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Speaker 1: Forever.

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Speaker 2: Hello everybody. This week's episode is called picking up the Pue.

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Speaker 3: Oh my god, Marie, up top, up top, you get

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Speaker 3: again aggressive?

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Speaker 2: Aggressive? Wow, Sis, I don't think that you know what

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Speaker 2: that word means. That saying picking up the pubes this aggressive. Yeah, honestly, Siddy,

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Speaker 2: it's you sound very combative right now, and I don't

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Speaker 2: really like the hostile energy that you're starting at top.

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Speaker 3: Well, you know, we went to boot camp this morning,

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Speaker 3: so Sidney, I'm just coming down from that. Marie is

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Speaker 3: also a bully when you're working out. Just to let

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Speaker 3: you know, I don't think that's true. I complimented you

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Speaker 3: today while you're working out. I didn't say a single

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Speaker 3: mean thing. She said you look young, and then Sidney,

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Speaker 3: you look twelve. And then but look at her form.

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Speaker 1: Though no, I didn't. That was a different comment. Oh okay,

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Speaker 1: But the comment was made.

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Speaker 2: Somebody was like, Sidney's butt is bigger than Marie's and

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Speaker 2: I was like, well, look at her form.

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Speaker 1: What does that mean?

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Speaker 2: You wasn't you He wasn't holding the right form for

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Speaker 2: the push ups. Her butt was high in the air,

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Speaker 2: not low to the.

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Speaker 1: Ground, so you know form. But you know, when I'm

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Speaker 1: not doing the form. The butt is still.

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Speaker 2: Sure, it's popping, but sins is it healthy? Yeah, it's

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Speaker 2: got diabetes. But your ass is gonna lose its foot.

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Speaker 1: Your ass is gonna lose its Now, who's being hostile?

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Speaker 4: Now?

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Speaker 2: I'm just being comedted. I'm being entertaining. I'm being adorable, adorable.

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Speaker 1: You know, I'm being my best Ashley has himself. But

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Speaker 1: boot camp was good.

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Speaker 2: If you guys live in NYC and you want to come,

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Speaker 2: it's Saturdays at ten am at Washington Square Park and

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Speaker 2: we perform.

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Speaker 1: We dance. Were out here doing what we can.

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Speaker 3: You know, because if you thought our bodies were rude, now, bitch,

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Speaker 3: wait till we work out some out.

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Speaker 1: Wait till I get some money for a trainer, being

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Speaker 1: my sister. Yeah.

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Speaker 3: And you because I'm like, you have money to wow,

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Speaker 3: Please don't count about coins.

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Speaker 1: Honestly, it sounds like you're.

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Speaker 2: Being a bully. Now a bank account bully. You have money, Maria,

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Speaker 2: just to pay for it? Absolutely not, absolutely not. Then

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Speaker 2: we went and got some fruit smoothies and we are

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Speaker 2: truly better than everybody that's listening to the podcast right now.

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Speaker 3: We're doing so well and I just I love this

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Speaker 3: energy is great, it's a scented candle on the table.

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Speaker 3: I just want to talk about my expertise, just real quick,

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Speaker 3: go ahead, friend.

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Speaker 1: So you know I got back into riding my bike.

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Speaker 1: It is a thing.

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Speaker 3: It is a personality. Riding a bike as a woman,

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Speaker 3: that's a mood. You know, when men ride bikes, I'm

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Speaker 3: just like, look.

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Speaker 1: At that bum what is he? Seamless web?

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Speaker 4: He delivered?

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Speaker 1: He delivered drugs? Look at hot maidan?

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Speaker 3: Yeah, yeah, just like but when women are on a bike,

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Speaker 3: I'm like, look at her being independent and active.

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Speaker 1: I'm proud of her.

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Speaker 3: Well, so anyway, I'm back on my bike and you know, fresh,

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Speaker 3: fresh day, first day, and this guy stops me on

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Speaker 3: the corner and was like, hey, I saw you riding

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Speaker 3: your bike like two three blocks away and I followed you.

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Speaker 1: I had to catch you.

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Speaker 3: He was in a car and he's like, I just

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Speaker 3: had to catch you. So I'm just like, oh, so

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Speaker 3: you're telling me that you're following me in my face?

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Speaker 1: Okay, what did he look like?

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Speaker 3: What did he look like the scene? He looked like

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Speaker 3: he should be on a bike selling drugs.

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Speaker 1: Who would play him in a movie?

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Speaker 3: Hmm, that's a tough one. Uh, lorenz Tate. If lorenz

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Speaker 3: Tate was broke and homeless.

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Speaker 1: Okay, so homeless lorenz Tate. Yes, cool, cool, cool right? Okay.

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Speaker 3: So then he's like, hey, uh, you know, I just

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Speaker 3: want to get this out of the way. I want

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Speaker 3: to jump right into it. How old are you? And

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Speaker 3: I said, is this how men are approaching women? Just

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Speaker 3: asking their age?

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Speaker 1: Like? Is this after following them for several blocks? What's

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Speaker 1: going on here? I feel attacked? I was triggered.

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Speaker 3: I was like, what do you need to know my

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Speaker 3: age for? I was like, oh, you think I look young?

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Speaker 3: He's like, no, I just want to know your age.

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Speaker 3: I was mad, gas like, oh I know I look

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Speaker 3: really young. AT was like, no, I just I need

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Speaker 3: to know your age. And I say my age and

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Speaker 3: then he said, okay, good day.

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Speaker 1: He got in his card, good day. Turn he was

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Speaker 1: too old.

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Speaker 3: Too old, and I said, oh, I said, wow, I'm

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Speaker 3: too old for you to stalk me, because that's exactly

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Speaker 3: what you were doing.

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Speaker 2: He said, you're too old to fologize and too old And.

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Speaker 3: Then I was getting on my bike and I was

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Speaker 3: because I got off my bike to talk to him. See,

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Speaker 3: that's what I fucked up. That's where I fucked up.

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Speaker 3: But anyway, I'm about to leave and he's like, where

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Speaker 3: are you going? And I said, I'm going where the

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Speaker 3: blank age where they hang out.

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Speaker 1: And he's afraid to say your age on the podcast. Yeah.

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Speaker 3: So then he said, okay, well take care of grandma.

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Speaker 1: He said, watch that hoop.

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Speaker 3: So I was an expert in getting curved, getting stalked

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Speaker 3: and curved at the same time.

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Speaker 2: Honestly, this is a lifetime movie. I would watch Stalked

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Speaker 2: and Curved. Well, what's on that start?

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Speaker 1: That's a great show. I would watch that j Lo

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Speaker 1: movie Stopped and Curved. Can we start a new podcast? Curve?

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Speaker 2: We follow people and then we bring them to the

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Speaker 2: podcast and we roast them for twenty minutes.

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Speaker 1: Oh, that's called the un official We already got that pod. Okay,

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Speaker 1: Stopped and.

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Speaker 3: Curved, that's oh, merch, merch wow, Oh my god, hot,

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Speaker 3: fuego fuego. When when Marie Marie, do they know about

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Speaker 3: the meme?

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Speaker 2: I don't know. I will, I'm gonna post it. It's

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Speaker 2: a bunny tells Bunny's face tell him the meme. You

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Speaker 2: can't explain us explain it. It's basically like when Dominicans

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Speaker 2: say bueno.

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Speaker 1: They face. It's a certain way, the most disrespectable face

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Speaker 1: in marine. That's mad New York.

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Speaker 2: When you ask the Dominican how they're doing it and

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Speaker 2: whether the answer is good or bad, they'd be like, funniest.

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Speaker 1: Thing I'd ever seen. The names. I joke, I don't care.

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Speaker 1: The meme is some New York.

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Speaker 2: You want to come to New York and talk to

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Speaker 2: a Dominican person and watching their heights and have them saying.

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Speaker 4: Oh, well, so.

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Speaker 1: Mommy, I know black like you. I speak no English,

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Speaker 1: I don't speak speak you no speak? You don't speak?

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Speaker 1: Is this bad speak? It's great? Let's talk about what

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Speaker 1: I was an expert. You're an expert. Truthfully, I was

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Speaker 1: an expert at being unemployed. Again, you're not maurician.

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Speaker 2: And by all I mean I had time to do.

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Speaker 2: You know, a couple of daytime gigs. Monday, I shot

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Speaker 2: something for b E T the BT Awards, and I

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Speaker 2: know people's fans are going to be upset because, you know,

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Speaker 2: I was being shady.

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Speaker 1: I was like, well, what is Nicki Minaj doing? She

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Speaker 1: needs to change it up, you know I was.

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Speaker 2: I was saying that I expect more from Nicki Minaj

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Speaker 2: at this point, she's been doing it too long and

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Speaker 2: look the way she look and.

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Speaker 1: He as insecure.

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Speaker 2: She is. No one is safe. Beyonce came up. I said,

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Speaker 2: you know what, I don't even gonna say about Beyonce y'a. No,

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Speaker 2: she not coming to the BT Awards. Yo, They're not

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Speaker 2: gonna put that out at all. I roasted everybody. I said,

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Speaker 2: you know what, let's just see how many. Let's see

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Speaker 2: if I can get my Azelia banks on. You know,

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Speaker 2: if I could be if I could make a career

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Speaker 2: out of what she do, and then I could do

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Speaker 2: it too. I'm here, so I'm sure that the fans

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Speaker 2: will be in my DMS upset with me when that

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Speaker 2: airs on June whatever.

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Speaker 1: And then I was.

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Speaker 2: I visited Sydney at work with the next day at

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Speaker 2: Comedy Central. Embarrassing sex story, yes, ma'am, about dating a dating,

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Speaker 2: about banging a man in the projects, yes, gross, so

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Speaker 2: on brand on brand.

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Speaker 3: Oh my god, we need this merch bridge like immediately.

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Speaker 2: So when that episode comes out on the YouTube, I'll

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Speaker 2: post I put the links up and everything, because I

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Speaker 2: think the story will be funny.

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Speaker 1: It was really good. I was there to supervise they were.

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Speaker 3: Like, Sidney, can you come in and just like see

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Speaker 3: the girls do their you know, see the girls, see

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Speaker 3: the gals.

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Speaker 1: I said, yeah, of course, you know.

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Speaker 3: I was like, well, I actually told you guys to

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Speaker 3: get these girls, so I already know what they give.

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Speaker 1: Everybody that was there that for my session, you had

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Speaker 1: them book.

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Speaker 3: You, Mary Beth, and the other two girls.

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Speaker 1: I didn't say that, but I had gave my names Sidney,

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Speaker 1: like I don't know them other hooks.

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Speaker 3: I didn't give those other two girls, but I definitely

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Speaker 3: said you and mary Beth. I had some other names

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Speaker 3: I actually had, like you at the top, I said,

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Speaker 3: mainly Marie. Yeah, I mean everybody else can be on

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Speaker 3: here too.

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Speaker 1: And they were like they sit there like here and

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Speaker 1: I'm marry here. Which one is your Which one is

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Speaker 1: the black one?

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Speaker 2: No?

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Speaker 3: The guy was like. The guy was like, oh, you know,

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Speaker 3: I saw I saw some Maori's YouTube. She's really funny.

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Speaker 3: I was like, yeah, she's my friend. Like what the

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Speaker 3: fuck you think I'm hanging out with unfunny people.

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Speaker 2: With unfunny bland people, people that get stalked and then

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Speaker 2: don't get curved.

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Speaker 1: Wow. Yuck.

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Speaker 3: Speaking of yuck, our guest today, it's Wow.

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Speaker 2: Wow, and this time I jumped in, We didn't.

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Speaker 1: You jumped in. We didn't today. You've been here before

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Speaker 1: and you did it again. You did not yet? Yeah,

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Speaker 1: yea hey stalked and curved.

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Speaker 4: Yeah.

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Speaker 2: Uh he's uh, he's the first male guest that we've

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Speaker 2: brought back. Yeah, since we started doing the podcast. I'm

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Speaker 2: excited to have him back. Funny freaking dude.

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Speaker 3: Uh.

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Speaker 1: He performs literally all over the country. He on the road, baby,

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Speaker 1: yeah he was. He was our at L expert. Yes, yes,

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Speaker 1: many moons ago we.

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Speaker 2: Talked about New New and t I and Pete Pablo

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Speaker 2: is Did we talk about him?

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Speaker 1: Probably? He's from ok.

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Speaker 4: He's really excited about that. But yeah, he cares.

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Speaker 1: The fact that we're talking about pd is a blessing

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Speaker 1: for him.

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Speaker 2: Yeah, we're bringing Shedding lights. He's gonna get extra downloads

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Speaker 2: after this episode.

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Speaker 5: You know what, drum line took place in Atlanta and

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Speaker 5: Pete Pablo is in that.

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Speaker 4: Okay, you never saw drum lines.

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Speaker 1: The Nick Cannon one. Hi, you're talking too much. Let's

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Speaker 1: just bring you in.

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Speaker 3: Let's give it up for our Black Bops expert.

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Speaker 1: Robert Hayes.

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Speaker 2: So drum line the Nick Cannon one yes, but then

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Speaker 2: there's also Stomp the Yard. Sure, and then there's also

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Speaker 2: you Guys Served, Yes, and then there's also Save the

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Speaker 2: Last Dance.

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Speaker 5: Yes, these are all four totally different movies.

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Speaker 1: What's the in between?

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Speaker 2: You Got Served and Stopped the Yard? In my mind,

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Speaker 2: same film. No see, You Got Served is a dance

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Speaker 2: film and Stop the Yard two K. But Stopping the

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Speaker 2: Yard is also a dance film.

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Speaker 4: The Yard it's a step team.

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Speaker 3: Yes, niggas who are in college. And then you know

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Speaker 3: the other is just like people from the Streets.

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Speaker 4: Yeah, Like one is B two K in.

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Speaker 2: The streets its rasby serving people and You Got Served.

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Speaker 5: They feel like, no, it's RAS. I mean all of

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Speaker 5: B two k's in it. There's a scene where o'marrion

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Speaker 5: is training in the rain.

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Speaker 1: I mean, because obviously you can't have an R and

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Speaker 1: B singer not be in the rain.

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Speaker 4: Have you seen You Got Served?

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Speaker 2: I have not seen any of these movies that we're talking.

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Speaker 2: You named four movies that, in my mind all the

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Speaker 2: same movies. Our lives you I have two family home.

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Speaker 3: Yeah, was born nineteen ninety eight, ninety nine.

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Speaker 1: Oh wow, yeah, sure it was for you.

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Speaker 4: I got it last year.

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Speaker 1: You don't even know who Wu Tang is. I'm sorry,

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Speaker 1: I don't know.

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Speaker 2: I don't listen to Asian rapu tanged. I like tang

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Speaker 2: though aga tang so Rob. Let's talk a little bit

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Speaker 2: about what's going on with you since you've been here

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Speaker 2: a whole lot. You're getting ready to move across the globe.

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Speaker 5: Yeah, it's a bittersweet on my last days in New York.

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Speaker 1: This for your journeys, Well you book, nigga, that's great.

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Speaker 1: Just don't be sad about it. This is awesome. Get

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Speaker 1: the funk out of New York.

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Speaker 2: Oh, okay, make some money going in some money, Send

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Speaker 2: us some money, get us some gigs.

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Speaker 5: So since last time I was on the podcast, let's see,

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Speaker 5: I did the Tonight Show.

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Speaker 1: Yeah, a suit.

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Speaker 4: In a suit?

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Speaker 1: In a suit that you were to my birthday party?

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Speaker 5: Yeah, you had a suit theme party. Yeah, aware that

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Speaker 5: suit to your party? Okay on the Tonight Show. Let's see.

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Speaker 2: So when you're getting ready to do a show like

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Speaker 2: the Tonight Show or something like that as a stand

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Speaker 2: up comedian, do you know what you're gonna wear before

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Speaker 2: you book it?

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Speaker 1: Like you knew going in you wanted to wear a suit.

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Speaker 5: I buy that suit like four years prior for that. Yeah,

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Speaker 5: I knew, like I knew that was like the suit

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Speaker 5: that was that's.

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Speaker 6: The suit that was a suit suit that you were like, Oh,

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Speaker 6: I'm gonna kill him in this.

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Speaker 1: Yeah.

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Speaker 2: Yeah, I think you need to hit us with like

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Speaker 2: a plaid something with a pattern next time.

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Speaker 4: Okay, write something.

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Speaker 1: Real, like tailored to the waist or so we could

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Speaker 1: be like.

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Speaker 2: Bow, look at okay waist right firsts?

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Speaker 1: Yeah, Rob, I just don't feel like you're a suit guy.

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Speaker 3: Like you can wear a suit, but I just feel like,

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Speaker 3: what's like your what's your vibe?

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Speaker 4: That's not what I watched Power every Sunday.

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Speaker 1: That's why your suit?

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Speaker 4: Yeah, gowhears the suit and I'm like.

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Speaker 2: I do not watch Power. That show is terrible. This

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Speaker 2: is a big it's called Big rich Town. That's the

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Speaker 2: song you got so much watch.

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Speaker 1: She doesn't watch that ship.

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Speaker 3: She's trying to enlighten herself. In other ways, we wouldn't

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Speaker 3: have card. Washington wasn't the last dance.

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Speaker 1: That is true. That's true. She was Julia Sell's friend.

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Speaker 3: Yeah, I will say that that that show jump started,

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Speaker 3: uh in racial dating, like it just went crazy.

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Speaker 1: The movie said the last time.

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Speaker 2: Had been dating away women literally since slavery.

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Speaker 1: Yeah, but no, it was it was more on display

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Speaker 1: on that you see twelve years of slave. Wasn't Michael

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Speaker 1: Fast been trying to bang lou Pitza.

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Speaker 5: I don't know who's coming to dinner, But you guess wrong,

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Speaker 5: you guess wrong.

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Speaker 2: Sidney said, that's because of Julia dancing off beat on

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Speaker 2: a chair, that flat face.

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Speaker 3: Ass bitch with wide hips with no let me, wow,

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Speaker 3: you're hip shaming.

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Speaker 1: Yeah, wow, I have no hips. That's what it is.

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Speaker 3: I know, shout out to Julius Styles dancing with that

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Speaker 3: what's that guy's name?

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Speaker 1: I want to say, but that's that's O Fellow. She

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Speaker 1: was in a O A black Man? Was there's that?

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Speaker 1: Who's the round head black man? Sewan something?

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Speaker 4: No, it wasn't it the smart dude from Barbershop?

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Speaker 2: No, I did see Barbershop. I don't remember black movies,

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Speaker 2: did y'all see? They came out like while you could

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Speaker 2: watch movies. I saw I saw Barbershop, I saw I

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Speaker 2: saw Booty Call, I saw I saw I saw I

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Speaker 2: saw Pint.

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Speaker 4: That's sad miss. So many movies.

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Speaker 2: I saw Friday Well because Jada Pinkett was hot and yeah,

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Speaker 2: she ao she had a mushroom.

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Speaker 1: And this was right after she did scream too. Oh

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Speaker 1: I didn't see that.

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Speaker 3: I saw, but that was she was in the beginning.

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Speaker 1: She was about it right away. She died first. Yes,

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Speaker 1: I saw what the movies? Have I seen? The Wood? Probably?

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Speaker 3: Yeah?

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Speaker 1: The Wood, the one, the Best.

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Speaker 2: Man, the Friday Belly.

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Speaker 1: DMX was naked in that.

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Speaker 2: We saw his dick a little bit when he comes

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Speaker 2: out the shower and I was like, oh, he's swing.

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Speaker 1: I'm looking at Pimble.

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Speaker 2: Shut him down, shop, No Mexic Dick, No.

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Speaker 1: Run.

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Speaker 4: One of my favorite movies. It's okay.

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Speaker 1: Scene when the guy's eating the banana on the corner.

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Speaker 2: And he's like, we don't like It's like, how are

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Speaker 2: you hating on me?

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Speaker 1: And you're eating a banana with a perm? I love it.

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Speaker 4: Okay, that's it.

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Speaker 1: We've seen the ones that we've seen so many. What's

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Speaker 1: what's your favorite movie?

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Speaker 5: My favorite movie is Coming to America. Yeah, by far,

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Speaker 5: that's a classic. Like you could show me one frame

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Speaker 5: from Coming to America. You'll do the whole that's into

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Speaker 5: America right there. Like one time my roommate in college

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Speaker 5: turned on the TV. It was just cars parked outside

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Speaker 5: the wald Off for the story and I was like, oh,

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Speaker 5: y'all watching Coming to America.

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Speaker 4: It was like, how did you know that? Like we

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Speaker 4: didn't even know what he was watching it.

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Speaker 2: Okay, so where do you stand on lean On Me?

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Speaker 2: Because I love that movie. I mean, Lena means definitely

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Speaker 2: a classic. Yeah, it's kind of sad though. It's I

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Speaker 2: just I think, you know, because my dad was so

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Speaker 2: strict as a kid. He liked that movie because Morgan

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Speaker 2: Freeman was so evil in it, like meaning it that

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Speaker 2: I like the movie.

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Speaker 5: When I hear Welcome to the Jungle, Welcome to the

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Speaker 5: immediately think of lean on Me.

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Speaker 1: Somebody's beating up kid Ray. I love that movie, kid Ray.

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Speaker 4: We talked to that song.

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Speaker 1: Okay.

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Speaker 3: There are certain parts in movies that I'm just like,

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Speaker 3: I didn't get, but we we recently watched Baps.

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Speaker 1: And it was awful.

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Speaker 4: Wow, I've never seen before. I don't disrespect Robert Townsend.

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00:18:01,840 --> 00:18:05,320
Speaker 1: Like that Robert Townsen did that movie. Was he bored?

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Speaker 1: I'm just trying to figure out where he was when

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Speaker 1: he was like, yes, let's do this.

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Speaker 2: You know where did he write that pilot at Black

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Speaker 2: American princesses.

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Speaker 3: But that was just a weird way to display Black

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Speaker 3: American princesses right walking about them.

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00:18:19,080 --> 00:18:21,479
Speaker 1: A lot of princesses, a lot of pleather, and then

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Speaker 1: they like.

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Speaker 4: Video shoot Robert.

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Speaker 1: He was in the movie as well, Oh wait, did

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00:18:29,840 --> 00:18:31,720
Speaker 1: you just hold? Do you remember How to Be a

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00:18:31,760 --> 00:18:33,840
Speaker 1: Player with Bill Bellamy?

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00:18:34,400 --> 00:18:36,359
Speaker 5: How to Be a Player is one of those movies

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Speaker 5: that I used to watch and be like, that's what

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Speaker 5: I would be like when I get older.

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Speaker 4: I feel like that's why I I just have a

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Speaker 4: bunch of shoes.

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Speaker 1: Do you think that you're a player now? No, no,

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Speaker 1: I'm not.

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Speaker 3: Or do you wanted to be Bill Bellamy because he

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Speaker 3: was a He was a stand up and he was

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Speaker 3: in movies and he was supposed to be like the

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Speaker 3: good looking dude in comedy.

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Speaker 5: Both I wanted the character, but I also wanted to

401
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Speaker 5: be Bill bellim me like the person.

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Speaker 1: Wow, I wanted like shout out to Bill Bellamie.

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00:19:03,680 --> 00:19:05,520
Speaker 4: I'm sure I wanted to be. I wanted to be

404
00:19:05,600 --> 00:19:09,199
Speaker 4: a fun boy and I wanted to be a famous

405
00:19:09,280 --> 00:19:10,440
Speaker 4: kweedi to be that.

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Speaker 1: Wow, that's great. I feel like you're doing well on

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Speaker 1: one side.

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00:19:13,760 --> 00:19:16,000
Speaker 4: Yeah no, no, no, I mean I had, I had

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Speaker 4: my time, but you know you, you know, no.

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00:19:21,000 --> 00:19:24,760
Speaker 1: Heavens, you're so nigh a liar. You're so nice for me.

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00:19:25,200 --> 00:19:28,440
Speaker 5: Probably is not to the degree of like somebody else,

412
00:19:28,640 --> 00:19:31,560
Speaker 5: but then like somebody's people out there, don't hook.

413
00:19:31,440 --> 00:19:33,200
Speaker 3: Up with a chick and then you'll bring her down

414
00:19:33,440 --> 00:19:36,040
Speaker 3: to the car, you get her over, you get an uber,

415
00:19:36,640 --> 00:19:37,560
Speaker 3: and you won't got her.

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Speaker 1: You're like, hey, I had a great time, but right now,

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Speaker 1: you know, with work, I'm traveling, I'm moving to La Meanwhile,

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00:19:45,640 --> 00:19:48,560
Speaker 1: you weren't moving, but you just.

419
00:19:48,640 --> 00:19:54,479
Speaker 2: Said that you wanted me for coffee. You're sending her

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00:19:54,480 --> 00:19:59,240
Speaker 2: a picture of Elise a fake the keys and they're like, oh,

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00:19:59,320 --> 00:19:59,960
Speaker 2: what a nice guy.

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Speaker 7: Bye.

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00:20:00,880 --> 00:20:04,520
Speaker 1: Yeah, okay, No, I'm in a relationship, so you know,

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00:20:05,000 --> 00:20:06,800
Speaker 1: so you don't want to say too much. Okay, that's fine.

425
00:20:06,920 --> 00:20:09,480
Speaker 1: I see a lot of people just like acting on

426
00:20:09,680 --> 00:20:10,520
Speaker 1: the podcast and.

427
00:20:10,600 --> 00:20:12,720
Speaker 4: Like, be yourself, man, I'm being myself.

428
00:20:12,760 --> 00:20:15,199
Speaker 2: They're gonna find out anyway, she's gonna she's gonna hear

429
00:20:15,200 --> 00:20:15,639
Speaker 2: the episode.

430
00:20:15,840 --> 00:20:16,919
Speaker 4: Nothing to find out.

431
00:20:18,720 --> 00:20:21,320
Speaker 1: To get about to get hit before.

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00:20:21,960 --> 00:20:24,840
Speaker 4: You know all my passwords, she knows all your pastors.

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00:20:25,160 --> 00:20:28,479
Speaker 1: Let's talk about this. What's your password? Yeah, because if

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00:20:28,520 --> 00:20:30,000
Speaker 1: she know it, then we might as well know it.

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00:20:30,800 --> 00:20:33,000
Speaker 1: One of the gals to me, because.

436
00:20:32,720 --> 00:20:34,159
Speaker 4: What you need to go on my phone for.

437
00:20:36,280 --> 00:20:40,399
Speaker 1: To make sure to make me sound what you know

438
00:20:40,720 --> 00:20:41,240
Speaker 1: my phone for?

439
00:20:41,880 --> 00:20:42,119
Speaker 7: We know?

440
00:20:42,160 --> 00:20:43,879
Speaker 4: A little scrappy said, if you look for something, you're

441
00:20:43,880 --> 00:20:44,440
Speaker 4: gonna find it.

442
00:20:45,160 --> 00:20:48,879
Speaker 1: But are you quoting a little crappy? What's to get scrappy?

443
00:20:48,920 --> 00:20:49,159
Speaker 1: Say that?

444
00:20:49,600 --> 00:20:50,719
Speaker 4: You said that? I love it hip hop?

445
00:20:52,119 --> 00:20:54,760
Speaker 1: Wow? Speaking of hot mess, let's get back to these

446
00:20:55,000 --> 00:20:55,800
Speaker 1: black bots.

447
00:20:56,040 --> 00:20:59,240
Speaker 2: Do you have any you know there's total black box,

448
00:21:00,080 --> 00:21:03,920
Speaker 2: your go to like feel good songs, feel good and

449
00:21:04,080 --> 00:21:06,560
Speaker 2: you can't mention r Kelly he's out.

450
00:21:06,920 --> 00:21:09,200
Speaker 1: I wasn't going. Chris Brown he's out as well.

451
00:21:09,560 --> 00:21:12,000
Speaker 4: Kelly Okay, Brown out.

452
00:21:12,200 --> 00:21:15,280
Speaker 1: He's got to be out. He beat Rihanna in like

453
00:21:15,359 --> 00:21:17,640
Speaker 1: two thousands a long time.

454
00:21:19,880 --> 00:21:24,160
Speaker 4: The text, Yeah, they I mentioned tattoos like good.

455
00:21:24,160 --> 00:21:26,480
Speaker 1: Yes, since what you're talking about? Girl? I thought he

456
00:21:26,520 --> 00:21:28,920
Speaker 1: did something else. He wasn't. That was he in Stumpy Yard.

457
00:21:29,600 --> 00:21:32,480
Speaker 1: He wasn't Stumpy Yard. He was all in a commercial.

458
00:21:32,560 --> 00:21:34,399
Speaker 5: Then he died in the first scene and it was like,

459
00:21:34,560 --> 00:21:38,200
Speaker 5: come on, they got us, Wow, spoiler, I'm sorry.

460
00:21:40,119 --> 00:21:43,560
Speaker 3: The scene great, That's exactly how it should go producer

461
00:21:44,640 --> 00:21:48,040
Speaker 3: Tall Andrew said that he's on board with me with

462
00:21:48,359 --> 00:21:49,480
Speaker 3: we canceled Chris Brown.

463
00:21:49,560 --> 00:21:55,120
Speaker 1: He can't. Yes, he threw it at good Morning.

464
00:21:55,640 --> 00:22:00,560
Speaker 2: Good Morning America chair Good Morning America at hand will

465
00:22:00,600 --> 00:22:04,560
Speaker 2: catch it. Yeah you're saying that on the record.

466
00:22:06,760 --> 00:22:07,159
Speaker 4: Yeah he is.

467
00:22:07,600 --> 00:22:09,040
Speaker 1: I thought you said he could catch it, like he

468
00:22:09,119 --> 00:22:11,720
Speaker 1: could get he could get no catch the chair.

469
00:22:12,560 --> 00:22:13,680
Speaker 4: G M A ain't all that.

470
00:22:14,520 --> 00:22:17,760
Speaker 2: Okay, So you Kelly and Ryan, who who who your

471
00:22:17,840 --> 00:22:22,879
Speaker 2: daytime you're watching the view you're doing? First of all, okay, Wendy,

472
00:22:23,720 --> 00:22:25,960
Speaker 2: But Wendy doesn't come on when Good Morning America is on.

473
00:22:26,320 --> 00:22:28,320
Speaker 4: No, but you said Kelly and Ryan, they don't come

474
00:22:28,359 --> 00:22:30,000
Speaker 4: on with Good Morning America come on either.

475
00:22:30,520 --> 00:22:33,360
Speaker 1: I don't watch daytime TV. First of all, First, everybody

476
00:22:33,440 --> 00:22:34,680
Speaker 1: booked and blessed.

477
00:22:34,359 --> 00:22:37,440
Speaker 5: And I don't know whay y'all booked at eleven in

478
00:22:37,520 --> 00:22:41,000
Speaker 5: the morning. But the view comes on. I watched that,

479
00:22:41,400 --> 00:22:42,480
Speaker 5: you know religiously.

480
00:22:43,000 --> 00:22:43,200
Speaker 2: Wow.

481
00:22:44,000 --> 00:22:48,240
Speaker 5: You know it was really good before Joy like retired

482
00:22:48,280 --> 00:22:52,080
Speaker 5: the first time. You know, Joe left twice like well,

483
00:22:52,119 --> 00:22:54,600
Speaker 5: she hasn't left twice yet, but you know she came.

484
00:22:54,560 --> 00:22:56,879
Speaker 2: Back well because she keeps thinking they're gonna put her

485
00:22:56,920 --> 00:22:59,040
Speaker 2: in the Barbara Walters chair, and they were like, well,

486
00:22:59,080 --> 00:23:02,920
Speaker 2: whoopee got that. Whoopy is the person in charge of

487
00:23:03,160 --> 00:23:06,159
Speaker 2: the view now, yeah, she got the ego. She's a moderator, right,

488
00:23:06,280 --> 00:23:08,720
Speaker 2: she did what she wants. Whoopy almost died?

489
00:23:09,000 --> 00:23:13,200
Speaker 1: Yeah, she had pneumonia ago.

490
00:23:13,640 --> 00:23:18,720
Speaker 4: But you know when you say you can't begin, when did.

491
00:23:18,600 --> 00:23:21,240
Speaker 1: You have pneumonia? I was a kid. I have fluid

492
00:23:21,280 --> 00:23:22,320
Speaker 1: in my in my lungs.

493
00:23:22,640 --> 00:23:24,800
Speaker 4: Well that's what pneumonia means, right, But.

494
00:23:25,400 --> 00:23:28,200
Speaker 2: He's saying, he's saying, when you're a certain age, you

495
00:23:28,320 --> 00:23:29,680
Speaker 2: can't like you're not gonna make it.

496
00:23:29,800 --> 00:23:32,960
Speaker 1: But I was a kid dying, almost drowned on my

497
00:23:33,040 --> 00:23:33,680
Speaker 1: father's couch.

498
00:23:34,760 --> 00:23:37,439
Speaker 4: No, if not treated, pneumonia could be very serious.

499
00:23:38,680 --> 00:23:42,080
Speaker 2: Rob Okay roy I was like, wait to bring the

500
00:23:42,160 --> 00:23:43,120
Speaker 2: mood down, Rob.

501
00:23:43,040 --> 00:23:45,840
Speaker 4: I'm concerned for kid. Marie Grenna.

502
00:23:45,880 --> 00:23:51,000
Speaker 2: Marie is shady, but she said he said like Thisnona.

503
00:23:51,240 --> 00:23:54,919
Speaker 2: She was like, well you know I almost died. Yeah, Yo,

504
00:23:57,000 --> 00:23:59,760
Speaker 2: live every day like it's your last throw shade every day.

505
00:23:59,840 --> 00:24:02,600
Speaker 2: Like the last thing I want people to remember is

506
00:24:02,640 --> 00:24:04,119
Speaker 2: you know what the last thing Mari said to me.

507
00:24:04,880 --> 00:24:08,200
Speaker 2: I looked like I was getting and then she got

508
00:24:08,320 --> 00:24:08,920
Speaker 2: hit by bus.

509
00:24:10,560 --> 00:24:12,920
Speaker 1: Wow, We're gonna put that on your tombstone when I die.

510
00:24:13,200 --> 00:24:15,199
Speaker 2: I want all of the shirts that y'all wear at

511
00:24:15,240 --> 00:24:17,360
Speaker 2: my funeral to have the meanest thing I ever said

512
00:24:17,359 --> 00:24:18,280
Speaker 2: to y'all on them.

513
00:24:19,000 --> 00:24:21,320
Speaker 1: That's that's how I want. You'll remember. I will not

514
00:24:21,480 --> 00:24:25,160
Speaker 1: allow it. I don't want that, and that's what I want.

515
00:24:26,520 --> 00:24:26,800
Speaker 4: Shirt.

516
00:24:27,000 --> 00:24:30,280
Speaker 1: Okay, that's what I'm saying. You have a Maxi dress,

517
00:24:30,680 --> 00:24:35,880
Speaker 1: just mean things that, Marie. Yeah, it's a veil. I'm

518
00:24:35,920 --> 00:24:36,480
Speaker 1: out of a veil.

519
00:24:36,720 --> 00:24:39,159
Speaker 2: And then over over top of the Maxie dress, you're

520
00:24:39,160 --> 00:24:40,640
Speaker 2: gonna have on the Millennia trump coat.

521
00:24:40,720 --> 00:24:47,720
Speaker 1: I don't care, do you? It's a look? Okay, Rob?

522
00:24:47,760 --> 00:24:49,600
Speaker 1: What are we listening to? What's the black bops?

523
00:24:49,640 --> 00:24:49,840
Speaker 3: You got?

524
00:24:50,040 --> 00:24:52,159
Speaker 4: Feel good? You want to feel good? I'm gonna go

525
00:24:52,200 --> 00:24:55,800
Speaker 4: with the Gap Band. First off, the Gap Band? Yeah, outstanding?

526
00:24:56,160 --> 00:25:01,480
Speaker 1: Sing the song standing? How old are y'all? What do

527
00:25:01,520 --> 00:25:03,920
Speaker 1: you mean? My parents did listen to songs like that.

528
00:25:04,240 --> 00:25:08,520
Speaker 1: They listen to French songs. Okay, good for your cultured parents.

529
00:25:08,840 --> 00:25:12,760
Speaker 1: This is black. We're talking about African American bops, not

530
00:25:15,560 --> 00:25:18,359
Speaker 1: these American black bops. Yuck.

531
00:25:18,800 --> 00:25:20,080
Speaker 4: Okay, well go ahead, what else?

532
00:25:20,119 --> 00:25:20,359
Speaker 1: What else?

533
00:25:30,200 --> 00:25:32,119
Speaker 4: That's the I'm trying to bop it up. You know

534
00:25:32,119 --> 00:25:34,040
Speaker 4: what I'm saying, thank you so much.

535
00:25:34,160 --> 00:25:35,360
Speaker 1: Okay, Gap Band.

536
00:25:37,119 --> 00:25:39,600
Speaker 5: Yelling for your love of the Gap Man, frank Beverly

537
00:25:39,680 --> 00:25:42,200
Speaker 5: and Maze. You know what I'm saying, what song is that?

538
00:25:42,600 --> 00:25:44,359
Speaker 4: This is the feel good? You know we're gonna get

539
00:25:44,400 --> 00:25:45,080
Speaker 4: to the turn up.

540
00:25:46,240 --> 00:25:48,639
Speaker 3: You're doing it chronological.

541
00:25:48,960 --> 00:25:51,080
Speaker 1: That's fine. You know how that song goes?

542
00:25:52,080 --> 00:25:56,560
Speaker 4: Yonner, you love keep Brook, can't keep running and not

543
00:25:56,680 --> 00:26:01,800
Speaker 4: I'm gonna lie a little seven my life.

544
00:26:02,600 --> 00:26:07,960
Speaker 2: Yeah. You got so many earth Wind and Fire songs.

545
00:26:08,040 --> 00:26:24,439
Speaker 2: Oh yeah, uh, you know Candy Cameo Canny and then

546
00:26:24,520 --> 00:26:28,480
Speaker 2: beyond to you know, to the Frankie Beverly and Maze

547
00:26:28,600 --> 00:26:31,040
Speaker 2: and the Candy put it together and made you know,

548
00:26:31,760 --> 00:26:32,200
Speaker 2: what's song?

549
00:26:32,520 --> 00:26:34,600
Speaker 4: She made her before I Let Go?

550
00:26:35,840 --> 00:26:37,960
Speaker 1: Wow, Marie, I love that. You just don't know.

551
00:26:38,080 --> 00:26:39,800
Speaker 4: You don't know before I Let go go?

552
00:26:40,760 --> 00:26:41,040
Speaker 7: Do you know?

553
00:26:41,119 --> 00:26:41,720
Speaker 1: Before I Let Go?

554
00:26:42,440 --> 00:26:45,160
Speaker 2: First of all, they wrote everybody who's over twenty five

555
00:26:45,240 --> 00:26:47,879
Speaker 2: in the club Andrew shoes.

556
00:26:47,680 --> 00:26:49,439
Speaker 1: So he's not gonna know Andrew.

557
00:26:51,160 --> 00:26:53,560
Speaker 2: Know some of our listeners are wearing both shoes right

558
00:26:53,600 --> 00:26:56,200
Speaker 2: now and they're like, who what before I Let go?

559
00:26:56,640 --> 00:26:58,879
Speaker 1: Just in the course, you don't know before I let

560
00:26:58,960 --> 00:27:07,560
Speaker 1: go a rope. That's a you can be no, I'm down,

561
00:27:07,640 --> 00:27:10,159
Speaker 1: down down. I don't know that song? What what was that?

562
00:27:11,440 --> 00:27:11,720
Speaker 8: My own?

563
00:27:12,280 --> 00:27:16,920
Speaker 1: That's the uncle from Proud Family. The one is like, yeah,

564
00:27:22,200 --> 00:27:23,119
Speaker 1: are you having a stroke?

565
00:27:28,200 --> 00:27:31,960
Speaker 8: Some uncle from Pro Family that had the pimp suit

566
00:27:32,040 --> 00:27:37,840
Speaker 8: on that was like, yeah, yeah, Marie, what is wrong

567
00:27:39,480 --> 00:27:41,320
Speaker 8: Key having Kelly?

568
00:27:42,800 --> 00:27:45,800
Speaker 1: I Love go Home? It's Pro Family on Hulu because

569
00:27:45,800 --> 00:27:47,119
Speaker 1: I feel like I need to watch some of that.

570
00:27:47,320 --> 00:27:50,200
Speaker 4: That's a feel good song. Is you know you and

571
00:27:50,400 --> 00:27:51,760
Speaker 4: me weillways be tied.

572
00:27:53,040 --> 00:28:02,879
Speaker 1: Every single that was lounge and everything. So that's they'll

573
00:28:03,160 --> 00:28:11,600
Speaker 1: push sure, But Femily, we need to bring back TV

574
00:28:11,760 --> 00:28:16,120
Speaker 1: theme songs. I've been saying this shows don't have theme

575
00:28:16,160 --> 00:28:17,040
Speaker 1: songs because.

576
00:28:16,760 --> 00:28:19,840
Speaker 2: People are like, you know what, the theme songs take

577
00:28:19,880 --> 00:28:21,720
Speaker 2: away from the time in the episode.

578
00:28:21,800 --> 00:28:23,960
Speaker 4: But it's like if the song is.

579
00:28:24,040 --> 00:28:27,359
Speaker 1: Good, people are gonna remember that. So that's that.

580
00:28:27,480 --> 00:28:29,480
Speaker 2: I think the reason why they don't do it anymore

581
00:28:29,520 --> 00:28:33,200
Speaker 2: is because you have to pay royalties for the music

582
00:28:33,640 --> 00:28:36,440
Speaker 2: for the length of the show is on royalty.

583
00:28:36,760 --> 00:28:37,320
Speaker 7: No no, no, not.

584
00:28:39,040 --> 00:28:42,960
Speaker 4: Make a song like even even like like some songs,

585
00:28:43,200 --> 00:28:45,440
Speaker 4: like some songs are just so memorable.

586
00:28:45,160 --> 00:28:49,840
Speaker 1: Like it's a red condition. This then egg, Oh my god,

587
00:28:50,080 --> 00:28:50,880
Speaker 1: we're brothers.

588
00:28:51,400 --> 00:28:53,040
Speaker 4: We're happy and we're singing and.

589
00:28:55,800 --> 00:28:59,800
Speaker 1: Give me a high. Ah yeah, that's great.

590
00:29:00,080 --> 00:29:03,720
Speaker 4: You know, lots.

591
00:29:05,800 --> 00:29:07,840
Speaker 1: And girlfriends. The girlfriend's song was good.

592
00:29:09,800 --> 00:29:10,160
Speaker 3: Friends.

593
00:29:10,720 --> 00:29:13,160
Speaker 2: But like these are right these? Like what is the

594
00:29:13,240 --> 00:29:16,520
Speaker 2: Insecure theme song? Does Insecure have a song?

595
00:29:17,000 --> 00:29:20,680
Speaker 5: In Secure got a lot of songs, they have music,

596
00:29:20,800 --> 00:29:22,640
Speaker 5: They got about five songs episode.

597
00:29:22,720 --> 00:29:24,880
Speaker 2: Yeah, but they don't have they don't have a thing.

598
00:29:25,120 --> 00:29:28,000
Speaker 2: The show just starts like Game of Thrones have that

599
00:29:28,120 --> 00:29:28,719
Speaker 2: long ass thing.

600
00:29:39,520 --> 00:29:41,400
Speaker 5: I used to get in trouble because I would turn

601
00:29:41,520 --> 00:29:43,520
Speaker 5: up to the Young and the Restless theme song.

602
00:29:44,000 --> 00:29:45,840
Speaker 4: My grandmother be trying to watch The Young and the

603
00:29:45,920 --> 00:29:48,760
Speaker 4: Restless being there the rocket.

604
00:29:54,160 --> 00:30:05,040
Speaker 1: I don't know the Young and Restless song? What song

605
00:30:05,160 --> 00:30:05,680
Speaker 1: is that to get.

606
00:30:09,560 --> 00:30:09,680
Speaker 3: Yo?

607
00:30:09,880 --> 00:30:11,560
Speaker 4: I used to get in so much like.

608
00:30:11,640 --> 00:30:15,760
Speaker 2: Sit down you seem like a bad kid, like you

609
00:30:15,920 --> 00:30:18,240
Speaker 2: was over there, just like I'm sorry that we ain't

610
00:30:18,320 --> 00:30:29,280
Speaker 2: have ak. I love that you said that, Okay, I

611
00:30:29,360 --> 00:30:31,520
Speaker 2: mean even like the full House themes song, like all

612
00:30:31,600 --> 00:30:33,040
Speaker 2: of these shows used to have.

613
00:30:33,320 --> 00:30:35,560
Speaker 4: What happened to predictability?

614
00:30:36,200 --> 00:30:37,720
Speaker 1: Is that how the song stuck?

615
00:30:37,800 --> 00:30:47,520
Speaker 2: The milk Man, the Paperball, Evening DV everywhere that band

616
00:30:47,640 --> 00:30:51,880
Speaker 2: was getting paid. They did that song, they did Family Matters, Oh,

617
00:30:51,960 --> 00:30:55,200
Speaker 2: they did both. Yeah, they did a step by step

618
00:30:55,320 --> 00:31:02,160
Speaker 2: step by step. Yeah, that was so mad at mister Cooper.

619
00:31:02,400 --> 00:31:04,000
Speaker 2: It was like, what you mean you don't need us?

620
00:31:04,520 --> 00:31:07,280
Speaker 4: Oh my god, Like we got in Vogue. Actually, so

621
00:31:07,520 --> 00:31:08,880
Speaker 4: y'all could take a break.

622
00:31:09,040 --> 00:31:15,040
Speaker 1: They need that check cool hanging he's so so fun.

623
00:31:15,440 --> 00:31:20,200
Speaker 1: Oh yeah, hanging with them and Vogue.

624
00:31:20,200 --> 00:31:22,400
Speaker 2: If you're listening to this guy and do the theme

625
00:31:22,480 --> 00:31:24,880
Speaker 2: for the warm up, I mean the unforture expert, that

626
00:31:24,920 --> 00:31:25,760
Speaker 2: would be amazing.

627
00:31:26,840 --> 00:31:30,640
Speaker 1: Ticket would be so happy. That's what I warm up.

628
00:31:30,720 --> 00:31:34,960
Speaker 1: Hold on to your you got to hold on.

629
00:31:35,760 --> 00:31:37,720
Speaker 5: That's a black vib Yeah, this is gonna be the

630
00:31:37,800 --> 00:31:39,120
Speaker 5: most expensive episode.

631
00:31:39,800 --> 00:31:41,160
Speaker 2: We don't have to We don't have to pay for

632
00:31:41,200 --> 00:31:43,080
Speaker 2: any of this music for the podcast. Yeah we were

633
00:31:43,120 --> 00:31:45,760
Speaker 2: on TV, we'd have to, but we could sang all

634
00:31:45,800 --> 00:31:48,240
Speaker 2: we want. Okay, so you go to a cookout. You're

635
00:31:48,240 --> 00:31:49,960
Speaker 2: at a barbecue. What song you want to be listening

636
00:31:50,000 --> 00:31:51,400
Speaker 2: to while you're putting food on your plate?

637
00:31:51,680 --> 00:31:52,120
Speaker 1: Right away?

638
00:31:52,720 --> 00:31:52,880
Speaker 2: Oh?

639
00:31:53,040 --> 00:31:55,680
Speaker 4: Okay, some of the songs I named that definitely cook out.

640
00:31:59,000 --> 00:32:00,480
Speaker 1: I feel like that Marvin a song.

641
00:32:02,160 --> 00:32:03,400
Speaker 4: Yeah, I got to get it up.

642
00:32:03,600 --> 00:32:04,160
Speaker 1: To get it out.

643
00:32:04,320 --> 00:32:05,520
Speaker 4: Yeah, to give it.

644
00:32:08,280 --> 00:32:11,680
Speaker 1: Is that the song? It's the song that blurred lines stoke.

645
00:32:12,800 --> 00:32:17,880
Speaker 1: Really no way know that. Oh that's a good song.

646
00:32:21,360 --> 00:32:24,560
Speaker 1: And you're like skip the potato sells or whatever.

647
00:32:24,640 --> 00:32:26,120
Speaker 4: Marvin said, Yeah.

648
00:32:25,920 --> 00:32:26,400
Speaker 1: But I don't know.

649
00:32:27,200 --> 00:32:29,480
Speaker 3: I see, I see what time frame you're on right now.

650
00:32:29,560 --> 00:32:31,320
Speaker 3: But if I'm going to a cookout, I'm gonna need

651
00:32:31,400 --> 00:32:32,520
Speaker 3: it to be like nineties.

652
00:32:32,640 --> 00:32:35,080
Speaker 1: I'm saying. Okay, so while you're putting the food on

653
00:32:35,160 --> 00:32:35,520
Speaker 1: your plate.

654
00:32:36,640 --> 00:32:38,120
Speaker 2: You know what I'm saying, while you're making your plate.

655
00:32:38,200 --> 00:32:41,200
Speaker 2: That's like early, so early in the cookout. You don't

656
00:32:41,200 --> 00:32:43,280
Speaker 2: want to hear songs that you want, you know, yeah,

657
00:32:43,800 --> 00:32:48,800
Speaker 2: oh yeah, well all right, No, I don't know.

658
00:32:48,920 --> 00:32:54,640
Speaker 1: I don't know what that is. No, I don't rather

659
00:32:55,000 --> 00:32:56,560
Speaker 1: you must be in your early eighties.

660
00:32:56,680 --> 00:32:59,200
Speaker 4: Yeah, every.

661
00:33:01,560 --> 00:33:04,440
Speaker 2: On the tables and I haven't even got to the

662
00:33:04,520 --> 00:33:09,760
Speaker 2: nineties yet. You're not listening to Fantasy by Mariah Carrey.

663
00:33:09,880 --> 00:33:10,760
Speaker 1: You not listening to.

664
00:33:12,440 --> 00:33:13,680
Speaker 4: Yeah, No, I.

665
00:33:13,680 --> 00:33:17,600
Speaker 1: Would like that like you. When I walk in. When

666
00:33:17,640 --> 00:33:20,080
Speaker 1: I walk in, I want to have a party today.

667
00:33:20,240 --> 00:33:21,360
Speaker 4: I want to hear some Janet.

668
00:33:21,720 --> 00:33:26,840
Speaker 1: I want to hear some Janet. Also, that's the way go. No,

669
00:33:27,000 --> 00:33:29,560
Speaker 1: I want I want the Mariah Carey. I want feedback.

670
00:33:29,640 --> 00:33:37,520
Speaker 1: I want Mariah Carey with dirty bastard Maria. Now, now,

671
00:33:38,320 --> 00:33:47,440
Speaker 1: isn't that fantasy when you walk by nice No, no, no,

672
00:33:47,720 --> 00:33:51,160
Speaker 1: I want like, wait, that's the same, that's the same,

673
00:33:52,720 --> 00:33:56,600
Speaker 1: it's the same. So yeah, that's I would like that. Yeah, okay,

674
00:33:56,720 --> 00:33:57,240
Speaker 1: I want to hear.

675
00:33:57,200 --> 00:34:00,160
Speaker 4: That's the Puffy remix of course from trans.

676
00:34:00,280 --> 00:34:01,959
Speaker 2: I want to hear Puffy, right, I want to hear

677
00:34:02,000 --> 00:34:06,320
Speaker 2: some bad boy. More money, more problems, more money, more problem.

678
00:34:06,720 --> 00:34:09,560
Speaker 2: Yeah okay, because it's not more money, but I see

679
00:34:09,840 --> 00:34:11,080
Speaker 2: you're trying to get the wet listeners.

680
00:34:11,360 --> 00:34:21,960
Speaker 1: I see you're more problems. Come on, you get money,

681
00:34:22,040 --> 00:34:22,960
Speaker 1: more problem.

682
00:34:23,400 --> 00:34:27,360
Speaker 4: More money. We come across, the more problems we see you.

683
00:34:27,719 --> 00:34:31,719
Speaker 1: I want to hear no, no, no, notorious. I want

684
00:34:31,760 --> 00:34:35,560
Speaker 1: to hear that. When I'm coming into the cookout. That's

685
00:34:35,600 --> 00:34:37,200
Speaker 1: when you want to hear. I want to hear it

686
00:34:37,320 --> 00:34:41,080
Speaker 1: like as I arrived. No, no, no, I can see that.

687
00:34:41,600 --> 00:34:43,680
Speaker 5: This is when you get into the nineties, that's when

688
00:34:43,680 --> 00:34:46,239
Speaker 5: you got to skip around from Mark Kelly because like now.

689
00:34:46,160 --> 00:34:46,440
Speaker 7: It's like.

690
00:34:48,080 --> 00:34:52,560
Speaker 1: Charla Brown ts C. Okay, what about your what about

691
00:34:52,640 --> 00:34:53,360
Speaker 1: your friends?

692
00:34:59,320 --> 00:35:01,560
Speaker 3: Her whole album that you're like, oh, I can play

693
00:35:01,600 --> 00:35:03,560
Speaker 3: this the whole album at a cookout.

694
00:35:04,239 --> 00:35:05,799
Speaker 1: It's some snow jams on it that I don't want

695
00:35:05,840 --> 00:35:06,040
Speaker 1: to hear.

696
00:35:06,200 --> 00:35:09,440
Speaker 2: Yeah, some stuff ain't really cookout, red lightish not in

697
00:35:09,480 --> 00:35:10,040
Speaker 2: the cookout.

698
00:35:11,360 --> 00:35:13,320
Speaker 1: No, you can have a kind of like you know,

699
00:35:13,440 --> 00:35:16,759
Speaker 1: when everybody's dancing and you got. I don't want to

700
00:35:16,800 --> 00:35:22,440
Speaker 1: hear waterfall as a cookout. Don't go change and water falls.

701
00:35:22,560 --> 00:35:23,560
Speaker 1: Not when you're getting ribs.

702
00:35:23,840 --> 00:35:27,520
Speaker 5: No, I would judge a cookout and play waterfalls like, Okay, y'all,

703
00:35:27,880 --> 00:35:29,040
Speaker 5: yeah we got we can't.

704
00:35:29,280 --> 00:35:34,680
Speaker 2: We got streaming now you could just cut on somebody's anything,

705
00:35:35,080 --> 00:35:40,600
Speaker 2: you know, But yeah, I want to hear some migos migos.

706
00:35:41,640 --> 00:35:41,839
Speaker 7: Fun.

707
00:35:42,120 --> 00:35:46,320
Speaker 1: Yeah, you gotta hear some drake drake Okay. Yeah, so

708
00:35:46,680 --> 00:35:49,319
Speaker 1: we're done eating. You gotta drink in your hand.

709
00:35:49,480 --> 00:35:49,760
Speaker 4: Okay.

710
00:35:49,800 --> 00:35:52,799
Speaker 1: We're playing spades, well, y'are playing spades. I can't play.

711
00:35:53,400 --> 00:35:57,880
Speaker 4: You can't play yards. We can try life, you living.

712
00:35:58,000 --> 00:36:01,880
Speaker 1: I can try to play spades, like Sydney, can you

713
00:36:01,920 --> 00:36:07,399
Speaker 1: play spades? I can play spades, but I'm not another team. Yeah,

714
00:36:08,400 --> 00:36:12,520
Speaker 1: he wants me to be there. I've won some good

715
00:36:12,600 --> 00:36:18,080
Speaker 1: game mixed, he said. He said, go play pool. He's

716
00:36:18,200 --> 00:36:23,560
Speaker 1: gonna watch the kids. Go put some links. I love

717
00:36:23,640 --> 00:36:26,960
Speaker 1: me a good link. Put some links, love a good link.

718
00:36:28,400 --> 00:36:31,320
Speaker 1: And they cut it in the middle. I want it

719
00:36:31,360 --> 00:36:35,120
Speaker 1: just like fat Oh, I love it. Okay, So we're

720
00:36:35,160 --> 00:36:40,759
Speaker 1: playing spades. I feel like anything from Snoop.

721
00:36:40,480 --> 00:36:45,200
Speaker 4: Dog okay or for real? Maybe not anything, but maybe not.

722
00:36:49,640 --> 00:36:52,520
Speaker 1: What song is that? We still point.

723
00:36:54,760 --> 00:36:57,840
Speaker 4: Is you can't play. It ain't no fun at a cookout.

724
00:36:58,080 --> 00:37:01,200
Speaker 1: It ain't no fun if the homies can't.

725
00:37:02,120 --> 00:37:04,480
Speaker 4: Maybe an adult cookout, maybe like no kids.

726
00:37:04,600 --> 00:37:05,480
Speaker 1: I don't want no kids that.

727
00:37:05,520 --> 00:37:09,480
Speaker 4: I don't get kids there because people have kids.

728
00:37:10,000 --> 00:37:13,120
Speaker 1: Yes, people back in the motherfucking house, the big and

729
00:37:13,239 --> 00:37:15,439
Speaker 1: the kids. What's the other part the mother?

730
00:37:15,719 --> 00:37:16,520
Speaker 4: Yeah, I don't want.

731
00:37:18,480 --> 00:37:22,080
Speaker 1: For a fat dick in your mouth, Sydney go back

732
00:37:22,120 --> 00:37:22,399
Speaker 1: and singing.

733
00:37:22,440 --> 00:37:23,160
Speaker 4: I'm uncomfortable.

734
00:37:25,320 --> 00:37:25,719
Speaker 7: What is it.

735
00:37:27,880 --> 00:37:31,000
Speaker 1: In your mouth? Sydney singing? Andrew likes said he's don't

736
00:37:31,040 --> 00:37:35,000
Speaker 1: born with us. He has those every other week, and

737
00:37:35,960 --> 00:37:36,759
Speaker 1: he more booked than that.

738
00:37:38,640 --> 00:37:40,839
Speaker 2: Andrew was more booked than that. It's not every other week.

739
00:37:40,960 --> 00:37:42,560
Speaker 2: So you're saying last week you didn't know.

740
00:37:44,280 --> 00:37:50,120
Speaker 1: Oh black cock, Hey mom, you listen to his mom.

741
00:37:50,560 --> 00:37:52,040
Speaker 1: If you're listening to his mom.

742
00:37:52,080 --> 00:37:52,160
Speaker 3: And.

743
00:37:54,960 --> 00:37:58,920
Speaker 2: You don't play that the cookout is trash andrew our

744
00:37:58,960 --> 00:38:00,080
Speaker 2: producer gay into.

745
00:38:01,440 --> 00:38:03,879
Speaker 1: His mother listens to the podcast, or she tries, ain't

746
00:38:03,920 --> 00:38:06,440
Speaker 1: no virgin of day that, Mama?

747
00:38:08,080 --> 00:38:10,480
Speaker 8: You know I love you?

748
00:38:12,320 --> 00:38:15,399
Speaker 1: You know that. Okay, you're getting married?

749
00:38:15,480 --> 00:38:18,560
Speaker 2: First song play at the wedding when you when you

750
00:38:18,640 --> 00:38:21,759
Speaker 2: come out jacket edge, jagged, let's get let's get married?

751
00:38:21,920 --> 00:38:27,279
Speaker 1: No the remix? What's going on across to the thing?

752
00:38:27,640 --> 00:38:31,239
Speaker 1: Yeah with now You're No, You're no. City's thinking where

753
00:38:31,280 --> 00:38:32,280
Speaker 1: the party at with Nelly?

754
00:38:38,200 --> 00:38:38,399
Speaker 7: Wait?

755
00:38:38,560 --> 00:38:43,280
Speaker 5: What is better when the bride bridal party comes into

756
00:38:43,360 --> 00:38:45,640
Speaker 5: it with the song and then the groom party.

757
00:38:45,520 --> 00:38:48,120
Speaker 1: Comes in with the song, or like don't they come

758
00:38:48,160 --> 00:38:48,640
Speaker 1: in together?

759
00:38:49,320 --> 00:38:53,560
Speaker 2: No, I've seen some weddings where like like the women

760
00:38:53,640 --> 00:38:56,040
Speaker 2: will have acted up and then the guys will have, like,

761
00:38:56,320 --> 00:38:57,680
Speaker 2: you know, a song for the guys.

762
00:38:58,120 --> 00:38:58,879
Speaker 1: Guess that guy?

763
00:38:59,320 --> 00:39:03,439
Speaker 2: You know. No, it's not about the wedding party.

764
00:39:03,520 --> 00:39:04,680
Speaker 1: It's about the bride and the groom.

765
00:39:04,840 --> 00:39:07,920
Speaker 5: Yes, but the bride come in afterwards, so that you know,

766
00:39:08,080 --> 00:39:10,839
Speaker 5: the grooms men come in and they'll come into Uh.

767
00:39:11,520 --> 00:39:15,239
Speaker 1: I don't know what's a good Carlie Ray something, you know,

768
00:39:15,360 --> 00:39:16,480
Speaker 1: maybe old Town Road?

769
00:39:16,600 --> 00:39:16,799
Speaker 3: You know.

770
00:39:20,080 --> 00:39:21,239
Speaker 4: What is in the bag.

771
00:39:23,200 --> 00:39:24,880
Speaker 2: They come out to that, and then you know the

772
00:39:24,960 --> 00:39:27,719
Speaker 2: brides maids come in real lad then you know about

773
00:39:27,760 --> 00:39:28,240
Speaker 2: the niggas.

774
00:39:28,600 --> 00:39:30,600
Speaker 1: No, I'm not playing that past.

775
00:39:33,960 --> 00:39:46,400
Speaker 4: Playing in French, im playing lady Mama. No we didn't.

776
00:39:47,640 --> 00:39:51,120
Speaker 1: Okay, So coming out Sydney, you said jacket edge. Yeah,

777
00:39:51,160 --> 00:39:52,680
Speaker 1: I want some jacket edge.

778
00:39:53,320 --> 00:39:55,680
Speaker 4: I play happily ever after my case.

779
00:39:56,480 --> 00:40:05,160
Speaker 1: Really you started good today? I said, well it was

780
00:40:05,280 --> 00:40:07,080
Speaker 1: last mate, I don't know the exact day.

781
00:40:11,120 --> 00:40:21,040
Speaker 3: Happily Yeah, No, she didn't have braids, she had she

782
00:40:21,160 --> 00:40:24,080
Speaker 3: had a weaf. She had to leave out, she had

783
00:40:24,080 --> 00:40:24,920
Speaker 3: to leave out on top.

784
00:40:25,200 --> 00:40:29,600
Speaker 1: Leave out. I'm coming out to Megan thee stallion Really

785
00:40:31,000 --> 00:40:33,560
Speaker 1: zoom zim zoom zoom zoom. That's not the song. Yeah,

786
00:40:33,560 --> 00:40:38,040
Speaker 1: I was like, what's that. I'm coming out to money, money,

787
00:40:38,800 --> 00:40:39,640
Speaker 1: I got money.

788
00:40:39,840 --> 00:40:42,680
Speaker 5: I feel like you got to have a class money,

789
00:40:43,440 --> 00:40:47,040
Speaker 5: or you gotta have a song that's like super like new.

790
00:40:48,080 --> 00:40:50,040
Speaker 5: You know, it's either got to be a classic or

791
00:40:50,080 --> 00:40:51,960
Speaker 5: it's got to be a song that I would.

792
00:40:51,800 --> 00:40:52,400
Speaker 1: Want it to be.

793
00:40:52,960 --> 00:40:55,279
Speaker 2: Okay, this is setting the tone for my wedding. I'm

794
00:40:55,280 --> 00:40:57,880
Speaker 2: gonna need y'all to get up and do some dancing.

795
00:40:57,920 --> 00:40:59,600
Speaker 2: Because we paid this d J a lot of money.

796
00:41:00,640 --> 00:41:04,600
Speaker 2: But people eat at the reception, so you're not you're

797
00:41:04,600 --> 00:41:07,080
Speaker 2: not gonna play like the turn up. Yes, but I'm

798
00:41:07,080 --> 00:41:10,120
Speaker 2: saying when I'm saying, you come out. You just got married,

799
00:41:10,760 --> 00:41:13,120
Speaker 2: you left the church, you took your little photos. You're

800
00:41:13,160 --> 00:41:15,600
Speaker 2: coming into the reception for the first time. What's the

801
00:41:15,719 --> 00:41:16,480
Speaker 2: song you're playing?

802
00:41:17,040 --> 00:41:17,360
Speaker 4: Okay?

803
00:41:17,800 --> 00:41:20,120
Speaker 1: I went to let me tell you what my song.

804
00:41:20,320 --> 00:41:21,879
Speaker 4: I went to a reception. I was real dope.

805
00:41:22,000 --> 00:41:25,719
Speaker 5: And what they did was the DJ played like all

806
00:41:25,800 --> 00:41:28,840
Speaker 5: these my type of music, soul music, all love songs.

807
00:41:29,080 --> 00:41:34,120
Speaker 5: Everybody ate and then when everybody was done eating, that's

808
00:41:34,160 --> 00:41:36,400
Speaker 5: when he like flipped and it was like.

809
00:41:38,400 --> 00:41:42,759
Speaker 4: Poison, you know, like like everybody's like, you know, man,

810
00:41:42,840 --> 00:41:43,200
Speaker 4: I got this?

811
00:41:43,400 --> 00:41:47,880
Speaker 2: What you know?

812
00:41:50,560 --> 00:41:53,240
Speaker 1: Okay? Can we talk about the original Let's Get Married?

813
00:41:53,320 --> 00:41:53,480
Speaker 3: Though?

814
00:41:53,960 --> 00:41:56,400
Speaker 2: I feel like that beats sounded like a dog? What

815
00:41:56,640 --> 00:41:57,959
Speaker 2: was the original Let's Get Married?

816
00:41:58,000 --> 00:41:58,400
Speaker 4: How did that go?

817
00:42:02,040 --> 00:42:06,080
Speaker 1: Yeah, it's kind of like a dog and like a

818
00:42:06,120 --> 00:42:11,279
Speaker 1: little banjo, like a little twang. I like that song.

819
00:42:11,360 --> 00:42:15,319
Speaker 3: I mean I missed the nineties, well, early two thousands because.

820
00:42:15,560 --> 00:42:18,840
Speaker 1: R and B was R and B right, rhythm and blue.

821
00:42:19,000 --> 00:42:22,040
Speaker 3: People were really talking about things that were going on

822
00:42:22,239 --> 00:42:26,960
Speaker 3: with lovers, and men didn't mind pouring their fucking hearts

823
00:42:27,000 --> 00:42:30,920
Speaker 3: out and getting curved left and right, and.

824
00:42:31,600 --> 00:42:34,840
Speaker 1: People could sing, and people weren't afraid to be vulnerable,

825
00:42:35,200 --> 00:42:42,480
Speaker 1: like who's the can we talk seven camera a minute?

826
00:42:42,600 --> 00:42:46,800
Speaker 1: Like that song is like he's like that what okay? Sure? Whatever?

827
00:42:47,000 --> 00:42:49,920
Speaker 2: But I just feel like now, I feel like R

828
00:42:49,960 --> 00:42:53,440
Speaker 2: and B singers now are trying to be cool. They

829
00:42:53,520 --> 00:42:57,040
Speaker 2: all tatted up, they all like everybody's saying nigga. It's like,

830
00:42:57,080 --> 00:42:59,320
Speaker 2: I don't want nigga in my rhythm and blues. I

831
00:42:59,560 --> 00:43:02,160
Speaker 2: like two thousands of R and B was so creative.

832
00:43:02,320 --> 00:43:05,200
Speaker 2: It was like if I had a whole conversation and

833
00:43:05,320 --> 00:43:07,640
Speaker 2: the other person didn't say any words.

834
00:43:09,160 --> 00:43:12,080
Speaker 4: Every time I see you, I get a bed VI.

835
00:43:15,640 --> 00:43:21,520
Speaker 1: I love it. If I had a little hell, little

836
00:43:21,640 --> 00:43:26,120
Speaker 1: a little time. He had that song with my first love, No,

837
00:43:27,360 --> 00:43:29,920
Speaker 1: the one where he I think it's about time that

838
00:43:30,120 --> 00:43:33,759
Speaker 1: I make you mind? What just saying it to me?

839
00:43:33,960 --> 00:43:35,600
Speaker 1: Girls the time?

840
00:43:36,000 --> 00:43:36,320
Speaker 3: I don't know?

841
00:43:38,840 --> 00:43:41,279
Speaker 1: And he asked her to marry him. So what do

842
00:43:41,480 --> 00:43:43,000
Speaker 1: you say, baby?

843
00:43:44,239 --> 00:43:48,759
Speaker 2: There's nothing in this world I wouldn't do for you. Okay, Now,

844
00:43:49,080 --> 00:43:53,240
Speaker 2: I didn't know what girl, My First Love is a remake?

845
00:43:54,000 --> 00:43:57,560
Speaker 2: Wowkashif who.

846
00:43:59,080 --> 00:44:05,839
Speaker 4: Maybe Melissat made uh made?

847
00:44:07,600 --> 00:44:08,760
Speaker 1: If I had some good songs.

848
00:44:08,920 --> 00:44:12,759
Speaker 2: I feel like the black singing groups were making like

849
00:44:13,680 --> 00:44:17,920
Speaker 2: real good music in the Yeah, what is this numbers

850
00:44:18,000 --> 00:44:18,800
Speaker 2: in your pocket?

851
00:44:20,440 --> 00:44:21,680
Speaker 4: Still going through her pocket?

852
00:44:22,080 --> 00:44:24,680
Speaker 1: He doing the laundry. I don't even go through my

853
00:44:24,760 --> 00:44:25,280
Speaker 1: own pocket.

854
00:44:25,400 --> 00:44:25,840
Speaker 7: Is that that?

855
00:44:26,040 --> 00:44:26,759
Speaker 1: That's a bob though?

856
00:44:27,080 --> 00:44:27,279
Speaker 4: Yeah?

857
00:44:27,680 --> 00:44:28,640
Speaker 7: What I mean.

858
00:44:30,120 --> 00:44:32,239
Speaker 1: We should have said this up top, But like Bob,

859
00:44:32,840 --> 00:44:33,560
Speaker 1: Bob's are just.

860
00:44:33,680 --> 00:44:36,719
Speaker 2: Like, am I allowed to say Bob? It's like a

861
00:44:36,920 --> 00:44:41,080
Speaker 2: like assist gender male? Can I say, boy, you're an ally?

862
00:44:41,880 --> 00:44:42,759
Speaker 2: You can say whatever you want.

863
00:44:42,800 --> 00:44:43,400
Speaker 1: You're an ally.

864
00:44:43,680 --> 00:44:46,920
Speaker 4: Yeah, for sure, you're the bridge. Sure sure would you

865
00:44:47,120 --> 00:44:47,839
Speaker 4: be allowed to say bop?

866
00:44:47,920 --> 00:44:48,279
Speaker 1: I don't know.

867
00:44:48,640 --> 00:44:50,360
Speaker 5: I don't I don't want people to be like, you

868
00:44:50,440 --> 00:44:53,160
Speaker 5: know what Bob is are thing? And you know, I

869
00:44:53,200 --> 00:44:56,880
Speaker 5: don't appreciate you just feeling like you just say Bob. No,

870
00:44:57,480 --> 00:45:00,480
Speaker 5: I mean staring it Bob Rob.

871
00:45:01,560 --> 00:45:05,680
Speaker 1: Rob pays for you know several ubers. You could do

872
00:45:05,760 --> 00:45:06,359
Speaker 1: whatever you want.

873
00:45:06,400 --> 00:45:08,520
Speaker 5: I thought you were going talk about streaming services like yeah,

874
00:45:08,960 --> 00:45:10,400
Speaker 5: Spotify and title you.

875
00:45:10,480 --> 00:45:12,080
Speaker 1: Got title you're paying for it? Yeah?

876
00:45:12,440 --> 00:45:19,879
Speaker 4: Why I love jay Z's music and do you Yeah?

877
00:45:20,560 --> 00:45:22,960
Speaker 1: Jayson got some songs on Spotify that I find right there.

878
00:45:23,040 --> 00:45:24,800
Speaker 4: I have a whole playlist of all the jay Z

879
00:45:25,000 --> 00:45:26,280
Speaker 4: songs that are on Spotify.

880
00:45:26,600 --> 00:45:29,719
Speaker 3: Top five jay Z Songs, do Time, Top five j

881
00:45:30,440 --> 00:45:33,040
Speaker 3: W you're playing for title niggas, you might as well.

882
00:45:33,040 --> 00:45:39,920
Speaker 1: See you must love Me? Let's see. Uh p s A.

883
00:45:43,200 --> 00:45:43,239
Speaker 2: M.

884
00:45:44,480 --> 00:45:46,840
Speaker 1: I don't know any of these songs. Yeah, allow me

885
00:45:46,920 --> 00:45:49,520
Speaker 1: to reintroduce myself. My name is ho that. The name

886
00:45:49,600 --> 00:45:51,480
Speaker 1: of the song is p s A.

887
00:45:51,920 --> 00:45:54,640
Speaker 4: Yes, we didn't know that.

888
00:45:54,760 --> 00:45:55,520
Speaker 1: The song good to know.

889
00:45:55,800 --> 00:45:59,719
Speaker 2: Allow me to reproduce myself. My name is Hove edged

890
00:45:59,719 --> 00:46:04,040
Speaker 2: to the p s A. Okay, hasn't seen you got

891
00:46:04,160 --> 00:46:06,560
Speaker 2: served Rob? Honestly, it's like, who are you?

892
00:46:07,200 --> 00:46:12,040
Speaker 1: But Marie is Haitian American. She's just I'm Haitian first

893
00:46:12,719 --> 00:46:14,000
Speaker 1: and then American second.

894
00:46:14,160 --> 00:46:15,520
Speaker 4: Yeah, okay, so she.

895
00:46:15,640 --> 00:46:19,799
Speaker 1: Doesn't really identify with any of this. I sure don't.

896
00:46:20,120 --> 00:46:22,680
Speaker 1: She was in the mix, but not really. Black folks

897
00:46:22,719 --> 00:46:26,600
Speaker 1: act up in public? Was that an Usher movie? What

898
00:46:26,760 --> 00:46:27,600
Speaker 1: was the Coolio movie?

899
00:46:29,000 --> 00:46:29,120
Speaker 7: Uh?

900
00:46:29,680 --> 00:46:30,359
Speaker 1: Dangerous Mind?

901
00:46:30,480 --> 00:46:31,120
Speaker 4: Dangerous Mind?

902
00:46:31,440 --> 00:46:35,719
Speaker 2: Yeah, he's on the soundtrack, minute after minute, hour after hour.

903
00:46:40,280 --> 00:46:44,960
Speaker 4: I like deep cuts, like I would say, so you're.

904
00:46:44,800 --> 00:46:47,840
Speaker 1: Gonna give us songs that we definitely don't know. I like,

905
00:46:47,880 --> 00:46:50,120
Speaker 1: you take it too long, man, we go. I'm skipping you.

906
00:46:50,920 --> 00:46:52,439
Speaker 1: I'm skipping your jay Z songs.

907
00:46:52,480 --> 00:46:54,440
Speaker 3: And it's just like if you're paying for title, you

908
00:46:54,480 --> 00:46:56,080
Speaker 3: should know that. I should have the back of your hand,

909
00:46:56,560 --> 00:46:58,200
Speaker 3: but you should know it. Like your social security?

910
00:46:58,239 --> 00:46:59,400
Speaker 1: Now, okay, what's your social?

911
00:46:59,800 --> 00:47:00,760
Speaker 4: My social?

912
00:47:04,080 --> 00:47:08,239
Speaker 2: Why would I tell you I'm my social? I offer podcasts. No,

913
00:47:08,400 --> 00:47:09,440
Speaker 2: she don't know my social.

914
00:47:10,640 --> 00:47:12,480
Speaker 1: You giving her other past? Coach you might? You might

915
00:47:12,520 --> 00:47:15,440
Speaker 1: as well have your social? Do you have her passwords?

916
00:47:16,200 --> 00:47:17,279
Speaker 4: I don't remember.

917
00:47:19,120 --> 00:47:19,160
Speaker 2: You.

918
00:47:19,719 --> 00:47:20,880
Speaker 1: She ain't. Never gave it to you. I see what

919
00:47:20,920 --> 00:47:21,359
Speaker 1: you're doing there.

920
00:47:21,800 --> 00:47:23,480
Speaker 4: She gave them to me, but then I was like,

921
00:47:23,719 --> 00:47:27,960
Speaker 4: she texted me, I didn't come. No, there was no

922
00:47:28,440 --> 00:47:29,800
Speaker 4: like screen records.

923
00:47:29,800 --> 00:47:31,440
Speaker 2: You get them, and I'm like, let me screenshot. That's

924
00:47:31,440 --> 00:47:33,279
Speaker 2: so I can find it when I needed Otherwise you

925
00:47:33,320 --> 00:47:36,239
Speaker 2: gotta scroll all the way back up to find them. Right,

926
00:47:36,960 --> 00:47:38,000
Speaker 2: threw all the messages.

927
00:47:38,960 --> 00:47:40,520
Speaker 4: Yeah, see, you're doing it wrong.

928
00:47:41,360 --> 00:47:41,800
Speaker 2: But I'm not.

929
00:47:41,960 --> 00:47:43,239
Speaker 4: I trust her, That's good.

930
00:47:43,440 --> 00:47:45,560
Speaker 1: I don't. I don't trust these sols anyway. Do you

931
00:47:45,640 --> 00:47:47,960
Speaker 1: love Cameron? I feel like Cameron got some bops.

932
00:47:48,040 --> 00:47:52,400
Speaker 5: I love Cameron definitely like I've been places where they

933
00:47:52,560 --> 00:47:56,680
Speaker 5: played hey my and like a bunch of people.

934
00:47:56,560 --> 00:47:57,120
Speaker 7: Knew the word.

935
00:48:02,239 --> 00:48:02,359
Speaker 2: Up.

936
00:48:02,600 --> 00:48:10,520
Speaker 1: All right we going and what up? I hit what else?

937
00:48:10,640 --> 00:48:13,120
Speaker 1: Plus don't say words and he got it on.

938
00:48:14,600 --> 00:48:16,680
Speaker 4: Yeah, it's not even in French plus dome.

939
00:48:19,200 --> 00:48:21,720
Speaker 1: We listened to like a lot of Christian music, French

940
00:48:21,760 --> 00:48:29,399
Speaker 1: and French church songs. It's like, what's up? We say,

941
00:48:29,640 --> 00:48:34,560
Speaker 1: all right, my my, uh my dad used to listen

942
00:48:34,600 --> 00:48:41,320
Speaker 1: to this song. It said, oh my God and it

943
00:48:41,440 --> 00:48:41,960
Speaker 1: breaks down.

944
00:48:42,120 --> 00:48:46,440
Speaker 2: It translates to Satan is roach and God is a

945
00:48:46,800 --> 00:48:48,960
Speaker 2: chicken and chickens eat roaches.

946
00:48:49,040 --> 00:48:49,400
Speaker 1: I don't know.

947
00:48:50,160 --> 00:48:54,160
Speaker 2: It's a weird Haitian Christian song, but that's what we

948
00:48:54,320 --> 00:48:55,319
Speaker 2: was listening to in my house.

949
00:48:55,400 --> 00:48:57,640
Speaker 4: We listen to gospel on Sundays.

950
00:48:58,440 --> 00:48:59,560
Speaker 1: Do you want a Revolution?

951
00:49:00,239 --> 00:49:00,880
Speaker 4: On Sundays?

952
00:49:01,719 --> 00:49:07,040
Speaker 1: It was not really people who really people who went

953
00:49:07,080 --> 00:49:12,200
Speaker 1: to church. Church. Kirk Franklin was not in the Kirk

954
00:49:13,160 --> 00:49:15,560
Speaker 1: Silver and go whoa.

955
00:49:16,160 --> 00:49:21,400
Speaker 4: I'd rather have Jesus then Silver Go.

956
00:49:23,960 --> 00:49:30,760
Speaker 1: Oh you're part of the celestial rocking with a white gloves.

957
00:49:31,000 --> 00:49:33,440
Speaker 1: I love it. Oh you were an acolyte. You were

958
00:49:33,440 --> 00:49:36,560
Speaker 1: an acolyte. He was praise dancing. What were you did

959
00:49:36,640 --> 00:49:39,400
Speaker 1: you put the candles out or did you like see people?

960
00:49:41,920 --> 00:49:41,960
Speaker 3: So?

961
00:49:42,160 --> 00:49:48,560
Speaker 2: Mary, Mary, Mary, you was listening to that Shackles day, Yeah,

962
00:49:48,560 --> 00:49:50,040
Speaker 2: but they were doing auto tune. It was like, are

963
00:49:50,040 --> 00:49:54,200
Speaker 2: you really serving God if you autotune Christian music? Is this?

964
00:49:55,000 --> 00:49:56,040
Speaker 1: Yolanda Adams?

965
00:49:57,000 --> 00:50:00,279
Speaker 4: I love God and you don't love God? What's with you?

966
00:50:00,920 --> 00:50:03,960
Speaker 1: I'm saying, we love him? But auto tune? Auto tune

967
00:50:04,000 --> 00:50:06,840
Speaker 1: for Jesus? I mean if you should sound like Tea Pain.

968
00:50:07,000 --> 00:50:16,520
Speaker 7: Yes, nobody can say no. Jesus said no. No, nobody

969
00:50:16,680 --> 00:50:18,879
Speaker 7: can say though no, I didn't.

970
00:50:18,960 --> 00:50:23,080
Speaker 1: I don't know that's rob love it. Yeah.

971
00:50:23,239 --> 00:50:24,840
Speaker 4: I went to some gospel bops.

972
00:50:25,000 --> 00:50:27,320
Speaker 1: Gospel bops. Sure, there's some gospel bops.

973
00:50:28,400 --> 00:50:31,320
Speaker 3: No, I mean there's a few. I'm just not that

974
00:50:31,840 --> 00:50:35,480
Speaker 3: well versed in the gospel. I mean, yeah, I could

975
00:50:35,520 --> 00:50:40,320
Speaker 3: care less. I'm all about you know. I love a fabulous, fabulous.

976
00:50:41,719 --> 00:50:44,480
Speaker 2: Chris Brown is canceled because he hit Rihanna, but fabulous

977
00:50:44,560 --> 00:50:47,640
Speaker 2: hit Emily her.

978
00:50:47,080 --> 00:50:49,480
Speaker 1: Tea said it was alleged.

979
00:50:52,000 --> 00:50:52,560
Speaker 4: In his hands.

980
00:50:52,640 --> 00:50:56,080
Speaker 1: No, I didn't see that video. I didn't see that video.

981
00:50:56,400 --> 00:51:03,359
Speaker 2: Why you got sisters outside, sir, Sidney, Sydney, Damn wait,

982
00:51:03,480 --> 00:51:08,759
Speaker 2: sounds like you're more Rihanna wigg you don't, I don't

983
00:51:08,760 --> 00:51:09,280
Speaker 2: know whatever.

984
00:51:09,360 --> 00:51:11,200
Speaker 1: It's fine. I love you, just really want us to

985
00:51:11,360 --> 00:51:14,680
Speaker 1: like fab and he's canceled. Oh we didn't talk about

986
00:51:14,800 --> 00:51:16,960
Speaker 1: Llo cool J. I feel like he has some bops too.

987
00:51:17,600 --> 00:51:19,680
Speaker 4: M M, I think cookout. I want to hear I'm bad.

988
00:51:21,120 --> 00:51:25,600
Speaker 1: Oh nah, I don't need to hear Llo cooljad a cookout?

989
00:51:25,719 --> 00:51:27,680
Speaker 1: What you mean? I don't need to hear that.

990
00:51:29,960 --> 00:51:32,319
Speaker 2: But that's like all that can be on while I'm

991
00:51:32,320 --> 00:51:34,000
Speaker 2: in the bathroom or while I'm in the kitchen making

992
00:51:34,000 --> 00:51:34,480
Speaker 2: sure that house.

993
00:51:34,520 --> 00:51:36,520
Speaker 4: I'm in the bathroom. What you're doing in the bathroom?

994
00:51:36,960 --> 00:51:39,719
Speaker 1: Opinion and looking through the people's stuff. Let me see

995
00:51:39,760 --> 00:51:40,960
Speaker 1: what medications stay on.

996
00:51:42,840 --> 00:51:50,799
Speaker 2: Plate Let me that real quick. I'm like Zoeloft step

997
00:51:50,840 --> 00:51:53,719
Speaker 2: for You're like, oh, niggas is sad? Okay, let me

998
00:51:53,760 --> 00:51:55,720
Speaker 2: see how much these pills go on the black market

999
00:51:55,800 --> 00:51:58,279
Speaker 2: and doing it well and doing it and doing okay.

1000
00:51:58,480 --> 00:52:01,160
Speaker 4: Represent Queen's was raised Brooklyn.

1001
00:52:02,239 --> 00:52:11,040
Speaker 1: Mace to Mason, what song was? Why are you over

1002
00:52:11,120 --> 00:52:13,960
Speaker 1: there looking at me? Standing there?

1003
00:52:14,760 --> 00:52:14,960
Speaker 4: Yeah?

1004
00:52:15,120 --> 00:52:20,279
Speaker 1: Why are you over there looking at me? Yeah? Making hot,

1005
00:52:20,920 --> 00:52:23,399
Speaker 1: making hot baby? Okay. So how do you feel about

1006
00:52:23,480 --> 00:52:25,160
Speaker 1: music now? Like, are you are you here for a

1007
00:52:25,280 --> 00:52:26,440
Speaker 1: Cardi Are you here for.

1008
00:52:27,239 --> 00:52:29,840
Speaker 4: Here for Cardi City Girls?

1009
00:52:29,920 --> 00:52:30,320
Speaker 1: Period?

1010
00:52:30,560 --> 00:52:33,400
Speaker 4: You know, period period period?

1011
00:52:34,200 --> 00:52:36,320
Speaker 1: Are you liking how the music is the direction of

1012
00:52:36,360 --> 00:52:37,120
Speaker 1: the music right now?

1013
00:52:37,520 --> 00:52:39,759
Speaker 2: Yeah, I listened to a lot of a lot of

1014
00:52:39,800 --> 00:52:43,080
Speaker 2: stuff that comes out right now making the Stallion.

1015
00:52:42,760 --> 00:52:45,720
Speaker 4: Megan the Stallion, she's fun Tyler.

1016
00:52:47,840 --> 00:52:49,480
Speaker 2: Yeah, but it's Tyler's music. Something you want to hear

1017
00:52:49,520 --> 00:52:51,200
Speaker 2: when you're out or something you want to hear. Yeah,

1018
00:52:51,280 --> 00:52:53,520
Speaker 2: he got like he he got some stuff you can

1019
00:52:53,600 --> 00:52:55,720
Speaker 2: sneak in. Everybody not gonna know it, but he definitely

1020
00:52:55,760 --> 00:52:57,040
Speaker 2: got some stuff you can sneak like.

1021
00:52:57,360 --> 00:52:57,960
Speaker 1: What's the song?

1022
00:52:58,760 --> 00:53:00,400
Speaker 4: Like Tomalley, so.

1023
00:53:03,840 --> 00:53:06,560
Speaker 1: You can Jaden Smith he.

1024
00:53:08,040 --> 00:53:08,600
Speaker 7: Like what is this?

1025
00:53:08,719 --> 00:53:11,040
Speaker 1: And they're like Jayden Smith and you're like oh wow.

1026
00:53:11,680 --> 00:53:14,200
Speaker 1: And whoever does the music for him is fantastic.

1027
00:53:14,480 --> 00:53:21,359
Speaker 2: His music is fun, childish, depending on Yeah, you can

1028
00:53:21,400 --> 00:53:24,319
Speaker 2: get some of the thousand and five playing people be like.

1029
00:53:26,400 --> 00:53:32,480
Speaker 1: Yeah, and then what's the one when he's like stay walk, Yeah,

1030
00:53:34,760 --> 00:53:35,279
Speaker 1: I'm here for that.

1031
00:53:36,520 --> 00:53:36,799
Speaker 2: This is.

1032
00:53:38,360 --> 00:53:42,160
Speaker 1: I mean, I I don't want to hear that.

1033
00:53:42,680 --> 00:53:45,880
Speaker 4: When Jamie Fox made him sing that a the VT Awards, No,

1034
00:53:46,640 --> 00:53:47,360
Speaker 4: we don't watch.

1035
00:53:49,200 --> 00:53:55,360
Speaker 1: Just does work. We already shot the special Rob, but

1036
00:53:57,000 --> 00:53:58,480
Speaker 1: maybe they can in next year.

1037
00:53:58,600 --> 00:54:01,960
Speaker 4: Next year, yeah, when you'll have Marie's fight and.

1038
00:54:04,520 --> 00:54:08,640
Speaker 1: Well they had me talking about her. How you feel

1039
00:54:08,640 --> 00:54:08,880
Speaker 1: about it?

1040
00:54:09,080 --> 00:54:09,640
Speaker 4: I love her?

1041
00:54:09,840 --> 00:54:10,520
Speaker 1: I love her too.

1042
00:54:10,800 --> 00:54:14,600
Speaker 2: Yeah, I like Daniel Caesar before you went Caesar before. Yeah,

1043
00:54:14,960 --> 00:54:16,080
Speaker 2: Ja is my king?

1044
00:54:16,480 --> 00:54:18,680
Speaker 1: Oh my god? Why is he your king? He said

1045
00:54:18,719 --> 00:54:20,319
Speaker 1: he's the king of R and B and he's rude

1046
00:54:20,360 --> 00:54:22,000
Speaker 1: for that. And when he said that, I had not

1047
00:54:22,040 --> 00:54:24,040
Speaker 1: heard a single Jacques Oh no, I was.

1048
00:54:24,239 --> 00:54:29,759
Speaker 4: I really love that Jacqueiss album. What Yeah, used to.

1049
00:54:34,320 --> 00:54:37,080
Speaker 1: Producer Andrew, do you want to get in on this?

1050
00:54:37,320 --> 00:54:37,759
Speaker 2: You know?

1051
00:54:37,920 --> 00:54:39,040
Speaker 1: Have you heard of a Jackuien?

1052
00:54:41,360 --> 00:54:43,680
Speaker 2: That was the tiebreaking boat? If he don't know him,

1053
00:54:43,719 --> 00:54:47,080
Speaker 2: he's not the king? Yeah, and boot up last summer.

1054
00:54:47,280 --> 00:54:48,480
Speaker 2: Oh my god, mout up.

1055
00:54:48,680 --> 00:54:53,279
Speaker 1: That was a moment. Yeah. But she's like boring to

1056
00:54:53,360 --> 00:54:55,040
Speaker 1: watch perform. Yes, she is.

1057
00:54:55,200 --> 00:54:55,520
Speaker 2: She is.

1058
00:54:55,880 --> 00:54:58,120
Speaker 3: She's a real cute, light skinned girl with tendrils on

1059
00:54:58,200 --> 00:55:00,960
Speaker 3: the side of her She got the hasidic Yeah, she's

1060
00:55:01,000 --> 00:55:02,080
Speaker 3: got that, which is cute.

1061
00:55:03,280 --> 00:55:04,680
Speaker 1: I'm not really trying to see her perform.

1062
00:55:05,440 --> 00:55:08,000
Speaker 2: She's not giving me a performance. She's standing there, she's

1063
00:55:08,040 --> 00:55:08,919
Speaker 2: not giving me a look.

1064
00:55:09,080 --> 00:55:09,879
Speaker 4: That's how.

1065
00:55:11,800 --> 00:55:11,880
Speaker 2: Well.

1066
00:55:11,960 --> 00:55:13,320
Speaker 1: Yeah, but Rob every once in a while you'll do

1067
00:55:13,360 --> 00:55:14,280
Speaker 1: an act out on stage.

1068
00:55:18,640 --> 00:55:23,319
Speaker 2: Wow, look at whoa whoa? Okay, how we feel about

1069
00:55:23,360 --> 00:55:29,320
Speaker 2: Kelly Roling? You she left and she tried and she

1070
00:55:29,480 --> 00:55:30,480
Speaker 2: just never popped here.

1071
00:55:31,040 --> 00:55:35,480
Speaker 3: Because she just I just really feel like something's always missing,

1072
00:55:36,080 --> 00:55:38,000
Speaker 3: Something's always missing for Kelly Rowling.

1073
00:55:38,080 --> 00:55:39,840
Speaker 1: It's like, I know she's a good person.

1074
00:55:40,120 --> 00:55:42,600
Speaker 3: I know she could sing, she got the look, she

1075
00:55:42,840 --> 00:55:45,799
Speaker 3: can dance, but the music is just it don't hit.

1076
00:55:46,560 --> 00:55:49,319
Speaker 3: It's not a it's not a banger, it's a it's

1077
00:55:49,400 --> 00:55:51,320
Speaker 3: a I guess I could play this if I'm cleaning

1078
00:55:51,360 --> 00:55:53,600
Speaker 3: in the house, go go.

1079
00:55:55,360 --> 00:55:56,200
Speaker 2: But love?

1080
00:55:56,960 --> 00:55:57,640
Speaker 1: Remember that song?

1081
00:55:59,040 --> 00:55:59,279
Speaker 3: Lord?

1082
00:56:00,160 --> 00:56:00,319
Speaker 6: Good?

1083
00:56:00,640 --> 00:56:00,680
Speaker 3: What?

1084
00:56:01,160 --> 00:56:01,319
Speaker 1: Oh?

1085
00:56:01,440 --> 00:56:04,160
Speaker 4: I'm just I still got a lower Yeah, I got

1086
00:56:04,239 --> 00:56:05,359
Speaker 4: one more jay Z song.

1087
00:56:06,600 --> 00:56:09,560
Speaker 3: You're twenty minutes You're twenty minutes too late. I'm not

1088
00:56:09,640 --> 00:56:11,439
Speaker 3: even talking about twenty minutes ago.

1089
00:56:11,560 --> 00:56:15,880
Speaker 1: Rob, You're so delayed. Wow. Oh do you like Summer Rocker?

1090
00:56:16,600 --> 00:56:20,680
Speaker 1: I like Summer Walker. She's bad. Georgia Smith, George Smith,

1091
00:56:20,840 --> 00:56:22,000
Speaker 1: was that Florida Georgia line?

1092
00:56:22,160 --> 00:56:28,120
Speaker 4: No Georgia j and I don't. I don't know if

1093
00:56:28,200 --> 00:56:28,600
Speaker 4: that makes it.

1094
00:56:29,560 --> 00:56:32,360
Speaker 1: She can she can sing? Oh, I do like Georgia Smith.

1095
00:56:32,480 --> 00:56:33,800
Speaker 1: You can February fifth.

1096
00:56:33,760 --> 00:56:37,680
Speaker 4: Yes, that's who. My favorite Drake song from last year

1097
00:56:38,000 --> 00:56:38,880
Speaker 4: was about jaded.

1098
00:56:39,680 --> 00:56:44,160
Speaker 1: It was about Georgia Smith. Yeah Drake, yeah wait what

1099
00:56:44,600 --> 00:56:48,759
Speaker 1: hold on? No, wh did that happen? You guys? What

1100
00:56:48,920 --> 00:56:49,799
Speaker 1: was he saying about her?

1101
00:56:49,840 --> 00:56:51,960
Speaker 4: I don't know what internet you guys are on. We're

1102
00:56:52,080 --> 00:56:54,120
Speaker 4: just not up today, leaving me.

1103
00:56:55,239 --> 00:56:55,480
Speaker 3: You know.

1104
00:56:58,080 --> 00:56:59,520
Speaker 1: What he said? Why are you so na?

1105
00:57:00,239 --> 00:57:01,280
Speaker 4: I met her family?

1106
00:57:02,239 --> 00:57:03,880
Speaker 1: Wait? He met Georgie's family?

1107
00:57:05,360 --> 00:57:07,120
Speaker 4: Did he go to I want to lose it?

1108
00:57:08,080 --> 00:57:09,480
Speaker 1: Have you've never met your girl's family?

1109
00:57:09,760 --> 00:57:12,719
Speaker 4: I never met some twenty one year old family and

1110
00:57:12,800 --> 00:57:13,640
Speaker 4: then made a song.

1111
00:57:13,560 --> 00:57:15,080
Speaker 1: About George's twenty one old.

1112
00:57:15,280 --> 00:57:18,400
Speaker 4: Yeah she looks it's like twenty one. No sick for

1113
00:57:18,480 --> 00:57:20,080
Speaker 4: all that she was twenty one last year.

1114
00:57:20,920 --> 00:57:21,600
Speaker 1: She's twenty two.

1115
00:57:21,840 --> 00:57:23,720
Speaker 4: She's twenty two. Okay, we're the same age.

1116
00:57:23,760 --> 00:57:26,640
Speaker 1: It's cool, Marie. Shut up anyway, I'm tired of these

1117
00:57:26,680 --> 00:57:28,680
Speaker 1: people who are so young, and it's just like, but

1118
00:57:28,960 --> 00:57:30,000
Speaker 1: you look old.

1119
00:57:31,480 --> 00:57:36,520
Speaker 4: Oh yeah, that's what that man said when you got car.

1120
00:57:41,800 --> 00:57:45,000
Speaker 1: That's true, Rob was listening. You don't like you said

1121
00:57:45,040 --> 00:57:48,320
Speaker 1: you look old? You're deleted with their jay z.

1122
00:57:48,560 --> 00:57:52,600
Speaker 3: But you're right on time with the shape right a time,

1123
00:57:53,680 --> 00:57:57,120
Speaker 3: motherfucking time. Right before we end this, bitch, you want

1124
00:57:57,160 --> 00:57:59,200
Speaker 3: to come through with some back my mind?

1125
00:58:00,760 --> 00:58:02,400
Speaker 2: Yeah, go ahead, Rob, What else you want to say?

1126
00:58:02,520 --> 00:58:04,520
Speaker 2: You want to get off your chest about Sydney. I

1127
00:58:04,640 --> 00:58:05,280
Speaker 2: love Sydney.

1128
00:58:07,920 --> 00:58:10,200
Speaker 1: I might you know we we connect?

1129
00:58:10,280 --> 00:58:12,960
Speaker 5: Well, I mean y'all switched up Buffy fd I got

1130
00:58:13,000 --> 00:58:16,880
Speaker 5: blue checks. But we're not gonna talk about that. Y'all verified?

1131
00:58:17,000 --> 00:58:21,920
Speaker 5: Now the group chat is so dry. I'm like, okay,

1132
00:58:22,040 --> 00:58:23,720
Speaker 5: I gotta get verified to say.

1133
00:58:23,920 --> 00:58:27,120
Speaker 1: Means they don't come up to the top, maybe mixed

1134
00:58:27,160 --> 00:58:28,160
Speaker 1: in with everybody.

1135
00:58:27,840 --> 00:58:30,840
Speaker 4: Else since seen it, saying it.

1136
00:58:31,080 --> 00:58:34,120
Speaker 5: Like Okay, well I said it when I saw it,

1137
00:58:34,400 --> 00:58:36,640
Speaker 5: So when you saw it, you could have sent.

1138
00:58:38,880 --> 00:58:42,440
Speaker 1: Rob that's not true, you Rob hilarious? Tell us how

1139
00:58:42,480 --> 00:58:42,840
Speaker 1: you really?

1140
00:58:43,200 --> 00:58:49,720
Speaker 2: Yeah, jack Pot, it's okay. You're moving, Okay, you're moving

1141
00:58:49,880 --> 00:58:53,960
Speaker 2: for work. You're going to Los Angeles Angeles okay, So

1142
00:58:54,120 --> 00:58:54,800
Speaker 2: what's happening?

1143
00:58:55,120 --> 00:58:57,240
Speaker 1: Uh, what's happening with your relationship?

1144
00:58:57,880 --> 00:58:58,040
Speaker 7: Uh?

1145
00:58:58,440 --> 00:59:00,520
Speaker 4: Well, you know long distance? Still?

1146
00:59:00,800 --> 00:59:04,280
Speaker 1: Wow? So you know this longer distance? Yeah? More just

1147
00:59:04,520 --> 00:59:06,280
Speaker 1: three three thousand miles.

1148
00:59:06,200 --> 00:59:08,520
Speaker 4: Yeah, instead of you know, eight hundred.

1149
00:59:09,280 --> 00:59:12,040
Speaker 1: I'll be like, do I love love like this? Because

1150
00:59:12,040 --> 00:59:14,240
Speaker 1: I'm not going to another state?

1151
00:59:14,400 --> 00:59:17,600
Speaker 5: The time difference actually kind of helps because like she'll

1152
00:59:17,680 --> 00:59:19,160
Speaker 5: get off work and like.

1153
00:59:19,280 --> 00:59:20,120
Speaker 1: You'll just be getting up.

1154
00:59:20,560 --> 00:59:24,000
Speaker 4: Yeah, right, hey, what's up?

1155
00:59:24,120 --> 00:59:25,520
Speaker 1: You'd be like more than trying to write.

1156
00:59:25,640 --> 00:59:27,720
Speaker 2: Wipe the boogers from your eyes because she facetimed you

1157
00:59:27,760 --> 00:59:29,000
Speaker 2: and you're like, no, I've been up.

1158
00:59:29,080 --> 00:59:30,760
Speaker 1: I've been up. Yeah, you know how to get how

1159
00:59:30,800 --> 00:59:31,960
Speaker 1: to go into the office today.

1160
00:59:32,040 --> 00:59:35,040
Speaker 2: It's just like you don't what okay, do you have

1161
00:59:35,080 --> 00:59:37,360
Speaker 2: any tips for people on how to survive long distance

1162
00:59:37,440 --> 00:59:40,120
Speaker 2: relationships communications?

1163
00:59:40,200 --> 00:59:42,000
Speaker 3: Get the fuck out of here. You just were twenty

1164
00:59:42,080 --> 00:59:44,880
Speaker 3: minutes late with a reference. I want to see how

1165
00:59:44,920 --> 00:59:46,640
Speaker 3: you are in a conversation late night.

1166
00:59:47,000 --> 00:59:48,439
Speaker 1: What you mean with your girl?

1167
00:59:49,280 --> 00:59:51,800
Speaker 4: You know, I uh, it's different.

1168
00:59:52,280 --> 00:59:54,800
Speaker 1: I mean that was citny. That was that was bullying friend.

1169
00:59:55,640 --> 00:59:59,560
Speaker 1: Get the out of here. He was late twenty minutes.

1170
00:59:59,560 --> 01:00:01,320
Speaker 3: I was like, was on to He was like, well,

1171
01:00:01,360 --> 01:00:03,800
Speaker 3: I'm not dicking you down, so I don't need to

1172
01:00:03,880 --> 01:00:05,680
Speaker 3: speed up with my conversation.

1173
01:00:06,280 --> 01:00:07,600
Speaker 4: I gotta put on the spot.

1174
01:00:07,640 --> 01:00:09,880
Speaker 2: I never listened to my favorite jay Z songs, So

1175
01:00:10,040 --> 01:00:12,080
Speaker 2: you know, there's a lot of albums you got.

1176
01:00:13,200 --> 01:00:14,040
Speaker 1: Nobody cares about.

1177
01:00:14,240 --> 01:00:18,680
Speaker 2: Literally, nobody listening cares about Jason Nobody, nobody.

1178
01:00:21,240 --> 01:00:23,800
Speaker 4: Yeah, gotta gotta play keep.

1179
01:00:23,680 --> 01:00:27,600
Speaker 1: Sweat nobody Rob, what's on your sex playlist?

1180
01:00:28,000 --> 01:00:29,080
Speaker 4: On my sex playlist?

1181
01:00:29,200 --> 01:00:29,800
Speaker 1: Let's get into that.

1182
01:00:29,960 --> 01:00:32,960
Speaker 4: We gotta uh gotta have some silk.

1183
01:00:33,480 --> 01:00:37,400
Speaker 2: Uh is silk meeting in my bedroom, meeting in my bedroom,

1184
01:00:37,560 --> 01:00:39,800
Speaker 2: meeting in bed.

1185
01:00:45,880 --> 01:00:49,840
Speaker 1: That's what you're playing in twenty nineteen. You're playing silk ever.

1186
01:00:49,800 --> 01:00:55,160
Speaker 4: And always playing silk. Freaky baby, Oh yeah, let me

1187
01:00:55,280 --> 01:00:56,840
Speaker 4: see freak me baby.

1188
01:00:57,720 --> 01:01:02,840
Speaker 3: You say stop, I would laugh if you put that

1189
01:01:02,960 --> 01:01:05,720
Speaker 3: on and then you try to insert your dick, I.

1190
01:01:05,760 --> 01:01:08,680
Speaker 1: Would laugh at you and then try to insert your dick,

1191
01:01:08,720 --> 01:01:10,440
Speaker 1: And yeah, I would laugh.

1192
01:01:11,920 --> 01:01:16,080
Speaker 4: First of all the minute because bring me baby. People

1193
01:01:16,120 --> 01:01:17,200
Speaker 4: are body brolling.

1194
01:01:19,040 --> 01:01:19,080
Speaker 3: You.

1195
01:01:21,080 --> 01:01:24,120
Speaker 4: There's nothing wrong with it with a little like laughter,

1196
01:01:24,240 --> 01:01:25,200
Speaker 4: a little goofiness.

1197
01:01:25,400 --> 01:01:29,640
Speaker 1: You know, you don't be in the nude. You don't

1198
01:01:29,640 --> 01:01:32,240
Speaker 1: be in the nude. That's the name of my comedy

1199
01:01:32,280 --> 01:01:32,560
Speaker 1: at home?

1200
01:01:37,760 --> 01:01:38,400
Speaker 4: Is that your dick?

1201
01:01:42,480 --> 01:01:43,800
Speaker 1: When marine turns up missing?

1202
01:01:44,040 --> 01:01:44,400
Speaker 3: You know what?

1203
01:01:45,520 --> 01:01:46,320
Speaker 4: The nude.

1204
01:01:49,520 --> 01:01:50,440
Speaker 1: On the sex playlist?

1205
01:01:50,520 --> 01:01:53,040
Speaker 4: I mean, come on now, if my feel good music

1206
01:01:53,200 --> 01:01:54,120
Speaker 4: is old school.

1207
01:01:54,040 --> 01:01:56,240
Speaker 1: You know all your sex player You got jay Z

1208
01:01:56,360 --> 01:01:59,960
Speaker 1: on the sex playlist? Brothers you do? You got contagion?

1209
01:02:00,680 --> 01:02:04,840
Speaker 1: What hell is going on between the cheets in my home.

1210
01:02:08,400 --> 01:02:10,120
Speaker 1: But you don't sing that.

1211
01:02:10,840 --> 01:02:16,919
Speaker 5: I haven't been put in that position. Okay, post leaving Kelly,

1212
01:02:17,360 --> 01:02:17,600
Speaker 5: Well you.

1213
01:02:17,680 --> 01:02:20,200
Speaker 1: Got to sing our Kelly's parts. What about genuine? There's

1214
01:02:20,240 --> 01:02:22,920
Speaker 1: so much genuine music that you can like have sex too,

1215
01:02:23,240 --> 01:02:24,960
Speaker 1: so anxious? Like sure too?

1216
01:02:25,360 --> 01:02:27,080
Speaker 4: Genuine is better than silk?

1217
01:02:27,680 --> 01:02:31,640
Speaker 1: What genuine is better than silk? Not o'clock on the phone.

1218
01:02:32,040 --> 01:02:36,640
Speaker 1: On the phone, you can.

1219
01:02:36,680 --> 01:02:39,800
Speaker 2: Put that song on repeat, honestly, Oh, here's a wedding song.

1220
01:02:40,000 --> 01:02:44,600
Speaker 2: Jared LeVert made to love you, May to love you.

1221
01:02:44,680 --> 01:02:46,640
Speaker 2: You don't know a song you don't know Jerrel Lebert.

1222
01:02:47,000 --> 01:02:50,120
Speaker 2: I know, I know plenty of Jared Lebert, May to

1223
01:02:50,200 --> 01:02:52,200
Speaker 2: love You. I was made to love you. Look it up,

1224
01:02:52,320 --> 01:02:54,200
Speaker 2: play at your wedding and write me in Sydney.

1225
01:02:54,760 --> 01:02:57,480
Speaker 1: When we made examples, we sang them. But Maria is

1226
01:02:57,560 --> 01:03:02,200
Speaker 1: like google it. I recall when we first met a

1227
01:03:02,400 --> 01:03:11,440
Speaker 1: long time ago. How could I forget when our first ladys?

1228
01:03:14,000 --> 01:03:14,480
Speaker 4: I remember?

1229
01:03:14,720 --> 01:03:16,360
Speaker 1: You won't make me say the story. We don't want

1230
01:03:16,360 --> 01:03:20,000
Speaker 1: to hear you sing? Okay, that song? And then Jesse

1231
01:03:20,360 --> 01:03:26,400
Speaker 1: is his name, Jesse, you bababy, the way you walk,

1232
01:03:27,120 --> 01:03:33,240
Speaker 1: the way it took the way you say. Oh, that's

1233
01:03:33,280 --> 01:03:35,480
Speaker 1: such a good song, such a great song. Yeah, first

1234
01:03:35,520 --> 01:03:37,320
Speaker 1: time I heard it was that a wedding. I just

1235
01:03:37,560 --> 01:03:43,600
Speaker 1: want to be from this dance. I was just hope

1236
01:03:43,640 --> 01:03:47,560
Speaker 1: and pray that music makes a leap, especially with the

1237
01:03:47,680 --> 01:03:50,040
Speaker 1: R and B and just get back to what it was.

1238
01:03:50,920 --> 01:03:52,680
Speaker 4: I love that Anderson pop album.

1239
01:03:53,160 --> 01:03:56,360
Speaker 1: I like him. I'm not are you having sex?

1240
01:03:56,840 --> 01:03:57,040
Speaker 7: I'm not?

1241
01:03:58,320 --> 01:04:01,240
Speaker 5: You know that this is the song music getting h

1242
01:04:01,640 --> 01:04:04,640
Speaker 5: I like him that song with him and Smoky Robinson

1243
01:04:04,720 --> 01:04:07,080
Speaker 5: though it is probably what's that song called?

1244
01:04:07,400 --> 01:04:11,960
Speaker 1: I don't even know how it goes by. I'm not

1245
01:04:12,000 --> 01:04:19,200
Speaker 1: gonna get that song from that friend Andrew, No, I

1246
01:04:19,280 --> 01:04:22,280
Speaker 1: want to make it better. I like Tamiya, I like

1247
01:04:22,520 --> 01:04:24,240
Speaker 1: sid I'm going through my phone.

1248
01:04:24,400 --> 01:04:27,480
Speaker 2: I've been listening to Voodoo a lot like voodoo. Oh

1249
01:04:27,600 --> 01:04:28,800
Speaker 2: Di'angelo Angela.

1250
01:04:29,640 --> 01:04:30,880
Speaker 1: Do we forget about the Angelo?

1251
01:04:31,000 --> 01:04:33,680
Speaker 2: We did remember he was skinny and then he was

1252
01:04:33,760 --> 01:04:37,320
Speaker 2: fatter and now he's you know, he's back to being big.

1253
01:04:37,440 --> 01:04:37,960
Speaker 1: He's biggest.

1254
01:04:38,040 --> 01:04:38,600
Speaker 4: The drugs.

1255
01:04:40,120 --> 01:04:43,280
Speaker 1: Like most people who can really sing like from a

1256
01:04:43,480 --> 01:04:46,280
Speaker 1: sad part, they got problems. R and B.

1257
01:04:46,960 --> 01:04:50,360
Speaker 3: You gotta have like either like a might beating, you

1258
01:04:50,480 --> 01:04:53,880
Speaker 3: might be beating somebody. You might have an alcohol problem.

1259
01:04:53,960 --> 01:04:58,760
Speaker 1: Are you talking about David Ruffing? I know you want

1260
01:04:58,800 --> 01:04:59,560
Speaker 1: to leave man.

1261
01:04:59,720 --> 01:05:03,320
Speaker 4: He was the outside in the rain. There's a part

1262
01:05:03,400 --> 01:05:06,240
Speaker 4: with David reference like I'm.

1263
01:05:06,120 --> 01:05:14,160
Speaker 2: Gonna cry sometimes because crying, Like did he just cry

1264
01:05:14,320 --> 01:05:15,080
Speaker 2: on the record?

1265
01:05:15,760 --> 01:05:19,240
Speaker 1: Yeah, but I love that like music like Motown.

1266
01:05:19,680 --> 01:05:22,800
Speaker 2: Motown niggas felt what they were singing because they wrote

1267
01:05:22,840 --> 01:05:23,480
Speaker 2: their music.

1268
01:05:23,640 --> 01:05:25,960
Speaker 3: No, because they were also high while they're Yeah, but

1269
01:05:26,080 --> 01:05:32,960
Speaker 3: that is this the pain when he get rip. He

1270
01:05:33,040 --> 01:05:34,240
Speaker 3: got the drip from the cocaine.

1271
01:05:34,280 --> 01:05:38,360
Speaker 2: That's so you're saying. Little Richard was just on. Uh

1272
01:05:38,840 --> 01:05:45,640
Speaker 2: was just dripping the whole shut out our Usher had

1273
01:05:45,680 --> 01:05:47,160
Speaker 2: a whole like the whole Profession album.

1274
01:05:47,200 --> 01:05:47,840
Speaker 1: I thought was good.

1275
01:05:48,000 --> 01:05:51,120
Speaker 2: Yeah, and then now but I think what's happening with

1276
01:05:51,320 --> 01:05:52,600
Speaker 2: R and Bat now is they trying to keep up

1277
01:05:52,600 --> 01:05:57,000
Speaker 2: with these new kids. It's okay, right, I don't need

1278
01:05:57,520 --> 01:06:01,400
Speaker 2: a dance track. Usher should to make trap music. Now

1279
01:06:02,040 --> 01:06:04,560
Speaker 2: you got a little thought boy cut it's like us, shit,

1280
01:06:04,640 --> 01:06:06,040
Speaker 2: why are you dying this blind?

1281
01:06:06,680 --> 01:06:06,800
Speaker 3: Oh?

1282
01:06:06,880 --> 01:06:08,560
Speaker 1: He also had a little perm for a while too,

1283
01:06:08,880 --> 01:06:12,000
Speaker 1: like a swoop bang he did. He had the young Jack.

1284
01:06:13,200 --> 01:06:15,480
Speaker 5: Remember loving this club. At the end, he tried to

1285
01:06:15,520 --> 01:06:18,320
Speaker 5: put little like little dance songs in there. He was like, yeah,

1286
01:06:18,760 --> 01:06:21,439
Speaker 5: all right, crank that bad man.

1287
01:06:21,920 --> 01:06:26,760
Speaker 1: Like, no, I do remember I remember the Loving in

1288
01:06:26,880 --> 01:06:31,520
Speaker 1: This Club remix with Beyonce. Remember that? Yeah, you don't

1289
01:06:31,520 --> 01:06:32,440
Speaker 1: remember that Love in.

1290
01:06:32,480 --> 01:06:33,400
Speaker 4: The Club remix?

1291
01:06:33,720 --> 01:06:36,920
Speaker 5: Yes, I remember when Beyonce made her own version of

1292
01:06:37,000 --> 01:06:38,040
Speaker 5: in the Club by fifty.

1293
01:06:38,560 --> 01:06:46,640
Speaker 1: I don't remember that. Oh that sounds awful. And I

1294
01:06:46,800 --> 01:06:50,000
Speaker 1: was direct with the entire time, and I was like,

1295
01:06:52,120 --> 01:06:53,480
Speaker 1: I wish it would have read.

1296
01:07:00,520 --> 01:07:02,000
Speaker 4: God, oh my god.

1297
01:07:02,160 --> 01:07:04,920
Speaker 1: Okay, So how do you feel about Tianna Taylor.

1298
01:07:05,800 --> 01:07:06,960
Speaker 4: I like Tianna Taylor.

1299
01:07:07,760 --> 01:07:10,480
Speaker 5: It took me a while to appreciate that album that

1300
01:07:11,080 --> 01:07:13,439
Speaker 5: that guy that I don't like talking about it anymore made.

1301
01:07:13,720 --> 01:07:16,400
Speaker 1: Tianna Taylor is like Kelly Rowland.

1302
01:07:16,760 --> 01:07:20,320
Speaker 3: Yeah, Tianna Taylor is like Kelly wro She got the look,

1303
01:07:20,800 --> 01:07:24,400
Speaker 3: she can sing, She's very talented. I'm on board for

1304
01:07:24,680 --> 01:07:27,560
Speaker 3: the team. The ship just don't it's not abot like.

1305
01:07:27,680 --> 01:07:29,400
Speaker 3: It was like, keep that same energy.

1306
01:07:29,440 --> 01:07:31,360
Speaker 1: And then all the songs was like, I don't what

1307
01:07:31,720 --> 01:07:32,720
Speaker 1: they don't go together.

1308
01:07:35,280 --> 01:07:38,520
Speaker 2: I like the remake with It's just weird. The whole

1309
01:07:38,560 --> 01:07:41,120
Speaker 2: album is just I love it. I like the cover

1310
01:07:41,280 --> 01:07:41,760
Speaker 2: of the album.

1311
01:07:42,120 --> 01:07:44,800
Speaker 1: I like the individual songs with them to get The

1312
01:07:44,880 --> 01:07:46,840
Speaker 1: cover was dope. I don't know. The cover was like

1313
01:07:47,640 --> 01:07:50,600
Speaker 1: this baggy thing on She's just like in the bed

1314
01:07:50,800 --> 01:07:51,360
Speaker 1: and hurt.

1315
01:07:51,640 --> 01:07:55,720
Speaker 4: That's the muscles. The muscles put pulling. It looked real thick.

1316
01:07:56,720 --> 01:08:02,120
Speaker 1: I was like, said, you had an Android in your pants? Okay, well, Rob,

1317
01:08:02,640 --> 01:08:05,240
Speaker 1: do you know arm that's how she looked on the cover.

1318
01:08:05,640 --> 01:08:08,280
Speaker 1: Huh Rob?

1319
01:08:08,360 --> 01:08:10,400
Speaker 3: Can you pull up your Spotify and tell us the

1320
01:08:10,520 --> 01:08:12,600
Speaker 3: last five songs that you played?

1321
01:08:12,920 --> 01:08:15,760
Speaker 1: Yeah, get the out, let's all do it. Let's do it.

1322
01:08:16,400 --> 01:08:17,040
Speaker 1: How do you do that?

1323
01:08:17,840 --> 01:08:22,040
Speaker 2: Go to your library and then it recently played, and

1324
01:08:22,160 --> 01:08:23,280
Speaker 2: tell us what you've been listening to.

1325
01:08:24,280 --> 01:08:26,240
Speaker 1: I'll tell you what I've been listening to. Yes, start

1326
01:08:26,280 --> 01:08:29,679
Speaker 1: Marie library. Okay, I listened to some Celine Dion today.

1327
01:08:30,439 --> 01:08:33,559
Speaker 1: The last five go in order, uh.

1328
01:08:35,680 --> 01:08:40,200
Speaker 2: Bins so Lune when I get home, Quicksands, Sizza, uh

1329
01:08:40,640 --> 01:08:42,400
Speaker 2: tiera whac only child.

1330
01:08:44,479 --> 01:08:50,639
Speaker 1: Did he bop? No Name? And Georgia Smith Tyrant. Oh

1331
01:08:50,920 --> 01:08:53,839
Speaker 1: that's grade five obsess.

1332
01:08:54,160 --> 01:08:57,920
Speaker 2: That's the Lizzo Jerome Radio. In case anybody's wanting, I love.

1333
01:08:59,720 --> 01:09:04,080
Speaker 3: My type by Sweetie, that's my type, money good, Megan

1334
01:09:04,240 --> 01:09:06,080
Speaker 3: these Stallion, Yes, money good?

1335
01:09:06,640 --> 01:09:08,200
Speaker 1: Who got the props?

1336
01:09:08,680 --> 01:09:14,000
Speaker 3: Black Moon, Me and My Crazy World, Lost Boys, you

1337
01:09:14,160 --> 01:09:17,440
Speaker 3: can't find Me, master Ace Incorporated.

1338
01:09:17,600 --> 01:09:19,560
Speaker 2: I don't know what that is is it Is it

1339
01:09:19,760 --> 01:09:23,040
Speaker 2: organized by song, because mine's organized by like Listen, if

1340
01:09:23,040 --> 01:09:24,840
Speaker 2: you go to like if You're if You're home, and

1341
01:09:24,880 --> 01:09:27,200
Speaker 2: then you go to your library and then right here

1342
01:09:27,320 --> 01:09:28,599
Speaker 2: it says recently played.

1343
01:09:28,880 --> 01:09:31,639
Speaker 1: Yeah, I have that, but it's not saying like specific

1344
01:09:31,960 --> 01:09:34,360
Speaker 1: said title ship you got what's happening here? Let me

1345
01:09:34,439 --> 01:09:35,639
Speaker 1: let me see you got playlist?

1346
01:09:35,760 --> 01:09:37,320
Speaker 2: Okay, so just go to one of these playlists and

1347
01:09:37,360 --> 01:09:40,760
Speaker 2: tell us because John the Joe Budden Podcast is at

1348
01:09:40,800 --> 01:09:42,479
Speaker 2: the top of the list, and you didn't want to say.

1349
01:09:42,360 --> 01:09:46,519
Speaker 1: That I see, I see three six Mafia, The.

1350
01:09:46,680 --> 01:09:53,519
Speaker 2: Unbreakable, Skipped, Uh, Soul Mixed Show, I don't you don't

1351
01:09:53,520 --> 01:09:56,120
Speaker 2: have none of these songs saved or downloaded? Uh, the

1352
01:09:56,200 --> 01:10:00,080
Speaker 2: Gap Band, earth Wind and Fire, the JB's and and

1353
01:10:00,240 --> 01:10:03,439
Speaker 2: uh Shiggy Shigg makes music.

1354
01:10:04,000 --> 01:10:05,000
Speaker 4: Shigg has a song?

1355
01:10:05,400 --> 01:10:06,360
Speaker 1: What's the how the song go?

1356
01:10:07,000 --> 01:10:12,760
Speaker 2: I'm in Dubai, I'm on a jet ski and your

1357
01:10:12,880 --> 01:10:17,400
Speaker 2: bitch is behind me. I'm on a jet ski.

1358
01:10:17,800 --> 01:10:18,560
Speaker 3: How do you know? To me?

1359
01:10:18,720 --> 01:10:23,080
Speaker 2: All Right? No, I just I can't rob tell people

1360
01:10:23,280 --> 01:10:25,719
Speaker 2: how they can find good songs. How do you discover

1361
01:10:25,800 --> 01:10:28,080
Speaker 2: new music? Before we go, like, how do you discover

1362
01:10:28,240 --> 01:10:28,799
Speaker 2: new music?

1363
01:10:29,960 --> 01:10:33,960
Speaker 5: I listen to a dope radio show called Origin Stories

1364
01:10:34,000 --> 01:10:38,080
Speaker 5: where they play all the samples that artists play.

1365
01:10:38,520 --> 01:10:38,800
Speaker 1: Cool.

1366
01:10:39,160 --> 01:10:42,000
Speaker 5: They do it every Tuesday. It's in Peduluma, California. But

1367
01:10:42,760 --> 01:10:45,400
Speaker 5: it's on a thing called mixed Cloud. I've been listening

1368
01:10:45,520 --> 01:10:45,760
Speaker 5: to that.

1369
01:10:47,560 --> 01:10:48,200
Speaker 1: DJ stuff.

1370
01:10:49,680 --> 01:10:56,160
Speaker 2: Also, Uh, Spotify has good curated playlist, well.

1371
01:10:56,120 --> 01:10:58,400
Speaker 1: Curated, and sometimes I just let it.

1372
01:10:58,840 --> 01:11:00,920
Speaker 2: I like, I play one song and I just let

1373
01:11:01,120 --> 01:11:04,320
Speaker 2: let it, let it run songs and sometimes they do

1374
01:11:04,439 --> 01:11:04,960
Speaker 2: the job.

1375
01:11:05,080 --> 01:11:05,280
Speaker 4: Yeah.

1376
01:11:05,520 --> 01:11:09,080
Speaker 1: I also have Pandora. Sometimes they play songs, but I

1377
01:11:09,120 --> 01:11:12,400
Speaker 1: don't know are you paying for Pandora? I know you

1378
01:11:12,479 --> 01:11:14,519
Speaker 1: got ads. You can play five songs, and.

1379
01:11:16,080 --> 01:11:18,040
Speaker 5: You know I have I have ads on Pandora. I

1380
01:11:18,120 --> 01:11:20,879
Speaker 5: can't have Title and Spotify and Premium.

1381
01:11:21,880 --> 01:11:24,120
Speaker 1: Bro, you're going to l a. You got money? Yeah,

1382
01:11:24,160 --> 01:11:27,080
Speaker 1: but I'm not in the music industry. All right, okay, wow,

1383
01:11:27,320 --> 01:11:29,080
Speaker 1: all right, Well tell people listening where they can find you.

1384
01:11:29,280 --> 01:11:29,479
Speaker 2: Yeah.

1385
01:11:29,840 --> 01:11:34,840
Speaker 5: Well, after July thirty, first you can see me on

1386
01:11:35,439 --> 01:11:37,439
Speaker 5: a Sherman showcase on IFC.

1387
01:11:42,640 --> 01:11:43,800
Speaker 4: So I'm excited about that.

1388
01:11:44,880 --> 01:11:47,240
Speaker 5: Yeah, I wrote on it and I'm in a couple

1389
01:11:47,280 --> 01:11:51,040
Speaker 5: of episodes of that, yes, and in a when does

1390
01:11:51,080 --> 01:11:51,559
Speaker 5: this come out?

1391
01:11:51,640 --> 01:11:52,040
Speaker 1: We don't know?

1392
01:11:52,280 --> 01:11:52,479
Speaker 3: Yeah?

1393
01:11:52,520 --> 01:11:57,479
Speaker 5: Okay, well yeah I had a cowenty Central featured, so yeah, check.

1394
01:11:57,400 --> 01:12:00,240
Speaker 1: That that's gonna come out bang by bang. When does

1395
01:12:00,280 --> 01:12:01,320
Speaker 1: that come out? You know?

1396
01:12:01,880 --> 01:12:05,040
Speaker 4: June back to back?

1397
01:12:05,120 --> 01:12:08,040
Speaker 1: You got June and July just went to back. It's

1398
01:12:08,040 --> 01:12:09,640
Speaker 1: gonna be a hot summer.

1399
01:12:12,240 --> 01:12:14,400
Speaker 4: Writing on some other things. Got those in the work,

1400
01:12:14,479 --> 01:12:15,360
Speaker 4: So excited about that?

1401
01:12:15,600 --> 01:12:18,160
Speaker 1: Okay? Yeah, so you're treating us to food after this?

1402
01:12:18,880 --> 01:12:19,120
Speaker 4: Wow?

1403
01:12:20,520 --> 01:12:23,559
Speaker 1: Hey asking you shot received babe.

1404
01:12:23,800 --> 01:12:26,400
Speaker 2: Last time we went to shake shack, babe, this guy

1405
01:12:26,520 --> 01:12:28,320
Speaker 2: came over to us and I was like, we want

1406
01:12:28,479 --> 01:12:31,599
Speaker 2: fries and he was like okay, and Sydney and gay

1407
01:12:31,640 --> 01:12:34,600
Speaker 2: producer Andrew were like that was mean, and then he

1408
01:12:34,720 --> 01:12:35,800
Speaker 2: came back with fry.

1409
01:12:35,920 --> 01:12:38,000
Speaker 1: No no, no, no, wait, tell the real story Marie.

1410
01:12:38,080 --> 01:12:41,400
Speaker 3: How I the guy remembered me because my because I

1411
01:12:41,479 --> 01:12:42,880
Speaker 3: had hair and my SAMs.

1412
01:12:42,960 --> 01:12:46,599
Speaker 1: But who asked for the fries? Marie? Okay and who

1413
01:12:46,800 --> 01:12:48,400
Speaker 1: ate the fries? Everybody?

1414
01:12:49,000 --> 01:12:53,400
Speaker 2: Okay, all right, everybody asking you show to save baby.

1415
01:12:54,240 --> 01:12:58,760
Speaker 2: Have a fabulous rest of the week. Way so we

1416
01:12:58,800 --> 01:13:05,519
Speaker 2: can free money, you know, check little you know, hit

1417
01:13:05,600 --> 01:13:05,880
Speaker 2: me up.

1418
01:13:06,040 --> 01:13:08,600
Speaker 1: I would never talk about the change, and I had to.

1419
01:13:08,760 --> 01:13:11,320
Speaker 1: I had to give my manager the size of the check.

1420
01:13:11,360 --> 01:13:15,640
Speaker 1: It's the motion in the ocean. Bt wait, robbery. You

1421
01:13:15,640 --> 01:13:17,240
Speaker 1: didn't give your Instagram or your Twitter?

1422
01:13:17,439 --> 01:13:28,320
Speaker 4: Oh yeah, my Instagram. I love you. R V H

1423
01:13:28,400 --> 01:13:32,200
Speaker 4: A Z E. And Robert is the man on Twitter.

1424
01:13:32,880 --> 01:13:35,360
Speaker 1: Robert is the man, and he's the man for us.

1425
01:13:36,439 --> 01:13:37,320
Speaker 1: He's our favorite man.

1426
01:13:37,560 --> 01:13:40,400
Speaker 2: Rate comment, subscribe, Listen to the Patreon We've been seeing

1427
01:13:40,400 --> 01:13:41,599
Speaker 2: me all sliding over there.

1428
01:13:41,720 --> 01:13:44,360
Speaker 1: My god, you're doing such a great job. Were you

1429
01:13:44,640 --> 01:13:46,439
Speaker 1: keep coming up to us in public and telling us

1430
01:13:46,479 --> 01:13:49,200
Speaker 1: how much you love us? Because we love it? In public,

1431
01:13:49,280 --> 01:13:51,439
Speaker 1: people be like the hook are y'all? And people are

1432
01:13:51,479 --> 01:13:54,080
Speaker 1: like love the podcast so much excited the time.

1433
01:13:54,280 --> 01:13:57,439
Speaker 3: Shout out to Jess for spotting me at Strawberry Milk

1434
01:13:57,520 --> 01:13:59,040
Speaker 3: Comedy Showy.

1435
01:14:00,360 --> 01:14:05,240
Speaker 1: We's friends now, so thank you so much. Okay, bye,

1436
01:14:05,360 --> 01:14:17,040
Speaker 1: guys Forever This has been a Forever Dog production executive

1437
01:14:17,080 --> 01:14:21,360
Speaker 1: produced by Brett Bauham, Joe Scilio, and Alex Ramsey. For

1438
01:14:21,520 --> 01:14:26,439
Speaker 1: more original podcasts, please visit Foreverdog Podcasts dot com and

1439
01:14:26,520 --> 01:14:30,519
Speaker 1: subscribe to our shows on Apple Podcasts, Spotify.

1440
01:14:30,360 --> 01:14:31,880
Speaker 4: Or wherever you get your podcasts.

1441
01:14:32,160 --> 01:14:34,960
Speaker 1: Keep up with the latest Forever Dog news by following

1442
01:14:35,080 --> 01:14:39,240
Speaker 1: us on Twitter and Instagram at Forever Dog Team, and

1443
01:14:39,400 --> 01:14:41,280
Speaker 1: liking our page on Facebook.