1 00:00:01,120 --> 00:00:04,560 Speaker 1: Welcome to Stuff you Should Know from house Stuff Works 2 00:00:04,600 --> 00:00:13,640 Speaker 1: dot com. Hey, and welcome to the podcast. I'm Josh Clark. 3 00:00:13,760 --> 00:00:17,159 Speaker 1: There's Charles W. Choke Bryant, There's Jerry. And this is 4 00:00:17,160 --> 00:00:20,000 Speaker 1: a very special day for us. It's a very special 5 00:00:20,079 --> 00:00:24,480 Speaker 1: day for Jerry because she's celebrating her her very special 6 00:00:24,560 --> 00:00:29,920 Speaker 1: day because today Jerry turns sweet fifteen. Right, well, technically 7 00:00:30,000 --> 00:00:33,600 Speaker 1: it's her triple king Tanya. No, Jerry started producing the 8 00:00:33,600 --> 00:00:37,960 Speaker 1: show when she was five. Oh yeah, she was the 9 00:00:38,040 --> 00:00:41,360 Speaker 1: wonder kin. She was a child prodigy three, A lot 10 00:00:41,360 --> 00:00:44,160 Speaker 1: of temper tantrums. Yeah, but we got through that time, 11 00:00:44,440 --> 00:00:46,920 Speaker 1: we did the Terrible fives and now she's just a 12 00:00:47,040 --> 00:00:51,240 Speaker 1: pretty little lady in her pink lacey satine dress. Yeah, 13 00:00:51,240 --> 00:00:53,760 Speaker 1: that dresses a lot, even for a king signor address. 14 00:00:53,880 --> 00:00:57,920 Speaker 1: Jerry agreed. Can I go ahead and say I don't 15 00:00:58,360 --> 00:01:01,160 Speaker 1: do the R role very well? So I'm just gonna 16 00:01:01,200 --> 00:01:06,440 Speaker 1: say Keen Sanira, okay, instead of Kencaniana. Yeah that wasn't 17 00:01:06,520 --> 00:01:08,479 Speaker 1: very good either, right. I used to do a good 18 00:01:08,560 --> 00:01:10,880 Speaker 1: R role because of German, but I feel like I've 19 00:01:10,880 --> 00:01:13,240 Speaker 1: lost it a bit, and I guess it's actually an 20 00:01:13,400 --> 00:01:19,000 Speaker 1: end role. Keen Signietta is good, right, yeah, but if 21 00:01:19,040 --> 00:01:20,720 Speaker 1: I try to keep it up, it's it's I think 22 00:01:20,720 --> 00:01:24,520 Speaker 1: it's going to fatigue everybody pretty quick. So Keen Sanira, Well, 23 00:01:24,560 --> 00:01:25,959 Speaker 1: and the last thing we want to be here two 24 00:01:26,120 --> 00:01:29,400 Speaker 1: jackass white dudes, Well, that's what we're doing too, thick 25 00:01:29,920 --> 00:01:33,679 Speaker 1: to forty something white dudes are about to talk about 26 00:01:33,760 --> 00:01:36,240 Speaker 1: Keen Sanieta's like, we know what we're talking about when 27 00:01:36,319 --> 00:01:38,480 Speaker 1: we did the research, and I think it's uh. I 28 00:01:38,520 --> 00:01:41,080 Speaker 1: think it's good to cover stuff like this. I do too. 29 00:01:41,160 --> 00:01:44,760 Speaker 1: I had very little understanding about this, just from what 30 00:01:44,800 --> 00:01:48,440 Speaker 1: I've seen on like MTV or whatever, you know, did 31 00:01:48,480 --> 00:01:51,560 Speaker 1: they have a show they have one called like My 32 00:01:51,640 --> 00:01:55,040 Speaker 1: Sweet sixteen or whatever I might be complaining with. But 33 00:01:55,120 --> 00:01:58,720 Speaker 1: I swear I've seen ken like I knew some of 34 00:01:58,720 --> 00:02:02,600 Speaker 1: this stuff somewhere. I don't nowhere though, somewhere just in 35 00:02:02,640 --> 00:02:06,280 Speaker 1: the just being plugged into culture, I knew it. I guess. Yeah. Well, 36 00:02:06,280 --> 00:02:08,880 Speaker 1: I lived in Los Angeles, as you know, and they 37 00:02:08,919 --> 00:02:14,560 Speaker 1: have obviously quite a Latin population, and I looked up 38 00:02:14,800 --> 00:02:17,680 Speaker 1: Hispanic in Latino. I wanted to get out all right, good, good, 39 00:02:17,760 --> 00:02:19,480 Speaker 1: let's hear what you got. Well, it says that they 40 00:02:19,480 --> 00:02:24,120 Speaker 1: can generally used interchangeably these days. But um, I think 41 00:02:24,240 --> 00:02:28,400 Speaker 1: Latino can like I think Hispanic refers to whether or 42 00:02:28,440 --> 00:02:31,560 Speaker 1: not you actually have Spanish speaking roots. Oh is that right? 43 00:02:31,680 --> 00:02:36,440 Speaker 1: But um, Latino can be like Brazil uh in places 44 00:02:36,440 --> 00:02:38,960 Speaker 1: in South America as well, if I'm not mistaken. I 45 00:02:39,040 --> 00:02:42,120 Speaker 1: heard once that Ronald Reagan was the person who coined 46 00:02:42,120 --> 00:02:45,960 Speaker 1: the term Hispanic, or at least popularized it. Really Yeah, 47 00:02:46,040 --> 00:02:49,760 Speaker 1: well it was that tattoo across his upper back Hispanic 48 00:02:50,000 --> 00:02:53,840 Speaker 1: life for life, yea with the number four. Uh. But 49 00:02:53,960 --> 00:02:55,760 Speaker 1: at any rate, you know, lived in l A and 50 00:02:55,800 --> 00:02:58,600 Speaker 1: there's uh, you know, a large Mexican population. So I 51 00:02:58,600 --> 00:03:03,399 Speaker 1: would see Quantanietas going on all the time when you're 52 00:03:03,440 --> 00:03:05,679 Speaker 1: just driving around on a weekend. That I would see 53 00:03:05,680 --> 00:03:07,520 Speaker 1: stuff and I was like, wait a minute, it's not 54 00:03:07,639 --> 00:03:11,080 Speaker 1: prom it's summer. Like what's going on? It's like Prom 55 00:03:11,120 --> 00:03:13,640 Speaker 1: times ten. And then some somebody hit me in the head. 56 00:03:13,680 --> 00:03:16,919 Speaker 1: They're like, you dummy, dumb white guy from the South. 57 00:03:17,960 --> 00:03:21,520 Speaker 1: That's a Kencanietas, right, And so I was like, well, 58 00:03:21,520 --> 00:03:22,840 Speaker 1: you know what one they I'm gonna do a podcast 59 00:03:22,880 --> 00:03:25,680 Speaker 1: about that. They said, what is a podcast? To make 60 00:03:25,760 --> 00:03:28,120 Speaker 1: up for all this? He said, just watch that's right. 61 00:03:28,840 --> 00:03:32,840 Speaker 1: So one thing I saw was um with Latin, you know, 62 00:03:32,919 --> 00:03:38,520 Speaker 1: like with Latino or Latino, there's the ingrained masculine. But 63 00:03:38,800 --> 00:03:41,120 Speaker 1: something I saw pop up in a couple of sites 64 00:03:41,280 --> 00:03:43,880 Speaker 1: was they would replace the O or the A with 65 00:03:43,960 --> 00:03:47,800 Speaker 1: an X just to make it the word gender neutral, 66 00:03:48,120 --> 00:03:51,760 Speaker 1: like Latin X. Oh. Yeah, I don't know how you 67 00:03:51,760 --> 00:03:54,119 Speaker 1: pronounced it. I didn't get that far, but I saw 68 00:03:54,200 --> 00:03:56,680 Speaker 1: imprint in a couple of different sites where they were 69 00:03:56,680 --> 00:04:00,560 Speaker 1: trying to remove the gender from you know, Tino or 70 00:04:00,640 --> 00:04:04,480 Speaker 1: Latina and just make it genderal gender neutral. Because there's 71 00:04:04,600 --> 00:04:07,080 Speaker 1: there's a m. I haven't seen it, but there's an 72 00:04:07,160 --> 00:04:10,560 Speaker 1: HBO documentary about Kenson gets and one of them is 73 00:04:10,600 --> 00:04:17,719 Speaker 1: for a trans girl. Okay, would it be pronounced Latins? Maybe? 74 00:04:18,960 --> 00:04:21,160 Speaker 1: I mean I have to see it written down. How 75 00:04:21,279 --> 00:04:24,960 Speaker 1: is the X in like wakaka? Isn't it like hot 76 00:04:24,960 --> 00:04:30,240 Speaker 1: wa wa? So maybe Lata? That's where I'm going with 77 00:04:30,440 --> 00:04:32,360 Speaker 1: here we go. I didn't want to be too dumb dumbs, 78 00:04:32,360 --> 00:04:35,960 Speaker 1: and we're so far down dumb dumb lane it's not 79 00:04:36,040 --> 00:04:39,320 Speaker 1: even funny. No, So let's try to get this back 80 00:04:39,400 --> 00:04:41,520 Speaker 1: on the rail, shall we. I think what we just 81 00:04:41,520 --> 00:04:44,119 Speaker 1: did was great because we explored some questions we had, 82 00:04:45,000 --> 00:04:47,520 Speaker 1: But now we can talk about everything we know about Kenson. 83 00:04:47,560 --> 00:04:51,600 Speaker 1: Getis right, which is we've been dancing around this thing. 84 00:04:52,400 --> 00:04:57,880 Speaker 1: This is the fifteen birthday celebration for young ladies, young 85 00:04:57,880 --> 00:05:04,000 Speaker 1: women in Mexico, Puerto Rico, in Cuba, in the United States, 86 00:05:04,600 --> 00:05:08,400 Speaker 1: kind of all over the world. Um, this is this 87 00:05:08,440 --> 00:05:12,960 Speaker 1: can take place? Yeah, Um, and it seems to be 88 00:05:13,120 --> 00:05:18,479 Speaker 1: so it's a it's actually a very traditional thing to 89 00:05:18,560 --> 00:05:25,080 Speaker 1: where um Catholic, like the Catholic nous of the girl 90 00:05:26,400 --> 00:05:34,640 Speaker 1: and her even pre Catholic origins bind together with what 91 00:05:34,839 --> 00:05:38,520 Speaker 1: I guess you would call like is a universal coming 92 00:05:38,600 --> 00:05:44,680 Speaker 1: of age celebration that also focuses on the individuality and 93 00:05:44,720 --> 00:05:47,880 Speaker 1: tastes of the girl. You put all those things together, 94 00:05:48,080 --> 00:05:52,840 Speaker 1: you have a keen Signetta, which is a fifteenth birthday party, 95 00:05:53,120 --> 00:05:56,040 Speaker 1: which is a coming out party for a girl as 96 00:05:56,040 --> 00:06:00,840 Speaker 1: she transitions from um girlhood into womanhood. It happens on 97 00:06:00,920 --> 00:06:03,920 Speaker 1: this day and they throw a huge celebration. And there's 98 00:06:03,920 --> 00:06:06,480 Speaker 1: a lot of really cool traditions that you're gonna find it, 99 00:06:06,600 --> 00:06:10,279 Speaker 1: Like every king signhetta that are that have some a 100 00:06:10,360 --> 00:06:13,120 Speaker 1: neat origin story to them or a neat symbolism to 101 00:06:13,200 --> 00:06:17,480 Speaker 1: them and also some great music, some delicious food. Mm. 102 00:06:18,520 --> 00:06:21,840 Speaker 1: Family coming together for an important day. It's really great. 103 00:06:22,000 --> 00:06:24,640 Speaker 1: Not just family, the whole community is meant to you know, 104 00:06:24,760 --> 00:06:27,880 Speaker 1: like extended family. People in the community that have like 105 00:06:27,960 --> 00:06:30,440 Speaker 1: had an impact on the girl's life, like a teacher. 106 00:06:31,080 --> 00:06:33,680 Speaker 1: People chip in for the expense of this. It's like 107 00:06:33,720 --> 00:06:37,960 Speaker 1: a real communal thing. Should we go back in time? Okay, 108 00:06:38,040 --> 00:06:41,640 Speaker 1: let's or did you want to go to the future. No, no, 109 00:06:41,680 --> 00:06:43,679 Speaker 1: we'll go back in time all right. So the origins 110 00:06:43,720 --> 00:06:46,159 Speaker 1: of this, say, date back all the way to the 111 00:06:46,160 --> 00:06:50,239 Speaker 1: Aztec Indians. Um. Obviously in the fourteen hundreds and fifteen hundreds, 112 00:06:51,000 --> 00:06:57,520 Speaker 1: they were performing these festivals because girls back then we're 113 00:06:57,880 --> 00:07:00,440 Speaker 1: marriage ready at the age of fifteen. That's kind of 114 00:07:00,480 --> 00:07:03,480 Speaker 1: what it symbolized, right, And like it's it wasn't just 115 00:07:03,520 --> 00:07:06,359 Speaker 1: the Aztecs. Like around the world and cultures around the 116 00:07:06,360 --> 00:07:09,440 Speaker 1: world like you you would find some sort of coming 117 00:07:09,480 --> 00:07:13,360 Speaker 1: of age or rites of passage into womanhood. And yeah, 118 00:07:13,400 --> 00:07:15,000 Speaker 1: when you came out the other end, it was like 119 00:07:15,080 --> 00:07:18,400 Speaker 1: you were on the market then from that point on, 120 00:07:19,000 --> 00:07:23,320 Speaker 1: that's right. And they had ceremonies, they had speeches, um, 121 00:07:23,360 --> 00:07:26,960 Speaker 1: talking about how important it is to become a wise, 122 00:07:27,040 --> 00:07:30,160 Speaker 1: upstanding member of society as a young woman. Um. Then 123 00:07:30,200 --> 00:07:33,320 Speaker 1: the Spanish come along. Of course, they invade what we 124 00:07:33,400 --> 00:07:36,640 Speaker 1: now call Mexico over through the Aztecs, and that brought 125 00:07:36,640 --> 00:07:40,840 Speaker 1: in a European influence to this whole experience. And this 126 00:07:40,920 --> 00:07:44,680 Speaker 1: is where things got a little more, um, a little 127 00:07:44,720 --> 00:07:48,880 Speaker 1: more like debutante. Yeah, it's actually I looked into this 128 00:07:48,920 --> 00:07:52,200 Speaker 1: a little further, chuck. And they they are. They can't 129 00:07:52,240 --> 00:07:56,520 Speaker 1: say for certain where Keintaniettez came from, but they think 130 00:07:56,560 --> 00:08:00,760 Speaker 1: the Aztecs. But their source comes from a single nun 131 00:08:01,160 --> 00:08:05,600 Speaker 1: working in Mexico who wrote an account that had been 132 00:08:05,600 --> 00:08:09,720 Speaker 1: given to a priest forty years earlier from another priest 133 00:08:10,160 --> 00:08:15,000 Speaker 1: who had supposedly in the fifteen twenties interviewed some az 134 00:08:15,000 --> 00:08:18,400 Speaker 1: Tech high priests about their culture. So that's where the 135 00:08:18,400 --> 00:08:20,400 Speaker 1: whole idea that there was a rite of passage at 136 00:08:20,400 --> 00:08:23,480 Speaker 1: age fifteen comes from kind of shaky. And then other 137 00:08:23,480 --> 00:08:26,800 Speaker 1: people say, well, no, this is obviously a Spanish colonial influence, 138 00:08:26,880 --> 00:08:30,320 Speaker 1: like being presented at court. But the the idea that 139 00:08:30,360 --> 00:08:33,640 Speaker 1: it's a rite of passage into womanhood is so universal 140 00:08:33,720 --> 00:08:36,400 Speaker 1: that it probably is a combination of the two of them. 141 00:08:37,120 --> 00:08:39,360 Speaker 1: No one can just say for certain though what the 142 00:08:39,400 --> 00:08:45,400 Speaker 1: origin is specifically. Yeah, and apparently until the nineteen sixties, UM, 143 00:08:45,440 --> 00:08:48,440 Speaker 1: it was really kind of an upper class thing. But 144 00:08:48,559 --> 00:08:53,360 Speaker 1: then in the nineteen sixties, as Latinos immigrated to the 145 00:08:53,400 --> 00:08:57,120 Speaker 1: United States and they became more part of American fabric, 146 00:08:57,760 --> 00:09:00,840 Speaker 1: they really kind of really kind of spread throughout the 147 00:09:00,960 --> 00:09:06,120 Speaker 1: US and Latin America as becoming across all socio economic classes. 148 00:09:06,720 --> 00:09:09,000 Speaker 1: And uh, we'll get to this a little more later. 149 00:09:09,040 --> 00:09:12,439 Speaker 1: But wonderfully, like you said, um, in poorer communities, you 150 00:09:12,480 --> 00:09:17,160 Speaker 1: see entire communities chipping in some money many times, or 151 00:09:17,240 --> 00:09:21,840 Speaker 1: the the godmothers and godfathers and padnos and Madrina's like 152 00:09:21,920 --> 00:09:25,120 Speaker 1: that to help pay for this stuff. UM. I saw 153 00:09:25,160 --> 00:09:30,679 Speaker 1: this photographer did a really great photos series of Quintana's 154 00:09:30,760 --> 00:09:36,000 Speaker 1: celebrations in poor neighborhoods in Mexico and photograph these really 155 00:09:36,040 --> 00:09:39,120 Speaker 1: beautiful photographs of these these young women in their dresses 156 00:09:39,160 --> 00:09:43,960 Speaker 1: sort of in the middle of a very depressed neighborhood, UM, 157 00:09:44,000 --> 00:09:47,240 Speaker 1: and just showing how important it was that they still 158 00:09:47,320 --> 00:09:52,800 Speaker 1: had this celebration, um, even though they they it was 159 00:09:52,880 --> 00:09:55,920 Speaker 1: it was a burden financially on their families, right. Yeah, 160 00:09:56,000 --> 00:09:58,760 Speaker 1: I think Mexico City got together in two thousand and 161 00:09:58,800 --> 00:10:02,440 Speaker 1: seven and um, some of the businesses, some of them, 162 00:10:02,800 --> 00:10:07,119 Speaker 1: some nonprofit groups held like a big mass kin signeta 163 00:10:07,679 --> 00:10:09,959 Speaker 1: UM and now they do it every year for girls 164 00:10:10,000 --> 00:10:12,880 Speaker 1: who who wouldn't otherwise be able to have one. Yeah. 165 00:10:12,880 --> 00:10:16,000 Speaker 1: I also read a New York Times article where, um, 166 00:10:16,040 --> 00:10:17,840 Speaker 1: there's a lot of bias like when it comes to 167 00:10:17,960 --> 00:10:21,800 Speaker 1: things like this and and barn bought Mitzvah's and Debutante balls, 168 00:10:22,360 --> 00:10:26,000 Speaker 1: where it's very easy for someone to say, like you, 169 00:10:26,000 --> 00:10:29,360 Speaker 1: you know, if you're poor living in Mexico City, why 170 00:10:29,360 --> 00:10:32,880 Speaker 1: are you wasting? And that's an air quotes your money 171 00:10:32,880 --> 00:10:35,920 Speaker 1: on this celebration when your family doesn't have much money, 172 00:10:36,480 --> 00:10:38,360 Speaker 1: and they say, you know, you never hear this kind 173 00:10:38,360 --> 00:10:43,920 Speaker 1: of criticism for bar Mitzvah's and bought Mitzvah's or debutants, um, 174 00:10:43,960 --> 00:10:48,400 Speaker 1: regardless of so socioeconomic status. So it's just very important, 175 00:10:48,480 --> 00:10:52,800 Speaker 1: important part of their culture that should be UM shouldn't 176 00:10:52,840 --> 00:10:55,320 Speaker 1: be looked down upon just because they may not have 177 00:10:55,360 --> 00:10:57,679 Speaker 1: the kind of money to throw a big one. Uh 178 00:10:59,080 --> 00:11:01,120 Speaker 1: you know what I'm saying. Yeah, yeah, And I'm yeah, 179 00:11:01,240 --> 00:11:03,640 Speaker 1: I'm sure one of the things that you just kind 180 00:11:03,640 --> 00:11:05,680 Speaker 1: of hit on the head is that it's a it's 181 00:11:05,720 --> 00:11:12,480 Speaker 1: a it's a part of UM Latin next culture UM, 182 00:11:12,480 --> 00:11:15,439 Speaker 1: which is one reason why it's become so big in America. 183 00:11:15,720 --> 00:11:19,520 Speaker 1: It's a way of UM people of Latino heritage to say, 184 00:11:19,920 --> 00:11:22,520 Speaker 1: you know, this is my heritage too, and this is 185 00:11:22,520 --> 00:11:25,400 Speaker 1: how I'm going to come of age in America. But 186 00:11:25,520 --> 00:11:29,000 Speaker 1: because it's also in America and these are American born 187 00:11:29,080 --> 00:11:33,840 Speaker 1: girls of UM Latino heritage, they they have come over 188 00:11:33,920 --> 00:11:37,280 Speaker 1: time to kind of meld together with what Americans look 189 00:11:37,280 --> 00:11:40,640 Speaker 1: at and say, that's just one enormous Sweet six Team party. 190 00:11:41,440 --> 00:11:43,760 Speaker 1: But there's there's some details in there that you'll find 191 00:11:43,760 --> 00:11:45,880 Speaker 1: it at Kenson Era that you won't at a Sweet 192 00:11:45,880 --> 00:11:48,960 Speaker 1: six Team party. And we'll talk about those right after this. 193 00:11:49,440 --> 00:12:17,040 Speaker 1: Well done, all right, Charles. So we are going to 194 00:12:17,120 --> 00:12:20,600 Speaker 1: start the day. It's a frantic day. It's a hectic day. 195 00:12:21,360 --> 00:12:25,000 Speaker 1: From everything I understand from what I've read, this is 196 00:12:25,000 --> 00:12:27,720 Speaker 1: a an actually like a cool day for a girl, 197 00:12:27,760 --> 00:12:31,439 Speaker 1: but also very stressful. All right. It's like a it's 198 00:12:31,440 --> 00:12:33,720 Speaker 1: like a wedding or a prom or anything where there's 199 00:12:33,880 --> 00:12:37,160 Speaker 1: UM a lot of pressure on this one. You know, 200 00:12:38,120 --> 00:12:41,199 Speaker 1: six hour experience. But think about this. With a wedding, 201 00:12:41,440 --> 00:12:44,920 Speaker 1: you've got your s O to plan the wedding with. 202 00:12:44,920 --> 00:12:48,640 Speaker 1: With prom, you've got a handful of other girls to plan. 203 00:12:49,320 --> 00:12:51,840 Speaker 1: You know what you're doing with prom, and plus proms 204 00:12:51,840 --> 00:12:54,440 Speaker 1: already being planned for you by your school or whatever. 205 00:12:55,080 --> 00:12:59,200 Speaker 1: This is like your day, and part of your responsibility 206 00:12:59,320 --> 00:13:02,680 Speaker 1: is the keensie Yetta, which by the way, Kensonietta literally 207 00:13:02,720 --> 00:13:06,680 Speaker 1: translates to the girl who is fifteen, um, so this 208 00:13:06,720 --> 00:13:10,600 Speaker 1: is technically your Fiesta day keen Signetta or something like that. 209 00:13:11,559 --> 00:13:14,559 Speaker 1: Part of your responsibility as Kensanetta is to show that 210 00:13:14,640 --> 00:13:18,160 Speaker 1: you can take part in this planning. On the one hand, 211 00:13:18,520 --> 00:13:21,960 Speaker 1: it's to allow it to reflect your personality and your taste, 212 00:13:22,000 --> 00:13:23,880 Speaker 1: so you're the one who needs to choose all this stuff. 213 00:13:24,080 --> 00:13:25,920 Speaker 1: But it also shows that you can be a grown 214 00:13:26,000 --> 00:13:29,160 Speaker 1: up too and undertake months of planning leading up to 215 00:13:29,240 --> 00:13:33,240 Speaker 1: this thing and basically pull it off. Correct, you are right, Okay? 216 00:13:33,280 --> 00:13:37,000 Speaker 1: So the whole thing starts with a trip to church, 217 00:13:37,840 --> 00:13:40,280 Speaker 1: which is not what you're going to find, right, Which 218 00:13:40,320 --> 00:13:42,640 Speaker 1: is not what you're gonna find a normal American like 219 00:13:42,679 --> 00:13:45,880 Speaker 1: say Sweet six Team party, No, And it depends on 220 00:13:45,920 --> 00:13:49,560 Speaker 1: the church where you're gonna have and you know, sometimes 221 00:13:50,040 --> 00:13:53,200 Speaker 1: the celebration also occurs at the church. Sometimes that occurs 222 00:13:53,480 --> 00:13:56,040 Speaker 1: at a different spot. Um, kind of like a wedding, 223 00:13:56,080 --> 00:13:58,920 Speaker 1: you know, sometimes you'll have the reception somewhere else. Right, 224 00:13:59,400 --> 00:14:01,480 Speaker 1: That's not how I started, which we'll talk about that 225 00:14:01,520 --> 00:14:03,280 Speaker 1: in a minute, but go ahead. But it beens on 226 00:14:03,320 --> 00:14:06,240 Speaker 1: the church where you're a member or where you're having 227 00:14:06,240 --> 00:14:09,840 Speaker 1: this initial ceremony. But the girl before this all happens 228 00:14:09,880 --> 00:14:12,880 Speaker 1: for weeks ahead of time, may actually be required to 229 00:14:12,920 --> 00:14:16,840 Speaker 1: attend classes in advance of this, so they're prepared. They 230 00:14:16,880 --> 00:14:22,680 Speaker 1: know to what to expect, right. Um. They well, yeah, 231 00:14:22,720 --> 00:14:25,040 Speaker 1: that's about it as far as the weeks ahead part, 232 00:14:25,400 --> 00:14:27,200 Speaker 1: as far as the church and all the planning, Yeah, 233 00:14:27,240 --> 00:14:30,200 Speaker 1: of course. Right. So on the day they arrive at 234 00:14:30,240 --> 00:14:32,720 Speaker 1: the church, and you were saying, like, you know, now 235 00:14:32,760 --> 00:14:35,080 Speaker 1: it's kind of evolved to where you have, like like 236 00:14:35,080 --> 00:14:36,960 Speaker 1: like a wedding, you have the ceremony of the church 237 00:14:37,000 --> 00:14:41,080 Speaker 1: and then the event elsewhere, right, And that's becoming more 238 00:14:41,120 --> 00:14:43,600 Speaker 1: and more the way. But one of the reasons that 239 00:14:43,760 --> 00:14:48,960 Speaker 1: is becoming, um the way is because in Los Angeles, 240 00:14:49,360 --> 00:14:53,320 Speaker 1: the Los Angeles Archdiocese issued like a set of guidelines 241 00:14:53,360 --> 00:14:56,360 Speaker 1: that basically put the kai bosh on this idea of 242 00:14:56,400 --> 00:15:00,120 Speaker 1: the kingson era as a big lavish affair. Uh. And 243 00:15:00,120 --> 00:15:05,120 Speaker 1: it really dampened this burgeoning um I guess industry or 244 00:15:05,240 --> 00:15:08,760 Speaker 1: tradition or whatever. Um put a damper on it for 245 00:15:08,760 --> 00:15:11,400 Speaker 1: a little while because families didn't want to go against 246 00:15:11,400 --> 00:15:14,920 Speaker 1: the Church, so they kind of toned down the king sanniras. 247 00:15:15,200 --> 00:15:17,240 Speaker 1: But the reason the Church is doing this is because 248 00:15:17,600 --> 00:15:21,240 Speaker 1: there were too many kingsonias, not enough Spanish speaking priests. 249 00:15:21,640 --> 00:15:24,840 Speaker 1: And then also the Catholic Church has always had an 250 00:15:24,880 --> 00:15:29,960 Speaker 1: awkward position in this. In this tradition, it's not a 251 00:15:30,080 --> 00:15:33,640 Speaker 1: Catholic tradition, it's a cultural tradition by a group of 252 00:15:33,640 --> 00:15:38,000 Speaker 1: people who are predominantly Catholic and involved the Church as 253 00:15:38,120 --> 00:15:41,440 Speaker 1: part of this tradition. But this this tradition, if anything, 254 00:15:41,560 --> 00:15:45,080 Speaker 1: is a syncretized tradition. Remember when we were in Guatemala. 255 00:15:45,240 --> 00:15:50,080 Speaker 1: The melding of Catholic beliefs and um like pagan pre 256 00:15:50,360 --> 00:15:54,800 Speaker 1: pre um colonial beliefs, indigenous beliefs is syncretism. This is 257 00:15:54,840 --> 00:15:59,680 Speaker 1: an example of that. There's like az tech rituals supposedly 258 00:16:00,080 --> 00:16:03,320 Speaker 1: mixed with this. The whole thing starts at at a 259 00:16:03,400 --> 00:16:06,000 Speaker 1: Catholic church with a mass, So the church is kind 260 00:16:06,000 --> 00:16:11,240 Speaker 1: of had alternately hands on and hands off view of 261 00:16:11,280 --> 00:16:16,160 Speaker 1: this whole thing and almost put a complete damper on it. 262 00:16:16,240 --> 00:16:18,440 Speaker 1: But since then it just kind of said, Okay, we'll 263 00:16:18,440 --> 00:16:20,800 Speaker 1: just start off at the church and we'll have the 264 00:16:20,800 --> 00:16:24,080 Speaker 1: the party afterward elsewhere. Yeah. And I've also seen that 265 00:16:24,120 --> 00:16:27,560 Speaker 1: a lot of churches now are straying away from me 266 00:16:27,640 --> 00:16:29,240 Speaker 1: is because they feel like there's just a lot of 267 00:16:29,280 --> 00:16:34,480 Speaker 1: disrespectful behavior. Um, like you know, people partying on the 268 00:16:34,520 --> 00:16:38,960 Speaker 1: pews and taking pictures with their phone and texting, and 269 00:16:39,000 --> 00:16:41,800 Speaker 1: like they kind of forget that they're in a church, right, 270 00:16:41,840 --> 00:16:43,960 Speaker 1: which I mean, if you step back and think about it, 271 00:16:44,000 --> 00:16:48,520 Speaker 1: having a girl's fifteen year birthday party in an actual church, 272 00:16:49,360 --> 00:16:52,520 Speaker 1: that's a terrible idea to begin with. Yes, so it 273 00:16:52,600 --> 00:16:56,760 Speaker 1: makes sense to to do this kind of solemn ceremony 274 00:16:56,800 --> 00:16:59,440 Speaker 1: at the church and then party elsewhere, which I think 275 00:16:59,480 --> 00:17:02,200 Speaker 1: is pretty much par for the course these days. All Right, 276 00:17:02,320 --> 00:17:06,960 Speaker 1: So before the mass takes place, um, this young woman 277 00:17:07,160 --> 00:17:12,600 Speaker 1: has and and Kristen Corner, remember Kristen of course, what's 278 00:17:12,640 --> 00:17:16,120 Speaker 1: the name of their podcast, Unladylike, unlady Like that's right. Yeah, 279 00:17:16,160 --> 00:17:19,480 Speaker 1: Kristen Caroline formally of stuff mom never told you now 280 00:17:19,480 --> 00:17:23,000 Speaker 1: with unladylike she wrote this article and she said that 281 00:17:23,080 --> 00:17:28,480 Speaker 1: custom calls for fourteen damas or maiden attendants UM to 282 00:17:28,520 --> 00:17:30,520 Speaker 1: represent the fourteen years of her life up and to 283 00:17:30,600 --> 00:17:34,320 Speaker 1: that point. I saw elsewhere seven. That's what I saw, 284 00:17:34,400 --> 00:17:37,800 Speaker 1: to be paired with seven young men. Um. Do you 285 00:17:37,840 --> 00:17:41,280 Speaker 1: want to pronounce that? Shambaland's Yeah, that's that's how I 286 00:17:41,320 --> 00:17:46,479 Speaker 1: took it. Shambalan's I read in another place. I was like, oh, 287 00:17:46,520 --> 00:17:48,800 Speaker 1: wait a minute, which is it? Um? And apparently can 288 00:17:48,800 --> 00:17:52,760 Speaker 1: be seven to fifteen. So depending on I guess how 289 00:17:52,800 --> 00:17:56,040 Speaker 1: many really close friends you have, kind of like picking 290 00:17:56,040 --> 00:17:59,600 Speaker 1: out your your bridesmaids and groomsmen. Yeah, and I saw 291 00:17:59,720 --> 00:18:03,840 Speaker 1: plenty of videos of Ken Sanerre's where like there were 292 00:18:03,880 --> 00:18:09,439 Speaker 1: three girls. Yeah, but I think under strict tradition of 293 00:18:09,480 --> 00:18:14,439 Speaker 1: the Kensignetta you would have fourteen girls and fifteen dudes. 294 00:18:15,000 --> 00:18:20,320 Speaker 1: You got fourteen damas, fifteen chamberlains and then one I 295 00:18:20,400 --> 00:18:24,880 Speaker 1: got it, and then one Chamberlayne Day on air, which 296 00:18:24,920 --> 00:18:29,199 Speaker 1: I totally missed up. But it's it's basically the the 297 00:18:29,640 --> 00:18:35,639 Speaker 1: escort of honor. Who is the the Kensignetta's date, that's right. 298 00:18:35,680 --> 00:18:38,520 Speaker 1: And again I'm sure that there's somely way that Ken 299 00:18:38,600 --> 00:18:41,240 Speaker 1: Sanietta cops aren't going to come by because you don't 300 00:18:41,240 --> 00:18:45,120 Speaker 1: have enough uh friends helping you. They have larger fish 301 00:18:45,160 --> 00:18:49,600 Speaker 1: to fry on Ken Sanietta day. Right, Although the whoever 302 00:18:49,680 --> 00:18:52,760 Speaker 1: is helping you plan this, it would probably love it 303 00:18:52,800 --> 00:18:55,560 Speaker 1: if you had fourteen guys and fourteen girls because they 304 00:18:55,600 --> 00:18:59,360 Speaker 1: all have to be outfitted in exactly what you want 305 00:18:59,400 --> 00:19:02,240 Speaker 1: them to wear, because it's your party, that's right. And 306 00:19:02,359 --> 00:19:04,000 Speaker 1: I don't think we mentioned, but the dress is a 307 00:19:04,119 --> 00:19:07,800 Speaker 1: very big part of the celebration. Um Traditionally it's either 308 00:19:07,880 --> 00:19:11,239 Speaker 1: pink or white, very saturny. I mean it looks kind 309 00:19:11,240 --> 00:19:14,480 Speaker 1: of like a prom dress, a big frilly um floor 310 00:19:14,560 --> 00:19:18,600 Speaker 1: length of gown. But then also is eight ft wide, yeah, 311 00:19:18,640 --> 00:19:22,159 Speaker 1: exactly at the waist like out it's extraordinary. It's like 312 00:19:22,200 --> 00:19:27,080 Speaker 1: a princess dress. Yeah, like I want to Ken Taniera, Well, 313 00:19:27,080 --> 00:19:29,800 Speaker 1: we can throw you one, buddy, Okay, you don't do that, 314 00:19:30,119 --> 00:19:32,560 Speaker 1: Sure you'll get all pretty for the camera. I definitely 315 00:19:32,560 --> 00:19:36,480 Speaker 1: would find a nice stress. All right. So the first stop, though, 316 00:19:36,520 --> 00:19:38,480 Speaker 1: like you said, is the church, and this is where 317 00:19:39,200 --> 00:19:42,640 Speaker 1: um a lot of the ceremony takes place. Um, they 318 00:19:42,640 --> 00:19:46,480 Speaker 1: receive a blessing from a priest. Um, the young woman 319 00:19:46,520 --> 00:19:53,720 Speaker 1: commits herself to her protecting her virginity and her spiritual devotion. Um. 320 00:19:53,800 --> 00:19:56,760 Speaker 1: And then they leave a bouquet flowers near the Virgin 321 00:19:56,800 --> 00:20:01,200 Speaker 1: Mary statue. Uh. And then traditionally they would give away 322 00:20:01,200 --> 00:20:05,080 Speaker 1: a porcelain doll, one of their childhood dolls, or again, 323 00:20:05,560 --> 00:20:08,639 Speaker 1: tradition varies. These days, it might be a step teddy 324 00:20:08,680 --> 00:20:11,800 Speaker 1: bear or something else that just meant something to the girl. 325 00:20:12,119 --> 00:20:15,520 Speaker 1: One thing I saw was at Kens signetta barbie. Oh yeah, 326 00:20:15,600 --> 00:20:18,440 Speaker 1: all right, Well they'll pass that along to a younger 327 00:20:18,480 --> 00:20:22,800 Speaker 1: sister or another relative, another female relative to basically say, 328 00:20:22,840 --> 00:20:26,880 Speaker 1: like again symbolic of I'm entering young adulthood and I'm 329 00:20:26,880 --> 00:20:30,480 Speaker 1: passing on this silly barbie to you. What's the name 330 00:20:30,520 --> 00:20:34,000 Speaker 1: of that, the ultimamuneka. Oh, I don't know, I didn't 331 00:20:34,000 --> 00:20:38,199 Speaker 1: see that. Ultima muneka means the last doll, and it 332 00:20:38,320 --> 00:20:43,439 Speaker 1: shows that she's leaving girlhood behind. And you can guess 333 00:20:43,600 --> 00:20:46,159 Speaker 1: which which one of those, the ceramic doll or the 334 00:20:46,200 --> 00:20:50,000 Speaker 1: old toy or the brand new barbie the younger female 335 00:20:50,080 --> 00:20:55,920 Speaker 1: relative wants these days sure. Yeah so um, so that 336 00:20:56,000 --> 00:20:58,000 Speaker 1: may or may not happen at the church. The thing 337 00:20:58,080 --> 00:21:00,399 Speaker 1: that seems to be what definitely up as of the 338 00:21:00,480 --> 00:21:03,520 Speaker 1: church is the girl is presented with a rosary, a 339 00:21:03,560 --> 00:21:07,439 Speaker 1: prayer book or a Bible um and leaves flowers at 340 00:21:07,480 --> 00:21:10,680 Speaker 1: the altar and or the statue of the Virgin Mary, 341 00:21:10,880 --> 00:21:13,680 Speaker 1: and then receives a blessing. Right, that's right. So let's 342 00:21:13,680 --> 00:21:16,800 Speaker 1: say that all that happened at the church and the 343 00:21:16,800 --> 00:21:19,520 Speaker 1: the girl has been blessed. Sometimes it's part of a 344 00:21:19,560 --> 00:21:21,679 Speaker 1: regular mass, like she may stand up and come up 345 00:21:21,680 --> 00:21:24,400 Speaker 1: to the altar and get a special blessing if if 346 00:21:24,720 --> 00:21:27,040 Speaker 1: if her parents are pulling all the right strings, maybe 347 00:21:27,080 --> 00:21:29,760 Speaker 1: she can get her own mass for it. But um, 348 00:21:29,920 --> 00:21:32,760 Speaker 1: she may also be sharing that mass with other keen 349 00:21:32,840 --> 00:21:35,080 Speaker 1: signetas there's a bunch of different ways to do it. 350 00:21:35,280 --> 00:21:37,359 Speaker 1: But once the mass is done, once she said like 351 00:21:37,480 --> 00:21:40,800 Speaker 1: I am committing myself to the Catholic Church, and I'm 352 00:21:40,840 --> 00:21:44,600 Speaker 1: a very spiritual girl, and and um, thanks for the blessing, 353 00:21:44,840 --> 00:21:48,720 Speaker 1: I'm out e five thousand, she's heading off to the party. 354 00:21:48,840 --> 00:21:52,720 Speaker 1: That's right. Get that just like a good wedding. Get 355 00:21:52,800 --> 00:21:55,679 Speaker 1: that part over with quickly so you can get your 356 00:21:55,720 --> 00:21:58,960 Speaker 1: party on, right. So while she's getting into the limo, 357 00:21:59,000 --> 00:22:01,480 Speaker 1: we'll take another break. Okay, alright, look at her trying 358 00:22:01,480 --> 00:22:29,439 Speaker 1: to stuff that dress in that Okay, chuck. So she 359 00:22:29,520 --> 00:22:32,280 Speaker 1: has gotten in the limo, she's driven off, and now 360 00:22:32,320 --> 00:22:35,880 Speaker 1: they're going to the venue, which is basically anywhere that 361 00:22:35,960 --> 00:22:38,920 Speaker 1: you would also hold like a wedding reception. You could 362 00:22:38,920 --> 00:22:42,200 Speaker 1: hold a keen signor party. Yeah, I mean it could be. 363 00:22:42,359 --> 00:22:45,240 Speaker 1: It really depends on the budget of the family involved. 364 00:22:45,240 --> 00:22:48,199 Speaker 1: They could rent out a a large hall, or they 365 00:22:48,240 --> 00:22:50,920 Speaker 1: could it could be in the backyard of their own 366 00:22:50,960 --> 00:22:53,680 Speaker 1: home or at a friend's house. Yeah. And again this 367 00:22:53,760 --> 00:22:57,560 Speaker 1: is not just on the parents shoulders. It's very customary 368 00:22:57,560 --> 00:23:02,840 Speaker 1: and very traditional for the girl to approach family members, UM, 369 00:23:02,960 --> 00:23:07,000 Speaker 1: members of the business community, um, just anybody she can 370 00:23:07,040 --> 00:23:10,440 Speaker 1: think of to say, hey, costs are really adding up 371 00:23:11,160 --> 00:23:13,920 Speaker 1: and can you, you know, chip in a little bit. 372 00:23:14,040 --> 00:23:17,239 Speaker 1: And like the the keison, Eira will be sponsored by 373 00:23:17,320 --> 00:23:20,680 Speaker 1: multiple people besides just her parents. Yeah, and I did 374 00:23:20,720 --> 00:23:23,120 Speaker 1: I also read in that article on that really great 375 00:23:23,119 --> 00:23:26,040 Speaker 1: photo spread the guy did he interviewed the family members, 376 00:23:26,080 --> 00:23:28,320 Speaker 1: and one of the families he said, how long have 377 00:23:28,400 --> 00:23:30,200 Speaker 1: you you know? They didn't have much money, and he said, 378 00:23:30,240 --> 00:23:32,239 Speaker 1: how long have you been saving for this? And they 379 00:23:32,280 --> 00:23:36,159 Speaker 1: said for fifteen years? Oh man, Like they started sucking 380 00:23:36,200 --> 00:23:38,320 Speaker 1: away money every year because they knew this was coming 381 00:23:38,880 --> 00:23:41,360 Speaker 1: so great and it was important. It was very sweet story. Yeah. 382 00:23:41,400 --> 00:23:44,720 Speaker 1: I think the aspect that, you know, the community chips 383 00:23:44,760 --> 00:23:48,359 Speaker 1: in and and also comes to like witness this girl's 384 00:23:48,359 --> 00:23:52,720 Speaker 1: transition to adulthood. UM. I just really appreciate that. I 385 00:23:52,720 --> 00:23:55,439 Speaker 1: think it's really cool that that's part of it, you know, 386 00:23:55,520 --> 00:23:58,760 Speaker 1: it makes it rather than it's just the parents are 387 00:23:58,800 --> 00:24:01,760 Speaker 1: footing the bill for everything. I just think that's cool. Yeah. Well, 388 00:24:01,760 --> 00:24:03,919 Speaker 1: and it's a culture where family and community such a 389 00:24:04,600 --> 00:24:10,359 Speaker 1: important revered thing, um, and it's something that I'm envious of, 390 00:24:10,480 --> 00:24:14,960 Speaker 1: you know. Yeah, for sure. So when the when the 391 00:24:15,040 --> 00:24:17,760 Speaker 1: girl gets there, the first thing that's gonna happen is 392 00:24:18,000 --> 00:24:20,960 Speaker 1: the music is going to be starting, um and her 393 00:24:21,040 --> 00:24:23,880 Speaker 1: courts going to come in and get introduced. Those are 394 00:24:23,960 --> 00:24:28,199 Speaker 1: the um Damas and the Shambalans. Why is that not 395 00:24:28,320 --> 00:24:32,760 Speaker 1: sounding right because it sounds French? Right? Okay, so that's 396 00:24:32,880 --> 00:24:35,400 Speaker 1: but am i am I pronouncing it French? I don't 397 00:24:35,400 --> 00:24:38,200 Speaker 1: know that's what I'm saying it. It's uh, I'm not sure. 398 00:24:38,200 --> 00:24:40,480 Speaker 1: I don't know the origins of that word. Okay, So, 399 00:24:40,680 --> 00:24:44,200 Speaker 1: um those two her court, They're gonna come in one 400 00:24:44,200 --> 00:24:47,680 Speaker 1: by one and get announced virtually, just like a wedding 401 00:24:47,800 --> 00:24:51,879 Speaker 1: when the bride and groom show up, the groom's maids, no, 402 00:24:52,040 --> 00:24:58,919 Speaker 1: the bride, the groomsman's and then the um bridesmaids come on. 403 00:24:59,000 --> 00:25:02,760 Speaker 1: Man very hanging in there. They get introduced, you know, 404 00:25:02,800 --> 00:25:05,120 Speaker 1: one by one is they're coming in, and then finally 405 00:25:05,320 --> 00:25:11,719 Speaker 1: the the chamberland, the the honorary escort is introduced, and 406 00:25:11,760 --> 00:25:14,080 Speaker 1: then you finally have the keen Tierra come in and 407 00:25:14,119 --> 00:25:17,800 Speaker 1: the music changes and she's like you're like raising the roof, 408 00:25:17,920 --> 00:25:22,159 Speaker 1: you know, and the party's just everyone erupts into this 409 00:25:22,240 --> 00:25:25,240 Speaker 1: craziness from that moment on. Yeah, and again, it could 410 00:25:25,240 --> 00:25:28,919 Speaker 1: be a DJ. It could be a mariachi band. It 411 00:25:28,960 --> 00:25:31,320 Speaker 1: could be a rock band. It could be a DJ 412 00:25:31,560 --> 00:25:35,680 Speaker 1: playing Marriott. It could be it could be uh like 413 00:25:35,840 --> 00:25:38,760 Speaker 1: with my wedding, I had an iPod loaded up with 414 00:25:38,880 --> 00:25:43,600 Speaker 1: my mix and just hit play nice. So this is 415 00:25:44,040 --> 00:25:47,200 Speaker 1: probably a DJ with a light system and a dance floor. 416 00:25:47,960 --> 00:25:51,680 Speaker 1: All the videos I saw are very much like that. Um, 417 00:25:52,080 --> 00:25:54,919 Speaker 1: so the court has been introduced and then one of 418 00:25:54,960 --> 00:25:58,879 Speaker 1: the first things that happens is the girl is presented 419 00:25:58,960 --> 00:26:04,399 Speaker 1: with a crown tiara. She's presented with a scepter. So 420 00:26:04,760 --> 00:26:09,439 Speaker 1: for the killing, all right, for the bashing later and 421 00:26:09,480 --> 00:26:13,440 Speaker 1: then write the ritual, the ritual killing of the chipmunk Um. 422 00:26:13,520 --> 00:26:16,720 Speaker 1: And she's seated, probably on a throne of some sort 423 00:26:16,800 --> 00:26:19,360 Speaker 1: or a central chair, maybe one of those like Wicker, 424 00:26:19,880 --> 00:26:24,520 Speaker 1: remember the Wicker like seventies chair, like flared out and up. 425 00:26:24,880 --> 00:26:28,080 Speaker 1: It looked kind of like, yeah, maybe she's sitting on 426 00:26:28,080 --> 00:26:30,919 Speaker 1: one of those. But she's she's basically the center of 427 00:26:30,920 --> 00:26:34,159 Speaker 1: attention right then, and something kind of cool happens. The 428 00:26:34,240 --> 00:26:37,080 Speaker 1: shoes shoes wearing that she came in with flat sold 429 00:26:37,160 --> 00:26:41,560 Speaker 1: sandals or um slippers or something like that. Her dad 430 00:26:41,640 --> 00:26:45,160 Speaker 1: comes over and takes those off, and then he puts 431 00:26:45,160 --> 00:26:49,480 Speaker 1: on high heels and snaps his fingers, twirls and goes, 432 00:26:49,640 --> 00:26:53,919 Speaker 1: she's a woman, yes, And I bet you anything this, 433 00:26:54,440 --> 00:26:58,119 Speaker 1: This young lady has practiced walking in those before. I 434 00:26:58,119 --> 00:27:00,359 Speaker 1: don't think she would want her first experience in heels 435 00:27:00,400 --> 00:27:04,800 Speaker 1: to be in that dress on the big day. It's 436 00:27:04,840 --> 00:27:08,680 Speaker 1: just logical chuck talking, Although it would be fun to watch, No, 437 00:27:09,119 --> 00:27:12,160 Speaker 1: come on, you don't think it would be. No one 438 00:27:12,160 --> 00:27:14,359 Speaker 1: wants to see uh what do they? Kristen said, they 439 00:27:14,400 --> 00:27:17,720 Speaker 1: call her Keen's girls sometimes. Yeah, no one wants to 440 00:27:17,760 --> 00:27:21,200 Speaker 1: see a Keen's girl fall over. That's true except you. 441 00:27:22,240 --> 00:27:24,040 Speaker 1: But you got laughed at while you did the backstroke, 442 00:27:24,160 --> 00:27:28,879 Speaker 1: so I get it. Yeah, mocked. Uh. They may also 443 00:27:29,040 --> 00:27:32,919 Speaker 1: get gifts, but not always a lot of times there 444 00:27:32,960 --> 00:27:36,520 Speaker 1: are symbolic gifts. A lot of times other people will 445 00:27:36,520 --> 00:27:40,600 Speaker 1: bring gifts, but from the parents. The festival and ceremony 446 00:27:40,600 --> 00:27:44,159 Speaker 1: itself is the gift. But sometimes if the parents have 447 00:27:44,320 --> 00:27:47,040 Speaker 1: some dough and a big budget, they may get what's 448 00:27:47,040 --> 00:27:52,760 Speaker 1: called regallo sorpressa, which is a surprise gift. Um on 449 00:27:52,880 --> 00:27:56,240 Speaker 1: top of everything else. And this of course is including 450 00:27:56,440 --> 00:27:59,240 Speaker 1: um like you mentioned the prayer book and the Rosary 451 00:27:59,320 --> 00:28:01,760 Speaker 1: and the Bible and stuff like that, right, and that 452 00:28:01,920 --> 00:28:04,280 Speaker 1: those were probably given to her at the church before. 453 00:28:04,520 --> 00:28:09,840 Speaker 1: I'm thinking that, depending on the position of her parents socioeconomically, 454 00:28:10,320 --> 00:28:16,239 Speaker 1: the girls probably getting other other presents too. Yeah. Um, 455 00:28:16,280 --> 00:28:20,200 Speaker 1: but yes, supposedly just the kensior A party is like 456 00:28:20,760 --> 00:28:23,200 Speaker 1: this is plenty, don't you think. Yeah, But I think 457 00:28:23,240 --> 00:28:28,960 Speaker 1: the gifts to also are always represent that transition into adulthood. 458 00:28:29,000 --> 00:28:33,200 Speaker 1: So she's not getting the dolls anymore. She gets maybe 459 00:28:33,240 --> 00:28:36,280 Speaker 1: some jewelry or ear rings and stuff like that, right, 460 00:28:36,400 --> 00:28:39,480 Speaker 1: stuff to deliver her into womanhood. And then guests are 461 00:28:39,560 --> 00:28:42,560 Speaker 1: also giving gifts as well, and her party favors the 462 00:28:42,600 --> 00:28:44,360 Speaker 1: way that the whole thing set up, even though the 463 00:28:44,400 --> 00:28:47,200 Speaker 1: community like um might have people that chip in her 464 00:28:47,240 --> 00:28:50,600 Speaker 1: family members or whatever. The parents are saying like, come 465 00:28:51,160 --> 00:28:55,320 Speaker 1: help celebrate our our daughter's transition into womanhood. Right, So 466 00:28:55,400 --> 00:28:59,120 Speaker 1: the party as men is like a gift for the guests, 467 00:28:59,840 --> 00:29:03,200 Speaker 1: and and so the thing is kind of meant to 468 00:29:03,200 --> 00:29:05,120 Speaker 1: be like come and get your eat on and your 469 00:29:05,200 --> 00:29:08,280 Speaker 1: drink on and just have a lot of fun. The 470 00:29:08,800 --> 00:29:13,600 Speaker 1: thing is part of that welcomeness and that inclusiveness and 471 00:29:13,600 --> 00:29:15,880 Speaker 1: that you know, please come and be a part of 472 00:29:15,920 --> 00:29:20,760 Speaker 1: this um. That backfired really hard for this one couple. 473 00:29:21,120 --> 00:29:25,920 Speaker 1: Have you heard about Ruby Abara Garcia? Oh my, So, 474 00:29:26,160 --> 00:29:31,560 Speaker 1: Ruby Abara Garcia turned fifteen on December nineteen, year two 475 00:29:31,640 --> 00:29:34,640 Speaker 1: thousand and sixteen, okay, just like a year or so ago. 476 00:29:35,320 --> 00:29:41,280 Speaker 1: And she is from Lahoya, which is in San Luis, Potosi, Mexico, 477 00:29:42,320 --> 00:29:45,160 Speaker 1: and it's a little tiny town. Two and her parents 478 00:29:45,320 --> 00:29:47,960 Speaker 1: decided to get with the times and make like a 479 00:29:48,040 --> 00:29:54,120 Speaker 1: YouTube invitation video invitation to come to um Ruby's Kinsera. 480 00:29:54,840 --> 00:29:57,240 Speaker 1: But they posted on on YouTube and they didn't put 481 00:29:57,240 --> 00:30:01,920 Speaker 1: any privacy settings on and it went viral and twenty 482 00:30:02,160 --> 00:30:05,800 Speaker 1: thousand people from around the world showed up to Ruby's 483 00:30:05,880 --> 00:30:08,960 Speaker 1: Keen Signetta party in this little town of two hundred. 484 00:30:09,200 --> 00:30:11,440 Speaker 1: That's kind of great. So right, it was great on 485 00:30:11,480 --> 00:30:13,480 Speaker 1: the one hand, but if you look at the photos 486 00:30:13,560 --> 00:30:18,440 Speaker 1: from it, she was very much overwhelming. True was not 487 00:30:18,600 --> 00:30:22,080 Speaker 1: expecting it. Apparently, like like on Facebook, like over a 488 00:30:22,120 --> 00:30:24,520 Speaker 1: million people said they were coming, but even still twenty 489 00:30:25,120 --> 00:30:27,600 Speaker 1: and if you look, there's like all these stands set up, 490 00:30:27,640 --> 00:30:29,920 Speaker 1: and like people from all over the country and the 491 00:30:29,960 --> 00:30:32,760 Speaker 1: world chipped in to like feed everybody and make sure 492 00:30:32,760 --> 00:30:35,880 Speaker 1: everybody had takes or whatever. So the parents said, okay, 493 00:30:35,920 --> 00:30:39,600 Speaker 1: we're doing this um and they they did it. They 494 00:30:39,640 --> 00:30:43,400 Speaker 1: they stepped up and and met there there there are 495 00:30:43,440 --> 00:30:45,720 Speaker 1: they kept their welcome to everybody. I guess as a 496 00:30:45,760 --> 00:30:47,800 Speaker 1: way to put it, that's kind of great. But I 497 00:30:47,840 --> 00:30:50,800 Speaker 1: can definitely see on the day that the girl might 498 00:30:50,800 --> 00:30:53,400 Speaker 1: have been overwhelmed. But I bet she also in retrospect, 499 00:30:53,760 --> 00:30:56,640 Speaker 1: it's like, hey, I've got one cool story for my life. Now. 500 00:30:56,680 --> 00:30:58,760 Speaker 1: Oh yeah, she's got a big old story and she 501 00:30:58,840 --> 00:31:03,920 Speaker 1: got a Chevy Volt. Serious. Yeah, I couldn't tell. I 502 00:31:04,000 --> 00:31:06,440 Speaker 1: literally couldn't tell if you were just being Joki Josh 503 00:31:06,480 --> 00:31:08,960 Speaker 1: there that was. I didn't even need to be that time. 504 00:31:09,440 --> 00:31:12,320 Speaker 1: So Chevy got involved, of course. I think her parents 505 00:31:12,400 --> 00:31:15,640 Speaker 1: gave her that. Oh I figured Chevy was like, hey, no, 506 00:31:15,840 --> 00:31:18,760 Speaker 1: I think that was I think that was her rigalo 507 00:31:19,000 --> 00:31:24,280 Speaker 1: surpraise her surprise gift. Yes, and speaking of sour praises, 508 00:31:25,160 --> 00:31:28,480 Speaker 1: um the that was uni Spanish name, by the way. 509 00:31:28,520 --> 00:31:33,160 Speaker 1: But speaking of surprises, there's also chuck. Go onto YouTube 510 00:31:34,160 --> 00:31:37,560 Speaker 1: and type in by a surprais a b A I 511 00:31:37,880 --> 00:31:42,760 Speaker 1: l e spraisa and just start watching these videos because 512 00:31:42,800 --> 00:31:45,400 Speaker 1: the Bia surpraise is one of the hallmarks of the 513 00:31:45,480 --> 00:31:50,040 Speaker 1: Keys and euro Party and they are about as adorable 514 00:31:50,160 --> 00:31:53,720 Speaker 1: and embarrassing as you can imagine. What what does that mean? Though? 515 00:31:53,720 --> 00:31:56,880 Speaker 1: What is it? Oh, it's a surprise dance. So it's like, 516 00:31:57,080 --> 00:32:00,560 Speaker 1: for months ahead of time, the key signer uh and 517 00:32:00,680 --> 00:32:05,120 Speaker 1: her court will practice a dance that they make up 518 00:32:05,280 --> 00:32:08,840 Speaker 1: or that they hire like a choreographer, and they will 519 00:32:09,040 --> 00:32:12,800 Speaker 1: like perform this dance for the guests. It's the surprise dance. 520 00:32:12,840 --> 00:32:17,120 Speaker 1: It's like part of the kingson era and um, they're 521 00:32:17,160 --> 00:32:21,400 Speaker 1: they're very cute to watch they do. But they also 522 00:32:21,440 --> 00:32:24,360 Speaker 1: are really they're very earnest about it too, like they 523 00:32:24,680 --> 00:32:27,400 Speaker 1: like they practice this dance and they're they're doing it 524 00:32:27,600 --> 00:32:32,560 Speaker 1: and it's it's very cute. You can also hire Shamblaan's 525 00:32:33,360 --> 00:32:37,400 Speaker 1: professional ones and they're all like dancers by trade, so 526 00:32:37,440 --> 00:32:39,880 Speaker 1: they'll they'll like really knock your socks off of your guests. 527 00:32:39,880 --> 00:32:42,400 Speaker 1: But it's, you know, it's lack in that heart of 528 00:32:42,440 --> 00:32:44,760 Speaker 1: something you and your friends came up with yourself. Or 529 00:32:44,840 --> 00:32:46,000 Speaker 1: you could if you had a lot of dough, you 530 00:32:46,040 --> 00:32:49,640 Speaker 1: could hire a choreographer like Paula Rebduel or something. Yeah. Yeah, 531 00:32:49,680 --> 00:32:57,200 Speaker 1: like her, she's still choreographing, right, yeah, choreographing, choreographing. Something 532 00:32:57,280 --> 00:33:01,720 Speaker 1: bad wrong with us today? You got anything else I do? 533 00:33:02,640 --> 00:33:05,160 Speaker 1: This is a little so oppresso for you. My friend, 534 00:33:06,280 --> 00:33:09,920 Speaker 1: there was a father in Texas a couple of years 535 00:33:09,920 --> 00:33:13,800 Speaker 1: ago that spent six a million dollars on his fifteen 536 00:33:13,840 --> 00:33:18,800 Speaker 1: year old daughter. Oh he uh what's his name here? Uh? 537 00:33:18,840 --> 00:33:22,719 Speaker 1: He's an attorney named Thomas J. Henry san Antonio. They 538 00:33:22,720 --> 00:33:24,920 Speaker 1: were very kind of well known family. His daughter Maya 539 00:33:25,640 --> 00:33:29,000 Speaker 1: is big on Instagram and social media, and she's big 540 00:33:29,040 --> 00:33:33,440 Speaker 1: into activism, so she's like, you know, she's not just 541 00:33:33,520 --> 00:33:38,440 Speaker 1: your ordinary teen, although that is kind of ordinary these days, thankfully, 542 00:33:38,720 --> 00:33:42,320 Speaker 1: to be a well known teen activists well to be active, sure. 543 00:33:43,000 --> 00:33:50,480 Speaker 1: But at her Kincaneta she had Nick Jonas perform, Pitbull perform. Um. 544 00:33:50,560 --> 00:33:52,840 Speaker 1: Let me see what else here? A fifty five thousand 545 00:33:52,920 --> 00:33:56,640 Speaker 1: square foot space that they built. I don't think they 546 00:33:56,760 --> 00:34:00,560 Speaker 1: built it from scratch, but it does say that it 547 00:34:00,680 --> 00:34:06,440 Speaker 1: was built. UM purpose built venue. How many guests? Six 548 00:34:06,480 --> 00:34:11,759 Speaker 1: hundred guests? Man a thirty foot tall cherry trees, a 549 00:34:11,800 --> 00:34:16,280 Speaker 1: thirty foot tall cherry cheese and full blossom walls of roses, 550 00:34:16,320 --> 00:34:20,360 Speaker 1: A garden room, the ballroom with butterfly suspended from the ceiling. 551 00:34:21,160 --> 00:34:25,200 Speaker 1: She wore a Rolando Santana dress, which means nothing to me, 552 00:34:25,480 --> 00:34:28,319 Speaker 1: but I assume that means it's something. She had her 553 00:34:28,320 --> 00:34:31,759 Speaker 1: makeup done by Patrick Ta who does the Kardashians. Her 554 00:34:31,800 --> 00:34:39,799 Speaker 1: photographer was Michelle Obama's photographer and um Thomas Henry and 555 00:34:39,920 --> 00:34:43,200 Speaker 1: his wife whose name is az Teca, beautiful name. They 556 00:34:43,280 --> 00:34:45,759 Speaker 1: hired a New York social event planner named David Man. 557 00:34:46,080 --> 00:34:49,799 Speaker 1: He had a hundred and fifty person team to to 558 00:34:49,840 --> 00:34:53,760 Speaker 1: plan out this party. And finally they arrived by police 559 00:34:53,880 --> 00:34:57,239 Speaker 1: escort in nine rolls Royces because why not, why not 560 00:34:57,360 --> 00:35:00,759 Speaker 1: get the police involved and not to feel too bad 561 00:35:00,840 --> 00:35:03,560 Speaker 1: for her little brother or I guess maybe it was 562 00:35:03,560 --> 00:35:07,000 Speaker 1: a big brother. Um, he spent four million dollars on 563 00:35:07,160 --> 00:35:11,360 Speaker 1: that kid's eighteenth birthday, I believe, o case o praisa, 564 00:35:11,640 --> 00:35:14,880 Speaker 1: So they have, they dropped ten million bucks on a 565 00:35:14,880 --> 00:35:20,040 Speaker 1: couple of parties for their kids. Man, and those the 566 00:35:20,160 --> 00:35:23,399 Speaker 1: girls in Mexico City are happy to to be part 567 00:35:23,400 --> 00:35:26,160 Speaker 1: of the city wide annual one. Yeah, I wonder what 568 00:35:26,160 --> 00:35:31,600 Speaker 1: pit Bull got paid for that? A mill? Uh? Maybe 569 00:35:31,960 --> 00:35:34,200 Speaker 1: I bet Nick Jonas got more than pit Bull, did 570 00:35:34,560 --> 00:35:37,359 Speaker 1: you think? Yeah? And of course she had her her 571 00:35:37,400 --> 00:35:40,920 Speaker 1: pictures with both of them, and well I'm sure that 572 00:35:40,960 --> 00:35:43,960 Speaker 1: was part of it. It's like, yeah, man, all right, 573 00:35:44,080 --> 00:35:49,040 Speaker 1: well that is something. What's her name, Maya? Yeah, Henry, Oh, 574 00:35:49,080 --> 00:35:52,359 Speaker 1: I gotta look that up. Um, if you want to 575 00:35:52,400 --> 00:35:56,920 Speaker 1: know more about kein Signetta as well, just show up 576 00:35:56,920 --> 00:35:59,920 Speaker 1: the one uninvited. See see how that goes. You know, 577 00:36:00,160 --> 00:36:04,360 Speaker 1: you'd probably be welcomed, probably chuck probably uh, And since 578 00:36:04,400 --> 00:36:06,400 Speaker 1: I said probably a couple of times, it's time for 579 00:36:06,480 --> 00:36:11,239 Speaker 1: listener mail. Hey guys, a long time listening to a 580 00:36:11,320 --> 00:36:13,080 Speaker 1: card carrying member of the Stuff you should know Army. 581 00:36:13,280 --> 00:36:15,040 Speaker 1: I've always want to write end, but just had and 582 00:36:15,040 --> 00:36:18,440 Speaker 1: found the right topic until the It Stranger Things script 583 00:36:18,520 --> 00:36:22,800 Speaker 1: retooling debate that was during emojis. Uh. Stephen King is 584 00:36:22,840 --> 00:36:24,760 Speaker 1: by far my favorite author and it is my absolute 585 00:36:24,760 --> 00:36:28,440 Speaker 1: favorite of his novels. Highly recommend. Also a huge Stranger 586 00:36:28,480 --> 00:36:31,040 Speaker 1: Things fan. Uh. They'll have no media experience. I do 587 00:36:31,080 --> 00:36:32,279 Speaker 1: have an m B A and know a thing or 588 00:36:32,280 --> 00:36:35,000 Speaker 1: two about marketing. WoT it's worth? I side with Josh 589 00:36:35,520 --> 00:36:38,400 Speaker 1: with the studio definitely retooling the script to create synergies 590 00:36:38,760 --> 00:36:42,080 Speaker 1: between It and Stranger Things. Aside from casting the Stranger 591 00:36:42,120 --> 00:36:44,640 Speaker 1: Things kid, which to me is a smoking gun. They 592 00:36:44,719 --> 00:36:46,200 Speaker 1: change the setting in the film to take place in 593 00:36:46,239 --> 00:36:50,040 Speaker 1: the eighties. Like Stranger Things the novel, Uh, the story 594 00:36:50,080 --> 00:36:52,839 Speaker 1: follows the main characters is in the fifties and then 595 00:36:52,880 --> 00:36:55,600 Speaker 1: again as adults in the eighties. There are elements of 596 00:36:55,600 --> 00:36:57,960 Speaker 1: the story that didn't translate as well into the eighties 597 00:36:58,000 --> 00:37:00,040 Speaker 1: in my opinion, but it was a small price to 598 00:37:00,080 --> 00:37:03,560 Speaker 1: pay in order to captivate that Stranger Things audience. Just 599 00:37:03,640 --> 00:37:06,360 Speaker 1: one guy's opinion, but I'd like to say one guy's 600 00:37:06,440 --> 00:37:09,360 Speaker 1: informed opinion. Sorry, Chuck for what it's worth. As a 601 00:37:09,360 --> 00:37:12,680 Speaker 1: movie crush or as a movie buff, always catch movie crush, 602 00:37:12,960 --> 00:37:20,040 Speaker 1: keep it up, Mike Sanders and Mike m I did 603 00:37:20,040 --> 00:37:23,799 Speaker 1: a very simple Google search and found that Stranger Things 604 00:37:23,880 --> 00:37:27,560 Speaker 1: was released in July two thousand sixteen, and principal photography 605 00:37:27,560 --> 00:37:31,160 Speaker 1: of it began about a week before that. Okay, so 606 00:37:31,360 --> 00:37:35,799 Speaker 1: that's therefore rendering that impossible. Here's the thing. Movies have 607 00:37:36,000 --> 00:37:42,480 Speaker 1: been known to change horses midstream, right. I don't think 608 00:37:42,520 --> 00:37:46,120 Speaker 1: that that settles it. Yes, do you think they shot 609 00:37:46,120 --> 00:37:48,000 Speaker 1: a bunch of the movie in the nineteen fifties and said, 610 00:37:48,040 --> 00:37:51,200 Speaker 1: wait a minute, this TV show we're here doing. No, no, no, no, 611 00:37:51,280 --> 00:37:53,359 Speaker 1: let's go make it the eighties. No. I don't think 612 00:37:53,480 --> 00:37:56,800 Speaker 1: let's recast this kid that we've already cast. I think 613 00:37:57,480 --> 00:38:00,040 Speaker 1: I I think that there. I think that they a 614 00:38:00,160 --> 00:38:03,399 Speaker 1: retool I do. I don't think that they did. Yeah, 615 00:38:03,400 --> 00:38:05,200 Speaker 1: I don't think they did. They I don't think they 616 00:38:05,200 --> 00:38:07,200 Speaker 1: were shooting in the fifties. I think they're probably shooting 617 00:38:07,200 --> 00:38:09,880 Speaker 1: in the eighties. I think they really. My whole point 618 00:38:09,960 --> 00:38:14,200 Speaker 1: has been that they played up the same things that 619 00:38:14,360 --> 00:38:18,840 Speaker 1: Stranger Things was known for and that you wouldn't find 620 00:38:19,120 --> 00:38:22,840 Speaker 1: in in the book it that and that they plumped 621 00:38:22,920 --> 00:38:27,239 Speaker 1: up that stuff because of Stranger Things. That's my assertion. 622 00:38:27,800 --> 00:38:31,040 Speaker 1: So as they're shooting the film it, they're doing rewrites. 623 00:38:31,280 --> 00:38:34,200 Speaker 1: They're doing rewrites because they're like, man, we gotta walk 624 00:38:34,239 --> 00:38:36,920 Speaker 1: into this TV show. Yes, and you can also do 625 00:38:36,960 --> 00:38:38,920 Speaker 1: that in the editing booth as you know as well, 626 00:38:39,520 --> 00:38:43,480 Speaker 1: which would have happened long after Stranger Things was already 627 00:38:43,520 --> 00:38:48,800 Speaker 1: a smash cultural phenomenon. That's I don't think it's settled, man, Okay, 628 00:38:48,960 --> 00:38:52,800 Speaker 1: And it never will be all right until the editor 629 00:38:52,840 --> 00:38:56,160 Speaker 1: tells me himself for herself that I'm just dead wrong. Okay. 630 00:38:56,880 --> 00:38:59,440 Speaker 1: If you want to settle a bet, you can get 631 00:38:59,480 --> 00:39:01,880 Speaker 1: in touch with us on Twitter at Josh M Clark, 632 00:39:02,040 --> 00:39:04,920 Speaker 1: at s Y s K podcast, or at movie Crush. 633 00:39:05,320 --> 00:39:07,719 Speaker 1: You can join Chuck on Facebook at Facebook dot com 634 00:39:07,760 --> 00:39:11,080 Speaker 1: slash Charles W. Chuck Bryant. You can also join us 635 00:39:11,160 --> 00:39:13,600 Speaker 1: on Facebook dot com slash Stuff. You should know to 636 00:39:13,719 --> 00:39:15,880 Speaker 1: send us an email to Stuff Podcast at how Stuff 637 00:39:15,880 --> 00:39:17,920 Speaker 1: Works dot com and has always joined us at Home 638 00:39:17,920 --> 00:39:24,600 Speaker 1: on the Web. Stuff you Should Know dot com For 639 00:39:24,760 --> 00:39:27,080 Speaker 1: more on this and thousands of other topics. Is It 640 00:39:27,160 --> 00:39:38,759 Speaker 1: How Stuff Works dot com