WEBVTT - Gilmore Girls Gazette: Bunheads:  More Dancing Please?

0:00:00.720 --> 0:00:18.160
<v Speaker 1>I am all in again. Oh let's you y'll more

0:00:18.239 --> 0:00:23.720
<v Speaker 1>Girls Gazette with Amy Sugarman and Danielle Romo, an iHeartRadio podcast.

0:00:24.400 --> 0:00:27.720
<v Speaker 2>It's time for your weekly dose of Bunheads.

0:00:28.120 --> 0:00:29.160
<v Speaker 1>How are you feeling about it?

0:00:29.560 --> 0:00:32.519
<v Speaker 2>I really liked the last year, so this one it

0:00:32.600 --> 0:00:36.160
<v Speaker 2>was good. It was good, way better than the beginning ten. Yeah,

0:00:37.200 --> 0:00:38.800
<v Speaker 2>just not as good as the last three were.

0:00:39.640 --> 0:00:43.280
<v Speaker 1>Really seeah, I disagree. I actually I actually think we're

0:00:43.320 --> 0:00:46.880
<v Speaker 1>like firing on all cylinders, as they say, all right,

0:00:46.479 --> 0:00:51.080
<v Speaker 1>but I have a question for you. I think, Okay,

0:00:51.680 --> 0:00:55.840
<v Speaker 1>am I dumb and just not artistic? Is there more

0:00:55.920 --> 0:00:59.280
<v Speaker 1>to the dances at the end? Because they kind of

0:00:59.320 --> 0:01:02.960
<v Speaker 1>keep putting that in these sort of performances. Then like

0:01:03.120 --> 0:01:07.000
<v Speaker 1>I'm getting like, I understand, okay, Sasha's dealing with like

0:01:07.760 --> 0:01:11.319
<v Speaker 1>a tough situation, so that's why she's doing the dance.

0:01:12.120 --> 0:01:14.840
<v Speaker 1>But I'm like, is there am I supposed to be

0:01:14.880 --> 0:01:16.400
<v Speaker 1>getting like deep meaning from this?

0:01:16.920 --> 0:01:20.160
<v Speaker 2>Well? I think the meaning was paired with the music

0:01:20.319 --> 0:01:24.640
<v Speaker 2>of that last and Jackie and Emma please pull up

0:01:24.680 --> 0:01:28.080
<v Speaker 2>the lyric it was it was the song was about

0:01:28.800 --> 0:01:31.399
<v Speaker 2>it being in tough times. I just I can't get

0:01:31.400 --> 0:01:33.560
<v Speaker 2>the exact words of it in my head right now

0:01:33.600 --> 0:01:37.920
<v Speaker 2>and recall it. But I think the music is depicting

0:01:39.319 --> 0:01:42.560
<v Speaker 2>the time or what Sasha is feeling, because we don't

0:01:42.560 --> 0:01:45.959
<v Speaker 2>always get that from her words. So I think it's

0:01:46.080 --> 0:01:50.160
<v Speaker 2>like her way, or rather Amy Sherman Palladino's way. Oh

0:01:50.200 --> 0:01:51.080
<v Speaker 2>she didn't write this one.

0:01:51.960 --> 0:01:57.080
<v Speaker 1>Well their way, yeah, sure, sure that the writers are

0:01:57.080 --> 0:01:57.920
<v Speaker 1>still writing in.

0:01:57.840 --> 0:02:02.800
<v Speaker 2>Her Yeah, their way of communicating what Sasha's feeling inside.

0:02:03.320 --> 0:02:03.760
<v Speaker 2>I like that.

0:02:03.920 --> 0:02:07.520
<v Speaker 1>Okay, that's the I can get that out of it.

0:02:07.520 --> 0:02:10.680
<v Speaker 1>It's there's a lot to those dances that I'm like,

0:02:11.280 --> 0:02:14.320
<v Speaker 1>is this over my head? Like I am, I just

0:02:14.480 --> 0:02:18.480
<v Speaker 1>not savvy enough to fully get it.

0:02:19.919 --> 0:02:22.720
<v Speaker 2>Yeah, I understand that. I think the reason why I

0:02:22.800 --> 0:02:25.240
<v Speaker 2>like it is what I just said. But also it

0:02:25.280 --> 0:02:29.760
<v Speaker 2>is bun heads and this this episode didn't really have

0:02:29.800 --> 0:02:30.800
<v Speaker 2>that much dance in it.

0:02:31.240 --> 0:02:33.200
<v Speaker 1>Do you sort of like get up though? When the

0:02:33.280 --> 0:02:34.600
<v Speaker 1>dancing starts, You're like.

0:02:34.720 --> 0:02:37.480
<v Speaker 2>I definitely am not like I need to watch this.

0:02:38.120 --> 0:02:39.800
<v Speaker 2>I'm like, okay, I could kind of maybe look at

0:02:39.840 --> 0:02:41.200
<v Speaker 2>an email during this.

0:02:41.160 --> 0:02:43.680
<v Speaker 1>Right, I'm like, okay, I get up and brush my

0:02:43.680 --> 0:02:47.000
<v Speaker 1>teeth now, Okay, so little tidbit. This is directed by

0:02:47.080 --> 0:02:51.720
<v Speaker 1>Jackson Douglas which is our jackson from Gilmore Girls.

0:02:52.000 --> 0:02:54.519
<v Speaker 2>This episode that we're talking about, season one, episode thirteen,

0:02:54.520 --> 0:02:57.640
<v Speaker 2>I'll be Your Meyer Lanski, Michelle and Fanny struggle with

0:02:57.680 --> 0:03:01.800
<v Speaker 2>financial troubles while the girls remain activated by the new students. Meanwhile,

0:03:01.840 --> 0:03:04.200
<v Speaker 2>Sasha's move continues to affect.

0:03:03.800 --> 0:03:07.920
<v Speaker 1>Her two pop culture questions that they may need to

0:03:08.639 --> 0:03:12.920
<v Speaker 1>look up for us. Who is Meyer Lansky? And number two?

0:03:13.160 --> 0:03:20.000
<v Speaker 1>There's a moment when the uh accountant calls them who'sy

0:03:20.040 --> 0:03:20.480
<v Speaker 1>and Doozy?

0:03:21.000 --> 0:03:21.160
<v Speaker 2>Oh?

0:03:21.240 --> 0:03:23.919
<v Speaker 1>Yes, and then she says, I don't really appreciate the

0:03:24.200 --> 0:03:28.120
<v Speaker 1>appreciate the who'sy and Doozy? Reference? Who were those two people?

0:03:28.160 --> 0:03:29.400
<v Speaker 1>And who were those two people?

0:03:31.160 --> 0:03:35.080
<v Speaker 2>Darn, You're like, I know exactly what you're talking about,

0:03:35.080 --> 0:03:36.680
<v Speaker 2>what I'm talking about, but you're trying to see if

0:03:36.680 --> 0:03:37.440
<v Speaker 2>it's in my notes.

0:03:39.560 --> 0:03:43.120
<v Speaker 1>I do not think Jackie says meyer Lansky is a

0:03:43.160 --> 0:03:46.240
<v Speaker 1>mob boss account my boss? What accountant?

0:03:46.240 --> 0:03:47.920
<v Speaker 2>Accountant? Accountant?

0:03:48.000 --> 0:03:54.720
<v Speaker 1>Okay, okay, sure, sure, sure, sure, but those two you know,

0:03:56.840 --> 0:03:58.280
<v Speaker 1>Chip and Dale. But it wasn't that.

0:03:59.440 --> 0:04:01.360
<v Speaker 2>No, it's not like Thelma Louis.

0:04:01.600 --> 0:04:03.280
<v Speaker 1>See if somebody can look it up. While we talk

0:04:03.320 --> 0:04:05.680
<v Speaker 1>about the rest of the episode, Also, where was Boo

0:04:06.040 --> 0:04:08.400
<v Speaker 1>I know Boo.

0:04:08.840 --> 0:04:11.960
<v Speaker 2>Okay, you're you stand Boo so hard.

0:04:12.440 --> 0:04:15.040
<v Speaker 1>I was okay to have her break. Here's the thing

0:04:15.560 --> 0:04:17.600
<v Speaker 1>I prefer Ginny. I really like it.

0:04:18.200 --> 0:04:19.560
<v Speaker 2>I really like Ginny.

0:04:19.800 --> 0:04:24.200
<v Speaker 1>How about Melanie just being so violent just one teking

0:04:24.640 --> 0:04:30.160
<v Speaker 1>when she pulled that girl's ponytail. I was like, what,

0:04:30.800 --> 0:04:31.880
<v Speaker 1>I have loved it.

0:04:32.320 --> 0:04:34.720
<v Speaker 2>I know I'm not trying to condone violence here, but

0:04:34.839 --> 0:04:35.880
<v Speaker 2>I thought it was.

0:04:36.320 --> 0:04:37.919
<v Speaker 1>It made me get it too. And then she just

0:04:38.000 --> 0:04:40.440
<v Speaker 1>knocks the door right out of his chairs, like what

0:04:40.600 --> 0:04:43.960
<v Speaker 1>is happening? That was aggressive?

0:04:44.040 --> 0:04:47.640
<v Speaker 2>Oh my god, it was so aggressive and so unexpected,

0:04:48.080 --> 0:04:48.520
<v Speaker 2>like and.

0:04:48.480 --> 0:04:51.520
<v Speaker 1>I do love that those two people are so popular

0:04:52.240 --> 0:04:54.240
<v Speaker 1>and the girls are like how did this happen?

0:04:54.640 --> 0:04:57.000
<v Speaker 2>And yeah, And the thing is is those they don't

0:04:57.040 --> 0:04:57.839
<v Speaker 2>even talk.

0:04:57.680 --> 0:04:59.440
<v Speaker 1>Which is like the most.

0:04:59.279 --> 0:05:01.440
<v Speaker 2>Ironic part, Like they don't even say any words.

0:05:01.520 --> 0:05:04.080
<v Speaker 1>That girl is super cool though. That plays with coset.

0:05:04.160 --> 0:05:06.000
<v Speaker 1>I feel like I know her from something and I'm like,

0:05:06.040 --> 0:05:08.520
<v Speaker 1>why do I know her? Also, I actually felt bad

0:05:08.520 --> 0:05:11.440
<v Speaker 1>for Charlie getting dumped, even though Charlie's kind of a

0:05:11.480 --> 0:05:15.080
<v Speaker 1>pain in the ass. Yeah, I felt bad for him.

0:05:16.640 --> 0:05:20.040
<v Speaker 2>Everyone needs a taste of their own medicine sometimes.

0:05:20.640 --> 0:05:23.480
<v Speaker 1>I mean, I guess so the same we've got this.

0:05:23.520 --> 0:05:26.240
<v Speaker 1>We're back with the same financial advisor that we were

0:05:26.240 --> 0:05:28.800
<v Speaker 1>with before, and they're just trying to figure out how

0:05:28.839 --> 0:05:31.520
<v Speaker 1>to make money. Yeah, which seems to be like a

0:05:31.560 --> 0:05:33.520
<v Speaker 1>recurring thing. I don't know why we're not just like

0:05:33.600 --> 0:05:35.080
<v Speaker 1>selling part of the land.

0:05:35.360 --> 0:05:38.560
<v Speaker 2>I know, I'm like, why are.

0:05:38.440 --> 0:05:39.880
<v Speaker 1>We not just selling part of it?

0:05:40.320 --> 0:05:44.280
<v Speaker 2>I completely agree with you. You don't even know half

0:05:44.320 --> 0:05:45.200
<v Speaker 2>the land you have.

0:05:45.720 --> 0:05:49.640
<v Speaker 1>Crazy. I also love that they're going into business with Paris.

0:05:50.160 --> 0:05:53.679
<v Speaker 1>I do too, Like that makes my whole too, because

0:05:53.720 --> 0:05:58.760
<v Speaker 1>she's pretty pretty legit in this. She looks cool. It's

0:05:58.839 --> 0:06:03.040
<v Speaker 1>like she's cool. I like that she's truly sister. That

0:06:03.080 --> 0:06:06.839
<v Speaker 1>whole thing the trivia night that was funny, Rose was great.

0:06:07.600 --> 0:06:12.560
<v Speaker 1>I like Thatly and her sister have so much animosity.

0:06:12.480 --> 0:06:15.279
<v Speaker 2>They couldn't be the exact opposite. And I did like

0:06:15.320 --> 0:06:21.320
<v Speaker 2>the it's kind of people are gonna be mad at

0:06:21.320 --> 0:06:23.240
<v Speaker 2>me for saying this, but I do kind of like

0:06:23.279 --> 0:06:26.159
<v Speaker 2>the payoff that Sparkles was named after her cat that

0:06:26.200 --> 0:06:26.960
<v Speaker 2>she put down.

0:06:27.040 --> 0:06:31.040
<v Speaker 1>Oh my gosh, and that like truly just keeps setting

0:06:31.160 --> 0:06:33.960
<v Speaker 1>up Sparkles like everywhere.

0:06:33.600 --> 0:06:40.520
<v Speaker 2>Else I know, I know, but I love how this

0:06:40.720 --> 0:06:44.880
<v Speaker 2>character is so like Paris but different at the same time.

0:06:45.120 --> 0:06:47.120
<v Speaker 1>Yes, but there's definitely.

0:06:48.160 --> 0:06:50.760
<v Speaker 2>Paris in this. Yeah, so much Paris.

0:06:51.200 --> 0:06:52.960
<v Speaker 1>How could you not? I mean, how could you not?

0:06:53.440 --> 0:06:55.719
<v Speaker 1>I know she does, does she?

0:06:56.400 --> 0:06:59.200
<v Speaker 2>I don't really know much about Licen's career.

0:06:59.279 --> 0:07:02.680
<v Speaker 1>She's in How to get Away with Murder? Was a

0:07:02.800 --> 0:07:07.640
<v Speaker 1>Shonda Rhymes m soft. I I wouldn't call her soft

0:07:07.680 --> 0:07:11.200
<v Speaker 1>in How to get Away with Murder. She's edgy, but

0:07:11.440 --> 0:07:14.760
<v Speaker 1>I don't mean edgy like fashion forward edgy. She's gotten

0:07:15.000 --> 0:07:18.400
<v Speaker 1>edge to her. You know, she played in Scandal, So

0:07:18.400 --> 0:07:19.760
<v Speaker 1>I don't know if you remember this, but in the

0:07:19.920 --> 0:07:24.720
<v Speaker 1>very first couple episodes of Scandal, there is a young

0:07:24.760 --> 0:07:27.960
<v Speaker 1>woman I think it's sort of a La Monica Lewinsky

0:07:28.360 --> 0:07:32.600
<v Speaker 1>that has a relationship with the president, and that is

0:07:33.120 --> 0:07:37.120
<v Speaker 1>played by Liza While and she's a bit softer in that,

0:07:37.280 --> 0:07:40.600
<v Speaker 1>but still with sort of a sharp edge. And she's

0:07:40.720 --> 0:07:48.680
<v Speaker 1>murdered murdered, oh wow, murdered by if I'm remembering, not

0:07:48.840 --> 0:07:51.000
<v Speaker 1>by the chief of staff. But he gets somebody to

0:07:51.080 --> 0:07:54.760
<v Speaker 1>murder her, which ends up being sort of this kind

0:07:54.760 --> 0:07:58.080
<v Speaker 1>of hired bad guy, and they end up working with

0:07:58.200 --> 0:08:01.840
<v Speaker 1>him quite a bit. And another character, actually even I

0:08:01.840 --> 0:08:03.680
<v Speaker 1>think Mary's him or has a baby with him. But anyway,

0:08:04.600 --> 0:08:07.440
<v Speaker 1>Liza Whyles in the first few episodes. She's very important

0:08:08.320 --> 0:08:10.120
<v Speaker 1>in the first like season of Scandal.

0:08:11.120 --> 0:08:14.120
<v Speaker 2>I never really I no, I watched a few episodes

0:08:14.160 --> 0:08:15.640
<v Speaker 2>of Scandal, but I think it was too young at

0:08:15.680 --> 0:08:15.880
<v Speaker 2>the time.

0:08:16.520 --> 0:08:18.400
<v Speaker 1>You like it. I'm rewatching it, and I think you

0:08:18.440 --> 0:08:20.880
<v Speaker 1>would like it. She's a bit of a tough cookie,

0:08:20.960 --> 0:08:23.240
<v Speaker 1>but with a real softer side a little bit.

0:08:23.560 --> 0:08:26.160
<v Speaker 2>I want to see her be like a hippie and

0:08:26.360 --> 0:08:28.120
<v Speaker 2>like a I.

0:08:28.080 --> 0:08:29.920
<v Speaker 1>Just don't know that I can see it. I keep

0:08:29.960 --> 0:08:30.880
<v Speaker 1>seeing Paris.

0:08:31.200 --> 0:08:33.720
<v Speaker 2>I want to see her do something just so different.

0:08:34.480 --> 0:08:36.320
<v Speaker 1>And then she was a major character in How to

0:08:36.320 --> 0:08:40.480
<v Speaker 1>Get Away with Murder? If I remember with Viola Davis

0:08:40.520 --> 0:08:43.600
<v Speaker 1>another Shonda Rhymes, she kind of only works with Shonda

0:08:43.640 --> 0:08:45.319
<v Speaker 1>Rhymes or Amy Sherman Palladino.

0:08:46.000 --> 0:08:49.280
<v Speaker 2>Not a bad sandwich to be in the middle of.

0:08:50.840 --> 0:08:53.400
<v Speaker 1>Good Shonda Rhymes has a new show coming that I'm

0:08:53.400 --> 0:08:55.320
<v Speaker 1>excited about that I can't think of what it's called

0:08:55.400 --> 0:08:58.160
<v Speaker 1>right now, but we'll save that for our Gilmore Girls headlines.

0:08:59.400 --> 0:09:03.560
<v Speaker 1>Any Way, the candle shop that's randomly on their land,

0:09:03.679 --> 0:09:06.080
<v Speaker 1>and then she steals the candles that whole thing was

0:09:06.120 --> 0:09:07.600
<v Speaker 1>just so far fetched and crazy.

0:09:08.559 --> 0:09:12.000
<v Speaker 2>Yeah, and also like who's profiting, Like who who's selling

0:09:12.440 --> 0:09:15.679
<v Speaker 2>or not selling that land but renting out that land

0:09:16.080 --> 0:09:16.880
<v Speaker 2>that isn't theirs.

0:09:16.960 --> 0:09:20.640
<v Speaker 1>And also it's an obscure piece of property and the

0:09:20.679 --> 0:09:22.760
<v Speaker 1>guy's selling enough candles to make a profit.

0:09:23.280 --> 0:09:24.080
<v Speaker 2>No, that's a.

0:09:25.800 --> 0:09:27.160
<v Speaker 1>Bun heads he crazy but.

0:09:27.200 --> 0:09:31.439
<v Speaker 2>Okay in a small small town where there's like five people. Oh,

0:09:31.480 --> 0:09:33.480
<v Speaker 2>the new Shonda Rhymes show is called The Residents. I

0:09:33.480 --> 0:09:36.559
<v Speaker 2>think we covered that in the last in the last headlines.

0:09:37.040 --> 0:09:48.400
<v Speaker 1>Remember that one. I'm excited about that one. Lots of

0:09:48.480 --> 0:09:52.440
<v Speaker 1>sort of a young girl stuff. You know, they're kind

0:09:52.440 --> 0:09:56.880
<v Speaker 1>of obsessed with Cosette, blah blah blah whatever. There's kind

0:09:56.920 --> 0:10:00.280
<v Speaker 1>of bits with Michelle and Fanny trying to fig out

0:10:00.280 --> 0:10:03.440
<v Speaker 1>there money and Michelle going back to the loane guy.

0:10:04.200 --> 0:10:06.920
<v Speaker 1>There's not a lot of meat here. It's basically the

0:10:07.120 --> 0:10:12.920
<v Speaker 1>no money stuff, Sasha stuff, Cosette, the new girl stuff,

0:10:13.200 --> 0:10:21.440
<v Speaker 1>and then Liza Wiles's character doing stuff with truly, and

0:10:21.559 --> 0:10:23.199
<v Speaker 1>I feel like there's one more storyline.

0:10:23.520 --> 0:10:25.640
<v Speaker 2>Well, we need to talk about Michelle and Gadoh and

0:10:25.720 --> 0:10:29.360
<v Speaker 2>that whole minor change that literally made me want to

0:10:29.440 --> 0:10:31.200
<v Speaker 2>hide under it a rock.

0:10:31.760 --> 0:10:37.840
<v Speaker 1>It made me just so secondhand embarrassment, cringe tastic, whatever

0:10:37.880 --> 0:10:40.600
<v Speaker 1>the word is. So basically, you guys, if you haven't

0:10:40.600 --> 0:10:43.960
<v Speaker 1>been watching she er, she's gonna do like a toast

0:10:43.960 --> 0:10:46.280
<v Speaker 1>with Goodo and because she finds out she didn't graduate

0:10:46.320 --> 0:10:49.440
<v Speaker 1>high school, which is also so stupid, but whatever, and

0:10:49.480 --> 0:10:52.520
<v Speaker 1>she does a toast and she says to us, both.

0:10:52.320 --> 0:10:56.480
<v Speaker 2>Being dumb and you do not say that and hope

0:10:56.520 --> 0:11:00.320
<v Speaker 2>for the other person to take it lightly, what is

0:11:00.320 --> 0:11:00.959
<v Speaker 2>wrong with her?

0:11:01.360 --> 0:11:04.679
<v Speaker 1>Let a load on your interest? So crazy? And then

0:11:05.120 --> 0:11:09.400
<v Speaker 1>he's like immediately like okay, Michelle, Like he basically was

0:11:09.480 --> 0:11:12.000
<v Speaker 1>just like yeah. He throws the drink behind his arm,

0:11:12.360 --> 0:11:16.720
<v Speaker 1>and he's like got a PhD or masters. He's obviously

0:11:16.760 --> 0:11:20.120
<v Speaker 1>like so smart. She should be lucky to be with GOODO.

0:11:20.400 --> 0:11:26.240
<v Speaker 2>Come on, that was Michelle. You really really really just

0:11:27.320 --> 0:11:32.280
<v Speaker 2>put that relationship potential relationship in the oyster bar garbage.

0:11:32.800 --> 0:11:34.520
<v Speaker 1>I try to have a little understanding for people that

0:11:34.559 --> 0:11:36.960
<v Speaker 1>say dumb stuff, because haven't you ever been in a

0:11:36.960 --> 0:11:41.040
<v Speaker 1>situation where somebody just says something so dumb but you're like,

0:11:41.280 --> 0:11:43.360
<v Speaker 1>I know you didn't mean it, so I'm just gonna

0:11:43.400 --> 0:11:46.400
<v Speaker 1>move on from it. Yeah, people say dumb stuff all

0:11:46.400 --> 0:11:48.160
<v Speaker 1>the time, and I'm sure so do we. I mean,

0:11:48.480 --> 0:11:50.400
<v Speaker 1>trust we say dumb stuff on this.

0:11:50.320 --> 0:11:51.640
<v Speaker 2>Thing all the time.

0:11:52.800 --> 0:11:55.520
<v Speaker 1>So but that was it was pretty next level dumb.

0:11:55.600 --> 0:11:57.720
<v Speaker 1>It was a pretty dumb.

0:11:58.080 --> 0:12:01.480
<v Speaker 2>Yeah. But the payoff is Michelle sits down with Milly

0:12:02.200 --> 0:12:06.559
<v Speaker 2>and she wants to sell Milly some of the land,

0:12:06.640 --> 0:12:13.480
<v Speaker 2>and she that amazing, amazing idea of wanting to build

0:12:13.520 --> 0:12:17.160
<v Speaker 2>an amphitheater so that they can do their dance performances

0:12:17.200 --> 0:12:21.079
<v Speaker 2>out there. And yeah, the YadA YadA, and Milly jumps

0:12:21.120 --> 0:12:25.520
<v Speaker 2>on the amphitheater idea and wants to partner even though Michelle.

0:12:25.000 --> 0:12:27.559
<v Speaker 1>Which I think she's smart, I think Milly's smart because

0:12:27.600 --> 0:12:30.720
<v Speaker 1>I do think the amphitheater is actually a good idea.

0:12:30.760 --> 0:12:32.520
<v Speaker 2>Well, it's one of those things in a small town

0:12:32.600 --> 0:12:38.440
<v Speaker 2>like that, you everyone wants something to do, right, and

0:12:38.520 --> 0:12:42.000
<v Speaker 2>so this is like another place that there can have

0:12:42.200 --> 0:12:45.199
<v Speaker 2>they can have all those small town festivities at.

0:12:45.600 --> 0:12:47.240
<v Speaker 1>Tons of use for it. And I actually liked the

0:12:47.280 --> 0:12:51.080
<v Speaker 1>interchange between Michelle and Truly talking about friendship. You know,

0:12:51.120 --> 0:12:55.240
<v Speaker 1>I thought, Okay, I'm into that, Like that was good. Yeah,

0:12:55.280 --> 0:12:57.520
<v Speaker 1>and then we get to the craziest part of the

0:12:57.520 --> 0:13:03.280
<v Speaker 1>whole thing. Sasha at a house. I'm sorry, what mother?

0:13:04.080 --> 0:13:07.400
<v Speaker 1>Excuse me? What? Mother? First of all, I understand if

0:13:07.400 --> 0:13:10.559
<v Speaker 1>you have a teenager, that's like basically they're probably juniors

0:13:10.640 --> 0:13:13.160
<v Speaker 1>or seniors or whatever they are. You say you want

0:13:13.160 --> 0:13:14.840
<v Speaker 1>to live with your mom or your dad. That's fine.

0:13:14.880 --> 0:13:17.960
<v Speaker 1>The kid can totally choose. I have no problem. Nobody

0:13:18.080 --> 0:13:22.840
<v Speaker 1>just abandons their kid. Okay, fine, here's the keys. You

0:13:22.920 --> 0:13:24.840
<v Speaker 1>got two weeks till the house is gone.

0:13:25.559 --> 0:13:29.960
<v Speaker 2>What I know. But also the one thing that irked

0:13:30.000 --> 0:13:33.160
<v Speaker 2>me even more than that is when Sasha was saying,

0:13:33.240 --> 0:13:36.600
<v Speaker 2>I was gone at Godford for three weeks and you

0:13:36.640 --> 0:13:39.120
<v Speaker 2>didn't even notice when I came back, and the mom

0:13:39.240 --> 0:13:41.600
<v Speaker 2>was like, you didn't tell me you came back, So

0:13:41.679 --> 0:13:44.000
<v Speaker 2>that's on you. No, no, no, no, no.

0:13:44.520 --> 0:13:47.280
<v Speaker 1>That mom is crazy crazy.

0:13:48.360 --> 0:13:51.000
<v Speaker 2>The fact that you don't know where your kid is

0:13:51.000 --> 0:13:51.880
<v Speaker 2>is a problem.

0:13:52.320 --> 0:13:54.920
<v Speaker 1>No, it's like Michelle and then I do. I do

0:13:55.040 --> 0:13:56.880
<v Speaker 1>like the scene of Michelle sort of saying, we're gonna

0:13:56.920 --> 0:13:59.920
<v Speaker 1>figure this out, obviously, like Michelle needs to. I mean,

0:14:00.600 --> 0:14:02.720
<v Speaker 1>Sasha's gonna move in with Michelle or move in with

0:14:02.800 --> 0:14:07.240
<v Speaker 1>Fanny or something. But what mother just goes, okay, bye,

0:14:07.960 --> 0:14:08.480
<v Speaker 1>peace out?

0:14:09.080 --> 0:14:11.959
<v Speaker 2>What mom? That I don't know?

0:14:12.120 --> 0:14:13.000
<v Speaker 1>That was so weird.

0:14:13.080 --> 0:14:17.160
<v Speaker 2>That was that was so weird. But also, where's the dad?

0:14:17.360 --> 0:14:20.960
<v Speaker 2>Why is the dad not even saying anything? Like I

0:14:21.240 --> 0:14:23.800
<v Speaker 2>don't like any of it. You have two parents and

0:14:23.840 --> 0:14:27.480
<v Speaker 2>they both that's why Sasha is the way she is totally,

0:14:27.840 --> 0:14:31.400
<v Speaker 2>so I don't even care totally.

0:14:31.000 --> 0:14:34.920
<v Speaker 1>Here it's a little bit far fetched too.

0:14:35.520 --> 0:14:38.120
<v Speaker 2>Yeah, well, I mean this could happen.

0:14:38.600 --> 0:14:43.520
<v Speaker 1>This probably does. Yes, yeah, I mean maybe yes, but

0:14:44.440 --> 0:14:48.920
<v Speaker 1>it don't happen. It's just it's it's interesting. It's interesting.

0:14:49.160 --> 0:14:51.880
<v Speaker 1>So then we get sort of the dramatic dance, and

0:14:51.920 --> 0:14:54.680
<v Speaker 1>it was like, Okay, there's a lot to this dance

0:14:55.040 --> 0:14:59.920
<v Speaker 1>that is going over my head, but I'm good with it. Also,

0:15:00.240 --> 0:15:02.840
<v Speaker 1>I'm not sure I love the dancing. It's sort of

0:15:02.960 --> 0:15:03.880
<v Speaker 1>messy dancing.

0:15:04.120 --> 0:15:06.560
<v Speaker 2>But oh it's I don't what do they call that

0:15:06.640 --> 0:15:08.040
<v Speaker 2>alternative dance.

0:15:07.840 --> 0:15:11.000
<v Speaker 1>Modern ballet or something. Oh yeah, it does have a name.

0:15:11.120 --> 0:15:14.320
<v Speaker 2>It's called they do it Dancing with the Stars.

0:15:14.520 --> 0:15:15.880
<v Speaker 1>They do do it on Dancing with Stars.

0:15:15.920 --> 0:15:17.720
<v Speaker 2>I said, do do interpretive dancing?

0:15:17.920 --> 0:15:22.400
<v Speaker 1>Interpretive? Modern? It is? They do do it on Dancing

0:15:22.440 --> 0:15:22.880
<v Speaker 1>with the Stars.

0:15:22.960 --> 0:15:24.800
<v Speaker 2>Yeah, they do. And I always don't like it because

0:15:24.800 --> 0:15:27.480
<v Speaker 2>I want to see the ballroom feels messo or the

0:15:27.560 --> 0:15:28.600
<v Speaker 2>via Need's Waltz.

0:15:28.720 --> 0:15:31.360
<v Speaker 1>Like. I don't like it either because it feels like

0:15:32.280 --> 0:15:39.440
<v Speaker 1>I could do it. It's like I don't know that

0:15:40.080 --> 0:15:42.840
<v Speaker 1>I should be able to do the dancing. Yeah, it

0:15:42.840 --> 0:15:46.760
<v Speaker 1>feels like I could do that. I'm just saying, right,

0:15:46.800 --> 0:15:48.920
<v Speaker 1>it's a lot of that. Danielle and I are doing it,

0:15:49.000 --> 0:15:49.920
<v Speaker 1>if you guys want to know.

0:15:50.840 --> 0:15:52.760
<v Speaker 2>And we are so happy we do not post video

0:15:52.800 --> 0:15:54.640
<v Speaker 2>looks from mess way.

0:15:55.200 --> 0:15:59.000
<v Speaker 1>I'm still into button heads and I'm glad we're doing it,

0:15:59.040 --> 0:16:01.560
<v Speaker 1>but I'm getting looking forward to Maisel and then also,

0:16:01.600 --> 0:16:03.000
<v Speaker 1>I think we should do etto all.

0:16:03.600 --> 0:16:07.960
<v Speaker 2>Yeah, I'm down. I think we should treat yeah like

0:16:08.840 --> 0:16:12.560
<v Speaker 2>we did the Z Suite. Watch an episode and see

0:16:12.560 --> 0:16:13.640
<v Speaker 2>if we want to continue.

0:16:14.200 --> 0:16:17.160
<v Speaker 1>Yeah, I agree, I agree, but I'm going to give

0:16:17.160 --> 0:16:23.000
<v Speaker 1>it a lot of effort. Have you watched another Z Suite?

0:16:23.040 --> 0:16:26.920
<v Speaker 1>You have not? Nope, I know you haven't because it's

0:16:26.960 --> 0:16:27.760
<v Speaker 1>not that good.

0:16:28.040 --> 0:16:28.760
<v Speaker 2>I liked it.

0:16:28.960 --> 0:16:29.320
<v Speaker 1>I liked it.

0:16:29.400 --> 0:16:31.240
<v Speaker 2>Don't see another episode I liked it.

0:16:31.320 --> 0:16:32.040
<v Speaker 1>I liked it.

0:16:32.080 --> 0:16:33.560
<v Speaker 2>I don't know what else to say. I thought it

0:16:33.600 --> 0:16:38.040
<v Speaker 2>was funny and kichi and whatever, and no, I'll get

0:16:38.040 --> 0:16:38.440
<v Speaker 2>to it.

0:16:38.600 --> 0:16:39.320
<v Speaker 1>It is a no for me.

0:16:39.400 --> 0:16:41.880
<v Speaker 2>Dog, I'll get to it.

0:16:41.800 --> 0:16:44.000
<v Speaker 1>But Bunheads, I would watch the whole other season, and

0:16:44.040 --> 0:16:50.320
<v Speaker 1>I'm excited about Atoalle and Maisel and more Gilmour girls

0:16:50.680 --> 0:16:52.440
<v Speaker 1>if that ever happens.

0:16:53.760 --> 0:16:58.320
<v Speaker 2>It's a twenty big year, Like, please, please do something.

0:16:57.680 --> 0:17:03.160
<v Speaker 1>Come on. I loved lawrence idea about a prequel that

0:17:03.240 --> 0:17:07.040
<v Speaker 1>she narrates a Lah Kristen Bell Dexter, et cetera.

0:17:07.760 --> 0:17:09.240
<v Speaker 2>And that would be iconic.

0:17:09.359 --> 0:17:12.160
<v Speaker 1>That would be totally great, except there's there.

0:17:12.080 --> 0:17:15.600
<v Speaker 2>Will be no Luke, and there'll be no Rory or

0:17:15.720 --> 0:17:17.080
<v Speaker 2>Jess or Logan.

0:17:17.359 --> 0:17:21.159
<v Speaker 1>There actually could be a young Luke because you could

0:17:21.280 --> 0:17:23.720
<v Speaker 1>see this is when she go but it's kind of

0:17:23.760 --> 0:17:26.960
<v Speaker 1>like maybe when they're young, there could be a Luke.

0:17:27.720 --> 0:17:32.560
<v Speaker 1>Fair would be played by Luke because the person has

0:17:32.640 --> 0:17:34.080
<v Speaker 1>to be like twenty five or something.

0:17:34.400 --> 0:17:37.080
<v Speaker 2>The only red flag I would have on this, which

0:17:37.119 --> 0:17:42.480
<v Speaker 2>is gonna make me really really sad, But I can't

0:17:42.480 --> 0:17:44.080
<v Speaker 2>have Richard voiced by someone else.

0:17:44.600 --> 0:17:47.720
<v Speaker 1>Oh you know, you make such a good point, but

0:17:47.840 --> 0:17:52.160
<v Speaker 1>he would be because it's if we're going eighteen years reverse,

0:17:52.480 --> 0:17:55.280
<v Speaker 1>because say it's like Begins, maybe when they show up

0:17:55.320 --> 0:17:58.960
<v Speaker 1>at the inn, somebody else would maybe have to play them.

0:17:59.600 --> 0:18:02.119
<v Speaker 1>You gotta watch Dexter the way they've done it on

0:18:02.160 --> 0:18:06.720
<v Speaker 1>Dexter is so amazing because they have these young actors

0:18:06.800 --> 0:18:10.080
<v Speaker 1>that literally look exactly like the people that play them

0:18:10.080 --> 0:18:13.720
<v Speaker 1>on Dexter. It's almost like trips me out. It's like

0:18:13.760 --> 0:18:16.400
<v Speaker 1>a glitch. It's so crazy how accurately they.

0:18:16.640 --> 0:18:19.560
<v Speaker 2>Saw that though, right, the flashback with the youngs.

0:18:19.400 --> 0:18:21.960
<v Speaker 1>Were not those I was not. Those were not nearly

0:18:22.000 --> 0:18:23.600
<v Speaker 1>as good as the way they've done it on Dexter.

0:18:24.960 --> 0:18:28.639
<v Speaker 1>All right, get just look, you'd have to have watched

0:18:28.680 --> 0:18:30.879
<v Speaker 1>Dexter and then you watch the prequel and you're like,

0:18:31.119 --> 0:18:35.960
<v Speaker 1>oh my god, like this is crazy crazy. So I

0:18:35.960 --> 0:18:40.760
<v Speaker 1>think it's doable. I don't think those young people that

0:18:40.840 --> 0:18:43.840
<v Speaker 1>I don't think those were good enough. Frankly, sorry to.

0:18:43.920 --> 0:18:48.080
<v Speaker 2>Judge, No no judgment. Lauren Graham make it happen.

0:18:48.960 --> 0:18:51.200
<v Speaker 1>Yeah, it's really Amy, Sherman, Palladino.

0:18:51.600 --> 0:18:53.480
<v Speaker 2>Both of you. Make it happen, because I do think

0:18:54.000 --> 0:18:56.040
<v Speaker 2>I think Lauren Graham is going to have to have

0:18:56.200 --> 0:18:58.000
<v Speaker 2>a very heavy part in it.

0:18:58.880 --> 0:19:02.200
<v Speaker 1>A thousand per yeah, thousand percent.

0:19:02.400 --> 0:19:05.680
<v Speaker 2>And if there's anyone that can swindle Amy Shum and

0:19:05.720 --> 0:19:07.800
<v Speaker 2>Paladin you know, to doing it, it's Lauren Graham.

0:19:08.040 --> 0:19:08.639
<v Speaker 1>I think you're right.

0:19:08.880 --> 0:19:12.000
<v Speaker 2>You know what Lauren Graham. The ball is in your court.

0:19:12.119 --> 0:19:14.159
<v Speaker 1>So yeah, call Lauren Graham. Make it happen.

0:19:15.400 --> 0:19:17.040
<v Speaker 2>All right, guys, that's Bunheads.

0:19:17.040 --> 0:19:18.600
<v Speaker 1>Are we supposed to rate it? Do we do that?

0:19:18.960 --> 0:19:22.520
<v Speaker 2>Why can you say that in every episode we do?

0:19:22.520 --> 0:19:23.239
<v Speaker 1>Do we rate it?

0:19:23.280 --> 0:19:29.480
<v Speaker 2>We domm seven? Yeah, I was gonna say seven too.

0:19:30.160 --> 0:19:31.600
<v Speaker 2>You liked it more than me, though.

0:19:32.160 --> 0:19:35.560
<v Speaker 1>I enjoy it the last six here I know, I

0:19:35.680 --> 0:19:39.359
<v Speaker 1>like fourteen, fifteen, sixteen, seventeen, eighteen five more.

0:19:39.720 --> 0:19:40.040
<v Speaker 2>Yeah.

0:19:40.080 --> 0:19:40.560
<v Speaker 1>Crazy.

0:19:41.400 --> 0:19:42.880
<v Speaker 2>One of our producers, Emma said, do you think they'll

0:19:42.880 --> 0:19:44.320
<v Speaker 2>announce anything at paiy Fest?

0:19:44.720 --> 0:19:50.280
<v Speaker 1>Maybe no, I don't, but maybe. God. I love you guys,

0:19:50.320 --> 0:19:51.320
<v Speaker 1>talk to you already.

0:19:51.440 --> 0:19:55.000
<v Speaker 2>Drich Bunheads out.

0:20:00.320 --> 0:20:22.879
<v Speaker 1>August Data everybody to forget.

0:20:22.920 --> 0:20:27.000
<v Speaker 2>Follow us on Instagram at I Am all In podcast,

0:20:27.080 --> 0:20:40.080
<v Speaker 2>and email us at Gilmore at iHeartRadio dot com