kind of successful, and everyone after it came

828
00:35:16,360 --> 00:35:18,360
Speaker 1: out was like I didn't really sweat it because like

829
00:35:18,400 --> 00:35:20,319
Speaker 1: it really like was like I feel it was like

830
00:35:20,320 --> 00:35:22,040
Speaker 1: a key moment for everything. Like I had like a

831
00:35:22,080 --> 00:35:26,560
Speaker 1: couple of offsets solo songs on therefore like that, So

832
00:35:26,600 --> 00:35:28,480
Speaker 1: I feel like it's just like just everything, Like I

833
00:35:28,520 --> 00:35:31,400
Speaker 1: had like Playboy Curdie on there before he popped. I

834
00:35:31,400 --> 00:35:34,000
Speaker 1: had Pressed on there that Novocaine song that made him

835
00:35:34,080 --> 00:35:36,839
Speaker 1: pop from Toronto. I had like a bunch of other

836
00:35:36,880 --> 00:35:38,880
Speaker 1: songs on there, just like everything, just like I didn't

837
00:35:38,880 --> 00:35:40,680
Speaker 1: they I feel like it was just good for culture.

838
00:35:40,680 --> 00:35:42,160
Speaker 1: It was like can you just push the button? Like

839
00:35:42,320 --> 00:35:46,160
Speaker 1: nobody knew you were doing it? Like that Ship, I

840
00:35:46,200 --> 00:35:51,000
Speaker 1: don't know, Drop that your marriaging core. You can't talk

841
00:35:51,000 --> 00:35:52,319
Speaker 1: you out of it. It It was like the go Top

842
00:35:54,800 --> 00:35:58,560
Speaker 1: like you mentioned Pressa, like he's having his moment in Canada,

843
00:35:58,640 --> 00:36:01,319
Speaker 1: like with the Novocaine record, Like what's so special about him?

844
00:36:01,320 --> 00:36:03,000
Speaker 1: And why do you guys work so well together? This

845
00:36:03,080 --> 00:36:06,160
Speaker 1: is like like his voice is dope and he's as

846
00:36:06,280 --> 00:36:08,879
Speaker 1: real bars and like when he spits his music and Ship,

847
00:36:09,000 --> 00:36:12,160
Speaker 1: like he's really like saying bars that like you've never

848
00:36:12,200 --> 00:36:14,719
Speaker 1: heard of rappers say like these aren't Like a lot

849
00:36:14,760 --> 00:36:18,000
Speaker 1: of rappers have recycled bars and artists will recycle each

850
00:36:18,000 --> 00:36:20,160
Speaker 1: other's bars and like similar bars and Ship but like

851
00:36:20,360 --> 00:36:22,120
Speaker 1: I feel like like Ship, Pressor says, is like he

852
00:36:22,200 --> 00:36:24,920
Speaker 1: really like he's really like saying something that you've never

853
00:36:24,960 --> 00:36:27,520
Speaker 1: heard before, Like the way you'll like rap upup a

854
00:36:27,520 --> 00:36:30,560
Speaker 1: certain thing. It's like different than like you normally hear it.

855
00:36:31,000 --> 00:36:32,520
Speaker 1: So it's like I feel like that's like the wild

856
00:36:32,520 --> 00:36:35,000
Speaker 1: factor and his voice and like the way he looks

857
00:36:35,280 --> 00:36:37,680
Speaker 1: like he's young and everything. There's a couple of people

858
00:36:37,680 --> 00:36:39,160
Speaker 1: that folk with, you know what I'm saying, Like Books,

859
00:36:39,520 --> 00:36:42,640
Speaker 1: Brian Boys, like Little Gino Chicago, Like there's a bunch

860
00:36:42,640 --> 00:36:45,879
Speaker 1: of people, you know, so shoutout press. Yeah, so keep

861
00:36:45,920 --> 00:36:49,480
Speaker 1: God first two that album. I'm working on it right now.

862
00:36:49,480 --> 00:36:52,120
Speaker 1: I've got a lot of crazy names on it, you

863
00:36:52,120 --> 00:36:53,600
Speaker 1: know what I'm saying. So this is gonna be like

864
00:36:53,640 --> 00:36:56,960
Speaker 1: a major album. It's gonna be pushed properly. You know

865
00:36:57,000 --> 00:36:59,120
Speaker 1: what I'm saying. It's gonna be why I keep God

866
00:36:59,160 --> 00:37:02,720
Speaker 1: for us as the team, because like I really found

867
00:37:02,719 --> 00:37:04,799
Speaker 1: God through music, you know what I'm saying, Like at

868
00:37:04,800 --> 00:37:07,320
Speaker 1: the beginning stages, like that's what like like quib On,

869
00:37:07,360 --> 00:37:09,040
Speaker 1: these guys like they were always like yo, like you

870
00:37:09,080 --> 00:37:11,680
Speaker 1: gotta believe in God? Like what was I like really

871
00:37:11,680 --> 00:37:14,359
Speaker 1: started to give faith in God? And that's really how

872
00:37:14,800 --> 00:37:18,400
Speaker 1: like my my career started like but like I started

873
00:37:18,440 --> 00:37:20,719
Speaker 1: like get better and I started seeing like results and

874
00:37:20,719 --> 00:37:23,759
Speaker 1: like praying for stuff and stuff happening in my life,

875
00:37:23,760 --> 00:37:25,920
Speaker 1: and that that's what gave me like the faith and

876
00:37:26,000 --> 00:37:28,000
Speaker 1: like you know what I'm saying, it's like really believing God.

877
00:37:28,239 --> 00:37:30,040
Speaker 1: So I would always right, keep going first all time

878
00:37:30,080 --> 00:37:32,319
Speaker 1: on Twitter at night, every night before I went to bed,

879
00:37:32,440 --> 00:37:35,040
Speaker 1: after I praise to keep going first one. I'd always

880
00:37:35,040 --> 00:37:37,640
Speaker 1: say that. And then one night I was like driving,

881
00:37:37,719 --> 00:37:39,680
Speaker 1: I was driving to see my mom and I was like, Yo,

882
00:37:39,960 --> 00:37:41,840
Speaker 1: it was literally like before I was like I was

883
00:37:41,840 --> 00:37:43,440
Speaker 1: gonna like drop the mixtape. I was like, Yo, I'm

884
00:37:43,440 --> 00:37:45,520
Speaker 1: just gonna name it. I'm gonna name keep got first,

885
00:37:45,719 --> 00:37:49,160
Speaker 1: keep gout first. It's something I say all the time,

886
00:37:49,600 --> 00:37:51,520
Speaker 1: you know what I'm saying, And like me tweeting all

887
00:37:51,520 --> 00:37:53,840
Speaker 1: the time, it's like it's I'm not just tweeting to tweet.

888
00:37:53,920 --> 00:37:56,439
Speaker 1: I'm tweeting to the mind you to keep going first

889
00:37:56,440 --> 00:37:59,279
Speaker 1: to you know, and your God could be anyone, Like

890
00:37:59,280 --> 00:38:01,879
Speaker 1: I'm not saying I'm not saying that certain religions got

891
00:38:01,880 --> 00:38:04,120
Speaker 1: out of Like your guy can be whoever you want

892
00:38:04,160 --> 00:38:06,960
Speaker 1: your God to be in any religion, right, So, yes,

893
00:38:07,000 --> 00:38:09,120
Speaker 1: So I just want to keep God first. And that's

894
00:38:09,120 --> 00:38:10,600
Speaker 1: why I like, I want my debut out and to

895
00:38:10,640 --> 00:38:12,839
Speaker 1: be keep God first. Two. Yeah, No, I think it's

896
00:38:12,880 --> 00:38:15,040
Speaker 1: interesting because you see so much now in hip hop

897
00:38:15,080 --> 00:38:18,160
Speaker 1: about people being comfortable enough to talk about vulnerability and

898
00:38:18,160 --> 00:38:20,759
Speaker 1: depression and sort of mental health, right, And I think

899
00:38:20,800 --> 00:38:23,640
Speaker 1: that you expressed like your whole energy is always like

900
00:38:24,160 --> 00:38:26,520
Speaker 1: you try to stay positive. You're very driven. You go

901
00:38:26,600 --> 00:38:28,279
Speaker 1: for what you want, you know what I mean, in

902
00:38:28,360 --> 00:38:30,520
Speaker 1: your faith, like and putting it out there, Like why

903
00:38:30,520 --> 00:38:32,239
Speaker 1: do you think you've been able to like be able

904
00:38:32,239 --> 00:38:35,560
Speaker 1: to be strong mentally and you know, really pay your

905
00:38:35,600 --> 00:38:38,080
Speaker 1: dues and get yourself to the point that you're at now.

906
00:38:38,760 --> 00:38:40,600
Speaker 1: I don't know. My parents made in Towns a kid.

907
00:38:42,080 --> 00:38:44,200
Speaker 1: I don't know. I don't know, Like like I don't know,

908
00:38:44,480 --> 00:38:46,360
Speaker 1: but this business can mess you up, and like you know,

909
00:38:46,640 --> 00:38:48,400
Speaker 1: like I just lad the tunnel vision. I don't know,

910
00:38:48,640 --> 00:38:50,359
Speaker 1: I guess I got it from my parents work, I think,

911
00:38:50,360 --> 00:38:52,839
Speaker 1: but I really got the tunnel vision, the focus and

912
00:38:52,920 --> 00:38:56,840
Speaker 1: just like finding God and just like keeping positive messages,

913
00:38:56,960 --> 00:38:59,560
Speaker 1: just staying I just I found out how to like

914
00:38:59,560 --> 00:39:02,239
Speaker 1: like how how I like kind of like isolated myself

915
00:39:02,320 --> 00:39:05,080
Speaker 1: in high school for people. I really got to know myself.

916
00:39:05,120 --> 00:39:06,600
Speaker 1: I feel like you really got to like spend a

917
00:39:06,600 --> 00:39:09,440
Speaker 1: lone time and learn yourself to be able to like

918
00:39:09,440 --> 00:39:13,680
Speaker 1: like fully like manifest like big stuff to happen and

919
00:39:13,719 --> 00:39:16,919
Speaker 1: like speak things in new existence and control your life

920
00:39:16,920 --> 00:39:19,360
Speaker 1: and control the universe and stuff, you know, Like I

921
00:39:19,360 --> 00:39:21,080
Speaker 1: feel like that's a big role in my career, Like

922
00:39:21,320 --> 00:39:23,880
Speaker 1: you know right now, Like I'll say something three weeks

923
00:39:23,880 --> 00:39:26,399
Speaker 1: ago there now it's happening right now. Like so it's

924
00:39:26,400 --> 00:39:28,600
Speaker 1: just like I don't know, just keeping positive all times.

925
00:39:29,239 --> 00:39:31,480
Speaker 1: He said, it's like a producers period again you still

926
00:39:31,520 --> 00:39:34,120
Speaker 1: feel that way, yea, I feel like producers of the

927
00:39:34,160 --> 00:39:38,200
Speaker 1: new artists thousand percent, especially from Canada. Yeah, and like

928
00:39:38,320 --> 00:39:41,160
Speaker 1: way the new DJs too, when the new I don't know,

929
00:39:41,200 --> 00:39:43,440
Speaker 1: it's just like you know what I'm saying, Like how

930
00:39:43,600 --> 00:39:45,080
Speaker 1: what was it like ten years ago you had like

931
00:39:45,480 --> 00:39:48,520
Speaker 1: Scott Storage, Timberland and all these guys DR Dre, all

932
00:39:48,560 --> 00:39:50,680
Speaker 1: these big guys and like they were like known in

933
00:39:50,719 --> 00:39:52,799
Speaker 1: the spotlight. You know what I'm saying, Like everyone, if

934
00:39:52,800 --> 00:39:54,799
Speaker 1: you were like a music fan, not even as a rap,

935
00:39:54,880 --> 00:39:56,799
Speaker 1: if you're a music fan, like you knew that like

936
00:39:57,120 --> 00:39:59,319
Speaker 1: like Timberland was working like Nellie for Toado and like

937
00:39:59,360 --> 00:40:01,360
Speaker 1: all these people, you know what I'm saying, these crazy records,

938
00:40:01,600 --> 00:40:03,759
Speaker 1: I feel like that and it's becoming that again. I

939
00:40:03,760 --> 00:40:05,799
Speaker 1: feel like there's like you got like you're like all

940
00:40:05,800 --> 00:40:08,080
Speaker 1: start line up with producers that people know if you

941
00:40:08,160 --> 00:40:10,000
Speaker 1: listen to music or if you listen to just rapp

942
00:40:10,080 --> 00:40:12,080
Speaker 1: or just you know what I'm saying in general. Now,

943
00:40:12,800 --> 00:40:14,480
Speaker 1: So I think I saw you the Scott Stores and

944
00:40:14,480 --> 00:40:17,799
Speaker 1: you have some dogs or something and yeah, cooking up

945
00:40:17,840 --> 00:40:20,120
Speaker 1: with his dogs. You know, I always gotta cook up

946
00:40:20,160 --> 00:40:22,560
Speaker 1: with the dog. Mom was cooking up like real dogs. Yeah,

947
00:40:22,640 --> 00:40:24,920
Speaker 1: you know. But you had your own DJ, say in

948
00:40:25,000 --> 00:40:28,040
Speaker 1: Hawaii and you're going on tour with the Endless right.

949
00:40:28,680 --> 00:40:30,000
Speaker 1: You know. That was the first time I ever DJ

950
00:40:30,080 --> 00:40:31,640
Speaker 1: in Hawaii and I didn't even know what I was doing.

951
00:40:32,440 --> 00:40:34,640
Speaker 1: I literally learned like the night the night before in

952
00:40:34,640 --> 00:40:36,680
Speaker 1: my hotel room, and like I was like learning at

953
00:40:36,719 --> 00:40:38,680
Speaker 1: sound check and I like and like when people were

954
00:40:38,760 --> 00:40:41,200
Speaker 1: like about to start walking the club and ship, well

955
00:40:41,239 --> 00:40:44,480
Speaker 1: yeah that was that was crazy. Just now I was

956
00:40:44,560 --> 00:40:47,640
Speaker 1: DJ and like like yeah, like I don't know I'd

957
00:40:47,680 --> 00:40:51,080
Speaker 1: be crashing in Yeah. So Italy too, you was doing

958
00:40:51,080 --> 00:40:54,120
Speaker 1: the set up. Yeah, I did. I DJ that after

959
00:40:54,160 --> 00:40:56,799
Speaker 1: party and LANs Fashion show. You flew me up to

960
00:40:57,719 --> 00:41:01,840
Speaker 1: brand again. I don't know what brand say for Cell Blon.

961
00:41:02,000 --> 00:41:06,600
Speaker 1: He's a he's a designer in Milan, Italy and um

962
00:41:06,800 --> 00:41:11,840
Speaker 1: he's like a part owner. Um in like palms, angels

963
00:41:12,600 --> 00:41:14,640
Speaker 1: off way a bunch of stuff, you know, shout out

964
00:41:14,800 --> 00:41:16,759
Speaker 1: celling Balon. So he had to be over there, you

965
00:41:16,760 --> 00:41:18,080
Speaker 1: know what I'm saying. I saw like a bunch of

966
00:41:18,080 --> 00:41:19,880
Speaker 1: his collapse you had coming up with like the NBA

967
00:41:20,400 --> 00:41:21,960
Speaker 1: and like a one. So you can find stuff in

968
00:41:22,040 --> 00:41:24,360
Speaker 1: the stories that you can go like whatever stories you

969
00:41:24,360 --> 00:41:25,880
Speaker 1: would shot about. You're gonna see his ship, you know,

970
00:41:26,000 --> 00:41:29,200
Speaker 1: step my game. It's just fired. You know what I'm saying.

971
00:41:29,160 --> 00:41:31,600
Speaker 1: We got we got the Murder Balon clothing brand coming

972
00:41:31,640 --> 00:41:33,800
Speaker 1: to you know, I'm saying, you got to see it,

973
00:41:33,880 --> 00:41:37,000
Speaker 1: sax bart and he's all that ship. But the Z

974
00:41:37,120 --> 00:41:40,000
Speaker 1: you're doing the DJ sat on the tour, I'm just like,

975
00:41:40,040 --> 00:41:42,200
Speaker 1: how many records are gonna play on Murder Beats records?

976
00:41:43,760 --> 00:41:45,640
Speaker 1: I don't know. I like to like when I DJ,

977
00:41:45,960 --> 00:41:47,440
Speaker 1: like when I DJ said and stuff. I like to

978
00:41:47,440 --> 00:41:49,440
Speaker 1: play music. I like to listen to, like if I'm

979
00:41:49,440 --> 00:41:52,200
Speaker 1: in the whip. I don't listen to my music. Really yeah,

980
00:41:52,400 --> 00:41:53,799
Speaker 1: I don't know. How do you most of us on

981
00:41:53,840 --> 00:41:55,439
Speaker 1: the radio, how do you avoid it? Like I don't

982
00:41:55,440 --> 00:42:00,160
Speaker 1: listen to the radio. Listened to playlistes that one I

983
00:42:00,280 --> 00:42:03,600
Speaker 1: listen to. Hey, y'all listen to the radio. You know,

984
00:42:04,880 --> 00:42:07,400
Speaker 1: you know I listened to playlists, you know, like Spotify players,

985
00:42:07,480 --> 00:42:10,840
Speaker 1: Apple playlists, Title playlists, get them all in Murder, Get

986
00:42:12,000 --> 00:42:16,040
Speaker 1: Amazon playlists, Google playlist, YouTube, a big record on playlists,

987
00:42:16,040 --> 00:42:18,160
Speaker 1: Motor Sport. You keep mentioning that, like also sudden, you

988
00:42:18,160 --> 00:42:20,000
Speaker 1: said that like a lat of times, you're very critical,

989
00:42:20,080 --> 00:42:22,600
Speaker 1: like you said of the Nipsey Bes, you make your

990
00:42:22,640 --> 00:42:24,920
Speaker 1: your harshest critic. But that was one you felt like

991
00:42:25,480 --> 00:42:28,000
Speaker 1: that beats hard. Like I literally made that on a

992
00:42:28,000 --> 00:42:29,880
Speaker 1: speaker like this in my boys condo. The size of

993
00:42:30,560 --> 00:42:33,480
Speaker 1: this room, you know, it's in Toronto. And I named

994
00:42:33,480 --> 00:42:35,320
Speaker 1: it sixth anthem. And that's when Drake was finished in

995
00:42:35,360 --> 00:42:37,640
Speaker 1: More Life. I sent it to drink Yo, you need

996
00:42:37,680 --> 00:42:39,960
Speaker 1: to like, I think you need to sun with this beat.

997
00:42:40,000 --> 00:42:43,719
Speaker 1: I don't remember exactly what happened with then. Um I

998
00:42:43,760 --> 00:42:45,640
Speaker 1: was in the I was in New York with amigos

999
00:42:45,680 --> 00:42:49,319
Speaker 1: and I just pulled up the beat and Quad, you'll

1000
00:42:49,320 --> 00:42:50,839
Speaker 1: pull this it up. He went in the boot and

1001
00:42:50,920 --> 00:42:55,120
Speaker 1: maybe we made motor sport right down, Motor sport, Bola. Look,

1002
00:42:55,320 --> 00:42:56,600
Speaker 1: it was a bit more than just pipe it up,

1003
00:42:56,640 --> 00:42:59,879
Speaker 1: pipe motor sport, he said. You know what I'm saying.

1004
00:42:59,880 --> 00:43:02,520
Speaker 1: He did it though, Like I was like, it's just fire.

1005
00:43:03,120 --> 00:43:04,560
Speaker 1: I had the version with just him on it. I

1006
00:43:04,600 --> 00:43:06,319
Speaker 1: was like bumping that the whip all the time, like, man,

1007
00:43:06,320 --> 00:43:08,600
Speaker 1: it's just fire. And then when he told me he

1008
00:43:08,800 --> 00:43:11,799
Speaker 1: made his little hancho play, I was like, oh, she

1009
00:43:11,920 --> 00:43:13,719
Speaker 1: is supposed to be, so what do you think? It

1010
00:43:13,840 --> 00:43:16,319
Speaker 1: ended up being this controversial haunto play of like Nicky

1011
00:43:16,400 --> 00:43:18,960
Speaker 1: on the Record, Cardi on the Record, lyrics changing like

1012
00:43:19,000 --> 00:43:20,480
Speaker 1: what I like. I don't know. I'm a fan of

1013
00:43:20,560 --> 00:43:22,520
Speaker 1: Cardian Nikki, you know what I'm saying. I feel like

1014
00:43:22,560 --> 00:43:24,839
Speaker 1: they're both like very I do want her record on

1015
00:43:25,040 --> 00:43:29,799
Speaker 1: Cardis record with Scissor and you know Nikki's albums coming, Yeah,

1016
00:43:30,200 --> 00:43:32,080
Speaker 1: you might, you might, you might be you know, never know.

1017
00:43:32,280 --> 00:43:34,920
Speaker 1: Fans got you know what I'm saying, Stay tuned. Yeah,

1018
00:43:35,480 --> 00:43:37,480
Speaker 1: Urder beats with the Queen, But do you get involved

1019
00:43:37,480 --> 00:43:39,840
Speaker 1: with that? You already didn't know Frouds. I didn't know Frouds,

1020
00:43:40,000 --> 00:43:45,040
Speaker 1: Yeah right right, And what is there anything else? Oh yeah,

1021
00:43:45,080 --> 00:43:48,120
Speaker 1: the motor Sport we had No Frods was like pretty

1022
00:43:48,120 --> 00:43:50,080
Speaker 1: big that. I feel like that was like a moment too.

1023
00:43:50,640 --> 00:43:52,120
Speaker 1: I feel I feel like a lot of my records

1024
00:43:52,160 --> 00:43:54,640
Speaker 1: like moments like I don't Know No Frods like a

1025
00:43:54,680 --> 00:43:57,560
Speaker 1: moment like it was like a big comeback back and

1026
00:43:57,560 --> 00:43:59,279
Speaker 1: you got money all back together, like you know what

1027
00:43:59,280 --> 00:44:02,520
Speaker 1: I'm saying, so and Motorsport that's like a big moment

1028
00:44:02,560 --> 00:44:05,840
Speaker 1: for music, like the Megoes getting Nicki Minaj and Cardie

1029
00:44:05,840 --> 00:44:09,000
Speaker 1: B on the same record at like a controversial time

1030
00:44:09,560 --> 00:44:11,480
Speaker 1: where I feel like the blogs and stuff were kind

1031
00:44:11,480 --> 00:44:13,920
Speaker 1: of like amping enough to be more than what it was,

1032
00:44:13,960 --> 00:44:15,839
Speaker 1: you know what I'm saying, But like it's still it's

1033
00:44:15,920 --> 00:44:18,319
Speaker 1: like that's like an amazing record, you know. It was

1034
00:44:18,400 --> 00:44:20,200
Speaker 1: very like I feel like that was like it was

1035
00:44:20,239 --> 00:44:22,640
Speaker 1: like that like like like all the guys like that

1036
00:44:22,680 --> 00:44:24,600
Speaker 1: record too. But it was also like a female driven

1037
00:44:24,600 --> 00:44:26,640
Speaker 1: record too because they were both on it and they

1038
00:44:26,680 --> 00:44:30,440
Speaker 1: both go in so it's awesome. And then it's like

1039
00:44:30,480 --> 00:44:32,440
Speaker 1: after that, then having nice for what which is another

1040
00:44:32,440 --> 00:44:34,279
Speaker 1: female record, you know, like the Girls definitely like a

1041
00:44:34,360 --> 00:44:37,960
Speaker 1: murder bets of music. So even though Shopping had the

1042
00:44:38,000 --> 00:44:39,799
Speaker 1: convert because it was like it's Drake talking about Joe

1043
00:44:39,840 --> 00:44:43,440
Speaker 1: Button when the record, Like he probably was, Yeah, you

1044
00:44:43,520 --> 00:44:44,920
Speaker 1: know what I'm saying. You end up being part of

1045
00:44:44,960 --> 00:44:47,959
Speaker 1: these records that are like can be controversial but also

1046
00:44:48,040 --> 00:44:50,680
Speaker 1: just a big cultural moments. But do you when you

1047
00:44:50,719 --> 00:44:52,480
Speaker 1: make the mets? Like it's almost like are you are

1048
00:44:52,520 --> 00:44:54,640
Speaker 1: you once you get the beat and it lay it

1049
00:44:54,719 --> 00:44:56,719
Speaker 1: down and you involved with that? Are you mixing like

1050
00:44:57,320 --> 00:44:59,120
Speaker 1: everything to the end it was like one certain point

1051
00:44:59,239 --> 00:45:00,960
Speaker 1: is out of your hand. It's like like in terms

1052
00:45:01,000 --> 00:45:03,399
Speaker 1: of a record like that, well, a mix is never

1053
00:45:03,440 --> 00:45:05,880
Speaker 1: out of my hands. I usually talk engineers now not

1054
00:45:05,960 --> 00:45:08,520
Speaker 1: even touch my beats because like I feel like I

1055
00:45:08,560 --> 00:45:10,440
Speaker 1: have like such like like you know, like when my

1056
00:45:10,480 --> 00:45:12,520
Speaker 1: beat comes on, it's I'm gonna have The hardest drum

1057
00:45:13,600 --> 00:45:16,239
Speaker 1: Sport was the hardest hitting song at coach Ola this year.

1058
00:45:16,680 --> 00:45:19,160
Speaker 1: Like in fact, I didn't even go I know that

1059
00:45:19,880 --> 00:45:22,080
Speaker 1: I probably heard. I probably heard the ship from the

1060
00:45:22,120 --> 00:45:24,239
Speaker 1: studio here, you know what I'm saying, Like like I

1061
00:45:24,280 --> 00:45:26,279
Speaker 1: just know, like my drum how my drums hitting like

1062
00:45:26,400 --> 00:45:28,560
Speaker 1: a lot of stuff nowadays, Like the engineers are just

1063
00:45:28,600 --> 00:45:31,200
Speaker 1: like they're not even really like mixing down my records.

1064
00:45:31,239 --> 00:45:33,040
Speaker 1: I'm telling them, you'll mix this on a two track,

1065
00:45:33,160 --> 00:45:35,279
Speaker 1: like you don't really need to touch the ship. You're

1066
00:45:35,280 --> 00:45:38,200
Speaker 1: gonna suck it up half the time halftime when people

1067
00:45:38,200 --> 00:45:39,680
Speaker 1: will be mixing my ship, it's just like when I

1068
00:45:39,719 --> 00:45:43,000
Speaker 1: hear I'm just like, like, you know, they just funked

1069
00:45:43,040 --> 00:45:45,680
Speaker 1: up my whole mix, Like like I feel like the

1070
00:45:45,719 --> 00:45:49,280
Speaker 1: way I mixed music, it's like it's not technically correct,

1071
00:45:49,480 --> 00:45:51,680
Speaker 1: Like how like you go to school and be like, oh,

1072
00:45:51,760 --> 00:45:53,759
Speaker 1: like this is how you're supposed to mix, Like your

1073
00:45:53,840 --> 00:45:55,239
Speaker 1: levels are supposed to be here and here and here

1074
00:45:55,239 --> 00:45:57,560
Speaker 1: and here. I crank my drums in a way where

1075
00:45:57,560 --> 00:45:59,600
Speaker 1: it's just like it's not supposed to be like that,

1076
00:45:59,640 --> 00:46:02,239
Speaker 1: but like that's what makes me me. You know, it

1077
00:46:02,320 --> 00:46:04,960
Speaker 1: could be off, but it's right to you. And it's

1078
00:46:05,040 --> 00:46:08,160
Speaker 1: in different different different sounds and drums, different snares and

1079
00:46:08,200 --> 00:46:09,920
Speaker 1: different and that's and that's how like a lot of

1080
00:46:09,960 --> 00:46:11,360
Speaker 1: the goats are, like you know what I'm saying, Like

1081
00:46:11,400 --> 00:46:13,560
Speaker 1: the way like Boy One the drums are, the way

1082
00:46:13,600 --> 00:46:17,719
Speaker 1: like Mike Dean's sins are the way like yeah, and

1083
00:46:17,719 --> 00:46:20,480
Speaker 1: even even talking like DJ Cale like he's like we

1084
00:46:20,480 --> 00:46:24,040
Speaker 1: we had a whole conversation about records and stuff. He's like,

1085
00:46:24,120 --> 00:46:26,560
Speaker 1: you know, my records are always like they're always like

1086
00:46:26,560 --> 00:46:29,239
Speaker 1: like bright like bright, like like you know what I'm

1087
00:46:29,280 --> 00:46:31,920
Speaker 1: saying that way, and my records are always like heavy

1088
00:46:32,360 --> 00:46:34,719
Speaker 1: drums hard like you know what I'm saying, hi hat

1089
00:46:34,760 --> 00:46:37,480
Speaker 1: smacking you in the face all that. Even though you

1090
00:46:37,560 --> 00:46:39,760
Speaker 1: like to be the center of attention with the controversy

1091
00:46:39,840 --> 00:46:41,920
Speaker 1: with the motor sport and you know, the no shopping.

1092
00:46:41,960 --> 00:46:44,120
Speaker 1: I saw that you tweet that You've seen a lot

1093
00:46:44,120 --> 00:46:47,399
Speaker 1: of producers and all the stub tweeting each other. He said,

1094
00:46:47,440 --> 00:46:50,600
Speaker 1: these motherfuckers turned into I g hos hey man, people

1095
00:46:50,680 --> 00:46:54,319
Speaker 1: gotta stop subtweeting knowledge. Man. I don't know. I don't

1096
00:46:54,320 --> 00:46:56,480
Speaker 1: know if everyone just has to keep positive vibesed man,

1097
00:46:57,280 --> 00:46:59,319
Speaker 1: why people like you see all that and everyone's beeping

1098
00:46:59,320 --> 00:47:02,759
Speaker 1: each other and stuff. M h It's like, uh, just

1099
00:47:02,800 --> 00:47:05,000
Speaker 1: stay at all that ship, but do how do you

1100
00:47:05,000 --> 00:47:06,879
Speaker 1: say so again, like if this thing that you seem

1101
00:47:07,000 --> 00:47:09,520
Speaker 1: very centered, like, do you because I'm focused on myself

1102
00:47:09,640 --> 00:47:12,960
Speaker 1: like like I don't know, like sometimes you be like, oh,

1103
00:47:12,960 --> 00:47:15,520
Speaker 1: ship what's this guy doing. Oh, this guy's poper right now,

1104
00:47:15,600 --> 00:47:17,880
Speaker 1: like you know, like trying to like people be like, oh,

1105
00:47:17,920 --> 00:47:20,000
Speaker 1: I gotta like do what he's doing, and like do

1106
00:47:20,000 --> 00:47:21,840
Speaker 1: do something better than him? Like I'm just in my

1107
00:47:21,880 --> 00:47:24,279
Speaker 1: own land, focused on myself. You know what I'm saying.

1108
00:47:24,280 --> 00:47:26,319
Speaker 1: I've definitely listened to music I'm a fan of. I'm

1109
00:47:26,320 --> 00:47:28,240
Speaker 1: a fan of other producer. I'm a fan of other rappers,

1110
00:47:28,280 --> 00:47:30,439
Speaker 1: are a fan of other music, you know what I'm saying.

1111
00:47:30,520 --> 00:47:33,880
Speaker 1: Like some of my favorite producers, like like Southside Wheezies,

1112
00:47:33,960 --> 00:47:35,560
Speaker 1: like all these guys. And he's like, I fun like

1113
00:47:35,600 --> 00:47:37,800
Speaker 1: I folk with a lot of producers, you know, metches

1114
00:47:37,800 --> 00:47:40,560
Speaker 1: out here crushing it like you know, but I just

1115
00:47:40,600 --> 00:47:43,120
Speaker 1: like I really like to just focus on myself, stay

1116
00:47:43,160 --> 00:47:45,560
Speaker 1: in my own lane, keep that tunnel vision one where

1117
00:47:45,560 --> 00:47:47,880
Speaker 1: I gotta go because I'm creating my own legacy, right

1118
00:47:49,080 --> 00:47:50,800
Speaker 1: Ain't no one's gonna look out for you like yourself

1119
00:47:51,520 --> 00:47:54,480
Speaker 1: at the end of the day. And you're open to collaborations.

1120
00:47:54,480 --> 00:47:56,640
Speaker 1: It seems like that happens a lot in Canada. Like

1121
00:47:56,960 --> 00:47:59,560
Speaker 1: Boy wanted to work with everybody. Vinals is working with

1122
00:47:59,560 --> 00:48:01,759
Speaker 1: this parton. But you said you're selective though right, like

1123
00:48:01,800 --> 00:48:03,640
Speaker 1: Q meet Small the guy you do a lot of

1124
00:48:03,640 --> 00:48:05,759
Speaker 1: stuff with, Yeah, because like it's organic, Like they hit

1125
00:48:05,760 --> 00:48:08,440
Speaker 1: me up a couple of years ago on Instagram and

1126
00:48:08,480 --> 00:48:09,960
Speaker 1: then like I was like, Yo, send me some ship,

1127
00:48:10,120 --> 00:48:11,799
Speaker 1: you know. But like a lot of this stuff, like

1128
00:48:11,800 --> 00:48:14,040
Speaker 1: when I like collaborated with producer like Scott Storch and stuff,

1129
00:48:14,040 --> 00:48:16,359
Speaker 1: like it's really organic, Like I'll meet him. I met him.

1130
00:48:16,360 --> 00:48:18,480
Speaker 1: I'll meet him like in the studio somewhere, like like

1131
00:48:18,480 --> 00:48:20,920
Speaker 1: when we're finishing up like birds at this Travis Scott

1132
00:48:20,920 --> 00:48:23,600
Speaker 1: album he like bought by the studio or whatever, and

1133
00:48:23,600 --> 00:48:24,960
Speaker 1: like I met him for the first time. I was like, yo,

1134
00:48:25,000 --> 00:48:26,960
Speaker 1: like let's look up. Like I like working with like

1135
00:48:27,000 --> 00:48:29,160
Speaker 1: the O G s and stuff, you know, Like I like,

1136
00:48:29,160 --> 00:48:30,960
Speaker 1: like my twenty one birthday out here, I worked with

1137
00:48:30,960 --> 00:48:33,040
Speaker 1: like DJ Paul, Like you know what I'm saying, Like

1138
00:48:33,080 --> 00:48:34,640
Speaker 1: I like, I like doing it like that, Like I

1139
00:48:34,640 --> 00:48:36,640
Speaker 1: feel like it's very special. I'm trying to think if

1140
00:48:36,640 --> 00:48:38,400
Speaker 1: there's any other older producer I work, but I think

1141
00:48:38,400 --> 00:48:41,120
Speaker 1: their their eyes. What do you think of the whole

1142
00:48:41,120 --> 00:48:43,799
Speaker 1: cultural divide like you mentioned earlier, like even some like

1143
00:48:43,840 --> 00:48:46,120
Speaker 1: Smoke Purp he's kind of affiliated like him and pump

1144
00:48:46,160 --> 00:48:48,080
Speaker 1: with the whole like fu j Cole and that whole

1145
00:48:48,120 --> 00:48:53,000
Speaker 1: thing in n Yeah. Yeah, what's your take on that,

1146
00:48:53,080 --> 00:48:54,880
Speaker 1: Like do you think it's just a it was just

1147
00:48:54,920 --> 00:48:57,000
Speaker 1: a generational thing? Like why why do you think that

1148
00:48:57,120 --> 00:49:00,239
Speaker 1: sometimes there's that clash of like the new guard not

1149
00:49:00,400 --> 00:49:03,880
Speaker 1: necessarily always paying respect to the artists before them. Maybe

1150
00:49:03,920 --> 00:49:10,359
Speaker 1: someone thought that's the sub wrap line shot was against them.

1151
00:49:10,680 --> 00:49:12,880
Speaker 1: Maybe they thought that you fit. I don't know, you

1152
00:49:12,920 --> 00:49:15,000
Speaker 1: know what I'm saying, That's just how it goes, Right,

1153
00:49:15,040 --> 00:49:17,080
Speaker 1: There's always gonna be beef and I feel like I

1154
00:49:17,120 --> 00:49:20,280
Speaker 1: feel like like in rap music, especially in urban music,

1155
00:49:20,360 --> 00:49:22,440
Speaker 1: like that's just part of the that's just part of

1156
00:49:22,480 --> 00:49:24,920
Speaker 1: the culture of rap. Like you need you need beefs

1157
00:49:25,000 --> 00:49:28,200
Speaker 1: here and there, you need controversy, Right, it's just another

1158
00:49:28,200 --> 00:49:32,520
Speaker 1: thing to wrap it up rapping about cars, bitches, drugs, money,

1159
00:49:33,120 --> 00:49:36,320
Speaker 1: get at someone's neck. I don't know. Speak of the ladies,

1160
00:49:36,360 --> 00:49:38,360
Speaker 1: like you can even create what the ladies in the

1161
00:49:38,400 --> 00:49:40,640
Speaker 1: studio and the party like once you three you literally

1162
00:49:40,640 --> 00:49:43,399
Speaker 1: had a party in the studio and you like wanted

1163
00:49:43,440 --> 00:49:47,680
Speaker 1: to impress everybody. And sometimes sometimes sometimes sometimes I like

1164
00:49:47,800 --> 00:49:49,319
Speaker 1: it's be just like me and my boys in the

1165
00:49:49,360 --> 00:49:51,480
Speaker 1: studio or like just me cooking up or whatever. But

1166
00:49:51,560 --> 00:49:53,680
Speaker 1: like sometimes you just get everyone in the studio and

1167
00:49:53,680 --> 00:49:56,600
Speaker 1: then just like cook some up on the spot. Test

1168
00:49:56,640 --> 00:49:58,759
Speaker 1: myself is that how when we work with Party next

1169
00:49:58,840 --> 00:50:01,160
Speaker 1: door is at that same sing Now it's more like

1170
00:50:01,200 --> 00:50:03,640
Speaker 1: it's more like just like us together, you know what

1171
00:50:03,640 --> 00:50:05,879
Speaker 1: I'm saying, cooking up and stuff. I don't. I don't

1172
00:50:05,920 --> 00:50:07,520
Speaker 1: think we've ever had like concession where it's just like

1173
00:50:07,560 --> 00:50:09,760
Speaker 1: been like a bunch of people and so Parties definitely

1174
00:50:09,760 --> 00:50:12,920
Speaker 1: like very talented artists. Definitely one of the most talented

1175
00:50:12,960 --> 00:50:18,680
Speaker 1: artists ever of this generation. I think Parties definitely like

1176
00:50:18,680 --> 00:50:20,919
Speaker 1: like one of the best. You know, like his pen

1177
00:50:20,960 --> 00:50:22,839
Speaker 1: game is crazy, like no one could touch his pen.

1178
00:50:23,960 --> 00:50:26,480
Speaker 1: I like, you how to make these definitive statements? You

1179
00:50:26,560 --> 00:50:28,440
Speaker 1: got to I'm just like, you know, I'm putting it

1180
00:50:28,440 --> 00:50:29,719
Speaker 1: out there because I don't even I don't know if

1181
00:50:29,719 --> 00:50:33,600
Speaker 1: people have talked about this before, you know, Okay, definitive statements.

1182
00:50:33,640 --> 00:50:35,120
Speaker 1: What what do you think? Because you are critical on

1183
00:50:35,120 --> 00:50:38,359
Speaker 1: your catalog? What do you think you're a top five productions?

1184
00:50:38,800 --> 00:50:41,839
Speaker 1: Nice for one nice what four and one four weeks ago?

1185
00:50:42,040 --> 00:50:45,319
Speaker 1: Definitely nice and definitely nice from what does it feel

1186
00:50:45,360 --> 00:50:47,160
Speaker 1: different to have a number one record, Like what does that?

1187
00:50:47,200 --> 00:50:50,239
Speaker 1: Does that? Honestly, I thought it was gonna but then

1188
00:50:50,280 --> 00:50:52,799
Speaker 1: when I woke up and I know it's not. I

1189
00:50:52,840 --> 00:50:55,640
Speaker 1: don't know. That's just mean I'm never I'm a type

1190
00:50:55,640 --> 00:50:58,319
Speaker 1: of person that like I'm never satisfied, Like I'm just

1191
00:50:58,360 --> 00:51:01,960
Speaker 1: never satisfied, like like I'll want something to happen. I'll

1192
00:51:01,960 --> 00:51:03,759
Speaker 1: know I got a big thing happening. Then when it

1193
00:51:03,760 --> 00:51:06,799
Speaker 1: comes up, just like a like what's next, Like like

1194
00:51:06,880 --> 00:51:08,600
Speaker 1: that's and I feel like that's what's gonna keep my

1195
00:51:08,640 --> 00:51:11,120
Speaker 1: longevity going and keep me out here for a long time.

1196
00:51:11,719 --> 00:51:13,600
Speaker 1: I'll make a different person. The way I think about

1197
00:51:13,640 --> 00:51:15,840
Speaker 1: stuff is a lot different. A lot of people. A

1198
00:51:15,880 --> 00:51:19,120
Speaker 1: lot of people are like a lot of people if

1199
00:51:19,120 --> 00:51:21,680
Speaker 1: they got number one, they go to celebrate twenty days

1200
00:51:21,760 --> 00:51:23,759
Speaker 1: or whatever. You're saying, maybe take a break, Like my

1201
00:51:24,160 --> 00:51:25,640
Speaker 1: one boy told me was like, oh, like if this

1202
00:51:25,640 --> 00:51:27,560
Speaker 1: song goes number one, like I think you're gonna like

1203
00:51:27,560 --> 00:51:29,480
Speaker 1: take a break, Like I'm just gonna make what Like

1204
00:51:29,880 --> 00:51:32,480
Speaker 1: I don't take fucking breaks down. I'm never gonna take

1205
00:51:32,480 --> 00:51:35,200
Speaker 1: a break. What I'm saying, like I don't know, but yeah,

1206
00:51:35,239 --> 00:51:37,359
Speaker 1: I don't know. Definitely blessed to have a number one, though.

1207
00:51:37,360 --> 00:51:39,839
Speaker 1: I was definitely waiting on it because the Mego's got

1208
00:51:40,040 --> 00:51:42,640
Speaker 1: I was like, I got my Grammy now before they did.

1209
00:51:42,640 --> 00:51:44,160
Speaker 1: But then they got their number one before I did,

1210
00:51:44,160 --> 00:51:45,360
Speaker 1: so I was like, damn, I need to get a

1211
00:51:45,440 --> 00:51:49,640
Speaker 1: number one. What was the Grammy? Noma just used I'm

1212
00:51:49,640 --> 00:51:51,919
Speaker 1: of the Year Rap album in the year whatever. Okay,

1213
00:51:52,000 --> 00:51:57,800
Speaker 1: so nice for what's definitely one of your Yeah, um,

1214
00:51:57,880 --> 00:52:01,239
Speaker 1: what have I produced? Motorsport? I feel like that's like

1215
00:52:01,239 --> 00:52:06,240
Speaker 1: a crazy beat Portland's that beats crazy, the double platinum,

1216
00:52:06,280 --> 00:52:12,400
Speaker 1: triple platinum. Um, maybe it's a vibe for how different

1217
00:52:12,440 --> 00:52:14,759
Speaker 1: it is. I'm definitely missing something. I know. I one

1218
00:52:14,800 --> 00:52:18,319
Speaker 1: to three, the one to three smoke, Yeah, that beats fire.

1219
00:52:18,600 --> 00:52:20,839
Speaker 1: That's five. But then I have to go like with

1220
00:52:20,880 --> 00:52:25,080
Speaker 1: you too, that's just like a different record from me. Honestly,

1221
00:52:25,080 --> 00:52:27,120
Speaker 1: I like to know Frosby too. I like I like

1222
00:52:27,160 --> 00:52:32,040
Speaker 1: all my beats, yeah, except except the first one. What

1223
00:52:32,080 --> 00:52:38,080
Speaker 1: was the Soldier Boys song? But like Elliott was alluding

1224
00:52:38,160 --> 00:52:40,080
Speaker 1: to a childis game? You know now number one? Were

1225
00:52:40,120 --> 00:52:42,960
Speaker 1: you upset about that? Nas? I woke out like, you know,

1226
00:52:43,080 --> 00:52:44,800
Speaker 1: he did it, he did his thing. He's got it

1227
00:52:44,960 --> 00:52:47,839
Speaker 1: very like like like his records like impact in the world,

1228
00:52:47,920 --> 00:52:49,560
Speaker 1: and like, you know, that's what I like to see.

1229
00:52:49,760 --> 00:52:52,040
Speaker 1: I like to see music impact the world and like wa,

1230
00:52:52,120 --> 00:52:54,440
Speaker 1: people up and change stuff, you know, like like look

1231
00:52:54,480 --> 00:52:55,799
Speaker 1: at me, how he got out of jail and how

1232
00:52:55,840 --> 00:52:57,600
Speaker 1: he's talking, how he's changing in the world. Like that's

1233
00:52:57,600 --> 00:52:59,760
Speaker 1: what that's what that's what needs to come out of music,

1234
00:53:00,080 --> 00:53:02,160
Speaker 1: all the positive stuff. That this is all the positive

1235
00:53:02,160 --> 00:53:04,680
Speaker 1: stuff coming out of music, right, That's that's what you

1236
00:53:04,680 --> 00:53:06,160
Speaker 1: want to see. That's what I want to see. At

1237
00:53:06,200 --> 00:53:08,800
Speaker 1: least it seem like you're very aware of like everything

1238
00:53:08,840 --> 00:53:10,400
Speaker 1: going on in the game. I can say the thing

1239
00:53:10,480 --> 00:53:12,040
Speaker 1: they do you think that's as much as I see,

1240
00:53:12,120 --> 00:53:14,680
Speaker 1: Like I watch the news and ship but no, but

1241
00:53:14,840 --> 00:53:17,680
Speaker 1: definitely watching an interview, you know, like I don't watch

1242
00:53:17,680 --> 00:53:19,239
Speaker 1: the news, but like if I'm trying to be like, oh,

1243
00:53:19,320 --> 00:53:21,840
Speaker 1: like what's up going you to watch the club interview?

1244
00:53:21,840 --> 00:53:24,320
Speaker 1: Watch this one and that you don't watch Ellie Wilson

1245
00:53:24,480 --> 00:53:27,759
Speaker 1: riding around Bentley? When was it the kid? Like what

1246
00:53:27,760 --> 00:53:31,560
Speaker 1: I'm saying, that was a scary experience. Why why? Why

1247
00:53:32,040 --> 00:53:34,000
Speaker 1: did a lot of texting I didn't know what's going on?

1248
00:53:35,080 --> 00:53:36,719
Speaker 1: I don't know. I think he was having a bad day.

1249
00:53:36,840 --> 00:53:40,120
Speaker 1: But no, But do you think that's my dog rich too?

1250
00:53:40,200 --> 00:53:44,759
Speaker 1: He came out, you know what I'm saying. Yeah, man,

1251
00:53:44,800 --> 00:53:47,320
Speaker 1: I was with him from day one. You've been finessing

1252
00:53:47,400 --> 00:53:50,279
Speaker 1: his way to the top, and I'm very happy for him.

1253
00:53:50,400 --> 00:53:52,359
Speaker 1: You know, shutout risk the kid. But do you join

1254
00:53:52,400 --> 00:53:54,239
Speaker 1: information about like how do you how do you stay

1255
00:53:54,280 --> 00:53:57,080
Speaker 1: so inspired like to to just be just cook me

1256
00:53:57,160 --> 00:53:59,320
Speaker 1: up twenty beats, like you gotta find it so driven.

1257
00:53:59,320 --> 00:54:01,920
Speaker 1: You's got to find the balance and like just like

1258
00:54:02,760 --> 00:54:04,799
Speaker 1: not get lost in the sauce, especially you know in

1259
00:54:04,920 --> 00:54:07,200
Speaker 1: l a Like like I used to always like every

1260
00:54:07,239 --> 00:54:09,000
Speaker 1: day I'd be cooking up like fifteen beats a day

1261
00:54:09,000 --> 00:54:11,200
Speaker 1: and ship, you know. Not now it's like now it's

1262
00:54:11,200 --> 00:54:13,600
Speaker 1: like I'll cook up like ten beats, like chill for

1263
00:54:13,680 --> 00:54:15,520
Speaker 1: like three days, go back to the the studio, like it's

1264
00:54:15,520 --> 00:54:17,440
Speaker 1: all it's like fun balance. I played a lot of

1265
00:54:17,480 --> 00:54:20,200
Speaker 1: video games. That's a good balance, you know. And then

1266
00:54:20,200 --> 00:54:22,000
Speaker 1: if we need to take a break, chose some girls

1267
00:54:22,080 --> 00:54:24,400
Speaker 1: go out have fun. You know, I'm saying, maybe go

1268
00:54:24,480 --> 00:54:27,560
Speaker 1: back to make cool, go back to Toronto, see my family,

1269
00:54:27,680 --> 00:54:30,480
Speaker 1: like get grounded again and come back out here because

1270
00:54:30,520 --> 00:54:32,440
Speaker 1: at first I thought it was I thought it was

1271
00:54:32,480 --> 00:54:34,239
Speaker 1: like when I was out in l A. I was

1272
00:54:34,280 --> 00:54:36,560
Speaker 1: getting inspired because I used to go to like I

1273
00:54:36,640 --> 00:54:38,279
Speaker 1: used to fly from Canada to come out here for

1274
00:54:38,320 --> 00:54:40,000
Speaker 1: like a month or two and then go back home.

1275
00:54:40,400 --> 00:54:41,759
Speaker 1: So I used to thought like coming out here it

1276
00:54:41,800 --> 00:54:44,200
Speaker 1: was inspired me to make music. But then I really

1277
00:54:44,200 --> 00:54:46,480
Speaker 1: found out before I moved out here, I found out

1278
00:54:46,520 --> 00:54:49,880
Speaker 1: going home and getting grounded that's what was inspiring me

1279
00:54:49,960 --> 00:54:52,800
Speaker 1: to come out here and make music. So then that balance.

1280
00:54:52,960 --> 00:54:55,799
Speaker 1: So then when I found that out like later in

1281
00:54:56,600 --> 00:54:59,640
Speaker 1: the progression, and then when I transitioned the moving out here,

1282
00:55:00,239 --> 00:55:02,439
Speaker 1: like when I when I actually found out being home

1283
00:55:02,440 --> 00:55:05,080
Speaker 1: and grinding myself to that was inspiring me to make music.

1284
00:55:05,120 --> 00:55:06,279
Speaker 1: And then I moved out here, so I was out

1285
00:55:06,280 --> 00:55:08,680
Speaker 1: here for good. I kind of had to like find

1286
00:55:08,680 --> 00:55:11,520
Speaker 1: the balance and like like find a way to inspire

1287
00:55:11,560 --> 00:55:13,279
Speaker 1: myself to make music more out here. You know what

1288
00:55:13,239 --> 00:55:15,000
Speaker 1: I'm thinking, It's tricky, you know what I'm saying. Like

1289
00:55:15,440 --> 00:55:18,200
Speaker 1: everyone's got their own personal problems, life problems going on

1290
00:55:18,239 --> 00:55:20,400
Speaker 1: and stuff. You know, Like no, you you know what

1291
00:55:20,400 --> 00:55:23,280
Speaker 1: I'm saying. Everyone sees what's going on on the Graham

1292
00:55:23,360 --> 00:55:25,319
Speaker 1: and like what people are tweeting and seeing them and this,

1293
00:55:25,400 --> 00:55:27,279
Speaker 1: and that they don't see the negatives and lives like

1294
00:55:27,760 --> 00:55:29,960
Speaker 1: we're all human too, Like I believe that you believe,

1295
00:55:29,960 --> 00:55:32,080
Speaker 1: Like you know what I'm saying. People sometimes think these

1296
00:55:32,120 --> 00:55:34,239
Speaker 1: rappers like robots, and they think Gucci is a real

1297
00:55:34,280 --> 00:55:39,120
Speaker 1: clone and ship, you know what I'm saying, But Gucci believes,

1298
00:55:39,160 --> 00:55:42,000
Speaker 1: like I believe, like we're all the same people. We're

1299
00:55:42,120 --> 00:55:43,920
Speaker 1: just like we're just like the fans are just like us.

1300
00:55:43,960 --> 00:55:45,880
Speaker 1: We're just like the fans, Like, you know, do you

1301
00:55:45,920 --> 00:55:49,719
Speaker 1: dig for samples or do you? Honestly, recently now, I've

1302
00:55:49,719 --> 00:55:53,640
Speaker 1: been definitely getting way more creative with music because like,

1303
00:55:54,520 --> 00:55:57,520
Speaker 1: like it's not about like publishing and money to make

1304
00:55:57,600 --> 00:55:59,359
Speaker 1: and how many people are on a beat and doing

1305
00:55:59,400 --> 00:56:01,200
Speaker 1: it beat myself of to make money. It's like, I'm

1306
00:56:01,200 --> 00:56:03,000
Speaker 1: trying to make the biggest records I can make, and

1307
00:56:03,000 --> 00:56:05,160
Speaker 1: I'm trying to make records that are going to be remembered,

1308
00:56:05,360 --> 00:56:07,440
Speaker 1: because I feel like a lot of music nowadays is

1309
00:56:07,480 --> 00:56:10,040
Speaker 1: not going to be remembered, right, So that's why that's

1310
00:56:10,040 --> 00:56:12,480
Speaker 1: why I felt like me and Drake both really agreed

1311
00:56:12,520 --> 00:56:14,760
Speaker 1: and really felt really good about this nice for a record.

1312
00:56:14,800 --> 00:56:16,480
Speaker 1: I feel like this is like a class, Like it

1313
00:56:16,560 --> 00:56:18,160
Speaker 1: was like an instant class, Like the first time you

1314
00:56:18,200 --> 00:56:20,200
Speaker 1: heard You're like, oh ship, Like I mean straight to

1315
00:56:20,320 --> 00:56:22,960
Speaker 1: number one. People were like just like like that that

1316
00:56:23,000 --> 00:56:26,319
Speaker 1: record was crazy. We were in New York too. At

1317
00:56:26,320 --> 00:56:28,319
Speaker 1: the end of the press poo me and smoke when

1318
00:56:28,320 --> 00:56:30,239
Speaker 1: it dropped in the club. So like we went to

1319
00:56:30,280 --> 00:56:32,319
Speaker 1: One Oak the night it dropped in the in and

1320
00:56:32,400 --> 00:56:35,200
Speaker 1: Chase b was d J and travels to DJ and

1321
00:56:35,239 --> 00:56:39,359
Speaker 1: he's from New Orleans, so he was like he put

1322
00:56:39,400 --> 00:56:42,480
Speaker 1: this ship thirty times. I was like, we literally heard

1323
00:56:42,480 --> 00:56:43,759
Speaker 1: the ship all night and he came up to he

1324
00:56:43,800 --> 00:56:45,600
Speaker 1: was like, man, this is such a big moment for

1325
00:56:45,640 --> 00:56:47,200
Speaker 1: the city and stuff. You know, I've never been to

1326
00:56:47,239 --> 00:56:56,160
Speaker 1: New Orleans. I'm trying to go sounding now or something

1327
00:56:56,160 --> 00:57:03,000
Speaker 1: that catch a bubble. Not with a anti though. Oh man,

1328
00:57:03,120 --> 00:57:04,880
Speaker 1: this is fun man, So you just look out for

1329
00:57:04,920 --> 00:57:08,440
Speaker 1: you geezy tour. Yeah, the tour a hell of a

1330
00:57:08,520 --> 00:57:10,600
Speaker 1: lot of place. But we can't really officially speak on

1331
00:57:10,880 --> 00:57:13,160
Speaker 1: coming ship. I always got always got you probably, you know,

1332
00:57:13,200 --> 00:57:14,799
Speaker 1: and even if I do, I might leak some ship.

1333
00:57:15,000 --> 00:57:21,320
Speaker 1: Why is it available on streaming services? Um? Because I

1334
00:57:21,440 --> 00:57:25,160
Speaker 1: leaked that whole album. You're a leaker man, and yeah,

1335
00:57:25,240 --> 00:57:29,000
Speaker 1: they all got taken down. I'm pretty sure that's why

1336
00:57:29,600 --> 00:57:32,040
Speaker 1: see Battle of the Labels at times, the labels always

1337
00:57:32,120 --> 00:57:36,000
Speaker 1: love you don't even know they love me now. They

1338
00:57:36,080 --> 00:57:39,920
Speaker 1: let me like this indie kind of entity right now

1339
00:57:39,920 --> 00:57:42,520
Speaker 1: where you like, I know, the labels are throwing bags

1340
00:57:42,520 --> 00:57:44,640
Speaker 1: at you. Yeah, I know there's some stuff behind the

1341
00:57:44,640 --> 00:57:46,560
Speaker 1: scenes going on that it's going to be now soon

1342
00:57:46,640 --> 00:57:49,240
Speaker 1: you guys might have to come back the next couple

1343
00:57:49,280 --> 00:57:51,600
Speaker 1: of weeks. Maybe, Well you said that, I think you said,

1344
00:57:51,640 --> 00:57:53,400
Speaker 1: I mean, obviously having a great year twenty team, but

1345
00:57:53,440 --> 00:57:55,800
Speaker 1: I saw something where you said something about seventeen you

1346
00:57:55,840 --> 00:57:58,840
Speaker 1: have learned a lot of life lessons, and you have

1347
00:57:59,000 --> 00:58:00,800
Speaker 1: definitely been learning a lot of lessons the last couple

1348
00:58:00,800 --> 00:58:04,480
Speaker 1: of years. But just like negative stuff and positive stuff,

1349
00:58:04,520 --> 00:58:07,240
Speaker 1: you know, So, how are you justing to this success

1350
00:58:07,280 --> 00:58:09,720
Speaker 1: and to the level of fame, like to like you're

1351
00:58:09,720 --> 00:58:12,000
Speaker 1: putting yourself out there even more and more like is that?

1352
00:58:12,120 --> 00:58:16,200
Speaker 1: I'm yeah, just I don't know. That's something about me.

1353
00:58:16,360 --> 00:58:19,680
Speaker 1: Everyone around me knows that too. Just something I don't know.

1354
00:58:19,800 --> 00:58:21,840
Speaker 1: I don't get caught up in this ship. I just

1355
00:58:21,840 --> 00:58:24,400
Speaker 1: gotta keep going. And now till you get to the top.

1356
00:58:24,560 --> 00:58:26,240
Speaker 1: You get you get a number one, and you get

1357
00:58:26,280 --> 00:58:28,160
Speaker 1: all this stuff going on. You gotta you gotta find

1358
00:58:28,200 --> 00:58:31,280
Speaker 1: like new new ways to motivate you and new stuff

1359
00:58:31,320 --> 00:58:33,120
Speaker 1: like I'm trying to do like murder size a real deal,

1360
00:58:33,200 --> 00:58:36,200
Speaker 1: like murder sized hot sauce, murdersized barbe Like I'm trying

1361
00:58:36,200 --> 00:58:37,800
Speaker 1: to like, you know what I'm saying, I'm getting on

1362
00:58:37,840 --> 00:58:40,480
Speaker 1: my merch finally, Like I'm like, finally different ways to

1363
00:58:40,520 --> 00:58:43,840
Speaker 1: inspire myself and mortially myself to keep going, you know,

1364
00:58:44,080 --> 00:58:50,800
Speaker 1: so keep going, murdered man, we respect it. Many murder sauce, Yo,

1365
00:58:50,960 --> 00:58:53,040
Speaker 1: I love, I love barbecue sauce two and ships am,

1366
00:58:53,040 --> 00:58:54,680
Speaker 1: I just is gonna be the best. I have the

1367
00:58:54,920 --> 00:58:57,360
Speaker 1: fire sauce, hot sauce all that. That's a great brand

1368
00:58:57,360 --> 00:59:00,840
Speaker 1: of murder sauce. Past the murder sauce. Like you see

1369
00:59:00,840 --> 00:59:03,439
Speaker 1: the chef. You know what I'm saying, che chef murder.

1370
00:59:03,480 --> 00:59:05,400
Speaker 1: You know what I'm saying. So I mean I can

1371
00:59:05,400 --> 00:59:07,360
Speaker 1: only cook like olmlets and shippy. You know what, I

1372
00:59:08,080 --> 00:59:13,320
Speaker 1: have some fire sauce and murder. Thank you, brother. Murder

1373
00:59:13,360 --> 00:59:16,680
Speaker 1: beats Babby right on podcasts. That radar man, you know

1374
00:59:16,720 --> 00:59:19,480
Speaker 1: what I'm saying, Young Murder checking out. Keep that first

1375
00:59:19,480 --> 00:59:20,040
Speaker 1: two on the way.