1 00:00:00,480 --> 00:00:03,120 Speaker 1: Hello, and welcome back to movie Mike's movie Podcast. I 2 00:00:03,160 --> 00:00:05,559 Speaker 1: am your host Movie Mike, and today I want to 3 00:00:05,600 --> 00:00:08,560 Speaker 1: share with you my state of the cinema address because 4 00:00:09,080 --> 00:00:12,400 Speaker 1: Cinema Con just went down and there is movie news oozin' 5 00:00:12,480 --> 00:00:14,680 Speaker 1: out the butt that I want to break it out 6 00:00:14,720 --> 00:00:16,639 Speaker 1: down for you in one episode because I do this 7 00:00:16,720 --> 00:00:19,880 Speaker 1: every single year and I love it. In the movie review, 8 00:00:19,920 --> 00:00:22,480 Speaker 1: we'll be talking about the new action thriller Monkey Man. 9 00:00:22,760 --> 00:00:25,240 Speaker 1: And in the trailer park, oh do we have our 10 00:00:25,280 --> 00:00:29,600 Speaker 1: first look at Joker folet Adu aka Joker Too with 11 00:00:29,680 --> 00:00:34,120 Speaker 1: Joaquin Phoenix and Lady Gaga. This movie looks mouth watering. 12 00:00:34,440 --> 00:00:37,440 Speaker 1: Oh that is me right now. So thank you for listening, 13 00:00:37,479 --> 00:00:40,200 Speaker 1: Thank you for being subscribed. Shout out to the Monday 14 00:00:40,200 --> 00:00:43,360 Speaker 1: Morning movie crew. He Now, let's talk movies. 15 00:00:43,720 --> 00:00:46,920 Speaker 2: In a world where everyone and their mother has a podcast. 16 00:00:47,400 --> 00:00:51,320 Speaker 2: One man stands to infiltrate the ears of listeners like 17 00:00:51,400 --> 00:00:55,360 Speaker 2: never before in a movie podcast. A man with so 18 00:00:55,480 --> 00:00:58,320 Speaker 2: much movie knowledge, he's basically. 19 00:00:57,960 --> 00:00:59,600 Speaker 1: Like a walking IMTB. 20 00:01:00,160 --> 00:01:06,480 Speaker 2: Glasses from the Nashville podcast Networking Movie Mike Movie Podcast. 21 00:01:07,200 --> 00:01:11,520 Speaker 1: Cinema Con is the largest and most important gathering of 22 00:01:11,600 --> 00:01:16,000 Speaker 1: movie theater owners from around the world. Essentially, it is 23 00:01:16,040 --> 00:01:21,039 Speaker 1: a pep rally for movie theaters and studios send all 24 00:01:21,080 --> 00:01:23,960 Speaker 1: their big actors and directors to go hype up their 25 00:01:24,040 --> 00:01:27,920 Speaker 1: projects and reassure theater owners that hey, we have a 26 00:01:27,959 --> 00:01:30,880 Speaker 1: lot of good stuff come and let's keep this relationship good. 27 00:01:31,560 --> 00:01:34,920 Speaker 1: And for the most part, that is all who is there, 28 00:01:35,000 --> 00:01:38,800 Speaker 1: theater owners and people with the studio actors. All the 29 00:01:38,800 --> 00:01:41,120 Speaker 1: big time actors go to now, which is awesome, But 30 00:01:41,240 --> 00:01:44,600 Speaker 1: for the first time I saw like influencers and podcasters there. 31 00:01:44,680 --> 00:01:48,440 Speaker 1: Let me just check my mailbox. Yeah, I didn't get 32 00:01:48,480 --> 00:01:51,280 Speaker 1: my invitation in the mail even though I do an 33 00:01:51,280 --> 00:01:54,520 Speaker 1: episode about CinemaCon every single year. Hey, maybe they just 34 00:01:54,560 --> 00:01:56,120 Speaker 1: opened it up. Let me wait, let me check one 35 00:01:56,120 --> 00:01:59,400 Speaker 1: more time. No, there's nothing there. Okay, maybe next year. 36 00:01:59,440 --> 00:02:01,320 Speaker 1: I'm gonna start looking into this because this is the 37 00:02:01,360 --> 00:02:04,120 Speaker 1: event of my dreams. Much like Comic Con, which I've 38 00:02:04,120 --> 00:02:06,680 Speaker 1: also never been to, is a big hype up for 39 00:02:07,000 --> 00:02:10,240 Speaker 1: comic book titles and comic book related movies coming out. 40 00:02:10,520 --> 00:02:13,600 Speaker 1: This is just all the big studios. I'm talking Universal, 41 00:02:14,160 --> 00:02:19,400 Speaker 1: Warner Brothers, Paramount, Lionsgate. They're all there to promote their movies, 42 00:02:19,680 --> 00:02:22,240 Speaker 1: and a lot of the times they show trailers that 43 00:02:22,280 --> 00:02:24,880 Speaker 1: aren't even out yet. They're just showing them to movie 44 00:02:24,919 --> 00:02:28,720 Speaker 1: theater owners and then we get them eventually, so as 45 00:02:28,760 --> 00:02:30,960 Speaker 1: somebody from just the public, and it's like, oh man, 46 00:02:31,000 --> 00:02:32,520 Speaker 1: I want to see all this stuff too, so it 47 00:02:32,520 --> 00:02:34,799 Speaker 1: would be amazing for me to be able to go. 48 00:02:34,960 --> 00:02:37,200 Speaker 1: So what I want to get into first is what 49 00:02:37,320 --> 00:02:40,320 Speaker 1: I believe is the state of the Cinema. After some 50 00:02:40,400 --> 00:02:42,680 Speaker 1: of the opening statements came out, which is something they 51 00:02:42,720 --> 00:02:46,520 Speaker 1: usually do in the first day of a multiple day event. 52 00:02:46,919 --> 00:02:49,440 Speaker 1: So here's what I took away from this my State 53 00:02:49,720 --> 00:03:00,920 Speaker 1: of the Cinema address. I oh, that's good. Everybody. Welcome 54 00:03:00,919 --> 00:03:03,720 Speaker 1: to the State of the Cinema address. I am your 55 00:03:03,800 --> 00:03:10,680 Speaker 1: resident movie guy Movie Mike. A very unpredictable box office, 56 00:03:10,720 --> 00:03:15,520 Speaker 1: but we are off to an improvement over where we 57 00:03:15,600 --> 00:03:18,240 Speaker 1: thought we were going to be. Overall. The thing is, 58 00:03:18,520 --> 00:03:23,760 Speaker 1: everybody keeps comparing things to pre COVID numbers. Twenty nineteen 59 00:03:23,919 --> 00:03:26,400 Speaker 1: being seen as one of the best years that we've 60 00:03:26,440 --> 00:03:28,840 Speaker 1: had in a very long time, and it's going to 61 00:03:28,880 --> 00:03:30,560 Speaker 1: be hard to get back to that. And in the 62 00:03:30,600 --> 00:03:34,600 Speaker 1: presentation they opened up CinemaCon with they were talking about 63 00:03:34,720 --> 00:03:38,480 Speaker 1: how to get people back into the theaters and really 64 00:03:38,560 --> 00:03:41,280 Speaker 1: make it an experience that you're not going to get 65 00:03:41,320 --> 00:03:45,240 Speaker 1: at home, because after COVID, viewing habits really changed, and 66 00:03:45,440 --> 00:03:48,000 Speaker 1: I think people just also change the way they view 67 00:03:48,480 --> 00:03:52,400 Speaker 1: any kind of media. To me, you have to convince 68 00:03:52,440 --> 00:03:54,760 Speaker 1: people that it's not just the file that you click on, 69 00:03:55,040 --> 00:03:57,080 Speaker 1: because at home, you just open up Netflix, you open 70 00:03:57,160 --> 00:03:59,800 Speaker 1: up Max, and that is essentially what you're doing. There 71 00:03:59,840 --> 00:04:02,840 Speaker 1: is file stored on a server and you are hitting play, 72 00:04:03,200 --> 00:04:05,200 Speaker 1: and then you're just standing in front of something and 73 00:04:05,240 --> 00:04:08,400 Speaker 1: taking in that information. What needs to change is the 74 00:04:08,440 --> 00:04:11,480 Speaker 1: studios and movie theater owners need to find a way 75 00:04:11,880 --> 00:04:15,200 Speaker 1: to elevate something new that you can't get at home, 76 00:04:15,720 --> 00:04:18,400 Speaker 1: and movie theaters really drop the ball on this. And 77 00:04:18,480 --> 00:04:20,960 Speaker 1: I love going to the theater. For me, it's enough 78 00:04:21,000 --> 00:04:22,600 Speaker 1: just to have that experience of seeing it on a 79 00:04:22,640 --> 00:04:26,159 Speaker 1: big screen in a dark room, getting some of the ambiond, 80 00:04:26,279 --> 00:04:28,039 Speaker 1: being there with other people. That is enough for me. 81 00:04:28,120 --> 00:04:30,560 Speaker 1: But for other people who think, well, I don't want 82 00:04:30,560 --> 00:04:33,120 Speaker 1: to go be around people. I don't want any external 83 00:04:33,200 --> 00:04:37,200 Speaker 1: noises or distractions that could be somebody crumpling something in 84 00:04:37,240 --> 00:04:40,880 Speaker 1: their purse or texting. I could just do that at home. 85 00:04:41,360 --> 00:04:43,720 Speaker 1: And even though I love that experience. I find that 86 00:04:43,800 --> 00:04:47,760 Speaker 1: theaters really dropped the ball on even having some place 87 00:04:47,839 --> 00:04:50,640 Speaker 1: in the theater where you can take a picture that's 88 00:04:50,680 --> 00:04:53,520 Speaker 1: worthy of posting on social media. Just a little social 89 00:04:53,560 --> 00:04:56,880 Speaker 1: media stop. And not to say that a little background 90 00:04:57,240 --> 00:04:59,640 Speaker 1: and cool, little interactive thing is going to bring in 91 00:04:59,680 --> 00:05:02,920 Speaker 1: million of dollars, no, but at least it's something that 92 00:05:03,240 --> 00:05:05,240 Speaker 1: somebody who maybe hasn't been to a movie in a 93 00:05:05,240 --> 00:05:08,120 Speaker 1: while can see take a picture, whether they post it online, 94 00:05:08,279 --> 00:05:10,719 Speaker 1: somebody else sees that and thinks, oh, I you know 95 00:05:10,760 --> 00:05:12,400 Speaker 1: that movie was out, Let me go check it out. 96 00:05:12,600 --> 00:05:15,520 Speaker 1: And word of mouth is really how these movies continue 97 00:05:15,560 --> 00:05:19,680 Speaker 1: to generate money past that first opening weekend. And that 98 00:05:19,800 --> 00:05:22,080 Speaker 1: is so important because that is kind of how studios 99 00:05:22,120 --> 00:05:24,880 Speaker 1: based how successful a movie is going to be, because 100 00:05:24,920 --> 00:05:28,400 Speaker 1: there is such a rapid drop between that first and 101 00:05:28,560 --> 00:05:31,599 Speaker 1: second weekend ticket sales. So the other thing I think 102 00:05:31,680 --> 00:05:34,240 Speaker 1: studios and movie theaters need to do is create some 103 00:05:34,320 --> 00:05:37,799 Speaker 1: kind of item that you can only get that opening weekend. 104 00:05:37,800 --> 00:05:41,000 Speaker 1: And I've seen a couple of movie franchises do it well. 105 00:05:41,040 --> 00:05:45,000 Speaker 1: Pokemon back in the day, even again with Pokemon Detective Pikachu, 106 00:05:45,880 --> 00:05:48,479 Speaker 1: they had exclusive cards that you would get and there 107 00:05:48,520 --> 00:05:51,320 Speaker 1: was a limited supply, and when you buy that ticket 108 00:05:51,360 --> 00:05:53,320 Speaker 1: and go to the theater to see it, you would 109 00:05:53,320 --> 00:05:55,080 Speaker 1: get that card. I still have mine from the one 110 00:05:55,080 --> 00:05:57,799 Speaker 1: back in the nineties. I still have mine from Detective Pikachu. 111 00:05:57,839 --> 00:05:59,520 Speaker 1: If you watch on YouTube, you can see it in 112 00:05:59,560 --> 00:06:03,120 Speaker 1: the background, or if it's a Marvel movie. Comic books 113 00:06:03,160 --> 00:06:08,640 Speaker 1: are huge Number one issues are what comic book collectors crave. 114 00:06:09,440 --> 00:06:11,720 Speaker 1: Why not put out a comic book that you can 115 00:06:11,839 --> 00:06:14,960 Speaker 1: only get by going to see that movie opening weekend? 116 00:06:15,320 --> 00:06:17,359 Speaker 1: And of course this ties in easy with all of 117 00:06:17,360 --> 00:06:19,560 Speaker 1: the nerdy stuff, but you even have to go a 118 00:06:19,560 --> 00:06:22,159 Speaker 1: step further and any kind of movie that comes out 119 00:06:22,360 --> 00:06:25,480 Speaker 1: have those first week incentives or something that you can 120 00:06:25,520 --> 00:06:28,479 Speaker 1: only experience that first weekend. Another cool thing I saw 121 00:06:28,520 --> 00:06:32,280 Speaker 1: from CinemaCon is they were showcasing what they are going 122 00:06:32,279 --> 00:06:35,400 Speaker 1: to have in certain movie theaters for Twisters, which is 123 00:06:35,400 --> 00:06:37,839 Speaker 1: coming out this summer. And it's one of those weather 124 00:06:37,920 --> 00:06:41,039 Speaker 1: simulation things that I think they've had them before, like 125 00:06:41,120 --> 00:06:43,880 Speaker 1: hurricane simulators. You get in and it blows wind around. 126 00:06:44,240 --> 00:06:48,520 Speaker 1: It's just a fun little thing. Things like that are 127 00:06:48,560 --> 00:06:52,200 Speaker 1: what need to be the primary focus moving forward to 128 00:06:52,320 --> 00:06:55,440 Speaker 1: create some kind of fun environment, some fun element that 129 00:06:55,480 --> 00:06:58,280 Speaker 1: you can only get by going to the theater. Otherwise 130 00:06:58,640 --> 00:07:02,080 Speaker 1: we're seeing people are waiting until these movies go onto 131 00:07:02,120 --> 00:07:06,280 Speaker 1: streaming for a majority of them because it's expensive. I 132 00:07:06,320 --> 00:07:08,960 Speaker 1: see it doing this podcast because obviously I go every 133 00:07:09,000 --> 00:07:11,400 Speaker 1: single week to see what is new, but I find 134 00:07:11,520 --> 00:07:15,600 Speaker 1: a lot of you who listen. Sometimes you don't get 135 00:07:15,640 --> 00:07:19,000 Speaker 1: exposed to those movies until they go onto a streaming service, 136 00:07:19,000 --> 00:07:21,360 Speaker 1: because then I see another influx of people saying, oh, 137 00:07:21,400 --> 00:07:24,000 Speaker 1: I finally checked this out because it was on Netflix, 138 00:07:24,040 --> 00:07:27,280 Speaker 1: because it was on Max, which is still great, because really, 139 00:07:27,320 --> 00:07:29,600 Speaker 1: you want to make a movie that people see Eventually. 140 00:07:30,120 --> 00:07:32,080 Speaker 1: A lot of my favorite movies I never saw in 141 00:07:32,120 --> 00:07:35,680 Speaker 1: theaters but still go on to lift forever. But when 142 00:07:35,720 --> 00:07:38,800 Speaker 1: you're in the business of making money, especially right now, 143 00:07:39,080 --> 00:07:42,480 Speaker 1: you need those movies to have big box office revenue 144 00:07:42,520 --> 00:07:45,800 Speaker 1: that opening weekend. So that is essentially what they talked 145 00:07:45,800 --> 00:07:49,080 Speaker 1: about in the opening of CinemaCon is how can theaters 146 00:07:49,160 --> 00:07:52,520 Speaker 1: work together to create that. One of the quotes was saying, 147 00:07:52,520 --> 00:07:55,560 Speaker 1: we don't necessarily have to put espresso machines in the lobby. 148 00:07:55,600 --> 00:07:58,000 Speaker 1: Well maybe you do. You gotta put something in there 149 00:07:58,800 --> 00:08:02,920 Speaker 1: and cut down though prices. Goodness, sometimes you see how 150 00:08:03,000 --> 00:08:05,200 Speaker 1: much a large popcorn is and you're like, I could 151 00:08:05,200 --> 00:08:08,320 Speaker 1: go and get a full blown meal for that cost. 152 00:08:08,640 --> 00:08:10,680 Speaker 1: So I also think that should create some kind of 153 00:08:10,720 --> 00:08:13,320 Speaker 1: food pass like some MLB parks have. They should do 154 00:08:13,360 --> 00:08:16,200 Speaker 1: that too. Probably that would also get families back into 155 00:08:16,280 --> 00:08:18,520 Speaker 1: going to the theater. And it's all about creating that 156 00:08:18,680 --> 00:08:22,400 Speaker 1: exclusive event that we all crave on social media that 157 00:08:22,480 --> 00:08:25,840 Speaker 1: if somebody posts that they go to this event and 158 00:08:25,880 --> 00:08:28,880 Speaker 1: you're not there, you feel left out. They don't have 159 00:08:28,960 --> 00:08:31,400 Speaker 1: that right now. As soon as they can figure that out, 160 00:08:31,680 --> 00:08:34,480 Speaker 1: I think it'll be on the upward trend for some 161 00:08:34,520 --> 00:08:36,640 Speaker 1: of the movies that are kind of on the borders 162 00:08:36,960 --> 00:08:40,160 Speaker 1: of being successful but also being a bomb, because you're 163 00:08:40,160 --> 00:08:42,679 Speaker 1: always gonna have these really big, impactful movies that people 164 00:08:42,679 --> 00:08:45,240 Speaker 1: are gonna go see no matter what, the Barbies the 165 00:08:45,280 --> 00:08:49,480 Speaker 1: Oppenheimer's that really don't even need that much promotion because 166 00:08:49,520 --> 00:08:53,240 Speaker 1: of either the plot, the director, or the cast, that 167 00:08:53,360 --> 00:08:55,200 Speaker 1: those movies are just going to succeed on their own. 168 00:08:55,559 --> 00:08:57,280 Speaker 1: But then you have some of these kind of hanging 169 00:08:57,320 --> 00:09:00,600 Speaker 1: onto the fringes that really need some other element to 170 00:09:00,640 --> 00:09:03,440 Speaker 1: take it over the top. So that has been the 171 00:09:03,559 --> 00:09:09,400 Speaker 1: state of the cinema and now I just want to 172 00:09:09,400 --> 00:09:13,400 Speaker 1: get into all of the big announcements that happened at 173 00:09:13,440 --> 00:09:17,520 Speaker 1: CinemaCon that have me excited, starting with the first one 174 00:09:17,559 --> 00:09:20,240 Speaker 1: that has me the most excited, the movie I've been 175 00:09:20,280 --> 00:09:24,880 Speaker 1: waiting to be announced for so long. Now I'm just 176 00:09:24,960 --> 00:09:27,200 Speaker 1: I can't even believe that I'm finally getting to say this. 177 00:09:27,840 --> 00:09:32,680 Speaker 1: There is now a live action, are rated teenage mutant 178 00:09:32,760 --> 00:09:36,760 Speaker 1: Ninja Turtles movie in the works at Paramount. This is 179 00:09:36,800 --> 00:09:40,960 Speaker 1: the best movie news I've read in years, because I 180 00:09:41,000 --> 00:09:45,120 Speaker 1: told you guys how much I've really gotten into comics, 181 00:09:45,720 --> 00:09:49,320 Speaker 1: in particular reading graphic novels, and this movie is based 182 00:09:49,400 --> 00:09:52,360 Speaker 1: on one of my favorite graphic novels of all time 183 00:09:52,640 --> 00:09:54,640 Speaker 1: that I talked about on this podcast. If I could 184 00:09:54,640 --> 00:09:57,720 Speaker 1: see any graphic novel be turned into a movie, it 185 00:09:57,720 --> 00:10:00,640 Speaker 1: would be this one, because how much I love the 186 00:10:00,720 --> 00:10:03,800 Speaker 1: Ninja Turtles and know how darker and grittier their story 187 00:10:03,840 --> 00:10:06,120 Speaker 1: can be. Even if you go back to that original 188 00:10:06,240 --> 00:10:09,040 Speaker 1: Ninja Turtles movie doesn't really feel like a kid's movie. 189 00:10:09,080 --> 00:10:12,679 Speaker 1: It is very violent. There are some undertones that feel 190 00:10:12,800 --> 00:10:16,079 Speaker 1: just way more adult than they should be. And I've 191 00:10:16,080 --> 00:10:19,640 Speaker 1: been saying with you know, dead Pools and Wolverine from 192 00:10:19,720 --> 00:10:23,720 Speaker 1: twenty seventeen. There needed to be an R rated Ninja 193 00:10:23,760 --> 00:10:27,040 Speaker 1: Turtles movie, and I thought the only hurdle it had 194 00:10:27,080 --> 00:10:31,520 Speaker 1: to overcome was that TMNT is really seen as being 195 00:10:31,559 --> 00:10:35,400 Speaker 1: family friendly, especially with last year's animated movie being such 196 00:10:35,440 --> 00:10:39,000 Speaker 1: a success. But I think that movie probably paved the 197 00:10:39,080 --> 00:10:42,080 Speaker 1: way for this movie to happen because they did also 198 00:10:42,120 --> 00:10:44,959 Speaker 1: announce the CinemaCon. They're making a sequel to that movie. 199 00:10:45,000 --> 00:10:47,880 Speaker 1: It'll come out in a few years. But you have 200 00:10:48,040 --> 00:10:50,640 Speaker 1: that one for families, and then you're gonna have this 201 00:10:51,120 --> 00:10:53,600 Speaker 1: teenage mutant Ninja Turtles the last rown in for adults. 202 00:10:54,280 --> 00:10:58,040 Speaker 1: Much like in DC you have the more family friendly Batman, 203 00:10:58,080 --> 00:11:00,480 Speaker 1: and then you have movies like Joker. But the movie 204 00:11:00,520 --> 00:11:04,120 Speaker 1: is coming to us from producer Walter Harmanda Tyler. Burton 205 00:11:04,240 --> 00:11:06,880 Speaker 1: Smith is going to write the screenplay. If you're not 206 00:11:06,880 --> 00:11:09,079 Speaker 1: familiar with the story, you haven't read the graphic novel 207 00:11:09,200 --> 00:11:12,200 Speaker 1: like I have, even though I highly recommend it. It 208 00:11:12,280 --> 00:11:16,720 Speaker 1: is a dark tmn T tail about revenge set in 209 00:11:17,440 --> 00:11:21,480 Speaker 1: a dystopian future in New York City. The story follows 210 00:11:21,520 --> 00:11:24,560 Speaker 1: the last remaining Ninja Turtle, who was out to avenge 211 00:11:24,600 --> 00:11:28,920 Speaker 1: the death of his brothers by killing the grandson of Shredder. 212 00:11:29,480 --> 00:11:32,960 Speaker 1: So by reading the book you find out which of 213 00:11:33,000 --> 00:11:36,240 Speaker 1: the brothers it is, and it just has such great action. 214 00:11:36,880 --> 00:11:39,760 Speaker 1: So this movie is going to go beyond all of 215 00:11:39,840 --> 00:11:43,240 Speaker 1: the wackiness of the Turtles and give us a gritty, 216 00:11:43,760 --> 00:11:47,280 Speaker 1: R rated movie that I cannot wait for because just 217 00:11:47,400 --> 00:11:51,360 Speaker 1: imagine all of their weapons that from Movie one in 218 00:11:51,400 --> 00:11:54,280 Speaker 1: the nineties to Movie two they had to stop using 219 00:11:54,400 --> 00:11:59,439 Speaker 1: because kids were hitting their brothers and sisters with makeshift staffs. 220 00:11:59,640 --> 00:12:01,840 Speaker 1: They were getting hurt, and the Turtles were being blamed 221 00:12:01,840 --> 00:12:04,560 Speaker 1: for it. So in Secret of the Ooze, they really 222 00:12:04,600 --> 00:12:08,200 Speaker 1: stripped away their weapons and allowed them to use things 223 00:12:08,240 --> 00:12:11,400 Speaker 1: like sausages and other random objects to beat people up. 224 00:12:11,400 --> 00:12:15,360 Speaker 1: But now the last ronin It's gonna get bloody. I 225 00:12:15,360 --> 00:12:18,439 Speaker 1: would say. The second moment that I was the most 226 00:12:18,480 --> 00:12:22,320 Speaker 1: surprised by that was announced at cinemacn is they drop 227 00:12:22,400 --> 00:12:26,120 Speaker 1: more details on the Michael Jackson biopick, which I rarely 228 00:12:26,160 --> 00:12:30,439 Speaker 1: get excited for biopicks when it comes to movies based 229 00:12:30,600 --> 00:12:34,520 Speaker 1: on anybody in music. It is one of my least 230 00:12:34,600 --> 00:12:38,679 Speaker 1: favorite genres of movie because it's hard to make a 231 00:12:38,840 --> 00:12:44,240 Speaker 1: single film about somebody's entire career especially when they are icons. 232 00:12:44,920 --> 00:12:47,000 Speaker 1: You get two to two and a half hours to 233 00:12:47,080 --> 00:12:51,840 Speaker 1: tell a story that spans at times decades. It's really 234 00:12:51,880 --> 00:12:54,720 Speaker 1: hard to do, and what you often get is a 235 00:12:54,760 --> 00:12:58,679 Speaker 1: story that glosses over a lot of important details, and 236 00:12:59,080 --> 00:13:02,280 Speaker 1: they introduce somebody who goes from nothing and then all 237 00:13:02,280 --> 00:13:05,000 Speaker 1: of a sudden, in about two scenes, they are right 238 00:13:05,040 --> 00:13:09,880 Speaker 1: there at the top, and then oftentimes their family or 239 00:13:09,920 --> 00:13:12,360 Speaker 1: somebody very close to them has a lot of input 240 00:13:12,400 --> 00:13:15,080 Speaker 1: on it. So you're not getting the full story. You're 241 00:13:15,120 --> 00:13:18,200 Speaker 1: not getting all the gritty details that you really need 242 00:13:18,240 --> 00:13:22,160 Speaker 1: to be able to see to flesh out a character 243 00:13:22,360 --> 00:13:26,200 Speaker 1: as complex as music icons. So when this movie was 244 00:13:26,200 --> 00:13:30,040 Speaker 1: first announced by Lionsgate, I wasn't super interested in it. 245 00:13:30,160 --> 00:13:34,280 Speaker 1: But we really haven't had a biopic on somebody so massive, 246 00:13:34,920 --> 00:13:38,560 Speaker 1: probably since Bohemian Rhapsody came out, and that's been a 247 00:13:38,559 --> 00:13:41,600 Speaker 1: while now. Yeah, we've had Bob Marley. The Amy Winehouse 248 00:13:41,640 --> 00:13:43,319 Speaker 1: movie is coming out later this year. We had the 249 00:13:43,320 --> 00:13:45,680 Speaker 1: Whitney Houston movie. So don't come at me in the 250 00:13:45,720 --> 00:13:47,640 Speaker 1: comment saying we haven't had on it at all. But 251 00:13:47,720 --> 00:13:50,440 Speaker 1: to have somebody with such a big story and is 252 00:13:50,520 --> 00:13:54,800 Speaker 1: so world famous and have music that everybody knows. With 253 00:13:54,920 --> 00:13:59,040 Speaker 1: also his real life nephew portraying him, this one is 254 00:13:59,120 --> 00:14:01,520 Speaker 1: probably going who make a lot of money. But what 255 00:14:01,600 --> 00:14:04,560 Speaker 1: I was surprised about is all the reviews that came 256 00:14:04,600 --> 00:14:07,120 Speaker 1: in from people at CinemaCon, saying after they show the 257 00:14:07,160 --> 00:14:11,280 Speaker 1: first footage of this movie, the theater erupted an applause 258 00:14:11,559 --> 00:14:14,079 Speaker 1: that the movie is going to feature over thirty songs 259 00:14:14,120 --> 00:14:17,720 Speaker 1: retreating a lot of Michael Jackson's most iconic performances, saying 260 00:14:17,720 --> 00:14:20,480 Speaker 1: that so far the footage looks really good. It's coming 261 00:14:20,480 --> 00:14:24,160 Speaker 1: out in theaters next April and twenty twenty five. People 262 00:14:24,200 --> 00:14:27,520 Speaker 1: are saying that Jafar Jackson looks just like his uncle, 263 00:14:27,960 --> 00:14:31,160 Speaker 1: and also that the movie is apparently pretty lengthy. I 264 00:14:31,200 --> 00:14:33,680 Speaker 1: didn't say exactly what the runtime is going to be, 265 00:14:34,000 --> 00:14:38,240 Speaker 1: but if they're calling a biopic lengthy, I would assumes 266 00:14:38,280 --> 00:14:40,840 Speaker 1: getting up there in the three hour mark. I just 267 00:14:41,000 --> 00:14:44,480 Speaker 1: wonder with Michael Jackson, how much are they going to 268 00:14:44,520 --> 00:14:48,720 Speaker 1: get into all of the controversies, because there's a lot there, 269 00:14:49,040 --> 00:14:51,880 Speaker 1: and obviously you want to make it focused on the 270 00:14:52,040 --> 00:14:55,640 Speaker 1: music and the impact he had on the world. But 271 00:14:55,720 --> 00:14:59,120 Speaker 1: if you're making a movie about somebody who has a 272 00:14:59,280 --> 00:15:02,600 Speaker 1: very checkered pass. To say the least, I feel like 273 00:15:02,640 --> 00:15:04,760 Speaker 1: you have to include it all otherwise it's gonna feel 274 00:15:04,800 --> 00:15:06,760 Speaker 1: like a bit of a ripoff. And the third thing 275 00:15:06,800 --> 00:15:09,840 Speaker 1: that I was most hype about from CinemaCon was they 276 00:15:09,840 --> 00:15:13,080 Speaker 1: had the first look at a john Wick spinoff called Ballerina, 277 00:15:13,120 --> 00:15:16,560 Speaker 1: which stars Onna the Attamas, which I kind of forgot 278 00:15:16,680 --> 00:15:18,440 Speaker 1: she was in john Wick and I had to be 279 00:15:18,520 --> 00:15:21,680 Speaker 1: reminded of that. But Keanu Reeves was there as well, 280 00:15:21,800 --> 00:15:24,000 Speaker 1: and he is also gonna have a small cameo in 281 00:15:24,040 --> 00:15:27,200 Speaker 1: this movie because it takes place between john Wick Chapter 282 00:15:27,280 --> 00:15:30,680 Speaker 1: three and john Wick Chapter four. It follows her character 283 00:15:30,800 --> 00:15:34,720 Speaker 1: on a journey to also become a legendary assassin, and 284 00:15:34,800 --> 00:15:38,320 Speaker 1: the news from Cinema con is it matches the same 285 00:15:38,440 --> 00:15:42,080 Speaker 1: slick style that john Wick has, slick visuals, over the 286 00:15:42,120 --> 00:15:45,520 Speaker 1: top action sequences. And then of course you get Keanu 287 00:15:45,520 --> 00:15:48,400 Speaker 1: Reeves as John Wick back in this movie, which I 288 00:15:48,560 --> 00:15:53,160 Speaker 1: feel They're gonna make every kind of spinoff from john Wick. 289 00:15:53,240 --> 00:15:56,000 Speaker 1: You have the series going on, you have now these 290 00:15:56,040 --> 00:15:59,280 Speaker 1: side characters getting their own movies. I think I'm excited 291 00:15:59,320 --> 00:16:02,760 Speaker 1: about this because I love a female led action movie. 292 00:16:02,800 --> 00:16:04,720 Speaker 1: It reminds me of Kill Bill, which is one of 293 00:16:04,760 --> 00:16:08,320 Speaker 1: the best of all time, and I think with a 294 00:16:08,400 --> 00:16:11,600 Speaker 1: style like the John Wicks style to match, that is 295 00:16:11,600 --> 00:16:14,600 Speaker 1: a movie that's gonna be really fun and NonStop action. 296 00:16:15,000 --> 00:16:17,000 Speaker 1: Now we'll run through some more of these. Now that 297 00:16:17,040 --> 00:16:18,360 Speaker 1: I told you a big three that I was the 298 00:16:18,400 --> 00:16:20,760 Speaker 1: most excited about, there was just so much news that 299 00:16:20,800 --> 00:16:22,640 Speaker 1: I just want to run through more of these so 300 00:16:22,880 --> 00:16:24,960 Speaker 1: you are aware of all the things going down in 301 00:16:25,000 --> 00:16:28,360 Speaker 1: movies right now. But speaking of Keanu Reeves, Lionsgate showed 302 00:16:28,400 --> 00:16:30,880 Speaker 1: the first footage from a new movie with Aziz I'm 303 00:16:30,960 --> 00:16:36,120 Speaker 1: Sorry called Good Fortune that also stars Keanu Reeves. What 304 00:16:36,200 --> 00:16:39,280 Speaker 1: this movie is about, Aziz on Sorry is visited by 305 00:16:39,360 --> 00:16:43,040 Speaker 1: Keanu Reeves character, who is an angel. Aziz's character has 306 00:16:43,080 --> 00:16:45,760 Speaker 1: been down on his luck and he decides to switch 307 00:16:45,800 --> 00:16:48,800 Speaker 1: places with a really wealthy man played by Seth Rogan. 308 00:16:49,000 --> 00:16:51,800 Speaker 1: The situation doesn't really work out quite as expected, as 309 00:16:51,840 --> 00:16:55,200 Speaker 1: Gabriel loses his wings, making him human again and leading 310 00:16:55,280 --> 00:16:58,360 Speaker 1: him to become Seth Rogan's roommate. The funny thing about 311 00:16:58,400 --> 00:17:02,480 Speaker 1: this that azizlin Sorry shared is that Keanu Reeves was 312 00:17:02,560 --> 00:17:05,720 Speaker 1: actually hurt on the set of this movie after tripping 313 00:17:05,720 --> 00:17:08,160 Speaker 1: on a rug and out of all the movies He's 314 00:17:08,160 --> 00:17:11,560 Speaker 1: done like john Wick, where he notoriously does his own stunts. 315 00:17:12,440 --> 00:17:16,440 Speaker 1: It was him tripping on a rug in a comedy 316 00:17:17,080 --> 00:17:20,919 Speaker 1: that led him to fracturing his kneecap. Aziz said, quote 317 00:17:21,080 --> 00:17:23,320 Speaker 1: about fifteen days into shooting with me, I said, go 318 00:17:23,440 --> 00:17:26,359 Speaker 1: chilling your trailer. He tripped on a rug. Poor guy. 319 00:17:26,400 --> 00:17:29,040 Speaker 1: He was such a trooper and he fractured his kneecap 320 00:17:29,160 --> 00:17:32,320 Speaker 1: and continued to do all the scenes. Doesn't get a 321 00:17:32,359 --> 00:17:36,120 Speaker 1: scratch in all four John Wick movies, even dating back 322 00:17:36,160 --> 00:17:39,320 Speaker 1: to movies like Speed. He's all a oka, but all 323 00:17:39,359 --> 00:17:41,480 Speaker 1: it took was a rug to take him out. But 324 00:17:41,560 --> 00:17:44,120 Speaker 1: to his credit, he'd never had to go to the hospital. 325 00:17:44,320 --> 00:17:47,280 Speaker 1: The movie also stars Sandra O and Kiki Palmer. There 326 00:17:47,320 --> 00:17:50,600 Speaker 1: is no official release date yet, but that sounds pretty funny. 327 00:17:51,080 --> 00:17:54,399 Speaker 1: Keanu Reeves as an angel as he's im sorry, probably 328 00:17:54,440 --> 00:17:56,960 Speaker 1: just kind of playing himself hanging out with seth Rogen. 329 00:17:57,080 --> 00:18:01,439 Speaker 1: I'm into that. Also announced at Cinema, Halle Berry is 330 00:18:01,520 --> 00:18:04,080 Speaker 1: going to star in her first horror film in over 331 00:18:04,160 --> 00:18:07,600 Speaker 1: twenty years. It's called Never Let Go. Played a trailer 332 00:18:08,080 --> 00:18:11,040 Speaker 1: where Barry plays a single mother protecting her twin sons 333 00:18:11,160 --> 00:18:14,239 Speaker 1: as terrifying creatures lurk outside of their home and a 334 00:18:14,320 --> 00:18:18,199 Speaker 1: post apocalyptic world. Apparently you see them and her two 335 00:18:18,320 --> 00:18:21,840 Speaker 1: kids living in the woods for ten years without electricity, 336 00:18:22,040 --> 00:18:24,000 Speaker 1: and halle Berry said that she learned had to skin 337 00:18:24,040 --> 00:18:26,959 Speaker 1: a squirrel in real life in order to prepare for 338 00:18:27,000 --> 00:18:29,320 Speaker 1: this role. But again, This horror movie with halle Berry 339 00:18:29,400 --> 00:18:31,480 Speaker 1: is called Never Let Go. It comes out in theaters 340 00:18:31,520 --> 00:18:35,680 Speaker 1: on September twenty seventh. Jason Blum of Blumhouse was out 341 00:18:35,680 --> 00:18:40,800 Speaker 1: at cinemacn and he said that they are reimagining the 342 00:18:40,840 --> 00:18:44,400 Speaker 1: blair Witch project for a new generation. The plot details 343 00:18:44,440 --> 00:18:47,200 Speaker 1: are being kept under wraps, but it's being described as 344 00:18:47,240 --> 00:18:50,280 Speaker 1: a new vision that will introduce the horror classic to 345 00:18:50,320 --> 00:18:53,280 Speaker 1: a new generation, a very kind of generic statement which 346 00:18:53,320 --> 00:18:57,880 Speaker 1: they have made new blair Witch movies since the original 347 00:18:57,880 --> 00:18:59,960 Speaker 1: one that freaked us all out because we all thought 348 00:19:00,119 --> 00:19:02,800 Speaker 1: it was a documentary. We thought what happened in the 349 00:19:02,840 --> 00:19:06,480 Speaker 1: blair Witch actually happened in real life. That movie was 350 00:19:06,520 --> 00:19:09,880 Speaker 1: one of the most profitable movies of all time because 351 00:19:09,920 --> 00:19:12,840 Speaker 1: of that word of mouth, because it took almost nothing 352 00:19:12,920 --> 00:19:16,560 Speaker 1: to make, and that movie was all marketing. It's really 353 00:19:16,600 --> 00:19:19,760 Speaker 1: not that scary of a movie if you watch it 354 00:19:19,800 --> 00:19:24,680 Speaker 1: without that context, there's really maybe one or two freaky scenes, 355 00:19:25,359 --> 00:19:28,399 Speaker 1: but without that element of, oh did this actually happen, 356 00:19:28,520 --> 00:19:31,720 Speaker 1: it's really not that scary. The original film is about 357 00:19:31,760 --> 00:19:35,040 Speaker 1: three filmmakers who disappear in the Maryland Woods while making 358 00:19:35,040 --> 00:19:38,520 Speaker 1: a documentary about the supposed Blair Witch, and it came 359 00:19:38,520 --> 00:19:41,760 Speaker 1: out back in nineteen ninety nine. I don't really have 360 00:19:41,920 --> 00:19:45,000 Speaker 1: interest to watch another blair Witch movie because I don't 361 00:19:45,040 --> 00:19:47,959 Speaker 1: think they can recapture that energy of what made that 362 00:19:48,000 --> 00:19:50,600 Speaker 1: movie great. You do it again in twenty twenty four 363 00:19:50,800 --> 00:19:53,280 Speaker 1: or whenever this movie is supposed to come out, not 364 00:19:53,320 --> 00:19:55,920 Speaker 1: really going to have that same appeal. They also announced 365 00:19:55,920 --> 00:19:58,879 Speaker 1: from Blumhouse that a sequel to Five Nights at Freddy's 366 00:19:59,359 --> 00:20:01,600 Speaker 1: is expected to come out in the fall of twenty 367 00:20:01,640 --> 00:20:04,840 Speaker 1: twenty five. I'm gonna give that one a second chance. 368 00:20:05,960 --> 00:20:09,879 Speaker 1: I really drug the first one through the mud, and 369 00:20:10,000 --> 00:20:13,040 Speaker 1: in turn, everybody in the YouTube comment's called me an idiot. 370 00:20:13,880 --> 00:20:17,640 Speaker 1: So I'm not gonna go back and rewatch that movie 371 00:20:17,720 --> 00:20:19,880 Speaker 1: or play the game to get more educated on it, 372 00:20:20,320 --> 00:20:22,960 Speaker 1: but I will give the second one a try. They 373 00:20:23,040 --> 00:20:25,640 Speaker 1: also announced that they are coming out with a Now 374 00:20:25,720 --> 00:20:29,080 Speaker 1: You See Me three. The original cast is going to return. 375 00:20:29,560 --> 00:20:32,520 Speaker 1: The first one was okay, pretty good cast, but the 376 00:20:32,560 --> 00:20:35,399 Speaker 1: second one was so dumb. I was rewatching it the 377 00:20:35,440 --> 00:20:37,600 Speaker 1: other day. And by the other day, I mean sometime 378 00:20:37,680 --> 00:20:42,119 Speaker 1: last year and anytime you introduce a secret twin that 379 00:20:42,200 --> 00:20:45,040 Speaker 1: nobody knew about. That was the worst plot line in 380 00:20:45,160 --> 00:20:48,600 Speaker 1: any movie I've seen of that caliber. So I'm not 381 00:20:48,720 --> 00:20:50,520 Speaker 1: really chomping at the bit to see and Now You 382 00:20:50,600 --> 00:20:54,440 Speaker 1: see Me three. Also announced was Margot Robbie's production company, 383 00:20:54,480 --> 00:20:57,520 Speaker 1: which is called Lucky Chap is working with Hasbro to 384 00:20:57,560 --> 00:21:00,240 Speaker 1: come out with the Monopoly movie now, and it was 385 00:21:00,280 --> 00:21:02,639 Speaker 1: first announce that they were making a Barbie movie. I 386 00:21:02,760 --> 00:21:06,400 Speaker 1: probably had the similar reaction that I have right now 387 00:21:06,440 --> 00:21:10,120 Speaker 1: to Monopoly, But obviously Barbie made so much sense once 388 00:21:10,200 --> 00:21:12,800 Speaker 1: we all saw it. But I'm finding it really hard 389 00:21:12,840 --> 00:21:15,639 Speaker 1: to think, how are you gonna make a Monopoly movie 390 00:21:15,680 --> 00:21:20,480 Speaker 1: because Barbie is at least a figure with the personality. 391 00:21:20,920 --> 00:21:22,560 Speaker 1: What are you gonna make it about the Monopoly man, 392 00:21:22,720 --> 00:21:25,920 Speaker 1: Don't pass Go, Don't collect two hundred dollars. I can't 393 00:21:25,920 --> 00:21:27,639 Speaker 1: wait to see what they end up doing with that one. 394 00:21:27,800 --> 00:21:30,720 Speaker 1: We also had more big news from Paramount. They dropped 395 00:21:30,720 --> 00:21:34,119 Speaker 1: the first trailers for Transformers one which is the animated 396 00:21:34,119 --> 00:21:37,879 Speaker 1: Transformers movie. They also dropped the trailer for Sonic three. 397 00:21:38,720 --> 00:21:42,880 Speaker 1: You had Chris hemsworthz Garlea Johansson, Brian Tyree, Henry all 398 00:21:43,000 --> 00:21:46,120 Speaker 1: there because last year at CinemaCon is when they first 399 00:21:46,200 --> 00:21:49,240 Speaker 1: announced that they were gonna be making an animated Transformers movie, 400 00:21:49,400 --> 00:21:51,760 Speaker 1: so they brought them all back to reveal the first footage. 401 00:21:51,880 --> 00:21:54,560 Speaker 1: We obviously didn't get to see it yet. All they 402 00:21:54,680 --> 00:21:59,960 Speaker 1: released online was the logo, which was animated, doesn't really 403 00:22:00,119 --> 00:22:02,000 Speaker 1: tell you a whole lot about the aesthetic of what 404 00:22:02,200 --> 00:22:06,720 Speaker 1: the Transformers are actually going to look like. One really 405 00:22:06,760 --> 00:22:10,040 Speaker 1: big series right now in comics is the Transformer series, 406 00:22:10,520 --> 00:22:13,560 Speaker 1: and I hope it kind of matches that because the 407 00:22:13,640 --> 00:22:16,280 Speaker 1: design in that is so much different than the cartoon 408 00:22:16,480 --> 00:22:20,200 Speaker 1: and also the movies. So maybe along the same way 409 00:22:20,400 --> 00:22:23,320 Speaker 1: that they had success with Teenage Mutant Ninja Turtles, that 410 00:22:23,480 --> 00:22:26,280 Speaker 1: is what they are trying to achieve with Transformers. But 411 00:22:26,440 --> 00:22:28,159 Speaker 1: you're all kind of in the same world, based on 412 00:22:28,200 --> 00:22:32,399 Speaker 1: comic books, based on cartoons, rooted in toys, So I 413 00:22:32,400 --> 00:22:34,320 Speaker 1: can't wait to actually get to see the trailer for that. 414 00:22:34,320 --> 00:22:35,679 Speaker 1: That's the only thing that bugs me a little bit 415 00:22:35,680 --> 00:22:38,080 Speaker 1: about CinemaCon is we don't get to see all the 416 00:22:38,080 --> 00:22:40,239 Speaker 1: trailers until much later, so that's why I want to go. 417 00:22:40,720 --> 00:22:44,160 Speaker 1: Paramount also announced the release date for Smile Too. It's 418 00:22:44,200 --> 00:22:48,240 Speaker 1: coming out this year on October eighteenth. The movie follows 419 00:22:48,280 --> 00:22:51,400 Speaker 1: a pop star and how the curse spreads amongst her fans. 420 00:22:52,040 --> 00:22:54,680 Speaker 1: I'm into that. It kind of reminds me of Swarm 421 00:22:54,800 --> 00:22:58,320 Speaker 1: on Amazon, which is about a really rabid fan base, 422 00:22:58,400 --> 00:23:02,000 Speaker 1: similar to Beyonce his fan base. That was a very 423 00:23:02,119 --> 00:23:05,840 Speaker 1: dark and gritty and twisted show. And just the idea 424 00:23:05,840 --> 00:23:08,479 Speaker 1: of having somebody that people worship and then that person 425 00:23:08,560 --> 00:23:11,359 Speaker 1: spread some things among to her fans. That sounds cool. 426 00:23:11,440 --> 00:23:13,920 Speaker 1: They're also making a new scary movie, which we really 427 00:23:13,920 --> 00:23:18,000 Speaker 1: don't get parody movies anymore, pretty much because they're pretty awful. 428 00:23:18,800 --> 00:23:21,720 Speaker 1: They haven't been good since the seventies and eighties, and 429 00:23:21,760 --> 00:23:24,760 Speaker 1: then of course with the first original scary movies, but 430 00:23:24,960 --> 00:23:29,040 Speaker 1: those spawned a really bad trend of bad parody movies. 431 00:23:29,800 --> 00:23:32,000 Speaker 1: So they'll probably just get a bunch of random celebrities 432 00:23:32,000 --> 00:23:35,320 Speaker 1: to be in that. A really weird announcement that I 433 00:23:35,359 --> 00:23:38,879 Speaker 1: didn't know anything about is that Kendrick Lamar, Yes the 434 00:23:39,000 --> 00:23:42,560 Speaker 1: Rapper and South Park creators Trey Parker and Matt Stone 435 00:23:43,040 --> 00:23:46,320 Speaker 1: are working on an untitled musical. It's coming out in 436 00:23:46,400 --> 00:23:50,320 Speaker 1: theaters on July fourth, twenty twenty five. The movie follows 437 00:23:50,359 --> 00:23:52,919 Speaker 1: the story of a young black man interning as a 438 00:23:52,960 --> 00:23:56,840 Speaker 1: slavery enactor at a living history museum, and he discovers 439 00:23:56,840 --> 00:24:00,400 Speaker 1: that his white girlfriend's ancestors once owned his I had 440 00:24:00,440 --> 00:24:02,800 Speaker 1: no idea that these two people were working together. I 441 00:24:02,840 --> 00:24:06,199 Speaker 1: am a huge Trey Parker and Matt Stone fan for 442 00:24:06,280 --> 00:24:08,800 Speaker 1: what they did with South Park and the South Park movies, 443 00:24:09,320 --> 00:24:12,640 Speaker 1: and they also did a bunch of lower budget independent movies. 444 00:24:13,040 --> 00:24:16,040 Speaker 1: They had some decent success with Basketball, even though it 445 00:24:16,040 --> 00:24:18,680 Speaker 1: didn't do so well at the box office. But where 446 00:24:18,680 --> 00:24:23,400 Speaker 1: they really shine our musicals. They created the award winning 447 00:24:23,760 --> 00:24:26,600 Speaker 1: Book of Mormon, which I really would love to see. 448 00:24:27,160 --> 00:24:30,439 Speaker 1: They also with South Park Bigger and Longer and uncut 449 00:24:30,440 --> 00:24:32,800 Speaker 1: of that movie in the nineties that was one of 450 00:24:32,800 --> 00:24:35,280 Speaker 1: the greatest animated musicals of all time. So to see 451 00:24:35,320 --> 00:24:38,280 Speaker 1: them teaming up with Kendrick Lamar, I can't wait to 452 00:24:38,280 --> 00:24:41,520 Speaker 1: see what that looks like. Disney was out on day three, 453 00:24:41,800 --> 00:24:44,639 Speaker 1: didn't really make any big announcements, but they had a 454 00:24:44,680 --> 00:24:47,640 Speaker 1: lot of first looks as some new movies. The one 455 00:24:47,640 --> 00:24:51,240 Speaker 1: I'm probably the most interested in is Captain America Brave 456 00:24:51,359 --> 00:24:54,600 Speaker 1: New World. We had the first look of Harrison Ford 457 00:24:54,640 --> 00:24:59,639 Speaker 1: as Thunderbolt asking Anthony Mackie's Captain America to rebuild the Avengers. 458 00:25:00,119 --> 00:25:03,520 Speaker 1: Sounds pretty good. That's about all we know of the 459 00:25:03,560 --> 00:25:06,160 Speaker 1: plot of the new Captain America movie. It's coming out 460 00:25:06,160 --> 00:25:10,040 Speaker 1: in theaters on February fourteenth, twenty twenty five. They apparently 461 00:25:10,080 --> 00:25:14,320 Speaker 1: played some of the footage online. They released a couple 462 00:25:14,480 --> 00:25:18,480 Speaker 1: stills don't really say a whole lot. It's mainly Anthony 463 00:25:18,560 --> 00:25:21,960 Speaker 1: Mackie and Harrison Ford hanging out in some kind of 464 00:25:22,040 --> 00:25:27,439 Speaker 1: maybe boardroom, maybe oval office type situation. But honestly, the 465 00:25:27,440 --> 00:25:29,679 Speaker 1: stills were a little bit boring. And there needs to 466 00:25:29,720 --> 00:25:32,320 Speaker 1: be more hype on this movie because I didn't really 467 00:25:32,359 --> 00:25:35,800 Speaker 1: love the Disney Plus series and it's gonna be really 468 00:25:35,800 --> 00:25:38,879 Speaker 1: hard to make a Captain America movie without Chris Sevans, 469 00:25:39,119 --> 00:25:41,120 Speaker 1: So come on, Disney, I need a little bit more 470 00:25:41,200 --> 00:25:43,960 Speaker 1: hype here. They also shared the first nine minutes of 471 00:25:44,000 --> 00:25:47,919 Speaker 1: Deadpool and Wolverine, and I started reading and listening to 472 00:25:47,960 --> 00:25:50,960 Speaker 1: some people talk about what they saw and experienced during 473 00:25:51,000 --> 00:25:53,320 Speaker 1: these first nine minutes, and then I realized, I don't 474 00:25:53,320 --> 00:25:56,239 Speaker 1: want to know anything else about this movie. Sometimes when 475 00:25:56,320 --> 00:26:00,440 Speaker 1: comic book movies come out, people just try to find 476 00:26:00,480 --> 00:26:03,320 Speaker 1: every single detail about them, and then when you go 477 00:26:03,359 --> 00:26:07,160 Speaker 1: watch the movie, you're not surprised by anything. The only 478 00:26:07,200 --> 00:26:10,439 Speaker 1: thing I'll say is it seems like what they showed 479 00:26:10,640 --> 00:26:12,880 Speaker 1: was pretty much what you see inside of the trailer. 480 00:26:12,960 --> 00:26:14,800 Speaker 1: That's all I need to know. And they did share 481 00:26:14,880 --> 00:26:19,040 Speaker 1: another look at Wolverine. They released the cups that they're 482 00:26:19,080 --> 00:26:21,760 Speaker 1: gonna be selling in theaters, and honestly, it looks kind 483 00:26:21,800 --> 00:26:23,879 Speaker 1: of weird. And I told you guys, I wasn't a 484 00:26:23,880 --> 00:26:27,440 Speaker 1: big fan of the suit whenever it was first revealed 485 00:26:27,640 --> 00:26:29,840 Speaker 1: with Hugh Jackman wearing it, I thought it looked too 486 00:26:29,920 --> 00:26:33,560 Speaker 1: much like a motocross motorcycle suit. And even the cup 487 00:26:34,000 --> 00:26:38,520 Speaker 1: with Wolverine next to Deadpool, Deadpool looks normal, but for Wolverine, 488 00:26:38,680 --> 00:26:42,240 Speaker 1: it almost looks like a bad PlayStation three character. So 489 00:26:42,280 --> 00:26:45,600 Speaker 1: hopefully it looks a lot better in the actual movie. 490 00:26:46,040 --> 00:26:48,800 Speaker 1: One of the most underwhelming things Disney said is they 491 00:26:48,840 --> 00:26:51,560 Speaker 1: were talking about Mufasa, the Lion King movie coming out 492 00:26:51,640 --> 00:26:54,840 Speaker 1: on December twentieth of this year, and they said, hey, 493 00:26:54,840 --> 00:26:57,359 Speaker 1: we're using the same technology as we did in twenty nineteen. 494 00:26:57,480 --> 00:26:59,480 Speaker 1: They released distill in this movie as well, and it 495 00:26:59,520 --> 00:27:03,200 Speaker 1: looks exactly the same. So hopefully the story is really 496 00:27:03,240 --> 00:27:07,240 Speaker 1: powerful there, because as good as that movie looked, it 497 00:27:07,320 --> 00:27:11,160 Speaker 1: didn't really feel like a live action Lion King movie 498 00:27:11,160 --> 00:27:13,800 Speaker 1: to me because you really can't do that, and I 499 00:27:13,840 --> 00:27:16,320 Speaker 1: wasn't in love with the style. I don't really feel 500 00:27:16,320 --> 00:27:18,960 Speaker 1: like it brought life to the story like the two 501 00:27:19,000 --> 00:27:22,120 Speaker 1: D animation did back in the nineties. So hopefully there's 502 00:27:22,200 --> 00:27:25,000 Speaker 1: something different that they're doing with that movie to come 503 00:27:25,040 --> 00:27:26,879 Speaker 1: out and say, yeah, it's just the same kind of 504 00:27:26,880 --> 00:27:29,520 Speaker 1: technology we used in twenty nineteen. Okay, then why are 505 00:27:29,600 --> 00:27:32,480 Speaker 1: you making this movie. The Rock was also there and 506 00:27:32,520 --> 00:27:35,680 Speaker 1: talked about Mowana Too, which is coming out even before 507 00:27:36,320 --> 00:27:37,920 Speaker 1: the Lion King movie. It's coming out this year on 508 00:27:37,960 --> 00:27:41,320 Speaker 1: November twenty seventh, which was kind of a surprise announcement. 509 00:27:41,880 --> 00:27:44,840 Speaker 1: Maybe they weren't planning on releasing it so soon, but 510 00:27:44,840 --> 00:27:46,960 Speaker 1: people got to hear a sneak peek at one of 511 00:27:47,000 --> 00:27:49,200 Speaker 1: the songs, and in some of the footage you see 512 00:27:49,280 --> 00:27:52,199 Speaker 1: Mawana on her boat returning home singing this song with 513 00:27:52,240 --> 00:27:55,159 Speaker 1: the lyrics that go. Finally we're back to who we 514 00:27:55,240 --> 00:27:58,640 Speaker 1: are meant to be. The villager singing along with her 515 00:27:59,040 --> 00:28:01,960 Speaker 1: one of the villagers the synopsis of Mawana's story from 516 00:28:01,960 --> 00:28:05,040 Speaker 1: the original film. Then Mawana races her dad in a 517 00:28:05,080 --> 00:28:08,280 Speaker 1: boat race, she wins and lands on the beach of 518 00:28:08,320 --> 00:28:12,040 Speaker 1: her home island. As the song finishes, Milana one goes 519 00:28:12,080 --> 00:28:14,440 Speaker 1: hard And it took me a little bit to get 520 00:28:14,480 --> 00:28:18,160 Speaker 1: into that movie and realize how hard it actually went. 521 00:28:18,520 --> 00:28:21,560 Speaker 1: So hopefully they have some other bangers in Mowana too. 522 00:28:21,800 --> 00:28:24,520 Speaker 1: We had nothing really big announced from Disney. They're really 523 00:28:24,560 --> 00:28:26,440 Speaker 1: just trying to hype out everything they have coming out 524 00:28:26,480 --> 00:28:29,440 Speaker 1: this year and early next year. A few more things 525 00:28:29,480 --> 00:28:32,639 Speaker 1: to get to here. Bong June Hoe, who is the 526 00:28:32,680 --> 00:28:36,000 Speaker 1: director of Parasite. He also did movies like snow Piercer. 527 00:28:36,359 --> 00:28:39,960 Speaker 1: Him and Robert Pattinson were at CinemaCon showing off footage 528 00:28:39,960 --> 00:28:42,640 Speaker 1: of Mickey seventeen, which is the new sci fi movie 529 00:28:42,960 --> 00:28:45,840 Speaker 1: and his follow up to Parasite. It was originally supposed 530 00:28:45,880 --> 00:28:48,200 Speaker 1: to come out this year, but they delayed it to 531 00:28:48,320 --> 00:28:53,120 Speaker 1: January thirty first, twenty twenty five. They showed the trailer, 532 00:28:53,160 --> 00:28:55,840 Speaker 1: which hasn't been released to the public. Yet, but apparently 533 00:28:55,920 --> 00:28:59,360 Speaker 1: it looks awesome. It is being described as really great 534 00:28:59,400 --> 00:29:03,040 Speaker 1: sci fi film and a simple man's story. Robert Pattinson 535 00:29:03,040 --> 00:29:06,480 Speaker 1: plays a common man named Mickey with a nerdy American accent, 536 00:29:06,520 --> 00:29:09,720 Speaker 1: who signs up to be anexpendable in the future. He 537 00:29:09,840 --> 00:29:13,440 Speaker 1: travels to distant planets and space stations doing handiwork, but 538 00:29:13,480 --> 00:29:16,520 Speaker 1: the caveat is that he is expected to die doing 539 00:29:16,560 --> 00:29:19,560 Speaker 1: these difficult missions. Each time he dies, a new clone 540 00:29:19,640 --> 00:29:22,320 Speaker 1: is made and then given a new assignment. The title 541 00:29:22,360 --> 00:29:24,760 Speaker 1: of the movie draws from this, as he dies seventeen 542 00:29:24,840 --> 00:29:28,280 Speaker 1: times in the plot, everything goes well, with Mickey getting 543 00:29:28,360 --> 00:29:31,960 Speaker 1: eaten and chopped up into different pieces across space. Things 544 00:29:32,000 --> 00:29:34,320 Speaker 1: take a turn when two clones get made at the 545 00:29:34,360 --> 00:29:38,840 Speaker 1: same time, Mickey seventeen and Mickey eighteen. Sounds like a 546 00:29:38,840 --> 00:29:40,720 Speaker 1: lot of fun when it comes from Bong June Ho, 547 00:29:40,880 --> 00:29:44,600 Speaker 1: It's probably gonna have this other crazy psychological element. But 548 00:29:44,720 --> 00:29:47,880 Speaker 1: I love everything Robert Pattinson does. I'll watch anything Bon 549 00:29:48,040 --> 00:29:51,760 Speaker 1: Juho puts out, whether it be in Korean, whether it 550 00:29:51,840 --> 00:29:53,680 Speaker 1: be in English, I don't care. He is such a 551 00:29:53,720 --> 00:29:57,880 Speaker 1: great director and a true visionary. And finally we saw 552 00:29:57,920 --> 00:30:02,240 Speaker 1: some delays announced that Cinema con. The Crow is now 553 00:30:02,320 --> 00:30:05,680 Speaker 1: releasing on August twenty third, And as you remember from 554 00:30:05,760 --> 00:30:09,320 Speaker 1: last week's episode, this is the movie on boycotting, and 555 00:30:09,360 --> 00:30:13,120 Speaker 1: maybe the boycott is now starting to affect the release date. 556 00:30:13,360 --> 00:30:16,000 Speaker 1: It's really not. It just happens to be. I put 557 00:30:16,000 --> 00:30:18,760 Speaker 1: out that episode last week and then a couple of 558 00:30:18,840 --> 00:30:21,440 Speaker 1: days later this news gets announced. But really it's because 559 00:30:21,480 --> 00:30:25,080 Speaker 1: Lionsgate is kind of switching up some other release dates. 560 00:30:25,160 --> 00:30:28,200 Speaker 1: They're trying to space out the Saw movies because Saw 561 00:30:28,600 --> 00:30:31,680 Speaker 1: ten came out last year and Saw eleven was supposed 562 00:30:31,680 --> 00:30:33,320 Speaker 1: to come out this year, but now they are moving 563 00:30:33,360 --> 00:30:37,480 Speaker 1: that to September twenty sixth, twenty twenty five. All right, well, 564 00:30:37,480 --> 00:30:40,760 Speaker 1: come back, I'll give you my thoughts on Monkey Man 565 00:30:40,880 --> 00:30:44,440 Speaker 1: and in the Trailer Park, which was also announced at CinemaCon. 566 00:30:44,760 --> 00:30:47,800 Speaker 1: We're gonna break down the joker to trailer and all 567 00:30:47,880 --> 00:30:54,520 Speaker 1: the hidden things that you maybe missed. Let's get into 568 00:30:54,560 --> 00:30:57,360 Speaker 1: it now. A spoiler free movie review of Monkey Man, 569 00:30:57,520 --> 00:31:00,880 Speaker 1: starring and directed by Dev Patel, who you'll probably be 570 00:31:01,040 --> 00:31:04,000 Speaker 1: most familiar with him from slum Dog Millionaire. And this 571 00:31:04,040 --> 00:31:06,959 Speaker 1: is a movie that has a pretty inspirational story. It 572 00:31:07,000 --> 00:31:09,720 Speaker 1: wasn't even gonna see the light of day until Jordan Peele, 573 00:31:09,720 --> 00:31:12,200 Speaker 1: who is one of my favorite directors known for movies 574 00:31:12,240 --> 00:31:16,440 Speaker 1: like Get Out Us Nope, he saw this movie was 575 00:31:16,480 --> 00:31:19,720 Speaker 1: so moved by it. His production company, Monkey Pop Productions, 576 00:31:19,840 --> 00:31:22,640 Speaker 1: picked up the movie, got it in theaters, and for me, 577 00:31:22,760 --> 00:31:25,040 Speaker 1: even though I am a fan of Deaf Ptel's work, 578 00:31:25,800 --> 00:31:28,719 Speaker 1: it was having that Jordan Peele stamp of approval that 579 00:31:28,760 --> 00:31:31,800 Speaker 1: really sold me on this movie. And it's that association 580 00:31:32,000 --> 00:31:35,120 Speaker 1: that people have seeing a poster you see it's directed 581 00:31:35,160 --> 00:31:37,600 Speaker 1: by Deaf Patel, but you also see Jordan Peele's name 582 00:31:37,680 --> 00:31:40,720 Speaker 1: up on that poster, so it's like, Okay, I know 583 00:31:40,880 --> 00:31:43,480 Speaker 1: that name I associated with these other great movies. I'm 584 00:31:43,480 --> 00:31:44,920 Speaker 1: gonna go out on a lim and say that is 585 00:31:45,000 --> 00:31:47,000 Speaker 1: kind of what I am expecting here. So that is 586 00:31:47,000 --> 00:31:50,040 Speaker 1: initially what had me excited about this movie. But after 587 00:31:50,080 --> 00:31:53,000 Speaker 1: the first trailer, I thought this is something I would 588 00:31:53,040 --> 00:31:54,880 Speaker 1: have watched even if it didn't have the Monkey Pop 589 00:31:54,880 --> 00:31:56,960 Speaker 1: Production's name to it. But what this movie is about. 590 00:31:57,040 --> 00:31:58,880 Speaker 1: You have a guy played by Dave Patel who is 591 00:31:58,960 --> 00:32:02,520 Speaker 1: kind of an unnamed care and he is competing in 592 00:32:02,560 --> 00:32:06,240 Speaker 1: this underground fight club where his job is to lose 593 00:32:06,520 --> 00:32:09,800 Speaker 1: the promoter he is working with essentially puts them against 594 00:32:09,800 --> 00:32:12,640 Speaker 1: these other really vicious fighters and even though he could 595 00:32:12,640 --> 00:32:16,080 Speaker 1: probably beat them, how he makes his money is really 596 00:32:16,120 --> 00:32:19,440 Speaker 1: going through three rounds with that fighter, getting people to 597 00:32:19,480 --> 00:32:22,120 Speaker 1: bet on it, and he gets a very small amount 598 00:32:22,200 --> 00:32:25,160 Speaker 1: of money for doing so. He's really just barely getting by. 599 00:32:25,200 --> 00:32:27,880 Speaker 1: Which the movie has a lot to do with the 600 00:32:27,960 --> 00:32:30,480 Speaker 1: class system, the rich and the poor, which I'll get 601 00:32:30,480 --> 00:32:33,080 Speaker 1: into a little bit later, but he is just struggling 602 00:32:33,160 --> 00:32:37,160 Speaker 1: with that and he has this really deep rage inside 603 00:32:37,200 --> 00:32:39,440 Speaker 1: of him. And what I loved about this movie and 604 00:32:39,480 --> 00:32:42,360 Speaker 1: how they developed this story is they don't put everything 605 00:32:42,440 --> 00:32:45,280 Speaker 1: up front. You go watch a movie like this, and 606 00:32:45,400 --> 00:32:49,280 Speaker 1: oftentimes you get this entire character's story in the first 607 00:32:49,360 --> 00:32:51,720 Speaker 1: twenty minutes. You learn all the things that go wrong 608 00:32:51,760 --> 00:32:54,800 Speaker 1: in his life. How this movie sets itself apart is 609 00:32:55,320 --> 00:32:57,320 Speaker 1: it really just drops him into that world of the 610 00:32:57,400 --> 00:33:01,640 Speaker 1: underground fight club. You see he's getting beaten so bloody, 611 00:33:01,680 --> 00:33:04,720 Speaker 1: there's stuff coming out of his mask, but you don't 612 00:33:04,760 --> 00:33:08,280 Speaker 1: really know why he has this rage inside of him, 613 00:33:08,520 --> 00:33:12,320 Speaker 1: and obviously something very traumatic has happened in his life. Essentially, 614 00:33:12,400 --> 00:33:16,320 Speaker 1: he has had every single thing taken away from him 615 00:33:16,920 --> 00:33:21,080 Speaker 1: from the elite of where he is living in India, 616 00:33:21,200 --> 00:33:24,600 Speaker 1: and those elite have cost him so much pain in 617 00:33:24,640 --> 00:33:27,640 Speaker 1: his life and really kept him down there at the 618 00:33:27,680 --> 00:33:30,800 Speaker 1: bottom that you find him at a moment where he 619 00:33:30,880 --> 00:33:33,800 Speaker 1: becomes a man with a plan and he's going to 620 00:33:33,880 --> 00:33:37,040 Speaker 1: take all this rage that has been building inside of 621 00:33:37,080 --> 00:33:39,960 Speaker 1: him for all these years, the really awful thing that 622 00:33:40,040 --> 00:33:42,000 Speaker 1: happened to him when he was younger, which you start 623 00:33:42,040 --> 00:33:46,640 Speaker 1: to uncover and really just go after these people. So 624 00:33:46,720 --> 00:33:48,440 Speaker 1: some of the things you learned early on, which I 625 00:33:48,480 --> 00:33:51,080 Speaker 1: don't want to spoil, but you see some of the 626 00:33:51,160 --> 00:33:55,600 Speaker 1: actual physical things that have happened to him that he 627 00:33:55,680 --> 00:34:00,520 Speaker 1: is dealing with. His hands are scorched thing on his 628 00:34:00,600 --> 00:34:03,440 Speaker 1: hands and they're just blake. Where you should have all 629 00:34:03,480 --> 00:34:07,479 Speaker 1: these designs and marks in your hands, he has nothing, 630 00:34:08,040 --> 00:34:11,160 Speaker 1: and you don't really know why. You see bits of 631 00:34:11,160 --> 00:34:15,080 Speaker 1: his childhood from these flashbacks, which I really enjoyed because 632 00:34:15,080 --> 00:34:18,480 Speaker 1: it's kind of like uncovering a little puzzle, a very dark, 633 00:34:18,920 --> 00:34:22,279 Speaker 1: sinister puzzle. As you watch the movie, as he is 634 00:34:22,360 --> 00:34:25,800 Speaker 1: advancing in real time, you are learning as the viewer 635 00:34:25,880 --> 00:34:27,799 Speaker 1: about his past, which I think is a really great 636 00:34:27,840 --> 00:34:29,360 Speaker 1: way to do it because it could be kind of 637 00:34:29,400 --> 00:34:31,120 Speaker 1: boring to put that all in the first ten to 638 00:34:31,200 --> 00:34:34,239 Speaker 1: fifteen minutes, and it feels weird and disjointed when you 639 00:34:34,280 --> 00:34:36,319 Speaker 1: start with that. You want to start with the good 640 00:34:36,360 --> 00:34:39,560 Speaker 1: stuff and then learning it that way it makes it 641 00:34:39,640 --> 00:34:44,640 Speaker 1: so much more significant and impactful, especially when later in 642 00:34:44,680 --> 00:34:47,880 Speaker 1: the movie you really find out exactly what happened, exactly 643 00:34:47,960 --> 00:34:50,840 Speaker 1: why he is the way he is. It's able to 644 00:34:50,880 --> 00:34:54,800 Speaker 1: build up so much more attention and just feels like, oh, Okay, 645 00:34:54,960 --> 00:34:57,200 Speaker 1: I get it now, and now I'm ready to get 646 00:34:57,239 --> 00:34:59,759 Speaker 1: to the final act of this movie. So what he 647 00:34:59,800 --> 00:35:03,360 Speaker 1: tries to do is develop a plan to infiltrate the 648 00:35:03,400 --> 00:35:06,839 Speaker 1: people who ripped everything away from him, and how he 649 00:35:06,880 --> 00:35:10,280 Speaker 1: does that he mixes with his job at that underground 650 00:35:10,280 --> 00:35:13,840 Speaker 1: fight club and then a really devious plan that he 651 00:35:13,920 --> 00:35:18,240 Speaker 1: comes up with to reach some of those people in power. 652 00:35:18,360 --> 00:35:20,440 Speaker 1: And I just think that part was really cool. The 653 00:35:20,480 --> 00:35:24,920 Speaker 1: first twenty minutes of this movie develops a lot of curiosities. 654 00:35:25,880 --> 00:35:29,280 Speaker 1: It had me just wondering exactly what was going on. Also, 655 00:35:29,320 --> 00:35:32,040 Speaker 1: the style of filmmaking was very different. It took me 656 00:35:32,080 --> 00:35:35,640 Speaker 1: a little bit to get used to, but after I 657 00:35:35,760 --> 00:35:38,640 Speaker 1: kind of understood the pacing of it, realized that they 658 00:35:38,680 --> 00:35:41,400 Speaker 1: weren't going to tell you everything up front. It really 659 00:35:41,400 --> 00:35:44,000 Speaker 1: made me enjoy it because it felt like something different 660 00:35:44,480 --> 00:35:48,120 Speaker 1: which is something I just struggle to find when going 661 00:35:48,160 --> 00:35:50,560 Speaker 1: to watch movies this year, or we had a lot 662 00:35:50,640 --> 00:35:52,480 Speaker 1: of duds. We've had a lot of things that just 663 00:35:52,480 --> 00:35:56,640 Speaker 1: feel very repetitive. This felt like a breath of fresh air, 664 00:35:57,160 --> 00:35:59,399 Speaker 1: especially in a genre where you don't really get that 665 00:35:59,520 --> 00:36:04,800 Speaker 1: in primarily a straight ahead action movie with some thrills 666 00:36:04,840 --> 00:36:09,799 Speaker 1: along the way. Oftentimes it's very by the book, very textbook. 667 00:36:09,920 --> 00:36:14,160 Speaker 1: It's usually just you introduced the bad guy, you're following 668 00:36:14,160 --> 00:36:16,479 Speaker 1: the good guy. You want good guy to beat bad guy. 669 00:36:17,280 --> 00:36:20,680 Speaker 1: But it was a much different path to that that 670 00:36:20,719 --> 00:36:25,200 Speaker 1: our character took in Monkey Man to face his demons. 671 00:36:25,400 --> 00:36:28,400 Speaker 1: And what I would say is the most comparable movie 672 00:36:29,200 --> 00:36:33,280 Speaker 1: to Monkey Man has to be John Wick, because john 673 00:36:33,320 --> 00:36:37,640 Speaker 1: Wick is all about getting revenge, redemption, all those things 674 00:36:37,640 --> 00:36:42,319 Speaker 1: that vengeance, you know, because in John Wick, they kill 675 00:36:42,360 --> 00:36:45,960 Speaker 1: his dog, and the entire plot line of John Wick 676 00:36:46,080 --> 00:36:49,160 Speaker 1: is him killing all the people responsible for killing his dog. 677 00:36:49,360 --> 00:36:52,920 Speaker 1: And in that first John Wick movie, the action obviously 678 00:36:53,000 --> 00:36:55,840 Speaker 1: set it apart. It was so much more brutal, over 679 00:36:55,920 --> 00:36:59,680 Speaker 1: the top and pretty much NonStop, very little plot line. 680 00:37:00,080 --> 00:37:05,319 Speaker 1: It was all about the crazy stunt performances, all of 681 00:37:05,400 --> 00:37:08,200 Speaker 1: the guns and crazy weapons that john Wick would use. 682 00:37:08,400 --> 00:37:11,560 Speaker 1: And then later in two and three and four, they 683 00:37:11,640 --> 00:37:15,120 Speaker 1: realized that that's what people loved about those movies, and 684 00:37:15,760 --> 00:37:19,120 Speaker 1: they really almost eliminated all other plotlines and just said, 685 00:37:19,200 --> 00:37:21,880 Speaker 1: let's get to the action. Let's get to the bullets flying, 686 00:37:22,200 --> 00:37:25,560 Speaker 1: Let's get to Keanu Reeves fighting people the entire time. 687 00:37:26,120 --> 00:37:29,439 Speaker 1: So you have that same element in Monkey Man. It's 688 00:37:29,480 --> 00:37:33,520 Speaker 1: not as NonStop action. I would say there are even 689 00:37:33,520 --> 00:37:35,839 Speaker 1: moments in this movie where you forget it to an 690 00:37:35,880 --> 00:37:38,640 Speaker 1: action film. It just feels like a full on drama. 691 00:37:39,280 --> 00:37:42,760 Speaker 1: But when it does ramp up, it is very very 692 00:37:42,760 --> 00:37:45,839 Speaker 1: similar to john Wick in that style. But the other 693 00:37:45,880 --> 00:37:48,360 Speaker 1: way it's similar to John Wick is being an action 694 00:37:48,520 --> 00:37:53,719 Speaker 1: movie where the star hits rock bottom. Because oftentimes, in 695 00:37:53,760 --> 00:37:59,120 Speaker 1: American action movies, your hero is bulletproof. Nothing hurts him, 696 00:37:59,480 --> 00:38:02,120 Speaker 1: he doesn't lose a battle along the way. He just 697 00:38:02,200 --> 00:38:05,600 Speaker 1: comes in, beats all of his opponents and just tries 698 00:38:05,680 --> 00:38:08,120 Speaker 1: to work his way up to that final boss. But 699 00:38:08,239 --> 00:38:10,719 Speaker 1: in john Wick and in Monkey Man, you see our 700 00:38:10,880 --> 00:38:15,279 Speaker 1: hero hit rock bottom. You see them get hurt, you 701 00:38:15,320 --> 00:38:18,600 Speaker 1: see them at their bloodiest, at their most broken, and 702 00:38:18,640 --> 00:38:22,160 Speaker 1: you realize that they are not these bulletproof people, that 703 00:38:22,239 --> 00:38:26,279 Speaker 1: nothing hurts them, that they can take down and defeat anybody. 704 00:38:26,480 --> 00:38:29,439 Speaker 1: And by doing that, it makes it so much more 705 00:38:29,480 --> 00:38:34,239 Speaker 1: impactful when that hero rises again, and it builds up 706 00:38:34,280 --> 00:38:38,640 Speaker 1: that energy to overcome the hardest of obstacles, because you 707 00:38:38,800 --> 00:38:41,440 Speaker 1: have to be able to take the audience to lows 708 00:38:41,640 --> 00:38:45,359 Speaker 1: to reach those highs. And I compare this to one 709 00:38:45,360 --> 00:38:49,080 Speaker 1: of the most popular action stars, The Rock who has 710 00:38:49,160 --> 00:38:52,520 Speaker 1: a clause that he can't lose a fight on screen. 711 00:38:52,800 --> 00:38:54,880 Speaker 1: How is your hero not going to lose a fight? 712 00:38:55,120 --> 00:38:57,239 Speaker 1: How are you not going to allow your character to 713 00:38:57,280 --> 00:39:00,160 Speaker 1: be vulnerable and show that they are able to to 714 00:39:00,200 --> 00:39:02,719 Speaker 1: be defeated and have to come back from that. That 715 00:39:02,920 --> 00:39:05,880 Speaker 1: is the reason I believe that Black Adam failed so 716 00:39:06,719 --> 00:39:11,279 Speaker 1: badly is because there was never really anything to overcome. 717 00:39:11,440 --> 00:39:13,880 Speaker 1: His character was just fighting, be able the entire time, 718 00:39:14,160 --> 00:39:17,440 Speaker 1: didn't have any problem, no character development. But in movies 719 00:39:17,520 --> 00:39:20,680 Speaker 1: like John Wick and now in Monkey Man, you have 720 00:39:20,760 --> 00:39:25,239 Speaker 1: that character development because you follow them along more like 721 00:39:25,280 --> 00:39:28,280 Speaker 1: if this was happening to you, if everything was taken 722 00:39:28,320 --> 00:39:30,440 Speaker 1: away from you and you decided one day you just 723 00:39:30,480 --> 00:39:34,680 Speaker 1: wanted to develop a plan to fight back, because in life, 724 00:39:35,239 --> 00:39:38,799 Speaker 1: you're gonna have the crap kicked out of you, hopefully 725 00:39:38,920 --> 00:39:43,080 Speaker 1: just figuratively and not literally, but you gotta get back up. 726 00:39:43,680 --> 00:39:46,680 Speaker 1: And what this movie did also really well was incorporate 727 00:39:46,800 --> 00:39:51,160 Speaker 1: some really well defined cinematography to put you inside of 728 00:39:51,200 --> 00:39:54,640 Speaker 1: that action. There were some really great camera movements that 729 00:39:55,280 --> 00:39:57,440 Speaker 1: really felt like I was right there along in some 730 00:39:57,480 --> 00:39:59,520 Speaker 1: of the chase scenes and some of the fight scenes. 731 00:39:59,600 --> 00:40:03,239 Speaker 1: That were also some really great uses of special effects 732 00:40:03,440 --> 00:40:06,400 Speaker 1: that I feel like we're somewhat comparable to like a 733 00:40:06,400 --> 00:40:09,879 Speaker 1: horror movie, because the same way that John Wick has 734 00:40:09,920 --> 00:40:13,319 Speaker 1: some brutal kill scenes, this one does the same thing 735 00:40:13,400 --> 00:40:17,719 Speaker 1: that I get squeamish whenever somebody gets stabbed. It's just 736 00:40:17,920 --> 00:40:20,240 Speaker 1: uncomfortable for me to watch. Out of all the things, 737 00:40:21,160 --> 00:40:24,080 Speaker 1: I can't watch people get stabbed because my head goes 738 00:40:24,120 --> 00:40:25,839 Speaker 1: to if I got stabbed, I don't even know how 739 00:40:25,880 --> 00:40:28,360 Speaker 1: I would react. And also broken bones. I can't do 740 00:40:28,440 --> 00:40:31,840 Speaker 1: broken bones. If anybody breaks a bone in a movie 741 00:40:32,520 --> 00:40:35,240 Speaker 1: or even I'll just be scrolling TikTok sometimes and somebody 742 00:40:35,880 --> 00:40:39,480 Speaker 1: it's like a bone break skateboarding video. I cannot watch those. 743 00:40:40,520 --> 00:40:44,560 Speaker 1: And as desensitized as I am to violence just becomes 744 00:40:44,560 --> 00:40:47,080 Speaker 1: the norm to me. Anything are rated just becomes the 745 00:40:47,120 --> 00:40:49,520 Speaker 1: norm to me. You break a bone and I'm out. 746 00:40:49,560 --> 00:40:52,440 Speaker 1: But there were some moments in this movie that were 747 00:40:52,440 --> 00:40:55,440 Speaker 1: really hard to watch because they involved stabbing and breaking bones. 748 00:40:55,600 --> 00:40:58,680 Speaker 1: But I feel like to get that emotion out of 749 00:40:58,719 --> 00:41:02,160 Speaker 1: me is hard thing to do, so especially in an 750 00:41:02,200 --> 00:41:04,320 Speaker 1: action movie where I've really seen it all and nothing 751 00:41:04,360 --> 00:41:06,920 Speaker 1: really sticks out. Things stuck out in this movie, in particular, 752 00:41:07,160 --> 00:41:10,040 Speaker 1: Bone stuck out. And what this movie felt like was 753 00:41:10,160 --> 00:41:13,440 Speaker 1: a modern folk tale because even though it takes place 754 00:41:13,640 --> 00:41:16,319 Speaker 1: in the real world, there are some moments where you 755 00:41:16,440 --> 00:41:19,680 Speaker 1: kind of have to forget about reality a little bit 756 00:41:19,719 --> 00:41:22,200 Speaker 1: and think, Okay, I see how this could happen. And 757 00:41:22,239 --> 00:41:25,719 Speaker 1: then I also think that monkey Man gave us one 758 00:41:25,719 --> 00:41:29,920 Speaker 1: of the best training sequences since Rocky, which is another 759 00:41:29,960 --> 00:41:31,880 Speaker 1: thing that's really hard to do. But there is a 760 00:41:31,920 --> 00:41:34,879 Speaker 1: sequence in the movie where he is training punching a 761 00:41:34,920 --> 00:41:39,160 Speaker 1: big begg of rice was very reminiscent of Rocky hitting 762 00:41:39,239 --> 00:41:42,320 Speaker 1: the big old slab of raw meat. And that moment 763 00:41:42,440 --> 00:41:46,319 Speaker 1: was very inspirational to me because it incorporated a lot 764 00:41:46,320 --> 00:41:50,080 Speaker 1: of elements of Monkey Man's culture and it felt like 765 00:41:50,120 --> 00:41:53,600 Speaker 1: a ode to Rocky, but also showing that we're gonna 766 00:41:53,640 --> 00:41:57,440 Speaker 1: take something that is so American but put our spin 767 00:41:57,560 --> 00:42:00,640 Speaker 1: to it. Because this movie is also important for presentation. 768 00:42:01,320 --> 00:42:05,920 Speaker 1: You hardly see an actor like death Batael have the 769 00:42:06,040 --> 00:42:09,640 Speaker 1: lead in a movie like this, so above everything else, 770 00:42:10,520 --> 00:42:13,160 Speaker 1: that was the most inspirational thing for me to see. 771 00:42:13,200 --> 00:42:15,560 Speaker 1: For him not only to star in this movie but 772 00:42:15,680 --> 00:42:19,400 Speaker 1: also be behind the camera and for his directorial debut, 773 00:42:20,160 --> 00:42:22,480 Speaker 1: totally crushed it because it's a hard thing to do 774 00:42:22,960 --> 00:42:25,640 Speaker 1: to take a movie like this where your character is 775 00:42:25,640 --> 00:42:29,239 Speaker 1: supposed to be seen as heroic. I feel like you 776 00:42:29,280 --> 00:42:31,520 Speaker 1: could make your character look like you would like the 777 00:42:31,600 --> 00:42:34,480 Speaker 1: rock like so invincible and so cool and so awesome 778 00:42:34,520 --> 00:42:37,200 Speaker 1: all the time. Which there are some moments in that 779 00:42:37,280 --> 00:42:40,000 Speaker 1: training sequence where he does look like that, takes off 780 00:42:40,000 --> 00:42:43,400 Speaker 1: his shirt, everybody's so impressed. But it doesn't do it 781 00:42:43,440 --> 00:42:48,400 Speaker 1: in a way that feels overly egotistical, which is a 782 00:42:48,560 --> 00:42:51,120 Speaker 1: fine line to walk when you are the director and 783 00:42:51,200 --> 00:42:55,480 Speaker 1: star of a movie, because what you say goes and 784 00:42:55,560 --> 00:42:59,239 Speaker 1: what ends up on the screen is highly reliant on you. 785 00:42:59,600 --> 00:43:01,640 Speaker 1: But he did it in a way that felt very 786 00:43:01,719 --> 00:43:05,040 Speaker 1: humble and very much like he really cared about the 787 00:43:05,080 --> 00:43:08,719 Speaker 1: overall filmmaking process. He didn't really do this movie as 788 00:43:08,719 --> 00:43:11,800 Speaker 1: a vanity project. I wanted to leave the theater immediately, 789 00:43:11,840 --> 00:43:14,080 Speaker 1: go to the boxing gym, and just tear it up 790 00:43:14,080 --> 00:43:16,279 Speaker 1: for forty five minutes. I was so inspired by it. 791 00:43:16,400 --> 00:43:18,279 Speaker 1: But again, I don't want to give the impression if 792 00:43:18,320 --> 00:43:22,160 Speaker 1: you haven't seen it, that it's just NonStop, senseless action. 793 00:43:22,640 --> 00:43:25,600 Speaker 1: There are moments that take away from all of that. 794 00:43:26,000 --> 00:43:28,120 Speaker 1: I would argue there's a little bit of a lull. 795 00:43:28,560 --> 00:43:31,000 Speaker 1: The film was under two hours, which I feel is 796 00:43:31,040 --> 00:43:34,239 Speaker 1: the sweet spot for a big thriller action movie like this, 797 00:43:35,239 --> 00:43:38,719 Speaker 1: although I did kind of feel the runtime a little bit. 798 00:43:39,480 --> 00:43:41,680 Speaker 1: Maybe it was just in that second to third act 799 00:43:41,719 --> 00:43:44,439 Speaker 1: that was like twenty or thirty minutes where it kind 800 00:43:44,440 --> 00:43:47,520 Speaker 1: of lost momentum For a movie that started out so strong, 801 00:43:47,840 --> 00:43:50,399 Speaker 1: really got to the story, really dove into the action 802 00:43:50,480 --> 00:43:52,440 Speaker 1: once it was there for a minute, I kind of 803 00:43:52,480 --> 00:43:54,719 Speaker 1: wondered how they were going to land the plane, and 804 00:43:54,800 --> 00:43:58,319 Speaker 1: if it wasn't for having such a strong ending, I 805 00:43:58,360 --> 00:44:00,000 Speaker 1: feel like I kind of would have dipped out there 806 00:44:00,080 --> 00:44:02,920 Speaker 1: in the middle. But overall, a great movie, especially if 807 00:44:02,960 --> 00:44:05,880 Speaker 1: you're into action movies like John Wick, one that I 808 00:44:05,960 --> 00:44:09,279 Speaker 1: feel enhanced my enjoyment of it of actually seeing it 809 00:44:09,320 --> 00:44:11,360 Speaker 1: in the theater, But I could see a movie like 810 00:44:11,360 --> 00:44:14,319 Speaker 1: this once it goes to streaming, maybe one of the 811 00:44:14,320 --> 00:44:17,440 Speaker 1: big streamers picks it up. I feel this will have 812 00:44:17,560 --> 00:44:21,000 Speaker 1: a much better life on streaming, so I don't necessarily 813 00:44:21,080 --> 00:44:23,000 Speaker 1: think you need to run to the theater to watch it, 814 00:44:23,000 --> 00:44:25,520 Speaker 1: because I almost think watching it at home you'll get 815 00:44:25,520 --> 00:44:28,560 Speaker 1: that same effect. But overall, I give it a strong 816 00:44:28,960 --> 00:44:32,640 Speaker 1: four out of five gorilla masks. 817 00:44:34,600 --> 00:44:37,840 Speaker 2: It's time to head down to movie Mike Traylor. 818 00:44:38,000 --> 00:44:42,320 Speaker 1: Paul Joker is one of my favorite R rated movies 819 00:44:42,400 --> 00:44:46,360 Speaker 1: of all time. I just lean towards the darker stories 820 00:44:46,400 --> 00:44:49,279 Speaker 1: when it comes to comic book movies, and I thought 821 00:44:49,280 --> 00:44:51,520 Speaker 1: the first one nailed it. And the only trepidation I 822 00:44:51,560 --> 00:44:54,640 Speaker 1: had going into the sequel is the fact that it's 823 00:44:54,640 --> 00:44:58,040 Speaker 1: going to be a jukebox musical. I didn't exactly know 824 00:44:58,080 --> 00:45:01,799 Speaker 1: what that was going to look like. I speculate, and 825 00:45:01,920 --> 00:45:05,000 Speaker 1: after seeing this trailer now it looks like the speculation 826 00:45:05,200 --> 00:45:09,360 Speaker 1: I had was actually pretty accurate and it all makes 827 00:45:09,400 --> 00:45:13,800 Speaker 1: sense now. So I told you guys, i'd be wrong 828 00:45:13,920 --> 00:45:17,160 Speaker 1: to question director Todd Phillips, and I love the statement 829 00:45:17,200 --> 00:45:20,440 Speaker 1: he put out when the trailer drops, saying that the 830 00:45:20,520 --> 00:45:24,400 Speaker 1: movie doesn't really veer too far from the original film. 831 00:45:24,600 --> 00:45:28,320 Speaker 1: Although the music is a very essential element. The tone 832 00:45:28,320 --> 00:45:31,799 Speaker 1: of the movie is very much matched by the first one, 833 00:45:31,920 --> 00:45:35,160 Speaker 1: which I think is great and even think movie theater owners. 834 00:45:35,440 --> 00:45:38,680 Speaker 1: This has also happened at CinemaCon, saying thank you for 835 00:45:38,800 --> 00:45:41,319 Speaker 1: keeping the first Joker in theaters because at that time, 836 00:45:41,360 --> 00:45:43,600 Speaker 1: in twenty nineteen, there was a lot of unrest in 837 00:45:43,640 --> 00:45:45,920 Speaker 1: the country, and not to say five years later that 838 00:45:46,000 --> 00:45:48,279 Speaker 1: everything has been solved. But I can see why a 839 00:45:48,320 --> 00:45:51,160 Speaker 1: movie like Joker is not for everybody. It's very dark. 840 00:45:51,800 --> 00:45:53,640 Speaker 1: There is even a warning now if you go watch 841 00:45:53,640 --> 00:45:55,800 Speaker 1: it on YouTube. I first watched it when it dropped 842 00:45:56,239 --> 00:45:59,360 Speaker 1: on Tuesday night of last week, and there wasn't a warning, 843 00:45:59,360 --> 00:46:02,480 Speaker 1: but the next day on Wednesday when you'd go watch it, 844 00:46:02,520 --> 00:46:04,400 Speaker 1: and probably if you still go watch it now, you 845 00:46:04,480 --> 00:46:07,720 Speaker 1: have to click yes because it says warning to users 846 00:46:07,719 --> 00:46:11,160 Speaker 1: that it may contain suicide or self harm topics. So 847 00:46:11,520 --> 00:46:14,840 Speaker 1: that even tells you further that if you don't like 848 00:46:14,880 --> 00:46:18,360 Speaker 1: seeing things related to that, do not watch this movie. 849 00:46:18,640 --> 00:46:21,160 Speaker 1: The first one was made on a budget of fifty 850 00:46:21,160 --> 00:46:23,520 Speaker 1: five million dollars this one is stepped it up to 851 00:46:23,560 --> 00:46:25,719 Speaker 1: two hundred million dollars. And that first one was so 852 00:46:25,800 --> 00:46:28,719 Speaker 1: profitable because it did have that fifty five million dollar 853 00:46:28,760 --> 00:46:31,320 Speaker 1: budget and went on to gross over a billion dollars. 854 00:46:31,719 --> 00:46:34,400 Speaker 1: Will this one do the same? It's hard to say. 855 00:46:35,120 --> 00:46:38,280 Speaker 1: Movies have been so weird with numbers at the box 856 00:46:38,320 --> 00:46:41,000 Speaker 1: office right now, but I feel like with the hype 857 00:46:41,040 --> 00:46:44,120 Speaker 1: that the first one had, and there was some worry 858 00:46:44,200 --> 00:46:46,720 Speaker 1: of what that was going to be, and then people 859 00:46:46,840 --> 00:46:49,200 Speaker 1: at that time still even question whether or not Joaquin 860 00:46:49,200 --> 00:46:51,439 Speaker 1: Phoenix could pull off the Joker. But now we all 861 00:46:51,480 --> 00:46:53,799 Speaker 1: know that Joaquin Phoenix does great in this role. He 862 00:46:53,880 --> 00:46:56,799 Speaker 1: won his Oscar and now we have him joined by 863 00:46:56,880 --> 00:47:00,480 Speaker 1: Lady Gaga. What I love most about this trailer before 864 00:47:00,600 --> 00:47:03,200 Speaker 1: I even play a clip of it, is a great 865 00:47:03,239 --> 00:47:07,200 Speaker 1: trailer doesn't show you beginning, middle, and end of a movie. 866 00:47:07,200 --> 00:47:10,399 Speaker 1: That is actually the sign of a bad trailer. If 867 00:47:10,440 --> 00:47:13,440 Speaker 1: you watch a trailer and you really know the entire 868 00:47:13,520 --> 00:47:16,280 Speaker 1: story by the end of that two and a half minutes, 869 00:47:16,800 --> 00:47:18,839 Speaker 1: that is gonna be a not great movie. It could 870 00:47:18,840 --> 00:47:21,839 Speaker 1: still be enjoyable, still be entertaining, But if you put 871 00:47:21,880 --> 00:47:25,120 Speaker 1: that much information in a trailer, you're not betting on 872 00:47:25,200 --> 00:47:28,600 Speaker 1: your storytelling, and you're really selling more of a product 873 00:47:28,600 --> 00:47:31,839 Speaker 1: than a piece of art, which not all movies or art, 874 00:47:32,640 --> 00:47:35,880 Speaker 1: but for something like Joker and this trailer, you really 875 00:47:35,920 --> 00:47:37,560 Speaker 1: just get the vibe of the story, you get the 876 00:47:37,560 --> 00:47:40,279 Speaker 1: tone of it. There's still not a whole lot out 877 00:47:40,320 --> 00:47:42,759 Speaker 1: there about the plot. I've pieced together a lot of 878 00:47:42,760 --> 00:47:45,839 Speaker 1: things watching this trailer now a few times, so I'll 879 00:47:45,840 --> 00:47:48,520 Speaker 1: go through some of those things, but above all, it 880 00:47:48,560 --> 00:47:51,359 Speaker 1: really just shows you how they are going to incorporate 881 00:47:51,400 --> 00:47:54,560 Speaker 1: the musical elements Lady Gaga is gonna look like as 882 00:47:54,600 --> 00:47:57,680 Speaker 1: Harley Quinn, and then how it kind of picks up 883 00:47:58,160 --> 00:48:01,160 Speaker 1: right at the end of Joker Part one, and that 884 00:48:01,200 --> 00:48:03,560 Speaker 1: brings us to the title. It's not called Joker too, 885 00:48:04,000 --> 00:48:08,520 Speaker 1: It's called Joker fully Ado, which translates to madness for two. 886 00:48:08,840 --> 00:48:11,240 Speaker 1: So in the first one it was about Arthur flex 887 00:48:11,320 --> 00:48:14,719 Speaker 1: descent into madness by himself, but now it looks like 888 00:48:14,800 --> 00:48:18,440 Speaker 1: he meets Lady Gaga's character who she is playing Harley Quinn, 889 00:48:18,680 --> 00:48:21,560 Speaker 1: looks like her origin story is much different. They are 890 00:48:21,600 --> 00:48:25,080 Speaker 1: meeting in Arkham Asylum, they fall in love and escape 891 00:48:25,400 --> 00:48:28,240 Speaker 1: is essentially what I have pieced together from this trailer. 892 00:48:28,600 --> 00:48:30,760 Speaker 1: Before I get into more what I think about joker, 893 00:48:31,080 --> 00:48:34,000 Speaker 1: fully I do. Here's just a little bit of the trailer. 894 00:48:34,680 --> 00:48:39,000 Speaker 3: F you got a joke for us today, we use 895 00:48:39,120 --> 00:48:45,400 Speaker 3: music to make us whole, to balance the fractures with 896 00:48:45,520 --> 00:48:46,200 Speaker 3: an househouse. 897 00:48:48,040 --> 00:48:51,360 Speaker 1: I'm nobody. I haven't done anything with my life like 898 00:48:51,400 --> 00:48:56,080 Speaker 1: you have. Tell us what's changed, Arthur. I'll tell you 899 00:48:56,320 --> 00:48:58,160 Speaker 1: what's changed, y'all. 900 00:48:58,280 --> 00:49:04,879 Speaker 3: Well anymore, that's what recent be talking about. 901 00:49:05,480 --> 00:49:09,320 Speaker 1: A very powerful trailer. So in that first one, exactly 902 00:49:09,360 --> 00:49:12,680 Speaker 1: what happens is him doing all those things alone. You 903 00:49:12,719 --> 00:49:17,319 Speaker 1: even question at times how reliable he is as a 904 00:49:17,440 --> 00:49:20,239 Speaker 1: narrator and whether or not those things that he saw 905 00:49:20,239 --> 00:49:23,160 Speaker 1: in his mind actually happened in real life or whether 906 00:49:23,320 --> 00:49:25,640 Speaker 1: it was all just going on in his head. But 907 00:49:26,000 --> 00:49:29,080 Speaker 1: either way, this movie starts with him in prison at 908 00:49:29,160 --> 00:49:34,120 Speaker 1: Arkham Asylum, and the way they change Harley Quinn's origin 909 00:49:34,200 --> 00:49:37,120 Speaker 1: story here is she first debuted in Batman, the animated 910 00:49:37,160 --> 00:49:39,799 Speaker 1: series back in the nineties, so she didn't even have 911 00:49:40,000 --> 00:49:43,759 Speaker 1: a comic book origin. She debuted because they needed new 912 00:49:43,840 --> 00:49:47,680 Speaker 1: characters and Harley Quinn in the show and then later 913 00:49:47,800 --> 00:49:51,000 Speaker 1: in the comics and later in Suicide Squad. She was 914 00:49:51,040 --> 00:49:55,319 Speaker 1: a psychologist assigned to Joker, and then he plays all 915 00:49:55,360 --> 00:49:58,000 Speaker 1: these mind tricks on her to make him fall in 916 00:49:58,040 --> 00:50:00,239 Speaker 1: love with him. He throws her in a big out 917 00:50:00,239 --> 00:50:03,160 Speaker 1: of acid and she becomes Harley Quinn, and then she 918 00:50:03,280 --> 00:50:07,840 Speaker 1: spends her entire life doing anything that Joker says because 919 00:50:07,840 --> 00:50:12,400 Speaker 1: he brainwashed her. I really loved Margot Robbie's depiction of 920 00:50:12,440 --> 00:50:16,520 Speaker 1: her in Suicide Squad and The Suicide Squad. I also 921 00:50:16,560 --> 00:50:19,720 Speaker 1: really loved the Harley Quinn animated show on Max, which 922 00:50:20,239 --> 00:50:24,040 Speaker 1: kind of flips the script on the traditional Harley Quinn 923 00:50:24,080 --> 00:50:27,319 Speaker 1: origin story. And so there is a lot of great 924 00:50:27,360 --> 00:50:30,399 Speaker 1: source material for Harley Quinn, but it looks like Todd 925 00:50:30,440 --> 00:50:33,720 Speaker 1: Phillips is focusing on how does he make it work 926 00:50:34,040 --> 00:50:37,120 Speaker 1: in Arthur Fleck's case, and what he actually does here 927 00:50:37,239 --> 00:50:42,719 Speaker 1: in the trailer is almost show how Harley Quinn transforms 928 00:50:43,080 --> 00:50:47,239 Speaker 1: into the crazy character much like Arthur Fleck did in 929 00:50:47,280 --> 00:50:52,080 Speaker 1: Part one. There are frame for frame examples of the 930 00:50:52,120 --> 00:50:55,240 Speaker 1: ways they are similar. So one in particular is whenever 931 00:50:55,640 --> 00:50:58,319 Speaker 1: in this trailer Lady Gaga puts her fingers up to 932 00:50:58,400 --> 00:51:00,680 Speaker 1: her head like she's shooting herself in the head. That 933 00:51:00,800 --> 00:51:03,360 Speaker 1: is the exact same thing that Arthur did in Joker 934 00:51:03,400 --> 00:51:06,200 Speaker 1: Part one. Also in part one, one of the most 935 00:51:06,239 --> 00:51:10,160 Speaker 1: famous scenes is Joker dancing with himself in a bathroom 936 00:51:10,200 --> 00:51:13,239 Speaker 1: after committing his first murder. Cut to this one, and 937 00:51:13,280 --> 00:51:15,600 Speaker 1: instead of dancing by himself, he is now dancing with 938 00:51:15,680 --> 00:51:18,440 Speaker 1: Harley Quinn. Also one of the most famous scenes from 939 00:51:18,440 --> 00:51:20,800 Speaker 1: the first one is whenever he's dancing down the stairs 940 00:51:20,880 --> 00:51:23,520 Speaker 1: kicking his legs out. I love the shot in this 941 00:51:23,600 --> 00:51:26,640 Speaker 1: trailer where now it's both of them going downstairs with 942 00:51:26,880 --> 00:51:29,360 Speaker 1: a big crowd on either side of them, so it 943 00:51:29,400 --> 00:51:33,040 Speaker 1: goes from being just him to now having a legit 944 00:51:33,120 --> 00:51:35,640 Speaker 1: partner in crime. And those are just some of the 945 00:51:35,719 --> 00:51:39,040 Speaker 1: amazing shots throughout this trailer, which has one of my 946 00:51:39,280 --> 00:51:42,600 Speaker 1: favorite color palettes with the dark reds, the dark yellows, 947 00:51:43,000 --> 00:51:47,080 Speaker 1: and that greenish blue. I love the shot where it 948 00:51:47,120 --> 00:51:49,560 Speaker 1: looks like they're walking out of the prison and you 949 00:51:49,600 --> 00:51:53,120 Speaker 1: have all these colored umbrellas in that same color palette. 950 00:51:53,120 --> 00:51:55,680 Speaker 1: Looks amazing. You have Joker at the piano with the 951 00:51:55,680 --> 00:51:58,239 Speaker 1: spotlight on him and the smoke around his face. There's 952 00:51:58,280 --> 00:52:01,799 Speaker 1: one scene where he's in this entirely white suit and 953 00:52:01,880 --> 00:52:06,959 Speaker 1: then seeing Lady Gaga in the Harley Quinn costume, which 954 00:52:07,040 --> 00:52:11,200 Speaker 1: isn't the traditional Jester costume from the animated show or 955 00:52:11,280 --> 00:52:15,480 Speaker 1: it looks anything like Margot Robbie's costume. It really has 956 00:52:15,600 --> 00:52:20,200 Speaker 1: that realistic, darker approach to it, with very slight makeup 957 00:52:20,320 --> 00:52:23,480 Speaker 1: instead of having her entire face be pale, which I 958 00:52:23,520 --> 00:52:26,680 Speaker 1: think works perfectly. And then, of course, as I was 959 00:52:26,719 --> 00:52:30,080 Speaker 1: mentioning earlier, we get a glimpse of how the musical 960 00:52:30,160 --> 00:52:33,239 Speaker 1: element is going to be incorporated in the movie. It 961 00:52:33,320 --> 00:52:36,400 Speaker 1: seems to me that music is almost going to be 962 00:52:36,719 --> 00:52:40,000 Speaker 1: a coping mechanism. Even the line they mentioned there in 963 00:52:40,040 --> 00:52:43,320 Speaker 1: the trailer of how we all use music. Think about 964 00:52:43,360 --> 00:52:46,720 Speaker 1: how much people say that music has saved their lives. 965 00:52:46,760 --> 00:52:49,399 Speaker 1: It's changed the way they see the world. You can 966 00:52:49,400 --> 00:52:52,359 Speaker 1: go to a concert and almost have this euphoric experience 967 00:52:52,480 --> 00:52:54,920 Speaker 1: and you connect with an artist. I think that is 968 00:52:54,960 --> 00:52:57,880 Speaker 1: what music is going to be in this movie. It 969 00:52:57,960 --> 00:53:01,120 Speaker 1: is how they keep themselves grounded as they go crazier 970 00:53:01,239 --> 00:53:05,600 Speaker 1: and crazier, and it's also how they cope with all 971 00:53:05,640 --> 00:53:09,560 Speaker 1: the awful things they are doing and ruining people's lives 972 00:53:09,600 --> 00:53:13,080 Speaker 1: and creating chaos around them. It looks to me that 973 00:53:13,680 --> 00:53:16,279 Speaker 1: they're going to kind of go into a different place 974 00:53:16,320 --> 00:53:18,640 Speaker 1: in their minds as they are singing and dancing together, 975 00:53:19,160 --> 00:53:22,680 Speaker 1: because there are shots of those moments where at one 976 00:53:22,719 --> 00:53:26,520 Speaker 1: point they're on the street dancing, but in their heads 977 00:53:26,560 --> 00:53:29,240 Speaker 1: it looks like they're in a big ballroom and looking 978 00:53:29,360 --> 00:53:32,799 Speaker 1: very fancy and you know, nice suits and nice dresses. 979 00:53:33,320 --> 00:53:35,279 Speaker 1: So it seems to be like all those moments are 980 00:53:35,280 --> 00:53:39,320 Speaker 1: happening inside their head, which somebody who is psychotic and crazy, 981 00:53:39,520 --> 00:53:42,320 Speaker 1: that's probably what would happen, and that is what Joker 982 00:53:42,360 --> 00:53:45,600 Speaker 1: and Harley Quinn are. They are not mentally stable, So 983 00:53:45,719 --> 00:53:48,640 Speaker 1: I think now the musical element makes perfect sense to me, 984 00:53:48,719 --> 00:53:51,080 Speaker 1: and now that I can see it, because it looks 985 00:53:51,080 --> 00:53:54,479 Speaker 1: like they're going to escape from Arkham Asylum together. There's 986 00:53:54,520 --> 00:53:57,520 Speaker 1: one scene where you see a big explosion and you 987 00:53:57,560 --> 00:54:01,000 Speaker 1: have them running away from it holding hands by side, 988 00:54:01,200 --> 00:54:05,240 Speaker 1: which I just want to see that chemistry of how 989 00:54:05,719 --> 00:54:08,319 Speaker 1: they interact with each other and how this movie works 990 00:54:08,360 --> 00:54:12,040 Speaker 1: with two people who are just so so crazy. But 991 00:54:12,160 --> 00:54:15,520 Speaker 1: hands down, the best shot in this trailer is the 992 00:54:15,680 --> 00:54:20,040 Speaker 1: very final moment whenever Lady Gaga paints this smile with 993 00:54:20,160 --> 00:54:22,440 Speaker 1: lipstick on the glass, it almost looks like they are 994 00:54:22,600 --> 00:54:25,960 Speaker 1: almost like in visitation at a prison where Lady Gaga 995 00:54:26,000 --> 00:54:28,640 Speaker 1: is on one side and Joaquin Phoenix is on the 996 00:54:28,680 --> 00:54:32,520 Speaker 1: other side, and she paints a smile with lipstick, and 997 00:54:32,560 --> 00:54:35,400 Speaker 1: then he goes from the other side of having this 998 00:54:35,520 --> 00:54:39,440 Speaker 1: frown and then gradually just gets a smile and it 999 00:54:39,560 --> 00:54:43,319 Speaker 1: matches up perfectly. Whoever had that idea deserves their own 1000 00:54:43,360 --> 00:54:46,080 Speaker 1: oscar because it looks so great and is the perfect 1001 00:54:46,120 --> 00:54:49,680 Speaker 1: way to close out this trailer. No official run time yet, 1002 00:54:49,760 --> 00:54:53,000 Speaker 1: but of course it has that R rating with strong violence, 1003 00:54:53,280 --> 00:54:57,120 Speaker 1: language throughout, some sexuality, and even brief nudity in this one. 1004 00:54:57,360 --> 00:55:00,480 Speaker 1: It is coming out on October fourth, and the movie 1005 00:55:00,560 --> 00:55:04,600 Speaker 1: is going to feature at least fifteen reinterpretations of songs. 1006 00:55:04,719 --> 00:55:08,520 Speaker 1: I was also surprised to see how thin Joaquin Phoenix 1007 00:55:08,560 --> 00:55:11,239 Speaker 1: got again for this role, which for part one he 1008 00:55:11,280 --> 00:55:14,960 Speaker 1: had the famous diet of essentially only eating an apple 1009 00:55:15,080 --> 00:55:18,279 Speaker 1: a day and surviving off that and maybe soup and 1010 00:55:18,360 --> 00:55:21,560 Speaker 1: some steam vegetables is all he would eat. It really 1011 00:55:21,600 --> 00:55:24,600 Speaker 1: adds to that distressed look of Arthur Fleck, and he 1012 00:55:24,719 --> 00:55:27,080 Speaker 1: was so thin in that movie, and in the first 1013 00:55:27,080 --> 00:55:29,759 Speaker 1: shot of this trailer, I almost thought maybe they cgied 1014 00:55:29,760 --> 00:55:32,799 Speaker 1: his body, kind of like they did Captain America. When 1015 00:55:32,840 --> 00:55:35,279 Speaker 1: he goes from skinny to muscular. But I think he 1016 00:55:35,360 --> 00:55:38,040 Speaker 1: really did it again. So is he going for another 1017 00:55:38,160 --> 00:55:41,600 Speaker 1: Oscar on this one? That would be really tough. In history, 1018 00:55:41,760 --> 00:55:44,880 Speaker 1: I don't think somebody has won an Oscar for Best 1019 00:55:44,960 --> 00:55:48,719 Speaker 1: Actor or Actress for playing the same character. It is 1020 00:55:48,760 --> 00:55:52,240 Speaker 1: also rare for a sequel to be nominated for Best Picture. 1021 00:55:52,320 --> 00:55:55,560 Speaker 1: And when I think, the only thing that has happened 1022 00:55:56,000 --> 00:55:59,240 Speaker 1: is different actors have been nominated for playing the same character, 1023 00:55:59,360 --> 00:56:03,960 Speaker 1: because He's was also nominated and one for playing the Joker, 1024 00:56:04,320 --> 00:56:07,840 Speaker 1: and there have been similar instances where actors have portrayed 1025 00:56:07,840 --> 00:56:10,719 Speaker 1: the same character. But I don't think there's a win 1026 00:56:11,640 --> 00:56:16,080 Speaker 1: for an actor playing the same character twice and also 1027 00:56:16,200 --> 00:56:18,959 Speaker 1: being nominated and winning. But again, this movie is coming 1028 00:56:19,000 --> 00:56:22,080 Speaker 1: out on October fourth, and I'm gonna pre order my 1029 00:56:22,120 --> 00:56:25,040 Speaker 1: tickets as soon as they're available because this trailer has 1030 00:56:25,120 --> 00:56:26,240 Speaker 1: me hype. 1031 00:56:26,400 --> 00:56:30,200 Speaker 2: And that was this week's edition of Movie Line Tramer 1032 00:56:30,320 --> 00:56:31,440 Speaker 2: Bar and. 1033 00:56:31,280 --> 00:56:33,799 Speaker 1: That is gonna do it for another episode here of 1034 00:56:33,840 --> 00:56:36,520 Speaker 1: the podcast. Before I go, I gotta give my listeners 1035 00:56:36,560 --> 00:56:39,000 Speaker 1: shout out over the week, and for this shout out, 1036 00:56:39,000 --> 00:56:41,719 Speaker 1: I'm going over to Instagram and the listener shout out 1037 00:56:41,760 --> 00:56:44,319 Speaker 1: of the Week goes to Sweet Eats by V, who 1038 00:56:44,360 --> 00:56:47,200 Speaker 1: tagged me in her Instagram story listening to the best 1039 00:56:47,200 --> 00:56:49,720 Speaker 1: and worst movies of March that I do every single 1040 00:56:49,719 --> 00:56:52,800 Speaker 1: month with Kelsey and said listening to Mike Diestro's podcast 1041 00:56:52,840 --> 00:56:55,800 Speaker 1: and I'm ninety nine point nine percent sure. Kelsey mentioned 1042 00:56:55,800 --> 00:56:59,360 Speaker 1: she owns an evil queen candle can adult today, adding 1043 00:56:59,400 --> 00:57:01,319 Speaker 1: more reasons where I think she and I would be 1044 00:57:01,360 --> 00:57:04,160 Speaker 1: great friends, And that is true. You heard right. Kelsey 1045 00:57:04,239 --> 00:57:08,080 Speaker 1: is very into candles, and I've also got semi into 1046 00:57:08,120 --> 00:57:10,840 Speaker 1: candles because she loves them so much, so much so 1047 00:57:11,000 --> 00:57:13,359 Speaker 1: that I love my candle burning basically all day at 1048 00:57:13,360 --> 00:57:15,239 Speaker 1: home and she had to blow it out because I 1049 00:57:15,280 --> 00:57:18,520 Speaker 1: am an idiot. But thank you, sweets by V. Appreciate 1050 00:57:18,560 --> 00:57:21,000 Speaker 1: you listening and tagging me in your Instagram story. Thank 1051 00:57:21,040 --> 00:57:24,000 Speaker 1: you everybody for listening again this week, and until next time, 1052 00:57:24,160 --> 00:57:26,560 Speaker 1: go out and watch good movies and I will talk 1053 00:57:26,600 --> 00:57:27,720 Speaker 1: to you later.