1 00:00:02,080 --> 00:00:08,240 Speaker 1: Ladies and gentlemen. We are experiencing technical difficulties. This is 2 00:00:08,320 --> 00:00:09,560 Speaker 1: the Bobby Cast. 3 00:00:21,440 --> 00:00:22,759 Speaker 2: Well, if we have reached the end of the year, 4 00:00:22,760 --> 00:00:24,760 Speaker 2: so that means it's time to go through the best episodes. 5 00:00:24,920 --> 00:00:26,720 Speaker 2: Stuff you may have miss, stuff that I think you'll like. 6 00:00:27,080 --> 00:00:29,720 Speaker 2: It's the top ten Bobby Casts of the year. These 7 00:00:29,720 --> 00:00:32,440 Speaker 2: were either the most downloaded episodes or they had the 8 00:00:32,479 --> 00:00:35,040 Speaker 2: most interaction on social media from you guys. I was 9 00:00:35,080 --> 00:00:37,000 Speaker 2: able to sit down with some really cool people. Are 10 00:00:37,040 --> 00:00:39,880 Speaker 2: conversations a lot of times are raw and real, also 11 00:00:39,920 --> 00:00:42,680 Speaker 2: a lot of laughs, some very vulnerable moments as well. 12 00:00:43,040 --> 00:00:45,800 Speaker 2: And let's kick it off now at number ten Don Felder, 13 00:00:46,080 --> 00:00:49,400 Speaker 2: formerly of the Eagles, which was pretty crazy to sit 14 00:00:49,479 --> 00:00:51,479 Speaker 2: down with one of the guys that was one of 15 00:00:51,479 --> 00:00:54,720 Speaker 2: the Eagles and wrote Hotel California, and he talked about that, 16 00:00:55,200 --> 00:00:56,680 Speaker 2: and he also talked about high wrote some of the 17 00:00:56,680 --> 00:00:59,800 Speaker 2: other hits. So at first, let's go Don Felder from 18 00:01:00,080 --> 00:01:02,760 Speaker 2: so four to seventy one. He comes in at number ten. 19 00:01:04,959 --> 00:01:08,600 Speaker 3: I met this guy named Stephen Stills who had left 20 00:01:08,760 --> 00:01:11,760 Speaker 3: somewhere in Florida there was a military academy like a 21 00:01:11,760 --> 00:01:15,440 Speaker 3: military school high school. Who had run away from high school. 22 00:01:15,640 --> 00:01:18,000 Speaker 3: And this is way before he was Steven Stills, Like 23 00:01:18,040 --> 00:01:21,480 Speaker 3: you just met. That's just as a civilian, regular guy 24 00:01:21,560 --> 00:01:22,679 Speaker 3: you meet Steven Stills. 25 00:01:22,760 --> 00:01:23,279 Speaker 1: Yeah, okay. 26 00:01:23,520 --> 00:01:27,880 Speaker 3: He and I and Tom Petty and Bernie Ledden all 27 00:01:27,920 --> 00:01:31,160 Speaker 3: went to the same high school. So when we were 28 00:01:31,160 --> 00:01:34,160 Speaker 3: before we got to high school, he was in Gainesville 29 00:01:34,840 --> 00:01:37,640 Speaker 3: and he played in this band with me called the Continentals, 30 00:01:37,920 --> 00:01:40,880 Speaker 3: which a continental That thing was like really cool, you know. 31 00:01:41,080 --> 00:01:45,440 Speaker 3: So anyway, so we started playing, but teen time dances, 32 00:01:45,480 --> 00:01:46,960 Speaker 3: we wouldn't have really didn't get paid. 33 00:01:47,000 --> 00:01:48,000 Speaker 4: It was just for the fun. 34 00:01:47,840 --> 00:01:49,880 Speaker 3: Of being on the stage in a pa and playing 35 00:01:49,920 --> 00:01:53,080 Speaker 3: and having a good time. But I think the first 36 00:01:53,120 --> 00:01:55,920 Speaker 3: time we got played Steven paid. Stephen and I got 37 00:01:55,920 --> 00:01:58,040 Speaker 3: in a car and my mom drove us to this 38 00:01:58,200 --> 00:02:02,120 Speaker 3: little women's organization tea party where they have those little 39 00:02:02,120 --> 00:02:04,840 Speaker 3: finger sandwiches and drink tea and stuff, and Steve and 40 00:02:04,840 --> 00:02:07,240 Speaker 3: I would just play acoustic guitar for these women. I 41 00:02:07,240 --> 00:02:10,040 Speaker 3: think we got ten dollars or something. We made five 42 00:02:10,080 --> 00:02:14,240 Speaker 3: bucks apiece, you know, And from there it really wasn't 43 00:02:14,360 --> 00:02:16,440 Speaker 3: ever about the money, to tell you the truth. It 44 00:02:16,480 --> 00:02:19,320 Speaker 3: was just the love of playing and figuring out music 45 00:02:19,400 --> 00:02:22,160 Speaker 3: and how does this work, and how do you write songs? 46 00:02:22,200 --> 00:02:24,639 Speaker 3: And how do you know? I would get Mill Bay 47 00:02:24,720 --> 00:02:27,919 Speaker 3: guitar books and learn chords from El Bay and just 48 00:02:28,000 --> 00:02:29,840 Speaker 3: kind of self educated all the way along. 49 00:02:29,960 --> 00:02:34,359 Speaker 2: At what point, because you're talking about three absolute hall 50 00:02:34,360 --> 00:02:36,320 Speaker 2: of famers, not even just like traditional sense rock and 51 00:02:36,400 --> 00:02:38,040 Speaker 2: roll hall of fame, but like the greatest ever do 52 00:02:38,120 --> 00:02:41,880 Speaker 2: anything musically with Steven Stills and Tom Petty and yourself. 53 00:02:43,560 --> 00:02:45,760 Speaker 2: Do you guys all know you want to do it solo? 54 00:02:45,800 --> 00:02:48,800 Speaker 2: Why'd you break up the band? Like that? Feels like 55 00:02:48,840 --> 00:02:50,480 Speaker 2: a pretty solid band on. 56 00:02:51,480 --> 00:02:55,440 Speaker 3: Well, Steven left as soon as he graduated from high school. 57 00:02:55,480 --> 00:02:57,840 Speaker 3: He was one year ahead of me. He left and 58 00:02:57,880 --> 00:03:01,320 Speaker 3: moved to California, and I didn't see him until quite 59 00:03:01,360 --> 00:03:04,600 Speaker 3: a few years later. I think he graduated in sixty four. 60 00:03:04,919 --> 00:03:05,760 Speaker 3: Was it to do music though? 61 00:03:05,760 --> 00:03:06,200 Speaker 4: When he left? 62 00:03:06,200 --> 00:03:07,400 Speaker 2: Was he like, I'm gonna go do music or was 63 00:03:07,400 --> 00:03:08,840 Speaker 2: he just moving to California to see what happened? 64 00:03:09,240 --> 00:03:12,280 Speaker 3: He knew that was his destiny. He got out to California. 65 00:03:12,480 --> 00:03:15,040 Speaker 3: It wasn't happening in the Southeast, it wasn't happening in 66 00:03:15,120 --> 00:03:18,520 Speaker 3: New York. It was happening in California. So he was 67 00:03:18,760 --> 00:03:24,720 Speaker 3: magnificently drawn out to California. And the next time I 68 00:03:24,800 --> 00:03:27,240 Speaker 3: heard him was I was laying in bed one night 69 00:03:27,280 --> 00:03:29,800 Speaker 3: and the radio was on and I heard For what 70 00:03:29,880 --> 00:03:33,560 Speaker 3: It's Worth and I went, God, that voice sounds really FAMI, 71 00:03:33,720 --> 00:03:36,080 Speaker 3: I know who is that? And they said it was 72 00:03:36,120 --> 00:03:39,400 Speaker 3: Buffalo Springfield. And I went and figured out who Buffalo 73 00:03:39,520 --> 00:03:42,920 Speaker 3: Springfield was. Was released Stephen? And then the next time 74 00:03:42,960 --> 00:03:46,000 Speaker 3: I actually saw him physically, he was on stage at 75 00:03:46,000 --> 00:03:48,280 Speaker 3: Woodstock and I was in the crowd and I went, 76 00:03:49,320 --> 00:03:52,440 Speaker 3: that's Stephen. Still, what'stock? 77 00:03:52,600 --> 00:03:54,760 Speaker 2: So you were there watching, Yeah, and you see your 78 00:03:54,760 --> 00:03:56,360 Speaker 2: friend on stage nineteen sixty nine? 79 00:03:56,400 --> 00:03:56,880 Speaker 4: What'stock? 80 00:03:57,080 --> 00:03:58,280 Speaker 1: That's right? That's crazy? 81 00:03:58,480 --> 00:03:59,600 Speaker 4: Was Whatstock for you as a fan? 82 00:03:59,720 --> 00:04:03,640 Speaker 2: Was it like wild and muddy and everything that we 83 00:04:03,720 --> 00:04:05,280 Speaker 2: see or did you get the good version of it? 84 00:04:06,000 --> 00:04:10,040 Speaker 3: I had enough fourth site to actually have gone to 85 00:04:10,080 --> 00:04:12,800 Speaker 3: Woodstock with a guy who owned what it's called now 86 00:04:12,960 --> 00:04:16,880 Speaker 3: a travel all. It's like the predecessor to a suburban. 87 00:04:17,040 --> 00:04:20,240 Speaker 3: It had box doors on the back that open, so 88 00:04:20,320 --> 00:04:22,760 Speaker 3: we put a mattress in the back because it's out 89 00:04:22,839 --> 00:04:25,640 Speaker 3: just in the middle of nowhere, right, and we brought 90 00:04:25,640 --> 00:04:28,360 Speaker 3: an ice chest with drinks and food and we were 91 00:04:28,440 --> 00:04:31,040 Speaker 3: got there a day early, and we backed in so 92 00:04:31,080 --> 00:04:33,880 Speaker 3: we could open those doors towards the stage even if 93 00:04:33,880 --> 00:04:36,839 Speaker 3: it was pouring rain. We had shelter, we would trying 94 00:04:36,839 --> 00:04:39,120 Speaker 3: a comfy place to sleeve food with it. And then 95 00:04:40,200 --> 00:04:42,159 Speaker 3: it was just great because I saw some of the 96 00:04:42,200 --> 00:04:47,080 Speaker 3: most important, I think influential musicians in the history of rock. 97 00:04:47,160 --> 00:04:52,520 Speaker 3: I saw Jimmy Hendricks, I saw Carlos Santana, saw Crosby Stills, 98 00:04:52,600 --> 00:04:56,960 Speaker 3: Nash and young Grateful Dad just on an on Jana's 99 00:04:57,000 --> 00:05:00,000 Speaker 3: job for three solid days. It was probably the best 100 00:05:00,720 --> 00:05:03,920 Speaker 3: music event that ever exploded on the planet. It just 101 00:05:04,240 --> 00:05:07,160 Speaker 3: resonated all over the world. And as a matter of fact, 102 00:05:07,200 --> 00:05:09,400 Speaker 3: I wrote a song about it on my last record 103 00:05:10,080 --> 00:05:14,680 Speaker 3: about how that event went on to influence decades after decades, 104 00:05:14,720 --> 00:05:18,200 Speaker 3: after decades of young people that love rock and roll 105 00:05:18,360 --> 00:05:20,440 Speaker 3: and wanted to learn to play like that little ten 106 00:05:20,520 --> 00:05:25,280 Speaker 3: year old in Texas and became famous decade after decade 107 00:05:25,320 --> 00:05:27,520 Speaker 3: after decade. Is called American rock and Roll. That's the 108 00:05:27,520 --> 00:05:30,360 Speaker 3: title of my last album, And that song is about 109 00:05:30,440 --> 00:05:32,720 Speaker 3: being at Woodstock and seeing the beginning of it. 110 00:05:32,880 --> 00:05:35,360 Speaker 2: When you were at Woodstock and you're watching these great 111 00:05:35,440 --> 00:05:38,240 Speaker 2: artists and you're inspired, but you were in the midst 112 00:05:38,279 --> 00:05:40,080 Speaker 2: of the early part of your music career at the 113 00:05:40,080 --> 00:05:42,880 Speaker 2: same time. Did you have a healthy professional jealousy or 114 00:05:42,880 --> 00:05:44,640 Speaker 2: would you have been like me about, like I should. 115 00:05:44,440 --> 00:05:47,200 Speaker 3: Be up there, this sucks. I would say both. It 116 00:05:47,279 --> 00:05:49,720 Speaker 3: was dependent on how much I was smoking at the time. 117 00:05:49,800 --> 00:05:52,359 Speaker 3: If I was spoking, I was pretty mellow about it. 118 00:05:54,720 --> 00:05:56,960 Speaker 2: See, I think I would have been completely jealous the 119 00:05:56,960 --> 00:05:59,880 Speaker 2: whole time. But that's really cool that, like, you turn 120 00:06:00,200 --> 00:06:03,920 Speaker 2: to be really one of America's great musicians, but you 121 00:06:03,960 --> 00:06:07,400 Speaker 2: were also there as a fan, probably at what was 122 00:06:07,520 --> 00:06:11,160 Speaker 2: our greatest music event. Yeah, because you have that perspective 123 00:06:11,200 --> 00:06:12,920 Speaker 2: of being a fan and watching it as well. 124 00:06:13,080 --> 00:06:13,479 Speaker 4: Yeah. 125 00:06:13,480 --> 00:06:14,960 Speaker 2: Man, I just think about how muddy it was, and 126 00:06:14,960 --> 00:06:17,560 Speaker 2: he was in a freaking suburban. He was covered like 127 00:06:18,240 --> 00:06:19,599 Speaker 2: he was a d Yeah. 128 00:06:19,720 --> 00:06:20,160 Speaker 1: Don so. 129 00:06:21,080 --> 00:06:24,640 Speaker 5: You know, I always hear about the California sound. Back then, 130 00:06:24,720 --> 00:06:26,720 Speaker 5: you talked about that a little bit, and everyone was 131 00:06:26,760 --> 00:06:29,799 Speaker 5: going to California to make music. But in the sixties, 132 00:06:29,800 --> 00:06:32,360 Speaker 5: you know, you think about California's Beach Boys. The Beach 133 00:06:32,360 --> 00:06:35,320 Speaker 5: Boys had the California sound. In the seventies, you guys 134 00:06:35,320 --> 00:06:38,640 Speaker 5: had the California sound. Did you ever think about that. 135 00:06:38,920 --> 00:06:42,120 Speaker 3: Well, yeah, because there was nobody except for Bernie Leaden 136 00:06:42,279 --> 00:06:45,440 Speaker 3: that was in the Eagles, that was from California. Don 137 00:06:45,520 --> 00:06:48,320 Speaker 3: Hinley was from Texas. I was from Florida. Joe Walsh 138 00:06:48,440 --> 00:06:50,800 Speaker 3: later joined. I think he was from Detroit, or so 139 00:06:50,960 --> 00:06:53,480 Speaker 3: Glenn was from Detroit. There was nobody in the band 140 00:06:53,480 --> 00:06:58,240 Speaker 3: that had the California sound, but we somehow managed to 141 00:06:58,279 --> 00:07:02,760 Speaker 3: be given the title of the new California Sound in 142 00:07:02,800 --> 00:07:03,400 Speaker 3: the seventies. 143 00:07:03,480 --> 00:07:04,760 Speaker 4: Yeah, and you embraced it. 144 00:07:04,839 --> 00:07:08,520 Speaker 2: You felt like, even though you know, not really a 145 00:07:08,560 --> 00:07:14,280 Speaker 2: band full of Californians, like, would you guys California sound? 146 00:07:14,480 --> 00:07:17,960 Speaker 3: Well, we were making music in California, you know. So 147 00:07:18,920 --> 00:07:21,040 Speaker 3: I do have to say that when the band first, 148 00:07:21,080 --> 00:07:24,200 Speaker 3: even before I joined at Bernie Leden was a brilliantly 149 00:07:24,320 --> 00:07:29,360 Speaker 3: gifted country musician. He played unbelievable flat top guitar, the best, 150 00:07:29,480 --> 00:07:31,760 Speaker 3: one of the best five string banjo players I've ever 151 00:07:31,800 --> 00:07:36,000 Speaker 3: seen in my life. He played pedal steel, he played mandolin. 152 00:07:36,120 --> 00:07:39,600 Speaker 3: He was just he loved country music. You listen to 153 00:07:39,600 --> 00:07:42,800 Speaker 3: those first couple of early records, that's a really heavy 154 00:07:42,920 --> 00:07:46,080 Speaker 3: influence coming from Bernie and all of those tracks. Right, 155 00:07:46,680 --> 00:07:49,560 Speaker 3: So there was the birth of what I thought was 156 00:07:49,680 --> 00:07:54,440 Speaker 3: early country rock music in those tracks. Later when I 157 00:07:54,560 --> 00:07:57,840 Speaker 3: joined the band, everybody wanted to move except for Bernie. 158 00:07:58,000 --> 00:08:03,200 Speaker 3: Wanted to move from country rock to more midstream AM 159 00:08:03,360 --> 00:08:07,520 Speaker 3: rock and roll radio, and so that's why I was 160 00:08:07,520 --> 00:08:09,560 Speaker 3: brought in. They kind of put a harder ridge on 161 00:08:09,640 --> 00:08:11,960 Speaker 3: everything that led it out of country. 162 00:08:12,120 --> 00:08:15,120 Speaker 4: How was it joining a group that was already a group? 163 00:08:15,720 --> 00:08:16,800 Speaker 4: What's that dynamic like? 164 00:08:17,200 --> 00:08:19,600 Speaker 3: Well, it was interesting because Bernie and I had been 165 00:08:19,640 --> 00:08:23,200 Speaker 3: friends since high school. We had Bernie replaced Steven Stills 166 00:08:23,280 --> 00:08:27,360 Speaker 3: in the Money Quintet when Steve took off, and so 167 00:08:27,520 --> 00:08:29,400 Speaker 3: I'd known him for a long time and he had 168 00:08:29,400 --> 00:08:33,679 Speaker 3: given me insights into the dynamics in that band in 169 00:08:33,800 --> 00:08:37,520 Speaker 3: quite extensive ways about it always felt like a band 170 00:08:37,520 --> 00:08:40,480 Speaker 3: that was about to break up. So I had no 171 00:08:40,600 --> 00:08:43,560 Speaker 3: idea how long If I joined this band two weeks 172 00:08:43,600 --> 00:08:45,960 Speaker 3: from now, somebody's going to quit and take off. And 173 00:08:45,960 --> 00:08:49,319 Speaker 3: Bernie eventually did quit during the one of These Nights records. 174 00:08:49,320 --> 00:08:51,960 Speaker 2: So do you feel like that helped the creative process 175 00:08:52,480 --> 00:08:55,560 Speaker 2: or at least made it a like a quirky creative 176 00:08:55,559 --> 00:08:59,080 Speaker 2: process that there was always some sort of tension, like 177 00:08:59,440 --> 00:09:04,160 Speaker 2: was that were you challenging each other creatively because there 178 00:09:04,200 --> 00:09:06,560 Speaker 2: was tension or was it just like it's. 179 00:09:06,480 --> 00:09:07,720 Speaker 4: Kind of it's just tough. 180 00:09:08,240 --> 00:09:11,520 Speaker 3: I think both. I think there were egos involved. I 181 00:09:11,559 --> 00:09:16,560 Speaker 3: think there were song choices involved. I think there was 182 00:09:17,040 --> 00:09:20,280 Speaker 3: a battle for who was going to be the front man, 183 00:09:20,679 --> 00:09:23,760 Speaker 3: which was really a Glenn Fry originally started being the 184 00:09:23,760 --> 00:09:25,960 Speaker 3: front man from the get go. All the songs on 185 00:09:26,000 --> 00:09:30,800 Speaker 3: the first record were Glenn Fry songs, big hits, and 186 00:09:30,840 --> 00:09:33,920 Speaker 3: then Don Hinley just kind of roared out of the 187 00:09:33,960 --> 00:09:38,760 Speaker 3: background now off the drums, into singing spectacular songs like 188 00:09:38,800 --> 00:09:42,120 Speaker 3: WHICHI Woman and Best of My Love and just great, 189 00:09:42,240 --> 00:09:45,880 Speaker 3: great songs. His voice was spectacular. So there was always 190 00:09:45,920 --> 00:09:48,840 Speaker 3: that struggle between those two guys, even though they were 191 00:09:48,880 --> 00:09:53,760 Speaker 3: writing and collaborating together. I was there not to create friction, 192 00:09:54,040 --> 00:09:58,400 Speaker 3: but to help divert whatever their goal was musically directly, 193 00:09:58,400 --> 00:10:01,800 Speaker 3: because Don Hiley doesn't write music and Glenn he used 194 00:10:01,800 --> 00:10:04,280 Speaker 3: to call himself the claw when he played piano and 195 00:10:04,320 --> 00:10:07,080 Speaker 3: it was like he could get through it, but he 196 00:10:07,120 --> 00:10:11,880 Speaker 3: really wasn't a pianist. And so between Bernie's influence and 197 00:10:11,960 --> 00:10:14,720 Speaker 3: earlier on and then when he finally left and he 198 00:10:14,920 --> 00:10:17,240 Speaker 3: left for what I thought was a really good reason, 199 00:10:17,280 --> 00:10:19,920 Speaker 3: to tell you the truth, he really wanted to retain 200 00:10:20,040 --> 00:10:23,480 Speaker 3: the roots of country in some part of these records, 201 00:10:24,240 --> 00:10:26,719 Speaker 3: and they were just where over country, we're going to 202 00:10:26,800 --> 00:10:30,120 Speaker 3: move into rock and pop and all this other stuff. 203 00:10:30,120 --> 00:10:33,280 Speaker 3: And when Bernie left, they chose to get Joe in 204 00:10:33,440 --> 00:10:35,840 Speaker 3: which I love Joe to death. I think he and 205 00:10:35,880 --> 00:10:38,319 Speaker 3: I had some of the best times together of any 206 00:10:38,400 --> 00:10:42,000 Speaker 3: time on the road. And not only that, but the 207 00:10:42,040 --> 00:10:47,480 Speaker 3: fun we had already been playing together and TV shows 208 00:10:47,520 --> 00:10:50,280 Speaker 3: and shows that we opened for Elton John at Dodger 209 00:10:50,360 --> 00:10:53,640 Speaker 3: Stadium as Joe Walsh and friends, and so he and 210 00:10:53,679 --> 00:10:57,080 Speaker 3: I had already been doing that stuff. So when that 211 00:10:57,280 --> 00:11:01,320 Speaker 3: idea for Hotel California came up Little Beach House, I said, 212 00:11:01,360 --> 00:11:03,880 Speaker 3: I had to make an ending on this that Joe 213 00:11:03,960 --> 00:11:07,160 Speaker 3: and I could play on so that we could have 214 00:11:07,600 --> 00:11:10,280 Speaker 3: So I played a solo kind of like what I 215 00:11:10,400 --> 00:11:12,600 Speaker 3: was going to play, and then I'd play something I 216 00:11:12,640 --> 00:11:14,920 Speaker 3: thought Joe would try to sound like Joe, and I 217 00:11:15,040 --> 00:11:18,040 Speaker 3: was like simulating that thing at the very end of 218 00:11:18,040 --> 00:11:20,280 Speaker 3: the record. It was just always so much fun to 219 00:11:20,320 --> 00:11:22,920 Speaker 3: work and play with him, and we inspired each other. 220 00:11:22,960 --> 00:11:25,400 Speaker 3: It was like, Okay, you think you can do this, 221 00:11:25,640 --> 00:11:27,880 Speaker 3: try this. You know and okay, Trump, let's put a 222 00:11:27,920 --> 00:11:30,440 Speaker 3: squeak on this one, and you know, just try to 223 00:11:30,760 --> 00:11:34,680 Speaker 3: That was a very loving, fun creative process. A lot 224 00:11:34,679 --> 00:11:38,040 Speaker 3: of times it was over lyrics, and Don Helly is 225 00:11:38,080 --> 00:11:41,839 Speaker 3: a brilliant lyricist in my opinion. He just you take 226 00:11:41,880 --> 00:11:44,880 Speaker 3: a song like Hotel, and each little line is like 227 00:11:44,920 --> 00:11:47,240 Speaker 3: a postcard. It's like a picture of the song on 228 00:11:47,320 --> 00:11:50,880 Speaker 3: a dark desert highway. You see it cool in my hair. 229 00:11:51,000 --> 00:11:54,200 Speaker 3: You can feel it in your hair, the warm smell 230 00:11:54,520 --> 00:11:58,160 Speaker 3: you can smell khalid As. He just has a way 231 00:11:58,200 --> 00:12:01,720 Speaker 3: to draw these little pictures that to a great chorus. 232 00:12:01,760 --> 00:12:02,120 Speaker 4: Brilliant. 233 00:12:02,160 --> 00:12:05,560 Speaker 3: He's an English literature major and it shows in this writing. 234 00:12:05,920 --> 00:12:08,160 Speaker 3: So I have the utmost respect for Don and his 235 00:12:08,280 --> 00:12:09,160 Speaker 3: skills that way. 236 00:12:09,040 --> 00:12:09,600 Speaker 4: His voice. 237 00:12:10,080 --> 00:12:11,959 Speaker 3: I used to say he could sing the New York 238 00:12:12,000 --> 00:12:15,960 Speaker 3: Times telephone book and I'd love it. 239 00:12:16,000 --> 00:12:17,920 Speaker 4: I'll buy it platinum, you know. 240 00:12:19,960 --> 00:12:22,679 Speaker 2: At number nine, it's stone cold. Steve Austin from episode 241 00:12:22,679 --> 00:12:26,240 Speaker 2: four seventy two probably one of my favorite interviews because 242 00:12:26,760 --> 00:12:28,800 Speaker 2: we just went to his ranch and then we talked 243 00:12:28,800 --> 00:12:30,920 Speaker 2: for an hour. We talked about his career, what he 244 00:12:30,960 --> 00:12:32,840 Speaker 2: does for fun, and you can always go back and 245 00:12:32,880 --> 00:12:35,679 Speaker 2: listen to the full episode as well. Now he loves 246 00:12:35,720 --> 00:12:38,920 Speaker 2: to cuss. We did not bleep any of it. Heads up. 247 00:12:39,280 --> 00:12:41,600 Speaker 2: Here's a clip we put this at number nine. It's 248 00:12:41,600 --> 00:12:42,720 Speaker 2: stone called Steve Boston. 249 00:12:44,559 --> 00:12:45,959 Speaker 6: We used to One of the guys I used to 250 00:12:45,960 --> 00:12:49,160 Speaker 6: travel with is one of my closest friends, Diamond Dallas Page. 251 00:12:49,640 --> 00:12:51,839 Speaker 6: He was ahead of his time as far as taking 252 00:12:51,840 --> 00:12:54,679 Speaker 6: care of his body, and he videotaped all his matches 253 00:12:54,840 --> 00:12:57,000 Speaker 6: and I'd be over doing color commentary, you know, while 254 00:12:57,000 --> 00:12:59,520 Speaker 6: who's in the ring working and the Sure enough we 255 00:12:59,600 --> 00:13:02,880 Speaker 6: get to say shit box motel and we'd hook the 256 00:13:03,200 --> 00:13:06,600 Speaker 6: VCR thing up to the TV so we could watch 257 00:13:06,640 --> 00:13:10,679 Speaker 6: his match and say, man, no, don't do this right here? 258 00:13:10,880 --> 00:13:13,200 Speaker 6: Do this then? Or do it like this? So we 259 00:13:13,240 --> 00:13:16,000 Speaker 6: start critiquing all of his matches, so the same thing. Man, 260 00:13:16,320 --> 00:13:19,240 Speaker 6: it's reps in anything, just like with racing east side 261 00:13:19,240 --> 00:13:22,000 Speaker 6: by side, just reps. You got to do anything or 262 00:13:22,000 --> 00:13:24,400 Speaker 6: whatever whatever it is you're trying to do, You got 263 00:13:24,440 --> 00:13:26,120 Speaker 6: to do it over and over and over again to 264 00:13:26,480 --> 00:13:27,280 Speaker 6: make improvements. 265 00:13:27,440 --> 00:13:31,000 Speaker 2: And you know that are you feeling Are you feeling 266 00:13:31,000 --> 00:13:34,120 Speaker 2: fulfilled in your competitive spirit by racing now from what 267 00:13:34,200 --> 00:13:37,400 Speaker 2: you were getting from football and then professional wrestling, like, 268 00:13:37,679 --> 00:13:40,040 Speaker 2: is it the same feeling of fulfillment? 269 00:13:40,520 --> 00:13:45,120 Speaker 6: I would compare it more to to football rather than wrestling, 270 00:13:45,200 --> 00:13:48,960 Speaker 6: just because in wrestling you're in front of such massive crowds, 271 00:13:49,440 --> 00:13:51,800 Speaker 6: which meant I've been in front of crowds of twenty 272 00:13:51,800 --> 00:13:53,880 Speaker 6: five people, you know, and shit hurts a lot more 273 00:13:53,920 --> 00:13:59,359 Speaker 6: with it. Ain't nobody there high drilling, ain't near his eye. 274 00:14:01,200 --> 00:14:03,120 Speaker 6: Just gave me a good swift kick in the ass 275 00:14:03,200 --> 00:14:05,480 Speaker 6: before I hit the damn door and make my entrance. 276 00:14:06,360 --> 00:14:09,319 Speaker 6: Many a drilline factor is a whole different thing, because man, 277 00:14:09,360 --> 00:14:12,800 Speaker 6: when that glass broke, when they wrote that music for me, 278 00:14:12,880 --> 00:14:14,520 Speaker 6: they couldn't have wrote a better piece of music for 279 00:14:14,720 --> 00:14:17,640 Speaker 6: Stonecold Steve Boston. When that glass breaks, you could be 280 00:14:17,720 --> 00:14:19,480 Speaker 6: dragged out for being on the road. Who we used 281 00:14:19,520 --> 00:14:21,360 Speaker 6: to live on the road like all that, A lot 282 00:14:21,400 --> 00:14:24,040 Speaker 6: of the artists you talk to. It's a way of life, 283 00:14:24,440 --> 00:14:27,320 Speaker 6: and shit happens, and sometimes you're down, and when that 284 00:14:27,360 --> 00:14:29,600 Speaker 6: glass breaks and that crowd goes through the roof, it's 285 00:14:29,640 --> 00:14:33,080 Speaker 6: an adrenalinst spike that may if you've never felt it, 286 00:14:33,120 --> 00:14:35,240 Speaker 6: There's no way I could put it into words to 287 00:14:35,320 --> 00:14:38,560 Speaker 6: explain it to you enough. But this racing thing is 288 00:14:38,560 --> 00:14:42,200 Speaker 6: more like football because of just I just want to 289 00:14:42,240 --> 00:14:45,880 Speaker 6: compete at something and I want to win, and god 290 00:14:45,960 --> 00:14:48,160 Speaker 6: damn it, I ain't gonna win all the time. The 291 00:14:48,200 --> 00:14:50,520 Speaker 6: hell I broke down. We had a race a couple 292 00:14:50,560 --> 00:14:52,240 Speaker 6: of weeks ago. It was a five hundred and fifty 293 00:14:52,240 --> 00:14:55,120 Speaker 6: five mile race, and I broke down at mile mark 294 00:14:55,200 --> 00:14:56,720 Speaker 6: or one hundred and had to pull out. 295 00:14:56,600 --> 00:14:57,040 Speaker 4: Of the race. 296 00:14:57,120 --> 00:14:59,560 Speaker 6: And that sucked ass because I was on about a 297 00:14:59,600 --> 00:15:02,920 Speaker 6: force for race winning streak and my federation that I 298 00:15:03,000 --> 00:15:05,640 Speaker 6: run in, and so it's nice when you experience those 299 00:15:05,720 --> 00:15:08,360 Speaker 6: highs and you know, it's like anybody can learn how 300 00:15:08,360 --> 00:15:11,480 Speaker 6: to win. It's those losses that kicking ass and kind 301 00:15:11,480 --> 00:15:14,400 Speaker 6: of ground you and say, Okay, the lows come with 302 00:15:14,400 --> 00:15:16,480 Speaker 6: the highs, and the highs go with the lows. So 303 00:15:17,080 --> 00:15:21,320 Speaker 6: racing is it? Really? It gives me a lot of satisfaction, 304 00:15:21,440 --> 00:15:25,600 Speaker 6: a lot of fulfillment. And I never knew this, but 305 00:15:25,720 --> 00:15:29,480 Speaker 6: last year when I started racing, we're running basically on 306 00:15:29,600 --> 00:15:32,800 Speaker 6: just rough ass, you know, roads out here in the desert, 307 00:15:33,240 --> 00:15:35,960 Speaker 6: on a two track road and we'd be going straight 308 00:15:36,000 --> 00:15:38,560 Speaker 6: down the road and there's rocks and turns and it's 309 00:15:38,600 --> 00:15:41,440 Speaker 6: referen hell out there and hell, I just veer off 310 00:15:41,480 --> 00:15:44,360 Speaker 6: the fucking road and end up in the sage brush. Well, 311 00:15:44,400 --> 00:15:47,320 Speaker 6: my coal driver's been racing this whole life, and he's calm, 312 00:15:47,480 --> 00:15:50,200 Speaker 6: cool and collected, and I'd gather my shit back together 313 00:15:50,200 --> 00:15:51,840 Speaker 6: and get on the road and say, hey, man, sorry 314 00:15:51,880 --> 00:15:54,840 Speaker 6: about that. We're wired for sounds, so we can talk 315 00:15:54,880 --> 00:15:58,440 Speaker 6: to each other. And what had happened was I was thinking, 316 00:15:58,520 --> 00:16:01,160 Speaker 6: Hey man, what the fuck? What am I drinking tonight? 317 00:16:01,360 --> 00:16:03,120 Speaker 6: I'm gonna have a beer? Am I gonna drink whiskey 318 00:16:03,200 --> 00:16:06,040 Speaker 6: or whatever? As soon as my mind left the task 319 00:16:06,080 --> 00:16:08,920 Speaker 6: at hand, which is navigating, you know, through that desert. 320 00:16:09,160 --> 00:16:11,800 Speaker 6: And it happened about three or four times that first season, 321 00:16:12,320 --> 00:16:15,600 Speaker 6: and racing has taught me to be laser focused, because 322 00:16:15,600 --> 00:16:17,640 Speaker 6: as soon as you take your mind off what you're doing, 323 00:16:17,680 --> 00:16:20,160 Speaker 6: you will fuck up. And that that's one of the 324 00:16:20,160 --> 00:16:22,400 Speaker 6: things I enjoy about it as well, Like the world 325 00:16:22,440 --> 00:16:24,240 Speaker 6: can be in a pile of shit right now, but 326 00:16:24,320 --> 00:16:26,280 Speaker 6: if I'm in that race, bug in a race, it 327 00:16:26,320 --> 00:16:28,600 Speaker 6: can wait because I'm dealing with what I got to 328 00:16:28,640 --> 00:16:31,000 Speaker 6: deal with and trying to get across that finish line 329 00:16:31,000 --> 00:16:31,840 Speaker 6: before the other guys. 330 00:16:32,320 --> 00:16:33,320 Speaker 4: Do you have a drink wine? 331 00:16:33,920 --> 00:16:34,080 Speaker 7: Oh? 332 00:16:34,120 --> 00:16:34,800 Speaker 6: Yeah? I love wine. 333 00:16:34,800 --> 00:16:36,400 Speaker 2: Are people will like, why are you drinking wine? Your 334 00:16:36,440 --> 00:16:39,080 Speaker 2: stone cold Steve Bosta, you should only drink beer. 335 00:16:40,400 --> 00:16:42,400 Speaker 1: Yeah yeah, I'm a well rounded drinker. 336 00:16:43,440 --> 00:16:45,800 Speaker 4: I would just be like answer, shardon a. 337 00:16:45,800 --> 00:16:48,600 Speaker 2: Are you sure, mister Austin, I've. 338 00:16:48,520 --> 00:16:51,080 Speaker 6: Been around for so long. Now I'll make a post 339 00:16:51,120 --> 00:16:54,040 Speaker 6: on instagrams, Oh man, you better wantch you live. He 340 00:16:54,120 --> 00:16:57,280 Speaker 6: you've been drinking like motherfucker. I take care of myself. 341 00:16:57,360 --> 00:16:59,720 Speaker 6: I ran hard when I was in the wrestling game. 342 00:17:00,160 --> 00:17:02,560 Speaker 6: I ran hard and I ran fast. It's just the 343 00:17:02,600 --> 00:17:05,840 Speaker 6: way I lived. I won't speak about anybody else, but 344 00:17:06,200 --> 00:17:08,840 Speaker 6: you know, uh yeah, I love wine. I love my beer. 345 00:17:08,840 --> 00:17:10,800 Speaker 6: I've been in a beer business with Elsie gun No 346 00:17:10,880 --> 00:17:14,200 Speaker 6: brun coming He since twenty fifteen, and I love a 347 00:17:14,200 --> 00:17:14,719 Speaker 6: good bourbon. 348 00:17:15,320 --> 00:17:16,440 Speaker 2: Yeah, I just fire a waiter. 349 00:17:16,840 --> 00:17:19,680 Speaker 4: Are you sure they bring them a beer? Anyway? 350 00:17:19,880 --> 00:17:20,439 Speaker 2: Look at it. 351 00:17:20,600 --> 00:17:23,560 Speaker 6: Whine is good, man, Wine is good after a race 352 00:17:23,600 --> 00:17:25,560 Speaker 6: when you had a couple of beers and this is 353 00:17:25,600 --> 00:17:27,400 Speaker 6: that that that final drink for you hit. 354 00:17:27,320 --> 00:17:32,400 Speaker 4: The hey Zema with a job. 355 00:17:32,560 --> 00:17:36,719 Speaker 6: That was the thing when it first came out. Oh yeah, 356 00:17:36,600 --> 00:17:37,480 Speaker 6: well they're still around. 357 00:17:37,640 --> 00:17:38,240 Speaker 8: I don't know, I. 358 00:17:39,960 --> 00:17:40,320 Speaker 4: Hope not. 359 00:17:41,720 --> 00:17:43,680 Speaker 5: I'm just kidding you were you were in a few 360 00:17:43,680 --> 00:17:45,800 Speaker 5: movies with Adam Sandler? What was What was he like? 361 00:17:46,440 --> 00:17:48,520 Speaker 6: I always tell people that's the nicest guy I ever 362 00:17:48,560 --> 00:17:50,960 Speaker 6: met in Hollywood. And I didn't do Hollywood. I lived 363 00:17:51,080 --> 00:17:53,560 Speaker 6: in uh, you know, in uh Marina del Rey, in 364 00:17:53,600 --> 00:17:56,679 Speaker 6: the Venice area, So I didn't go to parties. I 365 00:17:56,720 --> 00:17:59,160 Speaker 6: didn't go to the Hollywood Hills. I didn't do none 366 00:17:59,200 --> 00:18:02,359 Speaker 6: of that shit. I just wasn't my scene. I was 367 00:18:02,400 --> 00:18:05,760 Speaker 6: an athlete. We were talking early before we started rolling cameras, 368 00:18:05,800 --> 00:18:07,520 Speaker 6: and we start talking about the artistry of some of 369 00:18:07,600 --> 00:18:11,479 Speaker 6: the guys that you've interviewed. But man, those actors are 370 00:18:11,480 --> 00:18:13,439 Speaker 6: a little different, you know. I don't mean it a 371 00:18:13,440 --> 00:18:15,960 Speaker 6: bad way. I just mean they're different than an athlete. 372 00:18:16,200 --> 00:18:19,720 Speaker 6: They're wired different and or I'm wired differently than they are. 373 00:18:20,400 --> 00:18:23,440 Speaker 6: Adam Sandler was the funniest, nicest guy I've ever worked with, 374 00:18:23,760 --> 00:18:26,760 Speaker 6: and I've enjoyed each time I've gotten to work with him. 375 00:18:26,800 --> 00:18:28,919 Speaker 6: He's a super guy, a sweetheart. 376 00:18:29,240 --> 00:18:31,000 Speaker 2: I'm not gonna mention any names. I don't expect you 377 00:18:31,080 --> 00:18:33,119 Speaker 2: to either, But there are times in my career profession 378 00:18:33,160 --> 00:18:34,720 Speaker 2: I have to work with people I don't enjoy working 379 00:18:34,760 --> 00:18:37,159 Speaker 2: with It's just part of what we do. But you 380 00:18:37,160 --> 00:18:39,760 Speaker 2: gotta fake it, you know. I feel, especially if it's 381 00:18:39,760 --> 00:18:41,560 Speaker 2: like a boss will be like, I need you to 382 00:18:41,720 --> 00:18:43,479 Speaker 2: have this person on the show. It doesn't often do that, 383 00:18:43,520 --> 00:18:45,160 Speaker 2: but I'm like, I don't really like them, but I'm 384 00:18:45,160 --> 00:18:46,760 Speaker 2: gonna bring them in. I'm gonna work with them. We're 385 00:18:46,800 --> 00:18:50,280 Speaker 2: gonna make it work for me. That's difficult, but I 386 00:18:50,280 --> 00:18:53,040 Speaker 2: can fake it. What is it like having to be 387 00:18:53,640 --> 00:18:55,560 Speaker 2: do a job so intimate and you just don't like 388 00:18:55,600 --> 00:18:59,560 Speaker 2: the person you're working with and you're wrestling with them. 389 00:19:00,480 --> 00:19:02,800 Speaker 6: Those were so few and far between. I always got 390 00:19:02,880 --> 00:19:06,520 Speaker 6: along with pretty much everybody, and I and I and 391 00:19:06,640 --> 00:19:08,880 Speaker 6: you could go talk to anybody that's ever worked with 392 00:19:08,920 --> 00:19:11,280 Speaker 6: me and maybe they might have a different opinion. But 393 00:19:13,280 --> 00:19:17,600 Speaker 6: I've seen some guys that that were outstanding workers, but 394 00:19:17,720 --> 00:19:19,560 Speaker 6: they were kind of at odds with each other, and 395 00:19:19,560 --> 00:19:22,639 Speaker 6: when they got in the ring, it didn't click because 396 00:19:22,680 --> 00:19:26,119 Speaker 6: there were some animosity. But I was. I meant, for 397 00:19:26,160 --> 00:19:29,399 Speaker 6: some reason, I've always gotten along with just about it, 398 00:19:29,480 --> 00:19:32,040 Speaker 6: damn near everybody I've ever worked with. Now there's some 399 00:19:32,080 --> 00:19:34,360 Speaker 6: guys whose style is so different and that you knew 400 00:19:34,480 --> 00:19:36,080 Speaker 6: was going to be a difficult task. 401 00:19:35,920 --> 00:19:37,280 Speaker 1: Mean you still liked them as humans? 402 00:19:37,280 --> 00:19:40,000 Speaker 2: Oh yeah, yeah, yeah, they were stylistically so different. 403 00:19:40,119 --> 00:19:43,280 Speaker 6: Yeah, but yeah, and there was there was. There was 404 00:19:43,400 --> 00:19:45,440 Speaker 6: very few people that I disliked. 405 00:19:45,680 --> 00:19:47,800 Speaker 2: Who in your career. And I tell you why I 406 00:19:47,840 --> 00:19:51,240 Speaker 2: asked this. I remember, and if I'm wrong on the facts, 407 00:19:51,240 --> 00:19:54,560 Speaker 2: please correct me. I remember w CW you were still 408 00:19:54,560 --> 00:19:57,560 Speaker 2: Stunning Steve. And when I was really young, I loved 409 00:19:57,600 --> 00:20:00,439 Speaker 2: Ricky the Dragon steam modes awesome. I here he was 410 00:20:00,440 --> 00:20:03,119 Speaker 2: a really great guy too, never never met him, and 411 00:20:03,200 --> 00:20:05,760 Speaker 2: he was maybe the US champion. He had the belt, 412 00:20:05,920 --> 00:20:07,560 Speaker 2: but he his backer, I don't know if it was 413 00:20:07,600 --> 00:20:09,000 Speaker 2: real or not. And he had to give you the 414 00:20:09,040 --> 00:20:12,240 Speaker 2: belt and and and so he was like, I can't wrestle, 415 00:20:12,280 --> 00:20:15,720 Speaker 2: So you got the belts as Stunning Steve. And I 416 00:20:15,720 --> 00:20:18,159 Speaker 2: remember thinking, man, that would be so cool to be 417 00:20:18,160 --> 00:20:20,000 Speaker 2: in the ring with Ricky the Dragon Steamboat. Aside from 418 00:20:20,040 --> 00:20:22,680 Speaker 2: whatever the storyline there was then, who were those guys? 419 00:20:22,680 --> 00:20:25,280 Speaker 2: And one could have been Ricky Steamboat? Who are those guys? 420 00:20:25,280 --> 00:20:26,800 Speaker 2: When you came up and the first time you got 421 00:20:26,840 --> 00:20:29,520 Speaker 2: to actually professionally be a peer that you were like, 422 00:20:29,560 --> 00:20:30,679 Speaker 2: this is freaking awesome. 423 00:20:31,440 --> 00:20:35,159 Speaker 6: Well, I was wrestling with Ricky the Dragon Steamboat and 424 00:20:35,160 --> 00:20:37,280 Speaker 6: I think I was in the turnbuckle. He was on 425 00:20:37,359 --> 00:20:39,720 Speaker 6: the second rope and he was punching me and I 426 00:20:39,800 --> 00:20:42,520 Speaker 6: pushed him off and he landed on his back. I 427 00:20:42,520 --> 00:20:44,960 Speaker 6: believe that's that That was one. That was how he 428 00:20:45,040 --> 00:20:48,920 Speaker 6: got one of his bad back injuries. And Ricky the 429 00:20:49,000 --> 00:20:51,840 Speaker 6: Dragon Steamboat was awesome, probably one of the best ever 430 00:20:51,920 --> 00:20:54,400 Speaker 6: for sure. Uh what was. 431 00:20:54,320 --> 00:20:56,080 Speaker 2: The question, like, who did you get to work with me? 432 00:20:56,280 --> 00:20:58,080 Speaker 2: Like this is you were young, but you're like, this 433 00:20:58,160 --> 00:20:59,280 Speaker 2: is sick. I get to be in the ring with 434 00:20:59,280 --> 00:20:59,600 Speaker 2: this person. 435 00:20:59,600 --> 00:21:03,320 Speaker 6: I looked up, well, Rick Flair because people kind of 436 00:21:03,320 --> 00:21:06,400 Speaker 6: saw me as maybe being the next Rick Flair because 437 00:21:06,440 --> 00:21:08,359 Speaker 6: I was modeling this four I had my neck injury 438 00:21:08,359 --> 00:21:10,960 Speaker 6: down to WCW. You know, I was kind of modeling 439 00:21:11,000 --> 00:21:13,600 Speaker 6: my style after Rick because to me, he had the 440 00:21:13,640 --> 00:21:16,639 Speaker 6: ultimate pro wrestling style. And I'll never forget. We were 441 00:21:16,640 --> 00:21:18,879 Speaker 6: at a TV tape and down there South Carolina or 442 00:21:18,960 --> 00:21:23,400 Speaker 6: somewhere like that, and it was me, Rick and somebody 443 00:21:23,440 --> 00:21:25,680 Speaker 6: against three other guys, and I'm thinking, man, I'm gonna 444 00:21:25,680 --> 00:21:28,280 Speaker 6: show this motherfucker what's up. And all of a sudden 445 00:21:28,359 --> 00:21:30,800 Speaker 6: Rick tags in and I see him go to work. 446 00:21:31,040 --> 00:21:34,119 Speaker 6: Of course, I'm a lifelong fan. And when you're standing 447 00:21:34,119 --> 00:21:36,480 Speaker 6: on an apron and you're watching a guy, and that 448 00:21:36,600 --> 00:21:39,439 Speaker 6: was at eighteen by eighteen ring in WCW, but all 449 00:21:39,480 --> 00:21:41,760 Speaker 6: of a sudden, when you're watching the man do his thing, 450 00:21:42,080 --> 00:21:46,440 Speaker 6: you're like, fuck this, I got a long way to go. 451 00:21:47,119 --> 00:21:49,000 Speaker 6: But it was awesome to be in a ring with 452 00:21:49,080 --> 00:21:51,399 Speaker 6: him because it was like a head's up called like, 453 00:21:51,440 --> 00:21:54,560 Speaker 6: okay man, this is kind of you need to step 454 00:21:54,640 --> 00:21:56,480 Speaker 6: up your game a whole lot more than you thought 455 00:21:56,520 --> 00:21:59,240 Speaker 6: you did. And I would never say that I ever 456 00:21:59,440 --> 00:22:02,560 Speaker 6: reached Rick Flair status in the ring at all, because 457 00:22:02,560 --> 00:22:05,960 Speaker 6: I consider him the goat. But we're working with a 458 00:22:06,000 --> 00:22:08,960 Speaker 6: guy like that, Hey Morgan, with Ravishing, Rick Rude. But 459 00:22:09,359 --> 00:22:12,439 Speaker 6: working with any of those guys that had any names 460 00:22:12,720 --> 00:22:16,280 Speaker 6: was always fun to me. But also, yeah, I really 461 00:22:16,280 --> 00:22:18,760 Speaker 6: didn't look at it like that way. After a few 462 00:22:18,840 --> 00:22:21,120 Speaker 6: years in the business, or even after a few months 463 00:22:21,119 --> 00:22:23,840 Speaker 6: in the business, you're just saying, okay, man, these guys 464 00:22:23,880 --> 00:22:26,920 Speaker 6: are just just like me. It might be more well known, 465 00:22:27,080 --> 00:22:29,080 Speaker 6: but there's really it's not a big deal. 466 00:22:29,880 --> 00:22:32,680 Speaker 1: Hang tight. The Bobby Cast will be right back. 467 00:22:36,280 --> 00:22:39,600 Speaker 9: Wow, and we're back on the Bobby Cast. 468 00:22:40,359 --> 00:22:43,480 Speaker 2: We have Sarah Evans at number eight. Super successful career, 469 00:22:43,920 --> 00:22:46,359 Speaker 2: super public life, but in the midst of it, she 470 00:22:46,400 --> 00:22:48,840 Speaker 2: was dealing with some really difficult things and she talked 471 00:22:48,840 --> 00:22:52,000 Speaker 2: about that. Here's Sarah Evans, we have her at number eight. 472 00:22:52,080 --> 00:22:53,600 Speaker 2: It's from episode four forty two. 473 00:22:55,640 --> 00:22:59,240 Speaker 7: My life has been on display since I got my 474 00:22:59,280 --> 00:23:02,600 Speaker 7: record deal with our at twenty four and I went 475 00:23:02,600 --> 00:23:05,680 Speaker 7: through a very public divorce after having three small children. 476 00:23:07,240 --> 00:23:09,280 Speaker 7: My baby wasn't even a year old when I filed 477 00:23:09,320 --> 00:23:11,560 Speaker 7: for divorce. I was on Dancing with the Stars during 478 00:23:11,560 --> 00:23:14,720 Speaker 7: that time. So my life has always been a very 479 00:23:14,720 --> 00:23:18,119 Speaker 7: open book and in some ways, but then in some 480 00:23:18,160 --> 00:23:21,720 Speaker 7: ways I've been able to maintain some privacy. A lot 481 00:23:21,720 --> 00:23:25,679 Speaker 7: of that is because we raised the kids in Birmingham, Alabama, 482 00:23:25,760 --> 00:23:28,679 Speaker 7: in Mountain Brook, which is a close to Birmingham. So 483 00:23:31,240 --> 00:23:34,639 Speaker 7: I divorced my first husband. That was so public. There 484 00:23:34,680 --> 00:23:38,040 Speaker 7: were so many lies told and just you know how 485 00:23:38,040 --> 00:23:40,359 Speaker 7: it goes, I mean, rumors and people think they know. 486 00:23:41,400 --> 00:23:45,359 Speaker 7: And so then I Mary Jay. We had a really 487 00:23:45,400 --> 00:23:49,720 Speaker 7: really fast courtship. You know, we fell head over hills, 488 00:23:49,760 --> 00:23:53,479 Speaker 7: madly in love, so much passion, so much you know, 489 00:23:53,560 --> 00:23:55,280 Speaker 7: love for each other and just you're my best friend, 490 00:23:55,320 --> 00:23:59,240 Speaker 7: You're my person, and I just couldn't believe that I 491 00:23:59,280 --> 00:24:01,800 Speaker 7: that that had happened to me because I also spent 492 00:24:01,840 --> 00:24:06,879 Speaker 7: my childhood from age twelve on chasing after my father 493 00:24:07,040 --> 00:24:10,320 Speaker 7: because he was a great person but a terrible divorced dad. 494 00:24:10,400 --> 00:24:14,200 Speaker 7: And so I definitely have you know, quote daddy issues, 495 00:24:14,440 --> 00:24:22,760 Speaker 7: and so I'm always thinking wrongly about what love is 496 00:24:23,000 --> 00:24:27,200 Speaker 7: and what I deserve. Also being one of seven kids 497 00:24:27,280 --> 00:24:29,560 Speaker 7: and being the one who made it when all my 498 00:24:29,600 --> 00:24:34,280 Speaker 7: siblings are musically talented, they're great. I've always had a 499 00:24:34,320 --> 00:24:36,479 Speaker 7: sense of guilt that I carry for why did I 500 00:24:36,680 --> 00:24:38,800 Speaker 7: get rich? Why did I get famous? Why did I 501 00:24:38,880 --> 00:24:41,520 Speaker 7: and not my siblings? But at the same time, I'm 502 00:24:41,600 --> 00:24:44,440 Speaker 7: the one who worked my ass for it? 503 00:24:45,600 --> 00:24:46,520 Speaker 4: Right yeah? Yeah? 504 00:24:46,600 --> 00:24:48,359 Speaker 10: Left home me. That's what WARNI flies about. 505 00:24:48,440 --> 00:24:50,960 Speaker 7: That song is about me leaving home and loving my 506 00:24:51,520 --> 00:24:53,520 Speaker 7: home but knowing that I've got to leave my family 507 00:24:53,560 --> 00:24:56,080 Speaker 7: come here and do this. And one brother that came 508 00:24:56,119 --> 00:24:59,560 Speaker 7: with me and he became just as successful as a musician. 509 00:24:59,680 --> 00:25:04,000 Speaker 7: So so there's all that going on in my head. 510 00:25:04,040 --> 00:25:08,639 Speaker 7: I meet Jay and he is so attentive, he's so 511 00:25:09,000 --> 00:25:11,480 Speaker 7: you know, buying me gifts all the time, and and 512 00:25:11,520 --> 00:25:13,080 Speaker 7: like I said, our courtship was very fast. 513 00:25:13,119 --> 00:25:16,560 Speaker 10: We our first date was October. 514 00:25:15,880 --> 00:25:19,400 Speaker 7: Third, and we were married in June of that same 515 00:25:19,480 --> 00:25:21,720 Speaker 7: year of two thousand and eight. So there's a song 516 00:25:21,760 --> 00:25:25,000 Speaker 7: on the album called Mask where I talk about you know, 517 00:25:25,720 --> 00:25:28,199 Speaker 7: you weren't him, meaning you weren't my ex husband. So 518 00:25:28,240 --> 00:25:31,040 Speaker 7: that's what drew me because you were the opposite of that. 519 00:25:32,960 --> 00:25:38,040 Speaker 7: What happened is Jay he has his own set of 520 00:25:38,040 --> 00:25:41,600 Speaker 7: issues like we all do, you know, psychologically, And so 521 00:25:41,760 --> 00:25:44,439 Speaker 7: I grew up very old fashioned, like I said, on 522 00:25:44,480 --> 00:25:47,360 Speaker 7: a farm in Missouri, where you know, women are submissive 523 00:25:47,400 --> 00:25:51,119 Speaker 7: to their husbands, women do all the you know, in 524 00:25:51,640 --> 00:25:54,240 Speaker 7: domestic where although my mother worked out on the farm 525 00:25:54,280 --> 00:25:57,920 Speaker 7: as well, on a tractor all the time. But my granny, 526 00:25:58,000 --> 00:26:00,400 Speaker 7: for instance, who was my idol, was just do over 527 00:26:00,480 --> 00:26:03,119 Speaker 7: my papa and all of us. And so that's what 528 00:26:03,240 --> 00:26:05,840 Speaker 7: I grew up thinking. You know, you've got to be 529 00:26:06,000 --> 00:26:10,239 Speaker 7: this way. And I also enjoy that because it's a 530 00:26:10,280 --> 00:26:13,600 Speaker 7: good juxtaposition of being famous and then. 531 00:26:13,760 --> 00:26:17,399 Speaker 4: Like now you enjoy it because it's so crazy on 532 00:26:17,400 --> 00:26:20,720 Speaker 4: one side that you need that balance. Yeah, then your 533 00:26:20,760 --> 00:26:22,760 Speaker 4: only model was that, It sounds like growing up that 534 00:26:22,800 --> 00:26:24,160 Speaker 4: was the only model you knew that. 535 00:26:24,160 --> 00:26:25,160 Speaker 10: Was the only model I knew. 536 00:26:25,320 --> 00:26:27,960 Speaker 7: Yes, and on the road, if I wanted my tour 537 00:26:28,000 --> 00:26:30,600 Speaker 7: manager to find me a brown and white spotted cow 538 00:26:30,680 --> 00:26:33,399 Speaker 7: and sit it in front of the bus just so 539 00:26:33,440 --> 00:26:36,159 Speaker 7: I can look at it all day before my show, like, 540 00:26:36,200 --> 00:26:37,119 Speaker 7: he would have to do that. 541 00:26:37,200 --> 00:26:37,800 Speaker 4: A live one. 542 00:26:38,280 --> 00:26:40,760 Speaker 10: A live one, yeah, for sure, I wouldn't want to 543 00:26:40,800 --> 00:26:41,240 Speaker 10: be dead. 544 00:26:41,560 --> 00:26:43,800 Speaker 4: But no, like a plastic one. When I meant not 545 00:26:43,840 --> 00:26:44,760 Speaker 4: a dead one. 546 00:26:44,560 --> 00:26:45,080 Speaker 10: A real one. 547 00:26:45,480 --> 00:26:46,400 Speaker 4: I got a real cow. 548 00:26:46,560 --> 00:26:48,720 Speaker 7: Yeah, I mean whatever I wanted. If if I wanted 549 00:26:48,720 --> 00:26:50,199 Speaker 7: it to be plastic, he would have to do that. 550 00:26:50,280 --> 00:26:53,360 Speaker 7: Because I have a team, and so at home I 551 00:26:53,480 --> 00:26:56,800 Speaker 7: like to be like Hannah Montana. I'm handed Montana here, 552 00:26:56,840 --> 00:27:00,760 Speaker 7: but at home, I'm just Sarah and mom and wife. 553 00:27:01,040 --> 00:27:03,760 Speaker 7: And I think I have always felt the need to 554 00:27:03,920 --> 00:27:08,679 Speaker 7: really make up for, you know, being. 555 00:27:10,160 --> 00:27:13,040 Speaker 10: H being doted on the way I'm doted on. 556 00:27:13,520 --> 00:27:25,160 Speaker 9: Hank Tight. The Bobby Cast will be right back and 557 00:27:25,280 --> 00:27:27,160 Speaker 9: we're back on the Bobby Cast. 558 00:27:27,760 --> 00:27:31,879 Speaker 4: Do you feel guilty that you're so celebrated outwardly everywhere 559 00:27:32,160 --> 00:27:34,760 Speaker 4: people that don't really know you. They know a little 560 00:27:34,760 --> 00:27:36,640 Speaker 4: bit about you, but you know, you play a show. 561 00:27:36,680 --> 00:27:38,400 Speaker 4: It's happy for me. It was a struggle i'd play 562 00:27:38,400 --> 00:27:41,080 Speaker 4: a theater do stand up. I'll be like, I'm I'll 563 00:27:41,119 --> 00:27:43,560 Speaker 4: go back to my room by myself, and I'll be like, well, 564 00:27:44,359 --> 00:27:46,399 Speaker 4: I'm by myself. And this kind of sucks now, but 565 00:27:46,480 --> 00:27:48,520 Speaker 4: now at all. I got married two years ago now, 566 00:27:48,520 --> 00:27:50,560 Speaker 4: but now I have a wife, and like, I come 567 00:27:50,560 --> 00:27:52,720 Speaker 4: home and I got a freaking load the dishwasher and 568 00:27:52,760 --> 00:27:54,720 Speaker 4: I hate it. But at the same time, it actually 569 00:27:54,760 --> 00:27:58,960 Speaker 4: makes me value what's important, like the real Yeah, it's 570 00:27:58,960 --> 00:28:00,960 Speaker 4: like drags me back to the real things and helped 571 00:28:00,960 --> 00:28:01,960 Speaker 4: me evaluate life. 572 00:28:01,760 --> 00:28:02,920 Speaker 10: A little more exactly. 573 00:28:03,200 --> 00:28:04,600 Speaker 4: So you're you're dealing. 574 00:28:04,320 --> 00:28:11,520 Speaker 7: With that, yes, thinking, And you know Jay struggled with 575 00:28:11,920 --> 00:28:14,680 Speaker 7: so you know, he played football Alabama. He was the quarterback, 576 00:28:14,960 --> 00:28:17,000 Speaker 7: won the National Championship in ninety two, went on to 577 00:28:17,040 --> 00:28:21,720 Speaker 7: play in the NFL, played for the CFL. He's been 578 00:28:21,760 --> 00:28:23,679 Speaker 7: concussed severely. 579 00:28:23,200 --> 00:28:25,000 Speaker 4: Seven times that he knows about. 580 00:28:25,320 --> 00:28:28,080 Speaker 10: That he knows about twice where he was. 581 00:28:29,760 --> 00:28:32,640 Speaker 4: Be careful in that ches there twice. 582 00:28:32,320 --> 00:28:38,240 Speaker 10: Where he was unconscious. So and then he. 583 00:28:39,560 --> 00:28:42,120 Speaker 7: In the same way that I have father issues, he 584 00:28:42,200 --> 00:28:46,240 Speaker 7: also has mother issues. And his father passed away when 585 00:28:46,240 --> 00:28:48,080 Speaker 7: he was very young. When he was in the Columbine 586 00:28:48,120 --> 00:28:51,280 Speaker 7: actually for the NFL. His dad died of a heart attack. 587 00:28:51,840 --> 00:28:54,280 Speaker 7: His dad was his best friend, his like kind of 588 00:28:54,280 --> 00:28:57,720 Speaker 7: protector against everybody who wanted to get at him for 589 00:28:57,800 --> 00:29:01,240 Speaker 7: being the national championship quarterback at Alabama, which was like 590 00:29:01,320 --> 00:29:04,920 Speaker 7: Elvis down there. So when he met me and realized 591 00:29:05,160 --> 00:29:09,040 Speaker 7: that I was super submissive and you know, total family 592 00:29:09,120 --> 00:29:13,640 Speaker 7: woman and that the career was just my job, but 593 00:29:13,680 --> 00:29:15,320 Speaker 7: I didn't let it go to my head and all that, 594 00:29:15,440 --> 00:29:18,200 Speaker 7: he just you know, would brag on me and like, 595 00:29:18,200 --> 00:29:20,480 Speaker 7: you're the best mom I've ever met. I can't even 596 00:29:20,520 --> 00:29:23,240 Speaker 7: believe what a great mom you are. Your children are fabulous, 597 00:29:24,320 --> 00:29:25,480 Speaker 7: You're such a great person. 598 00:29:25,520 --> 00:29:26,920 Speaker 10: You're the best singer in the world. 599 00:29:27,040 --> 00:29:30,440 Speaker 7: Like just so you know, all all things that are true, 600 00:29:30,480 --> 00:29:35,640 Speaker 7: by the way, but he treated me like a queen. 601 00:29:37,320 --> 00:29:41,280 Speaker 7: And then and he had also never drank until he 602 00:29:41,320 --> 00:29:43,240 Speaker 7: was in his mid thirties, because when we were dating, 603 00:29:43,240 --> 00:29:45,920 Speaker 7: I was like, really, you've never drank. And I'm not 604 00:29:46,000 --> 00:29:49,840 Speaker 7: a big drinker, like my kids have never seen me drunk. 605 00:29:50,040 --> 00:29:52,040 Speaker 7: But I was like, well, what do you do at 606 00:29:52,080 --> 00:29:55,080 Speaker 7: the beach, Like that's weird and not go. 607 00:29:55,200 --> 00:29:56,680 Speaker 4: I've never had a drink. That's why I hate the beach. 608 00:29:56,920 --> 00:30:00,320 Speaker 7: You've never had a drink. You've never drank No, Okay, 609 00:30:00,400 --> 00:30:01,800 Speaker 7: that's how Jay was when we met. 610 00:30:01,800 --> 00:30:03,160 Speaker 4: And I hate the beach because what do I do 611 00:30:03,160 --> 00:30:05,640 Speaker 4: with the beach? Right, Yeah, maybe that's why I hate 612 00:30:05,680 --> 00:30:08,240 Speaker 4: the beach because I always like so much a light. Yeah, 613 00:30:08,240 --> 00:30:09,600 Speaker 4: I was like, no, I've never had a drink of 614 00:30:09,640 --> 00:30:12,320 Speaker 4: alcohol because I come out come from drug abuse and 615 00:30:12,320 --> 00:30:15,200 Speaker 4: alcohol abuse, and I don't understand the beach. That makes 616 00:30:15,200 --> 00:30:17,040 Speaker 4: sense for the first time ever. Yeah, that's what you're 617 00:30:17,040 --> 00:30:18,280 Speaker 4: supposed to do. Yeah, drink. 618 00:30:18,440 --> 00:30:19,760 Speaker 10: We've made so many like. 619 00:30:20,920 --> 00:30:22,760 Speaker 4: Yeah, I know we're we're best friends and we're best 620 00:30:22,760 --> 00:30:23,240 Speaker 4: frien Yeah. 621 00:30:23,120 --> 00:30:26,640 Speaker 10: Yeah they are. So I probably won't sue you now, 622 00:30:26,720 --> 00:30:27,840 Speaker 10: but anyway. 623 00:30:27,520 --> 00:30:29,120 Speaker 4: I'm still going to sue you for the chair though. Anyway, 624 00:30:29,120 --> 00:30:31,200 Speaker 4: go ahead, and yeah, I continue on. 625 00:30:31,480 --> 00:30:39,440 Speaker 7: So, then he tried alcohol, and alcohol was you know, 626 00:30:39,440 --> 00:30:42,360 Speaker 7: it isn't good for him. It does run in his 627 00:30:42,400 --> 00:30:47,080 Speaker 7: family mother's side, but he never experienced because his grandfather 628 00:30:47,160 --> 00:30:49,000 Speaker 7: passed away when Jay was really young, so he didn't 629 00:30:49,040 --> 00:30:53,680 Speaker 7: ever see that side of of his mom's dad being 630 00:30:55,160 --> 00:31:00,800 Speaker 7: abusive and being an alcoholic. So I think that and 631 00:31:00,960 --> 00:31:06,200 Speaker 7: Jay also has add really bad. Like I said, he's 632 00:31:06,240 --> 00:31:10,040 Speaker 7: been concussed so many times, so he I always say 633 00:31:10,080 --> 00:31:13,120 Speaker 7: that he's an amazing man who made some really really 634 00:31:13,160 --> 00:31:18,880 Speaker 7: bad decisions. So after a little while into our marriage, 635 00:31:22,000 --> 00:31:26,160 Speaker 7: abuse came into our marriage, and I didn't want to 636 00:31:26,400 --> 00:31:27,960 Speaker 7: put my kids through another divorce. 637 00:31:29,800 --> 00:31:32,080 Speaker 10: I was so in love with Jay, and. 638 00:31:33,600 --> 00:31:37,160 Speaker 7: It takes a long time before you realize what's going on, 639 00:31:37,680 --> 00:31:39,480 Speaker 7: like am. 640 00:31:39,320 --> 00:31:42,880 Speaker 10: I being abused? Or was that was that verbal abuse? 641 00:31:43,000 --> 00:31:46,200 Speaker 7: Or you know, you kind of but at the same time, 642 00:31:48,040 --> 00:31:50,120 Speaker 7: you know, you just kind of want to hope that 643 00:31:50,200 --> 00:31:54,160 Speaker 7: it changes. Or then I began what they call like 644 00:31:54,240 --> 00:32:00,800 Speaker 7: managing his behavior, trying never to be you know, too 645 00:32:00,880 --> 00:32:04,320 Speaker 7: big for him, like as far as because I have 646 00:32:04,360 --> 00:32:06,840 Speaker 7: a big personality, and so I noticed a lot of 647 00:32:06,840 --> 00:32:10,760 Speaker 7: things about myself were changing to suit him and to 648 00:32:10,840 --> 00:32:13,480 Speaker 7: make sure that he was always happy with me. 649 00:32:13,680 --> 00:32:15,200 Speaker 4: I mean, it sounds a bit like you're falling into 650 00:32:15,200 --> 00:32:18,360 Speaker 4: a codependency place just so yes, you two could function 651 00:32:18,440 --> 00:32:20,800 Speaker 4: in your mind in the most healthy way. 652 00:32:21,360 --> 00:32:22,640 Speaker 10: That is exactly right. 653 00:32:22,680 --> 00:32:26,840 Speaker 7: I'm very codependent, and part of it is having six siblings. 654 00:32:26,880 --> 00:32:29,760 Speaker 7: So I've I've never been alone. I've never you know, 655 00:32:30,120 --> 00:32:31,640 Speaker 7: I don't think I've ever went through a time in 656 00:32:31,640 --> 00:32:34,440 Speaker 7: my life where I was sleeping alone or living alone 657 00:32:34,440 --> 00:32:37,160 Speaker 7: because it was either always a sibling or a spouse 658 00:32:37,360 --> 00:32:41,120 Speaker 7: and so and I got married very young the first time. 659 00:32:42,960 --> 00:32:43,360 Speaker 10: Anyway. 660 00:32:43,760 --> 00:32:49,920 Speaker 7: Uh So, once you really do realize, then the process 661 00:32:49,960 --> 00:32:53,320 Speaker 7: for me was I started reading everything about anything I 662 00:32:53,320 --> 00:32:56,600 Speaker 7: could get my hands on, like, you know, what does 663 00:32:56,640 --> 00:33:02,840 Speaker 7: this mean when this happens? And that really started getting 664 00:33:02,920 --> 00:33:08,000 Speaker 7: my mind going into you know, this is bad, like 665 00:33:08,080 --> 00:33:12,400 Speaker 7: what we're dealing with is bad. But it never ever 666 00:33:12,480 --> 00:33:15,440 Speaker 7: happened in front of anybody. The kids didn't know. He 667 00:33:15,520 --> 00:33:18,680 Speaker 7: never even so much as looked sideways at them, raised 668 00:33:18,680 --> 00:33:21,520 Speaker 7: his voice to them. He is an amazing father, and 669 00:33:21,560 --> 00:33:25,640 Speaker 7: he's an amazing husband, an amazing person. But alcohol, I 670 00:33:25,720 --> 00:33:29,880 Speaker 7: just don't think goes well with his chemistry, makeup or whatever. 671 00:33:32,040 --> 00:33:35,640 Speaker 2: At number seven Terry Clark. Now, this is episode four 672 00:33:35,760 --> 00:33:38,960 Speaker 2: thirty seven. Terry's really cool. One of my favorite nineties 673 00:33:38,960 --> 00:33:42,040 Speaker 2: country artists. We talked about over twenty years of music 674 00:33:42,120 --> 00:33:44,040 Speaker 2: that you know, she's been making it and she'd drive 675 00:33:44,120 --> 00:33:47,000 Speaker 2: from Canada to Nashville. She did that a bunch. Took 676 00:33:47,000 --> 00:33:49,240 Speaker 2: her eight years to land a record deal. How her 677 00:33:49,240 --> 00:33:53,120 Speaker 2: mom influenced her career. Terry Clark here at number seven 678 00:33:53,360 --> 00:33:54,840 Speaker 2: on the best Bobby Cast of the year. 679 00:33:56,600 --> 00:33:59,280 Speaker 4: Why do you think you were so passionate about it? 680 00:33:59,320 --> 00:34:00,040 Speaker 4: Who were you trying to. 681 00:34:02,120 --> 00:34:02,239 Speaker 8: It? 682 00:34:02,240 --> 00:34:04,040 Speaker 4: Maybe impress isn't the word. Who were you trying to 683 00:34:04,360 --> 00:34:08,319 Speaker 4: make proud? Was it yourself? Was it somebody back home? Like? 684 00:34:08,320 --> 00:34:09,520 Speaker 4: Who was it for you? Question? 685 00:34:09,560 --> 00:34:10,800 Speaker 8: Nobody's ever asked me that. 686 00:34:13,160 --> 00:34:15,280 Speaker 4: Because that hunger just doesn't come out at that ear right. 687 00:34:15,680 --> 00:34:22,040 Speaker 8: It doesn't. I moved around a lot as a kid, 688 00:34:22,080 --> 00:34:25,719 Speaker 8: and I had i'd say, a challenging relationship with my stepfather, 689 00:34:26,480 --> 00:34:29,920 Speaker 8: not a super close relationship with my biological father. I mean, 690 00:34:29,960 --> 00:34:33,680 Speaker 8: we're fine in everything, but I had some I had 691 00:34:33,719 --> 00:34:39,279 Speaker 8: some tougher times growing up, and I think music was 692 00:34:39,320 --> 00:34:41,640 Speaker 8: that one thing that anchored me in a way and 693 00:34:41,760 --> 00:34:45,880 Speaker 8: gave me that security and that confidence that I didn't 694 00:34:45,880 --> 00:34:50,600 Speaker 8: have anywhere else. And I became so obsessed with it, 695 00:34:50,760 --> 00:34:56,680 Speaker 8: and there was also a burning desire I'll show you thing. 696 00:34:56,760 --> 00:34:59,160 Speaker 4: Yeah, no, I don't know my real dad. I met 697 00:34:59,239 --> 00:35:01,680 Speaker 4: him once, if you years ago, So I definitely understand 698 00:35:01,680 --> 00:35:03,600 Speaker 4: that because that was a driver for me too. It 699 00:35:03,640 --> 00:35:07,800 Speaker 4: was like, wait, I'll show you why you really missed 700 00:35:07,800 --> 00:35:10,560 Speaker 4: out on not being my dad like that. That was 701 00:35:10,600 --> 00:35:12,000 Speaker 4: a part of it for me too. 702 00:35:12,360 --> 00:35:16,839 Speaker 8: I think a lot of us have something driving us 703 00:35:17,239 --> 00:35:19,000 Speaker 8: other than just a love for what we do, that 704 00:35:19,000 --> 00:35:21,360 Speaker 8: that that sparks that that starts that fire. 705 00:35:21,480 --> 00:35:26,440 Speaker 4: Yeah, I would agree. The consistency that you know you 706 00:35:26,480 --> 00:35:29,279 Speaker 4: said music was just there, you know, whenever you have 707 00:35:29,360 --> 00:35:33,040 Speaker 4: a really inconsistent life childhood like I did, like you did, 708 00:35:33,560 --> 00:35:36,359 Speaker 4: when you do have that one or two thing like 709 00:35:36,400 --> 00:35:38,799 Speaker 4: my grandma was so consistent with me when she was 710 00:35:38,800 --> 00:35:40,520 Speaker 4: with My grandma adopted me for a while too, when 711 00:35:40,760 --> 00:35:42,360 Speaker 4: you know my mom was gone and or my dad was. 712 00:35:43,520 --> 00:35:47,400 Speaker 4: But anything that had consistency, like I still hold on to, 713 00:35:48,120 --> 00:35:50,319 Speaker 4: Like I'm the biggest Arkansas Razorback sports fan, but it's 714 00:35:50,360 --> 00:35:53,480 Speaker 4: because I knew every Saturday, it didn't matter where I 715 00:35:53,520 --> 00:35:55,799 Speaker 4: was living, there was going to be a game and 716 00:35:55,840 --> 00:35:57,600 Speaker 4: I could look forward to it. It's going to be 717 00:35:57,640 --> 00:36:01,280 Speaker 4: on for it's on free television. So that was consistent 718 00:36:01,320 --> 00:36:04,400 Speaker 4: for me. There was music that was consistent for me 719 00:36:04,920 --> 00:36:08,959 Speaker 4: because my life wasn't hot. There was no consistency about 720 00:36:09,000 --> 00:36:11,800 Speaker 4: it at all, and so that why it's why today 721 00:36:11,880 --> 00:36:13,879 Speaker 4: I still like hold a hond to those things. It's 722 00:36:13,920 --> 00:36:16,080 Speaker 4: even like the people were talking about Innerygod that we 723 00:36:16,160 --> 00:36:18,360 Speaker 4: felt like we're famous when we were kids while we 724 00:36:18,400 --> 00:36:20,359 Speaker 4: still Yeah, I feel like it's so cool. 725 00:36:20,560 --> 00:36:25,279 Speaker 8: There's a comfort in the consistency of something like that. 726 00:36:25,600 --> 00:36:32,200 Speaker 8: And I said earlier in another situation something that really 727 00:36:32,280 --> 00:36:37,320 Speaker 8: kind of struck me, because you know, your career ebbs 728 00:36:37,360 --> 00:36:39,040 Speaker 8: and flows, and you have ups and downs, and you 729 00:36:39,040 --> 00:36:43,239 Speaker 8: have self doubt, and even with success comes that, well, 730 00:36:43,239 --> 00:36:47,320 Speaker 8: I'm not I'm not the top of everybody's mind anymore, 731 00:36:47,360 --> 00:36:49,960 Speaker 8: and you have to you know, with that comes a 732 00:36:50,000 --> 00:36:51,759 Speaker 8: little of that, you know, and you have to kind 733 00:36:51,800 --> 00:36:55,680 Speaker 8: of navigate that emotionally, and it's not as easy as 734 00:36:55,680 --> 00:36:58,319 Speaker 8: people would think it is. But you know, and I 735 00:36:58,320 --> 00:37:00,320 Speaker 8: think a lot of artists go through that, this period 736 00:37:00,400 --> 00:37:02,680 Speaker 8: of do I matter enough to keep doing this anymore? 737 00:37:02,719 --> 00:37:04,520 Speaker 4: Oh? First, I doing relevancy issues. 738 00:37:04,600 --> 00:37:07,880 Speaker 8: Relevancy, Yes, we can have a whole therapy. 739 00:37:08,040 --> 00:37:10,839 Speaker 4: I live in relevancy landwork. It's like me too, I'm 740 00:37:10,880 --> 00:37:14,120 Speaker 4: not relevant anymore. This is totally How do you deal 741 00:37:14,120 --> 00:37:14,360 Speaker 4: with that? 742 00:37:15,239 --> 00:37:17,919 Speaker 8: I'll tell you how I deal with that. This year, 743 00:37:18,440 --> 00:37:20,840 Speaker 8: it kind of it was. It was an epiphany that 744 00:37:20,880 --> 00:37:23,239 Speaker 8: came to me and I started thinking back, and I 745 00:37:23,239 --> 00:37:29,319 Speaker 8: started going way back and remembering that hunger, that kid, 746 00:37:29,360 --> 00:37:32,080 Speaker 8: that woke up to watch This Week in Country Music 747 00:37:32,200 --> 00:37:34,800 Speaker 8: and sat for hours and hours in her bedroom, singing 748 00:37:34,880 --> 00:37:38,799 Speaker 8: and learning new songs, dreaming about Nashville, crying because she 749 00:37:38,880 --> 00:37:41,080 Speaker 8: wanted to just be in Nashville, just wanted a shot, 750 00:37:41,400 --> 00:37:44,160 Speaker 8: wanted to be on the radio so bad I could 751 00:37:44,160 --> 00:37:46,920 Speaker 8: taste it, And I'm like, I can't give up on 752 00:37:46,960 --> 00:37:50,280 Speaker 8: that kid. I would feel like I was betraying her 753 00:37:51,000 --> 00:37:52,160 Speaker 8: if I just did that. 754 00:37:52,200 --> 00:37:56,759 Speaker 4: What's wild about you saying this? Is that me ten 755 00:37:56,800 --> 00:38:01,239 Speaker 4: thousand feet up looking at you and your career. I 756 00:38:01,280 --> 00:38:06,000 Speaker 4: would see you and go, man, everybody loves her massive success. 757 00:38:06,800 --> 00:38:08,600 Speaker 4: You would just think, but I think this is common 758 00:38:08,680 --> 00:38:12,200 Speaker 4: right around the room with whomever. I would just think, 759 00:38:13,000 --> 00:38:17,640 Speaker 4: that's the one person that doesn't deal with imposter syndrome 760 00:38:17,719 --> 00:38:23,360 Speaker 4: or relevancy. And but it just shows you it almost 761 00:38:23,440 --> 00:38:25,680 Speaker 4: doesn't matter. It's like the screw loose that got us 762 00:38:25,680 --> 00:38:28,200 Speaker 4: here is still the screw loose now that affects us 763 00:38:28,239 --> 00:38:32,279 Speaker 4: in a slightly different way. And I think the. 764 00:38:32,280 --> 00:38:36,600 Speaker 8: Danger zone to that is playing the comparison. 765 00:38:36,080 --> 00:38:37,720 Speaker 4: Game too big time, because you can never win. 766 00:38:37,600 --> 00:38:41,880 Speaker 8: Because relevancy is only relevant compared to who's doing something 767 00:38:41,920 --> 00:38:45,000 Speaker 8: more like and there's always going to be somebody doing 768 00:38:45,000 --> 00:38:48,319 Speaker 8: something or getting more opportunities than you're getting, or or 769 00:38:48,680 --> 00:38:51,840 Speaker 8: being recognized more than you are. And you know, sometimes 770 00:38:51,880 --> 00:38:53,479 Speaker 8: you feel like you're spending your reels because you're working 771 00:38:53,480 --> 00:38:56,560 Speaker 8: your ass off, and you're just like, does anybody care? 772 00:38:56,640 --> 00:38:59,839 Speaker 4: Right? Does anybody care at all? Will they ever care? Again? 773 00:39:00,040 --> 00:39:02,360 Speaker 8: And then if you if you express that to somebody, 774 00:39:02,440 --> 00:39:04,680 Speaker 8: they're like, they don't understand, sin, how could you? 775 00:39:04,760 --> 00:39:05,240 Speaker 11: Yeah? 776 00:39:05,320 --> 00:39:07,360 Speaker 8: Yeah, it's just yeah, it's part of being human, and 777 00:39:07,520 --> 00:39:10,040 Speaker 8: it's that affliction, well, the human affliction. 778 00:39:10,200 --> 00:39:12,400 Speaker 4: And even as that creative, it's you know, if I 779 00:39:12,400 --> 00:39:15,319 Speaker 4: have friends at work and most of my friends aren't creatives, 780 00:39:15,600 --> 00:39:17,279 Speaker 4: which I think is a big deal. It's good for 781 00:39:17,320 --> 00:39:20,359 Speaker 4: me because they can kind of give me a bit 782 00:39:20,400 --> 00:39:23,400 Speaker 4: of a realistic view on what's really important in life. 783 00:39:23,840 --> 00:39:27,120 Speaker 4: And you know, with those I can't really go, well, 784 00:39:27,120 --> 00:39:30,640 Speaker 4: here's the thing, here's why I'm I'm upset. You know 785 00:39:30,760 --> 00:39:33,440 Speaker 4: this show, the stand up show I did you know? 786 00:39:33,440 --> 00:39:35,600 Speaker 4: I did. I did announce the tour twelve shows and it 787 00:39:35,760 --> 00:39:38,399 Speaker 4: only sold eighty percent, And They're like, are you how 788 00:39:38,520 --> 00:39:40,920 Speaker 4: is that upsetting to you? And I'm like, we don't understand. 789 00:39:41,320 --> 00:39:44,280 Speaker 4: Like last time, I sold every theater and now I'm sorry, 790 00:39:44,360 --> 00:39:47,440 Speaker 4: and so at the same as trivial as it is, 791 00:39:48,040 --> 00:39:51,080 Speaker 4: you'd still like to have someone that can relate to 792 00:39:51,120 --> 00:39:57,359 Speaker 4: it and go, I get it same but instead of 793 00:39:57,400 --> 00:39:59,880 Speaker 4: just but yeah, you know, because a lot of my 794 00:40:00,000 --> 00:40:02,000 Speaker 4: friends are on the industry, like why are you whining? 795 00:40:02,280 --> 00:40:05,080 Speaker 4: Your theaters are almost sold? And it's like nobody don't understand. 796 00:40:05,120 --> 00:40:07,000 Speaker 4: Like I do a big time with imposters, but when 797 00:40:07,000 --> 00:40:08,719 Speaker 4: I do. I finally have a couple of friends too 798 00:40:08,760 --> 00:40:12,359 Speaker 4: now in the industry. One of my closest friends and 799 00:40:12,760 --> 00:40:16,200 Speaker 4: is a guy named Ben Rector. Who do you know? 800 00:40:16,280 --> 00:40:16,640 Speaker 4: Ben Is? 801 00:40:18,040 --> 00:40:18,920 Speaker 10: Can I tell him this. 802 00:40:19,800 --> 00:40:22,640 Speaker 4: Is he doing? Is he doing your project? Yeah, he'll 803 00:40:22,680 --> 00:40:23,879 Speaker 4: be over in like thirty minutes, and. 804 00:40:23,800 --> 00:40:26,399 Speaker 8: Like, but we can't really get into a project too much. 805 00:40:26,520 --> 00:40:27,359 Speaker 4: But I know I can't. 806 00:40:27,920 --> 00:40:29,440 Speaker 1: I don't know him, it's. 807 00:40:29,320 --> 00:40:34,759 Speaker 4: All Ben is one of my best friends. We work 808 00:40:34,800 --> 00:40:37,440 Speaker 4: out here at the house three times a week, but 809 00:40:38,680 --> 00:40:44,719 Speaker 4: is absolutely and I think I get anxious. We have 810 00:40:44,800 --> 00:40:47,440 Speaker 4: like an anxious three. We could be like a wrestling 811 00:40:48,239 --> 00:40:51,040 Speaker 4: me Brett Eldridge and Ben Rector. 812 00:40:51,200 --> 00:40:53,360 Speaker 8: I get I can see you all being exactly. 813 00:40:53,520 --> 00:40:56,080 Speaker 4: Yeah, we just called if it's on like ticket a 814 00:40:56,200 --> 00:40:59,080 Speaker 4: release day or something. It's like, you're doing all right, man, 815 00:40:59,440 --> 00:41:01,360 Speaker 4: I don't know and I'm watching it's they go on 816 00:41:01,400 --> 00:41:04,200 Speaker 4: someone in six minutes, don't watch, don't watch the live, 817 00:41:04,880 --> 00:41:07,120 Speaker 4: just check back in at night. Don't worry about it. 818 00:41:07,560 --> 00:41:10,200 Speaker 4: But we all have to have those friends that could rely. 819 00:41:10,280 --> 00:41:13,520 Speaker 4: They can relate. It's really important, yes, and it's also 820 00:41:13,560 --> 00:41:15,120 Speaker 4: important to have friends it can't relate at all, and 821 00:41:15,160 --> 00:41:16,920 Speaker 4: there's got to be about like that has to be 822 00:41:16,920 --> 00:41:20,000 Speaker 4: my wife, not in the business. That is what to 823 00:41:20,160 --> 00:41:23,200 Speaker 4: me helped the Hey, am I still relevant because she 824 00:41:23,360 --> 00:41:26,240 Speaker 4: just doesn't care in the best way. And it drives 825 00:41:26,280 --> 00:41:29,359 Speaker 4: me crazy sometimes too, because I'm like, don't you care? 826 00:41:29,520 --> 00:41:31,680 Speaker 4: If she's like, I know you care, So I care, 827 00:41:31,719 --> 00:41:35,600 Speaker 4: But that's not that important. Like you're doing what you love. 828 00:41:36,280 --> 00:41:38,080 Speaker 4: It's gonna be sometimes, gonna be great. Sometimes it's not 829 00:41:38,160 --> 00:41:40,799 Speaker 4: going to be great. You're just gonna keep going. And 830 00:41:40,960 --> 00:41:44,000 Speaker 4: so that's very valuable too. Who is that for you? 831 00:41:44,840 --> 00:41:48,799 Speaker 8: Oh gosh? I have Okay, So I have friends that 832 00:41:48,840 --> 00:41:50,520 Speaker 8: I have had my entire life since. 833 00:41:50,280 --> 00:41:51,680 Speaker 4: I was twelve from home. 834 00:41:51,960 --> 00:41:55,160 Speaker 8: Yeah, from home, and we're still very very close. And 835 00:41:55,160 --> 00:41:56,680 Speaker 8: then I have a few friends that I made in 836 00:41:56,760 --> 00:41:59,120 Speaker 8: Nashville right after I moved here, like in nineteen ninety, 837 00:41:59,320 --> 00:42:02,120 Speaker 8: who are also my other very best friends. None of 838 00:42:02,160 --> 00:42:02,880 Speaker 8: them are in the business. 839 00:42:03,000 --> 00:42:05,400 Speaker 4: The Originals too, Originals. 840 00:42:04,800 --> 00:42:07,840 Speaker 8: I went to school with them. They are they have businesses, 841 00:42:07,880 --> 00:42:12,799 Speaker 8: they're school teachers, they're social workers. It's very important. And 842 00:42:12,800 --> 00:42:16,520 Speaker 8: then and then I have the Pamtilist and Susie Bogus, Perio, 843 00:42:16,800 --> 00:42:19,200 Speaker 8: Riba and Tricia. Let we all get together and we 844 00:42:19,239 --> 00:42:21,560 Speaker 8: can we can kind of bounce these insecurities off of 845 00:42:21,600 --> 00:42:25,200 Speaker 8: each other, and we more so me, I think. But 846 00:42:25,440 --> 00:42:30,920 Speaker 8: I look to them especially like Uhriba and and and Susie, 847 00:42:30,960 --> 00:42:33,640 Speaker 8: I would say, because I look to them like big 848 00:42:33,680 --> 00:42:36,720 Speaker 8: sisters who have been through it all. And it doesn't 849 00:42:36,760 --> 00:42:39,560 Speaker 8: matter how big the star is. Everybody has had their 850 00:42:39,600 --> 00:42:42,680 Speaker 8: moments I think where they've experienced something that they can go, hey, 851 00:42:42,800 --> 00:42:45,360 Speaker 8: you know, and I can go, what did you do 852 00:42:45,400 --> 00:42:49,440 Speaker 8: in this instance? Or like like, you've got to have 853 00:42:49,560 --> 00:42:52,239 Speaker 8: some of that too. But I think the balance is 854 00:42:52,360 --> 00:42:53,719 Speaker 8: I'm glad you have that too. 855 00:42:53,840 --> 00:42:56,680 Speaker 4: I love that you have your history. 856 00:42:56,360 --> 00:42:58,920 Speaker 8: Friends that have nothing to do with any of it, 857 00:42:59,400 --> 00:43:01,560 Speaker 8: and then you have of the people who have been 858 00:43:01,560 --> 00:43:06,200 Speaker 8: there who can help help you kind of navigate the 859 00:43:06,239 --> 00:43:08,600 Speaker 8: complicated emotional waters that we live in. 860 00:43:08,800 --> 00:43:11,120 Speaker 4: Yeah, or just like swim beside me, even if it's 861 00:43:11,120 --> 00:43:14,160 Speaker 4: not navigating. Yeah, because there are times where Bin's like 862 00:43:14,400 --> 00:43:16,080 Speaker 4: I don't know either, and we're just like, okay, well 863 00:43:16,080 --> 00:43:18,359 Speaker 4: we don't know together, you know, because it is it's 864 00:43:18,360 --> 00:43:22,640 Speaker 4: a weird to get into a business where you are 865 00:43:22,680 --> 00:43:27,280 Speaker 4: going to make a living creating something that you think 866 00:43:28,080 --> 00:43:31,000 Speaker 4: is good enough for people to pay their money to watch. 867 00:43:31,160 --> 00:43:33,480 Speaker 4: Because at the same time, you could be the most 868 00:43:33,560 --> 00:43:35,319 Speaker 4: humble person, but if you don't have a bit of 869 00:43:35,760 --> 00:43:38,920 Speaker 4: confidence even in the ego about what and it is 870 00:43:38,960 --> 00:43:43,240 Speaker 4: a weird juxtaposition of at times I have no confidence 871 00:43:43,239 --> 00:43:45,040 Speaker 4: at all, and at the same time I'd have all 872 00:43:45,080 --> 00:43:46,840 Speaker 4: the confidence in the world to create something, to do 873 00:43:46,880 --> 00:43:48,360 Speaker 4: a stage show, to do, a radio show, to do 874 00:43:48,640 --> 00:43:50,320 Speaker 4: and expect people to give me their time and money 875 00:43:50,880 --> 00:43:51,760 Speaker 4: for what I'm creating. 876 00:43:53,239 --> 00:43:56,240 Speaker 8: The most complicated part about it is it's all appear 877 00:43:56,680 --> 00:44:00,720 Speaker 8: like and that sometimes will will be the one factor 878 00:44:00,920 --> 00:44:03,759 Speaker 8: that defines whether you go out there and kill it 879 00:44:03,920 --> 00:44:06,680 Speaker 8: or don't, because it's all in your mind. 880 00:44:06,760 --> 00:44:09,240 Speaker 4: You ever get it's all sad at seats that weren't sold. 881 00:44:09,880 --> 00:44:11,319 Speaker 4: Oh yeah, of course. 882 00:44:11,120 --> 00:44:13,920 Speaker 8: I think everybody does. And I gotta tell you, every 883 00:44:13,960 --> 00:44:17,240 Speaker 8: single night I walk out there, it's not a given 884 00:44:17,239 --> 00:44:19,200 Speaker 8: in my brain that there's going to be anybody out there. 885 00:44:19,280 --> 00:44:21,520 Speaker 4: I swear to God. It's just crazy for me to 886 00:44:21,560 --> 00:44:23,319 Speaker 4: hear you say that. By the way, it's crazy for 887 00:44:23,360 --> 00:44:24,160 Speaker 4: me to hear you say. 888 00:44:24,000 --> 00:44:26,000 Speaker 8: That, but it's true. 889 00:44:26,480 --> 00:44:34,040 Speaker 1: The Bobby Cast will be right back. This is the 890 00:44:34,120 --> 00:44:35,280 Speaker 1: Bobby Cast. 891 00:44:35,680 --> 00:44:38,160 Speaker 2: At number six on the list is Hillary Scott from 892 00:44:38,239 --> 00:44:41,319 Speaker 2: Lady A. Hillary was super vulnerable and she shared how 893 00:44:41,360 --> 00:44:43,840 Speaker 2: she wrote a song about her having a miscarriage and 894 00:44:43,880 --> 00:44:46,400 Speaker 2: how her faith has kept her going. There's Hillary Scott 895 00:44:46,440 --> 00:44:48,960 Speaker 2: from episode four thirty two. 896 00:44:49,920 --> 00:44:53,880 Speaker 4: Chris Tomlin is another example who I love that dude. 897 00:44:54,400 --> 00:44:55,840 Speaker 4: And I asked him if there was pressure, And this 898 00:44:55,880 --> 00:44:57,319 Speaker 4: is going to lead to the question I'm asking you. 899 00:44:57,680 --> 00:45:01,000 Speaker 4: I asked him if there was pressure because and my 900 00:45:01,080 --> 00:45:05,080 Speaker 4: wife when I you know, she's not super into the industry, 901 00:45:05,360 --> 00:45:06,680 Speaker 4: or she's not in it at all, but she doesn't 902 00:45:06,719 --> 00:45:09,920 Speaker 4: like care that much. She was like Christopher, we sang 903 00:45:09,960 --> 00:45:13,040 Speaker 4: all Is hymn to church, and I was like, well, 904 00:45:13,040 --> 00:45:15,640 Speaker 4: were you just saying Rock of Ages basically? You know 905 00:45:15,920 --> 00:45:19,359 Speaker 4: all of ours were him? Yes, But I asked him 906 00:45:19,360 --> 00:45:22,560 Speaker 4: if there was a pressure on him to be so 907 00:45:22,800 --> 00:45:28,759 Speaker 4: godlike because that's how everyone knows him, because he's he's 908 00:45:28,760 --> 00:45:31,200 Speaker 4: a normal human. And I'd found myself talking about a 909 00:45:31,280 --> 00:45:33,640 Speaker 4: Christmas party we were having and I invited him over 910 00:45:33,680 --> 00:45:35,000 Speaker 4: and it was like, not real money, but we were 911 00:45:35,239 --> 00:45:37,400 Speaker 4: we were had vegas set up and what we were 912 00:45:37,440 --> 00:45:40,320 Speaker 4: doing was donating to whomever won that night to their charity. 913 00:45:40,640 --> 00:45:41,880 Speaker 4: And I was going to invite him and I was like, 914 00:45:41,880 --> 00:45:44,280 Speaker 4: I'm not inviting him. It's gambling. And it was exactly 915 00:45:44,360 --> 00:45:45,799 Speaker 4: what he told me that he did not want people 916 00:45:45,840 --> 00:45:47,400 Speaker 4: to do to him. And so then I said, Chris, 917 00:45:47,480 --> 00:45:49,480 Speaker 4: I'm so sorry I didn't invite you. Now I'm inviting 918 00:45:49,520 --> 00:45:53,359 Speaker 4: you again because it's fun. So he lives with this 919 00:45:53,640 --> 00:45:56,000 Speaker 4: wonderful but constant pressure of people to think he has 920 00:45:56,040 --> 00:45:59,279 Speaker 4: to be godlike all the time. Do you feel the 921 00:45:59,320 --> 00:46:02,640 Speaker 4: pressure on you, as a public person and even a Christian, 922 00:46:02,640 --> 00:46:06,319 Speaker 4: an open Christian to always present we'll just say a 923 00:46:06,360 --> 00:46:06,879 Speaker 4: good mood. 924 00:46:07,480 --> 00:46:11,880 Speaker 11: Oh, I mean there's definite pressure, for sure, I think. 925 00:46:12,000 --> 00:46:16,520 Speaker 11: But to me, what I am so grateful for about 926 00:46:16,560 --> 00:46:20,360 Speaker 11: my relationship with God and my faith is that there 927 00:46:21,680 --> 00:46:24,239 Speaker 11: there's a scripture that talks about when we are weak 928 00:46:24,320 --> 00:46:27,840 Speaker 11: He is strong, So in our weaknesses, in our vulnerability, 929 00:46:28,480 --> 00:46:32,200 Speaker 11: we actually connect deeper. We see how much we need him, 930 00:46:32,440 --> 00:46:35,680 Speaker 11: Others see that we don't have it all together. I mean, 931 00:46:35,760 --> 00:46:38,400 Speaker 11: I've heard it said so many times and it's so profound, 932 00:46:38,880 --> 00:46:41,880 Speaker 11: and it's like church needs to be more like a hospital, 933 00:46:42,960 --> 00:46:45,799 Speaker 11: like then a country club where you show up all 934 00:46:45,840 --> 00:46:48,160 Speaker 11: buttoned up and presenting a certain way. 935 00:46:48,200 --> 00:46:51,160 Speaker 10: It's like, no, we're all broken wanting to come. 936 00:46:50,960 --> 00:46:54,400 Speaker 11: Together for the same reason, to receive the peace and 937 00:46:54,440 --> 00:46:57,880 Speaker 11: the comfort and the grace and mercy of God, you know. 938 00:46:57,960 --> 00:47:02,240 Speaker 11: And so I do definitely feel that pressure. But ironically, 939 00:47:02,840 --> 00:47:08,200 Speaker 11: when you do share publicly or privately the hard things 940 00:47:08,239 --> 00:47:09,560 Speaker 11: you're going through, that's. 941 00:47:09,400 --> 00:47:11,879 Speaker 4: When you really connect with absolutely. 942 00:47:11,600 --> 00:47:13,960 Speaker 11: I mean truly, Like that is where I've had the 943 00:47:13,960 --> 00:47:20,360 Speaker 11: most just oh, the most rewarding conversations, the most rewarding 944 00:47:20,440 --> 00:47:22,920 Speaker 11: DMS conversations. 945 00:47:22,160 --> 00:47:23,800 Speaker 10: With people on Instagram. 946 00:47:23,840 --> 00:47:27,400 Speaker 11: I mean it's just so to not be afraid to 947 00:47:27,520 --> 00:47:29,600 Speaker 11: say what's really going on. 948 00:47:29,760 --> 00:47:32,440 Speaker 4: I can ask you what and I'll share one with 949 00:47:32,480 --> 00:47:34,200 Speaker 4: you too, so you don't feel alone here, but can 950 00:47:34,239 --> 00:47:36,400 Speaker 4: ask you, like an example of that something that you 951 00:47:36,800 --> 00:47:39,560 Speaker 4: would have spoken about that was difficult for you because 952 00:47:39,560 --> 00:47:41,360 Speaker 4: I felt a lot of shame in mind, but I 953 00:47:41,360 --> 00:47:44,960 Speaker 4: didn't realize that other people were writing alongside me with 954 00:47:44,960 --> 00:47:47,560 Speaker 4: their own version of it. So what would an example 955 00:47:47,600 --> 00:47:48,279 Speaker 4: of that be for you? 956 00:47:48,400 --> 00:47:51,560 Speaker 11: I mean, one of the biggest was something that I 957 00:47:51,600 --> 00:47:54,000 Speaker 11: still grieve every day, which is the miscarriage we had 958 00:47:54,000 --> 00:47:57,720 Speaker 11: in between Isley and my twin girls, and just how 959 00:47:58,640 --> 00:48:01,120 Speaker 11: it as I Will walked through and Chris and I 960 00:48:01,160 --> 00:48:04,319 Speaker 11: walked through that experience, there was a big, you know, 961 00:48:04,400 --> 00:48:06,279 Speaker 11: moment of like, are we going to share this? Are 962 00:48:06,280 --> 00:48:09,279 Speaker 11: we going to But then when the only way I 963 00:48:09,360 --> 00:48:14,040 Speaker 11: knew to pursue healing and just kind of keep moving 964 00:48:14,200 --> 00:48:17,440 Speaker 11: was to write about it became a song. And then 965 00:48:17,480 --> 00:48:19,080 Speaker 11: it was a song that I knew. I was like, 966 00:48:19,280 --> 00:48:20,839 Speaker 11: I think people really need to hear this. 967 00:48:21,000 --> 00:48:21,319 Speaker 6: And so. 968 00:48:23,000 --> 00:48:23,319 Speaker 10: It was. 969 00:48:23,920 --> 00:48:27,120 Speaker 11: It was that experience and one that continues to come 970 00:48:27,200 --> 00:48:30,000 Speaker 11: up to the stay you know, that record came out, 971 00:48:30,120 --> 00:48:33,400 Speaker 11: that song came out in twenty sixteen, and I still 972 00:48:33,440 --> 00:48:36,960 Speaker 11: feel like when people come up to me, whether it's 973 00:48:36,960 --> 00:48:38,799 Speaker 11: in the grocery store or to meet and greet, it's 974 00:48:38,840 --> 00:48:40,239 Speaker 11: always it's always brought up. 975 00:48:40,600 --> 00:48:45,200 Speaker 4: Were you surprised that that is what people attached through 976 00:48:45,239 --> 00:48:49,440 Speaker 4: so strongly and that people still attached to it even 977 00:48:50,800 --> 00:48:51,879 Speaker 4: seven years or so later. 978 00:48:52,280 --> 00:48:53,760 Speaker 10: I think it. 979 00:48:53,760 --> 00:48:56,279 Speaker 11: It doesn't surprise me because one in four women one 980 00:48:56,320 --> 00:49:00,400 Speaker 11: and four pregnancies, not women one and four pregnancies and 981 00:49:00,640 --> 00:49:04,840 Speaker 11: in miscarriage. So the statistics are so high that and 982 00:49:04,880 --> 00:49:07,280 Speaker 11: not a lot of people know that that's how often 983 00:49:07,320 --> 00:49:10,520 Speaker 11: it happens. So that's a whole lot of people, that's 984 00:49:10,520 --> 00:49:12,440 Speaker 11: a whole lot of women, that's a whole lot of families. 985 00:49:13,800 --> 00:49:20,239 Speaker 11: So I think that specific experience in the women and 986 00:49:20,239 --> 00:49:23,560 Speaker 11: the families that I hear from who've experienced that exact thing, 987 00:49:24,520 --> 00:49:27,600 Speaker 11: it isn't shocking. Now the other stories around the song, 988 00:49:27,760 --> 00:49:31,640 Speaker 11: where it's met others in other ways, in different hardships 989 00:49:31,640 --> 00:49:36,319 Speaker 11: in their life. Those always, I mean, they all touch 990 00:49:36,400 --> 00:49:36,840 Speaker 11: my heart. 991 00:49:36,880 --> 00:49:39,360 Speaker 10: They all just humble me and. 992 00:49:41,000 --> 00:49:43,560 Speaker 11: Are very very priceless to me to be invited into 993 00:49:43,560 --> 00:49:46,240 Speaker 11: those stories. But some of the ones that are about 994 00:49:46,280 --> 00:49:48,200 Speaker 11: other things are the ones that like lay. 995 00:49:48,000 --> 00:49:50,480 Speaker 4: Me out in the floor. When I wrote my first book, 996 00:49:50,480 --> 00:49:53,560 Speaker 4: I was I don't know how to write a book. 997 00:49:53,640 --> 00:49:55,799 Speaker 4: I mean I'd written some stuff, but never a book. 998 00:49:55,800 --> 00:49:57,080 Speaker 4: And I thought no one would want to read a 999 00:49:57,080 --> 00:50:00,000 Speaker 4: book for me anyway, And I thought I'm just gonna 1000 00:50:00,040 --> 00:50:03,600 Speaker 4: write everything, and then whatever I'm too ashamed of, I'm 1001 00:50:03,600 --> 00:50:06,960 Speaker 4: going to pull out. But I'm going to as and 1002 00:50:07,000 --> 00:50:09,439 Speaker 4: you probably deal with this writing you know, a song, 1003 00:50:09,480 --> 00:50:11,400 Speaker 4: a three minute version of this, but one hundred times. 1004 00:50:12,040 --> 00:50:13,759 Speaker 4: And so I wrote this book and it was a 1005 00:50:13,760 --> 00:50:15,640 Speaker 4: lot of my insecurity is a lot of what we 1006 00:50:15,719 --> 00:50:17,440 Speaker 4: all suffer through. But I wrote about my mom a lot. 1007 00:50:17,480 --> 00:50:19,360 Speaker 4: And my mom's not alive anymore. She died when she 1008 00:50:19,440 --> 00:50:24,279 Speaker 4: was forty seven or so. She died from basically drug abuse, 1009 00:50:24,320 --> 00:50:26,680 Speaker 4: drug and alcohol abuse, and it had gotten so bad 1010 00:50:26,719 --> 00:50:28,680 Speaker 4: with her. And it was some heavy drugs like meth. 1011 00:50:28,760 --> 00:50:32,839 Speaker 4: And I'm from Arkansas and it's it's poverty there, right, 1012 00:50:33,320 --> 00:50:38,520 Speaker 4: and like I never quite understood until I got older, 1013 00:50:38,880 --> 00:50:40,600 Speaker 4: but my mom had got so wrapped up in it 1014 00:50:40,680 --> 00:50:44,080 Speaker 4: that she would call and need money, and you know, 1015 00:50:44,160 --> 00:50:46,200 Speaker 4: she had started to go, well, I'm going to do 1016 00:50:46,320 --> 00:50:49,600 Speaker 4: porn and when your mom calls and tells you that, 1017 00:50:50,640 --> 00:50:52,680 Speaker 4: and I was and I remember writing that story and 1018 00:50:52,719 --> 00:50:56,759 Speaker 4: I was so I was so ashamed, and I was 1019 00:50:56,800 --> 00:51:00,319 Speaker 4: going to take it out. And I don't know why 1020 00:51:00,360 --> 00:51:02,440 Speaker 4: I didn't, because I never had the thought, I'll leave 1021 00:51:02,480 --> 00:51:05,640 Speaker 4: it in, it'll connect. I don't know how it lasted 1022 00:51:05,680 --> 00:51:08,920 Speaker 4: and landed. But I'm telling you, when I'll tour and 1023 00:51:08,960 --> 00:51:11,080 Speaker 4: do stand up, you want to know people talk to 1024 00:51:11,120 --> 00:51:16,440 Speaker 4: me about how it's not exactly the same, but everybody 1025 00:51:16,760 --> 00:51:18,279 Speaker 4: will come up. Not everybody, but I like people come 1026 00:51:18,360 --> 00:51:20,320 Speaker 4: up and go, I'm so glad you said this, because 1027 00:51:20,360 --> 00:51:23,480 Speaker 4: nobody says that addiction affects them in ways like this. 1028 00:51:23,719 --> 00:51:25,080 Speaker 9: Yes, and. 1029 00:51:26,520 --> 00:51:28,759 Speaker 4: Even now. I mean, I wrote that book six seven 1030 00:51:28,800 --> 00:51:35,200 Speaker 4: years ago, Like I couldn't believe that that was the connector. 1031 00:51:35,719 --> 00:51:39,440 Speaker 4: I thought, I'll write some funny stories, people will enjoy it, 1032 00:51:39,560 --> 00:51:42,440 Speaker 4: I'll write a but of everything that I wrote, I 1033 00:51:42,440 --> 00:51:43,960 Speaker 4: was most ashamed of a lot of the stuff that 1034 00:51:44,000 --> 00:51:45,919 Speaker 4: I had gone through in that part of my life 1035 00:51:45,920 --> 00:51:48,560 Speaker 4: and my world. But that was the that was the 1036 00:51:48,600 --> 00:51:53,120 Speaker 4: really the connector of all and I couldn't believe it. 1037 00:51:53,560 --> 00:51:55,640 Speaker 4: But it also shows me that the more raw and 1038 00:51:55,680 --> 00:52:00,600 Speaker 4: open you are, the more you're actually relatable. And I 1039 00:52:00,640 --> 00:52:02,120 Speaker 4: did not think that was the case. 1040 00:52:02,520 --> 00:52:07,879 Speaker 11: And I think the other beautiful benefit for you sharing it, 1041 00:52:07,960 --> 00:52:10,920 Speaker 11: and or at least for me for sharing it, is 1042 00:52:10,960 --> 00:52:14,520 Speaker 11: the freedom you feel because there was something in me 1043 00:52:14,640 --> 00:52:17,680 Speaker 11: with my story, Like if I had withheld that information, 1044 00:52:18,520 --> 00:52:20,839 Speaker 11: I would have really felt like I was moving through 1045 00:52:20,840 --> 00:52:24,600 Speaker 11: my life in not the most honest way that I could, 1046 00:52:24,680 --> 00:52:27,680 Speaker 11: and that I would be numbing some part of myself 1047 00:52:29,320 --> 00:52:32,960 Speaker 11: and that just didn't feel authentic. And so as scary 1048 00:52:33,000 --> 00:52:35,040 Speaker 11: as it was, I felt free. 1049 00:52:35,520 --> 00:52:37,719 Speaker 4: Did you feel when you were writing, when you're doing 1050 00:52:38,440 --> 00:52:40,880 Speaker 4: the music, because this is a bit how I felt too, 1051 00:52:40,960 --> 00:52:42,560 Speaker 4: like I had. Reliving it was kind of hard. 1052 00:52:42,719 --> 00:52:47,319 Speaker 11: Yes, yes, absolutely well in writing it. I mean I 1053 00:52:47,400 --> 00:52:50,440 Speaker 11: was in the middle of miscarring when I wrote the song, 1054 00:52:50,600 --> 00:52:54,120 Speaker 11: so it was very much like I'm in this right 1055 00:52:54,160 --> 00:52:58,640 Speaker 11: now talking about it right now. So as it got recorded, 1056 00:52:58,680 --> 00:53:01,640 Speaker 11: and then the times that I've I've performed it, we're 1057 00:53:01,640 --> 00:53:06,680 Speaker 11: saying it in church. It's definitely been a different experience 1058 00:53:07,400 --> 00:53:11,000 Speaker 11: remembering it, still feeling it deeply, but not like I 1059 00:53:11,160 --> 00:53:11,719 Speaker 11: was when. 1060 00:53:13,600 --> 00:53:16,320 Speaker 2: Okay, that was part one of the Top ten Bobby 1061 00:53:16,320 --> 00:53:19,000 Speaker 2: Cast of twenty twenty four. We got the rest the 1062 00:53:19,000 --> 00:53:21,160 Speaker 2: Top five coming up next week. I also want to 1063 00:53:21,160 --> 00:53:24,800 Speaker 2: mention a few other ones. Go listen to Jackson, dene 1064 00:53:25,040 --> 00:53:28,000 Speaker 2: Zach Top, Marcus King and those probably didn't make it 1065 00:53:28,040 --> 00:53:29,680 Speaker 2: because we did them so late in the year, but 1066 00:53:29,719 --> 00:53:32,400 Speaker 2: those were awesome episodes. If you missed any, just searched 1067 00:53:32,400 --> 00:53:34,440 Speaker 2: the Bobby Cast also type in the artists that you 1068 00:53:34,480 --> 00:53:34,920 Speaker 2: want to hear it. 1069 00:53:34,920 --> 00:53:36,399 Speaker 4: You'll find it. Boom, it'll pop up there. 1070 00:53:36,400 --> 00:53:51,439 Speaker 12: All right, Have good week everybody. 1071 00:54:09,000 --> 00:54:11,480 Speaker 1: Thanks for listening to a Bobby Cast production. 1072 00:54:13,719 --> 00:54:14,120 Speaker 12: Mm hmm