Speaker 1: I am all in again. Oh let's you y'll more
Speaker 1: Girls Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast.
Speaker 2: It's time for your weekly dose of Bunheads.
Speaker 1: How are you feeling about it?
Speaker 2: I really liked the last year, so this one it
Speaker 2: was good. It was good, way better than the beginning ten. Yeah,
Speaker 2: just not as good as the last three were.
Speaker 1: Really seeah, I disagree. I actually I actually think we're
Speaker 1: like firing on all cylinders, as they say, all right,
Speaker 1: but I have a question for you. I think, Okay,
Speaker 1: am I dumb and just not artistic? Is there more
Speaker 1: to the dances at the end? Because they kind of
Speaker 1: keep putting that in these sort of performances. Then like
Speaker 1: I'm getting like, I understand, okay, Sasha's dealing with like
Speaker 1: a tough situation, so that's why she's doing the dance.
Speaker 1: But I'm like, is there am I supposed to be
Speaker 1: getting like deep meaning from this?
Speaker 2: Well? I think the meaning was paired with the music
Speaker 2: of that last and Jackie and Emma please pull up
Speaker 2: the lyric it was it was the song was about
Speaker 2: it being in tough times. I just I can't get
Speaker 2: the exact words of it in my head right now
Speaker 2: and recall it. But I think the music is depicting
Speaker 2: the time or what Sasha is feeling, because we don't
Speaker 2: always get that from her words. So I think it's
Speaker 2: like her way, or rather Amy Sherman Palladino's way. Oh
Speaker 2: she didn't write this one.
Speaker 1: Well their way, yeah, sure, sure that the writers are
Speaker 1: still writing in.
Speaker 2: Her Yeah, their way of communicating what Sasha's feeling inside.
Speaker 2: I like that.
Speaker 1: Okay, that's the I can get that out of it.
Speaker 1: It's there's a lot to those dances that I'm like,
Speaker 1: is this over my head? Like I am, I just
Speaker 1: not savvy enough to fully get it.
Speaker 2: Yeah, I understand that. I think the reason why I
Speaker 2: like it is what I just said. But also it
Speaker 2: is bun heads and this this episode didn't really have
Speaker 2: that much dance in it.
Speaker 1: Do you sort of like get up though? When the
Speaker 1: dancing starts, You're like.
Speaker 2: I definitely am not like I need to watch this.
Speaker 2: I'm like, okay, I could kind of maybe look at
Speaker 2: an email during this.
Speaker 1: Right, I'm like, okay, I get up and brush my
Speaker 1: teeth now, Okay, so little tidbit. This is directed by
Speaker 1: Jackson Douglas which is our jackson from Gilmore Girls.
Speaker 2: This episode that we're talking about, season one, episode thirteen,
Speaker 2: I'll be Your Meyer Lanski, Michelle and Fanny struggle with
Speaker 2: financial troubles while the girls remain activated by the new students. Meanwhile,
Speaker 2: Sasha's move continues to affect.
Speaker 1: Her two pop culture questions that they may need to
Speaker 1: look up for us. Who is Meyer Lansky? And number two?
Speaker 1: There's a moment when the uh accountant calls them who'sy
Speaker 1: and Doozy?
Speaker 2: Oh?
Speaker 1: Yes, and then she says, I don't really appreciate the
Speaker 1: appreciate the who'sy and Doozy? Reference? Who were those two people?
Speaker 1: And who were those two people?
Speaker 2: Darn, You're like, I know exactly what you're talking about,
Speaker 2: what I'm talking about, but you're trying to see if
Speaker 2: it's in my notes.
Speaker 1: I do not think Jackie says meyer Lansky is a
Speaker 1: mob boss account my boss? What accountant?
Speaker 2: Accountant? Accountant?
Speaker 1: Okay, okay, sure, sure, sure, sure, but those two you know,
Speaker 1: Chip and Dale. But it wasn't that.
Speaker 2: No, it's not like Thelma Louis.
Speaker 1: See if somebody can look it up. While we talk
Speaker 1: about the rest of the episode, Also, where was Boo
Speaker 1: I know Boo.
Speaker 2: Okay, you're you stand Boo so hard.
Speaker 1: I was okay to have her break. Here's the thing
Speaker 1: I prefer Ginny. I really like it.
Speaker 2: I really like Ginny.
Speaker 1: How about Melanie just being so violent just one teking
Speaker 1: when she pulled that girl's ponytail. I was like, what,
Speaker 1: I have loved it.
Speaker 2: I know I'm not trying to condone violence here, but
Speaker 2: I thought it was.
Speaker 1: It made me get it too. And then she just
Speaker 1: knocks the door right out of his chairs, like what
Speaker 1: is happening? That was aggressive?
Speaker 2: Oh my god, it was so aggressive and so unexpected,
Speaker 2: like and.
Speaker 1: I do love that those two people are so popular
Speaker 1: and the girls are like how did this happen?
Speaker 2: And yeah, And the thing is is those they don't
Speaker 2: even talk.
Speaker 1: Which is like the most.
Speaker 2: Ironic part, Like they don't even say any words.
Speaker 1: That girl is super cool though. That plays with coset.
Speaker 1: I feel like I know her from something and I'm like,
Speaker 1: why do I know her? Also, I actually felt bad
Speaker 1: for Charlie getting dumped, even though Charlie's kind of a
Speaker 1: pain in the ass. Yeah, I felt bad for him.
Speaker 2: Everyone needs a taste of their own medicine sometimes.
Speaker 1: I mean, I guess so the same we've got this.
Speaker 1: We're back with the same financial advisor that we were
Speaker 1: with before, and they're just trying to figure out how
Speaker 1: to make money. Yeah, which seems to be like a
Speaker 1: recurring thing. I don't know why we're not just like
Speaker 1: selling part of the land.
Speaker 2: I know, I'm like, why are.
Speaker 1: We not just selling part of it?
Speaker 2: I completely agree with you. You don't even know half
Speaker 2: the land you have.
Speaker 1: Crazy. I also love that they're going into business with Paris.
Speaker 1: I do too, Like that makes my whole too, because
Speaker 1: she's pretty pretty legit in this. She looks cool. It's
Speaker 1: like she's cool. I like that she's truly sister. That
Speaker 1: whole thing the trivia night that was funny, Rose was great.
Speaker 1: I like Thatly and her sister have so much animosity.
Speaker 2: They couldn't be the exact opposite. And I did like
Speaker 2: the it's kind of people are gonna be mad at
Speaker 2: me for saying this, but I do kind of like
Speaker 2: the payoff that Sparkles was named after her cat that
Speaker 2: she put down.
Speaker 1: Oh my gosh, and that like truly just keeps setting
Speaker 1: up Sparkles like everywhere.
Speaker 2: Else I know, I know, but I love how this
Speaker 2: character is so like Paris but different at the same time.
Speaker 1: Yes, but there's definitely.
Speaker 2: Paris in this. Yeah, so much Paris.
Speaker 1: How could you not? I mean, how could you not?
Speaker 1: I know she does, does she?
Speaker 2: I don't really know much about Licen's career.
Speaker 1: She's in How to get Away with Murder? Was a
Speaker 1: Shonda Rhymes m soft. I I wouldn't call her soft
Speaker 1: in How to get Away with Murder. She's edgy, but
Speaker 1: I don't mean edgy like fashion forward edgy. She's gotten
Speaker 1: edge to her. You know, she played in Scandal, So
Speaker 1: I don't know if you remember this, but in the
Speaker 1: very first couple episodes of Scandal, there is a young
Speaker 1: woman I think it's sort of a La Monica Lewinsky
Speaker 1: that has a relationship with the president, and that is
Speaker 1: played by Liza While and she's a bit softer in that,
Speaker 1: but still with sort of a sharp edge. And she's
Speaker 1: murdered murdered, oh wow, murdered by if I'm remembering, not
Speaker 1: by the chief of staff. But he gets somebody to
Speaker 1: murder her, which ends up being sort of this kind
Speaker 1: of hired bad guy, and they end up working with
Speaker 1: him quite a bit. And another character, actually even I
Speaker 1: think Mary's him or has a baby with him. But anyway,
Speaker 1: Liza Whyles in the first few episodes. She's very important
Speaker 1: in the first like season of Scandal.
Speaker 2: I never really I no, I watched a few episodes
Speaker 2: of Scandal, but I think it was too young at
Speaker 2: the time.
Speaker 1: You like it. I'm rewatching it, and I think you
Speaker 1: would like it. She's a bit of a tough cookie,
Speaker 1: but with a real softer side a little bit.
Speaker 2: I want to see her be like a hippie and
Speaker 2: like a I.
Speaker 1: Just don't know that I can see it. I keep
Speaker 1: seeing Paris.
Speaker 2: I want to see her do something just so different.
Speaker 1: And then she was a major character in How to
Speaker 1: Get Away with Murder? If I remember with Viola Davis
Speaker 1: another Shonda Rhymes, she kind of only works with Shonda
Speaker 1: Rhymes or Amy Sherman Palladino.
Speaker 2: Not a bad sandwich to be in the middle of.
Speaker 1: Good Shonda Rhymes has a new show coming that I'm
Speaker 1: excited about that I can't think of what it's called
Speaker 1: right now, but we'll save that for our Gilmore Girls headlines.
Speaker 1: Any Way, the candle shop that's randomly on their land,
Speaker 1: and then she steals the candles that whole thing was
Speaker 1: just so far fetched and crazy.
Speaker 2: Yeah, and also like who's profiting, Like who who's selling
Speaker 2: or not selling that land but renting out that land
Speaker 2: that isn't theirs.
Speaker 1: And also it's an obscure piece of property and the
Speaker 1: guy's selling enough candles to make a profit.
Speaker 2: No, that's a.
Speaker 1: Bun heads he crazy but.
Speaker 2: Okay in a small small town where there's like five people. Oh,
Speaker 2: the new Shonda Rhymes show is called The Residents. I
Speaker 2: think we covered that in the last in the last headlines.
Speaker 1: Remember that one. I'm excited about that one. Lots of
Speaker 1: sort of a young girl stuff. You know, they're kind
Speaker 1: of obsessed with Cosette, blah blah blah whatever. There's kind
Speaker 1: of bits with Michelle and Fanny trying to fig out
Speaker 1: there money and Michelle going back to the loane guy.
Speaker 1: There's not a lot of meat here. It's basically the
Speaker 1: no money stuff, Sasha stuff, Cosette, the new girl stuff,
Speaker 1: and then Liza Wiles's character doing stuff with truly, and
Speaker 1: I feel like there's one more storyline.
Speaker 2: Well, we need to talk about Michelle and Gadoh and
Speaker 2: that whole minor change that literally made me want to
Speaker 2: hide under it a rock.
Speaker 1: It made me just so secondhand embarrassment, cringe tastic, whatever
Speaker 1: the word is. So basically, you guys, if you haven't
Speaker 1: been watching she er, she's gonna do like a toast
Speaker 1: with Goodo and because she finds out she didn't graduate
Speaker 1: high school, which is also so stupid, but whatever, and
Speaker 1: she does a toast and she says to us, both.
Speaker 2: Being dumb and you do not say that and hope
Speaker 2: for the other person to take it lightly, what is
Speaker 2: wrong with her?
Speaker 1: Let a load on your interest? So crazy? And then
Speaker 1: he's like immediately like okay, Michelle, Like he basically was
Speaker 1: just like yeah. He throws the drink behind his arm,
Speaker 1: and he's like got a PhD or masters. He's obviously
Speaker 1: like so smart. She should be lucky to be with GOODO.
Speaker 2: Come on, that was Michelle. You really really really just
Speaker 2: put that relationship potential relationship in the oyster bar garbage.
Speaker 1: I try to have a little understanding for people that
Speaker 1: say dumb stuff, because haven't you ever been in a
Speaker 1: situation where somebody just says something so dumb but you're like,
Speaker 1: I know you didn't mean it, so I'm just gonna
Speaker 1: move on from it. Yeah, people say dumb stuff all
Speaker 1: the time, and I'm sure so do we. I mean,
Speaker 1: trust we say dumb stuff on this.
Speaker 2: Thing all the time.
Speaker 1: So but that was it was pretty next level dumb.
Speaker 1: It was a pretty dumb.
Speaker 2: Yeah. But the payoff is Michelle sits down with Milly
Speaker 2: and she wants to sell Milly some of the land,
Speaker 2: and she that amazing, amazing idea of wanting to build
Speaker 2: an amphitheater so that they can do their dance performances
Speaker 2: out there. And yeah, the YadA YadA, and Milly jumps
Speaker 2: on the amphitheater idea and wants to partner even though Michelle.
Speaker 1: Which I think she's smart, I think Milly's smart because
Speaker 1: I do think the amphitheater is actually a good idea.
Speaker 2: Well, it's one of those things in a small town
Speaker 2: like that, you everyone wants something to do, right, and
Speaker 2: so this is like another place that there can have
Speaker 2: they can have all those small town festivities at.
Speaker 1: Tons of use for it. And I actually liked the
Speaker 1: interchange between Michelle and Truly talking about friendship. You know,
Speaker 1: I thought, Okay, I'm into that, Like that was good. Yeah,
Speaker 1: and then we get to the craziest part of the
Speaker 1: whole thing. Sasha at a house. I'm sorry, what mother?
Speaker 1: Excuse me? What? Mother? First of all, I understand if
Speaker 1: you have a teenager, that's like basically they're probably juniors
Speaker 1: or seniors or whatever they are. You say you want
Speaker 1: to live with your mom or your dad. That's fine.
Speaker 1: The kid can totally choose. I have no problem. Nobody
Speaker 1: just abandons their kid. Okay, fine, here's the keys. You
Speaker 1: got two weeks till the house is gone.
Speaker 2: What I know. But also the one thing that irked
Speaker 2: me even more than that is when Sasha was saying,
Speaker 2: I was gone at Godford for three weeks and you
Speaker 2: didn't even notice when I came back, and the mom
Speaker 2: was like, you didn't tell me you came back, So
Speaker 2: that's on you. No, no, no, no, no.
Speaker 1: That mom is crazy crazy.
Speaker 2: The fact that you don't know where your kid is
Speaker 2: is a problem.
Speaker 1: No, it's like Michelle and then I do. I do
Speaker 1: like the scene of Michelle sort of saying, we're gonna
Speaker 1: figure this out, obviously, like Michelle needs to. I mean,
Speaker 1: Sasha's gonna move in with Michelle or move in with
Speaker 1: Fanny or something. But what mother just goes, okay, bye,
Speaker 1: peace out?
Speaker 2: What mom? That I don't know?
Speaker 1: That was so weird.
Speaker 2: That was that was so weird. But also, where's the dad?
Speaker 2: Why is the dad not even saying anything? Like I
Speaker 2: don't like any of it. You have two parents and
Speaker 2: they both that's why Sasha is the way she is totally,
Speaker 2: so I don't even care totally.
Speaker 1: Here it's a little bit far fetched too.
Speaker 2: Yeah, well, I mean this could happen.
Speaker 1: This probably does. Yes, yeah, I mean maybe yes, but
Speaker 1: it don't happen. It's just it's it's interesting. It's interesting.
Speaker 1: So then we get sort of the dramatic dance, and
Speaker 1: it was like, Okay, there's a lot to this dance
Speaker 1: that is going over my head, but I'm good with it. Also,
Speaker 1: I'm not sure I love the dancing. It's sort of
Speaker 1: messy dancing.
Speaker 2: But oh it's I don't what do they call that
Speaker 2: alternative dance.
Speaker 1: Modern ballet or something. Oh yeah, it does have a name.
Speaker 2: It's called they do it Dancing with the Stars.
Speaker 1: They do do it on Dancing with Stars.
Speaker 2: I said, do do interpretive dancing?
Speaker 1: Interpretive? Modern? It is? They do do it on Dancing
Speaker 1: with the Stars.
Speaker 2: Yeah, they do. And I always don't like it because
Speaker 2: I want to see the ballroom feels messo or the
Speaker 2: via Need's Waltz.
Speaker 1: Like. I don't like it either because it feels like
Speaker 1: I could do it. It's like I don't know that
Speaker 1: I should be able to do the dancing. Yeah, it
Speaker 1: feels like I could do that. I'm just saying, right,
Speaker 1: it's a lot of that. Danielle and I are doing it,
Speaker 1: if you guys want to know.
Speaker 2: And we are so happy we do not post video
Speaker 2: looks from mess way.
Speaker 1: I'm still into button heads and I'm glad we're doing it,
Speaker 1: but I'm getting looking forward to Maisel and then also,
Speaker 1: I think we should do etto all.
Speaker 2: Yeah, I'm down. I think we should treat yeah like
Speaker 2: we did the Z Suite. Watch an episode and see
Speaker 2: if we want to continue.
Speaker 1: Yeah, I agree, I agree, but I'm going to give
Speaker 1: it a lot of effort. Have you watched another Z Suite?
Speaker 1: You have not? Nope, I know you haven't because it's
Speaker 1: not that good.
Speaker 2: I liked it.
Speaker 1: I liked it.
Speaker 2: Don't see another episode I liked it.
Speaker 1: I liked it.
Speaker 2: I don't know what else to say. I thought it
Speaker 2: was funny and kichi and whatever, and no, I'll get
Speaker 2: to it.
Speaker 1: It is a no for me.
Speaker 2: Dog, I'll get to it.
Speaker 1: But Bunheads, I would watch the whole other season, and
Speaker 1: I'm excited about Atoalle and Maisel and more Gilmour girls
Speaker 1: if that ever happens.
Speaker 2: It's a twenty big year, Like, please, please do something.
Speaker 1: Come on. I loved lawrence idea about a prequel that
Speaker 1: she narrates a Lah Kristen Bell Dexter, et cetera.
Speaker 2: And that would be iconic.
Speaker 1: That would be totally great, except there's there.
Speaker 2: Will be no Luke, and there'll be no Rory or
Speaker 2: Jess or Logan.
Speaker 1: There actually could be a young Luke because you could
Speaker 1: see this is when she go but it's kind of
Speaker 1: like maybe when they're young, there could be a Luke.
Speaker 1: Fair would be played by Luke because the person has
Speaker 1: to be like twenty five or something.
Speaker 2: The only red flag I would have on this, which
Speaker 2: is gonna make me really really sad, But I can't
Speaker 2: have Richard voiced by someone else.
Speaker 1: Oh you know, you make such a good point, but
Speaker 1: he would be because it's if we're going eighteen years reverse,
Speaker 1: because say it's like Begins, maybe when they show up
Speaker 1: at the inn, somebody else would maybe have to play them.
Speaker 1: You gotta watch Dexter the way they've done it on
Speaker 1: Dexter is so amazing because they have these young actors
Speaker 1: that literally look exactly like the people that play them
Speaker 1: on Dexter. It's almost like trips me out. It's like
Speaker 1: a glitch. It's so crazy how accurately they.
Speaker 2: Saw that though, right, the flashback with the youngs.
Speaker 1: Were not those I was not. Those were not nearly
Speaker 1: as good as the way they've done it on Dexter.
Speaker 1: All right, get just look, you'd have to have watched
Speaker 1: Dexter and then you watch the prequel and you're like,
Speaker 1: oh my god, like this is crazy crazy. So I
Speaker 1: think it's doable. I don't think those young people that
Speaker 1: I don't think those were good enough. Frankly, sorry to.
Speaker 2: Judge, No no judgment. Lauren Graham make it happen.
Speaker 1: Yeah, it's really Amy, Sherman, Palladino.
Speaker 2: Both of you. Make it happen, because I do think
Speaker 2: I think Lauren Graham is going to have to have
Speaker 2: a very heavy part in it.
Speaker 1: A thousand per yeah, thousand percent.
Speaker 2: And if there's anyone that can swindle Amy Shum and
Speaker 2: Paladin you know, to doing it, it's Lauren Graham.
Speaker 1: I think you're right.
Speaker 2: You know what Lauren Graham. The ball is in your court.
Speaker 1: So yeah, call Lauren Graham. Make it happen.
Speaker 2: All right, guys, that's Bunheads.
Speaker 1: Are we supposed to rate it? Do we do that?
Speaker 2: Why can you say that in every episode we do?
Speaker 1: Do we rate it?
Speaker 2: We domm seven? Yeah, I was gonna say seven too.
Speaker 2: You liked it more than me, though.
Speaker 1: I enjoy it the last six here I know, I
Speaker 1: like fourteen, fifteen, sixteen, seventeen, eighteen five more.
Speaker 2: Yeah.
Speaker 1: Crazy.
Speaker 2: One of our producers, Emma said, do you think they'll
Speaker 2: announce anything at paiy Fest?
Speaker 1: Maybe no, I don't, but maybe. God. I love you guys,
Speaker 1: talk to you already.
Speaker 2: Drich Bunheads out.
Speaker 1: August Data everybody to forget.
Speaker 2: Follow us on Instagram at I Am all In podcast,
Speaker 2: and email us at Gilmore at iHeartRadio dot com