1 00:00:00,720 --> 00:00:03,279 Speaker 1: I am all in. 2 00:00:08,680 --> 00:00:08,719 Speaker 2: You. 3 00:00:17,000 --> 00:00:20,640 Speaker 3: I am all in with Scott Patterson and iHeartRadio Podcast. 4 00:00:20,800 --> 00:00:23,720 Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. Listen. 5 00:00:23,840 --> 00:00:28,360 Speaker 1: I'm going to make a big announcement here January seventeenth, 6 00:00:28,480 --> 00:00:32,880 Speaker 1: twenty twenty four, at the iHeart Radio Theater at three 7 00:00:32,920 --> 00:00:37,159 Speaker 1: thousand West Alameda Avenue, Burbank, California. I Am all In 8 00:00:37,440 --> 00:00:42,640 Speaker 1: Live event with Amy Sugarman, Susanne French, Tara Sude, and 9 00:00:43,000 --> 00:00:43,880 Speaker 1: yours truly. 10 00:00:44,200 --> 00:00:46,080 Speaker 3: Guess who will also be there, Scott. 11 00:00:47,520 --> 00:00:52,600 Speaker 1: Daniel Danielle Romo coming back strong for the live event. 12 00:00:53,120 --> 00:00:59,560 Speaker 1: The guests include Sebastian Bach, Vanessa Morano, Keiko Againa, and 13 00:01:00,080 --> 00:01:04,840 Speaker 1: the one and Only ba Bet Sally Struthers. Amy, tell 14 00:01:04,920 --> 00:01:07,160 Speaker 1: them all about how they get tickets. 15 00:01:07,319 --> 00:01:11,480 Speaker 3: Okay, first, you have to say it again. Tell the 16 00:01:11,480 --> 00:01:14,760 Speaker 3: people again who guests are. So First, I have to 17 00:01:14,800 --> 00:01:20,440 Speaker 3: say Danielle finishes her maternity leave January fifteenth. The live 18 00:01:20,480 --> 00:01:24,640 Speaker 3: show is January seventeen, So the very first thing she's 19 00:01:24,680 --> 00:01:27,480 Speaker 3: doing when she comes back. Maybe she'll even bring the baby. 20 00:01:28,560 --> 00:01:34,600 Speaker 1: I am all in Live, Sebastian Bach, Vanessa Morano, Keiko Againa, 21 00:01:35,160 --> 00:01:40,480 Speaker 1: Sally Struthers. January seventeenth, twenty twenty four. iHeartRadio Theaters, three 22 00:01:40,520 --> 00:01:43,720 Speaker 1: thousand West Allameta Boulevard, Burbank, California, right next. 23 00:01:43,720 --> 00:01:45,280 Speaker 3: And you'll be there, Actually, you'll be there. 24 00:01:45,680 --> 00:01:48,760 Speaker 1: I'm going to be there. Yeah, I'm gonna host just 25 00:01:49,200 --> 00:01:51,240 Speaker 1: like the rest of y'all. If you'll let me on 26 00:01:51,280 --> 00:01:52,440 Speaker 1: the stage, want me. 27 00:01:52,440 --> 00:01:53,920 Speaker 3: To tell you a couple of the things that are 28 00:01:54,280 --> 00:01:58,600 Speaker 3: amazing about it? Or yeah, should we leave it to 29 00:01:58,600 --> 00:02:03,240 Speaker 3: be surprised? Okay, I'll give. 30 00:02:03,080 --> 00:02:07,080 Speaker 1: You maybe a little surprise, a little yeah tease, a 31 00:02:07,120 --> 00:02:08,720 Speaker 1: little shure. Okay, yeah, we should let. 32 00:02:08,680 --> 00:02:13,320 Speaker 3: Them know all. First of all that amazing lineup, like amazing. 33 00:02:15,200 --> 00:02:21,960 Speaker 3: There will be concession sold from Doci's Market. There will 34 00:02:22,080 --> 00:02:28,320 Speaker 3: be a merch shop from Warner Brothers. Oh yeah, bringing over. 35 00:02:28,480 --> 00:02:31,880 Speaker 3: They're literally so our theater. The iHeart Theater is about 36 00:02:32,000 --> 00:02:35,480 Speaker 3: one block from the Warner Brothers law it's walking distance. 37 00:02:35,680 --> 00:02:38,280 Speaker 3: So I'm just picturing all the people from Warner Brothers 38 00:02:38,360 --> 00:02:42,079 Speaker 3: walking across the street with the boxes of amazing Gilmore 39 00:02:42,080 --> 00:02:46,440 Speaker 3: Girls merch to sell at the theater. So there's going 40 00:02:46,520 --> 00:02:52,840 Speaker 3: to be exclusive merch, special guest surprises, things you cannot 41 00:02:52,840 --> 00:02:56,080 Speaker 3: even begin to imagine that We'll be announcing throughout the 42 00:02:56,120 --> 00:03:00,320 Speaker 3: next month as we lead up to the show. So 43 00:03:01,200 --> 00:03:05,280 Speaker 3: if you can be in Los Angeles, or you're in 44 00:03:05,320 --> 00:03:07,960 Speaker 3: Los Angeles, or you can get yourself to Los Angeles 45 00:03:08,000 --> 00:03:15,240 Speaker 3: on January seventeenth, go to veeps dot events backslash I 46 00:03:15,280 --> 00:03:21,960 Speaker 3: am all in veeps dot events backslash I hyphen am 47 00:03:22,160 --> 00:03:27,000 Speaker 3: hyphen all hyphen in Now. I know you're listening, you're 48 00:03:27,000 --> 00:03:29,320 Speaker 3: in your car, you're running your errands, you're working out. 49 00:03:29,880 --> 00:03:32,000 Speaker 3: It will be on Scott's Instagram and it will be 50 00:03:32,080 --> 00:03:36,000 Speaker 3: on the show Instagram. All the info you need. Now. 51 00:03:36,320 --> 00:03:38,760 Speaker 3: If for some reason you cannot be in Los Angeles 52 00:03:38,760 --> 00:03:43,960 Speaker 3: on January seventeenth, do not panic. You can join the stream, 53 00:03:44,560 --> 00:03:48,720 Speaker 3: which Scott will also take part in the stream, so 54 00:03:48,800 --> 00:03:53,000 Speaker 3: you'll have live interaction that's on January twenty fifth. So 55 00:03:54,040 --> 00:03:57,160 Speaker 3: come to LA. But if you can't, do not worry. 56 00:03:57,280 --> 00:03:58,040 Speaker 3: We've got you. 57 00:03:58,400 --> 00:04:02,520 Speaker 1: There's all kinds of ticket options. VIP doors open at 58 00:04:02,560 --> 00:04:08,280 Speaker 1: five pm. Doors the remaining doors are open at six pm. 59 00:04:08,360 --> 00:04:12,800 Speaker 1: The event is at seven pm January seventeenth, twenty twenty four. 60 00:04:12,800 --> 00:04:17,720 Speaker 1: Sebastian Bach, Vanessa Morano, Keiko Againa and Sally Struthers, Bet 61 00:04:17,800 --> 00:04:19,800 Speaker 1: April Lane and Gil. 62 00:04:20,720 --> 00:04:24,320 Speaker 3: Wow. If somebody wants to be VIP, guess who they 63 00:04:24,360 --> 00:04:25,120 Speaker 3: get to meet? 64 00:04:25,400 --> 00:04:32,080 Speaker 1: Who you me? Oh boy, I tell you, huh, I 65 00:04:32,360 --> 00:04:33,599 Speaker 1: just I haven't met me yet. 66 00:04:34,120 --> 00:04:36,039 Speaker 3: That's excited we have. 67 00:04:38,960 --> 00:04:40,400 Speaker 4: You're gonna have to buy a ticket. 68 00:04:40,080 --> 00:04:42,000 Speaker 1: Scott, I'm gonna have to get a ticket to be 69 00:04:42,080 --> 00:04:45,000 Speaker 1: there to meet myself. All right, Well, I'm looking forward 70 00:04:45,040 --> 00:04:47,960 Speaker 1: to meeting everybody. It's going to be a really great time. 71 00:04:48,040 --> 00:04:49,760 Speaker 1: We are going to have a blast, and. 72 00:04:49,720 --> 00:04:52,760 Speaker 3: We're gonna reveal all kinds of special stuff. So keep 73 00:04:52,800 --> 00:04:55,040 Speaker 3: listening to the podcast because you'll get to know things 74 00:04:55,320 --> 00:04:58,159 Speaker 3: throughout the month as we lead up to the event. 75 00:04:58,240 --> 00:04:59,640 Speaker 3: I'm actually stoked about it. 76 00:05:00,000 --> 00:05:03,480 Speaker 1: This is really exciting. Anyway. VEEPS v E e p 77 00:05:03,720 --> 00:05:10,880 Speaker 1: S Dot Events backslash, I dash m dash all dash 78 00:05:11,000 --> 00:05:15,680 Speaker 1: in on sell right now, VIP meet and greet, VIP 79 00:05:15,920 --> 00:05:19,160 Speaker 1: floor seats and balcony seats. Those are the three tiers. 80 00:05:19,360 --> 00:05:24,400 Speaker 1: So go to veeps dot Events backslash. I am all 81 00:05:24,400 --> 00:05:26,919 Speaker 1: in with the hyphens in between. I am all in 82 00:05:27,000 --> 00:05:29,880 Speaker 1: all those words, and get your tickets now before they 83 00:05:29,880 --> 00:05:32,320 Speaker 1: sell out. Live event. There's how many how many seats 84 00:05:32,320 --> 00:05:35,320 Speaker 1: are in that place, by the way, three very hundreds. 85 00:05:35,160 --> 00:05:38,159 Speaker 3: Yes, super intimate. It's going to sell out very fast. 86 00:05:38,279 --> 00:05:40,240 Speaker 1: Isn't that Johnny Carson's old studio? 87 00:05:40,320 --> 00:05:40,680 Speaker 3: It is. 88 00:05:40,839 --> 00:05:43,960 Speaker 1: We're going to be We're going to take over Johnny Carson's. 89 00:05:44,200 --> 00:05:46,080 Speaker 3: Yeah, so that's where the Tonight Show used to be, 90 00:05:46,279 --> 00:05:49,080 Speaker 3: so Tonight Show. Let me tell you, Never in my 91 00:05:49,160 --> 00:05:52,200 Speaker 3: life did I think I would send this email to 92 00:05:52,480 --> 00:05:56,280 Speaker 3: any executives at iHeart Uh huh. I said, hey, guys, 93 00:05:56,800 --> 00:05:59,480 Speaker 3: how much does it cost to make it snow? 94 00:06:06,120 --> 00:06:09,000 Speaker 1: I bet it's a It ain't cheap, no, but. 95 00:06:09,040 --> 00:06:10,560 Speaker 3: I think it's doable. 96 00:06:10,920 --> 00:06:16,719 Speaker 1: Just well, So bring something warm because it could snow. 97 00:06:17,240 --> 00:06:20,440 Speaker 1: And if you smell snow, it's because it could snow. 98 00:06:20,520 --> 00:06:23,839 Speaker 1: So bring some mittens, and you know, bring some hats. 99 00:06:23,880 --> 00:06:25,479 Speaker 1: It's gonna get frosty in there. 100 00:06:25,680 --> 00:06:30,160 Speaker 3: Not. Look, I know everybody is like mindful of you know, 101 00:06:30,440 --> 00:06:34,039 Speaker 3: saving their money and being careful with their funds. It's 102 00:06:34,040 --> 00:06:38,039 Speaker 3: a great Christmas gift. So maybe don't buy all the 103 00:06:38,520 --> 00:06:42,000 Speaker 3: junk that you always buy and instead have a memory 104 00:06:42,000 --> 00:06:44,640 Speaker 3: that lasts a lifetime and give this as a perfect 105 00:06:44,680 --> 00:06:45,760 Speaker 3: Christmas gift. 106 00:06:46,040 --> 00:06:49,120 Speaker 1: That's right. We want you there. We want our super 107 00:06:49,160 --> 00:06:52,560 Speaker 1: fans in the front row, the middle rows, the back rows, 108 00:06:52,640 --> 00:06:56,080 Speaker 1: in the balconies. Come on, let's party. It's gonna be fun. 109 00:06:56,160 --> 00:07:00,800 Speaker 1: January seventeenth, twenty twenty four. iHeartRadio Theater and it's it's 110 00:07:00,920 --> 00:07:03,920 Speaker 1: Is it plush? I think it's plush in there? It's nice. 111 00:07:04,000 --> 00:07:07,960 Speaker 3: Well, it's amazing, are you kidding? Peter? Is beautiful, Like 112 00:07:08,040 --> 00:07:10,400 Speaker 3: we said, it's super intimate, like this is a very 113 00:07:10,480 --> 00:07:11,920 Speaker 3: That's what you know, why you got to get your 114 00:07:11,920 --> 00:07:15,400 Speaker 3: tickets fast because there's only just a small number of 115 00:07:15,400 --> 00:07:17,600 Speaker 3: people that get to be there in person. 116 00:07:18,280 --> 00:07:20,400 Speaker 1: We are going to recap and. 117 00:07:22,640 --> 00:07:26,560 Speaker 3: It was a doozy. This episode's a doozy. 118 00:07:27,000 --> 00:07:28,160 Speaker 1: It certainly was. 119 00:07:28,560 --> 00:07:33,320 Speaker 3: Yeah, it's I have thoughts, you know, we. 120 00:07:33,360 --> 00:07:37,240 Speaker 1: Have some thoughts on this. I think let's uh, let's 121 00:07:37,240 --> 00:07:45,640 Speaker 1: synopsize with the newly annointed great one. Here Susanne French mispopularity. 122 00:07:45,680 --> 00:07:48,239 Speaker 1: We like to call it off. You know, she can't 123 00:07:48,280 --> 00:07:51,080 Speaker 1: she can't even she can't even walk to lunch without 124 00:07:51,080 --> 00:07:54,560 Speaker 1: getting stopped a million times for selfies and all kinds 125 00:07:54,600 --> 00:07:55,120 Speaker 1: of things. 126 00:07:55,280 --> 00:08:05,119 Speaker 3: Suzanne, have you been have you been recognized? No, it'll 127 00:08:05,160 --> 00:08:05,720 Speaker 3: be any. 128 00:08:05,600 --> 00:08:07,800 Speaker 4: Day now, don't I have not, But you know I've 129 00:08:07,840 --> 00:08:10,880 Speaker 4: got I'm just I'm ready anytime, you know, I've always 130 00:08:10,880 --> 00:08:11,800 Speaker 4: got my mascara on. 131 00:08:11,960 --> 00:08:14,880 Speaker 3: So yes, we learned about the importance of mascarett of 132 00:08:14,920 --> 00:08:16,520 Speaker 3: Suzanne when we had to get up at four in 133 00:08:16,520 --> 00:08:16,920 Speaker 3: the morning. 134 00:08:18,440 --> 00:08:22,280 Speaker 4: All right, this is season six, episode twelve. Just like 135 00:08:22,400 --> 00:08:26,480 Speaker 4: Gwen and Gavin by the aired on January seventeenth, two 136 00:08:26,520 --> 00:08:30,600 Speaker 4: thousand and six. Logan keeps trying to reconcile with Rory, 137 00:08:30,640 --> 00:08:32,840 Speaker 4: but she keeps brushing him off until he talks to 138 00:08:32,920 --> 00:08:35,959 Speaker 4: the one person who can change Rory's mind. The Winter 139 00:08:36,040 --> 00:08:39,120 Speaker 4: Carnival takes over stars Hollow, with Kirk taking the reins, 140 00:08:39,559 --> 00:08:43,240 Speaker 4: and Loralai finds out about April, but from April herself 141 00:08:43,280 --> 00:08:43,920 Speaker 4: and not Luke. 142 00:08:46,040 --> 00:08:51,920 Speaker 3: The title is great good because at the time it 143 00:08:52,000 --> 00:08:57,600 Speaker 3: was so accurate. Unfortunately, now although the title is still 144 00:08:58,360 --> 00:09:01,200 Speaker 3: accurate in the sense that this did happen to Gwen 145 00:09:01,320 --> 00:09:05,320 Speaker 3: and Gavin, they are no longer married and she is 146 00:09:05,360 --> 00:09:10,599 Speaker 3: married to Blake Shelton and all they're all still quite famous, 147 00:09:10,679 --> 00:09:12,880 Speaker 3: so that it's a bit jarring. I don't know if 148 00:09:12,880 --> 00:09:15,120 Speaker 3: anyone else had that, because there's a whole thing and 149 00:09:15,160 --> 00:09:15,559 Speaker 3: you're just. 150 00:09:15,520 --> 00:09:17,439 Speaker 1: Like mm hmmm. 151 00:09:19,440 --> 00:09:22,560 Speaker 4: It's one of those things that was so topical at 152 00:09:22,600 --> 00:09:27,400 Speaker 4: the time that it didn't really stand up over the years, right, Right. 153 00:09:28,679 --> 00:09:31,360 Speaker 1: Were they trying to say? I thought they were kind 154 00:09:31,360 --> 00:09:35,160 Speaker 1: of denigrating their singing ability a little bit. 155 00:09:36,360 --> 00:09:37,600 Speaker 3: A little bit they did. 156 00:09:37,880 --> 00:09:40,120 Speaker 1: But but the thing is is Gwen's I mean, you know, 157 00:09:40,200 --> 00:09:44,240 Speaker 1: go ahead take your shots at Gavin Rossdale, but you know, 158 00:09:44,360 --> 00:09:46,360 Speaker 1: Gwen Stefan, you can sing her tail. 159 00:09:46,920 --> 00:09:47,120 Speaker 2: Yeah. 160 00:09:48,160 --> 00:09:51,640 Speaker 1: I mean she's a very very talented and unique vocalist 161 00:09:51,760 --> 00:09:54,160 Speaker 1: with a very unique style. I mean, just go listen 162 00:09:54,200 --> 00:09:57,640 Speaker 1: to her that debut single that that put her on 163 00:09:57,679 --> 00:09:58,080 Speaker 1: the map. 164 00:09:59,320 --> 00:10:02,280 Speaker 3: Yeah, they kind of I mean, what a song they 165 00:10:02,320 --> 00:10:04,040 Speaker 3: gave him a little bit of a dig. 166 00:10:04,600 --> 00:10:08,120 Speaker 1: Yeah, why, I don't know that Fani, she's like the 167 00:10:08,200 --> 00:10:10,959 Speaker 1: coolest person on earth with a golden throat. 168 00:10:11,040 --> 00:10:13,120 Speaker 3: Well, I don't think I really think Gavin Rossteel is 169 00:10:13,120 --> 00:10:13,920 Speaker 3: like a bad singer. 170 00:10:13,960 --> 00:10:16,000 Speaker 1: He's like a no, no, no, I'm not saying bad. But 171 00:10:16,000 --> 00:10:18,200 Speaker 1: if you're going to rag somebody, rag on somebody in 172 00:10:18,200 --> 00:10:19,760 Speaker 1: that relationship, it's going to be him. 173 00:10:20,080 --> 00:10:22,240 Speaker 3: And there's so many more singers in the world. I mean, 174 00:10:22,280 --> 00:10:24,000 Speaker 3: I thought the point was well taken and that they 175 00:10:24,040 --> 00:10:27,520 Speaker 3: talked about that there was a child that Gavin didn't 176 00:10:27,520 --> 00:10:31,160 Speaker 3: know about, right, It was just sort of maybe like 177 00:10:31,200 --> 00:10:34,360 Speaker 3: an added dig to just like rip on him a 178 00:10:34,400 --> 00:10:38,200 Speaker 3: little bit. But whatever, it's a little shade. 179 00:10:39,559 --> 00:10:43,280 Speaker 1: Shade shade at Gwen Stefani. I don't know, she's a badass. 180 00:10:43,520 --> 00:10:46,400 Speaker 3: I'd agree she's gone on to have like even a 181 00:10:46,400 --> 00:10:47,600 Speaker 3: bigger career than she did then. 182 00:10:48,000 --> 00:10:50,439 Speaker 1: I mean, I mean, you sit there and go to 183 00:10:50,600 --> 00:10:53,480 Speaker 1: see her in concerts, see that band, you'd be blown away. 184 00:10:53,520 --> 00:10:56,840 Speaker 3: Well, she's also an epic performer, so whether you like 185 00:10:56,840 --> 00:11:01,040 Speaker 3: her voice or not, no, she is a awesome on stage, 186 00:11:01,160 --> 00:11:02,640 Speaker 3: like she really is. 187 00:11:03,480 --> 00:11:06,720 Speaker 1: She has what is known that rare quality in the 188 00:11:06,720 --> 00:11:11,240 Speaker 1: Great Ones is she has emotional power in her voice 189 00:11:11,760 --> 00:11:16,480 Speaker 1: when she does her thing. It's it's just like, whoa 190 00:11:16,640 --> 00:11:17,000 Speaker 1: I like. 191 00:11:17,160 --> 00:11:18,400 Speaker 3: I like Blake Shelton too. 192 00:11:19,120 --> 00:11:23,000 Speaker 1: There you go. I mean these people stars for a reason. Couple, yeah, right, 193 00:11:23,360 --> 00:11:24,480 Speaker 1: for a reason? Right? 194 00:11:25,400 --> 00:11:29,840 Speaker 3: So yeah, well, let us continue. 195 00:11:30,160 --> 00:11:35,200 Speaker 1: Let's dip our lines, hooks and sinkers and baited baited 196 00:11:35,240 --> 00:11:37,679 Speaker 1: hooks into the water to see what we catch on 197 00:11:37,760 --> 00:11:42,560 Speaker 1: this episode, fellow fisher people, So right out the gate 198 00:11:43,400 --> 00:11:46,559 Speaker 1: being influenced by Nova Scotia. I'm still here, by the way. 199 00:11:46,520 --> 00:11:48,720 Speaker 3: Those Oh yeah, I know, I feel like you're never 200 00:11:49,000 --> 00:11:49,760 Speaker 3: leaving Canada. 201 00:11:49,840 --> 00:11:52,640 Speaker 1: No, no, we got it's about eight more days. Oh 202 00:11:52,679 --> 00:11:55,520 Speaker 1: my gosh, we're counting down the days. 203 00:11:55,559 --> 00:11:59,200 Speaker 3: It's well, I am, it's very lengthy. Anyway, at least 204 00:11:59,200 --> 00:12:01,320 Speaker 3: you'll be home in Jenny, January seventeenth. 205 00:12:01,559 --> 00:12:04,200 Speaker 1: Get your tickets now, I'll try to make it for 206 00:12:04,240 --> 00:12:04,640 Speaker 1: the event. 207 00:12:05,920 --> 00:12:09,080 Speaker 3: Okay. So the immediately the bells were ringing and I 208 00:12:09,120 --> 00:12:13,120 Speaker 3: had actually forgotten this. This open. So you see paul, Anka, 209 00:12:13,760 --> 00:12:15,439 Speaker 3: Luke and Lorelar in the bed and all of a 210 00:12:15,480 --> 00:12:16,960 Speaker 3: sudden three twelve am. 211 00:12:17,480 --> 00:12:19,600 Speaker 1: But it didn't look like it was dark out the window. 212 00:12:19,679 --> 00:12:20,199 Speaker 1: It looked light. 213 00:12:20,360 --> 00:12:21,920 Speaker 3: It looked like it was really I thought it looked 214 00:12:21,960 --> 00:12:22,400 Speaker 3: dark to me. 215 00:12:22,679 --> 00:12:25,040 Speaker 1: No, there was a little corner of a window behind 216 00:12:25,120 --> 00:12:26,920 Speaker 1: Luke and it was lit. 217 00:12:27,360 --> 00:12:30,000 Speaker 3: Probably was accidentally lit. Maybe that was supposed to be 218 00:12:30,080 --> 00:12:31,480 Speaker 3: the moonlight. Was that moonlight? 219 00:12:31,920 --> 00:12:35,840 Speaker 1: Moonlight? Oh what? 220 00:12:36,200 --> 00:12:40,600 Speaker 3: Obviously maybe shot Maybe you shot this during the day 221 00:12:40,640 --> 00:12:42,280 Speaker 3: and they tried hard to make it dark, and. 222 00:12:42,480 --> 00:12:45,599 Speaker 1: Well you just black. You just blacked the darn thing out. No, 223 00:12:45,920 --> 00:12:48,880 Speaker 1: I don't know. Good, what do I know about lighting? 224 00:12:49,320 --> 00:12:51,680 Speaker 1: I mean, look at me. I mean, you guys look great. 225 00:12:51,720 --> 00:12:52,440 Speaker 1: I look terrible. 226 00:12:54,120 --> 00:12:56,679 Speaker 3: First of all, you don't. It's like I've stopped he 227 00:12:56,880 --> 00:13:03,640 Speaker 3: is just more lighting, just more keep adding ring light 228 00:13:03,720 --> 00:13:06,640 Speaker 3: after So okay, so here's what I'll say about the scene. 229 00:13:06,880 --> 00:13:09,440 Speaker 3: The bells will were hilarious. I love the hole that 230 00:13:09,480 --> 00:13:11,920 Speaker 3: she's like, we gotta get up and go. Your car 231 00:13:12,040 --> 00:13:14,520 Speaker 3: dream was super boring. 232 00:13:15,080 --> 00:13:18,320 Speaker 1: Yeah. 233 00:13:18,440 --> 00:13:22,400 Speaker 3: Then you come to the town meeting and actually your 234 00:13:22,400 --> 00:13:25,160 Speaker 3: outfits were pretty cute, like Luke and Lorla had it together. 235 00:13:25,320 --> 00:13:27,720 Speaker 3: Some people in there were in their pj's are looking 236 00:13:27,720 --> 00:13:30,360 Speaker 3: a little bit more disheveled. 237 00:13:30,920 --> 00:13:34,640 Speaker 1: I was gonna say, yeah, I thought a very cute 238 00:13:34,720 --> 00:13:37,400 Speaker 1: scene in the town hall meeting. I enjoyed it. I 239 00:13:37,440 --> 00:13:39,600 Speaker 1: loved Taylor on the video. It was it was with 240 00:13:39,640 --> 00:13:40,360 Speaker 1: the ping pong. 241 00:13:40,280 --> 00:13:42,920 Speaker 3: Ball and Timmy. It's like, nephew Timmy. 242 00:13:42,760 --> 00:13:48,079 Speaker 1: Like do head. I am not a do head. And 243 00:13:50,640 --> 00:13:54,920 Speaker 1: speaking of personal invective, uh, there was a rather shocking 244 00:13:55,120 --> 00:13:57,800 Speaker 1: expletive expressed in this episode and we'll. 245 00:13:57,640 --> 00:14:00,440 Speaker 3: Get to it, and it was do doohead and it. 246 00:14:00,320 --> 00:14:03,160 Speaker 1: Was not due to it was actually very shocking. 247 00:14:03,480 --> 00:14:05,360 Speaker 3: I can't wait. I think I have slipped by me. 248 00:14:06,000 --> 00:14:09,319 Speaker 1: I think I didn't slip by Susanne. It did not slip, 249 00:14:09,480 --> 00:14:13,360 Speaker 1: did not you know what I'm talking about? Yeah, I was, 250 00:14:14,120 --> 00:14:17,680 Speaker 1: I was can't wait I was so, I was really shocked. 251 00:14:18,440 --> 00:14:19,320 Speaker 3: Don't forget. 252 00:14:19,920 --> 00:14:23,280 Speaker 1: No, absolutely not. It's my whole reason for coming on today. 253 00:14:23,680 --> 00:14:26,920 Speaker 4: Yeah, it is my favorite line. It's probably Scott's favorite 254 00:14:26,920 --> 00:14:28,240 Speaker 4: line too, so I have to fight over it. 255 00:14:28,360 --> 00:14:29,400 Speaker 3: How did I miss this? 256 00:14:29,560 --> 00:14:31,960 Speaker 1: No, it's not my favorite line. It's my favorite line. 257 00:14:32,120 --> 00:14:36,400 Speaker 1: Oh really, I thought it did not fit in this 258 00:14:36,640 --> 00:14:37,960 Speaker 1: piece in this world? 259 00:14:38,120 --> 00:14:39,120 Speaker 3: God, should you tell me now? 260 00:14:39,520 --> 00:14:42,239 Speaker 1: No? No, no, We're going to make you wonder. 261 00:14:42,560 --> 00:14:45,800 Speaker 3: It's a good tease because I'm definitely hooked. Yeah, the 262 00:14:45,840 --> 00:14:47,120 Speaker 3: whole podcast now. 263 00:14:47,280 --> 00:14:56,440 Speaker 1: Uh huh. 264 00:14:56,640 --> 00:15:00,120 Speaker 4: Going back to the town meeting, I liked this whole well. 265 00:15:00,120 --> 00:15:03,480 Speaker 4: First of all, I noticed how long the cold open was, Like, 266 00:15:03,560 --> 00:15:06,320 Speaker 4: the whole bedroom scene and the town meeting were all 267 00:15:06,360 --> 00:15:10,680 Speaker 4: before the credits. Sorry that struck me, But I really 268 00:15:10,840 --> 00:15:15,040 Speaker 4: liked the town meeting. It was so nonsensical. How it's 269 00:15:15,080 --> 00:15:18,560 Speaker 4: three twelve in the morning, and why is I mean, 270 00:15:18,640 --> 00:15:20,880 Speaker 4: Taylor's in the same time zone as they are. Why 271 00:15:20,960 --> 00:15:23,520 Speaker 4: is he three twelve in the morning. Why is this 272 00:15:23,640 --> 00:15:25,120 Speaker 4: random nephew up at. 273 00:15:24,960 --> 00:15:26,640 Speaker 1: The front right right? 274 00:15:29,160 --> 00:15:31,640 Speaker 4: It's just so nonsensical. It just made me laugh. 275 00:15:31,920 --> 00:15:34,480 Speaker 1: Right, So by that time, it's put what three uarter 276 00:15:34,560 --> 00:15:37,040 Speaker 1: to four? Yeah, exactly what are these kids going up 277 00:15:37,160 --> 00:15:39,280 Speaker 1: in the in the in the rumpus room playing ping pong? 278 00:15:39,680 --> 00:15:42,440 Speaker 3: I love the whole town being like and then and 279 00:15:42,520 --> 00:15:43,520 Speaker 3: what right? 280 00:15:43,560 --> 00:15:45,320 Speaker 1: The big announcement comes and then they cut to the 281 00:15:45,320 --> 00:15:48,120 Speaker 1: wide shot of the whole town. Nobody reacts. That was 282 00:15:48,160 --> 00:15:49,480 Speaker 1: really funny. And then this. 283 00:15:49,600 --> 00:15:51,440 Speaker 3: Patty's just like can you do it? 284 00:15:53,880 --> 00:15:53,960 Speaker 1: Like? 285 00:15:54,000 --> 00:15:57,280 Speaker 3: Okay, meeting and then he's still talking, Taylor's is still 286 00:15:57,280 --> 00:16:01,840 Speaker 3: talking and every right kind of a good advanced technology 287 00:16:01,880 --> 00:16:04,320 Speaker 3: they had in Stars Hollow in two thousand whatever it 288 00:16:04,360 --> 00:16:09,400 Speaker 3: is right in Yeah, they had zoom meetings before he 289 00:16:09,560 --> 00:16:09,800 Speaker 3: did that. 290 00:16:10,200 --> 00:16:17,040 Speaker 1: Huh. Al Gore invented the Internet and the invented the zoom. Seriously, 291 00:16:17,080 --> 00:16:17,560 Speaker 1: look at that. 292 00:16:18,120 --> 00:16:20,640 Speaker 3: Although I felt like he obviously couldn't see them, they 293 00:16:20,680 --> 00:16:24,960 Speaker 3: could see him anyway, he didn't know they all left. 294 00:16:25,080 --> 00:16:26,960 Speaker 1: That's a good question to ask. 295 00:16:27,080 --> 00:16:29,760 Speaker 3: Let's pose it he could not see them, but they 296 00:16:29,800 --> 00:16:30,440 Speaker 3: could see him. 297 00:16:30,560 --> 00:16:33,280 Speaker 1: Does anybody out there know the answer to that? I do? 298 00:16:34,080 --> 00:16:34,600 Speaker 1: What is it? 299 00:16:35,040 --> 00:16:37,320 Speaker 3: He couldn't see them, but they could see him because 300 00:16:37,320 --> 00:16:39,040 Speaker 3: he kept talking even though they all left. 301 00:16:39,360 --> 00:16:41,920 Speaker 1: Okay, yeah, well somehow. 302 00:16:41,600 --> 00:16:43,680 Speaker 3: He could hear them. Though there's some flaws. 303 00:16:43,800 --> 00:16:45,120 Speaker 1: You do not have to yell at me about that. 304 00:16:45,240 --> 00:16:46,480 Speaker 1: I mean, you know, I'm just I'm. 305 00:16:46,360 --> 00:16:48,520 Speaker 3: Just trying to just to talk about the title again. 306 00:16:51,080 --> 00:16:55,720 Speaker 3: There's some flaws in the zoom technology back then. But okay. 307 00:16:55,800 --> 00:16:58,280 Speaker 3: So then we come back from the credits and another 308 00:16:58,480 --> 00:17:04,359 Speaker 3: pop culture sort of moment for me. So we get 309 00:17:04,480 --> 00:17:07,679 Speaker 3: we're at the diner and Laura's realizing she's getting so 310 00:17:07,760 --> 00:17:10,520 Speaker 3: much done because she's been up since three twelve am. 311 00:17:10,920 --> 00:17:13,800 Speaker 3: And then she makes a reference to Katie Couric and 312 00:17:13,840 --> 00:17:16,520 Speaker 3: she's never seen the first five minutes of the Today Show. 313 00:17:16,800 --> 00:17:18,840 Speaker 3: And then you get the matt lower mentioned, which you're 314 00:17:18,920 --> 00:17:25,280 Speaker 3: just like again, ooh like, but we got through it. 315 00:17:25,440 --> 00:17:31,000 Speaker 3: Then one of my favorite lines, Matthew mcconoey really gets me. Rarn, 316 00:17:34,240 --> 00:17:36,560 Speaker 3: She's like, I'm raring to go. Well, Matthew mccona. 317 00:17:36,320 --> 00:17:40,080 Speaker 1: Really gets me. I just saw a video of him 318 00:17:40,080 --> 00:17:45,479 Speaker 1: making a pickle margarita. Pickle margarite, some dude. 319 00:17:46,840 --> 00:17:48,320 Speaker 3: I feel like I saw that too. Who was that 320 00:17:48,440 --> 00:17:49,399 Speaker 3: dude it was? 321 00:17:49,800 --> 00:17:52,399 Speaker 1: I don't know, it was just lady. Maybe it was 322 00:17:52,440 --> 00:17:56,520 Speaker 1: his partner in the pickle margarita. You know, these celebrities 323 00:17:56,560 --> 00:17:58,760 Speaker 1: are coming out with so many alcoholic drinks. That got 324 00:17:58,840 --> 00:17:59,800 Speaker 1: to invent new ones. 325 00:18:00,200 --> 00:18:03,640 Speaker 3: You know, celebrities love a side hustle. Celebrities do they 326 00:18:03,640 --> 00:18:04,399 Speaker 3: love a side hustle. 327 00:18:04,440 --> 00:18:08,680 Speaker 1: Everybody's got a tequila bread? Yeah, everybody. Everybody's got a 328 00:18:08,680 --> 00:18:09,399 Speaker 1: tequila bread. 329 00:18:09,760 --> 00:18:11,679 Speaker 3: George Clooney, Well, I mean. 330 00:18:11,520 --> 00:18:14,280 Speaker 1: He I think he was the first. Yeah, and when 331 00:18:14,280 --> 00:18:16,120 Speaker 1: he you know, well, let's not. 332 00:18:16,440 --> 00:18:18,720 Speaker 3: That one's probably done pretty well for the clue. 333 00:18:18,800 --> 00:18:20,000 Speaker 1: Oh sure it's good stuff. 334 00:18:20,119 --> 00:18:21,600 Speaker 3: Yeah, that one's pretty legit. 335 00:18:21,720 --> 00:18:24,480 Speaker 1: Yeah, it's quality stuff. I think probably a lot of 336 00:18:24,480 --> 00:18:26,080 Speaker 1: the Mark quality stuff. I think they probably go to 337 00:18:26,080 --> 00:18:30,280 Speaker 1: the same agave farm in Mexico. Yeah, probably slap on 338 00:18:30,320 --> 00:18:30,760 Speaker 1: a new name. 339 00:18:30,800 --> 00:18:32,480 Speaker 3: I don't drink tequila, so I have no idea. 340 00:18:33,000 --> 00:18:34,720 Speaker 1: Oh I drink it all day, all day? 341 00:18:34,840 --> 00:18:35,520 Speaker 3: Is that your go to? 342 00:18:36,000 --> 00:18:40,080 Speaker 1: No, I don't drink at all. Actually, little wine at 343 00:18:40,119 --> 00:18:43,520 Speaker 1: dinner once in a while. No, I don't. I don't. 344 00:18:43,560 --> 00:18:45,040 Speaker 1: I can't. I can't drink anymore. 345 00:18:46,520 --> 00:18:48,439 Speaker 3: There's a lot of things I can't do as I 346 00:18:48,480 --> 00:18:49,000 Speaker 3: get older. 347 00:18:50,440 --> 00:18:52,720 Speaker 1: Oh my god, I guess I can still ride a bike. 348 00:18:53,440 --> 00:18:55,960 Speaker 3: I can ride a bike, but yeah, getting up out 349 00:18:55,960 --> 00:18:56,480 Speaker 3: of things is. 350 00:18:57,720 --> 00:19:01,520 Speaker 1: Getting up out of things? Huh up. That sounds like 351 00:19:01,560 --> 00:19:02,320 Speaker 1: a country song. 352 00:19:05,480 --> 00:19:08,480 Speaker 3: Sorry for those Sorry for those that hate when we interject, 353 00:19:09,680 --> 00:19:14,439 Speaker 3: did anybody watch Leave the World Behind this weekend? So 354 00:19:14,480 --> 00:19:19,600 Speaker 3: it's the new Julia Roberts Netflix movie. Okay, so it's 355 00:19:19,640 --> 00:19:25,000 Speaker 3: actually pretty good, but there is a huge shot I 356 00:19:25,000 --> 00:19:28,640 Speaker 3: won't give anything away of the Gilmore Girls DVDs. 357 00:19:29,200 --> 00:19:31,680 Speaker 1: Come on, come on, we're gonna get paid. I'm gonna 358 00:19:31,720 --> 00:19:32,360 Speaker 1: get paid. 359 00:19:32,920 --> 00:19:34,320 Speaker 3: Yeah, do you. I don't know if you get paid 360 00:19:34,320 --> 00:19:37,880 Speaker 3: for that, because they just show the DVD boxes. Somebody's 361 00:19:37,880 --> 00:19:38,480 Speaker 3: getting paid. 362 00:19:39,000 --> 00:19:41,399 Speaker 1: Warner Brothers getting paid. They should, they should. 363 00:19:42,840 --> 00:19:45,040 Speaker 3: There must be some Warner Brothers time with this movie 364 00:19:45,080 --> 00:19:47,240 Speaker 3: because Friends gets a lot of shout outs, The West 365 00:19:47,240 --> 00:19:49,600 Speaker 3: Wing got a lot of shout outs, Gilmore Girls got 366 00:19:49,640 --> 00:19:52,720 Speaker 3: a big Buffy the Vampire Slayer. Are these all Warner 367 00:19:52,720 --> 00:19:54,280 Speaker 3: Brothers starting to come together? 368 00:19:54,760 --> 00:20:00,959 Speaker 1: Yes? Okay, yes, these are all shows un I believe. 369 00:20:01,119 --> 00:20:07,280 Speaker 1: Shepherded by the great and now retired President of the 370 00:20:07,359 --> 00:20:14,440 Speaker 1: TV Division, Peter Roth, one of the most beloved executives 371 00:20:15,040 --> 00:20:18,480 Speaker 1: during his tenure at Warner Brothers. I always had a hug. 372 00:20:18,560 --> 00:20:19,960 Speaker 3: He was like, oh, that's nice. 373 00:20:20,359 --> 00:20:23,680 Speaker 1: Always had a hug for you. And he was super positive, 374 00:20:23,800 --> 00:20:27,160 Speaker 1: super nice guy, super supportive, great guy. 375 00:20:27,480 --> 00:20:31,280 Speaker 3: It's good to hear. So I semi recommend that movie, 376 00:20:31,320 --> 00:20:33,600 Speaker 3: So everybody tell me what they think. Okay, So back 377 00:20:33,640 --> 00:20:35,480 Speaker 3: to now. We go to Rory's apartment and there are 378 00:20:35,560 --> 00:20:39,600 Speaker 3: some flowers everywhere, and we immediately know Logan is sending 379 00:20:40,280 --> 00:20:41,800 Speaker 3: flowers on flowers on flowers. 380 00:20:43,720 --> 00:20:49,720 Speaker 1: Yeah, or or Logan with his wittle heart. He's in 381 00:20:49,760 --> 00:20:53,480 Speaker 1: such pain, he's little heart boken. What's he gonna do? 382 00:20:53,640 --> 00:20:57,600 Speaker 1: Little witch boy? He can't have everything he wants immediately, 383 00:20:58,280 --> 00:21:01,760 Speaker 1: and he's so turned on by this his challenge. Do 384 00:21:01,800 --> 00:21:03,880 Speaker 1: you think once he gets her back, if he gets 385 00:21:03,880 --> 00:21:05,960 Speaker 1: her back, he's just going to revert back to his 386 00:21:07,000 --> 00:21:10,520 Speaker 1: sort of fabulously arrogant self. M what do you think? 387 00:21:10,840 --> 00:21:11,520 Speaker 3: I'll never tell? 388 00:21:15,440 --> 00:21:17,640 Speaker 1: I Actually I'm rooting for him. 389 00:21:18,640 --> 00:21:21,840 Speaker 4: I mean he still is his fabulous erring itself like 390 00:21:21,880 --> 00:21:24,040 Speaker 4: he's not. There's nothing to revert back to because he's 391 00:21:24,040 --> 00:21:24,920 Speaker 4: still acting. 392 00:21:24,640 --> 00:21:26,520 Speaker 3: That way, and I kind of love it. 393 00:21:26,560 --> 00:21:28,520 Speaker 1: Well, you think you think you think you think this 394 00:21:28,680 --> 00:21:30,520 Speaker 1: is disingenuous? Do you think this is just? 395 00:21:30,640 --> 00:21:30,840 Speaker 2: Oh? 396 00:21:30,920 --> 00:21:31,280 Speaker 3: I don't. 397 00:21:31,520 --> 00:21:34,960 Speaker 4: I think he feels I don't know that he's doing 398 00:21:35,000 --> 00:21:36,719 Speaker 4: it on purpose, but I think the only way he 399 00:21:36,760 --> 00:21:39,000 Speaker 4: knows how to do things is to throw money at it, 400 00:21:40,520 --> 00:21:42,360 Speaker 4: because that's just how he's. 401 00:21:42,480 --> 00:21:45,960 Speaker 1: Can't can't he just give our friend Matt a little 402 00:21:45,960 --> 00:21:51,320 Speaker 1: credit for the effort he went to the mother, Scott, 403 00:21:51,359 --> 00:21:55,520 Speaker 1: I agree with you. That is a risky move and 404 00:21:55,520 --> 00:21:59,800 Speaker 1: that could backfire hugely once Rory finds out, like you 405 00:22:00,160 --> 00:22:00,920 Speaker 1: to my mother. 406 00:22:01,400 --> 00:22:03,600 Speaker 3: You need to know what's in that letter. We're not 407 00:22:03,640 --> 00:22:05,040 Speaker 3: to it yet, but I need to know what was 408 00:22:05,040 --> 00:22:06,280 Speaker 3: in that letter, she wrote. 409 00:22:06,720 --> 00:22:08,680 Speaker 1: I want to know what this. I wanted it not 410 00:22:08,800 --> 00:22:12,680 Speaker 1: too I shouted out. I said, read it out loud. 411 00:22:13,000 --> 00:22:14,359 Speaker 3: You know, Okay, when we get to it, we'll talk 412 00:22:14,359 --> 00:22:16,440 Speaker 3: about that. There's two I'm going to throw two things 413 00:22:16,480 --> 00:22:17,040 Speaker 3: out right now. 414 00:22:17,480 --> 00:22:17,840 Speaker 1: M hm. 415 00:22:18,440 --> 00:22:20,680 Speaker 3: And we don't have to discuss it yet, but I 416 00:22:20,680 --> 00:22:22,320 Speaker 3: don't want to forget to discuss it at the end. 417 00:22:22,560 --> 00:22:24,000 Speaker 1: I love it when you double up like this, Go 418 00:22:24,000 --> 00:22:24,600 Speaker 1: ahead and thanks. 419 00:22:25,359 --> 00:22:28,720 Speaker 3: I was ready for two things to happen in this episode. 420 00:22:28,800 --> 00:22:33,320 Speaker 3: That did happen, one being Rory and Logan are starting 421 00:22:33,320 --> 00:22:37,760 Speaker 3: to get back together. And two is that Laurelin knows 422 00:22:37,760 --> 00:22:41,600 Speaker 3: about it. Had they dragged either of those things out further, 423 00:22:41,800 --> 00:22:44,160 Speaker 3: I think I would have started to really be like, oh, 424 00:22:46,160 --> 00:22:47,720 Speaker 3: so we can talk about that at the end of 425 00:22:47,720 --> 00:22:51,160 Speaker 3: the episode. All right, So now we go to the park, 426 00:22:51,280 --> 00:22:55,440 Speaker 3: the very snowy park, where Luke is clearly having sort 427 00:22:55,480 --> 00:23:00,639 Speaker 3: of his first father daughter meeting. April's on the bench 428 00:23:01,600 --> 00:23:03,760 Speaker 3: and there's some funny surprise. 429 00:23:06,080 --> 00:23:09,880 Speaker 4: I thought that scene was so cute, like the awkwardness, 430 00:23:09,960 --> 00:23:12,400 Speaker 4: because Luke's like, April's like, why are we at the park? 431 00:23:12,440 --> 00:23:14,880 Speaker 4: And Luke is, you know, don't kids like the park. 432 00:23:15,080 --> 00:23:16,720 Speaker 4: He just doesn't have any idea how to do this, 433 00:23:16,880 --> 00:23:23,119 Speaker 4: and so he's doing his best. That's how the Avian 434 00:23:23,160 --> 00:23:23,840 Speaker 4: flu is spread. 435 00:23:24,960 --> 00:23:29,120 Speaker 3: First of all, I don't do handshakes because you're gonna 436 00:23:29,160 --> 00:23:31,000 Speaker 3: have a lot less risk with a hug, I think. 437 00:23:31,440 --> 00:23:33,600 Speaker 4: Well, and they both had gloves on, so it was 438 00:23:33,640 --> 00:23:35,200 Speaker 4: funny that she even said that. 439 00:23:35,400 --> 00:23:39,200 Speaker 1: I give a lot of elbows now, oh elbows. 440 00:23:39,960 --> 00:23:43,159 Speaker 3: M So, did you guys notice she sells the pink helmet. 441 00:23:43,320 --> 00:23:44,640 Speaker 3: The pink bike helmet. 442 00:23:44,400 --> 00:23:47,920 Speaker 1: Was especially the ice. Yeah. 443 00:23:47,960 --> 00:23:53,920 Speaker 3: Of course, Luke's like Snowball Fight, Bowling movie Zoo and then. 444 00:23:55,160 --> 00:23:57,320 Speaker 1: I missed Snowball Fight. They were so much fun. 445 00:23:57,640 --> 00:24:00,199 Speaker 3: Well, aren't you gonna do one? Aren't you going to 446 00:24:00,240 --> 00:24:01,679 Speaker 3: the snow for Christmas? 447 00:24:02,440 --> 00:24:04,800 Speaker 1: Darn right? I am. That's the first thing I do 448 00:24:04,880 --> 00:24:06,600 Speaker 1: when I get off the plane. I'm gonna start chucking 449 00:24:06,680 --> 00:24:08,520 Speaker 1: ice balls other kids. 450 00:24:09,880 --> 00:24:10,240 Speaker 3: Your kid? 451 00:24:10,520 --> 00:24:11,720 Speaker 1: Oh, why would I do that? 452 00:24:12,720 --> 00:24:14,000 Speaker 3: He probably likes a snowball, but. 453 00:24:14,480 --> 00:24:19,639 Speaker 1: He's liable to retaliate. M I'm not stupid, you know, 454 00:24:19,880 --> 00:24:21,200 Speaker 1: I get ruined. 455 00:24:22,359 --> 00:24:27,919 Speaker 3: So okay, Well, so she wants to come to the diner, 456 00:24:28,080 --> 00:24:30,680 Speaker 3: and you sort of see the a lot of face 457 00:24:30,720 --> 00:24:31,920 Speaker 3: acting in this episode, and. 458 00:24:31,880 --> 00:24:34,879 Speaker 1: You see this so many faces acting, a lot of 459 00:24:34,920 --> 00:24:37,399 Speaker 1: face acting, super super good face acting. 460 00:24:37,800 --> 00:24:39,480 Speaker 3: And then I wasn't mused that they wanted to stare 461 00:24:39,520 --> 00:24:41,320 Speaker 3: at the frisbee guys and kind of mock them. 462 00:24:41,359 --> 00:24:45,080 Speaker 1: So that who's throwing a frisbee in a park in 463 00:24:45,119 --> 00:24:49,600 Speaker 1: the snow? What is I've never seen that? Who throws 464 00:24:49,600 --> 00:24:50,639 Speaker 1: a frisbee in the park. 465 00:24:51,760 --> 00:24:53,720 Speaker 4: I can't remember the last time I saw something throw 466 00:24:53,720 --> 00:24:54,240 Speaker 4: a frisbee? 467 00:24:54,480 --> 00:24:58,960 Speaker 1: Oh, I see frisbees in the wintertime. Who's throwing a 468 00:24:58,960 --> 00:24:59,960 Speaker 1: frisbee in the wintertime? 469 00:25:00,200 --> 00:25:02,320 Speaker 3: Yeah, it's not really a winter activity, but I there 470 00:25:02,359 --> 00:25:05,000 Speaker 3: was a lot of frisbees. I almost got a light 471 00:25:05,119 --> 00:25:09,280 Speaker 3: up frisbee for a stocking stuffer for my nieces. Like 472 00:25:09,520 --> 00:25:10,200 Speaker 3: lights up. 473 00:25:10,400 --> 00:25:13,440 Speaker 1: Frisbees are still nighttime frisbee. 474 00:25:13,520 --> 00:25:16,399 Speaker 3: Frisbees are hanging on they've been around. I tell you 475 00:25:16,720 --> 00:25:17,960 Speaker 3: days of your and their. 476 00:25:19,200 --> 00:25:23,960 Speaker 1: I've had many Frisbee outings. Yeah. 477 00:25:24,680 --> 00:25:28,119 Speaker 3: So all right, so then we're at the Inn and 478 00:25:28,200 --> 00:25:32,600 Speaker 3: Kirk sort of discussing with Loralai her her booth at 479 00:25:32,600 --> 00:25:35,960 Speaker 3: the carnival, and we find out that Lorelai has broken 480 00:25:36,040 --> 00:25:40,119 Speaker 3: many a promise to Kirk or Kirk or Kirk and 481 00:25:40,160 --> 00:25:43,120 Speaker 3: then the Maple Syrup Council, which actually kind of made 482 00:25:43,160 --> 00:25:43,560 Speaker 3: me laugh. 483 00:25:44,640 --> 00:25:46,879 Speaker 1: That was funny, and that thought it. 484 00:25:47,000 --> 00:25:50,960 Speaker 3: Came Plaine Maple Syrup did gag me, which it later 485 00:25:51,040 --> 00:25:54,120 Speaker 3: gags Lorela and Suki and I had to just get 486 00:25:54,119 --> 00:25:59,359 Speaker 3: a pancakers. We're not to that. But so then we 487 00:25:59,440 --> 00:26:01,920 Speaker 3: go to the Pace, which these are sort of those 488 00:26:02,320 --> 00:26:06,880 Speaker 3: the papers. Paris is so unhinged it just is almost 489 00:26:06,920 --> 00:26:07,720 Speaker 3: too much for me. 490 00:26:08,000 --> 00:26:12,080 Speaker 1: But yeah, my one flag on the play here is 491 00:26:12,880 --> 00:26:18,320 Speaker 1: just this entire you know, the dictator in Paris, which 492 00:26:19,040 --> 00:26:22,760 Speaker 1: was just it wasn't even again strained credulity that anybody 493 00:26:22,800 --> 00:26:27,359 Speaker 1: would tolerate that. Yeah, all of those really smart, really 494 00:26:27,400 --> 00:26:31,480 Speaker 1: privileged kids, you know, sorry, they're not having it. They're 495 00:26:31,520 --> 00:26:33,919 Speaker 1: not for five minutes. They're not going to wear a 496 00:26:34,040 --> 00:26:35,800 Speaker 1: numbered hat exactly. 497 00:26:35,840 --> 00:26:40,320 Speaker 3: And also even in her just being so Parisy, she's 498 00:26:40,359 --> 00:26:42,720 Speaker 3: not going to do that. So that was sort of 499 00:26:42,720 --> 00:26:45,280 Speaker 3: my thing where I'm like, we're just hashtag trying too 500 00:26:45,320 --> 00:26:46,240 Speaker 3: hard with this stuff. 501 00:26:46,400 --> 00:26:50,400 Speaker 1: Well, I'm hearing screaming outside my unit. It's not it's 502 00:26:50,600 --> 00:26:56,000 Speaker 1: just a TV show. They're yelling at me. I can 503 00:26:56,040 --> 00:26:59,440 Speaker 1: already hear the emails whizzing through the cloud at me. 504 00:27:02,680 --> 00:27:05,040 Speaker 3: The magnet board, and she's going and typing. It's just 505 00:27:05,160 --> 00:27:06,439 Speaker 3: too I'm like, come on, Paris. 506 00:27:06,760 --> 00:27:09,960 Speaker 4: Yeah, I agree, Paris is one of my favorite characters. 507 00:27:10,000 --> 00:27:13,080 Speaker 4: But even for me, that was like, she's like walking 508 00:27:13,119 --> 00:27:16,560 Speaker 4: this fine line. Yeah, this is this is a little 509 00:27:16,600 --> 00:27:17,400 Speaker 4: over the top. 510 00:27:19,040 --> 00:27:21,720 Speaker 1: And look part of what we love about the show, though, 511 00:27:21,760 --> 00:27:22,160 Speaker 1: isn't it. 512 00:27:22,800 --> 00:27:25,679 Speaker 3: Yes, yes, it's that fine line because I want to 513 00:27:25,720 --> 00:27:26,720 Speaker 3: push it. But then when it. 514 00:27:26,680 --> 00:27:30,639 Speaker 1: Goes over, I go, yeah, we threw a flag. 515 00:27:32,040 --> 00:27:37,480 Speaker 3: So then the coffee cart, which actually was believable and funny, amusing. 516 00:27:38,280 --> 00:27:39,760 Speaker 3: I do think he would do that, so. 517 00:27:41,760 --> 00:27:44,160 Speaker 1: Yeah, that was pretty funny. But would they have allowed 518 00:27:44,200 --> 00:27:45,480 Speaker 1: it inside the pub? 519 00:27:46,600 --> 00:27:50,239 Speaker 3: No, I thought of that. I actually thought of that. No, 520 00:27:50,400 --> 00:27:51,560 Speaker 3: for so many reasons. 521 00:27:51,760 --> 00:27:55,640 Speaker 1: Yeah, so anyway, we're not throwing a flag on that though, 522 00:27:55,640 --> 00:27:56,560 Speaker 1: because it paid off. 523 00:27:56,720 --> 00:27:58,439 Speaker 3: No, I agree, this is. 524 00:27:58,880 --> 00:28:00,879 Speaker 1: The referee did throw the flag, but he picked it 525 00:28:00,920 --> 00:28:02,840 Speaker 1: back up and just waved it off. 526 00:28:12,640 --> 00:28:15,040 Speaker 3: So whatever the opposite of a flag is is how 527 00:28:15,040 --> 00:28:18,240 Speaker 3: I feel about this coming scene because I thought for 528 00:28:18,359 --> 00:28:21,760 Speaker 3: all the people that don't like Anna, I thought she 529 00:28:21,920 --> 00:28:26,520 Speaker 3: was very correct and appropriate in this scene. So now 530 00:28:26,520 --> 00:28:31,000 Speaker 3: we have Luke calling Anna and there's some chitty chatting 531 00:28:31,000 --> 00:28:34,480 Speaker 3: about the swooshing grease. Well, well they'll be swooshing grease 532 00:28:34,560 --> 00:28:38,920 Speaker 3: around her, and you know, he sort of pulls the 533 00:28:39,160 --> 00:28:42,720 Speaker 3: bs of like, well maybe this just isn't a good 534 00:28:42,720 --> 00:28:47,000 Speaker 3: time for me, And I thought she nailed it, like, 535 00:28:47,360 --> 00:28:49,560 Speaker 3: screw you, dude, you want to be involved. We didn't 536 00:28:49,560 --> 00:28:52,000 Speaker 3: ask for this. You don't get to choose when you're 537 00:28:52,040 --> 00:28:53,720 Speaker 3: going to be a parent, you are one. 538 00:28:54,920 --> 00:28:59,040 Speaker 4: I thought that was interesting because she did make that 539 00:28:59,200 --> 00:29:02,320 Speaker 4: choice for Luke. She chose not to tell him he 540 00:29:02,400 --> 00:29:08,840 Speaker 4: was a parent, so well, you're just a parent. You 541 00:29:08,880 --> 00:29:12,840 Speaker 4: have to just do it like that was that was weird. 542 00:29:12,840 --> 00:29:16,520 Speaker 4: But I do agree with though the mama bear part 543 00:29:16,560 --> 00:29:18,800 Speaker 4: of it, that like you you either have to be 544 00:29:18,840 --> 00:29:21,400 Speaker 4: there for her or not, like don't get her hopes up. 545 00:29:21,440 --> 00:29:25,400 Speaker 3: I did agree with that part and correct she was wrong, 546 00:29:26,880 --> 00:29:31,320 Speaker 3: full stop. Wrong by not informing Luke about this. But 547 00:29:31,480 --> 00:29:34,200 Speaker 3: now it's come out. So the past is the past. 548 00:29:34,280 --> 00:29:37,000 Speaker 3: She made those mistakes. We can dig into that forever. 549 00:29:37,800 --> 00:29:41,400 Speaker 3: But she was right in that Luke can't be like. 550 00:29:41,520 --> 00:29:46,360 Speaker 1: Oh I can I ask you guys something? Does this 551 00:29:46,480 --> 00:29:51,280 Speaker 1: seem like a real departure from who Luke is? Like 552 00:29:51,320 --> 00:29:54,640 Speaker 1: if he's so caring, I mean, even though it's a 553 00:29:54,680 --> 00:29:56,800 Speaker 1: big shock to find out you have a daughter, right, 554 00:29:57,840 --> 00:30:02,760 Speaker 1: can he lack the skills to this degree when he 555 00:30:02,840 --> 00:30:09,520 Speaker 1: displays such such a toolbox, if you will, of skill sets, 556 00:30:11,200 --> 00:30:14,400 Speaker 1: dealing with Laurel I and dealing with Rory all these years, 557 00:30:14,920 --> 00:30:17,240 Speaker 1: and then to turn around with his own daughter, you know, 558 00:30:18,760 --> 00:30:21,480 Speaker 1: squirming around, trying to get out of it, no she 559 00:30:21,520 --> 00:30:25,760 Speaker 1: can't come, and not telling Laura. He's almost unrecognizable at 560 00:30:25,760 --> 00:30:29,520 Speaker 1: this What happened to this solid guy who everybody can 561 00:30:29,560 --> 00:30:34,240 Speaker 1: depend on and he's the rock and now he's just 562 00:30:34,320 --> 00:30:37,040 Speaker 1: acting like an idiot? 563 00:30:37,320 --> 00:30:39,960 Speaker 4: Well just wait till the next few episodes. 564 00:30:40,520 --> 00:30:46,080 Speaker 3: We've seen small inklings where he gets So I think 565 00:30:46,120 --> 00:30:51,440 Speaker 3: his dishonesty comes from a place of love, right, Like, 566 00:30:51,520 --> 00:30:54,400 Speaker 3: I don't think he has bad intentions ever, And I 567 00:30:54,440 --> 00:30:58,280 Speaker 3: think he's trying to navigate this relationship with April with 568 00:30:58,360 --> 00:31:00,840 Speaker 3: good intentions. And I understand why he was nervous about 569 00:31:00,840 --> 00:31:03,720 Speaker 3: her coming to the diner because he hasn't told lore lies. 570 00:31:03,800 --> 00:31:08,000 Speaker 1: So so tell her it's not that hard. You take 571 00:31:08,040 --> 00:31:11,320 Speaker 1: a break from uh, you know, Caesar take over. He 572 00:31:11,360 --> 00:31:13,800 Speaker 1: goes over the dragonfly. He tells her, what's you know, 573 00:31:13,920 --> 00:31:14,840 Speaker 1: it's ridiculous. 574 00:31:15,040 --> 00:31:17,920 Speaker 3: I agree, Well, he tried it in the last episode. 575 00:31:18,120 --> 00:31:21,560 Speaker 3: Come on Fries in this one to tell her correct. 576 00:31:21,600 --> 00:31:23,160 Speaker 3: He should have just ripped the band aid off right 577 00:31:23,200 --> 00:31:24,440 Speaker 3: when it happened. 578 00:31:24,440 --> 00:31:27,680 Speaker 1: Right, and he would have. He's that guy. He's the 579 00:31:27,760 --> 00:31:28,640 Speaker 1: stand up guy. 580 00:31:29,400 --> 00:31:33,400 Speaker 3: Yes, but he's so nervous about this is so major 581 00:31:33,920 --> 00:31:36,280 Speaker 3: and he's nervous. And I get that too, Like I 582 00:31:36,320 --> 00:31:40,960 Speaker 3: don't hate him for his mistakes. I sort of have 583 00:31:41,080 --> 00:31:41,960 Speaker 3: competitive I'm not. 584 00:31:42,040 --> 00:31:46,360 Speaker 1: I'm not hating on him. It's just it's just it's 585 00:31:46,440 --> 00:31:50,920 Speaker 1: so out of character. Yeah, you know, it's just it's 586 00:31:51,040 --> 00:31:53,800 Speaker 1: just isn't him. It's almost like it's a it's a 587 00:31:53,880 --> 00:31:59,000 Speaker 1: it's another character that has absolutely no idea how to 588 00:31:59,080 --> 00:32:02,360 Speaker 1: navigate his day to day life. 589 00:32:02,800 --> 00:32:04,360 Speaker 3: I mean, he's very hypocritical to. 590 00:32:04,760 --> 00:32:07,800 Speaker 1: He's been through the he's been through the fire with 591 00:32:07,920 --> 00:32:11,600 Speaker 1: Christopher and dealing with all of that, and he's you know, 592 00:32:11,760 --> 00:32:15,680 Speaker 1: he's been a hero, you know, all this build up 593 00:32:15,680 --> 00:32:17,600 Speaker 1: with this character, and then all of a sudden, his 594 00:32:17,720 --> 00:32:21,040 Speaker 1: daughter shows up and he goes all now tole Eel 595 00:32:21,440 --> 00:32:24,360 Speaker 1: and he's not It just didn't recognize him. I couldn't. 596 00:32:24,680 --> 00:32:28,000 Speaker 1: I did not like this portrayal of this character in 597 00:32:28,040 --> 00:32:28,440 Speaker 1: this world. 598 00:32:28,480 --> 00:32:32,360 Speaker 3: It's so hypocritical. Like I said, he has been so 599 00:32:32,640 --> 00:32:38,680 Speaker 3: adamant about transparency with Laura Leo, about Christopher, about everything, 600 00:32:39,920 --> 00:32:44,160 Speaker 3: and then he does not do that. So, m that's a. 601 00:32:44,040 --> 00:32:48,240 Speaker 1: Bit the one guy in the world you would expect to, 602 00:32:49,280 --> 00:32:52,120 Speaker 1: you know, just sort of plow through it and face 603 00:32:52,200 --> 00:32:55,520 Speaker 1: the music right away and be honest. And I think 604 00:32:55,720 --> 00:32:59,160 Speaker 1: I think it hurts the character. I think it hurts him. 605 00:32:59,680 --> 00:33:03,760 Speaker 1: You know, I don't know fans out there listening in 606 00:33:04,680 --> 00:33:07,600 Speaker 1: chime in, We want to know how you feel about that. 607 00:33:07,680 --> 00:33:11,560 Speaker 3: It doesn't make him. We can't put him on a 608 00:33:11,560 --> 00:33:15,920 Speaker 3: pedestal because he's definitely makes mistakes. So okay, So we 609 00:33:16,000 --> 00:33:19,120 Speaker 3: go there's some sort of Paris more Paris Rory stuff, 610 00:33:19,160 --> 00:33:22,640 Speaker 3: which we don't love. Then we go into the hub 611 00:33:23,320 --> 00:33:28,400 Speaker 3: and Rory realizes, like, oh, here's everybody from the paper 612 00:33:28,520 --> 00:33:32,880 Speaker 3: sort of having this meeting. So I sort of agree 613 00:33:32,920 --> 00:33:34,360 Speaker 3: that they need to have some sort. 614 00:33:34,160 --> 00:33:34,440 Speaker 1: Of a. 615 00:33:37,760 --> 00:33:40,480 Speaker 3: Mutiny against Paris. Is that what it's called? What's the 616 00:33:40,560 --> 00:33:41,000 Speaker 3: right word? 617 00:33:41,440 --> 00:33:44,760 Speaker 1: Yeah? That works. Yeah, she needs to be voted out. 618 00:33:44,880 --> 00:33:48,200 Speaker 1: I mean it's it's really a coup d'etas. Yeah, get 619 00:33:48,280 --> 00:33:52,160 Speaker 1: rid of her, you know, take over the institutions aligned 620 00:33:52,200 --> 00:33:55,600 Speaker 1: with the military and go in there and remove her. 621 00:33:56,440 --> 00:34:00,800 Speaker 3: So them lower live bumps into Tailor in his. 622 00:34:03,600 --> 00:34:07,320 Speaker 1: I gotta tell you that was hysterical. He bumps into her. 623 00:34:08,719 --> 00:34:11,160 Speaker 1: She says, how's it going there? Eight mile? 624 00:34:14,360 --> 00:34:17,600 Speaker 3: And also when she says like the rain in Spain 625 00:34:17,800 --> 00:34:18,279 Speaker 3: because he. 626 00:34:18,280 --> 00:34:27,680 Speaker 1: Says ele line was so good, So suddenly we're line dancing. 627 00:34:27,719 --> 00:34:32,720 Speaker 1: What's with the line dancing? 628 00:34:33,239 --> 00:34:38,680 Speaker 3: So okay, So then we have Zach, which I can't 629 00:34:38,680 --> 00:34:42,200 Speaker 3: decide if I like or don't like the Zach stuff. 630 00:34:42,200 --> 00:34:44,960 Speaker 3: There's definitely some funny stuff. So Zach sort of helping 631 00:34:45,000 --> 00:34:50,760 Speaker 3: with the booth, and you can tell that he's just straw. Right. 632 00:34:51,719 --> 00:34:54,239 Speaker 1: If anybody's the illegitimate child of Luke, it could be 633 00:34:54,400 --> 00:34:59,160 Speaker 1: Zach because he's such a ranter. He's just ranting all 634 00:34:59,160 --> 00:34:59,840 Speaker 1: over the place. 635 00:35:00,239 --> 00:35:03,160 Speaker 4: Yeah, maybe we just talked about it early cranky, that's 636 00:35:03,160 --> 00:35:05,000 Speaker 4: a good point, the ranting. 637 00:35:05,080 --> 00:35:09,320 Speaker 3: And then I actually was thinking, who is that guy? 638 00:35:09,760 --> 00:35:13,480 Speaker 3: He's so handsome and then he calls him like the Clooney. 639 00:35:13,600 --> 00:35:15,320 Speaker 1: And the Asian cloney. 640 00:35:15,560 --> 00:35:19,000 Speaker 3: Yeah, because that guy was a total babe. I was like, 641 00:35:19,000 --> 00:35:20,600 Speaker 3: who is this guy? And then it was a little 642 00:35:20,640 --> 00:35:22,640 Speaker 3: creepy when we find out he's the uncle and we 643 00:35:22,719 --> 00:35:24,480 Speaker 3: all were like, because I was definitely going down the 644 00:35:24,480 --> 00:35:28,400 Speaker 3: one path of like are they getting set up? And 645 00:35:28,440 --> 00:35:31,160 Speaker 3: he's so unhinged throwing the milk bottles? What did you 646 00:35:31,200 --> 00:35:34,440 Speaker 3: all make of missus Kim though saying I'm not standing 647 00:35:34,440 --> 00:35:39,280 Speaker 3: in your way? That was a point. 648 00:35:39,640 --> 00:35:42,640 Speaker 1: Maybe she was drinking some of more of that plumb 649 00:35:42,680 --> 00:35:46,239 Speaker 1: wine or something and she was talking to Why would 650 00:35:46,280 --> 00:35:47,120 Speaker 1: she say that to Zach? 651 00:35:48,400 --> 00:35:53,120 Speaker 5: Maybe she didn't lead anywhere, so no, but maybe she's 652 00:35:53,200 --> 00:35:58,480 Speaker 5: finally saying like she's not gonna stand in her daughter's 653 00:35:58,560 --> 00:35:59,400 Speaker 5: way anymore. 654 00:36:00,120 --> 00:36:01,680 Speaker 1: It yeah, like. 655 00:36:03,680 --> 00:36:04,680 Speaker 3: I don't know, I sort of. 656 00:36:06,719 --> 00:36:07,640 Speaker 4: It's an open question. 657 00:36:08,280 --> 00:36:11,880 Speaker 1: Yes, yeah, well we'll leave it to the forum to 658 00:36:13,960 --> 00:36:17,920 Speaker 1: but uh. And then and then you know the uncle 659 00:36:18,120 --> 00:36:21,319 Speaker 1: is they're throwing the bottles and Zach's just Zack looks 660 00:36:21,360 --> 00:36:25,200 Speaker 1: like he's got a pretty good pitching arms Old Todd Lowe. 661 00:36:25,200 --> 00:36:30,080 Speaker 1: Maybe there's some old baseball experience in his background. He 662 00:36:30,239 --> 00:36:35,000 Speaker 1: was firing some seeds right at the wow and then 663 00:36:35,680 --> 00:36:41,799 Speaker 1: comes the most out of place line, because this one 664 00:36:41,960 --> 00:36:44,560 Speaker 1: just took me out of the show. Like he called 665 00:36:44,640 --> 00:36:47,960 Speaker 1: the uncle a the B word. 666 00:36:49,080 --> 00:36:53,120 Speaker 3: The B I t h yes, I mean. 667 00:36:53,239 --> 00:36:56,560 Speaker 1: He got that was his last line. That was they said, yeah, well, 668 00:36:56,640 --> 00:37:00,000 Speaker 1: you know, maybe I'll throw them harder next time you 669 00:37:00,280 --> 00:37:03,000 Speaker 1: And then he said and then he said it, and 670 00:37:03,040 --> 00:37:05,480 Speaker 1: the guy just turned around and walked away, and I thought, 671 00:37:05,680 --> 00:37:07,680 Speaker 1: what show am I watching him? 672 00:37:08,480 --> 00:37:12,040 Speaker 4: So that was, well, we probably are going to talk 673 00:37:12,040 --> 00:37:13,799 Speaker 4: about it in pulp culture because that was a quote 674 00:37:13,840 --> 00:37:14,520 Speaker 4: from something else. 675 00:37:16,080 --> 00:37:17,240 Speaker 3: I missed this company. 676 00:37:17,360 --> 00:37:19,279 Speaker 1: I don't care if it was a quote from something else. 677 00:37:19,320 --> 00:37:23,080 Speaker 1: It's like, how did that phrase theology end up? And 678 00:37:23,160 --> 00:37:27,000 Speaker 1: gill my girls, it's the last show. It was a 679 00:37:27,040 --> 00:37:29,799 Speaker 1: little shocking where to hear something like that. 680 00:37:29,760 --> 00:37:33,000 Speaker 3: I miss I missed the whole thing. Oh, I'm like 681 00:37:33,320 --> 00:37:36,960 Speaker 3: maybe I was just too heart eyed at the at the. 682 00:37:37,040 --> 00:37:41,359 Speaker 1: Uncle I shouted out in my unit. I was like, no, no, 683 00:37:41,520 --> 00:37:43,000 Speaker 1: they had to come up and knock on my door. 684 00:37:43,239 --> 00:37:47,160 Speaker 3: Okay, it seems well we will be uh dissecting that 685 00:37:47,239 --> 00:37:50,680 Speaker 3: line in pop culture. So okay, so we did go 686 00:37:50,719 --> 00:37:52,040 Speaker 3: out of order a little bit. I'll get us back 687 00:37:52,080 --> 00:37:52,560 Speaker 3: on tracks. 688 00:37:52,640 --> 00:37:54,520 Speaker 1: So since you did, so you missed it, so we 689 00:37:54,560 --> 00:37:55,920 Speaker 1: don't get to talk about it. That's it. 690 00:37:56,000 --> 00:37:57,680 Speaker 3: Oh, We're definitely going to talk about it. I think 691 00:37:57,719 --> 00:37:59,759 Speaker 3: there's a lot to talk about because it's a huge 692 00:37:59,760 --> 00:38:02,560 Speaker 3: pop culture reference that I didn't know but I just 693 00:38:02,560 --> 00:38:06,480 Speaker 3: got a note about. All right, so we can talk about. 694 00:38:06,320 --> 00:38:08,000 Speaker 1: I think we have to tiptoe around that. We have 695 00:38:08,000 --> 00:38:09,200 Speaker 1: to tiptoe around. 696 00:38:08,920 --> 00:38:11,080 Speaker 3: This about about the B I T c. 697 00:38:11,239 --> 00:38:15,440 Speaker 1: H swear word, swear word, A legit swear word, but 698 00:38:15,480 --> 00:38:18,680 Speaker 1: it's a but it's like a you know, it's denigrating. 699 00:38:19,040 --> 00:38:20,680 Speaker 3: Are any of us going to say the word. 700 00:38:21,480 --> 00:38:24,120 Speaker 1: I'm not saying it. I'm not saying it. I'm not 701 00:38:24,160 --> 00:38:30,080 Speaker 1: saying don't say kids listen to this. No, no saying it. Okay. 702 00:38:30,719 --> 00:38:32,759 Speaker 1: Sometimes I think perpetuating this word. 703 00:38:32,840 --> 00:38:35,840 Speaker 3: Sometimes I think we say s A S H I 704 00:38:36,000 --> 00:38:37,600 Speaker 3: T on this show. 705 00:38:38,280 --> 00:38:43,799 Speaker 1: But that's something that we all do. That's that's that's 706 00:38:43,880 --> 00:38:45,920 Speaker 1: the universal common. 707 00:38:46,080 --> 00:38:47,160 Speaker 3: Daily that's true. 708 00:38:47,320 --> 00:38:48,560 Speaker 4: It's biologic function. 709 00:38:49,239 --> 00:38:53,520 Speaker 1: The the the B word is a slur against you know, 710 00:38:54,560 --> 00:39:01,960 Speaker 1: it's not okay, Yeah, it's not okay. 711 00:39:03,600 --> 00:39:05,839 Speaker 3: I don't know. Okay, So what I know is there's 712 00:39:05,880 --> 00:39:08,719 Speaker 3: a pop culture connection to it that has to do 713 00:39:08,800 --> 00:39:10,680 Speaker 3: with the show that the OC and Gilmour Girls. So 714 00:39:10,719 --> 00:39:14,360 Speaker 3: we'll get let's dig into it in pop culture. Okay, 715 00:39:14,480 --> 00:39:17,240 Speaker 3: keep going through here, so we'll spend some time. 716 00:39:17,520 --> 00:39:20,719 Speaker 1: That is hardly a justification. If that's the right, well, 717 00:39:20,760 --> 00:39:21,120 Speaker 1: we'll have. 718 00:39:21,040 --> 00:39:22,200 Speaker 3: To analyze it. I don't know. 719 00:39:22,400 --> 00:39:24,600 Speaker 1: I don't I'm going to start writing letters. I'm going 720 00:39:24,680 --> 00:39:25,680 Speaker 1: to start writing letters. 721 00:39:25,920 --> 00:39:28,160 Speaker 3: I missed the line completely, So I'm feeling like we 722 00:39:28,320 --> 00:39:34,239 Speaker 3: do do it? Okay. So Lorlai gets the phone call 723 00:39:34,680 --> 00:39:40,160 Speaker 3: from Luke and uh says, there's something I need to 724 00:39:40,239 --> 00:39:43,600 Speaker 3: run past you, I think he said. And she's with 725 00:39:43,680 --> 00:39:47,000 Speaker 3: the Syrup Council and definitely won't be coming by the diner. 726 00:39:47,120 --> 00:39:49,320 Speaker 3: So we sort of have that exchange, right. 727 00:39:50,600 --> 00:39:56,400 Speaker 1: I thought, ridiculous, smarmy, not in character. Don't recognize him, 728 00:39:56,440 --> 00:39:59,200 Speaker 1: so you're definitely not coming to the diner. Oh good, 729 00:39:59,320 --> 00:40:03,200 Speaker 1: I can just see. Oh good. You know, it's like what. 730 00:40:03,560 --> 00:40:04,800 Speaker 3: That was weird? 731 00:40:05,239 --> 00:40:07,279 Speaker 4: I had just a minor flag on that because she's 732 00:40:07,280 --> 00:40:09,239 Speaker 4: standing there saying I just don't have time to come 733 00:40:09,280 --> 00:40:12,200 Speaker 4: over and repeating over and over. She's standing like five 734 00:40:12,239 --> 00:40:15,360 Speaker 4: feet away from the diner. The thing she could have 735 00:40:15,440 --> 00:40:17,520 Speaker 4: like turned around and even seen him standing there. 736 00:40:18,440 --> 00:40:18,879 Speaker 1: That's right. 737 00:40:18,960 --> 00:40:23,719 Speaker 3: She's square and there's never a day she doesn't go 738 00:40:23,760 --> 00:40:25,400 Speaker 3: to the diner. So I was a little bit like, 739 00:40:25,840 --> 00:40:28,040 Speaker 3: am I supposed to be falling for this nonsense? It's 740 00:40:28,080 --> 00:40:34,240 Speaker 3: so like, yeah, that was like okay. So then April's 741 00:40:34,280 --> 00:40:37,000 Speaker 3: at the diner, which I love that she like parked 742 00:40:37,040 --> 00:40:39,440 Speaker 3: her bike and was just like blocking the whole sidewalk. 743 00:40:39,520 --> 00:40:43,080 Speaker 3: But the funniest thing for me was the strangler. It 744 00:40:43,080 --> 00:40:49,680 Speaker 3: could be a strangler that she's like, oh, walk my bike. 745 00:40:49,719 --> 00:40:51,319 Speaker 4: He's like, no, it's a safe town, don't watch. 746 00:40:53,000 --> 00:40:55,600 Speaker 3: And then which will talk. Then when she meets Laura 747 00:40:55,680 --> 00:40:58,319 Speaker 3: La and tells Luke, well, she said she wasn't a strangler. 748 00:40:58,760 --> 00:41:02,839 Speaker 1: That's funny. Again, it doesn't track for me, even though 749 00:41:02,880 --> 00:41:05,320 Speaker 1: it was a really funny scene and really well written, 750 00:41:05,880 --> 00:41:09,440 Speaker 1: it doesn't track for me that he's this clueless as 751 00:41:09,480 --> 00:41:11,879 Speaker 1: a father when he's been a father to Rory all 752 00:41:11,880 --> 00:41:14,640 Speaker 1: these years. Right, does you want to sit in color? Like? 753 00:41:14,680 --> 00:41:16,000 Speaker 3: Do you want the sit in color? 754 00:41:16,080 --> 00:41:18,839 Speaker 1: Part? Really yeah, she though. 755 00:41:18,800 --> 00:41:20,880 Speaker 3: She wants to refill the salt and pepper shakers and 756 00:41:20,920 --> 00:41:23,800 Speaker 3: she wants to work. I was all good with it. 757 00:41:23,200 --> 00:41:26,799 Speaker 3: It has its moments and it's pop. This is a 758 00:41:26,840 --> 00:41:29,839 Speaker 3: mixed episode, so okay. Then we go back and we 759 00:41:29,880 --> 00:41:31,520 Speaker 3: do have the scene with Suki. I think it might 760 00:41:31,560 --> 00:41:34,040 Speaker 3: be our only scene with Suki and Loura LII with 761 00:41:34,120 --> 00:41:37,960 Speaker 3: the syrup council and there have like twelve jars of 762 00:41:38,000 --> 00:41:41,320 Speaker 3: syrup in front of them like it's a wine tasting. 763 00:41:41,360 --> 00:41:46,640 Speaker 3: And then no pancake or waffle like bucket. 764 00:41:47,239 --> 00:41:47,800 Speaker 1: Mm hmmm. 765 00:41:48,920 --> 00:41:53,880 Speaker 3: Then Logan, So, Logan's at the inn and tells Laurai 766 00:41:54,000 --> 00:41:59,520 Speaker 3: he misses her and wants her help. He Logan's got moxie. 767 00:42:00,320 --> 00:42:00,719 Speaker 1: Mm hmm. 768 00:42:02,040 --> 00:42:02,919 Speaker 3: What do you guys think? 769 00:42:04,880 --> 00:42:07,960 Speaker 1: I think he's doing what a lot of young men 770 00:42:08,080 --> 00:42:12,000 Speaker 1: do when they know they've blown it and they know 771 00:42:12,120 --> 00:42:18,040 Speaker 1: they really let maybe the one slip away, and they're 772 00:42:18,040 --> 00:42:21,319 Speaker 1: gonna they're gonna try to make amends and fight for it, 773 00:42:21,400 --> 00:42:24,719 Speaker 1: and you know, starting to get a little stockery here, 774 00:42:24,880 --> 00:42:27,480 Speaker 1: stocker ish. 775 00:42:28,239 --> 00:42:31,440 Speaker 4: I think he was getting desperate because he's seeing, Okay, 776 00:42:31,840 --> 00:42:35,280 Speaker 4: I thrown all this money at her and it's not working. 777 00:42:35,360 --> 00:42:38,600 Speaker 4: So what do I do next? And that was what 778 00:42:38,719 --> 00:42:39,680 Speaker 4: he came up with. 779 00:42:39,600 --> 00:42:40,319 Speaker 1: So I m hm. 780 00:42:41,840 --> 00:42:45,240 Speaker 4: You could see that, like he's getting a little desperate. 781 00:42:46,000 --> 00:42:54,839 Speaker 1: Yeah again, you know, I I'll shut up. No, no, 782 00:42:54,960 --> 00:42:58,600 Speaker 1: I mean it's like I don't recognize these characters now, 783 00:42:59,600 --> 00:42:59,759 Speaker 1: you know. 784 00:43:00,160 --> 00:43:01,160 Speaker 3: Oh that's interesting. 785 00:43:02,400 --> 00:43:02,560 Speaker 1: You know. 786 00:43:02,680 --> 00:43:05,560 Speaker 3: It's just I'm still pretty in. I'm still in. I 787 00:43:05,600 --> 00:43:10,200 Speaker 3: don't have as many complaints about the characters. I'm still 788 00:43:10,280 --> 00:43:12,919 Speaker 3: there's little things. But for me, Luke is still Luke 789 00:43:13,000 --> 00:43:15,919 Speaker 3: at his core, even though he's making little mistakes Logan's logan, 790 00:43:15,960 --> 00:43:18,359 Speaker 3: loreal lies, Lorelai. I'm good with pretty much all of them. 791 00:43:18,960 --> 00:43:21,719 Speaker 3: And for me, they're not making any more mistakes than 792 00:43:21,719 --> 00:43:26,719 Speaker 3: they've made for the last five years. They're still just. 793 00:43:27,400 --> 00:43:32,160 Speaker 1: Flawed, right, I know, but picture that's flawed Jesus flawed. 794 00:43:32,239 --> 00:43:36,200 Speaker 1: They're just acting. Luke's acting crazy. I mean, it's just 795 00:43:36,239 --> 00:43:38,160 Speaker 1: like it's just weird. 796 00:43:38,080 --> 00:43:41,400 Speaker 3: Bad though, Like would you do if you Okay, so Scott, 797 00:43:41,920 --> 00:43:45,080 Speaker 3: you find out tomorrow sorry that you have a kid? 798 00:43:45,239 --> 00:43:47,680 Speaker 3: Mm hmm, what do you do? 799 00:43:48,920 --> 00:43:51,720 Speaker 1: I mean, you know, you take responsibility. 800 00:43:52,320 --> 00:43:55,160 Speaker 3: I mean you call your wife, I mean immediately, Like, 801 00:43:55,440 --> 00:43:57,560 Speaker 3: don't you want to get your facts straight first? 802 00:43:59,280 --> 00:44:01,319 Speaker 1: At that point, it would be excellent because if you 803 00:44:01,360 --> 00:44:04,640 Speaker 1: were still married and you didn't know you had a kid. 804 00:44:03,920 --> 00:44:07,719 Speaker 3: Say that's Gwyn and Gavin. So you're married, right and 805 00:44:07,760 --> 00:44:09,400 Speaker 3: you find out, So say you find out you have 806 00:44:09,440 --> 00:44:11,719 Speaker 3: a thirty year old kid, I don't know, just say 807 00:44:11,880 --> 00:44:17,480 Speaker 3: whatever somebody before you met your wife, obviously, don't you 808 00:44:17,640 --> 00:44:19,920 Speaker 3: first kind of get your ducks in a row, like 809 00:44:20,239 --> 00:44:23,319 Speaker 3: or do you tell her this? I don't know. See, 810 00:44:23,360 --> 00:44:25,319 Speaker 3: I don't know. I don't know what I would do. 811 00:44:25,440 --> 00:44:29,600 Speaker 3: It's so it's so complicated, like would you call her 812 00:44:29,719 --> 00:44:31,719 Speaker 3: right away and be like this just happened. Somebody called 813 00:44:31,719 --> 00:44:33,719 Speaker 3: me and said I have a kid from thirty years ago. 814 00:44:33,719 --> 00:44:37,279 Speaker 1: Pretty much, And yeah, you love somebody and you trust them, 815 00:44:37,480 --> 00:44:39,960 Speaker 1: that's what you do. Yeah. Yeah, that's why I'm not 816 00:44:40,000 --> 00:44:40,839 Speaker 1: buying into this. 817 00:44:41,200 --> 00:44:42,000 Speaker 3: Yeah, all right. 818 00:44:42,680 --> 00:44:45,560 Speaker 1: I think it's really clunky and clumsy, and it's it's 819 00:44:45,760 --> 00:44:47,440 Speaker 1: it's it's not believable for me. 820 00:44:48,120 --> 00:44:51,359 Speaker 3: Yeah. And he didn't do anything wrong. That's the thing too, 821 00:44:51,440 --> 00:44:54,440 Speaker 3: Meaning it's not like he cheated on Lorely and has 822 00:44:54,480 --> 00:44:57,960 Speaker 3: a two year old. This was way before her. He 823 00:44:58,120 --> 00:45:00,839 Speaker 3: was in a relationship with this person and she did 824 00:45:00,920 --> 00:45:06,360 Speaker 3: not tell him, So it's not like, you know, it's. 825 00:45:06,560 --> 00:45:11,640 Speaker 1: I mean, it reveals his complete lack of trust in 826 00:45:11,719 --> 00:45:18,160 Speaker 1: Laurelai to be able to handle this information and process 827 00:45:18,239 --> 00:45:24,440 Speaker 1: it in a way that won't disrupt his narrative, which 828 00:45:24,480 --> 00:45:26,319 Speaker 1: is the wedding. And I mean, it was kind of 829 00:45:26,320 --> 00:45:28,800 Speaker 1: bizarre that he brought up the fact that he needed 830 00:45:29,840 --> 00:45:33,439 Speaker 1: more time and we let's not get married June third, 831 00:45:33,440 --> 00:45:35,400 Speaker 1: which is months and months away. I mean, it's like 832 00:45:35,440 --> 00:45:38,600 Speaker 1: it's wintertime, right, it's probably six months away, and he 833 00:45:38,640 --> 00:45:40,480 Speaker 1: wants to delay it because he just I mean, it. 834 00:45:40,480 --> 00:45:43,399 Speaker 3: Just that was weird to me too, like like. 835 00:45:43,480 --> 00:45:46,440 Speaker 1: What I mean, It's like I was shocked by this. 836 00:45:46,560 --> 00:45:49,040 Speaker 1: I thought it was laurele I and I you know, 837 00:45:49,080 --> 00:45:51,719 Speaker 1: when I was hearing about and I hadn't seen the 838 00:45:51,760 --> 00:45:54,280 Speaker 1: episodes and I forgot you know, I read the script 839 00:45:54,400 --> 00:45:59,040 Speaker 1: twenty years ago or whatever it was. But but I thought, oh, well, 840 00:45:59,400 --> 00:46:02,400 Speaker 1: this whole blow up is causing laurel I to have 841 00:46:02,480 --> 00:46:04,719 Speaker 1: second thoughts and she's going to delay the wedding. No, 842 00:46:05,040 --> 00:46:08,120 Speaker 1: it's him he is now. He wants to delay until things. 843 00:46:08,239 --> 00:46:13,000 Speaker 1: It's like, what just a bizarre, bizarre turn of events. 844 00:46:13,760 --> 00:46:19,680 Speaker 4: I think it speaks to Luke's inability to deal with 845 00:46:20,760 --> 00:46:23,120 Speaker 4: any kind of change that's thrown at him. He does 846 00:46:23,160 --> 00:46:26,879 Speaker 4: not deal with change well. And so I think he's 847 00:46:27,920 --> 00:46:30,440 Speaker 4: and I'm not saying this is justified, but I think 848 00:46:30,440 --> 00:46:34,520 Speaker 4: he's just overwhelmed by everything that's going on right now, 849 00:46:34,560 --> 00:46:40,280 Speaker 4: and so he's like pulling back. And so when Laura 850 00:46:40,280 --> 00:46:42,080 Speaker 4: I were kind of jumping ahead, but when Laura I 851 00:46:42,120 --> 00:46:45,239 Speaker 4: presented that option of postponing the wedding, then he was 852 00:46:45,640 --> 00:46:48,839 Speaker 4: like he kind of saw that way out and dove 853 00:46:48,920 --> 00:46:53,440 Speaker 4: for that exit. Not that that is right, I mean, 854 00:46:53,560 --> 00:46:59,399 Speaker 4: I agree that I personally feel that it is kind 855 00:46:59,440 --> 00:47:03,000 Speaker 4: of a trust issue, like when he if that had 856 00:47:03,040 --> 00:47:06,040 Speaker 4: happened to me, I would have said something to my 857 00:47:06,160 --> 00:47:09,080 Speaker 4: partner the second that she came in the diner and 858 00:47:09,280 --> 00:47:12,080 Speaker 4: pulled chunks of hair out of my head, like I 859 00:47:12,120 --> 00:47:14,239 Speaker 4: wouldn't have even waited for the results. I would have 860 00:47:14,239 --> 00:47:16,360 Speaker 4: been like, you know, the weirdest thing happened to me today, 861 00:47:17,480 --> 00:47:20,560 Speaker 4: Because if you trust your partner, then you want them 862 00:47:20,600 --> 00:47:22,320 Speaker 4: to help you through whatever. 863 00:47:22,640 --> 00:47:22,840 Speaker 1: You know. 864 00:47:22,920 --> 00:47:25,600 Speaker 4: The scenario is, so I mean maybe. 865 00:47:25,719 --> 00:47:27,440 Speaker 1: I mean, are they trying to make us believe that 866 00:47:28,440 --> 00:47:33,719 Speaker 1: you know, you know, he's so enamored and so insecure 867 00:47:33,880 --> 00:47:36,360 Speaker 1: and so nervous that she's just going to go away, 868 00:47:37,080 --> 00:47:39,759 Speaker 1: that he can't possibly tell her the truth about this 869 00:47:39,840 --> 00:47:42,799 Speaker 1: because he'll definitely lose her. I mean, that's that's what's 870 00:47:42,840 --> 00:47:46,200 Speaker 1: going through his head. Yeah, that's not the character that 871 00:47:46,280 --> 00:47:48,920 Speaker 1: I portrayed. That's not how I portrayed it, and or 872 00:47:49,200 --> 00:47:49,920 Speaker 1: the character. 873 00:47:49,760 --> 00:47:53,040 Speaker 3: Or her right, that's not what we know of her. 874 00:47:53,880 --> 00:47:59,520 Speaker 1: Very good point. Both of them are acting strangely, you know, and. 875 00:48:00,840 --> 00:48:04,960 Speaker 3: Well she wasn't given the opportunity, like he knows her right, 876 00:48:05,080 --> 00:48:07,960 Speaker 3: So he's acting weird for his own character. But he's 877 00:48:08,000 --> 00:48:11,200 Speaker 3: also putting some assumptions onto Laurali that she's never really 878 00:48:11,200 --> 00:48:13,840 Speaker 3: given us any kind of evidence that she would behave 879 00:48:13,880 --> 00:48:17,759 Speaker 3: that way. Yeah, I agree, I don't know. It does 880 00:48:17,840 --> 00:48:20,319 Speaker 3: make me think. I mean I started as you guys 881 00:48:20,320 --> 00:48:23,640 Speaker 3: were talking like whoa, it's true, Like I do think 882 00:48:23,680 --> 00:48:25,920 Speaker 3: I would immediately say something. 883 00:48:26,400 --> 00:48:28,359 Speaker 1: Yeah, anybody, anybody would. 884 00:48:28,800 --> 00:48:32,640 Speaker 3: It's so much that you almost want to tell your 885 00:48:33,640 --> 00:48:37,400 Speaker 3: significant other because it takes some of it off of you. 886 00:48:38,040 --> 00:48:41,719 Speaker 1: Exactly, that's your best friend. You will talk to them 887 00:48:41,719 --> 00:48:48,800 Speaker 1: about it, help me. This is yeah, it's your partner, 888 00:48:49,000 --> 00:48:50,280 Speaker 1: this is your life partner. 889 00:48:50,640 --> 00:48:53,600 Speaker 3: Yeah, I'm also a firm believer. If you're going to 890 00:48:53,760 --> 00:48:55,840 Speaker 3: marry somebody. So this is how I always say it. 891 00:48:56,239 --> 00:48:59,440 Speaker 3: You're going to marry somebody, that means they have the 892 00:48:59,480 --> 00:49:02,080 Speaker 3: decision and to pull the plug on whether you live 893 00:49:02,200 --> 00:49:06,080 Speaker 3: or die. Right, You're gonna give somebody that decision, but 894 00:49:06,160 --> 00:49:09,120 Speaker 3: you don't trust them with like, hey this happened. I'm 895 00:49:09,160 --> 00:49:10,880 Speaker 3: always like, that's so weird to me. 896 00:49:11,280 --> 00:49:14,879 Speaker 1: Yeah, he's just he's just he's acting like a cuckoo birds. 897 00:49:15,320 --> 00:49:19,120 Speaker 3: It just him, it's not Yeah, he's sort of a mess. 898 00:49:19,239 --> 00:49:21,759 Speaker 3: But why have Okay, I know we have a few 899 00:49:21,760 --> 00:49:24,319 Speaker 3: more things to talk about. One flag though not even 900 00:49:24,320 --> 00:49:27,120 Speaker 3: a flag, a call out. So you know, in the 901 00:49:27,200 --> 00:49:30,800 Speaker 3: scene at the carnival, right, so I can't remember exactly 902 00:49:30,840 --> 00:49:34,600 Speaker 3: what part, whether it's when Zach's hurling the balls at 903 00:49:34,640 --> 00:49:40,480 Speaker 3: the milk bottles, or we see the what was it 904 00:49:40,520 --> 00:49:41,920 Speaker 3: called the swami. 905 00:49:42,200 --> 00:49:43,879 Speaker 4: The doggy swammy, the doggies. 906 00:49:45,239 --> 00:49:45,520 Speaker 1: Dogs. 907 00:49:45,800 --> 00:49:50,000 Speaker 3: Somewhere in this whole thing, did you notice the background 908 00:49:50,080 --> 00:49:54,200 Speaker 3: actor in the letterman jacket that quite possibly could be 909 00:49:54,320 --> 00:49:57,319 Speaker 3: the worst background actor of all time? 910 00:49:57,719 --> 00:49:58,439 Speaker 1: What was he doing? 911 00:49:58,880 --> 00:50:01,760 Speaker 3: It was a girl and a guy and they are 912 00:50:01,800 --> 00:50:07,040 Speaker 3: just so over the top, like just every motion was 913 00:50:08,200 --> 00:50:12,080 Speaker 3: like crazy and they showed up again, like I was like, oh, 914 00:50:12,160 --> 00:50:15,799 Speaker 3: there's the crazy girl in the letterman jacket again. They're so. 915 00:50:17,600 --> 00:50:20,920 Speaker 1: Were they were they taking their moment, their opportunity, definitely, and. 916 00:50:20,920 --> 00:50:24,000 Speaker 3: They're so that I'm like, I had a hard time 917 00:50:24,000 --> 00:50:25,200 Speaker 3: paying attention to what was happening. 918 00:50:25,280 --> 00:50:27,399 Speaker 1: Well, it was too big. The director would have said, hey, 919 00:50:27,840 --> 00:50:29,359 Speaker 1: you know, calm down. 920 00:50:30,080 --> 00:50:33,200 Speaker 3: Well the director probably said that and then still had 921 00:50:33,200 --> 00:50:37,280 Speaker 3: to use the use it because that was nuts. 922 00:50:37,360 --> 00:50:37,640 Speaker 2: No. 923 00:50:37,360 --> 00:50:41,680 Speaker 1: No, if you if you defy a director in your background, 924 00:50:41,920 --> 00:50:43,520 Speaker 1: they'll just you know, replace you. 925 00:50:44,680 --> 00:50:47,400 Speaker 3: Jackie. How hard is it to pull up the scene 926 00:50:49,760 --> 00:50:55,000 Speaker 3: so they can see, Oh good, she's already looking for it. 927 00:50:54,400 --> 00:51:00,120 Speaker 3: I would it's right around where missus Kim says to 928 00:51:00,120 --> 00:51:02,319 Speaker 3: to Zach, I'm not going to get in your way, 929 00:51:02,680 --> 00:51:05,000 Speaker 3: So it sort of a little bit before that, and 930 00:51:05,040 --> 00:51:07,960 Speaker 3: then after there's also a fur jacket that we should 931 00:51:08,000 --> 00:51:11,719 Speaker 3: take note of that was fabulous in this scene. But yeah, 932 00:51:11,800 --> 00:51:15,720 Speaker 3: everybody needs to watch this because this letterman jacket couple 933 00:51:16,200 --> 00:51:16,799 Speaker 3: was just. 934 00:51:18,120 --> 00:51:21,520 Speaker 4: While Jackie's looking. There was one other kind of funny 935 00:51:21,560 --> 00:51:25,920 Speaker 4: moment going back to the scene where what's his name? 936 00:51:27,920 --> 00:51:32,080 Speaker 4: I'm totally blanking remember his name? When he's at the 937 00:51:32,160 --> 00:51:36,120 Speaker 4: Dragonfly and one little kind of Laureliism. I had to 938 00:51:36,200 --> 00:51:38,520 Speaker 4: laugh when she said that she and Rory didn't speak 939 00:51:38,560 --> 00:51:39,759 Speaker 4: for five months three weeks. 940 00:51:39,800 --> 00:51:43,400 Speaker 3: Oh yeah days. Did you catch that? Of course? And 941 00:51:43,480 --> 00:51:46,719 Speaker 3: I also math is like all weird, it was so good. 942 00:51:46,760 --> 00:51:48,560 Speaker 3: And then she also says I hate your father and 943 00:51:48,600 --> 00:51:55,680 Speaker 3: he says like, yes, so okay. Well, while Jackie pulls 944 00:51:55,680 --> 00:51:58,360 Speaker 3: that up. This is where we sort of have the 945 00:51:58,440 --> 00:52:03,120 Speaker 3: moment where Scott talked about where they postpone the wedding, 946 00:52:04,280 --> 00:52:08,080 Speaker 3: and it's like she's trying so hard to be sort 947 00:52:08,080 --> 00:52:10,359 Speaker 3: of supportive and okay with it, and you. 948 00:52:10,480 --> 00:52:13,200 Speaker 1: Just right, but well she wouldn't be okay with it. 949 00:52:13,160 --> 00:52:14,880 Speaker 3: It would no And she should have said that to 950 00:52:14,960 --> 00:52:18,719 Speaker 3: him too. That was my other thing, make any sense? Like, 951 00:52:19,600 --> 00:52:21,480 Speaker 3: you know, she says, do you want to postpone the wedding? Oh, 952 00:52:21,520 --> 00:52:25,759 Speaker 3: that'll really help, and I just was like, why did 953 00:52:25,800 --> 00:52:34,439 Speaker 3: he even say that? Yeah? Yeah, yeah, Well Jackie also 954 00:52:34,480 --> 00:52:36,759 Speaker 3: finds this. I think we forgot to say. Tickets are 955 00:52:36,760 --> 00:52:40,759 Speaker 3: on sale now, So while you're listening to this, get 956 00:52:40,840 --> 00:52:42,280 Speaker 3: your tickets, get. 957 00:52:42,080 --> 00:52:47,799 Speaker 1: Your January seventeenth. iHeart Radio Theater and the stream. 958 00:52:47,520 --> 00:52:49,959 Speaker 3: Is January twenty fifth. But I will say you don't 959 00:52:49,960 --> 00:52:51,920 Speaker 3: have to watch it on January twenty fifth, So if 960 00:52:51,960 --> 00:52:54,880 Speaker 3: you're booked up, you can get it, get a ticket 961 00:52:54,920 --> 00:52:57,439 Speaker 3: to the stream, and then you have like two weeks 962 00:52:57,520 --> 00:52:58,840 Speaker 3: or something to watch it again. 963 00:52:58,920 --> 00:53:04,239 Speaker 1: Oh, it's so dreaming. Availability is January twenty five for 964 00:53:04,320 --> 00:53:07,719 Speaker 1: the next two weeks after that. Yep, yep, that's pretty cool. 965 00:53:08,120 --> 00:53:10,520 Speaker 3: Yeah, okay, so oh because. 966 00:53:10,280 --> 00:53:11,680 Speaker 1: Last year it was only a week, it was only 967 00:53:11,719 --> 00:53:14,120 Speaker 1: available for a week. Now it's two weeks for the stream. 968 00:53:14,239 --> 00:53:17,720 Speaker 3: Yeah, we're making five and a lot of people always 969 00:53:17,760 --> 00:53:20,400 Speaker 3: want to know, well, we air it as a podcast. 970 00:53:20,440 --> 00:53:23,040 Speaker 3: We will never air it in its entirety as a podcast. 971 00:53:23,040 --> 00:53:25,480 Speaker 3: There'll be some things you'll be able to hear, but 972 00:53:25,560 --> 00:53:27,920 Speaker 3: you'll never be able to hear the whole thing as 973 00:53:27,920 --> 00:53:31,040 Speaker 3: a podcast, So I won't say that too. So there 974 00:53:31,080 --> 00:53:37,480 Speaker 3: is a reason to do this. So Jackie can't get 975 00:53:37,560 --> 00:53:39,839 Speaker 3: us the video, so we'll have to watch it individually. 976 00:53:39,880 --> 00:53:42,080 Speaker 3: But do yourself as a favorite. Oh maybe Jackie, you 977 00:53:42,080 --> 00:53:46,239 Speaker 3: could even find it for Instagram. The Letterman Jacket girl. 978 00:53:55,239 --> 00:53:59,200 Speaker 1: All right, let's talk about h that's the letter. Go ahead, Amy, 979 00:53:59,680 --> 00:54:02,279 Speaker 1: What think was in the letter is my thing? Who 980 00:54:02,360 --> 00:54:08,880 Speaker 1: knows it was the most nail biting scene. I was 981 00:54:08,960 --> 00:54:11,040 Speaker 1: talking to TV says, so, what's what's a letter? Read 982 00:54:11,040 --> 00:54:12,360 Speaker 1: it all out? What are you doing? I kept, I 983 00:54:12,360 --> 00:54:14,480 Speaker 1: got up and I tried to look over her shoulder. 984 00:54:14,520 --> 00:54:15,560 Speaker 1: It was weird too. 985 00:54:15,600 --> 00:54:17,239 Speaker 3: I really was like, can you zoom in? At least 986 00:54:17,239 --> 00:54:20,480 Speaker 3: I could shot it. 987 00:54:20,960 --> 00:54:24,200 Speaker 4: There is, and I should. I should have found the 988 00:54:24,280 --> 00:54:26,239 Speaker 4: link before we got on the air this morning. I 989 00:54:26,280 --> 00:54:31,680 Speaker 4: didn't think to do it. There is, apparently on the 990 00:54:31,719 --> 00:54:35,360 Speaker 4: Warner Brothers tour there is a copy of the letter 991 00:54:35,840 --> 00:54:39,560 Speaker 4: are you serious? And it's on there's pictures of it. 992 00:54:39,560 --> 00:54:44,799 Speaker 4: It's probably on like Pinterest somewhere. But and I can't 993 00:54:44,840 --> 00:54:47,879 Speaker 4: remember now what it says, but the content is out there, 994 00:54:49,160 --> 00:54:51,760 Speaker 4: at least as it was imagined by the prop department. 995 00:54:51,800 --> 00:54:54,960 Speaker 3: Who oh my gosh what it really said? But okay, 996 00:54:55,080 --> 00:54:58,400 Speaker 3: I think I have it. Hold on, oh man, I 997 00:54:58,480 --> 00:55:02,920 Speaker 3: do have it? So hard to read? Okay, okay, got it? 998 00:55:03,239 --> 00:55:06,680 Speaker 3: Dear Rory. So right now you're reading my sealed words 999 00:55:06,680 --> 00:55:12,240 Speaker 3: of wisdom. The tormented, foolish but persistent Cad hangs off 1000 00:55:12,480 --> 00:55:16,680 Speaker 3: every nuance of your reactions, his heart and mind in 1001 00:55:16,719 --> 00:55:20,320 Speaker 3: a dizzying flurry of questions as to how the outcome 1002 00:55:20,360 --> 00:55:23,400 Speaker 3: will play out as you read this, delight in the 1003 00:55:23,520 --> 00:55:29,520 Speaker 3: knowledge that this love sick, cut off puppy maybe before 1004 00:55:30,080 --> 00:55:33,719 Speaker 3: you does not have a clue now Ordinarily, after a 1005 00:55:33,719 --> 00:55:36,640 Speaker 3: fool has taken my daughter's love for granted, if I 1006 00:55:36,680 --> 00:55:39,840 Speaker 3: did not kill him through a slow and excruciating, painful death, 1007 00:55:40,000 --> 00:55:46,640 Speaker 3: I would instruct my daughter, much like missus Havisham did 1008 00:55:46,640 --> 00:55:49,840 Speaker 3: to Estelle, in great expectations, to be cold blooded and 1009 00:55:49,880 --> 00:55:53,960 Speaker 3: calculating to dash his hopes and crush him. However, the 1010 00:55:54,000 --> 00:55:56,840 Speaker 3: decision is all yours. To make love is elusive and 1011 00:55:56,920 --> 00:56:00,440 Speaker 3: all encompassing. When you fall under its intoxicating spell, you 1012 00:56:00,480 --> 00:56:04,839 Speaker 3: have little recourse but to live out its devices. If 1013 00:56:04,840 --> 00:56:06,520 Speaker 3: you love this boy, maybe you want to give it 1014 00:56:06,520 --> 00:56:09,320 Speaker 3: another chance. Good luck, Love you mom. 1015 00:56:09,840 --> 00:56:14,080 Speaker 4: Oh my god, that's very it got out. 1016 00:56:14,239 --> 00:56:18,680 Speaker 3: Is amazing. Sorry that I couldn't read one or two 1017 00:56:18,719 --> 00:56:20,640 Speaker 3: words because it was cut off. And then there's lots 1018 00:56:20,640 --> 00:56:24,120 Speaker 3: of pictures of it on the tour. That's amazing. 1019 00:56:24,320 --> 00:56:28,920 Speaker 1: I thought the letter would read, uh, dear Rory, aliens 1020 00:56:29,000 --> 00:56:34,560 Speaker 1: have inhabited Luke's body. We must save him. 1021 00:56:35,000 --> 00:56:38,200 Speaker 3: Oh my gosh. And there's a handwritten note. I wonder 1022 00:56:38,200 --> 00:56:40,360 Speaker 3: if that's Lauren Graham's real handwriting. 1023 00:56:40,800 --> 00:56:40,960 Speaker 1: Mm. 1024 00:56:42,000 --> 00:56:42,680 Speaker 3: That seems like a. 1025 00:56:45,200 --> 00:56:45,600 Speaker 1: Wow. 1026 00:56:46,880 --> 00:56:50,279 Speaker 3: Suzanne coming in with the knowledge we didn't know. 1027 00:56:50,800 --> 00:56:58,880 Speaker 1: All right, so let's do favorite lines. Uh, Suzanne, go ahead, 1028 00:56:58,920 --> 00:56:59,920 Speaker 1: what's your favorite line. 1029 00:57:00,560 --> 00:57:03,759 Speaker 4: I'm gonna I'm gonna change the favorite line I had 1030 00:57:03,760 --> 00:57:07,520 Speaker 4: originally picked out, and I'm gonna go with when Rory 1031 00:57:07,960 --> 00:57:10,960 Speaker 4: comes over to laurel Ize with that big gift basket 1032 00:57:11,360 --> 00:57:13,560 Speaker 4: and she said something to the effect of, I don't 1033 00:57:13,560 --> 00:57:15,680 Speaker 4: know who Harry and David are, but they how to 1034 00:57:15,680 --> 00:57:19,840 Speaker 4: grow a pair like a little there. 1035 00:57:20,280 --> 00:57:23,200 Speaker 3: I'm still she said she wasn't a strangler, the whole 1036 00:57:23,240 --> 00:57:26,560 Speaker 3: strangler like call back and she said she wasn't a strangler. 1037 00:57:27,360 --> 00:57:28,520 Speaker 3: Back to eight mile too. 1038 00:57:30,000 --> 00:57:33,000 Speaker 1: Yeah, that was my favorite line, was laurel I saying 1039 00:57:33,040 --> 00:57:37,280 Speaker 1: to Taylor, what's what's going on there? Eight miles? Eight mile? 1040 00:57:39,840 --> 00:57:42,000 Speaker 1: And all right, what are we rating it? Then? What's 1041 00:57:42,040 --> 00:57:44,520 Speaker 1: your measuring sticks? Is in front? 1042 00:57:45,400 --> 00:57:53,320 Speaker 4: I'm going to give this, Uh seven point eight Taylor tracksuits? 1043 00:57:54,160 --> 00:57:55,160 Speaker 1: Gotcha? Amy? 1044 00:57:55,760 --> 00:57:58,600 Speaker 3: Seven point five? Things of syrup? 1045 00:58:00,360 --> 00:58:02,920 Speaker 1: Things of syrup? Can you be specific. 1046 00:58:03,160 --> 00:58:05,760 Speaker 3: The syrup council that was testing the syrup out? 1047 00:58:05,760 --> 00:58:06,280 Speaker 1: Any cups? 1048 00:58:07,160 --> 00:58:11,240 Speaker 3: Many cups, many pictures almost, Yeah, like many things of syrup. 1049 00:58:11,440 --> 00:58:18,600 Speaker 1: Syrup or syrup containers. Many. You know I liked it 1050 00:58:18,680 --> 00:58:24,880 Speaker 1: better than sevens. Yeah, I listen, I'm going to deduct. 1051 00:58:25,200 --> 00:58:28,880 Speaker 1: I'm going to give it an eight point zero one 1052 00:58:28,920 --> 00:58:33,560 Speaker 1: seven three Oh wow, okay, a little better, and I'm 1053 00:58:33,600 --> 00:58:37,040 Speaker 1: going to give it and the measuring stick is going 1054 00:58:37,120 --> 00:58:45,240 Speaker 1: to be donuts. Krispy Kreme. 1055 00:58:45,480 --> 00:58:48,440 Speaker 3: Krispy Kreme. Those were Krispy Kream donuts. Good. 1056 00:58:49,160 --> 00:58:51,120 Speaker 1: That's what I'm giving it anyway. So all right, So 1057 00:58:51,200 --> 00:58:56,000 Speaker 1: that's going to wrap it up. Kids. Remember, get your 1058 00:58:56,040 --> 00:59:07,240 Speaker 1: tickets on THEEPS events backslash I hyphen m hyphen all 1059 00:59:07,360 --> 00:59:12,440 Speaker 1: hyphen in. Tickets are live right now for the big 1060 00:59:13,400 --> 00:59:20,760 Speaker 1: Live podcast event with special guest Sebastian Bach, Keko AGAINA 1061 00:59:22,160 --> 00:59:27,240 Speaker 1: Vanessa Mige shit so bad, I forgot I should have 1062 00:59:27,280 --> 00:59:29,480 Speaker 1: it in front of me, Amy, you do it. 1063 00:59:29,480 --> 00:59:34,040 Speaker 3: It is Vanessa Morano who plays April, Sebastian Bach who 1064 00:59:34,040 --> 00:59:40,920 Speaker 3: plays Gil Tiko, A Jaina who plays Lane, and Sally Struthers. 1065 00:59:41,720 --> 00:59:44,760 Speaker 1: Sally Struthers, I'll tell you that's worth the price of 1066 00:59:44,800 --> 00:59:49,200 Speaker 1: admission right there, just Sally Struthers. It's gonna be a 1067 00:59:49,240 --> 00:59:51,800 Speaker 1: free for all. We're gonna have so much fun there's there, 1068 00:59:52,040 --> 00:59:54,560 Speaker 1: it might snow. Who the heck knows it might snow 1069 00:59:54,600 --> 00:59:58,360 Speaker 1: and burbank for the first time in history. Anyway, next episode, 1070 00:59:58,440 --> 01:00:02,040 Speaker 1: Season six, Episode thirteen, five nights all right for fighting 1071 01:00:02,720 --> 01:00:06,320 Speaker 1: thanks to my intrepid cru Susan French Amy Sugarman. Tara 1072 01:00:06,440 --> 01:00:11,520 Speaker 1: Suit is on assignment in Kuala Lumpur and she's on 1073 01:00:11,600 --> 01:00:14,120 Speaker 1: a plane back to us from what I understand. And 1074 01:00:14,240 --> 01:00:17,960 Speaker 1: also another added feature for the live event, we're welcoming 1075 01:00:18,040 --> 01:00:21,000 Speaker 1: back the one, the only Danielle Roman, so we're very, 1076 01:00:21,160 --> 01:00:24,480 Speaker 1: very excited about that as well. Anyway, thanks for all 1077 01:00:24,480 --> 01:00:27,560 Speaker 1: your cards and letters, download smoke signals, everything coming whizzen 1078 01:00:27,600 --> 01:00:32,400 Speaker 1: through the cloud, paper, airplanes with messages on them, anything 1079 01:00:32,440 --> 01:00:37,800 Speaker 1: you can think of. Best fans on the planet, and 1080 01:00:37,920 --> 01:00:38,680 Speaker 1: we'll see you next time. 1081 01:00:38,720 --> 01:01:09,320 Speaker 2: Stay save everyone, Hey, everybody to forget. 1082 01:01:09,320 --> 01:01:13,400 Speaker 1: Follow us on Instagram at I Am all In podcast 1083 01:01:13,480 --> 01:01:27,600 Speaker 1: and email us at Gilmore at iHeartRadio dot com.