Speaker 1: What up, y'all? This is your main man, Memphis Bleak
Speaker 1: right here. Welcome to Rock Solid, a production of iHeart
Speaker 1: Radio and the Black Effect Network in partnership with my
Speaker 1: guys over at Drink Champs. You should know about you
Speaker 1: shouldn't know. This is how we started this one off.
Speaker 1: You already know what it is rock Solid podcast. We hear,
Speaker 1: we hear, yours truly am Greasy in the building at
Speaker 1: the Vault, Yo. This is this is a special one man.
Speaker 1: We got my guy in the building, you know him,
Speaker 1: Ron Browns. They call him eat the boy in the building.
Speaker 1: You know what I mean. We got my bro from
Speaker 1: Brooklyn Nim's in the building. Boom your fucking head off.
Speaker 1: This is why this is special because now I get
Speaker 1: that dude. The the setup. It's the setup, bro, Bro
Speaker 1: and Ron don't even know Dad. Start nigga. Make a
Speaker 1: call my nigga, Yo, get cool with him, making the
Speaker 1: album with him, Bring them to the park and we're
Speaker 1: gonna knock him out. And we're here. What's up my guys,
Speaker 1: just seeing you? My brother love man Yo. Me and
Speaker 1: this brother right here been in the studio countless fucking
Speaker 1: days putting major working and we just never made nothing happen.
Speaker 2: Many like they violated me in baseline.
Speaker 1: One night, man Beanie Beans, I had a thirty clip
Speaker 1: of beats.
Speaker 3: Beans was just like next one, next.
Speaker 1: One, yo, you that's what he was on his That
Speaker 1: was mac Mitons. That wasn't Beanie Siegel. There he was
Speaker 1: mac Minton's there skipping the mad beatsy. I'm like, you
Speaker 1: can one joint and let nothing play, just going to
Speaker 1: the next just.
Speaker 4: Before or after ether before oh before.
Speaker 1: Yeah, after eating he still was coming through. We still
Speaker 1: was showing him, I know, but he never you know what, No, no,
Speaker 1: he just made he just made the beat. But then
Speaker 1: he was running around Eat the Boy.
Speaker 2: People don't know that was me saying that was just
Speaker 2: you know, growing up in Harlem, I never thought, I,
Speaker 2: you know, make it right beat for nodes. So when
Speaker 2: that happened, you know my dudes in the hood that
Speaker 2: the name actually came from my man.
Speaker 1: He said, Yo, if you have a kid, you're gonna
Speaker 1: have a little eat the boy.
Speaker 2: So that's when I just kind of threw it at
Speaker 2: a dope ring bid.
Speaker 1: God bless. But you know your head boys take him
Speaker 1: back to the beginning to see I because me, I
Speaker 1: know I for one day out the year East Sister,
Speaker 1: we get flat. We go by the Himalaya smoke mad.
Speaker 1: We they here come to Coneyllity. Niggas want to fight
Speaker 1: since back to the train station shootouts and shit. So
Speaker 1: I want to hear from your perspective back then, what
Speaker 1: was it like coming to Cone Island.
Speaker 4: I'm from kyam my whole life and that literally is
Speaker 4: like what we took pride on is when everybody came
Speaker 4: during the summer and tried to have a good time.
Speaker 4: We never let the outsiders past Stillwell Avenue because from
Speaker 4: a O g My Man Dell song he started he
Speaker 4: was he had Don Devon magazine.
Speaker 3: He's from Coyak. He was like yo, that started way
Speaker 3: before you were.
Speaker 1: It was major walls, Like yo, bro, no bullshit. Every
Speaker 1: year be fifty deep Brooklyn niggas you get deep, we
Speaker 1: or me Hoyt skimmer Horn niggas get deep. We go
Speaker 1: there falling, chilling, Like you said, they have a good
Speaker 1: time chilling. Didn't for the night over. It's like, yo,
Speaker 1: he just happened on Easter. Everybody stuff like yo. It's
Speaker 1: like yo, we just was chilling. Why we never get
Speaker 1: But then when it was time to get Grammy in
Speaker 1: the winter. We had called a coney allity nigga come
Speaker 1: through for us, you know what I'm saying. So it
Speaker 1: was weird, like for us, like I never hung out there,
Speaker 1: but I have many many people's out there heard up
Speaker 1: ship crazy man. So how did the link up with
Speaker 1: y'all happen? Man?
Speaker 3: He sent me a beat. I was like, yo, just
Speaker 3: get on, you know I want it was.
Speaker 4: He was rapping on it, and I was like, he
Speaker 4: can fucking rap like we know him from the you know,
Speaker 4: Pop Champagne.
Speaker 3: It's rapping, but it ain't like rapping rapping, you know what.
Speaker 4: I'm saying, Like like happy rapping man was giving.
Speaker 3: So when he sent me the joint, he's.
Speaker 4: Rapping, rapping like he's fucking like he's the fourth member
Speaker 4: of the Locks.
Speaker 1: You go from designer, it always was Pop Champagne was
Speaker 1: the commercial version. It was that era too. Yeah, it
Speaker 1: was that error man, like you did your thing, but
Speaker 1: a rad money. Let's talk shit, y'all niggas just getting
Speaker 1: too much money. Where niggas say, got a rad money?
Speaker 1: What was the sample even saying? You know what? It
Speaker 1: wasn't a simple you know what he said?
Speaker 3: Tell him it was nothing.
Speaker 2: It was no words, but just you know, being in
Speaker 2: Harlem going in the e rap store listening to the music.
Speaker 2: When I got auto to him, I was like, Yo,
Speaker 2: this does sound like sounds like I'm speaking Arabic and
Speaker 2: I just made the hook.
Speaker 1: I tucked at pause because I ain't. I ain't think.
Speaker 2: I thought people was gonna think I'm a little bugged out.
Speaker 2: And then after pop champagne Buster called me like, yo,
Speaker 2: I need I need something crazy and I sent him
Speaker 2: that and he was like, Yo, that's my single.
Speaker 1: I don't know what you're saying. I don't care.
Speaker 2: I don't get fuck what you're saying, but that's my single.
Speaker 2: And he had the whole marketing roll out for that
Speaker 2: joint them ships went off. My g like they gave
Speaker 2: you a bad rap man. You know the internet today, this.
Speaker 1: Is what's fucked up about the Internet because they try
Speaker 1: to put ship together and be like this is what
Speaker 1: this happened for. Because think about it, that all those
Speaker 1: songs was coming out. You wasn't the only one at
Speaker 1: that time doing auto tune. The whole industry, bro it was.
Speaker 1: It was bad, like the whole industry was auto toned.
Speaker 1: So Jay made that for auto tune at that time,
Speaker 1: for the era, not specific Yeah, they they made it
Speaker 1: like he did it specifically for that was the cause
Speaker 1: I was getting. I'm not gonna say it wasn't like
Speaker 1: my nigga. I'm not gonna say it wasn't for You're
Speaker 1: not gonna say it was for all of y'all. But
Speaker 1: it's not singlearly to you because you wasn't like a
Speaker 1: threat to the homie. For him to want to just
Speaker 1: like stop your bag. It was just like he's got
Speaker 1: my back, thought the back, don't you know why? While
Speaker 1: because he felt like everybody, I believe niggas felt like
Speaker 1: at that time anybody was just making records. Bro, you
Speaker 1: had no talent. All you had to do was put
Speaker 1: on head and even nearly somewhere pissed the fuck off
Speaker 1: at your niggas. Then now the new rappers perfoor him
Speaker 1: with the words them niggas is sick. They ready to
Speaker 1: clip some Yeah, they was gonna. Uh.
Speaker 2: When Jay dropped it flushed out to Flex and God
Speaker 2: bless mister C was like, Yo, Rong, this.
Speaker 1: Is for you. No fifty calls, Yo, Jay talk about
Speaker 1: you right now with the radio him like Wow, this
Speaker 1: is crazy.
Speaker 2: So him like hearing fifty people calling and flex and
Speaker 2: mister C. I was like, oh, maybe this was this shot.
Speaker 1: And then I saw you know vonn as my man.
Speaker 2: Yeah cool, Like Yo, that ain't like that wasn't for you, man.
Speaker 2: I was like, oh man, that's what everybody.
Speaker 1: That's for everybody though, So it is for you, but
Speaker 1: it was for everybody. It's like it, but it wasn't
Speaker 1: like you guys use a casualty of walk my god, man,
Speaker 1: like Yo, New York, fucking nicks my g bing bong
Speaker 1: all this flash ship out yo. Then the battle rap
Speaker 1: scene first, let's start there, the battle rap scene, because
Speaker 1: that's what got you know in the city. You know
Speaker 1: what I mean. That's to watch you moving on the
Speaker 1: U r L battle Rap Star fight Club that shoutouts
Speaker 1: with you. I mean, because I respect the battle rap.
Speaker 1: That's where it started from. We start, especially in New York.
Speaker 1: I can't speak for any other city, but in New York,
Speaker 1: when you first put that pin in the paper, it's
Speaker 1: somebody next door to you, like you wo straight up,
Speaker 1: so you grow up? What was that like for you
Speaker 1: coming up?
Speaker 4: I just knew that that was a way to get
Speaker 4: my name known.
Speaker 1: You know what I'm saying.
Speaker 3: During that time, that's before the internet, you know what
Speaker 3: I'm saying.
Speaker 4: I was like in New York City, it was like
Speaker 4: they would just have battles all the time, like not
Speaker 4: even fight club.
Speaker 3: It was just like, Yo, Wetlands battle tonight. You got
Speaker 3: a battle fucking eight people tonight. And you know.
Speaker 1: What I'm saying.
Speaker 4: But when you do that, that's how you really got
Speaker 4: your name known. So I would just take my songs
Speaker 4: from versus that I was.
Speaker 1: Doing and just use them.
Speaker 4: But I always rhymed aggressively, you know what I'm saying,
Speaker 4: So it was easy for me. And uh, and then
Speaker 4: the fight club came. I beat one guy Halls.
Speaker 3: And then I just kept going and winning.
Speaker 4: I didn't know it was like gonna be a thing
Speaker 4: like a league or a battle thing whatever. And I
Speaker 4: just kept winning and I I had like twenty wins
Speaker 4: and I was like, damn, what the fuck was this?
Speaker 4: And it was just that's really the first no variety
Speaker 4: that I had. That ship was the hottest ship in
Speaker 4: the city or in the game at that time because
Speaker 4: it was industry only. I was beating man rappers and
Speaker 4: all types of ship.
Speaker 3: You know what I'm saying. So that was good.
Speaker 4: But right when I got that notoriety, I went, I
Speaker 4: got locked up.
Speaker 3: And then it came out on MTV and all of
Speaker 3: that ship. But it was good, kept my buzz going.
Speaker 1: But then you got that Knicks play my nigga. That's major.
Speaker 3: That was all fucking luck. That was just the universe.
Speaker 3: That's crazy in bed style. I was a garbage man
Speaker 3: for like eight.
Speaker 1: Years, and you should pay good. All my niggas who
Speaker 1: come home from uptob with a felony, Yeah they pay good. Yeah, damn,
Speaker 1: that's what's up man, Damn, that's dope. Fucking Where you
Speaker 1: got the name m Greasy?
Speaker 3: Hey yo, that's a crazy name. Who named you that?
Speaker 1: You? You m gree my man leaky man from MARSI
Speaker 1: name you Greasy cou.
Speaker 5: You know, we was.
Speaker 1: Watching What's the movie with my man Denzel with the
Speaker 1: little kid man with the little girl. He protected her.
Speaker 1: Oh yeah, in creasy is she? That's why he like greasy.
Speaker 1: I'm saying, So I came from that, like you know
Speaker 1: what I mean. He was putting in pain, you know
Speaker 1: what I mean. That's why his name was leaky. Let
Speaker 1: you go. You know you got a name from different ships.
Speaker 1: You know how it is growing up. If your name
Speaker 1: you was cupcake, your name was cupcakes.
Speaker 4: Matter of fact, I was thinking about that because you're
Speaker 4: my man's man.
Speaker 3: I ain't never even ask you that. I'm gonna ask
Speaker 3: you that on this podcast. How the fuck are your brows?
Speaker 3: Because your brows?
Speaker 1: Yeah, Yo, this is crazy. I noticed that.
Speaker 2: Yeah at the time when it was when I started
Speaker 2: making beats.
Speaker 1: It was this is crazy.
Speaker 2: I never noticed that you got mixed with something some duba.
Speaker 2: There was a lot of producers I wanted to producer.
Speaker 1: Name was Ron.
Speaker 2: I was like to separate, like the the names from
Speaker 2: that was just.
Speaker 1: A pause. He was a hit man New Yorkers Fun
Speaker 1: out they gets some pause. He was a hit rise
Speaker 1: down pause. That mean he's a killer, Like he was
Speaker 1: a hit man for Puff.
Speaker 6: That's see why I say, yeah.
Speaker 1: Let's talk about it. I got a project coming out
Speaker 1: I Access. They go off camera, right, this is the
Speaker 1: most double album name I ever heard in my life.
Speaker 1: So I say the wrong, like, Yo, what's the name
Speaker 1: of the album? Dropping nigga said, I fucking boom you.
Speaker 1: So it's like, wow, I'm just fucking boom the nigga
Speaker 1: said that. I'm like, Yo, that's kind of dope. Then
Speaker 1: he said, Yo, it's a it's a double entendre for
Speaker 1: boom Back. He didn't even know that. He didn't know that.
Speaker 1: I'm gonna tell you what you in YouTube.
Speaker 4: He just didn't understand it because we was we was
Speaker 4: like halfway through the ship and I said, Yo, were
Speaker 4: gonna name this album, I should fucking boom you.
Speaker 3: Just like that.
Speaker 4: That's a statement, you know what I'm saying, because one
Speaker 4: of the skips he got in there is the dude
Speaker 4: saying like, oh, you hit women, I should fucking boom
Speaker 4: your stupid ass, and so I did.
Speaker 3: He was just like he wasn't sure. Then when it
Speaker 3: was like staple, he was.
Speaker 4: Like, oh, you meant like like because we're using drums
Speaker 4: like boom Back.
Speaker 3: I was like, yeah, that true.
Speaker 4: But also when you hear it, it's gonna make you
Speaker 4: want to boom something, right, So we bring in the
Speaker 4: boom you know motherfuckers right now on that beats without
Speaker 4: drums and just samples.
Speaker 1: Not do that.
Speaker 3: He do the whole body ship smacking your face. So
Speaker 3: it's like both ways, it's gonna make.
Speaker 1: You want to boom something.
Speaker 3: But we're bringing that boom back to hip hop.
Speaker 1: Yo, rawn is my man right. But when it was drama,
Speaker 1: he fuelled all in the meetings. It was drama with
Speaker 1: dim say Higo ju a Jim Joe's ship, pain did
Speaker 1: jewels what it was like the knives, It was like fair.
Speaker 1: But you in baseline, why we wait why he was
Speaker 1: giving them them, yass? That's why beans, I think was
Speaker 1: going next. You didn't give us the drama packs given us.
Speaker 1: It's cool, pat.
Speaker 2: Now the origin is I gave it to hip hop
Speaker 2: hip hop.
Speaker 1: Never the ether be hip hop, hipp super A and
Speaker 1: r Hit didn't pick ether beat.
Speaker 3: I gave to him on a sheet. They brung it
Speaker 3: to the block.
Speaker 1: Don't worry, hip hop will be on this couch.
Speaker 3: Yes, I said, Yo, get his is the hole?
Speaker 1: I think he said, yeah. It just never made it
Speaker 1: to baseline, no way. Not probably did they probably did.
Speaker 1: I ain't gonna one thing about all the A and
Speaker 1: rs from Rockefeller, them CDs used to make it there.
Speaker 1: Now it was on niggas to be in that studio
Speaker 1: to grab that, tell guru or somebody to push play
Speaker 1: or take that, make the cuts with it. Yn't keep
Speaker 1: it a real though, Like that eat to beat.
Speaker 4: If you're looking for classic Ron Brown's production, that's not it.
Speaker 3: You know what I'm saying, that's that's not the ebonic
Speaker 3: the boom.
Speaker 1: Don't really have they got like now to be like that.
Speaker 1: It's about to have mad queens. It's hard. It's hard,
Speaker 1: I guess, like the slow flow. Yeah, yeah, how your
Speaker 1: niggas is partners in the studio making the album our
Speaker 1: boom niggas making heat. But then you drop the book
Speaker 1: and he didn't even know, you know, just dropping Man,
Speaker 1: It's like you finished beating all What about the evens?
Speaker 1: That's what I'm about to say, because even so I
Speaker 1: don't know about all the odds. Rather some odds dunking me.
Speaker 2: Yeah, the book is about me being around, you know,
Speaker 2: a bunch of hustlers from uptown and fuel and the
Speaker 2: energy to making beats.
Speaker 1: So shout Kevin, shout to Jewel brother.
Speaker 3: This is beat the odds.
Speaker 2: It's a crazy story from me from a kid.
Speaker 3: What's crazy is with this guy?
Speaker 4: For probably the last six months during this album, Not
Speaker 4: only have I never seen this book, he never once
Speaker 4: spoke about it. He never said, no, I'm doing a book, yo' yo.
Speaker 4: It even came up in conversations. This is the first
Speaker 4: time I've seen this on this I said, Yo, blieve
Speaker 4: you got a book and.
Speaker 1: He's like, yo, so he's not in the book. Now
Speaker 1: this is I did this interview. It just dropped. Yeah,
Speaker 1: you're in part two. Man beat the odds, Beat the evens.
Speaker 1: Amazon though, that's dope, man. Any features on the project
Speaker 1: or just y'all to going straight thugging it out.
Speaker 4: At first, we ain't put no features, nothing, And then
Speaker 4: when we gave it in the album, the lady was like, Yo, you.
Speaker 3: Got any features. You guys want any features? It was like,
Speaker 3: you know what, man, we can send it.
Speaker 4: I said, I said, it's a little fame for m
Speaker 4: O B gave dog. You know it's Hall them on
Speaker 4: production in Hall and we kept in real Brooklyn.
Speaker 1: That's right, And that was in was in. I't even
Speaker 1: see it.
Speaker 3: I want you to get hold come out on Friday.
Speaker 1: I gotta get a Hall ofm.
Speaker 3: I gotta get a Hall.
Speaker 1: I gotta figure it out by Friday.
Speaker 3: Comes on the fucking three days.
Speaker 1: Yo. Chill the newest nigga from Harlem Chicken right now
Speaker 1: with this that kid Fergie, you know my dog shout
Speaker 1: to that have to remix remixed. Nice day to be
Speaker 1: in Brooklyn, Yo. And one thing, I ain't gonna lie.
Speaker 1: You shot on my dog, Pap, Pap. Don't never ever
Speaker 1: not have a verse like you said, Pap a record
Speaker 1: nigga like that ship right back, yo, Like nigga was
Speaker 1: righting around her to be before I got it, like yo,
Speaker 1: Like how you did the record so quick? Yo?
Speaker 2: I was on some jam with Pat one year and uh,
Speaker 2: he was saying it was the year they said he
Speaker 2: took the mic and performed. He did sway the next
Speaker 2: day and had a whole verse about him taking the mic,
Speaker 2: pause and h.
Speaker 1: The nigga performed alphabitch backwards. I don't even know the
Speaker 1: alphabets backwards, like the rapid backwards. I can't even say
Speaker 1: it backwards that Like you're kidding me. Let's go back
Speaker 1: a little bit to the beginning. Wrong. How was you
Speaker 1: know being a producer from New York, especially in that
Speaker 1: time early two thousands, everybody in their mama was producing.
Speaker 1: You had a lot of competition. Neptunes was moving. You
Speaker 1: had just Blade just coming up. Kanye West. You know
Speaker 1: what I mean. You had baked the monster. You had
Speaker 1: fucking rock Wilder, you know what I mean, Swiss and
Speaker 1: then here come you. How how how tough was it
Speaker 1: to get placements for you back in there?
Speaker 2: It was crazy because you have a lot of artists
Speaker 2: to be in the studio and they have a bunch
Speaker 2: of producers sitting in the lobby. Like next you're playing joint.
Speaker 2: So at that time, your beats had to be like knocking.
Speaker 2: It was like strings.
Speaker 3: It was string based and aggressive beats.
Speaker 1: So I was just able to actually listen to.
Speaker 2: All of them guys, so and learn from all of
Speaker 2: them and kind of made up my own staff.
Speaker 3: For any producers.
Speaker 1: Nah, let's go jump them as a new artist, right.
Speaker 1: I wanted to just get used some games. See, like
Speaker 1: with producers, do you usually get your beats? Do they
Speaker 1: usually send them email to you or like? Or they
Speaker 1: like through their whole stash like yo yo, play the
Speaker 1: whole play play the whole foul. I'm mad picky with beats.
Speaker 4: So, and when producers to send you ship, they're gonna
Speaker 4: send you ship that they think you said good.
Speaker 3: I always tell producers, send me what you think I
Speaker 3: won't like.
Speaker 1: You know what I'm saying exactly. That's a fact that
Speaker 1: a producer like, is ninety trash. I'm telling you, if
Speaker 1: the producer whole you hype, I got it, it's not it. Yo.
Speaker 1: He sent me some ship. Yeah, Yo, I'm gonna listening
Speaker 1: to to this one jot.
Speaker 4: It was ridiculous, hard hard, right, and I just you know,
Speaker 4: I was just like whatever. I finally was like, Yo,
Speaker 4: send me this beat. Let's try to do this before
Speaker 4: the album coming. He sent me, sends me the ship.
Speaker 4: I don't know what the fuck he did to it,
Speaker 4: but it was totally changed the right. I said, Yo, homie,
Speaker 4: what the fuck is this?
Speaker 1: Bro? Matter of fact?
Speaker 4: I got a voice note matter yo, ass because this
Speaker 4: is unmuch friend, because I'm talking nobody like this.
Speaker 3: That's not my friend.
Speaker 1: You know, this is crazy. I'm gonna put it right
Speaker 1: on them, like, look.
Speaker 3: What did you do beat? Whatever beat.
Speaker 1: You ruined?
Speaker 7: It took last three hours trying to fix it to
Speaker 7: my type of send it to me, bridging the way
Speaker 7: it was.
Speaker 3: You just made a fire beat trash.
Speaker 1: You just made a fire beats. That's so crazy, cause
Speaker 1: produces and be like that around here. G from just
Speaker 1: walking into your just what's this He's like, No, this
Speaker 1: is bullshit. I'm working nigga play that beat. Let me
Speaker 1: get that, Let me get.
Speaker 3: That, yo.
Speaker 1: I'm asked by Moss you all.
Speaker 3: The time, how the fun did you get that fucking whatever?
Speaker 1: That was the caddy? What in the ball court?
Speaker 3: I'll be looking. I'll be like, yo, how did there's
Speaker 3: no entrance to this ball court where.
Speaker 1: You can fit car? And no, that wasn't It wasn't
Speaker 1: the basketball court. We had it in pause. It was
Speaker 1: in front of my building. It was in front of
Speaker 1: my building. It's like the corridors because Marcy got like
Speaker 1: a driveway where the change, yeah, drive exactly fied apartment
Speaker 1: that she could get through. So I had the car
Speaker 1: right there in front of the buildings. So the way
Speaker 1: we shot it, you see the playground in the back,
Speaker 1: but it wasn't actually in the park. But yeah, rest
Speaker 1: in peace my dog. Ralph. Man he the one did
Speaker 1: that for me. Man. I remember calling that nigga like, Yo,
Speaker 1: I need a v for the for the video. He
Speaker 1: was like, yo, bleak, I just did this motherfucking caddy
Speaker 1: with the Lamborghini doors. Nobody saw this yet. You're gonna
Speaker 1: crush him. I said, bring it, send me a picture.
Speaker 1: I went and bought the Dodgers like we up. It's
Speaker 1: up words. So yeah, that's my name.
Speaker 3: You don't hear the little kids named Ralph anymore.
Speaker 1: It's like little girl, Yo. Somebody said I seen them.
Speaker 1: Somebody saying, yo, why you never meet a baby key Sha?
Speaker 1: You only beat t shit when she grown? He be like, yeah,
Speaker 1: what's the baby nigg this is Keisha. You only beat
Speaker 1: t shints and adult. You're like, yo, that's kind of true.
Speaker 1: Ralph or Ralph's mechanics. Yo, he was a code niggas
Speaker 1: carr nigga mans. Ralph got rims. But yo, like one
Speaker 1: thing I fucked with you with them is like you
Speaker 1: brung back in this era cutting niggas up facts yo, Yo,
Speaker 1: you fucking talking to me like that. The fucking skitto's
Speaker 1: you got them slippers off. You just cut the camera
Speaker 1: man up just coming out here. My dog. I ain't
Speaker 1: gonna say his name. So niggas be like, yeah, you
Speaker 1: be getting cut up and dusty. But just know the
Speaker 1: cameraman got chopped sue here today because he got on
Speaker 1: crops that he said he do construction.
Speaker 4: He did, yo, But that came because before I had
Speaker 4: the with Goliath and Rosenberg.
Speaker 3: I was like on the block and my album.
Speaker 4: Was coming out like in the in the week, and
Speaker 4: I was like, damn, I don't got no you know,
Speaker 4: I don't got no budget and I don't got nothing
Speaker 4: Like how the.
Speaker 3: Fun how much let people know this album was?
Speaker 4: I was just like I got it, like I got
Speaker 4: the world in my palm right here now, Like I
Speaker 4: don't know what the fuck I just put don't disrespect
Speaker 4: my album looking like a Mario Bergen, Yo, come.
Speaker 3: In, I'm gonn disrespect. I kept doing it every day
Speaker 3: until the album was coming out.
Speaker 4: By the time the album was coming out, people was like,
Speaker 4: we kind of don't want your album to come out.
Speaker 1: They want you to keep hating these videos.
Speaker 3: And I was like, yo, I got signed here and
Speaker 3: I just.
Speaker 1: Kept on with it. Nah man. Then that ship let
Speaker 1: into now y'all doing the XIM station, got that disrespect radio?
Speaker 1: Congrats on that. That's dope, man. What's that like?
Speaker 3: Whatever?
Speaker 1: Average friend come up there? You ain't tell him about
Speaker 1: the Yeah, I had to get him back. How he
Speaker 1: was going to interview you? If you were just gonna
Speaker 1: talk about this ship, ya talk about how to get
Speaker 1: him back?
Speaker 2: Man?
Speaker 1: Fact well yo, but yeah, definitely man. So how what's
Speaker 1: that like working up there? Man? That shit is man fun,
Speaker 1: man easy.
Speaker 3: I love Yo.
Speaker 4: You gotta understand I've been I've been like since battling,
Speaker 4: since the early two thousands.
Speaker 3: I was trying to get on from man long you
Speaker 3: know what I'm saying, and and.
Speaker 1: It just started happening. So I'm really like this.
Speaker 3: I'm like a kid in the candy store.
Speaker 1: Man. I love this ship.
Speaker 3: Man, this ship is a dream come true.
Speaker 1: But from one artist to another artist, do me one
Speaker 1: favor of being inside the radio. Learn the cheat code, man,
Speaker 1: figure out why they ain't playing that ship as much
Speaker 1: they need to be playing. I play whatever I want
Speaker 1: on my ships, right, No, we gotta find out why
Speaker 1: the system. We gotta put a cheat code in it,
Speaker 1: up up, down with start with the cheat cod in
Speaker 1: the system. So it worked for us, You know, I agree,
Speaker 1: because ship, they don't be fucking with us. Certain records
Speaker 1: you hear even be like how what who he knows?
Speaker 1: Facts know?
Speaker 4: And being in the game, you see certain people like that,
Speaker 4: like your father must be a fucking publicist, manager, fucking agent.
Speaker 1: How the fuck you getting all these looks? You just
Speaker 1: got in the know?
Speaker 3: You how the oh you know? El this, this guy's son, this,
Speaker 3: this guy's fucking you know what I'm saying.
Speaker 1: One thing I'm gonna tell you, all right, a lot
Speaker 1: of people, a lot of artists like you know you
Speaker 1: you can you can agree to this. A lot of
Speaker 1: artists look for that coach sign, Yo, I need to
Speaker 1: be damn with such and such a be damn Now.
Speaker 1: I'm gonna tell you, it's a gift in the curse
Speaker 1: to this ship. I live my whole life, It's a
Speaker 1: gift in the curse. You lick right. I ain't drop
Speaker 1: an album in fifteen years. I still walk out something
Speaker 1: lick whow because the big homie is on fire. So
Speaker 1: they like, that's this bro. He gotta be on fire,
Speaker 1: right fire. So that's cool. But the curse of that
Speaker 1: ship be that with the radio, with promoters with this
Speaker 1: because Jay is who he is, say like where he did,
Speaker 1: this has always been the ling ship to be right,
Speaker 1: looking at this nigga like you a basting yo, how
Speaker 1: you do that? When he did ninety nine problems, He's saying, radio,
Speaker 1: don't play my hits. If I don't play, they show
Speaker 1: I don't give a ship. So I'm looking at that
Speaker 1: nigga like No, that's not what they do. They don't
Speaker 1: play bleak hits. You were supposed to say, radio don't
Speaker 1: play bleak hits. I don't give a shit because that's
Speaker 1: what's happening to me. You say no, they like fifty
Speaker 1: less spins on mind, Yo, take that ship up the mixed, yo,
Speaker 1: like your whole career, That's what I'm saying. So being freed,
Speaker 1: like not free, like you free to be out here
Speaker 1: roaming around, but like not having that pressure. You get
Speaker 1: to experience certain things that I never got to in
Speaker 1: this game. And that's why I want you to take
Speaker 1: full advantage of that little yo.
Speaker 4: Fucking the other day, fucking Dave Chappelle came up and
Speaker 4: was like, Yo, I love your video.
Speaker 3: I watch this shit all the time. You are hilarious.
Speaker 1: Then I'm the same hand.
Speaker 3: No rein fucking bust the rhymes, treating me like I'm
Speaker 3: a peer.
Speaker 1: And I came up. I got all the albums. You
Speaker 1: know what I'm saying, This is a dream. I love this.
Speaker 1: We see what you're doing. You making the devil. You're
Speaker 1: making the impact. Niggas. Respect your struggle, respect your hustle,
Speaker 1: respect your ground number one, and then you you're making
Speaker 1: moves that artists dream about. You know, come on, man,
Speaker 1: we've been in this game for years. They cant getting
Speaker 1: the radio shows. Did that ship.
Speaker 3: Radio all day, clearing ship all the time?
Speaker 1: Bro?
Speaker 3: I got you bro, thanks man, Yo, he got you
Speaker 3: gotta he's halem hall them. You gotta when the cameras
Speaker 3: is on. It's a whole exterior.
Speaker 1: No. I just I just started getting cool with this
Speaker 1: mother fuck like.
Speaker 3: Two months ago, six months.
Speaker 1: He was he was hollow. Yeah, what's up?
Speaker 4: Many'll think at people, he'd be like, I like, boy,
Speaker 4: you gotta like that, oh ship, hall of pause.
Speaker 3: You gotta crack the exterior first.
Speaker 1: You got to cool. That's what cool. You don't want wrinkles, sweat.
Speaker 1: That's up down man, that's the time niggas snap on
Speaker 1: you sweat wrinkle.
Speaker 3: But niggas past that though.
Speaker 1: They the coolest, smoother fu. That's a fact. Get past that, man,
Speaker 1: that's a fact. So talk about that man. That Harlem
Speaker 1: world hallm.
Speaker 2: Hallm is just you know, grow up seeing all the
Speaker 2: all the drug dealers, yo, and you're getting inspired.
Speaker 1: Man. Listen, it was a time in hall of my nigga.
Speaker 1: I hated walking through Broadway every two steps, not every block.
Speaker 1: Every two steps one too fish fish fish, Oh yeah,
Speaker 1: one to Poppy. I beat both in the practice by
Speaker 1: be right here fish fish. Yo. That was a wild time.
Speaker 1: So niggas, if you come to New York and see
Speaker 1: the weed out here and think that's crazy, we had
Speaker 1: that cold. Yeah, that was you walking fish fish fish.
Speaker 1: You like, what what? Let me get that zip, go
Speaker 1: back to the I'll be right back, poppy. But then
Speaker 1: y'all have them niggas that will robb you. Wait not
Speaker 1: here in the McDonald's. Wait right here. I'll be right back, poppy.
Speaker 1: Niggas come sell you that motherfucker she rock. Yeah, man, yo,
Speaker 1: So my niggas went up there blasting. You know what
Speaker 1: I mean. You talk about you said, you speak about
Speaker 1: that in the book. Man. That just growing up.
Speaker 2: Being around a lot of dudes, you know, like I said,
Speaker 2: my man Kevin Chiles, my man Drew Rudledge and all
Speaker 2: the people that was around. And I just got to
Speaker 2: experience a different type of life growing up, and I
Speaker 2: just channeled it into doing music. And you're hearing a
Speaker 2: lot in the lines of just day to day life
Speaker 2: growing up in Harlem and being around like a lot
Speaker 2: of o G's like.
Speaker 4: I said that the other day though, I just I
Speaker 4: was when I was in hallm I forgot maybe it
Speaker 4: was doing the video something. I was like, Yo, it's
Speaker 4: a whole different lifestyle growing up in Coney Allen where
Speaker 4: in the wintertime it's like a fucking dead land, you
Speaker 4: know what I'm saying.
Speaker 1: Where you just it's one way in, one way out.
Speaker 4: Like growing up there and then growing up in Harlem,
Speaker 4: it's a whole different lifestyle.
Speaker 3: It's totally different, but still New York.
Speaker 1: You see how you say the summertime, the whole Brooklyn
Speaker 1: come alive. In the summertime, we you lording anybody hanging
Speaker 1: out every block. Winter time, niggas is in the crib
Speaker 1: ghost towns. Everywhere you go to Harlem is like going
Speaker 1: to d off. It didn't. I don't even know how
Speaker 1: they separated Harlem in the Bronx. That ship is a
Speaker 1: little bridge over that ship like it ain't like that
Speaker 1: now that's fall place like fashion show in the winter time, y'all, niggas,
Speaker 1: that ship has runway sent you up there. Nigga, you
Speaker 1: can all season. You couldn't. You can't go to Harlem,
Speaker 1: like imagine that, right, you're getting up to go shopping,
Speaker 1: like yo, I gotta go buy some fresh, but you
Speaker 1: gotta be fresh by the flash like that's Harlem Like nigga,
Speaker 1: come out like whatever on your sweats whatever. Nigga like, yeah,
Speaker 1: I'm going shopping tho. As nigga, you ain't them. You
Speaker 1: had to be fly to go get fly. That's why
Speaker 1: I plose out. Man, take these new sniggers over, give
Speaker 1: me the mother joints like that.
Speaker 4: Like, and then you got Coney Allen, my nigga, when
Speaker 4: they come out cruddy, they go to the store.
Speaker 1: Listen, listen visual description of Coney Allen. It is projects
Speaker 1: with beach views. So just think to just imagine that
Speaker 1: a beach view projects a lot of them too. Like facts,
Speaker 1: my nigga. That ship is like East New York with
Speaker 1: a beach exactly What the fuck happened how they did That's.
Speaker 3: Why they've been trying to gentrify it forever.
Speaker 1: But nobody wants to live over there. Yeah, no, they
Speaker 1: can knock go on them ships.
Speaker 3: Down gentrify because it's close to the city.
Speaker 1: It's like two three.
Speaker 3: Stops from the city.
Speaker 1: Forget about dumbbo got that no more. They took it over.
Speaker 1: They took that Dumbo's over. They took it Cony.
Speaker 4: It's like it's an hour and least in the fucking city.
Speaker 4: So they've been trying to put new buildings and gentrify it,
Speaker 4: but it just ain't happening.
Speaker 1: But you to upgraded Coney all in the playground, like
Speaker 1: the motherfucker that ship the cyclone face was like, God
Speaker 1: damn be shot a video on that ship. Facts, that's
Speaker 1: how you know they gave it a face.
Speaker 3: I don't have not sin. That shit kills people.
Speaker 1: Yes, my nigga, listen right now, this nigga's walking around
Speaker 1: getting back surgery port from riding the cycle. Nigga's a
Speaker 1: true story.
Speaker 3: Because I'm a Coney, I'm the mayor. I gotta notice
Speaker 3: you know what I'm saying.
Speaker 4: There was a roller cycle roller roller coaster enthusiasts his
Speaker 4: whole life. He went to every he was from San Francisco,
Speaker 4: went to every park, rode the roller coasters, loved it everything.
Speaker 4: His dream was to ride the Brooklyn's the Cyclone. He
Speaker 4: finally makes it on his like thirty seven, thirty eighth
Speaker 4: birthday to the infamous Coney Island rides the Cyclone on
Speaker 4: his birthday, his dream, lifelong dream. The ship snaps his
Speaker 4: spine and he dies.
Speaker 1: I'm telling you that shit it occurred, my nigga. That
Speaker 1: wouldn't by fast, my nigga. You best like putting the
Speaker 1: shopping car on the on the track like that ship was,
Speaker 1: like it was the most funning story.
Speaker 2: You went on the cyclone kidding me of course, everybody,
Speaker 2: it's never been on this ship.
Speaker 1: Holler, niggas gonna be going to Wish your amusement park
Speaker 1: where y'all with y'all don't drops. Yeah, we did that.
Speaker 1: I ain't gonna front y'all couldn't come to Coney I'm glad.
Speaker 1: I'm glad didn't, yes, because back then it was it
Speaker 1: was wicked, Yo. It's some ogs in my projects right
Speaker 1: that one day, Britt speaking of Cody, bring me to
Speaker 1: the story. So OG's right, So these niggas is going
Speaker 1: to Coney Allen. So I'm like, yo, bro, I gotta
Speaker 1: let me roll with y'all. Got my own money, man,
Speaker 1: I don't give a fuck. So nigga's like, bleep, now
Speaker 1: you can't roll with us right now. But I'm like,
Speaker 1: y'all going to Coney Allen. Y'all gonna make sure I'm good,
Speaker 1: like the fuck I'm with y'all. Y'all owe the homies,
Speaker 1: let me fuck with y'all. Got my own money. I
Speaker 1: want to go have fun. So the nigga like, fuck
Speaker 1: it ain't come on, we get the Coney Allen. These
Speaker 1: niggas is not in Coney Allen for fun. These niggas
Speaker 1: gonna have a major gangst to me type of other
Speaker 1: gangsters and new gangsters. They want to the broadwot niggas
Speaker 1: like bleak go get some Nathans and something like, what's
Speaker 1: going on? This is four four man, this is way before.
Speaker 1: You see, you never even had a condition many.
Speaker 2: School school school, like when you're gone for lunch. That's
Speaker 2: all you can afford is a condition. Man.
Speaker 1: But you ain't have it from Nathan, you know what
Speaker 1: I mean. Don't ship on Nathan Cony. Man. They could
Speaker 1: fight for that ship. Man.
Speaker 3: You know you got loss on your manicure.
Speaker 1: Man.
Speaker 3: Man, we get manicures to Brooklyn, but we don't get nos.
Speaker 3: You get on pedicules, you.
Speaker 1: Get gloss on the patty. On the patty. You gotta
Speaker 1: you got to strike, you.
Speaker 3: Know, we gotta take that extra clean.
Speaker 1: Yeah, you can't get gloss on the.
Speaker 3: Man, you know, like, yeah, there's some holler that might
Speaker 3: be some hollow ship.
Speaker 1: Loss on the petty. Y'all did wrap the chick Glettized's
Speaker 1: gotta be right on the summertime. They just trying to
Speaker 1: ship a hole for where chick gletized.
Speaker 4: And then everybody grew up that beach. Now like this,
Speaker 4: y'all be thinking that. Y'all be thinking that too. But
Speaker 4: that they they used to get a hold.
Speaker 1: Of they got the Gucci joints. Yeah, just because y'all
Speaker 1: niggas got supreme on y'all. Ship's mean this coolie joints. Nah.
Speaker 1: The herd man, Yeah, niggas, every nig I see what
Speaker 1: the herd man slides for.
Speaker 3: It is a good friend. Look, even all this time,
Speaker 3: I didn't even notice the NFL had on the loan.
Speaker 3: It's like subtle, It's like something like it's just some
Speaker 3: fresh ship.
Speaker 4: But then when you go behind you like oh with
Speaker 4: the rock little the paper playing, I was like, oh,
Speaker 4: he's slick with it.
Speaker 1: He's a good friend, yea with it, you know what
Speaker 1: I mean? I gotta wrapped the squad, mean, turned me
Speaker 1: Dominican with the Do you know what I mean, yo, yo,
Speaker 1: you Puerto Rican or Puerto Rican, my nigga, You know
Speaker 1: I mean, I hang with them, but Puerto Ricans Dominicans, man,
Speaker 1: you know what I'm saying. They got me telling these
Speaker 1: niggas fucking my my guave a play with him names
Speaker 1: well and beat it well and beat you know what
Speaker 1: I'm saying. Why these niggas only teach me the curse word?
Speaker 1: Nigga know all that everything cursed? They don't know. I'm
Speaker 1: about to hire a Spanish tutor teach me some game
Speaker 1: my jeans. Do you in the building.
Speaker 3: Yeah, See, as soon as you said that, Dominicans just came.
Speaker 1: So I'm telling you I went to school with them, yo.
Speaker 1: One of my homies right because you know in Brooklyn,
Speaker 1: we got the major, major Dominican side of Brooklyn. So
Speaker 1: one of my homies, my mad Deebo, shout out debo,
Speaker 1: so he went he went to check one of his
Speaker 1: man's that you know what I mean, that live in
Speaker 1: fucking Brooklyn over there down on Broadway or Coskiasco and
Speaker 1: all that ship over there.
Speaker 4: No, people don't know how to say Cosky, I know.
Speaker 4: So the nigga's like you could say it because we
Speaker 4: said it. So if you see the sign, you want
Speaker 4: to know how toing else it, So you know what
Speaker 4: I mean. So the nigga was like, yo, you hang
Speaker 4: with Bleak?
Speaker 1: Like that's my bro. Man telling him. I said, what's up?
Speaker 1: But the homie don't speak English, he only speaks Spanish.
Speaker 1: So Debo looking at him like, how the fuck you
Speaker 1: know Bleak? He was like, man, I went to school
Speaker 1: with Bleak. So that Debo come back to me like, yo, Bleak,
Speaker 1: what school you went to? I was like, yo, bro,
Speaker 1: I went to seventy one. They caught me with the joint,
Speaker 1: cleaned me out. Mom said you not going to thirty three?
Speaker 1: Sent me where Acrosstown of forty nine. There's nothing but
Speaker 1: Dominigans and Dorto Ricans had nothing to do but get cool.
Speaker 1: I was over all the middle in gay parties like this,
Speaker 1: Like what y'all nigga say? Fucking went two step Blizzard.
Speaker 1: That's how demon Little Bleak came about. He been legged.
Speaker 3: On the ego.
Speaker 1: Yeah yeah, but what's next for my geez? We know
Speaker 1: we got the project? You got any projects dropping on
Speaker 1: your own?
Speaker 4: Yeah, I'm I'm I'm working on the dock. So I
Speaker 4: have a three album deal with Goliath Records. Slash version
Speaker 4: was Paul Rosenberg. So after the song we know I'm
Speaker 4: working on the third album. I don't really know what
Speaker 4: I'm doing yet, but I'm taking it to the next level.
Speaker 1: A lot of people get them rosen Birds confused with
Speaker 1: Rose ninety.
Speaker 8: You got yeah, yeah, yeah, in fact, you gotta go
Speaker 8: ros Birds love me yeah different.
Speaker 1: So with Shout the Pet that's my God too, though, Yo,
Speaker 1: what's next besides the book? Any chapters in the book
Speaker 1: you want to give us a sneak piece God reading
Speaker 1: man to make.
Speaker 5: A scoop uh playing story in there, but no dark story,
Speaker 5: just argument over the the person was like that one
Speaker 5: thing I'm gonna give you the major props to NIMS
Speaker 5: for because you know, when they come down to the
Speaker 5: Puerto Ricans in the.
Speaker 1: Game, they don't come for the Bronx. Yeah, yeah, facts,
Speaker 1: you know what I mean. They been fronting on my guy,
Speaker 1: Jojoe Peller Green over your gast ain't letting my guy
Speaker 1: what you broke through?
Speaker 3: But he ain't Puerto Rican?
Speaker 1: What Joe? He Italian? Yeah?
Speaker 3: He Staten Island.
Speaker 1: Yeah, that's my guy though, Man, don't my god.
Speaker 3: It's fucking fucking the well from the State Knowledge Ship.
Speaker 1: Yeah, that it was Hall. He's super nice and nice.
Speaker 1: My get get that.
Speaker 3: That's why I go hard for Cony, look big and hold.
Speaker 3: They ain't shout out Coney Island on Brooklyn's finance. I
Speaker 3: fucking know that I kept the motherfucker out.
Speaker 1: That gives me motivation.
Speaker 4: Yo.
Speaker 1: I'm not holding out Brooklyn's five.
Speaker 3: Since ninety six. I've been holding that in. No, But
Speaker 3: that's why I go hard. But Coney Island.
Speaker 1: Forty. You do your show out there too, man, that's
Speaker 1: dope with gorilla Nims.
Speaker 3: Yeah, we shoot right in front of my store.
Speaker 4: I got a store on Mermaid Avenue, sixteenth Street, the
Speaker 4: fi L Store, And we shoot the podcast there outside.
Speaker 1: With Goerrilla Nemes. We got seventy three episodes.
Speaker 3: It's outside.
Speaker 4: We be outside in the winter time when it's mad cold.
Speaker 4: We put the beach shears outside all of that ship.
Speaker 1: That's fun, yo. They don't let black people get stores.
Speaker 1: Only the Dominicans, the Puerto Ricans and the A Rads.
Speaker 1: That's it. You ain't gonna never walk into bodega here
Speaker 1: shape that ass. Never. You're gonna Every coach brought some
Speaker 1: black shit in there. I wonder why man, Yo, they
Speaker 1: never gave us one. All my homies that got one
Speaker 1: lost they store though, because you know they was they
Speaker 1: got stories like in the book. Yeah, they wasn't really
Speaker 1: selling young man tay the chips.
Speaker 3: Rare even see a Puerto Rican corner store anymore.
Speaker 1: Now, that's right. That the stores when we first wren
Speaker 1: you had to walk in like this. Yeah you begin,
Speaker 1: let me get two due, two dunees and the snapper.
Speaker 1: Now you got walking there, yo, what they say, I
Speaker 1: BB yeah, yeah maybe me the bagwood was I BB?
Speaker 4: What side was your ship? Was just your stores to
Speaker 4: go to? Because I be I told you I was
Speaker 4: throwing out of garbage there. So Marsie don't got I
Speaker 4: mean Flushing don't got no stores stores.
Speaker 1: That's what's crazy. What side one? It was two stores.
Speaker 1: It was one of Flushing in Marsie. Yeah, yeah, paused,
Speaker 1: paused because this store used to be called meat bar
Speaker 1: from meat Bon used to be called meat bar. W Yeah,
Speaker 1: that was all flushing and no string. And then we
Speaker 1: had a twenty four hour store on flud on me
Speaker 1: on Flushing and Marsie was paused meat bond and on
Speaker 1: Flushing and no string They tried to open up a
Speaker 1: twenty four hour store, but too many niggas got clapped there,
Speaker 1: so they closed that down. We had the two stores
Speaker 1: Brothers and then the pizza shop that turned into another
Speaker 1: store that brother bought that was on no string Yeah.
Speaker 1: We got the other store on the other side on
Speaker 1: still there. The other one on the other side on
Speaker 1: no stringing between no stringing, Murdle between parking murder was
Speaker 1: still there. And we had the one on Murdle Avenue
Speaker 1: right by the fucking.
Speaker 3: Kennedy Fried.
Speaker 4: That Ye, they got the picture, the whole specio and
Speaker 4: the cap because he never even told them to do that.
Speaker 1: They just made the nigga went in there or the son.
Speaker 1: Next thing, you know, they got a whole meal like
Speaker 1: with his picture on it. Like they got it, yeah
Speaker 1: with it. He ain't never shut it down. That's the
Speaker 1: only Kennedy Fried that got the whole special right there
Speaker 1: on Marcy, right there on Murdle Avenue. Then we got
Speaker 1: the three stores on Marcy Avenue, the Green Store, so
Speaker 1: all the stores was my neck of the woods, but
Speaker 1: my main store was brother Store. No stringing flushing, Okay,
Speaker 1: you know what I mean, because that's right there walking
Speaker 1: down my building right through the leg right there. Every
Speaker 1: store we went to. That's how them niggas start selling
Speaker 1: backwoods because the only store on my side that so
Speaker 1: backwards back in the day was the store by Woodhole Hospital.
Speaker 3: That's a mission.
Speaker 1: You had to go all the way down there, and
Speaker 1: they only had the brown pack. So why's that freeway
Speaker 1: and beans? And will meet me on a turnpike with
Speaker 1: boxes of backwoods back there, And then I would go
Speaker 1: to my stores in the hood, like yo, y'all got
Speaker 1: to order these man call and buy them up. And
Speaker 1: that's how they started ordering the backwards bro Yo, you
Speaker 1: love giving niggas beats for bell Yo, he didn't drama producer.
Speaker 1: If y'all niggas got smoke. If you want to smoke
Speaker 1: a nigga, come see Brown because Jay Mills rappid like
Speaker 1: the rent dude did the landlord knock on the door
Speaker 1: and that nigga create and they got gloves and ship.
Speaker 1: What was going on.
Speaker 2: He had a situation where he had to take He
Speaker 2: took care of your wad like.
Speaker 1: All, he took care of it. He ain't fucking playing.
Speaker 1: He's body dagg and rap his ship up. That ship
Speaker 1: niggas used to say he doing it.
Speaker 3: I just see a battle wrap of well known one
Speaker 3: I see the other day. His chain was mad fake.
Speaker 1: Yo, chill. I feel that. I was like, damn me, yo,
Speaker 1: that's bad because niggas will kill you for that ship.
Speaker 1: If you're a battle rapper at that niggas will kill
Speaker 1: you for this ship. You're risking your life and some
Speaker 1: figs ship. You wake up every day and strap on
Speaker 1: that fig She be like, Yo, I'm gonna go out
Speaker 1: there and put myself in mad danger. Just look, yo,
Speaker 1: that's crazy because niggas and the Wolves is out right now.
Speaker 1: Ain't no niggas. You see the video They just booked
Speaker 1: somebody in what Patterson, New Jersey.
Speaker 6: Oh yeah, and.
Speaker 1: Niggas online and like that's French, like niggas doing Chinese nigga.
Speaker 1: That's fucking normal. It's called wolves food. We have to eat.
Speaker 1: You gotta be with.
Speaker 4: Niggas just got used to this fucking pussy culture back
Speaker 4: in the days.
Speaker 3: That's how everything that was just the normal. It's just
Speaker 3: become not the now. Yeah, it's still the normal.
Speaker 1: A rapper from New York. I ain't don't even say
Speaker 1: his name because I don't like keeping shit going, and
Speaker 1: you know, niggas loved it. But a rapper from New York.
Speaker 1: I seen this nigga LA and that nigga like, yo,
Speaker 1: you wear your jewelry in La. Hey, nigga, I wear
Speaker 1: my jurry whatever. Fuck I wat's what I bought it for? Right?
Speaker 1: A nigga like you crazy? Like no, nigga. I had
Speaker 1: to explain to him, Yo, you know where I'm from, right,
Speaker 1: He's like, yeah, you know, Brooklyn originated take nigga shit right,
Speaker 1: like we if we had started at if you wasn't
Speaker 1: my nigga, that ass serious. The environment in New York City, Brooklyn,
Speaker 1: New York from when I was a jit the eighties,
Speaker 1: I say, from about eighty nine to about two thousand
Speaker 1: and four or five, my nigga, if you wasn't a
Speaker 1: person who deserved something and God took care, niggas look
Speaker 1: at it. Yeah, like that let they had he think
Speaker 1: he can that's just the cold of Brooklyn, Like yeah.
Speaker 3: Yo, he just went.
Speaker 4: I just was in Medaan in Columbia and everybody was like, yo,
Speaker 4: it's not dangerous.
Speaker 3: I said, Yo, I'm from Conel. Yeah, it's dangerous, dangerous.
Speaker 3: The fun I'm not saying I'm the tough.
Speaker 4: But when you come from that environment, you know, when
Speaker 4: you can see exactly, you can sense it. And it's
Speaker 4: like if you ain't looking, if you look for, you're
Speaker 4: gonna find it. That's right, you know what I'm saying.
Speaker 1: Like going through your girlfrione, you gonna find that.
Speaker 4: And there's there's nothing good that could come in there.
Speaker 4: Even if you don't find something, you coulda found.
Speaker 1: Makeups bitch, you said you was going to the cleaners
Speaker 1: at full class yo, word out yo, So yeah let
Speaker 1: him know. Man, fucking boom your face off.
Speaker 3: I should you boom?
Speaker 1: You drop it out right now. If you don't listen
Speaker 1: to it, it's probably because you pussy yo.
Speaker 3: Straight up yo.
Speaker 1: I fucking love this guy, yo. Listen, Me and them
Speaker 1: are best friends after this episode.
Speaker 6: You hear me.
Speaker 1: This is the type of ship I like That nigga
Speaker 1: got a sore where he told the niggas or forty
Speaker 1: duce selling they missed the fuck is stupid that ship, yo, Listen.
Speaker 1: I wanted to jump out my car and let it
Speaker 1: go on his own when I heard that line, and
Speaker 1: now that I'm sitting here with this nigga is like,
Speaker 1: no fucking way. This is my best my best friend.
Speaker 1: Now we be f f y'all. I'm y'all. A lot
Speaker 1: of people think it's just when they don't meet me
Speaker 1: in real life.
Speaker 3: They think it's like, might be an act for the
Speaker 3: internet hunt.
Speaker 6: This is how I really am.
Speaker 1: You're a real one. I told you. He can't walk
Speaker 1: in the door and cut the camera. Man. Nothing. I
Speaker 1: feel bad for him because he's gonna have to edit
Speaker 1: this ship. He might try to edit your points, my
Speaker 1: ge know, we're gonna have to give him some bread
Speaker 1: on the side, you know what I mean. But you
Speaker 1: know what it is. It's been a real one. I
Speaker 1: love my guys. Man. Run keep putting in that pain.
Speaker 1: My niggas. Stop making niggas, stop making niggas getting beef
Speaker 1: and get better. Get them niggas records when they ain't
Speaker 1: got no drama like me, I ain't got no drama.
Speaker 1: We can make up some drama, though. Fucking up before
Speaker 1: we shut with the YO. They violent nigga mine head, right, yo?
Speaker 1: They violent. I love it though, y'all. Yeah, they said
Speaker 1: I was Yo. I like it though. Give me the owner, YO,
Speaker 1: lean me up. You know what I'm saying. As long
Speaker 1: as you get demon little Blee, the bean is outside you.
Speaker 1: Yall niggas never had a Boston Big Bean because your
Speaker 1: pop is soft like silent nigga, you know what it is. Yeah.
Speaker 1: For more podcasts from iHeart Radio, visit iHeart Radio, app,
Speaker 1: Apple or wherever you listen to your favorite shows at
Speaker 1: and you can follow me on any social media platform
Speaker 1: under the name Memphis Bleach. You see anybody fraud in,
Speaker 1: flag him h