1 00:00:05,160 --> 00:00:07,880 Speaker 1: Hey, this is any and Samantha and welcome to Stephane 2 00:00:07,960 --> 00:00:19,159 Speaker 1: Never told You production of iHeart Radio. And it is 3 00:00:19,239 --> 00:00:22,799 Speaker 1: time for another happy hour. Just bite the name. I 4 00:00:22,800 --> 00:00:24,800 Speaker 1: think this one's going to be mostly a happy hour, 5 00:00:25,200 --> 00:00:27,920 Speaker 1: or at least like a not unhappy hour, even though 6 00:00:27,920 --> 00:00:30,480 Speaker 1: we are going to talk about grief but not much 7 00:00:31,120 --> 00:00:34,040 Speaker 1: okay hour then, yes, it's okay. I think it's gonna 8 00:00:34,080 --> 00:00:37,559 Speaker 1: be like the kind of enjoyable ranting hour. But I 9 00:00:37,600 --> 00:00:39,280 Speaker 1: don't know if you like this kind of thing. I 10 00:00:39,360 --> 00:00:43,479 Speaker 1: think you'll be into it. But if you don't me Um, So, 11 00:00:43,600 --> 00:00:48,280 Speaker 1: as always with these segments, drink responsibly. Uh and what 12 00:00:48,360 --> 00:00:51,240 Speaker 1: are you sipping on? Say? You know how we talked 13 00:00:51,280 --> 00:00:54,520 Speaker 1: about trying to switch up our drinks and again, but 14 00:00:54,560 --> 00:00:56,760 Speaker 1: we still have our fave. Yeah, I'm drinking a fave. 15 00:00:56,960 --> 00:01:00,200 Speaker 1: So I'm drinking my vino verde from Trader Joe's not 16 00:01:00,280 --> 00:01:02,440 Speaker 1: a sponsor unless they want to give me a case 17 00:01:02,480 --> 00:01:05,119 Speaker 1: of this wine because I really like it. Um, But yeah, 18 00:01:05,160 --> 00:01:09,960 Speaker 1: I'm just sticking with that today. It sounds nice, sounds refreshing. 19 00:01:10,520 --> 00:01:15,120 Speaker 1: It is light and refreshing and appily. Okay, Well, I 20 00:01:15,200 --> 00:01:18,679 Speaker 1: kind of had a similar issue again, so last time 21 00:01:18,720 --> 00:01:20,760 Speaker 1: I made like a gin and tonic with beer. This time, 22 00:01:20,800 --> 00:01:27,160 Speaker 1: I made like a gin wine slushy tonic thing. Interesting. Yeah, 23 00:01:27,160 --> 00:01:29,400 Speaker 1: because my friend, I believe I've told the story before, 24 00:01:29,520 --> 00:01:33,160 Speaker 1: but I have a friend who Katie, who's on her 25 00:01:33,200 --> 00:01:37,720 Speaker 1: episode about women with red hair. She loves snacks and 26 00:01:37,840 --> 00:01:40,959 Speaker 1: I don't like snacks, so and she loves desserts and 27 00:01:40,959 --> 00:01:43,160 Speaker 1: I don't really eat dessert so she'll every time she 28 00:01:43,280 --> 00:01:47,600 Speaker 1: comes over. She has started to bring desserts and snacks 29 00:01:47,600 --> 00:01:49,280 Speaker 1: and things that she'll like, and she'll leave them here. 30 00:01:49,320 --> 00:01:51,240 Speaker 1: But that's part of the problem is I don't like 31 00:01:51,280 --> 00:01:53,800 Speaker 1: having that stuff around. But she did leave this whole 32 00:01:53,880 --> 00:01:58,680 Speaker 1: like case of these wine slushies. Oh yeah, And she's 33 00:01:58,720 --> 00:02:01,720 Speaker 1: become increasingly fresh with me that I won't drink them, 34 00:02:01,760 --> 00:02:05,480 Speaker 1: but I also won't throw them away. But I'm like, you, 35 00:02:05,600 --> 00:02:07,280 Speaker 1: maybe you'll want them one day, And she flat out 36 00:02:07,320 --> 00:02:09,560 Speaker 1: told me I'm never going to drink those because it's 37 00:02:09,560 --> 00:02:12,639 Speaker 1: become a point of pride now and so I'm trying 38 00:02:12,639 --> 00:02:20,000 Speaker 1: to be stubborn and drink them slowly. Yes. Um, So 39 00:02:20,080 --> 00:02:21,560 Speaker 1: today we are going to talk about a tripe I've 40 00:02:21,600 --> 00:02:26,040 Speaker 1: mentioned before. Um, the sad murdered dad trope. And I 41 00:02:26,040 --> 00:02:27,960 Speaker 1: know this sounds kind of dark, but the timing of 42 00:02:28,000 --> 00:02:32,320 Speaker 1: this is it's the anniversary of my dad's death. Um. 43 00:02:32,400 --> 00:02:38,320 Speaker 1: And you know, I was thinking, I feel like, in 44 00:02:38,400 --> 00:02:42,720 Speaker 1: the years since he's died, I still have occasions where 45 00:02:42,720 --> 00:02:46,280 Speaker 1: I just get so so sad. Um. And and one 46 00:02:46,280 --> 00:02:48,920 Speaker 1: of the things I do on the anniversary of his 47 00:02:48,960 --> 00:02:51,200 Speaker 1: death is I watched Our Wars, which, of course, um, 48 00:02:51,200 --> 00:02:54,080 Speaker 1: we love Star Wars together. We watched Oars together. I 49 00:02:54,080 --> 00:02:56,600 Speaker 1: can't hear open one without hearing him. Um. And the 50 00:02:56,639 --> 00:03:00,799 Speaker 1: sad murder Dad trope is I first heard of it 51 00:03:00,840 --> 00:03:06,359 Speaker 1: about Darth Vader, so he's the original sad murder Dad 52 00:03:06,400 --> 00:03:11,440 Speaker 1: in my book. UM. And I did get Samantha knows. 53 00:03:11,480 --> 00:03:13,080 Speaker 1: I did find this letter he wrote me. I have 54 00:03:13,160 --> 00:03:14,960 Speaker 1: not opened it yet. I still haven't opened it. I 55 00:03:15,000 --> 00:03:17,560 Speaker 1: can't do it. I'm going to, but it just feels 56 00:03:17,560 --> 00:03:19,240 Speaker 1: like it's gonna be such a big before and after. 57 00:03:20,120 --> 00:03:23,680 Speaker 1: Like once I opened that letter, I think it's gonna 58 00:03:24,120 --> 00:03:27,120 Speaker 1: change something. It could possibly be like legal documents and 59 00:03:27,160 --> 00:03:29,760 Speaker 1: I really need them. Um. I was cleaning out my 60 00:03:29,800 --> 00:03:32,000 Speaker 1: apartment and I just came across this letter that when 61 00:03:32,040 --> 00:03:34,040 Speaker 1: he gave it to me, he left it on my bed, 62 00:03:34,800 --> 00:03:36,480 Speaker 1: and when I found it, I was so angry. I 63 00:03:36,520 --> 00:03:39,440 Speaker 1: just was like, I would never open this, And now 64 00:03:39,440 --> 00:03:41,119 Speaker 1: I'm kind of sad because who knows what's in there. 65 00:03:41,120 --> 00:03:43,800 Speaker 1: Maybe it would have been important and changed the relationship, 66 00:03:43,840 --> 00:03:48,720 Speaker 1: but too bad. I will never know. I will open it, 67 00:03:49,080 --> 00:03:52,240 Speaker 1: I will, but not today, not for me, not for 68 00:03:52,280 --> 00:03:53,800 Speaker 1: a minute. Even though I said I was going to 69 00:03:53,880 --> 00:03:55,200 Speaker 1: do it on Father's Day and I never did, and 70 00:03:55,240 --> 00:03:56,480 Speaker 1: I said I was gonna do the next weekind and 71 00:03:56,560 --> 00:03:58,680 Speaker 1: I never did. I've picked it up and held it 72 00:03:59,280 --> 00:04:03,360 Speaker 1: and almost opened it several times and then like no 73 00:04:03,480 --> 00:04:07,120 Speaker 1: I can't, I can't. Um, you take your time, okay, 74 00:04:07,120 --> 00:04:09,400 Speaker 1: thank you. It just it does feel like it's going 75 00:04:09,440 --> 00:04:11,840 Speaker 1: to be a big I don't know. It feels like 76 00:04:11,880 --> 00:04:14,000 Speaker 1: it's gonna be life changing, or at least potentially like 77 00:04:14,240 --> 00:04:17,840 Speaker 1: temporarily life changing. Right, it's definitely no matter what, it's 78 00:04:17,880 --> 00:04:20,719 Speaker 1: your dad's words to you who you have been seen 79 00:04:21,120 --> 00:04:23,520 Speaker 1: because he passed away a few years ago and now 80 00:04:23,600 --> 00:04:25,760 Speaker 1: you have those bags again, and you just come to 81 00:04:25,760 --> 00:04:28,680 Speaker 1: the point of being like kind of okay with his 82 00:04:28,960 --> 00:04:32,200 Speaker 1: um because he didn't leave you in a good place. 83 00:04:33,480 --> 00:04:36,200 Speaker 1: That's you know, that's obviously, so you like could be 84 00:04:36,200 --> 00:04:38,599 Speaker 1: reopening wounds that you don't want to think about. So 85 00:04:38,640 --> 00:04:43,640 Speaker 1: absolutely that makes perfect sense. Yeah, yeah, it does. I 86 00:04:43,720 --> 00:04:46,000 Speaker 1: just I have this like I have to read it. 87 00:04:46,120 --> 00:04:47,760 Speaker 1: I have to read it because somebody said, like you 88 00:04:47,800 --> 00:04:49,320 Speaker 1: don't have to read it, like maybe you just don't 89 00:04:49,360 --> 00:04:51,600 Speaker 1: read it, Like no, I have to read it. Um. 90 00:04:51,680 --> 00:04:54,400 Speaker 1: So I'm just waiting for the time when I just 91 00:04:54,440 --> 00:04:56,800 Speaker 1: been worried it's going to really like the next two 92 00:04:56,839 --> 00:04:58,520 Speaker 1: weeks are going to be ruined or something like I'm 93 00:04:58,560 --> 00:05:00,480 Speaker 1: not gonna be able to work or I don't know. 94 00:05:00,720 --> 00:05:03,400 Speaker 1: And again it could just beat like the legal documents. 95 00:05:03,480 --> 00:05:06,599 Speaker 1: Who knows. I always got you to read it. I 96 00:05:06,680 --> 00:05:08,800 Speaker 1: was like, you open it and you tell me what 97 00:05:08,800 --> 00:05:11,600 Speaker 1: it is and then I can prepare. I can do 98 00:05:11,640 --> 00:05:15,200 Speaker 1: that for you. We'll see, We'll see it's sitting there 99 00:05:15,240 --> 00:05:18,159 Speaker 1: chaunting me. It's uh. And I did go home. I 100 00:05:18,160 --> 00:05:20,159 Speaker 1: went home to see my mom last weekend. And every 101 00:05:20,160 --> 00:05:22,400 Speaker 1: time I go home, that's pretty like the memories are 102 00:05:22,400 --> 00:05:25,760 Speaker 1: just everywhere. And then I've never been to busity his 103 00:05:25,880 --> 00:05:28,120 Speaker 1: grave and every time I kind of drive by it, 104 00:05:29,640 --> 00:05:33,320 Speaker 1: that's always that always gets me. That's that's a rough time. 105 00:05:33,360 --> 00:05:36,280 Speaker 1: But again, maybe one day I'll visit it. But all 106 00:05:36,320 --> 00:05:39,600 Speaker 1: of this to say, I am someone, as you know, 107 00:05:39,640 --> 00:05:44,080 Speaker 1: who loves anniversaries and traditions and marketing occasions, no matter 108 00:05:44,080 --> 00:05:46,760 Speaker 1: how sad they might be. So I am going to 109 00:05:46,800 --> 00:05:51,159 Speaker 1: talk about the sad murder Dad trope UM. And I 110 00:05:51,240 --> 00:05:53,279 Speaker 1: like to think my dad, who did love Star Wars 111 00:05:53,279 --> 00:05:56,080 Speaker 1: and Darth Vader and movies in general, would at least 112 00:05:56,120 --> 00:05:59,800 Speaker 1: get a kick out of it. So this is also 113 00:05:59,839 --> 00:06:02,160 Speaker 1: an on my mind because I very excitedly showed you. 114 00:06:02,200 --> 00:06:05,560 Speaker 1: I sent you pictures I finally got my I donated 115 00:06:05,600 --> 00:06:08,400 Speaker 1: to a oh three, which is the big nonprofit fan 116 00:06:08,480 --> 00:06:12,000 Speaker 1: fiction website, and I finally got They sent this deck 117 00:06:12,040 --> 00:06:14,360 Speaker 1: of cards as a thank you to everyone who donated, 118 00:06:14,680 --> 00:06:17,160 Speaker 1: and each of the cards has a trope a fan 119 00:06:17,240 --> 00:06:20,359 Speaker 1: fiction tag on it um and They're so cool and 120 00:06:20,440 --> 00:06:22,400 Speaker 1: I loved them and I'm going to show them to 121 00:06:22,440 --> 00:06:25,719 Speaker 1: you next time we hang out like everyone, um, But 122 00:06:25,960 --> 00:06:29,240 Speaker 1: sad murdered Dad was not in there. Oh no, well, 123 00:06:29,320 --> 00:06:31,560 Speaker 1: yeah I did get these pictures. I was very confused. 124 00:06:31,600 --> 00:06:34,919 Speaker 1: I'm like, what am I looking at? Explain because I 125 00:06:34,960 --> 00:06:38,039 Speaker 1: didn't know what was happening. And then of course you're like, 126 00:06:38,080 --> 00:06:40,880 Speaker 1: this is what I'll say. Oh, Okay, very exciting. I'm 127 00:06:40,880 --> 00:06:43,040 Speaker 1: really excited to see them all. You sent a very 128 00:06:43,040 --> 00:06:45,640 Speaker 1: confused text, that's for sure, because I sent like ten 129 00:06:45,680 --> 00:06:48,440 Speaker 1: pictures because that's a limit on my phone. I would 130 00:06:48,480 --> 00:06:51,680 Speaker 1: have sent you like just kept popping up, so I 131 00:06:51,720 --> 00:06:54,880 Speaker 1: was like, what what's happening? I think that was what's 132 00:06:54,880 --> 00:06:59,279 Speaker 1: happening right now with resence. Yes, they also didn't have 133 00:06:59,279 --> 00:07:00,919 Speaker 1: a cinema rolled, but they had a lot of my 134 00:07:00,960 --> 00:07:03,760 Speaker 1: favorite They had a lot of my favorite tags. But 135 00:07:05,320 --> 00:07:08,320 Speaker 1: if you don't know what the sad murdered dad trope is, 136 00:07:08,360 --> 00:07:12,240 Speaker 1: it's essentially exactly what it sounds like. Um. It is 137 00:07:12,320 --> 00:07:19,720 Speaker 1: a father figure um who uses violence and murder in 138 00:07:19,760 --> 00:07:23,800 Speaker 1: the name of their child. And it's very sad about it, 139 00:07:23,920 --> 00:07:26,640 Speaker 1: not about the murder, but it's just sad, just a 140 00:07:26,760 --> 00:07:29,320 Speaker 1: sad character. And and and Darth Vader is the first 141 00:07:29,320 --> 00:07:35,240 Speaker 1: time I ever saw that tag. And I he is 142 00:07:35,320 --> 00:07:38,400 Speaker 1: frequently displayed that way. He's frequently and I mean this 143 00:07:38,480 --> 00:07:41,200 Speaker 1: is I would say accurate as his character. He's very 144 00:07:41,240 --> 00:07:45,960 Speaker 1: possessive of Luke because he doesn't know Leah as his child. 145 00:07:46,280 --> 00:07:49,280 Speaker 1: When we see him very possessive, so like he can 146 00:07:49,360 --> 00:07:52,360 Speaker 1: hurt Luke, but no one else can hurt Luke, and 147 00:07:52,400 --> 00:07:57,960 Speaker 1: he will like kill anyone, including the Emperor for Luke. 148 00:07:58,320 --> 00:08:01,239 Speaker 1: There's a lot of violence in his name that Luke 149 00:08:01,600 --> 00:08:07,680 Speaker 1: doesn't want. But but he's also very sad as a character. 150 00:08:08,480 --> 00:08:13,239 Speaker 1: A lot of the introspections I've read very sad because 151 00:08:13,280 --> 00:08:17,080 Speaker 1: he missed out on Luke's life. He Luke doesn't want 152 00:08:17,080 --> 00:08:21,320 Speaker 1: to be with him after he makes the announcement UM, 153 00:08:21,400 --> 00:08:24,360 Speaker 1: the revelation I am your father, And it is a 154 00:08:24,440 --> 00:08:28,160 Speaker 1: really interesting trope and it's one I feel like now 155 00:08:28,200 --> 00:08:30,320 Speaker 1: that I have that name for it, which is kind 156 00:08:30,360 --> 00:08:34,520 Speaker 1: of a funny like fan fiction name UM for I 157 00:08:34,559 --> 00:08:38,120 Speaker 1: see it all the time UM. And we have talked 158 00:08:38,160 --> 00:08:40,440 Speaker 1: about it before. We talked about it in our Survival 159 00:08:40,800 --> 00:08:42,840 Speaker 1: video game series, like anytime we bring up the Last 160 00:08:42,840 --> 00:08:45,640 Speaker 1: of Us because Joel, I would say, is a sad 161 00:08:45,720 --> 00:08:47,800 Speaker 1: murder Dad. And that weekend where we did Star Wars 162 00:08:47,840 --> 00:08:50,280 Speaker 1: and Last of Us for my birthday even joked it 163 00:08:50,320 --> 00:08:53,640 Speaker 1: could be like sad murder Dad. Yes, shot to find 164 00:08:53,679 --> 00:08:57,400 Speaker 1: the perfect name, but I think it's a sad soup 165 00:08:57,480 --> 00:09:01,160 Speaker 1: day soup we can, I think, And it was great. 166 00:09:01,720 --> 00:09:04,120 Speaker 1: The soup was not sad that people no, no, but 167 00:09:04,200 --> 00:09:06,720 Speaker 1: I did cry. I remember you brought out that piece 168 00:09:06,720 --> 00:09:09,520 Speaker 1: of pie and I was crying and I was like, oh, 169 00:09:09,720 --> 00:09:16,520 Speaker 1: this is perfect I did. I did, so thank you. 170 00:09:16,720 --> 00:09:20,079 Speaker 1: Um So, as you know, I also love the Simon 171 00:09:20,200 --> 00:09:23,520 Speaker 1: Roll tag. That's my favorite, UM, which is just somebody 172 00:09:23,559 --> 00:09:27,079 Speaker 1: who's like a sweetheart, like the most genuine, sincere sweetheart. 173 00:09:27,640 --> 00:09:30,040 Speaker 1: And Luke has often portrayed that way, not always but often. 174 00:09:30,280 --> 00:09:33,040 Speaker 1: UM So if you get like the sad murder Dad 175 00:09:33,440 --> 00:09:37,320 Speaker 1: and then the Cinnamon Roll, I think like the dichotomy 176 00:09:37,400 --> 00:09:41,960 Speaker 1: there is very interesting because you've got somebody like Luke 177 00:09:42,000 --> 00:09:46,600 Speaker 1: who is like so sweet, and then Vader who's like 178 00:09:46,720 --> 00:09:50,120 Speaker 1: literally kind of this hul king monster who's killing everybody, 179 00:09:50,240 --> 00:09:54,640 Speaker 1: and yet um they're related. But I think like these 180 00:09:54,640 --> 00:09:57,040 Speaker 1: are heightened fan fiction terms. But again I think this 181 00:09:57,120 --> 00:09:59,600 Speaker 1: is the same thing that we see all the time. 182 00:09:59,720 --> 00:10:06,480 Speaker 1: Or they is a usually cut off, emotionally constipated man 183 00:10:07,520 --> 00:10:13,640 Speaker 1: who lost something someone usually his wife and or daughter 184 00:10:13,920 --> 00:10:18,600 Speaker 1: or a child, goes down a dark spiral, cuts off 185 00:10:18,840 --> 00:10:25,120 Speaker 1: from everybody, becomes violent, becomes cold, meats a child or 186 00:10:25,240 --> 00:10:29,280 Speaker 1: somebody usually a young girl. But in this case no um, 187 00:10:29,320 --> 00:10:31,679 Speaker 1: but like Joel with Ellie, where you meet a young 188 00:10:31,720 --> 00:10:34,720 Speaker 1: girl who's like the ultimate innocence. I wouldn't call her 189 00:10:34,800 --> 00:10:37,120 Speaker 1: quite as some mineral, but it's like that same idea 190 00:10:37,679 --> 00:10:42,880 Speaker 1: of that foil against each other and then the sad 191 00:10:43,000 --> 00:10:50,400 Speaker 1: murder dad in question slowly like learns to feel again. Yeah, 192 00:10:50,480 --> 00:10:54,960 Speaker 1: and then um, but in doing so does it in 193 00:10:54,960 --> 00:10:59,640 Speaker 1: a very violent and very like toxic masculinity way of 194 00:10:59,640 --> 00:11:07,120 Speaker 1: of killing everybody? Um? Yeah, And so I do think 195 00:11:08,760 --> 00:11:10,360 Speaker 1: when I think about the last of us, and I 196 00:11:10,360 --> 00:11:12,760 Speaker 1: know I've talked about this ad nauseum and I probably 197 00:11:12,800 --> 00:11:15,760 Speaker 1: will forever, Like I feel like people, I guess, I 198 00:11:15,840 --> 00:11:18,320 Speaker 1: just I have this question that I feel like I 199 00:11:18,400 --> 00:11:20,280 Speaker 1: know the answer to, But is why why are we 200 00:11:20,360 --> 00:11:24,800 Speaker 1: so willing to excuse violence and bad behavior for fathers 201 00:11:24,800 --> 00:11:30,000 Speaker 1: in particular? Well, while mothers are women who engage in 202 00:11:30,040 --> 00:11:35,240 Speaker 1: this behavior are evil or bad or failures. And we've 203 00:11:35,240 --> 00:11:37,280 Speaker 1: got a pretty good episode I think coming up where 204 00:11:37,280 --> 00:11:39,240 Speaker 1: we're going to talk about some of this stuff soon 205 00:11:40,200 --> 00:11:44,679 Speaker 1: about why we treat mothers just that way. But fathers 206 00:11:44,679 --> 00:11:47,040 Speaker 1: were like, Oh, but he's so sweet, he's trying, he 207 00:11:47,160 --> 00:11:51,040 Speaker 1: cares so much, He'll kill all those people. Isn't that good? Like? 208 00:11:51,360 --> 00:11:58,520 Speaker 1: Is it? It's like showing showing you care through violence. 209 00:11:58,559 --> 00:12:03,880 Speaker 1: That's not the person the cinnamon roll in question doesn't want, 210 00:12:04,520 --> 00:12:07,280 Speaker 1: in fact, really really doesn't want, but you're doing it 211 00:12:07,320 --> 00:12:09,880 Speaker 1: in their name, and it's supposed to be proof of 212 00:12:09,880 --> 00:12:11,960 Speaker 1: how much you care, because I think we just value 213 00:12:12,000 --> 00:12:16,880 Speaker 1: so much masculine behavior more. It's also more dramatic, like 214 00:12:16,920 --> 00:12:20,439 Speaker 1: I'll give you that, but it's not It is certainly 215 00:12:20,480 --> 00:12:38,920 Speaker 1: more I would say, a masculine realm. Yeah, yeah, And 216 00:12:38,960 --> 00:12:42,880 Speaker 1: then this is a bigger issue. Perhaps then we're going 217 00:12:42,960 --> 00:12:44,640 Speaker 1: to get into two in depth in this one. But 218 00:12:44,800 --> 00:12:48,000 Speaker 1: it is something I think about too where I can't 219 00:12:48,000 --> 00:12:53,680 Speaker 1: help but sort of psychoanalyze writers sometimes. And it seems 220 00:12:53,679 --> 00:12:58,520 Speaker 1: like we have a whole generation of writers who I 221 00:12:58,559 --> 00:13:01,360 Speaker 1: could be wrong. I don't know they're lives, but maybe 222 00:13:01,480 --> 00:13:04,480 Speaker 1: had a father who wasn't there that much, or like 223 00:13:05,160 --> 00:13:08,000 Speaker 1: they felt like as a kid they had to do 224 00:13:08,160 --> 00:13:11,600 Speaker 1: something to keep them around, or or just closed off. Again, 225 00:13:11,720 --> 00:13:13,360 Speaker 1: I could be totally wrong, but it's just like we 226 00:13:13,400 --> 00:13:15,839 Speaker 1: see these stories a lot. Maybe they feel that way 227 00:13:15,880 --> 00:13:18,120 Speaker 1: as fathers themselves, they feel like they're failing, they're so 228 00:13:18,320 --> 00:13:21,000 Speaker 1: their way at their job all the time writing these things. 229 00:13:21,400 --> 00:13:23,680 Speaker 1: I don't know, but it's just sort of like, I 230 00:13:23,720 --> 00:13:27,880 Speaker 1: see a lot of male writers continually writing these things, 231 00:13:30,320 --> 00:13:37,160 Speaker 1: and I'm just kind of curious, curious why. Indeed, indeed, 232 00:13:37,200 --> 00:13:39,040 Speaker 1: I read a funny article about it in Star Wars 233 00:13:39,040 --> 00:13:40,720 Speaker 1: and they were like why, because you know, like the 234 00:13:40,760 --> 00:13:44,200 Speaker 1: Mandalorian and Grogu is the same essentially, Like why we 235 00:13:44,320 --> 00:13:49,000 Speaker 1: keep seeing this dynamic of sort of a like closed off, cold, 236 00:13:50,240 --> 00:13:58,040 Speaker 1: violent man who's honestly not very good at a job. No, 237 00:13:58,160 --> 00:14:00,560 Speaker 1: I love him. I love Darth Vader, but he's also 238 00:14:00,640 --> 00:14:03,880 Speaker 1: not very good at his job. Like he's he's had 239 00:14:03,920 --> 00:14:10,000 Speaker 1: a lot of screw ups in his day. Sure, And 240 00:14:10,040 --> 00:14:11,440 Speaker 1: I was telling my friend the other day that's one 241 00:14:11,480 --> 00:14:12,920 Speaker 1: of my favorite parts of the end Return of the 242 00:14:13,000 --> 00:14:14,960 Speaker 1: Jedi is is because he kind of failed as a 243 00:14:15,040 --> 00:14:18,440 Speaker 1: Sip and Luke kind of failed as a Jedi, and 244 00:14:18,440 --> 00:14:22,080 Speaker 1: they chose each other in the end. But you know, 245 00:14:22,280 --> 00:14:24,880 Speaker 1: like a failure it makes a character interesting. But I 246 00:14:25,000 --> 00:14:28,320 Speaker 1: just saying, like this writer also made the point of 247 00:14:29,120 --> 00:14:34,840 Speaker 1: it's it's intriguing that we're seeing this play out many 248 00:14:34,880 --> 00:14:38,680 Speaker 1: times in this universe. It is indeed intriguing. You're right, 249 00:14:39,600 --> 00:14:43,800 Speaker 1: you are correct, You are correct. As much as I 250 00:14:44,200 --> 00:14:47,600 Speaker 1: have been complaining about it and We're big proponents of 251 00:14:48,600 --> 00:14:51,440 Speaker 1: being cognizant of your media and the messages you send. 252 00:14:51,520 --> 00:14:53,600 Speaker 1: I do love the trope on fan fiction. Usually in 253 00:14:53,680 --> 00:14:58,960 Speaker 1: fan fiction it's less violent, usually not always, but usually 254 00:14:59,000 --> 00:15:01,480 Speaker 1: it's more like they're very Darth Vader is very very sad. 255 00:15:01,680 --> 00:15:05,520 Speaker 1: It's like, oh, man, my son don't like me. I mean, 256 00:15:06,120 --> 00:15:08,120 Speaker 1: I don't know because I haven't read the fan fiction, 257 00:15:08,200 --> 00:15:12,320 Speaker 1: but he's sad because also he's mainly robot and it's painful, 258 00:15:12,680 --> 00:15:15,520 Speaker 1: and it's painful. Yes, he's got a lot of reasons 259 00:15:15,520 --> 00:15:17,680 Speaker 1: to be sad. I'm not gonna take that away from 260 00:15:17,760 --> 00:15:23,840 Speaker 1: him at all. Is his own doing, yes, also true. Again, 261 00:15:23,880 --> 00:15:25,640 Speaker 1: I just feel like we're so much more ready to 262 00:15:25,680 --> 00:15:30,520 Speaker 1: forgive these male characters that we are women characters. Um 263 00:15:31,080 --> 00:15:35,120 Speaker 1: And just like Refa in recent Obi one, I remember 264 00:15:35,160 --> 00:15:37,240 Speaker 1: I paused. I was like, I already have it ready, 265 00:15:37,280 --> 00:15:38,840 Speaker 1: but I want to wait because I think there's gonna 266 00:15:38,840 --> 00:15:41,120 Speaker 1: be a reaction and to the final episode, and I 267 00:15:41,120 --> 00:15:43,120 Speaker 1: want to see if I if I'm right. And when 268 00:15:43,120 --> 00:15:46,640 Speaker 1: I thought was gonna happen, was people were going to 269 00:15:48,240 --> 00:15:49,720 Speaker 1: how to say this at this point, they were going 270 00:15:49,800 --> 00:15:51,640 Speaker 1: to look for a reason for her to die, no 271 00:15:51,720 --> 00:15:56,320 Speaker 1: matter what, like they wanted her to die no matter what, 272 00:15:56,520 --> 00:16:01,240 Speaker 1: Whereas with I feel like with Darth Vader, people would 273 00:16:01,240 --> 00:16:04,400 Speaker 1: be more like trying to find a way where he 274 00:16:04,440 --> 00:16:07,040 Speaker 1: could live. Um and we've talked about that too, where 275 00:16:07,120 --> 00:16:10,520 Speaker 1: like a lot of these sad murder dads never actually 276 00:16:10,560 --> 00:16:12,880 Speaker 1: have to do the work of the redemption part. They 277 00:16:12,920 --> 00:16:16,400 Speaker 1: just die. They die, yeah, and then they don't have 278 00:16:16,440 --> 00:16:18,840 Speaker 1: to deal with all the fallout. Um. Like, I think 279 00:16:18,840 --> 00:16:21,280 Speaker 1: that's still a powerful story of you know, oh yeah, 280 00:16:21,360 --> 00:16:24,120 Speaker 1: forgiveness whatever I make it. I'm making it sound really trite, 281 00:16:24,160 --> 00:16:26,240 Speaker 1: but I do think it's really it's a powerful story. 282 00:16:26,320 --> 00:16:30,200 Speaker 1: But ultimately you died before you had to deal with 283 00:16:31,280 --> 00:16:37,200 Speaker 1: the fall out the reality of mm hmmm. So yeah, 284 00:16:37,240 --> 00:16:40,160 Speaker 1: those are just my thoughts on this trope that I 285 00:16:40,280 --> 00:16:44,760 Speaker 1: frequently run across in Vanishtion. And I do think it's 286 00:16:44,840 --> 00:16:47,560 Speaker 1: very interesting because I think it's everywhere. Um, I think 287 00:16:47,600 --> 00:16:51,280 Speaker 1: it's I think it's very popular in pop culture. I 288 00:16:51,360 --> 00:16:54,080 Speaker 1: even saw kind of in The Boys, which I just watched. 289 00:16:54,880 --> 00:16:57,160 Speaker 1: I was like, huh, there it is, there it is. 290 00:16:59,160 --> 00:17:02,080 Speaker 1: It shows up in a few different ways, it really does. 291 00:17:04,480 --> 00:17:06,800 Speaker 1: The Boys is a whole different commentary because the first 292 00:17:06,920 --> 00:17:09,960 Speaker 1: couple of seasons were about mommy issues and now it's 293 00:17:10,040 --> 00:17:17,119 Speaker 1: gone on to daddy issues. So it's true the white spectrum, 294 00:17:17,119 --> 00:17:20,080 Speaker 1: Well prass will return, and we definitely do have something 295 00:17:20,119 --> 00:17:22,840 Speaker 1: coming up that we're excited to talk about with the 296 00:17:22,880 --> 00:17:27,760 Speaker 1: depiction of mothers in media in recent media, recent media. Yeah, yeah, yeah, 297 00:17:27,840 --> 00:17:30,320 Speaker 1: so we're excited about that and uh, always excited to 298 00:17:30,359 --> 00:17:33,520 Speaker 1: talk about these topics. So thank you and cheers. Cheers 299 00:17:33,920 --> 00:17:39,520 Speaker 1: to Sad Murder Dam. Cheers to Sad Murder if you 300 00:17:39,600 --> 00:17:46,000 Speaker 1: were oh gosh, if you're around, I guess no, please stop, 301 00:17:46,600 --> 00:17:50,040 Speaker 1: and cheers to you for listening. As always, if there's 302 00:17:50,040 --> 00:17:51,879 Speaker 1: a topic you would like for us to cover, please 303 00:17:51,960 --> 00:17:54,359 Speaker 1: let us know. You can emails that stuff media mom 304 00:17:54,440 --> 00:17:56,040 Speaker 1: stuff at I hurt me dot com. You can viend 305 00:17:56,119 --> 00:17:58,400 Speaker 1: us on Twitter at Mom's podcast or Instagram that stuff 306 00:17:58,440 --> 00:18:01,280 Speaker 1: I never told you things. It's always you are super producer, Christina. 307 00:18:01,480 --> 00:18:04,200 Speaker 1: Thank you and thanks to you for listening stuff I've 308 00:18:04,200 --> 00:18:05,879 Speaker 1: never told you. The subjection to I Heart Radio for more. 309 00:18:05,920 --> 00:18:07,880 Speaker 1: Podcast from my Heart Radio is at the Higher radew app, 310 00:18:07,880 --> 00:18:09,920 Speaker 1: Apple podcast or ever you listen to your favorite shows