WEBVTT - NEMS & Ron Browz | ROC Solid w/ Memphis Bleek

0:00:00.120 --> 0:00:02.080
<v Speaker 1>What up, y'all? This is your main man, Memphis Bleak

0:00:02.200 --> 0:00:05.240
<v Speaker 1>right here. Welcome to Rock Solid, a production of iHeart

0:00:05.360 --> 0:00:08.280
<v Speaker 1>Radio and the Black Effect Network in partnership with my

0:00:08.360 --> 0:00:19.119
<v Speaker 1>guys over at Drink Champs. You should know about you

0:00:19.160 --> 0:00:30.360
<v Speaker 1>shouldn't know. This is how we started this one off.

0:00:30.600 --> 0:00:33.800
<v Speaker 1>You already know what it is rock Solid podcast. We hear,

0:00:33.880 --> 0:00:38.720
<v Speaker 1>we hear, yours truly am Greasy in the building at

0:00:38.720 --> 0:00:41.840
<v Speaker 1>the Vault, Yo. This is this is a special one man.

0:00:42.120 --> 0:00:44.760
<v Speaker 1>We got my guy in the building, you know him,

0:00:45.240 --> 0:00:49.000
<v Speaker 1>Ron Browns. They call him eat the boy in the building.

0:00:49.400 --> 0:00:51.640
<v Speaker 1>You know what I mean. We got my bro from

0:00:51.720 --> 0:00:56.200
<v Speaker 1>Brooklyn Nim's in the building. Boom your fucking head off.

0:00:56.840 --> 0:00:59.280
<v Speaker 1>This is why this is special because now I get

0:00:59.320 --> 0:01:02.319
<v Speaker 1>that dude. The the setup. It's the setup, bro, Bro

0:01:02.440 --> 0:01:06.080
<v Speaker 1>and Ron don't even know Dad. Start nigga. Make a

0:01:06.200 --> 0:01:11.840
<v Speaker 1>call my nigga, Yo, get cool with him, making the

0:01:12.040 --> 0:01:15.080
<v Speaker 1>album with him, Bring them to the park and we're

0:01:15.080 --> 0:01:20.440
<v Speaker 1>gonna knock him out. And we're here. What's up my guys,

0:01:21.360 --> 0:01:26.560
<v Speaker 1>just seeing you? My brother love man Yo. Me and

0:01:26.600 --> 0:01:30.840
<v Speaker 1>this brother right here been in the studio countless fucking

0:01:30.959 --> 0:01:35.679
<v Speaker 1>days putting major working and we just never made nothing happen.

0:01:36.000 --> 0:01:39.319
<v Speaker 2>Many like they violated me in baseline.

0:01:39.319 --> 0:01:43.600
<v Speaker 1>One night, man Beanie Beans, I had a thirty clip

0:01:43.680 --> 0:01:44.440
<v Speaker 1>of beats.

0:01:45.080 --> 0:01:48.680
<v Speaker 3>Beans was just like next one, next.

0:01:48.400 --> 0:01:51.680
<v Speaker 1>One, yo, you that's what he was on his That

0:01:51.760 --> 0:01:54.640
<v Speaker 1>was mac Mitons. That wasn't Beanie Siegel. There he was

0:01:54.720 --> 0:01:59.840
<v Speaker 1>mac Minton's there skipping the mad beatsy. I'm like, you

0:01:59.840 --> 0:02:03.120
<v Speaker 1>can one joint and let nothing play, just going to

0:02:03.160 --> 0:02:04.040
<v Speaker 1>the next just.

0:02:04.000 --> 0:02:09.200
<v Speaker 4>Before or after ether before oh before.

0:02:09.000 --> 0:02:11.600
<v Speaker 1>Yeah, after eating he still was coming through. We still

0:02:11.680 --> 0:02:16.520
<v Speaker 1>was showing him, I know, but he never you know what, No, no,

0:02:16.560 --> 0:02:19.160
<v Speaker 1>he just made he just made the beat. But then

0:02:19.200 --> 0:02:22.800
<v Speaker 1>he was running around Eat the Boy.

0:02:23.840 --> 0:02:27.200
<v Speaker 2>People don't know that was me saying that was just

0:02:27.280 --> 0:02:29.359
<v Speaker 2>you know, growing up in Harlem, I never thought, I,

0:02:29.560 --> 0:02:32.720
<v Speaker 2>you know, make it right beat for nodes. So when

0:02:32.720 --> 0:02:35.000
<v Speaker 2>that happened, you know my dudes in the hood that

0:02:35.120 --> 0:02:36.720
<v Speaker 2>the name actually came from my man.

0:02:36.800 --> 0:02:38.600
<v Speaker 1>He said, Yo, if you have a kid, you're gonna

0:02:38.600 --> 0:02:39.519
<v Speaker 1>have a little eat the boy.

0:02:39.600 --> 0:02:41.560
<v Speaker 2>So that's when I just kind of threw it at

0:02:41.560 --> 0:02:46.959
<v Speaker 2>a dope ring bid.

0:02:47.040 --> 0:02:55.160
<v Speaker 1>God bless. But you know your head boys take him

0:02:55.160 --> 0:02:58.200
<v Speaker 1>back to the beginning to see I because me, I

0:02:58.240 --> 0:03:01.560
<v Speaker 1>know I for one day out the year East Sister,

0:03:02.080 --> 0:03:05.399
<v Speaker 1>we get flat. We go by the Himalaya smoke mad.

0:03:05.520 --> 0:03:08.480
<v Speaker 1>We they here come to Coneyllity. Niggas want to fight

0:03:09.280 --> 0:03:13.160
<v Speaker 1>since back to the train station shootouts and shit. So

0:03:13.680 --> 0:03:16.400
<v Speaker 1>I want to hear from your perspective back then, what

0:03:16.600 --> 0:03:18.040
<v Speaker 1>was it like coming to Cone Island.

0:03:18.080 --> 0:03:23.080
<v Speaker 4>I'm from kyam my whole life and that literally is

0:03:23.720 --> 0:03:26.040
<v Speaker 4>like what we took pride on is when everybody came

0:03:26.160 --> 0:03:28.880
<v Speaker 4>during the summer and tried to have a good time.

0:03:29.160 --> 0:03:34.119
<v Speaker 4>We never let the outsiders past Stillwell Avenue because from

0:03:34.120 --> 0:03:36.560
<v Speaker 4>a O g My Man Dell song he started he

0:03:36.640 --> 0:03:39.080
<v Speaker 4>was he had Don Devon magazine.

0:03:39.600 --> 0:03:42.640
<v Speaker 3>He's from Coyak. He was like yo, that started way

0:03:42.720 --> 0:03:44.360
<v Speaker 3>before you were.

0:03:44.880 --> 0:03:48.280
<v Speaker 1>It was major walls, Like yo, bro, no bullshit. Every

0:03:48.400 --> 0:03:51.840
<v Speaker 1>year be fifty deep Brooklyn niggas you get deep, we

0:03:52.000 --> 0:03:54.720
<v Speaker 1>or me Hoyt skimmer Horn niggas get deep. We go

0:03:54.800 --> 0:03:57.720
<v Speaker 1>there falling, chilling, Like you said, they have a good

0:03:57.760 --> 0:04:02.840
<v Speaker 1>time chilling. Didn't for the night over. It's like, yo,

0:04:03.040 --> 0:04:08.960
<v Speaker 1>he just happened on Easter. Everybody stuff like yo. It's

0:04:09.040 --> 0:04:11.240
<v Speaker 1>like yo, we just was chilling. Why we never get

0:04:11.280 --> 0:04:13.760
<v Speaker 1>But then when it was time to get Grammy in

0:04:13.800 --> 0:04:16.720
<v Speaker 1>the winter. We had called a coney allity nigga come

0:04:16.760 --> 0:04:18.919
<v Speaker 1>through for us, you know what I'm saying. So it

0:04:19.000 --> 0:04:22.600
<v Speaker 1>was weird, like for us, like I never hung out there,

0:04:22.640 --> 0:04:26.480
<v Speaker 1>but I have many many people's out there heard up

0:04:26.920 --> 0:04:29.600
<v Speaker 1>ship crazy man. So how did the link up with

0:04:29.760 --> 0:04:30.640
<v Speaker 1>y'all happen? Man?

0:04:32.040 --> 0:04:35.760
<v Speaker 3>He sent me a beat. I was like, yo, just

0:04:35.760 --> 0:04:37.159
<v Speaker 3>get on, you know I want it was.

0:04:37.279 --> 0:04:40.120
<v Speaker 4>He was rapping on it, and I was like, he

0:04:40.160 --> 0:04:42.240
<v Speaker 4>can fucking rap like we know him from the you know,

0:04:42.920 --> 0:04:43.799
<v Speaker 4>Pop Champagne.

0:04:44.480 --> 0:04:47.080
<v Speaker 3>It's rapping, but it ain't like rapping rapping, you know what.

0:04:47.040 --> 0:04:54.200
<v Speaker 4>I'm saying, Like like happy rapping man was giving.

0:04:56.000 --> 0:04:57.480
<v Speaker 3>So when he sent me the joint, he's.

0:04:57.440 --> 0:05:01.080
<v Speaker 4>Rapping, rapping like he's fucking like he's the fourth member

0:05:01.120 --> 0:05:01.640
<v Speaker 4>of the Locks.

0:05:01.800 --> 0:05:08.719
<v Speaker 1>You go from designer, it always was Pop Champagne was

0:05:08.960 --> 0:05:12.080
<v Speaker 1>the commercial version. It was that era too. Yeah, it

0:05:12.160 --> 0:05:14.159
<v Speaker 1>was that error man, like you did your thing, but

0:05:14.800 --> 0:05:17.520
<v Speaker 1>a rad money. Let's talk shit, y'all niggas just getting

0:05:17.560 --> 0:05:20.120
<v Speaker 1>too much money. Where niggas say, got a rad money?

0:05:20.400 --> 0:05:22.680
<v Speaker 1>What was the sample even saying? You know what? It

0:05:22.720 --> 0:05:24.240
<v Speaker 1>wasn't a simple you know what he said?

0:05:24.520 --> 0:05:25.800
<v Speaker 3>Tell him it was nothing.

0:05:28.400 --> 0:05:31.160
<v Speaker 2>It was no words, but just you know, being in

0:05:31.200 --> 0:05:34.440
<v Speaker 2>Harlem going in the e rap store listening to the music.

0:05:35.000 --> 0:05:37.000
<v Speaker 2>When I got auto to him, I was like, Yo,

0:05:37.080 --> 0:05:40.080
<v Speaker 2>this does sound like sounds like I'm speaking Arabic and

0:05:40.080 --> 0:05:40.920
<v Speaker 2>I just made the hook.

0:05:41.680 --> 0:05:44.080
<v Speaker 1>I tucked at pause because I ain't. I ain't think.

0:05:44.160 --> 0:05:46.200
<v Speaker 2>I thought people was gonna think I'm a little bugged out.

0:05:46.640 --> 0:05:48.880
<v Speaker 2>And then after pop champagne Buster called me like, yo,

0:05:48.880 --> 0:05:51.840
<v Speaker 2>I need I need something crazy and I sent him

0:05:51.880 --> 0:05:53.360
<v Speaker 2>that and he was like, Yo, that's my single.

0:05:53.400 --> 0:05:56.440
<v Speaker 1>I don't know what you're saying. I don't care.

0:05:56.440 --> 0:05:58.760
<v Speaker 2>I don't get fuck what you're saying, but that's my single.

0:05:59.400 --> 0:06:01.800
<v Speaker 2>And he had the whole marketing roll out for that

0:06:01.920 --> 0:06:05.400
<v Speaker 2>joint them ships went off. My g like they gave

0:06:05.440 --> 0:06:07.840
<v Speaker 2>you a bad rap man. You know the internet today, this.

0:06:07.920 --> 0:06:10.520
<v Speaker 1>Is what's fucked up about the Internet because they try

0:06:10.560 --> 0:06:13.800
<v Speaker 1>to put ship together and be like this is what

0:06:13.880 --> 0:06:16.920
<v Speaker 1>this happened for. Because think about it, that all those

0:06:16.960 --> 0:06:19.080
<v Speaker 1>songs was coming out. You wasn't the only one at

0:06:19.120 --> 0:06:23.560
<v Speaker 1>that time doing auto tune. The whole industry, bro it was.

0:06:23.600 --> 0:06:26.880
<v Speaker 1>It was bad, like the whole industry was auto toned.

0:06:26.880 --> 0:06:29.919
<v Speaker 1>So Jay made that for auto tune at that time,

0:06:30.040 --> 0:06:37.080
<v Speaker 1>for the era, not specific Yeah, they they made it

0:06:37.120 --> 0:06:40.200
<v Speaker 1>like he did it specifically for that was the cause

0:06:40.240 --> 0:06:44.400
<v Speaker 1>I was getting. I'm not gonna say it wasn't like

0:06:44.480 --> 0:06:49.200
<v Speaker 1>my nigga. I'm not gonna say it wasn't for You're

0:06:49.240 --> 0:06:51.520
<v Speaker 1>not gonna say it was for all of y'all. But

0:06:51.600 --> 0:06:55.520
<v Speaker 1>it's not singlearly to you because you wasn't like a

0:06:55.680 --> 0:06:58.080
<v Speaker 1>threat to the homie. For him to want to just

0:06:58.200 --> 0:07:00.720
<v Speaker 1>like stop your bag. It was just like he's got

0:07:00.760 --> 0:07:05.120
<v Speaker 1>my back, thought the back, don't you know why? While

0:07:05.200 --> 0:07:09.240
<v Speaker 1>because he felt like everybody, I believe niggas felt like

0:07:09.560 --> 0:07:13.120
<v Speaker 1>at that time anybody was just making records. Bro, you

0:07:13.200 --> 0:07:15.440
<v Speaker 1>had no talent. All you had to do was put

0:07:16.080 --> 0:07:19.400
<v Speaker 1>on head and even nearly somewhere pissed the fuck off

0:07:19.400 --> 0:07:22.120
<v Speaker 1>at your niggas. Then now the new rappers perfoor him

0:07:22.160 --> 0:07:25.880
<v Speaker 1>with the words them niggas is sick. They ready to

0:07:25.920 --> 0:07:28.520
<v Speaker 1>clip some Yeah, they was gonna. Uh.

0:07:29.160 --> 0:07:32.680
<v Speaker 2>When Jay dropped it flushed out to Flex and God

0:07:32.720 --> 0:07:35.880
<v Speaker 2>bless mister C was like, Yo, Rong, this.

0:07:35.800 --> 0:07:41.480
<v Speaker 1>Is for you. No fifty calls, Yo, Jay talk about

0:07:41.560 --> 0:07:45.200
<v Speaker 1>you right now with the radio him like Wow, this

0:07:45.320 --> 0:07:45.720
<v Speaker 1>is crazy.

0:07:45.800 --> 0:07:49.960
<v Speaker 2>So him like hearing fifty people calling and flex and

0:07:50.040 --> 0:07:53.760
<v Speaker 2>mister C. I was like, oh, maybe this was this shot.

0:07:55.280 --> 0:07:57.320
<v Speaker 1>And then I saw you know vonn as my man.

0:07:57.640 --> 0:08:03.360
<v Speaker 2>Yeah cool, Like Yo, that ain't like that wasn't for you, man.

0:08:03.360 --> 0:08:05.360
<v Speaker 2>I was like, oh man, that's what everybody.

0:08:05.480 --> 0:08:08.040
<v Speaker 1>That's for everybody though, So it is for you, but

0:08:08.120 --> 0:08:12.119
<v Speaker 1>it was for everybody. It's like it, but it wasn't

0:08:12.160 --> 0:08:19.560
<v Speaker 1>like you guys use a casualty of walk my god, man,

0:08:19.960 --> 0:08:24.120
<v Speaker 1>like Yo, New York, fucking nicks my g bing bong

0:08:24.400 --> 0:08:28.400
<v Speaker 1>all this flash ship out yo. Then the battle rap

0:08:28.480 --> 0:08:31.440
<v Speaker 1>scene first, let's start there, the battle rap scene, because

0:08:31.440 --> 0:08:33.640
<v Speaker 1>that's what got you know in the city. You know

0:08:33.640 --> 0:08:35.319
<v Speaker 1>what I mean. That's to watch you moving on the

0:08:35.640 --> 0:08:40.600
<v Speaker 1>U r L battle Rap Star fight Club that shoutouts

0:08:40.600 --> 0:08:44.360
<v Speaker 1>with you. I mean, because I respect the battle rap.

0:08:44.400 --> 0:08:48.240
<v Speaker 1>That's where it started from. We start, especially in New York.

0:08:48.280 --> 0:08:50.560
<v Speaker 1>I can't speak for any other city, but in New York,

0:08:50.800 --> 0:08:53.160
<v Speaker 1>when you first put that pin in the paper, it's

0:08:53.160 --> 0:08:59.000
<v Speaker 1>somebody next door to you, like you wo straight up,

0:08:59.040 --> 0:09:01.400
<v Speaker 1>so you grow up? What was that like for you

0:09:01.480 --> 0:09:02.000
<v Speaker 1>coming up?

0:09:02.400 --> 0:09:06.319
<v Speaker 4>I just knew that that was a way to get

0:09:06.360 --> 0:09:07.080
<v Speaker 4>my name known.

0:09:07.440 --> 0:09:08.000
<v Speaker 1>You know what I'm saying.

0:09:08.080 --> 0:09:10.319
<v Speaker 3>During that time, that's before the internet, you know what

0:09:10.320 --> 0:09:10.760
<v Speaker 3>I'm saying.

0:09:10.800 --> 0:09:14.040
<v Speaker 4>I was like in New York City, it was like

0:09:14.080 --> 0:09:16.520
<v Speaker 4>they would just have battles all the time, like not

0:09:16.559 --> 0:09:17.360
<v Speaker 4>even fight club.

0:09:17.400 --> 0:09:20.640
<v Speaker 3>It was just like, Yo, Wetlands battle tonight. You got

0:09:20.760 --> 0:09:24.960
<v Speaker 3>a battle fucking eight people tonight. And you know.

0:09:24.920 --> 0:09:25.480
<v Speaker 1>What I'm saying.

0:09:26.120 --> 0:09:28.200
<v Speaker 4>But when you do that, that's how you really got

0:09:28.240 --> 0:09:30.760
<v Speaker 4>your name known. So I would just take my songs

0:09:30.800 --> 0:09:32.040
<v Speaker 4>from versus that I was.

0:09:32.040 --> 0:09:34.000
<v Speaker 1>Doing and just use them.

0:09:34.240 --> 0:09:36.560
<v Speaker 4>But I always rhymed aggressively, you know what I'm saying,

0:09:36.840 --> 0:09:39.760
<v Speaker 4>So it was easy for me. And uh, and then

0:09:39.960 --> 0:09:48.520
<v Speaker 4>the fight club came. I beat one guy Halls.

0:09:45.920 --> 0:09:48.000
<v Speaker 3>And then I just kept going and winning.

0:09:48.040 --> 0:09:49.760
<v Speaker 4>I didn't know it was like gonna be a thing

0:09:49.880 --> 0:09:51.840
<v Speaker 4>like a league or a battle thing whatever. And I

0:09:51.920 --> 0:09:54.600
<v Speaker 4>just kept winning and I I had like twenty wins

0:09:54.640 --> 0:09:56.240
<v Speaker 4>and I was like, damn, what the fuck was this?

0:09:56.800 --> 0:10:00.560
<v Speaker 4>And it was just that's really the first no variety

0:10:00.559 --> 0:10:02.480
<v Speaker 4>that I had. That ship was the hottest ship in

0:10:02.520 --> 0:10:04.440
<v Speaker 4>the city or in the game at that time because

0:10:04.440 --> 0:10:07.800
<v Speaker 4>it was industry only. I was beating man rappers and

0:10:08.160 --> 0:10:09.120
<v Speaker 4>all types of ship.

0:10:09.120 --> 0:10:10.880
<v Speaker 3>You know what I'm saying. So that was good.

0:10:10.880 --> 0:10:13.640
<v Speaker 4>But right when I got that notoriety, I went, I

0:10:13.679 --> 0:10:14.520
<v Speaker 4>got locked up.

0:10:14.559 --> 0:10:16.680
<v Speaker 3>And then it came out on MTV and all of

0:10:16.679 --> 0:10:18.600
<v Speaker 3>that ship. But it was good, kept my buzz going.

0:10:18.720 --> 0:10:21.559
<v Speaker 1>But then you got that Knicks play my nigga. That's major.

0:10:21.679 --> 0:10:25.080
<v Speaker 3>That was all fucking luck. That was just the universe.

0:10:25.440 --> 0:10:30.160
<v Speaker 3>That's crazy in bed style. I was a garbage man

0:10:30.200 --> 0:10:30.720
<v Speaker 3>for like eight.

0:10:30.679 --> 0:10:34.000
<v Speaker 1>Years, and you should pay good. All my niggas who

0:10:34.120 --> 0:10:42.000
<v Speaker 1>come home from uptob with a felony, Yeah they pay good. Yeah, damn,

0:10:42.040 --> 0:10:47.440
<v Speaker 1>that's what's up man, Damn, that's dope. Fucking Where you

0:10:47.440 --> 0:10:48.480
<v Speaker 1>got the name m Greasy?

0:10:48.920 --> 0:10:56.520
<v Speaker 3>Hey yo, that's a crazy name. Who named you that?

0:10:59.000 --> 0:11:02.720
<v Speaker 1>You? You m gree my man leaky man from MARSI

0:11:04.280 --> 0:11:05.679
<v Speaker 1>name you Greasy cou.

0:11:05.920 --> 0:11:07.440
<v Speaker 5>You know, we was.

0:11:07.480 --> 0:11:10.600
<v Speaker 1>Watching What's the movie with my man Denzel with the

0:11:10.600 --> 0:11:13.080
<v Speaker 1>little kid man with the little girl. He protected her.

0:11:13.160 --> 0:11:17.600
<v Speaker 1>Oh yeah, in creasy is she? That's why he like greasy.

0:11:18.520 --> 0:11:20.559
<v Speaker 1>I'm saying, So I came from that, like you know

0:11:20.559 --> 0:11:22.839
<v Speaker 1>what I mean. He was putting in pain, you know

0:11:22.880 --> 0:11:26.880
<v Speaker 1>what I mean. That's why his name was leaky. Let

0:11:26.920 --> 0:11:33.120
<v Speaker 1>you go. You know you got a name from different ships.

0:11:33.160 --> 0:11:36.240
<v Speaker 1>You know how it is growing up. If your name

0:11:36.360 --> 0:11:39.240
<v Speaker 1>you was cupcake, your name was cupcakes.

0:11:39.320 --> 0:11:41.160
<v Speaker 4>Matter of fact, I was thinking about that because you're

0:11:41.160 --> 0:11:41.920
<v Speaker 4>my man's man.

0:11:41.960 --> 0:11:43.440
<v Speaker 3>I ain't never even ask you that. I'm gonna ask

0:11:43.480 --> 0:11:46.840
<v Speaker 3>you that on this podcast. How the fuck are your brows?

0:11:46.840 --> 0:11:47.680
<v Speaker 3>Because your brows?

0:11:47.840 --> 0:11:53.400
<v Speaker 1>Yeah, Yo, this is crazy. I noticed that.

0:11:53.880 --> 0:11:57.680
<v Speaker 2>Yeah at the time when it was when I started

0:11:57.679 --> 0:11:58.479
<v Speaker 2>making beats.

0:11:58.200 --> 0:12:00.000
<v Speaker 1>It was this is crazy.

0:12:00.280 --> 0:12:05.480
<v Speaker 2>I never noticed that you got mixed with something some duba.

0:12:09.600 --> 0:12:11.560
<v Speaker 2>There was a lot of producers I wanted to producer.

0:12:11.679 --> 0:12:12.160
<v Speaker 1>Name was Ron.

0:12:12.240 --> 0:12:15.640
<v Speaker 2>I was like to separate, like the the names from

0:12:15.760 --> 0:12:17.520
<v Speaker 2>that was just.

0:12:18.440 --> 0:12:24.400
<v Speaker 1>A pause. He was a hit man New Yorkers Fun

0:12:24.520 --> 0:12:28.600
<v Speaker 1>out they gets some pause. He was a hit rise

0:12:28.720 --> 0:12:32.959
<v Speaker 1>down pause. That mean he's a killer, Like he was

0:12:33.120 --> 0:12:34.280
<v Speaker 1>a hit man for Puff.

0:12:35.480 --> 0:12:49.720
<v Speaker 6>That's see why I say, yeah.

0:12:49.360 --> 0:12:51.640
<v Speaker 1>Let's talk about it. I got a project coming out

0:12:51.960 --> 0:12:55.319
<v Speaker 1>I Access. They go off camera, right, this is the

0:12:55.360 --> 0:12:59.439
<v Speaker 1>most double album name I ever heard in my life.

0:12:59.480 --> 0:13:01.760
<v Speaker 1>So I say the wrong, like, Yo, what's the name

0:13:01.800 --> 0:13:05.079
<v Speaker 1>of the album? Dropping nigga said, I fucking boom you.

0:13:05.240 --> 0:13:12.480
<v Speaker 1>So it's like, wow, I'm just fucking boom the nigga

0:13:12.559 --> 0:13:14.920
<v Speaker 1>said that. I'm like, Yo, that's kind of dope. Then

0:13:14.920 --> 0:13:18.440
<v Speaker 1>he said, Yo, it's a it's a double entendre for

0:13:18.800 --> 0:13:22.200
<v Speaker 1>boom Back. He didn't even know that. He didn't know that.

0:13:22.880 --> 0:13:28.679
<v Speaker 1>I'm gonna tell you what you in YouTube.

0:13:29.360 --> 0:13:32.319
<v Speaker 4>He just didn't understand it because we was we was

0:13:32.400 --> 0:13:34.600
<v Speaker 4>like halfway through the ship and I said, Yo, were

0:13:34.600 --> 0:13:37.040
<v Speaker 4>gonna name this album, I should fucking boom you.

0:13:37.160 --> 0:13:37.800
<v Speaker 3>Just like that.

0:13:37.800 --> 0:13:40.679
<v Speaker 4>That's a statement, you know what I'm saying, because one

0:13:40.679 --> 0:13:42.160
<v Speaker 4>of the skips he got in there is the dude

0:13:42.200 --> 0:13:44.640
<v Speaker 4>saying like, oh, you hit women, I should fucking boom

0:13:44.640 --> 0:13:48.280
<v Speaker 4>your stupid ass, and so I did.

0:13:48.360 --> 0:13:51.440
<v Speaker 3>He was just like he wasn't sure. Then when it

0:13:51.559 --> 0:13:52.679
<v Speaker 3>was like staple, he was.

0:13:52.640 --> 0:13:56.280
<v Speaker 4>Like, oh, you meant like like because we're using drums

0:13:56.280 --> 0:13:56.920
<v Speaker 4>like boom Back.

0:13:57.000 --> 0:13:58.280
<v Speaker 3>I was like, yeah, that true.

0:13:58.440 --> 0:14:00.200
<v Speaker 4>But also when you hear it, it's gonna make you

0:14:00.200 --> 0:14:02.440
<v Speaker 4>want to boom something, right, So we bring in the

0:14:02.480 --> 0:14:06.000
<v Speaker 4>boom you know motherfuckers right now on that beats without

0:14:06.080 --> 0:14:07.480
<v Speaker 4>drums and just samples.

0:14:07.520 --> 0:14:08.400
<v Speaker 1>Not do that.

0:14:08.440 --> 0:14:11.000
<v Speaker 3>He do the whole body ship smacking your face. So

0:14:11.040 --> 0:14:12.960
<v Speaker 3>it's like both ways, it's gonna make.

0:14:12.800 --> 0:14:13.720
<v Speaker 1>You want to boom something.

0:14:13.720 --> 0:14:16.000
<v Speaker 3>But we're bringing that boom back to hip hop.

0:14:16.760 --> 0:14:21.160
<v Speaker 1>Yo, rawn is my man right. But when it was drama,

0:14:21.320 --> 0:14:25.400
<v Speaker 1>he fuelled all in the meetings. It was drama with

0:14:25.520 --> 0:14:31.040
<v Speaker 1>dim say Higo ju a Jim Joe's ship, pain did

0:14:31.160 --> 0:14:35.080
<v Speaker 1>jewels what it was like the knives, It was like fair.

0:14:35.200 --> 0:14:38.400
<v Speaker 1>But you in baseline, why we wait why he was

0:14:38.440 --> 0:14:41.680
<v Speaker 1>giving them them, yass? That's why beans, I think was

0:14:41.680 --> 0:14:46.760
<v Speaker 1>going next. You didn't give us the drama packs given us.

0:14:47.000 --> 0:14:47.960
<v Speaker 1>It's cool, pat.

0:14:48.120 --> 0:14:50.720
<v Speaker 2>Now the origin is I gave it to hip hop

0:14:50.920 --> 0:14:51.320
<v Speaker 2>hip hop.

0:14:51.400 --> 0:14:56.880
<v Speaker 1>Never the ether be hip hop, hipp super A and

0:14:57.040 --> 0:14:59.520
<v Speaker 1>r Hit didn't pick ether beat.

0:14:59.640 --> 0:15:02.560
<v Speaker 3>I gave to him on a sheet. They brung it

0:15:02.640 --> 0:15:03.160
<v Speaker 3>to the block.

0:15:03.240 --> 0:15:05.240
<v Speaker 1>Don't worry, hip hop will be on this couch.

0:15:05.360 --> 0:15:09.440
<v Speaker 3>Yes, I said, Yo, get his is the hole?

0:15:10.440 --> 0:15:13.400
<v Speaker 1>I think he said, yeah. It just never made it

0:15:13.400 --> 0:15:16.640
<v Speaker 1>to baseline, no way. Not probably did they probably did.

0:15:17.040 --> 0:15:19.560
<v Speaker 1>I ain't gonna one thing about all the A and

0:15:19.640 --> 0:15:23.040
<v Speaker 1>rs from Rockefeller, them CDs used to make it there.

0:15:23.440 --> 0:15:25.600
<v Speaker 1>Now it was on niggas to be in that studio

0:15:25.680 --> 0:15:29.920
<v Speaker 1>to grab that, tell guru or somebody to push play

0:15:30.200 --> 0:15:33.760
<v Speaker 1>or take that, make the cuts with it. Yn't keep

0:15:33.800 --> 0:15:35.560
<v Speaker 1>it a real though, Like that eat to beat.

0:15:35.720 --> 0:15:39.520
<v Speaker 4>If you're looking for classic Ron Brown's production, that's not it.

0:15:40.200 --> 0:15:42.680
<v Speaker 3>You know what I'm saying, that's that's not the ebonic

0:15:42.800 --> 0:15:43.240
<v Speaker 3>the boom.

0:15:44.680 --> 0:15:50.040
<v Speaker 1>Don't really have they got like now to be like that.

0:15:50.640 --> 0:15:53.680
<v Speaker 1>It's about to have mad queens. It's hard. It's hard,

0:15:54.320 --> 0:16:19.320
<v Speaker 1>I guess, like the slow flow. Yeah, yeah, how your

0:16:19.400 --> 0:16:23.000
<v Speaker 1>niggas is partners in the studio making the album our

0:16:23.120 --> 0:16:26.280
<v Speaker 1>boom niggas making heat. But then you drop the book

0:16:26.360 --> 0:16:28.640
<v Speaker 1>and he didn't even know, you know, just dropping Man,

0:16:29.800 --> 0:16:36.400
<v Speaker 1>It's like you finished beating all What about the evens?

0:16:39.000 --> 0:16:43.400
<v Speaker 1>That's what I'm about to say, because even so I

0:16:43.440 --> 0:16:46.480
<v Speaker 1>don't know about all the odds. Rather some odds dunking me.

0:16:46.680 --> 0:16:50.520
<v Speaker 2>Yeah, the book is about me being around, you know,

0:16:50.600 --> 0:16:53.160
<v Speaker 2>a bunch of hustlers from uptown and fuel and the

0:16:53.320 --> 0:16:55.000
<v Speaker 2>energy to making beats.

0:16:55.040 --> 0:16:59.840
<v Speaker 1>So shout Kevin, shout to Jewel brother.

0:17:00.760 --> 0:17:02.280
<v Speaker 3>This is beat the odds.

0:17:02.360 --> 0:17:04.200
<v Speaker 2>It's a crazy story from me from a kid.

0:17:04.320 --> 0:17:06.400
<v Speaker 3>What's crazy is with this guy?

0:17:06.480 --> 0:17:08.960
<v Speaker 4>For probably the last six months during this album, Not

0:17:09.119 --> 0:17:14.080
<v Speaker 4>only have I never seen this book, he never once

0:17:14.280 --> 0:17:18.600
<v Speaker 4>spoke about it. He never said, no, I'm doing a book, yo' yo.

0:17:19.119 --> 0:17:21.400
<v Speaker 4>It even came up in conversations. This is the first

0:17:21.480 --> 0:17:23.399
<v Speaker 4>time I've seen this on this I said, Yo, blieve

0:17:23.440 --> 0:17:24.359
<v Speaker 4>you got a book and.

0:17:24.440 --> 0:17:29.919
<v Speaker 1>He's like, yo, so he's not in the book. Now

0:17:30.040 --> 0:17:36.120
<v Speaker 1>this is I did this interview. It just dropped. Yeah,

0:17:36.160 --> 0:17:40.840
<v Speaker 1>you're in part two. Man beat the odds, Beat the evens.

0:17:44.880 --> 0:17:48.760
<v Speaker 1>Amazon though, that's dope, man. Any features on the project

0:17:48.920 --> 0:17:51.200
<v Speaker 1>or just y'all to going straight thugging it out.

0:17:51.320 --> 0:17:54.320
<v Speaker 4>At first, we ain't put no features, nothing, And then

0:17:54.359 --> 0:17:58.520
<v Speaker 4>when we gave it in the album, the lady was like, Yo, you.

0:17:58.520 --> 0:18:00.800
<v Speaker 3>Got any features. You guys want any features? It was like,

0:18:01.600 --> 0:18:02.760
<v Speaker 3>you know what, man, we can send it.

0:18:02.840 --> 0:18:04.960
<v Speaker 4>I said, I said, it's a little fame for m

0:18:05.000 --> 0:18:09.600
<v Speaker 4>O B gave dog. You know it's Hall them on

0:18:09.720 --> 0:18:11.879
<v Speaker 4>production in Hall and we kept in real Brooklyn.

0:18:12.119 --> 0:18:17.240
<v Speaker 1>That's right, And that was in was in. I't even

0:18:17.280 --> 0:18:17.520
<v Speaker 1>see it.

0:18:17.600 --> 0:18:20.119
<v Speaker 3>I want you to get hold come out on Friday.

0:18:20.160 --> 0:18:21.040
<v Speaker 1>I gotta get a Hall ofm.

0:18:21.760 --> 0:18:22.479
<v Speaker 3>I gotta get a Hall.

0:18:23.920 --> 0:18:25.480
<v Speaker 1>I gotta figure it out by Friday.

0:18:25.560 --> 0:18:26.920
<v Speaker 3>Comes on the fucking three days.

0:18:27.320 --> 0:18:31.000
<v Speaker 1>Yo. Chill the newest nigga from Harlem Chicken right now

0:18:31.400 --> 0:18:37.160
<v Speaker 1>with this that kid Fergie, you know my dog shout

0:18:37.320 --> 0:18:40.680
<v Speaker 1>to that have to remix remixed. Nice day to be

0:18:40.800 --> 0:18:42.879
<v Speaker 1>in Brooklyn, Yo. And one thing, I ain't gonna lie.

0:18:42.880 --> 0:18:47.000
<v Speaker 1>You shot on my dog, Pap, Pap. Don't never ever

0:18:47.440 --> 0:18:50.520
<v Speaker 1>not have a verse like you said, Pap a record

0:18:50.600 --> 0:18:53.720
<v Speaker 1>nigga like that ship right back, yo, Like nigga was

0:18:53.800 --> 0:18:56.160
<v Speaker 1>righting around her to be before I got it, like yo,

0:18:56.720 --> 0:18:59.040
<v Speaker 1>Like how you did the record so quick? Yo?

0:18:59.160 --> 0:19:02.439
<v Speaker 2>I was on some jam with Pat one year and uh,

0:19:03.760 --> 0:19:05.280
<v Speaker 2>he was saying it was the year they said he

0:19:05.320 --> 0:19:08.119
<v Speaker 2>took the mic and performed. He did sway the next

0:19:08.200 --> 0:19:10.520
<v Speaker 2>day and had a whole verse about him taking the mic,

0:19:10.640 --> 0:19:12.800
<v Speaker 2>pause and h.

0:19:14.920 --> 0:19:21.399
<v Speaker 1>The nigga performed alphabitch backwards. I don't even know the

0:19:21.480 --> 0:19:27.720
<v Speaker 1>alphabets backwards, like the rapid backwards. I can't even say

0:19:27.800 --> 0:19:31.360
<v Speaker 1>it backwards that Like you're kidding me. Let's go back

0:19:31.400 --> 0:19:33.920
<v Speaker 1>a little bit to the beginning. Wrong. How was you

0:19:34.040 --> 0:19:37.280
<v Speaker 1>know being a producer from New York, especially in that

0:19:37.440 --> 0:19:42.000
<v Speaker 1>time early two thousands, everybody in their mama was producing.

0:19:42.119 --> 0:19:44.920
<v Speaker 1>You had a lot of competition. Neptunes was moving. You

0:19:45.080 --> 0:19:48.359
<v Speaker 1>had just Blade just coming up. Kanye West. You know

0:19:48.440 --> 0:19:50.560
<v Speaker 1>what I mean. You had baked the monster. You had

0:19:50.680 --> 0:19:54.320
<v Speaker 1>fucking rock Wilder, you know what I mean, Swiss and

0:19:54.440 --> 0:19:57.119
<v Speaker 1>then here come you. How how how tough was it

0:19:57.240 --> 0:19:58.920
<v Speaker 1>to get placements for you back in there?

0:19:59.480 --> 0:20:01.639
<v Speaker 2>It was crazy because you have a lot of artists

0:20:01.640 --> 0:20:03.480
<v Speaker 2>to be in the studio and they have a bunch

0:20:03.520 --> 0:20:07.160
<v Speaker 2>of producers sitting in the lobby. Like next you're playing joint.

0:20:07.200 --> 0:20:10.440
<v Speaker 2>So at that time, your beats had to be like knocking.

0:20:12.119 --> 0:20:13.320
<v Speaker 2>It was like strings.

0:20:13.480 --> 0:20:16.359
<v Speaker 3>It was string based and aggressive beats.

0:20:16.400 --> 0:20:19.639
<v Speaker 1>So I was just able to actually listen to.

0:20:19.760 --> 0:20:22.240
<v Speaker 2>All of them guys, so and learn from all of

0:20:22.280 --> 0:20:24.040
<v Speaker 2>them and kind of made up my own staff.

0:20:23.960 --> 0:20:25.520
<v Speaker 3>For any producers.

0:20:26.280 --> 0:20:33.800
<v Speaker 1>Nah, let's go jump them as a new artist, right.

0:20:33.880 --> 0:20:36.000
<v Speaker 1>I wanted to just get used some games. See, like

0:20:36.920 --> 0:20:41.280
<v Speaker 1>with producers, do you usually get your beats? Do they

0:20:41.359 --> 0:20:44.239
<v Speaker 1>usually send them email to you or like? Or they

0:20:44.359 --> 0:20:52.920
<v Speaker 1>like through their whole stash like yo yo, play the

0:20:52.960 --> 0:20:57.680
<v Speaker 1>whole play play the whole foul. I'm mad picky with beats.

0:20:58.200 --> 0:21:01.200
<v Speaker 4>So, and when producers to send you ship, they're gonna

0:21:01.200 --> 0:21:02.919
<v Speaker 4>send you ship that they think you said good.

0:21:02.960 --> 0:21:05.200
<v Speaker 3>I always tell producers, send me what you think I

0:21:05.320 --> 0:21:05.760
<v Speaker 3>won't like.

0:21:06.200 --> 0:21:09.920
<v Speaker 1>You know what I'm saying exactly. That's a fact that

0:21:10.000 --> 0:21:16.880
<v Speaker 1>a producer like, is ninety trash. I'm telling you, if

0:21:16.920 --> 0:21:20.639
<v Speaker 1>the producer whole you hype, I got it, it's not it. Yo.

0:21:20.760 --> 0:21:23.359
<v Speaker 1>He sent me some ship. Yeah, Yo, I'm gonna listening

0:21:23.440 --> 0:21:25.080
<v Speaker 1>to to this one jot.

0:21:25.800 --> 0:21:30.280
<v Speaker 4>It was ridiculous, hard hard, right, and I just you know,

0:21:30.359 --> 0:21:33.560
<v Speaker 4>I was just like whatever. I finally was like, Yo,

0:21:33.640 --> 0:21:35.240
<v Speaker 4>send me this beat. Let's try to do this before

0:21:35.280 --> 0:21:37.240
<v Speaker 4>the album coming. He sent me, sends me the ship.

0:21:37.760 --> 0:21:39.240
<v Speaker 4>I don't know what the fuck he did to it,

0:21:39.640 --> 0:21:42.560
<v Speaker 4>but it was totally changed the right. I said, Yo, homie,

0:21:42.680 --> 0:21:43.720
<v Speaker 4>what the fuck is this?

0:21:44.000 --> 0:21:45.120
<v Speaker 1>Bro? Matter of fact?

0:21:45.200 --> 0:21:49.040
<v Speaker 4>I got a voice note matter yo, ass because this

0:21:49.080 --> 0:21:51.560
<v Speaker 4>is unmuch friend, because I'm talking nobody like this.

0:21:51.920 --> 0:21:52.760
<v Speaker 3>That's not my friend.

0:21:53.200 --> 0:21:55.879
<v Speaker 1>You know, this is crazy. I'm gonna put it right

0:21:55.960 --> 0:21:57.400
<v Speaker 1>on them, like, look.

0:21:59.359 --> 0:22:07.960
<v Speaker 3>What did you do beat? Whatever beat.

0:22:13.520 --> 0:22:14.000
<v Speaker 1>You ruined?

0:22:14.040 --> 0:22:20.720
<v Speaker 7>It took last three hours trying to fix it to

0:22:20.880 --> 0:22:24.240
<v Speaker 7>my type of send it to me, bridging the way

0:22:24.280 --> 0:22:24.600
<v Speaker 7>it was.

0:22:26.480 --> 0:22:28.679
<v Speaker 3>You just made a fire beat trash.

0:22:32.240 --> 0:22:36.840
<v Speaker 1>You just made a fire beats. That's so crazy, cause

0:22:36.880 --> 0:22:40.080
<v Speaker 1>produces and be like that around here. G from just

0:22:40.560 --> 0:22:42.600
<v Speaker 1>walking into your just what's this He's like, No, this

0:22:42.720 --> 0:22:46.240
<v Speaker 1>is bullshit. I'm working nigga play that beat. Let me

0:22:46.320 --> 0:22:48.200
<v Speaker 1>get that, Let me get.

0:22:48.160 --> 0:22:48.760
<v Speaker 3>That, yo.

0:22:48.840 --> 0:22:50.040
<v Speaker 1>I'm asked by Moss you all.

0:22:50.000 --> 0:22:53.600
<v Speaker 3>The time, how the fun did you get that fucking whatever?

0:22:53.680 --> 0:22:55.680
<v Speaker 1>That was the caddy? What in the ball court?

0:22:55.840 --> 0:22:57.960
<v Speaker 3>I'll be looking. I'll be like, yo, how did there's

0:22:58.000 --> 0:22:59.720
<v Speaker 3>no entrance to this ball court where.

0:22:59.560 --> 0:23:01.640
<v Speaker 1>You can fit car? And no, that wasn't It wasn't

0:23:01.680 --> 0:23:04.280
<v Speaker 1>the basketball court. We had it in pause. It was

0:23:04.400 --> 0:23:06.560
<v Speaker 1>in front of my building. It was in front of

0:23:06.640 --> 0:23:09.960
<v Speaker 1>my building. It's like the corridors because Marcy got like

0:23:10.040 --> 0:23:16.360
<v Speaker 1>a driveway where the change, yeah, drive exactly fied apartment

0:23:16.720 --> 0:23:18.600
<v Speaker 1>that she could get through. So I had the car

0:23:18.760 --> 0:23:20.880
<v Speaker 1>right there in front of the buildings. So the way

0:23:20.920 --> 0:23:23.240
<v Speaker 1>we shot it, you see the playground in the back,

0:23:23.359 --> 0:23:26.240
<v Speaker 1>but it wasn't actually in the park. But yeah, rest

0:23:26.280 --> 0:23:28.479
<v Speaker 1>in peace my dog. Ralph. Man he the one did

0:23:28.560 --> 0:23:31.760
<v Speaker 1>that for me. Man. I remember calling that nigga like, Yo,

0:23:31.840 --> 0:23:34.200
<v Speaker 1>I need a v for the for the video. He

0:23:34.359 --> 0:23:37.240
<v Speaker 1>was like, yo, bleak, I just did this motherfucking caddy

0:23:37.640 --> 0:23:41.879
<v Speaker 1>with the Lamborghini doors. Nobody saw this yet. You're gonna

0:23:42.000 --> 0:23:45.240
<v Speaker 1>crush him. I said, bring it, send me a picture.

0:23:45.280 --> 0:23:49.120
<v Speaker 1>I went and bought the Dodgers like we up. It's

0:23:49.240 --> 0:23:51.800
<v Speaker 1>up words. So yeah, that's my name.

0:23:51.880 --> 0:23:53.880
<v Speaker 3>You don't hear the little kids named Ralph anymore.

0:23:57.080 --> 0:24:02.120
<v Speaker 1>It's like little girl, Yo. Somebody said I seen them.

0:24:02.320 --> 0:24:04.880
<v Speaker 1>Somebody saying, yo, why you never meet a baby key Sha?

0:24:05.119 --> 0:24:09.000
<v Speaker 1>You only beat t shit when she grown? He be like, yeah,

0:24:09.240 --> 0:24:12.360
<v Speaker 1>what's the baby nigg this is Keisha. You only beat

0:24:12.400 --> 0:24:15.440
<v Speaker 1>t shints and adult. You're like, yo, that's kind of true.

0:24:15.880 --> 0:24:19.560
<v Speaker 1>Ralph or Ralph's mechanics. Yo, he was a code niggas

0:24:20.320 --> 0:24:24.520
<v Speaker 1>carr nigga mans. Ralph got rims. But yo, like one

0:24:24.600 --> 0:24:26.399
<v Speaker 1>thing I fucked with you with them is like you

0:24:26.560 --> 0:24:31.320
<v Speaker 1>brung back in this era cutting niggas up facts yo, Yo,

0:24:31.480 --> 0:24:34.200
<v Speaker 1>you fucking talking to me like that. The fucking skitto's

0:24:34.480 --> 0:24:36.840
<v Speaker 1>you got them slippers off. You just cut the camera

0:24:36.960 --> 0:24:38.800
<v Speaker 1>man up just coming out here. My dog. I ain't

0:24:38.800 --> 0:24:41.000
<v Speaker 1>gonna say his name. So niggas be like, yeah, you

0:24:41.119 --> 0:24:44.879
<v Speaker 1>be getting cut up and dusty. But just know the

0:24:45.000 --> 0:24:48.680
<v Speaker 1>cameraman got chopped sue here today because he got on

0:24:48.920 --> 0:24:51.440
<v Speaker 1>crops that he said he do construction.

0:24:54.359 --> 0:24:58.920
<v Speaker 4>He did, yo, But that came because before I had

0:24:59.600 --> 0:25:01.919
<v Speaker 4>the with Goliath and Rosenberg.

0:25:02.760 --> 0:25:06.200
<v Speaker 3>I was like on the block and my album.

0:25:06.080 --> 0:25:08.040
<v Speaker 4>Was coming out like in the in the week, and

0:25:08.160 --> 0:25:09.680
<v Speaker 4>I was like, damn, I don't got no you know,

0:25:09.720 --> 0:25:11.560
<v Speaker 4>I don't got no budget and I don't got nothing

0:25:11.720 --> 0:25:12.080
<v Speaker 4>Like how the.

0:25:12.119 --> 0:25:14.320
<v Speaker 3>Fun how much let people know this album was?

0:25:14.320 --> 0:25:16.320
<v Speaker 4>I was just like I got it, like I got

0:25:16.359 --> 0:25:18.240
<v Speaker 4>the world in my palm right here now, Like I

0:25:18.280 --> 0:25:21.200
<v Speaker 4>don't know what the fuck I just put don't disrespect

0:25:21.240 --> 0:25:23.440
<v Speaker 4>my album looking like a Mario Bergen, Yo, come.

0:25:23.359 --> 0:25:26.200
<v Speaker 3>In, I'm gonn disrespect. I kept doing it every day

0:25:26.280 --> 0:25:27.359
<v Speaker 3>until the album was coming out.

0:25:27.400 --> 0:25:30.159
<v Speaker 4>By the time the album was coming out, people was like,

0:25:30.560 --> 0:25:32.000
<v Speaker 4>we kind of don't want your album to come out.

0:25:32.080 --> 0:25:33.600
<v Speaker 1>They want you to keep hating these videos.

0:25:34.520 --> 0:25:35.920
<v Speaker 3>And I was like, yo, I got signed here and

0:25:36.000 --> 0:25:36.320
<v Speaker 3>I just.

0:25:36.400 --> 0:25:38.479
<v Speaker 1>Kept on with it. Nah man. Then that ship let

0:25:38.560 --> 0:25:42.160
<v Speaker 1>into now y'all doing the XIM station, got that disrespect radio?

0:25:42.280 --> 0:25:45.240
<v Speaker 1>Congrats on that. That's dope, man. What's that like?

0:25:45.400 --> 0:25:45.680
<v Speaker 3>Whatever?

0:25:45.720 --> 0:25:50.320
<v Speaker 1>Average friend come up there? You ain't tell him about

0:25:50.359 --> 0:25:53.320
<v Speaker 1>the Yeah, I had to get him back. How he

0:25:53.520 --> 0:25:55.560
<v Speaker 1>was going to interview you? If you were just gonna

0:25:55.600 --> 0:25:57.479
<v Speaker 1>talk about this ship, ya talk about how to get

0:25:57.520 --> 0:25:57.840
<v Speaker 1>him back?

0:25:57.920 --> 0:25:58.080
<v Speaker 2>Man?

0:25:59.600 --> 0:26:02.760
<v Speaker 1>Fact well yo, but yeah, definitely man. So how what's

0:26:02.800 --> 0:26:05.320
<v Speaker 1>that like working up there? Man? That shit is man fun,

0:26:05.480 --> 0:26:06.080
<v Speaker 1>man easy.

0:26:06.200 --> 0:26:07.239
<v Speaker 3>I love Yo.

0:26:07.280 --> 0:26:09.640
<v Speaker 4>You gotta understand I've been I've been like since battling,

0:26:09.680 --> 0:26:11.000
<v Speaker 4>since the early two thousands.

0:26:11.080 --> 0:26:12.800
<v Speaker 3>I was trying to get on from man long you

0:26:12.840 --> 0:26:14.240
<v Speaker 3>know what I'm saying, and and.

0:26:14.280 --> 0:26:17.399
<v Speaker 1>It just started happening. So I'm really like this.

0:26:17.880 --> 0:26:19.320
<v Speaker 3>I'm like a kid in the candy store.

0:26:19.359 --> 0:26:20.160
<v Speaker 1>Man. I love this ship.

0:26:20.240 --> 0:26:21.680
<v Speaker 3>Man, this ship is a dream come true.

0:26:21.800 --> 0:26:24.360
<v Speaker 1>But from one artist to another artist, do me one

0:26:24.480 --> 0:26:28.000
<v Speaker 1>favor of being inside the radio. Learn the cheat code, man,

0:26:28.440 --> 0:26:30.640
<v Speaker 1>figure out why they ain't playing that ship as much

0:26:30.760 --> 0:26:32.800
<v Speaker 1>they need to be playing. I play whatever I want

0:26:32.840 --> 0:26:35.160
<v Speaker 1>on my ships, right, No, we gotta find out why

0:26:35.280 --> 0:26:38.520
<v Speaker 1>the system. We gotta put a cheat code in it,

0:26:38.680 --> 0:26:43.680
<v Speaker 1>up up, down with start with the cheat cod in

0:26:43.760 --> 0:26:47.560
<v Speaker 1>the system. So it worked for us, You know, I agree,

0:26:47.960 --> 0:26:51.119
<v Speaker 1>because ship, they don't be fucking with us. Certain records

0:26:51.160 --> 0:26:54.440
<v Speaker 1>you hear even be like how what who he knows?

0:26:55.000 --> 0:26:55.840
<v Speaker 1>Facts know?

0:26:56.680 --> 0:26:58.760
<v Speaker 4>And being in the game, you see certain people like that,

0:26:59.080 --> 0:27:05.359
<v Speaker 4>like your father must be a fucking publicist, manager, fucking agent.

0:27:05.920 --> 0:27:07.520
<v Speaker 1>How the fuck you getting all these looks? You just

0:27:07.600 --> 0:27:08.600
<v Speaker 1>got in the know?

0:27:08.720 --> 0:27:11.359
<v Speaker 3>You how the oh you know? El this, this guy's son, this,

0:27:11.560 --> 0:27:13.480
<v Speaker 3>this guy's fucking you know what I'm saying.

0:27:13.720 --> 0:27:15.280
<v Speaker 1>One thing I'm gonna tell you, all right, a lot

0:27:15.359 --> 0:27:17.320
<v Speaker 1>of people, a lot of artists like you know you

0:27:17.560 --> 0:27:19.560
<v Speaker 1>you can you can agree to this. A lot of

0:27:19.680 --> 0:27:21.680
<v Speaker 1>artists look for that coach sign, Yo, I need to

0:27:21.720 --> 0:27:23.720
<v Speaker 1>be damn with such and such a be damn Now.

0:27:23.760 --> 0:27:25.359
<v Speaker 1>I'm gonna tell you, it's a gift in the curse

0:27:25.400 --> 0:27:27.639
<v Speaker 1>to this ship. I live my whole life, It's a

0:27:27.720 --> 0:27:30.320
<v Speaker 1>gift in the curse. You lick right. I ain't drop

0:27:30.359 --> 0:27:33.200
<v Speaker 1>an album in fifteen years. I still walk out something

0:27:33.280 --> 0:27:36.000
<v Speaker 1>lick whow because the big homie is on fire. So

0:27:36.080 --> 0:27:38.200
<v Speaker 1>they like, that's this bro. He gotta be on fire,

0:27:39.720 --> 0:27:44.119
<v Speaker 1>right fire. So that's cool. But the curse of that

0:27:44.280 --> 0:27:48.760
<v Speaker 1>ship be that with the radio, with promoters with this

0:27:49.000 --> 0:27:52.400
<v Speaker 1>because Jay is who he is, say like where he did,

0:27:53.080 --> 0:27:55.080
<v Speaker 1>this has always been the ling ship to be right,

0:27:55.200 --> 0:27:57.760
<v Speaker 1>looking at this nigga like you a basting yo, how

0:27:57.800 --> 0:28:03.240
<v Speaker 1>you do that? When he did ninety nine problems, He's saying, radio,

0:28:03.359 --> 0:28:05.520
<v Speaker 1>don't play my hits. If I don't play, they show

0:28:05.840 --> 0:28:07.720
<v Speaker 1>I don't give a ship. So I'm looking at that

0:28:07.840 --> 0:28:12.640
<v Speaker 1>nigga like No, that's not what they do. They don't

0:28:12.760 --> 0:28:16.360
<v Speaker 1>play bleak hits. You were supposed to say, radio don't

0:28:16.440 --> 0:28:23.879
<v Speaker 1>play bleak hits. I don't give a shit because that's

0:28:24.000 --> 0:28:27.919
<v Speaker 1>what's happening to me. You say no, they like fifty

0:28:28.040 --> 0:28:32.880
<v Speaker 1>less spins on mind, Yo, take that ship up the mixed, yo,

0:28:33.800 --> 0:28:37.240
<v Speaker 1>like your whole career, That's what I'm saying. So being freed,

0:28:37.440 --> 0:28:40.000
<v Speaker 1>like not free, like you free to be out here

0:28:40.080 --> 0:28:43.360
<v Speaker 1>roaming around, but like not having that pressure. You get

0:28:43.440 --> 0:28:46.640
<v Speaker 1>to experience certain things that I never got to in

0:28:46.720 --> 0:28:48.560
<v Speaker 1>this game. And that's why I want you to take

0:28:49.040 --> 0:28:51.440
<v Speaker 1>full advantage of that little yo.

0:28:51.600 --> 0:28:55.680
<v Speaker 4>Fucking the other day, fucking Dave Chappelle came up and

0:28:55.840 --> 0:28:57.520
<v Speaker 4>was like, Yo, I love your video.

0:28:57.560 --> 0:28:59.520
<v Speaker 3>I watch this shit all the time. You are hilarious.

0:28:59.680 --> 0:29:00.640
<v Speaker 1>Then I'm the same hand.

0:29:00.720 --> 0:29:04.240
<v Speaker 3>No rein fucking bust the rhymes, treating me like I'm

0:29:04.280 --> 0:29:04.680
<v Speaker 3>a peer.

0:29:05.040 --> 0:29:06.880
<v Speaker 1>And I came up. I got all the albums. You

0:29:06.920 --> 0:29:08.760
<v Speaker 1>know what I'm saying, This is a dream. I love this.

0:29:09.160 --> 0:29:11.520
<v Speaker 1>We see what you're doing. You making the devil. You're

0:29:11.560 --> 0:29:14.680
<v Speaker 1>making the impact. Niggas. Respect your struggle, respect your hustle,

0:29:14.800 --> 0:29:17.640
<v Speaker 1>respect your ground number one, and then you you're making

0:29:17.760 --> 0:29:20.040
<v Speaker 1>moves that artists dream about. You know, come on, man,

0:29:20.200 --> 0:29:22.240
<v Speaker 1>we've been in this game for years. They cant getting

0:29:22.240 --> 0:29:25.600
<v Speaker 1>the radio shows. Did that ship.

0:29:27.720 --> 0:29:31.920
<v Speaker 3>Radio all day, clearing ship all the time?

0:29:31.960 --> 0:29:32.080
<v Speaker 1>Bro?

0:29:32.160 --> 0:29:37.280
<v Speaker 3>I got you bro, thanks man, Yo, he got you

0:29:37.320 --> 0:29:42.000
<v Speaker 3>gotta he's halem hall them. You gotta when the cameras

0:29:42.160 --> 0:29:44.600
<v Speaker 3>is on. It's a whole exterior.

0:29:46.360 --> 0:29:48.640
<v Speaker 1>No. I just I just started getting cool with this

0:29:48.760 --> 0:29:49.520
<v Speaker 1>mother fuck like.

0:29:49.560 --> 0:29:52.200
<v Speaker 3>Two months ago, six months.

0:29:53.720 --> 0:29:56.920
<v Speaker 1>He was he was hollow. Yeah, what's up?

0:29:57.000 --> 0:30:01.240
<v Speaker 4>Many'll think at people, he'd be like, I like, boy,

0:30:01.280 --> 0:30:08.760
<v Speaker 4>you gotta like that, oh ship, hall of pause.

0:30:08.840 --> 0:30:10.960
<v Speaker 3>You gotta crack the exterior first.

0:30:11.520 --> 0:30:15.320
<v Speaker 1>You got to cool. That's what cool. You don't want wrinkles, sweat.

0:30:15.960 --> 0:30:22.280
<v Speaker 1>That's up down man, that's the time niggas snap on

0:30:22.400 --> 0:30:24.040
<v Speaker 1>you sweat wrinkle.

0:30:25.280 --> 0:30:26.560
<v Speaker 3>But niggas past that though.

0:30:26.560 --> 0:30:30.840
<v Speaker 1>They the coolest, smoother fu. That's a fact. Get past that, man,

0:30:30.880 --> 0:30:33.360
<v Speaker 1>that's a fact. So talk about that man. That Harlem

0:30:33.440 --> 0:30:34.400
<v Speaker 1>world hallm.

0:30:35.040 --> 0:30:38.480
<v Speaker 2>Hallm is just you know, grow up seeing all the

0:30:38.640 --> 0:30:42.800
<v Speaker 2>all the drug dealers, yo, and you're getting inspired.

0:30:42.920 --> 0:30:45.840
<v Speaker 1>Man. Listen, it was a time in hall of my nigga.

0:30:46.000 --> 0:30:52.200
<v Speaker 1>I hated walking through Broadway every two steps, not every block.

0:30:52.640 --> 0:30:55.880
<v Speaker 1>Every two steps one too fish fish fish, Oh yeah,

0:30:59.560 --> 0:31:02.040
<v Speaker 1>one to Poppy. I beat both in the practice by

0:31:02.200 --> 0:31:05.720
<v Speaker 1>be right here fish fish. Yo. That was a wild time.

0:31:05.840 --> 0:31:07.920
<v Speaker 1>So niggas, if you come to New York and see

0:31:07.960 --> 0:31:11.480
<v Speaker 1>the weed out here and think that's crazy, we had

0:31:11.600 --> 0:31:15.480
<v Speaker 1>that cold. Yeah, that was you walking fish fish fish.

0:31:15.520 --> 0:31:19.680
<v Speaker 1>You like, what what? Let me get that zip, go

0:31:19.840 --> 0:31:22.040
<v Speaker 1>back to the I'll be right back, poppy. But then

0:31:22.120 --> 0:31:24.080
<v Speaker 1>y'all have them niggas that will robb you. Wait not

0:31:24.240 --> 0:31:28.000
<v Speaker 1>here in the McDonald's. Wait right here. I'll be right back, poppy.

0:31:28.280 --> 0:31:33.600
<v Speaker 1>Niggas come sell you that motherfucker she rock. Yeah, man, yo,

0:31:34.000 --> 0:31:36.320
<v Speaker 1>So my niggas went up there blasting. You know what

0:31:36.360 --> 0:31:38.480
<v Speaker 1>I mean. You talk about you said, you speak about

0:31:38.520 --> 0:31:42.120
<v Speaker 1>that in the book. Man. That just growing up.

0:31:43.880 --> 0:31:46.560
<v Speaker 2>Being around a lot of dudes, you know, like I said,

0:31:46.600 --> 0:31:50.360
<v Speaker 2>my man Kevin Chiles, my man Drew Rudledge and all

0:31:50.480 --> 0:31:53.560
<v Speaker 2>the people that was around. And I just got to

0:31:53.640 --> 0:31:56.200
<v Speaker 2>experience a different type of life growing up, and I

0:31:56.320 --> 0:31:59.640
<v Speaker 2>just channeled it into doing music. And you're hearing a

0:31:59.720 --> 0:32:02.760
<v Speaker 2>lot in the lines of just day to day life

0:32:03.040 --> 0:32:05.000
<v Speaker 2>growing up in Harlem and being around like a lot

0:32:05.080 --> 0:32:05.960
<v Speaker 2>of o G's like.

0:32:06.040 --> 0:32:07.880
<v Speaker 4>I said that the other day though, I just I

0:32:08.040 --> 0:32:09.800
<v Speaker 4>was when I was in hallm I forgot maybe it

0:32:09.920 --> 0:32:12.480
<v Speaker 4>was doing the video something. I was like, Yo, it's

0:32:12.560 --> 0:32:15.920
<v Speaker 4>a whole different lifestyle growing up in Coney Allen where

0:32:15.920 --> 0:32:18.320
<v Speaker 4>in the wintertime it's like a fucking dead land, you

0:32:18.360 --> 0:32:18.920
<v Speaker 4>know what I'm saying.

0:32:19.560 --> 0:32:21.600
<v Speaker 1>Where you just it's one way in, one way out.

0:32:21.920 --> 0:32:23.959
<v Speaker 4>Like growing up there and then growing up in Harlem,

0:32:24.520 --> 0:32:26.840
<v Speaker 4>it's a whole different lifestyle.

0:32:27.880 --> 0:32:30.760
<v Speaker 3>It's totally different, but still New York.

0:32:31.520 --> 0:32:35.640
<v Speaker 1>You see how you say the summertime, the whole Brooklyn

0:32:35.720 --> 0:32:39.440
<v Speaker 1>come alive. In the summertime, we you lording anybody hanging

0:32:39.480 --> 0:32:42.320
<v Speaker 1>out every block. Winter time, niggas is in the crib

0:32:42.960 --> 0:32:49.720
<v Speaker 1>ghost towns. Everywhere you go to Harlem is like going

0:32:49.800 --> 0:32:53.040
<v Speaker 1>to d off. It didn't. I don't even know how

0:32:53.080 --> 0:32:55.280
<v Speaker 1>they separated Harlem in the Bronx. That ship is a

0:32:55.360 --> 0:32:59.760
<v Speaker 1>little bridge over that ship like it ain't like that

0:33:00.160 --> 0:33:06.960
<v Speaker 1>now that's fall place like fashion show in the winter time, y'all, niggas,

0:33:07.000 --> 0:33:09.520
<v Speaker 1>that ship has runway sent you up there. Nigga, you

0:33:09.600 --> 0:33:12.680
<v Speaker 1>can all season. You couldn't. You can't go to Harlem,

0:33:13.200 --> 0:33:16.240
<v Speaker 1>like imagine that, right, you're getting up to go shopping,

0:33:16.360 --> 0:33:18.800
<v Speaker 1>like yo, I gotta go buy some fresh, but you

0:33:18.880 --> 0:33:25.040
<v Speaker 1>gotta be fresh by the flash like that's Harlem Like nigga,

0:33:25.240 --> 0:33:28.560
<v Speaker 1>come out like whatever on your sweats whatever. Nigga like, yeah,

0:33:28.560 --> 0:33:31.960
<v Speaker 1>I'm going shopping tho. As nigga, you ain't them. You

0:33:32.200 --> 0:33:35.600
<v Speaker 1>had to be fly to go get fly. That's why

0:33:35.600 --> 0:33:37.760
<v Speaker 1>I plose out. Man, take these new sniggers over, give

0:33:37.800 --> 0:33:40.000
<v Speaker 1>me the mother joints like that.

0:33:40.600 --> 0:33:43.080
<v Speaker 4>Like, and then you got Coney Allen, my nigga, when

0:33:43.080 --> 0:33:44.680
<v Speaker 4>they come out cruddy, they go to the store.

0:33:44.960 --> 0:33:53.360
<v Speaker 1>Listen, listen visual description of Coney Allen. It is projects

0:33:54.080 --> 0:33:58.640
<v Speaker 1>with beach views. So just think to just imagine that

0:33:59.240 --> 0:34:04.080
<v Speaker 1>a beach view projects a lot of them too. Like facts,

0:34:04.280 --> 0:34:06.800
<v Speaker 1>my nigga. That ship is like East New York with

0:34:06.880 --> 0:34:13.120
<v Speaker 1>a beach exactly What the fuck happened how they did That's.

0:34:12.000 --> 0:34:13.760
<v Speaker 3>Why they've been trying to gentrify it forever.

0:34:13.880 --> 0:34:16.040
<v Speaker 1>But nobody wants to live over there. Yeah, no, they

0:34:16.120 --> 0:34:17.680
<v Speaker 1>can knock go on them ships.

0:34:17.480 --> 0:34:20.239
<v Speaker 3>Down gentrify because it's close to the city.

0:34:20.600 --> 0:34:21.480
<v Speaker 1>It's like two three.

0:34:21.400 --> 0:34:22.560
<v Speaker 3>Stops from the city.

0:34:22.680 --> 0:34:25.879
<v Speaker 1>Forget about dumbbo got that no more. They took it over.

0:34:26.000 --> 0:34:28.640
<v Speaker 1>They took that Dumbo's over. They took it Cony.

0:34:28.960 --> 0:34:32.919
<v Speaker 4>It's like it's an hour and least in the fucking city.

0:34:33.120 --> 0:34:35.320
<v Speaker 4>So they've been trying to put new buildings and gentrify it,

0:34:35.400 --> 0:34:36.440
<v Speaker 4>but it just ain't happening.

0:34:36.640 --> 0:34:39.320
<v Speaker 1>But you to upgraded Coney all in the playground, like

0:34:39.400 --> 0:34:45.120
<v Speaker 1>the motherfucker that ship the cyclone face was like, God

0:34:45.280 --> 0:34:48.160
<v Speaker 1>damn be shot a video on that ship. Facts, that's

0:34:48.200 --> 0:34:49.600
<v Speaker 1>how you know they gave it a face.

0:34:52.320 --> 0:34:54.399
<v Speaker 3>I don't have not sin. That shit kills people.

0:34:54.560 --> 0:34:58.520
<v Speaker 1>Yes, my nigga, listen right now, this nigga's walking around

0:34:58.600 --> 0:35:02.640
<v Speaker 1>getting back surgery port from riding the cycle. Nigga's a

0:35:02.680 --> 0:35:03.240
<v Speaker 1>true story.

0:35:03.320 --> 0:35:05.439
<v Speaker 3>Because I'm a Coney, I'm the mayor. I gotta notice

0:35:05.960 --> 0:35:06.560
<v Speaker 3>you know what I'm saying.

0:35:07.520 --> 0:35:11.520
<v Speaker 4>There was a roller cycle roller roller coaster enthusiasts his

0:35:11.600 --> 0:35:14.640
<v Speaker 4>whole life. He went to every he was from San Francisco,

0:35:15.000 --> 0:35:18.920
<v Speaker 4>went to every park, rode the roller coasters, loved it everything.

0:35:19.040 --> 0:35:23.040
<v Speaker 4>His dream was to ride the Brooklyn's the Cyclone. He

0:35:23.160 --> 0:35:26.279
<v Speaker 4>finally makes it on his like thirty seven, thirty eighth

0:35:26.360 --> 0:35:31.000
<v Speaker 4>birthday to the infamous Coney Island rides the Cyclone on

0:35:31.200 --> 0:35:35.000
<v Speaker 4>his birthday, his dream, lifelong dream. The ship snaps his

0:35:35.160 --> 0:35:36.280
<v Speaker 4>spine and he dies.

0:35:36.760 --> 0:35:39.719
<v Speaker 1>I'm telling you that shit it occurred, my nigga. That

0:35:40.000 --> 0:35:43.239
<v Speaker 1>wouldn't by fast, my nigga. You best like putting the

0:35:43.360 --> 0:35:47.520
<v Speaker 1>shopping car on the on the track like that ship was,

0:35:47.680 --> 0:35:51.320
<v Speaker 1>like it was the most funning story.

0:35:52.000 --> 0:35:54.560
<v Speaker 2>You went on the cyclone kidding me of course, everybody,

0:35:55.239 --> 0:35:56.200
<v Speaker 2>it's never been on this ship.

0:35:56.640 --> 0:35:59.120
<v Speaker 1>Holler, niggas gonna be going to Wish your amusement park

0:35:59.160 --> 0:36:06.759
<v Speaker 1>where y'all with y'all don't drops. Yeah, we did that.

0:36:06.840 --> 0:36:10.000
<v Speaker 1>I ain't gonna front y'all couldn't come to Coney I'm glad.

0:36:10.239 --> 0:36:13.080
<v Speaker 1>I'm glad didn't, yes, because back then it was it

0:36:13.239 --> 0:36:16.640
<v Speaker 1>was wicked, Yo. It's some ogs in my projects right

0:36:16.719 --> 0:36:18.840
<v Speaker 1>that one day, Britt speaking of Cody, bring me to

0:36:18.960 --> 0:36:21.960
<v Speaker 1>the story. So OG's right, So these niggas is going

0:36:22.000 --> 0:36:24.520
<v Speaker 1>to Coney Allen. So I'm like, yo, bro, I gotta

0:36:24.600 --> 0:36:26.600
<v Speaker 1>let me roll with y'all. Got my own money, man,

0:36:26.600 --> 0:36:28.799
<v Speaker 1>I don't give a fuck. So nigga's like, bleep, now

0:36:28.920 --> 0:36:30.600
<v Speaker 1>you can't roll with us right now. But I'm like,

0:36:30.960 --> 0:36:34.359
<v Speaker 1>y'all going to Coney Allen. Y'all gonna make sure I'm good,

0:36:34.800 --> 0:36:37.360
<v Speaker 1>like the fuck I'm with y'all. Y'all owe the homies,

0:36:37.440 --> 0:36:39.320
<v Speaker 1>let me fuck with y'all. Got my own money. I

0:36:39.440 --> 0:36:41.759
<v Speaker 1>want to go have fun. So the nigga like, fuck

0:36:41.800 --> 0:36:44.879
<v Speaker 1>it ain't come on, we get the Coney Allen. These

0:36:45.000 --> 0:36:48.000
<v Speaker 1>niggas is not in Coney Allen for fun. These niggas

0:36:48.040 --> 0:36:52.600
<v Speaker 1>gonna have a major gangst to me type of other

0:36:52.760 --> 0:36:55.840
<v Speaker 1>gangsters and new gangsters. They want to the broadwot niggas

0:36:55.880 --> 0:36:58.919
<v Speaker 1>like bleak go get some Nathans and something like, what's

0:36:59.000 --> 0:37:03.760
<v Speaker 1>going on? This is four four man, this is way before.

0:37:06.400 --> 0:37:15.560
<v Speaker 1>You see, you never even had a condition many.

0:37:12.440 --> 0:37:17.719
<v Speaker 2>School school school, like when you're gone for lunch. That's

0:37:17.760 --> 0:37:19.319
<v Speaker 2>all you can afford is a condition. Man.

0:37:19.440 --> 0:37:23.400
<v Speaker 1>But you ain't have it from Nathan, you know what

0:37:23.440 --> 0:37:26.759
<v Speaker 1>I mean. Don't ship on Nathan Cony. Man. They could

0:37:26.800 --> 0:37:27.919
<v Speaker 1>fight for that ship. Man.

0:37:28.000 --> 0:37:29.960
<v Speaker 3>You know you got loss on your manicure.

0:37:30.040 --> 0:37:30.160
<v Speaker 1>Man.

0:37:32.600 --> 0:37:38.520
<v Speaker 3>Man, we get manicures to Brooklyn, but we don't get nos.

0:37:38.719 --> 0:37:40.440
<v Speaker 3>You get on pedicules, you.

0:37:40.480 --> 0:37:45.880
<v Speaker 1>Get gloss on the patty. On the patty. You gotta

0:37:46.680 --> 0:37:49.120
<v Speaker 1>you got to strike, you.

0:37:49.160 --> 0:37:51.839
<v Speaker 3>Know, we gotta take that extra clean.

0:37:52.000 --> 0:37:53.440
<v Speaker 1>Yeah, you can't get gloss on the.

0:37:55.600 --> 0:37:58.279
<v Speaker 3>Man, you know, like, yeah, there's some holler that might

0:37:58.360 --> 0:37:59.440
<v Speaker 3>be some hollow ship.

0:37:59.680 --> 0:38:05.000
<v Speaker 1>Loss on the petty. Y'all did wrap the chick Glettized's

0:38:05.000 --> 0:38:07.000
<v Speaker 1>gotta be right on the summertime. They just trying to

0:38:07.040 --> 0:38:09.000
<v Speaker 1>ship a hole for where chick gletized.

0:38:09.040 --> 0:38:11.560
<v Speaker 4>And then everybody grew up that beach. Now like this,

0:38:11.840 --> 0:38:14.600
<v Speaker 4>y'all be thinking that. Y'all be thinking that too. But

0:38:15.040 --> 0:38:17.000
<v Speaker 4>that they they used to get a hold.

0:38:16.840 --> 0:38:21.040
<v Speaker 1>Of they got the Gucci joints. Yeah, just because y'all

0:38:21.080 --> 0:38:25.799
<v Speaker 1>niggas got supreme on y'all. Ship's mean this coolie joints. Nah.

0:38:25.960 --> 0:38:30.920
<v Speaker 1>The herd man, Yeah, niggas, every nig I see what

0:38:31.040 --> 0:38:32.120
<v Speaker 1>the herd man slides for.

0:38:35.360 --> 0:38:38.040
<v Speaker 3>It is a good friend. Look, even all this time,

0:38:38.080 --> 0:38:41.080
<v Speaker 3>I didn't even notice the NFL had on the loan.

0:38:42.920 --> 0:38:44.960
<v Speaker 3>It's like subtle, It's like something like it's just some

0:38:45.080 --> 0:38:45.560
<v Speaker 3>fresh ship.

0:38:45.760 --> 0:38:47.520
<v Speaker 4>But then when you go behind you like oh with

0:38:47.640 --> 0:38:50.279
<v Speaker 4>the rock little the paper playing, I was like, oh,

0:38:50.360 --> 0:38:51.160
<v Speaker 4>he's slick with it.

0:38:53.000 --> 0:38:55.680
<v Speaker 1>He's a good friend, yea with it, you know what

0:38:55.680 --> 0:38:58.960
<v Speaker 1>I mean? I gotta wrapped the squad, mean, turned me

0:38:59.040 --> 0:39:03.319
<v Speaker 1>Dominican with the Do you know what I mean, yo, yo,

0:39:03.719 --> 0:39:07.160
<v Speaker 1>you Puerto Rican or Puerto Rican, my nigga, You know

0:39:07.160 --> 0:39:10.120
<v Speaker 1>I mean, I hang with them, but Puerto Ricans Dominicans, man,

0:39:10.160 --> 0:39:11.920
<v Speaker 1>you know what I'm saying. They got me telling these

0:39:11.960 --> 0:39:16.359
<v Speaker 1>niggas fucking my my guave a play with him names

0:39:16.400 --> 0:39:18.600
<v Speaker 1>well and beat it well and beat you know what

0:39:18.640 --> 0:39:22.200
<v Speaker 1>I'm saying. Why these niggas only teach me the curse word?

0:39:22.840 --> 0:39:27.879
<v Speaker 1>Nigga know all that everything cursed? They don't know. I'm

0:39:27.880 --> 0:39:30.319
<v Speaker 1>about to hire a Spanish tutor teach me some game

0:39:31.040 --> 0:39:32.800
<v Speaker 1>my jeans. Do you in the building.

0:39:33.600 --> 0:39:36.040
<v Speaker 3>Yeah, See, as soon as you said that, Dominicans just came.

0:39:37.080 --> 0:39:39.759
<v Speaker 1>So I'm telling you I went to school with them, yo.

0:39:39.840 --> 0:39:41.800
<v Speaker 1>One of my homies right because you know in Brooklyn,

0:39:41.920 --> 0:39:46.800
<v Speaker 1>we got the major, major Dominican side of Brooklyn. So

0:39:47.080 --> 0:39:49.880
<v Speaker 1>one of my homies, my mad Deebo, shout out debo,

0:39:50.360 --> 0:39:52.360
<v Speaker 1>so he went he went to check one of his

0:39:52.560 --> 0:39:54.600
<v Speaker 1>man's that you know what I mean, that live in

0:39:54.680 --> 0:39:58.600
<v Speaker 1>fucking Brooklyn over there down on Broadway or Coskiasco and

0:39:58.640 --> 0:39:59.600
<v Speaker 1>all that ship over there.

0:40:00.400 --> 0:40:02.400
<v Speaker 4>No, people don't know how to say Cosky, I know.

0:40:03.880 --> 0:40:06.440
<v Speaker 4>So the nigga's like you could say it because we

0:40:06.560 --> 0:40:08.359
<v Speaker 4>said it. So if you see the sign, you want

0:40:08.400 --> 0:40:10.480
<v Speaker 4>to know how toing else it, So you know what

0:40:10.520 --> 0:40:13.200
<v Speaker 4>I mean. So the nigga was like, yo, you hang

0:40:13.280 --> 0:40:13.720
<v Speaker 4>with Bleak?

0:40:13.800 --> 0:40:15.920
<v Speaker 1>Like that's my bro. Man telling him. I said, what's up?

0:40:16.000 --> 0:40:18.600
<v Speaker 1>But the homie don't speak English, he only speaks Spanish.

0:40:18.920 --> 0:40:21.520
<v Speaker 1>So Debo looking at him like, how the fuck you

0:40:21.640 --> 0:40:23.840
<v Speaker 1>know Bleak? He was like, man, I went to school

0:40:23.880 --> 0:40:27.160
<v Speaker 1>with Bleak. So that Debo come back to me like, yo, Bleak,

0:40:27.200 --> 0:40:29.239
<v Speaker 1>what school you went to? I was like, yo, bro,

0:40:29.880 --> 0:40:33.080
<v Speaker 1>I went to seventy one. They caught me with the joint,

0:40:33.239 --> 0:40:36.759
<v Speaker 1>cleaned me out. Mom said you not going to thirty three?

0:40:37.280 --> 0:40:40.759
<v Speaker 1>Sent me where Acrosstown of forty nine. There's nothing but

0:40:40.920 --> 0:40:43.840
<v Speaker 1>Dominigans and Dorto Ricans had nothing to do but get cool.

0:40:44.440 --> 0:40:47.279
<v Speaker 1>I was over all the middle in gay parties like this,

0:40:48.800 --> 0:40:52.560
<v Speaker 1>Like what y'all nigga say? Fucking went two step Blizzard.

0:40:53.080 --> 0:40:56.560
<v Speaker 1>That's how demon Little Bleak came about. He been legged.

0:40:57.800 --> 0:40:58.480
<v Speaker 3>On the ego.

0:41:00.440 --> 0:41:03.800
<v Speaker 1>Yeah yeah, but what's next for my geez? We know

0:41:03.920 --> 0:41:06.160
<v Speaker 1>we got the project? You got any projects dropping on

0:41:06.239 --> 0:41:06.520
<v Speaker 1>your own?

0:41:06.920 --> 0:41:09.040
<v Speaker 4>Yeah, I'm I'm I'm working on the dock. So I

0:41:09.080 --> 0:41:12.520
<v Speaker 4>have a three album deal with Goliath Records. Slash version

0:41:12.680 --> 0:41:16.160
<v Speaker 4>was Paul Rosenberg. So after the song we know I'm

0:41:16.200 --> 0:41:17.880
<v Speaker 4>working on the third album. I don't really know what

0:41:17.920 --> 0:41:20.200
<v Speaker 4>I'm doing yet, but I'm taking it to the next level.

0:41:20.239 --> 0:41:22.480
<v Speaker 1>A lot of people get them rosen Birds confused with

0:41:22.600 --> 0:41:24.040
<v Speaker 1>Rose ninety.

0:41:24.840 --> 0:41:31.680
<v Speaker 8>You got yeah, yeah, yeah, in fact, you gotta go

0:41:33.080 --> 0:41:36.120
<v Speaker 8>ros Birds love me yeah different.

0:41:36.320 --> 0:41:38.359
<v Speaker 1>So with Shout the Pet that's my God too, though, Yo,

0:41:38.680 --> 0:41:41.160
<v Speaker 1>what's next besides the book? Any chapters in the book

0:41:41.200 --> 0:41:44.480
<v Speaker 1>you want to give us a sneak piece God reading

0:41:44.640 --> 0:41:46.880
<v Speaker 1>man to make.

0:41:49.040 --> 0:41:54.240
<v Speaker 5>A scoop uh playing story in there, but no dark story,

0:41:57.800 --> 0:42:01.680
<v Speaker 5>just argument over the the person was like that one

0:42:01.719 --> 0:42:04.120
<v Speaker 5>thing I'm gonna give you the major props to NIMS

0:42:04.160 --> 0:42:06.560
<v Speaker 5>for because you know, when they come down to the

0:42:06.640 --> 0:42:07.520
<v Speaker 5>Puerto Ricans in the.

0:42:07.560 --> 0:42:10.520
<v Speaker 1>Game, they don't come for the Bronx. Yeah, yeah, facts,

0:42:10.560 --> 0:42:12.239
<v Speaker 1>you know what I mean. They been fronting on my guy,

0:42:12.360 --> 0:42:15.359
<v Speaker 1>Jojoe Peller Green over your gast ain't letting my guy

0:42:15.680 --> 0:42:16.560
<v Speaker 1>what you broke through?

0:42:16.760 --> 0:42:17.680
<v Speaker 3>But he ain't Puerto Rican?

0:42:17.880 --> 0:42:19.680
<v Speaker 1>What Joe? He Italian? Yeah?

0:42:19.960 --> 0:42:21.120
<v Speaker 3>He Staten Island.

0:42:24.520 --> 0:42:27.759
<v Speaker 1>Yeah, that's my guy though, Man, don't my god.

0:42:28.080 --> 0:42:32.239
<v Speaker 3>It's fucking fucking the well from the State Knowledge Ship.

0:42:32.320 --> 0:42:34.800
<v Speaker 1>Yeah, that it was Hall. He's super nice and nice.

0:42:34.880 --> 0:42:36.560
<v Speaker 1>My get get that.

0:42:36.600 --> 0:42:38.719
<v Speaker 3>That's why I go hard for Cony, look big and hold.

0:42:38.800 --> 0:42:41.440
<v Speaker 3>They ain't shout out Coney Island on Brooklyn's finance. I

0:42:41.600 --> 0:42:44.359
<v Speaker 3>fucking know that I kept the motherfucker out.

0:42:45.560 --> 0:42:47.000
<v Speaker 1>That gives me motivation.

0:42:47.440 --> 0:42:47.560
<v Speaker 4>Yo.

0:42:48.760 --> 0:42:51.480
<v Speaker 1>I'm not holding out Brooklyn's five.

0:42:51.640 --> 0:42:54.440
<v Speaker 3>Since ninety six. I've been holding that in. No, But

0:42:54.680 --> 0:42:57.120
<v Speaker 3>that's why I go hard. But Coney Island.

0:42:59.600 --> 0:43:03.279
<v Speaker 1>Forty. You do your show out there too, man, that's

0:43:03.360 --> 0:43:05.000
<v Speaker 1>dope with gorilla Nims.

0:43:05.080 --> 0:43:06.520
<v Speaker 3>Yeah, we shoot right in front of my store.

0:43:06.520 --> 0:43:08.840
<v Speaker 4>I got a store on Mermaid Avenue, sixteenth Street, the

0:43:08.960 --> 0:43:12.600
<v Speaker 4>fi L Store, And we shoot the podcast there outside.

0:43:12.160 --> 0:43:14.440
<v Speaker 1>With Goerrilla Nemes. We got seventy three episodes.

0:43:15.200 --> 0:43:15.880
<v Speaker 3>It's outside.

0:43:15.880 --> 0:43:17.960
<v Speaker 4>We be outside in the winter time when it's mad cold.

0:43:18.000 --> 0:43:20.000
<v Speaker 4>We put the beach shears outside all of that ship.

0:43:20.320 --> 0:43:23.200
<v Speaker 1>That's fun, yo. They don't let black people get stores.

0:43:23.320 --> 0:43:26.560
<v Speaker 1>Only the Dominicans, the Puerto Ricans and the A Rads.

0:43:27.040 --> 0:43:30.279
<v Speaker 1>That's it. You ain't gonna never walk into bodega here

0:43:31.080 --> 0:43:38.080
<v Speaker 1>shape that ass. Never. You're gonna Every coach brought some

0:43:38.239 --> 0:43:41.279
<v Speaker 1>black shit in there. I wonder why man, Yo, they

0:43:41.360 --> 0:43:43.719
<v Speaker 1>never gave us one. All my homies that got one

0:43:43.800 --> 0:43:46.360
<v Speaker 1>lost they store though, because you know they was they

0:43:46.480 --> 0:43:50.839
<v Speaker 1>got stories like in the book. Yeah, they wasn't really

0:43:50.920 --> 0:43:54.520
<v Speaker 1>selling young man tay the chips.

0:43:55.040 --> 0:43:58.000
<v Speaker 3>Rare even see a Puerto Rican corner store anymore.

0:43:58.080 --> 0:44:00.240
<v Speaker 1>Now, that's right. That the stores when we first wren

0:44:00.320 --> 0:44:02.759
<v Speaker 1>you had to walk in like this. Yeah you begin,

0:44:03.160 --> 0:44:06.600
<v Speaker 1>let me get two due, two dunees and the snapper.

0:44:07.680 --> 0:44:10.560
<v Speaker 1>Now you got walking there, yo, what they say, I

0:44:10.640 --> 0:44:13.440
<v Speaker 1>BB yeah, yeah maybe me the bagwood was I BB?

0:44:13.760 --> 0:44:16.360
<v Speaker 4>What side was your ship? Was just your stores to

0:44:16.440 --> 0:44:17.880
<v Speaker 4>go to? Because I be I told you I was

0:44:17.920 --> 0:44:20.080
<v Speaker 4>throwing out of garbage there. So Marsie don't got I

0:44:20.120 --> 0:44:22.920
<v Speaker 4>mean Flushing don't got no stores stores.

0:44:23.000 --> 0:44:27.200
<v Speaker 1>That's what's crazy. What side one? It was two stores.

0:44:27.280 --> 0:44:30.080
<v Speaker 1>It was one of Flushing in Marsie. Yeah, yeah, paused,

0:44:30.360 --> 0:44:32.600
<v Speaker 1>paused because this store used to be called meat bar

0:44:34.200 --> 0:44:37.919
<v Speaker 1>from meat Bon used to be called meat bar. W Yeah,

0:44:38.040 --> 0:44:39.920
<v Speaker 1>that was all flushing and no string. And then we

0:44:40.040 --> 0:44:42.759
<v Speaker 1>had a twenty four hour store on flud on me

0:44:42.920 --> 0:44:45.279
<v Speaker 1>on Flushing and Marsie was paused meat bond and on

0:44:45.360 --> 0:44:47.560
<v Speaker 1>Flushing and no string They tried to open up a

0:44:47.600 --> 0:44:50.239
<v Speaker 1>twenty four hour store, but too many niggas got clapped there,

0:44:50.480 --> 0:44:53.040
<v Speaker 1>so they closed that down. We had the two stores

0:44:53.160 --> 0:44:56.040
<v Speaker 1>Brothers and then the pizza shop that turned into another

0:44:56.120 --> 0:44:59.120
<v Speaker 1>store that brother bought that was on no string Yeah.

0:44:59.280 --> 0:45:01.120
<v Speaker 1>We got the other store on the other side on

0:45:02.080 --> 0:45:04.200
<v Speaker 1>still there. The other one on the other side on

0:45:04.360 --> 0:45:07.920
<v Speaker 1>no stringing between no stringing, Murdle between parking murder was

0:45:07.960 --> 0:45:10.640
<v Speaker 1>still there. And we had the one on Murdle Avenue

0:45:10.760 --> 0:45:12.440
<v Speaker 1>right by the fucking.

0:45:14.640 --> 0:45:15.200
<v Speaker 3>Kennedy Fried.

0:45:15.239 --> 0:45:19.920
<v Speaker 4>That Ye, they got the picture, the whole specio and

0:45:20.120 --> 0:45:22.360
<v Speaker 4>the cap because he never even told them to do that.

0:45:22.480 --> 0:45:25.520
<v Speaker 1>They just made the nigga went in there or the son.

0:45:25.640 --> 0:45:27.360
<v Speaker 1>Next thing, you know, they got a whole meal like

0:45:28.280 --> 0:45:32.160
<v Speaker 1>with his picture on it. Like they got it, yeah

0:45:32.920 --> 0:45:35.520
<v Speaker 1>with it. He ain't never shut it down. That's the

0:45:35.760 --> 0:45:39.200
<v Speaker 1>only Kennedy Fried that got the whole special right there

0:45:39.239 --> 0:45:41.799
<v Speaker 1>on Marcy, right there on Murdle Avenue. Then we got

0:45:41.840 --> 0:45:46.080
<v Speaker 1>the three stores on Marcy Avenue, the Green Store, so

0:45:46.760 --> 0:45:48.960
<v Speaker 1>all the stores was my neck of the woods, but

0:45:49.080 --> 0:45:53.279
<v Speaker 1>my main store was brother Store. No stringing flushing, Okay,

0:45:53.400 --> 0:45:55.239
<v Speaker 1>you know what I mean, because that's right there walking

0:45:55.320 --> 0:45:58.080
<v Speaker 1>down my building right through the leg right there. Every

0:45:58.239 --> 0:46:01.080
<v Speaker 1>store we went to. That's how them niggas start selling

0:46:01.120 --> 0:46:03.759
<v Speaker 1>backwoods because the only store on my side that so

0:46:03.960 --> 0:46:06.680
<v Speaker 1>backwards back in the day was the store by Woodhole Hospital.

0:46:07.160 --> 0:46:07.840
<v Speaker 3>That's a mission.

0:46:09.320 --> 0:46:10.520
<v Speaker 1>You had to go all the way down there, and

0:46:10.560 --> 0:46:13.640
<v Speaker 1>they only had the brown pack. So why's that freeway

0:46:13.680 --> 0:46:15.640
<v Speaker 1>and beans? And will meet me on a turnpike with

0:46:15.760 --> 0:46:18.080
<v Speaker 1>boxes of backwoods back there, And then I would go

0:46:18.160 --> 0:46:19.799
<v Speaker 1>to my stores in the hood, like yo, y'all got

0:46:19.880 --> 0:46:22.080
<v Speaker 1>to order these man call and buy them up. And

0:46:22.200 --> 0:46:26.279
<v Speaker 1>that's how they started ordering the backwards bro Yo, you

0:46:26.680 --> 0:46:31.320
<v Speaker 1>love giving niggas beats for bell Yo, he didn't drama producer.

0:46:31.800 --> 0:46:34.440
<v Speaker 1>If y'all niggas got smoke. If you want to smoke

0:46:34.480 --> 0:46:38.960
<v Speaker 1>a nigga, come see Brown because Jay Mills rappid like

0:46:39.080 --> 0:46:43.879
<v Speaker 1>the rent dude did the landlord knock on the door

0:46:43.920 --> 0:46:47.800
<v Speaker 1>and that nigga create and they got gloves and ship.

0:46:47.880 --> 0:46:48.440
<v Speaker 1>What was going on.

0:46:49.800 --> 0:46:51.600
<v Speaker 2>He had a situation where he had to take He

0:46:52.360 --> 0:46:56.040
<v Speaker 2>took care of your wad like.

0:46:56.160 --> 0:46:59.080
<v Speaker 1>All, he took care of it. He ain't fucking playing.

0:46:59.440 --> 0:47:02.319
<v Speaker 1>He's body dagg and rap his ship up. That ship

0:47:02.400 --> 0:47:03.960
<v Speaker 1>niggas used to say he doing it.

0:47:06.120 --> 0:47:08.000
<v Speaker 3>I just see a battle wrap of well known one

0:47:08.120 --> 0:47:10.920
<v Speaker 3>I see the other day. His chain was mad fake.

0:47:11.040 --> 0:47:15.839
<v Speaker 1>Yo, chill. I feel that. I was like, damn me, yo,

0:47:16.080 --> 0:47:18.839
<v Speaker 1>that's bad because niggas will kill you for that ship.

0:47:19.000 --> 0:47:21.440
<v Speaker 1>If you're a battle rapper at that niggas will kill

0:47:21.480 --> 0:47:23.239
<v Speaker 1>you for this ship. You're risking your life and some

0:47:23.440 --> 0:47:26.200
<v Speaker 1>figs ship. You wake up every day and strap on

0:47:26.360 --> 0:47:27.920
<v Speaker 1>that fig She be like, Yo, I'm gonna go out

0:47:27.960 --> 0:47:32.279
<v Speaker 1>there and put myself in mad danger. Just look, yo,

0:47:32.440 --> 0:47:36.319
<v Speaker 1>that's crazy because niggas and the Wolves is out right now.

0:47:36.520 --> 0:47:39.080
<v Speaker 1>Ain't no niggas. You see the video They just booked

0:47:39.160 --> 0:47:41.120
<v Speaker 1>somebody in what Patterson, New Jersey.

0:47:41.320 --> 0:47:41.960
<v Speaker 6>Oh yeah, and.

0:47:42.040 --> 0:47:46.000
<v Speaker 1>Niggas online and like that's French, like niggas doing Chinese nigga.

0:47:46.040 --> 0:47:51.640
<v Speaker 1>That's fucking normal. It's called wolves food. We have to eat.

0:47:52.040 --> 0:47:52.719
<v Speaker 1>You gotta be with.

0:47:53.040 --> 0:47:56.080
<v Speaker 4>Niggas just got used to this fucking pussy culture back

0:47:56.120 --> 0:47:56.760
<v Speaker 4>in the days.

0:47:56.920 --> 0:47:59.080
<v Speaker 3>That's how everything that was just the normal. It's just

0:47:59.200 --> 0:48:01.840
<v Speaker 3>become not the now. Yeah, it's still the normal.

0:48:02.120 --> 0:48:04.640
<v Speaker 1>A rapper from New York. I ain't don't even say

0:48:04.680 --> 0:48:06.840
<v Speaker 1>his name because I don't like keeping shit going, and

0:48:06.880 --> 0:48:09.919
<v Speaker 1>you know, niggas loved it. But a rapper from New York.

0:48:10.440 --> 0:48:14.000
<v Speaker 1>I seen this nigga LA and that nigga like, yo,

0:48:14.120 --> 0:48:18.160
<v Speaker 1>you wear your jewelry in La. Hey, nigga, I wear

0:48:18.280 --> 0:48:21.640
<v Speaker 1>my jurry whatever. Fuck I wat's what I bought it for? Right?

0:48:22.120 --> 0:48:25.880
<v Speaker 1>A nigga like you crazy? Like no, nigga. I had

0:48:25.920 --> 0:48:28.120
<v Speaker 1>to explain to him, Yo, you know where I'm from, right,

0:48:28.600 --> 0:48:33.480
<v Speaker 1>He's like, yeah, you know, Brooklyn originated take nigga shit right,

0:48:33.680 --> 0:48:37.040
<v Speaker 1>like we if we had started at if you wasn't

0:48:37.960 --> 0:48:42.760
<v Speaker 1>my nigga, that ass serious. The environment in New York City, Brooklyn,

0:48:42.880 --> 0:48:45.760
<v Speaker 1>New York from when I was a jit the eighties,

0:48:46.440 --> 0:48:50.360
<v Speaker 1>I say, from about eighty nine to about two thousand

0:48:50.400 --> 0:48:54.920
<v Speaker 1>and four or five, my nigga, if you wasn't a

0:48:55.080 --> 0:49:01.239
<v Speaker 1>person who deserved something and God took care, niggas look

0:49:01.280 --> 0:49:03.920
<v Speaker 1>at it. Yeah, like that let they had he think

0:49:04.000 --> 0:49:08.400
<v Speaker 1>he can that's just the cold of Brooklyn, Like yeah.

0:49:08.440 --> 0:49:09.040
<v Speaker 3>Yo, he just went.

0:49:09.200 --> 0:49:12.239
<v Speaker 4>I just was in Medaan in Columbia and everybody was like, yo,

0:49:12.320 --> 0:49:13.120
<v Speaker 4>it's not dangerous.

0:49:13.600 --> 0:49:18.040
<v Speaker 3>I said, Yo, I'm from Conel. Yeah, it's dangerous, dangerous.

0:49:19.239 --> 0:49:21.759
<v Speaker 3>The fun I'm not saying I'm the tough.

0:49:21.840 --> 0:49:24.560
<v Speaker 4>But when you come from that environment, you know, when

0:49:24.600 --> 0:49:26.920
<v Speaker 4>you can see exactly, you can sense it. And it's

0:49:27.040 --> 0:49:29.399
<v Speaker 4>like if you ain't looking, if you look for, you're

0:49:29.400 --> 0:49:31.319
<v Speaker 4>gonna find it. That's right, you know what I'm saying.

0:49:31.560 --> 0:49:33.960
<v Speaker 1>Like going through your girlfrione, you gonna find that.

0:49:34.040 --> 0:49:36.319
<v Speaker 4>And there's there's nothing good that could come in there.

0:49:36.360 --> 0:49:38.360
<v Speaker 4>Even if you don't find something, you coulda found.

0:49:38.800 --> 0:49:42.800
<v Speaker 1>Makeups bitch, you said you was going to the cleaners

0:49:42.840 --> 0:49:50.520
<v Speaker 1>at full class yo, word out yo, So yeah let

0:49:50.600 --> 0:49:53.440
<v Speaker 1>him know. Man, fucking boom your face off.

0:49:53.560 --> 0:49:54.880
<v Speaker 3>I should you boom?

0:49:54.960 --> 0:49:58.279
<v Speaker 1>You drop it out right now. If you don't listen

0:49:58.400 --> 0:50:01.000
<v Speaker 1>to it, it's probably because you pussy yo.

0:50:01.160 --> 0:50:01.880
<v Speaker 3>Straight up yo.

0:50:02.160 --> 0:50:05.839
<v Speaker 1>I fucking love this guy, yo. Listen, Me and them

0:50:06.200 --> 0:50:08.400
<v Speaker 1>are best friends after this episode.

0:50:08.520 --> 0:50:09.000
<v Speaker 6>You hear me.

0:50:09.640 --> 0:50:11.600
<v Speaker 1>This is the type of ship I like That nigga

0:50:11.640 --> 0:50:14.360
<v Speaker 1>got a sore where he told the niggas or forty

0:50:14.520 --> 0:50:21.560
<v Speaker 1>duce selling they missed the fuck is stupid that ship, yo, Listen.

0:50:22.320 --> 0:50:24.719
<v Speaker 1>I wanted to jump out my car and let it

0:50:24.840 --> 0:50:27.880
<v Speaker 1>go on his own when I heard that line, and

0:50:28.040 --> 0:50:30.440
<v Speaker 1>now that I'm sitting here with this nigga is like,

0:50:30.680 --> 0:50:34.640
<v Speaker 1>no fucking way. This is my best my best friend.

0:50:34.680 --> 0:50:37.319
<v Speaker 1>Now we be f f y'all. I'm y'all. A lot

0:50:37.360 --> 0:50:39.759
<v Speaker 1>of people think it's just when they don't meet me

0:50:39.840 --> 0:50:40.480
<v Speaker 1>in real life.

0:50:40.880 --> 0:50:42.719
<v Speaker 3>They think it's like, might be an act for the

0:50:42.800 --> 0:50:43.600
<v Speaker 3>internet hunt.

0:50:43.800 --> 0:50:44.719
<v Speaker 6>This is how I really am.

0:50:46.000 --> 0:50:47.879
<v Speaker 1>You're a real one. I told you. He can't walk

0:50:48.000 --> 0:50:50.080
<v Speaker 1>in the door and cut the camera. Man. Nothing. I

0:50:50.160 --> 0:50:51.920
<v Speaker 1>feel bad for him because he's gonna have to edit

0:50:52.000 --> 0:50:55.360
<v Speaker 1>this ship. He might try to edit your points, my

0:50:55.560 --> 0:50:57.560
<v Speaker 1>ge know, we're gonna have to give him some bread

0:50:57.640 --> 0:50:59.600
<v Speaker 1>on the side, you know what I mean. But you

0:50:59.719 --> 0:51:01.600
<v Speaker 1>know what it is. It's been a real one. I

0:51:01.719 --> 0:51:04.399
<v Speaker 1>love my guys. Man. Run keep putting in that pain.

0:51:04.520 --> 0:51:08.239
<v Speaker 1>My niggas. Stop making niggas, stop making niggas getting beef

0:51:08.280 --> 0:51:10.799
<v Speaker 1>and get better. Get them niggas records when they ain't

0:51:10.840 --> 0:51:13.040
<v Speaker 1>got no drama like me, I ain't got no drama.

0:51:13.280 --> 0:51:15.919
<v Speaker 1>We can make up some drama, though. Fucking up before

0:51:15.920 --> 0:51:22.040
<v Speaker 1>we shut with the YO. They violent nigga mine head, right, yo?

0:51:22.160 --> 0:51:26.600
<v Speaker 1>They violent. I love it though, y'all. Yeah, they said

0:51:26.640 --> 0:51:31.040
<v Speaker 1>I was Yo. I like it though. Give me the owner, YO,

0:51:31.920 --> 0:51:36.319
<v Speaker 1>lean me up. You know what I'm saying. As long

0:51:36.360 --> 0:51:41.000
<v Speaker 1>as you get demon little Blee, the bean is outside you.

0:51:41.880 --> 0:51:44.279
<v Speaker 1>Yall niggas never had a Boston Big Bean because your

0:51:44.400 --> 0:51:49.279
<v Speaker 1>pop is soft like silent nigga, you know what it is. Yeah.

0:51:55.280 --> 0:51:59.239
<v Speaker 1>For more podcasts from iHeart Radio, visit iHeart Radio, app,

0:51:59.480 --> 0:52:02.680
<v Speaker 1>Apple or wherever you listen to your favorite shows at

0:52:02.920 --> 0:52:05.719
<v Speaker 1>and you can follow me on any social media platform

0:52:05.960 --> 0:52:08.759
<v Speaker 1>under the name Memphis Bleach. You see anybody fraud in,

0:52:09.120 --> 0:52:12.400
<v Speaker 1>flag him h