WEBVTT - INTERVIEW: Havoc Talks New Mobb Deep Album, Prodigy's Legacy, 50 Cent, Jazmine Sullivan + More

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<v Speaker 1>Don't know.

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<v Speaker 2>Every day up waiting up the Breakfast Club, finish for

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<v Speaker 2>y'all done morning. Everybody is DJ Envy, Jess Hilarious, Charlamagne

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<v Speaker 2>the guy. We are the Breakfast Club. Law La Roses

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<v Speaker 2>here as well. We got a special guest in the building.

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<v Speaker 2>We have hav It here.

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<v Speaker 1>Having what's up brother us going on?

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<v Speaker 2>How you feeling real good?

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<v Speaker 1>Real good?

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<v Speaker 2>Having from Mob Deep of course, new album Infinite out

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<v Speaker 2>on this Friday.

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<v Speaker 1>That's right.

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<v Speaker 2>So many questions, so many questions. So let's start off

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<v Speaker 2>with with first, how did you put this album together?

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<v Speaker 1>Oh?

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<v Speaker 3>Man, it was It was a long time in the

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<v Speaker 3>making because, you know, after the untimely death of Prodigy,

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<v Speaker 3>you know what I mean, It was something that I

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<v Speaker 3>wanted to do, but it took me a minute because

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<v Speaker 3>of you know, the family was in the grieving process.

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<v Speaker 3>But to make a long story short, linked up with

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<v Speaker 3>alc Alchemists and we knew we had to start, you

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<v Speaker 3>know what I mean, start the album.

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<v Speaker 1>So flew out there.

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<v Speaker 3>I had a couple of songs already, you know what

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<v Speaker 3>I'm saying, some verses from a Prodigy's family, and Alchemists

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<v Speaker 3>had a ton of verses already, so we just started

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<v Speaker 3>putting it together and just breaking it down.

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<v Speaker 4>How did you I was gonna ask, how did you

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<v Speaker 4>pick which verses? Like when you're going through Prodigy, you know,

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<v Speaker 4>verses that we've never heard? How you picked which ones?

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<v Speaker 4>Because we were anticipating hearing it, right.

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<v Speaker 3>I mean it was kind of hard because I mean,

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<v Speaker 3>to me, you know what I'm saying, all Prodigy verses

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<v Speaker 3>is dope, you know what I mean?

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<v Speaker 1>So it was hard.

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<v Speaker 3>I mean because we ended up with like what twenty

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<v Speaker 3>five songs and you know, ended up with fifteen, but.

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<v Speaker 1>I don't know, you.

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<v Speaker 3>Know, just the best ones, you know what I mean,

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<v Speaker 3>out of Prodigies versus if I could pick, it was

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<v Speaker 3>really hard thope.

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<v Speaker 2>Now with any of these songs done already from y'all already, Oh,

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<v Speaker 2>these were all you had to get every new verses

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<v Speaker 2>from you know, whether his daughter I see his daughter raps,

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<v Speaker 2>his family or alchemists.

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<v Speaker 3>I mean, you know, I thought that I was getting

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<v Speaker 3>most of the verses was like unheard verses, but like

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<v Speaker 3>one of them was like you know, released like fourteen

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<v Speaker 3>years ago.

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<v Speaker 1>So you know what I'm saying.

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<v Speaker 3>We took wipe the dust off and you know, rocked

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<v Speaker 3>with the songs or whatever, but most of them is

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<v Speaker 3>just versus that nobody never heard before, especially you know what.

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<v Speaker 1>I'm saying, something Al has like it's like crazy versus

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<v Speaker 1>like for real.

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<v Speaker 3>But you know, I was giving some verses from the

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<v Speaker 3>family and I just you know, technology, you could just

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<v Speaker 3>take a verse if it's like ninety two bpms, you

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<v Speaker 3>could put it down an eighty eight, or you could

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<v Speaker 3>speed it up to one hundred, so it's like kind

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<v Speaker 3>of seamless.

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<v Speaker 2>How was the family were doing this? Did the family

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<v Speaker 2>want a new mob Deep album out where they cool

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<v Speaker 2>with it or they were like they was cool with it.

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<v Speaker 3>They was cool with it, but they just wanted to

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<v Speaker 3>make sure that they was part of the process and

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<v Speaker 3>that they wasn't left out. So you know, the first

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<v Speaker 3>time that we started working on an album, we had

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<v Speaker 3>Prodigy's daughter there, you know what I'm saying, and getting

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<v Speaker 3>her blessings, and she was, you know, she was kind

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<v Speaker 3>of got a little emotional when she was hearing her

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<v Speaker 3>fall the you know what I'm saying as me and

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<v Speaker 3>I was getting emotional listening to Prodigy talk like you know,

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<v Speaker 3>Acappella talk about yo, I see you on the other

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<v Speaker 3>side and you know, I love you.

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<v Speaker 1>It's crazy.

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<v Speaker 2>How was your relationship with before he passed?

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<v Speaker 3>It was actually I feel like I got my friend back,

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<v Speaker 3>you know what I mean, because right before he passed,

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<v Speaker 3>like real talk, we was shopping in Whole Foods, you know,

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<v Speaker 3>trying to get on.

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<v Speaker 1>A healthy path.

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<v Speaker 3>And he after we did that, he knocked on my

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<v Speaker 3>hotel though, like he never comes to my room.

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<v Speaker 1>Came to my room, and we was just kicking it,

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<v Speaker 1>like just trying.

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<v Speaker 3>To go down a healthy journey because you know, we

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<v Speaker 3>had had, you know, a little dust up before that.

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<v Speaker 2>What was that dust up for? Because I always was saying,

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<v Speaker 2>like Mob Deep is that one crew r like them?

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<v Speaker 2>They are never like they just so from the same area.

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<v Speaker 2>They didn't been through beefs and this and that and

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<v Speaker 2>problems with money, like they didn't been through it all.

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<v Speaker 2>So I figured they outre have one group that like Nah,

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<v Speaker 2>but y'all had a little situation at one point.

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<v Speaker 3>I just say this, like when it comes to alcohol,

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<v Speaker 3>just stay away from social media.

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<v Speaker 1>You know what I'm saying. It just lay that alone.

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<v Speaker 3>Some things like brothers go through things, but that's supposed

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<v Speaker 3>to be behind the scenes, you feel me. So it

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<v Speaker 3>was just built up frustration and me taking to social media,

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<v Speaker 3>like I wasn't taught to go to social media, and

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<v Speaker 3>they are all my differences. So that's something that I did.

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<v Speaker 3>And Prodigy kept it like real classy like with it.

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<v Speaker 3>He was, you know what I'm saying, a class general

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<v Speaker 3>where that he didn't even engage in that little dust stuff.

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<v Speaker 3>But you know, it was a little strain on a relationship.

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<v Speaker 3>We broke up for like a year, then we came

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<v Speaker 3>back together toward and then slowly but surely just kept

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<v Speaker 3>building that brotherhood back.

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<v Speaker 2>And after that breakup, how did y'all get back together?

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<v Speaker 2>Like what was that conversation? Who reached out first or

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<v Speaker 2>who put y'all together?

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<v Speaker 3>Because we both got friends in common, right, so it

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<v Speaker 3>wasn't like yo, okay today, y'all go to meet up.

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<v Speaker 1>It was like that.

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<v Speaker 3>Gradual, gradual, graduate, graduate, and then we just end up

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<v Speaker 3>in the studio together, you know what I'm saying, And

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<v Speaker 3>it was like nothing never happened, right, Like the beat

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<v Speaker 3>is up and we just like, yeah, you know what

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<v Speaker 3>I'm saying, So we're gonna through X, Y and Z

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<v Speaker 3>and you know what I mean. But we did get

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<v Speaker 3>a chance to kind of like talk. You know, you know,

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<v Speaker 3>I know him since I was fifteen, you know what

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<v Speaker 3>I'm saying. So that was like my brother brother for real,

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<v Speaker 3>you know what I'm saying. And it was just crazy

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<v Speaker 3>when he passed. How close we was getting before that.

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<v Speaker 2>And y'all were in Vegas when we passed, right.

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<v Speaker 1>Yeah, we was in Vegas.

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<v Speaker 3>We had just did this, like, you know, one of

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<v Speaker 3>those shows I think iced t be throwing those tours.

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<v Speaker 1>With a lot of the old school artists or whatever.

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<v Speaker 3>Nordy was did ray Kuonic Ghosts and he wasn't feeling well,

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<v Speaker 3>and you know, I just thought it was just like

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<v Speaker 3>one of those regular Sigacell crisis and he'll be back

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<v Speaker 3>home in New York.

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<v Speaker 1>Yeah?

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<v Speaker 4>Is there because I know that this is uh you

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<v Speaker 4>work with Master Pil to drop this. Is there anything

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<v Speaker 4>just because this is also people are looking at this

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<v Speaker 4>as like a comeback project or like a return project,

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<v Speaker 4>but it's also a tribute as well. Is there anything

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<v Speaker 4>when people are listening to the music from Prodigy that

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<v Speaker 4>we haven't heard, like when you were putting together and

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<v Speaker 4>producing all of this, Like what was the message you

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<v Speaker 4>wanted his fans to get from him in hearing him again.

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<v Speaker 3>Well, you know, I don't think that it was so

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<v Speaker 3>much of me, like wanting a message to be put

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<v Speaker 3>out there about Prodigy. The fans know what they wanted,

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<v Speaker 3>you know what I mean, Like I'm constantly getting harassed

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<v Speaker 3>by the fans, like yo, when you're putting out that

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<v Speaker 3>Mam Deep album. I mean, look, I don't got no

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<v Speaker 3>control over that, you know what I'm saying, Like I

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<v Speaker 3>don't own Prodigy versus.

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<v Speaker 1>So it was a process, you know what I mean.

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<v Speaker 3>But you know, I hope that you know, the supporters

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<v Speaker 3>get from it, like Yo, you know, p was one

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<v Speaker 3>of the illest MC's out there, and I think that

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<v Speaker 3>you know, he had some unfinished business, was there.

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<v Speaker 4>What was the pressure like for you if any, because

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<v Speaker 4>this has been what since twenty fourteen since you're.

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<v Speaker 3>Yeah, the pressure was crazy, you know what I'm saying,

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<v Speaker 3>because of course, you know, the music landscape been changed,

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<v Speaker 3>you know what I'm saying, Oh Ma all Deep, But

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<v Speaker 3>we stay in our lane.

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<v Speaker 1>You know what I mean.

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<v Speaker 3>And I just kind of like, that's all I wanted

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<v Speaker 3>to do, is just stay in our lane. I try

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<v Speaker 3>to go above and beyond and trying to sound like

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<v Speaker 3>I'm doing some drill music or something like that, you

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<v Speaker 3>know what I mean.

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<v Speaker 1>I just wanted to stay mall deep.

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<v Speaker 2>Now you did this still with NAS's Mass Appeal. She

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<v Speaker 2>just mentioned, Yeah, how involved was NAS with this project?

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<v Speaker 2>And why did y'all decide to sign with the NAS

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<v Speaker 2>to do the collaboration with Massapell.

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<v Speaker 3>Nas kind of like took the hands off approach, you

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<v Speaker 3>know what I mean.

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<v Speaker 1>We trusted Nas, you know what I mean.

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<v Speaker 3>We know, of course obviously since the beginning, you know

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<v Speaker 3>what I mean, from the top, and he in position

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<v Speaker 3>right now, you know what I mean, So we, like

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<v Speaker 3>tons of people would have did them all deep album,

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<v Speaker 3>you know what I mean. But at the end of

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<v Speaker 3>the day, it was like who do we trust? I

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<v Speaker 3>trust NOAs you know what I mean. I'm like, okay,

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<v Speaker 3>he over there, Mass Appeal. We sat with them and

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<v Speaker 3>it wasn't about the money. It's just more like who

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<v Speaker 3>would do justice to the project, you know what I mean?

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<v Speaker 3>And we trusted Nods for that, and you know, he

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<v Speaker 3>took a hands off approach. But when it was time to,

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<v Speaker 3>you know, give a little bit of critique, he gave it.

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<v Speaker 2>He did two verses on it as well three three

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<v Speaker 2>verses on Yeah, I mean three verses for nas.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>I think that's a good way to go out, you

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<v Speaker 3>know what I mean. On the ma All Deep album

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<v Speaker 3>and that was cool, you know, featuring her, Georgia Smith,

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<v Speaker 3>you know, due two phenomenal artists, and Porter Henny y.

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<v Speaker 2>You know Clips as well was on the album as well.

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<v Speaker 2>I wanted to I see a lot of your stories

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<v Speaker 2>have been going viral.

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<v Speaker 1>The last couple of days.

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<v Speaker 2>Right, of course, the Park stories always go viral, the

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<v Speaker 2>jay Z stories go viral. But the mind frame back

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<v Speaker 2>then when you felt like the West Coast was taking

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<v Speaker 2>a stab at the East right, and y'all said, nah,

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<v Speaker 2>this can't happen. Break that down, because y'all will probably

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<v Speaker 2>wanted the first to jump out the window and be

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<v Speaker 2>like we riding all day long, and how difficult was

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<v Speaker 2>it when y'all were torring and going to these markets

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<v Speaker 2>and seeing these people, And did you ever run into

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<v Speaker 2>any of the people that you shot at me on record?

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<v Speaker 2>I should say, yo, check it out.

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<v Speaker 3>Like when you in places like Minneapolis and you see

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<v Speaker 3>people throwing up gang signs and holding up TUPOC posters,

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<v Speaker 3>you don't even know if you're gonna make it out

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<v Speaker 3>of it.

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<v Speaker 1>You understand on what I'm saying. So that's that, you

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<v Speaker 1>know what i mean.

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<v Speaker 3>Never mind going to the West Coast, you know what

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<v Speaker 3>I'm saying. But you know, back in those days, we

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<v Speaker 3>was in our twenties.

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<v Speaker 1>You know what I'm saying. We invincible.

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<v Speaker 3>We like what we got beef is on. I'm surprised

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<v Speaker 3>more artists in New York didn't come out swinging. You

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<v Speaker 3>understand what I'm saying. This is NYC, and yeah, we

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<v Speaker 3>love our West Coast brethrooms for sure, but we gonna

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<v Speaker 3>let you know. If you clap with us, we're gonna

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<v Speaker 3>clap back.

0:08:53.600 --> 0:08:54.120
<v Speaker 1>You know what I'm saying.

0:08:54.120 --> 0:08:56.880
<v Speaker 3>You know, a couple of artists came represented New York,

0:08:56.920 --> 0:08:59.240
<v Speaker 3>but not in a way where were like, yops, y'all

0:08:59.320 --> 0:09:02.520
<v Speaker 3>kick Adella, Like nah, you know what I'm saying, We're

0:09:02.520 --> 0:09:03.040
<v Speaker 3>not letting.

0:09:02.840 --> 0:09:03.160
<v Speaker 1>You do that.

0:09:03.200 --> 0:09:06.439
<v Speaker 3>But it was it was it was a test, you

0:09:06.520 --> 0:09:08.760
<v Speaker 3>know what I'm saying, Because it was it was serious

0:09:09.080 --> 0:09:09.480
<v Speaker 3>back then.

0:09:09.559 --> 0:09:12.280
<v Speaker 1>People was getting shot and things of that nature. But

0:09:12.400 --> 0:09:13.920
<v Speaker 1>we came out. We we survived it.

0:09:14.000 --> 0:09:15.839
<v Speaker 2>And you never ran into anybody on the West Coast.

0:09:15.880 --> 0:09:18.160
<v Speaker 2>You never ran into a park back and it ain't nobody.

0:09:18.440 --> 0:09:20.840
<v Speaker 3>Nah, And it's not like we was hotting, you understand

0:09:20.840 --> 0:09:22.880
<v Speaker 3>what I'm saying, Like we went, we was in La.

0:09:23.320 --> 0:09:25.560
<v Speaker 1>We had to be in La, you know, to promote

0:09:25.600 --> 0:09:26.439
<v Speaker 1>the project.

0:09:26.559 --> 0:09:28.880
<v Speaker 3>But he passed you know what I'm saying, Like when

0:09:28.880 --> 0:09:31.600
<v Speaker 3>the People was about to be on we came out

0:09:31.640 --> 0:09:33.480
<v Speaker 3>with a project that's we was about to Hell on

0:09:33.559 --> 0:09:36.080
<v Speaker 3>Earth and he got shot, you know what I'm saying.

0:09:36.120 --> 0:09:37.520
<v Speaker 1>That kind of just made everything like.

0:09:37.720 --> 0:09:39.600
<v Speaker 2>And y'all like to switch singles because they said the

0:09:39.600 --> 0:09:42.760
<v Speaker 2>single was La La Right he got killed or.

0:09:42.720 --> 0:09:45.120
<v Speaker 3>Shot right, because it was no, it was drop a

0:09:45.160 --> 0:09:46.960
<v Speaker 3>gem on them, drop a gym on it was drop

0:09:46.960 --> 0:09:48.480
<v Speaker 3>a gym on it. We put that out and it

0:09:48.600 --> 0:09:50.680
<v Speaker 3>was going on fire, like you know what I'm saying.

0:09:51.720 --> 0:09:53.960
<v Speaker 3>You know, quite saying another station, but I'm.

0:09:53.800 --> 0:09:54.720
<v Speaker 2>Just this history.

0:09:54.880 --> 0:09:57.960
<v Speaker 3>Yeah, so it was it was going viral so to

0:09:57.960 --> 0:09:59.640
<v Speaker 3>speak for back then, you know what i mean. But

0:09:59.679 --> 0:10:02.280
<v Speaker 3>then he got shot and it's like, yo, son, let's

0:10:02.320 --> 0:10:04.160
<v Speaker 3>pull the record, like me and Pete like, yo, let's

0:10:04.160 --> 0:10:06.480
<v Speaker 3>pull it. Not even the label saying that, And we

0:10:06.600 --> 0:10:10.960
<v Speaker 3>pulled the record and then eventually he definitely passed away.

0:10:11.040 --> 0:10:12.440
<v Speaker 1>So it was like damn, but we put it on

0:10:12.440 --> 0:10:15.000
<v Speaker 1>an album.

0:10:13.880 --> 0:10:15.480
<v Speaker 4>And pulling the record. I mean, I know it's common

0:10:15.480 --> 0:10:17.040
<v Speaker 4>sense to be like, okay, you're pulling it because now

0:10:17.120 --> 0:10:19.679
<v Speaker 4>things are like so serious. But in that moment where

0:10:19.720 --> 0:10:23.320
<v Speaker 4>y'all made that decision, the conversations, like I think a

0:10:23.320 --> 0:10:25.200
<v Speaker 4>lot of people hear these stories too, and it just

0:10:25.240 --> 0:10:26.920
<v Speaker 4>sounds like it's not kind of like almost like a

0:10:26.920 --> 0:10:29.960
<v Speaker 4>folk tell to us. But you were like in that moment,

0:10:30.040 --> 0:10:32.360
<v Speaker 4>like what's the feeling of like is it okay? We

0:10:32.400 --> 0:10:33.959
<v Speaker 4>want to pull it because we just don't even want

0:10:34.000 --> 0:10:36.280
<v Speaker 4>to be involved in this anymore, even though you're already there,

0:10:36.360 --> 0:10:37.520
<v Speaker 4>or is it like out of respect?

0:10:37.720 --> 0:10:41.079
<v Speaker 1>Like what's the real like like for real, for real?

0:10:41.280 --> 0:10:43.160
<v Speaker 4>Yeah, like why pull it? Because at that point, y'all

0:10:43.160 --> 0:10:45.400
<v Speaker 4>are already like we hear we doing this, like we're

0:10:45.440 --> 0:10:46.280
<v Speaker 4>poking out our chest.

0:10:47.040 --> 0:10:49.679
<v Speaker 1>Look, at the end of the day, he was a brother.

0:10:49.720 --> 0:10:50.439
<v Speaker 1>He was our brother.

0:10:50.559 --> 0:10:52.400
<v Speaker 3>Like we might have beef with them and all of that,

0:10:52.480 --> 0:10:54.360
<v Speaker 3>but we don't wish death on nobody.

0:10:54.400 --> 0:10:55.440
<v Speaker 1>You understand what I'm saying.

0:10:55.600 --> 0:10:58.240
<v Speaker 3>And we're not that thirsty like to be like shit,

0:10:58.360 --> 0:11:01.440
<v Speaker 3>whatever he did, like keep a movie like that would

0:11:01.440 --> 0:11:03.560
<v Speaker 3>have been bad taste anyway, you know what I'm saying

0:11:03.559 --> 0:11:04.640
<v Speaker 3>it have been tasteless, so we.

0:11:04.720 --> 0:11:06.400
<v Speaker 2>Just like, nah, this just pull it, you know what

0:11:06.400 --> 0:11:09.800
<v Speaker 2>I mean? You know your relationship with Big was not

0:11:09.880 --> 0:11:14.480
<v Speaker 2>the best, but what you mean was it good? Because

0:11:14.720 --> 0:11:17.160
<v Speaker 2>I thought the relationship wasn't necessarily the greatest. You and Big,

0:11:17.360 --> 0:11:17.840
<v Speaker 2>oh for real?

0:11:17.960 --> 0:11:19.880
<v Speaker 1>Me me and BMG we got the same birthday.

0:11:19.960 --> 0:11:22.880
<v Speaker 2>Oh, I didn't know that. Did y'all ever have conversations

0:11:23.000 --> 0:11:25.319
<v Speaker 2>to say, because y'all were both getting shot at like crazy?

0:11:25.559 --> 0:11:28.200
<v Speaker 2>Did y'all ever have conversations like let's do this together

0:11:28.520 --> 0:11:29.280
<v Speaker 2>right now?

0:11:29.440 --> 0:11:32.400
<v Speaker 1>Unfortunately? That's another one that passed away so early.

0:11:32.440 --> 0:11:36.520
<v Speaker 3>You understand what I'm saying, because you know, Puff said, Yo,

0:11:36.600 --> 0:11:38.320
<v Speaker 3>come to the studio. I need you to do some

0:11:38.480 --> 0:11:40.280
<v Speaker 3>music with Big. I didn't even know the locks gonna

0:11:40.320 --> 0:11:42.439
<v Speaker 3>be on the song last Days. So I'm in there

0:11:42.520 --> 0:11:45.720
<v Speaker 3>doing that. He in another room because I guess he

0:11:45.840 --> 0:11:47.280
<v Speaker 3>was recording like crazy back then.

0:11:47.360 --> 0:11:48.160
<v Speaker 1>You know, you know what I mean.

0:11:48.480 --> 0:11:52.760
<v Speaker 3>So we never got a chance to really have a conversation.

0:11:52.920 --> 0:11:55.240
<v Speaker 3>We went on tour together, you know what I'm saying.

0:11:55.280 --> 0:11:58.040
<v Speaker 3>The last memories I have are Big is being in

0:11:58.080 --> 0:12:01.520
<v Speaker 3>Ohio and were supposed to go on but Big was

0:12:01.559 --> 0:12:04.679
<v Speaker 3>like f that I'm going on before y'all because they

0:12:04.720 --> 0:12:07.040
<v Speaker 3>spraying Mason the crowd like like like you know, like

0:12:07.080 --> 0:12:08.960
<v Speaker 3>the gang members is wild that I ain't even know

0:12:09.640 --> 0:12:12.640
<v Speaker 3>Ohio had gangs like that, but those are the memories

0:12:12.640 --> 0:12:14.760
<v Speaker 3>I have on him. So we didn't get a chance

0:12:14.840 --> 0:12:16.720
<v Speaker 3>to like really kick it kick it. But I think

0:12:16.800 --> 0:12:19.800
<v Speaker 3>if had he lived longer, we would have probably been

0:12:19.840 --> 0:12:21.040
<v Speaker 3>partying together, you know what I'm saying.

0:12:21.040 --> 0:12:22.360
<v Speaker 1>Same birthday, Gemina to me.

0:12:22.520 --> 0:12:25.360
<v Speaker 4>How did watching you know the depth of Tupac and

0:12:25.400 --> 0:12:27.839
<v Speaker 4>then a Biggie change how you felt about just being

0:12:27.840 --> 0:12:29.800
<v Speaker 4>an artist at the time, Like were you scared?

0:12:30.080 --> 0:12:32.520
<v Speaker 2>But didn't change cause y'all ain't stop beefing. Y'all kept going.

0:12:32.840 --> 0:12:33.760
<v Speaker 2>Y'all never stopped.

0:12:34.320 --> 0:12:37.360
<v Speaker 1>Nah, you know what. To be honest with you, it

0:12:37.400 --> 0:12:41.520
<v Speaker 1>was like I felt it was mad disrespectful. You understand

0:12:41.520 --> 0:12:42.000
<v Speaker 1>what I'm saying.

0:12:42.000 --> 0:12:46.080
<v Speaker 3>For Like, it's like, no, like you just killing artists

0:12:46.120 --> 0:12:47.320
<v Speaker 3>like y'all just you know what I'm saying.

0:12:47.320 --> 0:12:48.480
<v Speaker 1>I understand, you know what I'm saying.

0:12:48.920 --> 0:12:51.439
<v Speaker 3>Artists is human beings, but it's like no respect for

0:12:51.520 --> 0:12:53.640
<v Speaker 3>the artists, like y'all just murking the artist.

0:12:54.080 --> 0:12:55.840
<v Speaker 1>So that had me super.

0:12:55.480 --> 0:12:57.800
<v Speaker 3>Concerned, Like you know, I'm like, wow, like it's you know,

0:12:57.840 --> 0:12:59.880
<v Speaker 3>you already got your concerns when you going on to

0:13:00.280 --> 0:13:03.480
<v Speaker 3>making sure you're safe, but now just people just get

0:13:03.480 --> 0:13:05.800
<v Speaker 3>out of here, like by you going you nah, that

0:13:05.920 --> 0:13:07.280
<v Speaker 3>was crazy?

0:13:07.559 --> 0:13:10.199
<v Speaker 2>You know what I always wanted to ask. I always

0:13:10.200 --> 0:13:12.120
<v Speaker 2>tell everybody if we have a hip hop conversation, my

0:13:12.200 --> 0:13:13.800
<v Speaker 2>favorite beat EV and I think I told you before,

0:13:13.880 --> 0:13:16.160
<v Speaker 2>it's shook Ones. Right, It's just when you think of

0:13:16.240 --> 0:13:18.680
<v Speaker 2>hip hop, there's nothing that out hip hop shook ones.

0:13:18.760 --> 0:13:22.040
<v Speaker 2>Just the raw, just uncut. It doesn't sound like it's

0:13:22.080 --> 0:13:24.640
<v Speaker 2>ever filtered. It was just doesn't feel like it's never mixed,

0:13:24.640 --> 0:13:27.720
<v Speaker 2>and it just feels like that. But I also feel

0:13:27.760 --> 0:13:29.320
<v Speaker 2>like when a lot of times when they talk about

0:13:29.320 --> 0:13:31.960
<v Speaker 2>some of the greatest producers in this industry and in

0:13:32.000 --> 0:13:35.120
<v Speaker 2>the game, they don't mention you, right, how does that

0:13:35.160 --> 0:13:37.880
<v Speaker 2>make you feel? Because they'll mention, they'll mention the Dres,

0:13:38.440 --> 0:13:41.840
<v Speaker 2>they'll mention so many other people, but I never a

0:13:41.840 --> 0:13:42.920
<v Speaker 2>lot of times I don't hear habit.

0:13:44.000 --> 0:13:46.199
<v Speaker 3>I mean, you know, it could get frustrating, you know

0:13:46.240 --> 0:13:48.640
<v Speaker 3>what I'm saying. It gets frustrating, you know, when your

0:13:48.679 --> 0:13:50.800
<v Speaker 3>name is not being mentioned when you feel like it

0:13:50.840 --> 0:13:52.960
<v Speaker 3>should be mentioned. But at the same time, we never

0:13:53.040 --> 0:13:56.320
<v Speaker 3>got nominated for Grammys. And I'm sure we had albums

0:13:56.320 --> 0:13:59.320
<v Speaker 3>that was platinum at gold during the time when the

0:13:59.320 --> 0:14:02.440
<v Speaker 3>other artists wept gold and that, you know, and we

0:14:02.520 --> 0:14:03.679
<v Speaker 3>never got nominated.

0:14:03.760 --> 0:14:05.320
<v Speaker 1>So I just feel like it's in the same vein.

0:14:05.400 --> 0:14:07.880
<v Speaker 3>But you know what, my piers, you know what I'm

0:14:07.880 --> 0:14:09.800
<v Speaker 3>saying when I see them, Like I just seen Doctor

0:14:09.840 --> 0:14:13.360
<v Speaker 3>dra the other day, he like, Yo, you inspired me.

0:14:13.400 --> 0:14:15.719
<v Speaker 1>And I'm looking at him like, like, you know what

0:14:15.760 --> 0:14:18.199
<v Speaker 1>I'm saying, like you inspired me? But I feel him.

0:14:18.400 --> 0:14:20.760
<v Speaker 3>I understand what he's saying, because we all inspire each other.

0:14:21.000 --> 0:14:23.960
<v Speaker 3>So things like that kind of negate the frustration I

0:14:24.000 --> 0:14:26.960
<v Speaker 3>feel of not being mentioned because I could see somebody

0:14:26.960 --> 0:14:28.600
<v Speaker 3>like Doctor Dre and they be like, yo, son, like

0:14:29.320 --> 0:14:31.320
<v Speaker 3>you know what I mean, And that's all I be needing.

0:14:31.360 --> 0:14:33.400
<v Speaker 2>That's all you need say. They were Prodigy with lyrics.

0:14:33.720 --> 0:14:36.360
<v Speaker 2>I think a lot of people don't necessarily understand how

0:14:36.480 --> 0:14:38.680
<v Speaker 2>nice he was lyrically, and he doesn't get into a

0:14:38.680 --> 0:14:41.480
<v Speaker 2>lot of those conversations as well either. He don't.

0:14:41.520 --> 0:14:43.320
<v Speaker 1>But then you have somebody like Jay Z.

0:14:43.440 --> 0:14:45.480
<v Speaker 3>If you ask him a question about Prodigy, he'd be like,

0:14:45.480 --> 0:14:47.320
<v Speaker 3>Prodigy was one of those ones, you.

0:14:47.320 --> 0:14:48.280
<v Speaker 1>Understand what I'm saying.

0:14:48.320 --> 0:14:52.400
<v Speaker 3>So when people don't involve him in a conversation, but

0:14:52.480 --> 0:14:55.400
<v Speaker 3>they rapper's favorite rapper is screaming their name, like not

0:14:55.440 --> 0:14:58.280
<v Speaker 3>screaming they name, but giving them the credit. I think

0:14:58.280 --> 0:15:02.760
<v Speaker 3>sometimes that's that's the just dude. Sometimes eventually the generation

0:15:02.840 --> 0:15:05.240
<v Speaker 3>is just gonna come after us when they start doing

0:15:05.240 --> 0:15:08.200
<v Speaker 3>their little investigation like we used to do with the

0:15:08.440 --> 0:15:10.240
<v Speaker 3>Maybe not tell you because you're a little younger, but

0:15:10.440 --> 0:15:12.640
<v Speaker 3>you know, with the seventies, like we pulling like James

0:15:12.640 --> 0:15:16.400
<v Speaker 3>Brown were pulling all these stylistic blue Magic, They're gonna

0:15:16.400 --> 0:15:18.560
<v Speaker 3>start pulling those mob deep records and be like, damn,

0:15:18.560 --> 0:15:19.040
<v Speaker 3>what's this?

0:15:19.040 --> 0:15:20.880
<v Speaker 1>This sounded crazy. I didn't know all that other stuff.

0:15:20.920 --> 0:15:23.120
<v Speaker 1>They're supposed to be top forty, you know what I mean.

0:15:23.600 --> 0:15:26.840
<v Speaker 2>And how you mentioned Jay? How did that beef ever start?

0:15:26.880 --> 0:15:29.000
<v Speaker 2>And do you ever regret never producing for a whole?

0:15:29.320 --> 0:15:30.200
<v Speaker 2>Is that one of the things?

0:15:30.600 --> 0:15:32.640
<v Speaker 1>Off top? Of course, you know what I'm saying. As

0:15:32.640 --> 0:15:35.440
<v Speaker 1>a producer, you want to produce for the best.

0:15:35.160 --> 0:15:37.560
<v Speaker 2>Of producer for every New York great, but right.

0:15:37.960 --> 0:15:39.680
<v Speaker 1>Right, that's that's the one I'm chasing, you know what

0:15:39.720 --> 0:15:40.040
<v Speaker 1>I mean.

0:15:40.120 --> 0:15:45.840
<v Speaker 3>But shout out the whole. But look, when that beef happened,

0:15:46.560 --> 0:15:47.720
<v Speaker 3>I had to stay with my brother.

0:15:48.040 --> 0:15:48.720
<v Speaker 2>How did it start?

0:15:49.080 --> 0:15:49.560
<v Speaker 1>Oh?

0:15:49.680 --> 0:15:52.760
<v Speaker 3>It started because back to what we was talking about

0:15:52.800 --> 0:15:57.000
<v Speaker 3>with the you know, stupid crust, the buildings, and then

0:15:57.000 --> 0:15:59.560
<v Speaker 3>we came with La La, and then I think Prodigy

0:15:59.640 --> 0:16:01.720
<v Speaker 3>seen an all the cool with uh.

0:16:02.040 --> 0:16:02.640
<v Speaker 1>Matter of fact, I.

0:16:02.560 --> 0:16:05.880
<v Speaker 3>Think jay Z said something in his line about New

0:16:05.960 --> 0:16:08.800
<v Speaker 3>York and sought since he didn't appreciate it. And then

0:16:08.840 --> 0:16:12.400
<v Speaker 3>he says something in a magazine that called hold out

0:16:12.400 --> 0:16:12.840
<v Speaker 3>his name.

0:16:14.600 --> 0:16:16.280
<v Speaker 1>Oh is it? You know what I'm saying, This is

0:16:16.280 --> 0:16:17.920
<v Speaker 1>a call tax sport. He you know what I'm saying.

0:16:17.960 --> 0:16:20.320
<v Speaker 1>He and his prolem he going right back at Prodigy.

0:16:20.400 --> 0:16:22.600
<v Speaker 1>So it just started right there.

0:16:22.880 --> 0:16:24.840
<v Speaker 2>Do you feel like that beef hurt Bob Deep.

0:16:26.840 --> 0:16:29.600
<v Speaker 3>I'm not gonna say that it hurt mall Deep, but

0:16:29.640 --> 0:16:33.040
<v Speaker 3>it could have did a little nice little delay, you

0:16:33.080 --> 0:16:35.880
<v Speaker 3>know what I mean, Because when you got somebody like

0:16:35.920 --> 0:16:37.560
<v Speaker 3>that just coming at you, you know what I'm saying,

0:16:37.640 --> 0:16:40.920
<v Speaker 3>it's like it's start chipping away at you know that Almah.

0:16:41.560 --> 0:16:43.320
<v Speaker 2>I always wanted to know what Na said during that

0:16:43.400 --> 0:16:45.480
<v Speaker 2>time when you because y'all all be fing together right

0:16:45.600 --> 0:16:47.520
<v Speaker 2>the nads ever say yo, let's do this together. Like

0:16:47.520 --> 0:16:48.680
<v Speaker 2>what was that conversation?

0:16:48.840 --> 0:16:51.200
<v Speaker 3>Like, nah, he was on his lone wolf real quick,

0:16:51.240 --> 0:16:52.840
<v Speaker 3>you know what I mean. He came out with that ether.

0:16:53.000 --> 0:16:55.000
<v Speaker 3>It was like, you know what I mean, nobody saw

0:16:55.000 --> 0:16:57.840
<v Speaker 3>it coming, you know what I mean, we never ever

0:16:57.920 --> 0:17:00.840
<v Speaker 3>had a conversation about like Yo, yeah, man, let's let's

0:17:00.840 --> 0:17:01.320
<v Speaker 3>go get them.

0:17:01.320 --> 0:17:03.800
<v Speaker 2>Let's jump them, let's jump them.

0:17:03.800 --> 0:17:08.119
<v Speaker 4>Now that said, what what myths about mob deep do

0:17:08.200 --> 0:17:11.919
<v Speaker 4>you hear and you don't correct or you hear you

0:17:11.960 --> 0:17:14.000
<v Speaker 4>kind of laugh at I know, there's the one with

0:17:14.040 --> 0:17:17.320
<v Speaker 4>the high hat sound and like the burner and still

0:17:17.320 --> 0:17:18.840
<v Speaker 4>I'm still kind of confused about that. Was it a

0:17:18.840 --> 0:17:19.320
<v Speaker 4>real burner?

0:17:19.400 --> 0:17:19.480
<v Speaker 3>Was?

0:17:19.480 --> 0:17:22.120
<v Speaker 4>And I saw two different answers at one point in time.

0:17:22.119 --> 0:17:23.720
<v Speaker 4>But there's a lot of myths out there about you

0:17:23.760 --> 0:17:26.240
<v Speaker 4>guys that you sometimes you say are better than the

0:17:26.280 --> 0:17:27.600
<v Speaker 4>actual story. So you just let it rock.

0:17:28.080 --> 0:17:30.000
<v Speaker 3>I mean the one that you just said with the stove,

0:17:30.119 --> 0:17:31.720
<v Speaker 3>like you know what I mean, Everybody keeps saying like,

0:17:31.800 --> 0:17:34.040
<v Speaker 3>it's the stove, it's the stove. I'm not going to

0:17:34.080 --> 0:17:36.439
<v Speaker 3>tell them if it's the stove or not. I just

0:17:36.520 --> 0:17:38.639
<v Speaker 3>love the mystique of the stove. It's like that's a

0:17:39.480 --> 0:17:39.840
<v Speaker 3>people like what.

0:17:39.840 --> 0:17:40.800
<v Speaker 1>The hell y' so?

0:17:40.840 --> 0:17:43.440
<v Speaker 4>And shook Ones part two. There's the flicking sound and

0:17:43.480 --> 0:17:45.320
<v Speaker 4>it sounds like you, you know, you crank up the

0:17:45.320 --> 0:17:49.600
<v Speaker 4>stove and like kick. Yeah. So at one point I

0:17:49.600 --> 0:17:51.200
<v Speaker 4>thought I saw an interview from you and you said

0:17:51.200 --> 0:17:53.480
<v Speaker 4>that it was a stove and you recorded it. I

0:17:53.480 --> 0:17:55.119
<v Speaker 4>think I was drink champs. And then I saw another

0:17:55.160 --> 0:17:57.640
<v Speaker 4>interview where you were like it was a high hat.

0:17:57.440 --> 0:18:00.360
<v Speaker 3>That you used, right, yeah, yea. I'll be mestling with them,

0:18:00.400 --> 0:18:01.800
<v Speaker 3>you know what I'm saying. I just I just be

0:18:01.840 --> 0:18:04.480
<v Speaker 3>messing with it, like I'm never going to reveal that one.

0:18:04.920 --> 0:18:09.840
<v Speaker 3>Why because just the you know, it sounds better, you know,

0:18:10.000 --> 0:18:11.200
<v Speaker 3>than the than the actual truth.

0:18:11.240 --> 0:18:13.320
<v Speaker 4>So, and I know, you guys got the comic book

0:18:13.359 --> 0:18:15.919
<v Speaker 4>series that kind of leans into all of the myths

0:18:15.920 --> 0:18:20.639
<v Speaker 4>about mob Deep is you guys, slick Rid ghost Face Nas.

0:18:20.640 --> 0:18:22.800
<v Speaker 4>It's like a one time only series. So are y'all

0:18:22.800 --> 0:18:24.919
<v Speaker 4>talking about more of the myths in that limited comic

0:18:24.920 --> 0:18:26.720
<v Speaker 4>book series or is it just something that.

0:18:27.000 --> 0:18:28.720
<v Speaker 3>Well when they was making it, they was asking me,

0:18:28.800 --> 0:18:31.240
<v Speaker 3>like what you think your strengths would be if you

0:18:31.240 --> 0:18:33.040
<v Speaker 3>would be you know what I'm saying a you know,

0:18:33.200 --> 0:18:35.159
<v Speaker 3>a superhero or whatever, and it was asking me what

0:18:35.240 --> 0:18:37.640
<v Speaker 3>I think prodigy strengths would be, and I just kind

0:18:37.640 --> 0:18:39.840
<v Speaker 3>of gave them that, like, you know, everybody wanted to fly,

0:18:40.040 --> 0:18:42.560
<v Speaker 3>be like Superman or have some kind of secret power,

0:18:42.560 --> 0:18:44.480
<v Speaker 3>you know what I mean. So I don't think it

0:18:44.560 --> 0:18:46.640
<v Speaker 3>added to us like any kind of myth, but more

0:18:46.680 --> 0:18:48.400
<v Speaker 3>along the lines of, like.

0:18:48.720 --> 0:18:51.240
<v Speaker 1>If you had superpowers, what would which one would you pick?

0:18:51.480 --> 0:18:52.760
<v Speaker 4>Got you? I thought it was going to lean into

0:18:52.800 --> 0:18:54.679
<v Speaker 4>like all of the old, like the hip hop stories

0:18:54.720 --> 0:18:56.720
<v Speaker 4>that we hear that we don't ever get real answer.

0:18:57.040 --> 0:18:57.800
<v Speaker 1>That's a good angle.

0:18:58.119 --> 0:19:01.240
<v Speaker 3>I like that might have to massive pill love to start,

0:19:01.520 --> 0:19:03.360
<v Speaker 3>you know what I mean, revamp.

0:19:03.119 --> 0:19:05.119
<v Speaker 4>Some of the I did with the rollout right now

0:19:05.200 --> 0:19:07.239
<v Speaker 4>that you're doing because a lot of those conversations are

0:19:07.240 --> 0:19:09.200
<v Speaker 4>coming back up, people are learning it for the first time.

0:19:09.920 --> 0:19:13.320
<v Speaker 4>How different is it for you now promoting your music

0:19:13.359 --> 0:19:16.040
<v Speaker 4>and having these conversations with social media versus you know,

0:19:16.119 --> 0:19:18.680
<v Speaker 4>not even the last album, but like early on days

0:19:18.680 --> 0:19:19.800
<v Speaker 4>when y'all were running around.

0:19:19.960 --> 0:19:21.880
<v Speaker 3>I mean, it's way different because now you know, back

0:19:22.000 --> 0:19:23.720
<v Speaker 3>in them days, we didn't have no social media.

0:19:23.800 --> 0:19:24.760
<v Speaker 1>We didn't have none of that.

0:19:25.359 --> 0:19:28.240
<v Speaker 3>So you know, the things that we're doing now, like

0:19:28.359 --> 0:19:31.760
<v Speaker 3>hitting mad, podcasts up and things of that nature. Is like,

0:19:32.000 --> 0:19:34.639
<v Speaker 3>it feels kind of different, but it's the work that

0:19:34.720 --> 0:19:36.159
<v Speaker 3>you put in when you're putting out a project.

0:19:36.160 --> 0:19:36.680
<v Speaker 1>You know what I'm saying.

0:19:36.800 --> 0:19:38.680
<v Speaker 3>I love doing it. I love this time, you know

0:19:38.720 --> 0:19:41.440
<v Speaker 3>what I mean. I get to really, you know, show

0:19:42.560 --> 0:19:43.920
<v Speaker 3>what mab deep is all about.

0:19:44.280 --> 0:19:46.719
<v Speaker 2>What artist came to you for a beat and you

0:19:46.760 --> 0:19:48.920
<v Speaker 2>turned them down and then you kind of went back

0:19:48.920 --> 0:19:50.240
<v Speaker 2>and like, damn, I should have did that beat? Was

0:19:50.280 --> 0:19:51.400
<v Speaker 2>there any one of those artists?

0:19:51.520 --> 0:19:55.040
<v Speaker 1>Uh? Damn, I don't. I don't think so. I don't

0:19:55.040 --> 0:19:55.359
<v Speaker 1>think so.

0:19:55.520 --> 0:19:59.000
<v Speaker 3>You know, when I do work with artists, you know,

0:19:59.720 --> 0:20:02.040
<v Speaker 3>not out of ten, I'm feeling them, you know what

0:20:02.080 --> 0:20:04.919
<v Speaker 3>I mean. But if I didn't want to work with

0:20:04.960 --> 0:20:06.840
<v Speaker 3>the artists, they definitely didn't hear back from me.

0:20:06.960 --> 0:20:07.480
<v Speaker 1>You know what I'm saying?

0:20:07.600 --> 0:20:09.040
<v Speaker 2>What beat did you give away? You wish you didn't

0:20:09.040 --> 0:20:10.400
<v Speaker 2>give away? You would have kept to yourself?

0:20:11.680 --> 0:20:14.880
<v Speaker 3>Nah, I or every track there that I gave away

0:20:15.000 --> 0:20:16.479
<v Speaker 3>I was fine with, you know what I mean.

0:20:16.800 --> 0:20:19.000
<v Speaker 1>I don't think I gave away anything now.

0:20:19.000 --> 0:20:20.600
<v Speaker 2>I always I always like to ask because these are

0:20:20.600 --> 0:20:22.440
<v Speaker 2>my two favorite beats, My two favorite hip hopp beats.

0:20:23.359 --> 0:20:25.480
<v Speaker 2>I want you to break down when you created shit

0:20:25.560 --> 0:20:28.840
<v Speaker 2>ones and when you create a choir star right? And

0:20:29.280 --> 0:20:31.800
<v Speaker 2>whose choice was it to put of every artist out

0:20:31.800 --> 0:20:33.480
<v Speaker 2>there while little chmp. So let's start off with breaking

0:20:33.480 --> 0:20:35.600
<v Speaker 2>down ship ones. So where were you when you made it? Create?

0:20:35.840 --> 0:20:37.879
<v Speaker 2>When you made shit ones? And did you know that

0:20:37.920 --> 0:20:38.760
<v Speaker 2>was gonna be what it was?

0:20:39.040 --> 0:20:39.760
<v Speaker 1>Shook Ones?

0:20:40.119 --> 0:20:42.520
<v Speaker 3>I made that in my in Queen's Village, in my

0:20:42.520 --> 0:20:45.240
<v Speaker 3>mom's apartment where I grew up at right, thirty records

0:20:45.280 --> 0:20:48.400
<v Speaker 3>all over the floor, scratch pop, vinyl. Didn't even really

0:20:48.440 --> 0:20:50.399
<v Speaker 3>know what I was doing. Then the crew came in

0:20:50.440 --> 0:20:52.560
<v Speaker 3>the crib Prodigy all in this, say what's this? I

0:20:52.600 --> 0:20:54.920
<v Speaker 3>was like, Oh, it's whatever, whatever. I'm about to turn

0:20:54.920 --> 0:20:56.760
<v Speaker 3>the computer, you know, the drum machine. No no, no, no,

0:20:56.760 --> 0:20:58.400
<v Speaker 3>no no, don't don't don't turn it off.

0:20:58.480 --> 0:21:01.840
<v Speaker 1>Keep it. Kept it. We did a song to it.

0:21:02.760 --> 0:21:04.360
<v Speaker 3>Actually we had to Shook one part two, and then

0:21:04.880 --> 0:21:07.159
<v Speaker 3>part one, and then this became part two and it

0:21:07.200 --> 0:21:09.080
<v Speaker 3>took off. I had no idea what was going to

0:21:09.160 --> 0:21:13.800
<v Speaker 3>do that quiet Storm. I ran out of samples, you

0:21:13.840 --> 0:21:15.639
<v Speaker 3>know what I mean, I ran out of anything to sample.

0:21:15.760 --> 0:21:19.560
<v Speaker 3>So I'm just looking at this sugar Hill Gang record, Like, damn,

0:21:19.640 --> 0:21:22.520
<v Speaker 3>let me just try you for now, because that's a

0:21:22.600 --> 0:21:24.639
<v Speaker 3>record that I always passed, like you know, white lines

0:21:24.680 --> 0:21:27.000
<v Speaker 3>and all of that. Nobody's not putting that on, you

0:21:27.040 --> 0:21:30.159
<v Speaker 3>know what I mean. So put that on, sampled it.

0:21:30.200 --> 0:21:32.840
<v Speaker 3>I said, let me slow it down maybe like you know,

0:21:32.960 --> 0:21:36.240
<v Speaker 3>slow it down, throw some rim shots to it, and

0:21:36.359 --> 0:21:36.840
<v Speaker 3>just did it.

0:21:36.960 --> 0:21:38.240
<v Speaker 1>Didn't think nothing of it.

0:21:38.280 --> 0:21:40.920
<v Speaker 3>Prodigy used to come to my house go in the

0:21:40.960 --> 0:21:43.280
<v Speaker 3>basement to the studio while I'm sleep and then when

0:21:43.280 --> 0:21:44.959
<v Speaker 3>I went down, he's like, yo, have what's this. I

0:21:45.000 --> 0:21:48.280
<v Speaker 3>was like this whatever, It wasn't nothing, and he did

0:21:48.280 --> 0:21:50.960
<v Speaker 3>a whole solo song to it, and then we ended

0:21:51.040 --> 0:21:54.119
<v Speaker 3>up making it the first single on I believe it

0:21:54.160 --> 0:21:57.399
<v Speaker 3>was Murder Music. And I was kind of a little

0:21:57.440 --> 0:21:59.560
<v Speaker 3>upset by then because Chris Lighty, God bless the day.

0:21:59.560 --> 0:22:01.080
<v Speaker 1>He was like, yeah, we making this the first single.

0:22:01.080 --> 0:22:02.879
<v Speaker 1>I'm like, yo, I'm not on it. You know what

0:22:02.920 --> 0:22:04.920
<v Speaker 1>I'm saying. He was like, you made the beat.

0:22:05.080 --> 0:22:07.960
<v Speaker 3>And I think that was the time when now everybody's

0:22:08.000 --> 0:22:09.960
<v Speaker 3>just looking at me as a producer and not even

0:22:10.000 --> 0:22:13.159
<v Speaker 3>a rapper. So that was a that's another story, you

0:22:13.240 --> 0:22:14.879
<v Speaker 3>know what I mean. That I'm getting looked at it

0:22:15.200 --> 0:22:17.119
<v Speaker 3>just as a producer when I just be trying to, like,

0:22:17.240 --> 0:22:19.359
<v Speaker 3>you know, write my life away on the paper.

0:22:19.400 --> 0:22:20.520
<v Speaker 1>But it's all good.

0:22:20.640 --> 0:22:22.280
<v Speaker 2>And then how did y'all get what was the decision

0:22:22.280 --> 0:22:24.000
<v Speaker 2>to put Little Kim? Why Little Kim of all the

0:22:24.800 --> 0:22:26.160
<v Speaker 2>at that time? Why Kim?

0:22:26.520 --> 0:22:28.159
<v Speaker 3>I mean, come on, ever, you know what time it is.

0:22:28.200 --> 0:22:29.680
<v Speaker 3>We go to the club right now, I'm mall deeps

0:22:29.720 --> 0:22:31.720
<v Speaker 3>in the clubs. It's a saucetrege sveets right, you.

0:22:31.720 --> 0:22:32.280
<v Speaker 1>Know what I'm saying.

0:22:32.320 --> 0:22:34.200
<v Speaker 3>So we like, yo, we need to we need to

0:22:34.240 --> 0:22:36.520
<v Speaker 3>get the chicks involved. Who could get who? We could

0:22:36.560 --> 0:22:39.639
<v Speaker 3>get Little Kim? And she agreed to do it.

0:22:39.800 --> 0:22:41.399
<v Speaker 1>That I went to the studio, I seen her in

0:22:41.520 --> 0:22:45.200
<v Speaker 1>there writing her verse. She sung a hookover. I'm telling

0:22:45.240 --> 0:22:48.399
<v Speaker 1>you that record took off off like you couldn't.

0:22:48.440 --> 0:22:50.440
<v Speaker 2>It was genius. It was to the day where you

0:22:50.480 --> 0:22:52.040
<v Speaker 2>could put out a street record and it could be

0:22:52.080 --> 0:22:54.840
<v Speaker 2>a single. And this day is Kim's one of Kim's

0:22:54.880 --> 0:22:58.480
<v Speaker 2>biggest verses. It just connects hot, damn hole, here we

0:22:58.600 --> 0:22:59.040
<v Speaker 2>go again.

0:22:59.840 --> 0:23:01.840
<v Speaker 1>And she got that little the dance that she do

0:23:02.240 --> 0:23:04.560
<v Speaker 1>to this day, to this day, to this day.

0:23:04.720 --> 0:23:06.600
<v Speaker 4>Yeah, I was thinking about you. You mentioned like going

0:23:06.640 --> 0:23:08.600
<v Speaker 4>in the club and like using that and bringing that

0:23:08.680 --> 0:23:10.840
<v Speaker 4>back into the music. Maybe some artists do that now,

0:23:10.920 --> 0:23:13.040
<v Speaker 4>but I think a lot of artists are geared toward

0:23:13.119 --> 0:23:15.960
<v Speaker 4>like TikTok and numbers and research because the industry has changed.

0:23:16.320 --> 0:23:19.000
<v Speaker 4>And he always talks about how lit the club scene

0:23:19.040 --> 0:23:21.560
<v Speaker 4>in New York was, and all the artists and all

0:23:21.600 --> 0:23:22.000
<v Speaker 4>the things.

0:23:22.119 --> 0:23:24.680
<v Speaker 2>Like I was tell her that everybody used to be outside. Yeah,

0:23:24.720 --> 0:23:28.760
<v Speaker 2>when we were always columbing like it was, there were

0:23:28.880 --> 0:23:31.440
<v Speaker 2>no I would say, Richard broke it was. It would

0:23:31.440 --> 0:23:33.960
<v Speaker 2>be the dude from the block on the left side,

0:23:34.160 --> 0:23:37.480
<v Speaker 2>right mob deep on the right, in this corner, kimming

0:23:37.520 --> 0:23:40.000
<v Speaker 2>them on this side. You would see Knaves was always

0:23:40.000 --> 0:23:42.080
<v Speaker 2>in the cup by himself somehow, some way, wiggling in

0:23:42.160 --> 0:23:44.600
<v Speaker 2>and out. You would see the lost boys. You just

0:23:44.640 --> 0:23:47.359
<v Speaker 2>see so many. You would see everybody in the club,

0:23:47.840 --> 0:23:50.560
<v Speaker 2>and you would see how music reacts. And like you said,

0:23:50.760 --> 0:23:54.160
<v Speaker 2>it wouldn't matter you play the Gangster's record. Girls was rapping,

0:23:54.400 --> 0:23:57.080
<v Speaker 2>dudes is rapping, And we would go from club to

0:23:57.160 --> 0:23:59.120
<v Speaker 2>club night tonight. It was just a feeling in New York.

0:23:59.160 --> 0:24:01.520
<v Speaker 2>I always tell about that. You just could never change.

0:24:01.600 --> 0:24:03.080
<v Speaker 2>It was just something about that.

0:24:04.600 --> 0:24:07.159
<v Speaker 3>I mean, it was an amazing time, you know what

0:24:07.200 --> 0:24:10.520
<v Speaker 3>I mean. Like when Street Records was you was able

0:24:10.600 --> 0:24:12.840
<v Speaker 3>to dance to it. You didn't have to make a

0:24:13.040 --> 0:24:15.719
<v Speaker 3>radio record, you know what I mean. But once your

0:24:15.920 --> 0:24:19.119
<v Speaker 3>record took off in the clubs, you was kind of

0:24:19.200 --> 0:24:21.000
<v Speaker 3>like pretty much out of it. I think the clubs

0:24:21.080 --> 0:24:24.760
<v Speaker 3>dictated hits, which.

0:24:24.680 --> 0:24:26.239
<v Speaker 4>Is not as much anywhere. And I know you got

0:24:26.280 --> 0:24:28.160
<v Speaker 4>the tour that you're going on with Ray Kwan.

0:24:28.320 --> 0:24:30.920
<v Speaker 3>Yep, we got that the thirtieth anniversary of the Cuban

0:24:31.000 --> 0:24:33.879
<v Speaker 3>Links and the infamous album We're Gonna do the US,

0:24:34.240 --> 0:24:35.680
<v Speaker 3>you know about like eighteen.

0:24:35.440 --> 0:24:37.240
<v Speaker 1>Dates or whatever, and that's dope.

0:24:37.480 --> 0:24:40.560
<v Speaker 3>Actually got rehearsal with Ray Kwan later on today, you

0:24:40.600 --> 0:24:42.200
<v Speaker 3>know what I mean, because we taking it serious, like

0:24:42.280 --> 0:24:43.920
<v Speaker 3>you know, we some ogs. You know, she gotta do

0:24:43.960 --> 0:24:45.440
<v Speaker 3>our two steps, make sure we're good.

0:24:47.000 --> 0:24:49.520
<v Speaker 2>I wanted to know too when you signed with fifty,

0:24:49.560 --> 0:24:51.720
<v Speaker 2>When y'all did the deal with fifty, Yeah, break that down.

0:24:51.760 --> 0:24:54.240
<v Speaker 2>And while y'all decided to sign that deal, and where

0:24:54.240 --> 0:24:55.720
<v Speaker 2>were y'all at that point as far as.

0:24:55.680 --> 0:24:56.240
<v Speaker 1>Mob deep to you.

0:24:56.600 --> 0:24:58.359
<v Speaker 3>I mean, if you get off of some ferraris, you

0:24:58.440 --> 0:25:03.159
<v Speaker 3>gotta go side the deal absolutely, but nah, fifty called me.

0:25:03.359 --> 0:25:05.119
<v Speaker 1>We was free agents at that point. I think we

0:25:05.240 --> 0:25:06.000
<v Speaker 1>had been on jove.

0:25:06.760 --> 0:25:08.520
<v Speaker 3>If we sold one hundred and fifty thousand records the

0:25:08.520 --> 0:25:10.560
<v Speaker 3>first week, that wasn't good enough for job today. I

0:25:10.600 --> 0:25:12.480
<v Speaker 3>mean that's like probably platinum or something like that.

0:25:12.720 --> 0:25:14.280
<v Speaker 1>Absolutely, but it was.

0:25:14.280 --> 0:25:17.720
<v Speaker 3>Happy with exactly, So I guess we was ahead of

0:25:17.760 --> 0:25:22.080
<v Speaker 3>our time or not whatever it is. But fifty called me,

0:25:23.160 --> 0:25:24.879
<v Speaker 3>and I had already worked with fifty, like maybe a

0:25:25.000 --> 0:25:27.520
<v Speaker 3>year before that before he was bubbling on the mixtaps,

0:25:27.600 --> 0:25:29.840
<v Speaker 3>I remember, and he was one of my favorite artists,

0:25:29.840 --> 0:25:31.320
<v Speaker 3>you know what I'm saying. We did bump that and

0:25:31.480 --> 0:25:33.800
<v Speaker 3>clapped those things or whatever, and that was supposed to

0:25:33.800 --> 0:25:36.880
<v Speaker 3>be for my solo album, loud Folded never came out.

0:25:37.200 --> 0:25:38.600
<v Speaker 3>And then the next thing, you know, a year later,

0:25:38.760 --> 0:25:42.159
<v Speaker 3>somebody ain't fifty cents just going bubbling, right, So we

0:25:42.240 --> 0:25:44.680
<v Speaker 3>kept that relationship going, and by the time we became

0:25:44.760 --> 0:25:46.959
<v Speaker 3>free agents, gave me a call said I don't want

0:25:47.000 --> 0:25:47.600
<v Speaker 3>to sign y'all.

0:25:48.280 --> 0:25:51.439
<v Speaker 1>He swept us up into the g unit. Umbrella went

0:25:51.520 --> 0:25:54.359
<v Speaker 1>on tour and restless history.

0:25:54.440 --> 0:25:56.600
<v Speaker 2>Why how come you never signed more artists? Because you

0:25:56.720 --> 0:25:58.880
<v Speaker 2>you were the producer, you were the artist. How could

0:25:58.880 --> 0:26:01.680
<v Speaker 2>you could have I'm sure signed fifty early on besides Bennoy,

0:26:01.720 --> 0:26:03.960
<v Speaker 2>who did y'all true? You know what it is?

0:26:04.200 --> 0:26:07.440
<v Speaker 1>I guess I haven't ever found the artist that I

0:26:07.600 --> 0:26:09.600
<v Speaker 1>truly like, yo, like I can.

0:26:10.080 --> 0:26:12.200
<v Speaker 3>I just don't want to sign somebody just to sign somebody,

0:26:12.320 --> 0:26:15.159
<v Speaker 3>like I guess my my bar is high, you know,

0:26:15.320 --> 0:26:17.800
<v Speaker 3>I really want to sign that artist. Now, this is

0:26:17.800 --> 0:26:19.879
<v Speaker 3>an artist that I did want to sign that she

0:26:20.080 --> 0:26:22.520
<v Speaker 3>wasn't signed at the time. It was a Jazmine Sullivan.

0:26:22.640 --> 0:26:26.000
<v Speaker 3>She just came into like right because back then I

0:26:26.160 --> 0:26:29.600
<v Speaker 3>was like getting people to throw reference vocals and Steve

0:26:29.720 --> 0:26:32.520
<v Speaker 3>I was working with stevebej and he knew her and

0:26:32.720 --> 0:26:33.879
<v Speaker 3>got her to the studio and I.

0:26:34.000 --> 0:26:36.879
<v Speaker 1>Was like, god damn. I was like, Yo, she's nice,

0:26:37.000 --> 0:26:37.520
<v Speaker 1>you know what I mean.

0:26:37.560 --> 0:26:40.000
<v Speaker 3>But she's one of those artists that you know it's

0:26:40.040 --> 0:26:42.840
<v Speaker 3>going to get a major record deal and get signed.

0:26:42.840 --> 0:26:44.640
<v Speaker 3>You got to come with the business if you want

0:26:44.640 --> 0:26:47.520
<v Speaker 3>to sign a Jazmine cellibent. But for instance, like, I

0:26:47.720 --> 0:26:49.960
<v Speaker 3>don't run across artists like that all the time, and

0:26:50.040 --> 0:26:51.720
<v Speaker 3>those are the artists that I really would have, you

0:26:51.760 --> 0:26:53.680
<v Speaker 3>know what I mean? And they feud fall between.

0:26:53.640 --> 0:26:56.240
<v Speaker 4>So you didn't sign her only because the deal situation

0:26:56.320 --> 0:26:57.840
<v Speaker 4>was gonna be what you thought should be. Like, how

0:26:57.880 --> 0:26:58.520
<v Speaker 4>did that not move?

0:26:58.800 --> 0:27:00.720
<v Speaker 3>I wasn't ready, you know, I'm saying, I ain't gonna

0:27:00.720 --> 0:27:03.480
<v Speaker 3>lie for you know, female artists is like hot maintenance.

0:27:03.480 --> 0:27:04.640
<v Speaker 1>You know what I'm saying. It come with a lot,

0:27:04.720 --> 0:27:06.200
<v Speaker 1>you know what I'm saying, not to you know what

0:27:06.240 --> 0:27:06.560
<v Speaker 1>I'm saying.

0:27:06.720 --> 0:27:10.480
<v Speaker 4>I mean cause you got gam and branding. And I

0:27:10.560 --> 0:27:16.040
<v Speaker 4>will say, although Jasmine Archie is a little different, but

0:27:16.200 --> 0:27:19.600
<v Speaker 4>Jasmine Sullivant is one of the best singers period in

0:27:19.680 --> 0:27:21.720
<v Speaker 4>the game, right. But I feel like it took people

0:27:21.840 --> 0:27:24.280
<v Speaker 4>so long. It was hotels for me when people even

0:27:24.320 --> 0:27:26.119
<v Speaker 4>started recognizing her the way that they should have. And

0:27:26.240 --> 0:27:28.240
<v Speaker 4>she had been working for so long before that, so

0:27:28.560 --> 0:27:30.240
<v Speaker 4>I'm sure a lot of money was poured into that.

0:27:30.800 --> 0:27:33.160
<v Speaker 4>So I understand what you're saying, But y'all didn't even

0:27:33.160 --> 0:27:35.200
<v Speaker 4>have a conversation and attempt to see like what she

0:27:35.240 --> 0:27:36.480
<v Speaker 4>would save to your offer.

0:27:37.720 --> 0:27:39.680
<v Speaker 3>I had the conversation in my mind, you know what

0:27:39.720 --> 0:27:42.680
<v Speaker 3>I'm saying, Like I wish that I you know, because

0:27:42.720 --> 0:27:44.560
<v Speaker 3>I was just you know, I was in my own way,

0:27:44.840 --> 0:27:47.440
<v Speaker 3>you know what I mean. But the artist in me

0:27:47.600 --> 0:27:49.399
<v Speaker 3>wanted her to shine, you know what I mean, and

0:27:49.520 --> 0:27:51.280
<v Speaker 3>not even you know, try to get in her way.

0:27:51.760 --> 0:27:54.720
<v Speaker 3>But you know that's what it is, like I never

0:27:54.880 --> 0:27:55.600
<v Speaker 3>come across.

0:27:55.600 --> 0:27:58.639
<v Speaker 1>All this or that caliber. It's really hard, right, Like

0:27:58.800 --> 0:28:00.879
<v Speaker 1>you know, so I want.

0:28:00.720 --> 0:28:03.359
<v Speaker 4>To go back to the fifty sign y'all conversation. I

0:28:03.480 --> 0:28:05.760
<v Speaker 4>know when you guys signed with fifty and drop music.

0:28:05.840 --> 0:28:09.160
<v Speaker 4>A lot of the fans were happy about that, yeah.

0:28:09.080 --> 0:28:11.240
<v Speaker 3>Because you know what I always say it like this,

0:28:11.960 --> 0:28:15.200
<v Speaker 3>fans are like your parents, right, they never want to

0:28:15.240 --> 0:28:16.760
<v Speaker 3>see the kids grow, right.

0:28:16.880 --> 0:28:19.000
<v Speaker 1>Oh, I want you to stay my baby, Please don't

0:28:19.040 --> 0:28:21.960
<v Speaker 1>get older. And that's what artists are to the supporters

0:28:22.000 --> 0:28:23.960
<v Speaker 1>and fans, right. They never want to see them go.

0:28:24.080 --> 0:28:27.560
<v Speaker 3>Outside the box or grow a little bit commercial, right,

0:28:27.560 --> 0:28:30.760
<v Speaker 3>because it is just ruined, you know that that relationship

0:28:30.840 --> 0:28:34.040
<v Speaker 3>that they have. And I believe that the our fans, right,

0:28:34.080 --> 0:28:37.359
<v Speaker 3>because it probably was a mix of the audiences together.

0:28:37.480 --> 0:28:40.080
<v Speaker 3>Like on one hand, fifty is grimmy, right, like he

0:28:40.160 --> 0:28:43.640
<v Speaker 3>got the streets on lock, but then he went super commercial, right,

0:28:43.920 --> 0:28:46.760
<v Speaker 3>and sometimes you know the streets they kind of resent

0:28:47.000 --> 0:28:50.040
<v Speaker 3>that commercialness, you know what I'm saying of an artist

0:28:50.160 --> 0:28:53.200
<v Speaker 3>going that big because they just want that foundational music,

0:28:53.760 --> 0:28:56.040
<v Speaker 3>and they probably were scared that once we signed a

0:28:56.120 --> 0:28:59.360
<v Speaker 3>G unit that we was probably gonna become this commercial group.

0:28:59.440 --> 0:29:01.880
<v Speaker 1>But it couldn't have been further from the truth, because.

0:29:01.640 --> 0:29:03.320
<v Speaker 4>The point of y'all sign of that deal was you

0:29:03.440 --> 0:29:05.320
<v Speaker 4>wanted that expansion of the of the business. Do you

0:29:05.400 --> 0:29:07.800
<v Speaker 4>feel like at that point, y'all make it? Because when

0:29:07.800 --> 0:29:09.680
<v Speaker 4>you released from the contract, there was no more business

0:29:09.720 --> 0:29:10.520
<v Speaker 4>with fifty after right?

0:29:10.760 --> 0:29:10.800
<v Speaker 1>No?

0:29:11.560 --> 0:29:12.960
<v Speaker 4>And was that because of the way that the fans

0:29:13.000 --> 0:29:13.600
<v Speaker 4>reactor or.

0:29:13.760 --> 0:29:15.200
<v Speaker 1>No, no, no, No, It wasn't because of that.

0:29:15.560 --> 0:29:18.960
<v Speaker 3>I think it was a lot of different factors surrounding

0:29:19.040 --> 0:29:21.680
<v Speaker 3>that whole G unit In the scope thing, you know,

0:29:21.800 --> 0:29:23.720
<v Speaker 3>I think fifty was getting pushed back at in the

0:29:23.760 --> 0:29:27.880
<v Speaker 3>scope regardless of anything because he was just so you know,

0:29:28.160 --> 0:29:32.080
<v Speaker 3>strong minded, you know what I mean. And at that time,

0:29:32.160 --> 0:29:34.760
<v Speaker 3>it's like, okay, we sold this amount of records, all right,

0:29:34.920 --> 0:29:36.880
<v Speaker 3>you know, got ahead, do what y'all need to do,

0:29:37.160 --> 0:29:40.880
<v Speaker 3>because fifty was fighting really hard to push us, and

0:29:40.960 --> 0:29:44.120
<v Speaker 3>he was getting a lot of pushback, Like MTV wasn't habited,

0:29:44.160 --> 0:29:44.600
<v Speaker 3>you know what I mean.

0:29:44.640 --> 0:29:48.200
<v Speaker 1>They was like, play what mall deep with? You know

0:29:48.240 --> 0:29:49.960
<v Speaker 1>what I'm saying, And he would just sneak us.

0:29:49.880 --> 0:29:51.760
<v Speaker 3>On TRL with him. You know what I mean, Like,

0:29:51.800 --> 0:29:53.320
<v Speaker 3>come on, you know what I mean. They didn't want us,

0:29:53.360 --> 0:29:57.440
<v Speaker 3>did Why because we don't fit into the job of

0:29:57.560 --> 0:30:00.440
<v Speaker 3>music y' yeah we don't. We We from the streets,

0:30:00.600 --> 0:30:01.280
<v Speaker 3>like you know what I'm saying.

0:30:01.360 --> 0:30:03.640
<v Speaker 1>They like, you know, they you know, they gate keeping

0:30:03.680 --> 0:30:05.720
<v Speaker 1>a little bit up there. They like, Nah, were good.

0:30:06.200 --> 0:30:07.960
<v Speaker 1>You know what I'm saying, Give us somebody else.

0:30:08.760 --> 0:30:10.560
<v Speaker 4>Do you feel like because I asked a question to

0:30:10.600 --> 0:30:13.920
<v Speaker 4>get here, do you feel like because of the box?

0:30:14.000 --> 0:30:15.720
<v Speaker 4>I guess that the fans kind of put you guys in.

0:30:15.920 --> 0:30:18.920
<v Speaker 4>It hurt my deep as a business looking back then

0:30:19.040 --> 0:30:20.120
<v Speaker 4>to where things are now.

0:30:21.280 --> 0:30:23.560
<v Speaker 3>Man, it's different ways to look at that. I would

0:30:23.600 --> 0:30:26.520
<v Speaker 3>say no, right, because staying true to your fan base,

0:30:26.960 --> 0:30:29.440
<v Speaker 3>it's cool, you know what I'm saying. I mean, you

0:30:29.520 --> 0:30:31.840
<v Speaker 3>don't really want to do nothing outside of that. Like

0:30:32.120 --> 0:30:34.200
<v Speaker 3>I'm not trying to make no pop records with like

0:30:34.320 --> 0:30:36.360
<v Speaker 3>Christina Aguilera and all of that stuff. I mean, you

0:30:36.400 --> 0:30:38.640
<v Speaker 3>know what I mean, because it's not who I am now.

0:30:39.000 --> 0:30:40.959
<v Speaker 3>The music just becomes fake, you understand.

0:30:41.040 --> 0:30:43.800
<v Speaker 1>But if I was of that, then sure we'll make it.

0:30:43.920 --> 0:30:45.880
<v Speaker 3>Like certain artists was able to do that, but that

0:30:46.280 --> 0:30:48.960
<v Speaker 3>wasn't mall deep now, and if we was gonna go

0:30:49.240 --> 0:30:51.280
<v Speaker 3>that direction, we should have started that early on.

0:30:51.560 --> 0:30:54.800
<v Speaker 1>But that wasn't mal deep. We started grassroots from the bottom.

0:30:54.920 --> 0:30:57.280
<v Speaker 2>Like you know, I do. Got a question. You produce

0:30:57.400 --> 0:31:01.840
<v Speaker 2>for Big fifty, Nas, Meth, Kanye, Wes, Eminem, ll, Mariah,

0:31:02.040 --> 0:31:04.200
<v Speaker 2>just the name of a few. Who is your favorite

0:31:04.240 --> 0:31:06.160
<v Speaker 2>to work with besides producty? Who was your favorite to

0:31:06.200 --> 0:31:08.000
<v Speaker 2>work with with with production? And why?

0:31:09.360 --> 0:31:09.440
<v Speaker 4>Uh?

0:31:09.800 --> 0:31:12.120
<v Speaker 3>My favorite artist to work with that I produced for,

0:31:12.440 --> 0:31:19.240
<v Speaker 3>I would have to say, Uh, probably was like Jadakiss, Wow,

0:31:19.320 --> 0:31:22.720
<v Speaker 3>a little Kim, because those are artists that I really

0:31:24.080 --> 0:31:27.360
<v Speaker 3>respect and revealed. I mean, like Jadakiss is like one

0:31:27.400 --> 0:31:30.680
<v Speaker 3>of the best lyricists out there, so like to work

0:31:30.760 --> 0:31:35.760
<v Speaker 3>with him. You know, it's a pleasure because he compliments

0:31:35.800 --> 0:31:38.280
<v Speaker 3>your beat so well. You could give him a trash

0:31:38.360 --> 0:31:39.080
<v Speaker 3>beat and he make.

0:31:39.000 --> 0:31:40.440
<v Speaker 1>It sound good. You understand what I'm saying.

0:31:40.480 --> 0:31:42.680
<v Speaker 3>So it was it was really a pleasure because he

0:31:43.000 --> 0:31:44.840
<v Speaker 3>and he you know, he's kind of humble when it

0:31:44.920 --> 0:31:46.920
<v Speaker 3>comes to you know, being in the studio and the artist.

0:31:47.000 --> 0:31:50.600
<v Speaker 3>He he wanted the producer to take him in that direction.

0:31:50.720 --> 0:31:52.960
<v Speaker 2>Now you're very humble and now with production what was

0:31:53.000 --> 0:31:54.160
<v Speaker 2>your favorite beat to produce?

0:31:56.120 --> 0:31:56.320
<v Speaker 1>Why?

0:31:56.720 --> 0:32:01.480
<v Speaker 3>You know what I'm saying by Jada Kiss because I

0:32:01.720 --> 0:32:03.600
<v Speaker 3>just you know, it wasn't really too much of a

0:32:03.640 --> 0:32:05.040
<v Speaker 3>big deal for me when I made the beat. I

0:32:05.080 --> 0:32:07.440
<v Speaker 3>mean the beats not don't got crazy bells and whistles,

0:32:07.960 --> 0:32:11.640
<v Speaker 3>but as you can see it, it's minimum production. But

0:32:11.840 --> 0:32:14.360
<v Speaker 3>he just turns it into this whole big production, you

0:32:14.400 --> 0:32:17.080
<v Speaker 3>know what I mean. With Anthony Hamilton. Then he's questioning,

0:32:17.280 --> 0:32:19.520
<v Speaker 3>going why why this is why that? You know at

0:32:19.560 --> 0:32:20.920
<v Speaker 3>the times when we got a lot of questions.

0:32:21.000 --> 0:32:22.239
<v Speaker 1>So I love doing that for him.

0:32:23.200 --> 0:32:26.720
<v Speaker 2>Also wanted to ask, right, besides why, what was the

0:32:26.960 --> 0:32:28.680
<v Speaker 2>most difficult track to get cleared?

0:32:29.120 --> 0:32:29.800
<v Speaker 1>To get clear?

0:32:29.920 --> 0:32:30.480
<v Speaker 2>To get clear?

0:32:31.120 --> 0:32:36.840
<v Speaker 3>Uh, the most difficult tract to get cleared probably was,

0:32:38.040 --> 0:32:41.160
<v Speaker 3>Uh we did a print sample one time.

0:32:41.920 --> 0:32:43.720
<v Speaker 1>Uh hell.

0:32:46.560 --> 0:32:47.680
<v Speaker 2>So you had to send it to Prince.

0:32:48.200 --> 0:32:50.640
<v Speaker 1>Yeah yeah, yeah, we said there and he was like, hell,

0:32:50.800 --> 0:32:52.320
<v Speaker 1>I was at the studio with you and every day,

0:32:52.360 --> 0:32:55.480
<v Speaker 1>but little bro, we ain't clear that Prince. Yeah yeah, yeah,

0:32:55.720 --> 0:33:02.600
<v Speaker 1>it was me and Snoop was there too. Snoop made

0:33:02.640 --> 0:33:05.880
<v Speaker 1>the post to what happened. So I was in the

0:33:05.920 --> 0:33:08.440
<v Speaker 1>studio with time Electric Lady, Electric Lady.

0:33:08.440 --> 0:33:10.920
<v Speaker 3>I think he even owned the studio at one point.

0:33:11.280 --> 0:33:13.120
<v Speaker 3>It's right there on West Fall Street or whatever it was.

0:33:13.600 --> 0:33:15.280
<v Speaker 3>So I'm in there, we're working on the album. I

0:33:15.360 --> 0:33:17.640
<v Speaker 3>figured what album it was. And one of my homeboys

0:33:17.680 --> 0:33:19.560
<v Speaker 3>that I used to just have driving me around was like, yo,

0:33:19.640 --> 0:33:21.640
<v Speaker 3>princes outside, I'm like, get that out of there.

0:33:21.680 --> 0:33:26.080
<v Speaker 1>You're crazy, you bugget yo. Prince walked in my session, yo.

0:33:26.200 --> 0:33:29.400
<v Speaker 2>Like pants on and he didn't.

0:33:29.400 --> 0:33:31.720
<v Speaker 3>He didn't have leather pants on, but he was like

0:33:31.920 --> 0:33:33.960
<v Speaker 3>my height, and I'm sure, like you know what I'm saying.

0:33:34.000 --> 0:33:36.680
<v Speaker 3>I was like, damn, but you know, but his presence

0:33:36.840 --> 0:33:39.600
<v Speaker 3>is just like crazy. And he started helping me.

0:33:39.680 --> 0:33:41.719
<v Speaker 1>With the keys and playing on the keys and then

0:33:41.920 --> 0:33:44.840
<v Speaker 1>just whist the way he just left. That.

0:33:45.080 --> 0:33:47.200
<v Speaker 3>Didn't even get a picture with him, No nothing back then.

0:33:47.640 --> 0:33:49.600
<v Speaker 3>I don't even think the phones was ready for pictures

0:33:49.680 --> 0:33:50.880
<v Speaker 3>back then, you know what I mean.

0:33:50.920 --> 0:33:52.760
<v Speaker 1>But that was my Prince story.

0:33:52.800 --> 0:33:54.360
<v Speaker 2>So what was the beat? So he so, y'all, Actually

0:33:54.520 --> 0:33:55.320
<v Speaker 2>it was some song that.

0:33:55.520 --> 0:34:00.240
<v Speaker 1>Ended up I think that should not kill Yeah.

0:34:00.320 --> 0:34:02.800
<v Speaker 3>Yeah, I forgot where it ended up at, but you know,

0:34:02.920 --> 0:34:05.920
<v Speaker 3>it was snoop on the record, prints on the keys

0:34:06.280 --> 0:34:08.200
<v Speaker 3>and we just wrap it and you wouldn't even be

0:34:08.239 --> 0:34:10.600
<v Speaker 3>able to tell that Prince placed any keys on it

0:34:10.640 --> 0:34:13.080
<v Speaker 3>because it was just really simple. But the fact that

0:34:13.200 --> 0:34:15.320
<v Speaker 3>he did, you know what I'm saying, is something that

0:34:15.440 --> 0:34:16.800
<v Speaker 3>I definitely would never forget.

0:34:17.040 --> 0:34:19.880
<v Speaker 2>That's crazy. I thought you're gonna say god Fall the Part.

0:34:19.800 --> 0:34:22.759
<v Speaker 1>Three, Well, that was a hard tape for the Clad too.

0:34:23.120 --> 0:34:26.120
<v Speaker 2>That How did you because that was my movie.

0:34:26.400 --> 0:34:28.400
<v Speaker 1>I mean, that's that's Steve Rifket magic. You know what

0:34:28.400 --> 0:34:28.759
<v Speaker 1>I'm saying.

0:34:28.800 --> 0:34:31.160
<v Speaker 3>Steve Rifket, he know how to do business to clear

0:34:31.280 --> 0:34:33.560
<v Speaker 3>some samples. So we definitely cleared that.

0:34:34.480 --> 0:34:36.360
<v Speaker 4>I saw a report that that song actually wasn't that

0:34:36.440 --> 0:34:39.680
<v Speaker 4>on the Infamous Archives, but you guys didn't improve it.

0:34:40.960 --> 0:34:41.560
<v Speaker 1>Maybe it was.

0:34:41.880 --> 0:34:44.000
<v Speaker 3>I it's so long ago, I don't even remember. But

0:34:44.120 --> 0:34:45.719
<v Speaker 3>you you're probably right, you know what I mean?

0:34:47.080 --> 0:34:47.640
<v Speaker 1>So fuzzy.

0:34:48.320 --> 0:34:49.240
<v Speaker 4>Yeah, I got some memories.

0:34:49.320 --> 0:34:52.279
<v Speaker 2>No you got I wouldn't you? Do you get paid

0:34:52.280 --> 0:34:54.120
<v Speaker 2>every time I see one of these stores sell a

0:34:54.200 --> 0:34:56.160
<v Speaker 2>Mob Deep the infamous Mob Deep shirts. Do y'all get

0:34:56.160 --> 0:34:56.600
<v Speaker 2>paid over that?

0:34:57.360 --> 0:35:02.040
<v Speaker 3>Well, if it's official merch, yes, But I combat infringement

0:35:02.320 --> 0:35:05.440
<v Speaker 3>every day, yo, I mean, they just they I mean,

0:35:05.520 --> 0:35:07.960
<v Speaker 3>and it looks so good and so like I want.

0:35:07.840 --> 0:35:08.120
<v Speaker 2>To buy it.

0:35:10.320 --> 0:35:13.760
<v Speaker 1>I'm like, wow, you know, sometimes I go to shows

0:35:13.800 --> 0:35:15.440
<v Speaker 1>and they be having on this merge that I know,

0:35:15.640 --> 0:35:16.680
<v Speaker 1>mall deep diss sanction.

0:35:17.160 --> 0:35:19.359
<v Speaker 3>I don't want to say nothing to them, but if

0:35:19.440 --> 0:35:23.200
<v Speaker 3>we have a problems imagined wu tang, it's the most know.

0:35:23.719 --> 0:35:26.400
<v Speaker 3>So these are things that we got to combat every

0:35:26.760 --> 0:35:29.120
<v Speaker 3>day that people don't even understand.

0:35:29.200 --> 0:35:30.640
<v Speaker 1>Like they said, oh, it's so easy to be an

0:35:30.760 --> 0:35:32.680
<v Speaker 1>artist and you y'all just sit back, you go to

0:35:32.680 --> 0:35:34.960
<v Speaker 1>the shows. Nah, there's a business aspect where you got

0:35:35.080 --> 0:35:37.560
<v Speaker 1>to protect the trademark. It's serious.

0:35:38.160 --> 0:35:40.320
<v Speaker 4>What's the fright? I mean, it is very serious, specially

0:35:40.320 --> 0:35:42.959
<v Speaker 4>because you have so many years of so much history

0:35:43.040 --> 0:35:46.479
<v Speaker 4>and y'all fans spend across so many age ranges. What's

0:35:46.600 --> 0:35:48.840
<v Speaker 4>the fight like right now? Though? Like are there certain

0:35:49.680 --> 0:35:52.680
<v Speaker 4>stores or people like where you even aiming to because

0:35:52.840 --> 0:35:54.480
<v Speaker 4>y'all stuff is everywhere everywhere.

0:35:54.880 --> 0:36:00.440
<v Speaker 3>I mean, look, we we do license deills with certain brands,

0:36:00.600 --> 0:36:05.279
<v Speaker 3>whether it be you know whoever like Supreme or thing,

0:36:05.440 --> 0:36:06.320
<v Speaker 3>and that's another.

0:36:06.080 --> 0:36:06.960
<v Speaker 1>Story, you know what I mean.

0:36:07.440 --> 0:36:10.840
<v Speaker 3>We had a horrible time over there that something happened

0:36:10.840 --> 0:36:12.520
<v Speaker 3>and they used the image and we got sued.

0:36:12.600 --> 0:36:14.760
<v Speaker 1>It was like crazy, But those are things.

0:36:14.600 --> 0:36:16.520
<v Speaker 3>That you have to like kind of watch out for.

0:36:16.719 --> 0:36:20.000
<v Speaker 3>But we license out the brand sometimes, you know what

0:36:20.040 --> 0:36:24.400
<v Speaker 3>I mean. But more than not, infringement is rampant.

0:36:26.600 --> 0:36:28.799
<v Speaker 2>What Supreme y'all used the picture that y'a didn't taken.

0:36:29.080 --> 0:36:30.120
<v Speaker 2>The photographer came back.

0:36:30.000 --> 0:36:34.080
<v Speaker 1>And it was the dragon image, you know what I'm saying.

0:36:34.160 --> 0:36:36.680
<v Speaker 3>And I kind of forgot about it because I got

0:36:36.760 --> 0:36:39.200
<v Speaker 3>the tattoo, so I'm not even really thinking about it.

0:36:39.560 --> 0:36:43.400
<v Speaker 3>I think in the late nineties early two thousands, they

0:36:43.560 --> 0:36:45.640
<v Speaker 3>had used the image in some group I'm not going

0:36:45.680 --> 0:36:48.280
<v Speaker 3>to say they name, said oh that's out and nobody

0:36:48.360 --> 0:36:50.680
<v Speaker 3>knows them. They probably got like, no, lie, two hundred

0:36:50.719 --> 0:36:53.479
<v Speaker 3>followers on Instagram. Nobody knows them, you know what I'm saying.

0:36:53.880 --> 0:36:56.360
<v Speaker 3>But they took advantage of an opportunity. It is a

0:36:56.480 --> 0:36:59.799
<v Speaker 3>federally trademarked image, you know what I'm saying. They got

0:36:59.840 --> 0:37:02.040
<v Speaker 3>the rights and they told us back in the nineties

0:37:02.040 --> 0:37:06.200
<v Speaker 3>and say hey stop and then I forgot you forget.

0:37:07.560 --> 0:37:09.960
<v Speaker 1>So pre was like, yo, is this yours?

0:37:10.680 --> 0:37:12.960
<v Speaker 3>I was like, oh yeah, yeah yeah, But you know,

0:37:13.200 --> 0:37:15.839
<v Speaker 3>the lawyers was like, okay, we're gonna check it, right,

0:37:15.960 --> 0:37:16.839
<v Speaker 3>that's the lawyer's job.

0:37:16.960 --> 0:37:20.200
<v Speaker 1>They didn't check it. The lawyer said, like, I'm gonna

0:37:20.239 --> 0:37:22.600
<v Speaker 1>check it. You understand what I'm saying. I'm like, all right, cool,

0:37:22.640 --> 0:37:25.279
<v Speaker 1>you know, go check it. I'm making beads, like you

0:37:25.320 --> 0:37:27.799
<v Speaker 1>know what I mean. Go ahead, But you gotta really

0:37:28.600 --> 0:37:34.040
<v Speaker 1>be diligent because getting sued is not fun. It's not funny.

0:37:34.400 --> 0:37:37.480
<v Speaker 1>It costs a lot of money. You have to answer it.

0:37:38.080 --> 0:37:40.560
<v Speaker 3>And we settled, of course, and it's just you giving

0:37:40.600 --> 0:37:43.640
<v Speaker 3>away free money. You understand hard working money.

0:37:43.760 --> 0:37:45.560
<v Speaker 2>So and I meant to ask, you know, with all

0:37:45.600 --> 0:37:48.880
<v Speaker 2>the stuff that you produced and all of the records

0:37:48.920 --> 0:37:51.319
<v Speaker 2>that you've done, do you get all your money from

0:37:51.320 --> 0:37:53.200
<v Speaker 2>that stuff? Cause you had a lot of times that

0:37:53.440 --> 0:37:55.480
<v Speaker 2>when artists do something, they don't get their money. Somebody

0:37:55.480 --> 0:37:57.359
<v Speaker 2>else gets the money. Do you get all your money

0:37:57.360 --> 0:37:57.640
<v Speaker 2>from them?

0:37:57.760 --> 0:38:00.400
<v Speaker 3>I was fortunate enough to do a publishing deal early

0:38:00.520 --> 0:38:03.239
<v Speaker 3>that was super fit, right, I didn't sign away all

0:38:03.280 --> 0:38:07.440
<v Speaker 3>my publishing, And I'm down with people that collect diligently.

0:38:07.560 --> 0:38:08.879
<v Speaker 1>You know what I'm saying things.

0:38:08.960 --> 0:38:10.760
<v Speaker 3>But you know, of course, there's going to be corners

0:38:10.800 --> 0:38:13.200
<v Speaker 3>pockets in the world where you're not collecting, and then

0:38:13.320 --> 0:38:15.680
<v Speaker 3>new forms pop up. They like, oh yeah, back in

0:38:15.719 --> 0:38:17.759
<v Speaker 3>the days, y'all didn't know that this was over here

0:38:17.880 --> 0:38:19.480
<v Speaker 3>and y'all could collect the back and there's a bag

0:38:19.600 --> 0:38:23.200
<v Speaker 3>sitting over there like overseas somewhere for whatever it is.

0:38:23.560 --> 0:38:26.680
<v Speaker 1>But for the most part, we get our bread like

0:38:26.880 --> 0:38:27.960
<v Speaker 1>for real, you know what I mean.

0:38:28.000 --> 0:38:30.080
<v Speaker 3>I hear horror stories and I feel bad for all

0:38:30.120 --> 0:38:32.320
<v Speaker 3>this and whoever took advantage of them, you know what

0:38:32.320 --> 0:38:32.680
<v Speaker 3>I'm saying.

0:38:32.719 --> 0:38:34.319
<v Speaker 1>They need to be you know, it's a special place

0:38:34.400 --> 0:38:34.600
<v Speaker 1>for them.

0:38:34.680 --> 0:38:36.440
<v Speaker 4>I was gonna ask, what's the biggest bag you ever

0:38:36.800 --> 0:38:39.320
<v Speaker 4>you ever missed out on, because just business wise, you

0:38:39.400 --> 0:38:40.120
<v Speaker 4>didn't plan for that.

0:38:40.920 --> 0:38:45.719
<v Speaker 3>The biggest bag I missed out on was for a

0:38:45.800 --> 0:38:48.879
<v Speaker 3>super Bowl commercial. They wanted to use the Mab Deep

0:38:48.960 --> 0:38:51.800
<v Speaker 3>music in the super Bowl commercial and for whatever reason,

0:38:52.960 --> 0:38:55.160
<v Speaker 3>a lawyer took too long and we missed out on

0:38:55.200 --> 0:38:55.880
<v Speaker 3>the opportunity.

0:38:55.960 --> 0:39:00.759
<v Speaker 2>So yeah, that hurt still hurt with this album as

0:39:00.760 --> 0:39:02.480
<v Speaker 2>a passion project, because obviously you don't need the money

0:39:02.480 --> 0:39:03.239
<v Speaker 2>if you're still getting paid.

0:39:04.480 --> 0:39:05.080
<v Speaker 1>I ain't say that.

0:39:06.320 --> 0:39:09.200
<v Speaker 2>Infinite is out this Friday, and we appreciate you for

0:39:09.320 --> 0:39:09.719
<v Speaker 2>joining us.

0:39:09.760 --> 0:39:09.880
<v Speaker 3>Man.

0:39:10.120 --> 0:39:12.160
<v Speaker 2>I love these stories and I just love to see

0:39:12.160 --> 0:39:14.360
<v Speaker 2>the growth because I was a kid in Queens and

0:39:14.440 --> 0:39:17.400
<v Speaker 2>I watch what y'all did, and we we admired that,

0:39:17.600 --> 0:39:20.000
<v Speaker 2>you know, I mean from the driving the cars, the

0:39:20.040 --> 0:39:21.960
<v Speaker 2>shooting the shook Ones video to all that we got

0:39:22.000 --> 0:39:23.879
<v Speaker 2>a chance to see it. So the fact that you're

0:39:23.920 --> 0:39:26.480
<v Speaker 2>still heavy and you're still doing it, man, we appreciate you.

0:39:26.880 --> 0:39:28.399
<v Speaker 4>And this is we got a date for the method

0:39:28.440 --> 0:39:29.640
<v Speaker 4>Man Covid Covid album.

0:39:29.680 --> 0:39:30.919
<v Speaker 1>Oh yeah, the memphd Man Covid.

0:39:31.120 --> 0:39:32.680
<v Speaker 3>We don't have a date, but me and him are

0:39:32.800 --> 0:39:35.440
<v Speaker 3>actively in the studio and he tried to put me

0:39:35.480 --> 0:39:37.399
<v Speaker 3>in the head like I didn't let him, but he said,

0:39:37.400 --> 0:39:37.920
<v Speaker 3>we gotta.

0:39:37.760 --> 0:39:40.680
<v Speaker 4>Finish this album for a couple of months for a date,

0:39:40.719 --> 0:39:41.280
<v Speaker 4>but okay.

0:39:41.480 --> 0:39:43.759
<v Speaker 1>We'll have one. So though, thanks for joining us, though,

0:39:43.880 --> 0:39:44.880
<v Speaker 1>thank you, thanks for having me.

0:39:44.920 --> 0:39:47.400
<v Speaker 2>The album comes out this Friday. It's Havoc. It's the

0:39:47.440 --> 0:39:53.440
<v Speaker 2>Breakfast Club. Good morning, every day, Breakfast Club.

0:39:54.000 --> 0:39:54.640
<v Speaker 1>Finish y'all.

0:39:54.719 --> 0:39:54.919
<v Speaker 2>Dump