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Speaker 1: Welcome back to What's up There Podcasts. Of course, I

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Speaker 1: go by Big Loo, and I want to thank everybody

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Speaker 1: that's dropped in and stopped it. Hopefully you hear every

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Speaker 1: time I dropped. This is how we get on right.

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Speaker 1: It's up there podcast. Make sure that you go to

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Speaker 1: Patreon dot com. It's up there podcast, sign up to

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Speaker 1: be a member part of our community. This is where

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Speaker 1: we really want to start congregating and sharing ideas and

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Speaker 1: leading people towards the executive branch. You understand me, So

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Speaker 1: make sure you come to Patreon also, It's up there

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Speaker 1: podcast dot com should be live as we speak. It's

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Speaker 1: up there podcast dot com. It's a hub for us.

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Speaker 1: We'll be rolling out merching other things to complement and

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Speaker 1: act as condiments to the main course, which the product

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Speaker 1: is the podcast and everything surrounding that. So I want

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Speaker 1: to thank each and every person that is been patient

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Speaker 1: with us as we get that on the road and

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Speaker 1: get that up and going. You know, the business is good,

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Speaker 1: the business is booming. They're saying we're in the recession.

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Speaker 1: You know, I was, I was tripping. I was looking

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Speaker 1: online yesterday and interestingly enough, the singer Mario popped up

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Speaker 1: and What I found interesting is is that a lot

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Speaker 1: of the fans own look as customers, people that just

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Speaker 1: digest music. They live in his fairy tale land where

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Speaker 1: they think these people ain't human beings.

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Speaker 2: Right.

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Speaker 1: I remember that time when Shannon Shaw was on was

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Speaker 1: on camera and I think he was doing his other

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Speaker 1: show with Chad O Chosenko, and he was just he

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Speaker 1: was talking like this right here. He looked shut them,

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Speaker 1: and he looked right back, and like I was saying

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Speaker 1: about the past, all he had to do was though,

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Speaker 1: you know, he got right back to business. And you

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Speaker 1: know what, as I'm sitting here speaking about it and

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Speaker 1: flushing it out, I think that's what's funny about this shit.

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Speaker 1: I think the funny part what about this ship is

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Speaker 1: that them jump out of character and jump right back

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Speaker 1: in the character, like within the blink of it. Now,

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Speaker 1: like Mario, get the stage this baby, what do you

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Speaker 1: understand me? Yeah? So I think that's the funny part

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Speaker 1: of it is that people are examining it from that perspective, saying, Yo,

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Speaker 1: them jump out the character and jump right back in

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Speaker 1: the character. But you still won't take it for what

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Speaker 1: it's worth and say, oh yeah, it's a it's an

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Speaker 1: under there. Yeah, all at this that and the third

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Speaker 1: three piece suit wearing a whole budget add it's a

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Speaker 1: it's a yeah, it's an N word under there. Uh huh, yeah,

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Speaker 1: you blending in. See, that's the game. We ain't taught

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Speaker 1: of each other how to blend in. I was trying

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Speaker 1: to really give it to my children. The unfortunate thing

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Speaker 1: was that I wasn't able to stay in the same

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Speaker 1: house with either one of my boys, so I kind

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Speaker 1: of and I lost a little bit of control that

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Speaker 1: I wish I could have had. And I think people,

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Speaker 1: I think that's a conversation that'll be had, Like have

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Speaker 1: a conversation for two hours just about to control you

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Speaker 1: lose by not being in the same household with your children, right,

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Speaker 1: some of the influences. And people argue the other side

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Speaker 1: and say, well, you still can be very influential. And

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Speaker 1: I would argue that every knot that you tag and

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Speaker 1: be untied if where he spends the majority of his

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Speaker 1: time is running a plan outside of what you running, right,

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Speaker 1: So you can argue both sides and again as an

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Speaker 1: hour or two conversation just in that. But you know,

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Speaker 1: I think I've done a great job, and you can

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Speaker 1: ask my boys. You know, they'll tell you. My daddy

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Speaker 1: don't never not answer, and my daddy don't never not

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Speaker 1: do whatever I ask him unless it's physically impossible. Unless

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Speaker 1: you call me in I'm in Houston and you say

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Speaker 1: pick me up right quick from school. I ain't even

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Speaker 1: dying there, brother, right. Those are the only scenarios I

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Speaker 1: find myself in. But you know, we always working to

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Speaker 1: be a better son, a better father, you know, a

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Speaker 1: better mate. You understand me. You got to be pushing

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Speaker 1: for greatness. There's a lot to talk about though. We're

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Speaker 1: pushing for greatness. We at the top of the charts.

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Speaker 1: Thankful all of y'all. It's always tuned in to watching

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Speaker 1: you understand Salutes y'all for shit show. I really appreciate it.

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Speaker 1: What y'all want me to talk about? First? You know,

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Speaker 1: it's an interesting thing because I get a lot of

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Speaker 1: my ideas just from sitting down and thinking, and so

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Speaker 1: part of this podcast is me flushing out some of

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Speaker 1: those ideas in real time. And so people bear with

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Speaker 1: me if I'm in a scenario to get information wrong,

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Speaker 1: and I always reserve the right to change my mind

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Speaker 1: and operate this thing from a different perspective. There's a

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Speaker 1: conversation been happening online, and if I'm being totally honest,

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Speaker 1: it's a manufactured conversation. It's not something that's foreign to

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Speaker 1: the inner city, the black cold culture, the quote unquote streets,

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Speaker 1: which I'm not a fan of, even shine this kind

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Speaker 1: of light on where you have to get into these

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Speaker 1: intricate details. But I think certain situations it's necessary for

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Speaker 1: us to really break things down because what happens is

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Speaker 1: it starts to affect the way that people think. See

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Speaker 1: what I've noticed over my time as being one of

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Speaker 1: the biggest podcasts in black culture, what I've noticed is

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Speaker 1: a lot of these people about an outfit off do Manneguin.

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Speaker 1: And what I mean is they're programmed, right, They're being

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Speaker 1: told what to say, they're being told what the wether,

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Speaker 1: They're being told what's cool. They don't necessarily look at

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Speaker 1: it hat and say, yo, I rock with that hat.

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Speaker 1: I like how that had looked right there, But they

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Speaker 1: say is it chrome Halt? They don't even know why

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Speaker 1: chrome hart is chrome hard. They don't even know that

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Speaker 1: most of that shit is really custom shit, you understand me.

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Speaker 1: They really don't even have no understanding about the value

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Speaker 1: of things. But they've been told that things are valuable.

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Speaker 1: This is the trick bag that a lot of people in.

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Speaker 1: I'm not in that trick bag, right, I dictate, I

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Speaker 1: don't follow. I'm a leader, Right, So I look at things,

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Speaker 1: and now, if you got something that I think is cool,

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Speaker 1: I can get it from you. Oh, I think that's

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Speaker 1: pretty cool. What kind of camera is that? Hey, let's

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Speaker 1: start using them cameras. Because another thing you don't want

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Speaker 1: to do is be someone who has developed the inability

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Speaker 1: to accept new information and you get stuck on that

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Speaker 1: old shit you've been thinking and that old way you've

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Speaker 1: been moving. Right, that'll be an issue too. So I

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Speaker 1: think you gotta be careful, no matter what the reason

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Speaker 1: I say. I hate speaking about these intricate details. And

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Speaker 1: as much as when I first started, I thought it

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Speaker 1: was harmless, and still do kind of feel as harmless

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Speaker 1: because I feel as though every man must have his

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Speaker 1: own path and he must learn what to digest. There's

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Speaker 1: nothing we can do. You understand me. We're in an

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Speaker 1: overload of information error, the overconcent psumption of things. It's

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Speaker 1: now about choices. Who you listening to, what you're listening to,

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Speaker 1: what they're giving you. Is it true? Is it on

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Speaker 1: the floor, through the roof? It's about who listen, man.

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Speaker 1: I called all of this because I'm wondered. I'm elite now,

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Speaker 1: so I called all of this. I told people we

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Speaker 1: were overexposed. And you know what happens when you overloaded

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Speaker 1: and you overexposed something. It was too much information, too

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Speaker 1: many podcasts, too many personalities, too many rappers, too many rich,

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Speaker 1: too many bbls, too many Instagram models, too many filler lips.

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Speaker 1: We fell in love with all of this shit all

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Speaker 1: at the same time because we were all programmed. You

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Speaker 1: will see the internet fall in love with something and

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Speaker 1: fall out of love with that same thing. What happens

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Speaker 1: is you have taste makers. And so my point wraps

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Speaker 1: back around. I said a long time ago, we were overexposed.

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Speaker 1: So what becomes more important tastes. It's the same thing

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Speaker 1: when you go into grocery stores. There's a large quantity

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Speaker 1: of people that can provide you with not your chips

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Speaker 1: in a red bad or do you on these do ritos?

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Speaker 1: It's about tastes, which one do you want? And our children,

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Speaker 1: unlike us, if you can just send us down the

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Speaker 1: right role We'll figure out how to get that because

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Speaker 1: they much down on the right road. Nowadays, you gotta

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Speaker 1: be careful even sending your kids down the right rod,

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Speaker 1: because even down the right road, they got the wrong

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Speaker 1: things and can take you the wrong route, take you

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Speaker 1: from the right road to the wrong road into a

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Speaker 1: dead end. And that's why I see it about the streets.

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Speaker 1: It's a dead end. There's a million people that provide

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Speaker 1: ranch There's a million people that provide gas, right, And

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Speaker 1: that's what we're dealing with now. In entertainment, Oh, you

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Speaker 1: like the Melanis style? Is a million of them? Choose

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Speaker 1: one who you think who's the premiure act? There's a

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Speaker 1: million people doing interviews. Who has the real conversations? Who

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Speaker 1: really is important to culture? Right? You know all of

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Speaker 1: the great men, they've been black balled. Don't let that

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Speaker 1: go over your head. See a lot of a lot

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Speaker 1: of the people who think they're on the same level

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Speaker 1: as me. They don't understand that I'm fighting a different

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Speaker 1: fight than them. I'm already past where they trying to go.

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Speaker 1: And when you get past that part, you will see

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Speaker 1: what I'm up against. There's an in crowd inside of

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Speaker 1: this in crowd and you will be in situations where

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Speaker 1: you will see people purposely not make moves on your behalf.

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Speaker 1: I'll give you case in point. My name is Loni's

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Speaker 1: up that podcast. I have been instrumental in other podcasts

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Speaker 1: getting big interviews.

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Speaker 2: Me.

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Speaker 1: I pass numbers around height. Hey, do want to get

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Speaker 1: on there? Or get bra on them? Man, get him

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Speaker 1: on there. I ain't never received an incoming call about that.

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Speaker 1: These niggas look at me. Competitions so heavy it's crazy.

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Speaker 1: But I get it because no, I'm authentic and I'm

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Speaker 1: really that and I'm having really good conversations right now.

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Speaker 1: We just upgraded all the cameras. It's on another level

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Speaker 1: at this point. Right we're getting were understanding the bells

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Speaker 1: and whistles of all of the new equipment, and then

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Speaker 1: we got we roll it out with our new interviews

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Speaker 1: and figured that out. Once we figure that out, the

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Speaker 1: building is done, we get us to set built. We're

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Speaker 1: in a great situation. Speaking of getting sets built, We'll

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Speaker 1: start to show a Gilbert Arenas for people who do

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Speaker 1: not know. Gilbert Arenas has been going viral online due

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Speaker 1: to him releasing some of the facts that the internal

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Speaker 1: business practices of his podcast and his business as it

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Speaker 1: pertains to his show Gills Arena. There's been a constant

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Speaker 1: conversation about these kind of things. I think it's pretty interesting.

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Speaker 1: Let's take a look at this clip.

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Speaker 3: How about this. Let me let me see y'all, let

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Speaker 3: me see what y'all did.

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Speaker 4: The idea of them saying, hey, yeah, you know, we

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Speaker 4: want to put the football show on Gills Arena, and

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Speaker 4: I'm like, nah, like nah, that's not I don't want

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Speaker 4: that to mess up the channel that much. Like that?

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Speaker 1: All right, I'm sorry we abruptly got into that video clip.

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Speaker 1: Let me lay a foundation and do some context setting

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Speaker 1: around what we're listening to. Gil's Arena was a show

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Speaker 1: that was getting views comfortable to ESPN, if not blowing

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Speaker 1: him out of the water on a lot of their shows.

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Speaker 1: And it was a YouTube show by Gilbert Arenas in

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Speaker 1: which he had went and got some other retired players

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Speaker 1: and people who has been instrumental on teams to come

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Speaker 1: and provide a service at a show, and the people

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Speaker 1: fell in love with it. It took off. He then

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Speaker 1: got into talks with Underdog Fantasy. Underdog Fantasy decided to

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Speaker 1: own fifty percent of the business in exchange for what

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Speaker 1: was called infrastructure. I want to be clear what I'm

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Speaker 1: saying on this up that podcast that I'm not saying

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Speaker 1: Underdog even approached Gilbert with this deal. Maybe Gilbert came

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Speaker 1: with the deal because he feels the way he speaks

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Speaker 1: about it, how Cavaliery speaks about it tells me that

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Speaker 1: he was comfortable with it at that time. Maybe he

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Speaker 1: felt like it was a good deal. Maybe he still

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Speaker 1: feels like it's a good deal because I did hear

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Speaker 1: that they making a lot of money. But fifty percent

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Speaker 1: of your company can get uncomfortable, and I think that's

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Speaker 1: what this conversation is about today, right, So I just

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Speaker 1: want to put context on it. He's now speaking from

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Speaker 1: a position of all, right now, because Underdog Fantasy owns

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Speaker 1: fifty percent of my show, they're now trying to implement

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Speaker 1: changes into our schedule because of our pay scale and

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Speaker 1: our pay rate, and so now they're forcing changes on us.

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Speaker 1: From a perspective, Hey, we own this show. We have

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Speaker 1: interest in this show, not only financial but legally, and

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Speaker 1: we want to exercise our right to say, hey, figure

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Speaker 1: this out. We want to make room for the football season,

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Speaker 1: and a show that surrounds football. It gets even crazier

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Speaker 1: because we find out here lately when they just made

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Speaker 1: the recent hire skill Bayless, it was an underdog fantasy move,

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Speaker 1: and it was a forced move. But just for context,

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Speaker 1: Gilbert Arenas are speaking about underdog fantasy owning fifty percent

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Speaker 1: of his company and now implement changes that are contrary

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Speaker 1: to his position from a business perspective. Pay attention, Hey.

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Speaker 4: You know, because you know we we you know, we

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Speaker 4: pay these guys. We want to take up you know,

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Speaker 4: we want to make a pay cut to your your crew,

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Speaker 4: and y'all kind of very expensive, you know what I mean.

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Speaker 4: It's you know, you, Joe y'all got a lot of

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Speaker 4: you know you, Joe mckinson. You know, we might want

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Speaker 4: to say they couldn't only be three or four of y'all,

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Speaker 4: how about that?

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Speaker 3: M then they fire everybody to make up for the

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Speaker 3: money that they just gave, skipping all these guys.

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Speaker 4: So okay, when when framed it that way, I'm like,

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Speaker 4: we got kind of the most expensive podcast crew that

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Speaker 4: you can think of. You know, do sufficient numbers to

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Speaker 4: cover those expenses? It's not talking pay cuts you start

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Speaker 4: looking around.

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Speaker 5: Yeah, over nine hundred million views in two and a

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Speaker 5: half years, so one of about four or five other

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Speaker 5: shows that that can say that, and one of about

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Speaker 5: one of the two shows they can say they do

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Speaker 5: it organically. Hey, yeah, yeah, they pumped up.

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Speaker 4: Now, y'allul have told me I would have sold out

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Speaker 4: if I would have said, nah, hit y'all on your

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Speaker 4: own channel and then it's just me and join it

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Speaker 4: by ourselves because the other six fire. Ye a man

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Speaker 4: of the people ask, because I'm telling you what what

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Speaker 4: what was being hinted? We could do it the hard way,

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Speaker 4: or we can do it the easy way. So what's

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Speaker 4: the easy way? The easy way is, you know, we

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Speaker 4: like this football show. We think they're gonna we think

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Speaker 4: they're gonna be doing Monday, Tuesday, Thursday.

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Speaker 3: Okay, what's the hard way? We can go on our

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Speaker 3: own channel and we can struggle with views.

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Speaker 4: After we spend all this money on them.

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Speaker 1: And you know, we think that your.

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Speaker 4: Cast is very expensive, flying in flying now, you know,

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Speaker 4: having little parties here and there doing all this extra

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Speaker 4: shit y'all love to do.

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Speaker 3: We're gonna have to take a picut somewhere put all

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Speaker 3: that stuff.

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Speaker 5: Performing very well, gil big numbers so so compared to

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Speaker 5: the competition.

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Speaker 4: If I basically say you know, yeah, we're doing five

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Speaker 4: days a week. Yeah, y'all can do five days a week,

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Speaker 4: you know, you know how you and Joy like to

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Speaker 4: do five days a week by yourself or just with

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Speaker 4: one or two other people. Because and I was like,

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Speaker 4: all right, man, I get it. Okay, I get it.

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Speaker 4: Go ahead, thank you? Yeah, oh yeah no, Rashad is

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Speaker 4: still fine and you're still fine.

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Speaker 5: Swaggy Pig is still swaggy, mister b Brandon Jenny. Hey, hey,

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Speaker 5: now we added Paul Pierce, you know, so they love

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Speaker 5: it football. We get to add people.

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Speaker 4: They started looking at two hundred three hundred people and

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Speaker 4: that start that shit started looking like battle mode.

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Speaker 3: Yeah we would have.

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Speaker 5: We would have.

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Speaker 4: We would lost a whole bunch of people. I could

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Speaker 4: tell you that for sure.

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Speaker 3: I'm speaking the truth.

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Speaker 4: Niggas would have gotten fired if that Football show would

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Speaker 4: have started by itself. Let's just say that, because they

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Speaker 4: got to recoup their money somehow.

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Speaker 1: So he's speaking about the Football Show, if I'm understanding

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Speaker 1: them correctly, He's saying that the Football Show is feeling

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Speaker 1: and they're using his channel, the channel that he built.

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Speaker 1: And I think there's an interesting conversation to be had

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Speaker 1: right here about ownership and execution, because ownership without execution

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Speaker 1: it leaves you unproductive. What happens is if you could

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Speaker 1: have execution on top of your ownership, that's where you

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Speaker 1: can win. And sometimes it's hard to sustain. And I'm

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Speaker 1: figuring that out myself that like sustaining, this is a lot.

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Speaker 1: There's a lot of moving parts, a lot going on.

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Speaker 1: I do have a team that I paid people who

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Speaker 1: make money on behalf of me, and because I am

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Speaker 1: who I am and on behalf of the business. But

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Speaker 1: it sounds like that Gilbert a Reenez gave them fifty

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Speaker 1: percent of his show, which included in that. I guess

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Speaker 1: the YouTube channel was an asset because it was laying

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Speaker 1: dormant for a long time and they started to put

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Speaker 1: this on it and it blew up and now they

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Speaker 1: own fifty percent of it. But if I understand him correctly,

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Speaker 1: he's speaking about that show being unproductive and then the

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Speaker 1: fact that they would have to fire people if they

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Speaker 1: counted on that show by itself.

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Speaker 4: Now football show looked good, Shootball are good. We added

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Speaker 4: people to our cast. How we can afford ball Pierce?

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Speaker 4: I think he's cheap, Yeah.

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Speaker 5: Fair and shot everybody chat. I was actually supposed to

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Speaker 5: host the football show initially, but then.

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Speaker 3: They put the schedule day. I said, that's too many days,

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Speaker 3: so be out. I'll talk all these extra days. But

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Speaker 3: no ever bread. I thought you was a football show.

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Speaker 5: He's like, yeah, I saw all these extra days, but

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Speaker 5: there was no talk about extra bread.

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Speaker 3: And I am good at man.

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Speaker 1: I guess the conversation is because I guess the internet

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Speaker 1: is running with the fact that while he's in a

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Speaker 1: three sixty deal, which is jargon from the music business.

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Speaker 1: A couple of interesting points I think Gilbert made is

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Speaker 1: what I'm getting from his conversation is, Yo, the Skip

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Speaker 1: Show is something that they wanted to do. They done,

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Speaker 1: they hired him. You know, we have now got them

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Speaker 1: in the green to where they're making money, and so

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Speaker 1: now they want to add And I get it from

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Speaker 1: an underdog fantasy standpoint. They make money from bedding. They

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Speaker 1: want to cover all sports. Gilbert, now this has become

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Speaker 1: a passion. It's fun for him. Probably he's making a

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Speaker 1: lot of money. He probably never even saw it coming.

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Speaker 1: And now we're just blossom to something and that's not

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Speaker 1: only productive, but it's passion field. And so he's now

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Speaker 1: adding people and have ideas for it, and probably would

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Speaker 1: have took it in a totally different direction had he

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Speaker 1: not signed that paperwork in the beginning. And I'm gonna

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Speaker 1: be honest, Gilbert made a lot of money over his career, right,

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Speaker 1: And so part of me is, if what they're reporting

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Speaker 1: is true, is making me feel a way because Gilbert

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Speaker 1: is someone who I would think understands business. I'm not

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Speaker 1: even gonna put think on it. He's had too much

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Speaker 1: money for such a long time. You have to learn,

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Speaker 1: so I know he knows about business and money. So

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Speaker 1: my position is, and if this is just what I'm hearing,

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Speaker 1: I'm hearing that Gilbert swapped out fifty percent of this

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Speaker 1: entire business for quote unquote a fancy word called infrastructure.

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Speaker 1: And part of this is my fault, you know what

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Speaker 1: I'm saying. I came in the game talking infrastructure talk,

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Speaker 1: and that's the thing. You got to give a lot

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Speaker 1: of direction and instructions next to that kind of conversation,

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Speaker 1: because it's so loaded to just start regurgitating allegedly be

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Speaker 1: saying that shit sometime and I'm saying that don't mean nothing.

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Speaker 1: What you just said don't cover you from nothing. You

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Speaker 1: understand me. But I know in the legal world that

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Speaker 1: gives you room to fight. But for me, people don't

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Speaker 1: really understand what the word means. They use it because

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Speaker 1: they've been it either been used on them or they've

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Speaker 1: been told what it means, and that's how they use it.

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Speaker 1: Infrastructure was one of those words, you know. I came

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Speaker 1: in with the information infrastructure we got to build this,

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Speaker 1: and da da da, Me and Larussell had a long

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Speaker 1: conversation about infrastructure did well appeal to a larger audience

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Speaker 1: and people really appreciated young and old, and so part

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Speaker 1: of the infrastructure conversation comes on the heels of us

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Speaker 1: coming in the game and pushing that line. You'll be

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Speaker 1: surprised what we pushed. Don't say my name because they

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Speaker 1: don't know what come with it. Right, I need y'all

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Speaker 1: to really understand this, right. I was listening to a

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Speaker 1: rapper the other day speak about young thug, and we said, man,

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Speaker 1: help young thug man. When it done interview with young

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Speaker 1: thug man, it nigga help young thug. They know no bank,

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Speaker 1: so they say bank and man and mother and they

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Speaker 1: help young thug. And so again, you really don't say

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Speaker 1: my name cause you don't know what he come with.

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Speaker 1: You really don't know what's going on. I'm a content creator,

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Speaker 1: I'm in the industry. I'm here to make content, here

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Speaker 1: to have great conversation and do interviews. But I can

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Speaker 1: feel the energy. I can feel it too. I'm saying, Oh,

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Speaker 1: they don't know what to say. They don't know how

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Speaker 1: to approach me, because you don't know if you understand me,

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Speaker 1: come with that. You don't know if a fit it

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Speaker 1: had come with that. You don't know what come with

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Speaker 1: mentioning me, and how you can even really approach me

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Speaker 1: if you ain't never been in a room with me,

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Speaker 1: of really been next to me. But yeah, so he

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Speaker 1: was saying, man happen young thug, I ain't have nobody

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Speaker 1: to help me, basically saying we didn't let our platform

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Speaker 1: to him in the way that we did thug with

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Speaker 1: me ushering in this infrastructure word, I think part of

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Speaker 1: the issue is people are using this word and not

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Speaker 1: really knowing what they need or what infrastructure consists of.

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Speaker 1: Because sometimes people are like, if when I'm hearing is correctly,

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Speaker 1: I don't want to preface this with that because I

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Speaker 1: don't want give to see this and think I'm really

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Speaker 1: trying to shoot that in but you know, it is

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Speaker 1: what it is. But they were saying that the only

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Speaker 1: thing that they offered him at the time was thumbnails

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Speaker 1: and running YouTube and things of that nature. And of

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Speaker 1: course they'll throw a fancy word like marketing in that.

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Speaker 1: And I think Underdog, that's a strong shoe for them

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Speaker 1: because at the time, I think they had deals with

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Speaker 1: a lot of different partners. And what they'll possibly do

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Speaker 1: is cross promote your show on all of these other shows,

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Speaker 1: And I think that's a behavior that we need to

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Speaker 1: see more of in this industry. It's like, Yo, cross

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Speaker 1: promote this show in front of these people and do

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Speaker 1: it in a way where they can really convert some

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Speaker 1: of the listeners and make people really want to go

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Speaker 1: and check it out. I think we have room for that,

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Speaker 1: room for improvement in this business for that. But I

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Speaker 1: think maybe Underdog position themselves is being able to not

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Speaker 1: only do thumbnails titles and YouTube and things of that nature,

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Speaker 1: but we have a market in the system. It's insulated

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Speaker 1: with people that's already on our pay roll. We buy

431
00:23:01,040 --> 00:23:03,640
Speaker 1: slot from all of these top shows and top brands

432
00:23:03,680 --> 00:23:06,840
Speaker 1: and top shows, right, and we can integrate your brand

433
00:23:07,600 --> 00:23:11,400
Speaker 1: on that. I think that's a selling point at that time.

434
00:23:11,520 --> 00:23:14,040
Speaker 1: I think Gilber's show probably would have still went, but

435
00:23:14,240 --> 00:23:16,400
Speaker 1: fifty percent of the show for that, I just don't

436
00:23:16,440 --> 00:23:18,760
Speaker 1: think that that's a fair trade off, especially if you're

437
00:23:18,760 --> 00:23:21,600
Speaker 1: saying nine hundred million views in two years and y'all

438
00:23:21,800 --> 00:23:25,000
Speaker 1: y'all got fifty percent because y'all do thumbnails and titles

439
00:23:25,240 --> 00:23:28,840
Speaker 1: cross collaborated me on some insulated ads, on some partners

440
00:23:28,920 --> 00:23:31,360
Speaker 1: that you already had in place. I mean, I understand

441
00:23:31,440 --> 00:23:34,520
Speaker 1: the value. Then I do see the business lane, I

442
00:23:34,640 --> 00:23:38,000
Speaker 1: see the business route that you can go. But I

443
00:23:38,240 --> 00:23:40,719
Speaker 1: just think that maybe it could have been thirty percent,

444
00:23:41,080 --> 00:23:43,960
Speaker 1: twenty percent, and you, I guess, did the set And

445
00:23:44,080 --> 00:23:46,240
Speaker 1: I'm not gonna lie. That's a that's a large part

446
00:23:46,320 --> 00:23:46,480
Speaker 1: of it.

447
00:23:46,600 --> 00:23:46,880
Speaker 3: I think.

448
00:23:47,000 --> 00:23:50,480
Speaker 1: Course, when someone like Underdog does that knowing that it

449
00:23:50,560 --> 00:23:53,119
Speaker 1: comes out of your budget. Ultimately they own fifty percent

450
00:23:53,200 --> 00:23:55,680
Speaker 1: of the company, they'll be a little bit of wasteful spending.

451
00:23:56,040 --> 00:23:58,720
Speaker 1: But he has a beautiful set. It's at his home

452
00:24:01,040 --> 00:24:03,440
Speaker 1: that has to be beautiful because he can go down

453
00:24:03,480 --> 00:24:06,159
Speaker 1: there and be loaded with them dudes. His people can

454
00:24:06,280 --> 00:24:09,040
Speaker 1: cook for them dudes, chefs at his career right, living

455
00:24:09,080 --> 00:24:12,000
Speaker 1: a certain lifestyle, and so I think that's a beautiful

456
00:24:12,040 --> 00:24:14,760
Speaker 1: space for his shit to be. I haven't got that yet.

457
00:24:14,800 --> 00:24:16,800
Speaker 1: I see a lot of these podcasts. People all come

458
00:24:16,840 --> 00:24:19,920
Speaker 1: on to the house and do a pard. They'd be like, boy,

459
00:24:19,920 --> 00:24:22,720
Speaker 1: they live in a different life than we live in, right,

460
00:24:22,880 --> 00:24:26,280
Speaker 1: and not currently, but just come from different backgrounds, right,

461
00:24:26,400 --> 00:24:30,240
Speaker 1: And my castle, my mansion, my home is everything to me,

462
00:24:30,720 --> 00:24:32,520
Speaker 1: and I don't want to be in position where everyone

463
00:24:32,640 --> 00:24:35,040
Speaker 1: knows where that's at. Fifty percent of your company is

464
00:24:35,080 --> 00:24:37,480
Speaker 1: a bad deal if you're asking me. He's making three

465
00:24:37,640 --> 00:24:40,680
Speaker 1: four million dollars a year from this podcast at this point.

466
00:24:40,760 --> 00:24:44,080
Speaker 1: He gave them fifty percent for thumbnails titles and for

467
00:24:44,240 --> 00:24:46,720
Speaker 1: them to build him a set. I don't understand the

468
00:24:46,800 --> 00:24:50,560
Speaker 1: business acumen that would have made that decision plausible in

469
00:24:50,720 --> 00:24:54,720
Speaker 1: their minds. But again, I do understand that they position

470
00:24:54,880 --> 00:24:57,880
Speaker 1: themselves as a market and behemoth, and they'll be able

471
00:24:57,920 --> 00:25:00,560
Speaker 1: to cross collaborate him in a way that would raise

472
00:25:00,640 --> 00:25:04,000
Speaker 1: his profile as it pertains to his show. Now, this

473
00:25:04,200 --> 00:25:07,480
Speaker 1: is the interesting dynamic. I mean, Gilbertarenas is a basketball

474
00:25:07,680 --> 00:25:10,119
Speaker 1: hall of fame if you ask me, and he's a

475
00:25:10,160 --> 00:25:12,359
Speaker 1: hall of fame with that's speaking on the sport so

476
00:25:12,480 --> 00:25:15,560
Speaker 1: it comes with a built in audience. People respect his mind.

477
00:25:16,000 --> 00:25:19,240
Speaker 1: I don't really think that it was necessary to cross collaborated,

478
00:25:19,280 --> 00:25:21,280
Speaker 1: And if it was, he could have paid for that

479
00:25:21,400 --> 00:25:24,440
Speaker 1: out of pocket and kept, you know, more of the

480
00:25:24,520 --> 00:25:26,560
Speaker 1: percentage of the company. Or we could have split that

481
00:25:26,680 --> 00:25:29,520
Speaker 1: expense and I give you guys twenty five percent and

482
00:25:29,600 --> 00:25:34,359
Speaker 1: will split that expense whatever it costs. Y'all, bill me

483
00:25:34,880 --> 00:25:36,920
Speaker 1: fifty percent of that and I'll pay that out of

484
00:25:37,000 --> 00:25:39,760
Speaker 1: my own money, and then we'll get y'all at twenty

485
00:25:39,840 --> 00:25:42,120
Speaker 1: five like you got. You gotta double back with something

486
00:25:43,400 --> 00:25:46,119
Speaker 1: on your behalf. And I think that's if you're asking

487
00:25:46,200 --> 00:25:52,120
Speaker 1: me that that step was missed in this negotiation process. Man,

488
00:25:52,200 --> 00:25:56,159
Speaker 1: seeing it that forcing the football show on him with Skip,

489
00:25:57,320 --> 00:25:59,840
Speaker 1: I'm pretty sure they're unhappy about him even saying that,

490
00:26:00,280 --> 00:26:03,520
Speaker 1: because now that makes the energy weird. Skip knows that. Man,

491
00:26:03,560 --> 00:26:05,480
Speaker 1: I'm over here trying to work for y'all. This dude

492
00:26:05,600 --> 00:26:08,560
Speaker 1: came out and said the show ain't really doing that

493
00:26:08,720 --> 00:26:11,600
Speaker 1: good and it feels like it's forced. And he didn't

494
00:26:11,640 --> 00:26:13,920
Speaker 1: say that, but if you read the tea leaves, that's

495
00:26:13,960 --> 00:26:17,239
Speaker 1: what you get from it. You know, Gilbert is basically like, man,

496
00:26:17,359 --> 00:26:20,440
Speaker 1: this show is something that they wanted to do. My

497
00:26:20,560 --> 00:26:23,359
Speaker 1: budget is going to the basketball shit. They wanted to

498
00:26:23,400 --> 00:26:26,840
Speaker 1: do their football show. So they invested in this, They

499
00:26:27,000 --> 00:26:30,040
Speaker 1: invested in that, and at some point you have to

500
00:26:30,160 --> 00:26:32,400
Speaker 1: respect it. He did business with him, and they're able

501
00:26:32,440 --> 00:26:34,520
Speaker 1: to make that decision. But making three or four million

502
00:26:34,560 --> 00:26:36,880
Speaker 1: dollars a year, I'm pretty sure that set didn't cost

503
00:26:36,960 --> 00:26:39,679
Speaker 1: that amount of money, and so I think if Gilbert

504
00:26:39,760 --> 00:26:43,119
Speaker 1: looked back at it, he would change his mind and

505
00:26:43,560 --> 00:26:46,159
Speaker 1: maybe let them get twenty five percent and split the

506
00:26:46,240 --> 00:26:49,600
Speaker 1: expense on the market. And if they're positioning themselves as

507
00:26:49,640 --> 00:26:53,040
Speaker 1: a marketing machine, I'd rather pay for it than give

508
00:26:53,040 --> 00:26:56,080
Speaker 1: you a percentage of the company, especially off of YouTube

509
00:26:56,160 --> 00:26:59,359
Speaker 1: channel that's already built, had hundreds of thousand subscribed, was

510
00:26:59,440 --> 00:27:02,120
Speaker 1: just sitting there and when you started to create the content.

511
00:27:02,400 --> 00:27:04,440
Speaker 1: And in that era, I think in one of the

512
00:27:04,520 --> 00:27:07,840
Speaker 1: first or second waves of people speaking on basketball who

513
00:27:07,960 --> 00:27:12,040
Speaker 1: played basketball owning their company or at least positioning themselves

514
00:27:12,080 --> 00:27:14,000
Speaker 1: as being the owner of the company, I think he

515
00:27:14,160 --> 00:27:15,960
Speaker 1: was either the first or second wave, and so this

516
00:27:16,040 --> 00:27:19,160
Speaker 1: shit was on fire. Salute the Gilbert. Though, we'll figure

517
00:27:19,160 --> 00:27:21,439
Speaker 1: it out, We'll watch it as it develops. Wondering how

518
00:27:21,480 --> 00:27:24,919
Speaker 1: these shows do. We're gonna position him as being one

519
00:27:24,960 --> 00:27:27,120
Speaker 1: of the top sports shows. I mean, I'm gonna keep

520
00:27:27,119 --> 00:27:29,680
Speaker 1: it gangster Gilbert arenas them they had one of the

521
00:27:29,760 --> 00:27:32,520
Speaker 1: top shows in the market right now. It's doing phenomenal.

522
00:27:32,920 --> 00:27:36,159
Speaker 1: Salutor Gilbert. Let's keep it moving, all right, Let's have

523
00:27:36,240 --> 00:27:39,760
Speaker 1: a conversation that really come to have today on this

524
00:27:39,920 --> 00:27:42,960
Speaker 1: up that podcast. And they put us in a tight spot,

525
00:27:43,160 --> 00:27:46,480
Speaker 1: right being a big home in the culture, someone that

526
00:27:46,560 --> 00:27:49,080
Speaker 1: people look at to have these kind of conversations, with

527
00:27:49,200 --> 00:27:52,440
Speaker 1: an honest backdrop, with a certain texture and a level

528
00:27:52,480 --> 00:27:55,960
Speaker 1: of understanding that most of the people in media don't have.

529
00:27:56,320 --> 00:27:58,760
Speaker 1: You don't have a responsibility on the side of my

530
00:27:58,920 --> 00:28:01,280
Speaker 1: responses and the as a dude that it may leave

531
00:28:02,320 --> 00:28:05,000
Speaker 1: on the younger generation. And so I handle some of

532
00:28:05,080 --> 00:28:07,640
Speaker 1: these things with kid gloves. And again, sometimes I don't

533
00:28:07,680 --> 00:28:11,200
Speaker 1: get into the intricate details. It's not necessary for me

534
00:28:11,320 --> 00:28:15,320
Speaker 1: to do. But other times it's necessary. I show you

535
00:28:15,440 --> 00:28:20,600
Speaker 1: how the sausage is made. When I find out that

536
00:28:20,760 --> 00:28:23,200
Speaker 1: some of the ingredients are being tampered with, some of

537
00:28:23,280 --> 00:28:27,040
Speaker 1: the well being is being mishandled, some of the individuals

538
00:28:27,400 --> 00:28:33,200
Speaker 1: have malicious intent or maybe emotionally driven, right, IOLs become

539
00:28:33,400 --> 00:28:36,600
Speaker 1: rivals sometimes. I understand what that means and how that looks.

540
00:28:36,640 --> 00:28:39,320
Speaker 1: And I want people to really understand the hate outfit

541
00:28:39,440 --> 00:28:44,040
Speaker 1: it's a cheap outfit, or the contrarian that's a cheap outfit.

542
00:28:44,160 --> 00:28:47,200
Speaker 1: To keep the beef going, that's a cheap outfit. You're

543
00:28:47,480 --> 00:28:50,240
Speaker 1: weighing cheap outfits, right, and so I want you to

544
00:28:50,320 --> 00:28:53,000
Speaker 1: elevate your understanding to have a level of conversation you

545
00:28:53,120 --> 00:28:55,680
Speaker 1: low budget add need to really get it aut together,

546
00:28:56,320 --> 00:28:58,720
Speaker 1: low budget ad. But I do want to have a

547
00:28:58,800 --> 00:29:02,320
Speaker 1: conversation today about NBA Young Boy. I want to celebrate

548
00:29:02,400 --> 00:29:04,640
Speaker 1: what he's doing on the road while I have a

549
00:29:04,720 --> 00:29:08,320
Speaker 1: conversation about what Academics is doing with Young Boy's brand.

550
00:29:08,600 --> 00:29:10,680
Speaker 1: As much as I enjoyed watching Young Boy and what

551
00:29:10,800 --> 00:29:13,040
Speaker 1: he's doing, I think what Academics is doing with his

552
00:29:13,200 --> 00:29:16,320
Speaker 1: brand is ill advised. And if you're asking me the

553
00:29:16,440 --> 00:29:20,160
Speaker 1: incentives for what he's doing, it misaligns what your objective,

554
00:29:20,160 --> 00:29:22,880
Speaker 1: which is take over the world, take over the game.

555
00:29:24,200 --> 00:29:28,360
Speaker 1: Had enough time making enemies and talking enemy talk. Look

556
00:29:28,440 --> 00:29:30,840
Speaker 1: what they got? Look what he got, Thug and Luci,

557
00:29:30,920 --> 00:29:33,160
Speaker 1: Look what he got dirt, Look what he got? Vaughn

558
00:29:33,240 --> 00:29:36,960
Speaker 1: and Young Boy and Kwondo. The understanding of some of

559
00:29:37,000 --> 00:29:38,800
Speaker 1: the young that why I don't be wanting some of

560
00:29:38,840 --> 00:29:41,760
Speaker 1: the child is looking in the kill and so it's

561
00:29:41,800 --> 00:29:47,160
Speaker 1: hard to justify watching academics parade NBA Young Boy and

562
00:29:47,280 --> 00:29:50,320
Speaker 1: put him out in front of fires, put him out

563
00:29:50,360 --> 00:29:53,200
Speaker 1: in front of trying to get him distant and rap

564
00:29:53,280 --> 00:29:55,959
Speaker 1: it like his And maybe he thinks he's bigging him up.

565
00:29:56,880 --> 00:29:59,560
Speaker 1: I think he's smart enough to know that he's positioning him,

566
00:29:59,640 --> 00:30:02,120
Speaker 1: almost putting him out there like a target. He's putting

567
00:30:02,120 --> 00:30:04,640
Speaker 1: a target on his back. And not because he's celebrating

568
00:30:04,680 --> 00:30:07,320
Speaker 1: his success. It's because some of the things that he's

569
00:30:07,320 --> 00:30:09,960
Speaker 1: speaking on in the back drop, Oh they kissing his ass,

570
00:30:10,080 --> 00:30:13,280
Speaker 1: Oh he had any way, Oh he don't forgot right.

571
00:30:13,440 --> 00:30:16,480
Speaker 1: Some of these things is if you're asking me, it's

572
00:30:16,560 --> 00:30:19,520
Speaker 1: stirring up pots that don't need to be stirred. So

573
00:30:19,600 --> 00:30:21,480
Speaker 1: I want to I want to put some context around

574
00:30:21,560 --> 00:30:21,920
Speaker 1: some of it.

575
00:30:22,040 --> 00:30:22,320
Speaker 5: Today.

576
00:30:22,640 --> 00:30:25,240
Speaker 1: You hear academics today say things that will respond to

577
00:30:25,400 --> 00:30:29,800
Speaker 1: in real time. Let's start this off by taking a

578
00:30:29,880 --> 00:30:32,240
Speaker 1: look at this video on the heels of NBA Young

579
00:30:32,360 --> 00:30:35,800
Speaker 1: Boy performing in Atlanta. Let's look at the atmosphere that

580
00:30:35,920 --> 00:30:40,000
Speaker 1: academics have surrounded him and what he's what He's ultimately

581
00:30:40,040 --> 00:30:43,240
Speaker 1: putting the NBA young boy in front of pay attention.

582
00:30:43,680 --> 00:30:46,840
Speaker 6: Oh man, young boy, kick a rap. We just gotta

583
00:30:46,880 --> 00:30:51,040
Speaker 6: claim it today, king a rap, King a rap. I

584
00:30:51,160 --> 00:30:53,760
Speaker 6: wasn't gonna stream tonight. I'm like, you know, I think

585
00:30:53,800 --> 00:30:56,000
Speaker 6: the Chad give me past a little jet like, well whatever,

586
00:30:56,160 --> 00:30:57,240
Speaker 6: it's not really Jetlake.

587
00:30:56,960 --> 00:30:58,280
Speaker 3: Because I'm coming from a Miami whatever.

588
00:30:58,320 --> 00:31:00,520
Speaker 6: But I'm like, you know what, you gotta get your

589
00:31:00,560 --> 00:31:02,440
Speaker 6: house in order, blah blah, you know, make sure the

590
00:31:02,800 --> 00:31:05,440
Speaker 6: moms was everything. Everything good here Pluto and you know,

591
00:31:05,560 --> 00:31:08,600
Speaker 6: the kids or whatever. So I'm like, man, damn, shit

592
00:31:08,680 --> 00:31:09,200
Speaker 6: is getting late.

593
00:31:09,320 --> 00:31:10,920
Speaker 3: I'm like, damn, I might not. I might not be

594
00:31:10,960 --> 00:31:12,960
Speaker 3: able to get on. Like they gonna understand.

595
00:31:13,160 --> 00:31:16,760
Speaker 6: I hope they understand, like I'm a human, right, I'll

596
00:31:17,080 --> 00:31:21,080
Speaker 6: popping tomorrow. We'll get the desk stop stream. Man, why

597
00:31:21,320 --> 00:31:24,240
Speaker 6: be performing at this song? If he could catch it

598
00:31:24,280 --> 00:31:26,920
Speaker 6: in Chicago, he called it, he caught it in Atlanta?

599
00:31:27,800 --> 00:31:30,720
Speaker 6: What the what the whole thing happened? I ain't gonna

600
00:31:30,800 --> 00:31:33,360
Speaker 6: cap this is a walkdown. We gotta keep it a

601
00:31:33,480 --> 00:31:37,680
Speaker 6: hunted and I ain't gonna lie. The best thing I

602
00:31:37,960 --> 00:31:40,960
Speaker 6: like about why be performing at this song? There was

603
00:31:41,000 --> 00:31:44,680
Speaker 6: a few allegedly that might have been teetering, like, Yo,

604
00:31:45,200 --> 00:31:49,480
Speaker 6: put him now, Dirt locked up, Dirk locked up, even

605
00:31:49,520 --> 00:31:51,880
Speaker 6: though when Dirt was free, we were standing on business

606
00:31:53,080 --> 00:31:55,520
Speaker 6: and it was like, Yo, we can't put him but

607
00:31:55,680 --> 00:31:59,640
Speaker 6: Dirt locked up, Like maybe we could put him now slack, Yo,

608
00:31:59,760 --> 00:32:00,960
Speaker 6: he's to do a shut on that.

609
00:32:01,440 --> 00:32:05,080
Speaker 3: Oh y'all, Holy number one.

610
00:32:05,200 --> 00:32:07,160
Speaker 1: Let me say a few things because I think I

611
00:32:07,280 --> 00:32:10,520
Speaker 1: think it's my space to speak on it. I don't

612
00:32:10,600 --> 00:32:14,120
Speaker 1: like the energy that the academics is wrapping around NBA

613
00:32:14,280 --> 00:32:16,600
Speaker 1: young boy as he's on his first run with this

614
00:32:16,760 --> 00:32:20,120
Speaker 1: tour thing, as he's trying to get his feet under

615
00:32:20,200 --> 00:32:22,560
Speaker 1: him and go out there and get wreak some of

616
00:32:22,640 --> 00:32:24,800
Speaker 1: the benefits of some of the hard work he's put

617
00:32:24,840 --> 00:32:28,280
Speaker 1: in over the last decade, and he's his inability to

618
00:32:28,360 --> 00:32:31,720
Speaker 1: be able to move across the world has guarded him

619
00:32:31,800 --> 00:32:34,520
Speaker 1: a certain fan base that had to know him outside

620
00:32:34,600 --> 00:32:37,240
Speaker 1: of just seeing him on tour. They had to learn

621
00:32:37,360 --> 00:32:41,120
Speaker 1: him intimately, and they've done that. But you hear him

622
00:32:41,160 --> 00:32:47,440
Speaker 1: speak about people teetering the line, teetering some sort of line.

623
00:32:47,520 --> 00:32:51,000
Speaker 1: He's calling it as if NBA young boy has active

624
00:32:51,080 --> 00:32:54,920
Speaker 1: beefs with these rap dudes. But that teetering the line.

625
00:32:55,440 --> 00:32:57,760
Speaker 1: And there was a video that I was made aware

626
00:32:57,840 --> 00:33:02,160
Speaker 1: of that academics made thinking about this situation and they

627
00:33:02,240 --> 00:33:05,280
Speaker 1: said it was in response to what he believes to

628
00:33:05,440 --> 00:33:09,080
Speaker 1: be young boys posts being liked by a little baby.

629
00:33:09,480 --> 00:33:12,200
Speaker 1: Here's that video. Pay attention is.

630
00:33:12,440 --> 00:33:16,880
Speaker 2: Being on friends of them, man, like you know, respectful

631
00:33:16,880 --> 00:33:19,000
Speaker 2: that I think Dirk went and jail and I'm doing

632
00:33:19,040 --> 00:33:21,640
Speaker 2: their calculations, like, yo, y'all don't think of getting out

633
00:33:21,680 --> 00:33:24,760
Speaker 2: yo wabbie, what's popping by w what's the best for smirk?

634
00:33:25,040 --> 00:33:27,760
Speaker 3: But some of y'all ras claim that y'all brothers twins

635
00:33:27,800 --> 00:33:29,480
Speaker 3: and all this dumb shit. Y'all be saying y'all are

636
00:33:29,520 --> 00:33:29,920
Speaker 3: dead wrong.

637
00:33:31,400 --> 00:33:33,720
Speaker 1: You know, it's a sore spot for me for people

638
00:33:33,840 --> 00:33:40,960
Speaker 1: to take their platform. They're polarizing profile and they direct

639
00:33:41,040 --> 00:33:44,120
Speaker 1: people into some of these dog rooms and it be

640
00:33:44,240 --> 00:33:48,640
Speaker 1: somebody like academics that applauds the division of these rappers,

641
00:33:48,720 --> 00:33:52,600
Speaker 1: and it's a very bankrupt mindset. Number one, let me

642
00:33:52,680 --> 00:33:56,440
Speaker 1: say this, whether this picture is AI or not, let's

643
00:33:56,480 --> 00:33:58,840
Speaker 1: set that to the side. Let's just speak on the

644
00:33:58,880 --> 00:34:02,040
Speaker 1: atmosphere that they've created around Young Boy and also created

645
00:34:02,120 --> 00:34:04,800
Speaker 1: around these other rappers. It's like, Yo, they can't even

646
00:34:04,880 --> 00:34:08,080
Speaker 1: go give young boys props. They can't even go show

647
00:34:08,200 --> 00:34:10,839
Speaker 1: up and pop out at his show. They can't even

648
00:34:10,920 --> 00:34:13,560
Speaker 1: do nothing because people gonna try to run out and say, oh,

649
00:34:13,640 --> 00:34:16,000
Speaker 1: he's grabbing on the young boy's flame. He trying to

650
00:34:16,080 --> 00:34:17,160
Speaker 1: be hot with young Boy.

651
00:34:17,719 --> 00:34:17,879
Speaker 2: Nah.

652
00:34:17,960 --> 00:34:21,640
Speaker 1: People just saluting that young dude while he's haling his business.

653
00:34:22,320 --> 00:34:24,440
Speaker 1: And I haven't asked Ug. This be poart of me

654
00:34:25,080 --> 00:34:27,319
Speaker 1: think because Thug didn't go down there cause he don't

655
00:34:27,320 --> 00:34:29,600
Speaker 1: even want to press to go along with all this shit.

656
00:34:29,719 --> 00:34:32,560
Speaker 1: All y'all gonna be talking and wonder this, that and

657
00:34:32,640 --> 00:34:35,360
Speaker 1: the third because I know they talk. I'm really behind

658
00:34:35,440 --> 00:34:37,360
Speaker 1: the scenes, so I know they talk and I know

659
00:34:37,440 --> 00:34:40,319
Speaker 1: what's going on. But at the end of the day,

660
00:34:40,800 --> 00:34:43,799
Speaker 1: I know that it's like, oh, Academics and all these

661
00:34:43,880 --> 00:34:46,880
Speaker 1: other I think bknocklers out about who gonna show up

662
00:34:46,920 --> 00:34:48,960
Speaker 1: and they gonna call it dig right, And I thought

663
00:34:49,000 --> 00:34:51,040
Speaker 1: you didn't mess with him. And I don't know whether

664
00:34:51,080 --> 00:34:54,640
Speaker 1: Academics understands or not, but it's intended to deceive its evident.

665
00:34:55,719 --> 00:34:57,840
Speaker 1: We can see it brother, like we're looking at it.

666
00:34:58,200 --> 00:35:01,560
Speaker 1: It's not tricking them. It's not tricking it. One when

667
00:35:01,600 --> 00:35:05,239
Speaker 1: you say that it ain't like a post whether it's

668
00:35:05,360 --> 00:35:08,000
Speaker 1: real or not. But it can't come to the show

669
00:35:08,080 --> 00:35:10,759
Speaker 1: without just showing Lord a young boy. It gotta be

670
00:35:11,160 --> 00:35:14,520
Speaker 1: a his flame and he on fire and a big

671
00:35:14,719 --> 00:35:17,759
Speaker 1: riding him. Man, you gotta really be honest about some

672
00:35:17,880 --> 00:35:23,760
Speaker 1: of these situation. It's evident his intent to deceive the public.

673
00:35:24,400 --> 00:35:27,640
Speaker 1: Case in point, young Thug comes out his post release

674
00:35:27,680 --> 00:35:32,080
Speaker 1: from jail album Been Gone a While, does like sixty thousand,

675
00:35:32,200 --> 00:35:35,120
Speaker 1: fifty eight fifty nine thousand something like that was his

676
00:35:35,239 --> 00:35:38,520
Speaker 1: first week numbers, and all of these blush they pearls.

677
00:35:38,880 --> 00:35:42,320
Speaker 1: Young boy do forty fifty thousand first week? Don't nobody

678
00:35:42,400 --> 00:35:46,000
Speaker 1: say anything, Well, what you expect? You know, you know,

679
00:35:46,160 --> 00:35:48,919
Speaker 1: Denny's conversations come with young boys, not a first week

680
00:35:49,000 --> 00:35:52,640
Speaker 1: sales artist. He has a different fan base, that's understood.

681
00:35:53,080 --> 00:35:56,080
Speaker 1: But what I'm saying is it feels like that there's

682
00:35:56,160 --> 00:35:59,040
Speaker 1: a lot of scenarios that I can point at, whereas

683
00:35:59,120 --> 00:36:03,160
Speaker 1: the rules for this and not for he, the rules

684
00:36:03,200 --> 00:36:03,880
Speaker 1: for deed and.

685
00:36:04,000 --> 00:36:04,560
Speaker 5: Not for he.

686
00:36:05,520 --> 00:36:09,919
Speaker 1: There's a constant contradiction in this conversation, and we're gonna

687
00:36:09,960 --> 00:36:12,400
Speaker 1: pay attention to it for about another fifteen or twenty

688
00:36:12,480 --> 00:36:15,200
Speaker 1: minutes because that's all I'm giving it today, and then

689
00:36:15,239 --> 00:36:19,520
Speaker 1: we out, but pay attention to academics saying that if

690
00:36:19,640 --> 00:36:21,960
Speaker 1: this picture is true, what a little baby liked the

691
00:36:22,080 --> 00:36:26,480
Speaker 1: post about NBA young boy, that these is wrong because

692
00:36:26,600 --> 00:36:30,759
Speaker 1: Dirk is in jail and they was just riding with dirt. Well,

693
00:36:30,760 --> 00:36:34,000
Speaker 1: hold on, ladies and gentlemen, I know that he know that,

694
00:36:34,160 --> 00:36:37,399
Speaker 1: we know that he was that had Takashi sixty nine

695
00:36:37,800 --> 00:36:41,200
Speaker 1: on his platform talking about slide for Vaughan and Dirk

696
00:36:41,239 --> 00:36:46,680
Speaker 1: ain't got no get back from Vaughn. Do we think

697
00:36:46,760 --> 00:36:49,600
Speaker 1: we forgot that? Somebody opened my eyes and helped me

698
00:36:49,760 --> 00:36:53,400
Speaker 1: understand because this is content, this is real conversation, and

699
00:36:53,480 --> 00:36:56,920
Speaker 1: it's coming from the Southern District, the executive branch. Can

700
00:36:57,000 --> 00:37:00,840
Speaker 1: somebody help me understand the academics for get that we

701
00:37:01,040 --> 00:37:04,360
Speaker 1: are the same people that know and remember that he

702
00:37:04,600 --> 00:37:07,319
Speaker 1: was the only person that allowed to Cashi six' nine

703
00:37:07,680 --> 00:37:12,879
Speaker 1: to campaign sliding For vaughn on his platform while being

704
00:37:13,000 --> 00:37:20,800
Speaker 1: quote unquote friends with Little. Dirk we're gonna wake it.

705
00:37:20,920 --> 00:37:24,319
Speaker 1: Up are we gonna tell the? Truth are we gonna

706
00:37:24,320 --> 00:37:27,640
Speaker 1: tell the truth because we are privileged in, media because

707
00:37:27,680 --> 00:37:30,759
Speaker 1: we're needed more than the artist is. Needed we have

708
00:37:30,920 --> 00:37:34,080
Speaker 1: to tell the story and we can move on from

709
00:37:34,200 --> 00:37:36,880
Speaker 1: artists to, artists to artists to. Artists but ONLY i

710
00:37:36,920 --> 00:37:39,719
Speaker 1: can understand the language Because i'm in it AND i

711
00:37:39,880 --> 00:37:43,920
Speaker 1: knee deep in. It So i'm saying, that a, brother you,

712
00:37:44,120 --> 00:37:48,760
Speaker 1: remember we remember, That you remember, that we remember low budget.

713
00:37:48,840 --> 00:37:49,600
Speaker 1: Ads pay.

714
00:37:49,640 --> 00:37:54,440
Speaker 6: Attention king of rap, shit, man king a. Rap he

715
00:37:54,560 --> 00:37:55,520
Speaker 6: definitely kill a street.

716
00:37:55,600 --> 00:37:59,040
Speaker 3: Rapp BUT i gotta, say AFTER i see, him AFTER

717
00:37:59,080 --> 00:38:00,200
Speaker 3: i seen, tonight.

718
00:38:01,440 --> 00:38:03,200
Speaker 6: This was some king of rap. Shit this is how

719
00:38:03,239 --> 00:38:05,439
Speaker 6: you take the. Thrown you don't get gifted the. Thrown

720
00:38:05,480 --> 00:38:09,240
Speaker 6: you take that sh. Yo, now, GRANTED i know Somebody

721
00:38:09,239 --> 00:38:11,480
Speaker 6: i'll be, like why you ain't doing To? Chicago, look

722
00:38:11,560 --> 00:38:14,200
Speaker 6: clearly was about to do To. Chicago when you get

723
00:38:14,239 --> 00:38:16,359
Speaker 6: to a certain, point it's kind of a blood sport,

724
00:38:16,400 --> 00:38:18,960
Speaker 6: already so you can't be, like oh, NO i hope

725
00:38:19,000 --> 00:38:22,920
Speaker 6: they're not. Offended SO i Thought kendrick should have ran

726
00:38:22,960 --> 00:38:23,239
Speaker 6: at eight.

727
00:38:23,400 --> 00:38:31,040
Speaker 3: Times but this shit right, here young boy, PERFORMING i

728
00:38:31,200 --> 00:38:34,520
Speaker 3: hate young. Boy. Now, GRANT i know y'all gonna keep

729
00:38:34,560 --> 00:38:36,240
Speaker 3: saying what is In? Chicago, Though.

730
00:38:37,680 --> 00:38:42,520
Speaker 6: Atlanta and the reason why it matters For. Atlanta atlanta

731
00:38:42,600 --> 00:38:44,800
Speaker 6: been in shambles since all the rat and. RUMORS i

732
00:38:44,880 --> 00:38:46,400
Speaker 6: think they've been. TRYING i think they've been having a

733
00:38:46,400 --> 00:38:48,480
Speaker 6: secret meetings trying to figure out how to get it back.

734
00:38:48,520 --> 00:38:52,239
Speaker 6: Together came out, Recently Nah, Yo atlanta's, back and everybody.

735
00:38:52,000 --> 00:38:52,759
Speaker 3: Was, like what did he talking?

736
00:38:52,760 --> 00:38:52,960
Speaker 1: About?

737
00:38:53,080 --> 00:38:56,120
Speaker 6: Huh young boy goes To atlanta and on the song

738
00:38:56,560 --> 00:38:59,000
Speaker 6: he disliked three Four atlanta rappers and he went in

739
00:38:59,120 --> 00:39:02,200
Speaker 6: their building and performed a this on to all of the.

740
00:39:02,320 --> 00:39:04,320
Speaker 3: MEN i should have went to The atlanta.

741
00:39:04,360 --> 00:39:06,160
Speaker 6: SHOW i would have JUST i would have paid my

742
00:39:06,239 --> 00:39:07,799
Speaker 6: money to go to The atlanta show to see who

743
00:39:07,880 --> 00:39:10,120
Speaker 6: was backstage because this energy was on some.

744
00:39:10,239 --> 00:39:14,000
Speaker 3: Shit, Anyway, uh if you guys haven't seen.

745
00:39:15,360 --> 00:39:21,120
Speaker 6: Mister walking down HIMSELF nba young, boy and Yes i'm calling.

746
00:39:21,239 --> 00:39:25,240
Speaker 6: Him we're not talking About kendrick and we're not talking About. Drake,

747
00:39:26,080 --> 00:39:31,480
Speaker 6: okay that's a different. Level but as of, today and

748
00:39:31,640 --> 00:39:33,960
Speaker 6: this might, CHANGE i think every three. Months this is

749
00:39:34,000 --> 00:39:36,120
Speaker 6: how fast culture. Moves we might just have a new.

750
00:39:36,200 --> 00:39:38,839
Speaker 6: King but as of, today Young, boy king Of. Rat

751
00:39:39,480 --> 00:39:43,799
Speaker 6: but he walked down and everybody in The Dick ron

752
00:39:44,000 --> 00:39:46,520
Speaker 6: posse who's been trying to hop From dick To, dick

753
00:39:46,920 --> 00:39:50,160
Speaker 6: who've been trying to get on his good, side who'd been, Saying,

754
00:39:50,239 --> 00:39:52,560
Speaker 6: OH i Think dirk locked, up he might not get,

755
00:39:52,600 --> 00:39:55,399
Speaker 6: out let me go rock with. Him he gave, y'all

756
00:39:55,480 --> 00:39:58,680
Speaker 6: y'all notice either y'all gonna bow down and kissed the

757
00:39:58,800 --> 00:40:01,319
Speaker 6: ring and he still might, do which means y'a don't

758
00:40:01,320 --> 00:40:06,239
Speaker 6: got no, pride which, whatever or y'all gonna have to

759
00:40:06,360 --> 00:40:08,960
Speaker 6: just acknowledge his. Ring and while y'all think rappers in

760
00:40:09,040 --> 00:40:11,399
Speaker 6: a lull or whatever the case, is you gonna watch

761
00:40:11,440 --> 00:40:13,880
Speaker 6: this man. Dominate and that's how you really run the.

762
00:40:13,960 --> 00:40:18,080
Speaker 6: Throne that's how you really run the. Throne everybody's, saying

763
00:40:18,160 --> 00:40:20,160
Speaker 6: rapping in a good, place you over here killing.

764
00:40:20,239 --> 00:40:22,680
Speaker 1: It and so AS i listen to academics say these

765
00:40:22,760 --> 00:40:25,080
Speaker 1: kind of, things, like, yo you, KNOW i would have

766
00:40:25,120 --> 00:40:27,359
Speaker 1: paid to be backstage at The atlanta show to see

767
00:40:27,400 --> 00:40:30,279
Speaker 1: who was kissing the ring and these kind of. Things

768
00:40:30,600 --> 00:40:33,320
Speaker 1: have you ever been to a rap? Show all the

769
00:40:33,440 --> 00:40:35,600
Speaker 1: rappers in that, town they usually come out if it's

770
00:40:35,640 --> 00:40:38,560
Speaker 1: a popping, Artist do that mean they kissing the? Ring,

771
00:40:40,360 --> 00:40:42,960
Speaker 1: well it's different from you for young, Boy, well every

772
00:40:43,040 --> 00:40:45,239
Speaker 1: time we turn the. Corner it feels like that When

773
00:40:45,320 --> 00:40:48,799
Speaker 1: academics is, talking it's different For Young. Boy and that's

774
00:40:48,840 --> 00:40:50,880
Speaker 1: all THAT i want to point. Out Young boy is

775
00:40:50,920 --> 00:40:55,200
Speaker 1: a good artist with a phenomenal. Community that he has

776
00:40:55,280 --> 00:40:58,080
Speaker 1: some fans that are very, active and they're showing the

777
00:40:58,160 --> 00:41:01,959
Speaker 1: ability to have purchasing. Power our applaud that any black

778
00:41:02,080 --> 00:41:04,160
Speaker 1: man is getting money to come from where we come.

779
00:41:04,200 --> 00:41:06,680
Speaker 1: From they come out that. Jungle i'm having love and

780
00:41:06,800 --> 00:41:09,920
Speaker 1: respect for, that BUT i ain't having no respect for

781
00:41:10,000 --> 00:41:13,520
Speaker 1: How academics is utilizing his brand and some of these

782
00:41:13,640 --> 00:41:18,440
Speaker 1: deliberate lies and these, mishandled manufactured claims that's coming out

783
00:41:18,480 --> 00:41:21,160
Speaker 1: Of academic's. MOUTH i was With baby on two a

784
00:41:21,200 --> 00:41:25,120
Speaker 1: couple of those, dates twenty thousand people singing Rod. Wave

785
00:41:25,400 --> 00:41:27,520
Speaker 1: he don't even need A michael phone when he come.

786
00:41:27,560 --> 00:41:31,560
Speaker 1: Out this generation has these artists that does. This WHAT

787
00:41:31,719 --> 00:41:34,200
Speaker 1: i think is interesting THAT i think should be noted

788
00:41:34,600 --> 00:41:37,040
Speaker 1: is that this Is Young boy's first time around the.

789
00:41:37,160 --> 00:41:40,000
Speaker 1: Sun he's been in legal trouble and he's had a

790
00:41:40,200 --> 00:41:43,960
Speaker 1: very tremoltuous career as it pertains to you, know his

791
00:41:44,200 --> 00:41:47,919
Speaker 1: rap shit and his personal. Life So god, willing he'll

792
00:41:47,960 --> 00:41:49,719
Speaker 1: be able to go around and do this three or

793
00:41:49,800 --> 00:41:52,200
Speaker 1: four times and wrack up his hundred two hundred million

794
00:41:52,280 --> 00:41:55,279
Speaker 1: like these Young boy's been doing Rod wave on his

795
00:41:55,400 --> 00:41:58,560
Speaker 1: fifth summer doing. This Travis scott been doing his five,

796
00:41:58,719 --> 00:42:02,960
Speaker 1: years six year baby been doing this four five. Years

797
00:42:03,960 --> 00:42:07,000
Speaker 1: money bag done in one or two. Years we talking

798
00:42:07,000 --> 00:42:09,879
Speaker 1: about headline tours by theyself can go out and take

799
00:42:09,960 --> 00:42:12,879
Speaker 1: care of the. Business we don't even got to speak

800
00:42:12,920 --> 00:42:16,000
Speaker 1: About drake And kendrick And kanye and those, guys of,

801
00:42:16,120 --> 00:42:19,280
Speaker 1: course but we're just talking ABOUT Nba Young boy's peers.

802
00:42:19,360 --> 00:42:21,400
Speaker 1: Now i'm not even sure That dirk was able to do,

803
00:42:21,520 --> 00:42:23,960
Speaker 1: it BECAUSE i think when he went on, TOUR i

804
00:42:24,040 --> 00:42:26,200
Speaker 1: think he went with what it was It Jake. COLE

805
00:42:26,320 --> 00:42:29,120
Speaker 1: i think he popped out With Ja cole at a few.

806
00:42:29,200 --> 00:42:32,000
Speaker 1: Days i'm not sure If dirk hasn't been able to

807
00:42:32,080 --> 00:42:35,280
Speaker 1: even go on tour like that and rock those building

808
00:42:35,400 --> 00:42:38,319
Speaker 1: state The. STATE i could be, wrong And i'm sure

809
00:42:38,360 --> 00:42:40,480
Speaker 1: If i'm, wrong they'll put it in the. Comments but

810
00:42:40,760 --> 00:42:43,160
Speaker 1: this IS Nba Young boy's first, time and he's wreaking

811
00:42:43,200 --> 00:42:45,960
Speaker 1: the benefits of being away from his fans for so.

812
00:42:46,200 --> 00:42:48,480
Speaker 1: Long AND i think when they come dressed up and

813
00:42:48,600 --> 00:42:51,200
Speaker 1: with green flags and this, that AND i think that's

814
00:42:51,280 --> 00:42:54,880
Speaker 1: a very very very healthy relationship that he has with his,

815
00:42:55,000 --> 00:42:59,200
Speaker 1: audience somewhat like What nicky. Has you, KNOW i even

816
00:42:59,320 --> 00:43:01,799
Speaker 1: argue that thought as that with his. Audience and that's

817
00:43:02,080 --> 00:43:04,880
Speaker 1: the comparison That i'm gonna, make is, that you, know

818
00:43:05,000 --> 00:43:07,480
Speaker 1: some of these people have a coult like. Following but

819
00:43:07,640 --> 00:43:10,160
Speaker 1: let's just entertain the. Fact let's just say If baby

820
00:43:10,239 --> 00:43:12,160
Speaker 1: did like the. Post and again we don't know if

821
00:43:12,200 --> 00:43:14,600
Speaker 1: that's fake or. Not The internet just says anything and

822
00:43:14,680 --> 00:43:17,960
Speaker 1: he does. Anything but let's Say baby did like a

823
00:43:18,040 --> 00:43:21,560
Speaker 1: post FROM Nba Young. Boy we are in a scenario

824
00:43:21,800 --> 00:43:25,000
Speaker 1: where some of these media outlets are being critical Of,

825
00:43:25,120 --> 00:43:28,000
Speaker 1: luching Thug in and their. BEEF i, mean it's the same.

826
00:43:28,120 --> 00:43:30,680
Speaker 1: Pattern there's a pattern of behavior by some of these

827
00:43:30,760 --> 00:43:33,920
Speaker 1: people that is, recognizable and if you pay, attention and

828
00:43:34,000 --> 00:43:37,080
Speaker 1: you pay attention to, patterns you can unlock these. Dudes.

829
00:43:37,200 --> 00:43:39,839
Speaker 1: MAN i Like Young, BOY i like a lot of these.

830
00:43:39,960 --> 00:43:42,759
Speaker 1: ARTISTS i hit these one. TIME i Hear alex one

831
00:43:42,880 --> 00:43:46,560
Speaker 1: time he followed. Me i'll follow. HIM i enjoy Young.

832
00:43:46,640 --> 00:43:48,640
Speaker 1: BOY i send my blessings when he was locked. UP

833
00:43:48,719 --> 00:43:51,160
Speaker 1: i Hear alex one TIME i didn't hit him no

834
00:43:51,280 --> 00:43:53,799
Speaker 1: more about no concert and, this that and the. THIRD

835
00:43:54,360 --> 00:43:56,120
Speaker 1: i ain't one of them kind of AND i can

836
00:43:56,200 --> 00:43:58,759
Speaker 1: make a call and have one of the rappers all top.

837
00:43:58,920 --> 00:44:01,640
Speaker 1: Himself you know What i'm. Saying BUT i just ain't

838
00:44:01,640 --> 00:44:04,839
Speaker 1: one of them kind of, nicks you understand. Me let

839
00:44:04,920 --> 00:44:07,239
Speaker 1: the young boy shine that boy first trip around the.

840
00:44:07,320 --> 00:44:09,440
Speaker 1: Sun let him go get his money and be happy

841
00:44:09,480 --> 00:44:12,920
Speaker 1: and celebrate with his fans and embrace the love and.

842
00:44:13,120 --> 00:44:15,240
Speaker 1: Feel this is what a ROLE i feel.

843
00:44:15,440 --> 00:44:15,480
Speaker 5: Like.

844
00:44:15,640 --> 00:44:19,080
Speaker 1: Bro drop the, album gone to get the, bag come,

845
00:44:19,200 --> 00:44:24,360
Speaker 1: back do it again this high. Go, yeah they just

846
00:44:24,480 --> 00:44:26,680
Speaker 1: subbing this young in the. Game let him get his,

847
00:44:26,800 --> 00:44:29,680
Speaker 1: points stop hating and stop putting him out there in foul.

848
00:44:29,800 --> 00:44:33,759
Speaker 1: Trouble you got these false ass big homies with these

849
00:44:33,840 --> 00:44:37,520
Speaker 1: media platforms like academics throwing young boy in the middle

850
00:44:37,520 --> 00:44:40,560
Speaker 1: of the. Crossfire boy he performing the dish In. Atlanta

851
00:44:40,800 --> 00:44:44,000
Speaker 1: now he being lowyer to his. Fans my, Knucke he

852
00:44:44,080 --> 00:44:46,520
Speaker 1: ain't coming with that kind of. Energy he ain't even known.

853
00:44:46,560 --> 00:44:48,640
Speaker 1: That let the boy go get a hundred two hundred.

854
00:44:48,680 --> 00:44:51,600
Speaker 1: Million let him have this busing boy. Nig this is y'all,

855
00:44:51,680 --> 00:44:54,239
Speaker 1: in y'all, back, y'all you know you staring up shit

856
00:44:54,320 --> 00:44:57,440
Speaker 1: you ain't gotta participate. In always tell him when they

857
00:44:57,520 --> 00:44:59,680
Speaker 1: show up to the, Fight i'm riding with. Him pop

858
00:44:59,719 --> 00:45:01,840
Speaker 1: it out, off but don't pop it out from the.

859
00:45:01,880 --> 00:45:05,200
Speaker 1: House don't pop it out from the. House pop it

860
00:45:05,280 --> 00:45:08,600
Speaker 1: out from right here in the, middle Lou AND i

861
00:45:08,640 --> 00:45:11,120
Speaker 1: ain't even Ask. SPIDER i ain't Asked doug. This and

862
00:45:11,320 --> 00:45:15,440
Speaker 1: a part of me was thinking this despite her not

863
00:45:15,600 --> 00:45:17,840
Speaker 1: go down there and with young boy just because he

864
00:45:17,920 --> 00:45:19,719
Speaker 1: didn't want to be in the news and a part

865
00:45:19,760 --> 00:45:22,840
Speaker 1: of the story cause he lame as gonna be like

866
00:45:23,360 --> 00:45:25,680
Speaker 1: old thug down there with young. Boy he need that,

867
00:45:25,880 --> 00:45:29,440
Speaker 1: boy he definitely need the he need, him, like couldn't

868
00:45:29,480 --> 00:45:32,279
Speaker 1: really like staying away from all that kind of. Shit

869
00:45:32,840 --> 00:45:35,680
Speaker 1: LIKE i don't want y'all even looking at this ship like. That,

870
00:45:35,840 --> 00:45:37,200
Speaker 1: MAN i don't even want to, MAN i don't even

871
00:45:37,239 --> 00:45:39,120
Speaker 1: want him looking at this ship like. That SO i

872
00:45:39,120 --> 00:45:42,319
Speaker 1: ain't gonna need. Now, see this is WHAT i don't

873
00:45:42,400 --> 00:45:45,760
Speaker 1: like about the atmosphere of the. Culture it's a taardown

874
00:45:45,880 --> 00:45:50,560
Speaker 1: coach with a fine tooth. COMB i didn't even like

875
00:45:50,640 --> 00:45:53,160
Speaker 1: the fact That Aiden ross called thug gonna stream ask

876
00:45:53,239 --> 00:45:56,520
Speaker 1: him About Young boy. Tour Aiden ross shooting and called

877
00:45:56,560 --> 00:45:59,040
Speaker 1: thug gonna scream on stream about? That what IF i

878
00:45:59,120 --> 00:46:00,759
Speaker 1: had a problem With Young BOY i didn't want the

879
00:46:00,800 --> 00:46:03,280
Speaker 1: world to know. About but see that's the young boys

880
00:46:03,360 --> 00:46:05,799
Speaker 1: that's in. Streaming they don't really know that this shit

881
00:46:05,920 --> 00:46:09,320
Speaker 1: get deep behind the, scenes so they'll just call you on, Stream,

882
00:46:09,400 --> 00:46:13,000
Speaker 1: hey you going to The Young boy? Concert and THEN

883
00:46:13,040 --> 00:46:15,440
Speaker 1: i gotta, say knowing, now that turns into, something and

884
00:46:15,560 --> 00:46:18,239
Speaker 1: that turns into a, conversation you know What i'm. Saying

885
00:46:18,480 --> 00:46:20,759
Speaker 1: so when you love someone and you got love for,

886
00:46:20,840 --> 00:46:22,440
Speaker 1: him you stay away from that kind of shit or

887
00:46:22,480 --> 00:46:24,239
Speaker 1: you text him you going to the young boy? Thing

888
00:46:24,800 --> 00:46:26,200
Speaker 1: you know What i'm, Saying you don't got to call

889
00:46:26,320 --> 00:46:28,600
Speaker 1: them for the. Stream that's in my. Opinion and, AIDEN

890
00:46:28,960 --> 00:46:31,360
Speaker 1: i know you're, young you're doing your. THING i like

891
00:46:31,480 --> 00:46:34,240
Speaker 1: you ain't no, Beef But i'm just speaking on behalf

892
00:46:34,320 --> 00:46:36,560
Speaker 1: of what should happen and what shouldn't happen in my,

893
00:46:36,680 --> 00:46:39,759
Speaker 1: opinion from my, perspective from my vanished, point from my,

894
00:46:39,960 --> 00:46:43,399
Speaker 1: Viewpoint i'm having the eagles, Eye So i'm on top

895
00:46:43,480 --> 00:46:48,080
Speaker 1: of this thing. Watching But god forbid that like academics

896
00:46:48,160 --> 00:46:51,359
Speaker 1: and his bullshit internet, culture we keep up from going

897
00:46:51,440 --> 00:46:54,400
Speaker 1: to holler at young boy when young boy on a

898
00:46:54,480 --> 00:46:58,080
Speaker 1: thug for a long. Time that slime, shit that, stug

899
00:46:58,200 --> 00:47:01,759
Speaker 1: that lime green, shit that's they. Sit he influenced young.

900
00:47:01,840 --> 00:47:05,279
Speaker 1: Boy young boy always have catered it with what thug

901
00:47:05,400 --> 00:47:09,319
Speaker 1: has said and his position in the. Marketplace that green

902
00:47:09,440 --> 00:47:12,640
Speaker 1: flag didn't start In New. Orleans it then started from young.

903
00:47:12,719 --> 00:47:16,600
Speaker 1: Boy FOUR k trade. Did but that slime shit make

904
00:47:16,719 --> 00:47:21,359
Speaker 1: slime great, again and slime cry and all of. That that's.

905
00:47:21,440 --> 00:47:24,959
Speaker 1: Thug so. Picture if thug couldn't go holler this little

906
00:47:25,000 --> 00:47:28,800
Speaker 1: brother because some of the don't lie gonna. Say he

907
00:47:28,960 --> 00:47:30,160
Speaker 1: trying to suck his juice.

908
00:47:30,239 --> 00:47:31,160
Speaker 3: Up, man he needed that.

909
00:47:31,360 --> 00:47:34,719
Speaker 1: Help, Now, nah Just i'm coming with my little. Brother

910
00:47:34,760 --> 00:47:37,239
Speaker 1: he bringing me out on stage at the end of the.

911
00:47:37,360 --> 00:47:40,360
Speaker 1: DAY i know this climate is affecting. SHIT i know

912
00:47:40,520 --> 00:47:43,480
Speaker 1: that this bullshit that people like academics and some of

913
00:47:43,560 --> 00:47:46,279
Speaker 1: these other people are putting out. There and ALSO i

914
00:47:46,480 --> 00:47:48,719
Speaker 1: rather you, know we sit in front of each other

915
00:47:49,120 --> 00:47:52,680
Speaker 1: and had a conversation right in front of each, other

916
00:47:52,880 --> 00:47:56,360
Speaker 1: me and, you the, security, whoever bring whoever you won't

917
00:47:56,360 --> 00:47:59,000
Speaker 1: give a fool you. Brain we can turn it into

918
00:47:59,040 --> 00:48:01,160
Speaker 1: whatever you want to turn it. To BUT i want

919
00:48:01,200 --> 00:48:03,800
Speaker 1: to have a conversation about some of these topics BECAUSE

920
00:48:04,200 --> 00:48:06,319
Speaker 1: i want to see the. VIBRATION i want to see

921
00:48:06,360 --> 00:48:08,960
Speaker 1: as you playing or is this a serious thing you?

922
00:48:09,160 --> 00:48:09,920
Speaker 1: Doing pay.

923
00:48:10,000 --> 00:48:15,719
Speaker 6: ATTENTION nba young boy showed up To. ATLANTA i don't

924
00:48:15,760 --> 00:48:18,120
Speaker 6: know too much of the ties that THAT Nba young

925
00:48:18,200 --> 00:48:22,759
Speaker 6: boy has To. Atlanta we all do Know atlanta does

926
00:48:22,960 --> 00:48:24,279
Speaker 6: mean something to.

927
00:48:24,640 --> 00:48:27,920
Speaker 3: Him, ACTUALLY i think he used to live In. ATLANTA

928
00:48:29,120 --> 00:48:29,680
Speaker 3: i do know in.

929
00:48:29,719 --> 00:48:33,680
Speaker 6: Recent times people kind of reflect On atlanta and WHAT

930
00:48:33,880 --> 00:48:37,920
Speaker 6: i think Of. ATLANTA i, felt, like you, know in

931
00:48:38,160 --> 00:48:43,000
Speaker 6: his feud With, Dirk dirk moved To atlanta and kind

932
00:48:43,040 --> 00:48:48,560
Speaker 6: of The atlanta rappers Adopted dirk in their circle of.

933
00:48:49,120 --> 00:48:55,560
Speaker 6: Friends and basically because they With, Dirk atlanta And atlanta rap.

934
00:48:55,680 --> 00:48:58,040
Speaker 6: Scene i'm talking just a, rappers not the, fans because

935
00:48:58,200 --> 00:49:04,520
Speaker 6: everybody got fans, everywhere they became almost opposed to whatever

936
00:49:04,640 --> 00:49:07,160
Speaker 6: yb at going. On that's the, fact, right we could

937
00:49:07,239 --> 00:49:12,839
Speaker 6: reasonably say that right, Anyway it just shows you how

938
00:49:12,920 --> 00:49:13,320
Speaker 6: the ties.

939
00:49:13,400 --> 00:49:16,359
Speaker 3: Changed by the, way this Was atlanta is a place

940
00:49:16,400 --> 00:49:17,279
Speaker 3: Where King van was.

941
00:49:17,320 --> 00:49:22,080
Speaker 6: Killed they had a feud as, well And atlanta is

942
00:49:22,120 --> 00:49:28,000
Speaker 6: a place where you, know, Subsequently Little tim who who

943
00:49:28,080 --> 00:49:32,000
Speaker 6: did the, murder was never, convicted and the charges kind

944
00:49:32,040 --> 00:49:35,040
Speaker 6: of went, away and from my, understanding went away under

945
00:49:35,120 --> 00:49:38,880
Speaker 6: the pretense and the acceptance of the stands your ground

946
00:49:40,200 --> 00:49:44,680
Speaker 6: My michaelow the stans your ground, statue which means a

947
00:49:45,920 --> 00:49:52,160
Speaker 6: it's the fa fa fo mentality round find. OUT i

948
00:49:52,360 --> 00:49:54,439
Speaker 6: was a bit shocked that he got the key of the. City,

949
00:49:55,000 --> 00:49:56,719
Speaker 6: NOW i want to tell you all about the keys

950
00:49:56,760 --> 00:50:00,800
Speaker 6: of the. City these Give Nba young the key to the.

951
00:50:00,880 --> 00:50:02,560
Speaker 6: City who got this?

952
00:50:02,719 --> 00:50:04,719
Speaker 3: Song this and half in the. City half of this

953
00:50:04,800 --> 00:50:06,520
Speaker 3: is in the. City don't like is.

954
00:50:06,600 --> 00:50:12,080
Speaker 6: Catching hollow tips and seven six two's is being sent

955
00:50:12,200 --> 00:50:14,200
Speaker 6: at traniums over this.

956
00:50:14,360 --> 00:50:16,720
Speaker 3: Beef whether you knew it or, not that's a. Fact

957
00:50:17,120 --> 00:50:18,440
Speaker 3: so this is a whole another.

958
00:50:18,680 --> 00:50:22,080
Speaker 6: Level this type of shit gotta be in the realm

959
00:50:22,800 --> 00:50:28,239
Speaker 6: of JULIOFOLIO youngi And ace some shit well you know is.

960
00:50:28,360 --> 00:50:31,680
Speaker 3: Deceased it's. Different SO i want to make.

961
00:50:31,640 --> 00:50:34,040
Speaker 6: Y'ALL i want you to understand that When i'm speaking about,

962
00:50:34,120 --> 00:50:36,400
Speaker 6: this this, Song i'm not trying.

963
00:50:36,200 --> 00:50:37,560
Speaker 3: To be little no other this.

964
00:50:37,760 --> 00:50:41,480
Speaker 6: Song, now we knew that the dirt disrespect and the

965
00:50:41,800 --> 00:50:46,280
Speaker 6: von disrespect was definitely gonna, happen because that's the majority

966
00:50:46,320 --> 00:50:49,319
Speaker 6: of the premise behind this. Song but there's a couple

967
00:50:49,400 --> 00:50:54,080
Speaker 6: others who caught some. Strays that's WHAT i was always

968
00:50:54,160 --> 00:51:00,160
Speaker 6: trying to, see especially now he In, atlanta but the

969
00:51:00,239 --> 00:51:04,280
Speaker 6: young boy tuck his tail for The atlanta Super, thugs

970
00:51:04,520 --> 00:51:08,880
Speaker 6: or is it Now atlanta is seen as So atlanta

971
00:51:09,080 --> 00:51:14,480
Speaker 6: is Like? Disneyland, Right atlanta Like. Disneyland that is like

972
00:51:14,600 --> 00:51:15,400
Speaker 6: man running.

973
00:51:15,160 --> 00:51:17,080
Speaker 3: On all of. Them let's just see out in your own.

974
00:51:17,160 --> 00:51:17,960
Speaker 3: Place this is.

975
00:51:18,000 --> 00:51:22,680
Speaker 6: Crazy that's WHY i wanted to see so The dark

976
00:51:22,760 --> 00:51:25,840
Speaker 6: and Von PARK i was, like it's gonna. Happen you,

977
00:51:25,920 --> 00:51:28,359
Speaker 6: know if it Was, CHICAGO i would care more about

978
00:51:28,400 --> 00:51:30,759
Speaker 6: The dirk And Vonan. PARK i was just caring about

979
00:51:30,760 --> 00:51:44,640
Speaker 6: a couple of subliminals to like The Atlanta oh hearing

980
00:51:44,719 --> 00:51:50,520
Speaker 6: the entire crowd chant used to With gucci TILL i

981
00:51:50,760 --> 00:51:52,440
Speaker 6: seen him with them.

982
00:51:52,640 --> 00:51:58,760
Speaker 3: Pussing i'm, like where we? At this is like a location.

983
00:51:58,920 --> 00:52:01,400
Speaker 3: Check you got to like, swibo oh the oh we're In?

984
00:52:01,400 --> 00:52:03,120
Speaker 3: Atlanta oh hell.

985
00:52:03,239 --> 00:52:05,400
Speaker 6: ON i used to think that was the twenty One savage,

986
00:52:05,440 --> 00:52:11,120
Speaker 6: this but it's. Not that's A apparently that's a kayla

987
00:52:11,760 --> 00:52:13,480
Speaker 6: BECAUSE i think twenty One savage Had boordi some.

988
00:52:13,640 --> 00:52:18,439
Speaker 1: Shit so academics proceeded to make a you know point

989
00:52:18,480 --> 00:52:22,600
Speaker 1: ABOUT Nba Young boy performing is this song In, atlanta

990
00:52:22,680 --> 00:52:25,279
Speaker 1: which is you, KNOW i guess that is. Newsworthy that's not,

991
00:52:25,440 --> 00:52:28,080
Speaker 1: worthy you know What i'm. Saying he performed the song

992
00:52:28,160 --> 00:52:30,960
Speaker 1: where he took shots at a few. People you, know

993
00:52:31,080 --> 00:52:32,920
Speaker 1: there was a time step in his life where him

994
00:52:32,960 --> 00:52:36,600
Speaker 1: And dirk was into it and making songs to one.

995
00:52:36,680 --> 00:52:40,040
Speaker 1: Another and, AGAIN i don't want this to be understated

996
00:52:40,640 --> 00:52:44,720
Speaker 1: young boys on a. RUN i heard academics also compare

997
00:52:45,239 --> 00:52:49,280
Speaker 1: Young boys performing of that song In stay F marina

998
00:52:49,600 --> 00:52:52,799
Speaker 1: To Gucci man's performing of The, truth AND i think

999
00:52:52,880 --> 00:52:56,440
Speaker 1: that was those pale in. COMPARISON i think there's a

1000
00:52:56,560 --> 00:53:02,400
Speaker 1: distance between what happened With Gucci man Performing truth VERSUS

1001
00:53:03,239 --> 00:53:06,040
Speaker 1: nb a young boy PERFORMING i Hate Young boy In

1002
00:53:06,160 --> 00:53:10,360
Speaker 1: State Farm. Arena number, one there's a security clearance process

1003
00:53:10,560 --> 00:53:12,919
Speaker 1: In State Farm arena that's gonna be second to none

1004
00:53:12,920 --> 00:53:16,279
Speaker 1: when you have someone with the history That Young boy,

1005
00:53:16,400 --> 00:53:18,600
Speaker 1: has or any rapper for that, note we are dealing

1006
00:53:18,640 --> 00:53:21,520
Speaker 1: With Fulton, county who is in particular one of the

1007
00:53:21,600 --> 00:53:25,960
Speaker 1: more strict counties on not only, lyrics BUT i think

1008
00:53:26,040 --> 00:53:28,160
Speaker 1: they tend to hate rappers and their objective is to

1009
00:53:28,239 --> 00:53:33,879
Speaker 1: run out the rappers out of the. Town with that being,

1010
00:53:34,040 --> 00:53:36,839
Speaker 1: Said Gucci man was in a small. Club what can

1011
00:53:36,920 --> 00:53:40,280
Speaker 1: grab him if they wanted, to can rush the stage

1012
00:53:40,320 --> 00:53:43,120
Speaker 1: if they wanted, to things of that. Nature but no

1013
00:53:43,239 --> 00:53:45,640
Speaker 1: one is coming for violence for Young. Boy people are

1014
00:53:45,719 --> 00:53:48,520
Speaker 1: celebrating the fact, That, yo this is his first, Tour

1015
00:53:48,760 --> 00:53:50,880
Speaker 1: this is his first time with the ability to really

1016
00:53:51,480 --> 00:53:54,080
Speaker 1: wreak some of the benefits of what he's built all

1017
00:53:54,200 --> 00:53:58,879
Speaker 1: of these. Years his negotiation power for the last three

1018
00:53:59,000 --> 00:54:01,440
Speaker 1: or four or five year before he blew up like

1019
00:54:01,560 --> 00:54:03,680
Speaker 1: he actually blew up DURING covid and things of that,

1020
00:54:03,880 --> 00:54:08,560
Speaker 1: nature his negotiation power didn't even consider. Touring and even

1021
00:54:08,640 --> 00:54:10,880
Speaker 1: if it, did from his, perspective it's no way he

1022
00:54:10,920 --> 00:54:13,320
Speaker 1: could have gaged. It he had no real understanding of

1023
00:54:13,400 --> 00:54:15,680
Speaker 1: what that looks. Like, now the labels probably. Did the

1024
00:54:15,760 --> 00:54:18,160
Speaker 1: people on the other side probably knew that there was

1025
00:54:18,239 --> 00:54:21,040
Speaker 1: a growing hunger for people to See Young boy on,

1026
00:54:21,239 --> 00:54:24,080
Speaker 1: tour and so they may have understand it from a financial,

1027
00:54:24,160 --> 00:54:27,200
Speaker 1: Standpoint But i'm not sure that he understood it or

1028
00:54:27,239 --> 00:54:31,520
Speaker 1: his team understood, it because they never incorporated in their balance.

1029
00:54:31,560 --> 00:54:35,000
Speaker 1: Sheet it wasn't. Incorporated his shit was made off streaming

1030
00:54:35,160 --> 00:54:38,359
Speaker 1: YouTube things of that. Nature and he was doing quite.

1031
00:54:38,480 --> 00:54:41,200
Speaker 1: Well he was a great streaming. Artist he's a legendary.

1032
00:54:41,320 --> 00:54:44,880
Speaker 1: Act but we also want to put on the record

1033
00:54:44,920 --> 00:54:48,919
Speaker 1: That dirk has performed his little dish to Young boy

1034
00:54:49,320 --> 00:54:51,320
Speaker 1: and a lot of these crowds and popped out on

1035
00:54:51,760 --> 00:54:54,439
Speaker 1: this and performed. It and also want to be, Clear

1036
00:54:54,520 --> 00:54:58,120
Speaker 1: academics is drawing this line and saying, that, yo y'all Chose,

1037
00:54:58,239 --> 00:55:01,160
Speaker 1: dirk don't with Young, BOY i won't dead the. Beef

1038
00:55:01,480 --> 00:55:04,479
Speaker 1: but on top of, That academics is drawing this line

1039
00:55:04,480 --> 00:55:06,760
Speaker 1: when he would crank up every one of his streams

1040
00:55:06,840 --> 00:55:10,120
Speaker 1: listening To Eye, high which is a young boy. This,

1041
00:55:10,840 --> 00:55:13,200
Speaker 1: now y'all fact check that and stop me When i'm,

1042
00:55:13,280 --> 00:55:17,799
Speaker 1: lying cut me off When i'm. Lying and so it's

1043
00:55:17,920 --> 00:55:21,480
Speaker 1: rules for d and not for. Heat these dudes are

1044
00:55:21,760 --> 00:55:26,239
Speaker 1: making these manufactured, statements and their justification behind it is

1045
00:55:26,320 --> 00:55:28,600
Speaker 1: if you're asking, me in, particular with a couple of these,

1046
00:55:28,719 --> 00:55:32,759
Speaker 1: RAPPERS i truly Believe academics has his feelings. Hurt some

1047
00:55:32,920 --> 00:55:35,160
Speaker 1: of these dudes may have shined him or didn't respect,

1048
00:55:35,200 --> 00:55:38,040
Speaker 1: him and he never has gotten over. That but, bro

1049
00:55:38,160 --> 00:55:40,279
Speaker 1: you gotta let that. Go these dudes dealing with a

1050
00:55:40,320 --> 00:55:42,520
Speaker 1: lot of people coming at. Them a lot of different things.

1051
00:55:42,600 --> 00:55:45,920
Speaker 1: Happening sometimes you catch on the bad, Foot but you

1052
00:55:46,000 --> 00:55:48,759
Speaker 1: don't have to be emotionally involved with every time you

1053
00:55:48,880 --> 00:55:51,360
Speaker 1: make a take about. Two ain't even on the. Internet,

1054
00:55:51,520 --> 00:55:53,920
Speaker 1: dudes don't even go back and forth with. You you

1055
00:55:54,080 --> 00:55:57,120
Speaker 1: steady more't making takes and making takes and making takes

1056
00:55:57,200 --> 00:56:00,760
Speaker 1: every chance you. Get you fishing for, stories you putting

1057
00:56:00,800 --> 00:56:02,880
Speaker 1: two and two, together and trying to do, this that

1058
00:56:02,960 --> 00:56:06,439
Speaker 1: and the. Third none of it really is. Substantial none

1059
00:56:06,480 --> 00:56:10,880
Speaker 1: of it makes. Sense and then the hypocrisy in this

1060
00:56:11,360 --> 00:56:14,680
Speaker 1: position that you take about this dirt thing is mind

1061
00:56:14,760 --> 00:56:18,680
Speaker 1: blowing to. Me the interview in which he repped About

1062
00:56:18,800 --> 00:56:22,799
Speaker 1: Kwando rondo's homeboy being killed dirt allegedly is what they're.

1063
00:56:22,840 --> 00:56:26,800
Speaker 1: Saying he reped on that shit in your, interview according

1064
00:56:26,840 --> 00:56:30,680
Speaker 1: to the federal. Government so you And dirk had a

1065
00:56:30,760 --> 00:56:33,719
Speaker 1: personal relationship where he'll come and say those kind of

1066
00:56:33,800 --> 00:56:37,520
Speaker 1: things on your. Platform you Called dirk friends so many,

1067
00:56:37,640 --> 00:56:40,680
Speaker 1: times in particular when young boy was going at, you.

1068
00:56:40,880 --> 00:56:44,719
Speaker 1: Academics young boy was shitting on, you, academics and you

1069
00:56:44,880 --> 00:56:48,320
Speaker 1: had winning holded up With dirk and started this lovey

1070
00:56:48,400 --> 00:56:51,120
Speaker 1: dovey relationship that you must have forgot about now that

1071
00:56:51,239 --> 00:56:53,800
Speaker 1: you backstage and you'd done been to ten different shows

1072
00:56:54,000 --> 00:56:56,439
Speaker 1: while you're telling rappers that they can't squash the beef

1073
00:56:56,480 --> 00:56:59,799
Speaker 1: with young boy and you clearly playing the fifty yard.

1074
00:56:59,880 --> 00:57:03,160
Speaker 1: Line you won't leave the fifty yard line if you wide.

1075
00:57:03,239 --> 00:57:06,120
Speaker 1: Open dirk has a relationship with, you and what she'll

1076
00:57:06,160 --> 00:57:08,640
Speaker 1: talk to you from behind the wall on another on

1077
00:57:08,920 --> 00:57:11,600
Speaker 1: call and get in. Trouble dirk did an interview with,

1078
00:57:11,719 --> 00:57:13,960
Speaker 1: you and you asked him all these different questions about

1079
00:57:14,000 --> 00:57:16,560
Speaker 1: all these different, things some in which pops up in

1080
00:57:16,640 --> 00:57:20,800
Speaker 1: his federal indictment as we. Speak you allowed TO costi

1081
00:57:20,880 --> 00:57:24,000
Speaker 1: six 's nine to come on your platform and continue

1082
00:57:24,080 --> 00:57:28,640
Speaker 1: with sleeve speak about slide For vaughn in the climbing

1083
00:57:28,720 --> 00:57:31,960
Speaker 1: What dirk was out here confused they done Killed. Vaughn

1084
00:57:32,440 --> 00:57:34,640
Speaker 1: he dealing with his, brother dealing with shit out Of.

1085
00:57:34,720 --> 00:57:37,480
Speaker 1: Chicago they turning on, him they saying, this and he

1086
00:57:37,640 --> 00:57:40,800
Speaker 1: you is letting get on your, Platform holland he ain't

1087
00:57:40,840 --> 00:57:43,360
Speaker 1: slid for Von you was the only to interview.

1088
00:57:43,440 --> 00:57:45,320
Speaker 3: Him you was the only that'll put his shit.

1089
00:57:45,440 --> 00:57:48,680
Speaker 1: Up and you would take your platform that a lot

1090
00:57:48,720 --> 00:57:51,880
Speaker 1: of the coaches tapped, into and you would direct people

1091
00:57:51,960 --> 00:57:55,480
Speaker 1: to Ta kashi six,' Nine Disrespecting. King vaughn whether that

1092
00:57:55,640 --> 00:57:58,440
Speaker 1: be him wearing a jacket with him spray painted on

1093
00:57:58,560 --> 00:58:01,120
Speaker 1: It With little dirk's look. Like, It man, come on

1094
00:58:01,480 --> 00:58:04,680
Speaker 1: we don't have. Revisionist history but if you ain't, paying

1095
00:58:04,720 --> 00:58:09,720
Speaker 1: attention somebody can get over. On you lucky, For me i'm.

1096
00:58:09,760 --> 00:58:12,760
Speaker 1: Paying attention one thing we know about. Young boys he

1097
00:58:12,840 --> 00:58:15,040
Speaker 1: gonna keep. It real he gonna say what. He feels

1098
00:58:15,880 --> 00:58:19,200
Speaker 1: and so if his bullsh, is boosy if it's heird

1099
00:58:19,320 --> 00:58:23,560
Speaker 1: man is, third man if, it's academics, IS like i

1100
00:58:23,640 --> 00:58:26,520
Speaker 1: ain't expecting young boy to do nothing but say how.

1101
00:58:26,640 --> 00:58:29,600
Speaker 1: You feel You see boosy. Pop out you see they

1102
00:58:29,640 --> 00:58:32,240
Speaker 1: can bury the. Hatch it you See bird man riding,

1103
00:58:32,280 --> 00:58:34,040
Speaker 1: With him you see they can bury the. Hatch. It

1104
00:58:34,600 --> 00:58:36,960
Speaker 1: yo black men can do more than just kill. Each

1105
00:58:37,000 --> 00:58:39,920
Speaker 1: other we won't gotta celebrate chaos. Like, THIS man i

1106
00:58:39,960 --> 00:58:43,520
Speaker 1: think it's irresponsible for you to try to marginalize these

1107
00:58:43,640 --> 00:58:46,360
Speaker 1: rappnings and bag a bit to a corner. Like this

1108
00:58:46,840 --> 00:58:49,880
Speaker 1: ain't nobody saying need to. Be pushovers if it's on

1109
00:58:50,000 --> 00:58:52,080
Speaker 1: their journey to get in the room with a, squash

1110
00:58:52,120 --> 00:58:53,960
Speaker 1: something let him do that and let him do it

1111
00:58:54,040 --> 00:58:56,280
Speaker 1: with our criticism for niggas that they never been in

1112
00:58:56,360 --> 00:59:00,160
Speaker 1: position to have to squash. Nothing right these are some

1113
00:59:00,240 --> 00:59:02,400
Speaker 1: of the younger gentlemen who were growing up they couldn't

1114
00:59:02,400 --> 00:59:04,560
Speaker 1: get their hands on the gun if they, Needed one

1115
00:59:04,920 --> 00:59:08,800
Speaker 1: and now they're positioning people to go and make these

1116
00:59:08,920 --> 00:59:12,040
Speaker 1: kind of decisions on behalf or whatever culture that they

1117
00:59:12,120 --> 00:59:17,080
Speaker 1: don't even. Participate in It's like monday morning quarterback and

1118
00:59:17,200 --> 00:59:21,000
Speaker 1: Me and dirk don't got the. Best relationship you. UNDERSTAND

1119
00:59:21,120 --> 00:59:23,280
Speaker 1: me I think dirk is holding his HEAD how i

1120
00:59:23,400 --> 00:59:26,160
Speaker 1: think he doing his. TIME legit i don't like the

1121
00:59:26,200 --> 00:59:28,960
Speaker 1: way his case looking. Right now it feels like they're

1122
00:59:28,960 --> 00:59:32,160
Speaker 1: Aggressively approaching dirk in a way That just i'm. Uncomfortable

1123
00:59:32,200 --> 00:59:34,360
Speaker 1: WITH and i say that they be IN, the feds

1124
00:59:34,440 --> 00:59:37,360
Speaker 1: the federal government for people who do Not know dirk.

1125
00:59:37,520 --> 00:59:41,640
Speaker 1: Is Inconcrated but i'm just saying the real is.

1126
00:59:41,680 --> 00:59:42,320
Speaker 4: The real.

1127
00:59:44,360 --> 00:59:46,480
Speaker 1: If young boys gonna have, the energy he gotta have

1128
00:59:46,600 --> 00:59:49,320
Speaker 1: the energy for. Academics too ain't no way he done

1129
00:59:49,400 --> 00:59:52,880
Speaker 1: got this cool with academics and academics was the need was?

1130
00:59:53,000 --> 00:59:55,760
Speaker 1: Love it dovid, with dirt he WILL plan i high every.

1131
00:59:55,840 --> 01:00:01,640
Speaker 1: Single stream he will RUN. Around otfi what make him

1132
01:00:01,680 --> 01:00:04,680
Speaker 1: any different than he rapped that he'd be talking, About

1133
01:00:05,800 --> 01:00:08,200
Speaker 1: right and it's just. A conversation i think it's important

1134
01:00:08,200 --> 01:00:11,240
Speaker 1: to have and it's just if you're. Asking me it's up.

1135
01:00:11,280 --> 01:00:13,440
Speaker 1: THERE podcast i Go By, big little make sure you

1136
01:00:13,520 --> 01:00:16,800
Speaker 1: hit like. SUBSCRIBE show i really appreciated. About it. This

1137
01:00:16,920 --> 01:00:18,800
Speaker 1: TAP then i see y'all in a couple. Of, days

1138
01:00:19,280 --> 01:00:19,520
Speaker 1: love