1 00:00:07,640 --> 00:00:10,560 Speaker 1: Loka to a Radio is a radiophonic novella. 2 00:00:10,680 --> 00:00:14,640 Speaker 2: Which is just a very extra way of saying a podcast. 3 00:00:15,400 --> 00:00:18,640 Speaker 1: I'm diosa m and I am Mala Munjos. 4 00:00:18,960 --> 00:00:23,440 Speaker 3: Lokatra Radio is yr Brima's favorite podcast, hosted by us 5 00:00:23,600 --> 00:00:25,160 Speaker 3: Mala and Viosa. 6 00:00:25,440 --> 00:00:30,840 Speaker 2: We're two ig friends turned podcast partners, breaking down pop culture, feminism, 7 00:00:31,040 --> 00:00:35,320 Speaker 2: sexual wellness, and offering fresh takes on trending topics through 8 00:00:35,400 --> 00:00:39,840 Speaker 2: nuanced interviews with up and coming LATINX creatives. 9 00:00:38,880 --> 00:00:42,040 Speaker 3: Known as Las Lokatas, Las Mammis of Myth and Bullshit 10 00:00:42,200 --> 00:00:47,320 Speaker 3: and Las Bocasters Pelrosas. We were podcasting independently since twenty sixteen, 11 00:00:47,479 --> 00:00:51,080 Speaker 3: but joined iHeartMedia's Microtura network in twenty twenty two. 12 00:00:51,560 --> 00:00:55,520 Speaker 2: This year, we're continuing to share stories from the LATINX community. 13 00:00:55,840 --> 00:00:59,080 Speaker 1: Barto el Mundo, Welcome to season eight. 14 00:00:59,520 --> 00:01:00,520 Speaker 2: Are you listening? 15 00:01:03,200 --> 00:01:06,440 Speaker 3: O Lao la Loka Motes, Welcome to season eight of 16 00:01:06,520 --> 00:01:10,639 Speaker 3: lok Ata Radio. I'm Theosa and I'm Mala. You're tuning 17 00:01:10,640 --> 00:01:14,600 Speaker 3: in too, Capitos one seventy three. 18 00:01:14,920 --> 00:01:17,399 Speaker 2: Make sure you go ahead and subscribe to look at 19 00:01:17,440 --> 00:01:19,679 Speaker 2: thot our Radio, Leave us a review and share with 20 00:01:19,720 --> 00:01:23,520 Speaker 2: a friend, Share with primas. You can even share with enemies. 21 00:01:24,520 --> 00:01:27,360 Speaker 3: And don't forget to follow us across all social media 22 00:01:27,400 --> 00:01:30,280 Speaker 3: platforms at Loka Tora Underscore Radio. 23 00:01:31,560 --> 00:01:34,959 Speaker 2: So today this is a big episode. This is a. 24 00:01:34,959 --> 00:01:38,959 Speaker 3: Huge episode for us. Yes, over the years, we've talked 25 00:01:38,959 --> 00:01:44,560 Speaker 3: about this artist in different episodes and just sprinkled our love, adoration, 26 00:01:44,959 --> 00:01:49,520 Speaker 3: admiration for this artist. But today is the Beyonce episode. 27 00:01:50,320 --> 00:01:54,680 Speaker 3: We're honestly still on an emotional hangover recovering from the 28 00:01:54,720 --> 00:01:59,280 Speaker 3: Renaissance tour that came to Los Angeles, and so we 29 00:01:59,320 --> 00:02:02,000 Speaker 3: want to talk all things Renaissance and all things Beyonce. 30 00:02:02,160 --> 00:02:07,160 Speaker 2: Today. We are millennials. We have never known a world 31 00:02:07,480 --> 00:02:12,720 Speaker 2: without Beyonce. She has been around our entire lives, our childhoods, 32 00:02:12,760 --> 00:02:17,560 Speaker 2: our adolescents, teen years, twenties up until the present. So 33 00:02:17,720 --> 00:02:20,680 Speaker 2: this is an episode I think that we've basically been 34 00:02:20,760 --> 00:02:25,080 Speaker 2: preparing for our entire lives. We have deep Beyonce love 35 00:02:25,160 --> 00:02:29,200 Speaker 2: but also deep Beyonce knowledge, and we're just gonna like, 36 00:02:29,760 --> 00:02:32,880 Speaker 2: we're just gonna We're just gonna love on her and 37 00:02:33,200 --> 00:02:36,560 Speaker 2: talk about what we wore with the Beehive War. Because 38 00:02:36,600 --> 00:02:39,040 Speaker 2: we did some coverage for the La Times for the 39 00:02:39,160 --> 00:02:43,400 Speaker 2: loss and we were interviewing fans in the merch line 40 00:02:43,960 --> 00:02:45,840 Speaker 2: and it was glorious. It was such a good time. 41 00:02:45,919 --> 00:02:48,120 Speaker 2: But we had fun with it ourselves because we both 42 00:02:48,160 --> 00:02:48,840 Speaker 2: got dressed up. 43 00:02:49,800 --> 00:02:53,239 Speaker 3: Yeah, I think I approached it at first. When Beyonce 44 00:02:53,919 --> 00:02:57,959 Speaker 3: requested all of her fans all of the concert goers 45 00:02:58,160 --> 00:03:02,960 Speaker 3: wear silvery much approached it low key because if you've 46 00:03:03,000 --> 00:03:05,840 Speaker 3: been following me or listening to this podcast for a while, 47 00:03:06,240 --> 00:03:08,560 Speaker 3: you know that I'm a gold girl through and through. 48 00:03:08,760 --> 00:03:12,720 Speaker 3: I don't own any piece of silver jewelry. Like I'm 49 00:03:12,720 --> 00:03:16,360 Speaker 3: such a gold girl that my engagement ring is gold. 50 00:03:16,760 --> 00:03:20,040 Speaker 3: Like I told Fernando, do not buy me silver, I 51 00:03:20,080 --> 00:03:24,600 Speaker 3: will not wear it. So anyway, when Beyonce requested everyone 52 00:03:24,639 --> 00:03:29,079 Speaker 3: wear silver chrome for Virgo season for the rest of 53 00:03:29,120 --> 00:03:32,280 Speaker 3: the Renaissance tour, I approached it very low key. I 54 00:03:32,400 --> 00:03:34,400 Speaker 3: was like, I'll do one silver piece because I'm not 55 00:03:34,440 --> 00:03:37,640 Speaker 3: going to rewear any of this, and I'm just that's 56 00:03:37,720 --> 00:03:39,040 Speaker 3: just going to be the best that I can do. 57 00:03:39,760 --> 00:03:44,040 Speaker 3: And then I'm randomly shopping at Target for my target 58 00:03:44,120 --> 00:03:49,200 Speaker 3: needs and I see these silver cargo pants that honestly 59 00:03:49,200 --> 00:03:52,400 Speaker 3: look like foil. They look like aluminum foil, and I 60 00:03:52,480 --> 00:03:56,240 Speaker 3: texted Mala, and I was like, should I buy these? 61 00:03:56,720 --> 00:03:59,840 Speaker 3: And immediately she goes, yes, you need them. And then 62 00:03:59,880 --> 00:04:02,880 Speaker 3: I realized I was approaching this all wrong, Like this 63 00:04:03,080 --> 00:04:06,320 Speaker 3: was not the concert the event to be low key at, 64 00:04:06,640 --> 00:04:09,040 Speaker 3: because everybody was going to be dressed up. People were 65 00:04:09,080 --> 00:04:13,440 Speaker 3: handmaking their costumes, people were showing up. Mala herself wore 66 00:04:13,440 --> 00:04:16,560 Speaker 3: an actual costume, so this was not the time to 67 00:04:16,640 --> 00:04:19,000 Speaker 3: be like cute and precious about it. Of like, I'm 68 00:04:19,000 --> 00:04:21,120 Speaker 3: not silver, so I'm just gonna do something low key. 69 00:04:21,320 --> 00:04:21,400 Speaker 2: No. 70 00:04:22,440 --> 00:04:26,160 Speaker 3: Queen Beyonce asked us to show up in silver and 71 00:04:26,200 --> 00:04:28,320 Speaker 3: to show out in silver, so we did. 72 00:04:28,960 --> 00:04:31,760 Speaker 2: Yes. She said that she wanted us to create a 73 00:04:31,839 --> 00:04:35,440 Speaker 2: human disco ball. Essentially, she wanted to see a sea 74 00:04:35,480 --> 00:04:38,760 Speaker 2: of chrome. And what I loved was how everybody sort 75 00:04:38,760 --> 00:04:42,159 Speaker 2: of embodied kind of a different song off of the 76 00:04:42,200 --> 00:04:47,839 Speaker 2: Renaissance album. So I feel like you were embodying Cozy Yes, 77 00:04:48,080 --> 00:04:50,400 Speaker 2: And it was so cute. And then I did get 78 00:04:50,440 --> 00:04:54,160 Speaker 2: like a space cadet like costume, and so I was 79 00:04:54,240 --> 00:04:59,200 Speaker 2: alien superstar with the chrome cowboy boots that I'm wearing 80 00:04:59,279 --> 00:05:02,840 Speaker 2: right now as we speak, like we're still we're still 81 00:05:02,960 --> 00:05:06,640 Speaker 2: feeling that residual renaissance for sure, for sure. And there's 82 00:05:06,720 --> 00:05:09,400 Speaker 2: like this one fan who's been dressing up like hardcore 83 00:05:09,440 --> 00:05:12,240 Speaker 2: as an alien, yes, and going to all the cities. 84 00:05:13,240 --> 00:05:15,560 Speaker 2: I love it. I love it. And then I've seen 85 00:05:15,640 --> 00:05:19,400 Speaker 2: some Church Girl adaptations as well. Everybody's you know, kind 86 00:05:19,440 --> 00:05:21,880 Speaker 2: of playing with their take on it. So we were 87 00:05:22,400 --> 00:05:26,160 Speaker 2: for de losk covering the event, and what we did 88 00:05:26,360 --> 00:05:29,720 Speaker 2: was we were interviewing fans in line, asking them about 89 00:05:29,720 --> 00:05:32,440 Speaker 2: their outfits. They're both gas, but we were also asking 90 00:05:32,480 --> 00:05:35,600 Speaker 2: fans what their favorite Beyonce lyric is and if they 91 00:05:35,640 --> 00:05:39,720 Speaker 2: could recite it in Spanish. So fun everybody tried their 92 00:05:39,760 --> 00:05:43,719 Speaker 2: best to translate the lyrics into Spanish and it was 93 00:05:43,760 --> 00:05:46,200 Speaker 2: a hoot and a half. And it was actually really 94 00:05:46,200 --> 00:05:49,400 Speaker 2: funny because we were having a hard time finding Spanish 95 00:05:49,480 --> 00:05:51,520 Speaker 2: speakers in the line. 96 00:05:52,080 --> 00:05:53,920 Speaker 3: It's so true, you know, it got to the point 97 00:05:53,920 --> 00:05:56,680 Speaker 3: where I was like, does nobody speak Spanish in Los Angeles? 98 00:05:57,000 --> 00:06:00,560 Speaker 3: Where are we? It was so funny and had a 99 00:06:00,600 --> 00:06:04,560 Speaker 3: really good astute observation about you know, how we were 100 00:06:04,600 --> 00:06:09,839 Speaker 3: approaching it, because you know, essentially we were seeing glam 101 00:06:10,080 --> 00:06:13,880 Speaker 3: the Hannahs everywhere, like the botas the hats. We were 102 00:06:14,800 --> 00:06:17,840 Speaker 3: I think maybe confused because we're like, wait, maybe that 103 00:06:17,880 --> 00:06:21,320 Speaker 3: person speaks Spanish. Honestly, we were asking anyone and everyone. 104 00:06:21,440 --> 00:06:23,640 Speaker 3: We weren't going off of oh they look a certain way. 105 00:06:23,760 --> 00:06:26,799 Speaker 3: It was more so like they look approachable, they look good. 106 00:06:27,480 --> 00:06:31,200 Speaker 3: Let's see, right, and well, nobody speaks Spanish. Apparently we 107 00:06:31,240 --> 00:06:32,599 Speaker 3: did get a couple of good ones. 108 00:06:32,680 --> 00:06:34,720 Speaker 2: We did, Yeah, we did, we did. If you hit 109 00:06:34,839 --> 00:06:39,559 Speaker 2: up the loss social media pages, so it's at the 110 00:06:39,760 --> 00:06:44,120 Speaker 2: Los Angeles Times, on instagramrails and on TikTok, you'll see 111 00:06:44,240 --> 00:06:46,800 Speaker 2: our video up there. We interview folks and a lot 112 00:06:46,880 --> 00:06:49,279 Speaker 2: of people took a good crack at it at translating 113 00:06:49,279 --> 00:06:52,200 Speaker 2: their interviews, and it was really funny because the lyrics 114 00:06:52,240 --> 00:06:53,880 Speaker 2: do not translate into Spanish. 115 00:06:54,040 --> 00:06:56,560 Speaker 3: No no, And that's the whole point, because it really 116 00:06:56,600 --> 00:06:59,360 Speaker 3: does kind of stump you unless you're like really creative 117 00:06:59,400 --> 00:07:02,000 Speaker 3: enroll with it. Like one of the women that we 118 00:07:02,080 --> 00:07:06,280 Speaker 3: interviewed said, espita and it beats, which is not correct, 119 00:07:06,960 --> 00:07:09,400 Speaker 3: but like solid effort, and I got what she meant. 120 00:07:09,680 --> 00:07:12,400 Speaker 2: It worked, It worked, It worked, and you know what, 121 00:07:12,520 --> 00:07:15,880 Speaker 2: it's almost like, Okay, it's like disco renaissance. Pico Lana 122 00:07:16,560 --> 00:07:17,840 Speaker 2: is how people were dressed. 123 00:07:17,920 --> 00:07:19,200 Speaker 3: So it's so true. 124 00:07:19,280 --> 00:07:19,600 Speaker 2: You know. 125 00:07:19,960 --> 00:07:22,920 Speaker 3: I'm very interested by the fact that there's kind of 126 00:07:22,960 --> 00:07:30,760 Speaker 3: an overlap between style and global artists right now. For example, 127 00:07:31,640 --> 00:07:34,360 Speaker 3: like if you look at pictures from the Eras tour, 128 00:07:34,480 --> 00:07:39,320 Speaker 3: Taylor Swift's tour and you see beyonce Renaissance tour, some 129 00:07:39,440 --> 00:07:42,200 Speaker 3: of the fashion is the same. And if you look 130 00:07:42,200 --> 00:07:45,920 Speaker 3: at Gottogee's tour, it's a little more neon, right, but 131 00:07:46,720 --> 00:07:53,320 Speaker 3: hats boots, neon chrome glitter, and so I think it's 132 00:07:53,440 --> 00:07:57,840 Speaker 3: very interesting what's happening with the concert looks. There's just 133 00:07:57,880 --> 00:08:01,360 Speaker 3: something there that I haven't identified yet, but there's a 134 00:08:01,440 --> 00:08:02,840 Speaker 3: thread that I'm trying to pull. 135 00:08:03,120 --> 00:08:05,800 Speaker 2: Yeah, the Southwest is having a moment for sure, like 136 00:08:05,880 --> 00:08:07,840 Speaker 2: Texas is having a big moment. I mean, Megan the 137 00:08:07,840 --> 00:08:10,440 Speaker 2: Stallion a couple of years ago now I think was 138 00:08:10,480 --> 00:08:15,120 Speaker 2: doing a lot more Texas Houston looks. And then of course, 139 00:08:15,200 --> 00:08:19,640 Speaker 2: like Beyonce and Megan both being from Texas like that, 140 00:08:20,800 --> 00:08:24,240 Speaker 2: the South I think aesthetically is just it right now, 141 00:08:24,280 --> 00:08:26,400 Speaker 2: like people are really tapping into it. I think these 142 00:08:26,400 --> 00:08:29,280 Speaker 2: things come and go in waves for sure. Yeah, and 143 00:08:29,320 --> 00:08:31,960 Speaker 2: then even like a few years ago, like what Lady 144 00:08:32,040 --> 00:08:35,080 Speaker 2: Gaga with her Joanne album, right she was wearing a 145 00:08:35,120 --> 00:08:38,120 Speaker 2: hat and it was a little bit Southwestern. So yeah, 146 00:08:38,360 --> 00:08:40,240 Speaker 2: that's just like the vibe right now. And I think 147 00:08:40,280 --> 00:08:41,280 Speaker 2: it's really interesting. 148 00:08:42,400 --> 00:08:45,640 Speaker 3: Yeah, yeah, it's interesting to track the fashion and how 149 00:08:45,840 --> 00:08:49,439 Speaker 3: concerts or how just artists can have so much influence 150 00:08:49,520 --> 00:08:54,480 Speaker 3: right overculture, especially someone as incredible and has stood the 151 00:08:54,520 --> 00:08:58,160 Speaker 3: test of time, has had a career of twenty six years, 152 00:08:58,240 --> 00:09:01,240 Speaker 3: like Beyonce, can really influence. It's just how we move, 153 00:09:01,400 --> 00:09:06,320 Speaker 3: how we show up, how we enjoy things. And Beyonce 154 00:09:06,480 --> 00:09:09,320 Speaker 3: has been performing for twenty six years, and like Mala said, 155 00:09:09,360 --> 00:09:11,960 Speaker 3: like we've never known a world without her, whether that 156 00:09:12,040 --> 00:09:15,720 Speaker 3: be through Destiny's Child or her solo career, Beyonce has 157 00:09:15,800 --> 00:09:20,319 Speaker 3: always been like a pop star, a star, an R 158 00:09:20,360 --> 00:09:23,280 Speaker 3: and B star, a star of the girl group, Like 159 00:09:23,440 --> 00:09:26,480 Speaker 3: she's always a movie star. She's always been around in 160 00:09:26,480 --> 00:09:27,320 Speaker 3: that way for us. 161 00:09:28,400 --> 00:09:32,360 Speaker 2: I mean starting I first came to know Beyonce through 162 00:09:32,400 --> 00:09:36,680 Speaker 2: Destiny's Child. She's lead singer, she's killing it. I remember 163 00:09:36,960 --> 00:09:41,160 Speaker 2: Bill's Bill's bills. I remember No No, No, I remember survivor. 164 00:09:41,880 --> 00:09:44,560 Speaker 3: Do you remember when Destiny's Child, when it was four 165 00:09:44,559 --> 00:09:47,679 Speaker 3: of them, they had a cameo they had didn't have 166 00:09:47,679 --> 00:09:50,600 Speaker 3: a cameo. They had an episode on this show on 167 00:09:50,640 --> 00:09:52,200 Speaker 3: Disney Channel called Smart Guy. 168 00:09:52,440 --> 00:09:54,240 Speaker 2: Yes, I used to love a Smart. 169 00:09:53,880 --> 00:09:57,240 Speaker 3: Guy and I loved that episode so much. They perform 170 00:09:57,360 --> 00:10:01,880 Speaker 3: No No No in that TV show, and that was 171 00:10:01,920 --> 00:10:05,160 Speaker 3: I think one of my first times like remembering her 172 00:10:05,200 --> 00:10:07,560 Speaker 3: and recognizing like this is Destiny's Child. 173 00:10:08,000 --> 00:10:12,240 Speaker 2: Yes, I love that episode. There's kind of like Beyonce 174 00:10:12,400 --> 00:10:15,000 Speaker 2: has kind of like a love storyline in it. Yes, 175 00:10:15,320 --> 00:10:18,840 Speaker 2: I love taj Maury. Yes, he was incredible in that show, 176 00:10:19,280 --> 00:10:23,480 Speaker 2: so fun and I miss that. Like Disney Channel shows 177 00:10:23,520 --> 00:10:27,440 Speaker 2: would do those cameos with pop stars, with singers, recording artists, 178 00:10:27,600 --> 00:10:31,160 Speaker 2: and that episode was always like a fun standout episode 179 00:10:31,960 --> 00:10:36,600 Speaker 2: and when the star like first appears on the show, 180 00:10:36,760 --> 00:10:40,120 Speaker 2: they allow for that like extended applause break, you know, 181 00:10:40,559 --> 00:10:42,480 Speaker 2: like from the live studio audience. 182 00:10:42,600 --> 00:10:45,720 Speaker 3: That's so true. Yeah, that was a moment in sitcom 183 00:10:46,040 --> 00:10:48,000 Speaker 3: Disney Channel history. 184 00:10:48,200 --> 00:10:49,720 Speaker 2: Yes, I love that. 185 00:10:50,000 --> 00:10:53,720 Speaker 3: And with Destiny's Child, you know, then it became from 186 00:10:53,760 --> 00:10:56,040 Speaker 3: the four, it became the three who we now know 187 00:10:56,120 --> 00:11:00,560 Speaker 3: as like Kelly, Michelle, Beyonce, the core. Yes, Destin's Child. 188 00:11:00,320 --> 00:11:05,400 Speaker 2: Grew the trinity. Yes, they and that was the perfect formula. 189 00:11:05,920 --> 00:11:08,920 Speaker 2: I think that. The first piece of media that Relea 190 00:11:08,920 --> 00:11:11,840 Speaker 2: stood out to me from Destiny's Child was the same 191 00:11:11,880 --> 00:11:14,600 Speaker 2: my Name music video, right, you know, with like the 192 00:11:14,640 --> 00:11:20,160 Speaker 2: colors and the choreo, just a killer music video and 193 00:11:20,200 --> 00:11:21,640 Speaker 2: such like of the time. 194 00:11:22,280 --> 00:11:25,199 Speaker 3: You know, absolutely, I mean I definitely went through a 195 00:11:25,280 --> 00:11:30,160 Speaker 3: Destiny's Child fandom. I remember having you know, there was 196 00:11:30,200 --> 00:11:32,960 Speaker 3: a time where you would, you know, you would buy 197 00:11:33,000 --> 00:11:38,200 Speaker 3: magazines and there were teen magazines. Yeah, magazines geared towards teenagers, 198 00:11:38,840 --> 00:11:44,480 Speaker 3: towards tweens. And I remember kind of just collecting the 199 00:11:44,559 --> 00:11:47,440 Speaker 3: Destiny's Child photos and I would put them all up 200 00:11:47,480 --> 00:11:49,800 Speaker 3: on my wall. So I had a whole like little 201 00:11:49,840 --> 00:11:52,560 Speaker 3: Destiny's Child wall, and I would like just collect their 202 00:11:52,559 --> 00:11:55,520 Speaker 3: photos and had just a little like wall of adoration 203 00:11:55,760 --> 00:11:56,240 Speaker 3: for them. 204 00:11:56,440 --> 00:11:57,360 Speaker 2: Hell yeah. 205 00:11:57,400 --> 00:12:00,920 Speaker 3: And then I went to my first Destiny's Child concert 206 00:12:01,280 --> 00:12:04,400 Speaker 3: and that was destiny fulfilled. So I went to their final, 207 00:12:04,480 --> 00:12:06,079 Speaker 3: their farewell concert. 208 00:12:06,559 --> 00:12:07,280 Speaker 2: What was that? Like? 209 00:12:08,000 --> 00:12:12,360 Speaker 3: That was incredible. I had to have been in middle 210 00:12:12,400 --> 00:12:15,680 Speaker 3: I was definitely in middle school, like seventh eighth grade, 211 00:12:16,160 --> 00:12:19,000 Speaker 3: and my brother took me with his wife, my sister 212 00:12:19,040 --> 00:12:22,320 Speaker 3: in law, and I just remember, I can't don't remember 213 00:12:22,320 --> 00:12:24,120 Speaker 3: where it was. It definitely was at one of the 214 00:12:24,160 --> 00:12:27,720 Speaker 3: big venues here in LA. But it was just incredible, 215 00:12:27,800 --> 00:12:29,880 Speaker 3: like to see the chemistry, Like I can still see 216 00:12:29,880 --> 00:12:32,120 Speaker 3: it in my mind, and I remember because it was 217 00:12:32,160 --> 00:12:35,479 Speaker 3: destiny fulfilled, so I've remembered the songs that they performed, 218 00:12:35,559 --> 00:12:38,680 Speaker 3: but it just being such an incredible experience. Like I've 219 00:12:38,679 --> 00:12:42,360 Speaker 3: been seeing Beyonce perform live since I was a kid, 220 00:12:43,040 --> 00:12:45,959 Speaker 3: which is wild because I'm still seeing her now at 221 00:12:45,960 --> 00:12:46,600 Speaker 3: twenty nine. 222 00:12:47,080 --> 00:12:50,560 Speaker 2: Her staying power is like unlike anybody else. I mean, 223 00:12:50,600 --> 00:12:55,920 Speaker 2: it really is remarkable how long her career has been 224 00:12:56,040 --> 00:13:00,680 Speaker 2: and how strong it's been, like with no like dips 225 00:13:00,880 --> 00:13:05,439 Speaker 2: or like she doesn't completely disappear. There's no like, oh 226 00:13:05,520 --> 00:13:10,360 Speaker 2: she's making a comeback. It's just it's just continuing to 227 00:13:10,440 --> 00:13:13,160 Speaker 2: elevate and level up and get better and better and better, 228 00:13:13,200 --> 00:13:16,560 Speaker 2: which is so wild that she's had that momentum for 229 00:13:16,640 --> 00:13:19,280 Speaker 2: such a long time, Like it's so unheard of, honestly. 230 00:13:19,760 --> 00:13:23,319 Speaker 3: Yeah, And it's funny because she's cultivated such a strong audience, 231 00:13:23,480 --> 00:13:26,439 Speaker 3: right like the behive where they start to like recognize 232 00:13:26,480 --> 00:13:30,119 Speaker 3: signs like wait, she took all the photos off her Instagram. 233 00:13:30,200 --> 00:13:32,840 Speaker 3: Something's coming, something's happening, you know, And like the Beeha 234 00:13:32,960 --> 00:13:35,280 Speaker 3: I feel is very clever in that way where they 235 00:13:35,480 --> 00:13:37,720 Speaker 3: just like look for a little cues and they try 236 00:13:37,760 --> 00:13:40,320 Speaker 3: to kind of figure out what's next, even though we'll 237 00:13:40,360 --> 00:13:43,200 Speaker 3: never know what's next. But there's like definitely people that 238 00:13:43,280 --> 00:13:48,800 Speaker 3: have There are definitely people that spend their time, you know, 239 00:13:49,280 --> 00:13:51,959 Speaker 3: watching like her moves and trying to figure out like 240 00:13:52,000 --> 00:13:54,480 Speaker 3: when she's going to drop something new or looking for 241 00:13:54,600 --> 00:13:57,160 Speaker 3: clues and all those things. And so yeah, I feel 242 00:13:57,200 --> 00:14:00,200 Speaker 3: like there's everyone knows this right, there's no fandom like 243 00:14:00,200 --> 00:14:00,760 Speaker 3: the Beehive. 244 00:14:01,240 --> 00:14:04,360 Speaker 2: There really is. There's no fandom like the Beehive. And 245 00:14:04,400 --> 00:14:06,360 Speaker 2: I think in a also like in a good way 246 00:14:06,440 --> 00:14:09,520 Speaker 2: because like the barbs like Nikki, like that fandom can 247 00:14:09,559 --> 00:14:13,600 Speaker 2: be very notorious for kind of bad behavior, like being 248 00:14:13,840 --> 00:14:16,560 Speaker 2: real petty and nasty. Sometimes I used to be a 249 00:14:16,559 --> 00:14:20,040 Speaker 2: barb like Roman's Revenge, like when Nicki first came out, 250 00:14:20,080 --> 00:14:22,320 Speaker 2: like of course, you know what I mean, itty bitty piggy, 251 00:14:22,360 --> 00:14:25,800 Speaker 2: all that good stuff. Phil in myself. Yes, over the years, 252 00:14:25,880 --> 00:14:28,600 Speaker 2: Nicki has waned for me. I don't feel the same 253 00:14:28,600 --> 00:14:32,280 Speaker 2: way about Nikki as I once did, but Beyonce I 254 00:14:32,320 --> 00:14:36,600 Speaker 2: continue to gain greater appreciation for her as time goes on. 255 00:14:37,720 --> 00:14:40,920 Speaker 3: Yeah, because I think, you know, she has really managed 256 00:14:41,080 --> 00:14:48,080 Speaker 3: to show us her craft in very very explicit ways, 257 00:14:48,120 --> 00:14:50,040 Speaker 3: and she lets us in when she wants us to 258 00:14:50,080 --> 00:14:53,160 Speaker 3: come in, like she did with the Netflix special Homecoming, 259 00:14:54,680 --> 00:14:57,000 Speaker 3: and we really got to see like what it takes 260 00:14:57,040 --> 00:15:01,560 Speaker 3: to put on this Coachella for performance, right, and it's 261 00:15:01,680 --> 00:15:04,840 Speaker 3: like months, months and months and months of performing for 262 00:15:04,920 --> 00:15:06,560 Speaker 3: this one hour show. 263 00:15:07,120 --> 00:15:13,880 Speaker 2: Yeah, Beachella groundbreaking, earth shattering, like dimension shifting, you know, 264 00:15:14,480 --> 00:15:19,600 Speaker 2: like that was an experience. I wasn't there, but I 265 00:15:19,680 --> 00:15:23,720 Speaker 2: was streaming, right, we were all streaming. It was incredible. 266 00:15:23,760 --> 00:15:28,960 Speaker 2: I mean, she also has really evolved as an artist 267 00:15:29,040 --> 00:15:32,240 Speaker 2: over the years, like she's never, for me, fallen flat. 268 00:15:32,320 --> 00:15:35,440 Speaker 2: And what I love right now is that people are 269 00:15:35,480 --> 00:15:38,800 Speaker 2: sort of reviewing her career on TikTok. I see a 270 00:15:38,800 --> 00:15:41,800 Speaker 2: lot of old clips from her Destiny's Child days, and 271 00:15:41,840 --> 00:15:46,280 Speaker 2: like the ongoing commentary is about how much she has 272 00:15:46,360 --> 00:15:50,040 Speaker 2: improved as a vocalist, and those early clips she sounds great, 273 00:15:50,120 --> 00:15:52,000 Speaker 2: but you can see that the breath control is not 274 00:15:52,080 --> 00:15:54,760 Speaker 2: the same, and like her control is not the same, 275 00:15:55,600 --> 00:16:00,960 Speaker 2: and now she's just like this unstoppable, like impeccable singer, 276 00:16:01,520 --> 00:16:06,320 Speaker 2: and for me, Renaissance was a lot of like her 277 00:16:06,440 --> 00:16:10,280 Speaker 2: really flexing how much of a vocalist she is, because 278 00:16:10,280 --> 00:16:13,680 Speaker 2: it's so fast and she's saying so many lyrics and 279 00:16:13,720 --> 00:16:18,120 Speaker 2: the lyrics are very like involved in complex on the 280 00:16:18,160 --> 00:16:22,080 Speaker 2: Renaissance album. And for years we've been talking about how 281 00:16:22,440 --> 00:16:26,240 Speaker 2: our favorite rapper is Beyonce, Yeah, because the girl can rap. 282 00:16:26,680 --> 00:16:28,720 Speaker 2: And so I really feel like Renaissance was it was 283 00:16:28,720 --> 00:16:31,680 Speaker 2: about the visuals and it was really like highlighting her 284 00:16:31,800 --> 00:16:32,920 Speaker 2: vocal prowess. 285 00:16:33,400 --> 00:16:35,800 Speaker 3: Yeah, I agree, I mean I think because she also 286 00:16:36,680 --> 00:16:39,720 Speaker 3: what I agree with you completely, she was flexing her 287 00:16:39,800 --> 00:16:44,440 Speaker 3: vocal range. I think by her starting the Renaissance tour 288 00:16:44,800 --> 00:16:48,280 Speaker 3: with by singing Dangerously in Love was to show us 289 00:16:48,360 --> 00:16:50,040 Speaker 3: like I have range. 290 00:16:50,400 --> 00:16:51,440 Speaker 2: Yeah, I can do this. 291 00:16:51,520 --> 00:16:53,960 Speaker 3: In case you forgot, I've been doing this because that 292 00:16:54,080 --> 00:16:57,000 Speaker 3: song Dangerously and Love is from her first solo album. 293 00:16:57,240 --> 00:17:00,880 Speaker 2: Yes, yeah, and Dangerously in Love. That was my first No, 294 00:17:00,920 --> 00:17:03,080 Speaker 2: I want to say I got that like for like 295 00:17:03,160 --> 00:17:06,479 Speaker 2: my thirteenth birthday. Like that album. I feel like it 296 00:17:06,520 --> 00:17:09,520 Speaker 2: came out that year and it was sort of like, oh, 297 00:17:09,640 --> 00:17:12,520 Speaker 2: like you're a you're like a teenager. Now here's your 298 00:17:12,520 --> 00:17:13,359 Speaker 2: Beyonce CD. 299 00:17:13,720 --> 00:17:14,560 Speaker 1: That's so funny. 300 00:17:14,760 --> 00:17:17,600 Speaker 2: Yeah, Yeah, so you're right. She opened with ballads, yes, 301 00:17:18,119 --> 00:17:21,960 Speaker 2: and which was not a choice that I was expecting necessarily. 302 00:17:22,600 --> 00:17:24,560 Speaker 2: I was sort of I don't know what I was expecting. 303 00:17:24,600 --> 00:17:26,480 Speaker 2: I wasn't really expecting anything. 304 00:17:26,200 --> 00:17:28,320 Speaker 3: Me either, because you can't. I mean, you can watch 305 00:17:28,359 --> 00:17:31,240 Speaker 3: what people say on TikTok, of course, right, but once 306 00:17:31,280 --> 00:17:34,359 Speaker 3: you experience it firsthand, you really can't have expectations for 307 00:17:34,400 --> 00:17:38,480 Speaker 3: a performer like Beyonce because she's gonna like keep things fresh, 308 00:17:38,560 --> 00:17:41,120 Speaker 3: even if she's on a worldwide tour, She's gonna shake 309 00:17:41,200 --> 00:17:43,400 Speaker 3: things up each time she performs. 310 00:17:43,600 --> 00:17:47,600 Speaker 2: Yeah, she changes up her outfits. I think the even 311 00:17:47,640 --> 00:17:51,680 Speaker 2: her runs and the way she's performing, she is constantly 312 00:17:52,520 --> 00:17:54,800 Speaker 2: moving things around and playing with things. Is what it 313 00:17:54,840 --> 00:17:58,280 Speaker 2: looks like based on the TikTok clips we're seeing based 314 00:17:58,280 --> 00:18:02,879 Speaker 2: on the overviews. But yeah, and then, notably, at the 315 00:18:02,920 --> 00:18:06,800 Speaker 2: Santa Clara tour stop, Beyonce was named honorary Mayor of 316 00:18:06,920 --> 00:18:07,639 Speaker 2: the day. 317 00:18:08,560 --> 00:18:12,719 Speaker 3: What can an honorary mayor even do? Is it just 318 00:18:13,000 --> 00:18:15,399 Speaker 3: is it just optics? Is it just like Beyonce's fucking. 319 00:18:15,160 --> 00:18:19,919 Speaker 2: Maryor today, She's just the mayor today. Yes, I love it. 320 00:18:19,960 --> 00:18:22,000 Speaker 2: I love it. I think it's so funny and then 321 00:18:22,480 --> 00:18:26,040 Speaker 2: so Marcella Arguayo has been talking about this in her 322 00:18:26,080 --> 00:18:29,720 Speaker 2: recent shows. You know that Beyonce just stood there in 323 00:18:29,840 --> 00:18:35,720 Speaker 2: concert and said I'm the mayor. Like that's it. What 324 00:18:35,880 --> 00:18:36,480 Speaker 2: a statement. 325 00:18:36,680 --> 00:18:37,280 Speaker 3: I love that. 326 00:18:37,840 --> 00:18:40,479 Speaker 2: I feel like that clip of her saying I'm the 327 00:18:40,480 --> 00:18:45,760 Speaker 2: mayor could be legendary, Like could be legendary like Marilyn 328 00:18:45,840 --> 00:18:48,360 Speaker 2: Monroe singing Happy Birthday to jfk Oh. 329 00:18:48,400 --> 00:18:53,280 Speaker 3: Fascinating, you know, just that moment, that's a good comparison, 330 00:18:53,440 --> 00:18:54,800 Speaker 3: the mayor Beyonce. 331 00:18:55,400 --> 00:18:59,439 Speaker 2: Yeah, I think it's great. So she just continues to 332 00:18:59,560 --> 00:19:04,560 Speaker 2: surprise this and shaking awe. And then at Beyonce's birthday 333 00:19:04,600 --> 00:19:07,440 Speaker 2: concert here in La we didn't go to the birthday concert. 334 00:19:07,480 --> 00:19:08,240 Speaker 2: We thought about it. 335 00:19:08,400 --> 00:19:11,439 Speaker 3: We went tonight too, which was Saturday. And when I 336 00:19:11,560 --> 00:19:16,240 Speaker 3: tell you that Sunday morning, I was looking for birthday 337 00:19:16,320 --> 00:19:20,440 Speaker 3: tickets to see her perform again. It was that good. 338 00:19:20,560 --> 00:19:21,160 Speaker 2: It was so good. 339 00:19:21,359 --> 00:19:24,639 Speaker 3: I've never left a concert and thought I need to 340 00:19:24,640 --> 00:19:28,639 Speaker 3: see this again the same weekend. Like I've gone to 341 00:19:28,680 --> 00:19:32,520 Speaker 3: concerts my entire life. I've seen a ton of artists perform, 342 00:19:32,600 --> 00:19:36,040 Speaker 3: incredible artists perform. I've never walked away feeling like, wow, 343 00:19:36,080 --> 00:19:38,399 Speaker 3: I need more I want to see that again. That 344 00:19:38,560 --> 00:19:41,360 Speaker 3: was so incredible. I will never be the same. We're 345 00:19:41,440 --> 00:19:43,520 Speaker 3: literally it was literally what I said, I will never 346 00:19:43,560 --> 00:19:44,040 Speaker 3: be the same. 347 00:19:44,160 --> 00:19:46,560 Speaker 2: Yeah, it's pre Renaissance, post Renaissance. 348 00:19:46,680 --> 00:19:46,880 Speaker 3: Yes. 349 00:19:47,400 --> 00:19:50,080 Speaker 2: And what's fascinating is I feel like I have felt 350 00:19:50,080 --> 00:19:54,760 Speaker 2: that way each time I have seen Beyonce, Like I 351 00:19:54,800 --> 00:19:59,520 Speaker 2: saw the Formation World Tour and then I went to 352 00:19:59,600 --> 00:20:04,920 Speaker 2: on the Round and each time and including Renaissance right afterwards, 353 00:20:05,000 --> 00:20:09,000 Speaker 2: I'm like, just her mind, yeah, her mind. And it 354 00:20:09,119 --> 00:20:13,000 Speaker 2: always gets me like how how physical she is, Like 355 00:20:13,080 --> 00:20:17,320 Speaker 2: she's dancing the entire time and like full out, like 356 00:20:17,800 --> 00:20:21,320 Speaker 2: full out choreo, right, and her mic is on, she's singing. 357 00:20:21,080 --> 00:20:23,720 Speaker 3: Her mic is on. And something I've noticed is that 358 00:20:23,800 --> 00:20:26,840 Speaker 3: she holds a mic. She's not wearing a head a 359 00:20:26,840 --> 00:20:30,000 Speaker 3: head piece. She is holding the mic and she's been 360 00:20:30,040 --> 00:20:32,280 Speaker 3: doing this for years because I've also been watching older 361 00:20:32,280 --> 00:20:36,239 Speaker 3: performances now, and I think there's something really intentional, like 362 00:20:36,320 --> 00:20:39,080 Speaker 3: she as an artist, she knows something like she's going 363 00:20:39,160 --> 00:20:40,680 Speaker 3: to hold the mic for a reason, and I feel 364 00:20:40,680 --> 00:20:42,920 Speaker 3: like it's obviously a very intentional choice because she's dancing 365 00:20:42,960 --> 00:20:43,880 Speaker 3: one handed. 366 00:20:43,760 --> 00:20:47,199 Speaker 2: Yes, she's dancing one handed, and she's like handing the 367 00:20:47,240 --> 00:20:49,960 Speaker 2: mic to her backup dancers, They're handing the mic back 368 00:20:50,000 --> 00:20:52,800 Speaker 2: to her. She's doing her dance breaks, she's dancing with 369 00:20:52,920 --> 00:20:57,520 Speaker 2: mike in hand, She's going between like ballads and wrapping, 370 00:20:57,680 --> 00:21:00,000 Speaker 2: and so her mic placement is all over the place, 371 00:21:00,480 --> 00:21:04,080 Speaker 2: like she has utmost control of everything like that's going 372 00:21:04,119 --> 00:21:07,080 Speaker 2: on at any time, and it's really incredible. And what 373 00:21:07,119 --> 00:21:09,119 Speaker 2: I think is really interesting is, you know, she sings 374 00:21:09,160 --> 00:21:12,719 Speaker 2: a lot of Renaissance is very disco oriented, disco house 375 00:21:13,320 --> 00:21:16,800 Speaker 2: and voguing and all of that like combined. And I 376 00:21:16,840 --> 00:21:19,600 Speaker 2: think a lot of the like disco divas of the past, 377 00:21:20,040 --> 00:21:23,160 Speaker 2: they were incredible singers and vocalists, but they didn't really 378 00:21:23,280 --> 00:21:27,040 Speaker 2: dance like while they were performing. But Beyonce brings that 379 00:21:27,880 --> 00:21:31,640 Speaker 2: into her shows. And it just like we've all heard 380 00:21:31,640 --> 00:21:33,919 Speaker 2: those stories of when she was coming up, how her 381 00:21:34,000 --> 00:21:37,200 Speaker 2: dad would have them running on the treadmill and singing, 382 00:21:37,680 --> 00:21:41,359 Speaker 2: and I just feel like that has stuck with her, 383 00:21:41,840 --> 00:21:44,680 Speaker 2: you know, as an artist, she has always like incorporated 384 00:21:45,320 --> 00:21:48,720 Speaker 2: physicality with her vocals, which I think is one of 385 00:21:48,720 --> 00:21:50,960 Speaker 2: those things that people are going to be talking about 386 00:21:51,000 --> 00:21:53,919 Speaker 2: and writing about Free Years that like really sets her 387 00:21:53,960 --> 00:21:55,560 Speaker 2: apart truly from everybody. 388 00:21:55,680 --> 00:21:57,280 Speaker 3: You took the words right out of my mouth. That's 389 00:21:57,320 --> 00:21:59,159 Speaker 3: exactly what I was going to say. It sets her 390 00:21:59,200 --> 00:22:02,440 Speaker 3: apart in that way way because there's a lot there 391 00:22:02,480 --> 00:22:05,199 Speaker 3: are a lot of incredible dancers and performers. There are 392 00:22:05,200 --> 00:22:08,280 Speaker 3: a lot of great singers in our lifetime and before us. 393 00:22:08,640 --> 00:22:12,160 Speaker 3: But to have them both combined, I think is rare 394 00:22:12,520 --> 00:22:16,000 Speaker 3: at the caliber that she does it, and I think 395 00:22:16,040 --> 00:22:18,480 Speaker 3: that that's exactly right that it sets her apart from 396 00:22:18,560 --> 00:22:19,399 Speaker 3: the other artist. 397 00:22:19,920 --> 00:22:22,440 Speaker 2: And she performed for like three straight hours. 398 00:22:23,359 --> 00:22:24,080 Speaker 1: It was wild. 399 00:22:24,400 --> 00:22:27,760 Speaker 2: There were breaks, of course for costume changes. She incorporated 400 00:22:27,800 --> 00:22:32,280 Speaker 2: a lot of short film, a lot of video, which 401 00:22:32,280 --> 00:22:34,520 Speaker 2: I thought was really cool and as we've seen over 402 00:22:34,520 --> 00:22:38,280 Speaker 2: the years, Beyonce Love's film and video, I mean, the 403 00:22:38,320 --> 00:22:42,240 Speaker 2: Lemonade album was a visual album, and it really like 404 00:22:42,480 --> 00:22:45,879 Speaker 2: what made that album stand out so hard were the visuals. 405 00:22:46,440 --> 00:22:49,760 Speaker 2: So I love that she continues with that. And I 406 00:22:49,800 --> 00:22:52,520 Speaker 2: also loved how she had a lot of like mechanics 407 00:22:53,040 --> 00:22:56,200 Speaker 2: and like big moving set pieces. 408 00:22:55,880 --> 00:23:00,159 Speaker 3: Yeah, giant props. To think what it takes to make them. 409 00:22:59,800 --> 00:23:02,240 Speaker 2: Yeah yeah, to store them and to bring them out. 410 00:23:02,440 --> 00:23:05,280 Speaker 2: I mean the stage, the way that it was set 411 00:23:05,400 --> 00:23:09,000 Speaker 2: up and the way entrances and exits happened was really 412 00:23:09,080 --> 00:23:12,919 Speaker 2: cool and elaborate. And to think that she takes that 413 00:23:13,359 --> 00:23:16,120 Speaker 2: all over the country, like city to city, I mean 414 00:23:16,440 --> 00:23:19,520 Speaker 2: her operation. We were like talking about it, like how 415 00:23:19,520 --> 00:23:23,359 Speaker 2: many millions do you think? Like each stop costs. 416 00:23:22,880 --> 00:23:26,280 Speaker 3: Right, and it's not just here in the US. It's 417 00:23:26,280 --> 00:23:29,360 Speaker 3: been a global tour. So adding factoring that in as 418 00:23:29,400 --> 00:23:32,520 Speaker 3: well of just what it takes to have a show 419 00:23:32,640 --> 00:23:37,760 Speaker 3: of this magnitude really running totally shout out operations manager, 420 00:23:37,880 --> 00:23:38,520 Speaker 3: whoever you. 421 00:23:38,440 --> 00:23:40,919 Speaker 2: Are, the team, the team. 422 00:23:41,040 --> 00:23:46,760 Speaker 3: She does have her team from dancers to crew, like 423 00:23:46,880 --> 00:23:49,679 Speaker 3: listed on her website like if anyone is curious, she 424 00:23:49,720 --> 00:23:52,480 Speaker 3: does like fully credit everyone that's worked on this tour. 425 00:23:52,840 --> 00:23:58,000 Speaker 2: Massive team, Yes, massive operation. I mean the costumes alone. 426 00:23:58,160 --> 00:24:01,480 Speaker 2: And I just whenever every time there's a break and 427 00:24:01,520 --> 00:24:03,680 Speaker 2: then they come out with new costumes and it's all 428 00:24:03,720 --> 00:24:06,359 Speaker 2: the dancers and it's Beyonce and it's the musicians. I 429 00:24:06,440 --> 00:24:10,040 Speaker 2: just think about like backstage right and those costume changes 430 00:24:10,119 --> 00:24:14,160 Speaker 2: and they have quick sixty seconds, ninety seconds whatever totally 431 00:24:14,400 --> 00:24:17,560 Speaker 2: and I wonder like is it chaos back there? Is 432 00:24:17,560 --> 00:24:21,320 Speaker 2: it organized chaos? Like what's the vibe? Like are people yelling? 433 00:24:21,400 --> 00:24:24,000 Speaker 2: Are people freaking out, a crying Yeah, are buttons missing? 434 00:24:24,080 --> 00:24:24,320 Speaker 1: Yeah? 435 00:24:24,400 --> 00:24:26,399 Speaker 2: What's like what happens if you're missing an item? 436 00:24:26,560 --> 00:24:30,879 Speaker 3: My anxiety couldn't handle it, girl, Like just like the 437 00:24:31,280 --> 00:24:33,000 Speaker 3: type of stage stuff that we do, which is at 438 00:24:33,040 --> 00:24:37,080 Speaker 3: an incredibly smaller scale, Yeah, you know, like I would 439 00:24:37,080 --> 00:24:38,000 Speaker 3: be a nervous wreck. 440 00:24:38,359 --> 00:24:40,240 Speaker 2: It's so many moving parts. 441 00:24:39,800 --> 00:24:41,679 Speaker 3: So many moving parts, one hundred percent. 442 00:24:42,000 --> 00:24:45,040 Speaker 2: And then occasionally you come across the clip because there's 443 00:24:45,080 --> 00:24:47,080 Speaker 2: been one or two where it's like, oh no, Beyonce's 444 00:24:47,119 --> 00:24:51,440 Speaker 2: mic wasn't on, Kendrick's mic wasn't on right, and then like, okay, 445 00:24:51,480 --> 00:24:53,000 Speaker 2: who was responded? Who's in charge of that? 446 00:24:53,280 --> 00:24:53,680 Speaker 3: Scared? 447 00:24:53,960 --> 00:24:55,400 Speaker 2: I'm terrible, terrified. 448 00:24:56,359 --> 00:24:59,439 Speaker 3: I'm terrified. I feel like obviously we don't know Beyonce, right, 449 00:24:59,440 --> 00:25:03,120 Speaker 3: but I feel like Beyonce is like probably a good boss, 450 00:25:03,200 --> 00:25:05,560 Speaker 3: but like you have to get it done correctly, boss, 451 00:25:06,520 --> 00:25:08,600 Speaker 3: or like you're out do the job. 452 00:25:09,280 --> 00:25:09,800 Speaker 2: Just you. 453 00:25:10,119 --> 00:25:11,440 Speaker 3: It's one of the it's one of those things where 454 00:25:11,440 --> 00:25:13,359 Speaker 3: it's like you have one job, turn the mic on, 455 00:25:13,520 --> 00:25:15,520 Speaker 3: you know, and I'm sure at this scale there's like 456 00:25:15,640 --> 00:25:18,920 Speaker 3: multiple people, but yeah, it's like, just. 457 00:25:18,920 --> 00:25:21,480 Speaker 2: Do your job because Beyonce is gonna show up and 458 00:25:21,480 --> 00:25:22,560 Speaker 2: do her job perfectly. 459 00:25:22,800 --> 00:25:23,760 Speaker 3: Yes she does. 460 00:25:24,160 --> 00:25:27,680 Speaker 2: She has every time. Beyonce is always on beat, So 461 00:25:27,800 --> 00:25:29,360 Speaker 2: what's your excuse? What's going on? 462 00:25:29,640 --> 00:25:31,920 Speaker 3: It's true. Those are one of my favorite things. Compilation 463 00:25:32,040 --> 00:25:35,040 Speaker 3: videos to see online where it's Beyonce dancing and they 464 00:25:35,520 --> 00:25:38,480 Speaker 3: someone will put literally a different song and it's Beyonce 465 00:25:38,640 --> 00:25:41,520 Speaker 3: is always on beat? Will she to what? It doesn't 466 00:25:41,560 --> 00:25:43,680 Speaker 3: matter what song it is. It can be a gorrillo, 467 00:25:44,359 --> 00:25:48,520 Speaker 3: it can be and she's always on beat, always on beat, 468 00:25:48,880 --> 00:25:49,560 Speaker 3: it doesn't matter. 469 00:25:49,720 --> 00:25:53,160 Speaker 2: She always translates, it always crosses over. It just always works. 470 00:25:53,200 --> 00:25:56,280 Speaker 3: It's amazing. It's amazing. And you know, I feel like 471 00:25:56,320 --> 00:25:58,879 Speaker 3: a lot of people have been talking about, of course 472 00:25:58,960 --> 00:26:01,920 Speaker 3: we're like kind of in a recession, but no one 473 00:26:01,920 --> 00:26:05,719 Speaker 3: has really said, we haven't named it officially, right. Beyonce 474 00:26:05,800 --> 00:26:10,160 Speaker 3: has also in some ways like boosted the economy her 475 00:26:10,320 --> 00:26:13,359 Speaker 3: and other performers like Taylor Swift and the release of 476 00:26:13,359 --> 00:26:15,439 Speaker 3: the Barbie film, which tells you, like, pay attention to 477 00:26:15,480 --> 00:26:19,440 Speaker 3: women's interest. Obviously, but so The New York Times did 478 00:26:19,480 --> 00:26:22,919 Speaker 3: a report on how Beyonce's requests that everyone wears silver 479 00:26:23,560 --> 00:26:28,719 Speaker 3: really fueled Etsy prices because a lot of small businesses, 480 00:26:28,760 --> 00:26:33,480 Speaker 3: you know, have their little sites on Etsy and make 481 00:26:34,040 --> 00:26:39,399 Speaker 3: silver blouses, disco hats, fans, everything that you can imagine silver. 482 00:26:40,080 --> 00:26:43,880 Speaker 3: And people started going in droves like requesting and ordering, 483 00:26:43,960 --> 00:26:47,919 Speaker 3: and so they reported these different small businesses that they 484 00:26:47,960 --> 00:26:52,080 Speaker 3: saw a spike in both searches for and sales of 485 00:26:52,119 --> 00:26:58,119 Speaker 3: silver clothing and accessories like also disco ball earrings, like 486 00:26:58,840 --> 00:27:02,320 Speaker 3: cowboy hats. Like I said, so Beyonce is helping the 487 00:27:02,359 --> 00:27:04,879 Speaker 3: economy all in all, is what I'm saying. 488 00:27:05,080 --> 00:27:11,119 Speaker 2: Oh, totally. I mean, it's so indicative of her influence. Yeah, 489 00:27:11,200 --> 00:27:13,919 Speaker 2: she told people to war silver. Everybody went out and 490 00:27:13,960 --> 00:27:17,640 Speaker 2: wore silver, and I'm pretty sure and this was kind 491 00:27:17,680 --> 00:27:21,159 Speaker 2: of confirmed in line when we were interviewing people. Folks 492 00:27:21,200 --> 00:27:25,040 Speaker 2: had other outfits planned and then when she made that announcement, 493 00:27:25,119 --> 00:27:26,880 Speaker 2: they went out and bought different outfits. 494 00:27:27,000 --> 00:27:29,679 Speaker 3: Yeah, as soon as that request went out, like I 495 00:27:29,800 --> 00:27:32,600 Speaker 3: had in my inbox, you know, the brands that I'm 496 00:27:32,640 --> 00:27:36,120 Speaker 3: subscribed to were sending emails like get your silver outfit here, 497 00:27:37,160 --> 00:27:40,880 Speaker 3: And it was wild to see how it shifted and 498 00:27:40,960 --> 00:27:43,600 Speaker 3: like just so quickly and like people caught on and 499 00:27:43,680 --> 00:27:46,720 Speaker 3: really had to change maybe what they had planned for 500 00:27:46,760 --> 00:27:48,800 Speaker 3: the week as a brand, right that they had to 501 00:27:48,840 --> 00:27:51,359 Speaker 3: get the silver yeah out in front of everybody. 502 00:27:51,600 --> 00:27:57,720 Speaker 2: Absolutely. I think the mute challenge is also so interesting 503 00:27:57,800 --> 00:28:03,280 Speaker 2: because in the middle of a concert, to get the 504 00:28:03,480 --> 00:28:09,880 Speaker 2: entire stadium to be quiet, and then like it's an expectation, right, 505 00:28:10,000 --> 00:28:13,639 Speaker 2: like the crowd is enforcing it and managing other crowd 506 00:28:13,680 --> 00:28:17,480 Speaker 2: members because we want the whole stadium quiet, Like honestly, 507 00:28:17,560 --> 00:28:21,119 Speaker 2: when in the history of any concert ever has the 508 00:28:21,280 --> 00:28:25,440 Speaker 2: entire stadium been silent? And then she recreates that over 509 00:28:25,480 --> 00:28:27,160 Speaker 2: and over and over again, like it's hard to get 510 00:28:27,160 --> 00:28:28,120 Speaker 2: people to be quiet. 511 00:28:28,440 --> 00:28:31,439 Speaker 3: Yeah, And then it's that expectation of like, we can't 512 00:28:31,720 --> 00:28:33,719 Speaker 3: upset her, we have to get it done, we have 513 00:28:33,760 --> 00:28:36,840 Speaker 3: to impress her. Yes, you know my cousin we went 514 00:28:36,920 --> 00:28:39,480 Speaker 3: with to the concert. We went with two of my cousins, 515 00:28:39,640 --> 00:28:43,520 Speaker 3: and my prima texted me like, we have to impress Beyonce, 516 00:28:43,680 --> 00:28:45,360 Speaker 3: like we have to shut the fuck up when she 517 00:28:45,440 --> 00:28:48,160 Speaker 3: tells us to write yeah yeah. And it's just so 518 00:28:48,440 --> 00:28:52,560 Speaker 3: funny that again, that expectation that of everyone to be 519 00:28:52,640 --> 00:28:56,360 Speaker 3: quiet in a stadium of eighty thousand people, and it's 520 00:28:56,400 --> 00:28:58,640 Speaker 3: like hit or miss depending where you go. And I think, 521 00:28:58,680 --> 00:29:01,480 Speaker 3: also what section you're in in yeah, because I thought 522 00:29:01,600 --> 00:29:04,640 Speaker 3: night too when we were there, did really well. But 523 00:29:04,680 --> 00:29:07,320 Speaker 3: then I see people they were also there at night too, 524 00:29:07,360 --> 00:29:09,640 Speaker 3: post their videos and it doesn't sound the same. So 525 00:29:09,680 --> 00:29:12,760 Speaker 3: I just feel like this the stadium is so big, 526 00:29:12,840 --> 00:29:16,280 Speaker 3: and the acoustics that like the way sound travels, you 527 00:29:16,320 --> 00:29:18,640 Speaker 3: know when a big stadium full of people, like it 528 00:29:18,680 --> 00:29:21,720 Speaker 3: could be quiet to us, but it's loud over here. 529 00:29:21,960 --> 00:29:24,360 Speaker 2: Oh no, yeah, I'm fully I was fully convinced, like, 530 00:29:24,400 --> 00:29:25,320 Speaker 2: oh my god, we did. 531 00:29:25,760 --> 00:29:28,040 Speaker 3: I was fully convinced we did a great job. And 532 00:29:28,080 --> 00:29:30,320 Speaker 3: then I get on TikTok and Twitter and everyone's like, 533 00:29:30,400 --> 00:29:31,160 Speaker 3: y'all fucked up? 534 00:29:32,480 --> 00:29:33,160 Speaker 2: How embarrassed? 535 00:29:33,320 --> 00:29:37,120 Speaker 3: I know, No, we didn't win, not La. My like 536 00:29:37,240 --> 00:29:41,400 Speaker 3: competitive perfectionist side is like, what do you mean we 537 00:29:41,440 --> 00:29:41,920 Speaker 3: didn't win? 538 00:29:42,520 --> 00:29:45,280 Speaker 2: Yeah? And then it's like, you know, Beyonce, as she 539 00:29:45,360 --> 00:29:48,040 Speaker 2: said in her in the concert at Renaissance, She's like, 540 00:29:48,280 --> 00:29:51,160 Speaker 2: I live in LA and then she chose to have 541 00:29:51,200 --> 00:29:55,160 Speaker 2: her birthday in La. So it's like, we have to 542 00:29:55,880 --> 00:29:57,640 Speaker 2: show up and show out. We have to do it right. 543 00:29:57,760 --> 00:30:01,200 Speaker 2: Because it seemed kind of special. Yeah, you know, totally 544 00:30:01,320 --> 00:30:02,440 Speaker 2: like the stop at Sofi. 545 00:30:02,840 --> 00:30:05,560 Speaker 3: Yeah, yeah, it being at Inglewood, it was a big deal. 546 00:30:05,680 --> 00:30:07,640 Speaker 2: It was a big deal. I'd never been to SOFI 547 00:30:07,760 --> 00:30:11,320 Speaker 2: before Beautiful Stadium, and I honestly felt like the aesthetic 548 00:30:11,360 --> 00:30:14,600 Speaker 2: of the stadium, it's very futuristic, and I just feel 549 00:30:14,600 --> 00:30:17,320 Speaker 2: like it lent itself to the type of show that 550 00:30:17,680 --> 00:30:19,959 Speaker 2: we saw, Like it just worked really well. The venue 551 00:30:20,680 --> 00:30:23,600 Speaker 2: and renaissance was a happy it was a happy marriage. 552 00:30:24,080 --> 00:30:27,920 Speaker 3: I agree. I agree completely. That was I think my 553 00:30:28,040 --> 00:30:31,920 Speaker 3: third time at SOFI and definitely, I mean, yeah, without 554 00:30:31,920 --> 00:30:35,400 Speaker 3: a doubt, my favorite time. You can't really cannot talk Beyonce. 555 00:30:36,160 --> 00:30:38,680 Speaker 2: No. I hate to be like, what is she going 556 00:30:38,720 --> 00:30:41,040 Speaker 2: to do next? Because she's still on tour, right, it's 557 00:30:41,080 --> 00:30:43,120 Speaker 2: not done. When is the final stop? When is it 558 00:30:43,160 --> 00:30:43,680 Speaker 2: going to be over? 559 00:30:43,960 --> 00:30:46,480 Speaker 3: I think the final stop is in Houston, if I'm 560 00:30:46,480 --> 00:30:49,560 Speaker 3: not mistaken, either in Houston or New Orleans, but it's 561 00:30:49,600 --> 00:30:52,640 Speaker 3: definitely going to be in the South. Is the final stop? 562 00:30:53,600 --> 00:30:57,360 Speaker 3: And there are you know again the behive speculating. So 563 00:30:57,480 --> 00:31:01,560 Speaker 3: apparently Meg the Stallion was headlining a music festival, but 564 00:31:01,680 --> 00:31:05,040 Speaker 3: she's no longer on the lineup, and that because the 565 00:31:05,160 --> 00:31:09,640 Speaker 3: dates matched up with Beyonce being in Houston. So people 566 00:31:09,720 --> 00:31:12,880 Speaker 3: are already speculating like, oh, she was pulled from the 567 00:31:12,920 --> 00:31:17,880 Speaker 3: lineup because Beyonce requested Meg be in Houston, which makes sense. Yes, 568 00:31:18,360 --> 00:31:21,720 Speaker 3: And so again the way the Beehive can just like 569 00:31:22,200 --> 00:31:25,760 Speaker 3: investigate and like pull these pieces together and like we'll 570 00:31:25,760 --> 00:31:28,200 Speaker 3: see what happens, right, We'll see if it's true. But 571 00:31:28,280 --> 00:31:28,920 Speaker 3: it makes sense. 572 00:31:29,720 --> 00:31:32,600 Speaker 2: It does make sense, and how exciting. I know, I mean, 573 00:31:32,640 --> 00:31:36,000 Speaker 2: what a guest, what I mean, like that stadium is 574 00:31:36,000 --> 00:31:39,240 Speaker 2: gonna explode if she brings out Megan girl. 575 00:31:39,360 --> 00:31:41,240 Speaker 3: I was even thinking like cause she I don't know 576 00:31:41,240 --> 00:31:44,320 Speaker 3: if it's this weekend, but she's gonna be in Seattle. 577 00:31:44,360 --> 00:31:46,200 Speaker 3: So by the time this comes out, maybe that'll concert 578 00:31:46,320 --> 00:31:48,360 Speaker 3: will have already passed. But I was even thinking, like 579 00:31:48,400 --> 00:31:49,480 Speaker 3: do we go to Seattle? 580 00:31:50,080 --> 00:31:51,640 Speaker 2: You know, like we follow her? 581 00:31:51,680 --> 00:31:53,440 Speaker 3: Do we follow her till the end of the tour? 582 00:31:53,480 --> 00:31:56,080 Speaker 3: Because it was just that good And if you had 583 00:31:56,240 --> 00:31:59,880 Speaker 3: the privilege of going, like you know what we're talking 584 00:32:00,440 --> 00:32:02,560 Speaker 3: because if there's one thing we're not going to tolerate 585 00:32:02,600 --> 00:32:06,200 Speaker 3: here is Beyonce slander haters. No, because it's one thing 586 00:32:06,280 --> 00:32:08,239 Speaker 3: like Okay, you don't vibe with her music, maybe it's 587 00:32:08,280 --> 00:32:11,160 Speaker 3: not your thing, but you can't discredit the talent. 588 00:32:11,360 --> 00:32:11,840 Speaker 2: You can't. 589 00:32:11,920 --> 00:32:12,800 Speaker 3: You're just being a hater. 590 00:32:13,200 --> 00:32:18,000 Speaker 2: Yeah, you know, it's she's she's legend status and really 591 00:32:18,120 --> 00:32:24,320 Speaker 2: like very unimpeachable. You know, she has worked so hard 592 00:32:24,400 --> 00:32:27,640 Speaker 2: to like keep it to the work and keep it 593 00:32:27,640 --> 00:32:30,480 Speaker 2: to the music. There's been personal stuff here and there 594 00:32:30,520 --> 00:32:34,240 Speaker 2: along the way, but I think that she has had 595 00:32:34,280 --> 00:32:39,240 Speaker 2: such like a water tight grip on her pr and 596 00:32:39,280 --> 00:32:42,280 Speaker 2: on her public image and the things that we have 597 00:32:42,400 --> 00:32:44,720 Speaker 2: access to as a public I think she has a 598 00:32:44,760 --> 00:32:49,240 Speaker 2: lot of control. Absolutely, she super super highly curates everything 599 00:32:49,240 --> 00:32:51,480 Speaker 2: that we see from her, and she really I think 600 00:32:51,520 --> 00:32:53,720 Speaker 2: that that that is one of the reasons why she's 601 00:32:53,720 --> 00:32:56,000 Speaker 2: been around for so long, Like she's not embroiled in 602 00:32:56,040 --> 00:32:59,280 Speaker 2: like wild public scandal because what she shares with us 603 00:32:59,640 --> 00:33:02,880 Speaker 2: is not her personal stuff. It's the personal things that 604 00:33:02,920 --> 00:33:06,360 Speaker 2: have influenced the art. Yes, you know, so like we 605 00:33:06,440 --> 00:33:09,280 Speaker 2: knew about the jay Z cheating and doing all that stuff, 606 00:33:09,320 --> 00:33:12,480 Speaker 2: but because she turned it into a groundbreaking visual album 607 00:33:12,600 --> 00:33:15,080 Speaker 2: that changed the course of pop culture and history as 608 00:33:15,120 --> 00:33:17,880 Speaker 2: we know it. But that's why we know about him, Yes, 609 00:33:18,000 --> 00:33:20,040 Speaker 2: because of how she chose to tell us. Yeah. 610 00:33:20,120 --> 00:33:23,600 Speaker 3: Yeah, because for years people have you know, speculated and 611 00:33:23,720 --> 00:33:27,160 Speaker 3: rumors and this and that, and she never publicly addressed it. 612 00:33:27,360 --> 00:33:29,600 Speaker 3: She doesn't have to, No, but for her to then 613 00:33:29,680 --> 00:33:33,560 Speaker 3: turn it into this huge album and then it guess 614 00:33:33,640 --> 00:33:36,320 Speaker 3: what it ends with redemption because Beyonce's not going to 615 00:33:36,360 --> 00:33:40,400 Speaker 3: divorce that man. She's not. She loves that man. Yes, 616 00:33:40,640 --> 00:33:43,920 Speaker 3: I have a conspiracy theory that she has a girlfriend. 617 00:33:44,200 --> 00:33:48,040 Speaker 3: I just think Renaissance is too queer for her to not. 618 00:33:48,240 --> 00:33:50,920 Speaker 3: It's not just I'm an ally and I'm appreciator of 619 00:33:50,960 --> 00:33:54,280 Speaker 3: ball culture. It's I have insider knowledge. I have my 620 00:33:54,400 --> 00:33:58,120 Speaker 3: own conspiracy theory that she has a girlfriend or she's 621 00:33:58,200 --> 00:34:02,600 Speaker 3: like had a love that's a woman. And these are 622 00:34:02,640 --> 00:34:05,760 Speaker 3: things we'll never get confirmation of, Like Beyonce is going 623 00:34:05,800 --> 00:34:08,920 Speaker 3: to be in a seemingly heteronormative marriage until maybe she 624 00:34:09,000 --> 00:34:12,600 Speaker 3: decides no. But in my little queer heart, like this 625 00:34:12,680 --> 00:34:13,719 Speaker 3: album is a little. 626 00:34:13,520 --> 00:34:17,759 Speaker 2: Tell Okay, she's like pointing she has she's giving you signs. Yes, 627 00:34:18,040 --> 00:34:21,000 Speaker 2: there's signs pointing to queer. I wouldn't doubt it at all. 628 00:34:22,160 --> 00:34:24,920 Speaker 2: And I think it's one of those things that she is, 629 00:34:25,239 --> 00:34:27,839 Speaker 2: Like you said, she's only gonna ever tell us through 630 00:34:27,880 --> 00:34:30,520 Speaker 2: the art and in her own way. Yes, And it's 631 00:34:30,880 --> 00:34:34,279 Speaker 2: up to us to interpret and to read it and 632 00:34:34,320 --> 00:34:36,799 Speaker 2: to see it. And I think she loves clues like 633 00:34:36,880 --> 00:34:40,160 Speaker 2: she loves a good clue. She loves a good mystery. 634 00:34:40,600 --> 00:34:42,759 Speaker 2: She loves to tease us, she loves to play with us, 635 00:34:43,239 --> 00:34:45,720 Speaker 2: and she loves to let us know that. Like she's 636 00:34:45,760 --> 00:34:47,239 Speaker 2: online and she's watching. 637 00:34:47,120 --> 00:34:50,960 Speaker 3: Yes, she is watching, and she yeah, I agree. 638 00:34:51,080 --> 00:34:54,000 Speaker 2: She knows. 639 00:34:52,360 --> 00:34:57,399 Speaker 3: She knows the chatter. She really does. She can keep 640 00:34:57,520 --> 00:34:59,879 Speaker 3: up with it. Like you know, there was a con 641 00:35:00,000 --> 00:35:04,040 Speaker 3: spiracy theory many years ago that she was the head 642 00:35:04,080 --> 00:35:06,480 Speaker 3: of the Illuminati, right, and then what does she do? 643 00:35:06,640 --> 00:35:11,400 Speaker 3: She puts that in a song, right, like she knows. 644 00:35:11,600 --> 00:35:15,800 Speaker 2: And you are corny with your illuminati mass It is corny. 645 00:35:16,080 --> 00:35:18,240 Speaker 3: It is. It's absolutely corny. 646 00:35:18,080 --> 00:35:21,440 Speaker 2: Like in what world? Like, come on, be serious. Yes, 647 00:35:21,680 --> 00:35:22,960 Speaker 2: she doesn't have time for all of that. 648 00:35:23,280 --> 00:35:25,400 Speaker 3: No, I mean I even had someone tell me I 649 00:35:25,400 --> 00:35:28,279 Speaker 3: haven't shared this on air, and I'm gonna change the 650 00:35:28,320 --> 00:35:30,640 Speaker 3: details a little bit. It's it'll be fact, but I'm 651 00:35:30,640 --> 00:35:33,840 Speaker 3: not going to include any any specifics about this person. 652 00:35:33,960 --> 00:35:36,880 Speaker 3: But someone was telling me that they were actually selling 653 00:35:36,960 --> 00:35:40,640 Speaker 3: their Beyonce tickets and I'm like, oh why, I mean, 654 00:35:40,760 --> 00:35:42,960 Speaker 3: Renaissance was like there was so hard to get tickets, 655 00:35:42,960 --> 00:35:44,640 Speaker 3: like why would you sell them? And she goes, yeah, 656 00:35:44,680 --> 00:35:48,359 Speaker 3: they're even floor seats, and I'm like, oh, well, why 657 00:35:48,360 --> 00:35:50,239 Speaker 3: are you selling them? And she goes, you know, I 658 00:35:50,440 --> 00:35:52,880 Speaker 3: just she Beyonce is a Satanist. 659 00:35:53,239 --> 00:35:54,960 Speaker 2: Oh my, she's of the. 660 00:35:55,080 --> 00:35:58,440 Speaker 3: She's of the occult. Like she just had like all 661 00:35:58,600 --> 00:36:01,239 Speaker 3: these conspiracy theories and she was telling me them, and 662 00:36:01,400 --> 00:36:03,960 Speaker 3: I was just sitting there like, oh, you're so far 663 00:36:04,080 --> 00:36:06,480 Speaker 3: gone the TikTok rabbit hole. I can't even pull you 664 00:36:06,560 --> 00:36:09,320 Speaker 3: out of it. And I was not in a position 665 00:36:09,400 --> 00:36:12,280 Speaker 3: to really challenge her, Like physically, I could not challenge 666 00:36:12,280 --> 00:36:12,720 Speaker 3: this person. 667 00:36:13,120 --> 00:36:15,480 Speaker 2: I like to ask questions. 668 00:36:16,160 --> 00:36:18,200 Speaker 3: And so the reason I'm also sharing is because I 669 00:36:18,239 --> 00:36:20,239 Speaker 3: kind of want to turn this into a story, so like, 670 00:36:20,360 --> 00:36:23,600 Speaker 3: well we'll talk about that later maybe, But I also 671 00:36:23,640 --> 00:36:25,480 Speaker 3: don't want, you know, I don't want to publicly say 672 00:36:25,480 --> 00:36:27,880 Speaker 3: who this person is. But anyway, the point is like, 673 00:36:28,000 --> 00:36:31,479 Speaker 3: if there's one, there's many, right, and like she didn't 674 00:36:31,520 --> 00:36:34,560 Speaker 3: make this theory up on herself by herself, and so again, 675 00:36:34,640 --> 00:36:37,439 Speaker 3: like it it goes to show I think like when 676 00:36:38,160 --> 00:36:40,920 Speaker 3: a woman like Beyonce, a black woman like Beyonce, reaches 677 00:36:40,960 --> 00:36:44,520 Speaker 3: this like status, this legendary status, it's like, oh, there 678 00:36:44,520 --> 00:36:48,759 Speaker 3: has to be outside external factors, like an illuminati to 679 00:36:48,840 --> 00:36:51,960 Speaker 3: make her so powerful as opposed to how hard working 680 00:36:51,960 --> 00:36:52,920 Speaker 3: and talented she is. 681 00:36:53,160 --> 00:36:56,200 Speaker 2: Yeah, it can't just be Oh no, millions of people 682 00:36:56,320 --> 00:37:02,080 Speaker 2: throughout the globe love her right, she is universally adored 683 00:37:02,840 --> 00:37:08,200 Speaker 2: and it's so real, like it is a character flaw 684 00:37:08,680 --> 00:37:11,560 Speaker 2: and not like beyond like to You're like, I feel 685 00:37:11,560 --> 00:37:14,279 Speaker 2: like people who don't like Beyonce are on some hater 686 00:37:15,920 --> 00:37:20,560 Speaker 2: on some hater stuff, you know. It's like and and 687 00:37:20,600 --> 00:37:23,240 Speaker 2: the reasons that they don't like her are always like weird, 688 00:37:23,960 --> 00:37:27,680 Speaker 2: like the one you just shared, and based like not 689 00:37:27,840 --> 00:37:30,640 Speaker 2: in reality. No, Like they have to invent a reason 690 00:37:31,320 --> 00:37:34,959 Speaker 2: not to like her, which I also find interesting because 691 00:37:34,960 --> 00:37:37,480 Speaker 2: they can't say that she can't sing. No, you can't 692 00:37:37,520 --> 00:37:40,040 Speaker 2: hate on her for her vocals. They can't say she's ugly. 693 00:37:40,200 --> 00:37:43,600 Speaker 2: She's like one of the most beautiful women ever. You 694 00:37:43,640 --> 00:37:46,600 Speaker 2: can't say that she can't dance, Like, what else can 695 00:37:46,640 --> 00:37:49,920 Speaker 2: you say about her? You have to invent, you know, 696 00:37:50,360 --> 00:37:53,560 Speaker 2: like some weird reason, which I think is says a 697 00:37:53,560 --> 00:37:54,680 Speaker 2: lot in and of itself. 698 00:37:54,880 --> 00:37:57,319 Speaker 3: Yeah, absolutely, I think it says more about the other 699 00:37:57,400 --> 00:38:00,279 Speaker 3: person that's claiming that this person is not telling it 700 00:38:00,360 --> 00:38:03,440 Speaker 3: or not worthy of all the accolades they've received. I 701 00:38:03,480 --> 00:38:06,600 Speaker 3: also want to share this anecdote as we wrap up 702 00:38:07,000 --> 00:38:10,800 Speaker 3: that when I was young, I was in middle school. 703 00:38:10,800 --> 00:38:13,640 Speaker 3: I was a little girl, and Beyonce had a perfume 704 00:38:13,680 --> 00:38:18,520 Speaker 3: with Tommy Hill figure. Okay, and Beyonce at this time 705 00:38:18,680 --> 00:38:22,399 Speaker 3: was like superstar, but she wasn't the Beyonce we know now, right, 706 00:38:22,800 --> 00:38:25,840 Speaker 3: So she did to promote this perfume. She did a 707 00:38:25,880 --> 00:38:29,200 Speaker 3: stop at the Lakewood Mall dead and so she was 708 00:38:29,200 --> 00:38:33,080 Speaker 3: there at Macy's. And so who went. I did with 709 00:38:33,080 --> 00:38:36,360 Speaker 3: my mother at five am, and my best friend Jackie 710 00:38:36,360 --> 00:38:39,120 Speaker 3: and her mother and the four of us were there 711 00:38:39,239 --> 00:38:43,319 Speaker 3: standing in line at Macy's waiting for Beyonce, and there 712 00:38:43,360 --> 00:38:46,400 Speaker 3: was a little meet and greet, and so I was 713 00:38:46,480 --> 00:38:50,479 Speaker 3: so shy and nervous seeing this beautiful human in front 714 00:38:50,560 --> 00:38:53,840 Speaker 3: of me. So I remember meeting her. She signed my 715 00:38:53,920 --> 00:38:57,279 Speaker 3: little perfume, and I think I just said, I love 716 00:38:57,360 --> 00:39:01,400 Speaker 3: you so much. I'm such a destined child fan, like 717 00:39:01,600 --> 00:39:04,279 Speaker 3: thank you for everything, like you know, just like very 718 00:39:04,320 --> 00:39:06,840 Speaker 3: few words came out of my mouth. And I remember 719 00:39:06,920 --> 00:39:08,880 Speaker 3: at the time thinking she was just so like she 720 00:39:08,920 --> 00:39:12,840 Speaker 3: was so small, she was like larger than life obviously, 721 00:39:13,520 --> 00:39:17,799 Speaker 3: but I feel like she has such this big persona 722 00:39:18,160 --> 00:39:20,080 Speaker 3: right that you're you're like, she's going to be seven 723 00:39:20,120 --> 00:39:22,279 Speaker 3: feet tall, right, and then you meet her and she's 724 00:39:22,320 --> 00:39:27,040 Speaker 3: like this beautiful, tiny person. I don't remember, but and 725 00:39:27,120 --> 00:39:29,640 Speaker 3: I was also young, so to me, I was like 726 00:39:29,719 --> 00:39:32,120 Speaker 3: maybe I because I was a kid, I thought she 727 00:39:32,160 --> 00:39:34,279 Speaker 3: was going to be so so tall and she's like 728 00:39:34,320 --> 00:39:37,240 Speaker 3: a big, a big adult, you know. But I remember 729 00:39:37,320 --> 00:39:40,600 Speaker 3: thinking like, she's like this tiny person and she's so beautiful. 730 00:39:40,640 --> 00:39:41,400 Speaker 2: Like five three d. 731 00:39:41,600 --> 00:39:44,799 Speaker 3: She has to be tiny. Let's look it up. 732 00:39:44,840 --> 00:39:47,840 Speaker 2: What is. 733 00:39:50,560 --> 00:39:51,520 Speaker 3: Is this five seven? 734 00:39:51,960 --> 00:39:52,480 Speaker 2: No? 735 00:39:53,120 --> 00:39:55,240 Speaker 3: But she I mean maybe I pictured her to be taller, 736 00:39:55,280 --> 00:39:56,719 Speaker 3: but I don't know. I was also young, but I 737 00:39:56,760 --> 00:40:00,279 Speaker 3: remember thinking like this woman is small, like in in 738 00:40:00,280 --> 00:40:01,280 Speaker 3: an endearing. 739 00:40:00,960 --> 00:40:02,760 Speaker 1: Way, you know, and like, oh. 740 00:40:02,640 --> 00:40:06,759 Speaker 3: You're so like humaniful human. Yes, you're a person, You're 741 00:40:06,760 --> 00:40:11,120 Speaker 3: a person. Wait sorry, hold on, there's no actual clear. 742 00:40:13,120 --> 00:40:15,120 Speaker 2: No one knows, no one knows, I screaming. 743 00:40:15,160 --> 00:40:18,040 Speaker 3: There's speculation between five two and five seven, so she 744 00:40:18,080 --> 00:40:19,000 Speaker 3: could be any height. 745 00:40:19,200 --> 00:40:20,640 Speaker 2: I love that there's speculation. 746 00:40:21,120 --> 00:40:21,880 Speaker 3: Nobody knows. 747 00:40:23,000 --> 00:40:25,359 Speaker 2: See, she doesn't tell us if she doesn't want us 748 00:40:25,400 --> 00:40:28,120 Speaker 2: to know. If she wanted us to know, the information 749 00:40:28,160 --> 00:40:28,879 Speaker 2: would be out there. 750 00:40:29,160 --> 00:40:30,760 Speaker 3: We know that she has double d's. 751 00:40:30,880 --> 00:40:33,799 Speaker 2: Of course that she's like you to know that, you 752 00:40:33,840 --> 00:40:35,279 Speaker 2: need to know that I have double D. 753 00:40:35,440 --> 00:40:37,239 Speaker 3: Well, if I had small boobs, which I do, and 754 00:40:37,280 --> 00:40:39,680 Speaker 3: then I became a double D, I would be telling 755 00:40:39,719 --> 00:40:43,840 Speaker 3: everybody also, yeah, I'd be double D deosa Like. 756 00:40:47,719 --> 00:40:48,279 Speaker 2: I love that. 757 00:40:48,360 --> 00:40:50,880 Speaker 3: She's always the like love. She's never been like a 758 00:40:50,920 --> 00:40:53,400 Speaker 3: size A like me, but like you know, when she 759 00:40:54,120 --> 00:40:56,520 Speaker 3: became a mother and got those double d's, like she 760 00:40:56,560 --> 00:40:57,480 Speaker 3: was letting everybody know. 761 00:40:57,640 --> 00:41:02,040 Speaker 2: Absolutely. She's been very proud of her post baby body. 762 00:41:02,400 --> 00:41:07,400 Speaker 2: I think she really embraces the mom curves, which is great. 763 00:41:08,000 --> 00:41:09,719 Speaker 2: I love her as a mom. She's so cute. She 764 00:41:09,760 --> 00:41:11,560 Speaker 2: loves her kids so much. You can tell she's just 765 00:41:11,560 --> 00:41:15,600 Speaker 2: like so excited, yeah, to have her little family, her 766 00:41:15,680 --> 00:41:19,000 Speaker 2: fifty eleven children. As she says. 767 00:41:19,600 --> 00:41:22,680 Speaker 3: So Beyonce is the greatest performer ever of all time. 768 00:41:23,160 --> 00:41:26,040 Speaker 3: I think that that's a good place to end. But 769 00:41:26,440 --> 00:41:28,120 Speaker 3: before we end, I didn't want to do a little 770 00:41:28,120 --> 00:41:31,560 Speaker 3: flash around with Mala. What was your first Beyonce concert? 771 00:41:32,239 --> 00:41:37,040 Speaker 2: My first Beyonce concert was definitely it was It had 772 00:41:37,080 --> 00:41:40,360 Speaker 2: to be on the run. Was that before Formation? 773 00:41:40,719 --> 00:41:40,919 Speaker 3: Yes? 774 00:41:41,080 --> 00:41:41,319 Speaker 2: Yeah? 775 00:41:41,360 --> 00:41:44,120 Speaker 3: No, no, No, Formation was first, No on the Run 776 00:41:44,200 --> 00:41:44,879 Speaker 3: was first, and. 777 00:41:44,840 --> 00:41:48,440 Speaker 2: Then Formation, Yes, okay, so it was on the Run, yeah, 778 00:41:48,480 --> 00:41:51,480 Speaker 2: and which was at the Rose Bowl. I've seen so 779 00:41:51,520 --> 00:41:53,680 Speaker 2: I've seen her twice at the Rose Bowl and then 780 00:41:53,680 --> 00:41:57,120 Speaker 2: now it's so Fi and yeah, that's it. That's that's 781 00:41:57,480 --> 00:41:58,879 Speaker 2: I hope to continue seeing her. 782 00:41:59,200 --> 00:41:59,560 Speaker 3: We will. 783 00:41:59,800 --> 00:42:02,160 Speaker 2: Yeah, we're gonna keep going. I mean as long as 784 00:42:02,160 --> 00:42:05,400 Speaker 2: she puts on shows like we gotta go. Yeah, how 785 00:42:05,440 --> 00:42:05,879 Speaker 2: about you. 786 00:42:06,040 --> 00:42:09,400 Speaker 3: My first one was the Verizon Ladies Tour and that 787 00:42:09,600 --> 00:42:12,359 Speaker 3: was dangerously in Love I think, but she wasn't she 788 00:42:12,400 --> 00:42:15,080 Speaker 3: wasn't touring solo yet, so it was with Missy Elliott 789 00:42:15,160 --> 00:42:17,879 Speaker 3: and Alicia Keys. Stop it, I can't believe I went. 790 00:42:17,960 --> 00:42:19,799 Speaker 3: I like, can't even believe that that was a real 791 00:42:19,960 --> 00:42:21,759 Speaker 3: Like I'm like, did I make that up? No, it 792 00:42:21,800 --> 00:42:23,560 Speaker 3: was a real concert. And my brother took me. 793 00:42:23,680 --> 00:42:24,759 Speaker 2: Where was that? 794 00:42:24,880 --> 00:42:27,560 Speaker 3: It was an Anaheim at the Honda Civic Center, Nice 795 00:42:27,960 --> 00:42:30,960 Speaker 3: And that was my first Beyonce concert. And then from there, 796 00:42:31,000 --> 00:42:33,640 Speaker 3: like I've gone to I think I've only missed one concert, 797 00:42:33,719 --> 00:42:35,680 Speaker 3: but I've gone to all of them. I went to 798 00:42:35,719 --> 00:42:38,879 Speaker 3: Sasha Fears, I went. There've been to a bunch of them. 799 00:42:39,239 --> 00:42:42,240 Speaker 2: Yes, what an era, what a time, such a good era. 800 00:42:42,640 --> 00:42:44,600 Speaker 3: And yeah, she's one of those people where it doesn't 801 00:42:44,640 --> 00:42:47,480 Speaker 3: matter what happens. If she's gonna be on tour, I'm 802 00:42:47,520 --> 00:42:49,720 Speaker 3: going to try to get tickets. There's very few people 803 00:42:49,760 --> 00:42:51,600 Speaker 3: I feel that way about, but she's one of them. 804 00:42:51,880 --> 00:42:55,719 Speaker 2: Absolutely. I also feel like there's just no bad seat 805 00:42:55,760 --> 00:42:59,600 Speaker 2: in the house. Like we we were joking like we're 806 00:42:59,640 --> 00:43:01,040 Speaker 2: in the nose Bleeds, were in the fives. 807 00:43:01,120 --> 00:43:02,719 Speaker 3: We weren't. We weren't in the fives. We were in 808 00:43:02,719 --> 00:43:03,080 Speaker 3: the threes. 809 00:43:03,480 --> 00:43:04,759 Speaker 2: And it was great, and it was great and it 810 00:43:04,800 --> 00:43:05,720 Speaker 2: was great. It was perfect. 811 00:43:05,840 --> 00:43:08,520 Speaker 3: Yeah, it wasn't floor. We're not at Flora level yet, 812 00:43:08,600 --> 00:43:10,880 Speaker 3: but like I thought, yeah, it's like to me, it 813 00:43:10,880 --> 00:43:12,760 Speaker 3: didn't matter. I was like, even if we get fives, 814 00:43:12,800 --> 00:43:13,719 Speaker 3: I just want to be there. 815 00:43:13,920 --> 00:43:16,360 Speaker 2: We could see Yeah, we could see everything. Yea. And 816 00:43:16,400 --> 00:43:19,720 Speaker 2: I think she's very intentional in her how she sets 817 00:43:19,760 --> 00:43:21,960 Speaker 2: up her stage and her visuals and all that good stuff. 818 00:43:22,000 --> 00:43:28,520 Speaker 2: For that reason. Favorite album, Oh my god, I love 819 00:43:28,640 --> 00:43:32,000 Speaker 2: bea Day so much because I feel like that's really 820 00:43:32,000 --> 00:43:34,839 Speaker 2: one of her that's a really good dance album. It 821 00:43:34,880 --> 00:43:39,839 Speaker 2: is like I remember parties growing up formative years and 822 00:43:40,480 --> 00:43:43,799 Speaker 2: the music off of bea Day was playing everywhere and 823 00:43:43,800 --> 00:43:46,719 Speaker 2: we were dancing to it for a long time. Uh. 824 00:43:47,440 --> 00:43:51,080 Speaker 2: I also love four four It's amazing. I mean I 825 00:43:51,120 --> 00:43:54,600 Speaker 2: also love self Titled. I mean, I mean I also 826 00:43:54,640 --> 00:43:57,279 Speaker 2: love Elevany. Like it's so it's so hard because they're 827 00:43:57,280 --> 00:43:58,280 Speaker 2: also so different. 828 00:43:58,400 --> 00:43:59,360 Speaker 1: They're so different. 829 00:44:00,000 --> 00:44:02,800 Speaker 3: And I think also because we've grown up with her, 830 00:44:03,080 --> 00:44:05,399 Speaker 3: it's like you said, she's always been around. But it's 831 00:44:05,440 --> 00:44:08,239 Speaker 3: also like you can remember what was happening in your 832 00:44:08,280 --> 00:44:11,560 Speaker 3: life around the time of the Beyonce album, Like self titled? 833 00:44:11,600 --> 00:44:12,640 Speaker 3: Were my college days? 834 00:44:12,719 --> 00:44:13,480 Speaker 1: You know, b day? 835 00:44:13,560 --> 00:44:15,920 Speaker 3: I think I was maybe in high school. You know 836 00:44:16,080 --> 00:44:18,000 Speaker 3: Sasha Fears, I was definitely high school because I saw 837 00:44:18,000 --> 00:44:20,319 Speaker 3: her in high school. But yeah, it's like you can 838 00:44:20,560 --> 00:44:23,440 Speaker 3: also associate these albums with something that was happening in 839 00:44:23,440 --> 00:44:24,080 Speaker 3: your life. 840 00:44:24,480 --> 00:44:29,880 Speaker 2: Oh absolutely. And then I mean, you know the Surprise album, 841 00:44:29,920 --> 00:44:31,719 Speaker 2: which was what self titled, I. 842 00:44:31,640 --> 00:44:32,280 Speaker 1: Was self titled? 843 00:44:32,360 --> 00:44:35,000 Speaker 2: That was in college. Yeah, and I remember being at 844 00:44:35,000 --> 00:44:35,799 Speaker 2: the Latino Center. 845 00:44:35,920 --> 00:44:39,120 Speaker 3: Wait, hold on, what where were you when the digital popped? 846 00:44:39,239 --> 00:44:40,200 Speaker 3: That's my next question. 847 00:44:40,360 --> 00:44:43,279 Speaker 2: Yes, I was in college at the Latino Center. It 848 00:44:43,320 --> 00:44:45,080 Speaker 2: was the middle of the night because she released it 849 00:44:45,080 --> 00:44:46,560 Speaker 2: in the middle of the night, and it was like, 850 00:44:46,600 --> 00:44:50,600 Speaker 2: I think Andrew nunia shout out Andrew Nuniez. We're all 851 00:44:50,640 --> 00:44:54,239 Speaker 2: like late cause it's like finals time. So we're all 852 00:44:54,320 --> 00:44:58,239 Speaker 2: late night like working studying, and there were like ten 853 00:44:58,320 --> 00:45:01,080 Speaker 2: of us in there. And Andrew Nuniez on Tumblr and 854 00:45:01,120 --> 00:45:04,000 Speaker 2: he was like, oh, oh my god. We're like, what 855 00:45:04,320 --> 00:45:07,279 Speaker 2: he's like, Beyonce just dropped a surprise album. We're like, 856 00:45:07,360 --> 00:45:09,560 Speaker 2: what he's like, Beyonce just drop a five album? And 857 00:45:09,600 --> 00:45:11,960 Speaker 2: he's like, you don't understand. And then we spent the 858 00:45:12,000 --> 00:45:17,879 Speaker 2: rest of the night not studying. Fuck. Finals were immersed 859 00:45:18,560 --> 00:45:20,200 Speaker 2: and where were you girl? 860 00:45:20,400 --> 00:45:23,799 Speaker 3: Same? It was also final size in for me and 861 00:45:24,000 --> 00:45:27,480 Speaker 3: I remember I was I woke up from a nap 862 00:45:27,560 --> 00:45:30,560 Speaker 3: because I was in the middle of like writing papers studying. 863 00:45:30,600 --> 00:45:33,120 Speaker 3: So it's like, okay, power nap and I wake up 864 00:45:33,120 --> 00:45:36,000 Speaker 3: from my nap and I go on Twitter and Twitter 865 00:45:36,440 --> 00:45:40,239 Speaker 3: is on fire, like it's like Beyonce this, Beyonce that, 866 00:45:40,280 --> 00:45:43,000 Speaker 3: and I'm like, what happened? And then it's like, oh 867 00:45:43,040 --> 00:45:46,680 Speaker 3: my gosh, she dropped an album. So same, I stopped 868 00:45:46,800 --> 00:45:49,720 Speaker 3: doing anything. It's like you wake up right away. Finals 869 00:45:49,719 --> 00:45:52,400 Speaker 3: don't exist anymore. Let's put the album on the TV 870 00:45:52,640 --> 00:45:55,080 Speaker 3: and like we played it all night and then the 871 00:45:55,120 --> 00:45:56,520 Speaker 3: rest of the week and the rest of the year. 872 00:45:57,000 --> 00:46:00,879 Speaker 2: Yeah. Yeah, I remember seeing the Grown Woman video and 873 00:46:00,920 --> 00:46:04,520 Speaker 2: being like, oh my god, she fucking snapped, she went off. 874 00:46:04,600 --> 00:46:06,040 Speaker 2: What is she doing to us? 875 00:46:06,080 --> 00:46:10,880 Speaker 3: So good? Yes, so good? The greatest performer of our lifetime, honestly, 876 00:46:11,040 --> 00:46:11,399 Speaker 3: of all. 877 00:46:11,320 --> 00:46:14,600 Speaker 2: I mean, of all time. Nobody holds a candle, nobody 878 00:46:14,640 --> 00:46:18,040 Speaker 2: comes close. I don't want to hear I. I can't 879 00:46:18,040 --> 00:46:21,000 Speaker 2: stand the Taylor Swift comparisons. No, it irks me to 880 00:46:21,080 --> 00:46:21,520 Speaker 2: my core. 881 00:46:21,880 --> 00:46:25,440 Speaker 3: It's like, yes, Taylor Swift is obviously talented, she's a songwriter, 882 00:46:25,600 --> 00:46:28,840 Speaker 3: she performs, but they're not in They're not in the 883 00:46:28,880 --> 00:46:32,080 Speaker 3: same caliber because her debt, her perform her career is 884 00:46:32,120 --> 00:46:34,880 Speaker 3: twenty six years long. Like, you can't put them in 885 00:46:34,920 --> 00:46:38,240 Speaker 3: the same track. It's not to deny anyone else's talent, 886 00:46:38,400 --> 00:46:39,960 Speaker 3: but they're not in the same lane. 887 00:46:40,400 --> 00:46:43,200 Speaker 2: The comparisons are honestly unfair to Taylor Swift. 888 00:46:43,360 --> 00:46:46,040 Speaker 3: They are. Yeah, and taylor'swif is super talented, you know, 889 00:46:46,239 --> 00:46:48,680 Speaker 3: I know she has a really intense fandom. Also, I 890 00:46:48,719 --> 00:46:52,480 Speaker 3: forget what they're called swifty here we go, but no, 891 00:46:52,840 --> 00:46:54,640 Speaker 3: it's not you can't. 892 00:46:54,600 --> 00:46:57,680 Speaker 2: You literally shouldn't, Like if you care about Taylor Swift 893 00:46:57,719 --> 00:47:01,320 Speaker 2: at all. Don't compare her to Beyonce. You cannot compete 894 00:47:01,320 --> 00:47:03,920 Speaker 2: where you don't compare, like you're setting Taylor up to 895 00:47:04,000 --> 00:47:06,920 Speaker 2: be dragged. Yeah, it's not nice. Don't do that. 896 00:47:07,080 --> 00:47:09,520 Speaker 3: And someone made I mean not to dive, not to 897 00:47:09,520 --> 00:47:11,879 Speaker 3: get two into this, but I sent this TikTok video 898 00:47:11,960 --> 00:47:15,640 Speaker 3: to Mala where someone said, you know, we've all grown 899 00:47:15,680 --> 00:47:19,759 Speaker 3: alongside Beyonce. We've seen her albums evolve, We've seen her 900 00:47:20,040 --> 00:47:24,880 Speaker 3: evolve and change as an artist, whereas Taylor's albums and 901 00:47:25,000 --> 00:47:29,239 Speaker 3: some vain have stayed very un brand and similar. You know, 902 00:47:29,280 --> 00:47:32,960 Speaker 3: there hasn't been that much of a obvious evolution compared 903 00:47:33,000 --> 00:47:37,320 Speaker 3: to Beyonce. Right, and again, like they're just the career 904 00:47:37,480 --> 00:47:40,520 Speaker 3: length is not the same, so we can't really judge 905 00:47:40,560 --> 00:47:41,319 Speaker 3: in the same way. 906 00:47:41,960 --> 00:47:45,080 Speaker 2: Yeah, and you know, I used to love Taylor Swift 907 00:47:45,600 --> 00:47:47,760 Speaker 2: when I was in high school. I really liked Taylor Swift. 908 00:47:48,080 --> 00:47:51,400 Speaker 2: But I missed when she was doing country music, Like 909 00:47:51,440 --> 00:47:53,000 Speaker 2: I missed when she was when she was like more 910 00:47:53,040 --> 00:47:54,680 Speaker 2: of a hicic you know, like that was like my 911 00:47:54,760 --> 00:47:58,759 Speaker 2: favorite Taylor. Like pop star Taylor is not my favorite. 912 00:47:59,200 --> 00:48:01,200 Speaker 2: You know, I just don't think it translates for me, 913 00:48:01,320 --> 00:48:03,400 Speaker 2: and like we said, like she the girl doesn't dance 914 00:48:03,520 --> 00:48:06,239 Speaker 2: like she doesn't and Beyonce does. And for me, it's 915 00:48:06,360 --> 00:48:09,280 Speaker 2: like that's one of those things that pop star status 916 00:48:09,320 --> 00:48:10,240 Speaker 2: like come. 917 00:48:10,120 --> 00:48:14,479 Speaker 3: On, yeah, it's like and I don't these people you can't. 918 00:48:14,680 --> 00:48:17,760 Speaker 3: Again it's Beyonce, right, but it's like Britney Spears pop 919 00:48:17,800 --> 00:48:18,880 Speaker 3: star that's saying. 920 00:48:18,760 --> 00:48:20,759 Speaker 2: And dance, and she danced her ass off. 921 00:48:21,080 --> 00:48:24,439 Speaker 3: Yes, she performed, yes, you know. And I think that 922 00:48:24,560 --> 00:48:27,359 Speaker 3: there's just there's far and few of the artists that 923 00:48:27,440 --> 00:48:29,040 Speaker 3: do that can do both. 924 00:48:29,200 --> 00:48:31,640 Speaker 2: Yeah, I mean, Beyonce has done a lot of different 925 00:48:31,640 --> 00:48:34,200 Speaker 2: types of movies. I mean, I think one of the 926 00:48:34,360 --> 00:48:36,800 Speaker 2: only other pop star who has done as many movies 927 00:48:36,880 --> 00:48:38,560 Speaker 2: is Beyonce. I don't have numbers in front of me, 928 00:48:38,600 --> 00:48:40,160 Speaker 2: but just like I feel like Jaylo has done a 929 00:48:40,200 --> 00:48:42,920 Speaker 2: lot of movies. We're not going to do Jaylo Beyonce commaritis. 930 00:48:43,080 --> 00:48:44,960 Speaker 2: You can't because you can't. I would not do that 931 00:48:45,000 --> 00:48:47,279 Speaker 2: to jay Lo. No, I just wouldn't do that to her. 932 00:48:47,320 --> 00:48:50,800 Speaker 2: That's unfair. But Jaylo's done a lot of movies. Beyonce 933 00:48:50,880 --> 00:48:54,520 Speaker 2: has done a lot of movies, from Obsessed, dream Girls, 934 00:48:55,400 --> 00:48:59,840 Speaker 2: Cadillac Records, where she portrayed Earth the Kit, I mean Beyonce. 935 00:49:00,520 --> 00:49:01,880 Speaker 2: She was in Austin Powers. 936 00:49:02,000 --> 00:49:05,640 Speaker 3: No, she portrayed at James. 937 00:49:06,120 --> 00:49:11,239 Speaker 2: I'll do that again. Yeah, Beyonce's been in everything from 938 00:49:11,239 --> 00:49:17,080 Speaker 2: Obsessed to Cadillac Records, where she portrayed at A James. 939 00:49:17,239 --> 00:49:19,719 Speaker 2: She was in dream Girls. I mean dream Girls. I mean, 940 00:49:19,760 --> 00:49:21,640 Speaker 2: come on, come on, she killed it. 941 00:49:22,000 --> 00:49:25,160 Speaker 3: The first Beyonce movie that I actually saw, Throwback. You're 942 00:49:25,200 --> 00:49:27,279 Speaker 3: like in the hive if you know this film. It's 943 00:49:27,320 --> 00:49:33,120 Speaker 3: Karmen and she starred opposite Makai Pfeiffer. Throwback. She was 944 00:49:33,160 --> 00:49:36,719 Speaker 3: like the guy in the early two thousands, right, And 945 00:49:36,840 --> 00:49:40,240 Speaker 3: that movie, like I think didn't know it's like would 946 00:49:40,239 --> 00:49:42,839 Speaker 3: be considered a cult classic, right. I don't think it 947 00:49:42,880 --> 00:49:46,040 Speaker 3: was as big as obviously Dreamgirls. But to me, like 948 00:49:46,200 --> 00:49:49,840 Speaker 3: I loved that movie so much as a kid. It 949 00:49:49,960 --> 00:49:52,920 Speaker 3: just did everything for me because she was singing in it. 950 00:49:52,920 --> 00:49:56,520 Speaker 3: It had drama, it was like kind of blueha type things. 951 00:49:56,800 --> 00:50:01,200 Speaker 2: Yeah, very good. She's acting. She's rapping once again. And yeah, 952 00:50:01,239 --> 00:50:03,440 Speaker 2: Beyonce is an actor, and like, I don't think people 953 00:50:03,440 --> 00:50:07,400 Speaker 2: give her enough flowers for her film career. Yeah, you know, 954 00:50:07,680 --> 00:50:12,640 Speaker 2: so just again all that to say, unmatched, untouched, the incomparable. 955 00:50:14,160 --> 00:50:16,920 Speaker 2: She's one of one, she's the only one, she is 956 00:50:17,040 --> 00:50:19,800 Speaker 2: number one, she is unique, and she is Beyonce. 957 00:50:20,719 --> 00:50:23,600 Speaker 3: And with that, thank you so much for listening to 958 00:50:23,719 --> 00:50:25,320 Speaker 3: another episode. 959 00:50:24,840 --> 00:50:28,239 Speaker 1: Of look at Radio. We hope you liked this one. 960 00:50:28,320 --> 00:50:31,280 Speaker 3: We love doing deep dives into some of our faves 961 00:50:31,320 --> 00:50:35,239 Speaker 3: and just talking about the incredible work that they've done 962 00:50:35,320 --> 00:50:38,360 Speaker 3: over the years, so expect a little more of these 963 00:50:38,440 --> 00:50:41,360 Speaker 3: this season. We have a couple other coming for you. 964 00:50:41,960 --> 00:50:44,840 Speaker 2: Remember to leave a review, share with a friend, and 965 00:50:45,120 --> 00:50:52,360 Speaker 2: till next time than those look at Our Radio A 966 00:50:52,480 --> 00:50:55,640 Speaker 2: radio Fani Novela is executive produced and hosted by Me 967 00:50:55,840 --> 00:50:57,720 Speaker 2: Mala Munios and BIOSA. 968 00:50:57,239 --> 00:51:00,480 Speaker 1: Fem story editing by Me FIOSA. 969 00:51:00,040 --> 00:51:01,480 Speaker 2: Are You editing by Stephanie Franco. 970 00:51:01,640 --> 00:51:03,960 Speaker 3: Thank you to our locmotives, our listeners for all of 971 00:51:04,000 --> 00:51:04,520 Speaker 3: your support. 972 00:51:10,200 --> 00:51:21,239 Speaker 1: Bessi fos Loka to Radio a radio phonic. 973 00:51:21,000 --> 00:51:24,719 Speaker 2: Novela hosted by Mala Munos. 974 00:51:24,640 --> 00:51:25,960 Speaker 1: And THEOSAF fem. 975 00:51:59,800 --> 00:51:59,920 Speaker 3: HM. 976 00:52:08,920 --> 00:52:10,160 Speaker 2: Take us to your network