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Now here's a highlight from Coast to Coast 11 00:00:30,440 --> 00:00:34,479 Speaker 1: AM on iHeartRadio. Burl. How did you get interested in 12 00:00:34,520 --> 00:00:39,400 Speaker 1: the paranormal end of this? Well, my father was a 13 00:00:39,440 --> 00:00:45,440 Speaker 1: pilot and he had the gliderport at Lake Elsin or 14 00:00:45,760 --> 00:00:49,400 Speaker 1: south of Los Angeles if you know where that is, 15 00:00:49,479 --> 00:00:53,000 Speaker 1: in the fifties, and he taught me to fly a 16 00:00:53,080 --> 00:00:57,160 Speaker 1: Piper cub when I was only fourteen, and I later 17 00:00:57,360 --> 00:01:02,040 Speaker 1: soloed in a Sweitzer one twenty six glider. So I 18 00:01:02,120 --> 00:01:06,200 Speaker 1: was always interested in aviation. And I can remember asking 19 00:01:06,240 --> 00:01:10,280 Speaker 1: my dad if he thought, you know, there was life 20 00:01:10,520 --> 00:01:13,559 Speaker 1: out there in space, and he said, oh, yeah, there 21 00:01:13,640 --> 00:01:19,080 Speaker 1: has to be. And then, as a young guy, not 22 00:01:19,200 --> 00:01:23,920 Speaker 1: even barely a teenager, just then I started reading every 23 00:01:23,959 --> 00:01:28,839 Speaker 1: book I could find on UFOs, and I read Project 24 00:01:28,920 --> 00:01:34,399 Speaker 1: Blue Book, and I was always looking at the skies, 25 00:01:34,640 --> 00:01:38,480 Speaker 1: you know, trying to see a UFO, but I never did, 26 00:01:38,640 --> 00:01:43,560 Speaker 1: and I've been interested in it all these years. Has 27 00:01:43,640 --> 00:01:50,200 Speaker 1: that influenced your music, the belief in the interest in UFOs, Well, 28 00:01:50,880 --> 00:01:54,640 Speaker 1: it really didn't. That I know of George. Up until 29 00:01:55,480 --> 00:02:02,000 Speaker 1: nineteen seventy four, I had moved from Woodland Hills, a 30 00:02:02,120 --> 00:02:05,960 Speaker 1: suburb of LA where I had been living in the 31 00:02:06,080 --> 00:02:10,720 Speaker 1: music business since nineteen sixty eight, and I found this 32 00:02:10,800 --> 00:02:16,600 Speaker 1: book called The Lost Continent of Move by Colonel James Churchward, 33 00:02:17,400 --> 00:02:22,119 Speaker 1: and I ended up calling the band that we had 34 00:02:22,200 --> 00:02:25,840 Speaker 1: at the time Move, and we had a couple of 35 00:02:25,880 --> 00:02:31,240 Speaker 1: albums out, and in nineteen seventy three we told our 36 00:02:31,280 --> 00:02:35,600 Speaker 1: record label and our promoters and agents we were moving 37 00:02:35,639 --> 00:02:42,680 Speaker 1: to Hawaii because Hawaii was supposedly the mountain peaks of 38 00:02:42,720 --> 00:02:49,360 Speaker 1: the Lost Continent of Move. And so we packed up 39 00:02:49,400 --> 00:02:53,040 Speaker 1: our instruments and everything and flew off to Mallie and 40 00:02:53,800 --> 00:02:58,799 Speaker 1: rented a house on Mallie and we decided to go 41 00:02:58,960 --> 00:03:02,400 Speaker 1: up to the time of hollyochl a crater and watched 42 00:03:02,440 --> 00:03:05,960 Speaker 1: the sunset. It was a popular thing to do, and 43 00:03:06,040 --> 00:03:10,680 Speaker 1: they have an observatory up there, and so we went 44 00:03:10,800 --> 00:03:14,200 Speaker 1: up and we were standing there on the top of 45 00:03:14,240 --> 00:03:18,640 Speaker 1: the crater, and quite a few tourists were there, and 46 00:03:18,760 --> 00:03:22,000 Speaker 1: there was an older gentleman that was in the Navy 47 00:03:22,040 --> 00:03:25,560 Speaker 1: in the Second World War standing next to me. And 48 00:03:25,680 --> 00:03:28,919 Speaker 1: the sun went down and we were looking at all 49 00:03:28,960 --> 00:03:32,720 Speaker 1: of the stars, and all of a sudden, this blue 50 00:03:33,160 --> 00:03:38,119 Speaker 1: pulsating light came over the crater and it didn't make 51 00:03:38,120 --> 00:03:42,720 Speaker 1: a sound, and the guy standing next to me said, man, 52 00:03:42,800 --> 00:03:45,720 Speaker 1: he said, I was in the Navy, and he said, 53 00:03:45,920 --> 00:03:50,200 Speaker 1: I never saw anything like this, and it's not making 54 00:03:50,240 --> 00:03:54,240 Speaker 1: any sound, so it can't be a helicopter. And right 55 00:03:54,280 --> 00:03:57,760 Speaker 1: as he said that, two other lights came out of 56 00:03:57,800 --> 00:04:01,400 Speaker 1: it and went up on each side and they started 57 00:04:01,400 --> 00:04:05,560 Speaker 1: shining a beam from one to the next that formed 58 00:04:05,720 --> 00:04:12,000 Speaker 1: a tetrahedron, an inverted pyramid, and we were all just spellbound. 59 00:04:12,040 --> 00:04:16,000 Speaker 1: And this thing must have lasted for about four minutes, 60 00:04:16,200 --> 00:04:20,400 Speaker 1: and then all of the little lights went back into 61 00:04:20,440 --> 00:04:25,240 Speaker 1: the big one and it shot straight up and disappeared, 62 00:04:25,839 --> 00:04:30,640 Speaker 1: and I went, okay, I've finally seen a UFO. It 63 00:04:30,680 --> 00:04:35,080 Speaker 1: took all of this time, and then we drove down 64 00:04:35,440 --> 00:04:39,480 Speaker 1: back down the mountain to our house in Haiku, Maui, 65 00:04:40,320 --> 00:04:44,839 Speaker 1: and I immediately turned on the real, the real tape 66 00:04:44,880 --> 00:04:50,919 Speaker 1: recorder that I had. I remember those, and I picked 67 00:04:51,040 --> 00:04:55,680 Speaker 1: up my guitar and the song just came out, and 68 00:04:55,880 --> 00:04:59,880 Speaker 1: I recorded it and wrote the lyrics in the core 69 00:05:00,000 --> 00:05:04,960 Speaker 1: words down and that is the first song that I 70 00:05:05,000 --> 00:05:10,640 Speaker 1: can honestly say I was inspired by what I saw 71 00:05:11,440 --> 00:05:17,600 Speaker 1: to write that song. And I've written several songs since that, 72 00:05:19,960 --> 00:05:26,599 Speaker 1: you know, I feel have been inspired by UFOs or something. 73 00:05:26,880 --> 00:05:32,719 Speaker 1: I can't really say actually that they're transmitting it to 74 00:05:32,880 --> 00:05:37,960 Speaker 1: me like some people do. That it comes from somewhere, 75 00:05:38,120 --> 00:05:41,920 Speaker 1: and it comes so fast, and you got to get 76 00:05:41,960 --> 00:05:46,760 Speaker 1: it down real quick. And I once met John Lennon 77 00:05:46,800 --> 00:05:49,480 Speaker 1: in the second Oh did You How Cool? At my 78 00:05:49,600 --> 00:05:54,240 Speaker 1: friend Harry Nelson's house in Hollywood at a party, and 79 00:05:54,320 --> 00:05:57,200 Speaker 1: I got to talk to him for about fifteen minutes. 80 00:05:57,320 --> 00:06:02,960 Speaker 1: George Yes, and Harry put me on the spot. I'd 81 00:06:02,960 --> 00:06:05,720 Speaker 1: just flown over from Malie. He said, this is my 82 00:06:05,800 --> 00:06:09,200 Speaker 1: friend Merle and he's gonna play a song for us, 83 00:06:09,240 --> 00:06:12,320 Speaker 1: and I'd never gotten nervous in my life. When I 84 00:06:12,360 --> 00:06:18,279 Speaker 1: saw John sitting there, my lips started twitch. So I 85 00:06:18,360 --> 00:06:22,159 Speaker 1: played this song I wrote called Honor Way to Hannah, 86 00:06:22,160 --> 00:06:27,279 Speaker 1: and it was talking about seeing two silver saucers while 87 00:06:27,440 --> 00:06:32,200 Speaker 1: driving this beautiful road out in the jungle with cascading 88 00:06:32,279 --> 00:06:35,920 Speaker 1: waterfalls on one side in the ocean on the other. 89 00:06:36,560 --> 00:06:39,239 Speaker 1: And as soon as I finished the song, John said, 90 00:06:39,279 --> 00:06:43,960 Speaker 1: that is very interesting. What inspired that? And then the 91 00:06:44,080 --> 00:06:46,760 Speaker 1: ice was kind of broken and we took a break 92 00:06:47,480 --> 00:06:50,880 Speaker 1: and I got to talk to him for about fifteen minutes, 93 00:06:51,480 --> 00:06:55,320 Speaker 1: and he brought up the fact that he said, isn't 94 00:06:55,400 --> 00:06:59,640 Speaker 1: songwriting odd? You don't know where the inspiration is going 95 00:06:59,680 --> 00:07:02,760 Speaker 1: to I'm from, and you've got to get it down 96 00:07:03,520 --> 00:07:07,880 Speaker 1: real quick some way, either record it or write it down, 97 00:07:08,960 --> 00:07:14,120 Speaker 1: or it'll go away, which is very true, and it 98 00:07:14,160 --> 00:07:19,360 Speaker 1: was interesting. He called it automatic writing. He was ahead 99 00:07:19,400 --> 00:07:23,320 Speaker 1: of his time. Yeah, And so songs that I had 100 00:07:23,400 --> 00:07:29,440 Speaker 1: written before I had that UFO siting. A lot of 101 00:07:29,520 --> 00:07:32,600 Speaker 1: songs I had written that way, and I always found 102 00:07:33,040 --> 00:07:36,720 Speaker 1: the best songs came out. You hear it all in 103 00:07:36,800 --> 00:07:41,840 Speaker 1: your head, the music, and if it's lyrics, you hear 104 00:07:41,880 --> 00:07:45,280 Speaker 1: the lyrics, and then you got to figure out how 105 00:07:45,280 --> 00:07:48,200 Speaker 1: to play it on the guitar or a piano and 106 00:07:48,800 --> 00:07:54,160 Speaker 1: you know, transcribe it somehow or something. Can you know, 107 00:07:55,800 --> 00:07:59,480 Speaker 1: the radio could come on or something and it would 108 00:08:00,120 --> 00:08:04,920 Speaker 1: like be erased from your mind. And so those songs 109 00:08:05,040 --> 00:08:08,880 Speaker 1: that I wrote before that, as I started out an 110 00:08:08,960 --> 00:08:13,640 Speaker 1: instrumental surf, they were inspired. I felt by the ocean 111 00:08:14,000 --> 00:08:19,080 Speaker 1: and different things. Something always inspired him. But that one 112 00:08:19,240 --> 00:08:22,600 Speaker 1: song Calling from a Star, which is on this new 113 00:08:23,120 --> 00:08:28,640 Speaker 1: Eclectia album, I really feel was inspired by a UFO. 114 00:08:29,160 --> 00:08:32,120 Speaker 1: How many people realize when they listen to your music 115 00:08:32,280 --> 00:08:39,640 Speaker 1: that it was inspired by these paranormal events? Oh so many, George. 116 00:08:39,679 --> 00:08:44,000 Speaker 1: When I was on Coast to Coast I think it 117 00:08:44,080 --> 00:08:47,520 Speaker 1: was twenty thirteen with John b. Well, that's right, that's 118 00:08:47,520 --> 00:08:51,800 Speaker 1: about six I'm going I'm almost six years ago. Geez. Yeah. 119 00:08:51,840 --> 00:08:57,160 Speaker 1: I got eight hundred and sixty emails after that, and 120 00:08:57,200 --> 00:09:02,760 Speaker 1: they were all about people asking me about UFOs and 121 00:09:03,480 --> 00:09:07,920 Speaker 1: sightings and telling me about their sightings. And a lot 122 00:09:07,960 --> 00:09:14,960 Speaker 1: of them were musicians, and you know, they get the vibe, 123 00:09:15,080 --> 00:09:19,520 Speaker 1: they know there's something going on. Listen to more Coast 124 00:09:19,559 --> 00:09:23,160 Speaker 1: to Coast AM every weeknight at one am Eastern, and 125 00:09:23,400 --> 00:09:25,800 Speaker 1: go to Coast to coast am dot com for more