WEBVTT - Henry V (with Dan Jones)

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion advised. I am

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<v Speaker 1>so thrilled to be back with one of my all

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<v Speaker 1>time favorite writers and historians, Dan Jones, who just wrote

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<v Speaker 1>an incredible book on Henry the Fifth subhead The Astonishing

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<v Speaker 1>Triumph of England's Greatest Warrior King. Dan, thank you so

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<v Speaker 1>much for joining me.

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<v Speaker 2>Well, all I can say is I'm so happy to

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<v Speaker 2>be here again with one of my all time favorite writers. Astana.

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<v Speaker 2>How about that?

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<v Speaker 1>Oh God am pleasing. Well before we actually get into

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<v Speaker 1>the details of Henry the Fifth's life, which I confess

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<v Speaker 1>I did learn about mostly through Shakespeare when I was,

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<v Speaker 1>you know, in high school, so that's sort of my

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<v Speaker 1>earliest basis of understanding, I do want to ask you.

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<v Speaker 1>You say he's England's greatest warrior king. I've seen people

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<v Speaker 1>just say he's the greatest king, full stop, full period.

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<v Speaker 1>What do you think about Henry the Fifth in terms

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<v Speaker 1>of his ranking as a king?

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<v Speaker 2>Well, I think in the Middle Ages the later Middle Ages, certainly,

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<v Speaker 2>there was like a real clear set of things you

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<v Speaker 2>had to do, and it was quite a short set

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<v Speaker 2>of things you had to do, if not an easy

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<v Speaker 2>set of things you had to do to be like

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<v Speaker 2>the ideal of kingship and that of the English kingship,

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<v Speaker 2>and that was go and smash the French with a

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<v Speaker 2>view to taking their crown away from them, your crown

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<v Speaker 2>away from them, as you would have to put it

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<v Speaker 2>if you were the king, and make sure that your

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<v Speaker 2>subjects are given justice and provided with good rule. Those

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<v Speaker 2>are the two that's represented on the Great Seal of England.

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<v Speaker 2>King with a sword in hand on one side and

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<v Speaker 2>scales of justice on the other. That's the job. But

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<v Speaker 2>it's not that easy to do. Henry the Fifth manages

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<v Speaker 2>to do it to perfection, maybe even beyond perfection, on

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<v Speaker 2>both counts. But then it becomes quite difficult to rank

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<v Speaker 2>him in the overall scheme of English and British monarchy,

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<v Speaker 2>because is this the sort of king you would want

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<v Speaker 2>to succeed, for example, Charles the third, if we went

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<v Speaker 2>Charles the third, and then you have Henry the Fifth.

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<v Speaker 2>So a king who comes along who's absolutely convinced that

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<v Speaker 2>he is the embodiment of justice, that his overriding mission

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<v Speaker 2>is to project military might onto the kingdom's neighbors, that

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<v Speaker 2>religion and piety are everything that all heretics should be burned.

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<v Speaker 2>I don't think it's the sort of king who would

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<v Speaker 2>be successful in any age. But if we think about so,

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<v Speaker 2>that's I'm obviously being ridiculous. You can't just transport one

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<v Speaker 2>king to a different age, and we could then. But

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<v Speaker 2>what Henry was so brilliant at was understanding instinctively what

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<v Speaker 2>is the job right now, and how do I perform

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<v Speaker 2>that job? So the only monarch I can really think

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<v Speaker 2>of who does this with such a plom is probably

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<v Speaker 2>Elizabeth Ion, who really understand this is what the monarchy

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<v Speaker 2>is supposed to be and has this sort of, in

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<v Speaker 2>a way self denying approach to it, which is, here

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<v Speaker 2>is the job, and I will I will subsume my

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<v Speaker 2>person into being this job. J always Elizabeth second did

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<v Speaker 2>it a really boring times. The job is to be

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<v Speaker 2>a sort of modern an effective modern monarch, is ready

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<v Speaker 2>to do as little as possible while looking amazing.

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<v Speaker 1>Just being a living mascot that people can project all

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<v Speaker 1>of their ideals of the empire onto.

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<v Speaker 2>Yes a little bit, you know, making trying not to

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<v Speaker 2>make any trouble, doing your best to stop your family

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<v Speaker 2>from making any trouble really being super willing to open

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<v Speaker 2>yet another shopping center or supermarket or hand out another medal.

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<v Speaker 2>I mean, that's so, it's I find it a bit

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<v Speaker 2>harder to get cited about that kind of monarchy than

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<v Speaker 2>I do about the late medieval monarchy.

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<v Speaker 1>It's also less dramatic than Asencore. Elizabeth the Second, for

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<v Speaker 1>all of her many accomplishments, never never led English troops

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<v Speaker 1>into victory against the French.

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<v Speaker 2>No, but I suppose if they swapped places. I suppose

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<v Speaker 2>he would be more effective in the other one's age,

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<v Speaker 2>would if we dropped Elizabeth II into the fifteenth century

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<v Speaker 2>and gave her the sort of all the training and upbring. Yeah,

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<v Speaker 2>she's pretty. She was a pretty competent individual, and Henry likewise.

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<v Speaker 2>But you're right, it's more dramatic. I think it's more

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<v Speaker 2>dramatic in the late fifteenth century.

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<v Speaker 1>Well, I think most of what people know about Henry's

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<v Speaker 1>personality obviously they know that, you know, the highlights, possibly

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<v Speaker 1>that he you know, he led the charge against the French,

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<v Speaker 1>amazing victory at agancorep one hundred years War. But most

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<v Speaker 1>of what maybe I'm projecting here, people believe of his

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<v Speaker 1>personality I think has been really shaped by Shakespeare. We

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<v Speaker 1>see Henry the Fifth as a young man, as sort

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<v Speaker 1>of a man enjoying the folly of his youth. But

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<v Speaker 1>how accurate sort of is that picture?

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<v Speaker 2>Well, the trouble with or maybe not the trouble. The

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<v Speaker 2>thing you always have to price in when you're doing

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<v Speaker 2>any kind of fifteenth century history in particular English fifteenth

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<v Speaker 2>century history in particular, is that you're always looking through

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<v Speaker 2>the lens of Shakespeare. And this is certainly true. I

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<v Speaker 2>remember when I was writing my book about the Walls

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<v Speaker 2>of the Roses years ago that it's the same then,

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<v Speaker 2>So Shakespeare, you would never wish away Shakespeare. Shakespeare was

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<v Speaker 2>the sort of the greatest genius ever to use the

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<v Speaker 2>English language. But his purposes in using the English language

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<v Speaker 2>were not to tell accurate historical stories. They were to

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<v Speaker 2>great great dramas, riffing off the fabric of English history.

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<v Speaker 2>And so he does that with you know, extraordinary effectiveness

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<v Speaker 2>in the case of Henry the Fifth. But it requires

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<v Speaker 2>some distortion. So if we take this Shakespearean character of

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<v Speaker 2>Henry the Fifth across the three plays in which he appears,

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<v Speaker 2>Henry fourth one too, and then Henry the Fifth so

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<v Speaker 2>we have Prince hal for a long time, and then

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<v Speaker 2>we have the King. And so Shakespeare's kind of dramatic

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<v Speaker 2>arc for Henry the Fifth is to go from sort

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<v Speaker 2>of roisterer playboy surrounded by youthful intimates who are already

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<v Speaker 2>inappropriate to the gravitas of office, who sort of sheds

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<v Speaker 2>this like a like a snake skin at the moment

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<v Speaker 2>of his coronation and just in time and emerges as

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<v Speaker 2>a completely different, much more serious character who's who's ready

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<v Speaker 2>to assume the burden of kingship and yet still retains

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<v Speaker 2>just enough of the common touch to bring his soldiers

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<v Speaker 2>along with him. Think that's a really brilliant dramatic arc,

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<v Speaker 2>but in order to create it out of the sort

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<v Speaker 2>of malleable play doh of history, you have to really

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<v Speaker 2>squeeze away at Henry's youth, and you have to take

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<v Speaker 2>a couple of fleeting references, really oblique references from sources

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<v Speaker 2>pertaining to Henry's younger years, and you have to really

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<v Speaker 2>really lean into those to make the character prince. How

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<v Speaker 2>you know, the actual historical evidence for this sort of

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<v Speaker 2>roistering youth, you know, womanizing, hard drinking, the sort of

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<v Speaker 2>person I like to hang around with when I'm out

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<v Speaker 2>in the pub. This is this is really at odds

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<v Speaker 2>with with most of what we know about the real

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<v Speaker 2>young Henry as Prince of Wales. Not that that story

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<v Speaker 2>is uninteresting, but it's just not it's not Prince Hal.

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<v Speaker 2>Henry in the play Henry the Fifth is drawn somewhat

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<v Speaker 2>closer to life. There are there is this sort of

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<v Speaker 2>the the ruthlessness, the the the mastery of the vernacular,

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<v Speaker 2>you know, the ability to communicate in English in a

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<v Speaker 2>way that would touch high and low together, this sense

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<v Speaker 2>of camaraderie in the face of battle. There's more to

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<v Speaker 2>Henry and Henry the Fifth than there is in historical

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<v Speaker 2>times than there is in Prince how But you know,

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<v Speaker 2>it's tempting, as it is to judge Shakespeare's historical accuracy.

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<v Speaker 2>It is something of a category era. Shakespeare was never

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<v Speaker 2>in the business of being judged on historical accuracy. It

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<v Speaker 2>was about getting people into theaters to watch a a

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<v Speaker 2>great show. Right, it's not the same thing.

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<v Speaker 1>So then let's talk a little bit about historical accuracy.

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<v Speaker 1>What was the real Prince Hal like as a young man?

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<v Speaker 1>To the best of our understanding.

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<v Speaker 2>He was born in the Gatehouse of Monmouth Castle in

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<v Speaker 2>thirteen eighty six, as the firstborn son of the greatest

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<v Speaker 2>noble house in the realm, the House of Lancaster. Grandfather

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<v Speaker 2>was John of Gaunt. His father was Henry Bollingbrook, who

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<v Speaker 2>was at that time a paragon of chivalry, a generous, polite,

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<v Speaker 2>good looking, handsome, dashing nobleman, famous across Europe as a

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<v Speaker 2>great jouster, famous as as a crusader, famous as a

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<v Speaker 2>pilgrim who had actually been to Jerusalem, a great gift giver,

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<v Speaker 2>you know. So Henry grows up and he has his

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<v Speaker 2>mother married a boone artistic literary musical. So he grows

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<v Speaker 2>up as a sort of quite sophisticated, extremely privileged young man.

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<v Speaker 2>But his life is thrown into turmoil relatively young when

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<v Speaker 2>his father Bolingbrook falls out with Bollingbrook's first cousin, the

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<v Speaker 2>King Richard the Second, and is banished, and that famous

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<v Speaker 2>scene from probably best known from Shakespeare's play Richard the Second,

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<v Speaker 2>the duel at Coventry stopped dramatically by Richard, who then

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<v Speaker 2>sends Bollingbrook off into exile. From this point on, Henry

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<v Speaker 2>as a youth is somewhat tossed from pillar to post,

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<v Speaker 2>he falls under feels briefly under the wing of Richard

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<v Speaker 2>the Second himself, and is taken off to Ireland as

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<v Speaker 2>part as hostage, but sort of part as apprentice really

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<v Speaker 2>of Richard the Second, and is treated very kindly by

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<v Speaker 2>Richard the Second. And I believe, and I argue in

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<v Speaker 2>my book that Henry is taught a lot, or certainly

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<v Speaker 2>gleans a lot from his experience with Richard the Second.

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<v Speaker 2>He strikes me as a and we can only infer

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<v Speaker 2>this really from his later action, But the young Henry

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<v Speaker 2>strikes me as a sponge. He's a great learner. He absorbs,

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<v Speaker 2>you know, when he's when he's a captive. When he's

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<v Speaker 2>close to Richard the Second, both in his court and

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<v Speaker 2>as a captive, he seems to just he seems to

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<v Speaker 2>suck up the best things that Richard Richard's kingship has

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<v Speaker 2>to offer. There aren't many of them, but the one

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<v Speaker 2>that Richard the Second has above almost every other medieval

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<v Speaker 2>king is a mastery of spectacle, of performance of majesty.

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<v Speaker 2>And we can see later in Henry the fifth life

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<v Speaker 2>and Reign that he's watched and he's learned, and he's

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<v Speaker 2>able to put that into action. Later, when Henry's father,

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<v Speaker 2>Henry Bolingbrook becomes King Henry the Fourth, the young Henry

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<v Speaker 2>is put to work. He's taken on military campaign to Scotland.

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<v Speaker 2>He sees the logistics of a campaign and he seems

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<v Speaker 2>to absorb them very effectively. He's sent off to Ireland

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<v Speaker 2>as Prince of Wales to put down the rebellion of

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<v Speaker 2>Englendor and he learns very quickly from his mentors there,

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<v Speaker 2>people like Hotspur, the future rebel but brilliant military commander.

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<v Speaker 2>He learns how to deal with a siege. He learns

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<v Speaker 2>how to deploy cannon, he learns good ratios of men

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<v Speaker 2>at arms to archers. We have a wonderful letter when

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<v Speaker 2>he's about fifteen years old, says Prince Henry written back

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<v Speaker 2>to his father who's tasked him with sorting out the

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<v Speaker 2>great Welsh rebel and would be Prince of Wales Owain Glendour,

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<v Speaker 2>and he says, I've heard this is young Henry. He says,

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<v Speaker 2>I've heard Glendour has been putting it around that he

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<v Speaker 2>wants a fight. So Dad, I went, I said, if

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<v Speaker 2>you want to fight, I'm going to give you a fight.

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<v Speaker 2>So I went off into Wales and I looked for him,

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<v Speaker 2>but he wasn't there and he couldn't find me. So

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<v Speaker 2>I went round his house. I mean he literally went

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<v Speaker 2>round the guy's house. He wasn't in, so I burned

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<v Speaker 2>his house down and sort of trashed all his lands.

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<v Speaker 2>I went to his other house. He wasn't there either.

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<v Speaker 2>One of his mates was his mate, said oh, spare me,

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<v Speaker 2>spare me, I'll give you five hundred quid. So I

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<v Speaker 2>cut his head off and now I'm back. Hope you're well.

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<v Speaker 2>Lots of love Henry, and he.

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<v Speaker 1>Would have been what about fifteen or sixteen at this.

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<v Speaker 2>Time, precisely. Yeah. By the time he's sixteen, he's regarded

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<v Speaker 2>by his father as fit to lead the rearguards at

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<v Speaker 2>the Battle of Shrewsbury, you know, a massive battle fought

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<v Speaker 2>against the rebellious Percy family in which Henry fights and

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<v Speaker 2>is terribly wounded. In fact, so he is I think

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<v Speaker 2>he learns. He's intelligent. He has a an instinctive taste

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<v Speaker 2>for combat and the knightly and military arts. So this

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<v Speaker 2>is the the kid that grows up and that's you know,

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<v Speaker 2>that's a pretty good set of skills if you're going

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<v Speaker 2>to become a warrior king of England.

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<v Speaker 1>So now just to back up a little bit for

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<v Speaker 1>context for listeners who might be less familiar with this

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<v Speaker 1>period of history, it doesn't sound quite as much like

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<v Speaker 1>Henry the fourth his father was as invested in sort

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<v Speaker 1>of reigniting the one hundred Years War with France. But

0:13:32.720 --> 0:13:36.240
<v Speaker 1>that's something that Henry the Fifth really takes on when

0:13:36.320 --> 0:13:39.400
<v Speaker 1>he becomes king. Can you talk a little bit about

0:13:39.400 --> 0:13:42.640
<v Speaker 1>that conflict and why Henry the Fifth was so motivated

0:13:42.720 --> 0:13:43.840
<v Speaker 1>to fight in France.

0:13:44.400 --> 0:13:46.400
<v Speaker 2>Yeah? Absolutely, I mean, let's let's do a really quick

0:13:46.400 --> 0:13:50.599
<v Speaker 2>one hundred years War one oh one. So in the

0:13:50.679 --> 0:13:56.319
<v Speaker 2>thirteen late thirteen thirties, Henry, this grandfather, King Edward the third,

0:13:56.840 --> 0:13:59.120
<v Speaker 2>had the opportunity.

0:13:58.440 --> 0:14:00.880
<v Speaker 1>To pitch great grandfather.

0:14:00.960 --> 0:14:03.800
<v Speaker 2>Great grandfather. Yeah, how the opportunity to pitch his claim

0:14:04.320 --> 0:14:07.000
<v Speaker 2>to be the king of France as well as the

0:14:07.080 --> 0:14:11.199
<v Speaker 2>King of England. Edward the third, So he says, right,

0:14:11.320 --> 0:14:13.360
<v Speaker 2>I'm the rightful King of France and he goes off

0:14:13.400 --> 0:14:16.480
<v Speaker 2>to fight the French for this. Now the central question,

0:14:16.600 --> 0:14:19.800
<v Speaker 2>this becomes important, very vitally important Henry fifth reign. So

0:14:20.040 --> 0:14:23.080
<v Speaker 2>I'll delay us just briefly here does Edward the third

0:14:23.160 --> 0:14:26.280
<v Speaker 2>mean what he says or is claiming to be King

0:14:26.320 --> 0:14:29.400
<v Speaker 2>of France, just a negotiating tactic to get England a

0:14:29.560 --> 0:14:34.240
<v Speaker 2>better deal in its existing French possessions in the southwest

0:14:34.280 --> 0:14:37.400
<v Speaker 2>around Bordeaux. Call it Gascony. It's the sort of the

0:14:37.480 --> 0:14:41.320
<v Speaker 2>dowdoin areas where lots of English people today have second homes. Hmmm,

0:14:41.720 --> 0:14:44.560
<v Speaker 2>good question. Certainly, it's never They never have to deal

0:14:44.600 --> 0:14:46.480
<v Speaker 2>with it head on. During Edward the Third's reign, there

0:14:46.480 --> 0:14:48.520
<v Speaker 2>are many great successes. The bad Ler Cressie, the bad

0:14:48.560 --> 0:14:50.960
<v Speaker 2>la Poitier, they take the French king prisoner. They force

0:14:51.040 --> 0:14:53.400
<v Speaker 2>this great deal in thirteen sixty, the Treaty of Bretigny,

0:14:54.480 --> 0:14:59.040
<v Speaker 2>where there's a settlement between English and French. Now this

0:14:59.080 --> 0:15:02.360
<v Speaker 2>doesn't stop the hundred years War. It rumbles on because

0:15:02.640 --> 0:15:06.000
<v Speaker 2>nobody's happy. The English want more territory, the French want

0:15:06.120 --> 0:15:07.200
<v Speaker 2>them to have less territory.

0:15:07.320 --> 0:15:10.320
<v Speaker 1>So at this point the English have the hold on

0:15:10.400 --> 0:15:13.360
<v Speaker 1>sort of the southwest of what is modern day France.

0:15:13.680 --> 0:15:16.400
<v Speaker 1>That's not the quote unquote Kingdom of France, which was

0:15:16.440 --> 0:15:16.920
<v Speaker 1>its own.

0:15:17.280 --> 0:15:20.160
<v Speaker 2>Not the Kingdom of France, and not other lands that

0:15:20.360 --> 0:15:25.120
<v Speaker 2>historically this English dynasty, the Plantagenets had held Normandy for

0:15:25.200 --> 0:15:30.600
<v Speaker 2>one the few others a main the terrain Quartu Brittany,

0:15:30.960 --> 0:15:35.280
<v Speaker 2>but critically Normandy in the north. So there was still

0:15:35.360 --> 0:15:37.800
<v Speaker 2>a reason to keep fighting if you wanted to fight. Now,

0:15:38.320 --> 0:15:41.440
<v Speaker 2>under the reign of Richard the Second, that's Edward the

0:15:41.480 --> 0:15:46.360
<v Speaker 2>Third's grandson and successor, England has a king who does

0:15:46.400 --> 0:15:49.520
<v Speaker 2>not want to fight. Richard the Second has no desire

0:15:49.520 --> 0:15:51.800
<v Speaker 2>to fight the hundred Years War whatsoever, and he does

0:15:51.800 --> 0:15:54.680
<v Speaker 2>everything he can to to try and force a peace.

0:15:55.680 --> 0:15:59.560
<v Speaker 2>This is not particularly popular in England because although there's

0:15:59.560 --> 0:16:02.200
<v Speaker 2>a great war weariness, as a sort of a bitterness

0:16:02.240 --> 0:16:05.200
<v Speaker 2>towards the levels of taxation that have to be paid, there's,

0:16:05.280 --> 0:16:09.160
<v Speaker 2>you know, there's still a sort of sense that the

0:16:09.200 --> 0:16:11.920
<v Speaker 2>war is not finished. It hasn't been one. There are

0:16:12.000 --> 0:16:13.880
<v Speaker 2>reasons to keep fighting. There are lots of hawks who

0:16:13.920 --> 0:16:17.280
<v Speaker 2>think that the fighting should continue. Now. When you get

0:16:17.320 --> 0:16:22.600
<v Speaker 2>to the reign of Henry the Fourth and Henry the Fifth,

0:16:23.760 --> 0:16:26.760
<v Speaker 2>circumstances in France have changed somewhat. The French are in

0:16:26.800 --> 0:16:29.320
<v Speaker 2>the middle of what becomes their own wars at the Roses.

0:16:30.040 --> 0:16:33.640
<v Speaker 2>This owes its genesis to the madness of King Charles

0:16:33.640 --> 0:16:36.880
<v Speaker 2>the sixth of France who in thirteen ninety two has

0:16:36.920 --> 0:16:41.520
<v Speaker 2>a sort of complete psychotic episode and the psycholog subsequent

0:16:41.520 --> 0:16:44.760
<v Speaker 2>psychological breakdown. He drifts in and out of madness for

0:16:44.800 --> 0:16:45.760
<v Speaker 2>the rest of his life.

0:16:46.120 --> 0:16:49.720
<v Speaker 1>For listeners who just are trying to put these pieces together,

0:16:50.040 --> 0:16:54.000
<v Speaker 1>I've done and we've done episodes on Charles the sixth,

0:16:54.080 --> 0:16:57.520
<v Speaker 1>the France who goes mad and stabs his men, his

0:16:57.520 --> 0:17:00.880
<v Speaker 1>own men while sort of out on a So if

0:17:00.880 --> 0:17:03.920
<v Speaker 1>that sounds familiar, that's who we're talking about now.

0:17:04.200 --> 0:17:07.080
<v Speaker 2>Right, this is the mad and then he subsequently believes

0:17:07.080 --> 0:17:09.160
<v Speaker 2>he's made of glass, he's on fire the whole time,

0:17:09.160 --> 0:17:11.120
<v Speaker 2>he doesn't remember his name. He runs about his palaces

0:17:11.160 --> 0:17:13.240
<v Speaker 2>smearings and feces on the walls and so on and

0:17:13.320 --> 0:17:16.560
<v Speaker 2>so forth. I'm sure you've delved right into that detail

0:17:16.600 --> 0:17:19.159
<v Speaker 2>in previous episodes. Dane Er, I can't imagine you skating up.

0:17:19.240 --> 0:17:22.040
<v Speaker 1>I did try to get avoid the feces, but thank

0:17:22.080 --> 0:17:24.560
<v Speaker 1>you for reminding me how important that was.

0:17:24.840 --> 0:17:26.800
<v Speaker 2>One of my rules in life is avoid the feces.

0:17:26.840 --> 0:17:30.879
<v Speaker 2>But it's not always possible as well. His parenthood has

0:17:30.880 --> 0:17:35.359
<v Speaker 2>taught me so anyway. So by the time you get

0:17:35.359 --> 0:17:38.840
<v Speaker 2>to Henry the fourth throw Francis dissolving into civil war

0:17:38.880 --> 0:17:41.080
<v Speaker 2>between two factions called it the French Wars, the Roses

0:17:41.080 --> 0:17:44.480
<v Speaker 2>but Gundians against Armoniacs. Henry the fifth comes to the

0:17:44.520 --> 0:17:54.440
<v Speaker 2>throne in fourteen thirteen with the Constitution and the inclination

0:17:55.320 --> 0:17:58.359
<v Speaker 2>to go and fight this war. He believes that the French,

0:17:58.520 --> 0:18:01.119
<v Speaker 2>that by rights the French crown should be his. He

0:18:01.160 --> 0:18:04.320
<v Speaker 2>really buys into his great grandfather Edward the Third's claim.

0:18:05.600 --> 0:18:10.439
<v Speaker 2>He has had a robust training as a warrior and

0:18:10.480 --> 0:18:13.640
<v Speaker 2>as a leader of men fighting o angl Durd in Wales,

0:18:14.080 --> 0:18:19.840
<v Speaker 2>that war eventually to be successful. During his father's waning years,

0:18:19.880 --> 0:18:21.880
<v Speaker 2>when his own father, that's Henry the fourth of England,

0:18:22.840 --> 0:18:27.959
<v Speaker 2>descends into real physical decrepitude, Henry has run the council,

0:18:28.040 --> 0:18:31.080
<v Speaker 2>so he's rolled up his sleeves and learned how to

0:18:31.200 --> 0:18:37.600
<v Speaker 2>finance government, how to negotiate, how to lead politically. So

0:18:37.680 --> 0:18:40.919
<v Speaker 2>he's ready for the challenge of going and pursuing this

0:18:41.119 --> 0:18:44.640
<v Speaker 2>English claim in France. And he's also got the blessed

0:18:44.680 --> 0:18:47.720
<v Speaker 2>circumstances if you're the English king of the French being

0:18:48.200 --> 0:18:52.320
<v Speaker 2>murderously at one another's throats and hopelessly politically divided, and

0:18:53.280 --> 0:18:56.280
<v Speaker 2>if you like therefore the taking. So that's the situation

0:18:56.440 --> 0:19:01.119
<v Speaker 2>in fourteen thirteen fourteen and Henry's year of Glory fourteen

0:19:01.200 --> 0:19:03.359
<v Speaker 2>fifteen when the Battle of agion Courp takes place.

0:19:04.680 --> 0:19:08.560
<v Speaker 1>And then the Battle of Agincourp obviously is incredibly famous,

0:19:08.640 --> 0:19:11.960
<v Speaker 1>especially famous because we get one of Shakespeare's best speeches.

0:19:12.400 --> 0:19:15.080
<v Speaker 1>But can you actually talk about what the setup of

0:19:15.119 --> 0:19:18.760
<v Speaker 1>that battle was and what Henry did to make it

0:19:18.880 --> 0:19:21.880
<v Speaker 1>such a resounding and surprising English victory.

0:19:22.320 --> 0:19:26.840
<v Speaker 2>Well, surprising is definitely the right word. This is Henry's

0:19:26.880 --> 0:19:32.680
<v Speaker 2>first campaign to France. He's been king for roughly two years.

0:19:32.119 --> 0:19:35.160
<v Speaker 2>He's decided he's going to go fight this because he's

0:19:35.200 --> 0:19:38.320
<v Speaker 2>been taunted by the Dauphin, one of the sons of

0:19:39.240 --> 0:19:43.239
<v Speaker 2>Charles the sixth, and that he has decided he's going

0:19:43.280 --> 0:19:47.440
<v Speaker 2>to go and fight, so he raises an army. There

0:19:47.480 --> 0:19:49.840
<v Speaker 2>is some doubt in England as to whether this is

0:19:49.880 --> 0:19:51.960
<v Speaker 2>going to be a success. On the eve of campaign

0:19:51.960 --> 0:19:56.120
<v Speaker 2>there's a rebellion or attempted coup against him, which fails.

0:19:56.400 --> 0:19:59.240
<v Speaker 2>So he sails to France with a lot riding on

0:19:59.280 --> 0:20:04.040
<v Speaker 2>this he lands near our Fleur and besieges the coastal

0:20:04.160 --> 0:20:09.040
<v Speaker 2>city of our Fleur, and that's a long siege which

0:20:09.240 --> 0:20:13.560
<v Speaker 2>heavily depletes his army. Disease runs around his camp, but

0:20:13.600 --> 0:20:16.000
<v Speaker 2>it's ultimately successful. He takes the city of our Flur,

0:20:16.240 --> 0:20:20.800
<v Speaker 2>and this is in itself a great victory. The English

0:20:20.840 --> 0:20:23.919
<v Speaker 2>had in previous generations taken Calais, so that was an

0:20:23.920 --> 0:20:26.480
<v Speaker 2>English possession. This is going to be another Calais, a

0:20:26.520 --> 0:20:31.240
<v Speaker 2>great mercantile city, a very useful sort of beachhead bridgehead

0:20:31.240 --> 0:20:34.040
<v Speaker 2>if they want to launch more campaigns. It's a real achievement.

0:20:34.760 --> 0:20:37.800
<v Speaker 2>But at the time that the siege of our Flur

0:20:37.880 --> 0:20:40.119
<v Speaker 2>is one, Henry seems to think that it's not enough.

0:20:41.040 --> 0:20:44.080
<v Speaker 2>Everybody in his high command says, we've lost too many men,

0:20:45.000 --> 0:20:48.280
<v Speaker 2>high ranking and low ranking. That's too late in the season.

0:20:48.840 --> 0:20:51.000
<v Speaker 2>Let's just cut our loss well, it's culor losses. Let's

0:20:51.000 --> 0:20:52.920
<v Speaker 2>be happy with what we've got and go home and regroup.

0:20:52.960 --> 0:20:56.399
<v Speaker 2>And Henry says no, He says, we need to do

0:20:56.440 --> 0:20:58.760
<v Speaker 2>one more thing now. It's too late in the season

0:20:58.880 --> 0:21:02.240
<v Speaker 2>to go besiege another city. He hasn't got enough men, money,

0:21:02.359 --> 0:21:05.760
<v Speaker 2>morale is running low because of disease, so he goes

0:21:05.800 --> 0:21:10.400
<v Speaker 2>for the sort of cheapest, most effective option. He says,

0:21:10.720 --> 0:21:12.679
<v Speaker 2>I'm going to take I'm going to take men with

0:21:12.760 --> 0:21:16.600
<v Speaker 2>provisions for about a week, and we're going to run.

0:21:17.040 --> 0:21:19.800
<v Speaker 2>We're going to run north from our flur through the

0:21:19.840 --> 0:21:22.879
<v Speaker 2>Norman countryside as fast as we can, and we're going

0:21:22.880 --> 0:21:25.080
<v Speaker 2>to get to Calais, the other English possession, and we're

0:21:25.080 --> 0:21:27.480
<v Speaker 2>going to go home from there. Now, why do that?

0:21:27.480 --> 0:21:32.000
<v Speaker 2>That's mad, or so it seems. But part of the

0:21:34.280 --> 0:21:37.399
<v Speaker 2>one of the most important tactics in war in this age,

0:21:38.720 --> 0:21:41.679
<v Speaker 2>in foreign war in this age, is to prove to

0:21:41.800 --> 0:21:44.200
<v Speaker 2>the people of the realm on which you're making war

0:21:44.280 --> 0:21:48.040
<v Speaker 2>that their own king can't protect them. And so what

0:21:48.119 --> 0:21:51.920
<v Speaker 2>Henry's doing in running north from our flur to Calais

0:21:52.760 --> 0:21:55.359
<v Speaker 2>is saying, look at this, I can go wherever I

0:21:55.400 --> 0:21:57.720
<v Speaker 2>want in this kingdom, which by the way, is my kingdom,

0:21:58.160 --> 0:22:00.760
<v Speaker 2>and your king can't do anything to stop me. It's

0:22:00.800 --> 0:22:03.159
<v Speaker 2>the equivalent of just running down the street, knocking on

0:22:03.200 --> 0:22:06.320
<v Speaker 2>everyone's door and sort of flicking them the bird as

0:22:06.320 --> 0:22:06.760
<v Speaker 2>you run.

0:22:07.359 --> 0:22:10.920
<v Speaker 1>So it's more of a propaganda campaign than a military campaign.

0:22:11.080 --> 0:22:12.600
<v Speaker 2>Yeah, and it's going to be cheap and it's going

0:22:12.640 --> 0:22:14.600
<v Speaker 2>to be fast, because he reckons he can do it,

0:22:14.640 --> 0:22:16.439
<v Speaker 2>and it's the only take provisions for a week. He

0:22:16.440 --> 0:22:17.919
<v Speaker 2>thinks he's going to be there in a week, and

0:22:18.160 --> 0:22:20.439
<v Speaker 2>at a fast march he should have been. But the

0:22:20.480 --> 0:22:26.000
<v Speaker 2>problem is they get stuck. They get stuck trying to cross.

0:22:26.160 --> 0:22:28.320
<v Speaker 2>You've got across a lot of rivers as well, and

0:22:28.640 --> 0:22:30.680
<v Speaker 2>get around a lot of towns to make this journey.

0:22:30.880 --> 0:22:33.000
<v Speaker 2>And they make it sort of half of the way.

0:22:33.080 --> 0:22:36.239
<v Speaker 2>And then the French, who have really not got their

0:22:36.280 --> 0:22:39.919
<v Speaker 2>act together at Harfleur, finally do get their act semi together,

0:22:40.119 --> 0:22:43.359
<v Speaker 2>raise a big army and they enter into a foot race.

0:22:43.400 --> 0:22:47.720
<v Speaker 2>They start chasing the English and the two armies collide

0:22:47.760 --> 0:22:53.480
<v Speaker 2>on at the end of October fourteen fifteen near Agencole

0:22:54.000 --> 0:22:57.600
<v Speaker 2>hasn't called the little village, and Henry is forced to fight.

0:22:57.640 --> 0:23:00.000
<v Speaker 2>He doesn't want to fight, but he's ready to fight

0:23:00.080 --> 0:23:04.040
<v Speaker 2>if he has to. This wasn't the plan, but it's

0:23:04.080 --> 0:23:06.080
<v Speaker 2>you know, there is always going to be a gamble,

0:23:06.200 --> 0:23:08.159
<v Speaker 2>and now it's upon him. He's got to do it.

0:23:08.280 --> 0:23:12.399
<v Speaker 2>So as in cour is a great test, it's a

0:23:12.440 --> 0:23:15.560
<v Speaker 2>great test militarily because the English have a fewer men,

0:23:15.960 --> 0:23:18.920
<v Speaker 2>they have archers rather than men at nights dominating their army.

0:23:19.119 --> 0:23:23.160
<v Speaker 2>The French have more men. They have knights dominating their army.

0:23:23.640 --> 0:23:26.639
<v Speaker 2>That's not so weird. I mean, both sides know what

0:23:26.760 --> 0:23:30.040
<v Speaker 2>to expect agancourps because they've seen this before in very

0:23:30.040 --> 0:23:33.200
<v Speaker 2>similar circumstances and in a different generation at the Battle

0:23:33.200 --> 0:23:35.520
<v Speaker 2>of Crecy undered with the third you'd had a similar

0:23:35.560 --> 0:23:37.680
<v Speaker 2>disparaty of numbers the French have been chasing in the

0:23:37.720 --> 0:23:41.639
<v Speaker 2>English that they were different compositions of the of the armies.

0:23:41.640 --> 0:23:44.440
<v Speaker 2>And Edward's the third one. Howard he won because he'd

0:23:44.480 --> 0:23:49.199
<v Speaker 2>used longbows to massacre the French and cause chaos and

0:23:49.200 --> 0:23:52.760
<v Speaker 2>then cut them to pieces. Everybody knew on both sides

0:23:52.800 --> 0:23:54.600
<v Speaker 2>what the other side's tactics were going to be. None

0:23:54.640 --> 0:23:56.320
<v Speaker 2>of this was a surprise. It was just who could

0:23:56.359 --> 0:23:58.840
<v Speaker 2>deploy their tactics. The best isn't going to be the

0:23:58.880 --> 0:24:04.240
<v Speaker 2>French fresh lots of you know, experienced men among the leadership,

0:24:04.280 --> 0:24:06.760
<v Speaker 2>including Marshall Buzuko the sort of most famous night of

0:24:06.800 --> 0:24:08.439
<v Speaker 2>the day, or is it going to be the English

0:24:08.520 --> 0:24:13.840
<v Speaker 2>exhausted disease, depleted virtually on their knees. This is their

0:24:14.080 --> 0:24:16.800
<v Speaker 2>last chance and there are a load of archers.

0:24:17.359 --> 0:24:21.840
<v Speaker 1>So because the numbers, they've got.

0:24:21.880 --> 0:24:24.520
<v Speaker 2>The numbers, they've got the more, they've got the you know,

0:24:24.600 --> 0:24:29.320
<v Speaker 2>the ostensibly more dangerous types of troops and cavalry instead

0:24:29.320 --> 0:24:35.080
<v Speaker 2>of archers. So this is a real sort of general's victory,

0:24:35.119 --> 0:24:39.280
<v Speaker 2>because victory at Agencorep comes down to the who who's

0:24:39.480 --> 0:24:43.720
<v Speaker 2>going to pull off their tactics the best. And so

0:24:43.840 --> 0:24:46.960
<v Speaker 2>it's Henry's victory. And I'm not saying that, I'm not

0:24:47.080 --> 0:24:51.320
<v Speaker 2>I'm not trying to downplay in saying that the the

0:24:51.440 --> 0:24:54.080
<v Speaker 2>sort of individual heroism and bravery of everybody who fights

0:24:54.080 --> 0:24:55.760
<v Speaker 2>in a battle like that should go without saying. But

0:24:55.840 --> 0:24:58.760
<v Speaker 2>this is a general's victory. You've got Henry on the

0:24:58.760 --> 0:25:01.560
<v Speaker 2>one side, who is unquestionably the leader of his men

0:25:01.840 --> 0:25:03.960
<v Speaker 2>and who's got them into this mess in the first place,

0:25:04.560 --> 0:25:07.679
<v Speaker 2>and you've got on the French side a divided leadership.

0:25:07.720 --> 0:25:11.280
<v Speaker 2>Nobody quite knows who's in charge. There are people who

0:25:11.280 --> 0:25:13.880
<v Speaker 2>don't turn up in time to actually fight the battle.

0:25:14.359 --> 0:25:17.160
<v Speaker 2>There's a sort of certain arrogance that comes with being

0:25:17.200 --> 0:25:22.200
<v Speaker 2>the favorites in the contest, and although they put their

0:25:22.640 --> 0:25:27.720
<v Speaker 2>tactics into effect as planned, they just don't do it

0:25:27.760 --> 0:25:31.960
<v Speaker 2>as well as the English, and the English anticipate better

0:25:31.960 --> 0:25:33.520
<v Speaker 2>what the French are geting to do they line their

0:25:33.600 --> 0:25:35.640
<v Speaker 2>archers up with sharpened stakes in front of them, they

0:25:35.640 --> 0:25:37.720
<v Speaker 2>put archers on the wings. They managed to funnel the

0:25:37.720 --> 0:25:40.640
<v Speaker 2>French exactly where they want them, and they come down

0:25:40.640 --> 0:25:45.760
<v Speaker 2>with longbow shot just as intended. There's no sort of special,

0:25:46.080 --> 0:25:51.160
<v Speaker 2>like incredible Napoleon grade like doozy tactic that Henry kind

0:25:51.160 --> 0:25:53.480
<v Speaker 2>of comes up with on the hop in the middle

0:25:53.480 --> 0:25:55.959
<v Speaker 2>of the battle. They just everybody does what they're supposed

0:25:55.960 --> 0:25:58.600
<v Speaker 2>to do, and they don't run away while they're doing it,

0:25:58.680 --> 0:26:02.280
<v Speaker 2>so that you know, that is a sign of extremely

0:26:02.880 --> 0:26:06.639
<v Speaker 2>competent leadership, even when everyone's back to the walls and

0:26:07.040 --> 0:26:09.359
<v Speaker 2>at a loss. Now, at the end of Ashan Corps,

0:26:09.359 --> 0:26:14.639
<v Speaker 2>of course, comes the most notorious episode possibly in Henry's career,

0:26:14.680 --> 0:26:17.000
<v Speaker 2>which is dramatized by Shakespeare, which is the order to

0:26:17.080 --> 0:26:20.119
<v Speaker 2>kill the prisoners. And that's something that historians have argued

0:26:20.119 --> 0:26:21.360
<v Speaker 2>about a great.

0:26:21.160 --> 0:26:23.879
<v Speaker 1>Deal whether it actually happened or not.

0:26:23.960 --> 0:26:26.199
<v Speaker 2>You mean, not whether it actually happened, but whether it

0:26:26.240 --> 0:26:27.040
<v Speaker 2>was the right thing to do.

0:26:27.800 --> 0:26:30.280
<v Speaker 1>Oh well, what do you think so? Because it is

0:26:30.320 --> 0:26:34.240
<v Speaker 1>an incredibly brutal move on Henry the fifth part, But

0:26:34.720 --> 0:26:37.880
<v Speaker 1>maybe brutality was what was called for in the era.

0:26:38.680 --> 0:26:42.040
<v Speaker 2>Dana I think instinctively you are a medieval warrior. I

0:26:42.040 --> 0:26:47.359
<v Speaker 2>think just from the from the implication of your question. Yes,

0:26:48.000 --> 0:26:50.720
<v Speaker 2>there's this moment where the Battle of Aginco has sort

0:26:50.760 --> 0:26:53.760
<v Speaker 2>of seems like it's finished in the English of one

0:26:53.920 --> 0:26:58.960
<v Speaker 2>friendship been routed, many prisoners have been taken, and the

0:26:59.160 --> 0:27:02.600
<v Speaker 2>English ordinary soldiers are very happy about this because they've

0:27:02.640 --> 0:27:05.919
<v Speaker 2>taken high ranking, high value prisoners. These guys are going

0:27:06.000 --> 0:27:10.080
<v Speaker 2>to be worth their weight in gold as ransoms. Everybody's happy.

0:27:10.760 --> 0:27:13.520
<v Speaker 2>And then there's this moment where something it's still not

0:27:13.720 --> 0:27:17.480
<v Speaker 2>totally clear because the accounts vary, something happens where it

0:27:17.520 --> 0:27:21.880
<v Speaker 2>looks like another contingent of French troops who weren't involved

0:27:21.920 --> 0:27:26.080
<v Speaker 2>in the original engagement but who are supposed to be

0:27:26.520 --> 0:27:31.439
<v Speaker 2>turn up. They're turning up late. They perhaps they've rounded

0:27:31.480 --> 0:27:34.159
<v Speaker 2>up everyone who kind of scattered and ran away on

0:27:34.200 --> 0:27:36.600
<v Speaker 2>the French side, and they're coming back to have another go.

0:27:37.359 --> 0:27:41.879
<v Speaker 2>That looks like what's about to happen. So Henry, who's

0:27:41.920 --> 0:27:45.399
<v Speaker 2>having to deal with this in real time, has to

0:27:45.400 --> 0:27:47.280
<v Speaker 2>make a very quick decision, which is what are we

0:27:47.320 --> 0:27:49.760
<v Speaker 2>going to do? We might actually have to stand here

0:27:49.760 --> 0:27:54.800
<v Speaker 2>and fight again. We can't do that. Whilst every other

0:27:55.160 --> 0:27:58.200
<v Speaker 2>one of my troops is sort of clinging on to

0:27:59.320 --> 0:28:02.000
<v Speaker 2>a French, isn't it, Because this means we're going to

0:28:02.000 --> 0:28:04.520
<v Speaker 2>try and fight with a bunch of French troops in

0:28:04.560 --> 0:28:07.359
<v Speaker 2>our midst and so he gives the order to kill them,

0:28:07.960 --> 0:28:11.320
<v Speaker 2>kill them. And actually the people, the English, a lot

0:28:11.359 --> 0:28:13.440
<v Speaker 2>of them are very unhappy about this. No, I'm not

0:28:13.520 --> 0:28:15.160
<v Speaker 2>killing this guy. He's worth his weight in gold. He's

0:28:15.200 --> 0:28:16.680
<v Speaker 2>going to be a ransom. And he has to send

0:28:16.680 --> 0:28:19.679
<v Speaker 2>around a hit squad of his sort of hardcore ultras

0:28:19.720 --> 0:28:23.720
<v Speaker 2>saying kill, kill, kill, kill. So it is brutal, but

0:28:24.200 --> 0:28:26.600
<v Speaker 2>it's the middle of a battle. They think it's you know,

0:28:26.640 --> 0:28:28.119
<v Speaker 2>this isn't the end of a battle as far as

0:28:28.160 --> 0:28:30.159
<v Speaker 2>Henry can see. It's the middle because they're about to

0:28:30.200 --> 0:28:32.880
<v Speaker 2>face another wave of French attack. Now, as it happens,

0:28:34.440 --> 0:28:41.360
<v Speaker 2>the French don't engage. But in the first write ups,

0:28:41.760 --> 0:28:46.760
<v Speaker 2>sort of the first reports of what happens at Asancore,

0:28:47.640 --> 0:28:53.840
<v Speaker 2>nobody writes that Henry was completely, you know, unaccountably brutal.

0:28:53.920 --> 0:28:56.240
<v Speaker 2>He breached the Geneva convenure and this was such a

0:28:56.320 --> 0:29:01.200
<v Speaker 2>terrible you know, what a meani They say, what idiots

0:29:01.960 --> 0:29:05.680
<v Speaker 2>the French coming towards the battlefield were to try and

0:29:06.400 --> 0:29:09.680
<v Speaker 2>to do this because they provoked the massacre of the prisoners,

0:29:09.680 --> 0:29:13.040
<v Speaker 2>they lay all the blame on the French side, and

0:29:13.240 --> 0:29:18.280
<v Speaker 2>this includes French chroniclers. So it's I think it's today,

0:29:18.280 --> 0:29:20.760
<v Speaker 2>this would be illegal, it would be a war crime.

0:29:21.120 --> 0:29:23.920
<v Speaker 2>In the middle of a medieval battle. It's absolutely fair game.

0:29:24.280 --> 0:29:27.200
<v Speaker 1>Because how could you be expected to fight off another

0:29:27.400 --> 0:29:30.800
<v Speaker 1>wave of French troops if you have French people in

0:29:30.840 --> 0:29:33.040
<v Speaker 1>your midst who could be attacking from within.

0:29:33.520 --> 0:29:40.560
<v Speaker 2>It's unchivalrous, it's bad manners. It's absolutely necessary, and as

0:29:40.600 --> 0:29:45.520
<v Speaker 2>I say, I think the today it is often leveled

0:29:46.520 --> 0:29:49.280
<v Speaker 2>as evidence for the prosecution when people are trying to

0:29:49.280 --> 0:29:55.400
<v Speaker 2>say Henry the fifth super overrated King actually cruel, callous,

0:29:55.440 --> 0:29:59.160
<v Speaker 2>mean warmonger, nasty piece of work. All that's really saying

0:29:59.240 --> 0:30:01.040
<v Speaker 2>is to sort of return to an earlier part of

0:30:01.040 --> 0:30:05.000
<v Speaker 2>our conversation, you wouldn't want him to be king today? Well, duh, obviously,

0:30:05.400 --> 0:30:09.200
<v Speaker 2>I mean, it's so stupid as to barely be worth saying.

0:30:12.240 --> 0:30:16.280
<v Speaker 2>It's pragmatic and it's very unpleasant. But guess what. It's

0:30:16.320 --> 0:30:17.960
<v Speaker 2>the early fifteenth century.

0:30:18.760 --> 0:30:21.840
<v Speaker 1>And one piece of evidence that in my understanding, shows

0:30:21.880 --> 0:30:26.120
<v Speaker 1>that contemporary people were still excited by everything that he

0:30:26.200 --> 0:30:29.600
<v Speaker 1>was doing. Is when Henry does return back to England,

0:30:29.640 --> 0:30:31.640
<v Speaker 1>he gets a full heroes welcome.

0:30:32.040 --> 0:30:34.600
<v Speaker 2>Of course there's a triumph, you know, and I mean

0:30:34.600 --> 0:30:38.040
<v Speaker 2>then in the old fashioned sense, Henry is welcome back

0:30:38.080 --> 0:30:44.680
<v Speaker 2>to this rapturous reception, this sort of pageants people, incredible

0:30:44.680 --> 0:30:49.320
<v Speaker 2>displays in the streets of London, the likes of which

0:30:49.360 --> 0:30:51.480
<v Speaker 2>we haven't seen in my lifetime, except maybe when we

0:30:51.520 --> 0:30:54.280
<v Speaker 2>had the twenty twelve London Olympics. It's that sort of

0:30:54.360 --> 0:30:58.920
<v Speaker 2>scale of extraordinary procession and Henry is at the midst

0:30:58.960 --> 0:31:01.000
<v Speaker 2>of it. But it's very interesting because at this point

0:31:01.800 --> 0:31:06.360
<v Speaker 2>Henry isn't kind of Prince charming standing on amid the

0:31:06.400 --> 0:31:09.640
<v Speaker 2>ticker tape parade sort of bowing and showing off and

0:31:09.720 --> 0:31:13.080
<v Speaker 2>smiling and grinning and high fiving everybody. Far from it,

0:31:13.160 --> 0:31:17.160
<v Speaker 2>In fact, quite the opposite. He puts on the most

0:31:17.200 --> 0:31:21.720
<v Speaker 2>remarkable performance. He's dressed sombrely, he has a grave and

0:31:21.800 --> 0:31:25.080
<v Speaker 2>severe expression on his face. He refuses to show the

0:31:25.160 --> 0:31:27.400
<v Speaker 2>crown that was attached to his helmet at Agancoorp, which

0:31:27.400 --> 0:31:30.200
<v Speaker 2>had been badly damaged by a blow that could well

0:31:30.200 --> 0:31:30.800
<v Speaker 2>have killed him.

0:31:30.840 --> 0:31:33.200
<v Speaker 1>Oh wow, which seems like a great pr move.

0:31:33.760 --> 0:31:38.800
<v Speaker 2>None of that. Although he allows the spectacle, the cheering,

0:31:38.960 --> 0:31:42.080
<v Speaker 2>the triumph, the pageantry on the part of his people,

0:31:42.200 --> 0:31:44.520
<v Speaker 2>he says, and he accepts that it will be directed

0:31:44.520 --> 0:31:47.160
<v Speaker 2>towards him as the victor of the battle. He says

0:31:47.160 --> 0:31:50.560
<v Speaker 2>that this can only be permitted if the glory is

0:31:50.600 --> 0:31:54.200
<v Speaker 2>seen to be coming through him to God, that this

0:31:54.560 --> 0:31:58.160
<v Speaker 2>thanks must be given to God, and that Henry himself

0:31:58.200 --> 0:32:01.960
<v Speaker 2>is only the instrument of God. He's doing God's will.

0:32:02.280 --> 0:32:05.240
<v Speaker 2>He's just, and he's just one sort of He says this.

0:32:05.280 --> 0:32:07.200
<v Speaker 2>Actually before he even gets back to London, he puts

0:32:07.200 --> 0:32:09.760
<v Speaker 2>his arm around the Duke of Orleans, the young man

0:32:09.800 --> 0:32:13.280
<v Speaker 2>who's been captured at the battle and luckily for him

0:32:13.320 --> 0:32:17.280
<v Speaker 2>not killed. Who's moping about, and oh dear, this is

0:32:17.680 --> 0:32:21.560
<v Speaker 2>such bad news, Henry says, Well, look, it's very obvious

0:32:21.600 --> 0:32:24.720
<v Speaker 2>what's happened here. I mean, you French are totally decadent

0:32:25.840 --> 0:32:28.320
<v Speaker 2>and God has punished you. And I am God's scourge.

0:32:28.400 --> 0:32:30.480
<v Speaker 2>That's who I am. That's what I am, and you

0:32:30.520 --> 0:32:33.560
<v Speaker 2>need to understand that. And I don't know, Duke of

0:32:33.600 --> 0:32:35.760
<v Speaker 2>Orleon feels much better about about things.

0:32:36.000 --> 0:32:38.240
<v Speaker 1>Is that what I would want to hear after after.

0:32:38.560 --> 0:32:40.880
<v Speaker 2>No, not quite, but it does tell you exactly, and

0:32:40.880 --> 0:32:43.200
<v Speaker 2>I think Henry means it, and he's certainly when he

0:32:43.240 --> 0:32:46.160
<v Speaker 2>comes he comes back through London, he wants to pray. Yes,

0:32:46.200 --> 0:32:47.800
<v Speaker 2>he wants to give thanks to God, and he wants

0:32:47.840 --> 0:32:50.720
<v Speaker 2>his people to give thanks to God themselves, because a

0:32:50.760 --> 0:32:54.240
<v Speaker 2>godly realm is an ordered realm, and this is a

0:32:54.280 --> 0:32:57.840
<v Speaker 2>way of showing that this, this, all of this that

0:32:57.880 --> 0:33:01.160
<v Speaker 2>they paid for, the realm has paid for and has

0:33:01.320 --> 0:33:05.600
<v Speaker 2>been ordered by Him, is more than just a sort

0:33:05.640 --> 0:33:08.480
<v Speaker 2>of vanity project of a warmonger king. This is really

0:33:08.480 --> 0:33:12.280
<v Speaker 2>what God wants for the realm of England, and he

0:33:12.440 --> 0:33:17.320
<v Speaker 2>is merely God's instrument, and that this is a victory

0:33:17.360 --> 0:33:20.880
<v Speaker 2>that is to God, and therefore is to be thanks

0:33:21.400 --> 0:33:23.920
<v Speaker 2>to be given by the entire realm to God for

0:33:23.960 --> 0:33:27.040
<v Speaker 2>what they together have achieved. So in that sense, it's

0:33:27.080 --> 0:33:31.160
<v Speaker 2>a far far more effective and subtle piece of politicking

0:33:31.160 --> 0:33:33.760
<v Speaker 2>than simply showing off your dented crown and going yeah, look,

0:33:33.800 --> 0:33:35.080
<v Speaker 2>it will take more than that to put me down

0:33:35.160 --> 0:33:39.080
<v Speaker 2>your bast It's like, it's deep, it's deep understanding of

0:33:39.120 --> 0:33:42.560
<v Speaker 2>what the job of kingship is and what it entails,

0:33:42.560 --> 0:33:45.520
<v Speaker 2>and that's why he's so great and.

0:33:45.680 --> 0:33:49.280
<v Speaker 1>Fast forwarding just a few more years. If we're talking

0:33:49.280 --> 0:33:51.400
<v Speaker 1>about the legacy of a king, I do think it's

0:33:51.440 --> 0:33:56.160
<v Speaker 1>important to take into account the legacy for the monarchy

0:33:56.240 --> 0:33:59.080
<v Speaker 1>that he sets up. And obviously, Henry the Fifth will

0:33:59.120 --> 0:34:02.400
<v Speaker 1>die in his mid thirties. He'll die young, so I

0:34:02.400 --> 0:34:04.960
<v Speaker 1>don't know how much responsibility we can we can give

0:34:04.960 --> 0:34:08.600
<v Speaker 1>to him. But immediately after his death, England will sort

0:34:08.640 --> 0:34:12.239
<v Speaker 1>of fall into the devastating wars of the Roses. Is

0:34:12.280 --> 0:34:15.319
<v Speaker 1>there anything Henry the Fifth could have done differently, or

0:34:15.600 --> 0:34:19.480
<v Speaker 1>anything he did wrong that created those circumstances?

0:34:20.560 --> 0:34:23.279
<v Speaker 2>Well, I'll correct you on one point if I may,

0:34:23.320 --> 0:34:26.520
<v Speaker 2>which is that it's not immediate, and that's very important.

0:34:27.640 --> 0:34:31.080
<v Speaker 2>So Henry the Fifth has achieved something remarkable in fourteen

0:34:31.080 --> 0:34:33.239
<v Speaker 2>twenty the Treaty of Trois. He becomes the air and

0:34:33.280 --> 0:34:35.720
<v Speaker 2>Regent of the Crown of France. He sort of completes

0:34:35.760 --> 0:34:38.840
<v Speaker 2>the video game if you like. That's that, Edward the

0:34:38.880 --> 0:34:39.919
<v Speaker 2>third is set up. He's done.

0:34:39.960 --> 0:34:44.920
<v Speaker 1>Mary's the princess, a friend, marries the princes, so rescuse

0:34:44.960 --> 0:34:45.960
<v Speaker 1>her from the dragon.

0:34:46.840 --> 0:34:50.360
<v Speaker 2>So exactly so, now what, well, now what is a

0:34:50.360 --> 0:34:53.720
<v Speaker 2>bit of a problem, because now this is no longer

0:34:53.920 --> 0:34:56.840
<v Speaker 2>Henry trying to win back what was taken from the Plantagenets,

0:34:56.920 --> 0:34:58.600
<v Speaker 2>or England trying to win back what was taken from

0:34:58.600 --> 0:35:01.160
<v Speaker 2>the Plantagenets. This is, on the one hand, you're King

0:35:01.160 --> 0:35:03.000
<v Speaker 2>of England and the other you're a belligerent in a

0:35:03.000 --> 0:35:06.400
<v Speaker 2>French civil war. And the English parliaments don't want to

0:35:06.440 --> 0:35:09.279
<v Speaker 2>pay for a French civil war. So now the whole

0:35:09.320 --> 0:35:13.719
<v Speaker 2>game is different. Henry. Within two years, at the age

0:35:13.760 --> 0:35:18.440
<v Speaker 2>of thirty five, Henry's dead from dysentery. But it doesn't

0:35:18.440 --> 0:35:20.320
<v Speaker 2>all collapse. That's what's amazing about it is it doesn't

0:35:20.320 --> 0:35:22.560
<v Speaker 2>all collapse. And one of the reasons it doesn't all

0:35:22.600 --> 0:35:29.240
<v Speaker 2>collapse is because Henry has some remarkable lieutenants, his brothers,

0:35:29.840 --> 0:35:33.520
<v Speaker 2>the most astonishingly accomplished of which is John, Duke of Bedford,

0:35:33.680 --> 0:35:37.440
<v Speaker 2>the third. Henry fourth has four children, Henry, Thomas dukeer Clarence,

0:35:37.480 --> 0:35:39.520
<v Speaker 2>John Duke of Bedford, Humphrey Duke of Gloucester. John Duke

0:35:39.560 --> 0:35:42.760
<v Speaker 2>of Bedford is a very underappreciated figure in English history.

0:35:43.760 --> 0:35:47.239
<v Speaker 2>He holds together the English Kingdom of Northern France as

0:35:47.400 --> 0:35:51.360
<v Speaker 2>regent to what becomes the young Henry the sixth or

0:35:51.400 --> 0:35:55.400
<v Speaker 2>Henry the First of France if you prefer, until fourteen

0:35:55.400 --> 0:35:59.960
<v Speaker 2>thirty five, so that's thirteen years. This thing survives until

0:36:00.000 --> 0:36:03.000
<v Speaker 2>the Burgundians their allies, the French allies, make peace with

0:36:03.040 --> 0:36:05.560
<v Speaker 2>the Armagnacs and settle the French Civil War, so it

0:36:05.600 --> 0:36:10.000
<v Speaker 2>doesn't all fall apart immediately. The problem is, the deep,

0:36:10.120 --> 0:36:15.120
<v Speaker 2>like structural political problem is not so much that Henry dies.

0:36:15.640 --> 0:36:19.000
<v Speaker 2>It's that he leaves such a young heir. I don't

0:36:19.000 --> 0:36:20.720
<v Speaker 2>believe there's much he could have done about that, because

0:36:20.719 --> 0:36:22.880
<v Speaker 2>he saved his marriage, if you like, He gets married

0:36:22.960 --> 0:36:24.880
<v Speaker 2>very late, compared to his father, who's married in his

0:36:24.960 --> 0:36:28.640
<v Speaker 2>teens and has had Henry when he's still into his teens.

0:36:29.840 --> 0:36:32.640
<v Speaker 2>Henry marries late. He marries when he's in his thirties.

0:36:32.760 --> 0:36:36.920
<v Speaker 2>So although he has a child straight away basically as

0:36:36.920 --> 0:36:40.200
<v Speaker 2>soon as possible, Henry the sixth, the young Henry the sixth,

0:36:40.560 --> 0:36:43.440
<v Speaker 2>is still less than a year old when his father dies.

0:36:44.680 --> 0:36:49.520
<v Speaker 2>And that means it's not so much that you're lacking leadership, because,

0:36:49.520 --> 0:36:52.080
<v Speaker 2>as it turns out, John Duke of Bedford and in England, Humphrey,

0:36:52.160 --> 0:36:54.840
<v Speaker 2>Duke of Gloucester and several others proved to be pretty

0:36:54.880 --> 0:36:58.120
<v Speaker 2>adequate regents, and Henry the fifth will sets up some

0:36:58.120 --> 0:37:01.440
<v Speaker 2>structures that the boor or less war during a long,

0:37:01.520 --> 0:37:06.040
<v Speaker 2>long the longest minority England ever has. But the real

0:37:06.080 --> 0:37:09.640
<v Speaker 2>problem is in France. Until Henry the sixth comes of age,

0:37:09.680 --> 0:37:13.560
<v Speaker 2>there is nobody who is authorized to make a settlement

0:37:13.680 --> 0:37:16.839
<v Speaker 2>in a lasting settlement in France, They've got to sort

0:37:16.880 --> 0:37:21.800
<v Speaker 2>of keep fighting. Had Henry the fifth lived a bit longer,

0:37:21.920 --> 0:37:26.040
<v Speaker 2>I believe, I suspect he probably would have settled with

0:37:26.080 --> 0:37:28.080
<v Speaker 2>the French and not tried to fight this out until

0:37:28.080 --> 0:37:30.520
<v Speaker 2>he'd conquered the whole of France, but would have settled

0:37:30.520 --> 0:37:32.959
<v Speaker 2>for some form of partition where he kept Normandy, maybe

0:37:33.000 --> 0:37:35.560
<v Speaker 2>the French crown, maybe partition in France above the Loire.

0:37:35.920 --> 0:37:37.680
<v Speaker 2>And then he wanted to go off on crusade. He

0:37:37.680 --> 0:37:40.239
<v Speaker 2>wanted to go off and seize back Jerusalem. And who

0:37:40.280 --> 0:37:41.440
<v Speaker 2>would have bet against.

0:37:41.200 --> 0:37:43.800
<v Speaker 1>Him, of course he was guard scourge.

0:37:44.560 --> 0:37:46.440
<v Speaker 2>Yeah, well exactly, And what does God want more than

0:37:46.560 --> 0:37:49.160
<v Speaker 2>Jerusalem to fall into the hands of the crusaders. I mean,

0:37:49.200 --> 0:37:50.839
<v Speaker 2>in the Middle Ages, this is what I mean, not

0:37:50.920 --> 0:37:53.320
<v Speaker 2>my belief, but this is this is what they believed.

0:37:54.840 --> 0:37:58.360
<v Speaker 2>So but look, that's not how it turns out. So

0:37:58.560 --> 0:38:00.880
<v Speaker 2>The big problem is you have to win until Henry

0:38:00.880 --> 0:38:03.360
<v Speaker 2>the sixth comes of age in order for somebody to

0:38:03.520 --> 0:38:05.640
<v Speaker 2>have the right to make that decision, because anybody who

0:38:05.680 --> 0:38:07.400
<v Speaker 2>makes a decision to settle with the French in the

0:38:07.440 --> 0:38:09.919
<v Speaker 2>meantime is going to be accused of les magis state

0:38:10.160 --> 0:38:12.520
<v Speaker 2>and is likely to have their head chopped off for

0:38:12.880 --> 0:38:16.600
<v Speaker 2>approaching the powers of kingship. So it's a big problem.

0:38:17.280 --> 0:38:19.520
<v Speaker 2>To what extent can we blame Henry the fifth for

0:38:19.560 --> 0:38:23.880
<v Speaker 2>that well? As I say, and it's hard to because

0:38:24.560 --> 0:38:26.320
<v Speaker 2>he could have got married earlier, but that then he

0:38:26.360 --> 0:38:28.440
<v Speaker 2>had lost a key bargaining ship in his dealings with

0:38:28.480 --> 0:38:30.840
<v Speaker 2>the French. He had a kid as soon as possible,

0:38:30.880 --> 0:38:33.440
<v Speaker 2>and you can't blame a man for dying of dysentery.

0:38:33.520 --> 0:38:37.160
<v Speaker 2>That's an honest death, if you asked me. So, what

0:38:37.160 --> 0:38:41.360
<v Speaker 2>we're really saying is is either that, well, he should

0:38:41.400 --> 0:38:43.480
<v Speaker 2>never have done any of this at all, that the

0:38:43.520 --> 0:38:47.400
<v Speaker 2>aim of conquering France was preposterous, and this is just

0:38:47.440 --> 0:38:52.840
<v Speaker 2>the act of a warmonger. But in living memory, in

0:38:52.880 --> 0:38:55.440
<v Speaker 2>Henry of this life, everybody knew what happened if you

0:38:55.480 --> 0:38:57.560
<v Speaker 2>tried to do if you didn't go and fight the French,

0:38:57.640 --> 0:39:00.239
<v Speaker 2>that was called being rich of the second rich of

0:39:00.320 --> 0:39:03.239
<v Speaker 2>thecond not wanting to fight the French at all. In fact,

0:39:03.320 --> 0:39:06.120
<v Speaker 2>quite the opposite had ended up being deposed and murdered,

0:39:07.040 --> 0:39:09.479
<v Speaker 2>and his entire realm had fallen apart, not only because

0:39:09.480 --> 0:39:10.759
<v Speaker 2>of that, but that was a big part of it.

0:39:11.520 --> 0:39:13.520
<v Speaker 2>So there's no question that you have to do this

0:39:13.640 --> 0:39:15.359
<v Speaker 2>as a king. This is how to be a king

0:39:15.640 --> 0:39:20.799
<v Speaker 2>in the early fifteenth century. It's just that maybe the well,

0:39:21.440 --> 0:39:24.800
<v Speaker 2>nobody quite expected to see the consequences of incredible success

0:39:24.920 --> 0:39:25.479
<v Speaker 2>played out.

0:39:27.600 --> 0:39:32.000
<v Speaker 1>I think that's well said at a very nuanced portrayal.

0:39:32.040 --> 0:39:36.320
<v Speaker 1>I think of a man who lends himself to people

0:39:36.320 --> 0:39:39.640
<v Speaker 1>saying very hyperbolic things about him, you know, terrible king,

0:39:39.760 --> 0:39:42.640
<v Speaker 1>amazing king. I think what you've found is a very

0:39:42.920 --> 0:39:47.680
<v Speaker 1>nuanced and accurate portrayal, maybe even England's greatest warrior king.

0:39:48.680 --> 0:39:51.920
<v Speaker 2>Well, thank you Doane. And that's what I tried to do.

0:39:51.960 --> 0:39:56.000
<v Speaker 2>And it's the first time I've ever written a biography alone,

0:39:56.160 --> 0:40:01.319
<v Speaker 2>a medieval biography, which is an interesting literary task as

0:40:01.320 --> 0:40:07.800
<v Speaker 2>well as a historical task, and finding psychological subtlety within

0:40:07.840 --> 0:40:10.520
<v Speaker 2>the bounds of medieval sources is not always easy, but

0:40:10.560 --> 0:40:13.799
<v Speaker 2>I think it's been an incredibly rewarding thing to write,

0:40:13.840 --> 0:40:18.360
<v Speaker 2>and I'm delighted to be talking to such a subtle

0:40:18.360 --> 0:40:20.160
<v Speaker 2>minded historian as you about it.

0:40:20.800 --> 0:40:26.560
<v Speaker 1>Oh stop, we never. If you're listening in the United States,

0:40:26.800 --> 0:40:30.759
<v Speaker 1>Henry the Fifth comes out October first pre order pick

0:40:30.800 --> 0:40:34.640
<v Speaker 1>it up at your local bookstore. But also on my recommendation,

0:40:34.719 --> 0:40:38.319
<v Speaker 1>you should absolutely get Dan's previous books. I love The

0:40:38.360 --> 0:40:40.319
<v Speaker 1>Wars of the Roses. If you want to know what's

0:40:40.360 --> 0:40:42.919
<v Speaker 1>happening after Henry the Fifth, he wrote an incredible book

0:40:42.920 --> 0:40:47.480
<v Speaker 1>on the Plantagenet that I think is the book that

0:40:47.600 --> 0:40:50.120
<v Speaker 1>anyone who's interested in that period of history should read.

0:40:50.160 --> 0:40:53.359
<v Speaker 1>It's just such a smart, readable overview. You do such

0:40:53.360 --> 0:40:55.799
<v Speaker 1>incredible work. I'm so happy to.

0:40:55.800 --> 0:40:59.560
<v Speaker 2>Know you now you stop it. No, it's a pleasure,

0:40:59.600 --> 0:41:01.960
<v Speaker 2>Thank you, thank you, and I always love talking to you.

0:41:09.160 --> 0:41:13.200
<v Speaker 1>Noble Blood is a production of iHeart Radio and Grimm

0:41:13.239 --> 0:41:16.960
<v Speaker 1>and Mild from Aaron Manky. Noble Blood is hosted by

0:41:17.080 --> 0:41:22.400
<v Speaker 1>me Danish Forts, with additional writing and researching by Hannah Johnston,

0:41:22.760 --> 0:41:28.200
<v Speaker 1>Hannah Zewick, Courtney Sender, Julia Milani, and Armand Cassam. The

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<v Speaker 1>show is edited and produced by Noehmy Griffin and rima

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<v Speaker 1>Il Kaali, with supervising producer Josh Thain and executive producers

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<v Speaker 1>Aaron Mankey, Alex Williams, and Matt Frederick f More podcasts

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